"Yellow Dress" is a performative piece created from diary texts, dream’s descriptions, fragments of reality, fictional short-stories and images from the personal digital archive, to compose a dramaturgy that could be endless. It is performed on a computer screen and projected (or “videoconferenced”) to the audience.
It was, at first, a stage performance, in which the performer heavily arrives and writes up, on the projected screen, her thoughts about the story that just happened to her. The words start by describing the actions that the audience just saw. The next scenes were to follow each other in a loop: each entry and exit happens in the same way, and what changes is what happens in the middle. It regards an attempt to reconfigure time and history, reinventing the possibilities, escaping from errors, building up a non-linear narrative.
While preparing the development of the next scenes, Covid19 and confinement changed the scenario. Writing the script became the possible performance.
The screen becomes the stage, and the audience is mediated by video-conference. The structure loses the loop that gave it the a-temporal sense, the déjà-vu, but gains the multi-dimensionality of time, and the anachronisms are reaffirmed by the windows poping-up with texts, images and operations with computer basic software. 
It seems, as Jean Braudrillard says, “the murder of reality in the age of the media”.