{"uid":"UWoyb0NgJzoY83P9","type":"curator","tags":[],"group":"no","group_name":null,"project_title":"Learning from Future Narratives","summary":"If you were living in 2020, what would your feelings and thoughts be about 2020? \n\nA vast portion of today's researches are driven from the urge to predict the unpredictable. Some of them in order to assure their ongoing profit and authority, while others with the courage to prevent a shattering degradation of our ecosystem. However the data in our storage are innumerable and so are the outcomes that draw from these data in a hopeless effort to predict. In the end talking about the future is talking nonsense. But what a surprise! In a world devoid of sense, nonsense is the sane option; having in mind that nonsense's immanent feature is imagination.\n\nIn this curatorial research project we have asked from peoples to write a story about their anticipations of the year 2050 concerning various addressed sections of the common life. This action is our means to deploy collective imaginations and, subsequently, to represent a flow of narrative projections about possible futures. What we are attempting here is to steal some time. Exactly 30 years. To go forth in time in order to return back to present with a pedagogical perception of our current blisses, or mistreats.\n\nTo achieve this, we will provide the artists with the answers from the aforementioned questions we had addressed to peoples. Next, they will be asked to embed themselves in one of the contributed stories about the year 2050. The final works of artists will revolve around 2020 \u2013 from their imaginary inhabitant of 2050.","space":"In order to evoke the sensation of traveling back in time we choose the space of Hellinikon Airport in Athens, Greece which is nowadays abandoned. After a long history of closing and opening again, it has served as shelter for refugees and afterwards it hosted an annual music festival. The space is vast so we aim to use the appropriate part of the space that corresponds best to the needs of the piece works. The aim is to use both an interior and an exterior part of the space, see photos below.","artists_proposal":"Despina Charitonidi, Greek, https:\/\/www.despinacharitonidi.com\/\nPanos Profitis, Greek, https:\/\/panosprofitis.tumblr.com\/\nMatteo Rovesciato, Italian, http:\/\/www.publicmirage.de\/fata-morgana\/matteo-rovesciato\/\nLucia Bricco, Italian, https:\/\/www.luciabricco.com\/\nAdrien Chevrier, French,\nPhaidonas Gialis, Greek, https:\/\/vimeo.com\/user32730720\nDavid Nosek, Czech, http:\/\/www.davidnosek.com\/\nMax Hilsamer, German, https:\/\/www.maxhilsamer.net\/\nDune Perez, French, http:\/\/duneteiva.free.fr\/\nValinia Svoronou, Greek, http:\/\/www.valiniasvoronou.com\/","members":[],"lang":"en","status":"ok","video_link_password":null,"video_link":null,"audio_link_password":null,"audio_link":null,"images_link_password":null,"images_link":null,"cellphone":null,"description":null,"estimated_budget":null,"complementary_info":null,"fileCount":9,"names":"Elena","surname":"Stavraki","email":"elena.chris.stavraki@gmail.com","dni_type":"PASAPORTE","dni":"AP0437847","address":"Akronos 2","city":"Athens","nacionality":"Greek","country_id":"91","birthdate":"1994-11-06T22:00:00.000Z","birthdate_2":"1994-11-06T22:00:00.000Z","telephone":"30 6980980557","web":"linkedin.com\/in\/elena-stavraki-26a0931a4"}