'The last surviving female Southern White Rhinoceros' takes as a point of departure the human attempt to control everything in our world – be it Flora or Fauna – in an absolute and destructive manner. The sculptural and sound installation consists of a large wooden crate with the dimensions of 2x2x4 meters, completely sealed except for one small peeping hole. From inside the crate, some deep sound of slow and heavy breathing is heard, disappearing at times and coming back, accompanied by painful, quiet moans. Having only one small hole through which one person at a time can look into the crate, a line of people waiting for their turn is part of the installation, and when one finally gets to look through the peeing hole, not much can be seen - the minimal light installed in the crate allows the peeping person to notice an abstract dark shape, a “thing”, whose face and legs – if it has any at all – cannot be seen. Being the last one of its kind, the value of the caged animal – whether actually seen by the public or not – is indisputable. Acting within a Western colonial tradition of exhibiting and presenting objects, artworks, animals and human beings in Palaces, Natural History Museums and major exhibition venues for the pleasure of Western bourgeoisie, the work places the public in the position of oppressors, confronting them with their personal role within existing power structures and systems, and addressing questions regarding dominance, pleasure and objectification.