The project is called Death Drive and is based on Sigmund Freud's speculative idea of human death drives. It is freely associated with the Greek tragedy genre, futurism, the bourgeoisie and the Baroque. The title is also a wordplay that refers to Freud's theory, as well as the underlying event of the sculptures and screenprints.
 
The installation project consists of three sculptures and a floor piece that together form a larger room installation.
 
Two of the sculptures are plaster casts of a speedometer and an airbag from the luxury car brand Porsche. The car parts are taken from Porsche's who has been involved in a major collision or crash.
 
I have also integrated a gas and temperature meter into a lavish and expensive gold-plated fireplace clock made of Italian marble and 20 kg bronze.
 
The exhibition design and scenography are bourgeois and baroque, on the border of kitsch.
 
The exhibition space will during the exhibition period be filled with red gravel and transformed into a tennis court. The walls are painted with blue Plexipave. Both gravel and paint are identical to the one used in several prestigious tennis tournaments called the Grand Slam. White plastic tennis lines are bent, shaped and folded into a floor piece. These lines imitate a car smashing into a wall or driving into infinity. 
 
The project can be read like a Greek tragedy and a critical commentary on the bourgeoisie.