KOMOREBI, as an aesthetic presence, is the interstice, the sum and the set of the artistic work of five artists in one immersive, performative and sentient installation. As an artistic research project, it deals with investigating the long relationship between art and nature from the critical perspective of contemporary artistic practices and their techniques, and cultural discourses in the age of the Neganthropocene. 
Following the ideas of Bernard Stiegler and Theodor W. Adorno, today's pressing question, which is also an urgent call to action, is no longer how do we enter the Anthropocene, no. It is, first, how do we could get out of it again, and second, how artistic practices and cultural discourses are promoting both static identities and the again division between society and nature to the detriment of the dynamism required in their relationship, leading to a return of enlightened thinking of domination by mythologizing and naturalizing nature.
The selected artists and works allow the generation of an ensemble beyond their individuality. Likewise, the fact that each piece corresponds to a different artistic practice allows us to speak from the multidisciplinarity of art and the variety of discourses and techniques that make it up. Last but not least, we cannot fail to highlight the multinational character of the group of artists and curators that make up this body of work.
KOMOREBI, thus, doesn’t seek to imitate nature, no, here nature is represented and staged artificially and from the distance: 3D projections, drone footage, field recordings and digital cacophonies of the Amazon Rainforest in the north of Brazil and Colombia combined with a light installation, site specific sculptures and live performance create shapes and shadows in symbiotic games where the performative body, both of the dancer and spectators, embody the animalistic and anthropocentric elements of the dialectic relation between nature and humans, unfolding time, body and nature.