The performance consists on: Maps and Cartographies from the period of the European Expansion (1505 to 1670) were filmed, altered and designed by the artist Bianca Turner, and subverted when in relation to the live sound, which was developed by the musician and DJ Eugênio Lima, who has been researching alternative historical narratives for decades.

These Maps are overposed with real Google Earth images of the Amazon deforestation, and "erased" by the sounds that Eugênio plays, bringing other possible narratives to arise. 
The audiovisual performance is an attempt to rewrite history in search of other speeches, voices, sounds, sonorities and territorialities apart from those written and drawn by the colonisers.

The Brazilian historical reality, is based on what we call 'Memoricide': which constitutes the erasure of historical facts by the predominancy of the “official narrative”, regulated by the imperialist capitalism. Therefore it is urgent that alternative viewpoints of history are built in the collective consciousness, either by subverting the dominant metanarratives, or simply by conveniently remembering stories that are forgotten.

The cartography images are projected, and erased when activated by the bass sounds,
being replaced by abstract and fragmented images of the Indigenous narratives, when activated by the higher sounds, blended with indigenous speeches and tales.