This project is motivated by creating a collective artistic queer archive of Turkey’s three decades within the frame of the works of a fictional artist. Considering the lack of historical research on queer experience in Turkey and the archival materials related to queer local culture, fiction is the only tool to fill the gap opened by ongoing state oppression against the LGBTI community. Fictionalizing the point of view while collaboratively disclosing the queer corners of the Turkish past will likely diminish the tension of political commentary, possible  (self-)censorship. Challenging the artists to produce in the name of someone else, to step out of their own skins, CVs, professionalisms while discovering the past in a parafictional way will lay a fertile ground for the productions. To complete the jigsaw puzzle collectively, artists have to organically engage with each other’s work, and this opens up the possibility of another kind of solidarity in the pursuit of working collectively to build up one individual body of works.  This formulation will also experiment on self-erasure/ self-decreation, ethical care of others, and responsibility towards historicity, auto-fiction, and anonymity. This project inherently requires the new commissions conceived after a series of workshops where artists and invited queer study/history scholars will mark out this fictional artist together. In each session, besides the presentations and discussions on the recent past of Turkey from queer perspectives, the theoretical sub-concepts of the project such as appropriation (appropriating someone else’s work even though they are not existing), anonymity (denaming individual artists to generate a collective entity), collective speculative fiction as a form will be discussed at length. After the workshopping for 3-4 months, each artist will take a time slot from this fictional artist’s lifetime, and produce their projects accordingly, in communication with others’ works.