Gamecocks are bred and modified to play a game that benefits overseeing spectators. This installation is not an exhibition but a means of staging particular space. A way of proclaiming the space and camouflaging the institution. 

The constellation of three main objects seen here speaks to notions of gameness, excitement, masculinity and control embedded in our contemporary era. The Baskets, Fabric rolls on shelves and Seating Maps drawings conjure a theater-like world which aims to transform our urban environment into the layers beneath of what is happening in today’s world and make the space into an open theater play where perception and values are turned upside down. 

The installation has some connotations to sceneography, and also refers to literature, spiritualism, and the folklore of popular ceremonies. The installation can be envisioned as a collective ritual, as a way of exploring relationships between the borders and the possibility of creating a commons. Through this immersive experience inspired by theater and it’s convention I am extending an invitation to step into a world that abolishes distinctions between visitors and actors, works of art and accessories, the manipulation and leadership, the beginning and the end.