a collection of objects along many years. 

the objects have been given treatment from exercises similar to Fischli Weiss (19179) and Erwin Wurm (1954) One Minute Sculptures. 

from such experiments, of ensuring all elements are codependent on each other; when one element is taken away, the sculpture falls apart and then ceases to exist.

the decision to carefully place out each objects on display have gone through formal ways of taxidermy
such as to organise the collection under L.A.T.C.H. method (Location. Alphabet. Time. Category. Heirachy). Formal conditions and 3D space produce and stimulate more limitations on a body of objects always undergoing scrutiny.

further insights reveal about the process and cognitions of the archive curator.
clearly communicated, the artist collection is based on design functions and perhaps with a child-like and detailed orientated perspective.

future cycles of experiment hope to produce more contextual wealth to this project and under the merit and platform such as the UNTREF.