INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13935, 'uprB8Dh6MhYtGTAE', 'ir a obrar cada mañana', NULL, 'Mi abuela lo llama “ir a obrar cada mañana\".\nHay sangre cuando miramos hacia abajo después de cagar, el dolor permanece unos minutos, disminuye de intensidad y se mantiene hasta pasada la media hora. Eso va de dos a tres veces por semana, dependiendo claro está de los alimentos y substancias que consumamos. Tener el sistema digestivo alterado, o unos intestinos sensibles, o vagos, o el síndrome del colon irritable, almorranas o un ardor corrosivo, mareos, vómitos repentinos, jaquecas, sudores…Me sirve para hablar de nuestra relación con el cuarto de baño.\n\nEl azulejo, loseta, adoquín o baldosa de baño; Es un objeto pequeño que sirve mayoritariamente para decorar paredes y suelos, protegerlos de la humedad y facilitar la limpieza. Están hechos de cerámica, arcillas varias, y ya masas industriales. Pienso en ellas como un elemento portátil, hecho a mano y de características distintas. Un puzzle inmenso de azulejos de baño, hechos a mano de Laia, con arcillas comestibles, y lugares donde esconder y guardar, insertar, conservar, fosilizar algo del cuerpo, para construir algún día mi propio baño dedicado a el dolor intetstinal.', NULL, NULL, 'Este proyecto se plantea para cubrir las paredes y el techo con baldosas de barro comestible de un baño de medidas pequeñas o medianas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2236, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1942, NULL, '2020-04-13 21:23:05', '2020-06-23 19:28:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13936, '37MeE1DF8WieOLgb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:23:33', '2020-04-13 21:23:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13937, 'jZ9CVhYgRelKdDPD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:26:54', '2020-04-13 21:26:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13938, 'xwPmmspp1RY2OcsF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:29:20', '2020-04-13 21:29:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13939, 'iN8xdx1XeAbeBHRH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:31:19', '2020-04-13 21:31:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13940, 'iAl9mTsZ3m4RAwVU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:32:01', '2020-04-13 21:32:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13941, 'SHtZ89aDZ1YY6byF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:32:19', '2020-04-13 21:32:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13942, '3GsSHie6ebHDCPNy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:35:03', '2020-04-13 21:35:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13943, 'qllHwRJpMNGFq7DL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:35:26', '2020-04-13 21:35:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13944, 'prmSySKFzjKIkol8', 'Flor al color', NULL, 'Flor al color es una pintura en la que quise plasmar todas las emociones a través de cada color y con ello construir una armonía entre cada uno de ellos. Sin embargo, siempre va a haber una emoción pequeña oscura que es la que se muestra detrás de la flor va diluyéndose junto los demás colores.', NULL, NULL, 'La pintura es a base de óleo difuminado en aceite de linaza. Para cada color procuré usar una mezcla de los colores principales y luego ir suavizando. La dimensión de la pintura es de 40 cm x 60 cm de largo', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1062, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 913, NULL, '2020-04-13 21:36:15', '2020-06-23 02:32:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13945, 'Sl7SYTJYKt2be3EB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:44:16', '2020-04-13 21:44:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13946, 'jSs4qyN193QgaLbj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:44:28', '2020-04-13 21:44:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13947, 'u6JKxNPtYLkJLVxy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:44:29', '2020-04-13 21:44:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13948, 'vRXAt2PZ2damjpQ3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:46:02', '2020-04-13 21:46:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13949, 'vTcq2Q5slYXJmaTK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:48:21', '2020-04-13 21:48:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13950, 'oV83AuKmcIo4cTga', 'Deseos de San Juan', NULL, 'La obra está realizada en óleo,esta pensada y trabajada de forma pictórica de siglo XIII\nEn un espacio físico moderno de la provincia de San Juan ,con una bella mujer semidesnuda disfrutando de un racimo de uva,donde disfruta ese racimo de uva en sabor ,y visualmente frente al teatro bicentenario , haba  un poco de las características de la provincia su crecimiento en edificios modernos y su belleza ..sus mujeres su uva etc .', NULL, NULL, 'Tipo de estructura pared o panel Atril ,medidas \n1,00 mtr x 1,67', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1060, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 911, NULL, '2020-04-13 21:56:54', '2020-06-23 17:45:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13951, 'pgpwgIIrzwLMImsH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:05:35', '2020-04-13 22:05:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13952, 'nTJNGjjeSqrG4IdJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:05:38', '2020-04-13 22:05:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13953, 'OV4zWTq5M7oBxrbb', 'Paper planes', NULL, 'Esta obra es parte una investigación volumétrica del pliegue como rasgo aislado, al que me aproximo desde la cerámica como material principal. En ella se alude al plegado del papel u origami, presentando un desplazamiento del material utilizado: papel por cerámica, que no sólo reemplaza el método de construcción (plegar una hoja), sino también altera completamente la perdurabilidad del mismo. La cerámica permite al objeto persistir y burlar la condición efímera del papel. \n\n“Paper-planes” consiste en 9 aviones “de origami” hechos en cerámica gres, dispuestos en forma de diamante sobre una superficie de madera. Tanto los aviones como su disposición corresponden a una organización de aviación militar. Hay dos tipos de avión: uno de caza (cumple la función de ataque o defensa del espacio aéreo) y otro de transporte logístico; El lenguaje del juego-arte- nos permite digerir y asimilar situaciones dolorosas, complejas, perturbadas y socialmente rechazadas. Por lo tanto, esta obra es un juego que desde un lenguaje infantil proyecta deseos y sentimientos de adultos que hacen eco de nuestra realidad.\n\nTítulo: Paper planes\nTécnica: escultura en cerámica sobre madera\nDimensiones: 90 x 82 x 10 cm', NULL, NULL, 'Montaje sugerido: formato cuadro en una pared \nTítulo: Paper planes\nTécnica: escultura en cerámica sobre madera\nDimensiones: 90 x 82 x 10 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1061, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 912, NULL, '2020-04-13 22:28:33', '2020-07-12 16:46:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13954, 'Gld11jhhBaQUXPN4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:29:21', '2020-04-13 22:29:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13955, 'kghJCzHSHcWkyLtv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:30:26', '2020-04-13 22:30:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13956, 'pDh93tiv1izekWu7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:32:40', '2020-04-13 22:32:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13957, 'Qjmh8Y2Hylyn65Mw', 'The art of urimancy – forecasting uncertainties', NULL, 'Urimancy - from the Greek ouron (urine) and mantéia (prophecy) - is the art and practice of analysing the past, determining the present and forecasting the future through urine. The ancient Romans practised urimancy by observing the bubbles after urinating in a chamber pot. When bubbles were large and spread far apart, a substantial sum of money could have been expected; this was also seen as one’s emotional and spiritual well-being. However, small bubbles close together or their complete lack was seen as an upcoming illness or death of a loved one.\nIn the 16th and 17th century metals were added to urine for other divination purposes.\n\nThe artwork is a reinterpretation of such a ritual. Wondering about his future, the artist questions it in regard to his condition within the current precarious context, as affected by the ever-present threat of a new financial collapse and the crisis of communal values. After reading news about social policies, trends in supplies, oil and gold prices on a daily basis, the main question revolves around how life will be in 10 years.\nReflected on 24k-gold-enriched water drunk from an amphora, the question is then being processed and interiorised. The outcomes are samples of urine with remnants of gold preserved in small jars reporting personal forecasts. Predictions vary according to uncertainties, worries and mood influenced by news about politics and the persistence of unstable world-wide financial systems.', NULL, NULL, 'The location will need to take into consideration the following space needs: approx. 1 to 2sqm space and the possibility to hang photos on the wall.\nRegarding the typology, the work proposal is particularly suited for locations such as art galleries, pavilions, art museums and cultural centres.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4024, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3430, NULL, '2020-04-13 22:37:24', '2020-07-14 18:56:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13958, 'Zm62s50NmGbtgrwc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:44:25', '2020-04-13 22:44:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13959, 'BZvCBlWYNaFPCqSP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:44:55', '2020-04-13 22:44:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13960, 'mSlRMgMkU2MPtVza', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:49:40', '2020-04-13 22:49:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13961, 'UjHbxL9d2DSRGX4p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:52:48', '2020-04-13 22:52:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13962, 'VfsuLbMdL9qjn2L3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:55:38', '2020-04-13 22:55:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13963, 'dNmJB2uaEuNRn10t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 22:57:29', '2020-04-13 22:57:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13964, 'UZIeizX2UybrHDLz', 'Eso que llama amor...', NULL, 'El proyecto consta de tres partes:\nUna primera serie de murales de mujeres realizando tareas domésticas junto con la frase de Silvia Federici “Eso que llaman amor es trabajo no pago”. Buscando visibilizar las tareas de cuidado que realizan las mujeres al interior del hogar para que sean reconocidas como trabajo, buscando activar el debate en torno a la violencia económica y las políticas del cuidado; y principalmente contribuir a la discusión sobre la relación entre espacio privado y espacio público, tensionando y entrecruzando los límites entre ellos.\nLa segunda parte consiste en la intervención de objetos de cocina en objetos de defensa personal acompañados de publicidad audiovisual en redes, denunciando de manera satírica el peligro que se corre puertas adentro de los hogares -donde ocurren la mitad de los femicidios-. La intención con estos objetos es denunciar desde el humor lo que no es tan humorístico: el peligro real que representa para las mujeres estar relegadas al espacio doméstico y privado. Pero también hacer foco en la potencia y resistencia de las mujeres, pensándose desde el lugar de la autodefensa, y no siempre desde la sumisión. \nY la tercera parte es una serie de murales en donde las figuras de mujeres aparecen rebelándose contra las tareas domésticas acompañadas de la frase “Desobediencia Doméstica”. Corriendo la retórica de la victimización, la idea es mostrarnos desde otro lugar, en la posibilidad y el deseo de la desobediencia.', NULL, NULL, 'Los objetos intervenidos van en 3 marcos de 50x35cm acompañados de la proyección del video publicitario en un LCD. \nLos murales-esténcil en el espacio público, las dimensiones se adaptan.', NULL, 'artist', NULL, NULL, 'https://youtu.be/3eeak91FqjQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1069, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 920, NULL, '2020-04-13 22:58:49', '2020-07-12 16:46:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13965, 'c80cWK9Al9rkylPK', 'lo familiar', NULL, 'Lo familiar, 2020\nVideo-instalación | Dos canales de video para pantallas 19”, sonido stereo, vidrio pintado a la tiza. Videos 4k. 4′ 23″ y 6’19” en loop. 45 x 27 x 20 cm\n\nEs una video instalación performática donde la persona permanece en un punto fijo en dos áreas del jardín de la casa familiar. Indaga en cómo construimos la propia percepción a partir de la mirada del otro, y cómo esta construcción, se manifiesta a nivel corporal y emocional de forma involuntaria. Busca que a través de la vulnerabilidad de la persona en pantalla pueda conectar con su propia vulnerabilidad.', NULL, NULL, 'La pieza consta de dos pantallas unidas en su parte posterior sobre un pedestal.\n\nSe sugiere un espacio con iluminación tenue o escasa.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429426347', 'lofamiliar12', NULL, NULL, NULL, NULL, NULL, NULL, 5684, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4690, NULL, '2020-04-13 23:05:07', '2020-08-08 02:35:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13966, 'HAXGnhZMwk0p0A54', 'UNINVITED DREAMS OF A BITTER RESPONSE', NULL, 'The considerable change of situation in terms of the season getting colder and having shorter days is like experiencing the same seasonal patterns of major dejected episodes during a specific time of a year. The static resonance of the conscious effort to maintain a significantly jovial mood is dampened at every turn when the winter makes its mark. It’s a strange phenomenon that occurs in conjunction with changes in the season, especially during the arrival of the chilly winds. My love for this season have always been a priority, but I have always managed to extend my effort to explore the emptiness that the surrounding has to offer, resembling a part of the deserted feeling that I familiarize with. I photographed the hollowed resonance that rules the milieu, experienced by a depressed person, in terms of the landscapes and the habitants amidst the mist that clouds your existence. \n\nThis particular attempt to bring in an emotional set of imagery comparing them with the misty landscapes, trying to depict the unsaid sadness was almost like experiencing a reverse nightmare staying as a prisoner trapped within his personal history. This is indeed something more that one can comply with.', NULL, NULL, 'I would like to go for a simple space with the photographs arranged according to the year they were taken. As in the growing times, with the advent of new technological affairs we have distanced ourselves from the community where we strive in. So the distance between the photographs should be clearly visible. I would want a smoke machine to be included amidst the display so that it can clearly show the feeling of distancing ourselves while the audience goes through the display.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1064, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 915, NULL, '2020-04-13 23:06:12', '2020-08-11 21:52:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13967, 'uZqFbe4CQccyLh1N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:10:01', '2020-04-13 23:10:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13968, 'Cvepgx4CbokCU237', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:10:10', '2020-04-13 23:10:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13969, 'GzNOlWzAUe5mzGYx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:11:10', '2020-04-13 23:11:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13970, 'Rm8iqhCpx3sEa8MR', 'Dor e glória', NULL, 'A presença da igreja na história do Espírito Santo, em especial dos jesuítas, foi gigantesca. Chegaram aqui logo no início da colonização, no século XVI. Construíram um colégio em Vitória, onde é hoje o Palácio Anchieta, e uma série de grandes fazendas para produzir os alimentos que necessitam para as suas atividades de catequização e ensino. Afinal, a colonização portuguesa no Brasil foi também um ato de expansão da fé cristã, uma forma de enfrentar os infiéis, como nas cruzadas. Aqui seriam os indígenas, que deveriam ser catequizados, ou até eliminados, mas a fé cristã deveria triunfar.\n\nA arte de Kyria Oliveira foi buscar vestígios desse passado potente, dessa enorme tentativa de implantar outro modelo de civilização. Lá, onde seguramente os escravizados africanos ou os escravos da terra, como eram chamados os índios, deixaram seu sangue, sua saúde e até suas vidas, a artista coloriu do mesmo vermelho do sangue que pode ter sido ali derramado. Dor e glória. \n\nO resultado estético é extraordinário. O resultado histórico também, na medida em que nos leva não só a valorizar esses restos do passado, como também a refletir sobre suas ruínas, seu abandono, sua precariedade. \nEssa nova empreitada mostra a sua sensibilidade ao buscar vestígios de nossas raízes para resignificá-los, para dizer ao mundo que eles existem e podem ser cobertos do novo, do belo.\n\nJoão Gualberto\nDr. em Sociologia Política', NULL, NULL, 'Capela do Morumbi - MUSEU DA CIDADE DE SÃO PAULO\nA proposta é montar a instalação no interior da Capela, as peças serão instaladas com fios de nylon, e  por serem muitos leves não oferecem risco de dano à edificação. \n\nA instalação de recorte manual sobre carpete>feitos a partir dos desenhos resultante da ação do tempo sobre as paredes de seu ateliê, que é um casarão antigo que segue os padrões do modo construtivo dos jesuítas no Brasil.\n\nDimensão: 30m² a 50m² dependendo do local a ser exposto.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=gIBUtlv7FQk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1427, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1249, NULL, '2020-04-13 23:11:54', '2020-08-15 00:51:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13971, 'cDquPhRliGVfOfDB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:16:15', '2020-04-13 23:16:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13972, 'noQGuqqesSSGxAxS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:20:10', '2020-04-13 23:20:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13973, 'pYikLOfNrKu3aos3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:20:14', '2020-04-13 23:20:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13974, 'O6kBJwzRhlo193hm', '\"Muro emocional\"  -  Proyecto multidisciplinario', NULL, 'Descripción conceptual:\n“Muro emocional” busca indagar y reflexionar sobre los sentimientos de lo que implica migrar. Del fracaso de los muros que no se pueden atravesar y de las barreras a desafiar, a romper. De ese el amargo sabor de tener que resignarlo todo. Del dolor de lo dejado atrás. “Muro emocional” indaga también sobre la esperanza, de los que habiendo tomado la decisión de migrar sea por la razón que fuere –económica, hambruna, persecución política o simplemente sueños- saber que cuando un muro es atravesado, todo vuelve a comenzar. Una nueva vida para bien o para mal, inexorablemente sucede.\n\nMaterialidad:\nFotos, testimonios y objetos sobre los migrantes hacia Argentina. Pueden ser entre 8 y 12 testimonios dependiendo del espacio. La fotografía enmarcada es de 60 x 60 cm. El texto correspondiente surge a partir de reportajes realizado a cada uno de ellos. Los migrantes provienen de Venezuela, Paraguay, Dominicana, USA, Suecia, Cuba, entre otros. Los objetos personales de los migrantes buscan dar sentido de pertenencia y “generan un todo” junto a los testimonios y las fotos.\n\nLas obras en tela y en papel (técnica mixta) tratan sobre la soledad y la opresión. Van de 50 x 50 cm y las grandes de 2 x 5 mts.\n\nInstalaciones versan sobre lo infranqueable y sobre lo posible. Obras que van de 3 mts de alto a 3 de ancho, a obras que van de 4 mts de alto x 15 de ancho. Realizadas en combinación de metales. Tejido de alambre, alambre de púas, barras de metal.', NULL, NULL, 'Lo ideal es que este proyecto conviva en un mismo espacio público, de ser posible un museo, centro cultural o de exposiciones. El valor del mismo radica en el hecho de poder apreciar las diferentes obras en un mismo espacio ya que de un modo u otro interactúan entre sí. Que permita la reflexión en conjunto. El dolor y la esperanza. Lo posible y el fracaso. Los sueños y la realidad. Por otra parte es necesario un espacio amplio ya que algunas obras sobre todo las instalaciones son grandes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1066, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 917, NULL, '2020-04-13 23:24:55', '2020-07-12 16:46:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13975, 'VCt64oBNg0zg196z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:26:26', '2020-04-13 23:26:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13976, 'ObvLZbbOjLobWbLQ', 'La resonancia', NULL, 'La resonancia es una serie de obras que busca reflejar la importancia de encontrar nuestro lugar para luego poder conectar con el otro en una sintonía y frecuencia que nos permita resonar en conjunto. Es un ida y vuelta contante que hace que la rueda de la creación este moviéndose más allá del tiempo y del espacio. \nPor eso en está serie de obras está la presencia de la dualidad plasmada como dos líneas que viajan unidas en toda su extensión.  Dos líneas que reflejan nuestra conexión física y espiritual. Las obras tampoco tienen ni derecho, ni revés, sino representan emociones que existen como formas vivas, que pueden cambiar de orientación espacial para adquirir una nueva impronta en un presente que siempre se reinventa.\n Estoy convencido que cuando logramos fundir ambos planos, podemos resonar en el otro y alcanzar nuestra máximo punto de encuentro.', NULL, NULL, 'Pensé en sujetadores que le permitan a cada obra poder girar y que el espectador elija su orientación espacial. Y que cada obra pueda ocupar una posición diferente dentro de un rompecabezas universal que la contiene y le permite ser flexible y dinámica a la vez.  En paredes contiguas o enfrentadas para crear una continuidad física y espacial pero siempre con la idea de que el observador interactúe con las obras para conectarse desde su propio instinto y vibración.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1068, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 919, NULL, '2020-04-13 23:27:04', '2020-06-23 02:32:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13977, 'Ryg9AAqmcLIHUeCz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:29:57', '2020-04-13 23:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13978, 'DrkDMzmQciqzUO09', 'Images of inconscient', NULL, 'The art work presented is developed such madness subject, more precisely the symbology of shadows images inside personality that everyone has. My poetic has base at psychiatrist Carl Gustav Jung literature that influence my work where my art has images of inconscient in dialog with the book Memories, Dreams, Reflections by C.G Jung. \nTo accept consciously the shadow or social mask as suggested by Jung, allow to anyone get be a better person. To learn the recognized dark aspects of personality can help get a good relation with “self”. \nIn the photographs I allow myself to be me and expunge my demons, my anger, my madness, my dreams and show my shadow. All photos was a therapeutic moment and help me to work with this conflict and understand my personality. The whole process was organic and intuitive, with that my goal was make some portraits that show real feelings and make people think about what cause these feelings or if them feel some of them. \nThe process to develop this work appeared when I was thinking about a new project, and in my research a text that talk about personalities helped me to get approaches to make visual concept that stimulate the audience to understand the subject. Beyond to read the Jung’s texts I research about surrealism art because I considered that dreams, shapes and feelings dialogue with that I intend. The art of Salvador Dalí helped me to understand some art aspects and I realized that my approaches also.', NULL, NULL, 'The exhibition make reference to madness, but not directly. Show photos that represent some those feelings currently nowadays is a way to open a moment and space to approach the theme as make it part of current actual life.    \nThe photos was produced in May 2020, size 50x30, in black and white with digital process. To exhibition is not need special equipment, just enough that art stay fix at wall with good light for better observation to visitors, in Art Galleries, museums or Art Spaces.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3055, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2635, NULL, '2020-04-13 23:31:39', '2020-06-26 16:19:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13979, 'DVuGNjafaT4z6lww', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:31:58', '2020-04-13 23:31:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13980, 'rIgWut9ObXGsoGgH', 'duto', NULL, 'Exposición de un libro objeto de poemas y consumación de la instalación por parte del público al final del período de exhibición. La obra \"duto\" es un libro objeto publicado por el escritor e investigador de la literatura brasileña contemporánea - doctor por UFMG - Gleidston Alis, que combina diferentes aspectos de la poesía con el diseño y las artes visuales, en la composición de una obra idiosincrásica y, en elAl mismo tiempo, alineado con la dispersión conceptual y la hibridación técnica típica de los tiempos contemporáneos. El trabajo consta de 33 poemas, que materializan parte de su contenido verbal en formatos que se refieren a diferentes géneros y círculos discursivos (postal, tarjeta de presentación, portavasos, marcador de página, servilletas, diario escolar, folleto, página de periódico, etc.). Esto modifica la experiencia de lectura al agregar elementos tridimensionales y socioculturales al juego interpretativo que establece la apreciación poética. Reunidos dentro de un tubo de 30 cm X 10 cm, los poemas se presentan al lector como acumulación y multiplicidad, sin guía de lectura o requisitos previos para su disfrute. En el trabajo ahora propuesto, las artes plásticas y el diseño traen poesía al espacio de exhibición, proporcionando el establecimiento de un diálogo interesante sobre modos y espacios de lectura, así como articulando cultura de masas, producción en masa, consumo, papel y valor de arte, entre otros temas planteados por los temas de cada poema expuesto.', NULL, NULL, 'Se colocarán copias del libro objeto en mesas para que el público vea o lea la diversidad de los poemas/objetos dispersos o amontonados (expresión de acumulación y aleatoriedad), con autorización para su manejo. Al final, se debe permitir al público tomar poemas separados o ejemplares, consumiendo la instalación por completo. El espacio requerido es variable y adaptable a diferentes ubicaciones. Se pueden poner a disposición de 5 a 50 copias, si hay interés en realizar exposiciones simultáneas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1075, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 926, NULL, '2020-04-13 23:35:42', '2020-07-12 16:47:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13981, 'hXjiL6WBO5kBn2Sc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:40:36', '2020-04-13 23:40:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13982, 'xhukcYuTpgR7Gn7S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:40:41', '2020-04-13 23:40:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13983, 'qYTgWY1fpNPhWd8n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:43:38', '2020-04-13 23:43:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13984, 'JelwTTJWMCXyBvct', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:49:46', '2020-04-13 23:49:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13985, 'AUebKURga9KE7GMy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 23:59:40', '2020-04-13 23:59:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13986, '8GIO75YDrYJfXJpW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:07:53', '2020-04-14 00:07:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13987, 'dUWSnJllS92IyGaI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:10:48', '2020-04-14 00:10:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13988, 'NEc7Mu6epjsVxpYt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:12:47', '2020-04-14 00:12:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13989, 'lj6tE9zgeJQJ56TG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:14:19', '2020-04-14 00:14:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13990, 'veqvKK1QAnD20yLs', 'Egg yolk (Gema)', NULL, 'The project brings the past and the present together to promote other aesthetic perspectives for the future, especially in the public\'s relationship with institutions. From the approximation of a selection of works from the collection of the National Museum of Fine Arts of Buenos Aires (selection to be defined later, considering the set of master works of discussion of landscapes and representation of nudes, for example) to the works by artist Rodrigo Bivar, the proposal aims to address how the formal repertoire internalized by the population through the canons of Art History can be distorted, renewed and made even more complex when confronted with new aesthetic discussions of contemporary art, especially on a traditional support like painting.\n\nThus, the project foresees the presentation of 10 works by Bivar along with the selection of master works, multiplying the possibilities of experiences in front of art and a traditional exhibition space.', NULL, NULL, 'Museo Nacional de Bellas Artes de Buenos Aires, Argentina.\nTraditional exhibition room, aprox. 100m2 - depending on the available rooms and available works from the museum.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1SdhAnVs_r_FQSc5aLiLmjzTr74yRjqDt?usp=sharing', NULL, NULL, NULL, 5725, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4730, NULL, '2020-04-14 00:23:00', '2020-08-08 02:43:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13991, '2UzAOvwRwkzhSchx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:27:46', '2020-04-14 00:27:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13992, 'xsulw3M8kmPERf4n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:29:03', '2020-04-14 00:29:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13993, 'aG2Qi4iscuV6hqML', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:29:07', '2020-04-14 00:29:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13994, '9MgQ8yuwmQp4Px7y', 'E-Mortality & Immortality', NULL, 'This project explores the idea of digitally preserving lives and deaths, immortalizing our existence, in the digital space. A vast majority of the human population has at least one account and information saved online. The names on the Internet live forever whether the persons are dead or alive. Every year in China, a traditional festival for the dead called the Qingming festival, also known as Tomb-Sweeping Day, takes place in which Chinese pay homage to their deceased loved ones. During Qingming, family members visit the tombs of their ancestors to pray to their ancestors, clean the gravesites and make ritual offerings. In recent years, this tradition of making the visit is showing presence online. From online homage services where family members can “attend” their ancestors’ digital tombs and show their respect with the digital flowers and incenses to QR codes for the dead where the visitors can scan the QR codes to see the information and photos of the dead, it is no longer a secret that death and life are going digital with unclear boundaries. The digitalization of death is becoming closer to our lives than before. The digital world is vast and cannot be controlled as if it has its own world. Any person’s information can be retrieved online as long as the slightest hint can be found. The digital world is like the unknown world that resembles death itself.', NULL, NULL, 'We aim to present a video installation on screens. Screens are a vital medium for us in the creation of this piece, as we read it as the entrance to the digital world where we strive to scrutinize in this project. Through both performance and real-life clips, we aim to present the work in different video channels and screens where the story connects from one screen to another in a dark room. Objet d’art will be included along with the video, a representation of online in a physical form.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4116, NULL, 524, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3510, NULL, '2020-04-14 00:29:45', '2020-10-30 21:13:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/1-ezCqdNRpPK1Cu7k6tbecWwaDXgmNhM-'),
(13995, 'YiJtJV8183nugDzm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 00:30:40', '2020-04-14 00:30:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13996, 'kAyE9M37ffni9Zwo', 'Parece Roto', NULL, 'La videoinstalación surge de la investigación sobre la materialidad y la temporalidad de los objetos y su destrucción, encuentra que lo roto deja de ser desecho para devenir material de construcción, disecciona e indaga en la acción de romper para construir con las partes una nueva forma, generando una experiencia que toma como eje a quien la recorre. Parece Roto nace como una sospecha sobre la realidad que observamos y se materializa en un recorrido, una experiencia sensorial para un espectador activo, un dispositivo espacial y audiovisual en diálogo con un entorno vivo, que se reformulará en cada espacio que habite en tanto el reconstruirse y mutar es parte de su esencia.\nUn camino elaborado con fragmentos de objetos rotos (cerámicas, muebles, trofeos, espejos, ladrillos) guía al espectador por el proceso de destrucción de esos objetos a través de diversos procedimientos perceptuales (diseño sonoro, poesía, música, proyecciones, video slow motion y en reproducción invertida, mapeo digital) en búsqueda de una narrativa fragmentada a la cual cada espectador dará su propio sentido.\nEsta investigación se extiende en el tiempo y entre disciplinas. Comenzó en 2018 en residencia de creación de Plataforma LODO y siguió con un montaje en el Centro de Investigación Cinematográfica (ambas en C.A.B.A). Actualmente mi proyecto de un poemario homónimo que extiende la búsqueda al campo literario/poético, obtuvo una beca de creación en residencia en Can Serrat, Barcelona, para mayo de 2021', NULL, NULL, 'Espacio cerrado mínimo aprox 4x8mts con posibilidad de oscurecer para proyección, tomas eléctricas para monitores, máquina de humo y proyectores, posibilidad de circulación (no butacas por ej). Ideal pero no imprescindible que tenga al menos un proyector. Forma, altura y niveles son totalmente libres dado que está en la esencia de la instalación poder construirse en espacios muy diferentes entre sí. Que tenga vigilancia y que quede cerrado bajo llave cuando la instalación no esté funcionando.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3725, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3181, NULL, '2020-04-14 00:33:25', '2020-07-02 00:18:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13997, 'sqWQZ6DO0I34U10v', 'Borders and Boundaries', NULL, 'Una de las características comunes a mis últimos trabajos es la utilización del arte para identificar fronteras (entre lenguajes, tecnológicas, sociales, económicas, higiénicas). Tanto desde un punto de vista formal -situándome en el umbral entre diferentes disciplinas-, como conceptual, intentando aproximarme a la frontera desde diferentes perspectivas en las que la denuncia de su capacidad limitadora y coercitiva, no puede ocultar su naturaleza de superficie de contacto -de contagio- entre diferentes realidades.\n\nEl eje básico de la propuesta es una pantalla translucida. En ella escritas en rojo diferentes palabras traducidas automáticamente a todos los idiomas disponibles en la app de traducción más usada en internet -asumiendo el error implícito -.\nLa palabras usadas (identidad, alteridad, seguridad, libertad..) sin llegar a plantear un juego de antagonismos estrictos me aproximan a la frontera desde la lectura de diversos autores contemporáneos (Bauman, Braidotti, Byung Chan, Zizek, Claire Rodier, Peirano..).\n\nUn velo de pintura del mismo color impide inicialmente la lectura de las palabras. La pantalla lleva un circuito de nebulizadores de un flujo de agua automatizado (del tipo de los utilizados en las terrazas turísticas, en la producción de alimentos, en la desinfección) asociado  a un recipiente con una potente bomba de agua de alta presión. Este sistema permite un flujo de agua continuo que primero hace desaparecer el velo (tiñendo el agua) y después las palabras.', NULL, NULL, 'El tamaño de referencia de la  pantalla es 4\'5 x 3 ms. Puede variar en función del espacio. El recipiente o bañera para el agua necesita aproximadamente 40 cms. a cada lado y un fondo de 80 cms. la altura aprox. es de 30 cms.\nLa disposición ideal es colgada dividiendo el espacio en el que vaya a ser situada, de tal modo que el público pueda ver la pieza desde ambas caras, para ello utilizo diferentes soluciones técnicas adaptables al espacio de exhibición. Se necesita también una toma eléctrica.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1279, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1114, NULL, '2020-04-14 00:41:46', '2020-07-27 20:21:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13998, 'cqpaqIOsm5isMbdP', 'Trama', NULL, '\"Trama\" es una impresión fotográfica sobre tela, bordada y montada en un bastidor.  En la imagen, en blanco y negro, se muestra una parte indefinida de mi cuerpo que revela las pliegues, los poros y las marcas de la piel. En esta fotografía, dibujo dibujos de pequeñas casas, pensadas como células de un tejido vivo.\nEl hilo blanco utilizado para estes bordados de pequeño tamaño requiere un acercamiento físico del espectador al trabajo, creando una intimidad que está relacionada con la proximidad mostrada por la fotografía macro. La técnica de bordado manual alude a la experiencia doméstica y familiar y rescata la memoria de esta práctica, vista socialmente como femenina y, por lo tanto, marginal en la esfera artística y académica.', NULL, NULL, 'Impresión fotográfica sobre tela, bordada y montada en un bastidor de madera. La pieza mide 45 x 45 centímetros  y debe colgarse en la pared, suspendiendo el bastidor sobre un clavo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1074, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 925, NULL, '2020-04-14 01:04:42', '2020-06-23 02:31:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13999, 'PXsKxS6HDbuhtUXn', 'Patrones recurrentes/ comportamientos artificiales, 2002-2020', NULL, 'Patrones recurrentes/ comportamientos artificiales, 2002-2020\n\nAnimación proyectada sobre un objeto montado en la pared. \n\n\nEsta obra forma parte de una serie dedicada al tema de la simulación. Seres y escenarios presetteados disponibles on line, nuevos valores de cambio, de tráfico simbólico, que nos acechan en full HD. \nEn este trabajo estoy combinando la representación 3D virtual y el volumen-paisaje “real”. Me interesa la presencia ambigua de esta imagen distópica. Un paisaje normalizado con pistas y plataformas de atletismo sobre las que corren en loop seres anónimos.\nLa naturaleza híbrida, artificial, me interesó desde que comencé a trabajar con herramientas digitales en 1996. Retomo esas imágenes con nuevos recursos. Volúmenes y paisajes modelados con programas que incorporé, Rhino y Grasshopper, algunos impresos en 3D. \n\nEn esta oportunidad el volumen fue modelado en 3D pero materializado manualmente.\nEstoy trabajando a partir de una serie de obras, realizadas entre 2001 y 2003, que hubiese querido continuar en su momento pero no llegué a materializar porque los costos de la impresión 3D eran inaccesibles.\n\nMe resulta imposible registrar para esta presentación en un video de un modo “fiel” el resultado de la proyección sobre el objeto ya que al filmar la proyección se reduce la calidad de la imagen notablemente. Por esa razón adjunto por separado vistas del objeto, del esquema de la instalación y el video a proyectar.', NULL, NULL, 'Animación proyectada sobre un objeto montado en la pared. \nNecesito un espacio con bastante oscuridad y una pared en lo posible pintada de un tono oscuro.\n\nmedidas: 30 x 48cm x 5cm\n\n\nQuiero aclarar que si bien tengo el objeto en la medida presentada podría escalarlo a una versión de  1,20 m de base si el presupuesto lo permite.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1_MRrOG_YtpIpExdladk5dm7Lfq8LWYEB/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1133, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 979, NULL, '2020-04-14 01:07:20', '2020-08-14 18:43:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14000, 's5oBM1xCiAkO3rnr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:14:49', '2020-04-14 01:14:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14001, 'radojUnDdhVhAzJf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:18:04', '2020-04-14 01:18:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14002, 'uw4KiiRpfu8Ufg71', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:18:53', '2020-04-14 01:18:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14003, 'cLpBPFbsT3qr2dPY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:21:53', '2020-04-14 01:21:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14004, 'blRttKInxvHXWy5Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:22:05', '2020-04-14 01:22:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14005, 'vJXN4Tt5qkeAXrFB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:22:06', '2020-04-14 01:22:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14006, 'fhC1P6GP3RxnppPv', 'The Fractured Instant', NULL, 'I have done a study on how to break the relationship between space and time.\nMy idea was to make a gateway - a moment where the space is variable for more or less without changing the temporal sequence.\nA dimensional portal where a distant point connects to another while maintaining the same moment.\nThe installation THE FRACTURED INSTANT takes us to a gray and immobile landscape, similar to an old postcard forgotten in some drawer of the soul. A small procession of red bicycles appears in the background. They advance placidly. At first glance, they seem to rip through the moment as if they were the first ray of light on a gloomy morning. Bicycles and drivers, one by one, disappear and merge into a single image without a precise shape. The plural becomes singular and then plural again.\nLed by figures, also wrapped in red, little by little they are approaching us. They assume a human dimension, which threatens to invade our space, the next moment the bikes disappear. It is as if time stopped for a brief moment, interrupted for unknown reasons and everything returned to the initial inertia. But with each new day, life is remade and we are given a new opportunity. And there are the bikes and their drivers again following their inexorable destinations.\nThis video installation have been showed in 2010 at Centro Cultural dos Correios in Rio de Janeiro and in New York at Nohra Haime Gallery in 2015.', NULL, NULL, 'Video installation consisting of two projections and bicycles. \nThe distribution of bicycles and projections are variable according to the space available.\nIt is an exhibition that is already 10 years old, but very current, showing us that we cannot be paralyzed, even though there are difficulties and against times in our space.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=n5nUnRNXT-M&NR=1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1073, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 924, NULL, '2020-04-14 01:27:15', '2020-07-12 16:47:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14007, '4ov4UCXVvdKeuXjG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:30:23', '2020-04-14 01:30:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14008, 'iZn41ckcxXBkm1GL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:35:14', '2020-04-14 01:35:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14009, 'adeRv1WbduBU5emx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:35:40', '2020-04-14 01:35:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14010, 'DF5Or6fwECutswlr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:51:19', '2020-04-14 01:51:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14011, 'H56Yqglq3s1cElin', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:55:13', '2020-04-14 01:55:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14012, 'LSI1mSLih4MWVB3E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:58:36', '2020-04-14 01:58:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14013, '7XOZB1xyVgbqjwXk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 01:59:35', '2020-04-14 01:59:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14014, 'VuEo7scWEZVe0cjl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:06:40', '2020-04-14 02:06:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14015, 'jP3XTGKqZJzMPMCA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:07:18', '2020-04-14 02:07:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14016, '2TluFk3XCv639P5F', 'No hay deseo que no haga mío', NULL, '¿Qué siente una mujer que no puede tener hijxs biológicxs levantando una lucha sobre tareas de maternidad? ¿Qué piensa una mujer blanca sosteniendo una demanda de una mujer que sufre violencia racista? ¿Qué le pasa a una mujer sana cuando lleva el deseo de un cuerpo enfermo?\nLa obra llevó a la Marche Mondiale des Femmes en Bruselas los deseos y demandas de mujeres que no pudieron o no quisieron asistir a la manifestación, señalando la práctica feminista de levantar las luchas de otras.\nMe interesa cuando los cuerpos se reúnen porque ponen en juego significantes políticos, más allá de lo que estén diciendo. El deseo toma forma pública. De todas formas, no todxs pueden marchar. No todos los cuerpos pueden aparecer.\nEn ese lugar de tensión intento imaginar: ¿cómo plegar las reglas neoliberales prevalecientes en algunos feminismos? ¿Cómo ensayar diferentes formas de organizarnos? ¿Podemos usar el arte como una herramienta para ejercitar mejores formas de estar juntxs?\nUna de las cosas que me enseñó el feminismo es a levantar luchas que no son necesariamente las mías. No es fácil manifestarte por algo que no te afecta directamente o que te sensibiliza de una manera especial. En este proyecto, el arte nos permitió enmarcar un ejercicio contra el individualismo, ensayarlo para después poder practicarlo cuando el arte no esté ahí como excusa para narrarnos. Este, que no es mi deseo, es también mi deseo. \n\nProyecto de arte y procesos sociales.\nHectolitre, Bélgica, Febrero-Marzo, 2020.', NULL, NULL, 'El proyecto se exhibe como registro de la acción con imágenes y un texto de investigación del proceso. \nLa propuesta es realizarlo nuevamente en el contexto de Buenos Aires el 8 de marzo de 2021. En ese caso, se presentarán los carteles junto a un archivo visual y textual conectando ambas ciudades.\nLos carteles son de dimensiones aproximadas de 50x70 con soporte de madera. Las imágenes se presentan impresas. El texto se ubica en la pared y al mismo tiempo en un formato para llevar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://belencharpentier.com/No-hay-deseo-que-no-haga-mio-There-is-no-desire-I-do-not-make-my-own', NULL, NULL, NULL, 1839, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1616, 5, '2020-04-14 02:12:35', '2020-08-24 23:13:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14017, 'f6XAfOs1Nrd8hman', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:16:18', '2020-04-14 02:16:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14018, 'c3Lrtk36120X2PRi', 'ceramic sculpture \"И\"', NULL, 'The world is on reload nowadays. In this unusual circumstances each of us asks the question: “What will happen next?” ⁠⠀\n⁠⠀\nThe recent sculpture by Julia Batyrova that she created in isolation is about that a humanity is capable of regeneration in spite of everything. In this eternal cycle of life it is important to feel unity with nature. \"Spring\" will come back, the new grass will grow through the soil, and deserted cities will be filled with life again. ⁠⠀', NULL, NULL, 'stoneware, porcelain ⁠⠀\n34 x 32 cm⁠⠀', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1193, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1035, NULL, '2020-04-14 02:18:24', '2020-06-23 02:27:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14019, 'BD1vgp0K2tYW5ZB9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:23:31', '2020-04-14 02:23:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14020, 'HMY56fQaLHWzuJ8e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:23:33', '2020-04-14 02:23:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14021, 'rFdenWYfAyVEVzOi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:25:55', '2020-04-14 02:25:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14022, '2I1vJWJyznxn5wV2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:26:50', '2020-04-14 02:26:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14023, 'QTTUvhKdkVapEiKK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:26:55', '2020-04-14 02:26:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14024, 'CscYUOfq8AJxVRv7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:27:01', '2020-04-14 02:27:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14025, 'GoNt3mn5p8gZXMm7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:31:58', '2020-04-14 02:31:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14026, 'Rcp13uDLk7JO9Avi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:34:47', '2020-04-14 02:34:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14027, 'al3ytbi28xEetN7w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:39:19', '2020-04-14 02:39:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14028, 'inK5XpXjxaHDmbka', 'DIARIOS DE TRABAJOS (WORK DIARIES)', NULL, 'Work Diaries consists of a compilation of video diaries that Paula Ábalos has created during the last five years. She documents her time in different service jobs she has performed (in Chile and Germany) parallel to her artistic work to cover her costs of living.\nIn these autobiographical videos, which she first shot with her cellphone and later with hidden cameras, Ábalos appears working as a supermarket promoter, a kitchen assistant, preparing sausages in a stadium, cleaning in a fitness studio and\nworking in a package distribution center. These videos emphasize the different times and rhythms of each work and describe - by voice over and texts - her tasks, the places of work and her perspective on her work and the workplace. Thus, it shows the contrast between the impersonal appearance of the locations and her personal view after remaining in them for hours.\nThis video diaries are a way of recovering the lost time in which the author rents her body to companies, trying to reappropriate those hours, so they dont vanish.\nThe project originates from the situation of not having time to develop her artistic work after having worked for a long time in a supermarket. Thus, the author decided to transform the space of her job into her studio, trying to materialize her\nobservations in videos and notes. Methods she keeps up in current jobs.\n\nDiarios de trabajos remains in continuous development depending on new jobs that Ábalos performs, attaching new chapters to it.', NULL, NULL, 'El ideal para presentar esta obra conformada por video-diarios (en capítulos) es un diptico de proyecciones (perpendiculares o paralelas). El tamaño de cada una debe ser como mínimo 1.50 mt de alto. Cada proyección necesita un solo parlante.\n\nRequerimientos técnicos: 2 proyectores (1920 x 1080) un media player, 2 parlantes.\n\nNOTA: Debido a las características esta obra (serie de videos en diferentes capítulos) esta obra se puede adaptar a mostrarse también en un solo canal de proyección', NULL, 'artist', NULL, NULL, 'https://vimeo.com/407352567', 'azul', '(the sound is in the video)', NULL, 'https://www.paulaabalos.com/DIARIES-Trabajos-para-vivir-del-arte', NULL, NULL, NULL, 1145, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 989, 5, '2020-04-14 02:39:53', '2020-08-24 22:47:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14029, 'VcF3jUGtmQScVGD3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:40:22', '2020-04-14 02:40:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14030, 'Zsbi9G1fIUpSywlI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:43:29', '2020-04-14 02:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14031, '4Sr6rNUsjcW45NvA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:48:18', '2020-04-14 02:48:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14032, '99hlZo4TMhmOfXhx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:48:55', '2020-04-14 02:48:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14033, 'B7k0T6jtMHBnLdeP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 02:54:23', '2020-04-14 02:54:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14034, '6UGjgvSjdYZuYIbb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:01:39', '2020-04-14 03:01:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14035, 'O7cRPRXGrLrvSOEP', 'Sustratos líricos/Ejercicios de arqueología literaria', NULL, 'En estas 3 esculturas me valgo de la apropiación de libros resignificando su contenido, descontextualizándolo para narrar diversas situaciones con un abordaje a veces lúdico, poético o de ficción, utilizando procedimientos que provienen de la arqueología y las artes visuales.  \n\nLas formas de madera que se encuentran en las piezas cumplen diversos roles: son personajes que habitan o transitan los libros y en otros casos presentan elementos de arquitecturas o formas biológicas ambiguas e incontenibles, desenterradas en los diversos volúmenes literarios. \n\nEl soporte de la madera guarda una relación íntima con los libros, ya que es la principal materia prima de los mismos, pero en este caso además de conformarlos, los habita e interpela simultáneamente. \n\nLas obras están realizadas en madera de paraíso tallada y quemada ensamblada en libros también tallados. Este cuerpo de trabajo surge de mi experiencia como ayudante de campo del arqueólogo Carlos Aschero, investigador del CONICET, en diversos sitios arqueológicos en la `provincia de Catamarca en los años 2013, 2015 y 2017.', NULL, NULL, 'Una biblioteca sería un buen lugar de exhibición, pero también es apto para salas con techo, ya que la obra no es apta para la intemperie.  \n\nLas 3 obras están realizadas en madera de paraíso talladas y quemadas y libros horadados.   \n\nImagen 1: 38 x 70 x 50, base: 100 x 80 x 60, con cúpula de acrílico de 45 x 80 x 60 cm. \nImagen 2: 38 x 30 x 27, base: 120 x 32 x 30 cm, con cúpula acrílica de 45 x 32 x 30 cm. \nImagen 3: 32 x 20 X 20, base: 120 x 22 x 22, con cúpula acrílica de 35 x 22 x 22 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6220, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5098, NULL, '2020-04-14 03:03:47', '2020-07-22 00:50:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14036, 'fvsmHtAN7gGvAD5G', 'Serie __w__', NULL, 'Resistencias Cotidianas. La resistencia explícita pero que no es visible. Nada separa a las voces de la calle con las voces de resistencia dentro de los ámbitos cotidianos. Un mismo fuego que impulsa, un mismo corazón bravo que se apodera de ausencias en forma de reclamos, en forma de defensa ante la vulnerabilidad impuesta. Contextos íntimos como campo de resistencia y lucha, calles como altavoz de aquellxs que no pueden gritar. Corazón bravo y el día a día de la lucha.\nSerie: __W__ Es un proyecto de intervención en el espacio público el cual reúne una serie de fotografías en un libro de artista montado en algún muro por el cuál el flujo de gente sea importante. Busca jugar con la curiosidad de transeúntes como reflejo de la pasividad de estxs ante las manifestaciones de lucha o ante el conocimiento de casos de vulnerabilidad.\nEspectadores inmutables en contextos agitados.\nEste libro de artista estará montado  con una estética de \"altar\".', NULL, NULL, 'Instalación sobre el espacio público\nEspacio sugerido: Muro de alguna Avenida Transitada\nObra Efímera\nRecursos material: Bitácora, Fotografías, Flores de plástico, Cintas de tela, Velas, Soporte de madera, Pegatinas.\nDimensión general de la obra (aproximación): 1 mt. con 50 cms. de alto por 2 mt. de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1076, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 927, NULL, '2020-04-14 03:04:30', '2020-06-23 02:31:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14037, 'Di36nUmlOpjJ0hmG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:10:55', '2020-04-14 03:10:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14038, 'qBrDOcyiTFAKKJV5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:13:25', '2020-04-14 03:13:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14039, 'yFB4nDYF3eNTXe1c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:16:55', '2020-04-14 03:16:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14040, 'SDUNIPAc7bpYS7Xg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:23:17', '2020-04-14 03:23:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14041, 'ogAlKU2rKrN9eqMZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:24:31', '2020-04-14 03:24:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14042, 'zlncJnFkEaWYe6Ax', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:37:35', '2020-04-14 03:37:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14043, '3P0jAEbOUtBDNBux', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:49:01', '2020-04-14 03:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14044, 'wgS2eDqtBNlA9r0I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 03:49:59', '2020-04-14 03:49:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14045, 'JdDUoh5ay8HL2a6O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 04:02:51', '2020-04-14 04:02:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14046, 'CbCPeXRfY8FgCuMJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 04:07:35', '2020-04-14 04:07:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14047, 'BtgP2PTQZAWjIBgR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 04:07:57', '2020-04-14 04:07:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14048, 'YHR3lgvaBmcPrky4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 04:09:15', '2020-04-14 04:09:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14049, 'Wd0O3kxA7MucOcqO', 'Estética del aparecer', NULL, 'El concepto de cicatriz como simbología de resistencia en las heridas personales y a su vez como significante de la memoria personal en cuanto colectiva; las heridas más simbólicas evocan un tiempo. Todos tenemos una historia, todos cargamos con una historia, todos contamos una historia. Analogía entre la develación de grietas que simulan heridas callejeras, como aquellos cuerpos latentes que habitan el territorio, entendiendo a estos como símbolos contenedores de historias.  Este señalamiento implica una toma de conciencia sobre lo aparentemente invisible. Basando la reflexión de la obra, en lo pulido, pulcro, liso e impecable que señala la identidad de la época actual, la grieta, huella, herida y texturas son opuestas a la positividad de lo pulido. Es allí, donde subyace una contraposición y un diálogo esencial con el arte que se pretende develar en la obra. Este proceso me llevó a entender y contemplar la calle como el cuerpo de la ciudad que caminamos, a mirar con todos los sentidos. Paso de ser un registro visual para mis ojos que querían capturar y también tocar todo aquello que cautivaba mi atención, dejando rastros de infraleve memoria y produciendo afectación corporal. De este modo, fueron resultando imágenes en las que el cuerpo se deconstruye, se fragmenta y abstrae para cobrar nuevos significados.', NULL, NULL, 'Proyecto de obra utilizando montaje aéreo, con una disposición longitudinal de aproximadamente cuatro metros para frottage en rollo de papel sulfito, realizado con barra de grafito sobre el cuerpo del territorio patagónico junto a tres dibujos realizados en papel calco.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1118, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 966, NULL, '2020-04-14 04:14:51', '2020-06-23 02:30:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14050, 'TuxuUVhIDloQhs96', '21th century found objects', NULL, 'I am sure my art process has something to do with my habits and obsessions. I mostly listen to standup comedy while making my work. I enjoy standup comedy that challenges general beliefs, and political correctness, yet at its core is negotiating between the observations, language, and laughter of a given performance. Then you realize that it’s no paradox, but a good conversation between the performer and the audience. At some point, my paintings are like standup comedy, they can only do so much about solving real problems. But brutal honesty, absurdity, and humor are very powerful qualities in any type of conversation. \nMy recent paintings are concerned with image “definition” in digital graphics, especially those from the last 20 years. I understand digital graphics as 21st century “found objects”. I am interested in objects that are bathing in modern technology’s greatness, while exposing a certain rawness, oddity, or awkwardness. From the last 20 years, I was inspired by the fact that how graphical spectaculars could end up being rawness and ridicule in the digital image evolution. However, it is that rawness and ridicule that triggers the same creative impulse with what the painting process can offer. The effect is an actual physical feedback during process: could be surprise, a shifting attitude, a more extreme emotion – my secretions as a human being. I want my practice to simulate a modern production method, but with a high fault tolerance.', NULL, NULL, 'Gallery space with free standing pedestals. Could be exhibited along with other painters on wall. Dimensions are flexible depending on curation.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1136, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 982, NULL, '2020-04-14 04:22:36', '2020-07-12 16:50:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14051, '6g3HzJGByw4ojrhE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 04:51:02', '2020-04-14 04:51:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14052, '92OBIyYnUfKWUf3G', 'La Venezuela Soñada', NULL, 'Postulamos nuestra propuesta con la que estamos seguros de promover la libertad, igualdad, la democracia y la educación, a través del arte y la cultura. \n\nPlaneamos realizar una serie de exhibiciones de caricaturismo con la participación del público presente quienes podrán manifestar sus sueños sobre algo que deseen ocurra en Venezuela para inmediatamente ser representados por parte de Carlos Roca con los personajes de Los Güichos haciendo realidad esa idea.\n\nPorque “el primer Güicho que existió se escapó del bosque encantado del sueño de un niño y por eso tienen la capacidad de lograr que tu sueños se haga realidad” según dice la fábula.\n\nLos Güichos fueron creados durante la infancia de Carlos Roca hace más de 30 años y hoy día tienen el propósito de ser unos personajes usados para representar un ejemplo a seguir, referente de valores que motiven e inspiren a través de sus acciones y la empatía, asociados a la cultura y la filosofía de potenciar la creatividad, la inteligencia y la habilidad desde el estímulo de la curiosidad con programas de formación, educación, actividades y productos, de manera lúdica y pedagógica que ofrecen una experiencia vivencial diferente, siguiendo un componente de carácter de responsabilidad y sensibilidad social.\n\nOrgulloso de ser ganadores del Concurso “Dale Luz Verde a tu Idea” edición 2018, realizado por la Fundación BOD y finalistas en el Concurso Ideas 2019, en los que nos destacamos como mejor idea de negocio de Innovación Social del año', NULL, NULL, 'Proponemos pinturas de 1,40X2,50 mts. Aproximadamente sobre Canvas con pinturas acrílicas mayormente, a realizarse en los espacios de El Banco del Libro y los Centros Culturales donde realizamos nuestras gestiones de eventos de carácter social con charlas, actividades de cuenta cuentos, cursos y talleres orientados a la  integración familiar y la participación activa de los presentes y de la comunidad con la intención de asegurar la empatía y sentido de pertenencia del público.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1077, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 928, NULL, '2020-04-14 04:52:23', '2020-06-23 02:31:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14053, 't2g7XTNL8ZykoWyx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 05:15:17', '2020-04-14 05:15:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14054, 'b2GW6wKBMCw6oT1T', 'Olho/Infinito/Labirinto', NULL, 'Olho\nInfinito\nLabirinto\n\nInstalação realizada durante a Residência \"Ateliês Educativos MINC/FUNARTE\", através do coletivo Amuela na Funarte/SP. Participou da exposição coletiva “Corpos que percorrem um espaço expositivo” em 2017.\nA exposição com curadoria de João Gomes e André Fernandes aconteceu na Funarte/SP e foi fruto da residência.\nA instalação é composta por um panorama de gravuras em formato em ‘L’ com mais de 12 metros de gravuras, nas técnicas de linóleogravura, xilogravura e monotipias. Uma gravação sonora de textos e poesias autorais, com 38:00 minutos de duração e um labirinto de tecidos voil.\nA instalação habita um tempo suspenso, através de um caminho silencioso, em sua plenitude repleta de vozes que ecoam dos rostos gravados, apresentando-se como frames de um filme.\nRostos gravados de personagens que habitam as narrativas, palavra e imagem abrindo-se em esferas atemporais.\nObra hibrida entre as artes visuais e literatura, tem em sua origem o conceito de tempo e espaço.\nAtravés de uma abordagem lúdica, pois as paredes do labirinto de tecidos são móveis, podendo se transitar por elas.\nA narrativa expressa nas figuras dos rostos, gravados e impressos, formam em consonância com a voz e vozes dos textos, através da gravação sonora, o reflexo e espelhamento da alma, ao encontro de si e do outro. Na ludicidade do jogo de palavras, e os atravessamentos que percorre esse caminho flutuante, desse tempo suspenso, que é o tempo da poesia, como fala Blanchot.', NULL, NULL, 'Composta por um panorama de gravuras em formato de “L”, ela ocupa as duas paredes ao\nfundo da galeria. Faz parte da instalação o labirinto de tecidos voil, a gravação sonora de\ntextos e poesias de minha autoria, e o panorama de gravuras em formato de “L”. São mais de 12 metros de gravuras, nas técnicas de linóleo,xilo e monotipias. Tenho interesse em ampliar a instalação, e essa medida será reformulada conforme o acordo do espaço expositivo, podendo o panorama tomar o formato de “U”.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://drive.google.com/file/d/1y2MRChw91kvxB_dbamHe2SWw4b4k5Ty9/view?usp=sharing', NULL, 'https://documentcloud.adobe.com/link/track?uri=urn:aaid:scds:US:3598f6a2-4f0f-494c-b48d-2e9adb4fc0b5', NULL, NULL, NULL, 4193, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3574, NULL, '2020-04-14 05:19:25', '2020-07-25 00:56:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14055, 'pU49BCn1EOptdfdy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 05:20:11', '2020-04-14 05:20:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(14056, 'VfKD3ymkAbvdDEsL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 05:20:49', '2020-04-14 05:20:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14057, '4Ddv4UoSGRzI7h5w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 05:42:13', '2020-04-14 05:42:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14058, 'Yy8Zg78umhIVsTWn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 05:54:03', '2020-04-14 05:54:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14059, 'JCQ2lIOyY4kbGwHS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 06:07:02', '2020-04-14 06:07:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14060, 'G5g17Oq31BjXDYld', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 06:26:07', '2020-04-14 06:26:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14061, 'T2UKeqiaM8tYrPfu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 06:36:15', '2020-04-14 06:36:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14062, 'hukneur2eSPGOnHP', 'Algotypes', NULL, 'The main reference for this project is the astrolabe, the ancient instrument used by Islamic astronomers from around 550 AD for measuring time, location, distances and cosmic patterns. The astrolabe was really a network technology, with which humans and stars came up with answers by performing a ritual together.\n\nToday, we\'ve filled the skies with enough signals and artificial satellites that it\'s not inconceivable to think that they could also be read like stars. The objects presented here point to different measuring and intra-active rituals for a new kind of astronomy that takes into account natural and artificial bodies.\n\nAlgotypes is an intervention in the 2.4GHz WiFi band, inspired by the more esoteric sides of science that have been used to explain invisible phenomena.\n\nUnlike æther or orgone, and despite pop-culture imagery of The Cloud, WiFi has a very material and tangible provenance. From minerals and metals to its radiant energy, there’s a very blunt aspect of this entanglement of culture and infrastructure that is physical and extends into surrounding bodies.\n\nHere, the pyramid sculptures are equipped with WiFi transceivers and programmed to react to the signals present around them. They capture packets of data from nearby routers and phones, which are then manipulated using classical computer science algorithms before being retransmitted.\n\nScreens display information about nearby WiFi networks, and visualizations of the packets being read and transmitted.', NULL, NULL, 'A space about 200cm x 150cm where I can place a table, or plinths.\nFour power outlets.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/398714299', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1185, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1028, NULL, '2020-04-14 06:38:16', '2020-07-25 00:24:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14063, 'wIw9G7HZ7TxxUNVn', 'Asunto de Mujeres', NULL, 'Asunto de Mujeres es un proyecto inédito que abre, muestra y debate sobre la creación fotográfica femenina en Cuba, país de larga tradición en el Continente y de aún escasos nombres reconocidos de mujeres tras el lente.  \nEs una propuesta que implica la exhibición de obras conocidas y develar muchas desconocidas, autoras veteranas y jóvenes, asumidas en una misma lectura histórica. Presenta fotografías de disímiles temas y enfoques, que escapan del cerrado concepto de la visualidad signada por las narraciones masculinas dominantes.  \nOcasión para mostrar de conjunto creadoras con basamento en la fotografía documental, crecidas en diferentes momentos de la historia de la llamada fotografía cubana postrevolucionaria, y con denotadas pautas en la manera de asumir e interpretar las realidades. Con los años, algunas de ellas emigraron hacia tendencias más íntimas. \nEl proyecto muestra ocho fotógrafas de diálogos estéticos contrastados, adquiridos la mayoría del trabajo con la imagen analógica, el rigor del cuarto oscuro, el valor indiscutible del clásico binomio blanco y negro. Se aprecian similares, y a la vez distantes, en el modo de mirar los contextos afines, ya sean interiores, ciudad, cuerpos, personajes cotidianos o entramados vivenciales; convertidos en ensayos documentales, series experimentales o fotografías de autor con acentuado matiz subjetivo. El objetivo fotográfico para estas autoras será siempre cercano y ajeno, particular y universal a la vez.', 'Gilda Pérez (La Habana, 1954). Nacionalidad cubana, reside en EEUU. \nhttp://www.bexmagazine.com/cuba/gilda-perez.php\n\nLeticia Rizo (Manzanillo, Cuba, 1955) \nNacionalidad cubana, reside en EEUU.\n\nLissette Solórzano (Santiago de  Cuba, 1969)\nNacionalidad y residencia cubana. \nhttp://www.photos-lissettesolorzano.com/\n\nNiurka Barroso (La  Habana, 1961)\nNacionalidad cubana, reside entre Canadá y EEUU \nwww.artconceptalternative.org/niurka-barroso\n\nCirenaica Moreira (La  Habana, 1969)\nNacionalidad y residencia cubana. \nhttps://www.artcronica.com/directorio/artistas/cirenaica-moreira\n\nLeysis Quesada  (Cienfuegos, Cuba, 1973) \nNacionalidad y residencia cubana\nhttps://www.leysisquesada.com/\n\nKhadis De la Rosa (Ciego de Ávila, Cuba, 1991)\nNacionalidad y residencia cubana. \nhttps://www.annenbergphotospace.org/person/khadis-rosa/\n\nEvelyn Sosa (La Habana, 1989) \nNacionalidad y residencia cubana. \nhttps://www.uncommonbeautygallery.com/evelyn-sosa', NULL, 'Galería, con el mínimo de espacio de 17 metros lineales. Si el espacio no cuenta con el metraje continuo, pudieran emplearse paneles para el montaje de las obras.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1524, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1340, NULL, '2020-04-14 06:47:55', '2020-08-15 01:39:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14064, 'QH4ioLQizMIYAQWQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 06:48:42', '2020-04-14 06:48:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14065, 'SOgrHZaxcP7PpYMe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 06:55:42', '2020-04-14 06:55:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14066, 'fgiE2AyHK4fXI9dQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 07:02:38', '2020-04-14 07:02:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14067, 'ldmJWhfJXtmToyFJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 07:31:45', '2020-04-14 07:31:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14068, '2ZumZCG99J9vzdsX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 07:31:49', '2020-04-14 07:31:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14069, 'ExsUzpr9AD900BKP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 07:54:52', '2020-04-14 07:54:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14070, 'zV0sF7D84cWeLAKO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 08:06:04', '2020-04-14 08:06:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14071, '4XyivbIMNQ8YU4MO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 08:28:50', '2020-04-14 08:28:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14072, 'vBzHBc0ZsISF7I58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 08:44:37', '2020-04-14 08:44:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14073, '7fpYZxKgYXlsDWn1', 'Jallianwala Bagh', NULL, 'When humans undergo traumatic experiences it leads them to catharsis and often with this they forge a new identity. Jallianwala Bagh, a massacre, a tragic event that shook every human and particularly the people under the Colonial Rule. Its aftermath was that it led them to question their identity which fueled the national freedom struggle. This interactive installation explores this historical narrative and remediates the story through smell and portrays the trauma felt by people. It shows how people in power reduce others and strip them off the personhood. By retelling this narrative it draws a parallel and wonders about similar events in current times. It further lets the audience experience how design plays an important role today in creating strong narratives for change focusing on olfaction and sound in particular.', NULL, NULL, 'The installation requires 6 podiums and based on the arrangement it can be altered to suit the space. ideal space is 10 feet by 10 feet space.', NULL, 'artist', NULL, NULL, 'https://youtu.be/-8px0a68yoI', NULL, NULL, NULL, 'https://www.sniffingoutthedifferences.com/jallianwala-bagh', NULL, NULL, NULL, 1357, NULL, 162, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1186, NULL, '2020-04-14 08:55:46', '2020-08-11 22:01:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14074, 'AKdlors9pdtWo2Fy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 09:16:15', '2020-04-14 09:16:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14075, 'TiNSVb3IgkYCrknc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 09:21:14', '2020-04-14 09:21:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14076, '0HqCFmxntIVfvXno', 'TangOc', NULL, 'One of the elements that represent cultures are dances, in Argentina the most popular form is tango.\n\nArgentina has been a land of great migrations, many also from the province of Cuneo, known for its Occitan traditions.\n\nThe project that I present wants to combine in a performance the two dances, the tango with the \"courenta\", a Occitan dance very common in the Cuneo valleys.\n\nThe event will take place in the summer of 2021 in the center of Cuneo.\n\nThe event can be proposed in Buenos Ares if there is coverage for transportation and living expenses.', NULL, NULL, '10 dancers, central square of Cuneo,', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1078, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 929, NULL, '2020-04-14 09:43:16', '2020-06-23 02:31:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14077, 'wFUEBX5XXn21qOkC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 10:00:25', '2020-04-14 10:00:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14078, '1ICDQPZThOBBAu36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 10:09:20', '2020-04-14 10:09:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14079, '5eYYGwmEX4XlrfKm', '“Nuestro espejo”', NULL, '“Nuestro espejo” \nLa obra pictórica dual que refleja la naturaleza misma del ser humano, a través de la perspectiva esotérica y onírica del autor. Representada en seres asexuales que se reflejan ante el espectador, volviéndose así comprensible y sensible a la perspectiva sin encerrar un género específico. \nLa obra encabeza la serie  “los pétalos de rosa” colección de 10 obras bajo el tema de la divinidad del antropomorfismo, ligado a la atribución del ser humano en la creencia de las “deidades sobrehumanas”.\n\n“Librar nuestras propias batallas a ojos vendados , encerrando nuestros demonios en auras doradas”\n-Rosa.', NULL, NULL, '-Surrealismo\n\n- técnica mixta: Acrílico sobre lienzo, aplicaciones textiles y material de sastrería. \n\n- 160cm X 60cm (individuales) \n160cm X 120cm (en conjunto)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1079, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 930, NULL, '2020-04-14 10:14:07', '2020-06-23 15:51:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14080, 'iZZg6m0WOa3pVqam', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 10:25:20', '2020-04-14 10:25:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14081, 'che0HHytcX1J85cb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 10:30:58', '2020-04-14 10:30:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14082, 'ztDoWt8cuJEmvoY7', 'Positivo', NULL, 'A series of paintings that depict my personal journey: a story of a young homosexual man living with HIV in Saudi Arabia. \n\nIn a visual language inspired by traditional geometric and biomorphic designs the paintings aim to create a bridge between marginalised sections of society and to open up a dialogue about contemporary issues that still carry a lot of shame and stigma.\n\nThe methods and materials that will be used in the paintings are also inspired by traditional art. Natural gesso, natural pigments and egg tempera symbolise a return to a deeper Truth. They are symbolic of a return to Mother Nature and rebirth.', NULL, NULL, 'The series will consist of 8 paintings. \n\nThe paintings will be on large wooden panels, each painting will be about 80cm x 80cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4549, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3824, NULL, '2020-04-14 10:44:56', '2020-08-15 03:47:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14083, '2M6oDuio8kTd2NBS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 10:45:18', '2020-04-14 10:45:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14084, '8ArqRZqdiqkfjNWd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 11:27:03', '2020-04-14 11:27:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14085, 'CrFIJXgwV6OMCZH0', '#digitalFeelings', NULL, 'I\'m Sofia, a multi-disciplinary artist based in London. I\'m enrolled in my final year of MA Fine Art at Central Saint Martins and waiting to graduate this summer. \nAs a millennial, my reality is influenced by the post-feminist media age, and my work responds with absolute transparency to modern narrative conventions. Through a combination of body art and media technology, I investigates the value of the female body in an hyperconnected and commodified society. And using my body as an art object, I seeks conclusions about how identity is converted into economic capital.\n\n#digitalFeelings is an Instagram performance designed to explore the relationship between the female body and social media. The shadow behind the screen invites users to comment and define the limits of body objectivity, while the format and accessibility of the performance itself opens up a debate on our almost preferred forms of online communication. \n\nThe performance is designed to go live on the popular social media platform, while simultaneously appear on a real size screen placed in the gallery/event space. The aim is to give the impressions that the woman is indeed trapped in the behind the digital surface, just a few light-emitting diodes away from the viewer. In-fact, she is just one thumb away from you, and through social media, is it possible to engage in a conversation with her, while your comments and her reaction appear live on both screens.', NULL, NULL, 'The performance is easily adaptable to any indoor space. It can be executed in two ways:\n\n1. Pre-recorded video released on Instagram and mirrored on a human size LED screen.\n\n2. Having the performance happen real time in a cabin box placed in the event space. The cabin having one of the sides made of light box acrylic, and a phone placed in front of it to record and stream it on Instagram.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1081, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 932, NULL, '2020-04-14 11:32:16', '2020-08-11 21:54:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14086, 'Pz3wCka5jqPNGzuB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 11:49:48', '2020-04-14 11:49:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14087, 'boiMEjygyUzgZ3E6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 11:57:52', '2020-04-14 11:57:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14088, 'aFARxs3RWZmtrq6t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:00:49', '2020-04-14 12:00:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14089, '5hhHtUfd26ikKAsk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:09:32', '2020-04-14 12:09:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14090, 'ryhaFZq1LR6JgiiP', 'Where you they form', NULL, 'The site specific installation Where You They Form depicts in its core questions around life, death and the impacts that those questions have on modernist politics and aeshtetics. Modernist speculations on social progress and social origins have always been tied to geographic territorialities and more specifically to soil and its resources and sites buried underneath it. \n\nMenhirs and dolmen are simple rock formations that are often regarded as sculptures from the stone age. Archeological researches and excavations led not only to technical fascinations but equipped with folkloristic story telling transformed the sites for generations not to touristic landmarks and landmarks of human, cultural progress.\n\nIn my piece Where You They Form through the shapes of the sculptures, the usage of soil as covering material the installation itself is at play with the narratives mentioned above. The singular soil covered sculptures carry the titles Standards For Living, Reverb and Echoes. \nTin cast fragments of a female body are arranged on the soil covered floor. \n\nWhere You They Form is a grammatically incorrect form of Where You Are They Form. The titles is referring to a performative moment when speaking out the title, referencing that historical memory is always incomplete with a lapse.', NULL, NULL, 'Any kind of space, preferable a closed gallery space with daylight.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=NnoU6RkErVI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4171, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3553, NULL, '2020-04-14 12:14:59', '2020-07-14 19:02:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14091, 'pIVZSC2SLgBTmzh3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:21:47', '2020-04-14 12:21:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14092, 'KgVNH7ouRaPNhBK0', 'DESIRE\'S SERIES#1', NULL, 'DESIRE’SERIES#1 immerses the viewer in a procession and an ode to desires. A ritual that sublimates the im- age of the body restricted, where vulnerability becomes strength, where fragility becomes power and where proximity to the audience recalls the humanity of each of us. \n\nThis solo is an area of research, meeting and sharing with the work of the Brazilian artist and photographer Fabio Motta. The re-reading and the diversion of the shibari and ikebana codes will lead «Desire’s series» to explore the mysteries of our desires. \nCreate an ode to the constrained body, the pleasure retained in a world where the satisfaction of our least desires leads us inexorably to our own loss. This desire for ever more, for possession, distances us from natural and necessary desires, from ourselves and ravages our world. \nAn invitation to an intimate journey, to the powerful fragility where our relationship to the body is questioned. A ritualized body where the proximity with the public summons the humanity of each one. \n\nBoth a hybrid creature and a minotaur, between an extremely vulnerable being and a Greek status with a removable base, the performer crosses the audience and makes his way through the crowd. \nMass movements and video-projections create the rhythm of performance in a 360 ° use of space.', NULL, NULL, 'This performance needs darkness, as there is 3 video projected in 3 différents spaces (walls and ceiling). \nThis performance is made for non performative spaces, so a church, a factory, and underground space where the architecture can be used in order to make an IN SITU proposition.... \nClean walls where video can projected is essential.\nBlack wall, earth floor, space withe day light and outside space is not possible. \nAudience from 60 to 200 persons. \nThe performance can happen twice per day.', NULL, 'artist', NULL, NULL, 'Teaser https://vimeo.com/366535305      CAPTATION  https://vimeo.com/339952207', 'PASSWORD: desireseries#1', NULL, NULL, NULL, NULL, NULL, NULL, 1093, NULL, 124, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 944, NULL, '2020-04-14 12:30:38', '2020-08-11 17:48:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14093, 'MHtiGEDGOyVFAOXE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:38:53', '2020-04-14 12:38:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14094, 'klX8IUXtS270SQQf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:40:44', '2020-04-14 12:40:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14095, 'No9EPIhRHq4mVF6a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:48:25', '2020-04-14 12:48:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14096, 'FG8GsQYTBMIwMF1s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:52:16', '2020-04-14 12:52:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14097, 'VoShg8ez1JrUhANt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:52:41', '2020-04-14 12:52:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14098, 'XPw1RKSkLQOHEhrP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 12:53:54', '2020-04-14 12:53:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14099, 'ObbFxmIoPULeiHYm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:05:58', '2020-04-14 13:05:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14100, 'nGm1rocEXelJdquz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:08:23', '2020-04-14 13:08:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14101, '7Kq4Qklps17rn9DY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:12:33', '2020-04-14 13:12:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14102, 'Up7c1p4vONae8Hq2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:13:02', '2020-04-14 13:13:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14103, 'GGOgOcu8RLzvwZsy', 'TIRESIAS', NULL, 'Robots are designed to play a significant role in everyday life as technological cohabitants. \nPeople tend to attribute human characteristic to the robots and face them as living organisms. \nBased on the ideas of cyborg and animism, we don’t understand robots as mere tools, but as creative entities, capable of expanding the role they are given by their human creators. \n\nTIRESIAS is a non-anthropomorphic entity that moves naturally trying to develop an equal dynamic partnership with the human co-performer. The work is based on the blind prophet Tiresias, who creates his own identities, escaping the distinctions of man and woman. Tiresias is a blind figure from the Greek mythology, who can ‘see’ into oneself and find self-knowledge. TIRESIAS explores the ways in which we can avoid dualities of human and non-human entities and find new interesting relationships between different actors.\n\nThis installation speaks from the side of a tentacular machine. Tentacular beings explore the world and their self through touch. But the palm has not the means of covering the whole of the truth. The sensory perceptions can lead to misinterpretations, as there are various aspects of truth and limited sensory experience. \n\nTIRESIAS is a self-actualising machine that tries to understand the properties of itself. The knowledge that TIRESIAS infers is reflected in the environment in the form of sound-waves as an approach to materialise the machines’ perception about itself.', NULL, NULL, 'The installation consists of a supporting structure, in which are attached the electronics and a flexible tentacular construction. \n\nThe size of the installation is 40cmx200cmx40cm and the weight is estimated about 15kg. \n\nThe installation is to be rigged from a flybar/fix bar/truss, using a projector ceiling mount, making it very stable. \n\nThe audience can interact with TIRESIAS anytime in close distance, and they can watch some scheduled performances, in which TIRESIAS performs with a dancer.', NULL, 'artist', NULL, NULL, 'https://youtu.be/ysmOKczMoIM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1769, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1551, NULL, '2020-04-14 13:19:45', '2020-08-13 22:24:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14104, 'afX4vDjr4qC2Pchp', 'in cemento veritas', NULL, 'In Cemento Veritas\nContemporary Art – Solo show\n\n\nTHE PROJECT\n\nWith the In cemento veritas project, Mario Loprete, an italian artist from Catanzaro, recognized as a promising talent of the international emerging artistic scene, intends to relaunch his interest for contemporary art through the investigation that connects the Urban style with the hip hop world.\nMario Loprete, after the recent  notoriety obtained in the Netherlands, Italy , Germany and the United States of America through public institutional exibitions, wishes to propose himself to the city with a new personal exposition. The artist, as it has always been, brings fowards a singular and fascinating visual research with his artworks, thanks to a deep poetical concept of great impact ,solely ispirated to the Hip Hop culture, but also to the the italian tradition of fresco painting. And it’s actually through the usage of the pittoric image that this artist strives for the knowledge of reality, tirelessly investigating the territories of the human “veritas”. Instinct and rigor, thought and praxis are strictly connected in an intense and metropolitan language, that, through paint,creates images capable of generating meditation on currect times.', NULL, NULL, 'For my Concrete Sculptures I use my personal clothing. Throughout some artistical process, in which I use plaster, resin and cement, I transform them in artworks to hang. My memory, my DNA, my memories remain concreted inside, transforming the person that looks at the artworks a type of post-modern archeologist that studies my work as they were urban artefacts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1082, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 933, NULL, '2020-04-14 13:23:52', '2020-08-11 17:48:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14105, '6jmPzlNUIsXqoP52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:31:07', '2020-04-14 13:31:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14106, 'Pxa5F890FWxS9eSt', 'FREEDOM KICK', NULL, 'Football has always carried with it the possibility of promoting the voices of the disaffected and the marginalized. This project is nor about football as the creature of business that it is today, but as a social transformation tool. It represents the collective effort to stop fascism and neoliberal oppression all over the world. \n\nThe images and the video attached show the starting point of this project shot in Mexico and Brazil. In São Paolo we had the collaboration of members of the LGBTQ and the Antifa team Autonomous. The ball was Bolsonaro. In Tijuana, Mexico, the border with the USA was used as a backdrop and a “team” of factory workers played with the head of Donald Trump. The heads were produced in Madrid, inside Eugenio Merino´s studio. From Madrid, they were shipped to the USA where INDECLINE arranged for them to move on to Mexico and Brazil. \n\nFor our project in Bienal Sur, the idea is to organize a match with the head of Jorge Rafael Videla between “Antifa” teams or citizens alike in a location related to the dictatorship memory.\nCinematic video and high quality potos will be produced. The heads, once used, will also be part of the documentation.', NULL, NULL, 'How and what to show in Bienal Sur:\n\n1)	Live, in the location where the game takes place with  spectators. A real match where fans can boost up their team.\n\n2)	The video shown in a museum or institution and the head of Videla in a stand as part of the installation.\n\n3)	The video of the football match in a local bar, in a tv screen, where locals can watch the match and boost their team while having a drink.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/403458023', 'freedom', NULL, NULL, NULL, NULL, NULL, NULL, 1083, NULL, 122, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 934, NULL, '2020-04-14 13:36:03', '2020-08-11 21:54:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14107, '3kpvvTAupEwShieY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:37:05', '2020-04-14 13:37:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14108, 'gBAp7cFVHfYAMvmU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:39:31', '2020-04-14 13:39:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14109, '2RBw4eEBSI229b8M', 'Beatus ille. Canciones', NULL, 'El camino recorrido por estas obras da cuenta de mi tránsito por los lenguajes de la poesía y la pintura, del trecho abierto en la maraña de una selva de hojas y pinceles.\nEl pintor-narrador que tomo como guía descubre en los paisajes emocionales de mis obras los rastros de una mirada extraña y sorprendida.\nSon textos que afrontan lo desconocido y asumen el riesgo de encontrar.\nPalabras secretas, sugeridas, temblorosas, palabras del color y la fragilidad.\nPalabras que se arrastran en el lienzo, palabras, en definitiva,  de la intimidad', NULL, NULL, 'Sala de exposiciones.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1646, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1451, NULL, '2020-04-14 13:44:00', '2020-06-23 02:11:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14110, 'RrD3bzzraijrXiX0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:45:12', '2020-04-14 13:45:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14111, 'oTvAmkimf0bSHL9T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:46:40', '2020-04-14 13:46:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14112, 'UjOcW1heDU6yHUKz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:49:17', '2020-04-14 13:49:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14113, 'PQxyUWAJT6WTAtq3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:54:30', '2020-04-14 13:54:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14114, 'YL3w94slcwDHea84', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 13:58:52', '2020-04-14 13:58:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14115, 'sKVXSEpRA0JnNnIQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 14:10:54', '2020-04-14 14:10:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14116, 'XqCGqkNPkJhUxnFi', 'Canonatra', NULL, 'The visual and metaphorical unity of Canonatra are created as a set of the multiple, equally important elements that open up a dialog, and analyzing the relationship of two different visual language, focusing on the issues of manipulation and deformation within societal and social themes. Through the motif of a deformed ornament, I make visual commentary of the distorted system of values and cruelty of the tribalized society in which we live. In this work I explore the relationship between tradition and contemporary life, which involves a complex reconsideration of the established canon and values systems, as well as the accelerated changes we are exposed to as a society. Artwork speaks about local context but, at the same time, it is a reflection of global developments and tendencies toward traditional right wing policies that are gaining ground by emphasizing the strength of national identity. With this analytical approach, I force the observer to wonder if this is how \"anti-art\" is built in order to establish new canons. Inspired by an error made by a machine i.e. modern digital technology, I simulate this principle of error created by modern ethnology in the traditional analogue medium.', NULL, NULL, 'Dimension of artwork would be adopted to the space and surrounding. Dimensions on the attached images are 250cm x 150cm (outdoor artwork) and 85cm x 190cm (indoor artwork). If selected, I would like to made something similar but adopted to region and surrounding.\n\nI would prefer space that can correspond and be in synergy  with artwork and vice verse.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1580, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1396, NULL, '2020-04-14 14:16:56', '2020-08-03 18:17:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14117, '0nAEKRieXzx3w2ss', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 14:21:36', '2020-04-14 14:21:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14118, 'jRC6FhyAnRAlQPTH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 14:26:26', '2020-04-14 14:26:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14119, 'asuvDB2uxCSrP4Y3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 14:26:28', '2020-04-14 14:26:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14120, 'keQjLhHsSF6KNdSw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 14:35:57', '2020-04-14 14:35:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14121, 'Xm43vTRxD78IVeVM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 14:52:01', '2020-04-14 14:52:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14122, 'TJ68SbSUYKiC8IIk', 'REDHEADED (or The beheading of knowledge)', NULL, '\"REDHEADED\" is a short film depicting a conversation between a narrator and a decapitated head of a communist young woman. The two exchange ideas and quotes, connecting the concepts of (French) revolution, (revolutionary) methods of killing, culture and advertising/capitalism. \n\n(the film was created within the framework of AIR – ARTIST IN RESIDENCE NIEDERÖSTERREICH, January-March 2019, Krems an der Donau, Austria)', NULL, NULL, '- video Projection / screening, with sound, dimensions variable', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=TkjsQCm6ns4&t=109s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1084, NULL, 123, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 935, NULL, '2020-04-14 14:57:07', '2020-08-14 18:40:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14123, 'IZITkcPA1HrOk7Wf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:07:35', '2020-04-14 15:07:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(14124, 'dzd7jvHuEOTam06M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:13:30', '2020-04-14 15:13:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14125, 'a5zEFv3l9gvrAfmo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:17:08', '2020-04-14 15:17:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14126, 'i7526thFNeGCcDZz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:17:38', '2020-04-14 15:17:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14127, 'SxlVOHSqAQp3Pb2E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:20:14', '2020-04-14 15:20:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14128, 'fisLkP65np7mRlta', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:45:10', '2020-04-14 15:45:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14129, 'OukqW0tvb4EbP878', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:45:11', '2020-04-14 15:45:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14130, 'vfRINiO9EP7UB0me', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 15:48:32', '2020-04-14 15:48:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14131, '3d0rXuvGfjIYd92j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:01:26', '2020-04-14 16:01:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14132, 'bFod1CTU2wNcEzBT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:01:58', '2020-04-14 16:01:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14133, 'OxytgMwByeyoaG5V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:01:59', '2020-04-14 16:01:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14134, 'tvBFHVoVLkLw4D3R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:13:05', '2020-04-14 16:13:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14135, '6MLlF9W47sd838E9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:14:52', '2020-04-14 16:14:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14136, '1SrrhWPDtRX4l13a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:15:50', '2020-04-14 16:15:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14137, 'kwCxJVox8v7n5RmG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:24:02', '2020-04-14 16:24:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14138, 'RcSpG6i7c9nhPQnb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:29:19', '2020-04-14 16:29:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14139, '7SIbIJAMONogQG7r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:31:19', '2020-04-14 16:31:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14140, 'mITdBQVotRnz04QB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:31:46', '2020-04-14 16:31:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14141, 'TNf8EUbzAu0n2sWb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:36:02', '2020-04-14 16:36:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14142, 'DhivyeAbmqIPloZe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:46:10', '2020-04-14 16:46:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14143, 'M792ZsnPm1PiKLZW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 16:55:03', '2020-04-14 16:55:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14144, 'V05v9TAqhGTsDJGC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:02:06', '2020-04-14 17:02:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14145, 'fZWIuvC8amwI8tns', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:06:08', '2020-04-14 17:06:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14146, 'qVH2A5dTBgoY85Mm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:07:44', '2020-04-14 17:07:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14147, 'xbI6F4yI8xISCvJD', 'Não tenho mais nenhuma ideia sobre o mundo', NULL, 'The project for BienalSur, consists of setting up a space with triangular columns of colored vertices and one side instead of color will be mirrored, the assembly will be in such a way as to emulate a maze, hour providing passages for colorful paths to be walked, hour only showing the colors and the person\'s own reflection inside it.\nSeen before entering from the side or through a terrace that shows the top, it forms a large painting with colors and reflections, appropriating the optical illusion to reflect movement and choices.\nThe intention of this installation would be to reflect the stability that we suppose to have, to move with the instability of the current times, to think about instability and stability and what it is to face choices of the imponderable, without knowing where to go.\nTo lose yourself in the ways previously thought, with the illusion that we have the situation under control.\nThe installation has variable measures in the number of columns, depending on where it is installed, but it has a minimum of 35 columns to be assembled forming paths.\nThe proposal is to occupy a space of the Centro Cultura Kirchner.\nThe columns are plywood and shaped 1 meter on each side of the triangle, and 2.10 meters high.', NULL, NULL, 'The suggestion is to set up the installation in a location that has easy access and can be seen from other angles and not be within the space, with these characteristics I thought of the Centro Cultura Kirchner, in Buenos Aires Argentina, more specifically Entre La Gran Lámpara and La Ballena In Azul there is a space that can be accessed and seen by visitors.\nAnother option would be the Spanish Culture Center in Montevideo Uruguay', NULL, 'artist', NULL, NULL, 'https://youtu.be/WBgrJ2byJZA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4118, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3511, NULL, '2020-04-14 17:14:27', '2020-07-24 02:53:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14148, 'PKAdt58GTzFtBRKC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:14:59', '2020-04-14 17:14:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14149, 'W2a22OVOhy5yO9OB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:19:02', '2020-04-14 17:19:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14150, 'wWzzrwRqrqWFzJYX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:20:23', '2020-04-14 17:20:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14151, 'vSjvyt2UmH3QupB4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:21:36', '2020-04-14 17:21:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14152, 's2Ewj6coCfSahNKM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:21:37', '2020-04-14 17:21:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14153, 'iUEdkdtGpcSUMvBG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:22:04', '2020-04-14 17:22:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14154, 'Hk1Dp1D1DVWIdvDK', 'TRAJE  EFIMERO.', NULL, 'Traje  efimero, un objeto de que dura un determinado tiempo. \nDel latin : ``unum diem durantia``.De un tiempo que no existe. \nSomos efimeros,  como este saco que tiene una vida inutil hasta su momento cumbre de ser cocido a las brasas y degustado en el tiempo adecuado como un objeto gourmet o su putrefaccion asi lo demuestre.', NULL, NULL, 'EL TRAJE EFIMERO ES UN SACO DE VESTIR HECHO DE CARNE VACUNA CON BOTONES DE HUESO.\nEL CORTE UTILIZADO PARA ESTA PIEZA ES EL MATAMBRE, E HILO DE COSER CHORIZOS.\nFUERON UTILIZADOS PARA SU CONFECCION 14 MATAMBRES VACUNOS.\nSU PRESENTACION ES IDEAL EN UNA HELADERA TRANSPARENTE COLGADO EN SU PERCHA HASTA SER \nASADO AL ASADOR Y ALIMENTAR A LOS PRESENTES.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3724, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3180, NULL, '2020-04-14 17:24:16', '2020-07-02 00:18:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14155, 'GwwkUoZycgcl4XrF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:24:53', '2020-04-14 17:24:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14156, 'yLPfjA2KcSQTxJr9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:29:37', '2020-04-14 17:29:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14157, 'yv95pd8iV5tCy7r0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:29:45', '2020-04-14 17:29:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14158, 'WP6RXTMyKYmlEqEf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:31:08', '2020-04-14 17:31:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14159, 'MdPJdTAXd3TfLd87', 'Silêncio', NULL, 'Entre 2016 y 2018 exploré sitios abandonados en Portugal. Desde estos lugares, se produjeron varias fotografías y colecciones de materiales que se han convertido en ensamblajes, collages, etc. “Silencio” es un intento de traer a la sala de exhibición la atmósfera de esos espacios. El silencio presente en ambientes abandonados es, a veces, tan grande que causa un alejamiento, ya que los objetos encontrados señalan la presencia humana. Estoy muy interesado en reflexionar sobre este silencio y encontrar formas de presentar su significado artísticamente dentro del proyecto que he estado desarrollando a lo largo de los años. Al crear dicha instalación, he buscado referentes de imágenes de los sitios que visité, así que se me ha ocurrido la idea de una cama con varios objetos en la parte superior. La habitación donde se encuentra originalmente esta cama (foto adjunta) fue uno de los sitios más enigmáticos que exploré, así que he decidido reproducir parte de ella, específicamente tomando una cama doble y sobre ella los materiales recolectados en esa habitación, pero también los de otros espacios. En “Silencio” habrá una fotografía de una ventana impresa en papel adhesivo, pegada en la pared opuesta a la cama. La ventana en esta instalación es el espejo de la cama, aunque en oposición a los significados. La cama está poblada de objetos que constituyen un mundo de posibilidades. El lado externo presentado en la ventana también contiene un mundo, el nuestro, habitado por sonidos.', NULL, NULL, 'Esta instalación fue diseñada para presentarse en una sala con dimensiones de 3 x 4 metros (estas medidas pueden variar según la disponibilidad del lugar), con paredes blancas y en una zona más tranquila de la bienal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2033, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1782, NULL, '2020-04-14 17:32:58', '2020-07-07 21:51:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14160, '80LU4Hmfl2VrlspL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:36:40', '2020-04-14 17:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14161, 'ZaWouzrK8bjfFtxQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:37:37', '2020-04-14 17:37:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14162, '0GhozVdTpgRQx79e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:38:18', '2020-04-14 17:38:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14163, 'nBIaDZegNPrLYxJZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:38:37', '2020-04-14 17:38:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14164, 'ly4K7rKDDOdrZFXn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:40:51', '2020-04-14 17:40:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14165, 'N0RlGqpGAj84BCA8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:41:56', '2020-04-14 17:41:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14166, 'IcbfVIUnHe5oQUPr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:42:04', '2020-04-14 17:42:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14167, 'XJx9S91dsz6OkKis', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:42:35', '2020-04-14 17:42:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14168, 'BrIfqAS43qwk5Lc8', 'Reusable Equestrian Statue', NULL, 'Reusable Equestrian Statue\nLast year I made during a residency in New York State the Reusable Commemorative Statue – see the enclosed photo\'s and description – Image 1-3  This version is placed in a sculpture park in New York. \n\nFor Bienalsur I would like to make an extended and participatory version: a Reusable Equestrian Statue (a rider on an horse). Reusable because it can be folded, stowed away and the texts can be adjusted.  Folded inside the frameworks (and these can be placed in the pedestal). And the texts can be adjusted with turnable beams for the reasons to commemorate, the achievements and the characteristics. Life size and the audience is able turn the beams so to change/reuse the commemorative part of it. \n\nThe statue will be made of iron and because of using nuts and bolts it can be build up and broken down again for shipment. It will first be made at my workspace in Amsterdam and  as a smaller package shipped. At Bienalsur I would like to build it up myself – with some assistance.\nThe nuts and bolts will be locked with a special coating to block vandalism in case necessary.\n\nWhy this work? Normally these statues are actually quite static – but views on history do change – this statue is an attempt to make it dynamic (even that it consists of rectangular frames)  – and give people the possibility to reflect upon the nature of commemorating.', NULL, NULL, 'Preferable on a square – and even more preferable in front of one ot the official equestrian statues of BA.\nThe audience should be able to touch it and turn the beams to show their favourite texts (in Spanish).\nThe dimensions are about: 150x1400x600 (width x depth x height)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1088, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 939, NULL, '2020-04-14 17:46:28', '2020-08-12 17:50:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14169, 'WUCsOto1u4YHxKXq', 'Language is a virus', NULL, 'Las palabras como sistema de representación, elijo trabajar sobre aquellas cuya representación supera su propio significado, abriendo espacios que nos permiten “soportar” nuestra condición, nombrando conceptos esenciales para nuestra supervivencia  y que a su vez, constituyen la base de nuestra sumisión al amo, ya sea en el ámbito de la política, de la religion, del trabajo: amor, reconocimiento, resiliación…\nLanguage is a virus, alusión a la noción de Burroughs sobre el autoritarismo del lenguaje, al cut-up.\nEn este contexto de virus mundial, los discursos políticos están llenos de palabras de promesas de cambio que serán la materia prima de mi proyecto para transformar la pared de un edificio en una poesía colectiva en el espacio.\nLos vecinos del edificio en cuya pared se instalará la obra podrán mandarme una palabra a la que se hayan “agarrado” para superar esta crisis y así las escribiré sobre telas de colores que  superpuestas al azar  crearán asociaciones inhabituales, haciendo ilisibles y escondiendo partes del texto. El viento participará también como agente modificador del texto. \nDe lejos la percepción será la de una membrana de colores en movimiento.\n\nLas telas escritas se instalan a lo largo de un cable horizontalmente. Cada fila constará de 3 capas de telas superpuestas.\nLa altura tendrá 3 ó 4 filas según altura de pared. Los colores se alternarán entre claros y oscuros creando un ritmo.\nLas palabras tendrán colores que resalten o que se escondan.', NULL, NULL, 'Una pared de algún edificio en una planta baja, ochava sin ventanas, en Buenos Aires.\nDe preferencia una pared con grafitis para interactuar con las telas escritas, dando mayor espesor al texto.\nLas medidas aproximadas serán de 7 m de largo x 4 m de altura\nUn lugar de paso de peatones ya que la idea es la interacción con la obra a través de las diferentes lecturas que puedan hacer los peatones que podrán también destapar capas para leer las palabras escondidas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.lataller.com/es/exposiciones/theatre-de-temps/', NULL, NULL, NULL, 1410, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1232, NULL, '2020-04-14 17:46:52', '2020-08-15 00:49:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14170, 'ZpxjvnCE0UO8VvA0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:48:55', '2020-04-14 17:48:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14171, 'pd6ZNRJVAx3ulAB0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:51:09', '2020-04-14 17:51:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14172, 'GELLJL9bs7uItpcO', 'Diário coletivo de (in)significâncias', NULL, 'Este es un trabajo relacional que confronta la intimidad de un diario con su construcción colectiva y exposición pública. Para esto, el artista está disponible para escuchar confesiones y cuentos personales del público, individualmente. Mientras escucha a cada participante, crea dibujos y notas que forman el diario de ese día. En un momento de extrema autoexposición de intimidad en las redes sociales, el trabajo provoca un contraste entre la velocidad de estas relaciones y otro tiempo manuscrito, en que la intimidad y la personalidad se experimentan de otras maneras. Trae información que podría no publicarse en Internet y, al mismo tiempo que abre espacio para confesiones, permite narraciones fantásticas y la construcción de otro mundo. Un público atraído se percibe como parte de un colectivo, revelando su vínculo con el lugar. Este sentido de pertenencia, la necesidad de ser escuchado y la apertura a la imaginación de otra realidad cosen todo el trabajo. Características que deberían hacerse más evidentes en un momento futuro, después del aislamiento.\n\nCada acción dura 3 horas y puede llevarse a cabo en diferentes lugares y días de la semana, para la participación de diversos públicos, con escucha y intercambio rico en códigos culturales. En medio de un lugar de gran circulación de personas y democratizando el acceso y la participación del otro, el diario de cada día de acción se archiva en una colección que se puede mostrar posteriormente.', NULL, NULL, 'Cada acción puede llevarse a cabo en diferentes lugares públicos, abiertos o cubiertos, con una gran circulación de personas, pero que aún permiten un momento de reunión y escucha a dos. La exposición de la colección de cuadernos, realizados a partir de cada día de la acción, se puede exhibir en los centros culturales de las ciudades donde se llevaron a cabo las acciones.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.brunonovaes.com/diariocoletivodeinsignificancias', NULL, NULL, NULL, 2693, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2335, NULL, '2020-04-14 17:51:16', '2020-07-21 21:33:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14173, 'FqQdLtwrXLGQWM8B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:57:14', '2020-04-14 17:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14174, 'z2gJLyUxFCk5fPA6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 17:58:38', '2020-04-14 17:58:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14175, 'Ub58PnGyVXeulMUJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:07:42', '2020-04-14 18:07:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14176, 'qiLxfnv6CFXbl6Fa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:10:18', '2020-04-14 18:10:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14177, 'B0vE5vOzBrt2fQHv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:15:42', '2020-04-14 18:15:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14178, 'fmoRi4CcMN8VK2dD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:23:22', '2020-04-14 18:23:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14179, 'FHLrrQNpiTzx8OFU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:26:37', '2020-04-14 18:26:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14180, 'FlE2SEWZnevfYsz0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:30:54', '2020-04-14 18:30:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14181, 'kf1XWHBsONv22JVg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:31:23', '2020-04-14 18:31:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14182, '5Vx1N39YPZauZf8N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:32:33', '2020-04-14 18:32:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14183, 'OUPVd6Gc5zTHGgpv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:35:28', '2020-04-14 18:35:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14184, 'Ae58ZcxicpBrIAZ5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:35:42', '2020-04-14 18:35:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14185, 'VNL3HIBSYG6D3PyV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:40:28', '2020-04-14 18:40:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14186, 'qxb80JQGF45jchCU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:40:30', '2020-04-14 18:40:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14187, 'J5iQhtknBRqon8Pb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:40:42', '2020-04-14 18:40:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14188, 'ATkdWtgyoG2BEC6j', '\"Processus Mundi\"', NULL, 'La obra está realizada en lápiz grafito de diferentes graduaciones, sobre un soporte papel de 45,5x32cm.\nComprende una fusión del elemento animal caracol y un neonato, el mismo con expresión de llanto, aportando a la vez, en su conjunto, sensación de movimiento y traslado sobre un piso de madera que se difumina sobre el eje diagonal que lo compone y en el cual se apoya la obra. La misma comprende una variación de claroscuros.\nLa composición se encuentra centrada en el soporte.', NULL, NULL, 'La obra enmarcado comprende 58x48 cm. Brinda la posibilidad de colgarse o montarse sobre caballete, de acuerdo a las preferencias del salón.\nEscoger un lugar que tenga una iluminación adecuada y que sea seguro para la obra; a la altura del ojo humano o una medida estándar de 155 cm. a partir del suelo hacia el centro de la misma.\nComprobar que la obra este derecha y colgada/montada de forma segura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1096, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 947, NULL, '2020-04-14 18:48:58', '2020-06-23 17:45:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14189, 'dS0m6wLYKth4BjHd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:50:34', '2020-04-14 18:50:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14190, 'XAukZyX626Ybhml8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:58:24', '2020-04-14 18:58:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14191, '3TUwwQn2GDEurNBt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:58:38', '2020-04-14 18:58:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14192, '3DFTKl8VePeVgwk0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:59:17', '2020-04-14 18:59:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14193, 'wnhjLouT3kx8rIUg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 18:59:18', '2020-04-14 18:59:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14194, '2azZuQJNCYS6jk0m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:00:02', '2020-04-14 19:00:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14195, 'k5FcmiR41qK3Rwpx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:03:01', '2020-04-14 19:03:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14196, '0maAdAQHhuY4Zogj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:03:21', '2020-04-14 19:03:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14197, 'AcCmyzqyhu0GYNJl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:07:28', '2020-04-14 19:07:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14198, 'QAFt2pgtyxcQOzK7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:09:43', '2020-04-14 19:09:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14199, 'b6yAVe8XpR0XVhjg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:13:37', '2020-04-14 19:13:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14200, 'KJCEIB2EWdINXrzp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:18:32', '2020-04-14 19:18:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14201, '4CiVWqJcZl0b71hu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:19:26', '2020-04-14 19:19:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14202, 'YcNWDi0qXQGoUmNj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:19:33', '2020-04-14 19:19:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14203, 'BZCK0az8ZGYDaN9A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:22:51', '2020-04-14 19:22:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14204, 'zquqsZvYk3yz3HSd', 'EDENES LINDANTES AL GRIS MEDIO', NULL, 'Las autopistas urbanas funcionan como espejos misteriosos de nuestra sociedad. Representan el progreso, la posibilidad de vincularse, el imaginario del camino a seguir. Pero son también -y ante todo- espacios de frontera y de disputas. En sus carriles centrales, las multitudes transitan fugaces sin posibilidad de distracción. \nPor más esfuerzo invisibilizador, todo centro tiene su periferia; y los sistemas de autopistas no son la excepción. Más bien todo lo contrario. Y justamente aquello que intentan ocultar es lo que más me fascina de ellos. Sus banquinas, accesos secundarios, bajo puentes, islas arboladas, vías inconclusas, se revelan como sórdidos territorios que tienen mucho que contar sobre nosotros mismos.\nEn esos márgenes, la percepción es otra. Allí, el espacio y el tiempo mutan.  En esos bordes donde la presencia humana pareciera no existir, su huella siempre puede estar allí. Invisible para las mayorías -que fluyen apresuradas por las autovías centrales- pero reales en cuanto se las quiera ver y reconocer. A veces desafiantes, a veces aturdidas, o simplemente agazapadas pero nunca ausentes.\nY por otro lado, la noche. Lo inverso del día, de la certeza lumínica que no deja margen a la duda; en ella todo se vuelve más ambiguo y a la vez se potencia.\nEDENES LINDANTES AL GRIS MEDIO se trata de una videoinstalación que explora ese universo mediante el cuerpo de obra audiovisual del proyecto. \n\nvideos: https://drive.google.com/open?id=1B0C3LQgoE2ZY8t3L83RDgCd6DSLb_tNg', NULL, NULL, 'Cualquier espacio que pueda ser adaptado según boceto adjunto. Medias 5 x 7 mts (min.)\nSala totalmente a oscuras e idealmente pintada de negro. Se divide en 2 sectores mediante un gran panel. Sobre el lado frontal (sector de entrada) se proyectan -en continuado y en loop- las piezas de video monocanal llamados “Seres”. Sobre el lado opuesto, se proyectan -tambien en continuado y en loop- las piezas llamados “Huellas. El sonido de las videos es reproducido ambientalmente en sala.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=1HdvR5IwHUwNjEs25_crCxq_A2fgKRzUX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1109, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 959, NULL, '2020-04-14 19:25:12', '2020-07-12 16:49:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14205, 'pe08a1Xp1RhFZjmg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:25:57', '2020-04-14 19:25:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14206, 'BDnHW7HZZjcPCwRg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:26:24', '2020-04-14 19:26:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(14207, '5OiMa8cog7R2TZbZ', 'de la serie Reconocimiento', NULL, 'La siguiente propuesta apunta a una puesta en evidencia de la necesidad de reconocimiento del ser humano en el mundo contemporáneo. Seguimos al filósofo y sociólogo alemán Axel Honneth (1949) quien pretende reactivar la teoría critica a partir de la una teoría del reconocimiento que evidencia los reclamos actuales de los grupos minoritarios. La necesidad humana de ser reconocido/a se desmarca así de las teorías que reivindican las luchas sociales exclusivamente a partir de necesidades materialistas y económicas.  De forma paralela este trabajo intenta visibilizar los nuevos fascismos que comienzan a emerger en América Latina.\nLa fusión de ambos “horizontes” pone a así a la heráldica como expresión ética que permite visibilizar la distancia entre lo abstracto de la imagen (como símbolo de un valor que desconocemos) frente al reconocimiento buscado. Las piezas que forman la obra son representaciones a escala de distintas cintas de medallas, que comúnmente vemos en las solapas de los uniformes militares, que representan a su vez los galardones obtenidos por una acción, servicio u homenaje. Esta propuesta sugiere 4 obras formadas por: 1, 18, 16 y 1 cintas independientes provenientes de distintas organizaciones y países. Realizadas en hilo sintético enrollado sobre madera. De izquierda a derecha de la imagen las medidas son: 14 x 54 x 2.5 cm, 84 x 162 x 2.5 cm, 84 x 162 x 2.5 cm, 14 x 54 x 2.5 cm.', NULL, NULL, 'Pared blanca, gris o negra de 300 x 800 cm. aprox. o dos paredes de 300 x 400 cm aprox', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1099, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 950, NULL, '2020-04-14 19:28:49', '2020-08-12 11:56:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14208, 'jZCAK7aMmwQdS3AP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:32:26', '2020-04-14 19:32:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14209, 'ioFbb17PyZ9HutJw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:32:27', '2020-04-14 19:32:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14210, '3Yb0RzbB6yN1K9Er', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:32:52', '2020-04-14 19:32:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14211, 'TyEHaMJr1Ztefv0o', 'Paisaje Urbano', NULL, 'Proceso creativo mediante la fotografía en formato de 35 mm y digital, usando el método collage para expresar la convivencia del tiempo y espacio como metáfora y consigna de creación.\n\nLa búsqueda de la amenaza del tiempo y la decadencia que trasmite un Paisaje Urbano desde Montevideo a Manchester y la interactividad de espacios con lo absurdo de generar un contenido fotográfico. \n\nEl tiempo y el espacio están vinculados orgánicamente.', NULL, NULL, 'EL FORMATO DE MONTAJE SERA CON EL MATERIAL SINTRA CON BASES DE MADERA QUE ME PERITE GENERAR VOLUMEN DESDE LA PARED.\n\nMEDIDAS APROXIMADAS DESDE \n50 X 50 \nA\n20 X 15 CM', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1092, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 943, NULL, '2020-04-14 19:33:17', '2020-06-23 02:30:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14212, 'abZItKy46Sk7cpDP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:36:19', '2020-04-14 19:36:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14213, 'gScyZqPFdN67uQkl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:38:34', '2020-04-14 19:38:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14214, 'jhnku48JAEVLufLk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:39:11', '2020-04-14 19:39:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14215, 'eQphn3RxDtMok4nB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:44:06', '2020-04-14 19:44:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14216, 'BwfD33ITmdg5XNqu', 'Notas de Cuarentena', NULL, 'La serie Notas de Cuarentena empezó como un ejercicio visual durante el confinamiento voluntario ante la pandemia de Covid-19. Acompañada por mi hijo preadolescente, decidimos usar la cámara para tomar apuntes visuales de nuestra emocionalidad y hacernos un tiempo de reflexión. Conscientes del privilegio de habitar una casa y de poder quedarnos en ella, construimos una narración a partir de esa intimidad.\n\nSe imaginó un diario íntimo que dejara rastro del lento pasar del tiempo a través de los estados mentales y emocionales que experimentamos, más que de los acontecimientos que acompañaron nuestra cotidianidad.\n\nLas fotografías fueron realizadas a partir de elementos y conceptos que durante el encierro se volvieron más recurrentes y significativos, como límite, frontera, exposición, refugio, el otro, conexión, salida, existencia, aire.\nFinalmente, el ejercicio de editar en secuencia dos o más fotografías, nos ayudó a elaborar nuestro imaginario, siendo que la interacción entre imágenes produjo nuevos escenarios solo parcialmente vinculados con el contenido de las imágenes individuales.\n\nEn la fotografía encontramos nuestra forma de resistencia. En ella la luz atrapada rescata del olvido los gestos vividos en aislamiento, un registro que comprueba nuestro estar.\n\nEl proyecto es inédito y se realizó entre marzo y junio 2020 en Chile. Se compone de 28 fotografías en total, en blanco y negro, en los formatos vertical y horizontal, pensadas de distintas medidas.', NULL, NULL, 'Por la naturaleza del proyecto, imagino las fotografías impresas en papel bond y expuestas en un lugar cerrado y amplio, con iluminación puntual y paredes negras.\n\nLa serie se compone de 28 imágenes en blanco y negro de distinto tamaño. La idea es que el espectador pueda ver las impresiones desde cierta distancia, es decir que se mantenga suficientemente alejado para no tocarlas, ni entrar en el haz de luz que las ilumina. El montaje prevé una secuencia no linear.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4491, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3781, NULL, '2020-04-14 19:44:07', '2020-07-15 15:44:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14217, 'O6EJn5TIG88PMR1I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:49:39', '2020-04-14 19:49:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14218, 'UJSpbRfIyEQDXWIw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:52:43', '2020-04-14 19:52:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14219, 'S6Avb3UQbOvROJC9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:55:46', '2020-04-14 19:55:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14220, 'ZJVhfg7YRr6DO3XY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 19:56:10', '2020-04-14 19:56:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14221, 'i27pt7GkLERcGh2R', 'Flip - Frappé - Maté', NULL, 'My plan is to project the drawing animation with video projector to the building wall or at the advertising screens in the street. And this animation will be created in Argentina and several South American countries through the workshop with local children.\n\nplan a\nIf the circumstance will be allowed, I would like to have a workshop with local children for one or two days at actual place. Probably with elementary school children (aged 6 -12 years old) or kindergarten children is also possible. I ask children to draw their imagination with full of dream and also shoot their playing in blue screen set and digitally synthesized with their drawings.\n\nplan b \nIf it will be a difficult situation to come to Argentina from Japan because of COVID-19, I would like to ask school teachers in participating schools in Argentina and several South American countries to collect the digital data of children\'s drawings. I put them together to make the digital animation.\n\nI have several experiences to make a workshop with children in my country Japan, also in Germany, China and Taiwan during the artist in residence and some art projects.\n\nWe are now in a panic because of the pandemic of COVID-19, the accompanying economic crisis, natural disasters and riots stemming from human rights issues. I would like to take playful way to think of seriousness of such issues, by projecting the imagination of the children who will bear the future, which will show the hope all over the city.', NULL, NULL, 'outside wall of the building and historic architecture (symbol of the city), or at the advertising screens in the street in Argentina and several South American countries.\n\nLast year, I participated in the project \"Images for a better world\" of BIENALSUR, and showed my animation in several screens in the street. Although I could not see the work directly on site, I felt very interested in sharing the video art in a place where art was not usually exhibited.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=v0JfHa1nOyA, https://www.youtube.com/watch?v=ciSupWEtuZE,  https://www.youtube.com/watch?v=9qVwUIVOcmY, https://www.youtube.com/watch?v=Xr_5b1wjsOk, https://www.youtube.com/playlist?list=PLEF84F0A5A47BFC09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3611, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3086, NULL, '2020-04-14 20:09:40', '2020-07-20 19:58:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14222, 'fekSxXsmZ41m7li4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:09:43', '2020-04-14 20:09:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14223, 'OC8ZK1IGxztLTFVM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:13:41', '2020-04-14 20:13:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14224, 'LcEE1RtoAIgItmh4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:14:45', '2020-04-14 20:14:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14225, 'GKztgVh0nWTGKp2W', 'Dentro', NULL, 'La obra es una apariencia vital, su estructura infable plantea nuevas experiencias del espacio, el cuerpo, la convivencia y sus límites en una puesta multidisciplinar y metafórica. Se  adentra en un mundo lúdico, despertando en el espectador imaginarios simbólicos. Una masa de cuerpos, suma de individualidades, muestra la interacción, mutación y diálogo, conceptos del “yo colectivo” de “Dentro”. Hace visible lo invisible por su materialidad, de manera alegórica. Invita a preguntarse dónde están los límites y  percibir la estructura como “ser vivo”, su vinculación con el cuerpo performático,  creación-coexistencia, construyendo  escena. Su estética estimula a curiosos abordajes, interactuando con el espectador. “Dentro”  creada en Río de Janeiro, Brasil junto a la Sec. de Cultura/ FUNARJ /ONG People’s Palace Projects. Ha sido expuesta en Madrid: “Festival Paraíso” Universidad Complutense, La Juan Gallery, Museo Zapadores, Ciudad del Arte, Nuevo Proyecto de La Neomudejar, Medialab Prado; además en Mutuo, Galería de Arte- Barcelona. En 2019: Feria Mapa, Festival Emergente CABA. Recibió Primer Premio Estímulo a la Performance -Colección Brun Cattaneo. La estructura de PVC transparente, mide 3 m de largo x 2 m de ancho y 2 m de alto. Cuenta con un motor para su funcionamiento que habilita la obra. El montaje como el desmontaje es de características simples. “Dentro” está compuesta por 6 bailarines de danza contemporánea acompañados por música original en vivo.', NULL, NULL, 'La instalación performática se adapta a distintos espacios expositivos internos o externos techados, cuya dimensión contemple la medida de la obra y su circulación perimetral.  Como la obra requiere del motor para la  continua entrada de aire a la estructura, es necesario contar en el espacio elegido con un enchufe a no más de 10 m. de distancia  a la estructura. El espacio  elegido debe ser neutro,  contemplando que la obra es traslucida y el exterior forma parte del interior.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/305517299', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1115, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 963, NULL, '2020-04-14 20:15:28', '2020-07-12 16:49:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14226, 'ZIMoKnugq06MLZbi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:23:35', '2020-04-14 20:23:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14227, 'V1bXup5rMqI53CaI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:30:33', '2020-04-14 20:30:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14228, 'ZIfnfR5XhxtJbjcu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:32:46', '2020-04-14 20:32:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14229, 'Zh3hieYb6U6AWhAx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:39:08', '2020-04-14 20:39:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14230, 'xcTVhL6u6kaRZ1zY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:40:01', '2020-04-14 20:40:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14231, 'APya5q1ZkqAgVidF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:41:34', '2020-04-14 20:41:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14232, 'X5nEhv32iJ9yJdQW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:42:44', '2020-04-14 20:42:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14233, 'XOgLh4ID4TTzA7mp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:44:30', '2020-04-14 20:44:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14234, 'vN0R9A3wsfaPm4CN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:45:00', '2020-04-14 20:45:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14235, 'bX2GUxzgTXImheA7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:46:08', '2020-04-14 20:46:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14236, 'IJ4yP3dTGVzii089', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:53:49', '2020-04-14 20:53:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14237, 'x0dweBwprUMkGXSF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 20:54:08', '2020-04-14 20:54:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14238, 'SghMm019kPSUlBmp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:02:25', '2020-04-14 21:02:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14239, 'lXXR3n7KY6YhpsAu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:03:01', '2020-04-14 21:03:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14240, '4QsWOgqGusQwXtNH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:06:49', '2020-04-14 21:06:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14241, 'NYGW40J9jrjSnYKX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:06:50', '2020-04-14 21:06:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14242, 'jyN2ez45O6wTeKma', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:11:35', '2020-04-14 21:11:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14243, 'cO0TI0Pk4BXKYk2H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:12:50', '2020-04-14 21:12:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14244, '5B290fhpnJT1V2J9', '\"Desplazamiento del cuerpo colonial \"', NULL, '“ Desplazamiento del cuerpo colonial ” Es acción de arte itinerante dispuesta en lugares específicos en relación a la escultura de Pedro de Valdivia (1497-1553), realizada por Enrique Pérez, en la Plaza de Armas, centro de la ciudad de Santiago en 1963. \nLa figura del conquistador es absoluta, a través de una cabalgadura dócil, es Pedro de Valdivia eternizado en la calma y seguridad de su mando, que en sus dimensiones se superpone a los transeúntes que, principalmente, disfrutan de ella desde abajo. \n \" Desplazamiento del cuerpo colonial” hace patente que la voluminosa ocupación del espacio no se asimila desde el descanso regio de la figura del conquistador sino desde abajo: nunca vimos al hidalgo, sino las patas de su cabalgadura. El suelo sin categorización ni dogmas del pasado nativo de América, sepulto bajo el plano damero de España, emerge con su visión negativa; no como la coherencia de culturas y civilizaciones desenterradas y categorizadas por arqueólogos, sino aquel vacío del criollo, del mestizo, que desconoce su identidad nativa, y asimila la del invasor desde su borradura y sometimiento; una identidad vaciada que sólo encuentra sentido en la superposición de su contraparte solar; su condición de remedo, de copia, que sólo puede hablarnos como una inversión de un símbolo que también pareciera desconocer sobre qué historia se asienta.', NULL, NULL, 'Escultura  :\n -. Escultura  Tallada a mano directamente en poliuretano expandido a escala 1:1 .\n-.  Forma : Figura modelo ecuestre (Extremidades )   cuatro patas de caballo más la cola que aparecen desde la base suelo , muro o pavimento ,  tallada en aislapol de alta densidad (30K).\n-.  Terminación  :  Capa protectora endurecida y lisa , pulida y pintada blanca , auto-sustentable \n-.   Peso : 10K.\nDimensiones por metro cuadrado  : 2 metros (Ancho ) por  3 metros (Largo) por 1.10 metro (Alto).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4712, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3967, NULL, '2020-04-14 21:16:11', '2020-08-03 20:44:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14245, 'pVJD8OUs5O2LzLJA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:16:50', '2020-04-14 21:16:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14246, 'FEUV2dRC48qwSeqE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:23:42', '2020-04-14 21:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14247, 'cCPJW34loE1wcbOF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:26:06', '2020-04-14 21:26:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14248, 'MHAs3pTGfl6h60oC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:27:51', '2020-04-14 21:27:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14249, '0n8SFiHGA7G5oSdW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:28:36', '2020-04-14 21:28:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14250, 'VdigG76VuisCYtKr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:31:00', '2020-04-14 21:31:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14251, 'C92C0UR3LdovrFBb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:32:46', '2020-04-14 21:32:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14252, '907ju8aw6mLbz7Q4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:33:34', '2020-04-14 21:33:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14253, 'fhQ39adV4M9n7p0B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:38:19', '2020-04-14 21:38:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14254, 'QGgoFLS1HFuTejNf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:39:54', '2020-04-14 21:39:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14255, 'CO0HTvVxYcm1CtuT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:41:10', '2020-04-14 21:41:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14256, 'f68GidvLDPK3OBXc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:44:28', '2020-04-14 21:44:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14257, 'Z7jJVj4h2B4CQZ6J', 'MediaLab #comunidadculturasolidaria', NULL, 'MediaLab#ComunidadCulturaSolidaria es un Laboratorio experimental con trayectoria en prácticas expandidas que se configura en función de lo que sucede. Enfocado a explorar en campos de la estética del cuidado, la creatividad vinculada a los afectos y a la empatía con las mujeres en riesgo que suelen convivir inevitablementecon el maltrato del posible femicida.\n42 artistas en trabajo colaborativo y solidario, a partir de la cuarentena, iniciaron los #Cuatentalleres virtuales que ponen en valor tradiciones y costumbres de la sabiduría popular así como de reductos nativos-ancestrales; formas posibles de cultivar e indagar en otros modos de prácticas artísticas y/o de supervivencia, con aprendizajes y préstamos culturales interdisciplinarios.\nCada sábado, desde el 2 de mayo, la plataforma virtual participa desde lo individual hacia lo social y comunitario. Con variedad de prácticas y modos de hacer en la cerámica, vidrio, textiles, arte digital. La finalidad de los talleres lleva conciencia de género a los hogares creando placas y pegatinas con frases de alerta y “Llamá al 144” para  emplazar en espacios públicos cotidianos.\nContamos con un canal de Youtube; página en wordpress con cronograma actual y demás ediciones; geolocalización de acciones y emplazamientos registrados.También páginas de FB e Instagram para difundir y convocar a experiencias futuras del proyecto.\nUnidas en un abrazo federal se extiende sin fronteras a toda la región y países europeos que se ya incluyeron.', NULL, NULL, 'Instalación que vivencia de frente 19 pantallas 18”, sostenidas del techo, muestran experiencias de talleres; una pantalla 60” al fondo de la sala que en momentos del día  funciona como plataforma en tiempo real de vinculación global.\nEl recorrido del espectador está garantizado por dispositivos no alineados planteados en cuatro líneas que requieren una espacialidad de 1,5m entre c/u, dado que en su reverso expone un gabinete con materialidades físicas visuales correspondiente de cada taller.', NULL, 'artist', NULL, NULL, 'https://mega.nz/fm/YFBmhCAY', NULL, NULL, NULL, 'https://mega.nz/folder/BBoSharA#Hx6xy8hD1kDAY9GLs6924g', NULL, NULL, NULL, 5598, NULL, 793, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4638, NULL, '2020-04-14 21:48:01', '2020-08-06 02:14:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14258, 'MmuHzFnAYtc7UiCD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:49:02', '2020-04-14 21:49:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14259, 't99ZX6L7xd8YBbvJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 21:57:27', '2020-04-14 21:57:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14260, 'ndZsm8pbgDYjIvAV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:04:35', '2020-04-14 22:04:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14261, 'afvkSnOtZwCU3cNw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:05:06', '2020-04-14 22:05:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14262, 'UD50wWpaFeOKgf68', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:06:33', '2020-04-14 22:06:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14263, 'LldU1yYQklFmcC3D', 'non-summit meeting', NULL, 'The overall theme of my project is \"Irony\". I expressed the irony from my social and political experiences through the realistic and unrealistic video and sculpture works. From news and other press media, I\'ve witnessed that my home country, South Korea, has been poorly treated from other powerful nations and I had to accept this fact. And these critical pieces of my perception lead me to visualise them in the form of art work. For example, one result of the summit meeting disappointed me and even caused a bit of an anger. To express my thoughts and feeling related to it, I chose to make my projects ironically and humorously.\n\nOne news from TV became a motivation of my recent work. It dealt with the long conflicts between South and North Korea. Although both countries are fully independent countries, their political·economic·military decisions have been driven by some other powerful countries. In other words, I had to confront the fact that both countries\' political conflicts were the following result of the conflicts between United States and China claiming for their own benefits.', NULL, NULL, 'I need space to install four or six videos.\n\nThe installation of foot fragments is not large in size.', NULL, 'artist', NULL, NULL, 'https://youtu.be/_1MZDkGBg1k?t=2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1171, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1014, NULL, '2020-04-14 22:08:02', '2020-06-23 02:28:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14264, 'y4gh0ZNzEP0cbCmt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:08:17', '2020-04-14 22:08:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14265, 'aPAMTjFK8PMWijkp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:08:36', '2020-04-14 22:08:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14266, 'X6vu39ZAP7qc0Eai', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:15:59', '2020-04-14 22:15:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14267, '9mjGK9ZfwZiNtSee', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:24:34', '2020-04-14 22:24:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14268, '6V7vXUnyFaMrxFqD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:26:44', '2020-04-14 22:26:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14269, 'b9dFHyfneSrQ7sg3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:28:40', '2020-04-14 22:28:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14270, 'y259Pm7SbfyARLca', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:29:37', '2020-04-14 22:29:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14271, 'dHC27ibqsDAJq1g0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:29:53', '2020-04-14 22:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14272, 'usC59hlb19FNj3mb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:33:20', '2020-04-14 22:33:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14273, 'RotN630zluzkTDn9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:33:55', '2020-04-14 22:33:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14274, 'jzXq2PPkOMRUPYTE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 22:35:06', '2020-04-14 22:35:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14275, 'K34zxyXRXUhXcOCt', 'ecos', NULL, 'cavar e me gastar no tempo do engasgo; tomar a memória  como meio de partida e de chegada; em-caixar ruído; advogar pela presentificação de uma zona de diálogo (um diálogo casca de ferida) e por um exercício auto-etnográfico de todes da rede, porque só faz sentido se for campo aberto para flutuação das coisas e das relações entre as coisas.\né possível observando o rastro e as afetações, provocar vibrações na membrana imagética e, suspendendo os limites do que pode, comparecer e co-significar. tem uma coisa de delicadeza, tem muita coisa de sinceridade.\numa caixa de aproximadamente 20cm de altura, 30cm de largura e 30cm de profundidade, abertura frontal. nela, um eco de memória. hoje são 44 caixas, pretendo encaminhar 80, ainda em processo.\nas técnicas aplicadas se desenvolvem conforme o trabalho também se des-envolve, nada é inteiramente programado já que um corpo catado-colado não tem como esconder as cicatrizes e aqui elas são veneradas. as matérias, de água do banho à arame metálico, brinquedos, colas, ferragem e ferrugem, fibras, fios, folhas, madeira, objetos prontos apropriados da memória / de borracha / de plástico / de resina / de poeira de passagem, osso de galinha, remédio, tecidos de algodão / sintético / de pele, t e m p o , tintas, são respeitosamente colhidas da rua, da casa, do corpo.  com-posição-com memória-tralha-nós.\neste trabalho é sobre os corpos e as memórias, sobre as relações, fazer vibrar as estruturas e deixar vazar. frequentar o eco', NULL, NULL, 'A série foi exposta no CUBIC4 – BIENAL INTERNACIONAL DE CURITIBA 2019/2020, e faziam parte 29 peças. Junto com as curadoras Fabricia Jordão e Sthephanie Dahn Batista, decidiu-se ocupar uma sala de 40 m², dispostas em pedestais individuais de madeira com altura de 1,20m, espaço de aproximadamente 80cm entre cada para que se pudesse observar ao redor.\nPara esta exposição pretendo encaminhar 80 peças (em desenvolvimento), e para isto sou completamente aberto a proposições de espaços e expografias.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1097, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 948, NULL, '2020-04-14 22:41:50', '2020-06-23 02:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14276, 'aDqXfbWKH5eRFbTg', 'Para los ojos', NULL, 'La experiencia de carencia de visión por un tiempo brindó a mi ser llenarse de reconocimientos táctiles y sonoros, es allí donde se construye el primer cimiento de mi trabajo, creer en una ceguera blanca y una memoria frágil es el inicio, así el olvido, la carencia o la ausencia me permiten reconocer el espacio y el habitar da cuenta de cómo la vista nos proporciona el recuerdo casi intacto de las cosas, pero ¿qué pasa cuando el recuerdo de una experiencia se crea partiendo de los demás sentidos?\nEn mi memoria habitan aromas y texturas de plantas, a través del análisis del recuerdo y la memoria creo palabras, sonidos e imágenes traducidas al braille y lenguajes musicales, que relaciono con plantas curativas para infecciones oculares, objetos y espacios de mi casa de infancia, deviniendo en instalaciones que exponen la fragilidad humana.\n\nEsta obra consta de una investigación, un trabajo de campo y una recolección de memoria natural acerca de estas plantas, mi bisabuela quien cuido de mí durante un tiempo intentando curarme, armaba día a día bolsitas con ( manzanilla, regaliz, calendula, etc.) como se ve en el vídeo, las ponia a hervir en agua y me las ponia sobre los ojos; en Diciembre del 2019 Maria Rita mi bisabuela falleció,escribí una carta para ella agradeciéndole por su compañía y cada enseñanza, hice la traducción a braille para luego montarla en una partitura e interpretarla y agragarle la carta como una composición musical al video.', NULL, NULL, 'Espacio blanco,con buena acústica y  disposición de luz para que el video sea proyectado,las dimensiones pueden variar,  pero seria optimo que no sea menos de 3x2metros. \nFragmento carta\nLa soledad está llena de ti y estoy tratando de curarme, curar lo que ahora se siente como vacío\nTrato de cuidar un cuerpo ausente,frágil ante el blanco infinito de las palabras que aun quisiera decirte\nNo es una despedida mientras siga avanzando la melodía.\nPara los ojos, video.dimensiones variables(loop)2019.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=LIW7YvsSs64', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1104, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 955, NULL, '2020-04-14 22:56:22', '2020-06-23 02:30:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14277, 'sEovx6kSWZRcpB75', 'Códigos morales', NULL, '\"Códigos morales\" es un trabajo y un proyecto que llevo desarrollando desde finales del año 2016. \n\nMediante este proyecto, codifico una serie de valores, de creenciasm de conductas y normas, en relación con comportamientos y perspectivas de una actualidad en la que los códigos de comunicación e interpretación son difusos y personales. De esta manera, partimos de códigos en los que ni el emisor ni el receptor comprenden, pero sí utilizan. Así, el individuo actúa como un pasajero que se encuentra en una gran incertidumbre. Una incertidumbre potenciada por el desconocimiento de sus fines y métodos empleados.\n\nTratando estas ideas, el proyecto parte de una pintura mural en dónde la figura humana es representada de la manera más superficial posible, asemejándose a runas o jeroglíficos. Con ello, invito a reflexionar a cerca de las distintas formas de relacionarse con el entorno, y de cómo ésts crean un conjunto de diversos signos y reglas que conforman una realidad donde la individualización y la incomprensión aborda al individuo.\n\nA través de la figura humana creo un lenguaje donde la interpretación es necesaria, ya que, no existe ni ofrezco ninguna pauta para su comprensión, por lo que se plantea como un enigma. Con \"Códigos morales\" se establece una relación entre una falta de valores y moralidad muy presentes hoy en día, y nuestra forma de relcionarnos con el entorno.', NULL, NULL, 'Para desarrollar este proyecto sería necesario una pared blanca y lisa  con unas dimensiones mínimas de 4x3 metros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1098, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 949, NULL, '2020-04-14 23:04:59', '2020-08-11 21:56:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(14278, 'TzvBXlxZtRbfer1I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:16:16', '2020-04-14 23:16:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14279, 'hNkaiZFqzAXLzxRM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:16:41', '2020-04-14 23:16:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14280, 'aZFLmOyl09fEUgNA', 'Unigrafismos de urgencia', NULL, 'Frente a las \"distancias\", la \"inmediatez\", el \"miedo\", las \"restricciones\",  la búsqueda de \"voces\"  y la “soledad” en una época de cambios radicales los “Unigrafismos De Urgencia” invitan a unir, e-mocionar(se), con-mover(se) y sentir(se) mediante encuentros gráficos libres y colectivos en el ámbito virtual y físico. \n\nEl dibujar como “escritura” común, intercultural, igualitaria, aparentemente silenciosa pero capaz de “grabar” gritos, inquietudes, miedos y ganas, alejada de las \"destrezas\", los \"talentos dedicados al \"perfeccionismo\", se presenta aquí como herramienta de apertura para encontrarse a unx mismx y a lxs demás.\n\nSin límites espacio temporales ni restricciones de acceso o técnica, separados pero en sintonía, participantes-espectadores de todo el mundo formarán parte de una mega-meta sesión online de 24 horas, que además tendrá su materialización simultánea en el espacio expositivo de la Biennal mediante proyecciones y dibujo presencial. \n\nEspacio digital y físico forman un lugar expandido para \"tocar\", \"oír\", \"hablar\", \"gustar\", “bailar” y poner en sintonía contextos dispares que hacen fluir el espacio expositivo de la Biennal con lo doméstico, lo íntimo, lo común, lo tradicional y lo poético. \n\n*Los “Unigrafismos de Urgencia” nacen en algún punto del confinamiento por el COVID19, donde descubrimos el gran impacto de la co-creación virtual y de la necesidad de generar un [no]lugar para expresar lo indecible y digerir las agonías de la nueva cotidianeidad.', NULL, NULL, 'La acción tiene lugar en un espacio virtual que “resuena” y se materializa en un espacio físico de la Biennal mediante proyecciones continuas y un dibujo colectivo en vivo. \n\nEspacio digital: Plataforma zoom u otra plataforma de código libre, con capacidad para albergar alrededor de 500 personas durante 24 horas, y señal WiFi con alta velocidad de conexión.\n\nEspacio físico: Espacio vacío de 30 a 50 metros cuadrados, luz artificial, 3 proyectores.', NULL, 'artist', NULL, NULL, 'https://imprografika.wordpress.com/2020/06/15/landescapes/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5556, NULL, 785, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4604, 5, '2020-04-14 23:19:13', '2021-02-12 15:40:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14281, '6g7S1PmekkYUQg9h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:20:01', '2020-04-14 23:20:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14282, '3kDSP0nxPMyFoFtT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:21:53', '2020-04-14 23:21:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14283, 'Zw9bfbk0so3tHzMA', 'violência', NULL, 'retratos de corpos impregnados por marcas, memórias e vestígios violentos. um corpo pictórico carregado, que não só sofre, mas reproduz agressões e hostilidade. o ser que naturalmente aceita a crueldade. o afeto que existe nas entrelinhas. a linha tênue entre o prazer e a aflição.\n\n“violência” é uma pesquisa em pintura que esta em desenvolvimento desde 2018, com o intuito de investigar a violência em suas diversas formas de existência. Ao decorrer desta investigação dentro do próprio campo da pintura e de pesquisas externas, percebi que o que me interessava e instigava não era somente a visualidade dos rastros deixados por agressões, mas sim o conceito de violência, mesmo não sendo física. A partir disso, passei a observar formas de violência veladas, “sutis”, não óbvias. O racismo presente no currículo das aulas de História da Arte, o prazer em se dominar o outro, etc.\nQuestões levantadas também por Jota Mombaça (2016): “que marcadores sociais desenham os gráficos do extermínio sistemático, continuado e neocolonial; porque há vidas matáveis; que corpos adornam os projetos de futuro;\" são presentes na série “violência”, tensionando este campo de pesquisa, tanto no meu corpo e existência quanto em minha produção. \nA violência em minhas obras são simbólicas, com pinturas alegóricas sobre as diversas ramificações do meu entendimento a respeito de violência. Com metáforas visuais e narrativas, crio uma dualidade no entendimento da obra.', NULL, NULL, 'A série “violência” foi exposta no CUBIC4 – BIENAL INTERNACIONAL DE CURITIBA 2019/2020 na disposição mostrada na primeira imagem anexa, com as 19 obras fixadas em uma parede branca. Essa e outras configurações na forma como o trabalho será exposto podem sugeridas pelo corpo curatorial, a série pode se apresentar de diversas maneiras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1101, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 952, NULL, '2020-04-14 23:22:54', '2020-07-12 16:48:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14284, 'v4R6PMYUrADSyrDw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:27:57', '2020-04-14 23:27:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14285, 'ersZdnWCN34LtAmr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:39:55', '2020-04-14 23:39:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14286, 'B0DOHCyxni6SscH5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:43:24', '2020-04-14 23:43:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14287, 'vTGlBmNIB87Ry93M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:48:11', '2020-04-14 23:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14288, 'VWiUItVjs4BuKfRl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:48:46', '2020-04-14 23:48:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14289, 'VGOVXZ5OoSQVm394', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:51:54', '2020-04-14 23:51:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14290, 'CShVVDv98gjinEYu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-14 23:58:41', '2020-04-14 23:58:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14291, 'eDWSRGxXUoyGQVDB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:03:46', '2020-04-15 00:03:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14292, 'NhLU6utq2vgeangf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:06:41', '2020-04-15 00:06:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14293, 'fMKGWkOsHxN6FTJE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:07:29', '2020-04-15 00:07:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14294, 'W7JD7DwehgIVh0zn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:10:04', '2020-04-15 00:10:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14295, 'VnVpogDn9ZuvckDc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:13:00', '2020-04-15 00:13:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14296, 'aV6pO1vtVWPSnwy9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:14:26', '2020-04-15 00:14:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14297, 'PU9G6Lp3WcyrqEYV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:14:50', '2020-04-15 00:14:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14298, '7wWm6RL77zjg2Bqi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:20:46', '2020-04-15 00:20:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14299, 'Ae6tNGnZBQHEDkhE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:25:36', '2020-04-15 00:25:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14300, 'f0uf8fUEPlBQVULM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:27:14', '2020-04-15 00:27:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14301, 'jYrlELOF91DcTNzI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:29:13', '2020-04-15 00:29:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14302, 'ufzjysLwmnvp6QL8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:32:35', '2020-04-15 00:32:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14303, 'Wxt4a1oL2ndCL2js', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:32:41', '2020-04-15 00:32:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14304, 'VJNYKlyqo6TuuKnQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:36:28', '2020-04-15 00:36:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14305, 'OaNUNZuhxZPhclMt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:42:28', '2020-04-15 00:42:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14306, 'mNprd6eR7WLdUMXr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:49:24', '2020-04-15 00:49:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14307, 'omcwQJIVYdp7vqlN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:50:54', '2020-04-15 00:50:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14308, 'cSDtaGL8kuSYyCX4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 00:57:26', '2020-04-15 00:57:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14309, 'qxeAK26dktQKhCsw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:03:25', '2020-04-15 01:03:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14310, 'J19qNxxN1ibn6rid', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:08:24', '2020-04-15 01:08:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14311, 'IKA9bH09dT2yISrh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:08:44', '2020-04-15 01:08:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14312, 'RPk4AXnI6jQ3Ex6E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:08:45', '2020-04-15 01:08:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14313, 'J9grgiednbBERxkH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:11:56', '2020-04-15 01:11:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14314, 'AZ9YFjx7IeghklvF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:12:27', '2020-04-15 01:12:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14315, 'Nm5iE7UGssQfAlPs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:13:44', '2020-04-15 01:13:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14316, 'LigfFGeaCCBCYwI5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:16:53', '2020-04-15 01:16:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14317, 'PMfQsCL7rNePiq50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:18:34', '2020-04-15 01:18:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14318, '2K3Ao6vKmC59bU8r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:19:00', '2020-04-15 01:19:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14319, '9oEdL1DWWOfxrWKG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:19:23', '2020-04-15 01:19:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14320, 'pjpUJjCTZyNPsV1A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:20:35', '2020-04-15 01:20:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14321, 'gguWWkOOChUj5vcn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:23:23', '2020-04-15 01:23:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14322, '1omeHoRNzeie36QH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:23:46', '2020-04-15 01:23:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14323, 'VrBlOI4tQL6m7HsN', 'El Ùltimo Testigo', NULL, 'El último testigo es una serie de cortometrajes documentales que pone en escena historias que acontecieron hace décadas, de las que solo queda un último testigo. Apelando a la nostalgia y el recuerdo, la serie habla de oficios, maneras de amar, de habitar el mundo, de relacionarse, que pertenecen a otra época, que parece muy distante por los cambios frenéticos que ha vivido la humanidad en los últimos cien años. Como se puede deducir, son piezas emotivas que, a través de la memoria, reflejan la realidad latinoamericana de comienzos de siglo XX: cómo era el mundo y la gente cuando el planeta parecía más grande e inabarcable.', NULL, NULL, 'Serie multiplataforma que se compone de una exposición de fotografía itinerante e interactiva, diseñada para  diferentes museos, casa de la cultura y universidades. La muestra se compone de un retrato fotográfico impreso en gran formato de cada uno de los personajes, acompañado de un código QR que los visitantes a la exposición podrán escanear con teléfonos inteligentes para conocer el cortometraje documental de cada personaje.\n\nDimensión fotografía impresa: 1.0m x 0.65m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1112, NULL, 126, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 962, NULL, '2020-04-15 01:28:57', '2020-06-23 02:30:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14324, 'CES6dU1jyJ8S7VEU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:36:08', '2020-04-15 01:36:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14325, 'q2uP9bF2NkuSNmxE', 'MIGRATIONS', NULL, 'La migración es el desplazamiento de una población que se produce desde un lugar de origen a otro destino, lleva consigo un cambio de contexto socio cultural habitual en el caso de las personas o del hábitat en el caso de las especies de animales migratorios. \nMigración\nDel lat. migratio, -ōnis.\n1. f. Desplazamiento geográfico de individuos o grupos, generalmente por causas económicas o sociales.\n2. f. Quím. Desplazamiento de una sustancia.\nPalabras claves\nMigración, transformación identitaria, teología de la migración, interculturalidad, hermenéutica. \nLa movilidad humana es un hecho que entrelaza diferentes realidades, tanto esas que la motivan como las que los inmigrantes encuentran en las sociedades de destino. Su significado es polivalente: unos comprenden dicha movilidad como un recurso para solucionar problemas en los países de origen, mientras que en los países receptores es percibida por otros como el ingreso de masas, que constituye una nueva carga social, que estremece las relaciones culturales que trastorna el panorama social y religioso.', NULL, NULL, 'PLANTA DE TRES METROS CUADRADOS', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://srip.files.wordpress.com/2020/04/migrotions.pdf', NULL, NULL, NULL, 1108, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 958, NULL, '2020-04-15 01:40:21', '2020-06-23 02:30:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14326, 'Wn0AGxM5wN9zjkqc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:41:04', '2020-04-15 01:41:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14327, 'nR5xd9TBU9WKYxuR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:46:37', '2020-04-15 01:46:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14328, '38NUbM7hR1IbEtjq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:49:13', '2020-04-15 01:49:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14329, 'xfzzk3JEeXhgp04a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 01:54:59', '2020-04-15 01:54:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14330, 'dBlVcijwvvR7Emxs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:02:08', '2020-04-15 02:02:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14331, '3920sFtfrKThGBZl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:04:01', '2020-04-15 02:04:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14332, 'acs5SrMX8elwnHuL', 'Dinámica de las Relaciones', NULL, 'Serie \"Inconsciente Colectivo\"\nUna pieza de 150 cm x 5 mts (papel Canson Montval 300 grs y tinta) (opcional dos piezas)\n2 piezas de 1 x 1 m (papel Canson Gvarro 300 grs y tinta)\n\nSerie \"Dinámica de las Relaciones\"\n70 dibujos (enmarcados o no), de 43 x 32 cm. \n\nPara visualizar mejor las obras, ingresar a https://estudiociclope.wixsite.com/paulabenites\n\nConcepto Serie Dinámica de las Relaciones:\n\nUno\nUno más \nUno a uno\nOtro uno\n- - - - - - - - - - - - \nUno en uno\nUno en otro\nOtro en uno\nMás que uno\n- - - - - - - - - - - - \nAsí emerge\nTodo en uno\nRedes que cambian\nCambios que enredan\nCambian los ciclos que iteran\n- - - - - - - - - - - - \nAsí emerge\nUno en todo\nDerrumba\nTrasciende\nCrea consciencia de vida\nEterna\n\nConcepto Serie Incosciente Colectivo:\n\nIguales en esencia y potencial. Libre albedrío. \nCaminos diferentes. Cada decisión tiene su propio Oriente. \nNos movemos sin saber si a donde vamos es a donde luego llegamos. \nUna repetición genera un patrón. Un pequeño cambio en la repetición, una iteración. \nLa trama cambia, se transforma. Está viva. \nLa libertad genera incertidumbre.', NULL, NULL, 'La pieza de mayor tamaño tiene 5 metros de largo x 1,5 m de ancho. Puede exponerse tanto extendida en una pared, parte enrollada o colgando. Es bastante versátil tanto material como conceptualmente. \nEnvío montaje fotográfico para visualizar opciones. Lo dejo a criterio de quien cure la muestra, quisiera la participación y el criterio de alguien con conocimiento respecto a esto. : D', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3165, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2721, NULL, '2020-04-15 02:14:11', '2020-08-08 13:41:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14333, 'lDYaiJYCebWqVt0n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:19:19', '2020-04-15 02:19:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14334, 'PNp7IEt17u6DMAOx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:21:07', '2020-04-15 02:21:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14335, '7tT4KwFl4tVYvKlD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:21:30', '2020-04-15 02:21:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14336, '5azEZVi00azrXrdq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:33:20', '2020-04-15 02:33:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14337, 'qCDpZAYHEslqoDEr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:38:55', '2020-04-15 02:38:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14338, '8tfsAEoVnpWkyu0Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:40:54', '2020-04-15 02:40:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14339, 'VsEXwJatu8EYW48k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:43:37', '2020-04-15 02:43:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14340, '4Y81O9Iet3PvbNu3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 02:50:06', '2020-04-15 02:50:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14341, 'MWLbj4doZWELmlYK', 'After the end of capitalism', NULL, 'The work of an artist\'s book develops from poetic research on the hyperconsumption society and its consequences on the planet, causing serious harm through different industries and monopoly companies, which to perpetuate themselves in power use the exploitation of the human being itself , animals and all possible natural resources for this, generating countless irreversible global disturbances.\nFrom the construction of a book that began to be constructed of scraps of cloth with stitching, the main theme of the work was developed with newspaper headlines taken from the internet and printed on silkscreened cotton fabric, in which the related themes are between exploration of the human being itself and the destruction of the planet to the detriment of the moment of the current conjuncture of the culture of the hyperconsumption society, based on this the structure of the book was developed to dialogue with such themes of related aggressive nature.\n\nProcess:\nFirstly, I made the cover and dust jacket by sticking them to pass the sisal between them, then I used the canvas fabrics that silked headlines from international and Brazilian newspapers about events  in reference to the current moment in the world then I burned them to look like destruction and rusted the barbed wire to pass between the pages and the cover and dust jacket to finish making the artist\'s book.', NULL, NULL, 'It can be displayed on top of a table or balcony, the artist\'s book measures 29cm x 46cm and contains 7 pages plus cover and back cover, done in 2019 São Paulo at Belas Artes College.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1116, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 964, NULL, '2020-04-15 02:50:16', '2020-07-12 16:49:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14342, 'iZwcu7MqQW9lCp8P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 03:03:39', '2020-04-15 03:03:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14343, 'TD0raiUCjZTZH1Oj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 03:05:00', '2020-04-15 03:05:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14344, '7hO22sogQpKVHRZr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 03:10:50', '2020-04-15 03:10:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14345, 'bLQ1BuHZLCRkdblO', 'Las heridas no tienen banderas', NULL, 'Crecí con la guerra en casa, mi padre es médico y ex combatiente de Malvinas. Cada 2 de abril iba al colegio a contarnos algunas anécdotas de su paso por esa experiencia. Cuando entraba al aula dejaba de ser el hombre con el que vivía, se transformaba en un sobreviviente. En una de sus visitas al preguntarle si curo algún británico, dijo que sí, pues \"Las heridas no tienen banderas\". Al volver a casa, no hablaba de la guerra, pero existía. Aunque intenté persistentemente restablecer conexión con esa parte de su historia, evadía todos mis acercamientos. Entonces entendí, que tocar, abrazar, recorrer su pasado representaba también una amenaza invisible.\n\nEste proyecto es una instalación inmersiva objetual-sonora. Una construcción poética que rescata y revaloriza EL CONTACTO emocional como una práctica fundamental en la salud ante las adversidades.  Propongo construir, inspirado en los puestos de socorros de la guerra,  una serie de estructuras realizadas a partir de 30 catres de campaña suturados entre sí.  Las formas que resultan de la fusión de los catres dialogan directamente con el “amuchamiento” y los abrazos que se daban los soldados para soportar el frío en las trincheras y con la el vinculo emocional  tan único y tan necesario que el personal de sanidad construye con sus pacientes. El recorrido entre \"los abrazos de los catres\" estará acompañado de forma sonora por fragmentos de las entrevistas que les realice a varios agentes de salud que participaron de Malvinas.', NULL, NULL, 'El espacio que sugiero para esta instalación es el museo Malvinas e islas del atlántico Sur.  Recordar y rendir homenaje a los argentinos que entregaron sus vidas en defensa de las Islas a través de experiencias sensoriales es la característica principal del museo coincidiendo absolutamente con la identidad de este proyecto.\nLa posibilidad de redistribuir las estructuras de la instalación me permite acomodarlas para poder ser ubicada en las dimensiones que el museo disponga para exhibiciones.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/426790759', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4212, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3591, NULL, '2020-04-15 03:11:54', '2020-07-27 20:46:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14346, 'ax3obXFS8pJNOkqo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 03:11:56', '2020-04-15 03:11:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14347, 'Ajy5S2O3zocckRS5', 'Distorsión', NULL, 'El aislamiento social preventivo y obligatorio, me encontró y me reencontró con mi propio cuerpo. Con los recuerdos de los pensamientos negativos que me abordan, y seguramente abordan sobre todo a las mujeres. El espejo y el tiempo pasando, \"si y no\", \"me odio, me amo\". Me encontró encerrada en mi cuerpo, y sin escapatoria de mi auto valoración, de mi potencial auto crítica, donde me trunco entre la deconstrucción y la matriz del daño  con que he sido criada y con la que he atravesado varias décadas. Con la mirada fulminante en mí misma, perdiendo mil veces el control.\nÉsta es entonces, una cita íntima con mi imagen, mi reflejo, la concepción mental que tengo de mi misma... la distorsión. De la lucha interna y externa que me representa cuando me pienso como un cuerpo que puede, que existe, que vibra, pero que a la vez tiene tanto miedo, y tantas formas de auto asimilarse. Tantas batallas ganadas y perdidas, de luz y oscuridad. \nEsta pieza de un poco más de \"30, me llevó a experimentar con mi imagen, y las representaciones propias, la mirada externa y el mundo/el entorno en un mismo plano: poético, crudo y esperanzador a la vez. La cual acompaño con, un par de fotografías, tomadas en el mismo momento en que se realizó la grabación del video. Ambas cosas en conjunto, quieren derribar mi muro, y comprendiendo que hay muros en todes, que no estoy sola en esto, que soy ésta construcción, pero no soy la única, ni la única posible.', NULL, NULL, 'La exposición del vídeo, está pensada para una proyección sobre la pared de un tamaño aproximado 150 cm por 100 cm.\nPara apreciar bien la idea, y personalizar la experiencia, sugiero que el sonido se pueda escuchar a través de auriculares. \nLas fotografías de tamaño 30x40, impresas en papel fotográfico mate, montadas sobre Foam Board. \nLas fotos estarán una a cada lado del vídeo.', NULL, 'artist', NULL, NULL, 'https://youtu.be/3jh_5VDVS58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2855, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2478, NULL, '2020-04-15 03:20:09', '2020-06-25 19:31:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14348, 'fPmUHNXDyTw1qtVY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 03:22:38', '2020-04-15 03:22:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14349, 'iKN8sJ8PoyDe7nBC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 03:23:08', '2020-04-15 03:23:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14350, 'OZwPMXwnKg1oNR8H', 'Ofelia, y la rueda del dharma', NULL, 'Las primeras manos\nlas que me sostuvieron\nlas manos que me liberaron de aquella oscuridad \nlas manos que me trajeron al mundo\na este mundo ya comenzado\nun mundo cómplice del silencio de mi memoria\n \nLas manos de Ofelia\nlas que cortaron esa ligazón umbilical de los vivientes entre si\nlas que negaron la fuerza oculta de la herencia\nlas únicas que conocieron a mi madre\nlas manos de Ofelia\nlas que comenzaron con la muerte el nacimiento de mi vida.\n\n\nNací bajo maternidad clandestina, entregado por la partera Ofelia Pintos Lemos en 1965.\nOfelia  traía chicas del interior del país, les enseñaba costura, y luego de 9 meses regresaban con su oficio aprendido.\n\nEste trabajo es una serie de retratos bordados. Ofelia, y varios más como yo, que tenemos la misma dirección en nuestras partidas de nacimiento y la misma firma de ella como partera.\nSomos muchos, mas de 30 y desde hace un par de años tenemos un grupo de FCBK, que día a día sigue creciendo, ya que Ofelia trabajó muchos años , desde 1959 a 1980 en Buenos Aires, Rosario y Mendoza. \n\nCada retrato estará bordado con maquina tufting gun, con lanas de diferentes tipos y colores.\nLa obra se complementa con una performance repetida en sucesivos días,  bordar in situ las nuevas o ultimas personas que van apareciendo, descubriendo su nuevo origen, su nueva realidad.\n\n\nLa rueda del dharma, la ley cósmica del orden\nLa practica que conduce a la paz y a la liberación.', NULL, NULL, 'Cada tapiz es aprox 80 x 80 cm, e irían suspendidos del techo y en circulo. \nSimbólicamente a modo de Ubuntu, que en tradiciones africanas significa: \"Yo soy porque somos\" y describe la sociedad como una red, un colectivo.\nEn los archivos subí imágenes de algunos retratos ya bordados y otras que son dibujos de futuros a bordar.\nEn el centro estaría yo bordando en el bastidor de madera de 200 x 160 cm. \nImagino un espacio minimo de 10 x 10 mts, de ser mayor ampliaría la idea de ritual, de altar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4900, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4122, NULL, '2020-04-15 03:35:24', '2020-07-02 17:57:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14351, 'hcmMloBC7y7and5k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 03:42:50', '2020-04-15 03:42:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14352, 'SFQVxvbypqXOyGqj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 04:01:02', '2020-04-15 04:01:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14353, 'jV9neOrbdeQpDCGB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 04:07:50', '2020-04-15 04:07:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14354, 'GEWgfz0W9P5D4a4f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 04:27:41', '2020-04-15 04:27:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14355, 'PbNfc2mxLs2CWBG1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 04:46:59', '2020-04-15 04:46:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(14356, 'floHd25C8AT1BwfG', 'Ideas en mente', NULL, 'Ideas en mente es un proyecto el cual curé que tuvo lugar entre marzo y mayo del 2020 en la galería el Gran Vidrio en Córdoba (Argentina). En este proyecto realicé un recorte de la obra del multifacético artista Dani Umpi (Artista visual, músico, escritor, performer) en el cual reuní su trabajo de los últimos 5 años que realizó con la técnica de collage.  \nLa exhibición está estructurada por una obra principal que se llama \"Paisaje\" que recupera la tradición de los parangolés que realizó el artista brasilero Helio Oiticica durante los años 60.  \nDani Umpi es un referente dentro de la producción queer de américa del sur, su obra reivindica identidades que escapan ala tradicional trabajando con distintos arquetipos como la figura del duende, las mostras, lo marica, entre otras cosas. \nEl objetivo de este proyecto es poder exhibirlo en el territorio de Brasil, donde las resonancias de sus referencias cobrarían mucho más potencia.', 'Dani Umpi (Uruguay) \nhttps://es.wikipedia.org/wiki/Dani_Umpi\ninstagram.com/dani_umpi', NULL, 'Museo de Arte Contemporáneo de Niteroi  (Río de Janeiro, Brasil)', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=E6_seAARvVo&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1117, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 965, NULL, '2020-04-15 04:52:37', '2020-08-13 01:22:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14357, 'IHMPQ8QLpzHcxBYv', 'Sin título', NULL, 'DESCRIPCIÓN CONCEPTUAL:\n\nTradicionalmente, la cerámica ha sido utilizada para fabricar objetos de valor estético o utilitario, además de poseer un valor antropológico, sirviendo para dar cuenta de múltiples aspectos de la vida del ser humano en diferentes culturas y tiempos. En este caso, se han manufacturado múltiples viviendas en miniatura, siguiendo los procesos del trabajo cerámico artesanal que generalmente se aplican a objetos de uso decorativo, a piezas que representan la arquitectura más precaria de un país, pero que son el reflejo de la lucha individual de muchas familias y personas en circunstancias de extrema pobreza.\nLa individualidad de cada vivienda ha sido capturada en lo que representa una apología y alegoría a éstas, y cuya aplicación de oro simboliza esta sublimación a una belleza escondida que subyace en lo que muchas veces nos negamos a ver.\n\nCARACTERÍSTICAS FORMALES:\n\nTécnica: Instalación. Múltiples piezas de Cerámica esmaltada a  1050ºC y oro a tercer fuego.\nDimensiones: cada pieza individual tiene una medida aproximada de 10x10x10 cms. variando en hasta 6 cms. en uno de sus lados dependiendo de la forma de la pieza. La medida de la base para esta Bienal sería superior a la de la base mostrada en las imágenes ya que la cantidad de figuras se cuadriplicaría para esta ocasión, ocupando un área de 240x120 cms. aproximadamente. Construyendo para ello una (o múltiples) base blanca (como la que se ve en las imágenes) de 244 x120x80 cms.', NULL, NULL, '-Idealmente una sala  exclusiva para la obra de  5 x 3 mts. (15 mts. cuadrados), sin información que distraiga en las paredes (ojalá blancas), adecuada iluminación.  Un espacio que permita el recorrido la obra.\n-La instalación de la base debe hacerse durante el montaje de la exposición, ya que dependerá del espacio si la base podrá armarse afuera o dentro de la sala. también es posible que debido a las condiciones de la sala de exposición, que la base deba dividirse en múltiples bases.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4666, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3928, NULL, '2020-04-15 05:00:17', '2020-07-16 19:24:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14358, 'P4zvXUaP4kThwpjK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:03:01', '2020-04-15 05:03:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14359, 'AoDhBiG73IPnzgMp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:03:02', '2020-04-15 05:03:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14360, 'NVwYkKcOGSAExKQP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:12:46', '2020-04-15 05:12:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14361, 'V6Yo4Rf3SSinMY5h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:13:16', '2020-04-15 05:13:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14362, 'AhQKEiIs7BA7Y7Z8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:14:10', '2020-04-15 05:14:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14363, 'VLEBLemI5zyOKRdO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:25:50', '2020-04-15 05:25:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14364, 'EMI2KBNbx18NDTES', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:27:39', '2020-04-15 05:27:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14365, 'MtDyvJDG7FdkXypA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 05:33:55', '2020-04-15 05:33:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14366, 'pPpqjRARXvZ0da1z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 06:03:47', '2020-04-15 06:03:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14367, 'Ye88DuOSxaQG7lsV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 06:06:01', '2020-04-15 06:06:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14368, 'icpNhGlDGlfSU4zu', 'Oro por Espejo', NULL, 'Oro por espejo es un proyecto que propone la revisitación de la História oficial acerca de la invasión colonial y en sus repeticiones sociopolíticas en el presente. La artista brasileña Laryssa Machada, fotógrafa y directora audiovisual toma sus referencias en la cosmología indígena, la memoria y la ancestralidad, relacionados con la experiencia y el proceso creativo.\nLas características formales del proyecto están vinculadas a la fotografía, la videoinstalación y el performance. Las tres prácticas se interponen como un acto de reconstrucción del concepto que la artista propone como performance. Por medio de una acción ritual, cuyo protagonista, la propia artista, actúa como un ser hibrido mirando un espejo, el performance refleja una condición neocolonial en la contemporaneidad. La unión de las tres áreas artísticas determinan una condición conceptual de la propuesta y permiten una reflexión sobre lo existencial y ontológico.\n\nEl performance utiliza bolsas de plástico coloridas, cajas de huevos, botellas de desinfectantes, cintas adhesivas, papel de aluminio, tierra, un lavabo de aluminio, hierbas, agua, pequeños espejos, objetos tecnológicos obsoletos (reciclado). Todos estos materiales conforman la indumentaria en la realización del ritual necesario para la construcción de imágenes y de la videoinstalación, que generan acciones artísticas simultáneas y co-dependientes.', NULL, NULL, 'El espacio ideal para exponer seria el Centro Experimental Hipermediático Latinoamericano, debido el concepto central de la propuesta, ya que esta institución  se construye como un campo de discusión, experimentación y creación, donde las posibilidades tecnológicas y artísticas se entrelazan con nuevas perspectivas culturales y sociales.\n\n- Videoinstalación con duración de 7\'34\'\'\n- Serie de tres imágenes del performance con una dimensión 120 x 80 cm cada una\n- Un performance con duración de 10\'', NULL, 'artist', NULL, NULL, 'https://youtu.be/hUBDywk59jM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3656, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3124, NULL, '2020-04-15 06:36:03', '2020-07-17 01:36:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14369, 'KbEaQZOmpu9kifO7', 'Despojando mapas elementares, Aprés Anna Bella Geiger, \"Mapas Elementares n3\" (1976)', NULL, 'Este trabajo de investigación artística comenzó este año durante una residencia en San Pablo, Brasil. Le propuse a Anna Bella Geiger (Rio de Janeiro, 1933) revisitar su trabajo de video Mapas Elementares n3 (1976)\nConocí a Geiger cuando fue mi profesora en la Escola Visuais de Parque Lage, RJ, Brasil, \nPara desarrollar nuestra práctica de trabajo co(e)laborativo, ella me recibió en su casa/ateliê, también en Rio de Janeiro, para que juntas hagamos el ejercicio de traer al presente los dibujos y el bolero que componen aquel video de 1976. Como herramientas de trabajo e invocación usamos la oralidad, internet y la confianza mutua. \nFilmado en el ateliê de Anna Bella, el video presenta pasajes que muestran la complicidad y el diálogo entre las dos artistas, de diferentes generaciones, inclusive, diferente lengua materna. El desplazamiento de los lenguajes artísticos además la erosión de ciertos discursos políticos con el paso del tiempo son otros de los aspectos sobre los que reflexiona el video.\nEl trabajo se presenta como una video-instalación, cuyo objeto principal es una gran mesa, lápices y gomas de borrar. En la mesa, dos monitores reproducirán el video. La propuesta es que el público participe de la experiencia de dibujar y borrar como muestra el video, en una tentativa de reproducción ilimitada de la acción de dibujar y borrar.', NULL, NULL, 'Espacio expositivo en el que pueda montarse una gran mesa de trabajo pintada de color negro. La misma tendrá dos monitores a 30 cm por encima de la mesa. Los monitores reproducirán el video que se presenta en el apartado de video (link)\nSobre la mesa habrá lápices de color blanco y gomas de borrar para que el público pueda dibujar y borrar, como en el video. \nLa mesa será de una forma irregular, medidas aproximadas: 3 m x 3m. \nLos monitores de 32 pulgadas\n*medidas aproximadas y adaptables.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=tUTDAROEywA&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6358, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5203, NULL, '2020-04-15 06:40:00', '2020-08-07 02:31:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14370, 'RtZ5FmLGLYO130yB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 06:41:08', '2020-04-15 06:41:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14371, 'x9aBRnaDV5f2bt6U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 06:43:29', '2020-04-15 06:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14372, 'ocWDhVewA0KdTC2n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 06:46:15', '2020-04-15 06:46:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14373, 'CgrvpcbWIJNCNA5A', '(Cantautor, trovador) \"con tinta y conciencia\"', NULL, 'El odjetivo y finalidad de mi proyecto es dar a conocer mediente la musica un  estado de conciencia individual y a la vez colectiva y humanista, es despertar en las personas dentro de lo posible la sensibilidad hacia el bien humano y existencial: los animales la naturaleza el drama de la emigracion, pobresa, exclusion \nEl canto romantico trovadoresco etc', NULL, NULL, 'Canto, guitarra y voz a manera de cantautor utilizando en las letras de las canciones vivencias propias, reflexiones de textos en libros o noticias de fuentes confiables, aproximado 8 a 20 canciones de autoria propia.\n \nhttps://sivispacemparabellum-buho.blogspot.com/?m=1', NULL, 'artist', NULL, NULL, 'https://youtu.be/MBW2azaw5gY', NULL, 'Escucha ¿por qué? de Jaime Sánchez en #SoundCloud https://soundcloud.com/jaime-sanchez-868568879/por-qu', NULL, NULL, NULL, NULL, NULL, 1121, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 968, NULL, '2020-04-15 07:00:21', '2020-06-23 02:29:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14374, 'eHSevmUnRTf837c2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 07:00:42', '2020-04-15 07:00:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14375, 'GWW6jyces2FaFmza', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 07:50:13', '2020-04-15 07:50:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14376, 'cmHYxoDK8ru1T1J7', 'Mir Abdul Attarwala', NULL, 'This fictional narrative talks about the story of an apprentice learning the craft of perfume making. The protagonist is a native of Kashmir and through the perfumes he creates, he tries to share his experiences and interactions that he has with the various characters who come to the shop where he is learning the craft. \n\nThe tales talk about the changes that happen in human conditioning in any conflict zone such as Kashmir, through the medium of poetry and fragrances.', NULL, NULL, 'Approximately covers 13 SQFT of area, however can be altered as per site location. \n\nRequires a screen for projecting video.', NULL, 'artist', NULL, NULL, 'https://youtu.be/ZgiCbFF_XMw', NULL, NULL, NULL, 'https://www.sniffingoutthedifferences.com/mir-abdul-attarwala', NULL, NULL, NULL, 1531, NULL, 180, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1347, 5, '2020-04-15 07:53:24', '2020-09-02 15:40:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14377, 'SDhmLK2gpaKPydh8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 07:59:17', '2020-04-15 07:59:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14378, 'bVRQgEbU8LC5uNbN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 08:00:38', '2020-04-15 08:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14379, '7hSOeb5wGQcFpJAJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 08:14:48', '2020-04-15 08:14:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14380, 'E1AXRlUCwbwHZO2X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 09:13:01', '2020-04-15 09:13:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14381, 'MO7L4UCrycJnrRWE', 'Anatomía Multidimensional de la Imagen', NULL, 'Esta preformance evalúa la fotografía en el tiempo y la fotografía en el espacio, real y virtual (multidimensionalidad), es una manera de relacionar el espacio, el tiempo y la presencia desde un punto de vista fotográfico y performativo. Con esta acción se crea una discursiva multipolar, por un lado, se interpreta la fotografía como un ente que fluye en el tiempo, evidenciando que este flujo ha sido interceptado por la sociedad generándose una sinergia en la cual la imagen fotográfica se ve influenciada por aspectos socio-culturales y también por avances científicos. La fotografía afecta la vida de los seres humanos, la generación de hoy tiene una fijación con fotografiar todo lo que hacen y subirlo en las redes desde el móvil, la vida está registrada casi hora por hora en fotografía, de allí la idea de que la fotografía también puede ser evaluada en el tiempo. Otro aspecto importante, es evaluar la fotografía en el espacio, punto importantes que lleva al espectador a la reflexión consiente es ver como interacciona ese mosaico de vida en el espacio físico y como se relaciona con las emociones y gesticularidad de la presencia viva del performer. Pero este espacio no necesariamente tiene que ser cartesiano, también esta el ciber-espacio, lo que hace replantear los pilares de la fotografía como medio de expresión. Esta acción explora como los nuevos medios y avances tecnológicos al alcance de todos afectan la construcción fotográfica y su incidencia artística, cultural y social.', NULL, NULL, 'El performer entra en un salón cubico, vacío y de paredes blancas con un gran número de fotografías. Con materiales adhesivos va poniendo cada imagen en la pared, hasta tapiarla con una regresión casi linear de su vida en imágenes. El devenir será grabado y transmitida en directo a las redes sociales. Las imágenes serán extraídas sin ningún tipo de modificación de los archivos del artista. Esta performance-instalación será una acción duracional, se llevará a cabo en jornadas de 8 horas diarias.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1128, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 975, NULL, '2020-04-15 09:38:33', '2020-06-23 02:29:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14382, 'rNZtlDNAiWJIFcpX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 09:42:57', '2020-04-15 09:42:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14383, 'aqjjjCAoJjyvMv3G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 09:46:05', '2020-04-15 09:46:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14384, 'uffC51rgkTnRn0Df', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 10:03:52', '2020-04-15 10:03:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14385, '1xWYlVcGl63yOMY0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 10:26:44', '2020-04-15 10:26:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14386, 'N9VBvpikSVcxBaol', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 10:44:42', '2020-04-15 10:44:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14387, 'aNIqIXCzyBPUlkVC', 'El capítulo de los áridos (CaCO3)', NULL, 'El capítulo de los áridos (CaCO3) forma parte de la serie de creación artística con título Capital natural que reflexiona sobre uno de los grandes debates de la sociedad actual: las problemáticas existentes en las relaciones humanidad, tecnología y naturaleza. Nadie duda que los grandes retos del siglo XXI son el agotamiento de los recursos naturales y la sobreexplotación del territorio por parte del sistema económico hipercapitalista. Capital natural se divide en varios capítulos, cada uno de los cuales se centra en una materia prima como eje de reflexión crítica y simbólica sobre los distintos paisajes culturales, hoy, en crisis.  \n\nLa obra tiene por protagonista una cantera de explotación de piedra caliza en Asturias, España. La obra busca el señalamiento de la sorprendente capacidad técnica del ser humano contemporáneo para hacer desaparecer del mapa geológico enormes espacios rocosos de millones de años de antigüedad. A lo largo de la segunda mitad del siglo XX, ha existido una ingente demanda de recursos áridos generada por parte de la industria y la ingeniería civil, ya que es materia prima indispensable para la construcción de carreteras, edificios, presas, etc. \n\nLa instalación multidisciplinar está compuesta por una videoproyección a muro y una escultura Holográfica inmaterial dispuesta enfrente. \n\nProyecto premiado por Ayuda a la Creación en artes Visuales de la Comunidad de Madrid 2017 y Accésit Fundación VEGAP en Artes Visuales 2017.', NULL, NULL, 'Medidas espacio expositivo: aprox. 25 m2.\n\nTipología: Arquitectura diáfana exenta de luz (Black Room): Sala de exposiciones, museo, centro de arte o espacio alternativo que sea adecuado técnicamente.\n\n1. VIDEOPROYECCIÓN.\n- Medidas aprox.: muro/pantalla de 8/4,5 m. (16/9)\n- Video HD color\n- Banda sonora original estéreo (altavoces)\n- Duración: 3 minutos\n\n2. ESCULTURA VENTILADOR DE PROYECCIÓN HOLOGRÁFICA 3D\n- Medidas holografía: 40x50x50 cm.\n- Holografía digital 3D a color\n- Duración: 2 minutos.', NULL, 'artist', NULL, NULL, 'https://youtu.be/kF8fSzAWhwY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1122, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 969, 5, '2020-04-15 10:49:46', '2020-08-25 20:14:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14388, 'UY3y9Wv4biwN8WBn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 11:07:55', '2020-04-15 11:07:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14389, 'jGS2KIhcsn9p5c6l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 11:12:30', '2020-04-15 11:12:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14390, 'MkAbb9CXPBqItPDe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 11:32:42', '2020-04-15 11:32:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14391, 'mr1ERrBKdxIGUBeb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 11:56:43', '2020-04-15 11:56:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14392, 'aqmOysFhjemYsI7Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 11:59:38', '2020-04-15 11:59:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14393, '3T0FmNUPquccPM54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:02:09', '2020-04-15 12:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14394, 'U7RD7W70CaJ51ulS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:03:54', '2020-04-15 12:03:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14395, 'uGKLI3OMmoAsznCk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:06:48', '2020-04-15 12:06:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14396, 'dFxDvgSx9hzMZVSW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:09:45', '2020-04-15 12:09:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14397, 'cNRdLNuD25I0fPWG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:11:28', '2020-04-15 12:11:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14398, '3HRgdzd5P8SGDOqC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:13:40', '2020-04-15 12:13:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14399, '8fBKMHhR2Ck3NQfz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:14:03', '2020-04-15 12:14:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14400, 'shKNrPKXra9RaPav', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:17:15', '2020-04-15 12:17:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14401, 'RevbsE2d0kl0IRiT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:21:20', '2020-04-15 12:21:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14402, 'A7TJzNbxi7xgBwUv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:29:42', '2020-04-15 12:29:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14403, 'GdiopZoQIMZ89OLn', 'We want the UNITED STATES OF THE WORLD', NULL, 'Cultural development and change depend exclusively on the reassessment and reorganization of the social structural system from the bottom to the top of the social pyramid. The kind of scientific/spiritual work that humanity ought to aspire and come to starts with knocking down political/religious institutional differences and looking for points of connection between the various spiritual ideologies. The economic disparities created by monetary diversity need to be eliminated, developing a single, global economy and abolishing the use of money (for example, service exchanges using vouchers). This would make it possible to wipe out economic wars and the buying power of one state over another, like one man over another. The physical and institutional boundaries between states need to be knocked down, since they prevent people from freely moving throughout the world, tying them to individual internal bureaucracies. Wiping out political and ideological differences to protect human life (abolition of the death penalty, reassessment of prisons and cemeteries, offering as an alternative educational institutes and socially useful work and online databases of the spirits of the deceased with photographic and biographical material from the best moments of their lives), would lead to the reassessment of an approach to scientific research aimed toward knowledge and a unique, one-off experience.The spirit of each and every person lives by its own uniqueness, biological and interior growth.', NULL, NULL, 'A room (5x5) mt or a wall (4x5) mt\nPhotographs on porcelain: n.14 (30x40) cm and n. 4 (40x60) cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1125, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 972, NULL, '2020-04-15 12:34:09', '2020-06-23 02:29:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14404, 'x7XPlWan4Ao8pftp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:34:37', '2020-04-15 12:34:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14405, 'JMNhcN1bMhKrmcuC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:36:05', '2020-04-15 12:36:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14406, '8GKPHzfMTEkRZhqe', 'THE UNDERWATER REVOLUTION PROCESSION', NULL, 'A procession takes place during 3 days throughout the urban spaces of Buenos Aires. Local people together with costume and performer duo VARIALAMBO push a giant ship which is said to carry healing water coming from an underwater revolution taking place on the other side of the world.  Facing acidification of the oceans, rising sea levels, dying coral reefs and polluted groundwater, a mysterious group of people have started diving. They have discovered lost memory that could help us all prevent mistakes we have made with our planet. People participating in this event celebration drink and share its healing water as the procession goes on. This is done as an act of seeing and understanding your own interconnected body: water is transnational, trans-species and trans-corporeal. \n\nThe ship is built from garbage, nylonstrapes pelagic fishnets, and elaborate seaweed sculptures, in collaboration with Julia Lohmann, Professor of Practice in Contemporary Design at Aalto University Helsinki.  Haunting music will accompany the procession, composed \"live\" on hardware by composer Valentin Kimstedt.  People taking part of the procession will be also be invited to carry firecrackers and gongs. \n\nIn the form of a social fantasy, a demanding endurance ritualistic performance and a bricolaged materiality, this carnivalesque procession poses earnest questions about climate, interconnectedness, and wants to gives rise to a new kind of ethical obligation.', NULL, NULL, 'The procession goes through several locations in the streets of Buenos Aires and lasts from 5-11pm, attendance is free. \n\nThe ship range in size could be from 5 meters to over ten meters in length.\n\nThe ship is made of  are made of a quantity of different supplies: nylon, seaweed, garbage from the sea.\n\nThe ship don’t actually end up in the water as that would not be practical or ecological.\n\nThe ship remains in the bienal as a sculpture and witness of the procession ceremony.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1129, NULL, 129, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 976, NULL, '2020-04-15 12:36:28', '2020-07-12 16:49:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14407, 'GHloR7GzjyK6afMC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:40:55', '2020-04-15 12:40:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14408, 'HEZ4PZBAQqrvQGzu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:42:00', '2020-04-15 12:42:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14409, '7R5FlnTTsF1bqS45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:45:48', '2020-04-15 12:45:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14410, 'vthqaHfL2hvujLzK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:51:51', '2020-04-15 12:51:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14411, 'vqN3RRA6ogz9tb9f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 12:59:44', '2020-04-15 12:59:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14412, 'N00UTLd5hpDwPXUV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:08:38', '2020-04-15 13:08:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14413, 'lwQwiBeUGLtK4VXc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:12:07', '2020-04-15 13:12:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14414, '9uvwvT0Rdev8HedJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:16:47', '2020-04-15 13:16:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14415, 'T1RYgnBDJdjBj675', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:21:53', '2020-04-15 13:21:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14416, 'Hp4ZzLvqqx2XfE8V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:25:32', '2020-04-15 13:25:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14417, 'DIRxnwYcYWFYCj4J', 'Darkness', NULL, 'This project is made of some characters that I painted in digital technique. Its explains humanity with darkness subjectivity...', NULL, NULL, 'Its can be show as a digital prints or if possible can paint that on canvases or add more artworks and even statue...', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1141, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 987, NULL, '2020-04-15 13:32:42', '2020-06-23 14:58:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14418, '4lFtzlQNi2nbnLHy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:47:08', '2020-04-15 13:47:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14419, 'IdT4uNxzeHYonIMJ', 'Windows', NULL, 'Estar presente es muy difícil, es una cualidad que hemos perdido. Ahora estamos en constante traslación. Nuestros cuerpos, viajan por las nubes de datos que nos rodean ayudados por dispositivos tecnológicos cuyo funcionamiento e implicaciones nunca llegaremos a comprender. Estos dispositivos nos miden, nos conocen, nos reconocen, nos ayudan, toman decisiones por nosotros, nos manipulan e, incluso, nos predicen. Existen.\n\nWindows es capaz de leer la altura, velocidad de movimiento y ver el contorno de la figura de la persona que entra en su campo de acción. Estos datos son recibidos, analizados y traducidos en luz. Esta instalación interactiva es una ventana entre el mundo físico y el virtual.\n\nEsta obra se ha presentado en tres versiones y tres lugares distintos: \n2018, Festival Swatch Creative Natives, Madrid. (https://hyperstudio.es/es/project/s-a-r-a/)\n2019, Galería Max Estrella, Madrid. (https://hyperstudio.es/es/project/windows/)\n2019, Calle del Codo, Madrid. (https://hyperstudio.es/es/project/amaral-salto-al-color/)', NULL, NULL, 'Nos gustaría poder desarrollar una nueva versión de esta instalación en el espacio público.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=g8sK8PpwKHY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1126, NULL, 127, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 973, NULL, '2020-04-15 13:50:12', '2020-08-11 21:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14420, 'vHKNpHWur4DD1tMw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:51:15', '2020-04-15 13:51:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14421, 'G91Vmmm3ciO7GIs3', '\"Espazos ocupados\"', NULL, 'La Semántica en la Pintura \n \nLlamamos imagen a un signo icónico que reproduce algunos elementos perceptivos de las cosas, y que permiten darles significado. Si la imagen es un signo, quiere decir que no es la realidad misma, sólo la representa y al representarla comunica.  \nLa Real Academia nos define la “semántica” diciendo que “es una disciplina que estudia el significado que tienen los signos lingüísticos y las combinaciones que se pueden establecer entre ellas”. Yo procuro mostrar una relación artístico-pictórica entre los signos (letras) y la pintura. \nHablar del nivel semántico de la imagen plástica supone estudiar los significados que ella presenta y las combinaciones que pueden darse a partir de los “signos” plásticos que se ven en el lienzo.  \nEn última instancia, el nivel semántico del lenguaje artístico más popular supone estudiar la obra de arte como un “signo”, un palote simple y llano sobre un lienzo para formar quizá la más popular de las manifestaciones artísticas, el trazo más simple como objeto artístico.', NULL, NULL, 'Se trata de la exposición de lienzos en superficies bidimensionales, los tamaños oscilan entre uno y dos metros y por lo tanto ese será el espacio necesario para su representación y exposición.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/1MfElH2r0HqG-wXdClzDtFdfeEkUga2y4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1127, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 974, NULL, '2020-04-15 13:55:27', '2020-07-20 22:56:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14422, 'VSO4ivmFFoZO1Hl6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:56:26', '2020-04-15 13:56:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14423, 'LVp6OcOkt4Mj5Cy0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 13:56:29', '2020-04-15 13:56:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14424, 'febHjO17AmGEHPI1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:00:22', '2020-04-15 14:00:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14425, 'NC3XGwYqJl30XJZj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:01:22', '2020-04-15 14:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14426, 'X0QAVzmZUU0cwEF7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:11:55', '2020-04-15 14:11:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14427, 'UbEisgxZX644bsuN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:11:56', '2020-04-15 14:11:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(14428, 'CznN1Fd31VEP8gKb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:18:50', '2020-04-15 14:18:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14429, '83STtPS4nPLwoo3t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:26:38', '2020-04-15 14:26:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14430, 'GjadFJlZpq9Kz0UQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:28:04', '2020-04-15 14:28:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14431, 'IEGVCJe1UD8U2YVk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:47:53', '2020-04-15 14:47:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14432, 'Fr0QGMt9id7hGqAj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:50:00', '2020-04-15 14:50:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14433, '7c1miAmdi3dUPAvJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:51:58', '2020-04-15 14:51:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14434, 'tx0bouTltj0Imx6N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 14:55:23', '2020-04-15 14:55:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14435, 'iIHIMAkWse6HwDPk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:09:46', '2020-04-15 15:09:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14436, 'a6pk0xQu5P5go2fR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:25:35', '2020-04-15 15:25:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14437, 'Hlv44a6oOEhzgtRn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:25:52', '2020-04-15 15:25:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14438, 'VgiU18BaQXkWwAdM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:35:39', '2020-04-15 15:35:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14439, 'FDbmTyYiSLax3pgw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:36:12', '2020-04-15 15:36:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14440, '68WGErB3Nj4115yY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:39:17', '2020-04-15 15:39:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14441, 'qVJ1EKrh5YEZW1uy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:44:01', '2020-04-15 15:44:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14442, 'mP80xQHh33GGNONF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:54:02', '2020-04-15 15:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14443, 'IbUvhX4fiYC5WAEc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:57:58', '2020-04-15 15:57:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14444, 'HYkDXUvIahaSV4dl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 15:57:59', '2020-04-15 15:57:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14445, 'J3lHkR88xazltYDq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:00:21', '2020-04-15 16:00:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14446, 'lotHgg1ZO1VC3iXM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:00:57', '2020-04-15 16:00:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14447, 'di1vLtfaIJ1sPWBc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:12:30', '2020-04-15 16:12:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14448, 'IyK9TZcRCi0SAIPL', 'Escenarios Inestables / Isla y Umbral', NULL, 'Escenarios Inestables - Isla y Umbral es una investigación que plantea explorar la existencia aparente y percibir el espacio a través de la narrativa y la interpretación. Es una investigación que busca explorar las inflexiones de la incertidumbre.\n\nLa idea de la investigación es buscar a través de la narrativa todas las posibilidades para la construcción del mundo aparente, tanto en lo estrictamente descriptivo como en lo que no. Es decir, ¿Cómo plantear escenarios a partir del miedo o de la curiosidad para un voyerista? ¿Cómo serían los materiales y los espacios si fuesen emociones? O ¿Cómo diseñar a partir de aquello que aparenta estar? Diseñar a partir de la paranoia para un esquizofrénico.\n\nLa instalación simula un mundo virtual inspirado en la novela fantástica “La Invención de Morel” (1940) de Adolfo Bioy Casares en donde, a través de un recorrido laberíntico por materiales y dispositivos que activan la inestabilidad sensorial y espacial, una serie de proyecciones, reflejos y sombras, representan la existencia aparente. Con ello, propongo reflexionar sobre el mundo virtual que nos rodea, que nos conecta y nos limita. Que nos permite satisfacer la necesidad humana de dejar evidencia de que pertenecemos y permanecemos. De materializar y afianzar nuestra personalidad.', NULL, NULL, 'El espacio requerido para la instalación debe ser interno, intervenible y con capacidad de controlar la iluminación. Puede tener ventilación natural y preferiblemente más de 5 enchufes directamente en el piso. El espacio debe tener unas dimensiones aproximadas de 20 mts x 20 mts y la altura no debe ser menor a 6 mts con capacidad de colgar objetos del techo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3858, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3280, NULL, '2020-04-15 16:17:07', '2020-07-21 02:39:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14449, 'iAHX0LlX3QzRiJxW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:30:51', '2020-04-15 16:30:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14450, 'o85fanSnS516z4s1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:38:50', '2020-04-15 16:38:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14451, 'lh0xwOrKJanlql20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:46:23', '2020-04-15 16:46:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14452, 'TpwgRDE2BLicchLa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:51:42', '2020-04-15 16:51:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14453, 'tCctKKKO7yJ8Z1qO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 16:54:48', '2020-04-15 16:54:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14454, 'GyZhgx5cMk0Dspkl', 'The Cartographic Impulse', NULL, 'The Cartographic Impulse is a research and exhibition project that evolved out of the work of eight Latin American artists and their approach to contemporary notions of landscape. Reconsidering the project under the current parameters, we favor an interspecies political calling that acknowledges a reality infected by the virus. A calling to take the transformative power of crisis that can help us create new ways of worldmaking premised on systems of survival, care and solidarity. \nInvoking Svetlana Alpers’s study on the relationship between cartography and landscape, the works explore how the scientification of nature constructed through our modern gaze gives step to extractionist cartographies where conventional views of landscape no longer signify places of origin or of belonging. In taking landscape and place as a point of departure, The Cartographic Impulse explores the nomad politics of being a contemporary subject. In thinking in the condition of fragmentation and instability that our present engagement with territory generates, the project hopes to prompt a discussion on the ways in which our positioning vis-a- vis environment simultaneously reconstitutes the delimitation that we have traced of our social, civil and humanitarian boundaries. In that sense, instead of proposing a cartography of visible territories, the show explores an assemblage of ecologies and ecosystems that follow other ways of coming into being with new understandings of place.', 'Javier Calvo (Costa Rica) https://www.javiercalvosandi.com\nKatherinne Fieldler (Peru) http://www.katherinnefiedler.com\nAlan Poma (Peru) https://www.mutualart.com/Artist/Alan-Poma/41E8275BA2972423\nElektra KB (Colombia) https://elektrakb.com\nOscar Figueroa (Costa Rica) http://www.oscarfigueroa.ca/cv.html\nAndres Pereira Paz (Bolivia) http://www.andrespereirapaz.com\nAdrian Balseca (Ecuador) http://www.adrianbalseca.net/es/\nPaulo Rosero (Ecuador) http://paulrosero.com', NULL, 'Ideally within an urban space, as many of the works contain video material it has to be possible to darken the space and install projectors and speakers. Ideally more than one space, relative flexibility due to the video/sound format of the work. However, as we are planning on holding open table discussions and a discursive program we would strongly prefer a space that allows for separations.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1220, NULL, 140, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1059, NULL, '2020-04-15 17:04:29', '2020-07-25 01:24:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14455, 'VG96CiZCN2U6ekTv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:07:37', '2020-04-15 17:07:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14456, '4wEhvikuhTUPUu6l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:10:34', '2020-04-15 17:10:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14457, 'hz4k9qLLIsK6MMtE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:12:08', '2020-04-15 17:12:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14458, 'lJUWvhPLBtGArYg9', 'Sara\'s legacy', NULL, 'This project is an ode to the refugees of all history, inspired on the legend of black Saint Sara, protector of the Gypsies and landless. She was a nomad, gypsy Rom, circa 42 A.C., whom helped a group of Christians expelled from Palestine adrift on a boat without sail nor oar after Jesus death, who could be considered the first known refugees of our era.\nInspired in Sara’s hosting attitude welcoming the boat crew, this project suggests us to be motivated by her behavior towards unknown people in exile, and invites the public to a reflection about the importance of unifying ourselves through acts of love and empathy.\nI approach the concept of Sara’s Legacy, referring to women united to shelter and help the refugees.\nTo present this concept I collaborate with many women across the world who send me pictures of themselves looking at the sea with peace and hospitality thoughts – representing a collective movement as an egregore -, sending protection thoughts to migrants crossing the ocean.\nAs a member of Sara’s Legacy, in a waiting posture, I made a video performance in front of the sea, where I dismantled a knitted sweater which would be donated to migrants arriving in Calais, which was rejected due to the fact it was not of the adequate color for refugees.\nThe red thread of the unknitted sweater will be used in all the art pieces of the project and especially to link the photos of the women in the shape of a map of connected people in favor of refugees.', NULL, NULL, 'The MuCEM and the city of Marseille-France, appears to be the perfect place to start this project.\nI choose precisely the Fort Saint-Jean which, since 2013, is linked to the MuCEM by a footbridge over the sea that brings visitors to the Garden of Migrations.\nThe video performance as much as all the artworks will be displayed in one of the exhibition room of the Fort Saint-Jean. The women map (380x560x10cm) will be exhibited in the public lower part of the fort walkway, just facing the sea.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, 'Aurélia Cerulei', NULL, NULL, NULL, NULL, 5398, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4484, NULL, '2020-04-15 17:12:12', '2020-07-29 17:08:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14459, 'SwlShVYOMJqmbjlh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:22:04', '2020-04-15 17:22:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14460, 'z5mkygkh2v6de980', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:28:00', '2020-04-15 17:28:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14461, 'qkTcbaRU2brP6vlo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:28:14', '2020-04-15 17:28:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14462, '41CJikgfVkGVkmmG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:29:03', '2020-04-15 17:29:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14463, 'eZ7o3hM0HdGIheA1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:37:49', '2020-04-15 17:37:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14464, 'GDKZtcjttd0LYI3s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:49:46', '2020-04-15 17:49:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14465, '1iAutp18eZbJAQzK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:52:15', '2020-04-15 17:52:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14466, 'G8Otd0F6RXzAJnws', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:53:00', '2020-04-15 17:53:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14467, '7ebbYJN24xYNznez', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 17:56:39', '2020-04-15 17:56:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14468, 'PFW8FoGyAF4tm46p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:01:42', '2020-04-15 18:01:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14469, '1gCt8x4a8CTKCCGc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:07:47', '2020-04-15 18:07:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14470, 'xujrR8DCbrfnS8k6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:07:55', '2020-04-15 18:07:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14471, 'xqeZWOtM6VBgVshJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:09:30', '2020-04-15 18:09:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14472, 'JWxFPAjXzKEf5QZN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:15:37', '2020-04-15 18:15:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14473, 'ZQcZf8prHJoOzwv3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:25:06', '2020-04-15 18:25:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14474, 'z2rSjgNq2JGOfnYi', 'Repensar', NULL, 'Repensar, el nombre combina reciclar con pensar, es la ceación de esculturas con materiales reciclados, generalmente de descarte e incluso basura, con agregados de pintura, objetos varios  y material gráfico como revistas y diarios, siempre apuntando no solo a concientizar sobre el reciclaje si no a repensar paradigmas y problematicas sociales.\nEnvío fotografía de una de mis obras como muestra, en este caso una reinterpretación de una parte del Guernica,  intentando repensar los miedos ,en la actual pándemia mundial. \nEn caso de ser seleccionado las obras serían creadas especialmente para la muestra.', NULL, NULL, 'Se apunta a un espacio no mayor a unos 30 metros cuadrados para la exhibición de entre 3 y 5 obras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2212, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1920, NULL, '2020-04-15 18:27:52', '2020-06-23 01:46:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14475, 'ajBFQgy8tIqmhfxC', 'cretaceous moods, sentient mass', NULL, 'The proposal for Bienal Sur 2021 consists of the establishment of coral gardens in southern coastal areas in Chile and Argentina that have been eroded due to salmon farming or fracking. The project will encompass workshops on how to grow marine coral gardens using rope and Biorock (marine grade cement) and will manifest materially through underwater (biorock) sculptures, video and photography. The project is a continuation of work that is inspired by and empathic towards the anthropogenic state of the oceans, and ongoing investigations into extinction and modes of survival, both ecological and cultural. An essential aspect of the proposal derives from working closely and collaborating with indigenous communities that have been adversely affected by private interests, in the hopes of creating space for alternative voices, perspectives and stories. Challenging normative narratives reinforcing systems of power deepen our understanding and knowledge of those things through affect and empathy. In The Social Life of Things, Alfred Gell states “Magic as an accompaniment to uncertainty does not mean that it is opposed to knowledge. That where there is no knowledge there is uncertainty and hence no magic. On the contrary, what is uncertain is not the world but what we know about it.” Perhaps it is in this uncertainty of the unknown that possibilities for more empathetic ways of being in the world can exist', NULL, NULL, 'The underwater sculptures will serve as a base in which corals can grow, the development of the coral gardens on the sculptures will be documented through photography and video and be displayed within a formal gallery or museum context.  The installation will also include Biorock and rope sculptures and masks. The coral gardening workshops will occur in the communities.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5979, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4918, NULL, '2020-04-15 18:37:24', '2020-08-10 21:00:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14476, 'wOaCRcvOXUMsDtCk', 'Micromemoria porteña', NULL, 'Esta obra es un mapa temporal presentado como un relato gráfico hecho con plumín y tinta china en una cinta de papel de 123 metros construida con boletos de bus, donde consigno mi vida en Valparaíso, Chile, entre marzo de 2015 y diciembre de 2016.\n\nDiario personal, gesto de dibujo y escritura, práctica de memoria y carta de amor, es el resultado de la búsqueda de un lugar propio en una ciudad ajena que se reveló como una posible manifestación física de mi psiquis. Ese encuentro exigió hacer esta pieza, en la que dejé constancia de una vida inesperada y fundante, de lo que puede resultar al salir de casa y asentarse en terreno nuevo.\n\nEl montaje requiere un soporte cubíco de 2.5 metros de lado, sobre el que se fija la cinta haciendo un recorrido en una espiral de doce vueltas. La instalación incluye 16 poemas en prosa a partir de ilustraciones aisladas de la obra anterior, que se instalan alrededor del cubo. Cada uno de estos textos se presenta como un díptico compuesto por dos hojas tamaño oficio impresas en papel de estraza, hojas de una naturaleza tan frágil como los boletos que contienen la obra y como la memoria misma. Que se sostenga, que perdure, es un asunto de práctica y compromiso.', NULL, NULL, 'Una sala de al menos 10 metros de lado, con el cubo precitado instalado en el centro, sobre cuyas paredes se fijarán los 16 dípticos mencionados. Es preferible que se trate de un lugar sin ventanas al exterior, tanto para generar con iluminación artificial la atmósfera íntima que la obra requiere, como para evitar la luz directa del sol y su incidencia sobre los frágiles soportes que sostienen la obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://issuu.com/sebastiansantana/docs/micromemoria_porte__a_-_armado_2018', NULL, NULL, NULL, 2235, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1941, NULL, '2020-04-15 18:38:24', '2020-07-02 19:25:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14477, 'w9sflWXXp3NDCa23', 'Intersectional Painting', NULL, 'INTERSECTIONS\n/			\\\nMATERIAL	PLACE 	      TRADITION\nRACE	        GENDER	      HISTORY\nCULTURE       NARRATIVE      FINE ART\nPAINTING      OBJECT	      PICTURE\nworks using quilt batting as a metaphor for community in an examination of the 12 words above and their connectedness symbolized by braiding, stitching and weaving. “Intersectional Painting” uses painting, stitching and weaving  to achieve a narrative abstraction in sculptural relief and three-dimensional form.', NULL, NULL, 'white cube type exhibit, majority of the work unframed, some elements of sculpture\n75 -100 linear feet requested', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4836, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4071, NULL, '2020-04-15 18:43:04', '2020-07-20 18:17:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14478, '5gVdiqVQ50pmKLoy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:44:24', '2020-04-15 18:44:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14479, 'LJX2cQ3hQjwam9G4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:44:39', '2020-04-15 18:44:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14480, 'r0xcnLjrnajL07GM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:46:38', '2020-04-15 18:46:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14481, 'fxc06ga5I758E0YM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:46:50', '2020-04-15 18:46:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14482, 'ya8l1PwQzIiDwOfF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:48:57', '2020-04-15 18:48:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14483, '4RFR3U3E3VvUzMWo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 18:54:02', '2020-04-15 18:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14484, 'URHWiur2uJsm7T7b', '\"El Nido Y su sombra\"', NULL, 'El campo de estudio es la fusion de lo Siniestro y lo Melancólico con el fin de crear un retrato tenso a través su distorsión al establecer una acción mecánica sobre ella, la porcelana, esta pieza al ser fotografiada cambia su proceso visual llevándola a una metamorfosis mas extrema: Lo siniestro, causante de miedos por su carácter sombrío y por su relación con la muerte. Lo melancólico, historias personales y emocionales restauración/reparación, en espacios poéticos. El objeto es la producción de la mirada sin existencia previa a ella, a la que debe su existencia fantasmática, apareciendo la verdadera naturaleza del objeto, canalizador de vivencias, miedos, gritos, duelos.\nLos primeros pasos fueron desarrollar una estrategia a través de la porcelana, un material extremadamente frágil, que en su proceso de secado o en el horno, se accidenta a través de una metamorfosis cambiando su morfología Aquí las figuras  dejan pasar el accidente, al sepultar un objeto, y al fragmentarlo con moldes, su fragilidad y su estado opresor al secar, reflejan unas narrativas existenciales, implicaciones alegóricas. Cada rostro delata el duelo interior personal, la extrañeza de cada rostro, toma otra identidad al ser fotografiado, el objeto deja su huella, de lo que fue, y de lo que ya no está (muerte).Este proyecto se realizo tras la muerte de mi Padre.¿Cömo materializar tanto dolor?', NULL, NULL, 'El espacio expositivo seria un lugar oscuro rodeado de alguna esquina o angulo.\nMe gustaría sin sonido.\nLas dimensiones 2m de ancho y 2m de alto aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1138, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 984, NULL, '2020-04-15 19:02:35', '2020-06-23 14:45:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14485, '4wJdh7cNuholikJk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:06:00', '2020-04-15 19:06:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14486, 'y2v4WwtMG19TUbsX', 'Glow', NULL, 'My work is transdisciplinary and combines painting and drawing with photography and post-digital printmaking, performance art, video and installation to explore from a social practice perspective themes of cultural translation, identity, and liminality.\n\nContemporary lives in altermodernity have become journeys in a chaotic universe, transforming it into a territory which may be travelled both in time and space. In such a changing terrain, individuals’ daily practices, as well as their sense of self, rely on constant translation and mediation between identities and cultures, an ongoing process of negotiation of cultural\nmeanings.\n\nGlow is a series of post-digital paintings on canvas combining analogue and digital technologies of production, in a complex work of cultural translation mining a vast multitude of theoretical research and art history references, from Renaissance paintings of Boticelli and Albrecht Durer to classical Chinese textile art, and from the legend of Cupid and Psyche to David Hockney.', NULL, NULL, 'Dimensions of all artworks in the series: 120x85x4 cm \n\nTo be exhibited in a white cube gallery space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.artworkarchive.com/profile/poposki', NULL, NULL, NULL, 1139, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 985, NULL, '2020-04-15 19:12:53', '2020-06-23 14:49:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14487, 'ijCuZ3oLxJ9xZvwV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:26:46', '2020-04-15 19:26:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14488, 'qcL6yzDjp73PjhVc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:37:44', '2020-04-15 19:37:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14489, 'P7nzheBIuClxlIhj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:37:57', '2020-04-15 19:37:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14490, 'yvcMj3OoCA3wHEJW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:42:52', '2020-04-15 19:42:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14491, '3xqZxcyytaid1hpK', 'Venus', NULL, 'Botticelli pintó Venus en el siglo XV. En la pintura se ve una mujer rubia con cabello largo, que permanece desnuda y cubriendo sus partes íntimas con sus manos. Ha sido una representación del ideal de belleza y también una expresión de libertad, ya que fue la primera vez en las artes que una mujer se mostraba desnuda sin asignarle a ello un significado católico.\n\nEsta serie se basó en la pintura derivada (versión de Venus con fondo negro). Fue inspirado por las mujeres en la sociedad contemporánea. Sin embargo, seis siglos despues de que se creara la pintura original, las imágenes completas no se pueden mostrar en las redes sociales.\n\nEl proyecto sera un biombo de 6 paneles dobles a escala real. En cada uno se vera una mujer de frente y de espaldas representando la iconica figura.', NULL, NULL, 'Sera un biombo de madera constituido por 6 paneles bifaz. Es decir cada panel contendra 2 imagenes, una de cada lado, lo que suma un total de 12 imagenes. Y cada panel medira aproximadamente 1,90mts de alto por 1,1 mts de ancho. Lo que totalizaria 1,90 mts de alto por 7 mts de ancho aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.rominaressiaph.com/9676506/venus', NULL, NULL, NULL, 1140, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 986, NULL, '2020-04-15 19:46:02', '2020-08-13 20:09:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14492, 'Z82PHOaZwXbDQGoI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:50:26', '2020-04-15 19:50:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14493, 'TszwtuvfgC364P3I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:53:09', '2020-04-15 19:53:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14494, 'eEaf8HSXbUy5ljq0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 19:58:24', '2020-04-15 19:58:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14495, 'pvpZEppvMYxZB6fZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 20:00:14', '2020-04-15 20:00:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14496, 'BZpjx1KNOa6VDXH4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 20:10:34', '2020-04-15 20:10:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14497, 'Trhf090YyojjvOCI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 20:12:10', '2020-04-15 20:12:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14498, 's8WmFEkk0xxdqvdG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 20:12:56', '2020-04-15 20:12:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14499, '4XcdeT7ZChkZbqUL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 20:21:12', '2020-04-15 20:21:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14500, '8zfJGThSpbaPt6JC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 20:49:26', '2020-04-15 20:49:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14501, '3vpM4DlhCWdDIdhv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 20:58:31', '2020-04-15 20:58:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14502, 'jflzq6oRGSHwPa04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 21:11:09', '2020-04-15 21:11:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(14503, 'FtmsoPZWyGWulMnh', 'El andar de la memoria', NULL, '“El andar de la memoria” surge como una extensión del ciclo Untie to Tie #Environment de la ifa-Galerie Berlín,  donde nos encontramos por el interés común en las relaciones entre seres humanos y naturaleza, con las problemáticas de la apropiación del universo ecológico, el extractivismo, el cambio climático y la resistencia de los pueblos originarios y sus cosmovisiones, comprendiendo al arte como un territorio fértil para la búsqueda de posibilidades de construcción de otras formas de vida y prácticas de la memoria.\nProponemos la cooperación entre artistas, activistas e investigadores y la exposición de piezas textiles realizadas entre tejedoras indígenas y artistas de diferentes orígenes que visibilizan técnicas ancestrales y crean nuevas imágenes en las que conviven complejidades y contradicciones de la vida contemporánea y la interculturalidad. Invitamos al colectivo de la radio comunitaria La Voz Indígena que manifiesta desde sonidos las relaciones políticas y afectivas con sus territorios frente al avasallamiento de la colonialismo y el capitalismo. Convocamos también a artistas e investigadores para propiciar diálogos con personas de pueblos originarios y ciudades o espacios fronterizos, con el fin de crear diferentes registros y producciones haciendo énfasis en la escucha y el tránsito de testimonios y sentires.', '-Colectivo de tejedoras wichí \"Thañí\"(Claudia Alarcón, Anabel Luna, Estela Saavedra, Edelmira Duarte, Melania Pereira, Maura Pérez, Delfina Díaz, entre otras). Argentina. https://www.instagram.com/thanivienedelmonte/\n-Guido Yannitto. Argentina. http://guidoyannitto.com/\n-Olaf Holzaptel. Alemania. http://olafholzapfel.de/art/textil/\n-Radio comunitaria La Voz Indígena (Nancy López, Luis Giménez, Edith Martearena, Felisa Mendoza, Juan de Dios López, entre otres). Argentina. https://www.facebook.com/radiocomunitarialavozindigena/\n-Mariana Ortega. Argentina. https://ar.linkedin.com/in/mariana-ortega-1a806656\n-Daniel Zelko. Argentina. https://reunionreunion.com/\n-Gabriel Rossell Santillán. México. http://www.akvberlin.com/books/de-todos-colores-menos-plomo\n-Nik Nowak. Alemania. niknowak.de', NULL, 'Espacio interior (preferentemente de aproximadamente 60 m2 o más). Sugerimos que sea en Bolivia (Santa Cruz de la Sierra) o Paraguay (Asunción) para poder realizar una instancia de intercambios con tejedores y comunicadores comunitarios locales para fortalecer la propuesta de diálogos pluriétnicos.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.dropbox.com/s/7dsih3rrx37oq6d/imagenes-Sur.zip?dl=0', NULL, NULL, NULL, 6112, NULL, 895, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Se pueden sumar fotografías del archivo de la investigación de Gabriel R. Santillán, según el espacio físico disponible. La propuesta incluye sumar una acción performática con relatos y diálogos de diferentes actores en torno a los textiles.', 'si', 'Dispositivos de montaje básicos adecuados al espacio expositivo (clavos o tanzas, conexión eléctrica para parlantes)', NULL, NULL, NULL, NULL, 'Las necesidades de montaje son básicas, para colgar las piezas enmarcadas en pared, y tensar los paños tejidos según el espacio, e instalar los parlantes en los que se proyectará el sonido.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 5010, 5, '2020-04-15 21:16:16', '2020-09-03 03:33:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14504, 'SuRw1Cd4M4DEVbGu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 21:19:30', '2020-04-15 21:19:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14505, 'veDXcB3tKfXCkDZ1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 21:28:37', '2020-04-15 21:28:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14506, 'bJcLAdmMgV8MN4Qd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 21:36:20', '2020-04-15 21:36:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14507, 'ohgRTIpWbFcf78SQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 21:36:33', '2020-04-15 21:36:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14508, '9TuThgFIG37nzIKv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 21:38:09', '2020-04-15 21:38:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14509, 'MYYOqhqm5RpZ7tLl', 'Muxacra', NULL, 'En 1488, la antigua ciudad de Muxacra, perteneciente al Reino de Granada, y conocida hoy en día como Mojácar — en el sur del Estado español—, se rinde ante las fuerzas cristianas de los Reyes Católicos con la promesa de que sus tres culturas: musulmana, judía y cristiana, sigan conviviendo en paz como hasta el momento. Siglos después, tras comprobar que esta promesa no se cumple, y siendo catalogada erróneamente por la historia oficial como Reconquista la invasión de los territorios musulmanes de Al-Ándalus en la península ibérica por parte de los territorios cristianos, la ciudad de Mojácar, integrada en el Estado español, ha tenido un especial desarrollo capitalista basado exclusivamente en el turismo y es conocida como uno de los pueblos más bonitos de España. \n\nTítulo: MUXACRA\nAutor: Manuel Onetti\nAño de producción: 2020\nFormato: Video HD\nDuración: 13:40 min.', NULL, NULL, 'Opción 1: Proyección sobre muro. Son indiferentes las dimensiones. Solo hay que contar con un proyector y un equipo de sonido. \n\nOpción 2: Reproducción en monitor. Necesario auriculares.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/407169323', 'Mojacar3108', NULL, NULL, NULL, NULL, NULL, NULL, 1276, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1111, NULL, '2020-04-15 21:57:58', '2020-07-27 20:11:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14510, 'j21dxCjZCxUaxX02', 'EL REFERENTE CLÁSICO EN EL MARCO CONTEMPORÁNEO', NULL, 'Como planteamiento general, esta producción genera un conocimiento a través de la reinterpretación, la revalorización y la interacción de referentes escultóricos italianos adaptándolos a un contexto plástico y matérico en el grabado, concretamente en la xilografía, investigando su interacción cromática con un proceso y técnicas experimentales. Por otra parte, el establecimiento de una relación significativa entre el sujeto y el fondo, en un contexto experimental (de tintas, soportes, papel, texturas, elementos plásticos, procesos, tiempos, etc.) es lo que permite a la obra desarrollarse con un diálogo propio entre lo antiguo y lo contemporáneo. Así pues, esta producción aboga por la experimentación de una producción vital y de un descubrimiento de resultados inesperados, siempre sobre una base figurativa.\n\nLos objetivos corresponden al ámbito plástico y de desarrollo matérico de la obra, aquellos que permiten comprender a fondo lo que la producción busca representar a través del intercambio con los significados de la obra y la intención del artista por buscar nuevas formas de trabajar con la materia y crear una composición experimental.', NULL, NULL, 'Necesidades de espacio suficiente para grabar las planchas con las gubias, mezclar las tintas, estampar la matriz y zona de secado de las obras. Taller donde se pueda traajar la Xilografía (zona de grabado, encimera, estampado con el tórculo, secado de papeles).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://aliciacejalvo.wixsite.com/alicia/engrave', NULL, NULL, NULL, 1147, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 991, NULL, '2020-04-15 21:59:27', '2020-06-23 16:24:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14511, 'WhvIuD9gUEbH7NQI', 'Happiness and other Values', NULL, 'The exhibition \n\nThe artists are specialized and acknowledged in various fields: contemporary painting, sculptures, mixed-media, gold-art, photography and film-work. The cultural antipodes between West and East influenced a new view on the metamorphosis of art. In previous exhibitions in Bonn and Chengdu we experienced a strong dialogue between the creation of the Western art and the effects of Eastern culture combined to a unique design of art. \nThese venues and exhibitions took place before the Covid 19-crisis.\n\nDue to the pandemic crisis, artists all over the world are affected. Because of the geographical distance the crisis first hit the Asian artists, some weeks later the European, South- and North American artists. Art and culture - no matter which field we observe - are presently struggling. \nThe exhibiting artists reflect the conflict resulting from the competing forces of political, economic and cultural pandemic crisis on the one hand and extreme local diversity on the other hand.\nMankind has up to now never experienced such a strong impact on individual values.\nIn the International Bienalsur 2021, the artists are strongly committed to the subject matter, “we stay at home, we keep creating”. This attitude is represented in the title.\n\n\"Happiness and other Values”- part one with 4 Asian artists and part two with 4 German artists\nThe proposal is a brief selection of works which the UPdate GALLERY in Bonn would like to present in two separate exhibitions.', 'Happiness and other Values – Part one\n\nWith artists from Asia:\n\nHu Zheping, China weChat\nAlice Morashita, Japan |  www.alicemorishita.com\nKensuke Saito, Japan | www.kensukesaitoartworks.com\nLi Gang, China | www.updategallery.de/LiGang\n\nHappiness and other Values – Part two\n\nWith artists from Germany:\n\nGabriele Angel Leinenbach, Germany | www.angel-leinenbach.de\nAnja Kleemann-Jacks, Germany | www.kleemann-jacks.de\nElmar Diks , Germany | www.art-diks.de\nSuat Sensoy, Germany | www.suatsensoy.de', NULL, 'The UPdate GALLERY would be honored to present the exhibition \"Happiness and other Values\"  from February till April or later during the BIENALSUR 2021. Presenting two exhibitions, the first  6 weeks the Asian artists and the second 6 weeks the German artists. \nWendelyn Hack is the founder (2017) of the UPdate GALLERY. It is 89 qm big (3 connecting rooms) and it\'s situated in the historical and artistic part of the Bundesstadt Bonn, with museums and other cultural institutions close by.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1661, NULL, 194, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1462, NULL, '2020-04-15 22:00:47', '2020-06-23 02:10:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14512, 'M98YhaSQFum3lWGj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 22:07:12', '2020-04-15 22:07:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14513, '8p18Nbfc66Lg1xlt', 'Esta por decir algo', NULL, 'Dibujo y pinto mujeres y sus expresiones relacionadas a los sentimientos que tenemos en el dia a dia, con una paleta de colores moderna busco contrastar los sentimientos reflejados en las miaradas, muchas veces tristes u oscuros.', NULL, NULL, 'carbonilla y acrilico sobre lienzo. 123x130x0,25cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1149, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 993, NULL, '2020-04-15 22:10:30', '2020-06-23 16:25:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14514, 'SxBqc7j26h62mGOv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 22:16:20', '2020-04-15 22:16:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14515, '2QMWbqGM9DlJvwQ5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 22:37:02', '2020-04-15 22:37:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14516, 'qdJ8fHmtI1IH4RlG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 22:47:21', '2020-04-15 22:47:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14517, 'ruLWbxYJuiXLpHHB', 'Regazzoni Recargado', NULL, '¿Es acaso el arte una manifestación de quien lo produce o es de quien lo contempla? La acción de hacer y producir no como un goce estético si no como un derecho expresivo. La búsqueda de la belleza de Regazzoni no es un proceso intelectual, es una acción que se supera continuamente en post de una necesidad de hurgar en el caos interior para producir arte. El arte como forma de vida, como faro de luz en la oscuridad. La materia que a simple vista parece chatarra se ve resinificada para convertirse en un medio de concreción de la belleza artística.\nEl concepto de esta investigación se centra específicamente sobre los materiales alternativos que Regazzoni propone desde los 90 (su época dorada) hasta el día de hoy.', 'Carlos Regazzoni\nwww.carlosregazzoni.com \nYoutube: el gato negro', NULL, 'La idea es que el espacio pueda contener las esculturas monumentales. Recopilamos la obra irónica de Regazzoni desde los Gigantes de Petrobras hasta su autorretrato como samurai olvidado en retiro. \nEl tradicional cubo blanco no es necesario aunque puede contener estas obras. Busco espacios alternativos abiertos.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1371, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1200, NULL, '2020-04-15 22:56:35', '2020-06-23 02:15:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14518, 'VDrEOIv3rAuBdzHN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:01:00', '2020-04-15 23:01:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14519, 'YP2kK04BdWeYZIdx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:16:50', '2020-04-15 23:16:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14520, 'Ix0jden9PQ9Vdpjs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:22:49', '2020-04-15 23:22:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14521, 'qMNvpq5vhEgl2XTV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:24:40', '2020-04-15 23:24:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14522, 'mZd3gidjBWXTGw9N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:26:29', '2020-04-15 23:26:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14523, 'TLrxQttF2OeD0GCu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:27:50', '2020-04-15 23:27:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14524, 'VfwAo0xVnBys1RVz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:29:20', '2020-04-15 23:29:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14525, 'UF8d6VC7LCio4mJe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:30:18', '2020-04-15 23:30:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14526, '9HagHvWKaZLRfs9N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:34:09', '2020-04-15 23:34:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14527, 'lnfn22NYbXsdvvaZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:41:38', '2020-04-15 23:41:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14528, 'dhNvLVLhWKFhbreZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:41:39', '2020-04-15 23:41:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14529, 'pLC8gMurfX2oaeZd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:43:52', '2020-04-15 23:43:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14530, 'cSahiFqzVZfScsQG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:45:12', '2020-04-15 23:45:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14531, 'YRS5SMGkiUMPRnvl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-15 23:56:21', '2020-04-15 23:56:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14532, 'sqU1ulAuU72In6iy', 'Weaving Vital Threads', NULL, 'This project aims to create a sculptural intervention in the interior and exterior spaces of a public museum in Curitiba (BR). \n\nConceptual approach: the work seeks to provoke the public (visitors of the museum or not) to reflect about the presence of cultural spaces in the city’s routine. Visually, the intervention will work as a metaphore for the union between art and urban life. The metaphore resides specially in the work’s image, that embodies the symbol of the Needle, a tool used to create connections. This monumental needle intervention will cross through the museum’s building, uniting the inside of the cultural space with the outside, and vice-versa. The needle’s thread extends the symbolic meaning, embracing nearby sctructures such as buildings.\n\nFormal approach: \n\nMaterially, the work consists in several elements, divided to enable attachment to the architecture. Each element is handbuilt by the artist, using a PVC and polystyrene core, covered with fiberglass, polished and painted professionaly with chrome synthetic enamel. The finishing creates a metallic effect, mimicking the appearance of the real object (needle).\nThese materials and techniques make the work weather and time resistant.\nThe thread element is created using plastic and polyethylene, flexible and very resisting materials. Dimentions may vary.\nThe work will be attached to the chosen building using a screwed steel base, as shown in the images attached.\nTotal dimensions may vary according to site.', NULL, NULL, '- The work should be installed in a museum in Curitiba (BR). There’s not a specific place indicated yet, for the location can be one of many. Images attached show studies simulating the work in three possibile locations (all museums).\n- The work will intervene both inside and outside the chosen building, simulating the crossing of the “needle” through the space.\n- The thread element will exist accordingly to the chosen location, interacting specifically with the surroundings.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3404, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2917, 5, '2020-04-16 00:01:42', '2021-02-12 15:47:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14533, '4TfhWzZPGBjhhMzr', 'Fé  e espirualidade em tempos de pandemia', NULL, 'Desenvolver um conteúdo sobre a fé e saespiritualidade  em tempos de pandemia e como as pessoas se relacionam  com os outros e com o divino.\n\nAnálise das sociedades  sobre a espiritualidade e o pós pandemia do covid-19.', 'Joaquim Matusse', NULL, 'Documento com 20 páginas.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1155, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 999, NULL, '2020-04-16 00:03:18', '2020-06-23 18:13:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14534, 'rWnWM5AsSq2ZBF0d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:12:42', '2020-04-16 00:12:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14535, 'RPjsBZpW6zGIPjlK', 'Prata da casa: nem tudo o que reluz é ouro', NULL, 'Minha proposta consiste em uma exposição que onde será mostrado :  uma série de 300  peças de tamanhos variados realizados com o Inox e o Latão que venho desenvolvendo fixados em um painel,   um conjunto de desenhos e também os objetos e artesanatos que são referência para estes.   Os objetos terão como referência inicial pequenos objetos, artesanatos diversos e afins   encontrados e coletados  em mercados populares (25 março , feiras de artesanato  local, lojas 1,99 etc...)  .  Os desenhos por sua vez serão  a continuidade de minha pesquisa na linguagem do bico de pena, constante em minha produção,   e  que tenho como referência    o universo de grandes centros urbanos e cenas destes territórios .  Já os artesanatos e objetos coletados  estarão dispostos na mesma sala em um balcão mostruário  criando um diálogo  entre técnicas .', NULL, NULL, 'Pretendo com esse projeto despertar e alimentar a discussão sobre o que nos passa desapercebido, o que nos chama atenção no cotidiano e o porque desse comportamento.  Refletir sobre o que agrega valor de arte ao objeto, as decorrências  disso, se é o material que traz valor ao objeto de arte, o que é considerado  arte e o que diferencia o objeto tido como arte do artesanato. Qual o papel da produção de trabalhos de caráter manual  no geral e na arte contemporânea?', NULL, 'artist', NULL, NULL, NULL, NULL, 'O campo TIPO DE PROJETO ESTA COM PROBLEMA TÉCNICO . POR ESTE MOTIVO SELECIONEI TODAS AS OPCOES. NAO APARECE ESCRITO O QUE É CADA QUADRADO.', NULL, NULL, NULL, NULL, NULL, 1159, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1003, NULL, '2020-04-16 00:15:10', '2020-07-21 01:46:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14536, 'faaTlFEEPpEc2BPk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:15:48', '2020-04-16 00:15:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14537, 'I03HuUjSxwnASTCN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:18:59', '2020-04-16 00:18:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14538, '5d1qdOTiGsfzhFym', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:22:14', '2020-04-16 00:22:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14539, '931DiKV0RJr1YFKU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:26:19', '2020-04-16 00:26:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14540, 'MjEvQWN75G43CwjM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:30:48', '2020-04-16 00:30:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14541, 'MxXOTPefUkrB8PZx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:34:40', '2020-04-16 00:34:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14542, 'krSFWRBg6VKva1yw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:35:36', '2020-04-16 00:35:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14543, 'ejINBC25TdWXGDBk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:36:23', '2020-04-16 00:36:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14544, 'TrnyhzC1Rb36DnzT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:38:35', '2020-04-16 00:38:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14545, 'F52xLJGuT5KDNd4d', 'plastics', NULL, 'this is my plastic project.\n i gather discarded gallοn plastic freezer bags from nature and paint on them with acrylic paint.', NULL, NULL, 'dimension range of each work: 30x40cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1168, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1011, NULL, '2020-04-16 00:40:29', '2020-06-23 02:29:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14546, '1kkQGFgg7vbScyQ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:40:53', '2020-04-16 00:40:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14547, 'qxYTTwTi65bC45Gh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:44:23', '2020-04-16 00:44:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14548, '5iPowM5oCYmKhNKZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:44:51', '2020-04-16 00:44:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14549, 'apTEnXKu69rBR0Jj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:46:02', '2020-04-16 00:46:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14550, 'tzVyx6vQOvo5S8Yt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:47:57', '2020-04-16 00:47:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14551, '8J4Va2h5xX1NBD1w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:48:24', '2020-04-16 00:48:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14552, 'AXGjehAOFoPxMH1y', 'Sindicato Virtual de Mods', NULL, 'Las formas de trabajar, crear, compartir han cambiado con la irrupción de las nuevas tecnologías, las redes sociales y un sistema capitalista dedicado a la circulación de conocimiento y entretenimiento. Actualmente, jóvenes de todo el mundo desarrollan proyectos culturales de corta duración, sin contratos o en condiciones irregulares, sin llegar a estructurar carreras. Con frecuencia movilizan sus competencias en procesos cooperativos, ensayan modos no convencionales de situarse en un paisaje cultural y socioeconómico cambiante (Canclini, 2014).\n\nLos Gamers se dedican a crear sin remuneración a través de canales de ocio ofrecidas por nuevas plataformas como los videojuegos. Diseñan y programan Mods (del inglés modificaciones) elementos basados en sus contextos, para reapropiarse de los entornos virtuales transformando los juegos. Aislados e hiperconectados, los gamers rescatan una visualidad sin historia condenada a permanecer sólo en el espacio virtual, cuestionando el individualismo que la red impone.\n\nEl Sindicato Virtual de Mods (SVM) cuestiona las nuevas formas de trabajo creativo y rastrea los modos de cooperativismo en la actual era del capitalismo cognitivo. SVM es una asociación virtual que busca: 1. recopilar y archivar la producción simbólica y visual de los Mods (video e imagen), en particular los referidos a la clase trabajadora; 2. abordar la crisis del asociacionismo desde el ocio y la virtualidad con charlas con Remedios Zafra, Hito Steyerl y Jamie Woodcock.', NULL, NULL, 'El proyecto se presenta de diversas maneras: 1 mostrando las creaciones de los Gamers a través de sus videos, 2 seleccionando y archivando imágenes, y 3 activando acciones con la comunidad gamer como encuentros y charlas. En los dos primeros casos se requiere un espacio expositivo, con medios tecnológicos, en el 3º, la organización de acciones y un lugar adecuado para realizar encuentros y espacios para visionar las charlas ya realizadas de Remedios Zafra, Jamie Woodcock y Hito Steyerl.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=tzZiYZ1sQ8Y', NULL, NULL, NULL, 'https://guimcamps.com/Sindicato-Virtual-de-MODS-1', NULL, NULL, NULL, 5103, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4268, 5, '2020-04-16 00:49:23', '2020-09-03 04:02:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14553, 'OAiVlCKCCqpUae53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:51:19', '2020-04-16 00:51:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14554, 'pk9CH2t6ESrpQ8eM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:51:57', '2020-04-16 00:51:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14555, 'OGb3Nco1tDxCynGz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 00:53:33', '2020-04-16 00:53:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14556, 'yExc6D93U72EpYlG', 'Os.sos (Bones)', NULL, 'Os.sos. (Bones) features a series of hybrid installations transiting between the musical and visual universe. The Morse Code, an international communication system that became obsolete in the 1990s, allowed for decades the transmission of messages and texts from a series of long and short impulses, produced through sounds and/or lights. In 1997, the French navy used this technique for the last time with the following message: “Attention. This is our last cry before eternal silence”. \nThis curatorship invites 20 poets of different nationalities to create poems inspired by the curatorial motto. These texts were coded using the Morse code, being stripped of their literary aspect, and metamorphosed into music. In this \"deconstruction\" process, the resulting music constitutes a rhythmic and timbral \"skeleton\" for 10 classical contemporary music compositions, created by composers of different nationalities. The recordings of the music works will be used by Eder Santos and Ricardo Siri in the creation of the sound / visual installations. \nIntended to invite the public to penetrate immersive spaces, the curatorial process was built through a dialogue between literature, contemporary music and the visual arts, and aims to investigate the bones (os.sos) which remained hidden in official history, crying in the time/space silence in the South hemisphere. \nThe curatorship is unprecedented worldwide.', 'Ricardo Siri, Brazil (https://www.siri.etc.br/)\nEder Santos, Brazil (https://www.premiopipa.com/pag/eder-santos/)', NULL, 'The project can have different dimensions. It can be also displayed in the same exhibition space or in different spaces and even in different cities and countries at the same time, creating a dialogue between the installations. \nThe installations can stay in a closed exhibition space (museum, art center or alternative space) and or they can be presented in an open air space.\nPerformances could be organised in dialogue with the installation during the Bienalsur programm.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6129, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5022, NULL, '2020-04-16 00:56:01', '2020-08-15 00:50:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14557, 'SO7PBmpVTUiAZVVV', 'HONOR2020', NULL, 'Corto hecho completamente con mi celular/ short film made by my cellphone.\nAgradezco a mis amigos y familias, por su apoyo. \n\nDirección y Guión/Direction and Script: \nAsuical Sandoval\n\nActúan/perform:\nHaydee Sandoval \nAlejandro Girón\nAsuical Sandoval\n\nMúsica/Soundtrack:\nHangin\' With the worms \nDoug Maxwell\n\nEdición de audio/Audio edittion:\nKevin Dimas \n \nLetra/Lyric:\nHonrar la vida, Elaida Blazquez. Versión Mercedes Sosa.\n\n---------------------------------------------------------------------------------------------------------------------------\nDeclaración de Asuical :\n\n•Creo que este momento para los seres humanos no es el #covid19 el verdadero enemigo, si nosotros mismo nuestros miedos, nuestras inseguridades y dolores. Este es el momento para transformarnos, tomar esta cuarentena del lado amable y ver como la imagen de pequeñas larvas que desde nuestra baba, nuestros errores y hacer una crisálida para apreciar nuestra transformación.\n\nAsuical\'s Statement:\n\n• I consider this is the moments for humans beings #covid19 is no the truly enemy but ourselves: our fears, insecurities and sufferings. This is the moment of transform ourselves, take this quarantine the friendly side and se us as little worms that from our mistakes, errors created a cocoon and after all this cherish our own transformation.', NULL, NULL, 'Presentación en un espacio de formato pequeño cinematográfico.', NULL, 'artist', NULL, NULL, 'https://youtu.be/5cmXg8bKhRA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1158, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1002, NULL, '2020-04-16 00:56:25', '2020-06-24 15:58:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14558, 'wCvfXQsOI4tNleFe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 01:02:04', '2020-04-16 01:02:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14559, 'Ub95HhWt48OT4C8l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 01:04:40', '2020-04-16 01:04:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14560, 'yjTa5vhgrKXT1mBk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 01:05:38', '2020-04-16 01:05:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14561, 'WpLuWdUIlp4hJhoy', 'Dependencias. Lo insostenible de las energías y las comunicaciones', NULL, 'Si soberanía se refiere a poder, soberanía energética es hablar de dónde reside el poder en el ámbito de las energías y la comunicación. Frente a un enfoque como el de la soberanía del Estado, centrado en la legitimidad de los Estados no importa si han sido cooptados por élites extractivistas, la soberanía de los pueblos defiende el derecho de individuos, comunidades y pueblos para decidir sobre los asuntos que les afectan. La soberanía energética a la que se hace referencia, se aleja de la defensa de las fronteras y de intereses alineados con las élites, denuncia la cultura que promueve la delegación de las decisiones en una supuesta neutralidad, su planificación tecnócrata y la toma de decisiones opresoras. Se opone a la exclusión de los saberes tradicionales, la participación de la ciudadanía activa y la corresponsabilidad.\nEl respeto a la soberanía energética de los pueblos implica el ahorro y la racionalización en el uso de bienes comunes para no interferir negativamente en la soberanía energética de otras comunidades ni de futuras generaciones.\nEl proyecto está conformado por piezas de collage y plegado analógico con facturas de servicios básicos y públicos. Se pretende generar una mirada crítica hacia la dependencia energética, los negocios entre empresas y Estado, los medios oligopólicos de comunicación, principalmente en referencia a los de los últimos años de gestión conservadora y de derecha en Argentina y el tendiente avasallamiento de derechos en Latinoamérica.', NULL, NULL, 'Museo Fueguino de Arte - Centro Cultural Yaganes\n12 a 15 piezas enmarcadas para colgar en pared\nMedidas varias (desde 60x60cm a 150x100cm)\nTrabajo inédito y en proceso de ejecución', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5946, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4893, NULL, '2020-04-16 01:15:58', '2020-08-10 20:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14562, 'nthEz0FEU48gcwNP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 01:32:49', '2020-04-16 01:32:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14563, 'cX6P47H1Lb0eofMn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 01:36:07', '2020-04-16 01:36:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14564, 'uxW4SZu1GOkvWsg7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-16 01:38:58', '2020-04-16 01:38:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(14565, 'HVL4pWqJR7hC313C', 'QUE NEGA SOUL', NULL, 'O projeto se apresenta em forma de vídeo, o contexto é sobre  várias faces de Mulheres  Negras em ação. Mulheres que tem várias profissões, empreendedoras e talentosas. No projeto algumas mulheres são entrevistadas e contam suas histórias enquanto trabalham, com isso colhemos imagens e relatos importantíssimos para mulheres que tem que saber o tamanho da sua forma, e o  quanto são capazes de produzir muito e melhor em qualquer profissão que escolham. Dedicadas,  eficientes e criativas, são capazes de transformar seu entorno e as pessoas que nele estão. A muito  tempo a capacidade profissional das mulheres são questionadas e as impedem de  assumirem postos de trabalho de alto escalão, em grandes empresas,  em setores variados. impossibilitando o crescimento intelectual e criativo de pessoas competentes que são excluídas por gênero. Na cultura, saúde, comércio entre outros , elas são impedidas de desenvolver e apresentar seus talentos. Vem a pergunta: Qual o real motivo dessa ação, e porque só agora estamos conseguindo ocupar espaços que nos são de direito? Perante tantas dúvidas e perguntas, o vídeo questiona essas ações e apresentam soluções e resultados  de mulheres que furaram a bolha e se destacam entre outras milhares. O projeto é apresentado com música ao vivo, com intervenção do público presente \" A Mulher tem que estar onde ela quiser\"', NULL, NULL, 'A Tipologia de forma narrativa necessita de um espaço que além de uma tela de cinema tenha também equipamentos de som, pois o projeto é apresentado com música ao vivo, durante a apresentação, podemos ter intervenção do público que se coloca no lugar dos personagens e participam de forma construtiva da apresentação, que tem a duração de 90 minutos. Após a apresentação dedicamos 30 minutos para bate papo com o público interessado em saber mais sobre as questões abordadas no filme e sua confecção.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1164, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1007, NULL, '2020-04-16 01:52:20', '2020-06-23 02:29:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
