Taking parafiction as a queer medium, a collective method and, a strategical tool to deal with unexplorable queer pasts of Turkey by bringing together contemporary artists to create a fantasy retrospective of a fictional artist and a queer archive of Turkish past via this retrospective. Let’s imagine there is a queer artist who used to live and work in Turkey during the 70s, 80s, and 90s who was producing excessively in different mediums by constantly transgressing them in the recent past and who never had a chance to show their work. This artist existed only in the realm of parafiction and will be created by the means of contemporary artists’ productions. This means that participant artists will produce in the name of this unique queer artist and enjoy being someone else by configuring the whole life of this unknown figure, by narrating their story collectively and individually at the same time in an inter-responsively and responsibly, by creating a retrospective of a fictional artist with the productions of the contemporary era. My idea of giving a collective form to the speculation helps me to queerize the notions of the archive, historiography, monograph/retrospective, spatio-temporal essentialism, identity politics, the bodily-charged informations. With this formulation, I will be also playing with institutionalized factuality,  exhibitory complex, pedagogical versus imaginative engagement with the audience, and curatorial knowledge versus curatorial unknowability.