INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24209, 'ksWjSNy98vfno8sl', 'We don\'t fight like in movies anymore', NULL, 'The myth around Pier Paolo Pasolini is about cinema, litterature, an enigmatic figure, and a lot of archives. I tried in this serie to evocate Pier Paolo Pasolini figure, especially about his writing. With some life moments, books details, trying to build a connection between all of my images. Keeping for each of them my personal aesthetic. I wanted to let the stage visible, because it permit to work on the violence of images without making them unsustainable. Fully accept the disillusionment, in showing the stage as in the heavy make-up, permit me to work on violence as an aesthetic. \nThis serie is called « We don’t fight like in movies anymore », because it is about a special category of gesture in cinema, especially Pier Paolo Pasolini.\n\n\nThis serie is called We don’t fight like in movies anymore. It is about violent gesture in movies.  Keeping for each of them my personal aesthetic. I wanted to let the stage visible, because it permit working on the violence of images without making them unsustainable. Fully accept the disillusionment, in showing the stage as in the heavy make-up, permit me to work on violence as an aesthetic.', NULL, NULL, 'All the images can be printed in a size that fits the space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2516, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2178, NULL, '2020-05-22 20:24:10', '2020-07-19 21:43:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24210, 'n0FAGCLcrQTRFycN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 20:24:13', '2020-05-22 20:24:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24211, 'QIAVs6qPa8JXgxhS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 20:28:38', '2020-05-22 20:28:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24212, 'b6am7JhSOSToNj7e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 20:50:47', '2020-05-22 20:50:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24213, 'IxrwMkPqsACfPnaQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 20:54:33', '2020-05-22 20:54:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24214, 'OUiAGcYPe40MLrkl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:04:07', '2020-05-22 21:04:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24215, 'EMoFKuPqxvRk2keA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:10:02', '2020-05-22 21:10:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24216, 'Ahjuk0koVGTpV3pH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:13:08', '2020-05-22 21:13:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24217, 'Y3kLPXNVmEAV888W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:25:29', '2020-05-22 21:25:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24218, 'nPjWjXBCoztVCTsW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:31:36', '2020-05-22 21:31:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24219, '4XHzRP5fB6kPBy51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:31:55', '2020-05-22 21:31:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24220, 'd23UTgRgJpAtkpiA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:36:12', '2020-05-22 21:36:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24221, 'QX6kDIiEai3K16yl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:36:46', '2020-05-22 21:36:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24222, 'ms6YMTdiJllnK82M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:41:55', '2020-05-22 21:41:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24223, 'jOfYpp4f8299QXF1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:43:30', '2020-05-22 21:43:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24224, '8WVEe3bev05lIbWB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:48:57', '2020-05-22 21:48:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24225, 'fSeFWaGNluIKLJ8q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:49:59', '2020-05-22 21:49:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24226, 'K9SkQMIitPMafvIh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:50:14', '2020-05-22 21:50:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24227, '5mnwqDZ8bXaXfPcV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 21:51:54', '2020-05-22 21:51:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24228, '0j2blx09cZHQ7sXw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:05:50', '2020-05-22 22:05:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24229, 'o3imN38dBBEWyuqE', 'VENUS', NULL, 'Instalación, de un poema visual circular, titulado VENUS (obra en proceso, 1981 - ), de 9x9 m., compuesta por 720 \"Bitácoras de viaje\" de Caligrafías y Signos creados por la artista.\n\nCada Bitácora estará anillada, con espiral metálico y tapas de cartón piedra negra. Cada una es de un solo tipo de papel y color de tinta. Son 5 sus formatos: \n(1) 35 x 25 cm. (papel Fabriano, color marfil y blanco ahuesado, intervenido con signos en agua tinta negra); \n(2) 32,5 x 25,5 (papel Tiziano, color blanco ahuesado, intervenido con signos en agua tinta negra); \n(3) formato carta (papel Bond, Cartulina Española, Kraft y papel Ecológico; en colores: blanco, beige, negro, rojo, fucsia, rosa y café; intervenidos con tinta blanca y negra para la caligrafía, y agua tinta negra para signos); \n(4) 25 x 19,5 cm. (papel mantequilla, intervenido con caligrafía roja y negra); y \n(5) 10 x10 cm. (papel Fabriano, color marfil y blanco ahuesado, con signos en agua tinta negra). \n\nVENUS se inspira en el \"Tao Te King\", particularmente en la noción de \"Retorno\" ó \"Cuando el Corazón transita del Ser al no-Ser y habitamos desde esta \'Presencia\' \"- como lo planteo. Es una invitación a vivenciar el Silencio Contemplativo. \n\nLa obra nace de mis Diarios de vida, cuando niña que, estudiando Pintura se transforman en Bitácoras de Viaje. \nLos Signos surgen al jugar, superponiendo todas las letras del Alfabeto Español, creando 7744 variaciones. Lenguaje que integra la escritura occidental y el gesto oriental.', NULL, NULL, 'Poema visual (Instalación), formato 9x9 m. \n\nVENUS va instalada sobre el piso. Las Bitácoras van superpuestas, a modo de manchas, en el sentido de una espiral circular regular, y ubicadas según el color para asemejar una vulva femenina. Sólo en el centro es ovalada, en su composición general, es circular.\n\nPor ser de gran formato y material delicado (distintos papeles pintados por mí), requiere de un espacio amplio (15x15) m., y cerrado, con iluminación cenital.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2276, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1971, NULL, '2020-05-22 22:06:04', '2020-08-14 22:31:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24230, 'w0gycCBELSw7daGy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:15:43', '2020-05-22 22:15:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24231, 'WAF9DUh3qPW7J527', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:18:56', '2020-05-22 22:18:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24232, 'C2SOtT5qqB0i6fYW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:20:09', '2020-05-22 22:20:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24233, 'TpWxc9WrRPrdd4Nv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:20:39', '2020-05-22 22:20:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24234, 'fh41VSDZp3jvCNdh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:24:05', '2020-05-22 22:24:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24235, 'tji7M5AY4dX8Id2L', 'Enduring Time | Material Emergence', NULL, 'Rising out of crisis, Enduring Time | Material Emergence brings together artists from Western and Central Asia with the Balkans. Humans from this highly politicized geographic space recognize the disappearance of meaning, erasures of citizenships, exiles of people, and the mined landscape as a reality with which one must reckon. \n\nNow, as we doubly resist a global pandemic and the targeted dehumanization of communities based on race, our slowly unfurling existential crisis becomes universally felt. Thus, to reclaim our global contemporary moment, we turn to the resilient practices of artists who have witnessed their worlds collapse. \n\nUsing material culture, as both historical form and laborious process, Bulnygin’s sunflower seed sculptures incorporating Soviet-era furnitures and Demirkoparan’s algorithmically disbursed kilim paintings take the past and hurl it into a future exposing the pure potentiality of our fractured present. \n\nThe intimacy of manual labor in various iterations, including paintings, textiles, or objects generates a new durational relationship to materiality. By capturing the force of labor through material expression, this exhibition works against the volatile relationship with time premised on the frailty of lived experience. Resilience is the primary radical act that  intervenes in social and political history through tenacious endurance. We thus present an arresting display of material that is at once intimately perceptive and rigorously expository.', '1. Kamal Ahmad - Kurd (Iraq)\nhttp://www.pianocraftgallery.com/kamal-ahmad-2019/\n\n2. Kuanysh Bazargaliyev - (Kazakhstan)\nhttp://kubazargaliyev.tilda.ws/\n\n3. Dmitri Bulnygin - (Russia)\nhttp://bulnygin.com/index.html\n\n4. Ilknur Demirkoparan - (USA/Turkey)\nhttps://ilknur.studio/\n\n5. Mohammed Hafez - (Syria/USA)\nhttp://www.mohamadhafez.com/\n\n6. Mirela Kulovic -  (Croatia/Bosnia and Herzegovina)\nhttps://www.mirelakulovic.com/artwork \n\n7. Brigitta Varadi - (Hungary)\nhttp://brigittavaradi.net/', NULL, 'We require a minimum of 14 by 8 linear meters of wall space within approximately 100 square meters of gallery space in a rectangular hall. We require standard gallery lighting only, and hardware to suspend a life-size raft installation from the ceiling. Three of the walls have mounted paintings, drawings, and mixed-media installations while the floor space includes a series of three free-standing large foam rolls, in addition to smaller scale sculptural works. We have 27 works and seven artists.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5313, NULL, 747, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4415, NULL, '2020-05-22 22:27:13', '2020-07-28 03:37:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24236, '3bLWqUt8rdIcIlOB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:28:01', '2020-05-22 22:28:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24237, 'AZ6MK4mo4d0t2CHq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:38:52', '2020-05-22 22:38:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24238, 'so2MKKrCEns74GlJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:38:56', '2020-05-22 22:38:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24239, '03nJYysK11nXZgl2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:40:14', '2020-05-22 22:40:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24240, 'pctDUaQ6vSX5w9hN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:41:20', '2020-05-22 22:41:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24241, 'chyLF2mcFElPtROw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:42:30', '2020-05-22 22:42:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24242, 'iq0iMfKL30yzVwrM', 'Mirada', NULL, 'Una mirada sobre la mirada que focaliza un momento, fugaz.\nEpoca de lo virtual, en donde lo visual es protagonista y el relato personal-singular se vuelve colectivo.\nEl confinamiento nos transporta a lugares, evoca momentos y personas.\nanteojos del futuro, del pasado, del tiempo, del viaje.', NULL, NULL, 'Se trata de impresiones digitales sobre acetato.\nLa obra está compuesta por quince imágenes de 20 x 30 cm que se adhieren directamente sobre la pared, ocupando una superficie total de 0,90 x 1,20 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://paulahacker.com/', NULL, NULL, NULL, 2741, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2379, NULL, '2020-05-22 22:46:46', '2020-06-24 21:43:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24243, 'iX2VAb6mZ5GjkaNz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:54:28', '2020-05-22 22:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24244, 'KTC6k2lArAZCbklG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:57:05', '2020-05-22 22:57:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24245, 'QvqBShj6O2FlytKn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:59:34', '2020-05-22 22:59:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24246, '6zXcGX200vSMFdfm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:59:49', '2020-05-22 22:59:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24247, 'v9Ddhdpop05i6jOw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 22:59:51', '2020-05-22 22:59:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24248, 'Yc4fqtDiObRSWXob', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 23:00:10', '2020-05-22 23:00:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24249, 'NidKVIhF5SdgjYvo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 23:14:21', '2020-05-22 23:14:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24250, 'oDOZjZtKK9FF7cqz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 23:15:47', '2020-05-22 23:15:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24251, 'vzqsnBYT7Eovskbb', 'Amalia Giacomini & Eduardo Coimbra', NULL, 'Apresentação de duas instalações e obras dos artistas brasileiros Amalia Giacomini e Eduardo Coimbra. \nSerão apresentadas obras inéditas dos artistas elaboradas especificamente para o espaço. \nCom curadoria de Franklin Espath Pedroso, o projeto prevê além da mostra, a produção de um folder com imagens das obras expostas.\n\nA EXPOSIÇÃO\nMais do que um ambiente expositivo, pretende-se, através de uma linha curatorial bem definida, construir uma mostra que encoraje a reflexão sobre o desenvolvimento do pensamento dos artistas e, consequentemente, de suas obras. Questões como natureza, homem, paisagens, espaço, arquitetura e mundos imaginários formam os eixos principais desta iniciativa. Serão priorizadas obras que mais reflitam estas questões apontadas pelos artistas e vertentes inventivas e proativas que se revelem abertas e disponíveis para o espectador.', 'Eduardo Coimbra apresentará obras relacionadas à sua série Luz Natural.\nA série Luz Natural apresenta imagens do céu formada em parte pelos fragmentos fotográficos dentro de tubos de acrílico e também pela projeção na parede visível através dos intervalos entre os tubos. Esta imagem oscila entre o objeto e seu entorno. É uma imagem destacada do suporte, flutuando por aí. Pode ser visto como uma metáfora para sua própria aparência original.\nJá Amália Giacomini apresentará uma obra a ser montada especificamente para o espaço escolhido com materiais que geralmente utiliza em suas instalações como elásticos e linhas. Como descreveu o crítico Felipe Scovino, \"... seus objetos nos interrogam sobre a sua aparência ao mesmo tempo em que fundam e ocupam um espaço, sempre por meio de uma economia de gestos e métodos que potencializam as qualidades do material e tornam clara sua presença como necessária e insubstituível para a fundação desse território semântico.', NULL, 'espaço fechado com controle de iluminação \ncom cantos nas paredes\ncerca de 50 metros lineares de parede', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2590, NULL, 305, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2245, NULL, '2020-05-22 23:17:59', '2020-08-13 01:28:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24252, '5sBzM3XFotTX52nA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 23:18:52', '2020-05-22 23:18:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24253, 'je2RKl1mz3c0YIQg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 23:33:26', '2020-05-22 23:33:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24254, '600lqZK4IZA318BT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 23:44:28', '2020-05-22 23:44:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24255, 'wPRiYMj2b0rwAEtW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-22 23:52:57', '2020-05-22 23:52:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24256, '5Y3m2OGhLDlDZ5IG', 'LionFishing', NULL, 'Lionfish are an invasive species that were introduced into Florida waters by people who released them for aquaria. Since their introduction, their population has exploded and their impact on marine biodiversity has been extremely detrimental. With no predators in the Western hemisphere, and incredibly difficult to catch, lionfish are among the most concerning realities of human animal trafficking. Their proliferation startling and expanding further due to the rising temperatures of ocean waters of the anthropocene.\n\nAs a means to reduce the population of this voracious fish and to protect native fish, marine biologists have partnered with dive shops to organize fishing derbies. These derbies do not stop the spread of lionfish, but result in sanctuaries for native species. While competing in the South Florida Diving Headquarter’s annual Lionfish Derby, I descended a hundred feet into the Atlantic to remove lionfish. \n\nMy proposal for Bienalsur is to perform two more environmental interventions, one at the northern and southern extremes of the lionfish domain: Rhode Island and Buenas Aires. These two dives will function as an artist timecapsule of the temperature of the water and the extent of the invasive spread. \n\nAdditionally, the experimental documentary of my dive in Florida, can be shown online. \nPart essay film, part documentary, similar in format and length to this video, \"Redneck Fishing Tournament\"\n\nhttp://www.donalddaedalus.art/videos', NULL, NULL, 'If/when the quarantine ends, this can be another performance in which I scuba dive to hunt invasive lionfish. Being the southern limit of this invasive spread, Buenas Aires, and the northern limits in Rhode Island.\n\nOnline: Video of the diving for lionfish.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://images.squarespace-cdn.com/content/v1/550d93afe4b0764241f65942/1578668780913-UWH7YT9EZ5Y4WKXBN98H/ke17ZwdGBToddI8pDm48kNsv7LvAFWw-H7SE9vXtS0x7gQa3H78H3Y0txjaiv_0fDoOvxcdMmMKkDsyUqMSsMWxHk725yiiHCCLfrh8O1z5QHyNOqBUUEtDDsRWrJLTm1v6GcKqh6mrhfxzW2tqo758c_VzY6yUyJyFiojGR03GI-2zNMhYfh6HBEsuWjy1e/Lionfishing3.jpg?format=500w', NULL, NULL, NULL, 2242, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1945, NULL, '2020-05-22 23:54:22', '2020-07-12 17:03:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24257, 'p29QjAGtZAGbLHUj', 'Cómo abandonar un barco. Un gran final', NULL, '\"Cómo abandonar un barco. Un gran final\" es una ambiciosa obra cuya gestación acompañé como curadora durante 2019. Se trata de una instalación performática de 30’ de duración, creada y dirigida por la artista visual Valeria Conte Mac Donell (San Martín de los Andes, Neuquén) con la colaboración de la compositora sonora Carmen Baliero (Buenos Aires). La obra es ejecutada en vivo por cinco intérpretes junto a la propia Conte Mac Donell en el rol de tramoyista. La partitura funciona como guión de la historia, en torno a una nave de alambre sostenida en el aire mediante un sistema de poleas y manivelas. Cinco seres -algo humanos, un poco animales- se ocultan y se revelan bajo una luz sugerente que permite entrever cuerpos, destellos de líneas y claroscuros. La instalación visual en la que se desarrolla la acción consta de un barco de 8 metros de largo construido por cuadernas de alambre oxidado y corporizado con hilos blancos. Su figura se materializa a lo largo de la puesta por la acción de la tramoyista y de los intérpretes, quienes ejecutan instrumentos no convencionales realizados con lijas, botellas, chapas, tubos de cartón y otros elementos. La propuesta para Bienalsur comprende dos instancias: 1- la puesta de la obra en vivo, idealmente con varias funciones a realizarse durante la apertura y cierre de la muestra, y 2- la exhibición de la instalación completa, incluyendo el barco, los trajes, una serie de dibujos y un video que registra la pieza performática.', 'Valeria Conte Mac Donell (idea y dirección general) -ARG www.valiconte.com \n\nEquipo:\nCarmen Baliero (dirección sonora) -ARG\nEmilia Tosar (asistente de dirección) -ARG\nJorgelina Balsa, Tomás Campbell, Guadalupe Guevara, Erika Mazzieri, Marina Viganó (intérpretes) -ARG\nLuciana Sanz (productora) -ARG', NULL, 'Espacio escénico:\nEscenario a piso o espacio no convencional que pueda oscurecerse completamente. \nCaja negra.\nMedidas (mínimo): 6 mts de alto, 13.5 mts de largo, 9 mts de ancho.\n-La instalación se puede adaptar a la disposición de espacio existente. \n\nIluminación:\nElectricidad 220. \n3 tomas.\n-Los artistas llevan sus propios artefactos: 6 par 24\n\nSonido:\nSi el lugar cuenta con buena acústica no se precisa amplificar el sonido.\n\nEspectadores:\nLas funciones en vivo son para 15 personas.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=fZaevBMAh_w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2604, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2257, NULL, '2020-05-22 23:56:54', '2020-08-17 19:16:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24258, 'OYXXXGDtCIe5q4vC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 00:03:11', '2020-05-23 00:03:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24259, 'wHx5PnghE4ZDhkRb', 'Marquetalia', NULL, 'Marquetalia es un proyecto fotográfico y sonoro con el que busco reflexionar sobre la continua sensación de espera al cambio en la que hemos vivido los colombianos desde que se firmaron los Acuerdos de Paz (2016) entre las FARC y el Gobierno Nacional. Las piezas están inspiradas en los campesinos, sector de la población que más se ha visto afectado durante los más de 50 años de guerra en Colombia. \n\nLa propuesta se centra en el paisaje de Marquetalia, vereda que vio nacer a las FARC en 1964, y que hoy aloja tanto la memoria de los primeros enfrentamientos armados, como a una joven familia que se mudó allí después de la firma de los acuerdos. Su historia la he documentado en una serie de 30 fotografías de mediano formato titulada Marquetalia. Allí se muestra su cotidianidad, junto a las trincheras y restos de la guerra con los que están construidos parte de la casa. \n\nSeguido a la serie estará la instalación audiovisual Amanecer incesante. Allí se recreará un continuo amanecer como metáfora de la interminable sensación de espera. La pieza consiste en 20 velos traslúcidos sublimados con imágenes del paisaje de Marquetalia. Estos irán descolgados del techo mediante un sistema de rodillos mecánicos que reproducirán sutiles desplazamientos acordes al avance del amanecer. La secuencia se rebobinará cada 3 minutos, permitiendo escuchar a los campesinos de la región manifestando sus experiencias y las necesidades que demandan al Estado para el desarrollo de su región.', NULL, NULL, 'Para llevar a cabo la instalación del proyecto propongo el edificio del Espacio El Dorado ubicado en el centro de Bogotá, Colombia. Este dispone de tres pisos así: el primero (Cubo Negro) es un espacio sin acabados y piso de arena de aproximadamente 60 m2, allí se instalaría Amanecer incesante. En el segundo (Cubo Blanco) y tercer piso (Cubo Gris) son espacios neutrales, con una sola ventana hacia el exterior y de un área compartida aproximada de 80 m2, allí se instalaría la serie Escombros.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/327327011', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2867, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2489, 5, '2020-05-23 00:22:40', '2020-08-25 23:46:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24260, 'oC93wD3fbkSlgdBT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 00:22:57', '2020-05-23 00:22:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24261, '0SdsQUu9asFNbxXn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 00:27:00', '2020-05-23 00:27:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24262, '38NjG83KffLBt2Kd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 00:32:52', '2020-05-23 00:32:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24263, 'lxf4JrTlupQvsTlh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 00:33:24', '2020-05-23 00:33:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24264, 'GiyxtPULpjAQOdEL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 00:46:14', '2020-05-23 00:46:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24265, 'MRAHPUQs5kWvT1Ld', 'Proyecto fotográfico: Serie \"El Oratorio\"', NULL, 'Gran parte de mi trabajo se centra en evocar experiencias, las mías, las de otros; origen y destino de mis piezas artísticas en las que se evidencian las dualidades, los anhelos,  los lugares, las búsquedas y los avatares cotidianos que me permiten ser consciente de proceso de vivir. \n\nEstas manifestaciones se logran a través de diversos lenguajes y formatos, como el tejido en crochet, el bordado en punto cruz, la pintura (óleo o acuarela), fotografía o grabado; y otras veces, en instalaciones, desde diferentes miradas e intenciones.\n\nEsta serie de fotografías tiene por título “El oratorio”. Corresponden a la Capilla Colonial del municipio de La Calera, Cundinamarca (Colombia); ubicada en la Hacienda del mismo nombre y que dio origen a este poblado (1778). Es un lugar maravilloso, que además de su arquitectura colonial, parece detenida en el tiempo.', NULL, NULL, 'El tamaño de las reproducciones de las fotografías, estaría definido por ustedes, pero teniendo en cuenta que es una serie de 5 fotografías, considero y sugiero que su tamaño no exceda el octavo de pliego (35 cm de alto, 25 de ancho), dispuesta en forma horizontal, a la altura aproximada de 1,50 metros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2244, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1947, NULL, '2020-05-23 00:57:08', '2020-06-23 19:28:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24266, '2Pdr5pyozjnjehOf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 01:04:39', '2020-05-23 01:04:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24267, 'ADzU3534nolFD5no', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 01:32:24', '2020-05-23 01:32:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24268, 'IY52GvjTuR06IuiT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 01:34:32', '2020-05-23 01:34:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24269, '7FyhjhbQ7zP7vony', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 01:44:31', '2020-05-23 01:44:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24270, 'ZogX3VoNyH8kDbX5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 01:45:29', '2020-05-23 01:45:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24271, 'ZdCplhY2f5N3wGYh', 'O contágio', NULL, 'Enquanto eu pintava esse tríptico, eram esssas sensações sentidas por mim. Tudo comecou ao mesmo tempo, a pintura e a pandemia, como descrevo no poema a seguir:\n\nQuarentena \nPela janela, vejo uma lua pálida ao meio dia\nOs passáros cantam, os cães latem e as cigarras morrem\nSilêncio de aviões \nde assopradores de folhas malditos\nDo vaivém de possoas\nOs ventos do outono trazem notícias de lugares distantes \nAlgo deu errado, \nestá no ambiente, \ndentro e fora\nÉ incontrolável \nCresce,\nMultiplica-se \nE triplica-se\nE quadriplica-se\nE para. \nPerde força e torna-se história \nA núvem invisível de dor e morte passou\nNos ensinou\nO medo pode nos paralizar, \nnos matar \nE nos ensinou\nA coragem de se doar em amor e em bem-fazer\nnos cura, \nNos torna mais dignos\nDe seguirmos nos proliferando aos bilhões,\nAinda que, dentre tantas outras esferas,\nSomente por sobre a mais linda e bela\nbola azul papaná, a Terra.', NULL, NULL, 'Sala expositiva em espaço protejido e seguro, com ampla visibilidade pelo público, preferencialmente junto de outras obras de arte.\n\nTelma Richter\nPintura Tríptico\nAcrílica sobre tela\n100 X 243 CM\nAno 2020', NULL, 'artist', NULL, NULL, NULL, NULL, 'Telma Richter', '22/05/2020', NULL, NULL, NULL, NULL, 2251, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1949, NULL, '2020-05-23 02:00:18', '2020-06-23 19:28:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24272, 'gtsl1jbOPidbfelr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:03:35', '2020-05-23 02:03:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24273, 'zTK0QjMkVI37r3Vy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:07:52', '2020-05-23 02:07:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24274, 'AaItanvyzPgXuSS5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:12:27', '2020-05-23 02:12:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24275, 'JQkPMbYkhsJIeNvw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:18:35', '2020-05-23 02:18:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24276, 'bsIWYkiMpYH9RriF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:19:07', '2020-05-23 02:19:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24277, 'AgQNsJuRvfAGtlJ4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:20:19', '2020-05-23 02:20:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24278, 'aZZSPOGGX9SWfIkx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:22:08', '2020-05-23 02:22:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24279, 'IFvxW1oqTN8Au31d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:22:36', '2020-05-23 02:22:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24280, 'NRhUzySrVpxA60TJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:22:39', '2020-05-23 02:22:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24281, 'vFk1vEmnRE9S2wqP', 'Escenarios de estación', NULL, 'El proyecto consiste en realizar una serie de instalaciones en torno al animismo (alma de las cosas) que funcionan como un escenario vacío donde algo ocurrió o está por ocurrir.\nMi búsqueda artística está vinculada a la investigación y producción de proyectos que vinculan la naturaleza y el animismo. Esta relación es el eje de mi trabajo, para el cual me baso en una leyenda, un ritual o un encuentro provocado. \nDe características arquitectónicas, donde conviven luces de neón, paredes de yeso, esculturas de bronce fundido, tubos de LED, cuerdas y elementos foráneos. Me interesa el registro de los materiales y sus virtudes (vida útil, tradición, naturaleza y artificialidad). Estas instalaciones exigen una materialidad precisa que varia según el trabajo.\nEn el caso de: “Mientas los conejos amasan mochi” es una instalación de gran formato (540cm de altura x 400cm de ancho x 310cm de profundidad) Me interesa aquí la relación entre Tsukimi y animismo. \nTsukimi significa contemplar la luna (月見 ). Una leyenda japonesa proveniente de China, dice que la luna llena próxima al equinoccio de otoño es más hermosa y está en su máxima expresión, también que en ella vive un conejo que amasa mochi (bolas de arroz).', NULL, NULL, 'EAV (Escola de Artes Visuais) Parque Lage, Río de Janeiro, Brasil.\nMe interesa este espacio por el contraste que podría generar mi propuesta con su entorno. Es una edificación compuesta por dos tinglados de 10x12 metros aproximadamente cada uno, independientes de la EAV. Rodeado de vegetación tropical y sonidos provenientes de la naturaleza. El parque está ubicado en un área de 52 hectáreas, al pie del Morro do Corcovado, a 20 minutos del centro de la ciudad.\nwww.eavparquelage.rj.gov.br', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5302, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4408, NULL, '2020-05-23 02:26:39', '2020-08-08 01:03:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24282, 'x2zerBjdeY95VZRq', 'APOPTOSIS', NULL, 'La pieza-ensayo reflexiona sobre los valores morales, perspectivas filosóficas y sentimientos en torno al suicidio. Problema contemporáneo mundial y una de las principales causas de mortalidad. \nInstalación audiovisual con dos canales de proyección sobre un muro como pantalla, así no pueden verse ambas pantallas, pero pueden llegar a escucharse simultáneamente. Las bocinas de cada pantalla estarán incrustadas en la parte baja del muro, en dirección al proyector. \nUna pantalla presentará audios con reflexiones filosóficas de varios autores sobre el suicidio (Chul-Han, Amery, Camus, Álvarez, Nietzche, Artaud, etc) la otra pantalla simultáneamente mostrará testimonios póstumos de suicidas. El usuario decide qué pantalla apreciará y el tiempo que permanecerá en cada una de ellas. La pieza se está trabajando en versión interactiva por medio de tapetes que detectarán la presencia de usuarios que aumentarán el volumen de las voces en el audio. Sin usuarios interactuando las imágenes estarán subtituladas. NOTA: LA VERSIÓN INTERACTIVA SE POSPUSO PUESTO QUE EN ESTE MOMENTO EL CENTRO NACIONAL DE LAS ARTES, QUE PATROCINA ESTE PROYECTO, ESTÁ CERRADO POR LA PANDEMIA. Esta opción continuará al terminar la pandemia.\nAmbas pantallas mostrarán como imagen, loops de animaciones conceptuales y abstractas, paisajes filmados y fotos alteradas y animadas digitalmente de películas de ficción que muestran un suicidio en pantalla. Los videos están en loop. Duración aproximada 25 min.', NULL, NULL, 'La pieza está diseñada para interior, de preferencia no iluminada y sin ruido cercano. Es un muro con proyección por ambos lados. Requiere un área de 6 m X 3 m mínimo para su apreciación. Los proyectores deben colgarse del techo. El audio bocinas estarán incrustadas en el mismo muro. La pieza es sonora y reproduce 2 pistas de audio; requiere de cierto aislamiento. El control de proyecciones y audio (y en su caso, interactividad) estará en 1 computadora fuera del área de la pieza.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429186318', 'BIENALSUR2020', NULL, NULL, NULL, NULL, NULL, NULL, 4753, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4005, NULL, '2020-05-23 02:54:43', '2020-07-16 21:56:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24283, 'DQ2Xj1XC96v2COR7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:56:34', '2020-05-23 02:56:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24284, 'LYT4itEvvHRs4dRj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 02:59:09', '2020-05-23 02:59:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24285, 'RHMlTeN3nVHSWwAG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:01:45', '2020-05-23 03:01:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24286, 'uV2OtHlDESVnt6Js', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:03:00', '2020-05-23 03:03:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24287, 'bsj30A7aUTDJptGu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:06:07', '2020-05-23 03:06:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24288, 'ELn3MdwU2ch0X8lC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:15:19', '2020-05-23 03:15:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24289, 'GR5ptxn8sEwQFCj5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:15:47', '2020-05-23 03:15:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24290, '6vjD78FqAQRWo1sR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:15:52', '2020-05-23 03:15:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24291, 'sQj6tizg38Xvagbt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:19:20', '2020-05-23 03:19:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24292, 'q1gbj7ZNReU8LtTG', 'deus ex violentiam', NULL, 'Por medio del ensamblaje extra-píctorico resinifico los materiales planteo  esta pieza, que representa  una deidad oscura formada de la ira y la violencia que existe en la sociedad y en el interior de cada persona.\n proyectando mi imaginario, sentimientos negativos como son la ira, tristeza y depresión que se densifican y sedimentan como lo ominoso, así exorcizo y comunicar estas emociones buscando que el espectador se vea reflejado en ella y reflexionen sus demonios internos.', NULL, NULL, 'Sugiero un anclaje apropiado directo a la pared con una iluminación focal dispuesta de manera cenital cálida, en un espacio expositivo cerrado.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2255, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1953, NULL, '2020-05-23 03:20:00', '2020-06-23 19:28:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24293, 'FYqmqKO1g9JKVoOr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 03:42:43', '2020-05-23 03:42:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24294, 'sDMIgGocukAiK7wY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 04:06:31', '2020-05-23 04:06:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24295, 'jDO2qO1dBMKZF4Wu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 04:32:15', '2020-05-23 04:32:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24296, 'ur05czBlaNrNp8mR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 04:32:30', '2020-05-23 04:32:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24297, 'tSsB9Fm7J9TNNQPc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 04:37:50', '2020-05-23 04:37:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24298, 'vdESD0OA7PlVyhYV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 04:40:53', '2020-05-23 04:40:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24299, 'Kbspi9si5WpmeO7q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 04:46:53', '2020-05-23 04:46:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24300, 'AXcNJmDgD4TASZv1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 05:11:23', '2020-05-23 05:11:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24301, 'av4EADS3rjRSJTst', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 05:13:07', '2020-05-23 05:13:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24302, 'n171KRP4W8u2UXpv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 05:17:00', '2020-05-23 05:17:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24303, 'yxPaZ1A1DilqSVEc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 05:41:13', '2020-05-23 05:41:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24304, 'RUC5WvgQkRqQ2bQO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 06:03:51', '2020-05-23 06:03:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24305, 'B0g2J8PPb3NgsmA9', 'La Fábula de Siglo', NULL, 'En mi practica artística he decidido concretar un interés por apropiar métodos arqueológicos e historiográficos como estructuras de creación estableciendo relaciones entre valores simbólicos y técnicos con fines de producir imágenes, experiencias y procesos. Busco evidenciar la historia como escenificación y emplazar una experiencia del pasado al permitirme experimentar una idea del pasado y de lo histórico para configurar personajes que perpetúan performatividades donde los sistemas gramaticales y semióticos aparecen descontrolados y asincrónicos. Este proceso de creación – investigación, iniciado en 2016, busca una representación subvertida del pasado y de lo histórico a partir de una indisciplina para combatir regímenes de historicidad. Es propicio reevaluar la historia como una práctica ética, política y estética; y no únicamente como una epistemología con una condición ontológica evidente. \nEn esta escenificación, eso falso es más verdadero que lo verdadero al mostrar desde el primer momento su “naturaleza construida”, una fabulación proponiendo un registrar, recrear, reactuar y revivir. Estas acciones dejan su huella en un “cine” practicado electrónicamente, desde la precariedad, la democratización de las tecnologías de la imagen en movimiento y el hallazgo fortuito. Y así configuran esta escritura audiovisual con sus particulares rasgos gramaticales, poéticos, cronológicos, biográficos, históricos, narrativos, híbridos y monstruosos.', NULL, NULL, 'Un proyección con audio estéreo en un edificio que sea o haya sido escenario histórico y sea recordado por un episodio o acontecimiento particular. Este puede ser museo, biblioteca, archivo, iglesia, plaza pública, pedestal de monumento, estadio, piso de piedra, paisaje natural, academia y/o universidad. Puede ser proyectada en un interior (teatro, auditorio o espacio expositivo) o en espacio público (sobre un telón, en una pared o piso).', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=21WDQng5Xgc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2258, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1955, NULL, '2020-05-23 06:42:10', '2020-07-03 15:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24306, '7kqGuTSL2KVr5BUf', 'Logicas de ciudad: Formas de intervenir en la monta', NULL, 'El presente proyecto parte de una serie de derivas y recorridos en torno al Rio Machangara, el mismo que nace en el sur de la ciudad de Quito y la atraviesa, siendo uno de los mas contaminados del país por los desechos que en sus aguas se vierten. \n\nEl proyecto investiga como la ciudad se relaciona con el río, la quebrada y la montaña. Todos elementos de un mismo ecosistema que alberga formas de vida humanas y no humanas anteriores a la idea moderna de ciudad, que se expande y consume el territorio. Estos espacios por sus condiciones topográficas actúan como espacios de resistencia cultural y natural, resguardan practicas, saberes y formas de vida que están cada ves mas vulnerables. Producto de las derivas y recorridos recopilo imágenes, practicas, saberes, olores y formas. Me detengo a explorar la relación que la visión de ciudad establece estos espacios y quienes los habitan. \n\nEntender a estos espacios como lugares de resistencia y conflicto, permite pensarlos como alternativas a las formas habituales de estar y pensar las ciudades, en estas tierras atravesadas por los andes y preguntarnos: ¿Con qué lógica se configura la ciudad? ¿Cómo se interviene en la ciudad? ¿Para quién?\n\nEl proyecto esta en construcción y la presente aplicación es un corte de esta investigación en donde genero una instalación compuesta de pinturas, macetas, plantas de quebrada, piezas de cerámica y videos sobre la relación de la ciudad, con estos espacios y quienes los habitan.', NULL, NULL, 'Link de visualización del espacio (borrador en modelo 3d) : https://www.artsteps.com/view/5eca2d2aaeba1153be3788f9  \n\n\nEl espacio de preferencia debe estar ubicado en una ciudad  atravesada por ríos\n\nEspacio de cubico de 9m x 6m \n\nConexión eléctrica\n\n3 televisores plasma\n\nBases\n\nRepisas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/file/d/1bwxEfdC9TjqKbd_FbrOr9rD7EOgA0ReZ/view?usp=sharing', NULL, NULL, NULL, 5205, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4333, NULL, '2020-05-23 06:47:45', '2020-07-06 23:58:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24307, 'QMD8YPSUSovGMRCX', 'Reconstruyendo una Nación.', NULL, 'El ex - vicepresidente de EEUU, Nelson Rockefeller (1968) realizó una gira por Latinoamérica y en su informe identifica que el catolicismo, desde la perspectiva de la Teología de la Liberación no era \"un aliado seguro para Estados Unidos\", que el catolicismo era \"un centro peligroso de revolución potencial\". The National Prayer Breakfast, un evento en Washington, desde 1953. Promueve el adoctrinamiento de la clase política, que intenta que la ideología evangélica domine las decisiones de los gobiernos\nEl presidente del Parlamento de Ministros, Ralph Drollinger, se reúne con diputados costarricenses el 03/06/2019, La presentación se desarrolló en un desayuno de inauguración llamado Reconstruyendo una Nación\nLa iniciativa se da en una mesa, la cual tenía una pantalla empotrada en cada extremo de ella, en la mesa, tomas de personas opulentos videos de en tomas cenital de personas desayunando, en una presenta desayunos estadunidenses y en la otra, videos de escenas exquisitas fueron reproducidos de personas desayunando, en un extremo de la mesa se presentaba el desayuno americano y en el otro el de Costa Rica, las imágenes son entrecortadas. El desayuno costarricense tiene un leve movimiento constante, reforzando la idea de inestabilidad. En los platos estadounidenses surgen textos del Parlamento de Ministros y en los platos costarricenses de la Constitución Política de la República de Costa Rica. En el centro de la mesa la invitación que se dirigió a diputados costarricenses', NULL, NULL, 'La videoinstalación requiere de un espacio en donde el espectador cuente con la posibilidad de rodear la mesa.\nMedidas: 210 centímetros de largo, 80 centímetros de alto y 103 centímetros de ancho.\nRequisitos de montaje: tomacorriente cerca de la mesa.\nIluminación: únicamente cenital sobre el centro de la mesa donde se encuentra la invitación, ya que en los extremos de la mesa,  se encuentran incrustadas las pantallas', NULL, 'artist', NULL, NULL, 'https://vimeo.com/363050340', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3107, NULL, 370, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2675, NULL, '2020-05-23 06:49:29', '2020-08-14 16:42:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24308, 'gvCp8Ia9fy9hjB2J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 09:17:20', '2020-05-23 09:17:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24309, 'JUkTXMsLwyergIpu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 10:31:28', '2020-05-23 10:31:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24310, '3pIxh6UYO0dQCHBj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 10:32:46', '2020-05-23 10:32:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24311, '1bxhPvFjWQ50VWW4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 11:01:09', '2020-05-23 11:01:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24312, 'rs69dD8GgynfeTvn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 11:01:39', '2020-05-23 11:01:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24313, 'ZGmnYsL36E59Fa59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 11:19:25', '2020-05-23 11:19:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24314, 'l8FsgqTAqgunZRn4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 12:40:49', '2020-05-23 12:40:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24315, 'cVun02vqEjlBvlJA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 12:51:52', '2020-05-23 12:51:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24316, 'CroVfQCS3HLgSVdx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 12:59:24', '2020-05-23 12:59:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24317, 'x1XWK0TvX2z20Ctm', 'Instalacao \"Sambaqui\"', NULL, 'O processo de concepção do trabalho “Instalação Sambaqui”, de Suzana Ignez Barão, se \niniciou no período de isolamento social (quarentena) e faz parte da serie de trabalhos \ninéditos da artista. Seu trabalho se desenvolve através de desdobramentos adquiridos a \npartir de sua essência artística, formados ao longo dos anos sob modelos e ideais \ncomuns entre os diversos campos da arte em que Suzana habita. O titulo “Sambaqui”,\nprocedente do termo tupi: tãba (conchas) e ki (amontoado) e que são verdadeiros \narquivos pré-históricos formados através dos tempos por resíduos orgânicos, conchas, \nossos, objetos utilitários primitivos entre outros, brota em Suzana como todo o seu \ntrabalho, de forma orgânica e espontânea onde cada de suas obras traz consigo toda \nessa densidade de seu universo particular. Suas peças autorais vindas de objetos \nsimbólicos e fragmentos (vidros quebrados, apliques, plásticos, medalhas, pedras, \nlouças, miçangas) reforçavam nela e no espectador a ideia dos ciclos das coisas que \nretornam para se encaixar. Seus trabalhos atualmente são representações, montagens \nque possuem linguagem própria e que exaltam a beleza para além do aparente. Trabalho \nconcebido exclusivamente para o Edital Bienal Sul durante período de isolamento social \npelo COVID 19.', NULL, NULL, 'Instalação formada por 4 obras criando ambiente artístico intitulado “SAMBAQUI”. Obra 1 \ne 2 deverão estar fixadas na parede branca (ao fundo da composição) seguindo \nmedidas do expográfico. Obra 3 sobre base de MDF e Obra 4 suspensa com cabo de \naço ou nylon. Espaço sugerido 5m quadrados ou similar (podendo sofrer alterações nas \nmedidas de acordo com a organização). ANEXO EXPOGRAFICO', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3016, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2598, NULL, '2020-05-23 14:04:11', '2020-07-27 21:42:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24318, 'LDtjOi6LOh9cj03G', 'Instalação \"Sambaqui\"', NULL, 'O processo de concepção do trabalho “Instalação Sambaqui”, de Suzana Ignez Barão, se \niniciou no período de isolamento social (quarentena) e faz parte da serie de trabalhos \ninéditos da artista. Seu trabalho se desenvolve através de desdobramentos adquiridos a \npartir de sua essência artística, formados ao longo dos anos sob modelos e ideais \ncomuns entre os diversos campos da arte em que Suzana habita. O titulo “Sambaqui”,\nprocedente do termo tupi: tãba (conchas) e ki (amontoado) e que são verdadeiros \narquivos pré-históricos formados através dos tempos por resíduos orgânicos, conchas, \nossos, objetos utilitários primitivos entre outros, brota em Suzana como todo o seu \ntrabalho, de forma orgânica e espontânea onde cada de suas obras traz consigo toda \nessa densidade de seu universo particular. Suas peças autorais vindas de objetos \nsimbólicos e fragmentos (vidros quebrados, apliques, plásticos, medalhas, pedras, \nlouças, miçangas) reforçavam nela e no espectador a ideia dos ciclos das coisas que \nretornam para se encaixar. Seus trabalhos atualmente são representações, montagens \nque possuem linguagem própria e que exaltam a beleza para além do aparente. Trabalho \nconcebido exclusivamente para o Edital Bienal Sul durante período de isolamento social \npelo COVID 19.', 'Suzana Barão   CURITIBA  PR  BRASIL', NULL, 'Instalação formada por 4 obras criando ambiente artístico intitulado “SAMBAQUI”. Obra 1 \ne 2 deverão estar fixadas na parede branca (ao fundo da composição) seguindo \nmedidas do expográfico. Obra 3 sobre base de MDF e Obra 4 suspensa com cabo de \naço ou nylon. Espaço sugerido 5m quadrados ou similar (podendo sofrer alterações nas \nmedidas de acordo com a organização). ANEXO EXPOGRAFICO', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3016, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2601, NULL, '2020-05-23 14:05:05', '2020-07-29 12:41:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24319, 'oL0qhZx2pZjAbrNN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 14:29:15', '2020-05-23 14:29:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24320, 'ILZsY5qtkm6XICZk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 14:53:16', '2020-05-23 14:53:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24321, 'j4MDZyjLNlhS7p4F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 14:53:19', '2020-05-23 14:53:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24322, 'w7pBoY7SPKEDGBAg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 14:55:06', '2020-05-23 14:55:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24323, '8NO0mwQGO8RdsjAt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 14:55:11', '2020-05-23 14:55:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24324, 'OFcnLzzF0ki71cUY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 14:59:52', '2020-05-23 14:59:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24325, 'dQ7pQco06CB7657o', 'Cuerpos Confinados', NULL, 'CUERPOS CONFINADOS es una exposición que busca establecer un diálogo plural, comprendiendo la diversidad de experiencias en habitar corporal-mente el espacio desde un cuerpo en reclusión y una experiencia comunicacional expandida. Durante el confinamiento se asume un formato expositivo virtual\nEn continuación de la exposición CUERPO EN CUESTIÓN realizada en marzo del 2018 se abrió en el Museo de arte contemporáneo del Zulia (MACZUL) Venezuela, las curadoras se reencuentran en el espacio virtual desde tres geo-coordenadas diferentes para retomar la conversación esta vez dentro de las condiciones de la pandemia mundial y en su condición de migrantes. La convocatoria para la exposición virtual se lanzó el día 26 de abril, más de 80 artistas, de 31 ciudades y más de 25 países alrededor del mundo, atendieron el llamado, en el espacio museográfico de una página web. Dónde se han estado publicando, desde hace dos meses, galerías con las obras de los artistas.\nComo parte del diálogo, en una próxima etapa, el proyecto plantea la exhibición física multilocalizada, en varios espacios expositivos: Venezuela, Colombia, Argentina y Canadá, pudiéndose ampliar a otros países. \nEs así como la exposición virtual producida por un confinamiento hiperconectado, se transforma, gracias a la autonomía corporal, en una muestra física en la cual, ese cuerpo que estuvo detenido se encuentra de manera tangible frente o inmerso en torno a las obra', 'Jonathan Lara   www.jonathanlara.com\nPedro Morales\nJuan Diego Pérez  https://www.instagram.com/perez.la.cruz/\nConchita Pineda   https://www.instagram.com/conchitapineda/\nJohan Galue   https://www.artsy.net/artist/johan-galue\nMaximillian Nowotka https://nowotka.online/\nLuis Gómez  https://luisgomezartistavisual.blogspot.com/\nMario Colina  https://www.artsy.net/tarsinian-gallery/artist/mario-colina\nRosángela Isabel Pérez  https://www.instagram.com/neydalid/?hl=en\nNeydalid Molero  https://www.instagram.com/neydalid/?hl=en\nMaría Verónica Machado https://www.instagram.com/mmpenso/\nAna Tamayo http://ANATAMAYO.NET\nDenise Morales  \nElsy Zavarce  http://elsyzavarce.com\ny 50 artistas mas....', NULL, 'Una sala oscura para proyección con videobeam y un reproductor mp4.\nUna sala de exposición para presentar fotografías de formato variados, instalaciones sonoras  e instalaciones que ocupan pared y piso: +- 100 m2 .\nSe tiene previsto que pudieran ser el Museo de Arte Contemporáneo del Zulia, donde se mostrará la exposición virtual y 3 espacios satélites: Barranquilla-Colombia (50 m2), Montreal-Canadá (50m2) y Buenos Aires-Argentina (50m2).', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2435, NULL, 649, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3995, NULL, '2020-05-23 16:06:29', '2020-08-14 16:37:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24326, 'aE1MdmHsgP2YPfx3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 16:17:36', '2020-05-23 16:17:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24327, 'VI7QgL6Cxp4zkP38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 16:41:55', '2020-05-23 16:41:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24328, '9Y4ivn1hkXz2zZNg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 16:44:57', '2020-05-23 16:44:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24329, 'bBqsSG34UMXApYzP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 16:50:42', '2020-05-23 16:50:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24330, 'MhzZQGXFKkOPWv0K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 17:17:38', '2020-05-23 17:17:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24331, 'fUX9hDW5P5DWnbuW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 17:21:56', '2020-05-23 17:21:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24332, 'nsvXM9sutbpl8ABG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 17:28:25', '2020-05-23 17:28:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24333, '7WwwrmUKUd5lGWMX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 17:41:49', '2020-05-23 17:41:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24334, 'YmZD5X9uZg0Jv9ij', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 17:46:11', '2020-05-23 17:46:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24335, 'Ktvw3ICUD6zxBZKx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 17:51:52', '2020-05-23 17:51:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24336, 'WzEoD5L8zpQUUnKy', 'Elementos de mi naturaleza', NULL, 'Ya sea por acción del Estado o por los medios de comunicación, las favelas se han asociado con una serie de problemas sociales, como la justificación de la violencia en la ciudad. Dicha percepción genera una cultura del miedo, en relación con los individuos que viven allí, masificando una visión peyorativa y dudosa de la comunidad, sus hábitos y la estética producida en estos lugares.\nDebido a esta falta de conocimiento, el potencial creativo de las favelas ha sido poco explorado. El objetivo de este ensayo fotográfico tiene como objetivo revertir esta tendencia, documentando a los bailarines urbanos, en su mayoría jóvenes, que están en proceso de reconocimiento profesional, a nivel nacional, en diferentes aspectos urbanos. \nDentro del contexto de las comunidades, la reinvención muestra su esencia, con consumo y servicios adaptados que a menudo no llegan. El espíritu de la colectividad,  de estética, Y, por supuesto, la presencia del arte, que hace posible este tipo de observación y transformación, de lo feo a lo bello, de la falta de alternativas, a la búsqueda de nuevas, del desprecio al orgullo.\nSe pretende, por lo tanto, desmitificar lo que es una favela, a través de los ojos de una artista de Maré, que también reconstruyó sus ojos en su propio territorio, para valorar una estética periférica cargada de positividad, centrándose en los talentos locales. y transformarlos en personajes populares urbanos con el objetivo de crear una nueva perspectiva y nuevas erdades..', NULL, NULL, 'Hay cuatro marcos, en el tamaño final de 32cmx45cm, con fotografías impresas en papel mate, que se pueden colgar en la pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2260, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1957, NULL, '2020-05-23 17:56:15', '2020-06-23 19:29:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24337, 'eBKsZ4Qz4n4FNaqQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:05:53', '2020-05-23 18:05:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24338, 'OrUMoYuESG7AEpkr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:16:50', '2020-05-23 18:16:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24339, '52BGtS1xRQ6fP1w0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:21:41', '2020-05-23 18:21:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24340, 'WDsrcI0LQnN4TW7Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:22:44', '2020-05-23 18:22:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24341, 'K2Tk9X781YY0I7Sx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:23:57', '2020-05-23 18:23:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24342, '3xJweaN5OF4IRdg7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:24:05', '2020-05-23 18:24:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24343, 'oDDreTpfpE56Wu8Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:34:13', '2020-05-23 18:34:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24344, 'Qxc1wWyd8ge67xNj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:44:01', '2020-05-23 18:44:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24345, 'A53R9CDpkZh1xcTu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:45:58', '2020-05-23 18:45:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24346, 'C3X8bekBhz6F3hK6', 'BROKEN FACES', NULL, 'El Proyecto BROKEN FACE reflexiona sobre los efectos devastadores de la I Guerra Mundial y como a través del arte decenas de soldados que quedaron mutilados facialmente pudieron recuperar sus rostros desfigurados gracias a las reconstrucciones realizadas en ese momento por una serie de artistas que esculpieron sus caras con cobre galvanizado. Los responsables de este trabajo de reconstrucción facial fueron entre otros, el escultor británico Francis Derwent Wood y la escultora estadounidense Anna Coleman Ladd que trabajaron juntos para devolver la confianza a numerosos soldados que perdieron sus rostros en la guerra. Las máscaras reconstructivas eran perfectas. Broken Face habla de cómo a través del arte es posible cambiar una situación de desesperación y horror. Estos “rostros de hojalata” como eran llamados por los propios soldados damnificados, tenían la capacidad de devolver de nuevo su imagen anterior a la guerra. En este trabajo se presentan una serie de rostros reconstruidos a través de la pintura con un trazo rotundo e impulsivo en blanco y negro, que se imponen ante el espectador de un modo seriado, todos ellos en conjunto hablan de la memoria, del dolor que causa una guerra, en definitiva, de la belleza desgarradora de la piel. La instalación en el espacio expositivo se completa con un vídeo que proyecta las sesiones de reconstrucción facial de los soldados desfigurados en el estudio de los artistas y una serie de máscaras intervenidas.', NULL, NULL, 'El espacio expositivo debe permitir poder mostrar las piezas en línea a modo de serie contínua.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2259, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1956, NULL, '2020-05-23 18:46:12', '2020-07-12 17:03:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24347, 'ZA12molA85RQ60Ib', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:49:34', '2020-05-23 18:49:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24348, '6xFDFSz5JYuu4cvt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 18:56:39', '2020-05-23 18:56:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24349, 'braOqNbS8ruMpI6u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 19:02:25', '2020-05-23 19:02:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24350, 'tOWCx6GpnO9NQ0bh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 19:04:27', '2020-05-23 19:04:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24351, 'kv9bZki08BXDZLFv', 'SOCIAL ECHOES', NULL, 'The modern human being has already overcome the positivist discourse and now begins to see the world from a fragmented  and filter-free perspective. Today it is drastically realistic and lives within multiple oscillating identities, starting to reinvent its social roles and practices, increasingly freeing itself from the conventional forces that prevent its self-construction, transforming\nso today\'s society.\nThe society, divided between loads of excess and moderation, is faced daily with the risks produced by its own actions, being swallowed up by a wide variety of stimuli. The works represent this oscillating vision of personal identity, visually stimulated, charged with thoughts.', NULL, NULL, 'The works are entirely digital, created in vertical format. We would like them to be displayed preferentially on digital platforms, with the intention of associating them with the “digitalization” thinking of society, in view of how globalization has influenced the absorption of mass culture.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2266, NULL, 265, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1963, NULL, '2020-05-23 19:08:32', '2020-06-23 19:29:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24352, '6g0LZCszblhQy007', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 19:33:30', '2020-05-23 19:33:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24353, 'lJwA4HVuwko3Vz2d', 'El auge de su primavera', NULL, 'Maestra una aborigen de la tribù Hammer en el auger de Su femineidad, pronta para el matrimonio, entre 13 y 14 años. \n   Realizada em 2020, mude 36x65 (medidas sim marco), Óleo y tinta fluida sobre eucatex.', NULL, NULL, 'Cuanto al espacio, el que encuentren\napropriado.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2261, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1958, NULL, '2020-05-23 19:47:37', '2020-06-23 19:29:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24354, 'jSV5D2GfCfZ4Tvzw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 19:49:58', '2020-05-23 19:49:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24355, 'xZKaYKrAsLxS04s0', 'Water Journey - Transformando basura en arte.', NULL, 'Water Journey es un proyecto de arte visual de gran escala para dar visibilidad y comunicar el tema de la contaminación plástica en los océanos. Se compone de una serie de obras realizadas con plásticos recuperados del Rio de la Plata. Cada pieza se toma como fósil arqueológico, evidenciando nuestro uso desmedido de este material. El propósito de la exposición es incentivar a una reflexión acerca de la relación tóxica que tenemos con el plástico y proponer acciones concretas para mitigar su consumo. Journey significa viaje, propongo viajar hacia nuestras aguas y descubrir qué es lo que las lastima.\n\nLa primera parte del proyecto se denomina ACCIÓN, consiste en organizar un \"Clean Up\", a orillas del Rio de la Plata para juntar los plásticos necesarios para las futuras obras. Una mañana para generar consciencia en la comunidad local y permitir que vivan esta causa desde una pespectiva íntima. Este evento genera mucha sensibilidad en los que participan, los compromete con la causa desde la acción y no desde la queja. \n\nAl mismo tiempo se organizará una gran juntada de plásticos domésticos para que las personas que quieran puedan contribuir con plasticos para las obras. De esta forma todos van a poder ser parte de la creacion de las mismas. \n\nUna de las se completará activamente durante el día de exposicion para que cada expectador pueda hacer su aporte. La cuarta obra se realiza en conjunto con cada uno de ellos.', NULL, NULL, 'La exposición se realizará al aire libre en el Parque de la Memoria, ubicado sobre el Rio de la Plata. Este espacio invita desde su arquitectura al silencio y la reflexion. Tendremos a los océanos presentes en la conversación que se desprende de las obra. Serán 4 bastidores de chapa de 1m de ancho por 2m de largo colocados con una separacion de 1m entre cada uno. Se dispondrán dandole la espalda al Rio, de esta manera el expectador tendrá al Rio de la Plata como fondo de las obras.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428883347', 'bienalsur', NULL, 'bienalsur', NULL, NULL, NULL, NULL, 3820, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3255, NULL, '2020-05-23 19:56:34', '2020-07-02 20:34:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24356, 'sCDDeUgL5VwJRCx3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 20:04:47', '2020-05-23 20:04:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24357, 'LQhbru2y62yEKXrf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 20:04:48', '2020-05-23 20:04:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24358, 'dG9rGG3C38FcEuM2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 20:09:29', '2020-05-23 20:09:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24359, 'ZWaHiVE2eeH4W8dW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 20:40:16', '2020-05-23 20:40:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24360, '62C1D7RLxeDC14YA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 20:41:15', '2020-05-23 20:41:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24361, 'wT7KWxQuA0xvX3cL', 'Inversion', NULL, 'Instalación formada por dos esculturas y una pieza sonora. Una escultura de plástico llena de agua suspendida del techo (o de dos paredes) con hilo de nylon y otra de resina situada en el suelo debajo de la primera. La pieza de arte sonoro se reproduce en loop y el público puede escucharla a través de auriculares que se encuentran situados cerca de las dos esculturas. \nLa instalación juega con la inversión de los elementos montaña-mar. Las dos piezas escultóricas emulan la forma de una montaña. Una de ellas está invertida, suspendida y llena de agua. La otra, colocada debajo, está realizada en resina transparente. Así, ambas rompen con la opacidad propia de las montañas y el fondo marino y hacen visible lo invisible, jugando con la idea de que podríamos entender el fondo marino como si se tratara de montañas invertidas, un juego de correspondencias, negativo/positivo, vacío/lleno. La pieza sonora está realizada con micrófonos táctiles enterrados en la arena de la playa en el punto donde rompen las olas, de manera que se generan una serie de sonidos que se encuentran entre lo marítimo y lo tempestuoso y que pueden suscitar incertidumbre y desconcierto, reforzando el juego de inversiones que propone la instalación.', NULL, NULL, 'Espacio de aproximadamente 300x300x120 cm (la instalación se puede adaptar a otras dimensiones según las necesidades expositivas). Se requiere poder colgar la escultura de plástico con hilos de nylon del techo o de dos paredes esquineras. Cerca de las esculturas, se requiere instalar un equipo de audio con auriculares para que el público pueda escuchar la pieza sonora que acompaña la instalación.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3411, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2924, NULL, '2020-05-23 20:42:10', '2020-08-13 18:39:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24362, 'zMwwL6jBs5AFfSJs', 'Instantes de Luz', NULL, 'El proyecto Instantes de Luz toma curso hace dos años cuando fuimos convocados para mostrar la Laguna de Chascomús. Tomé horarios diferentes del día y fui eligiendo en la profundidad de los colores que ofrecía la naturaleza. Allí definí la comunicación entre el cielo y el agua, conecté con las plantas nativas y sus colores, aves, sonidos. Una inmensidad que me conectó con el paisajismo, la densidad de la naturaleza y una experiencia nueva en la búsqueda de expresión.\nEn el crepúsculo encontré síntesis esta experiencia. Y logré encontrar y definir qué buscaba mí vista para expresar en esa muestra. \nEl proyecto cobró vida y hoy expando mí horizonte, continué profundizando la mirada y la experiencia. Eli a p\nÑñl006igeu497p', NULL, NULL, 'El espacio precisa luces baja y focos en obra.  Las pinturas son en formatos de 1.70 x 1.20 CM en su mayoría. \nParedes altas, amplitud para recorrer el espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3092, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2662, NULL, '2020-05-23 20:46:17', '2020-06-26 18:05:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24363, 'wQF7mecjJAIgxgh6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 20:59:41', '2020-05-23 20:59:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24364, 'V28G4HDAEnp7G11d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:04:26', '2020-05-23 21:04:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24365, 'vfQIrrLgblFNnu60', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:12:31', '2020-05-23 21:12:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24366, 'F3q7eCGijQOFulup', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:13:15', '2020-05-23 21:13:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24367, '1gjMlIj7HjL2dR5Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:19:23', '2020-05-23 21:19:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24368, '9CEDkYs5I70tgqRz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:21:44', '2020-05-23 21:21:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24369, 'PwhIu5HAuNtCVUqp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:23:42', '2020-05-23 21:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24370, 'XjMEQCsZw7ZhJSGh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:39:32', '2020-05-23 21:39:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24371, '8I8Rpo87zgcOMVBd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 21:44:31', '2020-05-23 21:44:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24372, 'hO2iP2lAQWvutTZQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:02:40', '2020-05-23 22:02:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24373, 'uTuw4gckHCcmuU04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:04:22', '2020-05-23 22:04:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24374, 'CsLoPh9brc9iA4fP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:05:42', '2020-05-23 22:05:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24375, 'jNELhpHfIiylT0g6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:06:00', '2020-05-23 22:06:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24376, 'n6Nh6wfOxZnsol5g', 'Paisaje Lúdico Blanco', NULL, 'La instalación explora los límites entre arte, paisaje y juego, para crear una experiencia intensa a través del espacio.\n El sentido artístico emerge de la acción inmersiva, transformándose en infinitos paisajes, mundos de posibilidades, significados, sensaciones y estímulos de libertad.\n“Sentir texturas, sonidos y aromas mientras el cuerpo se hunde entre formas espumosas”\nEl espacio se modela con el cuerpo, que queda contenido en formas uterinas, nidos, refugios que cobijan en lo más esencial y existencial, de silencio, calma y profunda intensidad. \nLa obra se funde con quién la recorre, los límites se disuelven, el fondo y la figura se diluyen en un “blanco sobre blanco” que es pura experiencia. \nUna obsesión nómade que explora las estructuras plegables buscando el máximo volumen espacial con el mínimo material. \nAntecedentes: “Pabellón Argentino” Barcelona Design Week 2019 por invitación del Disseny HUB Barcelona y colección del Centro de Cultura Contemporánea Azkuna Zentroa, Bilbao.  \n\nBienal SUR: “Recorrer bosques nevados, flotar entre las nubes, o sumergirse en formas espumosas”\nSecuencia de estructuras: \n1. Nubes verticales (cumulonimbos)\n2. El juego de las caricias\n3. Nubes relieves (cúmulos)\n4. Gotas o casas plegables blancas (es posible sentarse dentro)', NULL, NULL, 'Instalación reducida 12 x 9 m incluida circulación perimetral. \nInstalación completa, con nubes y relieves, 20 x 16 m aprox. La forma puede ajustarse a espacio disponible\nPuede ser sala o hall. Limites completamente blancos. Eventualmente podría contener un marco textil que aporte el fondo blanco\nIluminación con reflectores blanco cálido, para efecto de sombras y profundidad\nRequiere estructura para colgarelementos verticales', NULL, 'artist', NULL, NULL, 'https://vimeo.com/352977537', NULL, NULL, NULL, 'https://issuu.com/paisajesludicos/docs/pl_catalogo_paginado', NULL, NULL, NULL, 6321, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5172, NULL, '2020-05-23 22:24:11', '2020-08-11 22:49:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24377, 'pQKlTgxk090LOXXU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:27:30', '2020-05-23 22:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24378, '6zaFV4lWYdOKm9Fj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:31:23', '2020-05-23 22:31:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24379, 'qDe3QshN4ZiX6Iim', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:37:32', '2020-05-23 22:37:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24380, 'Cypc3GJRTdHP8qP5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:46:11', '2020-05-23 22:46:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24381, 'yvZ9IvYWLzrVYjsM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 22:46:24', '2020-05-23 22:46:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24382, 'GkMqWg02fwckj8OE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 23:19:19', '2020-05-23 23:19:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24383, 'nzJuLrKQvyeGDMef', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 23:25:02', '2020-05-23 23:25:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24384, 'GhLeKrpNTarE5w1H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 23:25:49', '2020-05-23 23:25:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24385, 'FoKuqR8RbWSxnLsG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-23 23:44:56', '2020-05-23 23:44:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24386, 'KxZGzL2bwTUlt0oU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:00:58', '2020-05-24 00:00:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24387, 'QD1DBfDfLhXmqTHk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:09:19', '2020-05-24 00:09:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24388, 'zJKzMNhU7jbncGgr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:18:30', '2020-05-24 00:18:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24389, 'NF5rW7e0ODvlhDLU', 'Colors of Happiness (Los matices de la felicidad), 2020', NULL, 'Mi obra, en general, es el resultado de experiencias compartidas, a través de procesos artísticos y vivenciales, en los límites de las estructuras de control que durante miles de años han condicionado a la consciencia individual. \n\nColors of Happiness (2020) nos invita a ser positivos y recordar que hay cosas pequeñas y simples que pueden cambiar de forma radical nuestras circunstancias y estados de ánimo. Es una obra de net art, abstracat, interactiva y de carácter procesual. Desarrolla una base de datos «virtual» que compila estadísticas en tiempo real, sobre la preferencia «mundial» de un determinado color. Permite la participación e interacción del espectador desde cualquier lugar del mundo. \n\nMediante una biblioteca online de matices y tonos, eliges tu color favorito, este quedará visible en la página principal de la web. EL COLOR como resultado, puede estar mostrándose simultáneamente en diferentes contextos y formatos. Esta elección puede variar en días, horas, minutos o segundos, dependerá de la frecuencia e interacción de otras personas. Cada gama creará un perfil según su record individual. Usted tendrá acceso a varias paletas de colores, con los que podrá interactuar, seleccionándolos o viendo su ficha, para obtener datos como: cuántas veces lo han seleccionado, desde dónde (País) y por cuánto tiempo ha estado visible (desde el primer día de funcionamiento de esta obra hasta el presente). \n\nWebsite: http://colorsofhappiness.art/', NULL, NULL, 'EL COLOR puede mostrarse desde una o varias pantallas-proyecciones, en interior o exterior, en un mismo espacio o simultáneamente en varios lugares, la pieza se adapta a diferentes contexto y formato. Es posible interactuar con la obra desde cualquier parte del mundo, a través del celular, tablet o computadora. Colateralmente se repartirán volantes  y también se hará promoción a través de las redes sociales, para incrementar la participación del público. Requiere conexión a internet.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://colorsofhappiness.art/', NULL, NULL, NULL, 4792, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4040, NULL, '2020-05-24 00:22:54', '2020-07-18 02:45:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24390, 'Z83tJCclFGtxz8VB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:28:36', '2020-05-24 00:28:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24391, 'nVZ5rXwbbQnskICM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:30:52', '2020-05-24 00:30:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24392, 'ypE3G0jeAypLMUJ7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:39:41', '2020-05-24 00:39:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24393, 'XEj5Z36mdVP2j4kG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:40:47', '2020-05-24 00:40:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24394, 'zrn7KuZz5jQcI1Oe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 00:50:47', '2020-05-24 00:50:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24395, 'ocTmfJnWvpjM46qT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 01:05:00', '2020-05-24 01:05:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24396, 'gYOUE3GtlE5lvn96', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 01:08:52', '2020-05-24 01:08:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24397, 'yMF7oLheF3x2fJBs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 02:18:17', '2020-05-24 02:18:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(24399, 'l2w6kbFUxVemnErW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 02:24:29', '2020-05-24 02:24:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24400, '393eahuHn3x1OCLQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 02:26:04', '2020-05-24 02:26:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24401, 'RtZPNreTwAeMnovm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 02:26:44', '2020-05-24 02:26:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24402, 'wl3cVGpOj4cgyveh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 02:40:17', '2020-05-24 02:40:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24403, 'Y0vj6O9AG1CAaPxS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 02:44:11', '2020-05-24 02:44:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(24405, 'Oj2EWDJNnixP60Tv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:12:10', '2020-05-24 03:12:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24406, '819He8Cq6xSx9M5p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:16:44', '2020-05-24 03:16:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24407, 'oCTk3bXAy3X4YiJG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:42:34', '2020-05-24 03:42:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24408, 'uaTNrgb1TdvUlDnh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:42:34', '2020-05-24 03:42:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24409, 'vVNtSmv9woGNI7Q5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:43:10', '2020-05-24 03:43:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24410, 'M8Hxzct4d4rX78uV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:51:14', '2020-05-24 03:51:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24411, 'IIXg9OOF11NFgHMF', 'Oficina de Criação Poética com confecção de livro Cartonero', NULL, 'Ensinar as pessoas ( crianças, jovens e adultos) a criar  poemas com o método de criação das 4 cartolinas nas quais escrevo ( ideias/ ideias reunidas/ criando verso/ verso pronto), feito isso confeccionar um livro no formato Cartonero            ( recolher papelão das ruas, cortar no formato de capinhas, pintar com tinta guachê, costurar com barbante ao miolo do livro impresso em papel reciclado).', NULL, NULL, 'Área Aberta Com Lugar para Colar as 4 Cartolinas e mesa para confeccionarem os livros ou Sala Fechada com capacidade para acolher 20 pessoas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2265, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1962, NULL, '2020-05-24 03:53:00', '2020-06-23 19:29:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24412, 'ewwrT46zQ8MrB4SZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:55:15', '2020-05-24 03:55:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24413, 'nxozUPk8w4yvxinW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 03:59:22', '2020-05-24 03:59:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24414, '4nok6DCy72qk1MEL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 04:03:27', '2020-05-24 04:03:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24415, 'QjXIhE45B2Wxp3vM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 04:06:04', '2020-05-24 04:06:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24416, '4rs6iHBvVTGpievY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 04:11:28', '2020-05-24 04:11:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24417, 'e5f2yC8VWktEYcZO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 04:17:50', '2020-05-24 04:17:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24418, '2Z9u7C4w4jpCp4BM', 'HYPER-CONNECTIONS', NULL, 'After COVID-19, world switches the narrative, now more than ever a worst post humanistic future could be possible, seeing this paradigm Temporary Atmospheres has decided to face the issue, developed an adaptable device capable to produce sound, and shape the sound in the public space with collaboration of people, giving them the capacity of empowering the place.\nHyper-connections is focusing to create alternative languages of communication and expression in urban space using generative forms shaped by the sound, which people produce in public space, connecting people beyond the physical interaction. The new language of communication will be generated by people who been interested to create sound in urban space a collaborative melody shaped by the interaction of people with the device, adapting to the new rules of physical distancing but connecting by the final piece of audiovisual art. In a world which transforms our lives day after day, velocity is implicit in every action, which made, according to the postmodern geographers, present is almost impossible to describe, but currently, multiple realities at the same time are setting up since a computer, supported and linked by the infinity network. We need to rule technology before it be too late', NULL, NULL, '25 square meters is the total of the installation, the main device will be installed on the center, the fractal shape would deploying connection wires for 4 stations composed with 3 buttons each one, each station allows to the user set up and creates different sounds and shapes during their action, the user will have the choice to select one of the 4 stations which are divided among;  bass-line, vocal, synth and key-lab(chords).', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=A66iXlvbCF4&feature=youtu.be', NULL, NULL, NULL, 'https://www.youtube.com/watch?v=gmYMhA5VYNA', NULL, NULL, NULL, 3661, NULL, 456, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3129, NULL, '2020-05-24 04:20:55', '2020-08-06 23:07:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24419, 'E5o4Va4iLrBHxQUF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 04:27:05', '2020-05-24 04:27:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24420, 'AAKuUGXthAhILmSA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 04:29:02', '2020-05-24 04:29:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24421, 'TX7O7unFT56naxQc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 04:36:30', '2020-05-24 04:36:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24422, 'trDbKzI8i3APd7in', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 05:16:45', '2020-05-24 05:16:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24423, 'dDqJgtWojL1MezFO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 05:31:48', '2020-05-24 05:31:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24424, 'kYXTCeh05wf46zl2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 05:40:02', '2020-05-24 05:40:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24425, 'lxEqqQepvJkMI0di', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 05:42:24', '2020-05-24 05:42:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24426, 'TTgbSXc0AHSodI49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 06:03:31', '2020-05-24 06:03:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24427, 'DaKDph4xQsoXDulw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 06:04:46', '2020-05-24 06:04:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24428, 'oOpH90gKvGrFgIG2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 06:11:53', '2020-05-24 06:11:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24429, 'bDlVe90uy1RgwoCq', 'COMPOST / Micropoéticas del territorio', NULL, 'COMPOST\n\nMicropoéticas del territorio\n\n\nCompost propone una obra relacional, un laboratorio de espacio-tiempo circular. De la misma forma que la materia orgánica se descompone y devuelve los nutrientes a la tierra, la propuesta desarrolla una práctica recíproca de creación y conocimiento. \nIntenta indagar en arqueologías del futuro, formas de moldear comunidades creativas más sostenibles, interconectadas y resilientes. ¿Cómo hacer perdurar un brote orgánico en el Antropoceno? ¿Cuántas formas de habitar el mundo nos interpelan?¿Cómo proyectarnos fuera del planeta tierra?\nCompost se plantea pensar y transitar un proceso creativo hacia una obra colectiva (o varias individuales pero unidas por un discurso común) sobre lo que nos está sucediendo como especie. Indagar otras formas de estar juntos a través de los territorios de Latinoamérica, tomando el proceso de compostaje como materia prima de pensamiento, acción y producción.\nDonna Haraway propone una fábula del compost emergente entre superficies de concreto, floreciendo entre desechos contaminantes. Como si en el oscuro compost del Chthuluceno anidaran las nuevas posibilidades de emergencia de nuevas mitologías y relatos en un planeta en constante mutación.\nComo dice esta autora: “El pensamiento ocurre cuando las cosas que funcionaban dejan de funcionar. En momentos de descomposición, la posibilidad de otra cosa se vuelve más urgente y fácil de imaginar. Y la gente toma riesgos y propone posibilidades.”', NULL, NULL, 'FICHA TÉCNICA: Se invitará a 5 artistas de diferentes nacionalidades y cosmovisiones a trabajar una obra en proceso a través de medios digitales (zoom, meet, etc.). La duración del laboratorio será de 6 meses. El mismo funcionará como un espacio vivo y experimental que podrá transmitirse online y crear nuevos recorridos en nodos abiertos. El resultado final cobrará forma de exposición a realizarse en un lugar a convenir con la producción de la Bienal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2269, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1965, NULL, '2020-05-24 06:20:54', '2020-07-03 16:46:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24430, 'WPR9G1U5hBHruhwX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 06:31:14', '2020-05-24 06:31:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24431, 'WjDGhugPyDifkdeF', 'Dinámica estelar', NULL, 'En dicha pinturaabstracta represento la dinámica que forma la armonía e interacción de diferentes elementos que conforman la existencia donde en un vacío de oscuridad pura, convergen fuerzas o diferentes energías que conforman un todo, como una emulación del mismo universo.', NULL, NULL, 'Las dimensiones de la obra son 30x35 Pulgadas, la técnica es mixta utilizando materiales de acrílico, barniz, lámina de oro y pintura de aceite.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3206, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2757, NULL, '2020-05-24 06:32:31', '2020-06-26 19:59:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24432, '7JrSUoa49mQ7p6NC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 06:53:08', '2020-05-24 06:53:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24433, 'kpHnzq5Kf8QSiYt6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 07:02:53', '2020-05-24 07:02:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24434, 'v9z2EOa62nBAKET4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 07:16:06', '2020-05-24 07:16:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24435, 'SEu85zoaVod9tyjm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 07:26:36', '2020-05-24 07:26:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24436, 'uAXulDH0RxRcnD8Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 07:30:19', '2020-05-24 07:30:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24437, 'GosXnmov24CpIWyN', 'Entre o preto e branco dos dias.', NULL, 'O trabalho é feito com tinta nankin, entre linhas suaves e grossas, demonstrando a intensidade nas linhas e a ansiedade através do observar a cidade. Em sua cor preto e branco, busca um acalento entre o céu interior e os dias oblíquos de hoje, esperando o tempo e tudo isso passar.', NULL, NULL, 'dimensão 42cm x 30cm\npapel fotográfico', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2303, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1994, NULL, '2020-05-24 07:45:29', '2020-06-23 19:28:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24438, 'vv81hvFVexbYykmh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 08:05:08', '2020-05-24 08:05:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24439, '2jkNx13ANMdpX6yk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 08:37:22', '2020-05-24 08:37:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24440, 'QwTXd1UPnkdsQPDk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 08:58:57', '2020-05-24 08:58:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24441, 'NS3JyDO0VYLcRFAH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 09:00:18', '2020-05-24 09:00:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24442, 'SPxxDeDViBerqy1H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 09:01:04', '2020-05-24 09:01:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24443, 'DFSAPdwJlVvq3LlO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 09:11:30', '2020-05-24 09:11:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24444, 'Fbu3iEZmW9Eg2Wgj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 10:29:41', '2020-05-24 10:29:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24445, 'HTaYx6zbJj5tH1uR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 10:41:01', '2020-05-24 10:41:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24446, '36d7ch6Ajp959bbF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 11:17:38', '2020-05-24 11:17:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24447, 'UDh0s0FbTXBbPOWT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 11:18:44', '2020-05-24 11:18:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24448, '9OR9g8yQXLsJ6zKH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 11:48:11', '2020-05-24 11:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24449, '3k3QG8yl3xPLmQ7Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 12:18:53', '2020-05-24 12:18:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24450, 'FKQKwsWWYNPmb3FK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 12:56:13', '2020-05-24 12:56:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24451, 'wKRQC6X02FtPPXyx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 13:10:21', '2020-05-24 13:10:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24452, 'k7k35P4672VHiUxO', 'Quanta fuit.', NULL, 'Quanta fuit\n\n A través de la escultura, la fotografía y el relieve, el proyecto Quanta fuit pretende reflexionar sobre la idea de sociedad fosilizada. Tomando como ejemplo casos como el de Pompeya, Quanta fuit se conformará a través de una serie de piezas, que en forma de \"arqueología distópica\", narrarán el fin de una sociedad como si de un yacimiento se tratase. Las luchas de poder, las contradicciones, los hábitos, las tradiciones y los abusos serán algunos de los rasgos mas significativos de este yacimiento.\nMediante un juego de abstracciones plásticas y gestos, la persona que contempla la obra, asistirá al descubrimiento de lo que fue la vida de esa civilización.\nEl proyecto se construirá a través de dos partes. Una primera parte que incluirá material audiovisual, dibujos, libros, fotografías y grabados, que ilustrarán de forma ficticia y recreada, el yacimiento de una civilización recién encontrada. La segunda parte de la exposición la compondrá cinco esculturas, cinco relieves y cinco fotografías.\nPara esta convocatoria, a parte de todo el material recreado y como obra de nueva producción, se realizarán dos relieves de gran formato (50 x 200 x 5 cm.) tres esculturas ( 60x20x20 cm. aprox. ) y cinco fotografías ( 50 x 70 cm. aprox. ) El resto de piezas que conforman la exposición ya están producidas o se encuentran en fase de producción.\nTanto los relieves como las esculturas se realizarán con madera y concreto.', NULL, NULL, 'Para este proyecto se necesitará una mesa expositiva de aproximadamente 200x180cm para situar todos los objetos, grabados, dibujos, libros que conforman el relato del proyecto. Por otro lado, se necesitaran proximadamente 15-20m2 de pared para situar los relieves y 3 peanas blancas para las esculturas.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=WdA_tsXUUAQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2273, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1968, NULL, '2020-05-24 14:04:49', '2020-07-12 17:04:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24453, 'nlt7czbg0HmYR7AH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 14:45:08', '2020-05-24 14:45:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24454, 'xlz7rAErG8yxkW6x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 14:45:26', '2020-05-24 14:45:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24455, 'q6YCDa42M14DvEra', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 16:10:08', '2020-05-24 16:10:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24456, 'Xvl70NUQ7q2v1phI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 16:16:24', '2020-05-24 16:16:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24457, 'zo8qxVxshIdZ1zMI', 'Welcomed Flowers', NULL, 'The project consists of re-planting a flower bed that originally appeared in a scene in Teorema, the film by Pier Paolo Pasolini, along a street-side green bed in one of the cities that is a host to BIENALSUR, it could be Buenos Aires.   \n\nThe flower bed, contributing to the city scenery of Milan at the time of filming while the actors\' actions play out around it, is situated in a film that speaks of memory, the contingency of meaning, personal encounters and their relationship with and within the urban environment.\n\nIn my practice I am interested in the role of encounters and underlying assumptions in the transience and contingency of meaning. Encountering something that is recognisable out of its original context broadens what would be a readymade work beyond a specific time and place.\nWhile the flowers and bushes in the flower bed are timeless, they can be replanted and thereby activate the new space around them in a similar way as spotting them in the film would do after they have simultaneously become significant by this new reciprocity.\n\nOne of the questions surrounding them could then be, if then that part of its new city turns automatically in some sort of Teorema filmset, how that city today differs from Milan in 1968, drawing attention to the before-mentioned subjects that the film is interested in addressing, in turn bringing those in the mind of anyone who, informed, comes to the work and looks at what takes place in its new context, its streets, together with it.', NULL, NULL, 'For its location, in the open air, as a public sculpture, the project would be best utilised a-long a road verge, a flower bed accessible to traffic and/or pedestrians, while being institutionally embedded in an exhibition or the BIENALSUR itself. The original green bed is rectangular and measures approximately 15 by 7 meters, which would be covered with fresh earth, and vegetation such as flowers (primula, in yellow and purple), and a number of bushes and young trees.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5900, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4849, NULL, '2020-05-24 16:19:57', '2020-08-14 05:00:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24458, 'TmQ6XaiyuhvzBNRT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 17:01:30', '2020-05-24 17:01:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24459, 'DpeJpM1X96WKQZ0s', '1446 Lashes', NULL, 'This artwork consists of a series of portraits taken at an underground party in Shiraz, Iran. The portraits are accompanied by a text based work that quotes the penal code of Iran, in which it states various laws that enforce lashes, highlighting the international human rights laws the state systematically violates. The document has been printed using a traditional letterpress process.  Each portrait is stamped with the number of lashes they owe, and the title is the total amount of lashes owed within the 6 portraits, and the remainder is the amount of lashings I am owed. All of the pictures have been censored using an analog method in the darkroom, they\'ve been censored to maintain the political security of the people involved.', NULL, NULL, '6 silver gelatin prints, 1 letterpressed document. All of which are framed and mounted. \n\n\nDimensions including the spacing within the frames is :\nW: 1920 MM     H: 870MM   D: 52MM', NULL, 'artist', NULL, NULL, 'Join my board on Collect by WeTransfer - the best way to save, share and organize ideas. https://boards.wetransfer.com/board/stjihk4ghbz1f4kqi20200222124753/latest?token=eba971e9-f29c-4852-be1b-1f06aa3ec378', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2274, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1969, NULL, '2020-05-24 17:11:19', '2020-07-12 17:04:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24460, 'ShRVQItBFnOKeAHy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 17:17:41', '2020-05-24 17:17:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24461, 'r07wz9ylAYJTcafn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 17:37:21', '2020-05-24 17:37:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24462, 'gPUUg9wsP2uOHttJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 17:50:08', '2020-05-24 17:50:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24463, 'tyLY1jnMjqOwVTzc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 17:50:45', '2020-05-24 17:50:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24464, 'EDTAmG44dnsL0jlx', 'A vós, do Brasil', NULL, 'Enquanto instalação, o trabalho destinado à convocatória da BIENALSUR contará com um automóvel Volkswagen Brasília e quatro estruturas de concreto armado ocupando o lugar das rodas, funcionando como base para o veículo. No interior do carro, conectado aos alto falantes, um mp3 player reproduzirá gravações do programa de rádio “A Voz do Brasil”. Produzido entre1973 e 1982, durante a segunda ditadura militar, o Brasília recebeu esse nome como homenagem à então moderníssima capital do país, fundada 13 anos antes do seu lançamento. Projetado com a intenção de aliar a economia de um carro popular com a sofisticação de um carro de luxo, foi desenvolvido especialmente para o mercado brasileiro. Um modelo que além de ser homônimo da capital federal, tem na sua história uma certa utopia de progresso e desenvolvimento, bandeiras levantadas pela política ditatorial que se instaurou no Planalto federal a partir de 1964. Os auto-falantes irão reproduzir continuamente gravações de “A Voz do Brasil”, programa de rádio diário que desde 1938 se tornou obrigatório e que durante a primeira ditadura militar no Brasil, funcionou como importante ferramenta de propaganda e manutenção do governo. O automóvel torna-se imóvel, graças a quatro próteses de concreto armado, que ao invés de otimizar ou viabilizar alguma função, tornam impossível a operação mais básica de um veículo, o deslocamento. Este projeto intenciona-se a discutir poeticamente, questões políticas que voltam a assolar o Brasil.', NULL, NULL, 'O projeto foi idealizado para ser exibido em ambiente aberto, público ou institucional, que seja de acesso popular e com entrada gratuita. Para sua produção, será necessária a instalação de um ponto de energia elétrica logo abaixo de sua estrutura. Por receio de algum tipo represália política, penso que sua realização deveria acontecer, idealmente, fora do território brasileiro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3989, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3395, NULL, '2020-05-24 18:24:41', '2020-07-23 03:17:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24465, 'RSoYMzfUd8zDqdDm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 18:34:37', '2020-05-24 18:34:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24466, 'vsoDE7OmSE8aOvEW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 18:34:40', '2020-05-24 18:34:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24467, 'oH2prr0aLJQSxOnR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:03:17', '2020-05-24 19:03:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24468, 'ry7soGQcFbd2fgrF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:05:47', '2020-05-24 19:05:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24469, 'Vn7s3Bzp96vOyH1H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:12:50', '2020-05-24 19:12:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24470, 'YtQAfYzXhAZKVj9x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:16:07', '2020-05-24 19:16:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24471, 'mLqUQTTjY4pkPUCp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:20:15', '2020-05-24 19:20:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24472, 'XBQZOHASQhQJ71ab', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:20:27', '2020-05-24 19:20:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24473, 'JBRkLZvvAHH0PAH6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:45:52', '2020-05-24 19:45:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24474, 'uWqj67Yzf4FEAp7b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:47:18', '2020-05-24 19:47:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24475, 'cgrb7BWMNb5pNOoT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 19:58:26', '2020-05-24 19:58:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24476, '2MfhhcnH5t2YLLE2', 'Poptometristart', NULL, 'El Caminar ver un niño con su máscara de Batman, su polo de spyderman , con su capa de Superman o las niñas con sus indumentarias de la mujer maravilla  la influencia comic influye mucho en ellos Y a los jóvenes con sus objetos modernos y peinados extravagantes, el uso de fusiones de diferentes culturas populares en su forma de vestir porque no al hombre del campo q no es ajeno a esta realidad q también hace uso de esta simbología popular moderna en su vida cotidiana Siempre la mayoría de mis personajes están con los ojos cubiertos con gafas, lentes, máscaras, una manera de enfatizar el mundo interior y de invitar al otro mirar hacia adentro sin menospreciar el mundo exterior que está lleno de cosas bellísimas, De eso trata” Poptometristart” de captar esas cosas q hacen ver al ser humano distinto sacándole de su contexto habitual y mis obras está basada en una sola idea el de las Culturas porque todas y cada una de nosotros busca lo mismo no importa donde estés la gente siempre quiere las mismas cosas A través de esta serie muestro la fusión andina con diferentes culturas populares tomando como punto central al hombre andino y que trasciendan a través de la imaginación', NULL, NULL, 'Título: happy look 2  \n           serie (Poptometristart)\nMedidas: 1.40 x80\nTécnica: mixta\n\nTítulo: El Hombre de Acero \n           serie (Poptometristart)\nMedidas: 1.28x85\nTécnica: mixta\n \nTítulo: vigilante nocturno \nMedidas: 1.40x1m\nTécnica: mixta\n \nTítulo: Andean hero\nMedidas: 90x 70\nTécnica: mixta\n\nTítulo: Future  Rikuy  \n           serie (Poptometristart)\nMedidas: 1.20x50\nTécnica: mixta\n\nTítulo: Ukucha land \n           serie (Poptometristart)\nMedidas: 1.30x 1.06\nTécnica: mixta', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/photo.php?fbid=10215763470112071&set=pcb.10215763525113446&type=3&theater', NULL, NULL, NULL, 2283, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1978, NULL, '2020-05-24 20:00:34', '2020-06-23 19:29:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24477, 'Y8LGiNjPSDYZZHm7', 'Máscaras', NULL, 'Las máscaras mantienen una carga simbólica-ritual ya que si se desprende de ella por algún motivo, no lo hace abiertamente; necesita ocultarse o realizar un rodeo para que su comunidad no lo vea despojarse de ella.\nLa técnica de esta obra es mixta sobre una cartulina, pintura y lápices de colores.', NULL, NULL, 'En una pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'LM', '507600', NULL, NULL, 2277, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1972, NULL, '2020-05-24 20:05:42', '2020-06-23 19:29:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24478, 'jy195la4Bvn32PYF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 20:05:49', '2020-05-24 20:05:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24479, 'z9t7IIirkgF6lSdM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 20:11:11', '2020-05-24 20:11:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24480, 'IaGxQhF5V4S5Dfx9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 20:19:25', '2020-05-24 20:19:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24481, 'XV6bSAfcyqg1SmqP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 20:23:11', '2020-05-24 20:23:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24482, 'HXYrPJPLJKoPk8IX', 'Sinapsis. Instalación. 00:05:15. 2020', NULL, 'Un ruido blanco se escucha sobre una imagen clara. De pronto llega un sonido pulsante que trae la presencia de un sinfín de gotas azules que caen unas tras otras a diferentes ritmos e intensidades sonoras sobre una sustancia, en principio translúcida, que se ve afectada de manera heterogénea por un azul intenso que a medida que pasa el tiempo va tiñéndolo todo hasta homogeneizarse.\n \nLos pensamientos pueden resultar invasivos si se les priva de espacio y de tiempo. Nuestra sociedad y economía, tan sedientas de inmediatez y de eficiencia cultivan sin esfuerzo la tensión y el cansancio. El tiempo para el ocio es cada vez menos y el reposo es sinónimo de culpa. ¿Qué ocurre cuando nuestro único espacio privado se satura? Se hace necesario entregarse al tiempo, dimensión transformadora inexorable. Volver a empezar significa haber pasado por la incertidumbre y el caos, la agitación y la calma.\n\nEl audio y el vídeo fueron realizados combinando medios digitales y analógicos. El encuentro con lo sonoro, fue una construcción inicialmente desde lo imaginario, ver la imagen y pensar en los sonidos cotidianos que, una vez modificados, podrían acompañarla. Un background fue puesto al azar con el movimiento de la imagen, de forma aleatoria, pero justada a la sensación de un oyente abrigado en un fluir acuoso. Algunas gotas fueron seleccionadas con una determinada intención sonora en relación con la imagen con el fin de intensificar sus movimientos y sus sensaciones.', NULL, NULL, 'Espacio cerrado con las paredes de color blanco. Dimensiones aproximadas: 4m largo x 2m ancho x 2,5m alto, aproximadamente. \nRequerimientos técnicos: Proyector, sonido envolvente 5.1\nLa obra se proyecta sobre la pared frontal respecto a la entrada del espacio. Lo ideal es que la cubra por completo. El sonido debe ser alto para que el/la espectador/a tenga la sensación de ser envuelto por el mismo.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428264295', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3789, NULL, 474, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3234, NULL, '2020-05-24 20:26:35', '2020-07-20 21:37:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24483, 'rJKSkgp5AeQqL2EH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 21:06:21', '2020-05-24 21:06:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24484, 'xkreomYqhlihWcg4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 21:20:31', '2020-05-24 21:20:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24485, '2PzP0GyJbJRMjTbC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 21:56:59', '2020-05-24 21:56:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24486, '8TIPwhiBBoakvKC9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 21:58:24', '2020-05-24 21:58:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24487, 'aVt78OTbCGSq5j6c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 22:02:09', '2020-05-24 22:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24488, 'aciE5Oaionb44yvw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 22:06:08', '2020-05-24 22:06:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24489, '4ZH0lCec5HL5Bu2x', 'Khurusario Vol. I', NULL, 'Inspirada en los tejidos de la cultura Jalq´as de Bolivia, la instalación Khurusario Vol I explora el Ukhupacha o inframundo, este es un espacio ingrávido y sagrado dónde reina el caos y no se rige por las leyes de las sociedades actuales.\n\nEl Ukupacha está habitado por Khurus, criaturas míticas que lucen como demonios zoomorfos y asexuales que flotan por doquier, su concepto de auto reproducción y reproducción sin necesidad de una división jerárquica de géneros binarios nos hace reflexionar acerca de su sabiduría ancestral. Las mujeres Jalq´as nos revelan el Ukhupacha a través de sus tejidos y atrapan a los khurus en la urdimbre para asegurarse que no nos distraigan en este plano. Ellas sólo usan lanas rojas y negras para tejer un mundo que ostenta e invita a la libertad fecunda de lo ingobernable. \n\nKhurusario consiste en liberar a los khurus de estos tejidos y luego atraparlos en formatos contemporáneos desplegando su fibra intima en insumos de laboratorio como tubos de ensayo entre otros.\n\nLos tejidos jalq´as re imaginan y representan diferentes presentes y me permiten plantear nuevas interrogantes a cuestiones contemporáneas difícilmente abordables, trazando paralelismos entre problemáticas que tienen que ver con la ciencia y la biología; las cedulas madres, la reproducción in vitro, la libertad en la aceptación de la diversidad y lo entrópico.\n\nKhurusario revela el poder del arte ancestral como formas de crear nuevos espacios de inspiración y reflexión contemporáneos', NULL, NULL, 'El espacio expositivo sugerido es en alguna sala de museo o galería que sea oscura y que tenga rieles de luces que se puedan dirigir. \nEs importante que el espacio cuente con un equipo de sonido y un data show. \nLas medidas aproximadas ideales del espacio son de 30 m2 con techos altos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3868, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3291, NULL, '2020-05-24 22:19:32', '2020-07-21 02:39:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24490, 'urjvrlU0dhlfhBTl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 22:20:41', '2020-05-24 22:20:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24491, 'i4x7N3T8sxSVtVfN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 22:21:50', '2020-05-24 22:21:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24492, '4YGJTDDR6a2Wv6H9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 22:40:42', '2020-05-24 22:40:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24493, 'LTlt246d7Q8q5btM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 22:41:06', '2020-05-24 22:41:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24494, 'FeMezyzf8uKhDZr9', 'LA IMPORTANCIA DE LA SUPERVIVENCIA Y LA NATURALEZA EN EL ARTE', NULL, 'EXPOSICIÓN EN GALERÍA VIRTUAL DE ARTE Y PRESENTACIÓN EN VÍDEO DE UNA SERIE DE PINTURAS CARGADAS DE SÍMBOLOS DE LA NATURALEZA, DESTACANDO LA IMPORTANCIA DE LOS ELEMENTOS BÁSICOS PARA LA SUPERVIVENCIA Y PERMANENCIA DEL HOMBRE SOBRE LA TIERRA. TODO ESTO ACOMPAÑADO DE UNA CHARLA VIRTUAL SOBRE LA VIDA DE PINTOR Y LA IMPORTANCIA DEL ARTE EN LA EDUCACIÓN DE LAS NUEVAS GENERACIONES.', NULL, NULL, 'SOLO REQUIERE ESPACIO VIRTUAL', NULL, 'artist', NULL, NULL, 'https://www.facebook.com/jorge.valladaresdieguez/videos/2626142660782197/UzpfSTEwMDAwMTU5NDY1MDU2ODoyODMxOTU2MzAwMjAwODMx/', NULL, 'https://www.facebook.com/jorge.valladaresdieguez/videos/2572930986103365/UzpfSTEwMDAwMTU5NDY1MDU2ODoyODMzNjkzMjYzMzYwNDY4/', NULL, 'https://otrolunes.com/48/otros-miran/quien-es-jorge-valladares/', NULL, NULL, NULL, 2278, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1973, NULL, '2020-05-24 23:09:58', '2020-06-23 19:27:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24495, '7GhbiJmcBfcdnk40', 'TAQUICARDIA', NULL, 'TAQUICARDIA\n\nInvasión, extracción, explotación, envenenamiento, contaminación, desarraigo, abuso, desalojo, abandono, desplazamiento forzado, hambre, muerte.\n\nAnte la inminente destrucción de nuestra única casa, la tierra, entrelazo los hilos que tejen la perfecta organización de la que somos parte.  La tierra palpita con   ritmo acelerado y   finalmente la vida dejará de existir. \n\nAmérica Latina; que es víctima de malos gobiernos, que ha sido vulnerada y saqueada por otras culturas que no respetan las nuestras, y que sólo nos ven como el espacio de abastecimiento de sus ambiciones, es la más frágil. \n\nEsta propuesta propone una reflexión entre quienes somos la mayoría, las personas que aún la amamos y que si unimos nuestro esfuerzo evitaremos su destrucción total. \n\nElegí esta analogía entre el ritmo normal del corazón humano y el de la tierra. \nTaquicardia… aceleramiento de los ritmos vitales, del blanco de nuestros nevados, del azul del agua, del amarillo de las abejas y el resto de animales, del verde vegetal que necesita de la tierra fértil y del rojo, la vibración humana que puede transformar lo que toca, para mantener el equilibrio o llevar al colapso cuando no somos conscientes de los excesos. \nSomos lo que tejemos, o destejemos.\n\nInstalación de los croquis de los países de América Latina (hilo rojo) unida por la gráfica de la taquicardia (hilos entretejidos de 5 colores) y línea recta final.', NULL, NULL, 'Espacio: Sala de exposiciones con paredes blancas.  \n-18 croquis: países de América Latina, dibujados con hilo rojo (trapillo) grosor 1cm\n-Gráfica de la taquicardia (50cm) representada con hilos entrelazados (blanco, azul, amarillo, negro, verde y rojo) Final - Línea recta.\n-La instalación se dispondrá  horizontalmente (con grapas, alfileres de montaje o cinta doble faz) en las paredes del salón a -1.20m de  altura: Ej: país-gráfica taquicardia- país, etc. \n-Extensión-18m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2849, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2474, NULL, '2020-05-24 23:16:09', '2020-07-23 17:17:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24496, 'fm099KEA5VH4uRuV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:24:21', '2020-05-24 23:24:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24497, 'y8sNu6D63GSixRsU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:24:36', '2020-05-24 23:24:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24498, 'khs34kacKECyV1sE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:28:37', '2020-05-24 23:28:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24499, 'pCByO1L4NnzpJDZo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:31:38', '2020-05-24 23:31:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24500, 'hfAMF66vwi8tsPh7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:37:33', '2020-05-24 23:37:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24501, 'UUxK3ysimJ0eIKw1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:44:08', '2020-05-24 23:44:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24502, 'ujJzGIguPFKWvT2L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:46:31', '2020-05-24 23:46:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24503, 'WhSQK8QCryookvR5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-24 23:52:50', '2020-05-24 23:52:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24504, 'gMIWMSzZc3Qz8ats', 'Geometry of Space', NULL, 'Geometry of Space is a series of photographs that depict the space. A characteristic feature of the photographs is the elaboration of geometric surfaces and structures using unusual perspectives and angles. A normal, everyday space is dissolved by this special view and loses its \"spatiality\". Instead, the viewer experiences the space in a new way and discovers forms and structures during the viewing process that have always been intrinsic to the space, but would not have caught the eye if viewed soberly. Geometry of space aims to deconstruct the viewer\'s perception and to reveal another, the hidden side of the space.', NULL, NULL, 'Any type of Art Gallery. Alternative could be a virtual exhibition.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2280, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1975, NULL, '2020-05-25 00:03:39', '2020-06-23 19:29:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24505, '0EV3DEmtGohTfCaJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 00:29:02', '2020-05-25 00:29:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24506, 'wY0u8SoIsnnr3uav', 'evocarUnMi(nu)to', NULL, 'evocarUnMi(un)to  es una instalación de  Video en Realidad Virtual interactivo a través de la mirada (recurso Eye Tracking) que puede recorrer diferentes videos en 360º.  Su visualización exige instalar teléfonos celulares y gafas de Realidad Virtual.\n\nDescripción conceptual: \nMi hermana y yo éramos las menores de una familia de 5 hermanos; tengo muchos recuerdos de nuestra infancia y la casa en la que vivíamos. En el presente, cuando he vuelto a esos lugares, se produce una ruptura en lo que observo, en las relaciones de tamaño entre mi cuerpo y los otros cuerpos, los otros objetos, los otros espacios, las otras personas.  Todo lo que recordaba más grande que yo se muestra pequeño y mi cuerpo muy grande, otra realidad, la realidad.  Todo lo que me amenazaba parece  del tamaño de un juguete. En la medida en que me voy y me despido de esos lugares, mis imágenes insisten en tener las dimensiones y las relaciones que tenían antes. Las manos que escribían, las que enhebraban vuelven a ser muy importantes, los cuerpos también, crecen y habitan en un espacio pequeño, religioso y mítico.\n\nOtro Video realizado con anterioridad: \"Envolverse de espacio\"  Se puede ver en  https://www.youtube.com/watch?v=WdM-1ooIZCk', NULL, NULL, '•	Espacio requerido: 3 x 3 m que permitan a tres personas, simultáneamente, observar con las gafas  y sin chocarse.\nElementos: \n•Gafas de Realidad Virtual Google(3) colgadas desde el techo con un resorte que facilita acomodar a la altura del \n observador.  Distancia mínima entre ellas: a 1,50 m. \n•Teléfonos Celulares (3) de 4K mínimos contenidos en las gafas citadas, compatibles con Google Daydream \n•Sillas (3) debajo de los resortes colgantes.\n•Iluminación adecuada para un espacio expositivo.', NULL, 'artist', NULL, NULL, 'https://youtu.be/Ro3Q_zhXeeM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2484, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2147, NULL, '2020-05-25 00:38:46', '2020-08-14 16:42:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24507, '2IhazvDPwiLpJjHp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 00:43:06', '2020-05-25 00:43:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24508, '81FOHTC6M01TTT9D', 'Okupa Banzai', NULL, 'Okupa Banzai es una serie de humor y sátira que combina el lenguaje de las sitcoms, las citas al cine de los 70’s, 80`s y el mundo de los comics, animes y mangas en una síntesis propia de dinámica innovadora. Situada en una ciudad de La Paz de un universo alternativo, esta serie pretende ahondar y amplificar cierto sincretismo mas bien reciente que atraviesa muchas de las actuales subculturas de esta región. La fusión entre lo andino y la cultura pop asiatica. Lo ancestral (animista) y lo tecnologico, los mitos antiguos y las problematicas de las sociedades globales tecnocraticas. El comentario social, en forma de satira, estará, sin embargo puesto al servicio de una propuesta de entretenimiento joven, de narración dinamica ligeramente disruptiva.Okupa Banzai, comienza con el encuentro entre Roberto (35) y su primo lejano Itchi (20). Siguiendo el cliché de las comedias de situaciones en las cuales un extraño ingresa a la vida del personaje principal para alterar su cotidianidad, el inicio de la serie nos muestra a Roberto recibiendo la noticia de que un primo lejano, proveniente de la ciudad de Potosí vendrá a instalarse a su casa. Para complicar aun mas las cosas, Itchi abrirá las puertas de su nuevo hogar a sus amigos frikis y marginales. Un dibujante obsesivo de los comics, un cazatalentos mafioso, una hacker coqueta, un youtuber conspiranoico, una estrella del k-pop andino y un abogado totalmente amoral, serán algunos de los personajes de este submundo surrealista.', NULL, NULL, 'El proyecto está pensado como una miniserie de 10 capitulos de 15 minutos cada uno. La filmación de cada capítulo se realiza en un promedio de tres dias.Paralelamente se hace el montaje, revisión y corrección del corte. La serie emplea directamente alrededor de 25 artistas entre actores y técnicos.El primer estreno y difusión será en la nueva plataforma Boliviana REK, (mayo lanzamiento de la misma) Sin exclusividad.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=LTre8ueTh5Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2282, NULL, 266, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1977, NULL, '2020-05-25 00:58:01', '2020-06-23 19:29:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24509, 'SQ4Hk3DbuxcoQ8av', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 01:17:52', '2020-05-25 01:17:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24510, 'uUNB3yHqTEDyL9cT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 01:23:55', '2020-05-25 01:23:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24511, 'yXLTBRq08OB4qqEr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 01:25:08', '2020-05-25 01:25:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24512, 'C1NxSfbHbgIQfouN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 01:31:53', '2020-05-25 01:31:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24513, '3uISfvudKRFX8abN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 01:39:00', '2020-05-25 01:39:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24514, 'HtfRcw2TrUjZdkWy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 01:57:13', '2020-05-25 01:57:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24515, 'uZUZ4E72Tuvvul1e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 02:33:50', '2020-05-25 02:33:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24516, 'TTSGc4LVQLsb3ivX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 02:51:00', '2020-05-25 02:51:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24517, 'tZyT6MsYFGfPLNAF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 03:13:57', '2020-05-25 03:13:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24518, 'DyngLAM6D3cr7LRU', 'Noite Azul', NULL, 'Norteada pelos conceitos do Antropoceno, em especial pelas alterações climáticas provocadas pelas ações humanas , Noite Azul  é uma videoinstalação pensada em levar o observador ao encontro de algumas impressões sensoriais vivenciadas durante uma tempestade e remetê-lo também aos impactos das ações humanas na natureza, proporcionando flutuações entre realidade e ficção.\n\nO desenho de som propõe um passeio entre memórias e previsões, com ações humanas, interferências e sons da natureza se mesclando numa avalanche de sonoridades, na tentativa de levar o espectador a um estado de imersão e a experienciar uma diversidade de sensações.', NULL, NULL, 'Espaço físico:\nUtilização de um espaço fechado e sem entrada de luz (preferencialmente uma sala, com porta); se acaso não for encontrada uma sala nas dimensões aproximadas, a alternativa é a construção de um espaço em material tipo MDF:\n\n- altura: 2,5 metros\n- largura: 4,5 metros\n- comprimento: 6 metros\n- abertura: 2 metros\n\nSerão necessárias que 03 das paredes internas e o teto sejam pintados na cor preta e 01 parede (onde se dará a projeção), pintada na cor branca.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/172987767', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3679, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3147, 5, '2020-05-25 03:19:13', '2020-09-02 00:21:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24519, 'R4ngujoKh6ImsO1y', 'Construção de Paisagem', NULL, 'Este trabajo son algunas fotografías de lugares a los que fui desde el norte de Sudamérica hasta Río de Janeiro, donde vivo hoy. Son interferencias en paisajes que forman paisajes, la idea es proponer un trabajo que piense en la construcción y mantenimiento del paisaje y las imágenes de lugares representativos.', NULL, NULL, 'Las obras son imágenes impresas en papel de algodón y enmarcadas. 35 cm x 35 cm. Solo se necesita una pared para colocar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2285, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1980, NULL, '2020-05-25 03:28:26', '2020-06-23 19:29:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24520, 'htiqPiZDUkiVepNl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 03:31:40', '2020-05-25 03:31:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24521, '6gj5QqbTFDgW3iPR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 03:31:55', '2020-05-25 03:31:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24522, 'CEwXdwcMaLMT1XGt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 03:38:56', '2020-05-25 03:38:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24523, 'bp0CfpX5N2uda24c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 03:48:25', '2020-05-25 03:48:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24524, 'hmzZYoCKpvpBHNWj', 'PAISAJES IMPERMANENTES', NULL, 'Durante estas últimas décadas, producto del aumento de la temperatura global y el veloz cambio climático, se han registrado en nuestro planeta un progresivo aumento de los incendios forestales, lo cual ha ido progresivamente modificando los paisaje. De esta forma se va generando una fractura en la percepción de la estética de los territorios. El paisaje natural, ancestral se ve amenazado por un inminente proceso de transformación del vegetal al mineral. El fuego arrasa con sus milenarios bosques y su biodiversidad. En esta dramática acción catastrófica se genera una paradójica imagen de rara belleza; una “estética de la devastación”. \nEl proyecto artístico \"Paisajes Impermanentes\" da cuenta de este proceso implacable y de cómo la naturaleza se ve transformada en algo distinto a lo que fue, y lo que parecía un equilibrio de asombrosa belleza estética pasa a transformarse en un fenómeno natural antiestético que juega con otra extraña belleza, esta vez desfigurada y retorcida por el desastre.  \nLa propuesta artística enfatiza la importancia de cuidar nuestro patrimonio natural en pos de la sustentabilidad de los equilibrios.\nLa exposición está constituida por 19 pinturas en mediano y gran formato, en técnicas gráficas y acrílicas sobre telas. Serie \"Brumas\",  las cuales penden de hilos distanciadas del muro, sin estructuras, simbolizando la fragilidad de la naturaleza y Serie \"Fogos\", seis telas sobre maderas (pegadas a muro) y una en tela suspendida por hilos.', NULL, NULL, 'Montaje en espacios interiores, iluminados cenitalmente. Las obras estan realizadas sobre telas sintéticas y algodón.  colgados por hilos transparentes desde el cielo, separados del muro por 10 cm. Se requiere un muro de mínimo 11.0 x 200 cm. para obra mural. Seis en mediano formato sobre madera pegadas a muro. \n\nSerie 1 Brumas: \n75 x 190 cm.= 1\n145 x 50 cm.= 3 \n32 x 42 cm.= 6 (políptico)\n150 x 145 cm.=1\n10.0 x 167 cm.=1 (obra mural)\n\nSerie 2 Fogos:\n32 x 82 cm.=6\n200 x 167 cm. =1', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'leonardocravero.com', NULL, NULL, NULL, 2287, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1982, NULL, '2020-05-25 03:48:40', '2020-06-23 19:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24525, '6nUgKbFPRwd7KrNz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 03:49:08', '2020-05-25 03:49:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24526, 'nb4F9ElMjWOfBtEi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 03:56:25', '2020-05-25 03:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24527, 'iNjzVC6BA2uIJR3L', 'DE RÍOS Y HUMEDALES: El propio recorrido', NULL, 'Los ríos conectan, crean, forman y transforman. Su cauce es el dibujo realizado durante milenios. La única constante en ellos es el cambio. Un obstáculo es el inicio del algo nuevo: islas, humedales, vida. Son vías de migración de sedimentos, plantas y animales. Mirar al río, de eso se trata.\nLa idea del proyecto consiste en realizar una intervención pública relacional contextualizando con el momento actual en este mi lugar de migración y generar impacto de tipo visual, crítico y afectivo construyendo sentido a través de las siguientes interacciones: \n\n1-	intervenir los techos externos de las lanchas colectivas con un tipo de imagen en color que se integre a la naturaleza. (bocetos adjuntos). \n2-	Aplicar vinilos transparentes en las ventanillas de las lanchas con dibujos realizados por artistas que co-participarán del proyecto (se proponen en línea negra para que dialoguen con el entorno natural).\n3-	Se izarán banderas con la temática del agua en Av Ubieto, característica por sus banderas de las naciones, ampliando la problemática a toda la humanidad.\n4-	La convocatoria de cooperación artística será personalizada.\n5-	Se brindará a la gente con el boleto una tarjeta con links de propuestas isleñas.\n\nDE RÍOS Y HUMEDALES  invita a un viaje diferente, a un recorrido propio. Intuyo que al dejar indicios en el espacio urbano y zona de islas puede surgir otro modo de navegar: un recorrido experimental, crítico y participativo que incite a la atenta observación del entorno.', NULL, NULL, 'Esta intervención Site-time-specific se propone para concretarse en el paisaje cultural de Tigre componiendo una forma-trayecto en cercanías de la Estación Fluvial y Delta.\n\nEmpresas: El jilguero, Delta e Interisleña y Plaza de las Naciones Avda Ubieto\n\nCantidad de lanchas: 10 (puede incrementarse); dimensión techos 14 x 3 mt. (Vinilos color); ventanas por lancha: 22 (vinilos transparentes impresos en negro 20 x 50 cm: 220; 192 banderas 0,90 x 1,50 mt.; tarjetas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4597, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3865, NULL, '2020-05-25 03:59:14', '2020-07-15 23:09:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24528, 'hfEjj2FQs6Wj6w85', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 04:09:00', '2020-05-25 04:09:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24529, 'IYs9ETLNi8mMqiV2', 'Soy yo', NULL, '\"Soy yo\"\n\nSoy yo trabaja sobre quienes somos. Habla sobre nuestras formas de exhibirnos frente a la sociedad y frente a nosotros mismos. Busca expresar la ineficiencia para describirnos y definirnos. \nSe encuentra en la fotografía, como sostén del pasado, y en el traje, como portador de esa personalidad.\nPero sobre todo, resignifíca un objeto; el identificador. Este, que siempre lleva el nombre de quien lo lleva puesto, en este caso, conforma el todo, porta las fotografías y genera un traje. \n\nLos intérpretes dispondrán de trajes realizados. Estos trajes tendrán enganchados una serie muy grande de identificadores, cubriendo todo el cuerpo. Esto generará, en un arquitectura mayor, una persona-identificador. El cuerpo de los intérpretes quedara completamente tapado por esta cantidad de identificadores que caen desde sus trajes.\nCada identificador tendrá escorzos, recortes de fotografías de la vida e historia cada individuo y así completaría un traje por el recorrido de la vida del intérprete. \nEl movimiento en su andar posiblemente se vera modificado.\n\nSerá interesante la relación que se genere con el público, ya que posiblemente les incomode acercarse a estos para observar lo que llevan colgando. Sería como observar sus cuerpos para entender sus pasados. De este intercambio extraño e intimidante me interesa que se viva la performance en los espacios sugeridos. \n\nSería interesante que los intérpretes estén mirando otras obras e interactúen con ellas.', NULL, NULL, 'El espacio sugerido para la performance podrá darse en eventos de la bienal, mismo en salas, centros culturales y espacios de exposición. \nLos trajes serán realizados especialmente a la talla de los intérpretes para que tengan el ajuste suficiente y puedan sostener el peso de los identificadores. Las fotografías serán duplicadas o impresas para poder recortarlas.\n\nEl traje es de algodón que podrá tener refuerzos según el peso y los identificadores son de plástico. Referencias en imágenes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4095, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3489, NULL, '2020-05-25 04:10:35', '2020-07-23 20:16:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24530, '80uL1ash6QUb8Lxg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 04:13:44', '2020-05-25 04:13:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24531, 'vcmB7NChUjJXPS2J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 04:26:55', '2020-05-25 04:26:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24532, '4mdcHt7GSUEfuiLt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 04:53:58', '2020-05-25 04:53:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24533, 'zZkbZnQj7ppwxdZW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 05:07:31', '2020-05-25 05:07:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24534, 'EmwbTCXeAmFLiaWP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 05:12:30', '2020-05-25 05:12:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24535, 'S8lGK7bwyfW7t2Iy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 05:27:09', '2020-05-25 05:27:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24536, 'a35lAxcrPbn9kQxy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 05:55:40', '2020-05-25 05:55:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24537, 'hFnberUhGEKwZDmy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 05:56:00', '2020-05-25 05:56:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24538, 'IAY1W1wO8e5uYlUK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 05:58:26', '2020-05-25 05:58:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24539, 'cJg6oB02Qu3CboWt', 'Carne anómala', NULL, '\"Carne anómala\" es un conjunto escultórico compuesto por 13 piezas de bajo formato realizadas el año 2020. Todas las piezas son ensambles mixtos; madera (tratada e imprimada), tela e hilo (algodón), cera pigmentada, PVA y Acrilatos (adhesivo e imprimante); que presentan la apariencia de carne viva acercándose a lo humano sin mímesis anatómica. \nLa obra genera un espacio que el público puede recorrer para quedar rodeado por sus piezas, abriendo otro, psicológico, entre la distancia que generan por no tener hitos anatómicos reconocibles y, al mismo tiempo, una gran cercanía por la apariencia de piel humana viva sobre cuerpos orgánicos y sugerentes. La instalación de este conjunto lleva al espectador a la reflexión en torno a conceptos de poder y control sobre los cuerpos. Las piezas que lo componen, bajo una aparente piel humana, son el resultado de una investigación técnico material que muestra el interés de su autor por la condición humana y las relaciones entre los cuerpos.', NULL, NULL, 'Se sugiere para la instalación de esta obra escultórica una sala tradicional, NO al aire libre. Ejemplo, alguna sala del Centro de Arte Contemporáneo Muntref.\nEs un conjunto de 13 piezas, sus dimensiones están entre 20x25x18,5 cm y 48x30x22 cm.\nSu montaje requiere 10 plintos o superficies donde se puedan instalar las piezas quedando con distancia para su exposición (mesones o estructuras arquitectónicas), 3 piezas son colgantes (peso promedio 3 kg) se requiere hilo de pescar (sedal).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2313, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2002, NULL, '2020-05-25 06:01:00', '2020-07-08 15:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24540, '23m2DXsM6WJSczzE', 'Blue Fairy', NULL, 'Arte digital', NULL, NULL, 'Pintura digital sem traços, somente com a pintura dimensão de 1824x1507 , resolução de 100 pp em pixels.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2288, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1983, NULL, '2020-05-25 06:05:54', '2020-06-23 19:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24541, 'n67dSDYnGFcpYPPk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 06:14:37', '2020-05-25 06:14:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24542, 'fsGHun5yBdLeZBai', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 06:30:23', '2020-05-25 06:30:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24543, 'M7C8cKMf4X6JcQ14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 06:33:16', '2020-05-25 06:33:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24544, 'mKNd1RMgIRPbwpws', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 06:41:03', '2020-05-25 06:41:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24545, 'zqbWF1RlPSb5ppDD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 07:12:21', '2020-05-25 07:12:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24546, '0MC7sTS87TTqSwZw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 07:12:49', '2020-05-25 07:12:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24547, 'q5XekBrlAn4cXR1q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 07:53:56', '2020-05-25 07:53:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24548, 'MkS76IaCa9lt0E30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 07:55:03', '2020-05-25 07:55:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24549, 'RQo2yJ8ODRIF5UHs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 08:42:57', '2020-05-25 08:42:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24550, 'vsWBwEFW13UkFMf1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 08:44:48', '2020-05-25 08:44:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24551, 'qwTi74gdprJzU1kY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 10:05:30', '2020-05-25 10:05:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24552, 'EsIRiPW3O4r0op0z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 10:13:28', '2020-05-25 10:13:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24553, 'MBSc5qs8X4ilpR0i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 10:30:12', '2020-05-25 10:30:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24554, 'lTpCNRCsE8fRSUsM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 10:45:39', '2020-05-25 10:45:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24555, 'YqVwCxplOBC7B9Is', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 11:22:20', '2020-05-25 11:22:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24556, 'RzYInANvllv7QtAZ', 'Vision Beyond Eyes', NULL, '12 years, I have done a lot of group and solo exhibitions of my art. The response to them was overwhelming. Along with shows my participation in various national, international art competitions also was a success. \n\nToday, I have a strong local and international clientele. \n\nThe journey of my art from my village to this day has been difficult with lack of basic facilities. In fact, making art one\'s livelihood was not a part of societal mentality back then. So, all in all my journey has been tough. \n\nBut all these years, I have conquered these difficulties to this point only because of my unconditional love and devotion for the art of painting. I firmly believe in my art. \n\nI am planning to start an all inclusive studio of art including drawing lessons, painting, corporate workshops, workshops for school students, art therapy, hobby development etc. \n\nThe purpose of this art studio is to elevate the artists who love their art, artists who hail from small villages and are looking to prosper in art. This project is for artists who are looking for a chance to enhance their hidden artistic skills. \n\nI hope to help the new artists to ease the difficulties and challenges that I faced through my journey. Even if I prove of little aid in making their journey any easier, it will be very satisfactory. I wish with all my heart that this industry should prosper with abled, skillful artists. These artists highly deserve a strong platform to showcase their skills.', NULL, NULL, 'I Need 3000 sqf. Studio Space in india.\nFor\nThe purpose of this art studio is to elevate the artists who love their art, artists who hail from small villages and are looking to prosper in art. This project is for artists who are looking for a chance to enhance their hidden artistic skills.\nI hope to help the new artists to ease the difficulties and challenges that I faced through my journey. Even if I prove of little aid in making their journey any easier,', NULL, 'artist', NULL, NULL, 'https://youtu.be/iGOrPoCY4HI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2319, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2008, NULL, '2020-05-25 12:04:46', '2020-06-23 20:02:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24557, 'WcPsrZ3N42XuP8Xn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 12:17:51', '2020-05-25 12:17:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24558, 'ywNx7jXwzIoVub3Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 13:09:19', '2020-05-25 13:09:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24559, 'noWEoyQyh4HhW1Ql', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 13:37:04', '2020-05-25 13:37:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24560, 'BBQ037wEtTaxPOJc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 13:38:26', '2020-05-25 13:38:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24561, 'yBbDDJsInH7qfb4U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 13:54:19', '2020-05-25 13:54:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24562, 'nPHOp6ySmO2Qn4kU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 13:56:47', '2020-05-25 13:56:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24563, '2itNbBkqwu1TS4Re', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 13:59:11', '2020-05-25 13:59:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24564, 'RR6B2NpHGtMNgxm9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 14:05:46', '2020-05-25 14:05:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24565, 'iN3wnL7uoP3BHwY0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 14:32:19', '2020-05-25 14:32:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24566, 'KKS6NOLOc0WXXl62', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 14:32:54', '2020-05-25 14:32:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24567, 'kvQ0IcZzGRvH1lmW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 14:36:42', '2020-05-25 14:36:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24568, 'TEAB7XYKoEG7PzfW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 14:38:03', '2020-05-25 14:38:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24569, 'hIQYs97tMCxWms8s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 14:53:37', '2020-05-25 14:53:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24570, '3Gk8PKvCIaYJ7DqA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 15:30:42', '2020-05-25 15:30:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24571, 'TyBiCxMQSGWKvtJL', '\" La Divina Comedia \" ( reversión )', NULL, 'Quienes constituimos el \"  Taller Prueba de Artista \" Grabado/ Arte Impreso compartimos valores, historias y formas de comportamiento que configuran e identifican a nuestra cultura contemporánea,\n   Venimos de orígenes diversos, construyendo en nuestro devenir único e irrepetible interacciones y búsquedas para que nuestro lenguaje expresivo recupere el sentido de la socializacion.\n   Nos unifica la representación gráfica de la imagen.\n   Descubrimos en ella la concurrencia de diferentes técnicas, realizando productos impresos en un conjunto de significaciones y re significaciones propias al lenguaje no verbal.\n   Proponemos en este proyecto, por absoluta certeza,  de que la memoria se alimenta mas de los mitos que de la historia, y constituye el eje que reflexiona sobre nuestra identidad.\n   Por tal,  la idea es realizar una o muchas muestras en espacios públicos. \n   Dada la resistencia del lenguaje simbólico, volverlo visible e inaudible, hasta convertirlo en fuente inconsciente y solidaria de placer.\n   Queremos mostrar lo que el Hombre hace cuando ataca la naturaleza, y a su propia naturaleza.\n   Nuestra preocupación nos lleva a reaccionar en cada una de las representaciones gráficas.\n   El tema reversionado interviene nuestra cotidianidad en un mundo Globalizado.\n   Por ello, los términos cualitativos priorizan el impacto semántico.', NULL, NULL, 'Muestra colectiva.\n2 obras por autor.\ntotal de obras 50\nGrabados en técnicas diversas.\nDimensiones de obra 20 por 30 mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2291, NULL, 267, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1986, NULL, '2020-05-25 15:37:09', '2020-06-23 19:30:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24572, 'XiAqaIPK5WwJpUFv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 15:48:40', '2020-05-25 15:48:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24573, 'klBaVuwi7JkZr6cS', 'Veins', NULL, 'Título: \nVeins (venas)\n\nEl diseño de los edificios donde vivimos y/o trabajamos responden a muchas cuestiones inorgánicas, su medida, su forma y sus materiales manifiestan normativas que apenas muestran rasgos emocionales. Cada elemento insertado en un edificio proviene de un sector productivo sometido a una serie de lógicas de la estandarización marcadas por el desarrollo de la industria. Así es el caso de las tuberías, un elemento plástico que para su comercialización debe ser cotejado por los organismos de certificación (AENOR en España o IRAM en Argentina, por ejemplo).\n\nEl proyecto de instalación “Veins” manifiesta una clara evidencia entra la construcción física de un cuerpo humano vivo y la de un edificio, si en el cuerpo disponemos de venas que crean un circuito conductor de sangre en los edificios instalamos tuberías para repartir los flujos de agua y electricidad. \n\nA menudo las estrategias estéticas de la edificación se basan en esconder estos elementos y no mostrarlo salvo causa excepcional. El interés de “Veins” es poder generar una imagen a gran escala que ponga en valor la práctica orgánica y disruptiva sobre el planteamiento generalizado de la construcción de edificios. Para ello la instalación se propone crear un recorrido orgánico a través de la superficie interior o exterior del edificio mediante formas y colores menos lógicos y más emocionales.', NULL, NULL, 'El proyecto “Veins” es 100% adaptable a cualquier espacio, interior, exterior, antiguo o moderno.\nAcompañando a esta solicitud se adjuntan dibujos de proyectos de instalación y fotografías de instalaciones ya realizadas. Actualmente me encuentro en el montaje de una exposición y próximamente en mi web podrán localizar imágenes de dos nuevas instalaciones. Ver:  https://lararuiz.com/de-forma-estandar/', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/1a-S77_28ZhP3EXKFyIbuyzhopeWu2JMQ?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3148, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2707, NULL, '2020-05-25 15:51:43', '2020-08-14 21:54:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24574, 'XaKlfVWOvKJAwi6v', 'Nature Deconstruction', NULL, 'The focus of my inspiration is the synergy between nature and our daily life by capturing, studying and understanding the geometric patterns we found on nature and the way we adapte its appearance on our surrounding. \nMy restlessness with this idea is to open a door to the spectator and explain it in my own simple way that wonderful geometric forms are all around us.  “Nature Deconstruction” presented in a subjective matter to have a unique visual harmony.\nThe forms to study are the product of the reconstruction that makes the vision. By implying that geometry is present in everything, the manifestations of nature and in ourselves.\nTaking advantage of this law of nature, a double game is proposed in a playful sense of what is real and what is not, the imaginative and the reality.\nThe only effective tool we have is Geometry, which organizes space in a sensible way and therefore, a sensitive geometric intervention.\nIn such a way that what is sought is a conversation through geometric ideas and logical thinking. An interaction that meditates and exercises the visual imagination of the viewer. \nAny of them are seen in nature with one conclusion that we human do not invented the geometric shapes but we adapted does forms to our daily life by biomimicry, taking the geometric shapes from nature and constructing something to our benefit. In this matter is what I see Synergy between nature and the human geometric forms.  \n\nMedia: Print and Acrylic on Textile  Size: 250 cm X 160 cm', NULL, NULL, 'The ideal space will be a dark room with dark gray color walls, 4 meter square or similar, an indirect lighting only for the piece.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6109, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5007, NULL, '2020-05-25 16:00:18', '2020-06-23 23:03:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24575, 'BKy9FZItRpt8n3s6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 16:55:09', '2020-05-25 16:55:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24576, 'HOfyLikbKVtcV1FL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 17:06:25', '2020-05-25 17:06:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24577, 'R0zTw3UgUHBiA5mO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 17:13:02', '2020-05-25 17:13:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24578, 'rxOI3SjYQRF5RPsv', 'Ana la lila (en loop). Visuales que buscan incomodarnos.', NULL, 'Características formales:\nAna la lila (en loop). Visuales que buscan incomodarnos, es un proyecto digital basado en placas de 1000 px. Se trata de un loop conformado por trece piezas que se suceden cada tres segundos, cada una con una reflexión algo incómoda, directa, y cruelmente actual. Vemos collages y múltiples texturas que se unen bajo el lienzo lila representativo de la lucha por los derechos de las mujeres. La armonía del color nos concentra y enfoca en el mensaje, mientras que la tensión, la vibración y el caos visual nos incomodan ante una reflexión obligada.\nCaracterísticas conceptuales:\nEsta serie de piezas reflexivas no busca la contemplación, sino el impacto. No necesita aislamiento, ni una atmósfera silenciosa. Tampoco exige paso lento, le basta encontrarse con alguna mirada sensible a ser interpelada. Por lo tanto, busca a su espectador en un hall de entrada, en una sala de espera, en un pasillo, en el baño, o en cualquier espacio de circulación desinteresada. \nLas imágenes elegidas para los collages son aquellas que fueron históricamente pensadas para educar, pero esta vez, aunque respetando esa función original, son resignificadas y territorializadas.\nEn Ana la lila (en loop). Visuales que buscan incomodarnos, la obra está continuamente activa, parlante, esperando a que alguien responda. Busca interpelar sobre la naturaleza de la sociedad patriarcal y sus consecuencias, tejiendo hilos interpretativos y trabajando con la institución que quiera albergarla.', 'Analía Fraser\nArgentina\nwww.anafraser.com', NULL, 'Este proyecto requiere de uno o más televisores (dependiendo de la cantidad de espacios disponibles) en los que se reproduzca el bucle de imágenes. Se aconseja un dispositivo de al menos 32 pulgadas. Es requerimiento que se encuentre en espacios de tránsito no destinados tradicionalmente a la exposición de obras. Ej: un pasillo, cartelera de información, baños, etc.  El texto curatorial estaría ausente como parte de la propuesta de cultivar un mensaje de alto impacto en un espacio desinteresado.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2442, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2112, NULL, '2020-05-25 17:44:34', '2020-06-23 21:41:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24579, 'K89dOJfXla2m6uYv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 17:49:45', '2020-05-25 17:49:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24580, 'kcu7S0tFuysiZNPZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 17:51:51', '2020-05-25 17:51:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24581, 'alOc7gNfS9Zo9yH6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 17:57:20', '2020-05-25 17:57:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24582, 'GLiwYKRewc5Q5Y9n', 'Chanting', NULL, 'In a time where change is rapidly uprising, identity is often found clashing between the past and the present. This sense of loss as we become more and more torn in the age of progression with who we are and who we should be motivated me to revisit the past in hopes of finding items to retrieve my connection with heritage. As a result of that, I found the practice henna; a practice that I often experienced at a younger age. The scent of henna made me feel incredibly nostalgic for the times that I spent having it o my hair with a shemagh wrapped around my head, that scent made me want to coat my entire existence with it as I felt a bit ashamed of how disconnected I had become with my own heritage. It also brought back different practices that I grew up on, like applying out oil in my hair and on my neck immediately after I rinsed out the henna with my grandma. I observed the patterns with all of these practices and made a link that allows me to be in sync with my own understanding of heritage and culture.\nThrough performance, I create an environment where I sit in a circle with silver pots filled with henna leaves, powder, and paste as I mix them together during the performance and repeatedly paint the old oil bottle pattern over my body to coat myself with a hypothetical vulnerable layer of a new and redefined identity that fits in between the past and the present in the midst of change.', NULL, NULL, 'The artwork would be expanded, meaning that the fabric circle shown in the performance that is currently 1 meter long would increase to a bigger circle that could take a space of 4 to 6 meters depending on space availability with an increase of the number of pots to also include the audience in the experience even further. Natural materials include: henna powder, henna paste, and henna leaves. The projected video is an option to display the performance but it could be filmed in a new space.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429334524', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5099, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4263, NULL, '2020-05-25 18:01:53', '2020-08-15 03:48:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24583, 'U8qUzuawjDclvsGb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:03:30', '2020-05-25 18:03:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24584, 'vOsmo4Ckdar7YYxH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:07:44', '2020-05-25 18:07:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24585, 'n3UIz8aKzRHXNF3Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:08:24', '2020-05-25 18:08:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24586, 'cmhgdJtxS6uKUa7X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:18:12', '2020-05-25 18:18:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24587, 'Z4HF7twuZPsedhjb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:18:24', '2020-05-25 18:18:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24588, 'lTkcZLxqeuD9uN17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:19:03', '2020-05-25 18:19:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24589, 'fC56fyIOywRwEran', 'Onde os pés não tocam, fazemos sentir.', NULL, 'Num isolamento social, somos levados a perceber e sentir o que nos rodeia, em movimento lento. A percepção artística da realidade é ativada e vê-se as possibilidades de fazer artístico no que há ao redor.A laje faz referência ao costumeiro banho de sol no subúrbio e periferia. A concha é a representação do mar, do encanto que um objeto comum pode produzir em nós, por causa de uma fábula reproduzida sobre o barulho do mar dentro dela, representa também o desejo em ver e fazer ser vista uma beleza até então oculta num cotidiano comum.\nComo artistas, aprendemos então a ressignificar o que temos.Fazer uma ponte entre o que é comum e o que é belo, despertar e ativar no outro a percepção de beleza em seu cotidiano. Não podemos ir até o mar, mas o fazemos ser ouvido, bem aonde estamos.Num subúrbio do Rj, no meio de uma quarentena, o que se vê é mais do que um banho de sol na laje. É a captura da beleza que perpassa todos nós. Já estava ali pronta para ser revelada, e capturada, por nós.\nA beleza nunca nos esperou, ela pré existe.', NULL, NULL, 'Fotografia Fine Art emoldurada. \nTamanho: 60x45cm cada uma.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2348, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2036, NULL, '2020-05-25 18:21:25', '2020-06-23 20:17:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24590, 'qRX2hhWphvltO3te', 'EL VIENTRE DEL ESCARABAJO', NULL, 'Desde hace unos años, esta obra empezó su desarrollo con una actividad doméstica: la de retirar las imperfecciones en prendas que se producen por el frisado natural devenido de su uso. Quitar los rulos, motas o fallas de los tejidos, con unos aparatos llamados quitapelusas, pero muy en particular con unos que tienen un diseño claramente zoomórfico que recuerda al de un escarabajo. EL VIENTRE DEL ESCARABAJO ha devenido en una instalación compleja con tres estaciones: JOYA, resultado del acto de conservar el desecho y desechar el aparato; MEMORIA, un montaje fake tech de la memoria residual tras el despojo; y PÓSTER, el goce estético tradicional del objeto de arte consumible. Integra textiles, fotografía, video y objetos, y propone al espectador un recorrido a través de una ficción animista, cuyos ecos invitan a reflexionar sobre procesos artísticos y obras de arte, belleza, extractivismo, vida cotidiana y consumo, distintas formas de la tecnología y la inteligencia artificial, la manipulación de robots y metafóricamente también de animales. El conjunto de las tres estaciones, diferentes y complementarias, busca provocar sorpresa y desconcierto, quizás también alguna sensación perturbadora por el manejo de los objetos en todas sus implicancias imaginarias y simbólicas, y no está exento de humor, al tiempo que invita al disfrute lúdico del arte porque sí nomás, con toda su libertad. (Agradezco consultar texto completo en imagen 1)', NULL, NULL, 'La instalación con sus tres estaciones y el número máximo de fotografías, requiere un espacio no menor a los 35 m2. También puede ser montada en tres espacios intercomunicados y consecutivos más pequeños, de aprox. 6, 4 y 20 m2, como recorrido secuencial. Por ser una propuesta compuesta en sí misma de tres partes, no convive bien con otras obras en sala y requiere un espacio exclusivo y diseño de montaje que completen la lectura del conjunto sin interferencias. (Requerimientos en imágenes 2,5,7)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2952, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2548, 5, '2020-05-25 18:33:36', '2021-02-12 15:34:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24591, 'Ks6eiFmVnFbMxfZP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:38:06', '2020-05-25 18:38:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24592, '2AV885WcG98QzF18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:41:37', '2020-05-25 18:41:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24593, 'vMLyRC1wGME7q0L0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 18:57:14', '2020-05-25 18:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24594, 'qaIY9dt8u1EAMrhR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:02:54', '2020-05-25 19:02:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24595, 'nkOsQbkjJqCmiocI', '#2 Sin título (Esto no tiene nombre)', NULL, 'TU NI PINTAS NI DAS COLOR, serie de trabajo comenzada en 2020, centra su interés en los sistemas de poder, vigilancia y obediencia que implican y rigen a la sociedad contemporánea.\n\n¿Qué pasa cuando el objetivo de buscar soluciones nuevas se convierte en respuestas preestablecidas, ya encontradas por otros ?\nCreo en la importancia de encontrar esas nuevas respuestas aun sin poder tener nuevos objetivos.\n\nMe interesa la relación social dentro del mecanismo de control sistemático y los patrones de conducta que hacen al individuo formar o disociarse de la sociedad, creando un nuevo carácter individual dentro de la colectividad.\n\nDesde la infancia, el sistema socio-político trata de modificar nuestras formas de vida, carácter, hegemonía. El desarrollo acelerado de la industria y los parámetros de consumo, muestran desde ahora lo que será después, las maquetas del nuevo mundo, dejando a un lado el proceso del azar, la sorpresa y lo arbitrario.\n\n#2 Sin título (Esto no tiene nombre), es un tren de juguete para niños de gran escala, que recorre un camino circular, donde viajan diversos personajes. Basado en la problemática migratoria entre México y Estados Unidos, la obra propone una reflexión sobre el control de la posición geográfica, la inocencia y el juego con la libertad.', NULL, NULL, 'La instalación es un tren eléctrico, impulsado mediante un motor DCC y placas de Arduinos. Girará sobre una plataforma circular de circuito cerrado, realizando siempre el mismo recorrido. Sobre el tren se posicionan diversos personajes de madera. La instalación se visualiza dentro de un espacio galería blanco.  El tren tendrá una dimensión de 3m de largo, 50cm de altura y un radio circular de 3m (Medidas primarias, la instalación podrá cambiar de escala en base al espacio expositivo recomendado)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2592, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2247, NULL, '2020-05-25 19:14:31', '2020-07-21 13:07:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24596, 'hdo4KpDd4clX2xNf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:23:00', '2020-05-25 19:23:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24597, 'Uv7tJtPLGCcHqg52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:31:33', '2020-05-25 19:31:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24598, 'bAK1lSxjNPXXO76I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:32:01', '2020-05-25 19:32:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24599, '9rAg3J22JE8wmcbH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:53:24', '2020-05-25 19:53:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24600, '2lmvt4it4yPfDuKi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:53:47', '2020-05-25 19:53:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24601, 'vYNCGeAhJmpl6ZVa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:54:31', '2020-05-25 19:54:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24602, '2ITs1Fl6xjF3F3Tt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 19:58:44', '2020-05-25 19:58:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24603, 'lHwtx7vFHeFG39GB', 'La Totalidad de la Memoria', NULL, 'El proyecto La totalidad de la memoria tendrá una exposición en un espacio físico y otra virtual a través de un sitio web. Reflexiona sobre la importancia de rescatar los recuerdos de las personas, presentes en sus archivos fotográficos digitales personales.\nEl trabajo es la apropiación de fotografías digitales grabadas en espacios de almacenamiento de teléfonos celulares, discos duros y transformadas digitalmente. Cada obra de arte es construida a partir de dos procesos:i) unir varias fotografías en una sola imagen y ii) manipular la imagen a través de solarización, para omitir la identidad de las personas representadas en las fotografías.\nEl resultado es un mosaico fotográfico que hace referencia a cómo eran archivados los negativos analógicos en blanco y negro y las pruebas de contacto. La forma cuadrada de las obras es una metáfora del estancado. Físicamente, las obras se molduran con un marco alto, como si fuera una caja negra, evocando depósitos de recuerdos abiertos eventualmente.\nA través de un sitio web, las partes interesadas podrán transmitir sus archivos digitales, en los cuáles serán aplicados los mismos procesos, generando mosaicos con las mismas características de las obras físicas.\nEl objetivo del proyecto es rescatar recuerdos almacenados en almacenes de datos, mediante la apropiación virtual y la reinterpretación de imágenes. La interacción busca dar visibilidad a estos recuerdos y promover el pensamiento sobre la acumulación de la imagen fotográfica actual.', NULL, NULL, 'Un espacio expositivo de entre 20m2 y 30m2, iluminación dirigida a las obras, paredes negras, buscando crear un ambiente donde el espectador pueda imaginarse una caja negra. Las obras se colgarán en las paredes y el número y el tamaño de las imágenes serán adecuados al espacio físico.\nEl público interesado en participar en la exposición virtual, a través del sitio web, recibirá instrucciones para enviar sus archivos personales, además de una autorización para usar las imágenes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3147, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2706, NULL, '2020-05-25 20:11:44', '2020-08-13 20:42:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24604, '24zAcf5gOaenQ8qU', 'DRAWING A MOUNTAIN. SULPHUR III.', NULL, 'Drawing a Mountain. Sulphur III’ recoge varias horas de los cambios atmosféricos de la montaña que estaba frente a mi estudio durante mi estancia en The Banff Centre for Arts & Creativity en Alberta, Canada . Sulphur Mountain es una montaña enigmática, que se muestra impenetrable (por las brutales condiciones meteorológicas del lugar que dificultan su acceso) e inabarcable (porque, en la mayoría de las ocasiones, parecía indistinguible del cielo y carente de un contorno que la definiera). Resultado del paso de un glaciar, Sulphur aloja en su cima una antigua estación de rayos cósmicos, que, provenientes de tormentas solares, dan una información fundamental sobre el clima y la creación del cosmos. Es además una montaña que se muestra, prácticamente y como se aprecia en el video, en blanco y negro. Se trata, en definitiva, de una montaña que parece definirse por todo aquello que no es y que no está, por todo aquello que no es visible ni aparente. Existe entonces una clara vinculación entre lo visible y lo invisible aquí, y un impacto real de lo imperceptible y de lo que se encuentra ausente en la disposición geológica y climática de esta montaña.', NULL, NULL, 'Un espacio con las condiciones lumínicas necesarias para que el video sea visible en su sutileza. Está concebido además para ser proyectado, o bien a tamaño pequeño (alrededor de 50 cm de alto) como a muy grande (todo lo alto que permita el espacio y las condiciones)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/224354139', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2300, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1991, NULL, '2020-05-25 20:22:26', '2020-07-07 16:28:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24605, 'giJuTHvg5NSwUfTK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 20:26:34', '2020-05-25 20:26:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24606, '3oHWQONZGdS8Abe8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 20:31:43', '2020-05-25 20:31:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24607, 'BeSxY9i6PCOT6WYY', 'Apoy', NULL, 'Se trata de una microescena que busca contextualizar desde la parodia y el humor el desigño del final de los tiempos Un hombre se encuentra soñando despierto la pesadilla de ser elegido para dar la noticia al mundo del reordenamiento de la vida cotidiana', NULL, NULL, 'La propuesta puede realizarce en un espacio reducido ya que solo se utiliza un colchón de una plaza parado en el espacio donde se realice la propuesta .\nEn el cuál se apoya un hombre durmiendo con una almohada (al qué llamaremos Soñador)\nEl cuál viste con sábanas incorporadas como vestuario , calzoncillos , alpargatas y un timbre inalámbrico atado a la cintura.\nEn el extremo del espacio se encuentra una jarra y un pergamino para luego poder utilizar en escena', NULL, 'artist', NULL, NULL, 'https://youtu.be/l3wA-a6jXj0', 'Sin contraseña', NULL, NULL, NULL, NULL, NULL, NULL, 2299, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1990, NULL, '2020-05-25 20:38:22', '2020-06-23 19:30:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24608, '9flvunnv2YHvyMvW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 20:48:14', '2020-05-25 20:48:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24609, 'voIpsUalgBtkAmix', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 20:48:57', '2020-05-25 20:48:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24610, 'kudKoRk7belLd555', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 20:53:36', '2020-05-25 20:53:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24611, '3nfi6oTx6a3pSLqe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 20:57:58', '2020-05-25 20:57:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24612, 'VWw3WnGmLuQpMD7S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 20:58:26', '2020-05-25 20:58:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24613, 'mQcWDEnxwHi4hArh', 'CONTINGENCIA', NULL, 'CONTINGENCIA\nEl Gran Confinamiento al que el mundo ha sido obligado por ese ente que ni siquiera está vivo, el Sars-Cov-2, alias el coronavirus, Covid19, nos ha regalado tiempo para observarnos y observar ese confinado mundo, en el que el tiempo parece que se ha detenido. La esperanza de algunos es que podamos resurgir como humanidad consciente después de la pandemia. Otros insisten en llevarnos al fondo oscuro de la ignominia y degradación de nuestra humanidad y nuestro planeta. Unos más van desbocados por los territorios del miedo que enceguece. Una inabarcable experiencia global que tardaremos de ver claramente.\nEse tiempo de reflexión se traduce para algunas en esta serie a la que hemos convocado bajo el proyecto CONTINGENCIA. Artistas de varias partes del mundo comparten su experiencia – sus miedos, esperanzas, incertidumbres- en una pieza de video (o dos) que fueron saliendo poco a poco, gota a gota, en un esfuerzo por aprehender estos momentos aciagos que nos hacen transitar, sin movernos, por el año 2020.\nCada circunstancia es única y la pandemia nos tomó por asalto. Los 16 videos que conforman este proyecto nos permiten ver un poco la particular experiencia de las participantes y, tal vez, se reconozca en ellos un tanto de lo que cada quién, día a día, vive/sufre/goza/reflexiona en esta, al parecer infinita contingencia.\nLa duración de los videos va de 1\'37 a 3\'39, haciendo un total de 46 minutos y se pueden ver y bajar en https://vimeo.com/user114136627.', 'Alejandra Ruvalcaba, mexicana.  https://vimeo.com/user73163417\nAlejandra -Aleha- Solano, colombiana.  www.alehasolano.com \nAmanda Gutiérrez, mexicana/estadounidense.  www.amandagutierrez.net\nAnna Matteucci, costarricense.  www.annamatteucci.com\nChristine Brault, canadiense.  www.christinebrault.net\nElizabeth Ross, mexicana/española. www.elizabethrossmx.com\nInmaculada Abarca, española. \nJeannette Betancourt,  puertorriqueña/ mexicana. www.jeannettebetancourt.com\nLucía Madriz, Costarricense. www.lucia-madriz.com\nMaría Campiglia, argentina/mexicana. www.mariacampiglia.com\nMercedes Fidanza, argentina. www.mercedesfidanza.com\nPaola Paz Yee, mexicana. www.paolapazyee.com\nSandra Petrovich, uruguaya. www.sandrapetrovich.com.uy\nYolanda Relinque, española.  yolandarelinque.wixsite.com', NULL, 'Al ser 16 videos sugiero una sola sala, proyección directa a pared (3x5 mts. aprox.) y  proyección continua. \nSegún su mobiliario, un aforo para máximo 30 personas, con 4 bocinas colocadas arriba y abajo en las esquinas, dirigidas en 45°.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/user114136627', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2930, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2531, NULL, '2020-05-25 21:02:57', '2020-08-14 16:51:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24614, 'ML1wC6wVT91yOmaz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:03:40', '2020-05-25 21:03:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24615, '7BIFNdRdEQqbN8O7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:10:35', '2020-05-25 21:10:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24616, 'TodDJdAWUHBG05eK', 'Avatar', NULL, 'A obra DOMO, autoria de Rose Osório, é constituída de objetos tridimensionais pertencentes a sua mais nova série, Verdades Paralelas,idealizada a partir das vivências da artista em tempos de isolamento social.\nConsiste em gazebos cilíndricos (ver croquis ) a serem instalados em espaços urbanos junto à natureza, para uso individual e/ou coletivo.\nConcebido a partir das estruturas presentes na obra pictórica Avatar (série Verdades Paralelas,ver imagens), aborda a subjetividade do ser humano e sua conexão com o universo; a evolução da consciência para além da dimensão física.\nDOMO  configura-se como um espaço de descompressão e acolhimento, portal para conexão com o essencial, freando o medo e a angústia, para lembrar que somos mais do que matéria.\nAdentrando em seu interior, surge uma nova organização de espaços mentais, estruturas psicossociais ou ritmos corpóreos, que em consonância com o conteúdo pulsante imaterial de cada indivíduo - o que inspira o ser humano, a sua fé e/ou propósito – em um ambiente de cores impactantes, dramáticas e vivas, ornadas pela artista em todo o gazebo (exterior e interior) há de promover a libertação da realidade convencional.', NULL, NULL, 'Os objetos serão confeccionados com perfil metálico calandrado, revestido de compensado flexível, com preparação para pintura artística (conforme croquis), nas dimensões de 1,84m de dm, por 3m de altura cada um, ancorados por cabos de aço e ganchos junto ao solo.  \nOptamos pela instalação de 3 objetos, em espaços públicos junto a natureza, tais como, Parque Ibirapuera - São Paulo e Jardim Botânico-Buenos Aires ou outros locais que a comissão julgue pertinente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2682, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2324, NULL, '2020-05-25 21:33:46', '2020-07-21 21:37:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24617, 'pEoO3Vt2GmlSePiv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:35:33', '2020-05-25 21:35:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24618, 'UsiRLaXh6nvoXlUh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:43:18', '2020-05-25 21:43:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24619, 'TFF06jMgHDKFeoAf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:44:57', '2020-05-25 21:44:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24620, 'gRtFYDxFMhVRBjAe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:46:41', '2020-05-25 21:46:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24621, 'EfIpQ2QJV5uqZgb0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:53:45', '2020-05-25 21:53:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24622, 'KL6MGOobrzdf9BkK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 21:57:43', '2020-05-25 21:57:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24623, 'SGGVmsVpXPJbSROm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:01:36', '2020-05-25 22:01:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24624, 'zRJkOW16DdQORs6c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:11:22', '2020-05-25 22:11:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24625, '3PPvrY8QVIUeAl1T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:12:11', '2020-05-25 22:12:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24626, 'icOeB98giVuVeHJK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:21:32', '2020-05-25 22:21:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24627, 'fYrMEkzIagewBmkG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:22:48', '2020-05-25 22:22:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24628, 'PcBzZwXtLJ4fwkPO', 'Estar de Pena', NULL, 'ESTAR DE PENA es lo que provoca la ausencia, el recuerdo o la inseguridad.  La Pena como un principio de la memoria es también esa conexión con lo que van dejando atrás, para las mujeres migrantes de mi alrededor, es un sentir común. Sienten pena de la casa del campo cuando llegan a la ciudad, sienten pena de ya no vivir en comunidad. Pena del trabajo sin protección a sus hijas, pena del cambio de su vestimenta. Todos experimentamos ciertos tipos de pena por ejemplo el de no encajar en el trabajo, pena de no poder hacer mas contra la violencia a la mujer, pena de amar y no ser amada, pena de no ser comprendidas, protegidas, pena de no poder lograr lo que se espera...\n\nPareciera que vivir sin pena es vivir sin conciencia de la vida.\n\nEste proyecto de instalación interactiva  comprende con 300 muñequitas quitapenas. \n200 realizadas en materiales textiles reutilizados, aquellos que se han guardado con mucho cariño y fueron donados para su elaboración y 100 muñequitas elaboradas en fieltro con lana o vellón. Los elementos decorativos y la selección de colores  para cada una, componen un atuendo que trazan un diálogo entre la materia y los símbolos.', NULL, NULL, 'Para la instalación se requiere el espacio necesario para una mesa blanca, hojas de papel y lapices, donde la gente pueda escribir su pena, fotografiar la muñequita que mas le guste y enviar, vía facebook a la autora para su posterior interpretación. Esto, en caso de que no pueda estar presente.\n\nUn plinto de 50 cm x 1 m.\n\nIluminación para la obra. \n\nSobre la tipología, la que se tenga a mano estará bien.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/Mu%C3%B1equitas-Amorosas-Quitapenitas-111610440184402', NULL, NULL, NULL, 2302, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1993, NULL, '2020-05-25 22:27:26', '2020-07-08 01:06:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24629, '2DGeJKIFyG0g2sba', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:48:05', '2020-05-25 22:48:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24630, 'H4JiCwNO27vpC04t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:49:42', '2020-05-25 22:49:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24631, 'AME2Yqq1Nxr6PDdS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:51:44', '2020-05-25 22:51:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24632, 'LeSq4VliOYIFneka', 'La niñez', NULL, 'Nuestra sociedad ha sumido paulatinamente a lxs niñxs a un mundo virtual o muy pobre en la producción imaginativa propia. El juego siempre ha estado presente desde el comienzo de la humanidad en lxs niñxs desde la más temprana edad, pero poco a poco se ha ido sustituyendo el acto lúdico en un accionar pasivo en relación con los aparatos electrónicos, o Internet (Ej. Playstation, Xbox. etc), en el cual las reglas son impuestas y lxs niñxs se convierten en meros espectadores. Mi pintura (y dibujo) se posiciona frente a estas problemáticas como punto de partida para establecer la relación de lxs niñxs con su imaginación. Estableciendo la proyección de ciertas figuras y/o animales fantásticos como la muerte misma de la imaginación infantil. \nEl proyecto profundiza en el ambiente hipotético, casi como de ensueño, marcando una fuerte diferenciación de figura fondo para priorizar la tensión entre las figuras. El contraste simbólico se traduce en la elección del material, el gris del cemento en un contexto de luminosidad natural, la dureza y firmeza dentro de la “desprotección” del ambiente exterior; el contraste se intensifica desde lo sensorial la tensión entre imaginación-muerte.', NULL, NULL, 'Instalación de figuras en predio \"Plaza la 40\", espacio exterior detrás de el Museo Mar (Av. Félix U. Camet 800). Ciudad de Mar del Plata (Buenos Aires, Argentina).\n El proyecto consta de tres figuras humanas de niñxs y un cráneo realizadas en cemento con estructura en hierro. Sin pintar. Tamaño del cráneo: 3X3 metros de diámetro. Figuras de niñxs a tamaño real: 1 metro de altura. Tamaño total de la instalación: 25 metros2', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3145, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2704, NULL, '2020-05-25 22:52:37', '2020-08-05 15:08:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24633, 'WwLhiMvIkUzQrfw1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 22:59:25', '2020-05-25 22:59:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24634, 'WPT0TlW94di7sfxR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 23:04:41', '2020-05-25 23:04:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24635, 'SzEBuYn0Dd01W3B2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 23:35:54', '2020-05-25 23:35:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24636, 'E13JvvxwvVzn5bDT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 23:40:49', '2020-05-25 23:40:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24637, 'wDdQtDfCHOutjVrp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-25 23:56:24', '2020-05-25 23:56:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24638, 'JUfHzeJMV9P8kAVg', 'Performance: Manifiesto del Árbol', NULL, 'Performance: Manifiesto del árbol\nDuración: 9 minutos\nTécnica:  Performance \n\nContextualización \n\nEl Principio de Paridad de la Física Cuántica establece la forma en que la materia (Partícula-onda) se entrelaza en el continuo espacio-temporal  del multiverso, en el que muchas partículas tienen infinidad  de pares con  el mismo comportamiento (entrelazamiento),  independientemente de la distancia a la que se encuentren, lo que   en  el macro mundo se traduce en la ubicuidad como la propiedad de estar en varios lugares al mismo tiempo, lo  que implicaría   el aparecimiento  de las mismas ideas en el planeta e incluso de los mismos descubrimientos,  creaciones e inventos así como la mutabilidad de los cuerpos y en el mundo vegetal por un mensaje que desde la selva es enviado por las raíces de los árboles a distancias enormes y que puede ser traducido por la intuición humana. \nEl principio de Heisenberg establece un haz de  posibilidades de ubicación de una micro partícula.  En lo macro sería la concreción de la realidad humana, que es cambiante, según  donde ponga su atención el observador, lo que incorpora a la obra la filosofía Queer y sus postulados más importantes.\nEsta obra minimalista establece una vinculación entre el tejido neuronal vegetal y el humano.    A través del contacto con las raíces, tronco y ramas, el humano utiliza el tacto que le permite llevar información al cerebro con un código que, mediante  la intuición descifra los mensajes del árbol.', NULL, NULL, 'Descripción de  la acción \nEn un espacio de 2x3 metros  se mueve el cuerpo, siendo  el hilo conductor a través del que se comunican todas las multidimensiones involucradas.  \nEl tono  vivificante de la red neuronal vegetal se da a través de un vídeo, en que el entramado de raíces de un bosque está  conectado por el tacto humano y envía su mensaje convertido  en  manifiesto.  \n\nRequisitos técnicos: Espacio de 2x3 m., proyector, telón de 3 x 2,50 m., amplificación, luces.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'ue', NULL, NULL, NULL, 2305, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1996, NULL, '2020-05-26 00:01:10', '2020-06-23 19:30:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24639, '7NgfnxwytKnGNrKf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 00:08:40', '2020-05-26 00:08:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24640, 'ekAzvJv7C1cNZ1WD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 00:13:20', '2020-05-26 00:13:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24641, '52q4ZyzhIuT2bk3W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 00:17:15', '2020-05-26 00:17:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24642, 'sCrsA7PY6buJrPr2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 00:31:42', '2020-05-26 00:31:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24643, 'uNMY3XTd1IFtjVE9', 'Beyond Flesh', NULL, 'Beyond flesh; se propone despertar curiosidad hacia un aspecto no visible y poco investigado acerca de nuestra experiencia de vida: el Espíritu.\nYo creo que el arte y la ciencia están orientados al descubrimiento de nuestra esencia, y yo he decidido utilizar el arte para encontrar respuestas a través de mis obras.\nDe igual manera he puesto mi confianza en mi intuición, la cual encuentro fuertemente ligada a una conciencia colectiva, y a un ser más fuerte y puro que el que reconozco en el espejo. \nLo cual me permite plasmar en mi obra conocimiento recolectado a través de las eras, culturas, sociedades y vida propia. \nPretendo con éste proyecto concienciar a quien observe, el hecho de que todos y todo es uno mismo, y de esta manera reconocernos entre especies, entorno, y entre otros seres humanos, como un reflejo. Esto con propósito de despertar un gran sentido de compasión hacia todas nuestras experiencias. \n\nSon 9 obras de tamaños distintos y técnicas dentro del dibujo, más una pintura al óleo.\n\"Realidad\"(charchoal) 35 x 50 cm \n\"While the Eclipse is over\" (graphite) \n\"Unity\" (tinted charchoal, pastels)70 x 100 cm, sin marco\n\"Interser\" (polychromos) 57 x 87 cm, sin marco\n\"Bodhi\" (Óleo) 40 x 50 cm, sin marco \n\"Journey\" (Charchoal) 81 x 120 cm, sin marco\n\"Espiritu\" (graphite) 33 x 45 cm, sin marco\n\"Luz\" (graphite) - En proceso. 73 x 102 cm, sin marco \n\"Presencia\" (charchoal. pastels) Ésta obra esta segmentada en 4. cada uno 52x 62 cm, con marco.', NULL, NULL, 'Sugiero una galería con buen espacio, la sala donde se expongan tenga al menos de 20 a 30 mt2. Piso de madera. Moderno. Si contiene sillones discretos, o bancas para sentarse a apreciar al obra sería ideal. \nCapacidad de iluminación incandescente o halógena.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/hearteaga/', NULL, NULL, NULL, 2318, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2007, NULL, '2020-05-26 00:35:36', '2020-06-23 20:02:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24644, 'w1heS0w5hEWOBu2H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 00:36:16', '2020-05-26 00:36:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24645, 'mjg0lX0md8vvu0Aq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 00:44:15', '2020-05-26 00:44:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24646, 'iItglPfvPsRt2mZc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 00:44:18', '2020-05-26 00:44:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24647, 'cHB3mYyeIhmHfTeR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:00:28', '2020-05-26 01:00:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24648, 'mplqiabmktdM3FPK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:05:22', '2020-05-26 01:05:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24649, '6nNasu5QotuEHVnv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:13:14', '2020-05-26 01:13:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24650, 'vLISlfIAyyGzHEXZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:18:43', '2020-05-26 01:18:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24651, 'tcHP5EsqCm9KGkPP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:26:07', '2020-05-26 01:26:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24652, 'fj4sy4JlcW0FM3uR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:27:25', '2020-05-26 01:27:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24653, '3AWmsoqOnELElr4t', '\"Bajo Tierra\"', NULL, 'Señores BIENALSUR... Antes que nada quisiera aclararles que si bien hace una infinidad de años que pinto, no tengo una formación académica.Hace mucho tiempo ya, pienso que un lugar muy bueno para mostrar obras de artistas son los \"Pasos  bajo nivel de las estaciones de trenes, yo me refiero puntualmente a uno, el de la estación Belgrano\"R\", se que hay muchos más, por lo general en las estaciones que mantienen las estructuras edilicias de la época de los ingleses.Creo yo corrijanme si me equivoco que se podrian armar pequeñas muestras no solo de pintur, sino también de fotografia, algún tipo de performance etc..Estas muestras se podrían publicitar, seria excelente conseguir algún sponsor y además en este caso puntual se podría armar fuera del túnel todo tipo de performance ya que hay lugar de sobra con los infaltables puestos de comida, esto seria para toda la familia y en un futuro festejar la salida del confinamiento que estamos viviendo.', NULL, NULL, 'Señores BIENALSUR...como les adelante el espacio es el paso bajo nivel peatonal de la estación Belgrano \"R\" (adjunto foto) y todos los de las demás estaciones, señores esto está muy verde calculo que tendrían que gestionarlo con \"Ferrocarriles\",\nestos pasadizos durante el día se usarían normalmente estando la obra presente, se necesitaría una persona de vigilancia, durante la noche tarde no hace falta ya que se cierran. El lugar es muy copado las dimensiones? 15 de largo , 3 de ancho aproximado', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2306, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1997, NULL, '2020-05-26 01:28:30', '2020-07-07 21:42:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24654, 's9NbeTaJ0xq9Ea0e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:52:06', '2020-05-26 01:52:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24655, 'QS87pYExY75868zF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:55:20', '2020-05-26 01:55:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24656, 'PS6jAh5Kar4EV16d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 01:59:45', '2020-05-26 01:59:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24657, 'WhEofcJvrMfCoAAJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 02:08:16', '2020-05-26 02:08:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24658, 'nXDWQASqRMPB115y', 'Connotaciones', NULL, 'Esta propuesta es lo que me gusta llamar una transformance (performance/danza). \nLa danza suele usar el cuerpo como soporte, en un acción de intercambio y comunicación entre el creador - el ente activo, y el observador - el ente pasivo, en una suerte de encuentro donde son confrontadas actitudes diametralmente opuestas: ofrecer, recibir. \nMediante gráficos, un audio y un narrador/actor, estamos volcando la responsabilidad de la ejecución al espectador, aunque no al cuerpo del espectador sino a su capacidad de interpretar una descripción detallada, leer la partitura ilustrada y traducirla para que su mente use la información, trasladando lo expuesto gráficamente para finalmente realizando la acción en su imaginación.\n-	Deben entrar al recinto de la presentación un número reducido de  personas a la vez\n-      La presentación dura aproximadamente 10 minutos por turno a modo de concentrar la relación entre la obra y el observado.\n-	Los gráficos consisten en 12 hojas tamaño A3 que cuelgan en 2 de las paredes. \n-	Los gráficos son iluminados cada uno por separado, individualmente (como cuadros en una exposición).\n-	Los gráficos son partituras, textos descriptivos y fotografías. \n-	Adicionalmente, durante la presentación hay un actor/narrador que guía a los observadores e ilustra ciertos pasajes. \n-	El ambiente es creado por una banda sonora y por la iluminación.', NULL, NULL, 'El espacio debe ser cerrado, como una galeria. \nDimensiones aprox.  - mínimo 4x6 metros, máximo 7x9 metros \nTiene una puerta de entrada, otra puerta de salida, ambas en las paredes que no tienen los gráficos colgados, no tendrá ventanas, las paredes y el techo son pintadas de un solo color (rojo), el piso es negro.\nPor turno se acoge un mínimo de observadores a la vez, el máximo es de 3 personas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2434, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2104, NULL, '2020-05-26 02:08:29', '2020-06-23 21:40:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24659, 'Ogv8zDgdIObrIsBs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 02:15:14', '2020-05-26 02:15:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24660, 'eTlqTvtHC0KuXYfn', 'Currículum, antecedentes y propuestas', NULL, '\"Currículum, antecedentes y propuestas\"\n\nNel mezzo del cammin di nostra vita\nmi ritrovai per una selva oscura\nché la diritta via era smarrita… \n\n¿la diritta via era smarrita? \nAcceso a la vida digna, al estudio, a “la cultura”. \nPrimera generación. ¿son necesarias las adscripciones?\nReorganizar el pasado a la luz de intentar comprender ideologías ancestrales, roles.\nObligatoriedad de juntar papeles. Papeles que transmuto en collages.\nLo importante es intentarlo.\n\nComo su título lo indica en esta serie, trabajo con lo concerniente a la vida laboral.\n\"Currículum, antecedentes y propuestas\" se trata de una instalación de 19 collages de formatos pequeños, a la manera de las antiguas mostraciones de antecedentes, formación y méritos que exponían los médicos en las salas de espera de sus consultorios. \nEstá elaborada con materiales varios rescatados de presentaciones de distinto tipo y finalidad, realizadas durante mi paso por una institución educativa, en un tiempo donde primaba el papel y lo analógico.\nLas medidas generales del conjunto son variables, la disposición de las obras también. No exenta de exhibirse en formato ambientación de sala de espera.', NULL, NULL, '\"Currículum, antecedentes y propuestas\"\n\nVariante 1: Instalación bidimensional\nMedidas generales = 250 cm de ancho x 150 cm de altura\n\nVariante 2: Instalación + ambientación\nAntigua sala de espera: ambiente real de pequeñas dimensiones o situación armada con paneles de separación, con elementos característicos y pertinentes como sillones, escritorio y objetos varios acordes a esta propuesta.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2307, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1998, NULL, '2020-05-26 02:27:04', '2020-08-13 01:26:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24661, 'AgxWnDvIMepsyocN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 02:40:22', '2020-05-26 02:40:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24662, 'JAwPkrFjqV0yle4u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 02:44:31', '2020-05-26 02:44:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24663, 'xytjpxWep6DTdmQU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 02:48:16', '2020-05-26 02:48:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24664, 'koNpXPhqKIq6D2ta', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 02:48:50', '2020-05-26 02:48:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24665, 'p5ArTqeIAeOJpqKy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 02:49:02', '2020-05-26 02:49:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24666, '1Vh4GXTfR4KRLryk', 'anadiomenas', NULL, 'El proyecto consiste en una instalación de objetos flotantes, montados desde el techo y que coincien en una línea horizontal imaginaria a la altura de los ojos del espectador. Sus medidas son variables (desde los 3 x 3 mts a los 5 x 5 mts).\nSe trata de objetos cortados de forma espejada para simular la flotación y el reflejo de los mismos, en un agua invisible. Objetos que flotan en el azar de un espacio y en una línea que nos sumerge. Son objetos comunes, cosas de las que nos rodeamos y luego se convierten en basura: un bidón de lavandina, un balde, una zapatilla, una cama. Basura espejada que ahora nos rodea. \n\nBasura espejada que nos rodea puede ser tan literal como una metáfora. Cada objeto funciona como una isla replegada, reflejada y rebatida. Como silenciosos monstruos sinecdóticos, como línea geológica a la deriva de un agua que se ha retirado y sólo ha dejado su capacidad reflectante. Donde nos podemos ver en aquello que hemos abandonado.\n\"anadiomenas\" es una instalación que nos sumerge en la metáfora y en el simulacro, flotamos en el imaginario de una posibilidad.', NULL, NULL, 'Parte de \" Anadiomenas\" se realizó en el MAT, en el marco de la muestra \"La isla\", en 2019-2020,  y será presentada en el museo Marco, de la Boca. Un  espacio ideal por su propuesta y ubicacion ya que es un barrio que conoce la historia del agua y de sus márgenes y el diálogo con el público del barrio enriquece las lecturas posibles.', NULL, 'artist', NULL, NULL, 'https://youtu.be/v61mhmlgQSk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3525, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3014, NULL, '2020-05-26 03:02:30', '2020-08-11 22:11:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24667, 'gSbDSmQv2uTJwn2e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:06:58', '2020-05-26 03:06:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24668, 'T30sRtkcyglynTjh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:09:26', '2020-05-26 03:09:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24669, 'o6KMQCifbM0f0yxP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:13:53', '2020-05-26 03:13:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24670, '2MTCP7CqKxdTpr0o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:17:17', '2020-05-26 03:17:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24671, 'NuUm2DpWvHDBhb5R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:27:35', '2020-05-26 03:27:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24672, 'xDkYwj4Gdhtyi659', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:29:10', '2020-05-26 03:29:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24673, 'AH6yu13T1zWHoVCO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:34:42', '2020-05-26 03:34:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24674, 'qeQNlWKEHNMeza35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 03:43:03', '2020-05-26 03:43:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24675, 'be1C2zLqSIyuNDJf', 'Cena de barro', NULL, 'el perfomance nace recordando la noticia famosa de la crisis que tuvo Haiti hace un par de años donde la gente tenia que hacer galletas de barro para mitigar el hambre, yo decido hacer un tipo de cena hecha de puro barro y planta en mi huerto y decido comenzar a comerla junto con una decoracion de rosas secas y un tarro de agua, en tiempos de cuarentena y de covid 19, tambien hablando de la metafora biblica que del polvo venimos y al polvo regresaremos, decido alimentar de ahi la pieza como algo poetico, tambien dando a entender el nivel de pobreza de paises como el mio Honduras y como mucha gente literalmente no tiene que comer y podriamos facilmente a tener que comer tierra para no morir de hambre.', NULL, NULL, 'Me gustaria mucho hacerlo al aire libre en una area verde, donde se pueda conjugar la pieza con el ambiente, para que el paisaje sea parte del performance, tipo como un picnic.', NULL, 'artist', NULL, NULL, 'https://youtu.be/oSv9NMph2G0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4659, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3923, NULL, '2020-05-26 03:45:23', '2020-07-16 19:24:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24676, 'DiG8p95LQ7IVa9oh', 'DAMNATIO MEMORIAE', NULL, 'El arte público permanente se determina por los que controlan un territorio estableciendo su contenido y función simbólica. En DAMNATIO MEMORIAE, propongo una  instalacion pública temporal a instalarse y, una serie de pinturas entregables (sin coste) a aquellos visitantes que capturen su propia imagen  junto a la instalación en proceso. A diferencia de la obra pública permanente, que puede expoliar o ser palimpsesto, la propuesta intenta representar artísticamente la imposición de un monumento y la pérdida patrimonial que referencie el valor de la memoria fijada en dichos registros pictóricos coleccionables por el espectador el cual debe interactuar con el artista durante la instalación. Esta propuesta –que es continuación de la instalacion apropiable hecha en el Malecón durante la XII Bienal de la Habana (Tzompantli, imagenes se adjuntan para referir la propuesta)– se aleja del fenómeno damnatio memoriae  tan practicado hasta nuestros días pero lo utiliza como estrategia para referir la memoria, el monumento y el cuerpo –presentes o ausentes– que recorren y configuran el espacio público que queda registrado en la memoria, pintura o selfie como indicio de lo que fue. El resultado es una intervención (instalación) y proceso (registros pictóricos) realizados con estibas de madera (pallets) y materiales similares para crear un monumento efímero y 100 registros entregados al público como forma de subvertir o contradecir metafóricamente la noción de patrimonio y mercado.', NULL, NULL, 'Espacio público con tráfico alto de personas y/o vehículos donde pueda apreciarse la instalación y su proceso por al menos dos de sus caras o fachadas y en donde las personas puedan caminar a través de la instalación. Plazas, paseos peatonales, jardines o corredores urbanos o recintos culturales (museos, centros culturales o galerías). Una instalación que ocupe un espacio de 10 x 10 x 5 (altura) metros. 100 Registros pictóricos de pequeño formato 20 x 25 centímetros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2312, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2001, NULL, '2020-05-26 03:51:13', '2020-08-12 18:15:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24677, 'WraZrYLSYvaI1P9w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 04:01:00', '2020-05-26 04:01:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24678, 'NfsN7jO9uKjBgWg8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 04:12:38', '2020-05-26 04:12:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24679, 'hSllceOly0ypqNX7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 04:13:13', '2020-05-26 04:13:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24680, 'RCcEZpq7RqeZvPWM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 04:14:09', '2020-05-26 04:14:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24681, 'azx9B3lNa3LxELpH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 04:43:29', '2020-05-26 04:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24682, 'jevG9rHl2Jwz1sGM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 04:45:03', '2020-05-26 04:45:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24683, 'FBGsLndFT7fKpGet', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 05:05:43', '2020-05-26 05:05:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24684, '0slp9NL5qLOw6DJb', 'Hundred Thousand Million Eyes', NULL, '- En este momento, una cámara está filmando un amanecer que nadie está viendo. -\n\nHundred Thousand Million Eyes es un collage audiovisual que interpola paisajes desérticos y contemplativos, con fragmentos y escenas cotidianas de individuos anónimos en algún lugar del mundo. Explora la simultaneidad e incertidumbre que permea nuestra época a través de las herramientas cibernéticas globales de comunicación e interacción.\n\nLa totalidad de las imágenes que aparecen fueron grabadas en vivo, accediendo a través de la web a cámaras de seguridad privadas y/o públicas sin contraseña, webcams, y live streamings de alrededor del mundo. El audio está compuesto por frecuencias de radio grabadas manualmente, samples y sonidos descargados de la web.', NULL, NULL, 'Esta pieza fue concebida para funcionar de manera independiente. Se ha expuesto en monitores, con auriculares para que el espectador escuche el audio.\n\nSi existe la posibilidad de contar con una habitación o sala pequeña (aislada o semi aislada), y proyectar imágenes simultáneamente en dos paredes adyacentes, la experiencia puede ser mucho más inmersiva. \n\nPara eso, se necesitaría una habitación de 3x3 mts en adelante, dos proyectores, y un parlante.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/294496011', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4400, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3701, NULL, '2020-05-26 05:16:48', '2020-07-13 23:47:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24685, 'Wv1d27GpPCjr5Byj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 05:35:38', '2020-05-26 05:35:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24686, 't2ZKqDbHCLHcbFFP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 05:55:10', '2020-05-26 05:55:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24687, 'Z0P5bzB0RaJ55cxe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 06:08:41', '2020-05-26 06:08:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24688, 'JBSGSxMVoblLNdpx', 'MAGNUNA means madwoman in Arabic (working title)', NULL, 'MAGNUNA is a choreographed performance for fifty female and male performers, dedicated to the ambiguous narratives of female madness in medieval Arabo-Islamic literature. It will attempt a feminist, Foucauldian historical analysis of Islamic madness and its contemporary reverberations.\n\nMy interest in movement and madness started out as a reaction to my experiences of constraint, as a woman in public. I understood movement and womanhood as intertwined in the effort to navigate and negotiate space, and understood madness in the European sense, as the internalization of social restriction, the necessary containment of one’s symptoms, in the face of power and authority. \n\nMagnuna is the colloquial Egyptian form of the Arabic word ‘Majnuna’; the root of the word is “Jinn”, demon. There is a long literary tradition in Islam that connects madness with poetry and mysticism: the notion that the mad have access to some hidden truth. \n\nMAGNUNA moves towards a new synthesis of madness and holiness. It recuperates and rewrites the symptoms of holy madness in first person narratives, imagining new meanings and associations for these poses and gestures. In these choreographies, involuntary movements are transformed into deliberate, assertive gestures. Using the affective atmosphere of madness—its tropes of inappropriate affect—the performance deconstructs and reappropriates the movements of the madwoman’s body for the crafting and potentiation of a semantics of resistance.', NULL, NULL, 'MAGNUNA is a choreographed performance for fifty performers, based on the visualisations and descriptions of madwomen in medieval Arabo-Islamic literature. It will take place in an open public space, in an arrangement that would allow the observers to move between the performers if they wish. The performers are standing one meter apart on all sides, an open area of approximately 15 x 10 meters is required. MAGNUNA’s only other requirements are the voices and bodies of the performers.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4704, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3958, 5, '2020-05-26 06:12:03', '2020-09-01 16:36:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24689, '5L0BJw0UPK5HEAnL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 06:29:09', '2020-05-26 06:29:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24690, 'sATmj6xgNTY0mRQn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 06:41:21', '2020-05-26 06:41:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24691, 'imx4l0pyUJpl0zCM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 06:44:33', '2020-05-26 06:44:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24692, 'QAeFOMe5UXTTowOJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 07:04:22', '2020-05-26 07:04:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24693, '2hi7ehBfcjli815f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 07:10:18', '2020-05-26 07:10:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24694, '1IQnKBRuH906dGCB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 07:26:38', '2020-05-26 07:26:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24695, 'Loo8MZoSCyogdqks', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 07:40:58', '2020-05-26 07:40:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24696, 'ZPvPYJ9nRrpchr7r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 07:42:07', '2020-05-26 07:42:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24697, '24yIDLkijQ8aX6xf', 'Sabemos Parir', NULL, 'Es un proyecto que por medio de la Alquimia de Placenta tiene como línea de trabajo el acceso a la información en la gestación/parto/posparto. Desarrollo Sabemos Parir con múltiples manifestaciones artísticas y de forma multidisciplinaria, la serie, es conformada por una instalación inmersiva con pieza sonora sobre la experiencia intra - uterina.  Acciones y comparte documentos familiares del parto, la alquimia de placenta, sellos de la placenta intervenidos con bordados, placenta tejidas con croché. \n\nFue un proceso natural y simultáneo al nacimiento de mis hijas, me llevó mucho tiempo de introspección, habitar en las profundidades del puerperio e investigación. Al iniciar este proyecto la primera intención fue revalorizar La Placenta, con el tiempo y el contexto social que transitamos en Argentina; se convirtió en mi manera de alzar la voz desde mi rol de mujer, madre y artista. Hoy hablar de La Placenta es poner el foco en el derecho que tiene la mujer sobre su cuerpo y el de su hijx. Hablar de partos insumisos, cuestionadores, es posicionarse en el camino del feminismo: Como lo quiero habitar? Que puedo ofrecer?. \n\nEsta obra se corre del debate si el parto debe o no ser en domicilio, más bien, nos invita a reflexionar sobre el acceso a la información, ya que quien la recibe puede tomar decisiones conforme a sus necesidades y puede elegir. Abre la puerta al dialogo y al debate de un tema vigente en el sistema de salud pública.', NULL, NULL, 'Sabemos Parir está pensada puntualmente en el Museo Castagnino + Macro, espacio contemporáneo . Dos salas contiguas y conectadas, de 4x4m2 y 9x7 m2. La propuesta curatorial invita al público a respetar este recorrido de la obra: Instalación inmersiva con pieza sonora / acciones /Altar alquimia de placenta – exposición autobiográfica. Cuenta con un programa educativo de conversatorios y mesas de debates. He desarrollado una opción digital paralelo a la exhibición de la exposición en un museo.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://soundcloud.com/user-323088125/sabemos-parir', NULL, 'https://www.rosemorenoart.com/sabemosparir', NULL, NULL, NULL, 3252, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2799, NULL, '2020-05-26 07:42:33', '2020-08-10 18:59:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24698, 'wv5kyCAwGTNe2jz2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 07:42:41', '2020-05-26 07:42:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24699, 'jyp0uEYOD9Qo2YFy', 'Flags of our fathers', NULL, 'El proyecto Flags of our fathers (2019) consiste en una tipología de símbolos y vallas que rodean el Bulevar de los próceres, fotografiados con cámara pinhole digital.\nEl Bulevár de los próceres, uno de los más transitados de San Salvador, capital de El Salvador, tiene a lo largo de una avenida de aproximadamente 1 Km, un andén con los bustos escultóricos de los que fueran los firmantes del acta de independencia de El Salvador en 1821. En contraste, esta avenida se destaca por ser la ubicación de la mayoría de cadenas de restaurantes de comida rápida (junk food), casi todas estadounidenses, y un algunos bancos y gasolineras.\nBajo la técnica de la fotografía estenopéica, donde las fotos resultantes tienen un aspecto borroso y sin definición, los símbolos de los restaurantes siguen siendo reconocibles, lo que pone de manifiesto la presencia de estos en nuestro sub-consciente y al mismo tiempo, la influencia que los Estados Unidos ejercen sobre la cultura salvadoreña, pues además de ser un país dolarizado, es común que se escuche hablar inglés o su mezcla con el español, spanglish, en las pláticas o publicaciones tanto de nuevas generaciones como las anteriores. Algunos afirman que somos un estado más del país norteamericano. ¿Dónde queda la cultura propia salvadoreña? ¿Cómo se les enseña a los jóvenes a resguardar el patrimonio histórico de la nación?', NULL, NULL, 'Esta obra es una tipología compuesta por 16 fotografías en formato cuadrángular, con dimensiones de 8x8 pulgadas (20.3 cm) cada una. El espacio total para instalación es aproximadamente de 42x42 pulgadas (1.1 metros) contando el espacio entre cada fotografía.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5328, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4421, NULL, '2020-05-26 07:44:29', '2020-07-01 01:38:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24700, 'GO8xr0An7RsoWB9j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 07:56:34', '2020-05-26 07:56:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24701, 'oCdM3BqJIn3nsj1p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 08:17:06', '2020-05-26 08:17:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24702, 'W0JSWu6axlb0E4pc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 08:18:37', '2020-05-26 08:18:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24703, 'UkCaat1N6lKBVZFF', 'Taxonomía de una línea / Lo oscuro, incognoscible e inevitable', NULL, 'Me interesa todo aquello que replanteé la idea de lo real, que cuestione las percepciones y las convenciones. Al estudiar el tiempo se aprenden cosas sobre uno mismo, cosas que antes no se comprendían se hacen asequibles, por ejemplo, medimos el tiempo utilizando fórmulas matemáticas donde la medida de tiempo es una cantidad definida ¿Cómo puede medirse algo que no es perceptible a los sentidos? Simplemente una hora es invisible, pero, ¿acaso los relojes no miden el tiempo? Sin lugar a dudas, miden algo, pero ese algo no es tiempo invisible, sino algo muy concreto, el recorrido de un tramo, la cocción de un huevo o un eclipse. El carácter universal que asumimos del tiempo no es más que la expresión simbólica de que todo cuanto existe se ubica en un proceso continuo. El tiempo es la expresión del intento de los hombres por determinar todo en este devenir con el objeto de servir a su propia orientación, esto es igual a decir que lo que entendemos por tiempo es una ilusión. Al despojar los días de toda su ornamentación, solo nos queda una estructura sólida, una línea. \n \nInamovible.\n \n \nInstalación de piezas internas de relojes mecánicos sobre pared. Las piezas tales como mecanismos de cuerdas, manecillas, engranajes y osciladores son de metal, cobre, hierro y aluminio. Están dispuestas de tal forma que en conjunto componen una línea.', NULL, NULL, 'Pared o drywall blanca de 5 metros de ancho x 2 metros de alto. Iluminación parcial, amarilla.\n\nPresento dos obras una titulada Taxonomía de una línea y la segunda Lo oscuro, incognoscible e inevitable. Me gustaría participar con alguna de estas dos opciones. La descripción del espacio expositivo aplica para las dos obras.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/364213523', NULL, NULL, NULL, 'https://cargocollective.com/olga-huyke/Taxonomia-de-una-linea', NULL, NULL, NULL, 2315, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2004, NULL, '2020-05-26 08:18:41', '2020-07-12 17:04:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24704, 'rXfZ5Hf0NEAxcOTA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 08:23:13', '2020-05-26 08:23:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24705, 'mmXoC1fGOG4XCz3R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 08:47:10', '2020-05-26 08:47:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24706, 'hLg0SFSyFcdc6foF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 09:39:00', '2020-05-26 09:39:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24707, 'MEQiWK1UXouoNAbV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 09:40:57', '2020-05-26 09:40:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24708, '6X0wSXTZpTBsHLQ4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 09:51:03', '2020-05-26 09:51:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24709, 'tc3gjbUh7sGWrmdV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 09:55:41', '2020-05-26 09:55:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24710, '3QNrL5gvlItH5NqS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 09:56:30', '2020-05-26 09:56:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24711, '2RBwIizsKx71yu5w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 10:08:04', '2020-05-26 10:08:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24712, 'mRcae4OAjy0eX2rS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 10:18:28', '2020-05-26 10:18:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24713, 'zrI84LBO0AHeKFLb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 10:58:43', '2020-05-26 10:58:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24714, 'ZRUmUoDyDGHYGIzS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 11:10:48', '2020-05-26 11:10:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24715, 'VSxLm8c9B5tKb6ao', 'LA TIERRA VIOLADA', NULL, 'LA TIERRA VIOLADA es un cortometraje experimental antiextractivista que narra el grito feroz de lo que significa vivir en la capital provincial del petroleo en la patagonia argentina.\nLa Tierra Violada fue seleccionado en el XXXV Concurso Nacional de Cine y Video Independiente que se llevo a cabo en Cipolletti, Rio Negro durante noviembre del 2019, donde obtuvo una mención en su categoría a “mejor ficción”.  También a fines del mismo mes, el Festival Internacional de Cine Experimental y Video CODEC, selecciono a La Tierra Violada en\nel PROGRAMA 11 Entre el espíritu y la maquina: CIUDAD-NATURALEZA donde fue proyectado en CDMX, ciudad de México.\n\n● sinopsis: “La violación es un programa político preciso: esqueleto del capitalismo, es la representación cruda y directa del ejercicio del poder”.Virginie Despentes\n● Realización Integral: PRODUCCIONES INVERTIDAS\n● Duración: 4:47’\n● edad: +18\n● Año: 2019\n● Lugar: Fiske Menuco – Río Negro\n● Contacto: proyeccionesinvertidas@gmail.com', NULL, NULL, 'Una sala oscura de proyección audiovisual cerrada, que cuente con una pantalla o pared blanca, proyector y equipos de sonido. \nUn lugar ambientado para que lxs espectadorxs pasen menos de 5 minutos sentados frente a la proyección.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/330090044', 'colageno', NULL, NULL, NULL, NULL, NULL, NULL, 2321, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2009, NULL, '2020-05-26 12:17:02', '2020-07-16 20:57:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24716, 'ifEpKptVFNYi9BGK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 12:17:05', '2020-05-26 12:17:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24717, 'lrlpqkP6XitU9hjW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 12:52:30', '2020-05-26 12:52:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24718, '8CubbtMPqTEAcID8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 13:00:54', '2020-05-26 13:00:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24719, 'z2fhUAckZXs4igNQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 13:07:48', '2020-05-26 13:07:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24720, 'wm4IpR6Xt0b61Ta8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 13:37:11', '2020-05-26 13:37:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24721, 'UdKtnKBFFdYwGxGj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 13:37:31', '2020-05-26 13:37:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24722, 'LFGOQm68y6vplelv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 13:38:30', '2020-05-26 13:38:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24723, '6Db8NCdv8DrU0h8Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 13:50:59', '2020-05-26 13:50:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24724, 'FbZFl7EntHiF8Yyw', 'Between', NULL, 'My work evolves from ‘deep listening’ to the oral histories of displaced people. Since 2017, I am working on a project of drawings - Zwischen (between). It is a scratched paper technique to preserve memories through inkless drawings. My artistic research is based on extensive interviews with refugees and immigrants who have experienced violence and loss. In this process, I become a ‘secondary witness’.  At the end of our conversations, I often ask people to name some words which are particularly meaningful to them. The assiduous hand-scratched drawings transform collected memories of home and exile, of floorplans, folk-tales, and the writings of diaspora poets. They are also inspired by maps, landscapes, and transient geographies or shared historiographies crossing Asia and Europe. In my childhood, traveling to historical sites, I found names and words engraved by former visitors on walls and pillars. I find this technique of preserving memory very interesting and provocative. The idea influenced me while I was registering my and other people’s voices about their memories of the home by scratching on paper. Also, as for the material choice, it was a challenge for me; how to preserve deep down memories through inkless drawings. Mostly these conversations are very private, the memory of an individual. So, I decided to transform those people’s Mother tongue into a unique representation of their identity. Mute tongue https://www.ishitachakraborty.com/mute-tongue', NULL, NULL, 'Zwischen requires preferably Wall space but I find there is a possibility to play with space. Indoor space is important. Each drawing is 21cm X 29CM. A4 size paper. Set of 150 drawings. White on white scratched paper technique.\nMute Tongue Ceramic and text, size variable. Indoor space is required.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.ishitachakraborty.com/rust', NULL, NULL, NULL, 2440, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2110, NULL, '2020-05-26 13:56:36', '2020-07-18 22:40:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24725, 'OvU3Etlp17at3Z2N', 'Ahí me duele!', NULL, 'Proyecto planteado desde la plataforma Fundación Francis Naranjo comisariado por Eduardo Caballero (director de la Fundación Francis Naranjo) y Carlos Javier Núñez (embajador de la Fundación Francis Naranjo en Latinoamérica).\n\nLa forma de vida contemporánea nos aturde con rachas y etapas que no son como deseamos. La única solución para que nuestro bienestar emocional no se vea muy alterado es instalar en nuestra vida la aceptación. Aceptar lo que no puedes cambiar es de vital importancia para que puedas seguir adelante y transformar tu vida. ¿Quién no ha deseado alguna vez que la realidad fuera otra diferente a la que está viviendo? De ser así, conviene crear un plan de acción para mejorar tu forma de comprender esta nueva vida. Pero, en el caso de que veas que no puedes hacer nada para cambiar algo, si quieres seguir adelante tienes que aceptar la realidad. \n\nLas situaciones son bien diferentes cuando te afectan de manera personal, cuando se viven en primera persona, es cuando ahí me duele. La situación que nos invita a vivir esta pandemia nos ayuda a reflexionar sobre la crisis del sistema capitalista y del neoliberalismo, todo queda involucrado en su vorágine. Los modos de vida cotidianos, las ancestrales creencias, prácticas sociales, ejercicios y formas de poder y teorías sociales entran en crisis. y Ahí nos vuelve a doler ante la desestabilización de lo que previamente habíamos aceptado y ahora tambalean de nuevo.', 'Luna Bengoechea (España. Islas Canarias)\nwww.lunabengoechea.com\n\nJuan Castillo (Chile/Suecia)\nhttp://juancastillo.net/\n\nAcaymo S. Cuesta (España. Islas Canarias)\nhttps://acaymoscuesta.wixsite.com/acaymoscuesta\n\nNury González (Chile) \nhttps://es.wikipedia.org/wiki/Nury_Gonz%C3%A1lez\n\nCoco González Lohse (Chile)\nhttp://pintorchileno7.blogspot.com/ \n\nAntonio Guzmán (Chile)\nguzmanantonio.com\n\nKlaudia Kemper (Brasil/Chile)\nhttp://www.klaudiakemper.com/index.html\n\nBrian Mackern (Uruguay)\nhttp://netart.org.uy/brian.html\n\nFrancis Naranjo / Carmen Caballero (España. Islas Canarias). \nhttp://francisnaranjo01.blogspot.com/\n\nJacqueline Lacasa (Uruguay)\nhttps://es.wikipedia.org/wiki/Jacqueline_Lacasa\n\nLiliana Zapata (Bolivia/España. Islas Canarias)\nhttps://lilizapata.wordpress.com/', NULL, 'Los formatos que se plantean para esta muestra son fundamentalmente el video y las video-instalaciones. Por este motivo sugerimos un espacio expositivo que pueda acoger estas 11 propuestas a través de proyecciones, monitores y sistemas multimedia.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2800, NULL, 329, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2429, NULL, '2020-05-26 14:42:15', '2020-08-14 16:49:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24726, 'mMDfKHhrlViH7C9U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 14:42:16', '2020-05-26 14:42:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24727, 'Oa6vP7yeaaCvUYTi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 15:14:56', '2020-05-26 15:14:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24728, 'g90bLreVfzlSTbNb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 15:50:14', '2020-05-26 15:50:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24729, 'VJZHZPDf5KugidNl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 15:53:42', '2020-05-26 15:53:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24730, 'wcOPEClSPV8ezjis', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 15:58:07', '2020-05-26 15:58:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24731, 'BSqdXavSl9VFv0Ve', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 16:02:35', '2020-05-26 16:02:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24732, 'iQ5ySLjmmgmXulhL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 16:14:54', '2020-05-26 16:14:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24733, '2gzBzPOEQ8EZhMNd', 'Architectural installation Destroyed House Sao Paulo', NULL, 'A building as sculpture. \nLarge-scale architectural installations in buildings that are subsequently demolished, are central to my work. Autonomous photo pieces are created on the basis of these installations.\nMy work is represented by Bruce Silverstein NY.\nDestroyed House (2008), Destroyed House Krasnoyarsk, (2009), Destroyed House Piet Mondriaanstraat (2010/2011), Destroyed House Bloemhof (2012), Destroyed House Op Noord (2014), Destroyed House Leiden (2015), Destroyed House Gaza (2017), Destroyed House Rencontres D’Arles (2019) and Destroyed House Kyoto (2020).\nIn my work the constructive force of building and the force of destruction and decline go hand in hand. An essence of the human condition. A diabolic conflict. Dostoyevski argues that overcoming this polarity is beyond human power.\nAll my life I have felt great engagement with the excesses in human history. These excesses of violence and their manifestations in the human conditions are fundamental to my work.\nIn my installations these forces become manifest in monumental constructions. Everything is both standing and tilted.\nA transformation of a building (and the waste materials) into a monumental mental experience, generating meaning and beauty. \nBeauty that simultaneously contains pure order and chaos / the horrendous.\nThe architectural installations can be considered room-filling still lives: still life also translates as ‘still alive’. After a disaster, man gets back on his feet. An everlasting movement.', NULL, NULL, 'Each project is preceded by intensive consultation with the owner of the building, officers of the municipality, constructor and contractor.\nI am very inspired to realize an architectural installation in South America: Brasil (Sao Paulo) or Angentina (Buenos Aires). The political, historical, social and psychological context enriches my work.\nNext to the installation I want to organize an exhibition of photo works of my earlier projects Destroyed House.\n\nhttps://youtu.be/t9a3WzAmZsE', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2336, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2025, NULL, '2020-05-26 16:21:38', '2020-08-14 18:47:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24734, 'GRk5bj4XN3yvKVRG', 'Natura ex Machina', NULL, 'Como colectivo queremos realizar una reflexión corporal, instalativa y performativa que dé cuenta cómo nuestra cotidianeidad y hábitos han asimilado un carácter digital, virtual y tecnológico, desconectándonos del paisaje intrínseco de un territorio, o de lo que Silvia Rivera Cusicanqui define como la subjetividad identitaria del ser en el paisaje.\nSe propone una acción perfomativa que utilice recursos e instrumentos de la video instalación, para dar cuenta de la relación entre la corporalidad y el espacio. Nuestra intención es poner en tensión y contraste de la espacialidad urbana y la espacialidad de un paisaje natural. De esta manera, la propuesta consiste en realizar un recorrido que intervenga  una parte (idealmente calles o pasajes) de la ciudad de Buenos Aires,  con proyecciones,  tres artístas performaticos y un músico. Desde ese lugar, proponemos proyectar raíces y vegetaciones que emerjan de la prolijidad de la ciudad hiper globalizada, utilizando como técnica el mapping, la cual se acompañará con sonidos del ambiente paisajístico que rescatará de la fauna que existía en la zona intervenida . Algunos de los conceptos que permiten la significación de las corporalidades interpresa: normatividad, digitalización, ciudad, arquitectura, condicionamiento. Cuatro o cinco estaciones establecidas componen el recorrido que abarca videoinstalación, y pautas de movimiento que se conectan entre sí, en una intervención de alrededor de 30 minutos de duración.', NULL, NULL, 'El espacio que se plantea para realizar la intervención performativa es la ciudad, específicamente una calle que permita ver la estética de la hiper globalización, se proponé área Puerto Madero. Se plantea la realización de un recorrido en la urbe que tenga 5 estaciones (paradas). Se considera pertinente un espacio de muestra que tenga una dimensión de 10 metro por 6 metros. Idealmente calles que permitan usar la materialidad de las paredes y suelo como lugar de las proyecciones audiovisuales.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6208, NULL, 915, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5090, NULL, '2020-05-26 16:32:42', '2020-06-23 20:13:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24735, 'Oi7OZna9kiIRaZs4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 16:52:09', '2020-05-26 16:52:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24736, '7XLpu6Elh4WF9yS3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 16:55:52', '2020-05-26 16:55:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24737, 'CZF16o4I52fD8ni4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 17:14:23', '2020-05-26 17:14:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24738, '4ok1nNoGXBR695CZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 17:16:04', '2020-05-26 17:16:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24739, 'bhQmuC7dY5p8OhgB', 'MARGARITA BACHUR FOTÓGRAFA', NULL, 'El proyecto parte del patrimonio fotográfico legado por José Abud Bachur,  para proyectarse en un acto reparador al reconocer a su hija Margarita Bachur como la primer fotógrafa tucumana, a la vez que rever una de aquellas fotos a través de una instalación espacial para generar la sensación de revivir el momento de la toma, y revisar a partir de esta puesta en escena algunos tópicos con perspectiva de género.\n\nEl proyecto incluye la proyección de la fotografía /video sobre una placa de acrílico esmerilado con un fondo escenográfico original que perteneciera al estudio ¨Luz y Sombra¨ de J. A. Bachur; una cita de Emma Watson definiendo al feminismo como un derecho; citas del génesis a través de un código qr que conduce a su lectura online (Génesis 2:  16 – 18; Génesis 3: 1 – 6) a fines de provocar un impacto en el espectador, y un ploteo sobre vinilo adhesivo transparente con retrato de Margarita Bachur y parte de una entrevista realizada en 1993 que describe su autopercepción como fotógrafa mujer.\n\nEn el decir de Liam Gillick: ¨los archivos se presentan como pagarés para su posterior elaboración o indicaciones enigmáticas para futuros escenarios¨. Seleccionar una entre centenares de fotos de la colección Bachur a los fines de un ejercicio de montaje surrealista (Susan Sontag) con perspectiva de género, es un modo de instalar una nube de fantasía interferida por mensajes encriptados y reconocer a la primer fotógrafa tucumana Margarita Bachur.', 'Claudia R. Epstein\nMarcela Alonso \nC. Dario Albornoz \nFacundo Albornoz\nVerónica Pérez Luna\nLiliana Juarez', NULL, 'Espacio cerrado preferentemente sin ventanas (o que puedan taparse), dimensiones 30 – 40 m2 (Preferiblemente de 10 x 4 m., 4m. de altura aprox., paredes grises (tono a indicar con precisión) con marco de seguridad ya que hay una pieza de valor patrimonial.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3768, NULL, 472, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3214, NULL, '2020-05-26 17:46:18', '2020-08-13 17:05:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24740, 'C5DTeiEZniMEgYrb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 17:57:57', '2020-05-26 17:57:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24741, 'jOksMa342sHblBNB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 18:12:20', '2020-05-26 18:12:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24742, 'f8IkPBXAC7lZYcDF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 18:23:10', '2020-05-26 18:23:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24743, 'oqcBM3S8WcnQHIdx', 'Vapor', NULL, 'Vapor \nação (fogareiros, panelas, água, desenhos, milho, mandioca e mesa baixa)\n250 x 300 cm\n\nAção de envergar desenhos através do vapor emitido por águas ferventes em panelas. Panelas, tabuleiros, leiteiras e fôrmas são colocados sobre pequenos fogareiros[ver img.2]. Os desenhos são colocados sobre os recipientes e as imagens vão sendo levemente deformadas pela ação do vapor sobre o papel[img.1e5]. \n\nCartelas com desenhos são colocadas à disposição de todos. Elas apresentam representações gráficas simples, imagens sobre territórios políticos e cotidianos, remetendo a uma cartilha de imagens[imgs.3e4]; Como um jogo ao redor da mesa, as imagens podem ser arrumadas de diversas maneiras pelas pessoas, formando breves narrativas de imagens deformadas. Papéis em branco podem ser utilizados para novos desenhos.\n\nAo mesmo tempo, um dos recipientes cozinha alimento: milho e mandioca, dois alimentos nativos de relevância e representatividade para as américas[img.6]. Imagem e comida transformadas ao mesmo tempo. O real, concreto sustento do corpo, vai sendo modificado pelo calor. Fazer/partilhar comida e narrativas visuais.\n\nBusca-se através do vapor,da modificação do estado da água,refletir sobre narrativas e conexões do imaginário social, afetivo e político das imagens. Acredita-se na capacidade de criar situações como reflexão pertinente sobre a realidade. Fogo, água e o gesto de cozinhar como latência de transformação coletiva do desenho e das linhas de força que atuam no mundo.', NULL, NULL, 'O ambiente expositivo necessita de um espaço mínimo de 250 x 300 cm [img.6]. A área pode ser interna ou semi aberta.  A proponente realiza a ação junto com as pessoas (durante um final de semana ou de acordo com a movimentação do lugar). A ação pode ser registrada em vídeo (paralelo à mesa) e serem exibidas nos dias que a ação não estiver sendo realizada.Os fogareiros são de baixíssima queima e funcionam com álcool em gel, estopa e pequena chama. É possível utilizar alguns fogareiros elétricos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5301, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4407, NULL, '2020-05-26 18:29:06', '2020-07-28 01:09:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24744, '12Odg42dfiA89hSd', 'Mujeres de la isla', NULL, 'Migrar\n\nProyecto realizado durante el año 2017 al 2019. Atravesado por la historia de mis abuelos. Ellos migraron  desde Italia escapando de la guerra.  Trabajo con archivo por lo cual me permite construir un vinculo entre el pasado y el presente. Vengo de una familia de migrantes que poco sé de eso.\nLa ficción me permite contemplar esos vacíos de la memoria. El viaje, la partida, la llegada, los desplazamientos me atraviesan y me permiten entender el movimiento migratorio.\nEl migrar hace que uno reconstruya los vínculos, como entender la identidad que fue trastocada por una necesidad social y/o económica?\nMi proyecto son preguntas con respuestas armadas a través del archivo, de un pasado heredado, de reconstrucciones de escenas e historias de vida recordadas. Es un construir la identidad e interpelar la historia heredada. \nDescubrimos que pertenecemos a la historia y el destino de un gran linaje de seres humanos que también podrían haber deseado ser libres.', NULL, NULL, 'Habitación 2x3, pared blanca, espacio cerrado, iluminado. Fotografía enmarcada, en fila horizontal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4399, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3700, NULL, '2020-05-26 18:31:06', '2020-07-08 16:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24745, 'pPCJeX05owAYjTh3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 18:44:33', '2020-05-26 18:44:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24746, 'xrq67q2BRfYyDmXM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 18:52:26', '2020-05-26 18:52:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24747, 'XUnLeEsTHOMNMEA9', 'Prophecy', NULL, 'The work envisions the crisis of climatic change, increasing poverty, high unemployment rates, environmental degradation, quality of education & famine as a result of overpopulation in India.\n3-channel sound excerpts from TV interview of ex-prime ministers of India\nChannel 1 & 2 \nMorarji Desai Interview, TV Eye, 1978 <04:29 - 04:51><05:39 – 05:58>https://www.youtube.com/watch?v=MgJdfA_b5iI\nChannel 3\nIndira Gandhi Interview, TV Eye, 1978 < 17:49 – 17:55>https://www.youtube.com/watch?v=q8aETK5pQR4\nThey talk about population crisis and related future consequences.\nSound channels are synced in a way, they intersect each other at different points, each time they auto loop. \nThe installation is an allusion to the process of sterilization and contraception.\nThere is an ongoing chemical reaction in the test-tubes, which contain Cooper Wire and Copper T alternatively.\nCopper T is one of the intrauterine devices which is used as a temporary measure for birth control in women and is a reversible process.\nCopper wire stands as a metaphor for Vas Deferens. Vas Deferens is a duct in male-reproductory system, which is responsible for conveying sperm from the testicle to the urethra. In vasectomy, vas deferens is cut and tied.\nCopper wire is cut and tied.\n\nThe installation runs from one edge of the wall to the other edge of the wall, seen in the light of the continuous need of the hour. Indirectly questioning, that, how many people can sustain together on the planet earth?', NULL, NULL, 'Indoor silent space with blank walls.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=IsZcqIC-NtU&t=6s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3221, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2771, NULL, '2020-05-26 18:58:35', '2020-08-10 15:11:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24748, 'cM2t6qjzLGsVPHI6', 'HUAMANAZÔNIA', NULL, '“What’s preserved, the thing or the artwork, is a block of sensations, ie, a compound of percepts and affects”. The images enter the chaos to, from there translate the series that capture movements and forces around that make them prints on our retinas. Through the window onpened to the eternalized moment, we’re taken into the Amazon, imersed in a symbiosis where the human is Amazon. As for who lived, as for who had the sight of those lives-experiences for the first time, it\'s offered us the percepts of a life full of river and heat. A Small fragment of eternity that’s materialized in a cut from this world of possibilities. Inside this documenting, a lot of himself is imprinted. Also being part of his own life, Rao’s roots are exposed on the strokes made of light and shadow, leaving affects that go beyond viewer\'s repertoire until the moment they behold the image. Thus, HUMANAMAZÔNIA is become. It’s where those forces that compose the artist’s body and world gather in border, in co-presence, when the artist is not mixed with the work, but he is the very work. This expression is like the boat leaving the port, all safe, and suddenly faces the turbulent fury of the river-sea. In this encounter, the image is eternalized without losing its movement. It lasts. Become-HUMANA, the AMAZÔNIA is force that drags inside the image the eyes that preseve the experience of sharing a here/there co-habitation. From what goes and comes back without being the same. From what’s proper from life', NULL, NULL, 'Dimensiones:\n\nImágenes: 70x105cm\n\nMoldura caja 30mm negra\n\nPrint: Fineart Hahenmuhle photo rag 305gsm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.raogodinho.com/humanamazonia', NULL, NULL, NULL, 2324, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2012, NULL, '2020-05-26 18:59:43', '2020-06-23 20:02:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24749, '6ibfz5NGL2KgTEs8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 18:59:53', '2020-05-26 18:59:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24750, 'muy5qWRyWJb9rk09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:01:31', '2020-05-26 19:01:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24751, 'gjrYTEvk52ZXfi46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:02:13', '2020-05-26 19:02:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24752, 'ktE5JJ6adyymTv7Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:04:34', '2020-05-26 19:04:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24753, 'bmwSdHDEugwfuYn7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:08:41', '2020-05-26 19:08:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24754, 'Hn5zSNUHTzJvHMtX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:15:55', '2020-05-26 19:15:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24755, '3jZ9DdSocT44Axgg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:16:35', '2020-05-26 19:16:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24756, 'QG8DGJq4W8YmUZsz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:17:41', '2020-05-26 19:17:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24757, 'Q2eEfl1OwTAUqLvc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:49:50', '2020-05-26 19:49:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24758, '97pse1BslCSWjepc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:50:31', '2020-05-26 19:50:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24759, 'OqvNH2M06kkUNhJE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 19:53:53', '2020-05-26 19:53:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24760, 'UZ2SWwCzZQvjmlMO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 20:06:59', '2020-05-26 20:06:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24761, 'f9OaYXCr3UejqfZ5', 'O caminho da volta', NULL, 'O projeto “O caminho da volta” se estrutura a partir de um texto do escritor brasileiro Jorge Amado, presente no livro “Terras do sem fim”. Nele há a descrição de derrubadores adentrando uma mata no sul do estado da Bahia, no Brasil, e sua reação diante da natureza e sua carga atávica de significados. Apesar da força e exuberância da floresta nativa, que num primeiro momento fascina e amedronta aqueles homens, o que se sucede no livro é a derrubada da mata atlântica, um processo que atravessa a história do Brasil.\n	A madeira é o ponto de partida para o desenvolvimento de minha poética, madeira que acompanha a evolução do homem desde o início da civilização, material carregado de história e que já traz uma visualidade inerente. Através do processo de desenho, objetivo trazer conteúdos afetivos referentes a uma imagética presente na memória coletiva, especificamente os desenhos realizados por artistas viajantes, que andaram pelo interior do Brasil documentando a fauna e flora. No entanto o viés documental não é uma prioridade em meu processo, busco ao invés disso o deslocamento de um imaginário coletivo para uma experiência pessoal.\n	Utilizo registros de animais e plantas que sobrevivem em bolsões de mata nativa no interior do Estado do Rio de Janeiro, no Brasil, são desenhos realizados com grafite, pirografia e marcador permanente. Junto aos desenhos é apresentado o texto de Jorge Amado impresso na parede do espaço expositivo entre duas chapas de madeira queimada.', NULL, NULL, 'O espaço para a montagem do trabalho é uma sala com paredes brancas de 6m cada, aproximadamente. O texto de Jorge Amado será impresso na parede do fundo entre duas chapas de madeira com 80 cm na largura e a altura de acordo com o pé direito do local, ocupando o espaço do teto até o chão. Nas paredes laterais serão instalados dois grupos de oito desenhos realizados em placa de madeira com dimensão de 80x60cm cada e 4mm de espessura, aplicados diretamente na parede, equidistantes 15cm entre si.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2979, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2570, NULL, '2020-05-26 20:27:25', '2020-07-27 13:47:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24762, 'qv9te1XpS7M0QG1i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 20:40:03', '2020-05-26 20:40:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24763, 'Nx24eIEEVpLtEGIm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 20:47:35', '2020-05-26 20:47:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24764, 'YX0OVYEK7ttm2Rdh', 'Vista extraordinária! (An extraordinary view!)', NULL, 'The city of Rio de Janeiro, especially in the south, has the most expensive square meter in Brazil. In this context, a sea view can increase the price of a property exponentially. Thus, the project consists of selecting and photographing the view of some of these properties, and pricing the images according to what they are supposed to be worth, that is, the difference in value between an equivalent property without a view. As a result of real estate speculation, these properties have become places of unattainable dreams and social exclusion. The amount charged for having a privileged view differs from acceptable housing standards and creates an inaccessible territorial area.', NULL, NULL, 'The photos will be displayed in large format (110 x 60 cm) in a room with a white wall.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6084, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4988, NULL, '2020-05-26 20:47:36', '2020-06-24 20:05:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24765, 'pWKj5iFTiLGxBRZF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 20:49:43', '2020-05-26 20:49:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24766, 'huCag9MJCoG7503e', 'The First 30 years: The Young and Anxious Mongolians', NULL, 'Hailing from Mongolia or a place known as the end of the earth to some, these emerging artist-photographers are questioning the very identity they have been prescribed. How does a role of a Mongolian identity “perceived” to the world? What are the possibilities of visualizing a wide range of elements within this defined identity? How will the stereotype both strangle and set free at the same time? How could these stereotypes be challenged and questioned? The first 30 years of democracy came and gone.  Stuck in a cement jungle of one city for the most of the year, while having a landmass as big as 1.5 million sq kilometres. Forced to reduce the size of your creative ambition, because the audience doesn\'t get it. Because the size of your dream is based on the amount of money you have in your pocket. The future is inspiring in print but bleak in reality. Every four year, politicians rally to make things better.  They build roads and shiny buildings go up. But they never look into them, never listen without an agenda.  Then the virus came in, we locked our borders. Still stuck in and out. No one can leave or arrive. People say: “they are young, angry, confused, lost, rebellious and annoying”. I say: “they are insightful, artistic, contemplative, defiant, sharp and just very hungry for space for expression.” Though never exhibited, experimental in nature and six personal series exploring the angst, the joy and the momentary lives of young urban Mongolians.', '1. Dulguun, Aruinbadral, Mongolian. https://www.facebook.com/dulguunanxious. \n2. Gereltsetseg, Davaajav, Mongolian. N/A\n3. Ireedui, Bulgantamir, Mongolian. N/A\n4. Misheel, Munkhpurev, Mongolian. https://www.instagram.com/mish32100000/. \n5. Munkh-Od, Ganzorig, Mongolian. https://www.instagram.com/c0mred/. \n6. Munkhtushig, Munkhbat, Mongolian. https://www.instagram.com/m.tushgee/.', NULL, 'The space needs to be no smaller than 150 sqm, with exhibition walls (higher than 4 metres, if possible), where artworks can be displayed. The space will be divided in 5 sections. It requires at least 4 screens and players for the projection. The second alternative space would be a public space where people can see the works in passing. In that case, works need to be large prints up to 2 metres in terms of height.  A detailed plan could be drawn up at a later date.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1JuUNkogkqswADrgez2qwIEaMgA1l9-m3?usp=sharing', NULL, NULL, NULL, 4084, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3479, NULL, '2020-05-26 20:50:09', '2020-07-23 20:17:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24767, 'gretgG0PUMqLxJKi', '(d)estructura', NULL, 'Realizado por: Colectivo El puente_lab - (Juan Esteban Sandoval y Alejandro Vásquez Salinas) y Mariangela Aponte Núñez\nCurado por: Laura Salas Redondo,  Erick González León y Cecilia Guida\n\n(d)estructura es un intento de de-construir la teoría piramidal de las necesidades humanas desarrollada por Maslow en 1943, para reconstruir nuevas estructuras colectivas que representan las voces de quienes la construyen y  que se manifiestan desde sus propias experiencias. Jugado en diferentes lugares, estas (d)estructuras dan cuenta de las necesidades humanas que cambian según contextos geográficos, sociales, políticos, económicos e incluso según los distintos momentos de la vida.	\n\nEl juego consiste en la conformación colectiva de una estructura a base de piezas de colores a la cuales se le asigna un valor vinculado a las metas y objetivos que materializan, a nivel imaginario, un estado óptimo en la vida. Jugando (d)estructura el azar pone de manifiesto cómo decisiones individuales repercuten en lo colectivo y viceversa; se impone negociar colectivamente qué nombrar, qué adicionar o restar; el azar interviene, pero en última instancia los sujetos deciden.\n\nlos datos que han surgido de los juegos en diferentes lugares del mundo: Colombia, Cuba, Turquía alimentan un archivo en crecimiento constante.\n\nEste juego se hace especialmente importante en nuestros días para revisar la escala de valores que imaginamos para construir la sociedad post -pandemia.', NULL, NULL, '(d)estructura tiene dos formalizaciones, una como Juego de Mesa y otra como acción en espacio público. \n\nproponemos hacer el juego en diferentes lugares a la vez. la versión juego de mesa la podemos enviar a varios lugares donde Bienal del Sur tiene influencia; luego recolectaríamos de manera virtual los datos que este juego arroja.\n\nla versión acción en espacio público podríamos hacerla en Buenos Aires, una (d)estructutra para pensar futuros posibles.', NULL, 'artist', NULL, NULL, 'https://www.facebook.com/elpuentelab/videos/488806888373324/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3039, NULL, 361, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2622, NULL, '2020-05-26 20:54:38', '2020-07-29 21:08:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
