INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23626, 'uH74PPlPSp18l9qD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:10:43', '2020-05-18 19:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23627, '7Fa8Wl6YvPrxhSck', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:11:34', '2020-05-18 19:11:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23628, 'LGj91BvI4S7c9N8z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:12:35', '2020-05-18 19:12:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23629, 'rf65jkpHBe4ssujL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:14:38', '2020-05-18 19:14:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23630, '19Ewd1K8dyggBd2N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:28:38', '2020-05-18 19:28:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23631, 'mBqXr3bRR18IJa7X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:28:38', '2020-05-18 19:28:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23632, 'x16BKY97u4PL2L3J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:29:43', '2020-05-18 19:29:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23633, 'afehdyoowwEC0WaG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:36:05', '2020-05-18 19:36:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23634, 'iIU3wWJt78qaoxWW', 'Calandria', NULL, 'El monólogo dura 10 minutos actualmente (la idea es adecuarlo al tiempo conveniente).\n\nLa pieza teatral se trata de una joven que vive a orillas del río en una isla muy pobre del\nLitoral Santafesino, y en ese tiempo cuenta su realidad, las costumbres e\ninjurias de su tierra, el estricto vínculo con su viejo padre y su anhelo por conocer\nla ciudad. \nHacia el final, las angustias pesan más que la decisión de vivir, así que\nella se sumerge en su río.\n\"Por quedarme soy Calandria, costera orgullosa con miel en el pico, guay altiva enraizada en la isla\".\n\nLa composición dramatúrgica se da en una intertextualidad, entre autores y poetas propios de Santa Fe (Argentina) y textos propios, articulando poesías de los ´60 y resignificándolas en un tiempo actual. \n\nRequerimientos escenográficos: \nEl monólogo cuenta con un fuentón de metal grande, algunas plantas a conseguir depende del lugar, una kalimba y dos pavas de acero inoxidable repletas de agua (estas últimos 3 elementos son las cosas que yo puedo conseguir y llevar).\n\nRequerimientos técnicos: Las luces pueden adaptarse al lugar, y no se necesita equipo de sonido', NULL, NULL, 'El espacio del monólogo puede adecuarse según la necesidad. Preferentemente tendría que ocurrir en un espacio cerrado y medianamente silenciado para que se escuchen los textos. Puede ser un museo, una sala, o incluso un espacio abierto como un patio o terraza, pero no podría acontecer en un espacio urbano transitado. Las dimensiones de la escena son de aproximadamente 3x3 metros, sin contar el espacio espectatorial.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2157, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1881, NULL, '2020-05-18 19:36:25', '2020-06-23 01:48:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23635, 'diRBxoOC0fHqZOcX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:37:47', '2020-05-18 19:37:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23636, 'I546lbWMTfh1QluV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:40:26', '2020-05-18 19:40:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23637, 'S3dD0uwuDzVD8Syq', 'GIGATAGES', NULL, 'GIGATAGE - GIGAPAN/MONTAGE\n\nJohnson-Perkins\' series of ultra-large scale digital GIGATAGE works use Gigapan technology and Montage. Here he creates landscapes of different modern and historical figures in renowned sites and civic squares.', NULL, NULL, 'Please see Video Links for an Idea of dimensions etc...\n\nhttps://vimeo.com/413295737\n\nhttps://vimeo.com/376726568', NULL, 'artist', NULL, NULL, 'https://vimeo.com/413295737', NULL, NULL, NULL, 'http://johnson-perkins.co.uk/gigatage.html', NULL, NULL, NULL, 2155, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1879, NULL, '2020-05-18 19:42:44', '2020-06-29 19:17:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23638, 'Z1Fq0TsgSKfx1ljB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:50:56', '2020-05-18 19:50:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23639, 'HR87WRbZYY3IoOEL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:55:12', '2020-05-18 19:55:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23640, 'zFff221tkZ0kPsEM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:58:31', '2020-05-18 19:58:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23641, 'lGczJURr8D2a6n0w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:06:08', '2020-05-18 20:06:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23642, 'eGTTN1Tm713xLhXD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:06:24', '2020-05-18 20:06:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23643, 'ZvIgywP11ckB09gK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:07:22', '2020-05-18 20:07:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23644, 'RjgxSabiuREM1ggH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:21:28', '2020-05-18 20:21:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23645, 'eWFDd5lUom5eCA1r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:30:18', '2020-05-18 20:30:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23646, 'PabMJfWhMva1dM9T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:30:52', '2020-05-18 20:30:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23647, 'GVt6wH5BFuNZedSq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:31:29', '2020-05-18 20:31:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23648, 'zw6nU6L1qxE6aW9H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:43:46', '2020-05-18 20:43:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23649, 'xG5YBggw7PNuW6Sz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:44:38', '2020-05-18 20:44:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23650, 'NyThRiWa6EH2pW15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:47:10', '2020-05-18 20:47:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23651, 'AXDy0vmZUWaZjzRp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:47:21', '2020-05-18 20:47:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23652, 'jQn353sKigj2vFuq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:47:23', '2020-05-18 20:47:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23653, 'KkYBYFx8mXzQPncV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 20:55:04', '2020-05-18 20:55:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23654, 'zMl9uyEOsQW7uydH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 21:06:38', '2020-05-18 21:06:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23655, 'Z0oGgVBgsVWbYpFE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 21:07:21', '2020-05-18 21:07:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23656, 'AUfiDJkGWZE1GDq5', 'Stopped Motion Between Two Coordinates', NULL, 'Stopped Motion Between  \nTwo Coordinates \n \n2019 \n\nEngraving on wood, MDF, acrylic, steel, spray paint, acrylic paint, vinyl and spacers.\n\n140 x 122 x 15 cm \n\nConceptual Description:\n\nThe starting point is an old board game, chess. \nThe idea of ​​playing chess alone or playing against a code capable of anticipating each move, recalls to the film “The Seventh Seal”, in which a crusader - in an attempt to gain life time or delay death - plays this same game with an allegorical and “nonexistent” identity, Death, which proves to be invincible. Accordingly, in this art piece, the idea of ​​death as a non-living being capable of sharing the same plane of existence as living beings is superimposed with the idea of ​​computerization.\n​What stands out from this relationship is the questioning of a relationship that, although apparently dynamic (due to physical ruptures and metamorphoses), remains perpetual through time, therefore static. A chess piece that was once carved in ivory or wood is now a set of lights on a screen. A game of chess that started hundreds of years ago and the pawns continue to move forward only one space per turn. The opponent that we face is both existing and non-existent, both anxious for victory and indifferent to defeat. So, to avoid this burden and to forget the inevitable, we put the board back on the table and challenge another solitary player for a game, this is nothing more than an attempt to forget the disaster while we fight for a fleeting victory.', NULL, NULL, 'This is a wall piece. Due to it\'s dimensions and weight, it should be placed with screw bushings and screws.This piece structure is robust, but - when it isn\'t on the wall  - it should be placed horizontaly on the ground, using its iron frame as a base. \nIn terms of installation, it should be placed in the wall with its center at the level of viewers eyes and should be near a natural or not natural light, so it reveals the carved image hidden in frontal view.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3762, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3208, NULL, '2020-05-18 21:08:15', '2020-07-20 20:38:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23657, 'syW8maX2h6ARNr8I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 21:09:58', '2020-05-18 21:09:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23658, 'sJlyTU4lQ4sHKys8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 21:22:41', '2020-05-18 21:22:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23659, 'N6AZ50n0iQ6kJesw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 21:25:00', '2020-05-18 21:25:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23660, '9FBFzZPnfw6iCcsQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 21:53:18', '2020-05-18 21:53:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23661, 'miPWDaXs39HzI7Cp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 22:01:36', '2020-05-18 22:01:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23662, 'Nw0KLgRBev0zvzhC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 22:01:36', '2020-05-18 22:01:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23663, 'BwlxCROa0VzwyHT7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 22:03:09', '2020-05-18 22:03:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23664, 'HhKt7BBBFk2RjCkT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 22:04:02', '2020-05-18 22:04:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23665, 'QrmWo9Xn8uYp47R1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 22:08:30', '2020-05-18 22:08:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23666, 'Vq7UsQg9aePEKRma', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 22:26:07', '2020-05-18 22:26:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23667, 'e5cVo88yKrl4YfQV', 'BIOARTE Molecular', NULL, 'Es una instalación sobre la evolución de la vida en con fotografias desde el ambito molecular (ADN ARN ,proteinas),hasta mamiferos superiores con reactores moleculares para generar las Primeras biomoleculas.', NULL, NULL, 'aproximadamente  2  × 7  metros de area rectangular', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2159, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1883, NULL, '2020-05-18 22:44:23', '2020-06-23 01:48:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23668, 'ZVUVz3ssgczuS7iB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 22:57:35', '2020-05-18 22:57:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23669, 'bhGJk8bEm9UGWXyi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:07:14', '2020-05-18 23:07:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23670, 'P1AU0pEgJF95BvOG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:11:05', '2020-05-18 23:11:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23671, 'eqzB7CROYuil8mol', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:11:14', '2020-05-18 23:11:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23672, '2Czkn6sOVZtAQi4S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:13:15', '2020-05-18 23:13:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23673, 'qop9tyrnx8CoWfTH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:18:08', '2020-05-18 23:18:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23674, 'gZIbIOk4J0e8Nnom', 'RASTROS', NULL, 'RASTROS parte de la idea de la entropía para pensar las acciones del hombre en la tierra. La entropía aquí se entiende como un proceso de colapso irreversible y es usada como una alegoría que viene del deseo de criar una situación simples, pero potente, sobre una reflexión contemporánea. \nEs composta de dos proyecciones e un cuadrado, centrado y compuesto por una mitad de grafito granulado y la otra mitad de carbón triturado. Debajo del cuadrado, habrá un forro de fieltro industrial crudo, que cubrí todo el piso.\nLas proyecciones muestran un hombre caminando en círculos en un cuadrado idéntico a que se encuentra en el centro de la sala.\nLo posicionamiento del cuadrado de grafito y carbón hará que sea el piso sobre el cual el espectador caminará para cruza-la (caso tal el espectador no desee pisar sobre el carbón y grafito, tendrá la posibilidad de caminar alrededor pero implicará su silueta en la película). Como en la proyección, el carbón y el grafito del piso se mesclarán y se impregnará en el calzado de los visitantes. El forro crudo, al redor del cuadrado, evidenciará los rastros dejados por el desplazamiento de los que pasan.\nLa entropía es presente en el proceso de mezcla irreversible del carbón y grafito, elementos con semejanzas formales y químicas con la pólvora, a lo largo de la exposición por el ir y venir de los visitantes. El caminar en círculos del hombre en la proyección implica que tal sujeto no avanza en su recorrido, permaneciendo en lo mismo lugar.', NULL, NULL, 'Espacio de exposición preferentemente cuadrado, que mide aproximadamente 10 x 10 metros. Tal espacio debe tener las ventanas cerradas para que no pueda entrar luz debido a las proyecciones. También es necesario tener enchufes eléctricos para instalar los proyectores.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3460, NULL, 425, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2967, NULL, '2020-05-18 23:21:32', '2020-08-13 18:03:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23675, 'vgkdT9Osu3NnWlzn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:23:11', '2020-05-18 23:23:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23676, '7sEPrIUPuPppuuJE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:27:41', '2020-05-18 23:27:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23677, '1HqAgcnFmLacmP1G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:33:49', '2020-05-18 23:33:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23678, 'VSEv5Rs1pBwLSu6a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:38:44', '2020-05-18 23:38:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23679, 'q69aKpXMBGevwVSk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:39:57', '2020-05-18 23:39:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23680, 'ktGunRfV9kxfotjQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:48:01', '2020-05-18 23:48:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23681, 'MclUXO9AI8A2UTY3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 23:48:37', '2020-05-18 23:48:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23682, 'Zsfqkvdm9nbziIz8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 00:01:29', '2020-05-19 00:01:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23683, 'lrJ3ncmeuDpZPSEY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 00:19:29', '2020-05-19 00:19:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23684, 'gyOAAP5YfYRCf1o2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 00:19:54', '2020-05-19 00:19:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23685, 'NJ4FNcV2QHWTDTNg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 00:24:27', '2020-05-19 00:24:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23686, '9RdpLItDiqpmaaTL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 00:32:11', '2020-05-19 00:32:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23687, 'FfnMf5kc8ouupmrr', 'Diccionario rioplatense de oficios que se olvidan', NULL, 'El proyecto es confeccionar un diccionario de técnicas y oficios que en el día de hoy, por los cambios tecnológicos, son percibidos como arcaicos o en vías de desaparición. El diccionario incorporará el léxico de oficios como paragüero, relojero, peletero,  taxidermista, reparador de muñecos, domador de fieras del circo, etc. Nos interesan los oficios que son vistos en vías de desaparición, no aquellos que se perciben como hundidos ya en la pasado. Delimitamos el espacio dialectal al del Río de la Plata que comprende dos grandes ciudades como Buenos Aires y Montevideo. La idea es confeccionar el diccionario a partir del diálogo con personas que practiquen todavía esos oficios. Un diccionario de autor, como el que proponemos, es casi lo contrario de un diccionario. Más que intentar establecer el sentido de las palabras busca desestabilizarlo. Intenta explorar sentidos nuevos para términos arcaicos y en sus formulaciones apela a la brevedad, como el aforismo. Nos interesa pensar un objeto que cuestiona los límites entre la palabra y lo visual, entre el arte y el no arte, entre el hacer y el crear. La propuesta es experimentar con diagramaciones, puestas en página, relaciones entre la palabra y la imagen desde lo inesperado. El diccionario es un objeto visual, que por la lógica misma de su organización  quiebra el orden lineal de la lectura. Vemos una analogía entre su espacio textual y el de las artes visuales, como si el diccionario fuera una suerte de pintura de la lengua.', NULL, NULL, 'Entendemos al diccionario no tanto como un objeto para ser leído sino más bien para ser visto.El espacio de exposición será el del libro, que estará expuesto en sala para que los espectadores puedan consultarlo y hacer sus derivas de lecturas. Se tratará de exponerlo en un mobiliario adecuado al objeto, y antiguo como una especie de tarima o pupitre.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3310, NULL, 402, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2846, NULL, '2020-05-19 00:35:44', '2020-08-13 18:02:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23688, 'mdcrTLBOxCKyqR8T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 00:37:03', '2020-05-19 00:37:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23689, '5Y0phOM9U3e3NmEr', 'Holoturias tubulosas , itinerario mutante y experencial', NULL, 'Holoturias Tubulosas es una obra experencial  . Basada en dos conceptos vertebrales: multisensorialidad y habitabilidad. Presentando como una obra en construcción , Holoturias Tubulosas proponen un tránsito, un trayecto de ocupación del espacio real, que podría ser recorrido por los visitantes . Una simbiosis entre el público y la instalación. Sumergidos en un túnel de tonalidad blanca y lumínica. Allí encontrarán la posibilidad de preguntarse sobre el medioambiente. Buscando integrar la costa , sumando el ejido urbano, este Site specific , nos habla del calentamiento global, la mutación de organismos como consecuencia de contaminación ecológica y nos lleva a reflexionar sobre los comportamientos sociales. La obra propiciará dialécticas entre lo inmenso y lo pequeño, lo personal y colectivo, lo rígido y lo blando.', NULL, NULL, 'Materiales posibles de construcción:\nLona de toldo translúcida blanca, telas elásticas extendidas, varillas flexible.\nEstructuras sujetadores desde el suelo hacia el techo o pared.\nSonoridad creada a partir de registros subacuáticos . El mismo podría descargarse al celular de cada visitante , con código QR.\nDimensiones estimativas: sujetas a espacio otorgado , 3/4 partes de la sala expositiva . Toda la estructura cuenta con supervisión de seguridad para poder ser transitada .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2755, NULL, 325, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2392, NULL, '2020-05-19 01:02:22', '2020-07-22 15:05:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23690, '4vVG1BtW5IMlwqD1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 01:38:40', '2020-05-19 01:38:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23691, 'lRKmDIFwZQa0GQgh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 01:50:51', '2020-05-19 01:50:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23692, 'kDUslg6aIR71KRi1', 'Mosquito', NULL, 'A. Irreversible perdida y muerte de la biodiversidad. Monocultivo y Desforestación. Desierto verde. Se pulveriza al alimento que luego consumimos y se toma poder sobre el mismo. Los transgénicos contaminan por polinización a otros vegetales. Muerte, enfermedades, pobreza, y eliminación de recursos de pequeños agricultores. Somos portadores (95%) de químicos silenciosos que no hemos elegido. Inductor del cáncer a largo plazo. Está presentes en nuestros organismos: si miles de personas muriesen ahora mismo por glifosato, la prueba sería definitiva, pero el caso es que, va afectando poco a poco y lentamente a toda la raza humana. Aumentos de enfermedades autoinmunes, intoxicación, alergias, y trastornos de ansiedad. Negación del potencial cancerígeno. Veneno altamente toxico. Monopolio y negocio mundial. Encubrimiento de pruebas y riesgos. Manipulación de información. Imponen sus productos. Cobran derechos de autoría. Amenazan a quien habla, alegando ir en contra del progreso científico y la biotecnología. La reglamentación no se basó en una decisión científica, sino política. Los gobiernos ignoran la salud de los consumidores. Guerra Silenciosa. Generaron la privación de la soberanía alimentaria. \nUsan a los ciudadanos como cobayos. \nB. Máquina fumigadora. Doble función: camas hospitalarias y mesas. Enfermedad y alimento. Líquido. Tubos. El espectador completará la obra. Una máquina alimenta mesas a un objeto con doble funcionalidad: Mesa-Cama.', NULL, NULL, 'Instalación a escala real o bien Maqueta a Escala 1:50, bajo cubo de acrílico o vidrio 250cmx250cm. \nDocumentación del registro de producción. Video en pantalla o proyección sobre fondo blanco.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/311748448', 'glifosato14', NULL, NULL, NULL, NULL, NULL, NULL, 2165, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1888, NULL, '2020-05-19 01:57:46', '2020-06-29 19:13:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23693, 'S6Y4oUFdNlsKwO1a', 'educación 90', NULL, 'Educación 90 es un proyecto de video instalacción. Lo que busca es reflexionar sobre cómo nos forman los medios de comunicación en nuestra etapa de crecimiento, específicamente en la escolar. Personalmente esta etapa se dio en los 90, junto con mi generación en Perú, crecimos en una dictadura de la cual no todos comprendían debido a la prensa comprada por el gobierno del entonces presidente Fujimori. \nLa instalación consistía en un cuarto pequeño donde el suelo estaba cubierto de papeles a modo de alfombra, sobre ellos 5 tvs que reproducían una edición donde se normalizaba la violencia en su contenido. Programas como dragon ball, sailor moon, la vida moderna de Rocko, pataclaun y el chavo del 8. Yo como performer vestida con mi uniforme de colegio, donde dibujaba y esto variaba entre calcar la información que me rodeaba en el suelo y la de la tv, a la cual jamás podía alcanzar, lo cual llevaba a esa acción a desarrollarse en cuanto el video comienza un loop y mutación de imágenes de tensión corporal. \nLa acción del cuerpo pelea con el mismo, porque busca alcanzar la velocidad de la información que lo rodea, pero pierde la batalla al ir perdiéndose la señal. La instalación permanece con los videos en repetición junto con los garabatos y papeles rotos que quedan tras la acción del cuerpo.', NULL, NULL, 'Este proyecto ahora solo sera difundido en redes sociales debido a que muchos de los elementos fundamentales e irremplazables de la instalacción fueron extraviados por instituciones y gestores culturales. También porque esta performance es algo que debe ser presenciado en vivo y el registro de ella es solo en fotografías', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5532, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4592, NULL, '2020-05-19 02:07:35', '2020-07-01 01:38:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23694, 'LhdFO0BwPwg4Asgd', 'Para los pájaros', NULL, 'El proyecto Para los pájaros es una obra en proceso iniciado en el 2018, como una aproximación al mundo de los pájaros, un mundo frágil y vulnerable hacia el cual intento tender un puente desde el mundo humano. \nLa instalación es una propuesta de un “hábitat” para los pájaros. Es también una invitación a escuchar. Dispuestas como un modelo arquitectónico, pequeñas casas-refugios de papel.  Realizadas como una especie de ofrenda  a partir de mi archivo fotográfico de árboles en luz y sombra e intervenidas con grafito y fibras, tienen el tamaño de la palma de una mano. Audio con el canto de un mirlo, ave que anuncia la llegada de la primavera, emerge del conjunto de casas.\nEn un video transcurren textos que proponen ponernos a la escucha del mundo, hilvanados sobre un paisaje sonoro creado a partir de mis registros en el barrio donde vivo.\nCompleta la propuesta un texto, homenaje a una especie desaparecida, del libro Brief Eulogies for Lost Species de David Hudon.\n\nnota: una versión anterior del proyecto fue exhibida en la muestra grupal BOSQUE, en el Teatro Auditorium, Mar del Plata, en 2018.', NULL, NULL, 'La instalación puede adaptarse a distintas formas de espacio y sus dimensiones son variables. Adjunto una imagen con un esquema posible. Un tablero de aprox. 120cm x 180cm como los utilizados para exhibir maquetas arquitectónicas que permite ser recorrido en todas sus direcciones donde se ubicarían aproximadamente 120 casitas. Ocultos debajo del tablero irían parlantes para el audio. En una pared próxima, una pantalla con auriculares para el video y el texto.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/320389166', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2564, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2224, NULL, '2020-05-19 02:13:07', '2020-07-20 21:40:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23695, 'rfbUFsqGL0wBwhj4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 02:28:08', '2020-05-19 02:28:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23696, 'joubOiQNds5FYqXy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 02:30:52', '2020-05-19 02:30:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23697, 'jZwOr2Yf8804QByS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 02:35:13', '2020-05-19 02:35:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23698, 'yryktoHgyWMYM0Xx', 'Dentro de la caverna, al final una pequeña luz', NULL, '“Dentro de la caverna, al final una pequeña luz” da cuenta de las etapas de formulación originaria del mundo según las mitologías de diferentes culturas antiguas. Es un relato mitológico donde se distinguen seis (6) actos, iniciando en la caverna y finalizando en la ascensión hacia una pequeña luz. Es también una analogía al concepto de iniciación, pues relata los tres pasos fundamentales: el sufrimiento, la muerte y la resurrección.\n\nEl público podrá oír y ver una composición mixta. Su poética sugiere una inmersión y una experimentación de sentimientos cercanos a la incertidumbre, al despojo, a la meditación y a la esperanza.\nEsta composición audiovisual habla de los dos principios fundamentales: la tesis y la antítesis, que son los principios básicos para llegar a la síntesis y al equilibrio. \n\nLa composición acusmática es del músico-compositor Jonathan Corzo y el desarrollo visual es de la artista plástica María Paula González. La obra estuvo bajo la dirección de los dos artistas.', NULL, NULL, 'Duración: 00.10.58\nFormato de Proyección: Video Hd - Audio estéreo\nObservaciones: video en loop', NULL, 'artist', NULL, NULL, 'https://youtu.be/HS1RJ_rZRrY', NULL, 'https://soundcloud.com/jonathancorzo/inside-the-cavern-at-the-end-a-small-light', NULL, NULL, NULL, NULL, NULL, 2167, NULL, 252, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1890, NULL, '2020-05-19 02:40:02', '2020-06-29 19:24:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23699, 'UJFbgBwmU3DW4SAk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 02:57:33', '2020-05-19 02:57:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23700, 'aXpkq7ieojY8XsPK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 02:58:41', '2020-05-19 02:58:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23701, '9rUab6sHfSIStdAF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 02:58:46', '2020-05-19 02:58:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23702, '3MOTybDs3fbne6g5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:11:28', '2020-05-19 03:11:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23703, '4YEH2aWsBGVXAl2z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:13:04', '2020-05-19 03:13:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23704, 'rLhOligMIJq00DBP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:14:24', '2020-05-19 03:14:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23705, '8pPz9l5LMTwEtuSw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:26:43', '2020-05-19 03:26:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23706, 'QpF6FV4XI3ZT1WdX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:33:23', '2020-05-19 03:33:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23707, 'Pi54I40z3E0tKhhL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:36:54', '2020-05-19 03:36:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23708, 'dhRS0biVq3xZACNP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:46:11', '2020-05-19 03:46:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23709, '3kpfrRabSrdKq6WW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 03:59:17', '2020-05-19 03:59:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23710, 'vhXCBjGQJPJmtbYn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 04:01:38', '2020-05-19 04:01:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23711, 'Mma3KwqUwHiN2Ch3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 04:05:02', '2020-05-19 04:05:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23712, 'VEUQAqbVq5V3dims', 'TPS [tiempo por segundo]', NULL, 'TPS [Tempo por segundo]\nVIDEO INSTALACIÓN EN 7 CANALES\nFERNANDO VELÁZQUEZ, 2020\n\nTPS es un atlas del imperio de lo invisible, una decalque en escala 1:1 del estado del arte de las cosas del mundo. Alienados del pasado y del futuro, y suspendidos en un presente desconocido, estamos abrumados por una realidad desconcertante que supera cualquier intento de orden.\n\nTPS, es un oráculo, un espejo, que nos habla de nosotros mismos desde nuestros recuerdos y prejuicios, un fuego que nos invita a pensar en la paradoja de la memoria, guiada por la velocidad cuántica de los datos y la mente, hoy, en conflicto directo con la parálisis de los cuerpos y sus marcas.\n\n¿Cuáles son tus recuerdos más recurrentes? ¿Qué te gustaría dejar atrás? ¿Qué te gustaría hacer de otra manera? ¿Qué te gustaría que no sucediera más?\n\nFernando Velázquez, en el 35o día en cuarentena en São Paulo, 2020, Ca.', NULL, NULL, 'La instalación ocupa un área de 6 x 6 metros, de preferencia, sin incidencia de luz directa sobre el suelo.\nSon 7 monitores instalados en el suelo según la planta en anexo.\nNo tiene sonido y puede ser montada junto a otras obras.', NULL, 'artist', NULL, NULL, 'https://blogart.com/TPS-ESPANOL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2166, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1889, NULL, '2020-05-19 04:06:35', '2020-06-29 19:14:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23713, 'XQbohsIP7TVrzR7j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 04:15:37', '2020-05-19 04:15:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23714, 'rzMr1dng0CNzTdW8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 04:18:38', '2020-05-19 04:18:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23715, 'RQEHhjJ6ScyMeBiK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 04:21:54', '2020-05-19 04:21:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23716, 'O5HuTHQ0NZWxd2Qv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 04:50:47', '2020-05-19 04:50:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23717, 'yhkWswURNCA9W3y5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 04:55:54', '2020-05-19 04:55:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23718, '0RdbAVfhR3OjkVq4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 05:26:39', '2020-05-19 05:26:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23719, 'zAd8tOB1t4UgPoqu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 05:31:13', '2020-05-19 05:31:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23720, 'ITSyucalimDa2A3x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 05:40:32', '2020-05-19 05:40:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23721, 'sJQms50UdAHi2sfS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 05:48:18', '2020-05-19 05:48:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23722, 'dpbQzfZ8mW8n5Qzg', 'PLATAFORMA', NULL, 'Es en este escenario 2020, que necesitamos activar otras inteligencias y agencias para mantenernos unidxs. Las plataformas virtuales utilizan la \"nube\" (cloud computing) como medio de comunicación que sostiene una red de archivos, información, datos e imágenes. Por su parte, no es nuevo que el cuerpo de América del Sur sienta las marcas de desconexión, los desafíos de acceso o la fragilidad en la seguridad personal, social, financiera, física, moral o emocional (si no todo al mismo tiempo). ¿Cómo acoger y comprender las posibilidades que nos ofrece un mundo en suspensión? ¿Sobre qué bases nos sostendremos en 2021? Nuestra PLATAFORMA transforma la fisicalidad de diversos espacios tanto públicos como privados para re diseñar vínculos: se ancla al suelo invitando a las personas a de-tener-se juntxs. Para BIENAL SUR, proponemos un mapeo donde PLATAFORMA se asentará desde una posible intersección imaginaria entre ciudades anfitrionas del evento. Cada fragmento de PLATAFORMA opera casi silenciosamente camuflada en diversos contextos a la vez que, como un gesto mínimo, señala y llama la atención a lo que ya-está-allí. Un marco de referencia: tiempo, lugar y acción: donde la participación es lo que produce la reflexión como en ‘Caminhando’ 1963 de Lygia Clark. Por necesidad o porque es inevitable apostar a un pensamiento crítico para la calibración de una voz individual que tome sentido en la producción de conocimiento de un modo sensible a través de poéticas vinculares.', NULL, NULL, 'Obra instalativa de emplazamiento específico. Plataformas rectangulares de 18 cm. de alto (altura promedio de un escalón) construidas y revestidas a modo de camuflaje, a partir de las características formales de los lugares que ocuparán. Proponemos que los espacios se elijan con el equipo curatorial. Adjuntamos croquis ejemplificando, uno en el espacio privado (galería) y el otro en el espacio público (plaza). Se harán tantos fragmentos como nos permita el programa.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6081, NULL, 886, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4986, NULL, '2020-05-19 06:03:01', '2020-08-11 18:23:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23723, 'udWJuX6bvjP0Do0W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 06:10:37', '2020-05-19 06:10:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23724, '5o52My0GoEUt3zP2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 06:11:35', '2020-05-19 06:11:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23725, 'aUa6jA6EERQm30xg', 'Visiones de la Tierra', NULL, 'El video “Visiones de la tierra” (2020) consiste en una reedición del proceso de producción del paisaje sonoro “Pasochoa”. Este paisaje sonoro fue originalmente producido en el verano de 2017, con la colaboración del músico y constructor de instrumentos José Sangoquiza, quien es un habitante del barrio Pasochoa (Provincia de Pichincha, Ecuador) situado en las faldas del volcán del mismo nombre. \n\nMi propuesta para BIENALSUR da cuenta del desafío de pensar los efectos que visiones de “la tierra de la nación como indígena” han tenido en espacios sociales de la región andina. Más allá, supone el desafío de apuntalar esta reflexión en teorías del sonido y la escucha, y por lo tanto desde una situación cultural actual marcada por lo audiovisual. \n\nDesde esta perspectiva, las condiciones que modulan actualmente la producción artística y cultural subalterna se nos revelan como parte de un ensamblaje amplio de dispositivos visuales y aurales. Considero que esta reflexión, la cual interroga dispositivos constitutivos de diferencias raciales en los Andes, es fundamental para atisbar sitios emergentes de espectaduría.', NULL, NULL, 'Espacio que brinde condiciones adecuadas para la proyección del video sobre la pared. El sonido del video debe reproducirse a través de parlantes estéreo.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428895831', 'BIENALSUR', NULL, NULL, NULL, NULL, NULL, NULL, 3841, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3267, NULL, '2020-05-19 06:40:31', '2020-07-21 02:39:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23726, 'SilPAPau0w8bGUcW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 06:49:03', '2020-05-19 06:49:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23727, 'yDAoN69ZiLXZgKyA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 07:13:12', '2020-05-19 07:13:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23728, 'IYI8i47e1kt2vJBj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 07:34:44', '2020-05-19 07:34:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(23731, 'ZBBrE3G7Ce15hSMg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 08:24:04', '2020-05-19 08:24:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(23733, 'vdHItuTrDt7k2egD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 08:29:53', '2020-05-19 08:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23734, 'ktUgbuUcog4hsQgm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 10:03:26', '2020-05-19 10:03:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23735, 'FNNcdq8QY8Pchqcu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 10:54:39', '2020-05-19 10:54:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23736, '54ilsj2GBu1vG4mK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 11:11:54', '2020-05-19 11:11:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23737, 'HFNQXpYu4Y7G1u4D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 12:07:03', '2020-05-19 12:07:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23738, 'aruZTPltMf4MnIXN', 'Inestabilidad', NULL, 'Instalaciòn con pinturas y pared pintada 300 x 300 cm x altura sala. Las pinturas pertenecen a la serie Torres (2016/2018) polìpticos compuestos de 5 bastidores cuadrados de tamaño decreciente cada obra, concebidas para ser instaladas en diferentes formatos y contextos. En esta propuesta las pinturas se cuelgan en la pared a partir de la visual hacia abajo de manera inclinada, dando la sensaciòn que estan cayendo en direcciòn a un àngulo de la sala. Un triàngulo invertido pintado en la pared plantea una fuga hacia abajo y una oposiciòn dinàmica.\nEn la percepciòn humana el eje ortogonal està tan simbiòticamente estructurado que cualquier desajuste de este paràmetro nos produce extrañeza e inseguridad. En el contexto actual que estamos atravezando a nivel global, pareciera ser necesario y hasta urgente intentar pensar nuevos modelos que posibiliten definiciones cambiantes basadas en la interacciòn màs que en concepciones fijas y aparentemente estables. Es las relaciones interpersonales y en pequeñas comunidades dònde se gesta el cambio que serà reflejado en las instituciones y sociedad en su totalidad. Asumir la responsabilidad personal e individual de lo que percibimos y còmo interactuamos o posicionamos en relaciòn a ello, es una herramienta de vital importancia que puede ser despertada y ejercitada atraves de la experiencia artìstica. En mi obra es importante la contemplaciòn como espacio de reflexiòn y la belleza como mecanismo de acceso a emociones capaces de transformar.', NULL, NULL, 'El angulo de una sala  3 m a cada lado, ideal pared lisa y blanca que se pueda intervenir con pintura. Sala coniluminacion general. Adjunto fotos de la obra montada en otro formato con pared verde como referencia.\nExisten dos versiones de este poliptico, una en Berlin (pared naranja montaje que propongo) y otra en Buenos Aires.\nAdjunto un link a mi portfolio para dar una comprensiòn màs amplia de mi trabajo.\nGracias!', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://carlabertone.com/site/assets/files/1022/bertone_carla_portfolio-st19.pdf', NULL, NULL, NULL, 3606, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3084, NULL, '2020-05-19 12:11:12', '2020-07-01 20:14:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23739, 'Xkd5Zaqko1FlsMnZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 12:37:20', '2020-05-19 12:37:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23740, 'bGTzrg2QvCkAnvH0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 12:40:02', '2020-05-19 12:40:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23741, '4FPWXRdd8yc6JsmJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 13:28:47', '2020-05-19 13:28:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23742, 'qqClxdVs9sD3Hmb4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 13:39:30', '2020-05-19 13:39:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23743, 'jgenic34mks141M5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 13:42:51', '2020-05-19 13:42:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23744, 'wiFkYcDUMY67wG1B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 13:52:30', '2020-05-19 13:52:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23745, 'jIskkAtrtXpfTsnB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 13:53:08', '2020-05-19 13:53:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23746, 'RXbO24e9s3HhoEUZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 14:13:44', '2020-05-19 14:13:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23747, 'zMmaKXGmfJ68b2iK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 14:19:44', '2020-05-19 14:19:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23748, '1yQMg0PU1kowfnXO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 14:33:02', '2020-05-19 14:33:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23749, 'LhnT46g8a0qcBJ4t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:28:10', '2020-05-19 16:28:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23750, '2Zc8FRHlJDhCMHGL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:32:37', '2020-05-19 16:32:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23751, 'ewiYrYILxJDNQZEn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:33:07', '2020-05-19 16:33:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23752, 'vjIhGprVeBZLis61', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:34:06', '2020-05-19 16:34:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23753, 'Dkn6xM7sdsDYSOIq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:34:40', '2020-05-19 16:34:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23754, 'r0aJvqHvLOZpUrB6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:41:53', '2020-05-19 16:41:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23755, 'hkgfbyhDu7VdCLBd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:46:53', '2020-05-19 16:46:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23756, '4Ru6S9JbDBLaIPdL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:55:35', '2020-05-19 16:55:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23757, 'RG1vpzshDhwtpHWa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 16:57:01', '2020-05-19 16:57:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23758, 'cY39mFuqRT11ythN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 17:23:58', '2020-05-19 17:23:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23759, 'XltuVPv9C41Bopzg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 17:40:31', '2020-05-19 17:40:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23760, 'KdNgcMiqQlJLM8qO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 17:53:18', '2020-05-19 17:53:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23761, 'xSxt7nMd7OuRKYcr', 'piedras, paisajes, territorios', NULL, 'Cuando Hélio Oiticica salió en su ‘delirium ambulatorium’ recolectando pedazos de asfalto de la Av. Presidente Vargas en obras, estaba revolviendo el tiempo histórico plasmado en las capas de piedra y asfalto de las metrópolis contemporáneas. Un tiempo aditivo que reúne pasado, presente y promesas de futuro, y que aparece en las obras promovidas por el poder público, supuestamente a favor de mejoras racionales de los espacios urbanos. Muchos artistas revuelven ese tiempo que parece congelado en las veredas y calles de las ciudades, realizando arqueologías del presente que nos indican las capas de contradicciones sobre las cuales caminamos.\n\nTomando como punto de partida esa acción de Oiticica, reunimos artistes actuantes sobretodo en São Paulo y Rio de Janeiro, que de distintos modos exponen esas historias plasmadas en el paisaje urbano de las dos principales metrópolis del país. Al hacerlo, les artistes también nos hacen mirar de modo más atento a detalles de la ciudad que ignoramos en el cotidiano y nos incitan a tener una relación más afectiva y desalienada con la ciudad en la cual vivimos y de la cual somos parte.\n\nLas obras aquí presentadas son ejemplos de la producción de les artistes seleccionades para la muestra y incluyen medios variados como dibujo, escultura, instalación y fotomontajes. La lista final de obras será definida en la producción de la muestra, en el caso de que el proyecto sea seleccionado, y podrá incluir obras inéditas y/o trabajos site specific.', 'Hélio Oiticica, brasileño http://www.heliooiticica.org.br\n\nAndreas Valentin, brasileño (vive en Rio de Janeiro) https://www.andreasvalentin.com/\n\nClara Benfatti, francesa (vive en São Paulo) http://www.clarabenfatti.com/\n\nClarice Cunha, brasileña (vive en el Porto, Portugal) https://www.claricecunha.com.br/\n\nDaniel Nogueira de Lima, brasileño (vive en Botucatu) https://www.janainatorres.com.br/daniel-nogueira-a-construcao-da-luz-por-caue-alves/ https://blombo.com/artistas/daniel-nogueira-de-lima\n\nEmilia Estrada, argentina (vive en Rio de Janeiro) https://cargocollective.com/emiliaestrada\n\nFlavia Mielnik, brasileña (vive en São Paulo) https://flaviamielnik.com/\n\nManuela Costalima, brasileña (vive en São Paulo) https://manuelacostalima.com/\n\nRaphael Franco, brasileño (vive en São Paulo) https://raphaelfrancoart.wordpress.com/\n\nYan Braz, brasileño (vive en Rio de Janeiro) https://www.yanbraz.com/', NULL, 'La ‘tipografia’ es un espacio independiente de artes en la región portuaria de Rio de Janeiro, cerca del antiguo puerto de esclavizados. Ubicada en una casa antigua, tiene cerca de 150 m2 de área expositiva en dos plantas y escapa al modelo ‘cubo blanco’, permitiendo una ocupación amplia por obras y intervenciones artísticas. La ‘tipografia’ también se relaciona con los habitantes de la zona, ofreciendo oficinas gratuitas para la población del Morro da Providência y del barrio de Gamboa.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3397, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2911, NULL, '2020-05-19 17:54:09', '2020-08-14 16:25:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23762, 'LmmNZUYJ0hXXnkOi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 17:58:57', '2020-05-19 17:58:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23763, 'pdIOG0bx4lsdGdZw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 18:29:28', '2020-05-19 18:29:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23764, '4W6wxnt7fXGvEif6', 'Arte Textil', NULL, 'O projeto artístico de Arte Textil traz o conceito do feminino, através da pintura e do bordado do pano, em colagem de linhas e miçangas, que nos remete a força do tecer, como forma de expressão artística.', NULL, NULL, 'Artista; SoniaLuc\nTítulo da Obra: Mulher em Quarentena\nTécnica mista\nDimensões: 21 x 30 cm\nAn0: Maio/2020\nRio de Janeiro - Brasil', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2171, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1893, NULL, '2020-05-19 18:36:08', '2020-06-23 01:48:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23765, 'Vm3FIdfnkIpvLwwY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 18:38:53', '2020-05-19 18:38:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23766, 'UUbzeIRLOrD544fI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 18:47:41', '2020-05-19 18:47:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23767, 'Q94DO9u7wnVBHBwm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 18:48:24', '2020-05-19 18:48:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23768, 'trGhJJd88Uat5Pcv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 18:53:41', '2020-05-19 18:53:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23769, 'ktJJItKpSQnkAcC2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 18:54:38', '2020-05-19 18:54:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23770, 'n61a82hPdLsdggIj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 18:55:28', '2020-05-19 18:55:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23771, 'e85OG00geR9UfCG9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 19:15:21', '2020-05-19 19:15:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23772, 'uVgck19kkCbvw2lF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 19:21:25', '2020-05-19 19:21:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23773, 'U3au9wk09BUTX2lY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 19:23:46', '2020-05-19 19:23:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23774, 'QzuE81l2KW2av9MU', 'CALAMABRES', NULL, 'Calambres, dolor intenso y profundo que se va en poco tiempo. Así transcurrió el neoliberalismo en la historia argentina. Compulsivamete agarra la cámara y salí a fotografiar la vida política.', NULL, NULL, 'La idea es armar una muestra fotográfica en mil80 espacio teatral que me convoca exponer mis fotos. La dimensiones de la fotos impresas eran de un metro por 600cm y otras de 30x50.', NULL, 'artist', NULL, NULL, 'https://youtu.be/ZNeS4nhhq_I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6283, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5135, NULL, '2020-05-19 19:36:19', '2020-07-24 01:12:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23775, '6rY8fthh5lNPXYTJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 19:45:36', '2020-05-19 19:45:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23776, '60qIk9nxrwmqMd7K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 19:52:02', '2020-05-19 19:52:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23777, 'Usnld8y1ejU38Ons', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 19:56:42', '2020-05-19 19:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23778, 'dD6kxlP6RD2Hz0kg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 20:33:11', '2020-05-19 20:33:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23779, 'uMK8hm3fiXei4rz9', 'Istmo líquido Atlas centroamericano de producción artística contemporánea', NULL, 'Existen múltiples ejercicios referentes a las cartografías que se han trazado para el campo artístico centroamericano, entre las que sobresalen la figura de personalidades e instituciones que volcaron su trabajo a visibilizar la producción del istmo. \nA pesar de las diferencias, estas iniciativas comparten el objetivo de presentar/compilar la producción de la región ahondando su interés en los artistas y su producción. Sin embargo, durante sus compilaciones la atención al territorio, sus características políticas, socioeconómicas, naturales, religiosas, entre otros, es casi nula. \nEntre las diferentes cualidades simbólicas del istmo, resalta su capacidad de separar a dos distópicos hemisferios y el valor conceptual que cada uno posee. Fortaleciendo su capacidad de resistencia para mantener la integridad local junto a las problemáticas que radican en ella. \n\nstmo líquido, opera bajo esta integridad local y hace énfasis sobre la resistencia a las problemáticas vinculadas al territorio. El proyecto transita sobre la herencia, naturaleza, religión y política y deposita la investigación/producción de 6 artistas de la región en un atlas sinóptico que cambia paulatinamente para ofrecer al lector una muestra de la capacidad de resistencia local. \nA través del dispositivo del atlas se propone generar reflexiones sobre el nexo y la conexión secreta entre imágenes completamente diferentes pero que dialogan sobre un mismo interés correspondiente al territorio y sus particularidades.', 'Alejandro de la Guerra, Nicaragua. www.alejandrodelaguerra.com\nMario Santizo, Guatemala. https://www.mariosantizo.com/\nCrack Rodríguez, El Salvador. http://crackrodriguez.com/\nNatalia Domínguez, El Salvador. https://drive.google.com/file/d/1vqenVoCmvtWt_OlMXZkQ0k0ZAXXeKRWf/view?usp=sharing\nLía Vallejo, Honduras. https://www.instagram.com/liavallejotorres/ \nLucy Tomasino, El Salvador. https://lucytomasino.tumblr.com/\nLuis Fallas, Costa Rica. https://www.instagram.com/eneveces_luis/', NULL, 'Entre las necesidades básicas que debe contener el espacio se puede mencionar; energía eléctrica, agua, sistema de iluminación, salidas de emergencia, equipo de montaje.\nSe requiere que el espacio sea un híbrido, que una parte corresponda a una sala o un espacio cerrado que protega las obras en su interior u otra que tenga acceso al exterior, jardín, espacio público o similar. \nLas dimensiones que debe contener como mínimo son 300 mt cuadrados y 800 max.', NULL, 'curator', NULL, NULL, 'https://youtu.be/HbsZ-1U_MY0', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1NZIl-tdHyu8bQaQFyWcRDUTIyNT7suin?usp=sharing', NULL, NULL, NULL, 4531, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Se está gestionando alianzas estratégicas para el financiamiento del proyecto, con el objetivo de cubrir el 20% del presupuesto total del proyecto, así mismo, los participantes disponen de recursos propios que han cedido para optimizar la ejecución del proyecto', 'si', 'El proyecto, requiere mínimamente un área de exposición de 30 metros cuadrados, un equipo de 3 montajistas, servicios básicos de energía eléctrica, agua, conexión a internet e iluminación. Así mismo, un mínimo de 10 días hábiles para el montaje y 3 días para realizar el diseño de montaje.  \nDebido a las obras audiovisuales, se requiere 4 proyectores con audio y dos pantallas LED. \nUn área para la artista tallerista. \nUn área abierta al espacio público', NULL, NULL, NULL, NULL, 'El cuerpo de obras que conforman la exhibición contempla entre sus necesidades primarias la interacción con el público, la exploración del territorio/sitio donde se asigne la sede y la participación del equipo educativo. Así mismo, contiene 2 obras pertenecientes a fundaciones privadas, las cuales, ya cedieron los permisos para préstamo y libre uso. \nEn el caso de 3 obras, por su naturaleza, requieren la presencia física de los artistas, para ello se está solicitando financiamiento a fundaciones locales para su transporte, así mismo, se están estableciendo alianzas estratégicas. \nEl proyecto, contempló el equilibrio entre obras bidimensionales y tridimensionales, así como la interacción con el público para potenciar la difusión del evento. \nEl cuerpo de obras, no requiere de permisos especiales para el espacio público u otro espacio, el contenido es apto para todo público, no contienen elementos que pudieran comprometer de manera negativa a la sede o dañar la imagen de Bienal Sur', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3805, 5, '2020-05-19 20:40:31', '2020-08-31 09:09:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23780, 'gxOOWTSoJw39biCm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:07:53', '2020-05-19 21:07:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23781, '7Bs6OAPEY4MxoT09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:18:58', '2020-05-19 21:18:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23782, 'sMg4klZuuozXIM3d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:30:13', '2020-05-19 21:30:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23783, 'AJTCoUq5bZWpP0V7', 'Architype', NULL, 'Installation consists of three pieces:\n\nMagic Keyboard\nThe first one is a specially produced keyboard that appropriates design of Magic Keyboard by Apple but without letters and signs on the buttons. The keyboard is not powered electrically and it has no interfaces to interact with computers or anything else. The keys are still available for pressing. The keyboard should be exhibited in an open way to provide the viewer with an option to use this keyboard in a way of pressing the buttons.\n\nA in profile \nThe second piece is A1 size paper sheet with a printed \"A\" (Helvetica typeface) letter that is being rotated around its Y axis for 90 degrees. Simply, it looks like a blank sheet.\n\nColumns of Letters\nThe third piece is all the randomly picked letters (Helvetica typeface) (from the alphabets from all the languages from Google Translate) made of styrofoam and stacked into the columns till the ceiling. This material is chosen due to its cheapness, lightness and wide-knowness. Size of each letter is ~500x400x70mm.', NULL, NULL, 'Whitecube, 30m2', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2174, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1896, NULL, '2020-05-19 21:49:37', '2020-06-23 01:47:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23784, 'INqtAMVBxB1v9Yrg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:50:16', '2020-05-19 21:50:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23785, 'VFwo06Z0t8JGb2L5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:50:35', '2020-05-19 21:50:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23786, 'Y0qNjrxT1OiXcBS9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:52:14', '2020-05-19 21:52:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23787, 'N8lmiAUtReOYNxQM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:56:31', '2020-05-19 21:56:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23788, 'Ih6WjP8VasfY6zs7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 21:57:42', '2020-05-19 21:57:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23789, '8i7GcbApaeCCpALq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 22:04:51', '2020-05-19 22:04:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23790, '9cR26k6p8mU05psl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 22:10:27', '2020-05-19 22:10:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23791, 'HCt7qVRhk2BA9l2n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 22:10:29', '2020-05-19 22:10:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23792, '79kjZXrTtf9tY25d', 'Algum lugar, lugar algum / Some(NO)where / Algún lugar, lugar algún', NULL, 'Algum lugar, lugar algum é uma série composta de 8 pinturas a óleo sobre tela de formatos distintos (vide tamanhos respectivos nos próprios títulos dos arquivos das imagens em anexo) feitas entre fevereiro de 2019 a maio de 2020. A série toda produz uma sensação de suspensão, desestabilizando o espaço representativo numa alusão à desestabilização da esfera política brasileira do últimos anos, agudizada pela eleição do presidente Jair Bolsonaro. A paisagem se revela em meio a destroços, revolta,  espécie de terra devastada que passou por um trauma, ainda incapaz de mostrar uma unidade e ser lida de modo que faça sentido. A princípio desencadeada pelo desastre ambiental em Brumadinho (MG/Brasil), a série extrapola a referência geográfica, constituindo-se muito mais como metáfora do desmonte que as instituições brasileiras vêm sofrendo e a desesperança que, nesse momento, assola o País.\nAlém das pinturas, a exposição ainda engloba uma gravura-instalação composta por 25 fragmentos de 55 x 80 cm cada. Esses fragmentos formam uma imagem única (paisagem), porém eles são dispostos em pilhas de folhas de papel diferentes, formando uma \'topografia\' , um relevo que alude à própria paisagem que ali se forma. O público poderá pegar, se quiser, um papel de cada monte que forma a imagem total, levando, assim, a paisagem para casa.', NULL, NULL, 'O espaço deverá ser um local amplo, capaz de abrigar a gravura-instalação de 2.25 m x 4.0 m no chão e as pinturas nas paredes da sala, deixando um espaço livre de circulação entre elas a fim de que o observador consiga caminhar e fruir das obras. As paredes devem ter aproximadamente 20 m lineares (altura de 2m).\nOutra opção, seria dividir as obras em duas salas contíguas.\nComo a gravura-instalação solicita interação com o público, o local deve preferencialmente ser de fácil acesso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2698, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2340, NULL, '2020-05-19 22:15:21', '2020-08-14 16:47:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23793, 'sWFCI7yJ1rS8La8J', 'Herencias', NULL, 'Instalación de video y arte electrónico que explora objetos y hábitos como claves de memoria para el recuerdo de familiares. Rituales para invocar a quienes los objetos o hábitos recuerdan. El ejercicio es simple: el objeto o hábito debe resignificarse para que tenga una nueva utilidad: la de revivir recuerdos e invocar la presencia de alguien.\n\nHerencias utiliza el corpus artístico que sustenta mi tesis Postexilios (2019), presentada para la maestría en tecnología y estética de las artes electrónicas de la UNTREF. Dicha tesis surge del exilio que vivió mi familia materna y reflexiona las consecuencias de este fenómeno desde los ojos de aquellos que no fueron exiliados físicamente, pero que descienden de una familia que sí lo fue; aquellos que heredaron el exilio. Es una investigación en torno a los conceptos de memoria e imaginación como mecanismos para la articulación y la configuración del exilio heredado.\n\nPañuelos, pasaportes, botones, películas, empanadas, anillos, naranjas y la lengua materna, se utilizan como claves de memoria para revivir recuerdos. Hago girar los objetos al igual que giraron sus dueños de Argentina a México y viceversa. La fuerza cinética se vislumbra en los motores utilizados y en la vida errante de los exiliados y herederos. Reconozco mi acento materno -ni mexicano ni argentino- mientras conjugo verbos que reflejan dos latitudes y una identidad fragmentada.', NULL, NULL, 'La instalación propone la exhibición de obras en un área de 3 x 3 m, distribuidas de la siguiente manera: \n\n1 proyección sobre pared o en televisor CRT\n\n3 piezas giratorias mecanizadas y suspendidas desde el techo en forma vertical. \n\nAlto mínimo: 3 m.\nLas piezas funcionan de forma automática y se encienden/apagan al conectarse a la electricidad.\nSe recomienda un lugar con poca iluminación para favorecer la proyección e iluminación puntual para cada pieza giratoria.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/345594293', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4459, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3757, NULL, '2020-05-19 22:32:41', '2020-07-29 20:13:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23794, 'lf5uCTYIVh24WiEK', '\" Dancing in the Silence \"', NULL, 'A Girl. A Terrace. A Dance.\nA moving prayer.\nThe film was created during the lockdown when the world was silent and the \" Dance became slow \"... I started dance improvisations on my Terrace without music or any eguipment and I realized that the dance was there - it was never gone. If we trust our \" inner - net \" we will discover a music still unheard. Our own music.\n\nThe idea came during the quarantine and it started from a respond to a Call : All the artists should dance on their Terrace in a specific our during the International Day of Dance. I went on my Terrace and started dance improvisations. And the idea took a first form. Now the project is on going and I experiment with various forms of Art by combining them or explore them alone such as poetry and movement mix, photography and narration, dance improvisations, video art ,etc. It seems very interesting to me as I investigate new fields of artistic expression which I would like to share and communicate with a larger audience. \nMy personal approach is not to forget the warmness of human contact but to pass it through the digital form of art. I am focusing on the human presence more, on the live performance and not so much on the video art itself.\nEventually, the project is open and can embrace many forms of art, even interaction and collaboration with other artists.\nThe message is to focus in our Inner-net and to express it through the Internet.', NULL, NULL, 'Public or Inner space. A projector and a wall is needed.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=6Ifx1k7QFOg&t=6s', NULL, NULL, NULL, 'https://alkistisvoulgari.weebly.com/latest-news.html', NULL, NULL, NULL, 2176, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1898, NULL, '2020-05-19 22:42:46', '2020-06-23 01:47:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23795, 'AqtsxfZwMPFMoY1W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 22:48:16', '2020-05-19 22:48:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23796, 'Q5T4aTlVarKRkEDC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 22:50:42', '2020-05-19 22:50:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23797, 'DKGAxNBO4jZQtiyv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 22:56:46', '2020-05-19 22:56:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23798, 'dI97FDdCJ2gAvdKo', 'En tiempo de aislsmiento', NULL, 'El coronavirus unió a los grupos familiares aisló a las ciudades y su comunicación. El vínculo transversal de el ser humano y la familia y grupo dócil a través de las virtualidad.  Una sociedad diferente. El centro la familia o grupo familiar próxima.', NULL, NULL, 'Título: En tiempo de aislamiento.\nTécnica: óleo sobre cartón americano.\nTamaño: 50 X 50 ctm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2323, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2011, NULL, '2020-05-19 22:57:58', '2020-06-23 20:02:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23799, 'D7P27wIXoJ079gmR', 'Plata', NULL, 'El impulso para crear este proyecto fue mi viaje a Argentina y mi percepción de que, a comparación de Polonia, se usa muchísimo más el dinero en efectivo: las personas argentinas tienen mucho más contacto físico con los billetes que las personas que viven en Europa. \nVine a Argentina sin conocimiento del idioma español; de mis aventuras con el dinero, mis observaciones y malentendidos,  nació una tensión que transformé en arte. Decidí hacer una intervención en el mapa y convertir el Río de la Plata en plata real (los billetes de peso argentino). Esta transformación abrió posibilidades e hice una serie de obras que conectan el dinero, la sustancia química (plata) y el punto geográfico (Río de la Plata) con una historia personal.\nPare crear algunos de mis trabajos usé los billetes. Conté mi historia, en la que se reflejan otras historias, historias de buscadores que habían cruzado el océano para encontrar montañas de plata y de oro,  pero lo que encontraron era diferente de lo que esperaban.\nPreparé una exposición que presenté en la galería Aneks de Opole, Polonia. Aunque la exhibición existió en formato físico, a causa de la pandemia la presenté en forma de correos electrónicos que podía enviar a cualquier parte del mundo. Describí el espacio de la exposición y las obras como si fueran un reporte de viaje; envié algunos de mis correos a Argentina y recibí muchas respuestas, por eso creo que para ustedes podría ser interesante mirarse en el espejo de una mirada extranjera.', NULL, NULL, 'La exposición genera varias posibilidades de montaje. El espacio perfecto para la muestra sería un lugar relacionado con el dinero, por ejemplo un banco, o un espacio neutral (white cube). La muestra se compone de: objetos encerrados en vitrinas, cuatro videos, una serie de fotografías y un texto escrito sobre la pared. La exposición podría ser publicada al mismo tiempo en Internet.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=7CUTyaceyfQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3927, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3343, NULL, '2020-05-19 23:08:37', '2020-07-23 03:19:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23800, 'JrlSUmxeGavJKxVU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:15:59', '2020-05-19 23:15:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23801, 'ITp2WGEoQ8FLiRew', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:19:31', '2020-05-19 23:19:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23802, 'YUEtexjx6IqhoAc2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:19:31', '2020-05-19 23:19:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23803, '5RbkraAU0eLYgTWF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:23:29', '2020-05-19 23:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23804, 'adj8iADUVqQfRxCI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:27:35', '2020-05-19 23:27:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23805, '8x7BDJ2h9yayAiMO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:36:50', '2020-05-19 23:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23806, 'QDB9Sl5dnPa1Eazq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:42:15', '2020-05-19 23:42:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23807, 'ftasQ53jl0g5OeEj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:47:35', '2020-05-19 23:47:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23808, 'tj5zgpzX1AS82Bwx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:51:43', '2020-05-19 23:51:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23809, 'UldXKsTA1atgH1O5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-19 23:58:19', '2020-05-19 23:58:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23810, 'OrtSIioNn7q5ZIIo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 00:09:44', '2020-05-20 00:09:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23811, 'NhY3pShDDKgPJO9q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 00:28:21', '2020-05-20 00:28:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23812, 'XOR7dCYWGpMhsvsO', 'Espíritu de plata, esencia del Perú', NULL, 'Imagen gráfica de la cultura del pisco en el Perú', NULL, NULL, 'Galería', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2180, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1902, NULL, '2020-05-20 00:39:53', '2020-06-23 17:43:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23813, '0NsePIzjLqkqdqi9', 'Jardin del tiempo  No importa que la naturaleza se nos muestre llena de belleza…. En cada una de sus manifestaciones, existe un final preanunciado...', NULL, 'Cuenta la leyenda que un joven príncipe de Persia llamado Farhad, estaba profundamente enamorado de unas de las doncellas del palacio. Ella se llamaba Shirin.\nEn una luminosa mañana de primavera, llegó a oídos de Farhad, una  falsa noticia: su amor, Shirin, había sido salvajemente asesinada. \nFarhad montó su caballo hasta llegar al monte más imponente de todo su imperio. Desesperado, subió hasta el punto más alto y sin pensarlo, cegado por el dolor, se precipitó al abismo.\nEn su caída, las gotas de sangre del príncipe regaron la tierra. Poco después, unas flores delicadas y puras, comenzaron a brotar en los lugares donde la sangre de Farhad había bendecido la tierra.  \nDesde aquel entonces, y como  evocación del gran amor de Farhad por Shirin, el tulipán rojo se convirtió en el símbolo por excelencia del amor.\n\nEl  jardín del tiempo…  \n\nEl  tiempo pasa.  Es el lugar donde todo, inexorablemente, finaliza. Pero también, donde inexorablemente, todo resurge, firme, esbelto, concreto y real…\nAcaso podemos eternizar la naturaleza…? \nLa vida, los sentimientos son permanentes… (hasta cuándo?)\nPero cambian... (cómo?...porqué?)\nEl amor muere y renace… y la esencia efímera del hombre lo convierte en ritual. \n\nDescripción del proyecto \n•Contextualización\nEl amor perfecto, la pasión, la lealtad, la paz y el perdón... También son frágiles, fugaces…?\n¿Qué simbolizan las flores? Qué significados desentrañan? ...una permanencia y una fugacidad pero siempre el amor?!!!', NULL, NULL, 'Se trata de una INSTALACIÓN \nARTE  en ESPACIO PUBLICO\n1.	conformada por 101 flores de hierro oxidado  de altura 1m , separadas en el espacio  en forma aleatorias y  sobre un superficie inclinada de medidas variables de acuerdo al sitio.\n\n2.	Montadas en forma desordenada sobre plano totalmente negro( tierra) .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2301, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1992, NULL, '2020-05-20 00:47:49', '2020-06-23 19:30:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23814, 'lpDtiTqB2YEDYFUf', 'PHOENIX', NULL, 'The production is an interdisciplinary creation with contemporary dance performance and visual art that explore the Mythology of the PHOENIX in the reality of today.\n\nWe started the project concept before the pandemic situation with the COVID-19 starts, and now this project has become a deep reflection for the world. \n\n\"It is necessary to look at the death in order to give value to life. \nIt is necessary to become ashes to reborn Phoenix. And time? \nIt\'s a bridge between the end and the beginning of a new cycle.\" \n(Leticia Picheth) \n\n1o Act: Natural order, Actual unbalance.\n\nThe graduation process  where people lose their individuality and dive in to the society standard of behavior, believes and routine. Without noticed they find themselves in to a personal caos, and suddenly the time has stopped. \n\n2o Act: The new rebirth of the Phoenix.\n\nWhile time has stopped, something happens in a parallel dimension.\n\nTwo guardians of Time brings the past and the present and reveal the possible paths of the future. This meeting between them establishes the connections needed for a new rebirth of the Phoenix. \n\nThe lessons learned during the course of life are represented by batons that both are carrying.  Through this symbolic object, a time travel ritual begins, where cause and effect lead to life.\n\nA new cycle starts with the death of the Phoenix and her immortality, it\'s time for a new beginning.  The performance ends with the message of a opportunity to start a new life.', NULL, NULL, 'TECHNICAL INFORMATION:\n\nSpace to run the show:\nArea of about 50 square meters\n4 meters high\nCovered Location\nFloors Types:\nLinoleum\nSmooth floor\nWood floor\nCanvas\n\nLighting:\n20 Par 64 2 Ellipsoidal\nReflectors\n1 Moving light\n\nSound equipment with connection for:\nCD / Penddrive / Ipad', NULL, 'artist', NULL, NULL, 'https://youtu.be/xqYHsLCHXuo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2182, NULL, 253, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1904, NULL, '2020-05-20 00:54:31', '2020-06-23 01:47:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23815, 'B7cMjyzCrvZFF3kX', 'Conexões', NULL, 'Descritivo Conexões\nBusco mostrar com esta série, as ligações perdidas que nos moldam e  que buscamos recuperar , com a natureza e nossos sentimentos. É um chamado da alma. O que nosso interior nos comunica , e se nós o escutamos.\nObras  que trazem a busca da conexão perdida da vida moderna. Seja a conexão com si mesmo, com a vida, com a própria natureza, e as conexões entre as pessoas. \nReconectar com a origem da vida, flores, pássaros, animais e insetos brasileiros se entrelaçam entre as figuras que estão em comunhão com o Cosmos, como que em oração.\nFiguras misticas que procuram voltar às origens da vida natural, o elo perdido do homem com a natureza. \nFauna e flora tipicas do Brasil, que seriam as originais de nosso hambiente, agora urbano, entram em contato com esses seres, parecem flutuar e se fundir com o ambiente.  \nUm se torna o outro, se ligam e se separam num ciclo infinito de repetição.\nNum mundo em que estamos conectados de todas as formas eletronicamente, nunca estivemos tão sozinhos e desconectados da mãe terra.  Nesses momentos me pergunto e pergunto em minhas obras: Quais são os verdadeiros tesouros da alma? O animal  que habita em nós está presente?  essa comunhão com a natureza é simples mas foi perdida ou se encontra dentro de cada um de nós?', NULL, NULL, 'Necessito de um espaço expositivo com paredes e boa iluminação em lugar fechado. Por serem pinturas, minhas obras ficarão expostas na parede. \nSão ao todo 12 pinturas. Necessito de uma largura total de 13 metros .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2181, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1903, NULL, '2020-05-20 00:55:15', '2020-06-23 01:47:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23816, 'GOZMjRpBwUQmvDdB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 00:58:46', '2020-05-20 00:58:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23817, '4WdJ3s3fGhpKNkfc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 00:58:57', '2020-05-20 00:58:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23818, 'zEHVc2LJ381tSZef', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:01:36', '2020-05-20 01:01:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23819, 'PgUUQ5BCZaimFppn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:13:46', '2020-05-20 01:13:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23820, 'z3FLZN0l7TimAWXL', 'Kube y su conjunto', NULL, 'Estamos influenciados geográficamente por la zona de la triple frontera, unida por el imaginario social, la mezcla de sabores, idiomas, sonidos, paisaje, hasta la expansión de actividades en comunidad. Todos estos aspectos permiten una atmósfera de expresión muy rica e interesante para compartir, tanto la experiencia de obra como los procesos. Buscamos: intercambiar material sonoro mediante redes sociales. Establecer vínculos regionales a través de la propuesta de arte sonoro-visual. Recopilación, selección, edición de audio adquirido de las redes más populares (whattsapp, youtube, facebook). Mediante montaje, edición de video y animación: realizamos producciones audiovisuales y clips para ser usados posteriormente en presentaciones en directo. Manipulaciones gráficas de Afiches/flyers, videos de publicidades y series de la década de 80/90, objetos electrónicos de fabricación seriada, luces laser e iluminación reactiva, conjugados con sonidos sintetizados, analógicos y digitales filtrados por un imaginario nutrido por las experiencias sensibles de nuestra infancia.  El objetivo de la producción es intentar ampliar o desplazar los límites del lenguaje audiovisual convencional usando otros recursos para expresar y  generar experiencias.', NULL, NULL, '*espacio mínimo de 5 x 2 metros para montar la propuesta\n*espacio para proyección de 3 metros de ancho como mínimo\n*el espacio debe ser oscuro, ya que se ilumina con los artefactos de la acción', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=AC9pJIvHVUo', NULL, 'https://soundcloud.com/jositux-guaimas/sets/kube-con-collar-antiladrido', NULL, 'https://www.facebook.com/kubeysuconjunto/', NULL, NULL, NULL, 2190, NULL, 255, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1907, NULL, '2020-05-20 01:16:29', '2020-06-23 01:47:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23821, 'yv6C1eUeMKk2ftgJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:19:01', '2020-05-20 01:19:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23822, 'yFefth3Siihpsvm6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:20:23', '2020-05-20 01:20:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23823, '0Dm1yiGlOykOLsmh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:24:36', '2020-05-20 01:24:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23824, 'RGEaoI4VbSQHIHuy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:26:41', '2020-05-20 01:26:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23825, 'eCFNEGnyQ0WkbTfA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:41:34', '2020-05-20 01:41:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23826, 'q8iVXpFVkzzFjQTq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:42:23', '2020-05-20 01:42:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23827, 'OzEtSocAn4poXlBL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:47:04', '2020-05-20 01:47:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23828, 'Lzoassg90Zump9Im', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:47:53', '2020-05-20 01:47:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23829, '6kGmqBGtpm3mzXcR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:49:11', '2020-05-20 01:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23830, 'ClAEgA9M7TX38o71', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:50:51', '2020-05-20 01:50:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23831, 'yO48cWAQV7f5W39t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 01:56:06', '2020-05-20 01:56:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23832, 'Tzgn5sUE9Id1rdIB', 'Sirenas Argentinas', NULL, '“Crear mitos inesperados, recrear mitos viejos como los seres humanos, inventar criaturas poéticas como estas mujeres que aúnan las antiguas sirenas y los cíclopes, son trabajos dignos de la mejor fortuna. Felicitaciones.” \nJosé Burucúa, 2 - X - 2019 – Cuaderno de visitas de la exposición.\n\n“Ante la evidente inexistencia en el imaginario argentino de sirenas, he decidido crearlas. \nLa serie se inició con la sirena del Paraná, le siguieron encandiladas las sirenas del salitral a mediodía, las mellizas Malvinas en tormentoso mar, las serenas mapus y las noches… la solitaria antártica… concluyendo las dos pombas rojas generando el nacimiento del arco iris en las cataratas.\nSirenas argentinas conforma, así, una instalación pictórica de 15 módulos horizontales y 1 vertical. Presento también un mapa con la ubicación exacta de cada una de ellas.\nEn su totalidad se perciben las oscilaciones del cielo desde el amanecer a la noche… y en los espacios de modo minimalista se representan los distintos paisajes de la geografía argentina y sus habitantes sutiles..\n“Yo no pinto sirenas, fundo una mitología”.     \nXil Buffone. Buenos Aires, primavera 2019\n\nEsta instalación fue presentada por única vez en el Centro Cultural de la Cooperación Floreal Gorini de Buenos Aires, en septiembre del 2019. Desearía hacerla itinerante por los distintos lugares que la expo hace presentes.', NULL, NULL, 'La instalación pictórica está compuesta por una serie modular minimalista.\nSon 16 paneles de 35 cm x 90 cm. \nVan ubicados en una línea horizonte a la altura de la vista.\nSon 16 metros lineales y se pueden hacer pausas intermedias,  hay grupos de dos y de tres módulos.\nIdeal  que sean 20 o 25  metros lineales.\nDe fácil traslado, ocupan un metro cúbico aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2189, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1906, NULL, '2020-05-20 01:56:39', '2020-08-14 22:05:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23833, '3SsEP1sW7HwDgDcp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 02:23:29', '2020-05-20 02:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23834, 'Mgp70hpS3uKvSRw0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 02:25:46', '2020-05-20 02:25:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23835, '8n2aOhHLsBLg2LCU', 'em obras', NULL, 'Em Obras é uma intervenção artística de caráter performático e instalativo, composta por uma parede, escada, marreta, ponteiro de aço forjado, equipamentos de proteção (EPI) e a intervenção do artista. Sugere um lugar de escuta e outro contemplativo. Na escuta trás para o local da intervenção os sons de uma obra da construção civil, aproxima o público de uma afetividade urbana comum. De marretada em marretada, o atrito entre  o aço e a massa dura do reboco emitem pistas do que está por vir. Cria um espaço de alerta, dúvida e incômodo. Como estado contemplativo, é o devir, a efemeridade, a superfície lisa da estrutura rígida a romper-se. Fratura, quebra a corporificação de uma sociedade que peca pelo excesso de positividade. O cinzelamento do material polido causa perturbações, humaniza e coloca em cheque a fragilidade humana, o simples existir e a aceitação por ter de lidar com suas impermanências, imperfeições e incompletudes.', NULL, NULL, 'O projeto poderá ser desenvolvido dentro de um espaço expositivo fechado, galeria, museu e etc. ou também poderá ser realizada em área externa. A ação ocorre sobre parede branca, lisa e polida que sofrerá as intervenções com marreta oitavada e ponteiro de aço forjado.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://jeffbarbato.com.br/wp-content/uploads/projetos/emobras/', NULL, NULL, NULL, 4003, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3408, NULL, '2020-05-20 02:29:26', '2020-07-23 04:02:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23836, 'PHrHPlZeHJq9oYtH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 02:32:11', '2020-05-20 02:32:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23837, 't8ZxHNW7ThXUWdo8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 02:34:58', '2020-05-20 02:34:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23838, 'SiMYRs1Tzm0TwJu5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 02:38:42', '2020-05-20 02:38:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23839, 'z8ThWhMtPUVXe0e3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 03:05:02', '2020-05-20 03:05:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23840, 'DCBVnYf67ha6lsrh', 'In nowheres', NULL, 'In nowheres es un video experimental, en formato Full HD y con un máximo de 10 minutos de duración, en el cual tomo elementos del lenguaje cinematográfico  y la música para crear una ficción que parte de mi interés sobre la Zona del Silencio, lugar que se ubica dentro de la reserva natural conocida como Bolsón de Mapimí, en el Norte de México. Dicho entorno lo utilizo como escenario y personaje, motivado por el misticismo que lo envuelve, sus mitos y el interés científico sobre este lugar que forma parte del extenso desierto de Chihuahua.\n\nEl video es un ejercicio narrativo que desarrollo a partir de dos personajes: un hombre joven que, motivado por las historias que ha escuchado del lugar, decide aislarse en el desierto. Y el segundo personaje es el paisaje mismo cuyas características me permitirán crear diversos micro entornos por los que transita el personaje principal, que en su desolación experimenta una serie de eventos inquietantes.\n\nEl video es la puesta en marcha de una serie de inquietudes creativas con el que quiero crear expectativa conjugando la narrativa experimental, la incertidumbre del entorno geográfico, el misterio de la música y la introspección onírica. \n\nSe anexa liga a teaser. El video se produciría para la bienal en caso de ser seleccionado.', NULL, NULL, 'El video está pensado para proyectarse en una sala sobre una pantalla suspendida.\n\nCaracterísticas de la proyección:\n\n- Video Full HD 16:9. (proyección en loop)\n- Las dimensiones de pantalla de acuerdo a espacio disponible. \n- Proyector de preferencia mayor a 5000 lumen.\n- Sonido estéreo por lo que se requiere al menos dos monitores a los costados de la pantalla.\n- Banca para espectador.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/402107127', 'zonasilencio', NULL, NULL, NULL, NULL, NULL, NULL, 2197, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1910, NULL, '2020-05-20 03:06:37', '2020-06-23 01:46:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23841, 'FHg9TCGQeMxhnbIq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 03:29:40', '2020-05-20 03:29:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23842, 'mzPr59FGJQjsUeaT', 'URUGUA.I ÑANDE  Un viaje a las raices.', NULL, '“Tekoha” es vocablo  guaraní que habla del lugar donde se puede ser/habitar. Es el lugar donde hay espacio para la siembra, con una corriente de agua donde refrescarse y pescar.También es el espacio existencial para la actividad espiritual. \n\nProyecto Urugua.I se inicia en el 2010. Trabaja sobre el nombre “del río que nos nombra como país”; su etimología y procedencia. Nombre indígena en un país sin indios. URUGUA.i TEKOHA fue su último tramo. (Ver Web*)\n\nNuestros ríos son brazos de selva de ecosistemas tropicales que penetran en el sistema templado, llegando a Uruguay los últimos ejemplares de esa flora y fauna. Por estos corredores fluviales se desplazaban los guaraníes, trayendo con ellos su kit biológico de semillas,alterando el paisaje y dando el nombre a nuestro país. \n\nPlanteo realizar una convivencia en la aldea misionera Mbya Pindó Poty cuyo cacique es Alejandro Benitez. Queremos ir a la \"otra orilla\", al encuentro de sus raíces, vivir en un verdadero Tekoha. El tránsito no solo es en el territorio, implica atravesar las distancias de la colonización y la otredad. Invitaremos creadores locales. Al decir del Arqueólogo Milehira en su charla con el Proyecto Urugua.i Tekoha: “El futuro de la humanidad es la indianidad. Si no aprendemos ahora, no aprendemos más\". \nApostamos que el intercambio nos devele otra forma de estar en el mundo.\nSe documentará el proceso de convivencia en el aprendizaje de habitar y crear en forma conjunta, reaprendiendo desde otra mirada.', NULL, NULL, 'La sala expositiva debe ser apto para proyeccion de videos, de  6 x 6 metros aproximados. Equipos requeridos:3 plasmas de 32 pulgadas con capacidad de reproducir videos y con buen audio. 3 tablets con audio.  Una mesa  para exponer objetos. \nSe proyecta un espacio apto para proyecciones, con buen sonido.\nEl montaje final de la muestra quedará abierto a la instalacion y colocacion de objetos a coordinar con el equipo de la bienal.', NULL, 'artist', NULL, NULL, 'https://youtu.be/0MtMA7P56xQ', NULL, NULL, NULL, 'https://www.youtube.com/channel/UChtDsjP9Sp-cU9dY_5wAYZQ', NULL, NULL, NULL, 3285, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2825, NULL, '2020-05-20 03:43:38', '2020-08-13 22:19:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23843, 'JAXgQctMn6wvrug4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 03:46:06', '2020-05-20 03:46:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23844, 'R2aUaRUGlALLTbji', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 03:57:31', '2020-05-20 03:57:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23845, 'JSJbJKOce2bYIdUH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 03:58:12', '2020-05-20 03:58:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23846, 'EiXOr92FaDi8kNQP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 03:58:41', '2020-05-20 03:58:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23847, 'gkvZCcCcu0THdNcD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 04:04:09', '2020-05-20 04:04:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23848, '3Elr5YFb3afg9E6l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 04:05:55', '2020-05-20 04:05:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23849, 'MwCihoiuFvyrtXJT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 04:11:20', '2020-05-20 04:11:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23850, 'QonEsxOmtFev20E9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 04:15:47', '2020-05-20 04:15:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23851, '7QdYL79hbmwxXNjl', 'Proyecto de videoarte sin título', NULL, 'Este proyecto és una video-arte que aborda diferentes perspectivas del tiempo y cómo experimentarlo en diferentes capas de nuestra sensibilidad. La narrativa trae imágenes de un cuerpo que experimenta diferentes escenarios poblados con objetos \"ready-mades\". Presenta el proceso creativo del trabajo en si, en un juego entre la narrativa de imágenes y la narración verbal, que superpone la percepción actual del cuerpo sobre la percepción múltiple de la mente (entre el pasado, presente y el futuro).\nEn nuestra experiencia diaria, podemos percibir nuestros recuerdos culturales impregnados en el gestos, en los objetos y los espacios. Las capas de materia que componen nuestra experiencia llevan evidencia del complejo misterio de nuestra existencia. Tenemos la intención de abordar esta percepción a través de los recursos de actuación, narración y edición de video.\nPara hablar sobre el misterio experimentado por la percepción del paso del tiempo, traemos la figura de lo místico y lo divino, presentado por otras \"actuaciones-oráculos\", en contrapunto al protagonista.\nEn nuestra cultura, que teme a la muerte y, por lo tanto, no la mira, notamos una percepción determinista del tiempo cultivada por el sistema de capital. En el escenario actual, que muestra el impacto de la experiencia de diferentes clases sociales, creemos que sumergirte en ti mismo, puede abrir el espacio para una reflexión sensible sobre el tiempo y las capas complejas que conforman nuestra experiencia actual.', 'Victor Lopes, concepción, producción y dirección general y escenografía, @lupita.vic, brasileño; \nLuma Canepa, concepción, producción y dirección general, bailarín creativa, @lumacanepa, brasileña; \nRicardo Monteiro, fotografía, @enreac, https://www.youtube.com/user/ricmonteiro10, brasileño; \nAnna Vis, banda sonora, @ annavis._, https://www.bocadeleao.com.br/, brasileña; \nMariana Gonçalves, diseñadora de vestuario, escenógrafa, @ marianagoncalves14, www.marianagoncalves.info, brasileña, Beatriz Borghi, bailarín creativa, @biapborghi, brasileña; \nCarolina Gazques, bailarín creativa @carolgasquez, brasileña; \nMaria Reisewitz, bailarín creativa @mariareisewitz, brasileña', NULL, 'El espacio de exposición sugerido es una sala de 7m² a 10m² con una pared lisa para proyección. Dos altavoces 18.5x30.5x20.5 de 4 kg aproximadamente. Sillas o bancos para el público.', NULL, 'curator', NULL, NULL, 'https://youtu.be/1eRxo_SesK0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6326, NULL, 936, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5175, NULL, '2020-05-20 04:28:01', '2020-08-12 00:08:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23852, 'B7TNXlTqAQ6LB47y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 04:52:48', '2020-05-20 04:52:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23853, 'pgHsxYNJrcpHPEOy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 05:04:48', '2020-05-20 05:04:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23854, 'CPCAJkaLI4ABUCnH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 05:06:12', '2020-05-20 05:06:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23855, 'BrpyBTNvKSL2phfx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 05:07:00', '2020-05-20 05:07:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23856, 'vilj59KO2uqwMczi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 05:07:28', '2020-05-20 05:07:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23857, 'E3eULgiWeGBwVwj7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 05:23:28', '2020-05-20 05:23:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23858, 'QzQiemPzxjkh4J70', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 06:19:16', '2020-05-20 06:19:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23859, 'B9zq3Jfb85bWz8S5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 06:19:23', '2020-05-20 06:19:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23860, 'h3TwxhwXVBGVykfh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 06:23:15', '2020-05-20 06:23:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23861, '8D1krEfAXnyP3QcL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 06:25:40', '2020-05-20 06:25:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23862, 'Ujidh0wa8uAgB37v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 06:43:34', '2020-05-20 06:43:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23863, 'SiaDLBqRgbqomJqk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 06:57:17', '2020-05-20 06:57:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23864, 'GbxSJIkeHHVO99R7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 07:19:43', '2020-05-20 07:19:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23865, '9b7clwmp0NpGlJpT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 07:53:06', '2020-05-20 07:53:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23866, 'Lh9pyZUeHDebX5Et', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 08:03:17', '2020-05-20 08:03:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23867, 'lVnvmnvj9FeZtHg0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 08:05:36', '2020-05-20 08:05:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23868, 'E4YbBEJ6DPXtObW0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 08:35:09', '2020-05-20 08:35:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23869, 'krto2FZTEs9JBAUS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 08:37:22', '2020-05-20 08:37:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23870, '2KwO6CE2mDIRRAZo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 09:01:37', '2020-05-20 09:01:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23871, 'JuLoR39FkEvu5LKN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 09:42:31', '2020-05-20 09:42:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23872, 'Wl7n2eFPGK97xMlM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 09:48:39', '2020-05-20 09:48:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23873, 'ViDPyh2Xcz4w6wpW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 10:02:58', '2020-05-20 10:02:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23874, 'ZMDJJONy38my0k6n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 10:05:33', '2020-05-20 10:05:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23875, 'u0O0eA7hP0IlBkF5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 10:05:34', '2020-05-20 10:05:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23876, 'WreCOF4YLMX2fn0f', 'Geological South - a Nelder plot artwork', NULL, 'As people migrated, seeds, plants, and ideas went with them. Some species naturalised with native species, whilst others were labelled alien invasive. This is a study of the interdependence between people’s decisions regarding the use of flora in an urban context. A Nelder plot (fig. 1), grown to walk through as an embodiment of the invasion or naturalisation history of flora. As the artwork matures, audiences learn why the various areas in the artwork feel different. We are conditioned to have a higher regard for megafauna and flora. This interspecies study can track how specific grasses influence tree growth: in a way how, minorities can influence majority rule. Participants’ reaction to different parts will also be influenced by their own histories. Cities are often uncomfortable for humans, a cold grey concrete jungle. Cities in the geological south, from a Gondwanaland lens (fig. 2), had more ancient savannas and warm tropical forests which differ vastly from the temperate ‘northern’ forests. How can future cities in the ‘south’ embrace our informal economies more sustainably? How can we adapt cities to be friendlier to the natural world?  I have an existing network of savannah ecologists, curators, and others to expand upon. We are confronted with a range of environmental and social ‘complex wicked challenges’ in the next decade (Funtowicz and Ravetz, 1995). This work (fig. 3) can mature within a decade to educate ourselves empathically about futures we want to grow.', NULL, NULL, 'Public parks in cities in the geological south (Fig.2)  which measure 1 hectare or more in size will be big enough to plant this artwork in. The work can incorporate limited existing trees and landscaping. At least 100 trees will be planted per park, selected based on grasses that grow mutualistically with of the trees. Local educators, scientists and curators can partner in various cities to prepare the work site specifically. A viewpoint from a high building or natural outcrop would be ideal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4863, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4097, 5, '2020-05-20 10:31:26', '2021-02-12 15:39:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23877, 'waaaxe2b9wZn9NLY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 10:56:23', '2020-05-20 10:56:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23878, 'JkNs72HB6sX9baAk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 11:40:20', '2020-05-20 11:40:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23879, 'kuqNFacM0pmugrck', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 12:06:58', '2020-05-20 12:06:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23880, 's5AJqTfUkxllL9Js', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 12:30:12', '2020-05-20 12:30:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23881, '3euT3w6AxBsg3StY', 'Moving Sand/Myth', NULL, 'We live in a reality that conveys the components of the digital world to one\'s perception of the real world. This is no longer a simple informative description of the situation; because of today\'s progress of AI, the advanced data incorporates emotional sensations as if they were real and natural parts of our environment,…qualia. As a result, this transfer of experience is changing our biorhythm, into bio-Arythm, meaning that the basic functions of mankind, which helped create our civilization until now, change radically.\nHumans think in stories rather than in facts, numbers or equations, the simpler the story, the better. Every person, group, and nation has its own tales and myths. In practice, the power of human cooperation depends on a delicate balance between truth and fiction. \nReligious myths about gods and heavens, nationalist myths about the motherland and its historical mission, romantic myths about love and adventure, or capitalist myths about economic growth and how buying and consuming stuff will make us happy.\nMoving Sand / Mythos uses the various artistic media to examine different narrative forms, their boundaries, overlaps as well as divergences. By combining film images with live improvised music, graphic works, documentary text modules, recorded music, and spoken tales, the project investigates how data delusion and technology colonize human existence and fundamentally influence the balance between psychological, spiritual, and biological aspects of life.', NULL, NULL, 'The performance needs a theater or film theater, with a high-quality projector (HD projector min 10.000 lumens).\nOne projection screen min. 5x7 meters and a stage about 5 meters deep for the performance and a microphone in case the hall has more than 200 seats.Overhead lights for the performer.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/results?search_query=Moving+sand+%2Ftopos', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2275, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1970, 5, '2020-05-20 12:38:36', '2020-09-01 22:37:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23882, 'xpOiJ5qjftnKbxH5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 12:39:28', '2020-05-20 12:39:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23883, 'BYHPsxyIpsLTtfNS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 12:48:10', '2020-05-20 12:48:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23884, 'MA1SimPzOqcDhL5x', 'Bouncing perspectives', NULL, 'The exhibition proposal features three views (South America, India, Europe) on the meaning of abundance and survival, involving local and global perspectives in dialogue.\nThe project revolves around the conceptions of so-called Global South and North as a socio-economic baggage shaping identities and redefining boundaries between resemblances and dissimilarities.\nWhat does having mean where wellness is based on human relationships, mutual support and the recovery of a collective dimension of subsistence?\nHow do human relations develop in a consumerist culture primarily based on over-accumulation of capital?\n\n- Zooming in on the communities settled along the Brahmaputra river’s banks, with videos, photos and objects, a first work shows the stubbornness of those dealing with the continuous river’s mood swings, that provide communities with their livelihood, although cyclically claiming everything back.\n- Hundreds of cardboard boxes from the streets containing objects’ surpluses form a house-shaped installation. An action that might be perceived as irrelevant but plays a role in determining the spatial relations of a city and highlights new forms of interaction between giver and recipient.\n- Eventually, the use of a shipping container synthesizes the circulation of goods and people within an increasingly interconnected world. Its interior contains tonnes of local soil where seeds native to foreign countries will be growing in, raising questions about integration and adaptation.', 'Devadeep Gupta (India) https://www.devadeepgupta.com/\nConstanza Carvajal (Chile) https://www.constanzacarvajal.com/\nEdoardo Tedde (Italy) http://edoardotedde.de/', NULL, 'The location chosen will need to take in consideration the following space needs: 30-70mq + 70-120mq (combinable in one single space) an outer space of 70-Xmq. Considering the space requirements, the exhibition proposal is particularly suited for buildings such as pavilions, hangars, halls with outside space. Topic-wise a preference would go to cultural centres and contemporary art museums.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4737, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4014, NULL, '2020-05-20 12:54:13', '2020-07-16 02:28:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23885, 'U0vKpK28RmutlkhI', 'a fragile construct', NULL, 'The project I wish to propose is a Sculpture. It consists of a folding screen which is tiled in a certain pattern and is tripping constantly. The pattern of the tiles resembles the pattern on my own bathroom walls.\nThe underlying narrative of the work is the relation of vulnerability and safety. On the one hand there is the vulnerability which comes with the association of a bathroom; the nudity, the intimacy, while on the other hand the folding screen is in its function of blocking views a tool of giving safety. The tripping water is thought to be another means of this subject: the object is leaking, making it more vulnerable but it is also a constant sound, reliable in its rhythm, calm. Apart from that it is thought to be adding to the still situation a moving part, completing the picture as such.\nOne recurring subject of my works is the influence the context of society has on the individual who lives within it.\nThis topic is also found in the proposed work which tries to examine tenderness and fear, two profoundly important emotions which are rather difficult in itself already becoming even more difficult in a society which is prone to success and achievements rather than the complexity of a sometimes fragile construct that is not solely defined by the easy, presentable.', NULL, NULL, 'As for the exhibition space I think a rather light room indoors would suit the work best. It would need to have concrete or stone floor or similar in order to not soak in the water from the sculpture. Apart from that the room does not need any specifics in my opinion. The work is about 2 meters high and 3 meters wide so it would be nice if there was some space left around it in order to be approachable from all sides.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2581, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2237, NULL, '2020-05-20 13:02:40', '2020-08-14 16:46:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23886, '1tgdNTsm9RyZ4uPN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 13:39:13', '2020-05-20 13:39:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23887, 'yvjoapWtzKieNCDy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 13:42:55', '2020-05-20 13:42:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23888, 'EBR3In2oslbwYerO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 14:55:01', '2020-05-20 14:55:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23889, 'Zz9ztpHJI0XyFdSZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 14:58:49', '2020-05-20 14:58:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23890, 'AYEXBnF390XSWblU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 15:47:38', '2020-05-20 15:47:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23891, '4GliH2GWQawCMrpt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 15:47:44', '2020-05-20 15:47:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23892, '5m7wZ4QUhRXs4vJR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 15:55:10', '2020-05-20 15:55:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23893, '7cOarncpf7jTs3bu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 16:20:12', '2020-05-20 16:20:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23894, '7NjImrcw13DmDcwu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 17:39:01', '2020-05-20 17:39:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23895, 'b1hbXFEwVodBrEt7', 'ww', NULL, 'El plan y el azar\nDe la serie La imagen latente\nGráfica contemporánea en video y bitácora de obra en @elplanyelazar\nProyección en loop, sin audio, sobre una tarima en el piso piso, cubierta con el mismo papel washi en que fue impreso el grabado.\nEdición de video en proceso, duración aproximada 1’ 22’’\n\nTransitando esta intensa experiencia temporal del aislamiento, en la estrechez del espacio que habito, asumo el cambio como lo único permanente y comienzo esta obra para narrar el paso del tiempo que nos perfora, para intentar comprenderlo, para entender el plan y el azar.\nImprimo una fotolitografía en tinta sepia, donde el silencio está presente en un espacio vacío y unas pequeñas ramas brotan del piso.\nIndago sobre el recuerdo y la forma que tenemos de retenerlo.\nInvestigo en esta acción de transformar un grabado, sumarle un texto, germinar ese papel y registrar lo que sucede en un tiempo que no puedo alterar. \nFotografío durante el transcurso de 17 pacientes días este pequeño mundo que brota. Un ejercicio poético para comprimir la grandeza del universo en los límites de un departamento.\nEl time-lapse me permite capturar la realidad de una manera imposible de mirar en nuestra percepción cotidiana. Registrar una imagen que se modifica y un diminuto jardín que brota. Muchas voces brotan de mí. Brotan de un modo nuevo.\nIntento comprender el sentido de la espera, nuestra propia temporalidad interrogándose sobre el paso del tiempo, la duración de una imagen en la memoria.', NULL, NULL, 'Para montar la video instalación “El plan y el azar” es necesario un espacio expositivo cerrado, que permita instalar un proyector de video en el techo para efectuar la proyección perpendicular al piso, en loop, sobre una tarima blanca.\nSin audio.\nLuz de sala tenue. \nMedidas aproximadas de la tarima:  100 cm x 80 cm x 15 cm de altura.\nLa tarima estará cubierta con el mismo papel washi en que fue impreso el grabado puesto a germinar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4187, NULL, NULL, 2, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3568, NULL, '2020-05-20 18:31:39', '2020-06-15 01:07:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23896, 'dSMebiciEGQUEMow', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 18:46:39', '2020-05-20 18:46:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23897, 'NH1uw2n0Mour6TCX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 19:05:12', '2020-05-20 19:05:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23898, 'nIGQN4IdU62Ot7XB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 19:18:38', '2020-05-20 19:18:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23899, 'iZjvHYUw2vjRAfgp', 'Mi amigo el espejo?', NULL, 'El Espejo Nuestro amigo?\nMi proyecto se trata sobre la diversidad de cuerpos,  y sobre como nos miramos al espejo de acuerdo a lo que nos dicen o lo que nosotros mismos creemos de nosotros. Depende del amor propio o el autoestima, es como nos paramos frente al mundo. \n Todos los cuerpos son iguales y la palabra gordo no es una mala palabra, es un adjetivo calificativo. \nEs un proyecto personal, ya que yo misma me di cuenta como fue cambiando mi mirada al espejo, dependiendo de mi estado de animo y mi amor propio.\nEs un viaje de sensaciones a través de un espejo, es poder atrevernos a vernos. Y un empoderamiento de la mujer gorda!!', NULL, NULL, 'La idea es que haya varios espejos grandes , con varias frases, alentadoras, bajón y como la gente van cambiando su actitud mediante lo que lee, o como se ve, como se para, si hay mas luz, menos luz!', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2200, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1913, NULL, '2020-05-20 19:20:14', '2020-06-23 01:46:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23900, 'd2WHqUY6K5cdEvRO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 19:23:38', '2020-05-20 19:23:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23901, 'VzZvv3DoScDi8Nye', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 19:31:49', '2020-05-20 19:31:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23902, 'K6vCQ51tQySyYWLp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 19:32:00', '2020-05-20 19:32:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23903, 'V3jIkhzhX9MkKdoK', 'space-reverb', NULL, 'El proyecto consiste en ejecutar una performance dentro de un espacio resonante. Esta acción se consolida como uno de los productos artísticos de una investigación en arte de dos años de duración 2019-2020 financiada por la Universidad de las Américas, sobre la acústica de espacios industriales abandonados con largas reverberaciones y acústicas exacerbadas. \n\nLa premisa de la cual se basa el estudio es el concepto de “espacio sonoro”, el cual surge de la interacción entre el sonido y el espacio. Esta investigación se centra en la dimensión estética, política y social del espacio sonoro como medio para construir narrativas alternativas y subjetivas para resignificar, subvertir y deconstruir la memoria del espacio y la arquitectura misma que la sostiene.\n\nLa propuesta consiste en una performance inédita de luz y sonido al interior de un espacio resonante. Para la propuesta visual se usará un puntero laser de alta potencia con el que se construirá un osciloscopio que proyectará en el interior una traducción visual del sonido. Se elaborará una composición sonora dedicada al espacio y a sus particularidades acústicas. Para la composición se utilizarán acoples, grabaciones de campo, activación del espacio por medios acústicos (elementos y materialidades del lugar) y electrónicos, microfonía, retroalimentaciones lentas, convolución y sonidos espacializados, que se utilizan para explorar y crear nuevas narrativas sociales y políticas a través de la escucha.', NULL, NULL, 'Los casos de estudio para la experimentación son espacios resonantes: arquitecturas sublimes de tiempos de guerra y/o auge industrial, diseñadas para contener líquidos o gases que resultan en extrañas formas geométricas, espacios inhabitables con acústicas exacerbadas y únicas. \n\nEl espacio sugerido es una infraestructura industrial en desuso con interés acústico, idealmente con interés patrimonial, que sea de forma cilíndrica, cónica o esférica: ej. Silo, tanque, gasómetro, copa de agua, etc.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=VbZYrHO2NQc', NULL, 'https://espaciosresonantes.bandcamp.com/track/voces-de-inchindown', NULL, NULL, NULL, NULL, NULL, 2202, NULL, 256, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1915, NULL, '2020-05-20 19:33:56', '2020-08-14 16:43:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23904, 'HCN6TX9086vGABqJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 20:24:19', '2020-05-20 20:24:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23905, 'YxupPVdWBoS8MUNv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 20:29:15', '2020-05-20 20:29:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23906, '4WjGmWnvFKqTYNqV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 20:41:07', '2020-05-20 20:41:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23907, '68xg97ZrfYrF7lZ7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 20:49:59', '2020-05-20 20:49:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23908, 'u5hbmsxxoVl8QHP0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 20:54:22', '2020-05-20 20:54:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23909, 'KQeHLOQoHu9coIh1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 21:00:21', '2020-05-20 21:00:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23910, 'kFom0P8FKWCX5D3v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 21:05:01', '2020-05-20 21:05:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23911, 'GXhKZdtgXfc5VTGR', 'Between belonging and fitting in', NULL, 'These paintings orbit around the search of identity in old age, when silence and emptiness replace social status and employment and is imperative to rethink about our place in the world. This transformation is very personal, sometimes painful, and done in solitude. How people inhabit solitude has been an object of fascination of mine, just like the fact that the way people interact with objects and places define individuality. I observe, almost obsessively, old people’s rituals and routines and collect these solitary moments in photographs, drawings and paintings. I examine the consequences of interior changes in the human body and am interested in the cyclical conquest of individuality.', NULL, NULL, 'White cube gallery, 3x3m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.marianamourato.com', NULL, NULL, NULL, 2201, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1914, NULL, '2020-05-20 21:26:50', '2020-06-23 01:46:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23912, 'IgRDHZ5TJ4MnAVct', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 21:27:04', '2020-05-20 21:27:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23913, 'WBR1GgLRZne5gUsQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 21:34:48', '2020-05-20 21:34:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23914, 'JHnIqCZn5mQxkojp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 21:35:23', '2020-05-20 21:35:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23915, 'FGhrjs3KmxZYQE3J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 21:48:50', '2020-05-20 21:48:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23916, 'azDkBs01kqrTPlnU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 21:54:11', '2020-05-20 21:54:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23917, 'Jlg9By3qQUojGaqV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 22:02:34', '2020-05-20 22:02:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23918, 'DQ6kDw1E2M0cFxj3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 22:19:09', '2020-05-20 22:19:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23919, 'cb0SEa0KEE6c1REE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 22:34:51', '2020-05-20 22:34:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23920, 'pbdwuz40vc01WbfK', 'The Dance', NULL, 'The Dance is an installation having as its starting point a line by Belgian choreographer Anne Teresa De Keersmaker, questioning about the movement of bodies through predetermined paths, and how they can choose movement within the constraints of those paths. The sentence, HOW DO YOU DANCE TO THAT?, is written on the floor using masking tape.\n\nOn the floor of an exhibition space, the sentence becomes an invitation to dance; each character or space having the width of a single, leisurely human step. It is also a reference to the footprints used to teach or guide dancers, and a challenge to modern mores - how do we move, upon being challenged, or imposed, movement?\n\n\"The Dance\" is about embodying language, turning what is image and sound into something solid, challenging us to perceive that passage in a way that is simultaneously more critical and more intense.', NULL, NULL, 'The project can be set either inside a white cube exhibition space or in open sites such as squares and esplanades. In both settings it will demand at least a 300x300 cm square area. Letters will be written with the help of a guiding plate, with masking tape in an indoor setting, or with acrylic paint in an outdoor setting.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5472, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4541, NULL, '2020-05-20 22:59:05', '2020-08-03 18:18:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23921, 'wzuSdobSZRrq3Ie2', 'Ellas en voz', NULL, '\"Ellas en voz\" es un proyecto que une música y artes visuales. Son unos videos de canciones cantadas y actuadas. Actúo y hago la puesta en escena, el guión y la dirección creativa del video. Los temas musicales elegidos son en función de poner a la luz un estereotipo femenino que suele ser impuesto culturalmente. No importa el idioma, la época o el estilo musical de la canción elegida. El contenido es el hilo conductor que agrupará lo aparentemente disímil que pueda parecer.\nEn la sala se presentan los videos en proyección silenciada y continua, con un auricular  adosado, para oírlos. Lo ideal sería verlos en pantalla plana de 30 pulgadas. Además, habrá un código QR para que el visitante pueda verlo en su celular con la app correspondiente. Acompañan en sala, los vestuarios y objetos escenográficos. Y en las paredes fotos elegidas del personaje femenino de cada video. \nVideos: \"Une jeune fillete” renacimiento francés: Pérdida de libertades de  una joven, cuando la encierran de monja en un convento/ “Body and Soul”- standart jazz- un amor contrariado/ “Makin woope”- 1928. Jazz. Habla de las ilusiones de una mujer enamorada al casarse y el posterior deterioro de su matrimonio por los engaños de su marido/ “Gorda” -1928 -tango: Desencuentro amoroso en relación al cambio estético corporal de una mujer, con el paso del tiempo y los cambios que eso conlleva.', NULL, NULL, 'El proyecto necesita una sala de un tamaño aproximado de 10x5 m. No debe ser un lugar de paso, sino una sala con una entrada y sin ventanas. En la misma deben entrar 4 pantallas planas de 30 pulgadas. Hace falta que acompañe la parte eléctrica para que los dispositivos funcionen. \nLa iluminación es con luz artificial: para los objetos escenográficos y vestuarios que acompañan las proyecciones y para las fotos en las paredes. \nEl CCGSM en sala que guarde relación entre música y artes visuales.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4283, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3634, NULL, '2020-05-20 23:01:19', '2020-07-29 20:12:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23922, 'FJutn4PJDzcIgotU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 23:05:55', '2020-05-20 23:05:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23923, 'cIQB7tIMQTPhCelf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 23:18:09', '2020-05-20 23:18:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23924, 'UBA9HciOZrKcueXM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 23:21:44', '2020-05-20 23:21:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23925, 'EIyLdlpoZeaRCfeJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 23:23:03', '2020-05-20 23:23:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23926, 'y9Icnb8t8Snbldv7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 23:35:06', '2020-05-20 23:35:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23927, '2hw3VeF4zzuwSfXZ', 'Constelação', NULL, '\' ...relate suas mágoas e seus desejos, seus pensamentos passageiros, sua fé em qualquer beleza - relate tudo isso com íntima e humilde sinceridade. Utilize para se exprimir, as coisas do seu ambiente, as imagens dos seus sonhos e os objetos das suas lembranças... \' Rainier Maria Rilke.  Não é a primeira vez que uso a essa frase para descrever minha fotografia, por achar que descreve com precisão meu ato de fotografar.  Esse trabalho é o olhar livre para os pequenos encantamentos cotidianos. São fotos feitas em lugares e momentos diversos, mas que em comum, tem a busca pelo simples e belo que está ao nosso redor. Não há narrativa, não tem começo nem fim. É uma constelação de sensações, sentimentos, memórias em formato de pequenas fotografias, que juntas simbolizam um sentimento universal. As fotos, expostas em dimensões diversas, levam o expectador a experienciar diferentes sensações ao observa-las de perto, em detalhes, e de longe, o grupo, um universo... Apresento aqui um apanhado de fotos, de um trabalho em constante construção, e transformação.', NULL, NULL, 'Quando penso em levar pro mundo essas fotos, as imagino expostas em uma parede de aproximadamente 3m80cm, numa ordem desordenada...organizadas com fluidez e organicidade, construindo uma \'constelação de pequenas lembranças\'.\nFotos essas, impressas em papel de algodão mate, num tom quente, sempre em tamanhos pequenos (10x15, 13x19, 15x30 etc), emolduradas em frames pretos, simples, com paspatour.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2638, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2282, NULL, '2020-05-20 23:47:02', '2020-06-24 20:05:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23928, 'GX5gezDrhDpTK4Xp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-20 23:47:19', '2020-05-20 23:47:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23929, 'UHJXe5zd1ysoahVJ', 'Umbilical cord', NULL, 'The exhibition “Umbilical Cord” has 9 pieces made in cyanotype, an alternative photographic technique that uses chemical compounds and UV rays to produce images in shades of blue. In Umbilical Cord I apply the technique on fabrics, using crochet pieces made by my late mother to create photograms. The crochets have been kept in a closet over the years, with no use in decorating the house.\nWith the cyanotype ready, I intervene in the pieces, using embroidery to create and recreate weaves on the drawings on the fabric, bringing to light pieces created by four hands. The pieces vary from 11 to 24 centimeters in diameter.\nI turned to my mother\'s productions this past year, in an attempt to deal with my own memories and reconnect with her and with myself in this period of my life. Embroidery was a way to reconnect with this fundamental female figure in my life. Ironic that I always found crochet and embroidery “girl\'s stuff” and despised them for that, considering them as processes of the artisan, and not of the artist.\nFrom these pieces, in this process of self-reflection, I rewrite my own history, build new plots with my hands.', NULL, NULL, 'I propose that the pieces be displayed on a wall, in a space of approximately 2 meters in length. The pieces can be fastened to the wall with nails, since they are quite light. I present an image of suggested assembly of the parts in the annexes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2521, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2182, NULL, '2020-05-21 00:05:53', '2020-06-24 18:54:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23930, 'y1JTRus89oeOCzWs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 00:08:43', '2020-05-21 00:08:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23931, '8d3vJa2THMqyadHe', 'Skin Donation', NULL, 'The skin as a “body wrapper” it can be a shelter that delimits the outside and the inside, a contact surface or a shield that protects the body. The skin in the divided world in which we live has, in its variety of color, a factor that positions, delimits, rejects, discriminates and comments on the many injustices and violence that need to be combated, rejected in the social relations. These questions made me want to be able to wear the skin of the other to feel the weight of their experiences, the textures of their pains, the contours of stories,to understand their inheritances, their memories, their deceptions and stumbles and with she knows this narrative composed of fragments and traces written by time. Skin donation is a project I use the pantyhose as a constructive element as a starting point combined with other materials such as: sheep\'s wool, satin ribbons, seeds, objects, toys, textile fibers and yarns, among others. I combine differents tecnics like sewing, embroidery and weaving.\nThe pantyhose that I use in textile constructions were worn by other people, donated by friends, bought in second hand stores or belonged to me, in fact, it is an act impregnated with meaning, since it is understood as a device that links stories and memories. Memory is what constitutes us as historical subjects, situated, dated. The skin is also a memory and in this context, it dialogues with deep and complex issues such as identity, the feminine, the sense of belonging and ancestry.', NULL, NULL, 'The textile constructions presented here are independent objects or an installation character when they are exhibited together. They can be adapted to different spaces, can be exposed directly on the wall, suspended from the ceiling, occupy the floor or on a wooden platform. Skins colors (160 x 115 x 15 cm) and Skin memory (160 x 115 x 15 cm), Sisterhood (size may vary), Xipophagous (85 x 20 x 10 cm), Footrest (35 x 95 x 95 cm), Somenthing inside (190 x 30 x 35 cm)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4872, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4103, NULL, '2020-05-21 00:24:03', '2020-07-02 02:12:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23932, 'Um7Vt8Tt81KW7xIe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 00:37:08', '2020-05-21 00:37:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23933, '92YezfkcfXwsEl9D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 00:40:56', '2020-05-21 00:40:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23934, '8n9sDpr9FdCwKkwR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 00:43:51', '2020-05-21 00:43:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23935, 'gYzguHxULthR51R8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 00:56:04', '2020-05-21 00:56:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23936, '0CA6W9h5a2Rg5Kfo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 01:17:06', '2020-05-21 01:17:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23937, 'Ce54R8cyoERVZnLG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 01:18:37', '2020-05-21 01:18:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23938, 'OoURTW4IyjLTQu3U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 01:22:56', '2020-05-21 01:22:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23939, 'atJLANY6AKQAXgdY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 01:40:07', '2020-05-21 01:40:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23940, 'U1cVeMceSuJNywLe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:03:35', '2020-05-21 02:03:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23941, '9IvYto3kI8CGLNQA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:04:02', '2020-05-21 02:04:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23942, 's6mlm3dTnygDb0Kl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:04:58', '2020-05-21 02:04:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23943, 'cHA3aWglAQmz0lDD', 'Correspondencias de barranco', NULL, 'El video transita un relato visual-sonoro vertical ascendente sobre una superficie horizontal. La luz flotante devela un pasaje por diferentes lugares, mundos interiores y mundos exteriores, paisajes y tejidos. Inicia en las profundidades  hasta llegar a una superficie pantanosa. Se visualizan lugares de incógnita donde parecen gestarse procesos, como si fuera el interior de un cuerpo donde se mapea una profundidad sensorial. El recorrido alude a un camino de introspección que comienza en las profundidades del suelo (como el ciclo agrícola) y sube hacia la superficie. La incapacidad de sentir y ver el propio cuerpo funcionando desde sus procesos interiores es una inquietud que me impulsa en las búsquedas estéticas. Las reflexiones en torno al biopoder a territorios en disputa, a la gestión de los cuerpos y sus sensibilidades aportan a este proceso de producción híbrida. Trabajar con capas de información visual hijas de mis experiencias de vida es algo similar al proceso en el que transformo tierra en cerámica. Ambos son actos de transformación y habitan el espacio-tiempo en el que arte y vida se atraviesan mutuamente. La experiencia con mi obra pone un foco en el trabajo procesual. El trabajo archivístico, la búsqueda y el relevamiento, las experiencias que habitan en los documentos, el paso del tiempo, la experimentación con la materia, el tacto. Superficies y cuerpos son parte de estos espacios de permeabilidad, transparencia y cruce.', NULL, NULL, 'El video está pensado para manifestarse en forma de proyección sobre una capa de arena en el suelo en un lugar con poca luz en forma de loop. La proyección sería sobre arena seca marrón claro dispuesta en forma que coincida con la proyección. El sonido es bajo y puede manifestarse con parlantes. Tamaño del video 1080x1920 px. El tamaño aproximado de la proyección sería de 100 cm x 70 cm, similar al tamaño de un pozo mediano en el suelo. Duración en minutos: 05: 17. peso del archivo: 240,6 MB.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=M-7mAFkXOn0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4244, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3605, NULL, '2020-05-21 02:14:41', '2020-07-08 00:26:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23944, 'fEZfdJib3JJn8Bzf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:18:59', '2020-05-21 02:18:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23945, 'xHRqsy0BNYvqmIBU', 'Territorios inesperados', NULL, 'La obra propone una reflexión sobre la situación actual del mundo desde las nociones de paisaje y jardín. El paisaje, entendido como construcción cultural y el jardín como un recorte de éste, espacio idealizado, diseñado por el hombre.\nEl paisaje se presenta en la instalación en estado de enfermedad y en proceso de transformación, dejando abierta la posibilidad del advenimiento de una nueva estructura, un “cambio de estado”.\nEl reconocimiento de las formas de un jardín y su composición material: hojas, plantas, ramas, macetas, esculturas como un cisne, fuente, gnomos, son llevados al fragmento y a la deconstrucción, como si se tratara de la ruina y arqueología de una civilización ahora ahogada por el crecimiento incesante de una naturaleza extraña e infectada, una plaga.\nLos hechos producidos por una pandemia que pone en jaque al mundo, incluidas las grandes potencias y al propio sistema capitalista, agudiza la sensación social de inquietud, vulnerabilidad y precariedad que ya existían. La pieza busca reflejar ese estado de crisis, incertidumbre e imprevisibilidad en el que se encuentra el mundo en la actualidad. \nEl uso de materiales plásticos para la construcción de estas piezas amorfas, funciona como dispositivo para el desencanto y la desilusión, aquello que creíamos reconocer como naturaleza se transforma en extrañeza y en la evidencia de un artificio creado, una vez más, por el hombre.', NULL, NULL, 'Instalación conformada por una serie de fragmentos de esculturas dispuestas en el espacio, algunas sobre el piso y otras suspendidas desde el techo. Las esculturas están realizadas con vegetación artificial, por partes derretida y con objetos rotos incrustados. Se puede adaptar a cualquier arquitectura interior e inclusive, exterior. \nEl jardín puede plantearse como una estructura que va cayendo y desarmándose o puede construirse como un solo bulto que parece desarticulado, deconstruido.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2210, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1918, NULL, '2020-05-21 02:25:07', '2020-06-23 01:46:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23946, 'DrRQ0fE0EoDpq3xc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:34:12', '2020-05-21 02:34:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23947, 'XQ9QdcwV4ULGzvlh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:35:52', '2020-05-21 02:35:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23948, 'ESBglI6PjP5Z40tj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:42:33', '2020-05-21 02:42:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23949, 'hwq3Z2aWyE60JJYU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:46:36', '2020-05-21 02:46:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23950, 'Cveahv8qEsVESdWU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:51:47', '2020-05-21 02:51:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23951, 'dS07vGtT3H76ZPsq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 02:53:49', '2020-05-21 02:53:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23952, 'tQItqL9uLNOQgOfw', 'Cup of tea with Fathi Mahmoud', NULL, 'In this project, I pursue an excavation of Fathi Mahmoud’s personal narrative, monumental artistic works, and industrial footprint, in order to trace a political and economic history of this pivotal era of Egypt’s industrial awakening. Ultimately, I explore the space between an object and its history, a cup of tea and a national narrative. \n\nIn 1942, Fathi Mahmoud opened the first ceramic factory in Egypt in Shubra, Cairo. A prominent sculptor during the Nasserist era, Fathi Mahmoud remains an obscurantist figure in the history of Egyptian artists. His public artworks can be found throughout Egypt, including the “Talaat Harb” statue in Cairo, the “Bride of the Sea” in Alexandria, and the “Monument to the Martyrs” in Cairo University. In addition, he created historic reliefs that decorate some of Egypt’s most important public spaces. \n\nThe project seeks to tell the multifaceted history of Fathi Mahmoud’s legacy - from the industrialization of porcelain production, to the widespread presence of his products in Egyptian households, to his personal artistic trajectory and murky relationship with the Egyptian government and the story of the political and economic shifts in Nasser’s Egypt by tracing the history of a household object, and the story of Fathi Mahmoud, the man behind this object’s vision.', NULL, NULL, 'The final outcome will be a large-scale installation in the form of a factory-like assembly line. In addition to autobiography video of Fathi Mahmoud (still in the making), incorporating the various sparse narratives about his personal life, his contrasting political alliances, and his staunch artistic vision.\n\nDimensions and technical drawing are attached.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2670, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2312, NULL, '2020-05-21 03:02:01', '2020-07-21 20:53:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23953, '4XVsEAjlOLifpddF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 03:11:26', '2020-05-21 03:11:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23954, 'aPinQDYgZbtIIkcb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 03:16:07', '2020-05-21 03:16:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23955, 'IfejQQDkBwD6Jgcd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 03:20:13', '2020-05-21 03:20:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23956, 'W8vK7tlrrsfechdR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 03:28:48', '2020-05-21 03:28:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23957, 'WoK4pUQigd0HBJIO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 03:52:27', '2020-05-21 03:52:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23958, 'ZMJE28BJAGg5ZiK6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 04:10:28', '2020-05-21 04:10:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23959, 'J6zhQ9JYamoG0wcW', 'Percepciones orgánicas', NULL, '\"Mike García\", Ingeniero y artista visual nacido en Colombia.\n\nDesde mi infancia me atrajo el dibujo y la pintura lo cual fui desarrollando a través del tiempo comenzando con el dibujo, bodegones y diferentes técnicas como pastel, óleo, acrílico y fotografías intervenidas.\n\nHe participado en diferentes exposiciones en mi país y el exterior y mis últimos trabajos se han basado en el expresionismo abstracto, donde he comenzado a plasmar una óptica de la materia vista a la distancia con movimiento  y saturación del color.\n\nEstoy en la búsqueda de enriquecer al espectador con nuevas propuestas las cuales estoy desarrollando y que propone plasmar en diferentes elementos, la disolución del color y su transposición de cierta forma, que lleve el pensamiento más allá de lo palpable con la mirada y el sentido cromático.\n\nActualmente, el motivo preferido de mi trabajo es el ritmo y movimiento; estrictamente hablando, estoy interesado en mis emociones y preceptos de la vida real, expresándolos a través de colores contrastantes, y ocasionalmente borrando las líneas entre la realidad y lo efímero. Soy de la opinión de que la pintura vive a través de colores enérgicos, estimulando sentimientos estéticos y emociones en el observador. A través de la combinación de tonos frescos y colores intensos, transporto al público en un mundo combinado de realidad, fantasía y utopía.', NULL, NULL, 'Proyecto realizado en formatos de 100x70 cms, en técnica de acrílico sobre lienzo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2214, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1922, NULL, '2020-05-21 04:10:53', '2020-06-23 01:45:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23960, 'GnTjXJ7aCKR6T6Za', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 04:33:43', '2020-05-21 04:33:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23961, 'A3IsNgY5wpnvHTX0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 04:35:36', '2020-05-21 04:35:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23962, 'rNgEb7RQ9EmA8aCe', 'Finitude', NULL, 'Quando é preciso acabar e começar. Vídeo-Ritual da morte de tudo que já foi um dia. O passado escorre, desmancha e vira finitude. A mulher real que tem nas águas do mar uma relação de cumplicidade de seus desejos e lembranças. Uma relação ritualística que existe na imagem das águas e no tempo. O convívio com a espera e sua materialidade faz da densidade da passagem do tempo um deslocamento do sentido da intimidade. A costura da sua história é apagada na liquidez dos encontros e desencontros. A depreciação do sensível. O silenciamento da emoção. No corpo, a ausência e a presença. Na busca pela sua autocriação imagética como antidoto para o simbolismo da submissão o vídeo procura forjar o ato do amor romântico, o anticlímax de apenas uma noite. São fragmentos de uma noite, documentos de intimidade e memória e seu desgaste refletem a passagem do tempo. A proposta é ressignificar a imagem da sedução. Assim, as “langerris” como símbolos eróticos, aqui, tomam seu lugar na intimidade feminina, lugar de liberdade de desejos. Pois existe ao mesmo tempo uma perseguição e uma rejeição ao sexo da mulher e uma clara censura de seus fluídos. A intensidade da entrega vaza na maré das águas. 4 passos para o videoritual: \n1 - desejo de que a continuidade dessa ligação se encerre;\n2 - desejo de que a história que foi construída até agora seja eternizada com seu ponto final;\n3 - desejo de liberdade e vazio;\n4 -  desejo do momento que precede a morte, em que nada mais pode acontecer;', NULL, NULL, 'As calcinhas vão servir como suporte para as projeções, numa tela feita da colcha de emendas delas costuradas uma nas outras. Estarão sobre uma cama de casal no formato de mosqueteiro pra cama. A cama fica no centro da sala escura e o projetor estará na parede projetado de forma mapeada somente no tecido no ar num formato semelhante a um cone. \nO vídeo possue as seguintes especificações: HD, 720x 480, Cor, 1:09', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.youtube.com/watch?v=oQCWNCzl9cA&t=4s', NULL, NULL, NULL, 5575, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4618, NULL, '2020-05-21 04:37:43', '2020-08-06 02:13:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23963, 'G7LpWxHyExkofFAi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 04:43:19', '2020-05-21 04:43:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23964, 'ZnoJf9xCfoAEU856', 'De Pantas y Mujeres', NULL, 'Desde una mirada femenina latinoamericana posmoderna, propongo visualizar a modo narrativo algunas plantas con efectos medicinales clasificadas como emenagogas. Me hubiese gustado contar sobre los conocimientos y usos de estas plantas pero la obra solo nos habla de la perdida de estos, presentándose ante nuestros ojos como una pequeña colección enigmática de plantas y árboles de las cuales poco sabemos.\n\nEs porque yo no dispongo del conocimiento exacto sobre ella que siento un fuerte anhelo, casi un deber, de saber sobre sus funciones y usos. Es una pérdida de algo que nos pertenecía como mujeres. \nComo nos señala Angélica Morales S. en su texto La enfermedades de las mujeres en la Nueva España, una taxonomía a través de las plantas emenagogas (siglo XVII)  En la cultura prehispánica las parteras y/o curanderas manejaban un amplio conocimiento de las plantas (y animales) con las que se preparaban ungüentos, infusiones, emplastes u otras formas con fines medicinales específicamente para las enfermedades relacionado con lo femenino, como son los partos, abortos y todo los derivados de estos, expulsión de placenta, dolores menstruales, etc. \nEn su investigación Morales trabaja con solo dos textos por no haber más registro histórico de recopilación más directa y los cuales pasaron por muchos filtros (temporales,masculinos,religiosos) nos comenta.\nEstas plantas representan la autonomía femenina, una libertad que aún no recuperamos. Por lo que propongo volver a mirarlas.', NULL, NULL, 'Tela 190cmX190cm\nPintada representación de la estructura de un altar invertido para quedar como útero. Con 8 representaciones de plantas y árboles y sus nombres. \n\nA diferencia de los polípticos religiosos a los que emula, en los que reconocemos cada imagen y escena, esta representación nos intenta narrar una historia perdida. la perdida de conocimientos y  del distanciamiento con la medicina holística ancestral que poseían las mujeres, su libertad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2659, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2301, NULL, '2020-05-21 04:46:43', '2020-08-14 16:46:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23965, 'bUgQmVlwSyKpBNKO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 04:48:12', '2020-05-21 04:48:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23966, 'nOMXYFv0GgqmhnlR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 04:59:16', '2020-05-21 04:59:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23967, 'nOTAaY8iDjZVwKRV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:00:17', '2020-05-21 05:00:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23968, 'U9AE50SsVa5zuYNq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:00:54', '2020-05-21 05:00:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23969, 'qKcQvp58nHbZrgKp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:11:22', '2020-05-21 05:11:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23970, 'yPkhvGARNtKBcLhV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:29:31', '2020-05-21 05:29:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23971, 'ZOsW0BbtAAOFYhh2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:30:02', '2020-05-21 05:30:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23972, 'qFeiCP9Ik7O0HGHq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:42:18', '2020-05-21 05:42:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23973, 'TAJHImAPwET8pzex', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:49:18', '2020-05-21 05:49:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23974, 'T3P7KcCsNzwRnXUq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:49:28', '2020-05-21 05:49:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23975, 'VXRUHkSJ4oiizmp5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:49:28', '2020-05-21 05:49:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23976, 'Er8GxlfDqAtTR6eH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:50:14', '2020-05-21 05:50:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23977, 'eoSTTIqBL1JN84K8', 'corpo, fita e tijolo', NULL, 'Dessa vez, os instrumentos para revisar a linguagem são: corpo, fita e tijolo. O tijolo deseja a casa e a fita é o contrato das promessas. O corpo mestiço, do subúrbio metropolitano do nordeste brasileiro, melancolicamente periférico, é o centro do mundo. Sou feia é o mesmo que dizer que sou um monstro, ser um monstro é o mesmo que dizer que sou uma deusa e também carrego com prazeroso estupor um rosto de homem na minha cara de mulher.\n\nAs divindades habitam muito longe da humanidade, elas ouvem nossos gritos como se fossem sussurros, tentam interpretar, mas as imagens só mostram fitas ao vento, tensionadas, dadas aos nós, mulheres equilibrando tijolos nas cabeças, partes de corpos. As palavras agora são imagens. A mulher move as ferramentas que lhes deixaram as divindades. Embora abandonados os significados antigos, as peças ainda podem edificar e pesar, voar e prender, unir as partes e dançar.\n\nAlgumas dessas palavras (imagens) formam a série de desenhos que dão corpo a este projeto.\n\nO projeto consiste em uma série de desenhos em lápis de cor s/ papel, com imagens poéticas que articulam: corpo, fita e tijolo. Tendo meu corpo como referência, esta também é uma série de autorretratos desenhados. Cada desenho com 1,4x1m, feito em minúcia, detalhe miúdo. O formato grande colabora para uma desejada vertigem, e o detalhamento do traço na partícula, tensiona as escalas e elabora membros e músculos do corpo, brilho, dobras e tensões das fitas, e elucida a geometria do tijolo.', NULL, NULL, 'Espaço interno fechado, coberto, climatizado, típico de galerias e museus.\n\nSérie de desenhos em 05 quadros (1,4m altura X 1m largura, cada), expostos lado a lado, espaçados em 20cm.\nAltura da instalação: 1,5m do centro do quadro.\nMolduras em madeira e vidro.\n\nO ideal seria uma parede contínua com 2,5m de altura e 7m de comprimento.\n\nPS: Neste formulário não há a opção \"desenho\" entre os tipos de projeto. Este é um projeto de desenho e se comporta similar à categoria pintura: quadros na parede.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5517, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4579, 5, '2020-05-21 05:51:42', '2020-09-03 06:39:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23978, '1Q837Xuzp177w0iW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 05:57:12', '2020-05-21 05:57:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23979, 'hvkVG4qTiiIy7yoE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 06:33:04', '2020-05-21 06:33:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23980, 'Y8UWexTKUOmQ73cx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 06:37:49', '2020-05-21 06:37:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23981, 'RpiG3dkeLvIQV9XC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 06:39:14', '2020-05-21 06:39:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23982, 'CKwA5TnZ37UEuh9x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 06:42:48', '2020-05-21 06:42:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23983, 'n7bhLbVmLUausfQU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 06:44:31', '2020-05-21 06:44:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23984, 'BypD37jszzKzBnwp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 06:56:07', '2020-05-21 06:56:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23985, 'VekJfeViOPfwFa1Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 06:56:58', '2020-05-21 06:56:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23986, 'HZP5kResTEd4MFkW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 07:00:14', '2020-05-21 07:00:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23987, 'uQXMCfgkxl8Bh2DO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 07:02:23', '2020-05-21 07:02:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23988, 'htfoRq6tJ2RxMVTW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 07:03:29', '2020-05-21 07:03:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23989, '16RhO9cddt1i9aO7', 'Esperando la nieve', NULL, 'es un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyecto', NULL, NULL, 'es un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyectoes un proyecto', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3347, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2876, NULL, '2020-05-21 07:09:56', '2020-06-30 17:58:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23990, 'wY2j5YktBLci5I0f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 07:15:22', '2020-05-21 07:15:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23991, '81XtlsYvbZKv7qDa', 'ANTROPOFAGIA EN EL ESPACIO: RESILIENCIA Y VULNERABILIDAD', NULL, 'Tengo un interés especial en desplazar el trabajo de la \"Pared Blanca\", buscando así nuevos espacios: edificios, plazas, árboles, agua y el viento pueden ser ambientes únicos para mostrar imágenes. Lejos de la pared blanca, el trabajo está relacionado con lo imprevisto. Disminuyen el control y la comodidad, pero incrementa la probabilidad de asombro: la montaña rusa.\nEn la exposición Maquinaria, celebrada en 2019, en São Paulo, ocupé la plaza con más de 150 metros de vistas panorámicas impresas en tela. En cada momento del día, el sol o su ausencia daban una configuración diferente a las imágenes, cuando llovía el contraste aumentaba, a veces había personas caminando entre el trabajo, a veces perros, un grupo de teatro usaba el espacio como escenario. Y finalmente sucedió algo inusual: tres semanas antes del final de la exposición, el trabajo fue invadido por otro trabajo. Albañiles, ingenieros y sus apartaderos aparecieron para resolver un problema de plomería en el edificio e instalaron su trabajo dentro del mío: nada más natural en la ciudad de cementación permanente. ( ver fotos adjuntas )\nCerca del centenario del Manifiesto Antropofágico (Oswald de Andrade, 1928) no podemos olvidar la Antropofagia en el espacio: la obra es devorada por el espacio presente y, al mismo tiempo, devóralo. Es una especie de juego de ajedrez con poderosos intercambios simbólicos entre las tensiones del trabajo y el espacio.', NULL, NULL, 'RESILIENCIA Y VULNERABILIDAD EN EL PARQUE DE LA MEMORIA\nLa propuesta es trabajar con un material vivo: césped y árboles. Crearemos un tablero de ajedrez con dos tipos de hierba: una clara y otra oscura, y dispondremos dos tipos muy diferentes de árboles en los lugares donde se alinean las piezas blancas y negras, como si fuera el comienzo del juego.\nHabrían 16 plántulas X y 16 Y dispuestos en un tablero con un área de 24 m x 24 m = 576 m² con cada cuadrado de 3 m².\n\nLaDescripciónEnLasFotos', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2233, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1940, 5, '2020-05-21 07:20:09', '2021-02-11 23:26:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23992, 'Q167fyZWPnCEBwTZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 07:42:43', '2020-05-21 07:42:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23993, 'ADMSOoNjDI1kRtVV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 09:10:43', '2020-05-21 09:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23994, 'ccMecJ1f6mKoWuu2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 09:36:55', '2020-05-21 09:36:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23995, '3XaEgSYbhusZmuh3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 09:56:21', '2020-05-21 09:56:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23996, '3Xn05Fi5tBk5Uyq4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 09:58:27', '2020-05-21 09:58:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23997, 'EQ3uyl1VG64kss6G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 10:31:39', '2020-05-21 10:31:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23998, 'WHdFoMEiVU8jZFFo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 11:07:25', '2020-05-21 11:07:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23999, 'l7z4yV50N3BdFsn9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 11:54:34', '2020-05-21 11:54:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24000, 'V7IyUAAeUOyLL0Ns', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 12:09:16', '2020-05-21 12:09:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24001, '6BDMXd0Ye1J5nS01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 12:12:24', '2020-05-21 12:12:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24002, '5jXliNwFxekjeWOk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 12:29:14', '2020-05-21 12:29:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24003, '9eTCWlcDoQyIVNbB', 'Golden Circuits: South America', NULL, 'These works are based on the imagery of four race tracks located in South America where Formula 1 Grand Prix has ever been held - in Brazil, Argentina (two circuits) and Mexico. \n\nI would like to propose continuation of my cycle Golden Circuits depicting Formula 1 circuits in hybrid technology - prints of 3d-renders plus oil painting on parts of imagery. It asks new questions about ecology, aims and future of classical car racing as a very consumptive sport, questions of beauty and waste, element of nostalgia. Will luxury be possible in the future?\n\nIs this luxurious and shiny world will be possible for South America in the future? Which responsible for economy and ecology forms it can get? Or after Covid-crisis we don’t so scare of oil economy anymore? \n\nFormula 1 is very interesting phenomenon: it can be political if you want to think politically, but it can be completely unpolitical as a sport and very abstract. In some sense it is classics, that’s the reason why I use some elements of classical paintings and imitation of gold leafing. Race tracks, autodromos are keepers of huge energy. And potential?\n\nFormal characteristics: Digital print on paper, oil painting. 4 pieces of 1,5-2 m width + (possible addition of some quantity of small formats)\n\nExample how it looks as a final result - https://www.victoriamarchenkova.com/golden-circiuts', NULL, NULL, 'I don\'t have any special requirements about space except of standard gallery type qualities, my series can be part of a group exhibition as well as a solo show. It depends from possibilities of organizers and final quantity of pieces (not less than 4 pieces of 1,5 m width for solo show, and minimum of one work 2m width for a group - if show, for example, will be connected to the context of only one country). Project needs budget for production (not huge) and framing that can be done on sight.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2322, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2010, NULL, '2020-05-21 12:30:26', '2020-06-23 20:02:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24004, '6mUv9jZUkygd6fUg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 13:18:34', '2020-05-21 13:18:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24005, 'W6gkEXbTEaXAuSbA', 'Monoculture', NULL, 'Monoculture is a large-scale dynamic installation interpreting current trends in urban development as a form of human habitat loss.\nThe humanist approach to urban planning, epitomized in the garden city movement, serve as the formative backdrop for western society in the early 20th century. This approach put individual wellbeing, socialization, and leisure at the forefront. It evolved as a counterpoint to the 19th century’s industrialized urban environment, which mainly focused on the individual as an economic unit.\nToward the end of the 20th century, cities were rebuilt by the emerging society of the 21st century. Monoculture deals with current trends in urban development, and the forces shaping these trends. It contrasts the ideals of the Belle Epoque with those shaping the urban landscape today. The work emphasizes the feedback loop formed between the environment a society builds for itself, and the ultimate effect that environment has on the society living in it\nTechnically, the work consists of a large rectangular plot on which a multitude of flowering grasses is planted based on the grid of a garden city neighborhood. Over the course of the exhibition, a robotic mechanism moves across the plot applying a selective herbicide designed to eradicate any plant not of economic value. As the exhibition progresses, a new urban grid is revealed, planted in strict utilitarian cash-crop monoculture. The work is currently in production, for completion by late 2020/early 2021.', 'Ofer Grunwald, Israel, www.ofergrunwald.com', NULL, 'Dimensions variable, but min. 150X300X120cm.\nCould technically be exhibited outside or in alternative venues, but would benefit from a more formal exhibition space.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2217, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1925, NULL, '2020-05-21 13:34:00', '2020-08-12 18:03:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24006, 'HZSjphh8AaFaKv2e', 'Operative Gaze', NULL, 'Operative Gaze\n2020\n2’40”\n\nThe video piece shows a fictional interface of a surveillance agent who writes a report on a person by viewing live CCTV and bug camera footage. The viewers can see the live process of the report being made while the person walks among places, therefore the viewers also become surveyors of the target. Then an error occurs, proposing the possibility to break out of such a system. The spaces visible are all formed by naked human bodies as a symbol of societies based on the exploitation of many for the comfort of the few privileged. Also, it gives a sense of a society where you can never feel alone and unobserved.\nThe work reflects both on current day surveillance systems and also on the secret police system of the Soviet Block in order to understand the psychological dynamics among surveyor and the surveyed in a society.', NULL, NULL, 'It can either be exhibited\n-on a LED screen\n-on a computer monitor on a table (ideally on old CRT montior)\n-or projected on to a wall in large scale', NULL, 'artist', NULL, NULL, 'https://vimeo.com/420976175', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2216, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1924, NULL, '2020-05-21 13:37:32', '2020-07-12 17:03:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24007, '9dhJj40XJBR5QPKY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 13:47:19', '2020-05-21 13:47:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24008, 'GyvEEqG2g08cRofZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 13:54:43', '2020-05-21 13:54:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24009, 'wKIuhRelSXbgf9Bq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 14:00:09', '2020-05-21 14:00:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24010, 'gfiYDx9wG7BmG7VB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 14:02:23', '2020-05-21 14:02:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24011, 'ihQcOGPFzpdhHO49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 14:31:38', '2020-05-21 14:31:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24012, 'e7GI5vejsDDkKtKe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 14:42:30', '2020-05-21 14:42:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24013, 'biqbY812D1IrDuCc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 15:12:46', '2020-05-21 15:12:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24014, '4vSVquXZR0oRhHbj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 15:36:23', '2020-05-21 15:36:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24015, 'nrT353O8CGa8BoBg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:02:21', '2020-05-21 16:02:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24016, 'OmFcfD4xCFBHQMYP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:02:36', '2020-05-21 16:02:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24017, 'OazHao5uRpwKjw7g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:22:44', '2020-05-21 16:22:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24018, 'LRCyMvyCTrLvTca5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:44:00', '2020-05-21 16:44:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24019, 'gT6aYZZr4lzOzGej', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:44:09', '2020-05-21 16:44:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24020, 'UtjIgrjZL4hwdZ7b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:50:34', '2020-05-21 16:50:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24021, 'cmA6Xb9zR5nfji7a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:54:32', '2020-05-21 16:54:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24022, 'Hfao3w3Evzd5WkTJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 16:58:45', '2020-05-21 16:58:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24023, 'ZhUHVcPcHRdx72nl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 17:16:47', '2020-05-21 17:16:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24024, '3qyLdRESxoPH3G3t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 17:17:33', '2020-05-21 17:17:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24025, 'JOTMzqVV3oNmm3xw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 17:37:48', '2020-05-21 17:37:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24026, '95NW7nq70rUjr4rU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 17:38:16', '2020-05-21 17:38:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24027, 'umHf2Ko98SssA1zq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 17:56:34', '2020-05-21 17:56:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24028, 'DkKhR1gEIhxOTg1l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 17:56:40', '2020-05-21 17:56:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24029, 'dWd90snKktgBKmlt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 18:00:37', '2020-05-21 18:00:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24030, 'ii4iEE3olIw8IKQ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 18:10:32', '2020-05-21 18:10:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24031, 'jJVbvsdVtMD7KUxL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 18:25:04', '2020-05-21 18:25:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24032, 'ACvUMrrnSvPbeycW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 18:38:58', '2020-05-21 18:38:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24033, 'jRq0YwjgA5Z3C2QA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 18:45:28', '2020-05-21 18:45:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24034, 'O4F5lBg8NFqzx1LV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 18:52:11', '2020-05-21 18:52:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24035, 'kaMFz3JJw1d9UhHo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 18:53:36', '2020-05-21 18:53:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24036, 'HudwsQp9QjNHdIjL', 'Initiation', NULL, 'INITIATION, is an interactive sound installation , is a try to condense my long term artistic research on rituality and waiting where I created a performance/ritual «Waiting for Godot to bless me» performance. \nThe installation combines the sound piece created in 2017 in  collaboration with Swiss artist Gilles Aubry at  Moulay Bouchta l’Khamar, a village in the North-Eastern part of Morocco. a sound documenting  the yearly celebration of the local saint (moussem), including songs, prayers and texts from previous \"Waiting for Godot to bless me\" responses .\n The piece provides a stage of the performance as an inner introspection and progressive reconfiguration of my own self, breath by breath, balloon after balloon.\nIn a addition to the sound the installation  have three rooms, each room is dedicated to one of the three pillars of a ritual :Sacrifice-Offerings-Transe\nInitiation, is an invitation to delve into the aura of sound, perfume, motifs and the breath of a live that exceeds the barrier of the logical and the concrete.\nI aim by this installation to enable people to think about a photography without a camera, to pass them the relay to had a inner glimpse on a spirituality that  takes its elements from our daily life experience.', NULL, NULL, 'The exterior aspect of  the installation made of transparent corrugated colored pvc, so the visitor outside will have a distorted vision of the visitor inside\nThe external form of the installation comes from the Chakana/ Inca Cross, a strong symbol of the old cultures of the Andes as in 2017 I had the opportunity to develop the project in Bolivia.\nThe installation has 4 spaces:\n-The entrance/The exit\n-The scent room\n-The henna tattoo room\n-The balloons room', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=i2lWPBq_GLI&list=UUb_9ymTCuijcDUBpyeqecXw&index=5', NULL, 'http://www.earpolitics.net/wasted_breath_inside_a_balloon/', NULL, 'https://ramiabeladel.atavist.com/waiting-for-godoto-to-bless-me-2014-ongoing', NULL, NULL, NULL, 2775, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2407, NULL, '2020-05-21 19:00:56', '2020-07-22 18:42:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24037, 'mY6fDbh3IY8dlff2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 19:04:02', '2020-05-21 19:04:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24038, '4DX7vYwMhxz0boRs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 19:26:02', '2020-05-21 19:26:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24039, 'N9dd89jmef4jKvuv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 19:27:28', '2020-05-21 19:27:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24040, 'whLzktGO4CMTVixQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 19:30:14', '2020-05-21 19:30:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24041, 'Fqg6lOAWCrnM4IaK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 19:34:39', '2020-05-21 19:34:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24042, 'xnYCccjTz9o5dK2d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 19:39:54', '2020-05-21 19:39:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24043, 'AhNdWAACyO0vt44f', 'El altar de los ancestros', NULL, 'EL ALTAR DE LOS ANCESTROS\n\n\nEste taller es una propuesta procesual y relacional que pretende activar el pensamiento en torno al cuerpo, su imagen y sus representaciones. Es una experiencia vinculante que involucra tanto la huella del cuerpo como registro, audiovisual y pictórico, Abordaremos diversas consideraciones de orden Sociológico, político y social, sobre la palabra “PERSONA, aspiramos, como es el caso, a una reconciliación consigo mismo. La ciudad y los afectos\n\n\n\nEL ALTAR DE LOS ANCESTROS es un taller- laboratorio  que busca indagar sobre el cuerpo, la identidad y los afectos.Este taller-laboratorio, estará dividido en tres secciones; la primera, indagación sobre sí mismos a manera de grabación o videografias, la segunda se indaga el sitio geográfico a través de las psicogeografías y la tercera y ultima el cuepo atraves de antropometrias ya sean individuales o en grupo.\n\n_En la primera sección los y las participantes estaremos intercambiando nuestros pareceres en torno a la palabra persona, la cual se construirá a manera de reportaje en donde los participante se indagan y graban asi mismos en formato video las diferentes respuestas a la interrogantes que es una persona.segunda sección psicogeografías\n\n\n-La tercera sección se realizará con las técnicas pictóricas de las antropometrías, sobre sábanas ya sea individual o colectiva de acuerdo al contexto y entorno lo permita', NULL, NULL, 'Espacio expositivo para instalar el producto de taller-laboratorio.Antropometrías, psicogeografías', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=gcWwlkoGk38&t=115s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2219, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1927, NULL, '2020-05-21 19:49:39', '2020-06-23 17:58:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24044, 'zh2prxe02WX5r7hY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 20:20:01', '2020-05-21 20:20:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24045, 'YmglSGhYFwNuhoOS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 20:20:12', '2020-05-21 20:20:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24046, 'xy7k9Cio4kTWu1zx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 20:24:43', '2020-05-21 20:24:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24047, 'WTpOcklFD6FVPFko', 'Autosimilitud - La Terráquea -', NULL, 'Intervención efímera colectiva, diálogo con el PATRImonio histórico Mon al Pblo Puntano. Específicamente en Portal de Los Cóndores y Pza de Las Américas en la pcia de San Luis\nLo formal:\nAl atardecer una mujer surge del portal tocando una marcha militar en el arco de un bombo leguero, el que desvanecerá en un latido en el parche. Al acontecer de este cruzarán el portal mujeres haciendo sonar cuencos. Instalándose en la pza. A su vez una mujer cruza el portal transportando 50 kg de sal, vainilla y mica.\nLa cordillera las espera y amalgama a ella, iluminada por luz negra las mujeres se funden al ocaso subrayándose los sedimentos que caen sobre esta. Materia devuelta a su carne mineral, retorno de lo extraído.\nA medida que la acción deviene, desde el portal y perím de la pza ingresan otras con tambores que suenan al unísono latir.\nA medida que los sedimentos vuelven a la cordillera, las mujeres se concentran rodeandola y se gesta una clave de candombe.\nLlegan otras que danzan para ellas y la tierra, que hacen sonar sus cuerpos (percusión corporal)\nSe apagan las luces, ocaso del artificio. La noche, la oscuridad inaugura, encarna el naciente amanecer. El alba. \n\nRecursos materiales claves:\n50 kilos de sal industrializada Dos Anclas\nVainilla en polvo ( medidas variables)\nMica en hojuelas (medidas variables)\nLámparas luz negra (cantidad y método de montaje en proceso de estudio)\nBombo leguero\nInstrumentos de percusión varios\nCuencos tibetanos.', NULL, NULL, 'Casa de las Culturas, ciudad de San Luis. \nRegistro fotográfico y audiovisual de la acción acaecida y textos que posibiliten el ingreso de los/las espectadores a la obra. Evitando su hermetismo.\nAdjunto jpg con textos que tienen que ver con lo poético, otros formales e imágenes explicativas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3878, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3299, NULL, '2020-05-21 20:35:11', '2020-07-02 20:36:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24048, 'RAeoHw0O9ZzHm7oB', 'RocaºMadridº2021', NULL, 'La invasión del lenguaje visual que experimentamos en el mundo, sobre todo a raíz de la globalización y de la conexión continuada a internet, supera los límites de análisis, apareciendo la desinformación por exceso de información. La congestión y el embotamiento sensorial dificultan la capacidad de focalización, quedándonos en la superficialidad. Las formas de uso, consumo y almacenamiento de la información visual actual están modificando la comunicación y relaciones sociales. Nos está transformando, pero no solo a nosotros, sino también nuestra percepción del entorno.\n \nRocaºMadridº2021 es una obra donde nos apropiamos de las imágenes de internet extraídas de la búsqueda de la palabra “Roca”, en un lugar y fecha concreta, investigando acerca de la reproducibilidad, la autenticidad y el reapropiacionismo. Con ellas, creamos una composición en la que repetimos las fotografías en función de la cantidad de veces que se hayan reutilizado en Internet. Las imágenes envuelven a una roca de aproximadamente 1.5 x 1 metros como una segunda piel, gracias a la técnica de la hidroimpresión. \n \nEstas fotografías tienen un tamaño reducido, el cual no permite verlas a priori, sino que implica un esfuerzo por parte del espectador para su percepción. Hay que aproximarse para ver el contenido, un alboroto visual reflejo de la manera de consumir información actualmente. Centrar la atención para navegar por las imágenes, destacando la necesidad de acción para su comprensión.', NULL, NULL, 'RºMº21 está concebida para exponerse en el Museo Arqueológico Nacional de Madrid, que ofrece una interpretación rigurosa y crítica del significado de los objetos desde la Antigüedad hasta épocas recientes, de manera que el conocimiento de su historia sea útil para comprender la realidad actual. Las rocas fueron el primer lienzo, la primera materia que tuvo un papel en el arte. Por ello, a través de este medio queremos mostrar cómo ha evolucionado la comunicación y disposición de la información.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2222, NULL, 258, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1930, NULL, '2020-05-21 20:59:42', '2020-07-12 17:03:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24049, 'uLO3A8UDMzNKbarf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:04:32', '2020-05-21 21:04:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24050, 'qKuWeSfCGIforTUn', 'SIETE SIETE SIETE', NULL, 'Titulo: Siete Siete Siete\nTamaño: 75x55. Encuadrado.\nEsmalte sintetico s/cartulina americana. \nAño 2020.\nLa obra es una psicografia, no fue pensada ni planificada, salio asi, casi como que pidiendo permiso. Representa basicamente la industria alimentaria de la carne (quiero aclarar que yo como carne, no tengo nada en contra de la misma). Muestra el gran genocidio animal, que en años posteriores sera estudiado en libros de historia, ante la incredulidad de los futuros habitantes de que haya ocurrido eso. Como nosotros que estudiamos atrocidades de nuestros antepasados. Esta la industria fuerte sobre un costado succionando la energia animal, mas abajo la maquinaria que sintetiza, atraves de la generacion de cultura (publicidad, costumbres, etc) y tiene atados a los consumidores que no poseen ojos ni boca (Plasticamente quedaba mejor asi). El resto de la obra habla de las posibilidades, campos amplios, el numero sagrado 777, la gran ave salvadora que esta patas para arriba con cruz invertida, el hermitaño y el androgino rojo completan la obra. Para mi info contactarme al insta', NULL, NULL, 'Pared de fondo gris/blanco hueso, no importa tamaño de la misma, mas escritura sobre la misma explicando la obra. Aunque en realidad es al reves, la obra va a explicar lo que voy a escribir, que en el caso de ser seleccionada la misma, escribire dias antes de la exhibicion y la misma sera ploteada y pegada en la pared. El maximo del texto sera de 1 metro x 50cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2220, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1928, NULL, '2020-05-21 21:14:36', '2020-06-23 17:59:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24051, 'oCrHDsBR0y97hNDI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:15:03', '2020-05-21 21:15:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24052, 'wN3Ia2PlMRgNUINq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:21:55', '2020-05-21 21:21:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24053, 'FqBEfVNoaB7pauIa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:24:43', '2020-05-21 21:24:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24054, 'lSaVLkdg9cSxYB0E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:24:49', '2020-05-21 21:24:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24055, 'N992m41cVHEsLVmp', 'Rusia Año Cero - Código 17 / Supremacía y Construcción', NULL, 'Objetivos:\n- Consolidar un lenguaje artístico entre el arte geométrico del Perú y el constructivismo Ruso.\n- Dar a conocer el lenguaje geométrico y abstracto de la vanguardia y movimiento constructivista.\n- Dar a conocer, patrones estructurales del arte abstracto desarrollado en el Perú a mediados del siglo xx.\n\nDescripción:\nEl proyecto tiene como propósito usar patrones constituidos bajo el movimiento artístico del constructivismo ruso, de esa manera dar a conocer el lenguaje geométrico y abstracto que el grupo Colorbox maneja, esto como consecuencia a la poca visibilidad que el arte geométrico y la abstracción contemporánea ha tenido en el país (modernidad y vanguardia el siglo xx).\nEl grupo planea ejecutar una serie de exposiciones teniendo como discurso la dialéctica universal de la abstracción geométrica.\n\nJustificación:\nEl arte del Perú antiguo se ha caracterizado por la geometría y la abstracción de la naturaleza generando figuras que dieron origen a una peculiar gráfica.\nEn la segunda década del siglo XX en Europa, un grupo de artistas y arquitectos como Vladimir Tatlin, Alexander Rodchenko, Mikhail Larionov, forman el “Constructivismo Ruso”. Este nuevo lenguaje de las formas, representaba para la joven utopía soviética una identidad visual cuyo objetivo era hacer llegar el arte al pueblo.\nHan transcurrido más de 100 años de su origen y el grupo Colorbox ve pertinente construir piezas en base a este movimiento, generador de modernidad y vanguardia universal.', NULL, NULL, 'Centros Culturales, Galerías', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://colorboxperu.com/index.php/artistas-colorbox/', NULL, NULL, NULL, 2245, NULL, 263, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1948, NULL, '2020-05-21 21:32:30', '2020-06-23 19:28:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24056, 'sUWGapC9Qak0RIRq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:35:53', '2020-05-21 21:35:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24057, 'idCCvw1NmMCJ1S6E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:39:09', '2020-05-21 21:39:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24058, '4DJbjxPVdC47lPEz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:40:18', '2020-05-21 21:40:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24059, 'F0plEp9IsKoiBd2E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:55:31', '2020-05-21 21:55:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24060, 'Jv0DkyrB3XBcfTQX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 21:56:25', '2020-05-21 21:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24061, 'vnorepeA3aldh8aa', 'VARIACIONES SOBRE EL LÍMITE / MEMORIA SUR', NULL, 'En el marco de los 100 años de la fundación de la ciudad de Río Grande, Tierra del Fuego (Julio 2021), propongo realizar una serie de intervenciones artísticas, de carácter efímero, en el amplio territorio rural cargado de memoria ancestral empezando por la Reserva Costa Atlántica y los alrededores de ésta ciudad. \n\nSe trata de una propuesta artística de participación comunitaria en donde se abordarán reflexiones sobre el territorio ancestral, el nuevo territorio, el respeto por la bio-diversidad y lxs otrxs, desde un revisionismo histórico y político.\n\nEl proyecto contempla la realización  de obra personal* y la producción de obras colaborativas, creadas a partir de un programa de seminarios y talleres exploratorios junto a la comunidad artística local (artistas y curadores) Y la comunidad educativa. Los ejes serán: arte e investigación, arte y naturaleza, arte y educación. \n\nHay una fuerte intención de hacer hincapié en la temática histórica de la ciudad de Río Grande y la Isla Grande de Tierra del Fuego y de producir arte situado, en un contexto austral, contemplando lo trágico y glorioso del pasado e imaginando posibles futuros en una de las ciudades más al sur del mundo.\n\n*Variaciones sobre el límite. Zanja de oro y sangre. Intervención sobre la costa de la Reserva Punta Popper  / Instalación de 5000 esculturas simbólicas de barro: guanacos, orejas, monedas, y objetos de cestería Selk’nam, sobre línea de  alambrado de la ruta 3 en las cercanías de la Misión Salesiana.', NULL, NULL, 'Geolocalización en la ciudad de Río Grande. Tierra del Fuego. \n- Reserva natural Punta Popper. \n- Reserva Natural Urbana Laguna de los patos.\n- Centro de Interpretación de la Reserva Costa Atlántica,\n- Cabo Santo Domingo.\n- Misión Salesiana Nuestra Señora de la Candelaria. \n- Museo Fueguino de Arte.\n- Museo Virginia Choquintel.\n- Museo Histórico y de Ciencias Naturales Monseñor Fagnano.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4828, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4064, NULL, '2020-05-21 22:14:59', '2020-07-20 18:14:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24062, 'rVlZph1B70AHCj5h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 22:18:38', '2020-05-21 22:18:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24063, 'LEee3bTWkCDMhDbk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 22:38:08', '2020-05-21 22:38:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24064, 'bv4GUDIg7DNZLotB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 22:57:14', '2020-05-21 22:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24065, 'VlMVq4YePZiBd7gj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 23:00:34', '2020-05-21 23:00:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24066, '86JP0LcWSIPs2eol', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 23:04:53', '2020-05-21 23:04:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24067, 'nHv7eIie143DqwHH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 23:10:16', '2020-05-21 23:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24068, 'mvg8OS1sLl9PgHJl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 23:10:37', '2020-05-21 23:10:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24069, 'vlzDQduit7cwkrk7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 23:43:43', '2020-05-21 23:43:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24070, 'xsTRsj9fJlcUmnbm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 23:47:23', '2020-05-21 23:47:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24071, 'JvpG7PBDGFcXCIlY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-21 23:48:10', '2020-05-21 23:48:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24072, 'j9Btg2gB0NBJ8bkt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 00:12:01', '2020-05-22 00:12:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24073, 'mhqlOWM3vTH2Cme6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 00:16:38', '2020-05-22 00:16:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24074, 'FdDPFwdjVbE5R1Fk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 00:19:14', '2020-05-22 00:19:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24075, 'k6nJueVvIgQgn215', 'Estratégia para Permanecer', NULL, 'En ESTRATÉGIA PARA PERMANECER, tanto el periódico como la fotografía, vehículos para hacer circular información sobre el presente y fuentes para la constitución de la historia y la memoria colectiva, tienen sus estatutos originales bajo control.\n\nLos dibujos en papel pergamino propuestos para esta instalación se derivan de la misma imagen del periódico. Para componerlos, se creó un método desarrollado por el artista que permite caminos infinitos dentro de la misma imagen. Son como docenas de intentos de mantenerla presente. Sin embargo, ninguno es capaz de manejar la imagen original solo, mientras que ninguno excluye la presencia de los demás. No por casualidad, visto de forma aislada, muchos se parecen a mapas o laberintos, en un intento de reconstruir fronteras y nuevos territorios.\n\nEl método desarrollado para el trabajo es una estrategia para permanecer en la imagen. Resistencia al impulso de consumo inmediato. El resultado de este proceso no pretende aumentar la visualidad de la imagen o su comunicación; tal vez termine reforzando la invisibilidad de las imágenes periodísticas: su vocación al olvido.\n\nLa instalación ESTRATÉGIA PARA PERMANECER - 2019 consta de La hoja de periódico donde se publicó originalmente la imagen (sin la imagen, sólo con el subtítulo) y de 350 dibujos realizados en tinta sobre papel de calco. Los dibujos (21 x 30 cm cada) deben fijarse a la pared con 2 pines cada uno y con un espacio de 1 cm entre ellos.', NULL, NULL, 'La instalación es adaptable a diferentes configuraciones espaciales, y puede estar en una sola pared o en varias paredes como en las imágenes adjuntas.\n\nSi se instala en una sola pared, ocuparía, por ejemplo, 12 filas por 29 columnas de dibujos. \nDimensión total de 263 cm de altura x 900 cm de ancho.\n\nESTRATÉGIA PARA PERMANECER - 2019 \nTinta sobre papel de pergamino y jornal', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/p/B-an3kBpykk/?igshid=7ilkur4xh65z', NULL, NULL, NULL, 4565, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3836, NULL, '2020-05-22 00:30:35', '2020-08-13 23:11:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24076, 'd5K1J55tqb8qAfGE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 00:32:12', '2020-05-22 00:32:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24077, '1P2eRSaflvg9oDXx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 00:40:52', '2020-05-22 00:40:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24078, '8wCzDi6HRjy0COBL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 00:43:12', '2020-05-22 00:43:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24079, 'jSjgkPwGvvFo6FgB', 'Diálogos de subjetividade: Silvestre Guerra e Ania Valle', NULL, 'A mostra “Diálogos de subjetividade” apresenta de forma inédita e original a obra do casal de artistas cubanos Luis Enrique Silvestre Guerra e Ania Valle, radicados no Brasil desde 1999. A mostra apresenta uma fração de sua trajetória de investigação da arte, que de um lado carrega o imaginário, as cores e formas aprendidos em Havana; e por outro, os leva - através da subjetividade marcada por traços do surrealismo - a caminhar lado a lado em suas buscas por identidade, alteridade e pertencimento a uma nova terra, a partir de uma poética de antropofagia artística e diálogo construído pela vida em comum. São duas séries de cada artista, cerca de 50 obras, mostradas lado-a-lado, desenhos aquarelados das séries “Cisnes huecos sin fronteras” e “Ecos de veril”, de Silvestre Guerra, e colagens das séries “Cartas sobre la mesa” e “Enciclopédia del saber” da artista Ania Valle. O projeto curatorial propõe, além da exibição das séries, uma intervenção da dupla no espaço expositivo, com live-painting e dança-performance. Trata-se de um exercício lúdico, no qual caberá ao público estabelecer as relações possíveis ou cabíveis entre as obras, a partir das relações entre gêneros, do simbolismo imanente de cada obra, o quanto se complementam ou se alteram. Propõe, como investigação curatorial, abordar o fenômeno coletivo da imigração e das hibridações da arte por meio da experiência individual, assim como da simbiose do casal em diálogos artísticos de subjetividade.', 'Luis Enrique Silvestre Guerra, Havana, Cuba, 1966. ​\nhttps://www.lineacontemporary.com/silvestre\n\nArtista cubano formado pela Escuela Provincial de Artes Plásticas San Alejandro, ISDI Istituto Superior de Diseño. \nNo Brasil desde 1999, realizou mostras individuais no Museu Nacional de Belas Artes –  Rio de Janeiro, e exposições coletivas na Bienal de Cuenca (Ecuador), Berini Gallery (Barcelona – Spain), e no Pavilhão Latinoamericano de Arte da Red Dot Fair Miami.\n\nAnia Sanches Valle, Santa Clara, Cuba, 1977. www.lineacontemporary.com/aniavalle \nArtista cubana, iniciou sua carreira na Dança Contemporânea em Havana, formada pela escola de Rosario Medina, pelo grupo experimental da coreógrafa Judith Sánchez e estudou antropologia teatral com Eugenio Barba. Já no Brasil, participou de performances, mostras individuais e coletivas na Sala Crisantempo, Casa da Chiclete Galeria, Mínima Galeria, Espaço Bistrô, Galeria Vermelho.', NULL, 'Será necessário espaço de 01 sala grande (100m2) ou 02 salas menores, mais intimistas, para 48 obras em pequenos formatos (21x29 cm) e (30x40 cm), e 04 pinturas com dimensões entre 140x140 cm e 190x170 cm. \nEspaço para intervenções públicas, sendo 01 painel de 3x2m para live-painting e área de 5m2 para a dança-performance. \nPropõe-se Layout com as obras dos dois artistas lado-a-lado, em pares ou pequenos conjuntos. E uma seção de obras de cada artista, respeitando também a poética individual.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/file/d/1_dM8trpf5VOEu7juaacgQxpEgAnLxbJJ/view?usp=sharing', NULL, NULL, NULL, 3084, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2654, NULL, '2020-05-22 00:43:44', '2020-08-02 13:21:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24080, 'VsK2DitzMT80UvUO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 00:44:11', '2020-05-22 00:44:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24081, '8O94cBLmpysDq1NR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:01:01', '2020-05-22 01:01:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24082, 'Vv5dcxZUHNkRQIli', 'Chrysaliis', NULL, 'Chrysaliis -  proceso de disolución del capullo (pupa) donde la larva se disuelve o rompe el capullo y emerge en otro estado.\nEn la vida de las mariposas, la crisálida representa la tercera etapa (huevo, oruga, crisálida y mariposa). Las etapas a las que el ser humano está condicionado, a su vez, son 4 (niños, adolescentes, adultos y ancianos) y sus metamorfosis y transformaciones (emocionales, intelectuales y psíquicas) son innumerables. Esta serie busca representar, metafóricamente, la ruptura del caparazón que, al mismo tiempo que protege y amortigua el dolor del mundo, aísla y elimina ... La ruptura no ocurre sin dolor o trauma (fuego), y solo ocurre en el encuentro y en interacción unos con otros.\n\"Básicamente, esto es todo, la soledad: involucrarnos en el capullo de nuestra alma, hacernos crisálidas y esperar la metamorfosis, porque siempre termina llegando\".\n- August Strindberg', NULL, NULL, 'Fotografías híbridas, presentado en diseño continuo, rectangular, con paneles o paredes, que busca fluidez en la interacción espectador / trabajo, sin jerarquía de contenido. \nChrysaliis 1 –  Dimensões 1,20 X 80 \nChrysaliis 2 –  Dimensões 0,90 X 0,30\nChrysaliis 3 –  Dimensões 0,85 X 0,65\nChrysaliis 4 –  Dimensões 0,85 X 0,65\nChrysaliis 6 –  Dimensões 0,90 X 0,30\nChrysaliis-pupa - fotografia híbrida. Dimensões 085X065, com instalação de cordas e pregos', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4980, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4183, NULL, '2020-05-22 01:05:33', '2020-07-02 17:58:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24083, 'YEJovE99362OAH2N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:14:21', '2020-05-22 01:14:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24084, 'JDLaAukmi5KBl6xg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:14:30', '2020-05-22 01:14:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24085, 'ycSoSUYlia10Uuv0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:19:49', '2020-05-22 01:19:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24086, 'zYy1ObNJmS402JAO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:21:49', '2020-05-22 01:21:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24087, 'FgwqrxDBu0n2KNXK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:24:45', '2020-05-22 01:24:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24088, '6QQpH6qTjvzLfOZz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:28:34', '2020-05-22 01:28:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24089, 'BBc7SqcRgV3ZMkPw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:31:32', '2020-05-22 01:31:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24090, 'wo9gB9jVznm5dsWn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:32:54', '2020-05-22 01:32:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24091, 'qK815XqFvSWNamQp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:45:04', '2020-05-22 01:45:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24092, 'iXLTzS7uzRJ0D7nm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:46:07', '2020-05-22 01:46:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24093, 'Rp24YzigtYVfni1j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:53:47', '2020-05-22 01:53:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24094, '0wk6HcNUN6AfzMvB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 01:54:53', '2020-05-22 01:54:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24095, 'gJ8Oc2h3GLPgK5Ph', 'Vacíos', NULL, 'El vacío representa la pérdida casi total de la materia en un espacio confinado a las suposiciones de lo que cada uno cree pueda existir dentro del mismo, sin dar concesiones a objetividad alguna, ya que la experiencia de este hecho, y su posible reconocimiento de manera palpable, significaría la definitiva caída a dicha oquedad, el quiebre de las utopías, el acuse de un sentir que la gran mayoría de las veces no podríamos soportar, al verlo relacionado con la decadencia, el desliz, el pecado. \nEs inevitable pensar que el espacio que nos rodea está conformado por líneas y figuras que nos evocan relaciones intrínsecas con la propia estructura del mundo. Por otro lado los colores, como efectos derivados de la propia luz, nos permiten reconocer espacios y situaciones que se transforman en sensaciones propias del entorno, convirtiéndonos así en catalizadores de los efectos propios que derivan luego de la aparición del color.\nEs a través del espacio en juego que la serie “Vacíos” busca remontar la definición a través de la percepción, invitando al público a experimentar sus propias visiones sobre el concepto de fallar consciente o inconscientemente. Esta muestra busca unir a través de las formas la sensación de lo externo con lo muy interno del ser, haciéndole ver lo profundo y amplio que puede ser su propio encierro, o lo liberador que puede ser la ruptura del mismo a través de la búsqueda y entendimiento del color y de la luz que lo genera como un proceso de transformación.', NULL, NULL, 'Ideal en paredes blancas con luz fría.\nAcrílico sobre lienzo con medidas variables (120cm x 80cm; 80cm x 60cm; 60cm x 60cm).\nAcrílico sobre cartulina 200gr (43cm x 35cm).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2224, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1932, NULL, '2020-05-22 02:04:35', '2020-06-23 19:28:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24096, 'eYUqWmf5hbopFpJ4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:09:54', '2020-05-22 02:09:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24097, 'kpLpiBUtPePehZd4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:13:12', '2020-05-22 02:13:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24098, 'MMIrjWJNzRK1DVtI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:21:40', '2020-05-22 02:21:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24099, '5vXq5ARfoQMsnq18', 's/t  Cristina Chiarenza  2011-2016', NULL, 'S/T\nCristina Chiarenza \n2011-2016 \n \n \n La voyeur interior \n \nDurante cinco años, Cristina Chiarenza volvió a su casa después de su trabajo, de noche, ubicó una cámara del lado exterior de los ventanales y tomó fotografías de su marido y de su hija, en el final de cada día, sin que ellos lo supieran.  \nConstruyó así un secreto, un drama, una serie; o, mejor, construyó su segundo secreto, su segundo drama, su primera serie.  \nEstas imágenes y estos diarios vulneran su círculo íntimo en un intento por decir algo que resulta intolerable. Pero, ¿no es acaso el mismo movimiento el que funda esa unión en el espanto que es la familia? \nEn los interiores domésticos crecen como plantas desérticas las personas olvidadas de sí, cansadas, lejanas en esa alienación de jogging y tv, silenciosas en medio de lo real.  \nComo en un juego de distancias, su mirada pervierte la idea del pudor y se exilia a un territorio donde lo íntimo es siempre repetido y siempre perturbador.   \nEn el centro de la escena del bienestar, una inercia trágica, barroca, se lleva los días. \n \nMariana Lerner \nAbril de 2016', NULL, NULL, 'las obras enmarcadas miden 0,90 cm x1.20 mtr', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2223, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1934, NULL, '2020-05-22 02:24:31', '2020-07-12 17:03:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24100, '9D8LBUxL9xh6hz4U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:32:29', '2020-05-22 02:32:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24101, 'R6YHpwQ9rYTtV59g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:33:59', '2020-05-22 02:33:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24102, 'K3F9GeDACqI0Y0lq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:36:42', '2020-05-22 02:36:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24103, 'TeI0OQbRaIkSxppr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:37:23', '2020-05-22 02:37:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24104, 'QS0kVdKtdLD08i01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:43:17', '2020-05-22 02:43:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24105, 'jWX1qGkZwLZakgnq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:47:25', '2020-05-22 02:47:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24106, 'pAal5U9RmZ4RYT9X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:51:01', '2020-05-22 02:51:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24107, 'GX9PwEROiFvhaTtz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:55:17', '2020-05-22 02:55:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24108, 'CXAgG9qFRPFIfpkJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:57:59', '2020-05-22 02:57:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24109, 'iGRjooJjqNMrjdob', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 02:58:00', '2020-05-22 02:58:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24110, '9XZfonBhx59H760g', 'Imágenes del Desvío: ausencias', NULL, 'La propuesta del colectivo se orienta hacia establecer  simbolismos vinculados con la situación de aquellas personas “desviadas” del sistema, o de las estructuras sociales que validan la identidad a partir de la acción del cuerpo situado en el territorio. \nEl proyecto se centra en el zapato como símbolo de la acción de “calzar” en esas estructuras, como un objeto público, no íntimo. Es a través de los pies que uno se sitúa y se desplaza por el mundo, por lo tanto de esta manera se connota la idea de que el ser humano se mueve y camina por la ciudad asumiendo la estructura patriarcal que está en sus zapatos. \n Estos objetos patriarcales no solamente se usan para hacer una reflexión acotada al género, sino como un significado universal que habla de la sociedad y la humanidad. Por ello el contexto de esta instalación, a diferencia de las anteriores, es el espacio natural, el mar, como significante del origen, de las emociones, como reducto de lo humano. Se remite así al Romanticismo; el hombre inserto en la naturaleza y, más que sometido, integrado a ella como una especie de retorno.  \nEn esta instalación, la marcha, lo zapatos pintados de blanco, son dispuestos en la orilla del mar, como un vestigio de personas que los han abandonado ahí para sumergirse en el agua. Se construye una imagen de un momento pasado, de la superación y el desvío de la calle trazada; el momento de descalzarse para abandonar el peso de la ciudad, y situarse en la tierra como humano.', NULL, NULL, 'Se sugiere un espacio natural, costero, una playa de mar abierto como las playas de la costa oeste de la Isla de Chiloé, preferentemente, orientada hacia el horizonte. Ejemplo puede ser la Playa Arena gruesa, ubicada en Ancud, Isla de Chiloé. También puede ser la costa de Puerto Saavedra, en la Araucanía, Chile. La extensión es relativa, pues en ella se dispondrán aproximadamente 400 pares de zapatos, distribuidos a una distancia promedio de 5 metros. (sujeto a cambios por situación sanitaria)', NULL, 'artist', NULL, NULL, 'https://youtu.be/_5Oyi8qhbxo', NULL, NULL, NULL, 'https://www.instagram.com/colectivodeldesvio/?hl=es-la', NULL, NULL, NULL, 2309, NULL, 270, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2000, NULL, '2020-05-22 03:05:59', '2020-08-12 18:16:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24111, 'v4aG04pbB6cajuqC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 03:09:08', '2020-05-22 03:09:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24112, '7XYnGBVRngIz8oFX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 03:38:32', '2020-05-22 03:38:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24113, '8sHCF6UDERxlxrbK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 03:39:35', '2020-05-22 03:39:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24114, 'faJco71OWKTXSTzP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 03:42:30', '2020-05-22 03:42:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24115, 'fjc4CloZiegI0JHM', 'Mesa puesta', NULL, 'Propongo sostener la permanencia de los desparecidos a través de las recetas que les gustaban, recetas que nos comparten las madres y familiares de dos asociaciones civiles que ya he vinculado en un proyecto anterior: Las Rastreadoras del fuerte, Sinaloa , México y  la Agrupación de familiares de desaparecidos de Calama, Chile. \nLa búsqueda de los desaparecidos es la misma , las temporalidades y contextos distintos poner esta mesa entre norte y sur es necesario para dar continuidad a la búsqueda y hacer memoria. Para unir las ausencias, las resistencias y los desiertos. Es un acto de reconocimiento de destinos similares.\nSe trata de construir una mesa para una comida familiar con sus elementos, su mantel, sus cubiertos y un plato y una receta por cada desaparecido. Una mesa en la cual se unirían las recetas de los desaparecidos de ambos colectivos Una mesa que quede a la intemperie en ambos desiertos y que espera el regreso de quienes fueron desaparecidos. Un lugar donde sentarse a esperar  y  mirar al otro lado a través de una pantalla en la cabecera en la que se observe la misma mesa en el otro desierto, en el otro extremo del continente, en otro lugar de ausencia forzada. El cuerpo es la mediación de la memoria, la memoria hace carne, encarna. Poner el cuerpo es poner la experiencia como proceso de síntesis de vivencias. Entonces, el alimento no es una función fisiológica, es una forma de digerir el dolor, de hacer presente al que no esta.', NULL, NULL, 'Los espacios expositivos son :\nEn Calama, un espacio cercano al memorial a las 26 personas asesinadas por la Caravana de la Muerte. En Mochis, Sinaloa será un espacio dónde las rastreadoras encontraron las primeras osamentas de su colectivo. En los dos casos son espacios abiertos para dimensionar lo inabarcable de estas búsquedas, con la instalación de una mesa de 3mx1m en cada locación. Dos mesas con un sistema de reproducción en tiempo real, estamos en Calama viendo Sinaloa y viceversa.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://www.recetarioparalamemoria.com/recetas', NULL, 'https://www.recetarioparalamemoria.com/', NULL, NULL, NULL, 5247, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4366, NULL, '2020-05-22 03:45:35', '2020-07-28 03:37:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24116, 'Wrsz2Q9O0A9P2fwT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 03:54:02', '2020-05-22 03:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24117, 'efuxpexwakGRDgVc', 'La Travesía', NULL, 'La travesía es un proyecto de pintura qué ilustra una historia acerca de cómo un grupo de animales endémicos debe ir en busca de un Cacique y ayudarlo con un problema personal que afecta a toda su población, además de atender otro misterio que afecta no sólo a la población sino al país entero. \n\nLas pinturas han sido realizadas en acrílico sobre lienzo, se manejo una paleta full color, en un estilo figurativo con algunos toques de abstracción.\n\nSon 11 imágenes pero para la bienal se subirán 10 de las imágenes.', NULL, NULL, 'No se necesita un gran espacio para su exposición, anteriormente la obra ha sido expuesta en paneles de dos metros y medio de alto por 2 metros de ancho en un espacio de 10 metros cuadrados, igualmente, la obra se expuso en 11 caballetes en un área de 6 metros cuadrados. \nEs una serie de 11 imágenes, 9 pinturas tienen una tamaño de medio pliego 70x50cm. dos de las obras tienen un tamaño de pliego 100x70cm. 2 verticales. Tipologia realista fantástico, combinado con fantasía y algo de abstracción.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4298, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3647, NULL, '2020-05-22 03:56:38', '2020-07-08 00:28:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24118, '9DqqPO9myRJSnWYq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 03:58:45', '2020-05-22 03:58:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24119, 'B4JuvvOD6zDYXM9s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:06:35', '2020-05-22 04:06:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24120, '4Z1toqqTXyIP3Peh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:07:47', '2020-05-22 04:07:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24121, 'Eo3yh6NRteCmOi0D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:09:07', '2020-05-22 04:09:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24122, 'AEclXlzLKUHCy9Sy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:15:27', '2020-05-22 04:15:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24123, 'PYul97okv5BsRWz9', 'Por que o senhor atirou em mim?', NULL, 'De acordo com relatório da Anistia Internacional, no Brasil, temos a Polícia que mais mata em todo o mundo. O fator racial estruturante da formação brasileira reflete objetivamente na atuação do Estado, violentando corpos pretos em detrimento do branco. A obra tem como objetivo, denunciar a violência policial, entendendo-a como uma das manifestações da dominação estatal sobre os corpos pretos, que encontra caminho no racismo estrutural. Esse sistema político de morte, definido por Achille Mbembe como necropolítica, exerce controle sobre quem morre e quem vive, e o que morre é o corpo que se diferencia das figuras de poder. São corpos que são vistos pelo Estado como “inimigos ficcionais”, corpos pretos e periféricos, que são violentados, assassinados com 80 tiros num passeio em família, executados como Jhonata Dalber, um jovem de 16 anos, que apenas comia uma pipoca enquanto voltava pra casa, executados como Rodrigo Alexandre, um pai de família que esperava a esposa e os filhos com um guarda-chuva na mão, executados como William Carias, um estudante que usava o celular “confundido” com uma arma, executados como o trabalhador Hélio Barreira que usava uma furadeira na varanda de casa.Executados sem representar perigo algum, apenas viviam sua rotina comum. Sabemos que a polícia militar diante da pele preta, não pensa, ela só atira. E é importante dizer que quem puxa o gatilho é o Estado que mantém uma guerra contra a população preta e pobre que se torna cada dia mais evidente.', NULL, NULL, 'As obras são compostas por uma série de 4 pinturas que retratam objetos que homens negros carregavam, e que foram confundidos com armas e drogas pela Polícia Militar do Rio de Janeiro, que os executou em seguida. \n\nSendo 3 telas de 30 x 25cm cada uma, e 1 tela de 81x 28cm. \nTodas são de acrílica. \nDevem ser dispostas na parede da galeria como estão na foto enviada, se possível num fundo branco ou bege claro que destaque as cores do trabalho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2292, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1987, NULL, '2020-05-22 04:17:12', '2020-08-14 16:43:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24124, '8brWxXmuY8dFbPCF', 'cuerpo y mundo biológico, sinergia y rivalidad', NULL, 'TEMÁTICA: El cuerpo humano interviniendo su entorno natural, el causante de una cadena biótica de desastres ecológicos. Mi mirada es una visión fantasiosa, cuerpos en movimiento que pasan de la admiración contemplativa a un accionar contaminante y depredador, que puede convertirse en una relación excepcionalmente violenta.\n\nMe interesa en este proyecto interconectar las dos ramas de mis estudios profesionales, la biología y la danza, abordando contenidos como:\n\n1)La relación con las especies oceánicas, encuentro con un mundo de gran belleza, que justamente el hombre destruye con plásticos, metales pesados, agro tóxicos y deshechos de nuestra civilización, llevando a la extinción especies y ecosistemas .\n\n2) La bioquímica y morfología de este nuevo coronavirus que en su pequeñísima nano dimensión desestabiliza la humanidad entera con su enorme capacidad de contaminación y replicación genética.\n\n3) Nuestras costumbres alimentarias y las especies que consumimos. Los murciélagos necesarios en el equilibrio biológico. Es el único mamífero capaz de volar, ese elevado estrés energético lo ha adaptado a su enorme reservorio de virus, que resultan patógenos para el humano.\n\nFORMATO ARTÍSTICO: Realización de imagen digital fotográfica y videos para proyección en pantalla o mapping sobre el entorno arquitectónico que proponga Bienal Sur. Una mesa servida con vajilla sobre la cual se proyectarían escenas, acercando así el mundo natural contaminado a nuestra cotidianeidad.', NULL, NULL, 'Espacio: Un ámbito de aprox 100 m2 en museo, galería, espacio cultural (varios en vista) \n1) Una pared para montaje fotográfico.\n2) Paredes con detalles arquitectónicos para proyección site specific.\n3) Mesa real, mantel y vajilla para imágenes por mapping.\n(Opción de realizar todo o selección parcial)\n\nTecnología: \n3 proyectores\n computadora portátil\nMatrox para control de proyectores. \nParlantes para composición musical. \nCuento con equipos de proyectores para la propuesta.', NULL, 'artist', NULL, NULL, 'https://youtu.be/og-n4KvwooU', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1CYKhG5YKFjGl2B7aHCbmayh3dXr9SSbM?usp=sharing', NULL, NULL, NULL, 4678, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3939, NULL, '2020-05-22 04:18:27', '2020-08-15 01:19:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24125, 'Na1wdXZRQff3u2Bd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:24:31', '2020-05-22 04:24:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24126, '5tZvzRJdiqPcTEct', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:32:59', '2020-05-22 04:32:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24127, 'espSvUG3hRXzrTG1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:48:39', '2020-05-22 04:48:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24128, 'jEsFPh4Vvklpiqun', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:51:19', '2020-05-22 04:51:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24129, '87QNzL2KNSSQcDQ5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 04:51:21', '2020-05-22 04:51:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24130, 'JAro0OdvBPUoKB0b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 05:15:14', '2020-05-22 05:15:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24131, 'X8RrSJYdBTxvNrCm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 05:25:19', '2020-05-22 05:25:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24132, 'AMdBwamk1kmmqtdI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 05:26:12', '2020-05-22 05:26:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24133, 'y6dWNp1dTygCUo8e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 05:29:14', '2020-05-22 05:29:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24134, 'w97nd2jLqxtqjkzz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 05:34:48', '2020-05-22 05:34:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24135, 'f7ksVT9AkjBCY6SS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 05:42:08', '2020-05-22 05:42:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24136, 'HJNx2gFYxIj6iU9n', 'PAISAJES IMPOSIBLES', NULL, 'Una serie de imágenes que transgreden la concepción de la realidad mediante la especulación estética de los paisajes, tomando como referencia espacios urbanos y domésticos emplazados en distintos lugares y escalas para los que fueron pensados, de esta forma se convierten en imposibles.\n\nImpossible Landscapes is a series of images that transgress the conception of reality through the speculation of landscapes aesthetic. This speculation consists on relocating urban and domestic spaces to places and scales that are different from the ones they were originally designed for, thus becoming impossible.', NULL, NULL, 'Superficie vertical, blanca.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2228, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1935, NULL, '2020-05-22 05:49:00', '2020-06-23 19:28:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24137, 'GuIkiKg7iFeSKR57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 05:54:55', '2020-05-22 05:54:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24138, 'ZE0IgkVSUSqG62AA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 06:01:14', '2020-05-22 06:01:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24139, '04WCHXjc3FTK314T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 06:29:48', '2020-05-22 06:29:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24140, 'rdC5Evjn6I08QR1k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 06:58:48', '2020-05-22 06:58:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24141, 'x1jtQoMS0aP8M8Ke', 'CONVERSANDO CON LOS MUROS', NULL, 'Este trabajo es una recopilación de la expresión mural que fui recogiendo durante el momento del estallido social, resulta casi como las recopilaciones folclóricas que sintetizan momentos históricos, fue muy interesante hacer este recorrido por un momento de turbulencia que intente expresar en estas pinturas, la técnica de la figuración abstracta nació de la libertad de la idea, no pretendía una copia exacta de  cada figura, ni tampoco una fotografía del momento sino más bien recoger el sentimiento de una expresión urgente, ahi nace la serie  \"Conversando con los muros\", que la componen varias obras de distinto formato, tamaño y técnica.', NULL, NULL, 'El espacio expositivo puede ser un espacio abierto en un recinto universitario y tambien una galeria de arte, el tamaño delformato mayor es de 150x120 cm y los menores son de 20x25 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'INSTAGRAM. marioartigas2019', NULL, NULL, NULL, 2351, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2039, NULL, '2020-05-22 07:13:06', '2020-06-23 20:17:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24142, 'MHrZVYlxQ7PAKUz4', 'Palavra Íntima', NULL, 'Palavra Íntima, Marina Soares\nVideoarte | 2020, 52 \"\nGuión y dirección: Marina Soares\nFotografía: Marina Soares y Eduardo Romero\nBanda sonora: Seepferdchen und Flugfische de Hugo Ball\nProducción: Marina Soares y Eduardo Romero\n\nDesde la oscuridad, aparece un cuerpo iluminado sobre un flujo de números y vocales, guiado por el poema sonoro de las palabras inventadas Seepferdchen und Flugfische (1916) del artista Dada Hugo Ball. Las composiciones vuelven a la alquimia más íntima de la palabra, un lenguaje inusual, el resultado de una intensa absorción de información y experiencias, a veces ofrecida por la exterioridad, a veces por sumergirse en el inconsciente.', NULL, NULL, 'Palavra Íntima, Marina Soares\nVideoarte | 2020, 52 \"\nDimensiones del video: 1920x1080\nMP4\n\nSe sugiere que el video se exponga en gran formato, usando un proyector, ocupando una pared completamente blanca o una pared dentro de un espacio aislado.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/420443985', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2229, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1936, NULL, '2020-05-22 07:54:24', '2020-07-01 21:17:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24143, 'tU5pvkfGsZZ3sjvk', 'La Barquera', NULL, 'Hay rituales de paso,\nRituales performaticos que nos trasportan de una dimensión a otra.\nLe jure a la Parca aprender a ir de un mundo al otro  en esta realidad, este juramento se transformo en mi trabajo performatico. Aprendí el oficio y trabaje de enterradora, lo cual me ha llevado a cerrar el circulo con esta pieza de performance. \nLa gente tiene tanto miedo a la muerte, porque vive atemorizado en su propia existencia.\nDurante años, el trance entre la vida y la muerte fue mi motor de estudio intelectual, chamanico y performatico.\nEsta pieza, nos habla del dolor que puede causar la muerte,  por  no aceptarla. La sangre acompaña este viaje, como símbolo de la vida.\nCada muerte debe ser el PRINCIPIO  de un nuevo ciclo.\nCada acción performatica implica una trasformación personal y social.  \nLa barquera, viene a recordarnos, que la única frontera es la del pensamiento, por consiguiente la vida y la muerte son la misma cosa.\nUna diálisis ancestral, donde mi sangre deja de ser sangre para convertirse en canal de unión, haciendo desaparecer cualquier barrera y convertirnos en un solo ser entre publico y espectador.', NULL, NULL, 'sala donde pueda colgar una polea desde el techo.\nvamos a necesitar un enfermera.\nlo demas todo se puede adaptar.\ntambien me gustaria contar con equipo de sonido', NULL, 'artist', NULL, NULL, 'https://vimeo.com/222676077,https://vimeo.com/293340960', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2230, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1937, NULL, '2020-05-22 08:05:43', '2020-07-01 21:26:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24144, 'uikxY4VAAWPEjvWw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 08:09:41', '2020-05-22 08:09:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24145, 'kU8bktDbcpT2hoSA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 08:10:25', '2020-05-22 08:10:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24146, 'GX9tt5yNo4WqFaTu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 08:17:45', '2020-05-22 08:17:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24147, 'sWZWFGWvY2vyWVFH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 08:21:42', '2020-05-22 08:21:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24148, 'goFhrvoNSHKGfbn3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 08:36:07', '2020-05-22 08:36:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24149, 'ptDAb62WOxsoiu5N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 08:38:05', '2020-05-22 08:38:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24150, 'CgkoArUYbftTWXpM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 08:51:59', '2020-05-22 08:51:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24151, 'RwNzqzAcB60pxmZH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 09:46:44', '2020-05-22 09:46:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24152, 't3o3gh7HBxkqndEq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 09:48:22', '2020-05-22 09:48:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24153, 'bHyiTesWAupQ7QSG', 'MUJERES HÍBRIDAS', NULL, 'La instalación forma parte de una investigación desarrollada desde hace dos años. Consta de 20 láminas de acrílico de pequeño formato, de 45 x 35 cm, pintadas con pintura acrílica, que son proyectadas con distintas luminarias cambiando su escala, color, dinamismo, etc. Las láminas, presentan retratos de mujeres,  y estarán colgadas del techo. La sala deberá estar oscura con una iluminación muy precisa sobre las imágenes, para que sus sombras puedan proyectarse en altas paredes blancas. De esta manera se produce un cambio de escala entre la lámina de acrílico y su sombra proyectada sobre la pared. Al mismo tiempo la lámina invierte su color proyectándose en blanco y negro. Otro cambio se debe a las diversas luminarias que se usen. Esto deberá estar delimitado en la instalación, pero las personas asistentes podrán intervernir las imágenes, iluminándolas con sus propios celulares.  Al mover las luminarias sucederá un cambio de dinamismo en las imágenes proyectadas. Así que las mismas pueden verse estáticas, moverse y/o superponerse, de acuerdo a la forma en que se iluminen. Es una instalación lúdica y performática. Movilidad/quietud, iluminación/oscuridad, blanco, negro, colores a nivel micro en el espacio de la lámina  y  al mismo tiempo macro, en otro  espacio (el de la sombra) a la vez; forman parte de diversas figuraciones superpuestas dentro de una misma imagen. Por eso la característica principal de las proyecciones es su hibridez.', NULL, NULL, 'La instalación tendrá lugar en una sala oscura, con altas paredes blancas. Del techo colgarán las imágenes que estarán en el centro y serán ubicadas lejos de la pared para favorecer su proyección. Se dispondrá de distintas luminarias ubicadas en diferentes sitios, para que se produzcan las sombras contra las paredes. Una banda de sonido reproducirá música y textos escritos por mí en mi propia voz.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2786, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2418, NULL, '2020-05-22 10:10:54', '2020-06-24 23:01:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24154, 'K9D4UdaODQVjXJay', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 11:02:17', '2020-05-22 11:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24155, 'lWRVZ32aG7YdrrfE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 11:48:04', '2020-05-22 11:48:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24156, 'COs6r1BA16ilM8rU', 'Aesthetics & Appropriation', NULL, 'The work consists of a single framed photograph, which is the reproduction of an analogue collage.\nThe collage has three layers.\nThe middle layer is a staged photograph to which cut-outs have been added. These cut-outs make two more photographs visible in the back layer.\nThis tableau in turn is masked by a modular system of paper surfaces in the foreground, which are hung on threads.\nThey are taken from a collection of snippets; remnants from the production of previous works, which were taken over as they were.\nThese papers, which have been left aside, partly reveal a view onto the scenery, but refuse access to the rest.\nThe partially concealed tableau, in its stage design arrangement, examines aesthetics that seem to be installed in conjunction with transfigured, romanticized ideals of creativity and self-realization.\nThis arrangement consists of numerous reference systems, which form new cross-connections with each other.\n\nIn the context of the work, I dealt, among other aspects, with Eve Chiapello\'s artists\' critique and Andreas Reckwitz\' dispositif of creativity.\nThe aesthetic of self-realization seems to be embedded in countless objects we consume and surround ourselves with. I wonder what influence this has on the way we shape our lives.', NULL, NULL, 'The photograph (C-Print) is framend without glass and has a size of 65 cm x 138 cm. It should hang on a wall at head height and be inside a building, as the Objekt is not weatherproof. For all other parameters I am completely free and open for everything.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2231, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1938, NULL, '2020-05-22 12:02:20', '2020-07-12 17:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24157, 'nQNicHcuQMAWlfqC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 12:23:58', '2020-05-22 12:23:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24158, 'i9ieH1hDy1RdMnPI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 12:24:41', '2020-05-22 12:24:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24159, 'WMWQVKptWcR6kBqS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 12:27:36', '2020-05-22 12:27:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24160, 'CVfx4sSTFEzOuk3n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 13:16:57', '2020-05-22 13:16:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24161, '7gjgsSiJUcPMqcDS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 13:23:10', '2020-05-22 13:23:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24162, 'N5FeEO5jcDLruTLx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 13:32:45', '2020-05-22 13:32:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24163, '3niF7kCPTUg739jn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 13:34:41', '2020-05-22 13:34:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24164, 'WQbRdAakz7ZNjXDk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 14:06:58', '2020-05-22 14:06:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24165, 'dEBrPmZugpAe990W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 14:24:25', '2020-05-22 14:24:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24166, 'dCfqnx61bSgXpjHx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 14:30:49', '2020-05-22 14:30:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24167, 'xw1D7BK2mRnY7bhH', '“Coreografía inestable para una sincronía fugaz”', NULL, 'Instalación performática que trabaja sobre las ideas de equilibrio y estabilidad, la posibilidad de encontrar tales estados de manera individual y el desafío de lograrlo de modo colectivo. \nEstá compuesta por 5  estructuras mecánicas de madera que se activan gracias a la acción motriz de 5  participantes que intentan lograr conseguir un estado de equilibrio al mismo tiempo. Ver como referencia del movimiento descripto el videoperformance “Equilibrio” de Cintia Clara Romero: https://vimeo.com/11428884\n\nDESCRIPCIÓN DE LA INSTALACIÓN. Cada estructura de madera que compone la instalación mide: 2,75 x 0,70 x 0,30 mts. Estos objetos son mecánicos y permiten el movimiento por balance.\nLas 5 estructuras estarán dispuestas en círculo y su medida total será 6 mts de diámetro X 0,70 mts de altura.\n\nDESCRIPCIÓN DE LA PERFORMANCE. La acción consiste en que se aborde un objeto por participante de manera simultánea. Cada uno de los 5 participantes debe acostarse, mirando hacia el centro y boca abajo, sobre la tabla que permite el balance arriba y abajo sobre un eje central, con el objetivo de mantenerse en equilibrio. La idea es que la tabla quede en posición horizontal equidistante al suelo en sus extremos de manera sincrónica por el tiempo que sea posible.\n\nACTIVACIÓN. El público podrá activar la pieza bajo la supervisión de los guías de sala y/o los autores de la obra. Deberán reunirse 5 personas dispuestas a participar de la experiencia para dar comienzo a la activación.', NULL, NULL, 'La obra deberá ser montada en un espacio interior de grandes dimensiones que cuente con la presencia de guías de sala o mediadores para poder coordinar las activaciones de la pieza con el público. \nSe proponen espacios de Argentina para facilitar el traslado de la obra. En caso de ser adjudicado un espacio en otros países sería necesario producir allá las piezas que forman parte de la instalación.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3227, NULL, 391, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2776, NULL, '2020-05-22 14:43:46', '2020-08-14 16:40:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24168, 'sPPegWP9cQKasaMt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 15:13:36', '2020-05-22 15:13:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24169, 'Hqi1vxWYsZYaOhhg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 15:17:28', '2020-05-22 15:17:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24170, 'OOI3gSxP6Hh7BaF6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 15:31:29', '2020-05-22 15:31:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24171, '8Q0pIDqiFAp9OI45', 'Visual Score: Inside the Visual Poetry of Mexican Newologist Felipe Ehrenberg', NULL, 'Visual Score is a tribute to the iconic Mexican artist Felipe Ehrenberg whose passing in 2017 marked the end of a lifetime of interventions into film, video, and systems of movement – from documentary films that circulated through art scenes from the South to the North as part of the Fluxus movement to mail art and social performances that brought artistic practice out of the sacred space of the gallery to the streets (placing taboos, political secrets and new languages of art at the feet of pedestrians, often in the form of political protest). \nThe artist’s unusual way of viewing “the new” within a simultaneous past, present and future is the subject of this exhibition. For the first time, these works will be presented to the public in a contemplative exhibition that spans across artistic medium, diverse genres and includes the first comprehensive screening of the artist’s works in film and video, from documentary works to the visual poetry of his video art.\nThe exhibition is made up of 3 sections: Networks, Time and Information. (Each section can also be exhibited singularly.)\nNetworks - \"26 Letters maculated from Mexico\" - Media: 26 unpublished letters, mail art  \nTime- \"The Sound Of Dogs Howling At A Train Passing In The Night\' - Media: Video, Interview and documentaries. (Some videos are unpublished)\nInformation - \"The Neology of Felipe Ehrenberg\" - Media: Documents, photos, works installations.', 'Felipe Ehrenberg (27 June 1943, Tlacopac, Mexico City, 1943 – 15 May 2017).\nMexican.', NULL, 'ROOM 1: Networks - \"26 Letters maculated from Mexico\" \nSelection of unpublished Felipe\'s MailArt + opportunity for the audience to craft and mail their own mail art postcard. Requirements: Table, chairs, paper, envelops, stamps. \nROOM 2: Time- \"The Sound Of Dogs Howling At A Train Passing In The Night\' -\nRequirements: Projectors and Old TV, audio player.\nROOM 3: Information - \"The Neology of Felipe Ehrenberg\" \nRequirements: They vary according to which installation we decide to reproduce.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/29176074', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2792, NULL, 328, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'The videos (film, performance and docu)  are 6.We can create a cinema and screen them in a loop.The idea is also to recreate at least one of the artist\'s performance using found objects and local artist.The performance is Art is just An Excuse (1973) photos projection, video (2015) and words hung on a wireframe that audience can interact with (selfies).', 'si', 'Option 1) A black room with benches or chairs or cushions.', NULL, NULL, NULL, NULL, 'Option 1) A small room to create a cinema for 6 to 10 people with a projector\nOption 2) Video Screen in a wall\nOption 3) Projector in a wall', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2423, 5, '2020-05-22 15:38:28', '2021-02-12 15:33:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24172, 'U82Af5ftSKmaxbaA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 15:57:10', '2020-05-22 15:57:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24173, 'QIZuR2fIxzTCWnhU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:08:57', '2020-05-22 16:08:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24174, 'ZpBIFUPhM4yoT7AV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:17:19', '2020-05-22 16:17:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24175, 'p1FLcdArx8klzn0q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:18:10', '2020-05-22 16:18:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24176, 'cIQLTPA20HtLuro3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:20:11', '2020-05-22 16:20:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24177, 'YKPWsMU8z9HdgTnC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:22:06', '2020-05-22 16:22:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24178, 'veXmILXV2gwdpFKv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:28:58', '2020-05-22 16:28:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24179, 'iNMV6Fyi22B1AUMD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:43:20', '2020-05-22 16:43:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24180, 'aC3eQliVksIN61hN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:46:00', '2020-05-22 16:46:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24181, 'u2sBy9glRcIcc6hi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:53:01', '2020-05-22 16:53:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24182, 'rAsUmd6zFs9Jt6cO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:54:07', '2020-05-22 16:54:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24183, 'LMmQyJdzkk9BeLVH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 16:55:55', '2020-05-22 16:55:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24184, 'brtxsn2DMW69WqeM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 17:07:53', '2020-05-22 17:07:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24185, 'VHvWegH67tiDnXFJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 17:08:09', '2020-05-22 17:08:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24186, 'Pi4krHMQ0jWthiGg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 17:39:32', '2020-05-22 17:39:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24187, '3iuEzGJxkWhF5oCO', 'En casa hablábamos hebreo', NULL, 'La videoinstalación “En casa hablábamos hebreo” explora el acto de traducir como forma de relacionar distintas experiencias de la migración entre sí.\nA través de la traducción de seis intérpretes/actores, el proyecto propone llevar al castellano el recuerdo de Sheva, una persona que cuenta su infancia en un kibutz del norte de Israel y su adolescencia en Amsterdam. Fue en la capital holandesa donde todo cambió: aprendió a vivir con sus padres, descubrió la existencia del dinero y tuvo que hablar otro idioma. La historia de su migración geográfica es también la historia de su migración entre los idiomas y del desarraigo que conllevó.\nCon auriculares, lxs actores escuchan su historia que van traduciendo simultáneamente. No son intérpretes de formación y algunxs entienden parcialmente francés entonces traducen lo que comprenden y según cómo lo entienden.\n\nEn la traducción, me interesan los procesos de transformación, de invención y de apropiación. Proponer a través de la polifonía variaciones de un mismo relato es también para mí preguntarse de qué forma podemos construir un relato colectivo.\nAdemás de traducir las palabras e ideas de Sheva, las seis personas traducen también sus silencios, sus suspiros. ¿Cómo traducir la soledad en la cual se hunde un sujeto para recordar? ¿Cómo traducir el sonido de una sonrisa? La corporalidad ocupa un lugar preponderante en el proyecto, ahí traducir el gesto es encontrar una forma de habitar un relato ajeno.', NULL, NULL, 'Se requiere un espacio oscuro (para las proyecciones) y silencioso. No se pueden reproducir los videos en monitores ni el sonido con auriculares. \nLa videoinstalación puede ser de dos, cuatro o siete canales de video. Se requiere un espacio de mínimo 10m2.\n\nEl proyecto fue instalado en la Universidad Torcuato Di Tella (Buenos Aires) en un espacio de 7m x 8m, en Panal 361 (BsAs) en un espacio de 10m x 5m y en el Salón Nacional de las Artes Visuales (BsAs) en un espacio de 4m x 2m.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/427193732', 'sur', NULL, NULL, NULL, NULL, NULL, NULL, 2981, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2573, NULL, '2020-05-22 17:45:42', '2020-08-13 20:50:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24188, 'kWVgMgDarHVFMPvq', 'Unsustainable', NULL, 'Unsustainable - Vídeo instalación\nEntre los vestigios del tiempo y los ecos de la modernidad\nEste trabajo empieza a gestarse como una hipótesis de trabajo. Pretendía, poéticamente y por medio del video, demostrar cómo la luz puede replicar visualmente el efecto destructivo del paso del tiempo. Mediante el registro en video se conforma la tesis. Superada esa propuesta, se especula con una metáfora de la modernidad.\nEs elegida como protagonista del proyecto La Casa del Puente. Partiendo de la construcción de una maqueta, se instala y procede a hacer un registro en video donde se la somete a una iluminación controlada que parte de una oscuridad total a una iluminación extrema. Mediante la captura de determinados fotogramas y su impresión sobre papel, se testimonia el proceso en 10 pasos y se producen 10 grabados y un libro con estampas.\nEn este momento, el proyecto consta del video; una maqueta de La Casa del Puente; 10 estampas originales, seriadas y enmarcadas; 2 pinturas sobre tela y un libro de artista. Es un proyecto abierto, en expansión, y es instalado según las necesidades de cada espacio expositivo.\n(1)Casa sobre el Arroyo o mal llamada Casa del Puente (Museo) es una casa diseñada por Amancio Williams y Delfina Gálvez Bunge en Mar del Plata y declarada Monumento Histórico Artístico Nacional y Patrimonio Cultural, Histórico, Arquitectónico y Ambiental de la Provincia de Buenos Aires.', NULL, NULL, 'El formato de la video nstalación es adaptable, siempre que no sea a la intemperie y tenga acceso a electricidad. Es necesario un proyector y superficie para la proyección e iluminación adicional.\nMe interesan los contrastes que se puedan lograr con lo instalado y su entorno, para mí sería ideal algunos de los espacios del Hotel de Inmigrantes, el Museo Nacional de Bellas Artes o del Centro Cultural Kirchner.\nA sido expuesto en El Cad2 Rosario, Galería P17 y Palais de Glase (solo vídeo)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/73976573', NULL, NULL, NULL, 'https://vimeo.com/73976573', NULL, NULL, NULL, 3634, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3108, NULL, '2020-05-22 17:56:21', '2020-07-17 01:01:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24189, '1TVOuprwCjrOUr1N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 18:02:28', '2020-05-22 18:02:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24190, 'kcUa1gxCxYK3LSMY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 18:27:17', '2020-05-22 18:27:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24191, 'pooJvdBLF07v0fqs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 18:28:47', '2020-05-22 18:28:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24192, 't3UJIUeGrNCLXm0z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 18:39:29', '2020-05-22 18:39:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24193, '8hgbliJj0f3kCugo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 18:40:14', '2020-05-22 18:40:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24194, 'ussGc6JpniuFoTeO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 18:43:06', '2020-05-22 18:43:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24195, 'DIOojOPOaVIJPuMO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 18:56:10', '2020-05-22 18:56:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24196, 'I4KGnfVhk1GeoSFZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:02:43', '2020-05-22 19:02:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24197, 'm1YJD2J0JITwCmPN', 'Património Português – visão contemporânea da nossa cultura', NULL, 'I understand that our culture / heritage, are the inheritance that we receive from our ancestors and that we must preserve and transmit to future generations. In this sense, and given my interest in promoting the Portuguese Cultural Heritage, I propose for exhibition a set of three painting works, which illustrate the Portuguese heritage diversity, interpreted according to my type of figurative painting, with a personal stamp.\nThe following heritage sites were selected - Pauliteiros de Miranda, Arco da bobadela and Seia cheese. The representation was made using the oil on canvas technique.\nAlong with the work, a technical sheet and a description of the work will be carried out, to contextualize it. Regarding the dimensions of the works, they will be 50cmx70cm, approximately.\nThe agglutinating theme is Portuguese Heritage - a contemporary vision of our culture.', NULL, NULL, 'Art gallery', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3241, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2789, NULL, '2020-05-22 19:08:33', '2020-06-26 20:01:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24198, 'Gh4iYoq47XvVrEpd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:09:32', '2020-05-22 19:09:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24199, 'dOQ78SYNFpqPO7PZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:10:55', '2020-05-22 19:10:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24200, '3D30hE0lxbjHZnpG', 'Mojones', NULL, 'Dentro de prismas, construidos en vidrio sellado y con una plataforma de chapa de aluminio que coloco arriba de una base de madera donde el cuerpo geométrico traba, coloco una pastilla de gamexane.\nEn todo los lados del escalón de la base, coloco burletes, el prisma tiene un peso considerable, aprieta la goma, y queda también sellada. \nCalzo el prisma en el escalón trasero y lo inclino. Sobre la chapa coloco un pequeño recorte de cerámico y arriba ubico la pastilla desplazando una pequeña parte de la tableta por fuera del borde, esto lo hago para que tenga aire y no se ahogue. Prendo un fosforo, enciendo la pastilla y cierro el prisma.\nSe genera un proceso de elevación y llenado del espacio interno. La niebla ocupa la totalidad, el humo genera una pared imposible de pasar. Con el transcurso del tiempo comienza a disiparse, este proceso dura aproximadamente 3 horas. El cambio es continuo,  se modifica, y finalmente se genera un proceso de disipación, se comienza a ver, de a poco, los resabios carbonizados de las pastilla en las bases, quedan los restos de la acción realizada.\nLa idea que me moviliza a hacer esta acción es generar mojones de espacios tóxicos, donde no haya posibilidad de vida alguna en su interior. Generar este contraste entre vida- muerte. Un espacio dentro de otro espacio, espacio-prisma dentro del espacio- sala museo. \n\nAgrego a la presentación un video donde realicé una acción similar al trabajo que propongo.', NULL, NULL, 'Ubicaría un prisma en el centro de cada sala del MUNTREF Museo de Artes Visuales, sede Caseros I', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=0l5JvRoADbU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3977, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3388, NULL, '2020-05-22 19:16:47', '2020-07-03 04:31:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24201, 'FXULVP4XJj5damrz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:18:16', '2020-05-22 19:18:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24202, 'PmkOrvboKvBLsjeD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:25:41', '2020-05-22 19:25:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24203, 'MhKL68I2upBt1rxC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:35:18', '2020-05-22 19:35:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24204, 'TEzJgQQeTZyryrCl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:42:05', '2020-05-22 19:42:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24205, '92xNCllOYMFZhh5N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 19:58:12', '2020-05-22 19:58:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24206, '0NyE30Fj3sdjhFIP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 20:01:35', '2020-05-22 20:01:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24207, 'CgVJhmPUNOwyb32U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 20:05:46', '2020-05-22 20:05:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24208, '9F7yoEFXhpHc1Z1j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 20:19:28', '2020-05-22 20:19:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
