This project deals with the theme of hunting, although hunting in the narrow sense of the word is used only in  the title – Glorious Twelfth is the twelfth day of August, the start of the shooting season for red grouse. it is a metaphor, an allegory, a parable, or a simple story with a moral lesson of a man hunting for a woman as prey or trophy, as an object of desire or erotic fantasy. He then extends this metaphor of hunting as a predominantly male hobby or game to reconsider gender differences in the context of art, whereby a significant, if not crucial role is given to sexual undertones and a kind of eroticism.  
Glorious Twelfth consists of a series of twelve works.
The gallery set-up functions as a comprehensive ambience, in which at the first sight we witness another set of disciplined female bodies.It offers the viewer the chance to get accustomed to an unknown experience, in the form of clichés about the female body and pleasure, sometimes driven to the point of unbearableness. This acts as a point of suspense, which the artist achieves through contagious humor and multifaceted appeals to the imagination. The focus of works evolves in the direction of an associative intertwining of social rituals, sports, hobbies and games, art and sexuality. In this perspective, the enigma of femininity is a key agent for what resists being captured by power/authority and knowledge. Art can still point to it, although using allusion, in the form of metaphors or parables.