INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13361, 'doG8K4ZoEu3Wepa6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 15:31:54', '2020-04-10 15:31:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13362, 'BuvNIVjVWQmWZFWf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 15:38:07', '2020-04-10 15:38:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13363, 'Y3j7UlcIAU2dEgdk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 16:04:28', '2020-04-10 16:04:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13364, 'hBo0EjINILwv36LU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 16:31:33', '2020-04-10 16:31:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13365, 'qNWzfAEJ85WNlEGn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 16:32:06', '2020-04-10 16:32:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13366, '3dMOFkZCr9GokVKv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 16:49:11', '2020-04-10 16:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13367, 'qMVMYATM7ct8Fjlq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 16:50:09', '2020-04-10 16:50:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13368, 'iPYlkxiJ6wsYkusW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:04:31', '2020-04-10 17:04:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13369, 'WsAYRH5IhuJ7kqyE', 'Urbanofagia', NULL, '“I, Sao Paulo, see myself as a person, therefore I am a person.\nI am a schizophrenic one, I am many cities, many persons.\nThe vegetation is hair and beard on my skin. The spaces between buildings are the pores of my dermis.\nThe Metro is blood that flows through my arteries, always excited, always mad. Like the muzzle of an alligator, \nJacaré, who runs, hunts in a tunnel as wide as he is” Writing notes\n\nUrbanofagia, 2020\nDocumentation of an action: video projection on a wall, (BR, subtitled ENG). \nDimension 2x1.5 meter.\n\nThe action will take place at Pivo in Sao Paulo, during my residency in autumn 2020. It\'s part of my research Imaginary Urbanism that investigates the agency of the citizens on Sao Paulo and of the city on me as a newcomer.\nAccording to the anthropologist Eduardo Viveiros de Castro, Westerners see the other as an object, instead the Ameroindians as a Person. For the natives, trees, animals and even weather phenomena are persons. Cannibalizing means seeing yourself through someone else\'s point of view, assuming it. To know means to personify. \n\nFollowing the books of Viveiros de Castro on Amazonian cosmology, writing a text about the city of Sao Paulo as if it were a person, a person who turns to me and also talks about my “fears” of living in it, of being an outsider that with public art would like to help paulistanos to change their city.\nThe action consists of reading this text aloud in front of an audience and then eating it.', NULL, NULL, 'The Musée des égouts in Bruxelles, is a Sewer Museum where visitors can access and walk in some galleries of the sewer system: it\'s here that I want to project the video. This place draws a connection with my past as an hydraulic engineer, but also with the idea of digestion, of being inside the body of a city. Bruxelles was my home for three years before leaving in 2019 for a residency at FAAP in Sao Paulo. An alternative can be an underground tiny space/tunnel in Buenos Aires or Sao Paulo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1091, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 942, NULL, '2020-04-10 17:09:26', '2020-06-23 02:31:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13370, 'xYVxCun3v74Ym9g3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:12:32', '2020-04-10 17:12:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13371, 'szBmzszUF9wFs8Sa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:30:46', '2020-04-10 17:30:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13372, 'rnMmMtFdn04mXYoU', 'sin título', NULL, 'en base a 1 objeto propongo 2 opciones\n\nEl objeto es un caballete de madera usado recubierto en su parte posterior por fieltro de fibra natural gris de 6mm de espesor. Se monta colgado de la pared, dejando ver su lado forrado \nen ambos casos la obra se acompaña con la lectura presencial o grabada de algunos de mis poemas experimentales \n\n1 colgar 1 caballete de mayor e tamaño que lo normal 130x300cm\n2 colgar hasta 20 caballetes a escala normal 70x180cm usados y similares entre sí recubiertos con fieltro. \n\nMi obra aborda el conflicto creativo. Busco la poesía en los procedimientos de trabajo y en las relaciones del artista con su obra o del espectador con la obra. La pieza colgada de la pared cambia el sentido de la utilidad del caballete, otorgándole el rol de obra en lugar de elemento que sostiene una posible futura obra. Mi investigación va sobre pensar el proceso como obra, y también a los objetos íntimos que acompañan y estructuran el momento creativo. El fieltro trae de manera evidente a Joseph Beuys recuperando su tratamiento místico hacia ese material y convocando si se quiere sus propiedades curativas y energéticas. La idea es unir herida y sanación, pilares de todo acto creativo. La herida está presente en el caballete, metáfora del sufrimiento y dedicación del artista, siendo el fieltro metáfora de la sanación. La obra alude tanto a un crucifijo como a un signo.', NULL, NULL, 'en caso de ser seleccionada una sola pieza, el espacio ideal es un  interior, amplio con mucha luz y paredes muy altas . el caballete grande medirá unos 3 metros de alto por 1,30 de ancho\n\nen caso de seleccionar la opción de varios caballetes, se podría ocupar una única sala o ubicar hasta 20 caballetes en distintos lugares del mundo. <3', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2081, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1822, NULL, '2020-04-10 17:34:30', '2020-06-25 19:00:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13373, 'IJUM2LtXkByLTVkh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:36:50', '2020-04-10 17:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13374, '9Vo25bw2m8Ks67IJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:37:48', '2020-04-10 17:37:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13375, 'TFeu26nY8t9QBhOv', 'Desire Machines', NULL, '\"(Look at the moon). She has a strange look. She is like a little princess who wears a yellow veil, and\nwhose feet are of silver.. [...] One might fancy she was dancing.\nThose men are mad. They have looked too long on the moon.\nHide the moon! Hide the stars! (...). I begin to be afraid.\"\nOscar Wilde, Salomè\nSome monitors transmit the data of an ancient fairy tale.\nIt is a fairy tale in which all the characters are mortally seduced by a single frenzy: conquer the\nmoon. Desiring something that can not be achieved can lead to madness or utopia.\nWalk on the surface of the moon. Once the sacrilege of leaving a footprint in the non-place of desire\npar excellence, what is to be done?\nGet lost in the dark, and be afraid, to get back on the road: in search of the moon.', NULL, NULL, 'A room, better if it\'s dark. A black box would be perfect, but even a white box (without illumination).', NULL, 'artist', NULL, NULL, 'https://vimeo.com/314909645/aee503d9ce', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 986, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 836, NULL, '2020-04-10 17:42:10', '2020-08-11 17:47:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13376, '5bYVvccfNuOvoaAs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:49:11', '2020-04-10 17:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13377, 'pDux9GnnVlCYAYNs', 'naturaleza humana', NULL, 'trabajo imágenes de realismo mágico donde se mezclan personajes reales con imaginarios.\nSon una serie de litografías donde la escena familiar se ve intervenida por nuevos personajes, es tal al fusión que si uno presta atención encuentra un nuevo integrante que le da otro significado a la obra', NULL, NULL, 'las obras tienen aproximadamente un tamaño de 60 x 70 a 100 x 80 , todas colgadas sobre pared', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 987, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 837, NULL, '2020-04-10 17:51:28', '2020-06-23 02:37:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13378, '0uDuAt2IioTfbLVr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:53:14', '2020-04-10 17:53:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13379, 'aDtLCd7jSPhErdpk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:54:22', '2020-04-10 17:54:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13380, 'SV50WHs8wgKNiP7c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:55:55', '2020-04-10 17:55:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13381, 'Etk4j8r314G0vhZc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 17:56:17', '2020-04-10 17:56:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13382, 'qCNfB4RFMDKS3oaL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:10:03', '2020-04-10 18:10:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13383, 'Qmvl8gvNdBSgRnSJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:13:27', '2020-04-10 18:13:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13384, 'XYCdzldNYYiZSQEV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:14:24', '2020-04-10 18:14:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13385, 'vttGTRvO4Qm4MqZr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:33:16', '2020-04-10 18:33:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13386, 'xMoL2MBApC8tbkMx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:36:49', '2020-04-10 18:36:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13387, '7oiJd5IXmiMXA2y1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:39:03', '2020-04-10 18:39:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13388, 'FIFnuuZmCidKcZBS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:39:16', '2020-04-10 18:39:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13389, 'bDJx2NpVwWUbG3dZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:43:25', '2020-04-10 18:43:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13390, 'pzKUXplJ3htfQGBy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:45:19', '2020-04-10 18:45:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13391, 'H6q8Nks3OteY8O2a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:47:10', '2020-04-10 18:47:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13392, '13W8haDwFIO57HWK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 18:47:48', '2020-04-10 18:47:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13393, 'vwWEXr1GiayCnsb7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 19:04:02', '2020-04-10 19:04:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13394, 'IFisCZEkgvQ7jpyX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 19:05:22', '2020-04-10 19:05:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13395, 'w1NgyhpvsujtFNXB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 19:22:38', '2020-04-10 19:22:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13396, '3Sgo3Y6Sihf01JA3', '“Flotación y destrucción”', NULL, '“Flotación y destrucción” es una instalación de sitio específico de Alejandro Leonhardt, en la cual más de cien boyas usadas, provenientes de la industria acuícola de la Isla de Chiloé (Chile), serán colgadas desde las vigas del galpón principal de un_espacio (Santiago) sobre nuestras cabezas. Suspendidas funcional y conceptualmente, podrán ser observadas como si estuviésemos sumergidos en el mar. El artista propone una constelación de elementos de flotación que promuevan nuevas dinámicas de apreciación y valoración sobre lo que asumimos como natural, en su linde artificial. \n\n“Flotación y destrucción” surge del interés del artista por las boyas empleadas en la industria acuícola en Chiloé. Específicamente aquellas que han sido erosionadas por el flujo marítimo y la acción de los seres vivos, hasta quedar fuera de uso, destruidas por desgaste.  La instalación como experiencia condensa el paso del tiempo reflejado en la diversidad de modelos y diseños que constantemente son cuestionados por su impacto medioambiental. La razón, en su proceso de destrucción, las boyas liberan residuos, contaminando el mar y las especies que ahí habitan. \n\nDebido a las actuales restricciones medioambientales y el interés por desarrollar una economía circular, una vez dañadas, las boyas son recolectadas por empresas de reciclaje. La etapa inicial del proyecto se desarrollará en colaboración con el CeCREA (Isla de Chiloé), un espacio de participación ciudadana para niñxs y jóvenes.', 'Artista\nwww.alejandroleonhardt.com \n \nAlejandro Leonhardt (Puerto Varas, Chile 1985) Investiga los desechos que el hombre va dejando, vestigios materiales del habitar en diversos contextos; signos que le impulsan a experimentar nuevas brechas interpretativas de lo existente. Estudió Bellas Artes en la U. ARCIS (2009) y Magíster en Artes en la U. Chile (2015). Su trabajo ha sido exhibido en Chile como en el extranjero, entre las que destacan: “Unidad mínima” Espacio El Dorado (Bogotá. Colombia, 2018); “Pacific Standard Time: LA / LA”, LAXART (Los Ángeles, E.E.U.U. 2017).\n\n \nCuradora\nblog.caroinc.net\nCarolina Castro Jorquera (San Felipe, 1982) es curadora e investigadora. Doctora en Historia del Arte de la Universidad Autónoma de Madrid. Ha cursado el Master en Arte Contemporáneo y Cultura Visual del Museo Nacional Centro de Arte Reina Sofía en España (2010) y participado en el Cuarto Curso Internacional de Curadores de la Bienal de Gwangju (GBICC), Corea del Sur (2012).', NULL, 'Un_espacio se define como lugar para la Arquitectura y la Escultura contemporánea, abierto a la investigación y a la práctica crítica de estas disciplinas en la ciudad. Se ubica en la comuna de Independencia, Santiago de Chile, en un cité de galpones que suman 4.500 m2 construidos, originalmente, para talleres de manufactura de telas y fabricación de muebles de madera. Estos galpones dejaron, a mediados de los años 90, su actividad productiva y comercial y hoy acogen el proyecto @_un espacio.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2533, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Con el objetivo de comprender el impacto medioambiental de las boyas en Chiloé, realizamos una visita a terreno en la cual pudimos constatar que la vía más adecuada para conseguirlas es mediante su compra en centros de recolección y reciclaje.', 'si', 'Montacarga o carro de arrastre manual. Andamio multidireccional de dos cuerpos con ruedas. Polea con resistencia para 1 tonelada. Asistentes de montaje. Cuerda trenzada de polipropileno (20mm) x 600mt.', NULL, NULL, NULL, NULL, 'Técnica y logísticamente para la realización de la instalación es necesario concretar los siguientes pasos: visitar centros de recolección y reciclaje de boyas en Chiloé y Puerto Montt (Región de Los Lagos): el objetivo de la visita es examinar y seleccionar el material, a su vez, acordar un compromiso de trabajo con los centros. Recolección de boyas: debido al tamaño y peso de cada boya (hasta 300kg) es pertinente coordinar esta labor con un montacarga y la empresa de transportes. Traslado a Santiago (Región metropolitana): Viaje en camión de alrededor 15hr. Instalación de la obra: el montaje de las boyas es posible aproximarlo a 10 días de trabajo. De ellos, 7 días con ayudantes.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2194, 5, '2020-04-10 19:22:50', '2020-09-02 19:02:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13397, 'mLmmHk6ZIS0lRJSE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 19:30:28', '2020-04-10 19:30:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13398, 'BdE5zd0YgMIfBy8P', 'The Inner Life of Exterior Plants', NULL, 'Within a banana plantation and a botanic garden, The Inner Life of Exterior Plants is a para-fictional documentary that challenges the contemporary trends in gardening, scientific classification, and migration, according to an expert. The hidden politics of the expert’s language are uncomfortably exposed and confronted with reality, as it reflects the xenophobic discourses of today’s politics, that have been brewed by the ‘objective’ language of modern science.\n\nvideo · 28 min · color · sound\nEnglish spoken, English subtitles', NULL, NULL, 'The suggested exhibition setup is a super ultrawide projection. Ideally, in a wall-to-wall, floor-to-ceiling immersive projection. The annexed images show a 9 × 2.5 m super ultrawide video installation. The ultimate intention is to create a sculptural/environmental relation that exceeds the viewer\'s field of view. An alternative, more conventional film setup is also possible, as a 2.4:1 screener version is also available.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/345497238/17d8fa1925', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3356, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2884, 5, '2020-04-10 19:32:29', '2020-09-29 23:59:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/1gYZ8gnu0PWCzJOK6mfOC878GEINVwbSU'),
(13399, 'R7Atgfuee2qI1cCB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 19:35:23', '2020-04-10 19:35:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13400, 'kC54JfWHuZyxXY6i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 19:43:00', '2020-04-10 19:43:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13401, 'Kg4CN0zsXgdIclOm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 19:47:38', '2020-04-10 19:47:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13402, 'Xi4lNWJXP7I9f1rl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 20:00:52', '2020-04-10 20:00:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13403, 'JBIsiySQpzHrOJwO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 20:01:07', '2020-04-10 20:01:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13404, 'wkr7euA0LoDuoHkL', 'VACUUM – a exhibition on narratives and ghost forms', NULL, 'In this times, amidst a pandemic that has brought commerce and culture to a halt, between a heightened tension, and amorphous suspension, we wonder: how does one inhabit this emptiness? This is the subject of exhibition titled VACUUM (“empty” from Latin), as the apologia for a investigation of making art but according to speculative ways.\nIt is an exhibition that self-analyzes through the exhibition of seven works as a collection of theoretical analyzes through invisibility. Acting as a part to the BiennalSur in its full articulation, VACUUM is an exhibition conceived as an palimpsest of presentations  devoted to the de-materializaztion of art work. Seven artworks will act also as an invitation to explore the architecture of exhibition spaces through multiple perspectives and paths — even fragmentary or anomalous — hinting to visitors some of the directions, positions, imaginaries and languages that also the exhibition program of the biennal will be exploring.\nThe VACUUM exhibition is a cross-reference show on the state of transformation which surrounds us that questions the world we live in which the old forms of work, of behavior, of art, they are no longer suitable. The aim of this exhibition is therefore to explore the ways in which a regime of visuality is implicated in an outlook on the world pointing in the same time to the occurrence of a different envisioning of its,  trought scenarios of cognitive empowerment of audience.', 'Joseph Beuys; Germany-E.U.; https://en.wikipedia.org/wiki/Joseph_Beuys\nStanley Brouwn; Suriname; https://en.wikipedia.org/wiki/Stanley_Brouwn  \nGino de Dominicis; Italy-E.U.; www.castellodirivoli.org/en/artista/gino-de-dominicis/ \nMario Garcia Torres; Mexico; https://en.wikipedia.org/wiki/Mario_Garc%C3%ADa_Torres\nErwin Wurm; Austria-E.U.; www.erwinwurm.at \nGer van Elk; Nederland–E.U.; https://en.wikipedia.org/wiki/Ger_van_Elk\nFrancesco Matarrese; Italy-E.U.; www.museoreinasofia.es/en/coleccion/autor/matarrese-francesco \n(The artist’s shortlist could be changed for names and number of artists in case of implementation of the project)', NULL, '“Fondazione SoutHeritage per l’arte contemporanea” is a no profit institution devoted to contemporary art, based in Matera (Southern Italy). Its exhibition spaces is located in the hystorical  center of city named “Rioni Sassi” (Worl Heritage Unesco) in a precious and ancient architecture of XVI century, restored in a minimal way and encompasses a total of 300 square meters.\nwww.southeritage.it', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2593, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'si', 'same works needs of: technical assistants from archives or estate of artists,', NULL, NULL, NULL, NULL, 'same works needs of: fitter by provider of stand-fitting services,  a loan fee, insurance, shipping and artist fee.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2248, 5, '2020-04-10 20:15:50', '2020-09-02 01:39:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13405, 'LTK73yuHCaPML9oZ', 'Microinfinito', NULL, 'Hace 6 años años trabajo en Biogénesis, obra en la que se evoca lo más grande a través de lo más pequeño.  De esta forma se hace referencia tanto al principio hermenéutico de “como es arriba es abajo; de como es abajo es arriba”; como a la cualidad fractal del universo, por la cual lo ínfimo es similar a lo astronómico.\nReplicar lo macro en lo micro permite encontrar nuevos procesos de información, o herramientas para comprender el funcionamiento del mundo. Esto para generar una metáfora, a la teoría de la panspermia, que explica cómo la vida podría migrar a través del universo.\n\nLa obra consiste en dos instalaciones principales, la primera funciona como incubadora de micro planetas donde se produce el desarrollo material de la obra: la vida del musgo en esferas de 5cm de diámetro que se asemeja a la imagen del planeta tierra, junto a las condiciones ambientales propicias para su crecimiento.\nLa segunda instalación consiste en el sistema de registro visual, esta permite examinar la vida en los micromundos, observar cómo prospera la micro flora-fauna en su superficie y luego registrar cómo el paso del tiempo los afecta directamente. \n\nEsta exposición se presentó en Sala CCU de Santiago de Chile en diciembre de 2019, y tiene la intención de ser itinerante para presentarse en otros países, lo cual es el objetivo de esta postulación.', NULL, NULL, 'ESPACIO EXPOSITIVO SUGERIDO\nYa que la exposición implica video instalación, se necesita de una sala que pueda oscurecerse para la correcta proyección de los 2 videos que incluye.\nAdemás una muralla de gran formato, aunque igual se puede adaptar, para la exposición de fotografías y espacio para la instalación del equipo de trabajo en el que se puede observar el micro mundo. En cuanto a metros cuadrados lo ideal es 100 a 150 mts. cuadrados.\nTipologia, museo, centro cultural.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/303714268', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 993, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 843, NULL, '2020-04-10 20:17:35', '2020-08-11 21:45:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13406, 'mVoiHvwFLkWcMPbM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 20:18:10', '2020-04-10 20:18:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13407, '2N62yXOW4TFJBLG2', 'Forest Language', NULL, 'In this short experimental documentary film, two young sisters navigate a forest world using their imagination, outdoor survival skills and friendship.  Their adventures double as play and training for an uncertain ecological future.  9 Minutes, color, sound, HD video.', NULL, NULL, 'Screening, projection, monitor.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/420383785', 'sweden', NULL, NULL, NULL, NULL, NULL, NULL, 3686, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3152, NULL, '2020-04-10 20:23:12', '2020-07-20 19:58:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13408, 'o6Bdrvymob8NL7mg', 'dosambientes', NULL, 'dosamibietes es una instalación interactiva realizada con lenguajes propios de programación web como html, css y JS. \nConsiste en un espacio textil compuesto de cuatro “paneles” de tela traslúcida que alberga una mesa que soporta un dispositivo electrónico el cual contiene la obra web. Estos tienen la función doble de atraer el ingreso del espectador evidenciando la luz del monitor y crear un ambiente íntimo, pequeño e individual.\nLa obra en pantalla comienza con un index que muestra el título y tres rincones para ser visitados. Cada uno muestra un mensaje, que comunica el concepto del espacio a las personas, quienes deben aceptar para poder ver la imagen que se esconde hasta el momento. Todos ellos contienen una imagen audiovisual o animada acompañada de texto o audio.\nA través de dosambientes se generó un nuevo espacio de expresión, en donde se tomó la decisión de hacer propios elementos virtuales, utilizarlos como herramientas y volcar escritos, vídeos, fotos e ilustraciones/animaciones con un mismo hilo conductor.  \nSe titula así porque se basa en un momento sumamente personal en contexto de mudanza, periodo de tiempo que tuve que acomodar mi cabeza y por ende, mi producción artística a un espacio de 38m2, compartido. \nEn cuanto al material en pantalla si se ingresa a un rincón se debe volver hacia atrás para ingresar a otro, esto es porque están conectados por el index, el cual simboliza el pasillo de un ambiente pequeño, comunicador de todas las habitaciones.', NULL, NULL, 'El espacio sugerido es de 120cm x 200cm, medida determinada por las telas. Éstas serán traslúcidas, voile, gasa sintética o similar, suspendidas con tanza y ganchos chicos del techo (puede modificarse según la circunstancia espacial). Dentro del espacio textil habrá una mesa de 70cm x 70cm x 100cm, un dispositivo electrónico de aproximadamente 37,5cm x 25,5cm de preferencia táctil y auriculares. Las imágenes digitales deberán reproducirse en un dispositivo con una resolución 1366px x 768px.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://dosambientes-91b25.web.app/', NULL, NULL, NULL, 2370, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2058, NULL, '2020-04-10 20:25:42', '2020-08-14 16:42:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13409, 'LghrS6py9bQfkFUV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 20:29:01', '2020-04-10 20:29:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13410, 'TRMUTxrqOxWLPU62', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 20:35:02', '2020-04-10 20:35:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13411, 'SBH3OUC6lqqHgVqB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 20:41:57', '2020-04-10 20:41:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13412, 'hXyNkbTY8niWRVdl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 20:52:08', '2020-04-10 20:52:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13413, 'qTYmHMZ5hkkW3KsH', 'EUROPA: PASAJES DE INVIERNO', NULL, 'El proyecto que presento “Europa: Pasajes de invierno” fue realizado en el año 2015 en “Abierto x Obras” de Matadero Madrid.\nEL PROYECTO\nEn 1940 moría Walter Benjamín, dejando inacabado su gran proyecto “El Libro de los Pasajes, en el que mostraba sus reflexiones, cuestionando el desarrollo de la historia hasta ese momento. Una historia, que a su modo de ver, no había cumplido las expectativas de liberación humana, y que en sus ruinas mostraba la imposibilidad de alcanzar sus metas últimas.\n“Europa: Pasajes de invierno”, es una instalación que tiene el aspecto de un gran barracón, construido con viejas puertas de madera, de cuyo tejado cae agua continuamente, y en el que se proyectan tres videos realizados con viejas fotografías encontradas en rastros de viejo. Este barracón bien podría ser uno de los que acogen  a los inmigrantes, o refugiados que huyen de las guerras y persecuciones que sufren en sus países, o cualquier campo de concentración; o un barracón que, tal vez un día, nosotros mismos habitemos. El barracón tiene forma de una gran silla en referencia a uno de los elementos imprescindibles del habitar. \nCreo que las circunstancias actuales, que de forma global nos afectan a todos, y el confinamiento al que gran parte de los países están sometidos en este momento hacen que el mensaje de este proyecto siga teniendo todo el sentido que cuando fue realizado por primera vez.', NULL, NULL, 'Las medidas de esta instalación son 17 x 10 metros, y el espacio idóneo para su realización sería algo de las características de \"Abierto x Obras\" de Matadero Madrid, Tabacalera Promoción del Arte de Madrid, o cualquier otro espacio de una tipología similar. Las medidas y formato de la instalación se podrían adaptar al espacio en cuestión.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1799, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1576, 4, '2020-04-10 20:53:22', '2021-02-12 15:33:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13414, 'iLXD047sKC7Hghsm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:01:20', '2020-04-10 21:01:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13415, 'IzOMBTfhp4Bcbxnb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:02:47', '2020-04-10 21:02:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13416, 'fvsPTLyr40FSowJT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:13:36', '2020-04-10 21:13:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13417, 'he3eVfKQRUkmlAaf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:18:21', '2020-04-10 21:18:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13418, 'FG5IWGzK73uR9PhG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:19:45', '2020-04-10 21:19:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13419, 'MR6ykquVI5yywCvT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:20:41', '2020-04-10 21:20:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13420, 'yUTE02Ekcm9Dufug', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:21:33', '2020-04-10 21:21:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13421, 'Ppj7UYqfaXOHnqns', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:29:38', '2020-04-10 21:29:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13422, 'Z9dx6nhBluLc8mGK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:38:37', '2020-04-10 21:38:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13423, 'qWxqCvWo6X3E4RWb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:41:31', '2020-04-10 21:41:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13424, 'rj9ZZEDLETHoiZ3f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:46:03', '2020-04-10 21:46:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13425, 'XnWpaPPDyxcxPNzG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:46:26', '2020-04-10 21:46:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13426, 'bDBLISK4QezEKIua', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:46:29', '2020-04-10 21:46:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13427, 'mZHQTd8lEMBBHOp4', 'Built, Broken', NULL, 'Esta serie actual,\" Built, Broken \"se centra en la idea de formas colapsadas y reconstruidas utilizando el collage como medio. El collage se conoce como una disposición de varias texturas, colores, formas, para crear una nueva idea. Si bien este trabajo puede Cosette Bojorquez se centra a menudo en la creación de composiciones simples y abstractas. Las imágenes orgánicas utilizadas para el collage son familiares y, sin embargo, difíciles de percibir en su conjunto, por lo tanto, agregan ambigüedad a las piezas en general. comience a ver el orden subyacente de cómo se organiza cada chatarra de material. Existe una noción de alineación y continuidad de un elemento al siguiente. Colores y bordes, guían el ojo hacia esquinas y espacios recién construidos. Las piezas comienzan a verse rotas y reconstruido, y las capas facilitan la interacción entre sí y la composición en su conjunto.', NULL, NULL, 'Cada pieza es de tamaño A4, solo sería necesaria una pared para 8-12 piezas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.cosettebojorquez.com/builtbroken', NULL, NULL, NULL, 995, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 845, NULL, '2020-04-10 21:48:06', '2020-06-23 02:36:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13428, '0R4psbQaopbUFHfB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 21:50:21', '2020-04-10 21:50:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13429, 'YiFKJnp2zd0aWqy6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 22:02:58', '2020-04-10 22:02:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13430, 'GhXm2RXGBmvxtn3P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 22:15:38', '2020-04-10 22:15:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13431, '82TXbLZr3MNlcD0X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 22:22:46', '2020-04-10 22:22:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13432, '7BgcWuIEZhBaMGFb', 'Heavy Mental', NULL, 'HEAVY MENTAL 2020\n\nIf you are ready to accept the possibility that there is a limitless range of awarenesses for which we now have no words, that awareness can expand beyond the range of your ego, your self, your familiar identity, beyond everything you have learned, beyond your notions of space and time, beyond the differences which usually separate people from each other and from the world around them, you may be have a chance to get lucky.\nThe search of the individual for its wholeness and its desire to be\nabsorbed by the collective, beyond its existential limits, will be shown in selected art works containing a myriad of semiotic information, often skillfully combining conflicting constituents.\nProgress and the acceleration that came with it, suddenly required the subconscious to be a well–known territory, in order to enable people to function in an optimal way.\nOne must try to overcome his or her fears without suppressing oneself in fear of one’s current limitations or of the uncertainty of the future. To avoid being consumed by the heavy burden of one’s dreams, one must devote one’s energy to actively affirming and nurturing one’s dreams. An act of creating a work that can represent one’s persona is often carried out as stealthily and deliberately as in plotting a conspiracy. ', NULL, NULL, 'Gallery Space, Off Space, Museum, min. 50qm., Heigh ceilings, Monitor, Videowall for Video, Beamer for Videoinstallation,', NULL, 'artist', NULL, NULL, 'http://www.esthervoeroesmarty.com/wp-content/uploads/2019/09/Heavy-Mental.mp4?_=1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 997, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 847, NULL, '2020-04-10 22:23:50', '2020-07-11 01:57:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13433, 'muVrBlNA7TST4dAw', 'El primer desnudo digital', NULL, '50 cmx 85 cm x 60 cm\n10 ladrillos de cemento recostados sostienen un televisor de los años 90’s, este reproduce un video en modo loop que muestra un plano oscuro donde se logra distinguir cada cierto tiempo un cuerpo desnudo de sexo femenino, la visibilidad del cuerpo es gracias al flash de un dispositivo cuando el cuerpo se auto-retrata, o mejor dicho, se toma una selfie. Otros 6 ladrillos sostienen un bloque de cemento de 45cmx 32cm x 6cm que colinda con el largo del televisor, tiene en su mitad incrustada una pantalla Nokia 5110, esta emite una luz azul y reproduce varias imágenes mientras el video en la tv se reproduce, en las imágenes se distingue un cuerpo desnudo en diferentes posiciones, la pantalla funciona conectada a una placa arduino programada que está oculta. \nEl título de la obra es claramente una ironía, pero trae al caso el procedimiento realizado por Leon D. Harman y Kenneth C. Knowlton, quienes terminaron de realizar el primer desnudo digital en 1966.Se basaron en la fotografía de un desnudo, el cual fue escaneado y trasladado a ocho niveles de luminosidad. Tomando como referencia el proceso de traducción de Leon y Kenneth, aquí el cuerpo aparece y se forma al ser iluminado por la luz del flash. Además, las selfies tomadas fueron traducidas en imágenes de mapa de bits para poder ser visualizadas en la pantalla Nokia.\nLos bloques de cemento entran en tensión con las otras tecnologías utilizadas y se vislumbra el cruce temporal que habita la obra.', NULL, NULL, 'Para la obra es necesario un espacio cerrado, protegido de lluvias. Debe contar con electricidad o una fuente de alimentación eléctrica para el televisor, el DVD reproductor y la placa de arduino. Las dimensiones del espacio deben ser mayores a la medida total de la obra (50 cmx 85 cm x 60 cm), puesto que debe sumarse centímetros para posibilitar el tránsito de los espectadores.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=PYNUQNCOTM4&t=3s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3540, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3028, NULL, '2020-04-10 22:28:17', '2020-07-14 23:39:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13434, '58DVY6ijl21IiVQz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 22:37:13', '2020-04-10 22:37:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13435, 'h035sGRD1judSJCf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 22:37:22', '2020-04-10 22:37:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13436, 'TD8Jp18nDLDkLWwf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 22:44:48', '2020-04-10 22:44:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13437, 'AlS4ys6ND0CStkxO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:12:25', '2020-04-10 23:12:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13438, 'ixojXk6lDmgd5FFC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:12:26', '2020-04-10 23:12:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13439, 'ECBCTPWV8Z3oyjAL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:22:20', '2020-04-10 23:22:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13440, 'bRO6BWX4VyjD3k8M', 'la panadería cerrada', NULL, 'Esta etapa de pausa y reflexión me a obligado a crear una serie de parajes melancólicos afines a nuestra condición humana de proliferar el inconformismo. La incertidumbre en el ámbito laboral y social me han aferrado más que nunca al corta y pega para evadir mi ansiedad y a su vez permitir dialogar conmigo misma mediante la herramienta con la que me encuentro más cómoda, el collage. \nMe parece muy interesante el acto de encontrar y utilizar todo aquel desecho que desde un primer punto de vista estaba en desuso, dándole una nueva función.\n\n“La panadería cerrada” es una alegoría a nuestro único acto social actual, comprar y comprar, abasteciendo nuestras neveras de toda aquella grasa saturada posible que nos permita pasar el tiempo de manera liviana.', NULL, NULL, 'Las 10 piezas son de pequeño formato (210 x 297 mm) por lo tanto sugiero que se muestren de manera continua en una misma pared o, en caso de que el recinto sea espaciado, repartidos por diferentes salas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1000, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 850, NULL, '2020-04-10 23:24:27', '2020-07-11 01:59:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13441, 'DWSCI26bbqG6bYtO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:31:48', '2020-04-10 23:31:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13442, '7r0JnaoRxCLurdX1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:32:09', '2020-04-10 23:32:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13443, 'ZcqTYzCpEHzm0jrN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:32:38', '2020-04-10 23:32:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13444, 'HLnDynZ3kerSl7Xi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:33:40', '2020-04-10 23:33:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13445, 'a93e3MpQui9wzpIt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:36:01', '2020-04-10 23:36:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13446, 'IiQmgK9hwEYthORJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:36:50', '2020-04-10 23:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13447, 'D08OYp3IPQDNkKLe', 'Extinguishment', NULL, 'Extinguishment (2020) is a film that explores what awaits a society that combines rapid aging of its population with xenophobia. Taking Japan, the fastest aging country in the world, as its case study, the film examines the explosion of wildlife that accompanying Japan’s depopulation, and imagines a future where human have been almost completely wiped out by the aging coupled with an untold ecological disaster. The islands are to be inhabited by thriving wildlife and autonomous robots originally built for elderly care.', NULL, NULL, 'Cinema or dedicated black box built in a gallery space.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/395091604', 'AnimalJapan', NULL, NULL, NULL, NULL, NULL, NULL, 1001, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 851, NULL, '2020-04-10 23:44:17', '2020-08-12 11:53:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13448, 'WqP9Gi7egq4JpWum', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:50:18', '2020-04-10 23:50:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13449, '0ftiFLfbS2cvFhFT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:53:27', '2020-04-10 23:53:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13450, 'tzi4HUUFPy0rPXhh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-10 23:57:14', '2020-04-10 23:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13451, 'ZiKxN8jLnjbROWsz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:01:53', '2020-04-11 00:01:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13452, 't0cdAgwEfZEbaQw4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:07:41', '2020-04-11 00:07:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13453, '7DlPAvLtuC0nI37g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:09:55', '2020-04-11 00:09:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13454, 'dA54JBNwkBDjZBaa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:11:44', '2020-04-11 00:11:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13455, 'FVz4r4Ph2CG4ojLN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:12:11', '2020-04-11 00:12:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13456, 'iONrMjKLUs4p0sTt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:19:13', '2020-04-11 00:19:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13457, 'FMW105B8yfzYBIm2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:21:14', '2020-04-11 00:21:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13458, 'uNbBTemQBeU7lNPt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:22:05', '2020-04-11 00:22:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13459, 'j58e8p8Z9kQ7QnId', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:23:42', '2020-04-11 00:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13460, '38yMdM2OGW6u5EaL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:30:50', '2020-04-11 00:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13461, 'mqvIUJP3nfz6yBg9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:31:15', '2020-04-11 00:31:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13462, 'C1NpH1SUkoMw4aSq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:34:32', '2020-04-11 00:34:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13463, 'XqEYLG9lU48G8OS0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:43:11', '2020-04-11 00:43:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13464, 'b42GqCSzgh8H0GK1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 00:44:20', '2020-04-11 00:44:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13465, 'HcRDcJRlF3Y93eEX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 01:00:28', '2020-04-11 01:00:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13466, '40ClAdJkP8Ki8NRw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 01:07:39', '2020-04-11 01:07:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13467, '0aGCIx80UiEsrrto', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:01:46', '2020-04-11 02:01:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13468, 'd3yDlpPhvl6XycBZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:05:00', '2020-04-11 02:05:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13469, 'oFW4AtoePiI7qCbZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:10:21', '2020-04-11 02:10:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13470, 'QwNiGAK8JnOn4Qds', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:10:43', '2020-04-11 02:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13471, 'fSjrGPPhbKL5f2eK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:17:46', '2020-04-11 02:17:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13472, 'BS0efUJsKTRu5ZhV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:18:27', '2020-04-11 02:18:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13473, 'BnoUqCE92fE3XsDl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:27:03', '2020-04-11 02:27:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13474, 'DLUg0rvgHqbzeb84', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:36:51', '2020-04-11 02:36:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13475, 'EP8nSJSP2GUtEwJ1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:37:08', '2020-04-11 02:37:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13476, 'qlSFvd0yErqcjKS1', 'MI GRAN FORTUNA. ENSAYO SOBRE UNA ALERGIA', NULL, 'Dicen que la alergia es una reacción emocional a las circunstancias. Esta instalación, propone un espacio de living con una foto autorretrato de la artista, a quien se le ha transformado el cuerpo como consecuencia del ambiente adverso que la acoge, desde las relaciones interpersonales con las que creció, hasta el contexto histórico argentino que fue y es marco de su vida. Esa fortuna que le tocó vivir, la ha enfermado, y ahora su rostro está cubierto de pañuelos. \n\nLa escena se propone para una esquina con luces tenues de una sala de exhibición. Como un extracto del espacio privado del hogar y del propio cuerpo, la imagen se plantea como una sectorización de lo íntimo, en tensión a las circunstancias dispares que el entorno expositivo involucra. Un encuentro entre la aparente calidez del refugio y la fría incomodidad de lo público, en un contexto actual donde estos dos círculos se tornan fluctuantes.\n\nJunto a la instalación reza el texto: \n\n\"Casi no recuerdo cuando el aire pasaba libremente por mis órganos. Así, sin más que con una inhalar y exhalar. En algún momento mi piel empezó a mutar: comenzaron a brotarme pañuelos del rostro, molestándome un poco, sinceramente. Creo que el contexto me absorbió y ahora soy parte de él. Y él también es parte de mí. A veces no nos llevamos bien. Y sin embargo no puedo escapar. Me encuentro en una paradoja, la de pensar en cómo puedo hacer para inhalar algo que ya es parte de mi cuerpo. ¿Cuál será entonces mi nuevo oxígeno?\"', NULL, NULL, 'El espacio de exposición propuesto, es una esquina de una sala donde las luces ambientales puedan ser bajas o nulas, para resaltar el foco lumínico de la escena. Como ambientación de la obra, se presentará el montaje de un sillón de un cuerpo, una alfombra, una planta, y una luz de mesa y un retrato enmarcado sobre una mesita de rincón. Se precisará de la conexión a un tomacorrientes para el uso de la lámpara. Junto a la escena, como ficha de obra el texto recitado en el corpus previo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5687, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4693, NULL, '2020-04-11 02:37:50', '2020-08-08 02:35:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13477, 'uaP2M4EhHuoE1mzB', 'Abismo', NULL, 'Esta pieza fue creada en el segundo mês del periodo de cuarentena.\nEncontré dentro del mensaje de mi arte una conexión con algo más allá de la percepción estética, ella tiene un cierto toque de premonición, espiritualidad, sensaciones primitivas, y ancestrales. \nDespués de haber producido otras obras donde es evidente el caos, en la ciudad, en el alma, apareció éste otro caos. \nSus colores llegaron a mi en el medio de una meditación, ella apareció, como muchas otras pinturas que tengo realizado. El azul representando lo inmaterial, pero está lleno de materia; el rojo, creando el impacto visual, como el fuego, o la sangre, un disturbio; El amarillo, siendo la fusión de las energías, aquello que está cerca de la luz interior. La forma circular representa la energía, pues ella es cíclica, transmuta y nunca muere. El caos se hace presente nuevamente, pero sin tocar el centro de la obra, tan espiritual, y alrededor todo es un desorden, las letras en palabras sin sentido, reflexionando lo contemporáneo de nuestra realidad, el caos en la era de la comunicación, es así como nos golpea, nos desinforma la información, que no tiene ni dia ni horario, que está en nuestra mano, para ayudarnos, o para destruirnos?', NULL, NULL, '\"Abismo\" 2020  Acrílico sobre tela y masa 50*50 \n\nDentro de la abstracción encontré el sentido de la vida, pues está ahí! la naturaleza de las cosas, el trabajo de interacción con la naturaleza dentro de la pintura se hace presente a traves de la gravedad, y la pintura como vehículo de lo imprevisible, de la sensibilidad de lo primitivo, del destino de la mancha.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/file/d/1-V7JcGH3tG-Pe9Aa1GhqJRzq58ERv_fi/view?usp=sharing', NULL, NULL, NULL, 3315, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2848, NULL, '2020-04-11 02:40:05', '2020-06-30 17:57:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13478, 'w4ZJLGJZaY6jYicG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:42:10', '2020-04-11 02:42:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13479, 'eKVmx6ODApWCCC1X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:42:36', '2020-04-11 02:42:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13480, 'Re5TcTmFvRCWNuSP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 02:47:30', '2020-04-11 02:47:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13481, '1p4K2B97d1qjbl1j', 'Exercício para ver além', NULL, 'A imagem faz parte de uma série em andamento que se desenvolve através de distintas linguagens: fotografia, vídeo, pintura e desenho. Essas linguagens atuam de modo complementar na tentativa de abordar alguns sentimentos presentes durante o isolamento social ocasionado pela pandemia mundial de COVID-19. \n\nA circunstância de confinamento vivida em um único espaço físico - o que é, em diferentes graus e ao mesmo tempo, privilégio e fardo - limita o olhar às extremidades do território casa. A visão esbarra em paredes e arestas de muros. O corpo se alonga querendo ver o exterior, e, como passarinho, levanto a cabeça mirando o alto, tentando ver. Penso em exercícios de voo para conseguir ver além. A imaginação é aliada.\n\nEspaço e tempo são os eixos que guiam a investigação e tensionam o “dentro” e “fora”, atraindo as seguintes reflexões: “O olhar que bate nesses limites físicos volta?”, “Se volta, como ele volta? Pra dentro?”, “Há capacidades perceptivas em comum entre o olhar que encontra o horizonte e acessa o eu e o olhar que não pode atravessar as margens de proteção?”.', NULL, NULL, 'Dimensões: A1 (aproximadamente 85 x 60 cm). Papel fosco.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4422, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3722, NULL, '2020-04-11 02:53:24', '2020-07-13 23:48:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13482, 'MqttmLeazm5RIjBI', '\"Axolotl- Ajolote\"', NULL, '“Axolotl- Ajolote”\nTécnica: Acrílico sobre tela con efecto de luminiscencia\nAutor: Karla Divech\nTamaño: 110 cm x 110cm \nColección: Animales endémicos mexicanos en peligro de extinción. \n\nEn la mitología Náhuatl, el ajolote es la advocación acuática del Dios Xolotl, hermano mellizo de Quetzalcóatl. Axolotl esta asociado a la idea del movimiento y la vida, de acuerdo con la leyenda de la creación de Quinto sol. \nSeamos conscientes de estos animales y el daño que ocasionaría su extinción no solo en la biodiversidad de un ecosistema, también a la cultura e historia de México.\n\nEstá colección esta inspirada en la importancia de los animales y el daño que ocasionaría su perdida, no solo para la biodiversidad, también para nuestra cultura milenaria.', NULL, NULL, 'La obra tiene un tamaño de 110cm x 110 cm x 5 cm. Para exponer esta obra es necesario que este en un espacio donde se pueda manejar la luz ya que esta obra tiene un efecto de luminiscencia el cual se necesita apreciar con la luz blanca, pero tiene un brillo luminiscente al apagar la luz blanca y pender la lampara de luz ultravioleta, para esto se requiere estar en un espacio donde pueda haber la oscuridad suficiente.', NULL, 'artist', NULL, NULL, 'https://youtu.be/j4jET4VG3F4?list=PLruYAiR1zSMKbnb0fEZ1yOAmYP7V-fO4j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1002, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 852, NULL, '2020-04-11 03:07:55', '2020-06-23 02:36:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13483, 'suNW0c5CjvgXv6td', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:09:19', '2020-04-11 03:09:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13484, 'O62HO5O9sEhOYFiQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:19:13', '2020-04-11 03:19:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13485, '0D8rj8VNtWKLMItP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:32:33', '2020-04-11 03:32:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13486, 'AGI3nrLebrStby2W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:45:58', '2020-04-11 03:45:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13487, 'yF0xY9CfZowZMb7e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:47:24', '2020-04-11 03:47:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13488, 'CYOiLUiTohYc4Qbn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:49:23', '2020-04-11 03:49:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13489, 'GWfMlUSjD49HqwIO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:49:56', '2020-04-11 03:49:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13490, 'XRumfgekkFjgRwtz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 03:53:37', '2020-04-11 03:53:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13491, 'erbGlSscPD10uABu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 04:08:40', '2020-04-11 04:08:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13492, 'cyXdzimmFXoCEUmX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 04:10:30', '2020-04-11 04:10:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13493, 'UznafErSvWVxw1G2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 04:29:57', '2020-04-11 04:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13494, 'nOVqYtj3lmYixgal', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 04:35:59', '2020-04-11 04:35:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13495, 'Lppm5Tn8sDzFxpQe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 04:39:09', '2020-04-11 04:39:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13496, 'ngILD6yBeDcdTwz9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 04:43:10', '2020-04-11 04:43:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13497, 'ZCLJGVzc1S6V17yK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 05:00:25', '2020-04-11 05:00:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13498, 'ZVos7c705cAYiFHb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 05:00:52', '2020-04-11 05:00:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13499, 'SlMprkgjBU5582Bh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 05:13:25', '2020-04-11 05:13:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13500, 'GkZ9mumf7nrWkdhz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 05:32:20', '2020-04-11 05:32:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13501, 'QsT84XWqAJIV7Bgj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 05:42:26', '2020-04-11 05:42:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13502, 'BX9jtATY2CcQsuZt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 05:43:37', '2020-04-11 05:43:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13503, '0Tc264cR1ZkcqlQ8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 06:05:52', '2020-04-11 06:05:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13504, 'R8flkTQdoFBH6dCR', 'Casi rotos', NULL, 'El trabajo está logrado con acrílico sobre MDF, mide 50cm x 60cm.\nLa obra se ha trabajado con una amplia gama de colores para lograr estos mismos. Hablo de amarillo claros, violetas, azules, ocres, pieles, naranja.\nSe le dio el nombre de \"Casi rotos\" para llevar a nuestra conciencia que todos en la vida vamos caminando un poco descocidos y en el interior del espíritu encontramos la fuerza para sanar con luz estas fisuras \"Recomendables\"', NULL, NULL, 'Casi rotos.\n Acrílico sobre MDF, mide 50cm x 60cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1006, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 856, NULL, '2020-04-11 06:20:30', '2020-06-23 02:36:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13505, 'ijdGPFC5t4hEnXTm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 06:22:34', '2020-04-11 06:22:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13506, 'Xgn7ulPJIUCwl1Gh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 06:36:40', '2020-04-11 06:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13507, '8s5lgRSw24oWUgAz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 06:55:34', '2020-04-11 06:55:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13508, 'oBAEtoKYo5k1ssYq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 06:56:15', '2020-04-11 06:56:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13509, '1LAY4zKkQbtPfZgv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 06:58:46', '2020-04-11 06:58:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13510, 'mbOEGZ5a6caGatZR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 06:59:09', '2020-04-11 06:59:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13511, 'DXCTTWFNlonYYKWO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 07:18:37', '2020-04-11 07:18:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13512, '7NBpjLjGPdTdXTm7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 07:28:42', '2020-04-11 07:28:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13513, 'rBJ6Diu3AoO2eDbA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 08:48:41', '2020-04-11 08:48:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13514, 'A6JRtAwRzrEyraia', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 09:30:42', '2020-04-11 09:30:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13515, '1gtoJo6KTl6xi3Ns', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 09:47:21', '2020-04-11 09:47:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13516, 'Rve9vJkKjJMrVr2g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 10:07:41', '2020-04-11 10:07:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13517, 'CmFjVcNelwSdg1er', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 10:29:00', '2020-04-11 10:29:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13518, '9JiQX0Rsyc05DRgg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 10:29:46', '2020-04-11 10:29:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13519, 'jsErUl2okOVAyu5W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 10:42:29', '2020-04-11 10:42:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13520, 'ncBzzPJ81DTekAo8', 'Vanessa Baird: Red Check, Check Red', NULL, 'I respectfully propose an exhibition of work by Norwegian Artist Vanessa Baird to the panel of BienalSur. As curator, I have been working with her for the last two years. She has critical acclaim and awards in Norway, and only recently began to attain exhibitions outside with showings in London, New York and Kochi. Her work is bold and timely, connecting across boundaries of language or society.\n\nVanessa’s works in pastel and watercolour range from room-size murals to intimate self-portraits and draw on a wide range of references from the artist\'s own lived experiences, as well as from Scandinavian folklore. Whether depicting \'her world\', the domestic chaos of caring for her elderly mother and teenage children, or commenting on the wider political and social landscape, her imagery is provocatively raw in its exploration of motherhood, sex, shame, illness, exhaustion and the ageing female body. They are simultaneously beautiful and brutal, and it is notable for a woman to own and use this inventive, sometimes perverse, visual language. The universal yet highly personal themes in Vanessa’s work connect with ideas threaded through contemporary artistic practice that explore the body and bodily experience, especially prescient now in an age of social distance.\n\nFor BienalSur, I propose large scale mural type presentation, which create an immersive and visually complicated tableau, which propose a story that the viewer must work to piece together.', 'Vanessa Baird, Norwegian, http://oslcontemporary.com/artists/vanessa-baird', NULL, 'The rich visual language Vanessa employs – huge narrative drawings containing microcosmic tableaus within – marries a particular tradition of fairytales and folklore that is ripe for exploration within other cultures that share a strong folkloric and aural history. It would be incredible to exhibit her work in South America which shares many of these traditions. Her work needs high walls (8m +) and space to envisage the piece, they are works on paper and often unframed and glazed.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1718, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Artist and curator must oversee the installation of the exhibition - Vanessa is also on hand to amend works as appropriate', 'si', 'the works are pinned to the works, this must be overseen by the artist. If the works are subsequently framed, then secure fixings are essential so that the works are flat to the wall and arranged close together in a grid formation.', NULL, NULL, NULL, NULL, 'They are works on paper and are exhibited without frames (generally) however if the venue is not climate controlled or has high lux levels then subtle framing will be an option to explore. They are installed in a grid system depending on wall space and allocation.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1508, 5, '2020-04-11 10:46:45', '2020-09-01 21:09:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13521, 'ChHKqHnr0LDrj0Hk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 10:53:26', '2020-04-11 10:53:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13522, 'LUHCG7IvwSbyAegU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 11:09:37', '2020-04-11 11:09:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13523, 'Gm5sQ9kqJFkWchB1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 11:11:42', '2020-04-11 11:11:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13524, 'W0c1puPEGTazqFTg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 11:25:03', '2020-04-11 11:25:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13525, 'XNn4DGZHuwX2lbKF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 11:30:50', '2020-04-11 11:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13526, 'FuxOmtxGiXJp9YHb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 12:10:41', '2020-04-11 12:10:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13527, 'xcgmCtbaFw18WTZw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 12:33:37', '2020-04-11 12:33:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13528, 'ihY7vpe1jtREajaS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 12:33:38', '2020-04-11 12:33:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13529, 'ZIkNreow0yzTuXzm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 12:39:24', '2020-04-11 12:39:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13530, '5AoRsBMZmb3C87Oy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 12:45:23', '2020-04-11 12:45:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13531, 'SjH3xtfWJ1pcaOWp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 13:02:06', '2020-04-11 13:02:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13532, 'dfyzx5kBvIpQpbFU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 13:08:27', '2020-04-11 13:08:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13533, 'nbDlfqpmayNFlRX8', 'Meteorological Mobilities', NULL, 'One of the most tangible impacts of today\'s environmental crisis—which is advancing more rapidly than at any other time in recorded history—will be human displacement. Climate-induced migration is a global phenomenon that is increasingly affecting communities and individuals. Coastal regions such as the Maldives in the Indian Ocean, Sundarbans islands in the Bay of Bengal, Tuvalu in the South Pacific, the Alaskan coast, and many more are threatened by rising seas, putting their governments and communities under pressure. Either due to sea level rise, erosion, or desertification, people are called to urgently address the impacts of rapid environmental changes. However, dealing with changes requires more than regional strategies and solutions, it demands economic and social reorganization and a major retooling of our economies, institutions, infrastructures, all on a global scale. \n \nContrary to mainstream visual representations of vulnerable communities at risk, this exhibition is urging a radical re-thinking on the ways we act collectively upon climate change as planetary citizens. Far from promoting planetary catastrophism, exotic miseries and passive resistance, the exhibition aims at raising awareness of climate injustice, challenging the dominant political power of the countries and corporations which are primary contributors to global warming, and proposes alternative climate change adaptations.', '1. Daren Almond, British  -  https://whitecube.com/artists/artist/darren_almond     \n\nhttps://www.maxhetzler.com/news/2017-05-20-darren-almondtidalectics-group-show-tba21-thyssen-bornemisza-art-contemporary-academy-vienna-2-june-19-november-2017\n\n2. Amy Balkin, American   -  http://tomorrowmorning.net\n\n3. Ursula Biemann,  Swiss   -  https://www.geobodies.org\n\n4. Forensic Architecture, London based   -  https://forensic-architecture.org\n\n5. MAP Office (Laurent Gutierrez, Morocco and Valérie Portefaix, France)  -   https://www.map-office.com/info/\n\n6. Paulo Nazareth, Brazil   -  http://www.mendeswooddm.com/en/artist/paulo-nazareth\n\n7.  LABVERDE, Brazil     -    https://www.labverde.com\n\n8. Lucy + Jorge Orta (United Kingdom and Argentina).   -   http://www.studio-orta.com/en/artwork/589/Antarctica-World-Passport-Office-COP21-Paris-Geneva\n\n9. Lars Jan  (American)    -  https://earlymorningopera.com/wp/projects/holoscenes/', NULL, 'typology: gallery/museum space, high ceiling allowing for cinematic presentation, ability to built temporary walls \n\nsome works require dark space \n\nDimensions: gallery space aprox 12x10m, it can be larger depending on whether films will be showed on projections or screens', NULL, 'curator', NULL, NULL, 'https://vimeo.com/90098625', NULL, 'https://vimeo.com/110664139', NULL, NULL, NULL, NULL, NULL, 1008, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'The exhibition can be realised with less than the proposed artists if there are space and budget restrictions.', 'si', 'Please note that the larger physical works i.e Lucy Orta, Amy Balkin and Forensic Architecture can be adjusted according to the venue’s size. Amy Balkin: 4-5 simple tables size 120x60cm, printing services, install on the wall with wall paste or simple pins, Paulo Nazareth: Install materials on the floor and photographs on the wall, LABVERDE: Print 5 x A4 or A3 project catalogues, Lucy and Jorge Orta: Build a desk with reclaimed materials, Forensic Architecture: install photographs on the wall, MAP Office: Install Printed MAP with simple pins', NULL, NULL, NULL, NULL, 'Daren Almond: 1x55-80inch TV screen, headphones or 1 HD projector, speakers, Modelling Kivalina group: 1x55-80inch TV screen, headphones, Ursula Biemann: HD projector, speakers, Forensic Architecture: 4x40inch or more TV screens, headphones, MAP Office: 1xHD projector, speakers, Lucy & Jorge Orta: 3xiPads or tablets, Lars Jan: 5x55inch or more TV screens, speakers or headphones', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 858, 5, '2020-04-11 13:10:39', '2020-09-01 13:30:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13534, 'ymQcFsEt9KxLdUzQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 13:11:27', '2020-04-11 13:11:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13535, 'ApaazJeXZ86eHKjn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 13:14:17', '2020-04-11 13:14:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13536, 'smyKj7FFMGjKcG79', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 13:16:23', '2020-04-11 13:16:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13537, 'r42goi92DtZuCrAx', 'CARTA', NULL, 'Esta obra la escribí a partir de una de las muchas realidades que sufre la mujer latinoamericana. Conté la historia de la protagonista desde una carta personal hacia su padre, y le cuenta toda su vida desde que él decidió irse de casa. Desde los problemas en su colegio, y todas las cosas que ella tuvo que hacer para poder verlo. Pasando por el pre universitario, y los conflictos comunes de una adolescente. Ella comienza la carta con un tono muy tímido, e incluso con miedo, pero se va dando cuenta que será la última vez que le dirá todo a su padre y comienza a ser más colérica con el paso de la obra. Con el tiempo, nos vamos enterando de como su madre y su hermano sufrieron también la ausencia del padre. Pero ella nos escribe también como fue obligada a a abortar por su novio en un lugar clandestino. Como fue violada de niña por su propio padre. Nos expresa todo el miedo que tuvo que pasar para decidir ahorcarse y dejar como prueba de su suicidio solamente esta carta.', NULL, NULL, 'Una sala. Las dimensiones mínimas será de 3m x 5m y podremos ponerlo en escena en espacios más grandes si  es de su interés.   Escenografía sencilla. Las únicas necesidades que tendríamos nosotros serían una mesa pequeña y una silla. El tiempo de la obra variará entre 45-50 minutos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=-Z2ay8cW-w4&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1415, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1237, NULL, '2020-04-11 13:42:29', '2020-07-15 00:29:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13538, 'QADIf4v7LE6v7qqP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 13:44:25', '2020-04-11 13:44:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13539, 'Oe9HcrchjmNY3CRP', 'Papel Soberano', NULL, 'Papel Soberano\nDaniela Medina Poch y Juan Pablo García Sossa \nManto de bolívares tejidos de 750 x 150 cm y serie de papeles documento  84 x 116 cm.\nBogotá, Colombia 2018 - 2020\n\nActualmente hay cerca de un millón y medio de ciudadanos venezolanos que se encuentran residiendo en el territorio colombiano y otros 1.100.000 en situación de irregularidad (Oct. 2019). Siendo el registro únicamente posible cuando se tiene el sello de inmigración adquirido en el país de origen antes de partir, la mayoría de Venezolanxs se encuentran sin posibilidad de registro y por tanto en condiciones de precariedad laboral, social y sanitaria.   \n\nPapel Soberano es una plataforma de investigación y reflexión sobre el papel de los papeles en la crisis migratoria de Venezolanxs y su llegada a Colombia, el país que comparte 2000 km de frontera con Venezuela. Como parte de la investigación reunimos tres tipos de papel: papel moneda, papel documento y papel panfleto, tres aproximaciones materiales y conceptuales que buscan generar vínculos de empatía y complicidad transnacional.\n\n¿Qué condiciones encuentran lxs migrantes venezolanxs al llegar a Colombia?\n¿Qué pasará con las nuevas generaciones de venezolanxs nacidxs en Colombia que no hacen parte de ningún sistema legal? ¿Cómo puede el marco del arte intervenir en las políticas migratorias colombianas?', NULL, NULL, 'Espacio expositivo cerrado de 10 m de largo y mínimo 2.5 m de ancho con un techo de altura mínima de 2.5 m. Los muros del espacio deben estar pintados de blanco (el suelo y el techo pueden variar). El manto de bolívares pesa 1.5 kg, por lo que se cuelga con facilidad del techo. La instalación requiere una superficie plana para instalar los papeles documento que puede ser vertical (como en la imagen adjunta u horizontal sobre una mesa).  La iluminación del espacio natural / artificial.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.danielamedinapoch.com/works/papel-soberano', NULL, NULL, NULL, 1142, NULL, 131, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 988, NULL, '2020-04-11 13:48:07', '2020-08-14 18:46:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13540, 'o8D8XyIs9gadAH3u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 14:16:37', '2020-04-11 14:16:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13541, 'pYiu5eZKcyF13qoJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 14:20:33', '2020-04-11 14:20:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13542, 'hmJc1KaPRsHeZdH6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 14:32:27', '2020-04-11 14:32:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13543, 'DzsDGbw6SDSaoK9Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 15:00:36', '2020-04-11 15:00:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13544, 'cigp1D4heJhUxaB2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 15:01:05', '2020-04-11 15:01:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13545, 'z6Vjih2t7UVOLGtN', '\"Amazonia\"', NULL, 'Taking as a starting point different practices of territorial appropriation that currently occur in the Peruvian Amazon – such as land-trafficking, auctioning oil-block concessions, formalizing mining activities and the zoning of state-protected areas – “Amazonia” draws from research carried out in the span of two years in Switzerland and in Peru, investigating how the landscape in Amazonia is transformed and operationalized as a consequence of these practices. The work consists of a multimedia installation that incorporates a series of drawings and a video. The drawing \"Park rangers are not allowed to wear guns\", for example, is based on a large-format photograph that I took in a reserve in the Loreto region. It depicts a section of the forest, which is surrounded by 48 oil concessions. However, this reality is not visible in the drawing. In contrast to the photograph on which the drawing is based, the drawing does not show the place explicitly. It does not aim to show a place as it once was, but to evoke an idea of this place in the here and now.\n\nThe drawings are juxtaposed by a video that consists of text fragments from dialogues between me and the people I encountered while working in and travelling through the rainforest. The dialogues range from seemingly impossible intercultural conversations and conflicted discussions to the telling of anecdotes and the narration of events, while staying close to my own controversial position that I take in the context of Amazonia.', NULL, NULL, 'Two rooms in a row: One room with enough wall space to hang approximately five colored-pencil-on-paper drawings (each drawings measures approximately 1.5m x 2m). One room with a wall big enough to project the video in a kind of movie screening size onto the wall and enough distance from the wall for the viewer to look at it. (Depending on the specific location, the installation could also be thought of to be presented in one single room.)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/410352673', 'Ha-maz-an', NULL, NULL, NULL, NULL, NULL, NULL, 3035, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2619, NULL, '2020-04-11 15:10:56', '2020-08-14 16:52:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13546, 'IEIqoUeZJLkk5XW3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 15:21:37', '2020-04-11 15:21:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13547, 'jINtTCVY2Rda3pL2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 15:22:12', '2020-04-11 15:22:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13548, '8etdIlqz71HyhqCh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 15:40:35', '2020-04-11 15:40:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13549, 'Tj8vCBlv78jQ7de3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 16:24:41', '2020-04-11 16:24:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13550, 'qsAQaICTabSB62lz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 16:53:46', '2020-04-11 16:53:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13551, 'UBoUDiCxWWrBajhm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:07:39', '2020-04-11 17:07:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13552, 'kHB2N1ncKkd0X2Dt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:07:41', '2020-04-11 17:07:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13553, 'ZOrPPUGHzUgLyeBb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:20:09', '2020-04-11 17:20:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13554, 'A9eWBGe4hsYDDLzT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:20:10', '2020-04-11 17:20:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13555, 'RqLpmPYGb9MGJ7GG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:34:06', '2020-04-11 17:34:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13556, 'IwTp7yA9sn8fzxoD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:35:34', '2020-04-11 17:35:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13557, 'y9PPkyt6fwmqR9tV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:48:23', '2020-04-11 17:48:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13558, 'XN9W8m5gA3hH8tRi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 17:52:54', '2020-04-11 17:52:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13559, 'kihyHwSpwLIgxeAD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 18:23:30', '2020-04-11 18:23:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13560, 'QZYhXeDpDsLvpo0m', '\"PRODUCTO FRESCO\"', NULL, '“TRAIGO EL TACTO DE LO ABSTRACTO, NADA EXACTO. UN EXTRACTO DE LO PERFECTO, NADA RECTO. UN INSTANTE RUTILANTE, MUY BRILLANTE”\nKase.O\nLos nuevos medios expresivos como el video arte, el cine experimental, la fotografía y la informática se imponen como nuevos territorios de exploración artística;\n¿Tiene la Pintura cabida en estos territorios? Este proyecto reclama al espectador como partícipe transcendental en la consecución de la obra, dándole, por medio del tacto y la interacción, la posibilidad de mezclar y mover los pigmentos embolsados, evitando la muerte por secado y dando lugar a una nueva forma de comunicación entre observador y objeto, dejando abierta la conclusión de la obra y por lo tanto creando un proceso vivo en desarrollo continuo.\n La pintura (sustancia o producto de textura líquida o espesa con que se da color a una cosa), pasa de\nestar atrapada, encerrada y oculta tras un recipiente opaco a liberarse en su estado más vivo y manipulable.\n Las herencias del arte conceptual como “idea”, “concepto”, “proceso”, etc... parecen\ndesdibujar el objeto y banalizarlo hasta hacerlo desaparecer, dando importancia al “qué” del\narte más que al “cómo”.\nEL SIGNIFICADO, LA IDEA, EL CONCEPTO,……POR ENCIMA DEL OBJETO\n Usando un “OBJETO MANIPULABLE” como nexo de unión entre el observador y el artista\nintento hacer reflexionar a ambos. Persuadir al público de que se haga las mismas preguntas\nque yo me hago, preguntas que nos hagan pensar, quizá preguntas que no tienen respuesta.', NULL, NULL, 'LOS OBJETOS ARTÍSTICOS DERIVADOS DEL PROYECTO \"PRODUCTO FRESCO\" REQUIEREN LUZ DIRECTA VARIABLE YA QUE AL SER DE NATURALEZA TRIDIMENSIONAL, TENER RELIEVES Y TEXTURAS,  CAMBIAN SEGÚN LA DIRECCIÓN DE LA LUZ. \nYO SIEMPRE ME LOS IMAGINO EN UNA IGLESIA CON UNA LUZ POR OBJETO Y AL TOCADOR (OBSERVADOR) ENTRANDO EN UNA COMUNIÓN PERFECTA Y POCO CATÓLICA ENTRE ESTE Y LA OBRA DE ARTE.\n\n PERO TAMBIÉN VALDRÍA UNA IMPOLUTA SALA BLANCA DE AMPLIOS ESPACIOS Y ALTOS TECHOS.', NULL, 'artist', NULL, NULL, '@producto_fresco    y     @coloprojects', NULL, NULL, NULL, 'INSTAGRAM   @producto_fresco    y     @coloprojects', NULL, NULL, NULL, 1174, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1017, NULL, '2020-04-11 18:29:53', '2020-07-21 01:54:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13561, '97XSO1fnGkRTuDT5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 18:34:03', '2020-04-11 18:34:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13562, 'HU6hp67RpxepJFlE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 18:34:24', '2020-04-11 18:34:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13563, 'o4IWzc3e1WE94mJd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 18:37:38', '2020-04-11 18:37:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13564, 'p1PyMJbyy5GSbuXl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 18:52:04', '2020-04-11 18:52:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13565, 'rF1B2Jzo8P6y4hLZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 18:53:13', '2020-04-11 18:53:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13566, 'sOJD1I26koZEWvz3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 19:08:30', '2020-04-11 19:08:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13567, 'uImsapHw9gnAXeXh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 19:19:46', '2020-04-11 19:19:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13568, 'DOc2PrPsWv35xmtG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 19:23:23', '2020-04-11 19:23:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13569, 'p3EwLm5rSqXSmUd2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 19:34:38', '2020-04-11 19:34:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13570, 'LROeNasZuSdz7FKa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 19:40:07', '2020-04-11 19:40:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13571, 'fZYSi3Puv9I9JAqj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 19:58:40', '2020-04-11 19:58:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13572, 'l4bpbxMZ4XVusuUs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:05:18', '2020-04-11 20:05:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13573, 'kBL9yTzuWTxNRBqs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:05:27', '2020-04-11 20:05:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13574, 'qzwM1ZqZDdQU0g8E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:11:56', '2020-04-11 20:11:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13575, 'A0lnIFUHYqR9pMnn', '21 km', NULL, '1:10 min\nVideo digital 1920x1080 \nSonido stereo\nAbril, 2019 \n\nVideo collage digital a partir de fotografías y sonidos registrados en un recorrido de 21km desde el centro de Asunción hacia sus periferias.\n\nLa contaminación publicitaria normalizada como parte del paisaje urbano.\nMasas de trabajdorxs nos exponemos a la sinapsis equivocada cotidianamente.', NULL, NULL, 'Monitor full HD c/ auriculares.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/349601117', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1010, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 860, NULL, '2020-04-11 20:20:26', '2020-07-11 02:02:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13576, 'XGVoABkvWT6hP1uS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:28:11', '2020-04-11 20:28:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13577, 'E9AY5sx1pgfQawiI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:28:20', '2020-04-11 20:28:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13578, 'QIJMUrrWq3Pih7Fa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:37:31', '2020-04-11 20:37:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13579, 'gR1D9w6t0Or3QyqW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:41:36', '2020-04-11 20:41:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13580, 'dzbgN8JwlkoLfHBk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:46:13', '2020-04-11 20:46:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13581, 'YhiFmDLVjzKvZIqX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:50:12', '2020-04-11 20:50:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13582, 'J96uH49ixFKebcx4', 'Fashion Victim', NULL, 'I think also to realize a second performative project with British artist Marina Moreno. Her work is often collaborative and involving audience and public participation.  She is an interdisciplinary artist who works mainly with photography, film, installation, live art and dance.\nFashion Victim has been presented the first time to the TATE Exchange, experimental section at TATE Liverpool in 2018. \nCritically observing the theme of ‘production’ whilst addressing issues connecting to labour and wage, artist Marina Moreno will begin her performance in a strategical context of a museum . Comical and political, this performance will roam around the galleries/museum and culminate in precise context of the venue.\nMoreno is an interdisciplinary artist whose practice often is concerned with political and social queries. Described as an eclectic artist she refuses to fix her practice in any single media. Collaboration and sharing ideas with others constitute a big part of her research and her practice that can be performative, through a mixture of performance and installation she engages participation during its realisation.\nProbably the project curated by boemio could be a collaboration with Arts Council England.', 'Marina Moreno\nMoreno has exhibited nationally and internationally, most notably in the Tate Liverpool, Arnolfini, Palazzo Prigioni (Taiwan Pavilion Venice Biennale), Watershed, South Bank Centre London, Altonale Hamburg, Serra dei Giardini Venice Biennale, Brighton festival, Zap Club, Novas Liverpool Biennale, and Bristol Biennial.', NULL, 'A gallery composed by two rooms, or a linear room. \n** CAMILLA BOEMIO has been curator of Diminished Capacity at the 15th International Architecture Exhibition La Biennale di Venezia; and in 2013 she was the co-deputy curator of Portable Nation. Disappearance as work in Progress the Maldives Pavilion at 55th International Art Exhibition La Biennale di Venezia.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/301407788', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1011, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 861, NULL, '2020-04-11 20:53:42', '2020-07-11 02:03:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13583, 'L84gIewgIBJBmYfH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:54:45', '2020-04-11 20:54:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13584, 'Kfz7GLT4m1MZ0CVM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 20:55:51', '2020-04-11 20:55:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13585, 'chXC4pfCUufxG3Gl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 21:08:35', '2020-04-11 21:08:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13586, 'n7sMLucDDKdvsKbw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 21:11:58', '2020-04-11 21:11:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13587, 'O554aYsfbNQjQb0i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 21:12:11', '2020-04-11 21:12:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13588, 'wGnmQd2haER3x8Cm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 21:13:07', '2020-04-11 21:13:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13589, 'UclaxeQiC67b5vou', 'A- 2P', NULL, 'Titulo:  A  dos pasos  de mí.  A-2P\n\nPerformance \nEsta propuesta nace como resultado de las circunstancias que aparecen a raíz de la emergencia sanitaria internacional, enmarcados en los procesos naturales de la movilidad humana. Los limitantes fluctúan en esta coyuntura como un devenir de interacciones sociales que han venido siendo condicionadas para favorecer los criterios de seguridad en salud, entre otros.\nJustificación\nLa vida personal, familiar, comunitaria está representada en números, las personas pierden su identidad, los acontecimientos que suceden son imágenes frías, que se vuelven mediáticas.  El frío de los cuerpos a causa de esta pandemia, se confunden con el frío de la calle, y el anonimato los ahoga en un grito perdido por los estrictos condicionamientos estatales para la movilización, el #quédateencasa y el peligro del contagio comunitario, hace que esos cuerpos no puedan recibir ni las mínimas y honrosas despedidas.\nEs por esta inquietante realidad que se realiza el performance, elemento vivo y documentado para hacer conciencia del valor de la vida, y memoria de los que ya no están, y haciendo apoteosis anticipada por aquellos que con los días se irán.   el título a dos pasos de mí, que hoy es regla mundial, es el nombre de este video,  A-2P.', NULL, NULL, 'El video puede ser proyectado en diferentes dimensiones, se puede acoplar al cualquier espacio.\nTiene calidad HD, por lo tanto no tiene problemas de imagen.\n\nDebe ser proyectado sobre cualquier fondo siempre  que sea blanco', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5912, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4861, NULL, '2020-04-11 21:17:34', '2020-08-10 20:58:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13590, 'dC5cpaOzw63wgqfy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 21:21:47', '2020-04-11 21:21:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13591, 'jLv6Fvplx0l7BXQa', 'En la cola', NULL, 'La serigrafía \'en la cola\' fue seleccionada para la exposición colectiva ¿Paz en las Mesas? en el Museo de Arte Contemporáneo de Bogotá (2019-2020).Allí hice un anaglifo que propone una pintura instalativa. La obra tiene una reja en color magenta hecha en acrílico y unos personajes en color cian hechos en spray. La obra se observa con gafas 3D.\n\nEn la sociedad contemporánea, hacer la cola se ha convertido en una herramienta de control. Los individuos pierden tiempo en trámites y obligaciones que les quitan tiempo de descanso. SOn seleccionados o triados incluso para acceder a ciertos derechos: esperar para ser atendido en la oficina de empleo, para comer en un comedor social, para entrar en otro país huyendo de la guerra, para cobrar la pensión, etc.\n\nPara la Bienalsur me gustaría hacer esa cola exclusivamente con gente mayor, la más más afectada durante la actual pandemia del COVID-19. A pesar de haber trabajado y pagado sus impuestos han sido el blanco del triaje social. Con la imagen me pregunto qué esperan ellos? por qué les tratamos así?\n\nFICHA TÉCNICA\nTítulo: En la cola.\nTécnica: acrílico y spray sobre muro y visores 3D.\nDimensiones*: Variables (depende del tamaño del muro). En Bogotá tenía 280 x 550 cm., aprox.', NULL, NULL, 'Hay dos maneras de realizar la obra:\n\n1.Reja y personajes: Se encintan (cinta de enmascarar) los espacios negativos para poder pintar los espacios positivos. Esta técnica toma bastante tiempo por lo que necesito ayudantes.\n2.Reja y personajes: plantilla realizada con corte láser. Es más fácil y rápido. \nEl tiempo que tome pintar la obra o el coste de las plantillas dependerán del tamaño del muro. \nMateriales: acrílico magenta, sprays cian, pinceles, lápices, proyector, ¿plantilla, cinta?', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1253, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1089, NULL, '2020-04-11 21:53:20', '2020-06-23 02:24:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13592, '1kqUEs6O2mJvYEfQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:17:59', '2020-04-11 22:17:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13593, 'YscZSFJWeeGmoB0Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:19:47', '2020-04-11 22:19:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13594, 'gOXD6G6QrOYRMZuq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:23:01', '2020-04-11 22:23:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13595, 'gknczIPeIwsMnNCN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:23:25', '2020-04-11 22:23:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13596, '7FwPnOXQeDlJKcTG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:36:15', '2020-04-11 22:36:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13597, '6hSFTCnShKskaUYM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:36:16', '2020-04-11 22:36:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13598, 'OeTVSowt6DBzRQuW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:39:45', '2020-04-11 22:39:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13599, 'v5zeGXsNF98pNlOa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:43:09', '2020-04-11 22:43:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13600, 'SdqRyJmq1kPKn0DD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:56:23', '2020-04-11 22:56:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13601, 'gM7hVL7w1J6i7gxC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 22:57:00', '2020-04-11 22:57:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13602, 'kgwhhOfw7T8if1Ig', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 23:18:36', '2020-04-11 23:18:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13603, 'mWHnN2L4VvYZADjd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 23:29:00', '2020-04-11 23:29:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13604, 'qVPDWRC2VehdoFyb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 23:31:35', '2020-04-11 23:31:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13605, 'nleKnw9Pz3aF5gCK', '\" Fenómeno del Tiempo\"', NULL, 'Lo intangible del tiempo me atrae, modificarlo es un sueño imposible. Lo más cercano son nuestros recuerdos y olvidos. Nuestros deseos marcan el camino, nos trasladan sin ninguna cronología lógica. El movimiento activa lo estático, una línea del tiempo necesita girar para generar circulación, en eso se basa mi propuesta artística. \n\nEmpecé a investigar con materiales de la calle, elementos olvidados que están a merced del tiempo, el clima, el movimiento del planeta, a la intemperie sin ningún tipo de protección. Elegí el papel como elemento, en forma de cartel publicitario, era la materia ideal donde podía palpar lo que buscaba. Muros, postes forrados por capaz y capaz de papel sobrepuestos uno sobre otros fueron mis proveedores de tiempo, cada una representaba un momento específico. Hojas de tiempo preservadas naturalmente, las cuales fui juntando hasta crear una linea de tiempo análoga. Esta organización de trozos de papel tiene cierta similitud con un time-line de edición, el cual se compone por cientos de fotogramas que luego construyen una imagen en movimiento. Un movimiento manual generado por la fuerza repetitiva en forma de palanca que hicieran girar las capaz de papel creando estelas de colores y figuras aleatorias alternables.   \n\nSe caracteriza por ser un objeto tridimensional, compuesto por miles de capaz de carteles publicitarios ensamblado sobre una estructura metálica que la suspende y tiene un mecanismo para hacerla girar manualmente.', NULL, NULL, 'Su hábitat natural son las calles, plazas, un parque, también su aspecto contrastaría dentro de una sala de exposición. Es de tipo escultura u objeto, conformado por miles de capaz de carteles publicitarios atravesados por una barra metálica que los fija en una estructura que la mantiene suspendida, con  manivelas a los extremos para hacerla girar manualmente.   Dimensiones: 150.00 cm de largo x 120.00 cm de alto x 80 cm de ancho (incluye estructura).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1179, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1022, NULL, '2020-04-11 23:43:21', '2020-06-23 02:28:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13606, 'REAnvOpqc4IIcwz4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-11 23:51:27', '2020-04-11 23:51:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13607, 'glne9GPZG0oFGa9r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:03:34', '2020-04-12 00:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13608, 'O4oI0u4eEN2NhzEd', 'Hasta que te conocí', NULL, 'Hasta que te conocí (2020), es un proyecto gestado y desarrollado en colaboración entre Ana Cervantes y Cassandra Nolasco, a raíz de conocerse en Mérida Yucatán. Buscando formas de hacer lejos del circuito centralizado del arte en México, combinando sus interés individuales y colectivos con respecto a prácticas ligadas al arte contemporáneo.\n\nEl proyecto compila una lista de treinta conceptos y frases, a modo de premisas para realizar una pieza por día, durante un mes. Las piezas generadas además de abrazar nociones sobre territorio están intrínsecamente ligadas a la amistad y las coincidencias entre ambas artistas, en las que se depositaron nociones que las atraviesan paralelamente como hábitat, desplazamiento, territorio, identidad, entre otras.\n\nEl proyecto, se compone de 55 piezas en diversos formatos: 10 videos monocanal,  6 en formato vertical y 4 en horizontal, impresiones de collages digitales, planos arquitectónicos, postales, impresiones de fotografías, pintura y dibujo.\n\nEste proyecto culminó siendo la muestra inaugural del espacio independiente InterTropical, gestionado por las artistas, donde desde su posicionamiento político como feministas, trabajan y construyen desde la colectividad y alianzas entre mujeres, apelando a la experiencia propia como fuente de conocimiento.', NULL, NULL, '1.Zona de VIdeos\nTipología: Espacio cerrado de 5x5 metros x4 de altura sin punto de luz, silencioso, que incluya conexión eléctrica, soporte para proyector de techo y equipo de audio.\n\n2.Zonas para piezas bidimensionales\nPara estas zonas se necesitará dos espacios con la misma tipología:\nEspacio cerrado de 8x6 metros x 4 de altura. Con conexión eléctrica, diversos puntos de luz para que la sala sea iluminada, pared lisa para rotulación en vinilo negro en pared para fichas técnicas de cada pieza.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6091, NULL, 890, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4994, NULL, '2020-04-12 00:14:08', '2020-06-24 18:56:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13609, 'w0utSzgEOCJQqyas', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:14:52', '2020-04-12 00:14:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13610, 'kajlm2sIArIjte5o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:20:55', '2020-04-12 00:20:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13611, 'C5ZWMNd3CLWfN9ZU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:21:32', '2020-04-12 00:21:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13612, 'YrFSQJucGKiyy4Td', 'Laboratorio vivo', NULL, 'Si bien hay laboratorios de diferente orden, científico, de diseño, industrial, incluso en las artes se utiliza esta definición, todos coinciden en ese espacio cerrado, aséptico, con restricciones según el caso, pero con ellas al fin, en el que se realizan experimentos. \nEste proyecto retoma esa idea y la amplía para utilizarlo como escenario de una experiencia artística. Dentro de él, la realización de piezas de arte, tanto escultóricas, objetuales y sonoras, sirven para combinar los procesos de creación y de recepción, al tiempo que dar seguimiento, iluminar y develar los pasos y procesos que se combinan.\nPor lo tanto, se montará un laboratorio en un espacio de exhibición y cuatro artistas con caminos diferentes se reúnen a mezclar  variables,  certezas y sospechas. Verdades no comprobables, experiencias bajo el andamiaje de este ámbito de protocolos, tendrán la inercia propia del que camina hacia un territorio desconocido.  \nLa vida protocolizada será una onda expansiva que percutirá como caja de resonancia en niveles de impacto y adoptará métodos, prescripciones y patrones, enunciará fórmulas, leyes, pautas y reglas en las construcciones artísticas y en la recepción de las mismas. \nDe esta manera, el proyecto piensa en el espacio del laboratorio como alojamiento del trabajo grupal e interdisciplinario. Asimismo como pensamiento sobre qué es la vida y cuáles son sus formas: una imbricación entre una estética, un proceso de producción y las relaciones sociales.', NULL, NULL, 'El proyecto debería ser emplazado en espacios interiores de 60 a 110 metros cuadrados aproximadamente, dependiendo de las características del mismo. Sugerimos la posibilidad de Proa21, MUNTREF (Centro de Arte y Naturaleza) o bien cualquier otro espacio destinado a las Artes Visuales/Prácticas contemporáneas de experimentación, etc., ya que la propuesta puede adaptarse a cualquier espacialidad preexistente que mantenga aproximadamente las dimensiones anteriormente detalladas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5223, NULL, 731, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4352, NULL, '2020-04-12 00:40:00', '2020-08-17 20:23:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13613, 'je3jBCOC0p71s3Tz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:40:48', '2020-04-12 00:40:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13614, 'rQ5JYsTbkKSJsQlE', '\"SIN PRINCIPIO NI FINAL\"', NULL, 'Descripción conceptual \nLa metodología que utilizo está en función de mi objetivo,\n lograr hasta en las tramas más lineales las diferencias emocionales que van dando origen a mis obras\nRealizados a mano alzada, mis dibujos tienen un denominador común, una misma morfología circular, rectangular o mixta, pero a su vez se repiten creando una trama en la que observadas individualmente percibimos sus diferencias y se diferencian una de otras a partir de una clara lectura del conjunto.\nEn esa lectura total , no se percibe un centro, no aparece ni un principio ni un final , las tramas invaden , acompañan , se mueven , se expanden  hacia la periferia como si se tratara de  crecimientos rizomáticos. \nEsta irregularidad dinámica la intento lograr al trabajar sin un boceto previo, amparándome en los dictados de las repeticiones. \nPretendo una geometría expansiva ,compuesta de tensiones y dispersiones de signos que en conjunto abarcan la superficie y que resulten en su lectura total, un verdadero horror vacui.  \n\n\n\nCaracterísticas formales \nINSTALACIÓN GRÁFICA \n Serie de dibujos en tinta sobre papel  (la cantidad y distribución será en relación al espacio  específico ), a partir de los cuales voy a seguir dibujando en distintas direcciones y con distintas intensidades sobre la pared ( continuando las características y acompañando visualmente  a los originales sobre papel  )\nLos originales colgados como puntos disparadores , el resto será una intervención sobre la pared y/o piso .', NULL, NULL, 'Mi obra necesita un espacio cerrado .\n Necesito paredes blancas , las medidas pueden adaptarse especificamente al espacio .\nPodría ser un cubo blanco a manera de sala de galería .\nOtra opción , serían  dos paredes en forma de L  ( medidas aproximadas de 5 metros  x  5 metros  ), \nnecesito colgar y dibujar sobre la pared .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www. GENOVEVA FAERNANDEZ.COM.AR /   instagram  genoveva.fernandez', NULL, NULL, NULL, 1200, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1042, NULL, '2020-04-12 00:44:19', '2020-07-12 16:51:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13615, 'XZFUDSEtOfaKc5km', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:47:42', '2020-04-12 00:47:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13616, '4ZupCfT99m4SRhuT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:49:21', '2020-04-12 00:49:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13617, 'Fwiv7qFFNzuP7cvd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:51:21', '2020-04-12 00:51:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13618, 'uLGyKRmGq08z2t1D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 00:53:43', '2020-04-12 00:53:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13619, '8gRTV2kX8TbnGlMG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 01:23:03', '2020-04-12 01:23:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13620, 'rRnmstyWQnjU5iut', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 01:25:27', '2020-04-12 01:25:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13621, 'ExFA08fWkXkG45Bn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 01:25:32', '2020-04-12 01:25:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13622, 'p5HazjOKQnCiPqay', 'Powerism', NULL, 'Since the beginning of history, it is impossible to ignore the existence of a power that, besides the adventure of life of mankind, is all together with us, is constantly changing, brings benefits from time to time, has been created by man and has always existed. This power is the concept of ‘powerism’ The concept of power, depending on the philosophies developed in many different periods, is a reality that will never disappear even if it changes form. The power, chiefly the chieftain of the early ages, is an invisible but much larger power today. This power is aware of every development in the world and is even the creator and observer of these developments.\n\nIn this study, the artist bases the concept of ‘powerism’ on the metaphor of a street play played by children. In the content of the game children play that they are growing up and have a say. Foucault evaluates the changing understanding of power of our time with the Panopticon metaphor, a designed structure. this study was discussed in the context of various visual indicators produced by sociologists such as Foucault, Althusser.', NULL, NULL, '\'\'Powerism\'\' 3\'00\'\' Video installation with projector. h264 Mp4 HD video', NULL, 'artist', NULL, NULL, 'https://vimeo.com/328048625', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1014, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 864, NULL, '2020-04-12 01:36:30', '2020-07-11 02:13:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13623, 'Dgj1IH1YoYrJ4gfo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 01:40:44', '2020-04-12 01:40:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13624, 'ZlZRMCSJkTDPFUlY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 01:55:08', '2020-04-12 01:55:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13625, '6c7hdd9pQyUq8VxH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:07:28', '2020-04-12 02:07:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13626, 'brgUPo3ywSEoE7GS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:08:23', '2020-04-12 02:08:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13627, 'v3iAt3IFRAHsmKl8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:08:34', '2020-04-12 02:08:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13628, 'lWlAHcmm2HO1HYga', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:08:37', '2020-04-12 02:08:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13629, 'eQfHDEovlnCnyYOQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:08:42', '2020-04-12 02:08:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13630, '0ElqT6ex2G7P5kze', 'DIÁLOGOS, el alma nunca piensa sin imagen, Aristóteles', NULL, 'Diálogos es un encuentro entre tres artistas. 1-Fernández realiza una investigación visual sobre los presidentes del último período democrático de Uruguay, 1985 -2019: Sanguinetti, Lacalle, Batlle, Mujica y Vázquez. Del escaneo en 3D resultan Cinco Retratos Digitales, una instalación audiovisual de los mandatarios; que antecede a Diálogos. El archivo 3D permite la impresión ilimitada de sus bustos para montar diferentes escenas a diferentes escalas. Los bustos dialogan entre ellos; y su posición relativa en el espacio interpelan al observador y a la democracia. 2- La artista incursiona en la cerámica para realizar estos rostros; lo que motiva su contacto ineludible con los ceramistas Abbondanza (1936) y Silveira (1924), quienes durante la dictadura militar montaron agrupamientos de seres sin rostros. Piezas sólo bizcochadas montadas sobre superficies, figuras sin rostros que aluden a multitudes anónimas y a procesos de aberración.  3- La artista se reúne con Abbondanza y Silveira, encontrando en sus investigaciones un punto de unión evidente. La falta de rostro de las figuras de Abbondanza y Silveira, y los rostros de los presidentes de Uruguay de Fernández, generó en ellos la necesidad de realizar una puesta en escena dialógica; donde a través de las imágenes refieren a dos procesos políticos aparentemente opuestos por los que transitó el Uruguay en los últimos 45 años: la dictadura y la población; los presidentes elegidos democráticamente y una supuesta sociedad libre.', 'María Agustina Fernández Raggio, uruguaya, mafr.uy\nJorge Abbondanza, uruguayo\nEnrique silveira, uruguayo', NULL, 'El espacio expositivo es en la sala itinerante del Museo Nacional de Artesa Visuales.\nhttp://mnav.gub.uy/cms.php\nhttp://mnav.gub.uy/cms.php?id=mision\nhttp://acervo.mnav.gub.uy/', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4357, NULL, 569, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3678, NULL, '2020-04-12 02:11:08', '2020-11-11 21:29:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13631, 'rsdq7BLdg1qPW6pt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:26:02', '2020-04-12 02:26:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13632, 'tbBp7riOkxscqRwP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:26:15', '2020-04-12 02:26:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13633, 'cuuwyHCxTXNgLfe1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:52:51', '2020-04-12 02:52:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13634, '0VrWtc9YSyIIcPf4', 'Aquel lugar que habito', NULL, '\"Ese mundo interior, que me atrae y me protege. Ese jardín idílico que sólo yo conozco. Su exuberancia me contiene. Me abraza y me fusiono con sus formas que se despliegan y se contraen. Su perfil sutil juega conmigo y se me insinúa. Allí es donde yo me encuentro. Es allí donde yo soy\"-\nResultado de un interés en temáticas como cuerpo y sus vísceras, con reminiscencias a jardines exóticos de paraísos ideales o paisajes acuáticos de otros mundos. La intención es crear un mundo que invite a entrar al espectador no solo en un espacio de arte,si no en uno mismo, permitiendo la posibilidad de reconectar y  explorar la interacción individual como con los otros. En esta era post Covid-19,enfrentados al miedo del separatismo y contrariamente al miedo del contacto físico con el otro, invito a reencontrarse con el mundo como lo conocíamos antes de la pandemia,o mismo, un mundo anterior; anterior a la tecnología donde la interacción virtual no existía y soñar con ello era mera abstracción. Un lugar introspectivo y expectativo a su vez. Este mundo refleja al mundo interno, el visceral, el capullo protector, el añorado útero que alguna vez nos albergó. El espacio cavernoso; la cueva simbolismo del  lugar antiguo de redescubrimiento individual o de manifestación colectiva; de protección, de unión social. Los seres que en ella cohabitan, tanto humanos como seres de otros mundos, como también aquellos de nuestro interior, reflejos de nuestra imagen o nuestros miedos, todos conviviendo.', NULL, NULL, 'La sala debe tener al menos un ingreso, con un maximo de dos (entrada y salida). Oscura, sin ventanas. Techos de altura baja. Dimension aproximada minimo 10 x 10 mts.  Debe sugerir un aire de encierro. Las paredes y techo seran recubiertas con formas textiles y piezas blandas para el retozo.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/357364845', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1016, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 867, NULL, '2020-04-12 02:58:14', '2020-06-23 02:35:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13635, 'FaJP87GnZ4sbOv48', 'Paisajes Abstractos', NULL, 'En esta propuesta de proyecto busco descubrir la proyección de una dualidad empírica de lo abstracto y lo orgánico, manteniendo mi contemplación al resultado estético de la evolución del caos proyectándose en la realidad, el resultado es un paisaje que nos exhibe la naturalidad de la naturaleza, lo sublime. Un paisaje que se extiende y se conecta con formas geométricas, El objetivo de la obra se basa en invitar a contemplar la relación de lo orgánico y lo geométrico, entender su dualidad su conexión en un campo mas allá de la lógica convencional. El proyecto está conformado por 2 piezas sobre muro, fabricadas con plastilina y papel. La primera tiene como título “Polos” fue creada para la exposición individual, “Natural”, Polyforum Siqueiros, México, CDMX, 2014 (http://alexbolio.com/expo-individual-natural-polyforum-siqueiros-2014/,). La segunda, “Curva” para la muestra del proyecto “AUTJAUS” Neter proyectos, México, CDMX, 2013. ver imágenes.', NULL, NULL, 'Título: Curva.\nEscultura.\nTécnica: Plastilina y papel sobre muro.\nMedidas: 150 x 300 cm\nAño: 2013\nPara la muestra del proyecto “AUTJAUS” Neter proyectos, México, CDMX.\n\n\nTítulo: Polos 01.\nEscultura.\nTécnica: Plastilina y papel sobre muro.\nMedidas: 150 x 400 cm.\nAño: 2014.\nCreada para la exposición individual, “Natural”, Polyforum Siqueiros, México, CDMX.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://alexbolio.com/expo-individual-natural-polyforum-siqueiros-2014/', NULL, NULL, NULL, 4728, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3984, NULL, '2020-04-12 02:58:30', '2020-08-03 20:44:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13636, 'Em7VDrnrQqbgJDsM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 02:59:15', '2020-04-12 02:59:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13637, 'KysTV8A129dRrzQn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 03:05:36', '2020-04-12 03:05:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13638, 'htI999lqdXDSSLDt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 03:10:30', '2020-04-12 03:10:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13639, 'TdRaoHuP132AEjcm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 03:11:57', '2020-04-12 03:11:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13640, 'uSHAv2A2qdVg0q8m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 03:12:58', '2020-04-12 03:12:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13641, 'rwn6GMhTNFEFxOE6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 03:29:11', '2020-04-12 03:29:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13642, 's8hETySZop7xn4k6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 03:45:18', '2020-04-12 03:45:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13643, 'URJNdAJkgvgWxLoW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 03:57:59', '2020-04-12 03:57:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13644, 'PnwDSxmABIzrcKDK', 'Remanencia de la Destrucción', NULL, 'Remanencia de la Destrucción consiste en una exposición multimedia y un performance. La artista Nayeli Santos quién ha desarrollado un cuerpo de obra interdisciplinario experimental así como expansivo escénico, plástico y visual, utiliza en su investigación artística la danza experimental, la instalación, el paisaje sonoro, la performance y la poesía, para cuestionar los limites de la narrativa tradicional purista en las artes escénicas, sus últimos proyectos cercanos a la abstracción y al nihilismo, incitan a los espectadores a construir significados a través de lecturas metafóricas. Remanencia de la Destrucción es un proyecto de exhibición retrospectiva de Nayeli Santos, que recapitula algunos de sus trabajos más importantes, para desmembrarlos y tomar el material de archivo como materia prima, para construir un collage en el espacio museografíco de exhibición a modo de instalación multimedia. Misma que será activada con el performance interdisciplinario El Fin de la Nostalgia. La exposición esta compuesta por un video, cinco fotografías de gran formato, dos instalaciones, una pieza auditiva de palabra hablada y la performance El Fin de la Nostalgia.', NULL, NULL, 'Exposición:\n-Galería de 35 metros cuadrados aproximadamente, con una altura mínima de 3 metros.\n-espacio para poder colgar y proyectar material visual \n\n\nPerformance:\n-Espacio abierto o cerrado de 8 metros x 6 metros mínimo. Más el espacio para el público.\n-Piso liso, ya sea duela, cemento o piso de baldosa.\n-Conectores \n-Luz de trabajo', NULL, 'artist', NULL, NULL, 'https://youtu.be/2st1jzrDzDE   https://www.youtube.com/watch?v=ppFmUTJDOHs&list=PLckU19AmUFPRkWQMzSxR3fpOoHloGOuJG&index=8', NULL, 'https://soundcloud.com/user-458770985/sets/concierto-esquizoide-para-cinco-cuerpos-que-gritan-amarillo-desastre', NULL, NULL, NULL, NULL, NULL, 1320, NULL, 155, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1152, NULL, '2020-04-12 04:33:16', '2020-06-23 02:20:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13645, '3FHkhA4EFt5E62x8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 04:33:28', '2020-04-12 04:33:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13646, 'TRx4q757gJ2oDaX8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 04:35:35', '2020-04-12 04:35:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13647, 'JC9ul4PylZjn4g24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 04:42:53', '2020-04-12 04:42:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13648, 'zLOHQ8VhvsrpPPdG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 05:32:31', '2020-04-12 05:32:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13649, 'gotSPfFCrdexKe94', 'Paralelos e meridianos', NULL, 'A proposta é composta por dois trabalhos: sem título 6 e sem título 8, ambas da série Paralelos e Meridianos. Os trabalhos exploram desdobramentos formais a partir de fotografias de pedras. Através do desenho, projeta-se no papel uma sucessão de planos imaginários que partem de secções arbitrarias da pedra, retratando seu contorno.\n\nInformações técnicas:\nSEM TÍTULO 6 (série paralelos e meridianos) \nlápis grafite sobre papel e impressão fotográfica\n2020\n16 x 13 cm cada\n.\n.\nSem título 8 (da série paralelos e meridianos)\nimpressão fotográfica, aquarela e nanquim sobre papel\n2020\n72 x 170 cm total', NULL, NULL, 'O projeto é aberto para realização em qualquer espaço expositivo, desde que seja área interna.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5697, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4705, NULL, '2020-04-12 05:36:33', '2020-08-08 02:38:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13650, 'XI11kmmH5nDt4MLb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 05:45:55', '2020-04-12 05:45:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13651, 'kRRcLrjMFa8geKoE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 06:39:03', '2020-04-12 06:39:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13652, 'PA4FlIWoOT4AnFGB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 06:42:29', '2020-04-12 06:42:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13653, 'aXmc9JLK69ocbrUU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 07:08:38', '2020-04-12 07:08:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13654, 'OHtC6ViwJN50XuDB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 07:18:53', '2020-04-12 07:18:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13655, 'HIU5pb4P2UCMdVFb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 07:25:25', '2020-04-12 07:25:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13656, 'mZSXk8n8G6uRURTg', 'Visuales', NULL, 'Hago ediciones multimediales de todo tipo. Mi instagram es mi porfolio asique ahí podrán ver lo que hago (https://www.instagram.com/paubm1/) En esta oportunidad me gustaría exponer mi arte como si fuese una funcion de cine. Pasar varios visuales conectados en un orden narrativo. No es necesario que sean muy largas las funciones, mejor aún así pueden verlo muchas personas en una misma jornada', NULL, NULL, 'Mis visuales se pueden amoldar bastante, ya que hay que armar algo en específico para la propuesta. Todos son están en alta resolución. Las imágenes también. \nCreo necesario un espacio cómodo con un proyector de buena calidad. Antes había mencionado un cine como referencia, pero puede ser un espacio menos convencional... lo que importa es la pantalla grande y que los visuales impacten ante todo.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=BChTFNlRKVI', NULL, NULL, NULL, 'https://www.instagram.com/paubm1/', NULL, NULL, NULL, 1019, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 870, NULL, '2020-04-12 07:37:09', '2020-06-23 02:34:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13657, 'AUVW9DIMLfA9LJNC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 07:57:08', '2020-04-12 07:57:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13658, 'xtQYNpBHoUHkzIKK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 07:57:55', '2020-04-12 07:57:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13659, 'mDXvLWi30t33LmMd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 08:23:16', '2020-04-12 08:23:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13660, 'lsFl7p7Btvn86KEa', 'Recordações móveis', NULL, 'Isabela Couto nació en Brasilia en 1985, se graduó en Artes Visuales en la Universidad de Brasilia. Tiene obras en colecciones privadas. En 2019 fue nominada para el Premio Pipa, seleccionado para el salón Mestre D\'armas y para la Residencia de Arte Epecuen, Argentina. Expone regularmente desde 2014. Realizó su primera exposición individual en 2017 en la Galería Elefante Centro Cultural, comisariada por Cinara Barbosa. El enfoque de su obra de arte está en la frontera de lo que se define como naturaleza y ser humano.\nsite personal https://www.isabelacouto.org/', NULL, NULL, 'Recordações móveis es un proyecto inédito que reúne un total de 27 videos cortos de enmarcar el paisaje de Mata Atlántica. Los videos son recuerdos para el fin del mundo, todos se mostrarán en un marco de foto digital (alrededor de 10 pulgadas) en estante (25 x 20 cm) unido a una pared deteriorada. La pared se desgastará hasta que sus entrañas estén expuestas. El proyecto se puede mostrar al aire libre o en interiores.', NULL, 'artist', NULL, NULL, 'https://youtu.be/xp7XUK2GGRU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 523, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 871, NULL, '2020-04-12 08:35:22', '2020-06-23 02:34:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13661, 'IFV4vOf1kKbO0NP1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 08:56:38', '2020-04-12 08:56:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13662, 'EzRsxpLIPKlSj6mq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 08:58:27', '2020-04-12 08:58:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13663, 'NOVYtGAqMfcsL5Hf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 10:21:22', '2020-04-12 10:21:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13664, 'YnZ6RoM68hbQJ1Mc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 10:28:18', '2020-04-12 10:28:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13665, 'pdakDWcb0ysJpOOX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 10:53:09', '2020-04-12 10:53:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13666, '3VGwxTtOJudIKPZu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 10:56:15', '2020-04-12 10:56:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13667, 'Ky2ODxydtT3dFrSL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 12:58:08', '2020-04-12 12:58:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13668, 'CVenOzaAJdJ7jsc3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 12:58:49', '2020-04-12 12:58:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13669, 'zjMbmUq04D6nOeys', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 13:07:14', '2020-04-12 13:07:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13670, 'kD9F9jszXR12zIXZ', 'Nightingale singing from Fukushima Radioactive Forest (FUKUSHIMA \'20)', NULL, 'A significant impact on the formation of the idea of work was made by a field trip to the human exclusion zone of the Fukushima I Nuclear Power Plant, where a major radiation accident occurred in 2011, and a meeting with scientists from the Tokyo University laboratory Kobayashi LAB, conducting work on monitoring animals in the zone.\n\nThe work reflects on the scale of the reorganization of nature by man and explores the emergence of new ecologies as a result of human activity. Considering the growing in recent years trend of tourism to places of environmental disasters, the work seeks to explore what sensual experiences such trips provide. Is there a connection with the term \"the sublime\" in concepts of aesthetics, referring to the concept of great and dangerous beauty? How has the very concept of \"sublime\" changed, which in European intellectual traditions of the 17th and 18th centuries was closely connected with nature, and in the 20th century with technology (\"technological sublime\")?\n\nPart of the installation is the JBL speaker, which broadcasts real-time sounds from the radioactive forest in the exclusion zone of the Fukushima I Nuclear Power Plant. For broadcasting, a website developed by Kobayashi LAB is used.\n\nAnother component of the installation is a film-collage made of material taken during an excursion to the human exclusion zone of the NPP. The video contains fragments of audio recordings of guide comments during a bus tour of the area.', NULL, NULL, 'GENERAL INFO: Mixed media installation\nTECHNICAL INFO: HD video, duration 7\'14\", iPad mini, JBL speaker, Fly Life Geo smartphone, 110 x 65 x 55 mm plastic figure, printed on a 3D printer and painted with acrylic spray paint, stickers with photos from the exclusion zone of the Fukushima-1 NPP, aluminum stand construction 1750 x 380 x 20 mm', NULL, 'artist', NULL, NULL, 'https://vimeo.com/380917641', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1023, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 875, 5, '2020-04-12 13:58:31', '2020-09-02 13:31:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13671, 'aEU9Uip8m1n3rgdy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 14:37:44', '2020-04-12 14:37:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13672, '9C2rZrAnu1S1Vt0C', 'Biocatalysts', NULL, '¿Cómo se define aquello que consideramos “natural”? ¿Cómo se diferencia de lo manufacturado? El oportunismo implícito en la economía política del capitalismo biogenético transforma la vida en un bien de consumo. Entiende todas las vidas como mercancía introduciendo nuevas técnicas discursivo-materialistas que se aplican en el control de los cuerpos. No obstante, áreas del conocimiento, como la biología molecular, también nos enseñan que la materia se auto-organiza y está conectada a los entornos. Esto es algo que se puede definir como “vitalidad inteligente” y que se extiende a toda la materia viva. Así la vida se entiende como una fuerza transversal que corta y vuelve a zurcir especies, dominios y categorías precedentemente separadas.\nBiocatalysts es una instalación que se relaciona con estas cuestiones. Compuesta de dibujos sobre planchas de policarbonato transparente, parte de las investigaciones sobre un tipo de enzimas modificadas genéticamente -“hidrolasas PET”- que podrían ser muy útiles para combatir el creciente problema global del microplástico. Estas enzimas son inocuas para el medio ambiente -ya que no son organismos-, pudiendo aplicarse tanto en las plantas de aguas residuales como en contenedores de deshechos orgánicos. Biocatalysts investiga estos cuerpos modificados biológicamente, interrogando de manera crítica el pensamiento binarista a través de la génesis material de relaciones simbióticas en las que sus elementos se hibridan y alteran la “naturaleza”.', NULL, NULL, 'Para la instalación necesito un espacio interior -abierto o cerrado- de un mínimo de 4mq con techo alto - mínimo 3,5 metros de alto. Puede funcionar tanto con luz natural como con luz artificial - si se usan focos de luz artificial,  los dibujos se proyectarán de forma más evidente en las paredes o superficies contiguas. La cantidad de planchas -que colgarán del techo y se extenderán por el suelo- y las dimensiones de la instalación variarán según el espacio disponible.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2833, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2462, NULL, '2020-04-12 14:44:10', '2020-07-12 17:04:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13673, '3YCARQHy8bviVeK5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 14:49:25', '2020-04-12 14:49:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13674, 'scOEJ1RNfECQl0n7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 14:55:31', '2020-04-12 14:55:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13675, '5YEIfgV2lDVBZCev', 'I am Going to Cry for All the Men Who didn’t Cry / Voy a Llorar por Todos los Hombres que no Lloraron', NULL, 'I am Going to Cry for All the Men Who did not Cry / Voy a Llorar por Todos los Hombres que no Lloraron\n2016/17\nSingle Screen Version\nHD Video\nDuration: 06:17 min.\nVocals, lyrics and melody by Gabriel Andreu\nMusic composed by M.G.Canales\n\nMen suffer just as much as women however it appears that women are less inhibited in the act of crying than men. In this work I am exploring the relationship that men have with crying: emotional suppression versus expression. Men are not as free in shedding tears due to our pervasive cultural and social ideas about manliness. \n\nI am Going to Cry for All the Men Who didn’t Cry / Voy a Llorar por Todos los Hombres que no Lloraron\nAs an actor my profession forces me to express feelings on command. As a boy I was told, “Boy’s Don’t Cry”. Boys are effectively detached from their emotions and feelings; this emotional cost exacted by our culture turns emotionally whole little boys into emotionally debilitated men. For me, to study drama was a way to reconnect with my emotions and feelings again, to be free. With this piece I want to shed the tears that all the men have held back through the ages.', NULL, NULL, 'The video can be shown on TV or through a projector.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/200343404', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3600, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3079, NULL, '2020-04-12 14:55:36', '2020-08-13 22:27:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13676, 'M2yvbJa6rG1CAcl9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 14:57:23', '2020-04-12 14:57:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13677, 'vPVqf0IvtkD6NjK4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 14:57:48', '2020-04-12 14:57:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13678, 'GTD1b0pnQLQIJvtz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 14:58:09', '2020-04-12 14:58:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13679, 'GBIVYDwmUXjZLGB2', 'ROOM TONE', NULL, 'El 27 de febrero de 2019 se realizó la primera intervención quirúrgica asistida a distancia mediante conexión 5G. La operación tuvo lugar en el quirófano Optimus del Hospital Clínic de Barcelona, el órgano de la conectividad total: un ojo sin lagrimal cuya retina registra el mínimo detalle y cuyo iris es una inmensa aureola multicolor que tiñe por completo el espacio. \n\nEl quirófano del «internet de las cosas» había desplazado al contenedor pasivo revestido de azulejos y blanco de cal. Era la forma final de una estrecha simbiosis entre medicina y color que se remonta a la antigüedad clásica, cuando «pharmakon» (fármaco) designaba la materialidad de «chroma» (color), y cuyo apogeo se dio en el siglo XIX, con la invención del color artificial por parte de industrias químicas como Bayer y Ciba. \n\nUn año después de la presentación del quirófano Optimus, la pandemia de la COVID-19 afectaba a la mitad del planeta. Se aceleraba exponencialmente la normalización de los sistemas de prevención y tratamiento sanitarios basados en la mediatización, con tal de reducir las tasas de infección ante la escasez de recursos disponibles.\n\nROOM TONE surge de investigar dicha relación, entre la estética y la medicina. Es un proyecto audiovisual que explora la relevancia de las imágenes en la tecnología médica hospitalaria de última generación, basada en la robotización y el acceso remoto a macrodatos, con especial énfasis en los sistemas surgidos a partir de la crisis sanitaria y económica actual.', NULL, NULL, 'ROOM TONE es una mirada y una escucha a las consecuencias de los procesos de alienación inherentes al progreso de la medicina. En el lenguaje audiovisual, «room tone» es el término con el que se designa la grabación del sonido en un espacio cerrado cuando no sucede ninguna acción.\n\nEn este sentido, el montaje expositivo consistiría en una habitación inundada por el color de la proyección del vídeo, reflejado en las paredes, donde el sonido de los altavoces se mezclaría con el del propio espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3405, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2918, NULL, '2020-04-12 15:20:38', '2020-08-14 17:04:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13680, 'MwnLEuZp57LQAofC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 15:28:22', '2020-04-12 15:28:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13681, 'KXimOSZQc0KzUOOq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 15:56:53', '2020-04-12 15:56:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13682, '2463zFh2cL4BtCgt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 16:11:06', '2020-04-12 16:11:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13683, 'CUDGBOWeSY525pdf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 16:22:45', '2020-04-12 16:22:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13684, 'CghYt5gR2XQ7SL0k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 16:32:50', '2020-04-12 16:32:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13685, 'uRnKbypd9kszXW5p', 'Shopping Cart', NULL, '“Carrito de Supermercado” es un proyecto en el que uso este objeto como símbolo de la vida urbana y de las desigualdades de la sociedad de consumo. \nEste objeto ha trascendido su uso común sin perder su significado; yo lo uso para evidenciar problemáticas con implicaciones económicas y sociales, como el consumismo, las diferencias socioeconómicas del sistema actual de producción, y la indigencia. Es este último aspecto el que me interesa representar en BienalSur con 3 piezas de la serie:\n-	“Con la casa acuestas”: un carrito de supermercado tapado con una lona como los de los sintecho, pero la lona cubre productos de supermercado, es una invitación a preguntarnos qué significa “casa”. \n-	“Dormir”, un ensamble para colgar de la pared que representa un sintecho durmiendo en la calle junto a su carrito.\n-	“Carrito de Supermercado” esta formada por 4 figuras de 2 mts de altura, que se enrollan y transportan en un carito de supermercado, o se cuelgan y se ven por ambos lados.\nEn internet, el carrito de supermercado indica la posibilidad de adquirir un producto o servicio. En el supermercado, el carrito lleva dentro nuestro estilo de vida; de frugal, con productos básicos, a lujoso, con productos de alta gama.  En la calle, el carrito se convierte en vehículo utilitario de chatarreros y en casa nómada de personas sin techo que deambulan buscando un lugar donde pasar la noche. Casa improvisada, hecha a partir de desechos. Los contenidos del carrito hablan de la persona que lo empuja.', NULL, NULL, 'Las piezas pueden ser exhibidas juntas o por separado, en una galería o museo, en un espacio cerrado. NO en un espacio público, para generar mayor atención al estar fuera del contexto habitual del carrito de supermercado.\nSuperficie necesaria para cada pieza: \n\"Con la casa a cuestas\": suelo 2.5 x 3 mts (7.5m2 total). \n\"Dormir\": pared 3.5 x 2 mts (7m2 total)\n\"Carrito de Supermercado\"  suelo/techo 3 x 3 mts. Figuras cuelgan del techo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1087, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 938, NULL, '2020-04-12 17:06:44', '2020-06-23 02:31:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13686, '10RE0ef7WBvajLga', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 17:23:00', '2020-04-12 17:23:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13687, 'GtqZGo0MAy16p47Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 17:39:34', '2020-04-12 17:39:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13688, 'MKRUUxRqxa7Wmfs2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 17:46:45', '2020-04-12 17:46:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13689, 'BNhXcu6Oabpye0KX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 18:14:18', '2020-04-12 18:14:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13690, '0jWwGD4Qdo5n1v2E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 18:28:43', '2020-04-12 18:28:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13691, 'R4vIPklhPDUyXUwX', 'Further Together / Closer Apart', NULL, '‘Distance’ is becoming one of the prevalent issues of our time. From the obliteration of distances in the past decades thanks to globalization, we are now entering an era when it is mandatory to keep a distance from each other every day. Thus, we arrive at an impasse, where the minimizing of distance becomes at the same time a blessing and a curse. On the other hand, technology, which has been accused of leading to the estrangement of social relationships, is now the main means to bring people together. \n\nIn this context, the exhibition Further Together / Closer Apart will be presenting two artists for whom distance has always been a part of their life. Greek and Dutch respectively, Nikolas and Aljohara are two artists who live and work in Jeddah in the Kingdom of Saudi Arabia. As citizens of the world, their works blend the rich cultural references of their countries of origin with the country where they reside.\n\nNikolas will be presenting four sculptures in medium scale, reflecting on the persistent question of our times: Are we alone in a vast world or can each of us become an active link in a broader network? His works will be combined with an interactive installation created by Aljohara, in the form of a map spread in the public space, which will explore the physical as well as the emotional aspects of social distancing.', 'Nikolas\nGreek\nhttps://nikolas-sculptures.com\n\nAljohara\nDutch\nhttps://www.instagram.com/aljohara.paintings/\nhttps://www.instagram.com/aljohara.photography/\nhttps://www.instagram.com/aljohara.arts/', NULL, 'As mentioned in the description of the project, we will ask for permission to make an installation in the public space either at the Cornice of Jeddah or in Riyadh.\n\nAljohara\'s map will have stops-destinations, where the public will discover a small box or Nikolas\'s sculptures.\n\nIf Riyadh is selected, the installation will lead to Misk Art Institute as the final destination.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2832, NULL, 332, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2461, NULL, '2020-04-12 18:28:46', '2020-07-23 14:41:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13692, 'ehm2ATgjgwCT0RGV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 18:39:37', '2020-04-12 18:39:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13693, 'ta5Fx0j0HNVdh5gc', 'SO-HUM. Rituales para la resistencia', NULL, 'En un momento en el que nuestra fortaleza está poniéndose a prueba, las obras de la exposición plantean diversas estrategias para sobreponerse a las circunstancias y avanzar hacia un nuevo estado vital, más libre y consciente, a través del arte. SO-HUM es un mantra hindú que significa “yo soy” y pone de manifiesto que formamos uno con el universo. Esta filosofía recorre de manera transversal toda la exposición, apuntando hacia una identidad que se extiende más allá de los límites del ego o el lenguaje y recordándonos que somos seres interdependientes.\n\nDesde la ejecución de rituales pseudo-chamánicos y la dotación de ánima a los objetos, hasta la repetición abstraída de gestos, movimientos o mantras, los artistas propuestos utilizan su trabajo como una suerte de terapia, a nivel mental y emocional, para lidiar con el presente e imaginar futuros posibles. Las prácticas desarrolladas apuestan por trascender la individualidad y establecer comunicación con eso otro que también nos pertenece, bien sean antepasados, energías ancestrales o la potencia de la colectividad. En las propuestas se evidencian los límites del cuerpo, pero también su resistencia y su capacidad para recuperarse de traumas, duelos o situaciones de crisis gracias a una conciencia ampliada.\n\nEl proyecto combina instalación, escultura, fotografía y vídeo. La preeminencia de este último formato y las posibilidades de mi archivo de obras y artistas con respecto al tema, facilita la flexibilidad expositiva.', 'Melanie Bonajo (Heelen, 1978) \nhttps://vimeo.com/150773518 \nCarolina Caycedo (London, 1978)\nwww.carolinacaycedo.com\nSoledad Córdoba (Avilés, 1977)\nwww.soledadcordoba.com/ \nPatricia Domínguez (Santiago, Chile 1984)\nwww.patriciadominguez.cl\nJeannette Ehlers (1973,Copenhage) \nwww.jeannetteehlers.dk\nNicolás Laiz (Lanzarote, 1975) \nwww.nicolaslaiz.com\nJosé Luis Macas Paredes (Quito, Ecuador, 1983)\nwww.joseluismacasparedes.net\nAna Mendieta (La Habana, 1948) \nwww.museoreinasofia.es/coleccion/obra/untitled-blood-and-feathers-2-sin-titulo-sangre-plumas-2\nSandra Monterroso (Guatemala, 1974)\nwww.sandramonterroso.com/\nFrancis Naranjo (Santa María de Guía, 1961)\nhttp://francisnaranjo01.blogspot.com\nJulià Panadès (Palma, 1980) \nhttps://juliapanadesjulia.com/\nSixe Paredes (Barcelona, 1975) \nhttps://www.sixeparedes.com/acerca-2/\nAntonio Paucar (Perú, 1973)\nhttps://bthumm.de/artists/antonio-paucar/selected-works/performances-videos/\nLiliana Zapata (Bolivia, 1985)\nhttps://lilizapata.wordpress.com/', NULL, 'Sugiero un espacio institucional que disponga de suficiente material videográfico, pero es una propuesta muy adaptable que se puede amoldar a otras salas alternativas. \nLas dimensiones de la sala podrían variar desde 200 metros hasta 1000. Insisto en la flexibilidad del proyecto', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3247, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2795, NULL, '2020-04-12 18:49:51', '2020-08-14 16:40:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13694, 'fOXwQXBsdnbDmSoA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:06:21', '2020-04-12 19:06:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13695, 'm7E5HucufM1KKlvR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:06:58', '2020-04-12 19:06:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13696, 'b38gKkeOl5fxWkkX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:21:07', '2020-04-12 19:21:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13697, 'hV9Hujwxh31Sog42', 'There is a world I\'m trying to remember, for a feeling I\'m about to have', NULL, 'In my practice, the human body functions as a physical gateway into the unknown, the reason for my interest in creating an immersive work around the notion of ”environment”-interior (self) and exterior (world) but also the interior as space. I invite the viewer to explore different circuits incorporated in different rooms. The installation display will follow the conceptual area of my childhood apartment, a symbol for home, and will function as a labyrinth. The viewer will be lost in the center of the unknown. The work will work as a puzzle. The paintings will be able to behave both individually as paintings on canvas but also assembled, like a puzzle, forming the immersive installation. The work draws inspiration from real-life and simulated phenomena (organisms mutation, visceral forms, residues accumulation).\nBienalsur would be the perfect place for me to exhibit the different mediums I work with, from painting to sculpture and installation to graphic design into an installation. I intend to conceive a scenario with nostalgic evocations (for example, using the sound of a drop of water infinitely falling), a recomposed landscape. A labyrinth installation, where the viewer is the conductor of the circuit. The music will interfere with the action of browsing through the circuits. On the floor, I aim to install big sculptural objects with plaster/papier mâché inspired by household items.', NULL, NULL, 'The installation can be displayed only indoor, ideally, in a room with 5 meters long, 9 meters wide and 2.1 meters high. Considering that the installation can have variable dimensions (it\'s assembled in pieces) it can be negotiated along the way. I\'ll include a sketch image for the installation for display suggestion.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1025, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 877, NULL, '2020-04-12 19:22:48', '2020-07-12 16:43:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13698, 'WdtMw3KajvCj5RwE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:23:23', '2020-04-12 19:23:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13699, 'I9epxPjeZsMO69C5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:23:38', '2020-04-12 19:23:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13700, 'mNDoDL4Z0OWNs9un', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:29:44', '2020-04-12 19:29:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13701, 'ZrgL02CpP5a2K8e8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:38:07', '2020-04-12 19:38:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13702, 'Zaj7ceMyuWmCoyzE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:45:20', '2020-04-12 19:45:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13703, 'rmqzu9zXPPUhZfy4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:46:37', '2020-04-12 19:46:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13704, 'vRoxJYu9eoi3BVGf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 19:54:23', '2020-04-12 19:54:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13705, 'Q7GlIAqpfYBIk3VV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 20:01:23', '2020-04-12 20:01:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13706, 'pKiRjvOMgQ34JXVd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 20:02:07', '2020-04-12 20:02:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13707, 'u1CA7SphaYzbvv4U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 20:03:19', '2020-04-12 20:03:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13708, 'tQUaqAprRBrxL8vv', 'Barrio Toba', NULL, 'Se propone desarrollar dos intervenciones en espacio público en la ciudad de Resistencia, Chaco, con la construcción de maquetas a escala con residuos, realizando las obras junto a les vecines del Barrio Toba, un conglomerado al que le falta el acceso a servicios básicos y donde viven una gran mayoría de familias de origen indígena. En este proyecto prevalece el proceso, en donde se contemplan 4 etapas: 1) entrevistas con miembros del barrio, para conocer sus historias y la vida en la comunidad, como punto de partida de la obra. 2) recolección de residuos en las calles del “Toba” para la construcción de maquetas a escala de las viviendas y las personas recreando sus historias, en conjunto con vecines. 3) instalación de las intervenciones, primero en la entrada del barrio y luego en la plaza central de Resistencia. 4) Muestra en el MUBA con el proceso. Esta obra se enmarca dentro de los postulados de Brea, entre los ejes de Mundo y Espacio Público, como expresiones de arte urbano y prácticas sociales, en tención con la lógica del monumento. Se plantea un dialogo con la periferia vulnerada y el centro consolidado en su calidad de vida. La materialidad, así como la dimensión y el espacio en donde se desarrollará la obra enfatizan la marginalidad. Este proceso durará un mes aprox. Se registrarán las intervenciones fotográficamente. Para rescatar y poner en relevancia el proceso de trabajo comunitario se realizará un registro audiovisual en formato corto documental. Obra inédita.', NULL, NULL, 'La obra será una intervención en espacio público, medirá 300x200x20 cm aprox, estará en el suelo capas de ser intervenida por les transeúntes, construida con residuos, la instalación se realizará con vecines del Toba y propone dos instancias con las mismas piezas. Primero en la entrada del barrio, por 1 semana. La segunda en la plaza 25 de Mayo, por 3 semanas. Durante las intervenciones se presentarán las fotografías, bocetos y el documental del proceso, en una muestra en el MUBA, Resistencia.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4021, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3427, 5, '2020-04-12 20:03:59', '2021-02-12 15:48:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13709, 'hbF7b6QSwpX5apzu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 20:11:35', '2020-04-12 20:11:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13710, 'BLWQQV77sEL9FhMy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 20:30:27', '2020-04-12 20:30:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13711, '1gdPbtQepj4RG9bb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 20:34:18', '2020-04-12 20:34:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13712, 'BcJcinjRzphZUm4j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 20:34:35', '2020-04-12 20:34:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13713, '3YnLRXmlllgR2LOh', 'Quarantine Project', NULL, 'Comenzamos a trabajar en el Quarantine Project el 20 de Marzo de 2020, el primer día de nuestro \"lock down\" in Dublin, Irlanda. Con Nyree, mi pareja, nos propusimos producir una imagen por día desde nuestra casa. Primero fue la idea de documentar esta situación tan extraordinaria que nos tocaba vivir de repente, cuestionándola y de esta manera tratar de hacerla más llevadera y tratar de darle sentido.\n\nEn lo personal, y habiéndonos encontrado como tantos millones de personas alrededor del mundo, privados de nuestra rutina en un instante, trabajar en este proyecto nos dio rápidamente una \"razón de ser\" y con esto transitar de una mejor manera este momento desconocido. \n\nA travez de Quarantine Project pudimos descubrir y concientizar nuestra nueva forma de \"ser\', desde las nuevas actividades domesticas mas mundanas, como cortarnos el pelo en casa o maratones maniáticas de cocina hasta los nuevos estados emocionales, como el aburrimiento o la extrema quietud en que todos nos encontramos de repente.\n\nCon el paso de los días el proyecto fue creciendo y se transformo en una nueva forma de estar en contacto con los demás, compartiendo nuestra realidad a travez del posteo diario de la foto de cada día.\n\nMas que la simple documentación de un día cualquiera en la casa, Quarantine project, busca a travez de imágenes cuidadosamente escenificadas y ocupando distintas estéticas crear un diario de bitácora de este momento único en nuestras vidas y la de millones de personas.', NULL, NULL, 'Al día de hoy Quarantine Project se compone de 28 imágenes, aunque es un trabajo en desarrollo. \nEl total de imágenes  dependerá del levantamiento de la cuarentena por parte del gobierno o de que nos quedemos sin nuevas ideas (esperamos que no).\n\nLa dimension de las imágenes es variable, dando la oportunidad de adaptarse a distintos espacios.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1026, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 878, NULL, '2020-04-12 21:02:21', '2020-08-11 21:47:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13714, 'uv3VhsGuSFKunSsA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 21:12:17', '2020-04-12 21:12:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13715, 'XMwvdCBqKzY8f87l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 21:33:28', '2020-04-12 21:33:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13716, '10FQn7wZjqIP0T8O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 21:36:52', '2020-04-12 21:36:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13717, 'qNanlKhlTD26looe', 'Tensión y futuro', NULL, 'A lo largo de las primeras dos semanas de cuarentena obligatoria en su país, Argentina, Francisco Paccini (Buenos Aires, 1991), ha creado un cuerpo de esculturas e instalaciones en las que la apariencia de lo cotidiano funciona como una especie de tensión entre lo real y lo irreal; entre el adentro y afuera; entre el desequilibrio mental y emocional y los intentos de configurar un equilibrio interior desesperado; lo muerto y lo vivo; lo animado e inanimado. Francisco conduce al espectador a una perfecta identificación con los estados que representa en lo doméstico en la intimidad y al mismo tiempo desafía e interpela lo instaurado y lo imperante en la sociedad con mínimos objetos y figuras con una enorme carga simbólica. En el universo de Paccini, las personas se convierten en bloques de cemento , los espacios se vuelven inmensos y minimalistas, o pequeños y agobiantes. \nEn esta ocasión el artista ha pensado una configuración del futuro, en donde se replican e hiperbolizan la misma lucha de clases de este milenio y el anterior, representando dos grupos antagónicos escultóricos en una lucha angustiante. Ambos grupos representarán clases sociales donde los individuos están reducidos a bloques, apoyándose unos con otros y en confrontación explícita.', NULL, NULL, 'La instalación se circunscribirá en una tarima de madera de 4 x 3 x 1.5 mt de altura. Serán 14 bloques rectangulares de cemento o Retak con su cara frontal intervenida de color naranja  con medidas aproximadas de 40 cm de ancho y 1.10mt de altura dispuestos y enfrentados, respectivamente formando una estructura piramidal de tensión. Será conveniente llevar a cabo este proyecto en un espacio formal de exposición. La iluminación será cenital generando una atmósfera hostil.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4446, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3743, NULL, '2020-04-12 21:58:16', '2020-07-29 20:13:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13718, 'FyMrTc8vbFkirDB6', 'NEVER CROSS THE SAME RIVER TWICE', NULL, 'International Contemporary Film Performance\n\nThe international exhibition NEVER CROSS THE SAME RIVER TWICE underlines the transnational dialogues on negotiating identities and everyday life through performance gestures that wish to cross borders on experience and subjectivity.\nThe ability to change is unquestionably more important today, because we are living in a dynamic environment, where things are changing at the speed of light. People are looking to make deep changes in our environmental and energy systems, our economic, representative and regulatory systems.\nThis research project is a time shifting narrative providing a space for reflection in the age of constant accessibility. How does performance art reflect the challenges of society at this very moment?\nNEVER CROSS THE SAME RIVER TWICE wants to open uncanny spectral exits in crossing borders between art practice, dialogue, image and interactivity by introducing innovative short film performance works and breaking conventions in order to open inspiring ways of seeing and experiencing, and decolonizing the enlightenment of dominant cultural discourse.\nMany of the works represent current practices in performance converging between video, film, and installation. \nNEVER CROSS THE SAME RIVER TWICE is the unexpected that re-engages with the concept of change and escapes the difficulties of cultural origins whilst encouraging artists to communicate visceral ideas and conversate in a global network.', 'Sammy Baloji, DR Congo, https://www.documenta14.de/en/artists/13531/sammy-baloji\nCharlotte Brathwaite, USA, https://www.charlottebrathwaite.com/\nEmo de Medeiros, Benin, https://www.emodemedeiros.com/\nJumana Manna, Palestine, https://www.jumanamanna.com/\nMoataz Nasr, Egypt, https://www.galleriacontinua.com/artists/moataz-nasr-51\nHarold Offeh, Ghana, http://www.haroldoffeh.com/\nAhmet Ogüt, Turkey, http://www.ahmetogut.com/\nMarinella Senatore, Italy, https://marinella-senatore.com/\nDaisuke Takeya, Japan, https://daisuketakeya.com/', NULL, 'Any flexible spaces for video exhibition on a monitor, flat-screen or a projection.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2666, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2308, NULL, '2020-04-12 21:59:52', '2020-11-02 23:51:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/1oSRKyUlLC_mshj-eSZnK4v3ALtxPdqWj'),
(13719, 'FZSjFiIZyboa7SGb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 22:11:30', '2020-04-12 22:11:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13720, '5a5pAh1HPLOCXw3T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 22:18:51', '2020-04-12 22:18:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13721, 'zcEsVPzj5UeOPA9m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 22:23:41', '2020-04-12 22:23:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13722, 'TUfjnkBdsovx8no9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 22:41:25', '2020-04-12 22:41:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13723, 'rdTDgtZcpsukAVOf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 22:42:40', '2020-04-12 22:42:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13724, 'eds13aWK1Qga1mMa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 22:48:15', '2020-04-12 22:48:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13725, 'LEHGsjXRmEly4A2K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:01:04', '2020-04-12 23:01:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13726, 'f8gDcsGYQrvJh6Qa', 'PULSAR', NULL, 'En estos nuevos tiempos que estamos viviendo, donde los Estados toman medidas preventivas de manera colectiva para el bienestar en común, también surge en el mismo seno, el estado de miedo colectivo e individual, donde la coyuntura social y económica nos hace sacar lo mejor o peor de nuestra humanidad . Las consecuencias de esta crisis global, que afecta a todos y no entiende de nacionalidades, etnias, convicciones o patrimonios, son difíciles de imaginar. Pero cuando llegue ese día, ¿habremos cambiado sustancialmente? ¿O la sociedad volverá a sus inercias actuales?. Como seguirá el ritmo de nuestra vida, de nuestras pulsaciones, seremos ¿empáticos o apáticos? ¿solidarios o egoístas? desde una manera individual y colectiva propongo una reflexión entorno cooperativo para vernos y sentirnos\nLa instalación parte de una interfaz electrónica de diseño personalizado que censa los pulsos del corazón. Está compuesto por sensores y una serie de elementos como, una luz, un parlante y una pantalla led que muestran los batidos por minuto (BPM).\nUna vez que el sujeto se coloque el dispositivo en el brazo izquierdo y entre en la sala oscura, comenzará a generar datos y sonidos, los mismos son traducidos en pequeñas tensiones eléctricas que iluminan una serie de luces que están distribuidas en el espacio, a medida que el sujeto recorra el espacio. Por lo tanto el efecto lumínico se encuentra al compás del corazón del censado, su entorno es reactivo de manera directa por el pulso vital.', NULL, NULL, 'El espacio para la instalación debe ser totalmente oscuro, cuyas medidas estimadas serían de 5 mtrs. de ancho por 6 mtrs. de largo , con una altura de 3 mtrs, el cielorraso debe estar disponible para sujetar las luces, ya que todas irán suspendidas.\nEn cuanto a la circulación del público es de tres personas máximo, por la tanto lo ideal es que tenga dos aberturas.\nPara la colocación de los dispositivos a las personas, se necesitara personal para el control del buen funcionamiento.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1030, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 882, NULL, '2020-04-12 23:07:11', '2020-08-11 21:48:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13727, 'q2zXPLKJwfizo8GX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:10:27', '2020-04-12 23:10:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13728, '0sfEwyrBCUKegKkU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:10:38', '2020-04-12 23:10:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13729, 'bSxYYXwFdRZTA2x4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:16:29', '2020-04-12 23:16:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13730, 'mNwNLh1EKXTtG5ap', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:21:00', '2020-04-12 23:21:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13731, '9lqc8cdgmYyG3rDV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:22:38', '2020-04-12 23:22:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13732, 'wNwZjheIAoX7EpRJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:49:46', '2020-04-12 23:49:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13733, 'h5lwDIXFBEccBp5T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:51:53', '2020-04-12 23:51:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13734, 'umCSpDcGrs2grPjR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-12 23:55:46', '2020-04-12 23:55:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13735, 'h3A47zaFWLsjj1PZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:16:31', '2020-04-13 00:16:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13736, 'C37x0jisWkg4Wyhl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:20:16', '2020-04-13 00:20:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13737, 'poS8yC7IWtkDIqhl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:24:25', '2020-04-13 00:24:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13738, '1ZvlEst7TK4vYho6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:31:31', '2020-04-13 00:31:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13739, 'd3j45bGzHCTZ412N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:43:35', '2020-04-13 00:43:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13740, '0vsmF3U2MbUzJzhQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:47:11', '2020-04-13 00:47:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13741, 'aTkFabDJU6oS4Mqs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:52:52', '2020-04-13 00:52:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13742, 'taAASL3vZz71xzU5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:53:05', '2020-04-13 00:53:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13743, 'dRZmrt0nAwETbdQL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:53:21', '2020-04-13 00:53:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13744, 'NdctDRGs3Ohgnie4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 00:54:47', '2020-04-13 00:54:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13745, 'E2lOMMZmdORf4Vt0', 'Mahjong & My __ is very good', NULL, 'Title: Mahjong\nYear: 2020.02\nMedium: Mahjong\nDimension: 41.5mm x 31mm x 22mm x 144piece\nDescription: Board game with identical patterns on both sides.\n\nTitle: My __ is very good\nYear: 2019.04\nMedium: performance video\nDimension: 00:06:57\nDescription: Artist is very good at the most used language worldwide.\nVideo link:\nhttps://www.youtube.com/watch?time_continue=5&v=UgOnoBm7pWw&feature=emb_title', NULL, NULL, 'Mahjong: Pedestal showing\n\nMy __ is very good: Projection on wall, eyes level.', NULL, 'artist', NULL, NULL, 'https://www.tinwaiwong.com/my-___-is-very-good-___', NULL, NULL, NULL, 'https://www.tinwaiwong.com', NULL, NULL, NULL, 1031, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 883, NULL, '2020-04-13 00:56:36', '2020-06-23 02:34:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13746, 'ugrF3DZUvATo03em', 'Pervivencia de lo concreto. La trasmutación de una obra y su espacio de habitabilidad.', NULL, 'Memoria Conceptual: Una ruina fue otrora una obra de arte que se abrió paso desde las ideas en la mente de su creador plasmadas en un plano hasta su lugar de morada definitiva enclavada en un paisaje milenario. Mi interés radica en documentar en el hábitat concreto de una arquitectura que junto a la naturaleza que le hace de soporte engendran una nueva obra enriquecida por el paso del tiempo. El paisaje y la ruina se unen dando la sensación de ser un conjunto donde uno no es nada sin el otro. Esta nueva estructura se conforma de múltiple elementos que lo constituyen como un todo que alguna vez fue el cobijo del habitar de un grupo humano.\n\nMemoria descriptiva: el conjunto consta de 11 pinturas dispuestas a modo de mural, óleos sobre tela realizados en 2019.\n1)Ampurias, 100 x 100 cm, 2)Via apia, 45 x 27 cm, 3)Bruma, 49 x 44 cm, 4)Pérgamo, 57 x 45 cm, 5)Paisaje Estructural, 150 x 56 cm, 6)Topos, 150 x 56 cm, 7)Hera, 50,5 x 37 cm, 8)Tholos, 74 x 67 cm, 9)Tesoro, 56 x 53 cm, 10)Corinto, 43,5 x 49 cm, 11)La colina, 54 x 35,5 cm.', NULL, NULL, 'Museo de calcos Ernesto de la Cárcova (UNA)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1035, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 886, NULL, '2020-04-13 01:07:29', '2020-07-07 21:38:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13747, 'r4b0L95S2EefKF26', 'Stature', NULL, 'In the series Stature, I created the enclosing stage and every object within by casting concrete and clay from discarded consumer electronics packaging. The negative space of the trash becomes the positive space of the construction. The cast objects are not glued or affixed to each other, but are balanced in tenuous arrangements that vary from abstract to highly anthropomorphic “monsters.” The choices of polystyrene forms and concrete as a medium provide an indirect means to explore the discards and inversions of capitalist endeavor. In the forms  I have embedded references that interest and influence me, from surrealist painting to Latin American brutalist architecture to Ursula Schulz-Dornburg’s images of post-Soviet era bus stops in Armenia.The use of concrete also references the physicality of institutions, and the way in which the ubiquity of concrete in institutional structures embeds the power of the institution in the material. I allow his photographic constructions to become monsters as a way to talk about the authority we give bureaucratic structures; we build institutions because we need them, then we gift them with power and authority, and then we fear them. The sculptures in Journeyman further speak to the visceral experience of institutional visual language. Viewed from above, the ceramic works resemble engines, machine parts isolated from any recognizable function, sitting in solitary confinement in the floor and lit in a way reminiscent of altars.', NULL, NULL, 'Any space with no windows and a minimum of 20 x20 ft', NULL, 'artist', NULL, NULL, 'http://www.rodrigovalenzuela.com/maria-tv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1236, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1075, NULL, '2020-04-13 01:08:57', '2020-07-25 01:40:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13748, 'wlOkkri3c6uK26Vx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 01:18:27', '2020-04-13 01:18:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13749, 'qqYGAfoYBke2Ddo8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 01:29:19', '2020-04-13 01:29:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13750, 'MK0XGUXLb4hii8tl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 01:31:51', '2020-04-13 01:31:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13751, 'g5ktRV9sAHgIxVy7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 01:43:34', '2020-04-13 01:43:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13752, 'KvRqCXL0pLUKR4YB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 01:44:00', '2020-04-13 01:44:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13753, 'seDEolqjTQFWOz1h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 01:47:29', '2020-04-13 01:47:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13754, 'NsJ54u6CSfSiqAHY', 'Oxygenesis', NULL, 'OXYGENESIS investigates the human relationship with oxygen, the great life support system. For this purpose, the work starts from a cage, an object destined for imprisonment, and a manual oxygen balloon, an instrument of salvation that promotes artificial respiration, also known as \"resuscitator\". In the work both objects are displaced from their real functions. Therefore, reality also shifts, creating a new perspective and a strangeness capable of \"breaking\" the ordinary and disturbing the routine. It is in the displacement of this reality that the work acts, subverting signs.\n\nThe artist\'s research began in 2019, when she spent a significant portion of the year treating the cage as an inseparable object carried everywhere, including trips between Brazilian states, work meetings, leisure moments, in a fusion of art with real life that is influenced by the International Situationist movement.\n\nThe analogy with pets is undeniable, a bird in a cage is no longer free, it has been domesticated, dominated. A particular universe emerged from that, in a clash between real and imaginary, referring to the creation of the earth, development and mutations, processes with unpredictable results, transformation and loss of control, but also diversity, metamorphosis and hybridity, as well as the possibility of chaos, destruction, involution.\nThis is a work on the suffocation of a society, and it is also an invitation to think beyond the current time.\n\nhttps://bit.ly/conceito_oxigenesis', NULL, NULL, 'Oxygenesis presents a set of works of art with the same concept and different languages. The curatorship can recommend the most suitable work for the exhibition.\n\nWorks: https://bit.ly/obras_oxigenesis\n\nRequirements: https://bit.ly/montagem_oxigenesis', NULL, 'artist', NULL, NULL, 'https://bit.ly/obras_oxigenesis', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2773, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2405, NULL, '2020-04-13 02:10:42', '2020-07-22 18:25:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13755, 'Fgf2FKsrrHlATEPw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 02:27:00', '2020-04-13 02:27:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13756, '3Rc4tjTajRsn82il', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 02:27:27', '2020-04-13 02:27:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13757, 'Tu6rg1G3GIwDVjr2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 02:49:30', '2020-04-13 02:49:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13758, 'AQ6GS2JBE5rJ4ZFr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 02:51:14', '2020-04-13 02:51:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13759, '2ObhFPYonuz7qeJL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 02:55:36', '2020-04-13 02:55:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13760, 'eXqcVEbkMX8jPNIO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:12:49', '2020-04-13 03:12:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13761, 'BkNBIlNqGDQIIEIW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:13:11', '2020-04-13 03:13:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13762, 'xGNyM36NGm8kTovQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:19:13', '2020-04-13 03:19:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13763, 'me1zVol8Jqp52P3d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:19:14', '2020-04-13 03:19:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13764, 'jC1o3x6VZZeboZk4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:20:07', '2020-04-13 03:20:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13765, 'AU15HIhJwUPu8Fzn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:30:18', '2020-04-13 03:30:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13766, 'hiVGgLnvY9NULSel', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:39:39', '2020-04-13 03:39:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13767, 'U9UxeWx0UWfQEDSE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:49:31', '2020-04-13 03:49:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13768, 'IMVUhA7ldRdCRwLE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:50:45', '2020-04-13 03:50:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13769, 'SNObaf3gK9yITWHv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 03:57:38', '2020-04-13 03:57:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13770, 'KesxKACsooWBTSln', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 04:29:27', '2020-04-13 04:29:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13771, 'vdS5VfbNprQhNEQT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 04:31:55', '2020-04-13 04:31:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13772, 'u2WbYOckK62nb94P', 'ARTE UNISTA', NULL, 'La lucha constante entre lo material y lo espiritual es el dualismo esencial de nuestras almas. Este mundo físico es un mundo de multiplicidad, en el que se oculta la Unidad Divina. Lo espiritual nos conecta en cambio a la Unidad. Entre lo múltiple y lo Uno se debaten nuestras almas, independientemente de nuestra voluntad. La Unidad es el reino de la luz, es decir de la verdad. En contraposición la multiplicidad es el ámbito de la confusión, de la mentira, del sufrimiento. En la multiplicidad hay verdades incontables, todas ellas relativas. En la Unidad se descorren los velos, la luz sale de su ocultamiento y la Verdad se impone por sí misma, y esto genera placer en el alma.\n\nLa Unidad es el camino del verdadero placer, es el camino de redención de nuestras almas. Este camino requiere unir el cielo con la tierra, esto es, imbuir de espiritualidad la dimensión terrenal. Es el camino de la Redención que anuncian los profetas. Un camino ya iniciado y que ahora se está manifestando con más fuerza cada vez.', NULL, NULL, 'ESPACIO DE MUROS BLANCOS 50 METROS LINEALES', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/arte.revelacionista/photos?needsRefresh=true', NULL, NULL, NULL, 1037, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 888, NULL, '2020-04-13 04:34:41', '2020-06-23 02:33:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13773, 'Zmx95KxObRQa6uWm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 04:41:09', '2020-04-13 04:41:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13774, 'JL0bZHKrjGM6Ys3n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 04:56:25', '2020-04-13 04:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13775, '3JQJ4LfMAXAfH7HF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 05:05:44', '2020-04-13 05:05:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13776, 'kmjLiZWDJlL2jICz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 05:05:55', '2020-04-13 05:05:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13777, 'BixGD9W2CQVOt8bj', 'Apariencia épica', NULL, 'Apariencia épica es una reflexión en torno a la figura del héroe contemporáneo dentro de la ciudad, aquel que habita ese espacio de forma cotidiana, enfrentándose a diferentes dilemas desde la analogía clásica de lugares como el Tártaro. La ciudad se comunica, nos propone una serie de especulaciones que generalmente pasamos por alto. El ritmo de la urbe es vertiginoso, dinámico, inagotable, esto hace que recordemos solo un poco, fragmentos, instantáneas de toda aquella información, y sin embargo, las señales que están en cada lugar, claman por ser escuchadas, quieren ser delatadas. El ejercicio de caminar lento proporciona otras posibilidades, invita a constatar el flujo de experiencias que cada porción de mundo posee, por sencillas y sutiles. A partir de la banalidad de objetos citadinos como la señalética pública y la publicidad privada se propone una discusión entre la imagen, el texto y el pensamiento trágico de Nietzsche, que plantea una observación tranquila pero poco común de nuestra relación con la cotidianidad.', NULL, NULL, 'Título de la obra: Apariencia épica \nDuración: 3,22 min\nLink: https://vimeo.com/284465726\nFecha de realización. 2017', NULL, 'artist', NULL, NULL, 'https://vimeo.com/284465726', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1036, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 887, NULL, '2020-04-13 05:30:37', '2020-06-23 02:34:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13778, 'vtnnCHduxxGJE4bR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 05:31:52', '2020-04-13 05:31:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13779, 'VWLq7bPx3NyZJJMX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 05:54:18', '2020-04-13 05:54:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13780, 'oUkM77U3eIP5KGNf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 05:54:51', '2020-04-13 05:54:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13781, 'homvYjGpwLHG7cTc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 05:56:50', '2020-04-13 05:56:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13782, 'RycsF4WeQchUJxEW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 05:58:42', '2020-04-13 05:58:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13783, '1ays7qA6ICTdRzPj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 06:16:24', '2020-04-13 06:16:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13784, 'tSuf4sLiO1WRI0wt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 06:23:09', '2020-04-13 06:23:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13785, '6AOsSSCJ9ezOwNNh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 06:24:00', '2020-04-13 06:24:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13786, 'ADka49RQCimeaWoY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 07:24:52', '2020-04-13 07:24:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13787, 'icwXPrSgHDYeCtS1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 07:30:41', '2020-04-13 07:30:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13788, 'ou8tTkkkLaV62WGd', 'la danza del condór', NULL, 'PARTE II SIMBOLOGIA Y REMISIONES\n¿Por qué el cóndor? Elegimos el cóndor, como tema general de la performance, porque simboliza la conexión entre Inti y Pacha mama (; el cóndor ha ido dejando su cuerpo en el espacio de las comunidades y vincula todas sus morfologías; territorios: vincula cumbres, valles, mesetas, cauces de ríos, desiertos y cordilleras.\nLa performance bajo el tópico del principio de unidad del vuelo del cóndor que une todos los elementos del espacio hibrido o ese cuerpo geográfico tiene cuatro', NULL, NULL, 'Esta performance involucra una serie de elementos, cada uno de los cuales tiene un significado y remisiones específicas. La lista es la siguiente. \nCoreografía: esta  danza dura, tiene 30  minutos, y posee 4 momentos en los que corresponden a 3 momentos el primer momento de presentación y 3 subsiguientes que corresponden a simbologías, e involucra 2 cambios de vestimenta y los primeros 3 momentos tienen música y el cuarto no.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1039, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 890, NULL, '2020-04-13 07:43:08', '2020-06-23 02:33:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13789, 'OJ4dFEHnus3myCA1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 07:43:40', '2020-04-13 07:43:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13790, '6gi830uBG2NMizWW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 08:10:40', '2020-04-13 08:10:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13791, 'DhlojLhyDbbvA3WC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 08:15:13', '2020-04-13 08:15:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13792, '1blisN8dRRbu7Nzi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 08:29:00', '2020-04-13 08:29:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13793, 'jbnQtbkFnEtAvLGx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 08:43:09', '2020-04-13 08:43:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13794, 'wjCwO1Cu4ONQ1rhD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 09:09:24', '2020-04-13 09:09:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13795, '0tCV2g3eymozIjUL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 09:32:58', '2020-04-13 09:32:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13796, 'JODZCwOOMl4bTJ6q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 09:42:22', '2020-04-13 09:42:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13797, 'FY4ZcXNgkw3KlCBc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 10:12:10', '2020-04-13 10:12:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13798, 'TTn7ZQLwlFlK3pWZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 10:12:13', '2020-04-13 10:12:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13799, 'ombsVpN3KQEcB55I', 'LAND/SCAPE', NULL, '\'LAND/SCAPE\' (2020)\nan experimental multispecies collaboration by Michal Krawczyk and Giulia Lepori with Dondolo and Giorgiana.\n\nSynopsis:\nThe word ‘landscape’ is made of two parts: ‘land’, from the Old English lond, land, meaning “ground, soil” and -skap, related to the word ‘shape’ from the Old English scieppan, meaning “to create, to form.” This short film is a multispecies ethnographic collaboration between humans and donkeys, in the permacultural site of Centre Thar dö Ling, in the Valley of Sagana (Sicily, Italy), where the land is being regenerated, and regenerative, through human and other-than-human ecological interactions. Land is shaped as land shapes.', NULL, NULL, '2K 1080p projector, can be screened on a wall, separate room possibly because of the audio or multiple headphones should be provided', NULL, 'artist', NULL, NULL, 'https://vimeo.com/earthcare/landscape', 'landscape2020', NULL, NULL, NULL, NULL, NULL, NULL, 1040, NULL, 120, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 891, NULL, '2020-04-13 10:30:19', '2020-06-23 02:33:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13800, '9JaDoYMIDwSuSdAU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 11:44:50', '2020-04-13 11:44:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13801, '280DSTyj8Y7LEcnI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 11:44:55', '2020-04-13 11:44:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13802, 'sdVuwUv09EiDnYwq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 11:58:07', '2020-04-13 11:58:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13803, 'RapNQKm57o8EIqQo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:06:04', '2020-04-13 12:06:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13804, '9W3IKhhhDDxPgw9x', 'O Choro pode durar uma Noite, mas a Alegria vem pela Manhã', NULL, 'Serie de fotografías con imágenes de autor e imágenes y documentos apropiados de archivo familiar.\n\n\"O Choro pode durar uma Noite, mas a Alegria vem pela Manhã\" (2015-2019) es una\nhistoria personal e íntima, historia de una familia cuya figura paterna solo existe como\ntrauma, vacío y ausencia. Como en la mayoría de los barrios periféricos en Brasil y\nAmérica Latina. El trabajo busca una reconstrucción de la memoria familiar, en una narrativa de este problemático romance que expresa sentimientos ambiguos en esta historia donde el amor y el odio, la presencia y la ausencia,\neuforia y depresión, pasado y presente se mezclan en un guión sin roles definidos,\ndonde las brechas que quedan en el espacio físico se proyectan como una paisaje interior. Convirtiéndose em una búsqueda de la identidad de mi padre. Lo conoces a través de la vida que tuvo.\nEn una realidad vivida en los extremos, se da cuenta de que lo naturalizado, debería ser una excepción. Se trata el aborto masculino, que es tan común en los barrios periféricos, como un simple hecho de la vida, como el amor y la muerte.\n\nEn la oscuridad de los caminos oscuros e internos, cuando la noche se cansa, la luz de\nmañana brotará tímida. Nunca amanecemos los mismos.', NULL, NULL, 'Propuesta de Montaje\n\n Montaje de 8 fotografias de 60x40 cm y 2 fotografias de 40x60 cm, una al lado de lá outra.\n\nDimensiones:\n\n8 fotografias 60x40 cm\n\n2 fotografias 40x60 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/folderview?id=1dVwV87QbzQeNW7BnTgCPv3fMKKXWraiD', NULL, NULL, NULL, 2268, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1964, NULL, '2020-04-13 12:20:21', '2020-07-12 17:04:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13805, 'h0DNZRKiBpwC8RKh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:20:25', '2020-04-13 12:20:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13806, 'wn6qmMmvsgWFbUSv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:26:07', '2020-04-13 12:26:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13807, 'zsJrngTjAKsydhj5', 'BIBLIOTECAS DE BABEL', NULL, 'El proyecto nace tras la lectura de un relato de Borges, La Biblioteca de Babel. En él se describe un espacio semejante a los panales de una colmena donde se guardan libros en los que podemos hallar todas las combinaciones posibles de los alfabetos conocidos. Bibliotecarios intentarán infructuosamente conocer el sentido de su caótico orden. \n\nBibliotecas de Babel reflexiona sobre la imposibilidad del conocimiento y el deseo que sin embargo nos impide dejar de perseguirlo.\n\nInvestigaremos el problema a través de tres secciones:\n\nBibliotecas: librerías en papel, tinta y collage que representan grandes librerías ubicadas en lugares imposibles creando una sensación de soledad y extrañamiento. El papel va desnudo a la pared (colgado con un sistema de pinzas o imanes) y su tamaño vertical oscila de 1m hasta 210 cm\n\nBabeles son librerías con la misma técnica que levantan edificios verticales hacia el conocimiento absoluto representado por Dios.\n\nBiblioclastía (Los Bibliotecarios) donde retratos en lápiz, carbón o bolígrafo son plasmados en libros desahuciados y \"suspendidos\" en cajas de madera. En homenaje a Farenheit 451, Biblioclastia significa aquella compulsión humana existente en todas las épocas a quemar libros para mantener ciertas y surgió tras la destrucción oficial de una de las Bibliotecas de la Universidad pública de Venezuela el pasado octubre. \n\nSe cierra una investigación en círculo: el conocimiento que aunque imposible se desea y la pulsión social de su destrucción.', NULL, NULL, 'El proyecto se puede adaptar a diversos espacios en cuanto que se puede prescindir de alguna de las obras tales como las medianas en espacios más reducidos, por tanto la obra puede ocupa un espacio convencional o un espacio más difícil. Pensamos el espacio ideal para ellas es aquel que presente cierta versatilidad en rincones, espacios móviles que puedan recrear una suerte de “capillas”, que juegue con la oscuridad para potenciar el aura espiritual y emocional que evocan las obras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2805, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2434, NULL, '2020-04-13 12:31:28', '2020-06-24 23:02:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13808, 'xUzrQEN70AYS8MI6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:40:54', '2020-04-13 12:40:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13809, 'ksAHJWETZuQvJweb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:53:03', '2020-04-13 12:53:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13810, 'qVytsgIzo7nsGqDV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:55:06', '2020-04-13 12:55:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13811, 'fY7BLaWwahf5ZaUN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:55:28', '2020-04-13 12:55:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13812, '9PmAmTp9aRQ3CB7E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 12:55:51', '2020-04-13 12:55:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13813, 'oRroblXVJHD65ZAC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 13:00:14', '2020-04-13 13:00:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13814, 'bwHMJGQw2sQSvcDJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 13:04:08', '2020-04-13 13:04:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13815, 'kSjEYBY1ZRh4pOtQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 13:04:55', '2020-04-13 13:04:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13816, 'XkkeVfy9FKzfPkux', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 13:27:32', '2020-04-13 13:27:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13817, 'tsg7NTfYi98VW4lc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 13:28:21', '2020-04-13 13:28:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13818, 'evdtK7nxmzLCpREw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 13:43:39', '2020-04-13 13:43:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13819, '3pLm68eJtJ3CnX3M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 13:58:16', '2020-04-13 13:58:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13820, 'uJ41wZmurB4cl39k', 'El Revolucionary Herbarium', NULL, 'El Revolucionary Herbarium gives voice to a community of plants that have been forgotten, invisibilized, removed from circulation and eventually prohibited, to defend the capitalistic interest of the pharmaceutical lobbies. Ancestral plants which are extremely contemporary in relation to the diseases that can prevent and cure. The herbarium is on fabric and embroidery, sewing the plants\' seedlings. The hand-made infuse an anti-modern force with explicit references to the ancient codes and the sacred textile art of indigenous peoples, such as the Shipibo who work with weaving and plants. Besides a description of the main therapeutic principles, there are references on their ancestral use and the scientific studies and related economical interests. The herbarium is conceived as a work in progress to be enriched through time with new plants; before the exhibition opening, few new page will be created in site to be added to the show, collecting plants in the green areas of Buenos Aires. Furthermore I propose an activation i.e a walk through the city searching for medicine plants that grow spontaneous to the edges of the streets, and abandoned areas, as a kind of resistance presence against the capitalization of the health. In the desire to make germinate connections with la Pacha, the proposal indirectly provokes a reflection on our health, promoting a returning to feminist and eco-solidarity care practices, versus the nowadays capitalization of public health.', NULL, NULL, 'Part of the herbarium has been shown in March at Tangent Project-Barcelona, and in October 2020 at the Natural Science Museum-Lisbon. At BienalSur I propose an inhedited integral version, made up of 50 pages of 40x50 cm each - 20 of them are new pages, including the ones realized in site. I suggest to show it up in a wall/30m,or room space/40m2 installing the pages one after the other as a spacial book, or at Museo Argentino de Ciencias Naturales, installing them among the museum collection.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://www.tangent-projects.com/tangent-projects-project-15', NULL, NULL, NULL, 1180, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1023, NULL, '2020-04-13 13:59:28', '2020-07-25 00:20:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13821, '6M5BnU4THiH0HKPm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:04:38', '2020-04-13 14:04:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13822, 'SMkF5Sk2ebiZkRGT', 'The Porcupines and other stories of Intimacy', NULL, 'An exploratory meditation on the concept of intimacy in a personal and intuitive way.\nIn this uncanny parallel universe of disastrous mating and traumatic unions, the characters’ attempts at closeness only enhance their sense of isolation. \nWith the urge to abide by the myth of becoming “one,” the emotional and physical weight of closeness becomes cumbersome and bulky. The burden of childhood shadows and personal demons is transferred onto the loved one in awkward embrace or thorny gesture.\nThe subjects explore boundaries of intimacy in an outer display of bizarre juxtaposition that makes the familiar appear hostile, even dangerous, begging the question: “ In this world of self-inflicted isolation, is to share to injure\"', NULL, NULL, 'This project has not been exhibited before, so I don\'t have prints ready. I\'m open to any suggestions if it is selected.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1049, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 900, NULL, '2020-04-13 14:07:40', '2020-07-12 16:44:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13823, '9m1hRU80lLFG9hFe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:10:00', '2020-04-13 14:10:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13824, '3wFi0yEEhcx9ZfNG', 'Food for the Afterlife', NULL, 'For BIENALSUR 2021 I’m presenting a body of work focused on the role of food and animal materials prepared for the afterlife in funerary rites. I began this research in  2019 in Turin at the Museo Nazionale Egizio (National Egyptian Museum) focusing on bread loaves and animal fat found in the tomb of Kha and Merit (1425-1535BC). I wish to expand this body of work by researching the practice of placing food parcels in coffins in Mapuche funerary rites. \n\nMy research began with the desire to explore matter as a repository of memory and energy. I became fascinated by the instability of the meaning of food found in tombs. Because it is meant to give life to the dead in another dimension (an afterlife), it exists in a limbo of symbolic and practical value. \n\nIn my practice there\'s an overlap between subject matter and the materiality of the paintings. I construct spaces following the logic of a ritual: endlessly repeated actions allow for the percolation of knowledge passed through time.\nThis ritualistic aspect of my work is ordered around a heightened sensitivity to materials, focussed both on their physical properties and their symbolism or meaning. The materials that interest me are those closely connected to the human body and its interaction with other species: hide, fur, humours, leather, fat, oils, rubber, waxes. These often simultaneously embody impulses of attraction and repulsion, and the instability this contradiction is critical to my practice.', NULL, NULL, 'The works selected feature images of bread loaves and piles of animal fat and their surface has been treated with an oily substance I created out of beeswax and natural oils. \n\nThe large hanging (11x4m) from images 1,2 can be hung outdoors and has a metal supporting structure.\nThe smaller framed paintings hang perpendicularly to the wall so the back can be seen as well (image 4)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4830, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4066, NULL, '2020-04-13 14:30:33', '2020-07-02 02:11:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13825, 'qrp5JxtCppeyM83t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:40:40', '2020-04-13 14:40:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13826, 'RPSueh8FWwsgUDEU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:41:43', '2020-04-13 14:41:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13827, 'QWnceUI6Yp5HLIM3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:44:28', '2020-04-13 14:44:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13828, 'BjZahLel3FOhQn39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:45:57', '2020-04-13 14:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13829, 'ETaufXD0M8B83DgN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:47:50', '2020-04-13 14:47:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13830, 'mUn2CAKAYGCeys2u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 14:53:05', '2020-04-13 14:53:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13831, 'i30ZRR8zbVXGNF8H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 15:01:50', '2020-04-13 15:01:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13832, 'oKnsCboTkugzVpYL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 15:03:39', '2020-04-13 15:03:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13833, 'pznJcQm70kOogmmD', 'BÚSQUEDA Y ACOGIDA. Encuentro con el Mundo Árabe a través de la poesía, la música y la pintura.', NULL, 'La poesía, la pintura y la música se dan la mano, se complementan e interactúan en una muestra conjunta, llevando al espectador a emprender un Viaje lleno de sensaciones, utilizando todos sus sentidos.\n\nLos tres artistas provienen de países diferentes y tienen diferentes trayectorias, pero el destino les ha reunido para hablarnos de una búsqueda y unas inquietudes similares. Ambos coinciden en la influencia de la cultura árabe en su trabajo y en su vida, pero más allá de este eje común, los tres han encontrado coincidencias en su expresión artística; Una búsqueda de un horizonte ilimitado que se amplía continuamente. \nLos tres recorren la inmensa nada para llegar a un encuentro deseado que nunca alcanzan plenamente.\nMediante poesía, música y pintura nos hablan del Viaje, necesario para encontrar nuestro espacio. También de la búsqueda de lugares lejanos, que no conocían anteriormente pero que ellos los hacen suyos; lugares que ya teníamos en el recuerdo aunque no hubiéramos estado allí con anterioridad, encuentros inesperados que  hacemos nuestros y que con ello son rescatamos del olvido.\n\nMediante la voz suave y exquisita de Qassim Haddad recitando sus poemas, acompañado por Miguel Merino con su música compuesta especialmente para su poesía, y con su lira africana como instrumento principal. Y todo ello con un espacio expositivo inundado con la pintura de Marta Maldonado. Cada pintura estará relacionada con un poema y una composición musical.', NULL, NULL, 'Espacio museísticos o grandes salas de exposiciónes, donde resulte de especial valor la interactuación entre diferentes culturas,: Árabe, Europea, Americana. \n Ejemplos:\nMuseo Nacional - Arabia Saudita.  Riyadh \nMNCARS - Museo Nacional Centro de Arte Reina Sofía. Madrid \nMACAAL - Musée d\'Art Contemporain Africain Al Maaden. Marrakech\nFundació Es Baluard Museu d’Art de Palma.\nNattionale delle arti del XXI secolo Roma\nMaison de l\'Amérique Latine. París\nCentre Intermondes. La Rochelle', NULL, 'artist', NULL, NULL, 'https://youtu.be/d1xnsyN3Fec', NULL, NULL, NULL, 'https://www.dropbox.com/s/0egpun5ythtjoeu/B%C3%9ASQUEDA%20Y%20ACOGIDA%20%20Cat%C3%A1logo.pdf?dl=0', NULL, NULL, NULL, 2586, NULL, 303, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2242, NULL, '2020-04-13 15:10:45', '2020-06-24 20:03:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13834, 'KzNAz0MqnJ55X4UB', 'Stiletto is a Dagger!', NULL, 'Intended to be installed on plinths, the series ​Stiletto is a Dagger​ consists of four stilettos and one Buffalo shoe, all moulded in bronze. The stiletto shoes present themselves to the viewer on long stems: sprues left over from the molding process. This part of the sculptural objects functions as a comment on the elevation of objects to artworks, when placed in a certain context. The high heeled shoe as an object already contains this theme, but by exaggerating the height of the heel and adding stalks to the sole, further attention is drawn to it. The integrated pedestals simultaneously ridicule the plinths artworks are typically installed on, and​ ​makes the viewer aware of how placing seemingly pedestrian objects within art institutions automatically makes us catalogue them as works of art. The objects also playfully question the functionality of artworks, since the image of a person wearing this dysfunctional footwear is rather absurd.\nStilettos are part of the uniform and feminine choreography of businesswomen, and play an important role in drag communities, where the shoe symbolizes illusion, transition, and gender-queering. Playing on the double meaning of the word, (​stiletto​ originates from a diminutive word of the Italian word for dagger: ​stilo​), ​Stiletto is a Dagger​ also references weaponry, as does the name of the footwear itself.', NULL, NULL, 'Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo (2018) Bronze & Buffalo\n 24x26x40\n\nStiletto is a Dagger! (1) (2019) Bronze\n43x22x9,5\n\nStiletto is a Dagger! (2) (2019) Bronze\n37,5X18x8,5 cm\n\nRose Dancing (2019) Bronze\n41x22x13\n\nStiletto is a Dagger! (3) (2019) Bronze \n37,5x19x8', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1042, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 893, NULL, '2020-04-13 15:12:57', '2020-08-11 21:49:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13835, 'IWgzG8YYKoaSBXUE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 15:19:53', '2020-04-13 15:19:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13836, 'HWHL388hp8wL4oYk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 15:30:06', '2020-04-13 15:30:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13837, 'UxFHo2YNvvU8t2W0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 15:33:37', '2020-04-13 15:33:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13838, 'q9fRMspN2KWe2pqD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 15:47:12', '2020-04-13 15:47:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13839, 'jV1WwpScOIgpBVFp', 'Casa', NULL, 'Casa, aquilo que cada um chama de lar, onde você mora, uma representação direta de uma construção feita de tijolos, seu interior ou até  mesmo ao que chamamos de mundo ou planeta, afinal o que  é nossa casa? Será algumas paredes? Nosso bairro? Nossa cidade? Nosso planeta?\nTudo é nossa casa, desde os pequenos detalhes até as pessoas com quem vivemos que ajudam a formar esse lugar, vivemos aqui, e pra você o que é a sua casa?', NULL, NULL, 'aquarelas pequenas em torno de 10cm o tamanho', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1044, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 895, NULL, '2020-04-13 15:53:28', '2020-06-23 02:33:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13840, 'z3ayyTFDitKvQBf6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 15:57:23', '2020-04-13 15:57:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13841, 'jkid2eMWuSzoQxrs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 16:00:41', '2020-04-13 16:00:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13842, 'ys6VesZKj7V1Sy7X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 16:13:44', '2020-04-13 16:13:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13843, '04HxjWsNVI3x7T6Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 16:17:12', '2020-04-13 16:17:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13844, 'McKvKgZPS4Y970E8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 16:17:13', '2020-04-13 16:17:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13845, 'TvGRlfTwuviOIg4L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 16:17:36', '2020-04-13 16:17:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13846, 'Ds4b3oZDYxraIwN6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 16:27:51', '2020-04-13 16:27:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13847, 'Loyuy9I7mB0DHsK7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 16:37:12', '2020-04-13 16:37:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13848, 'EJnQM84gnjPY25Ug', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:03:34', '2020-04-13 17:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13849, 'NQffaIc5fpv478Jb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:04:42', '2020-04-13 17:04:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13850, 'LI33aOy4ug2CToM0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:07:49', '2020-04-13 17:07:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13851, 'Zr5n7DjH9HLH8nJR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:10:02', '2020-04-13 17:10:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13852, 'J537Vw6dthRVHlMP', 'SiO2 + Na, Al, Fe, Ti + (Ca, Mg, Mn)   Murmúrios do Quartzo Rosa - Instalação para curar o corpo', NULL, 'Murmúrios do Quartzo Rosa é uma instalação artística e sonora dedicada à meditação, à quietude e à cura do corpo através das medicinas, populares e milenares em diversos grupos étnicos, do Quartzo Rosa. Ela acontece na interação das dimensões sonoras e espaciais: \n\na) espaço: instalação suspensa de um quartzo rosa no centro da sala/espaço com esteiras ou tapetes de fibras naturais ao seu redor. cada uma com um fone de ouvido. O convite é que se posso sentar e até mesmo deitar, para fruir atuação do quartzo \n\nb) sonora: Áudio imersivo (immersive audio) composto pela captação das texturas do quartzo por um piezoelétrico, de modo a traduzi-las em impulsos elétricos e por fim à ao sistema de sintetização sonora digital, onde essas ondas são manipuladas - o resultado sonoro é a própria materialidade física transformada em som. Esse som é que está presente nos fone de ouvidos em cada esteira.', NULL, NULL, '- Sala em ambiente fechado, que proporcione silêncio.\n(exemplo: como galerias, museus, centros culturais, templos, edificações em parques\n- Rede elétrica e sinal Bluetooth .\n- Estrutura no teto que permita para instalação suspensa do Quartzo Rosa (8 kg)\n- Rede de energia elétrica e sinal bluetooth para os headphone\n\nOBS: Por sua característica técnica de sonoridade imersiva,  é essencial que seja ouvido com fones ou ouvido. Outra opção é sala que disponha de sistema surround de qualidade.', NULL, 'artist', NULL, NULL, 'https://rubiraio.bandcamp.com/album/sio2-na-al-fe-ti-ca-mg-mn', 'Áudio de Murmúrios do Quartzo Rosa', NULL, NULL, NULL, NULL, NULL, NULL, 6215, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5093, NULL, '2020-04-13 17:13:46', '2020-06-23 20:13:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13853, 'Mrff9iRsJL3aiLaF', 'Will I See You Again?', NULL, 'Our practice will function as fragments of memories and exploring new homes wherever we go to build our own personal narratives. This will most likely come in the form of videos and photographs which will later be built into a installation of some sort. For this project, we are combining our usual practices in order to compliment but also contrast each other’s visuals whilst the concepts remain parallel. This is shown in the contrast between monochrome and colour, landscape and close-up etc...', NULL, NULL, 'We like to adapted to the spaces we are given, allowing for experimentation. Particularly spaces that are different from traditional gallery aesthetics and more so spaces like corners, boxes, nooks and crannies. Approximately, we would most like print/ display work on A1– A0.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=0D4LFgsbR7Q&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1056, NULL, 121, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 908, NULL, '2020-04-13 17:15:00', '2020-06-23 02:32:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13854, 'obCPDLLjAaPXYKLV', 'OCTAVO DIA', NULL, 'OCTAVO DIA es un proyectO de caracter ecologico. Se trata de un serie de 6 pinturas al oleo de 80x60 de animales en la que luego del proceso de pintura se intervienen los bastidores de distintos modos relacionandolos con la forma en que torturamos o matamos a cada uno de esos animales.\nA un elefenate le cortare con un cuchillo dos circulos de bordes irregulares en el lienzo en donde deberian estar sus colmillos\nA una orca le quebrare el bastidor para forzar a que entre en un recipiente mediano con agua\nA un yaguarete le disparare con un rifle hasta destrozar todo el lienzo\nA un tucan lo prendere fuego\nA una tortuga marina la envolvere en film\ny a un cocodrilo lo doblare a la mitad para coserle una manija\nA traves de las obras se pretende generar conciencia en el espectador, a fin de que pueda evitar comportamientos que sigan dañando el medio ambiente o solventen mercados ilegales, violentos y asesinos. La bienal Sur me da la posibilidad de que el mensaje llegue a muchas personas. \nHasta el momento he finalizado dos de las pinturas; el elefante y la orca', NULL, NULL, 'Elefante, yaguarete, tortuga y tucan van colgados sobre la pared aunque tambien pueden ir en atril. \nEl Cocodrilo va colgado de las manijas\nPara la orca necesito una tarima de 80x 80 cm aprox para que me permita apoyar el recipiente', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1052, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 903, NULL, '2020-04-13 17:21:04', '2020-06-23 02:33:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13855, 'HDJXz9lgk0AemGne', 'The Fragile Texture of our Desires', NULL, 'The Fragile Texture of our Desires is an ephemeral floor installation that explores both the fragility of the human condition and the complex nature of our desires. The temporality of the work reminds us that we are all transient beings and our bodies, along with the material world that surrounds us, are in a slow process of returning back to the dust from which we came.  \nBy materialising the familiar in an unfamiliar context, the work stimulates our ability to rethink our relationship towards objects, threatening the natural order and toying with the tensions that lie between beauty and repulsion, curiosity and discomfort, desire and disgust.\n\nAt first glance, the installation resembles an ornate rug. It is created using varieties of loose debris including ash, bone and dried animal blood, gently sifted over handmade stencils to create delicate patterns. The process subtly alludes to the rituals and boundaries of  ‘the body’ and domestic space. Within our own bodies, we carry the bodies of our ancestors and the immediate effects of their experiences, one lifetime passed to another, a history ready to be destroyed and remade.', NULL, NULL, 'If there were a space available that previously inhabited bodies/was formerly used for domestic purposes/holds histories or memories this would be ideal.  As the work is to be installed directly onto the floor, the surface of the ground should be  relatively smooth with minimum bumps and cracks etc. \nThe initial image of the work submitted measures 12 ft x 7.5 ft, however the dimensions of the work can be easily adapted to meet the requirements of the space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1045, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 896, NULL, '2020-04-13 17:29:22', '2020-08-14 21:58:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13856, 'xcsAMQxoNEeJf6GX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:31:37', '2020-04-13 17:31:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13857, 'x79RsohT2morcGws', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:33:21', '2020-04-13 17:33:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13858, 'Ev2ZTLXAE9MzsRxT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:40:21', '2020-04-13 17:40:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13859, '9jZKJ3ePMaFJ0HAN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:42:27', '2020-04-13 17:42:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13860, 'fVA9qdk80BHxFv1W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:44:51', '2020-04-13 17:44:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13861, '7elu8uIJXUoI5DDQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 17:57:28', '2020-04-13 17:57:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13862, 'AReORN8TeJJNQ693', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:01:18', '2020-04-13 18:01:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13863, 'sIYvTgG0eJexQjh9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:07:26', '2020-04-13 18:07:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13864, 'hyEcMJwp9q9TCMnb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:13:25', '2020-04-13 18:13:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13865, 'lA0BdKqw0DXEK6aw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:15:23', '2020-04-13 18:15:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13866, 'QHtbRK3ZHoOU3O5I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:19:34', '2020-04-13 18:19:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13867, 'gB3Rd59ytaJo7mrN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:20:39', '2020-04-13 18:20:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13868, '5UcqHeJk6niL6vAS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:21:12', '2020-04-13 18:21:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13869, 'rAZK3IXB07Rf36sv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:23:12', '2020-04-13 18:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13870, '22DGhbmq0wFLWeZ4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:25:27', '2020-04-13 18:25:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13871, 'oMjheYXwYm4O8RXr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:26:19', '2020-04-13 18:26:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13872, 'xn7purCDc6efaTCJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:27:36', '2020-04-13 18:27:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13873, 'DbpNY2qcno0DfMg7', 'Emocinalmente', NULL, 'El proyecto se centra en la capacidad creativa relacionada con la identidad , en la muestra podremos encontrar distintos tipos de trabajos realizados con un hilo conductor que se basa en el uso del color fluor y la busqueda de la forma, jugando desde la abstracción a la figuración a partir de la forma personal del dibujo que da identidad propia y del uso de texturas y materialidad siempre dentro del acrílico. \nEn una serie de 20 cuadros en donde se une lo social con lo individual a partir de un trabajo de la construcción de la Psquis individual  a la mirada social del mundo.', NULL, NULL, 'sala de exposiciones con capacidad para 20 cuadros de cuadro de 50 x 60 a 100 x 120 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'instagram.com/siro_arte', NULL, NULL, NULL, 1048, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 899, NULL, '2020-04-13 18:30:17', '2020-06-23 02:33:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13874, 'YPCrVdjxUZR3apQJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:37:18', '2020-04-13 18:37:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(13875, 'GLRrgGmCoCoOypHo', 'SINFONIA # 4', NULL, 'La música y el piano  son parte de memorias de infancia. El piano se ha convertido en la modernidad en el arquetipo de la música, y al que el movimiento Fluxus arremetió con gesto irreverente. La imagen de uno  desarmado me despertó el deseo de rescatar su sentido original. Estas piezas y las partituras que  ejecutaron, son los elementos que forman mi cuerpo de obra. Utilice el cruce música /plástica en : “planísimo”con fotografía y objetos; música/danza con videoanimaciones: “reconstrucciones coreograficas”; con Videofilmacion : “Transcripciones”; una traducción entre lenguajes heterogéneos;  pentagramas/Videoanimacion/textil;  sinfonía#1 ,#2 y #3. Sinfonía #4 incorpora la electrónica, una obra mecatronica Como  sinestesia mecánica, transduce el sonido por medio del movimiento , a travez de la automatización de una serie de martillos de piano intervenidos , que pareciera recordar melodías interpretadas anteriormente, y silenciadas en la actualidad.La interrelacion entre Sonido(musical) -Ruido – Silencio,  me encuentro en  la \"Búsqueda del silencio\",  de Sinfonía#4 solo se oye un lejano crepitar\"....El silencio absoluto no existe ...\" (J. Cage, acústica anecoica) lMateriales 300 martillos de piano y 70  intervenidos con hilos de algodón sobre paño ;70 servomotores y soportes 3D(PLA)2; Arduino Mega1 soporte de madera; varillas  acero inoxi.; Fuente  5V 4A;base  fibrofacil laqueada  de 80cm x 56cmX 26 cm; campana  acrílico  60cm x 45 cm x 17cm; total 114cm x 101cm x26cm', NULL, NULL, 'Se debe presentar exenta de la pared\nla obra esta ya montada obre su base con una campana de acrílico \nbase de fibrofacil laqueada  de 80cm x 56cmX 26 cm\ncampana de acrilico  60cm x 45 cm x 17cm\nh total 114cm x  101cm x26cm\nFuente de 5V 4A \ninterruptor para encendido y apagado', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=cAM-EUO_5j8&feature=emb_logo', NULL, 'https://www.youtube.com/watch?v=cAM-EUO_5j8&feature=emb_logo', NULL, 'video de funcionamiento: https://www.youtube.com/watch?v=cAM-EUO_5j8&feature=emb_logo', NULL, NULL, NULL, 1102, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 953, NULL, '2020-04-13 18:47:26', '2020-08-11 21:57:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13876, 'z6l6LL0PzoSDd73V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:47:54', '2020-04-13 18:47:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13877, 'B5VQuFuBj9GkoWCz', 'saeta', NULL, 'El sonido del aire cortado mientras una piedra se desplaza, a gran velocidad, lanzada con toda tu fuerza. El grito que se escapa tras el impacto súbito de un proyectil sobre tu pecho o una lasca de roca inesperada aprisiona tu mano. La primera voz, la piedra primigenia, la primera herramienta. La expresión vernácula del ser como ente frente a la naturaleza, frente a la vida, frente al dolor.\nEs el lamento primitivo que magulla la garganta al salir de forma desmedida cuando el cuerpo se desdobla y se encuentra frente a si mismo, siendo ofrenda y verdugo, altar y sacerdote, piedra y sangre.\nObviar lo divino en la grandiosidad de la creación y llevarlo a la superficie, convirtiendo la oración en roca, la palabra en polvo y el dolor en plegaria, cerrando con ello la dualidad humano/sobrehumano, y la trinidad lenguaje/voz/imagen.', NULL, NULL, 'El espacio ideal para este trabajo debería ser un área amplia, donde pudieran conversar las imágenes y vídeos perfectamente, paredes altas para jugar con las diferentes dimensiones de las imágenes y proyecciones. El cuerpo de trabajo es extenso si se presenta completo. Las fotografías en ampliaciones de gran tamaño, no todas, pero si jugado entre los 40cm de las mas pequeñas a los 2 metros de las mas grandes. Los vídeos en proyección a gran escala para que sea mas envolvente', NULL, 'artist', NULL, NULL, 'https://vimeo.com/258853182', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1058, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 909, NULL, '2020-04-13 18:48:01', '2020-06-23 02:32:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13878, '4dzPX16uHgCaurNu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:53:26', '2020-04-13 18:53:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13879, 'e0n75VqHWOhJa3us', 'Deriva Plástica', NULL, 'Las obras se presentan diáfanas, lustrosas y brillantes. Son pinturas-dibujos con aires de mobiliario.\nSu construcción las sitúa a medio camino entre lo industrial y lo artesanal. Los pulidos uniformes y la pintura reflectante parecen definirlas como el resultado de un proceso mecánico, pero una lectura más cercana revela la intimidad de su realización en las sutiles pérdidas de pulso, en los errores de cálculo o en los raspones.\nLos planos de color se van creando por el recorrido de líneas que cortan literalmente a la madera, dejando un negativo tan semiótico como real.\nFiguras y fondos, secciones, gradientes, ondulaciones, torsiones, cruces y paralelas.\nLa paleta multicolor sólo identifica la forma, el lugar y la función de cada plano. Los contrastes remiten a la estética del catálogo, donde cada color se denota a sí mismo y evoca completamente por separado sus respectivas asignaciones y significados.\nLas piezas encastradas en una caja portante, a modo de tablero de juego, evocan la materialidad de aquellos viejos sets pedagógicos de madera con los que se podían erigir castillos, puentes, edificios y componer una sinfín de personajes rudimentarios.\nEl pulido de los bordes, que retira al color dejando en evidencia a la madera, bien puede ser una estilización lírica del desgaste al que están sometidos usualmente los juguetes.\nLas piezas, ahora quietas y sin uso, parecieran denotar ese momento cero del juego, en el que el impulso lúdico se encuentra a punto de manifestarse.', NULL, NULL, 'Pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1059, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 910, NULL, '2020-04-13 18:58:25', '2020-07-12 16:45:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13880, '5UmfAPvhQ2GnHjq2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 18:59:38', '2020-04-13 18:59:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13881, 'nEOzCAJP9lfQGviO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:07:33', '2020-04-13 19:07:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13882, 'lMknE2TK7Khj4tRg', 'Límites', NULL, 'Se trata de una estructura metálica de aproximadamente 3m de alto x 10m de largo que funciona las veces de bastidor de un gran plástico pintado con líneas negras horizontales, con pintura sintética en aerosol. Dicho objeto se encuentra emplazado en el espacio público, dispuesto de forma que incomode el paso del transeúnte, y lo haga recorrerlo para cruzarlo.\nLa finalidad de la obra es derribar esos límites que nos auto imponemos, transitándolos y dejándolos caer. Ambas acciones se dan de manera literal, ya que no se puede atravesar la instalación, sí o sí hay que recorrerla, y al hacerlo, y por efecto de los materiales elegidos, y de la intemperie, la pintura aplicada al plástico, la pintura comienza a ceder, logrando que las líneas finalmente se vayan perdiendo.', NULL, NULL, 'Exterior, plaza, espacio público.\nSe trata de una pieza de aproximadamente 3m de alto, y 10m de largo. Una estructura metálica que contiene un plástico pintado, a modo de bastidor.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5849, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4816, NULL, '2020-04-13 19:09:26', '2020-08-10 19:24:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13883, 'O4hhw3KyZy7kq3UG', 'Dodecaphonic Cube', NULL, 'Dodecaphonic Cube project is structured within four components: Concept, Prototype, Sound Structure and Sound Object - all based on dodecaphonic composition of \'Concert for piano and orchestra - Opus 42\' by Arnold Schoenberg.\nCONCEPT\nConcept outline: it cannot be a number but it should represent any convenient numeric group combination contented into the virtual structure. Dodecaphonic Cube is perceived as analytical model inclusive of three fundamental forms of logic and intelligent behaviour: induction, deduction and analogy - each of them is characterised and explored as analytical information, so it can rationalise or behave autonomously.\nPROTOTYPE 432\nIt is a sound instrument, expressed and appreciated exclusively as an art object, which is autonomous and self sufficient and represents aesthetic ideal of “pure form”. Dimensions: 1x1x1m; Materials: stainless steel, 432 electric guitar strings, 864 electric guitar machine heads.\nSOUND STRUCTURE\nThe associated content of complex numeric data is directly related to the sound material, that in the passage from the numerical and written to the sonorous operative symbols – art of combining and organising parameters – organises sound into the abstract of sonorous reality.\nSOUND OBJECT\nThe sound object is an audible phenomenon made coherently whole via the act of perceiving, which can be qualified outside of the context from which it is extracted. One carries both - a general musical intention and an intention of mass.', NULL, NULL, 'Proposed presentation:\nPROTOTYPE 432 installation, which would include exhibition of the physical object with pre-recorded sound extension. \nNEW ARTWORK based on the concept of Dodecaphonic Cube, installed within site specific context and performed live during the opening; recoded and played as background further during the exhibition.\nLIVE PERFORMANCE featuring extract from SOUND STRUCTURE for Prototype 432 - essentially resulting in a new performance artwork.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1053, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 904, NULL, '2020-04-13 19:09:58', '2020-07-12 16:45:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13884, '4pSgYoWBIMDYwgGH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:10:00', '2020-04-13 19:10:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13885, 'HCHcphJZOEiERCwl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:12:03', '2020-04-13 19:12:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13886, '6VJp9gXIy1mnOFOt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:14:47', '2020-04-13 19:14:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13887, 'B3jTrzvtBK3W31CM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:24:40', '2020-04-13 19:24:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13888, 'rGryS1k268Mgr1Z4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:24:47', '2020-04-13 19:24:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13889, 'SIKtFR8tZmOMxbtJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:25:11', '2020-04-13 19:25:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13890, 'HadZYCZiPFg58HhN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:25:35', '2020-04-13 19:25:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13891, '10EolbfgkK6xXSfX', 'videoarte \'ant\'', NULL, 'Ant es una invitación a la meditación. Es una reflexión acerca de las luchas diarias contra las dificultades de nuestro entorno y el esfuerzo por conseguir nuestras respectivas metas.\nAnt es una búsqueda de la verdad y al ‘yo’ interior plagado de las cuestiones personales más humanas, ¿A dónde vamos? Y ¿Estamos solos?', NULL, NULL, 'videoarte que puede ser reproducido en una pantalla o proyectado sobre superficie.\n15 minutos.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/92935911', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1051, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 902, NULL, '2020-04-13 19:29:58', '2020-06-23 02:33:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13892, 't22ClL7xvvMNL2H6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:33:14', '2020-04-13 19:33:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13893, 'qLnigWRxBCFUoIKo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:33:53', '2020-04-13 19:33:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13894, '8SwWMCCDUxIohzLi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:34:59', '2020-04-13 19:34:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13895, '0j6M0AQAADQRiQcc', 'AD EXTRA', NULL, 'Ad Extra takes the historical mark of 1989 to explore how the legacies of its images, its political and social embedded discourse, might constitute a powerful tool to critically address the present. \n\nAd Extra consists of an performative practice of one hour in which we analyze of a set of images taken during the fall of the Berlin wall, in contrast with those recently made in Melilla at the fenced border between Spain and Morocco. The performance unfold and materialize into the space the real scale of both images, using a choreographic system of proportions and measures that take as reference the size of the human body, and draws operational patterns from the relation between the elements the images depict. Simultaneously, it addresses through subtitles the EU legislations and policies regarding the free movement of people. Throughout time, the performance stages a visual device that allows the emergence of a set of relations between images, narratives and political discourse. \n\nOur proposal for Bienal Sur is to present the project in a double format, performance and an installation. The latter in the result of the operations the performance produces on the architecture of the space through its material traces. By using both formats, we propose to create conditions for a kinesthetic experience for the audience, operating in the the intersection between performative and visual practices.', NULL, NULL, 'Ad Extra has the potential to be adapted for a range of different venues. It can be performed/installed in both a traditional gallery space, black or white cubes, or even an alternative space keeping in mind some basic characteristics regarding the dimensions of the space. The minimum dimensions we suggest is 40 m2 (e. g. 8mx5m, 6mx7m), high ceilings (minimum 3,5m) and a flat floor, with no obstacles or misshapes.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/402285117', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4952, NULL, 686, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4165, NULL, '2020-04-13 19:37:53', '2020-07-02 17:58:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13896, 'sZN4dY3H8dOM8oQ6', 'Tipas Bravas', NULL, 'Proyecto gráfico expositivo. El estudio de la gestualidad y la creación de personajes tuvo como resultado esta serie. Complementé mis trazos con paletas de colores que reflejen los estados de animo de mis personajes.', NULL, NULL, 'Laminas impresas sobre papel fotografico en tamaño A3 y montados en foamboard. Es una serie que ira colgada en una pared expositiva.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'be.net/julietaitalino', NULL, NULL, NULL, 4337, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3663, NULL, '2020-04-13 19:40:40', '2020-07-08 00:28:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13897, 'YZvVKTRcOiRYS2e9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:47:08', '2020-04-13 19:47:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13898, 'L5cvPdFeBGEK1yr4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:48:17', '2020-04-13 19:48:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13899, 'SzFD8PvlmoHjCvrD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:50:03', '2020-04-13 19:50:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13900, '60hyPhBRXs2TIodD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:52:27', '2020-04-13 19:52:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13901, '3RJuKGGD9PPivWTa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:52:59', '2020-04-13 19:52:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13902, '8FerZagu3nD5jrSq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:55:56', '2020-04-13 19:55:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13903, 'bxLY6tWz54kxwmNI', 'The Congregation_Spontaneous Institute for Embodied Research', NULL, 'We are in the process of modelling a new form of organisation that is based on durational critical inquiry. We currently call it “The congregation”, which highlights its ultimate function as a space where conflict, resolution, and group identity is explored through collaborative processes of encountering. We like to think of it as a rhizomatic think tank which is curatorial in nature. The purpose of residency would be for 1-2 members of our team of to have the opportunity for further solidify together in person the exact structure of the breathable institution that we are forming, meanwhile to work virtually with the rest of our collective. We aim to find the right balance between modes of research that we will be undertaking. Our primary and core consideration is the ontology of the performing body: therein, looking at strategies for how to work with the body as a starting point to branch into interdisciplinary experimentations and academic fields. That said, the politics of the body “as an archive” is deeply considered. We have gathered over 50 “questions” over the past year. These are questions which we consider as “seeds” which can be answered through supporting selected artists and academics in their response. During a residency we would begin to draft a list of artists we would like to work closely with, and further format a flow of investigation which can have a positive impact on the art world.', 'Estremo, Vincenzo (IT) - https://www.drosteeffectmag.com/\nOppenheimer, Lizzy (US)- https://www.nicotinemag.com/\nScheib,Jay (US)- https://arts.mit.edu/artists/jay-scheibs-in-the-jungle-of-cities/#about-the-performance\nZorn, Alex (AT)- https://soundcloud.com/nocvlt/i-o-c-v-l-t-anthem-xxviii-azorn', NULL, 'Black Box/ White Box theatre/ Museum foyer/ Gallery space.\n\nDimensions dictated by the size of the participating audience/ workshop group.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1054, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 905, NULL, '2020-04-13 19:57:26', '2020-06-23 02:33:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13904, '92BfSujYeUrfbAbg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 19:58:40', '2020-04-13 19:58:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13905, 'nxyZSgoMfXa8ky5s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:00:34', '2020-04-13 20:00:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13906, 'g3gPXuUKnlL8TSiG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:01:22', '2020-04-13 20:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13907, 'fTgyVJxmpoCVwqIX', 'Una resonancia profunda', NULL, '¿Puede el sonido cambiar la experiencia que el sujeto tiene en el mundo? ¿Puede ser un medio sensible entre lo espiritual y lo material, con el poder de revelar la interdependencia del mundo y generar la empatía que necesitamos para transformar la realidad? \nUna resonancia profunda (2019) es una obra sonora para voces y cuencos que involucra el espacio, el movimiento, la escucha y la percepción. Un grupo de voces se mantiene estático repitiendo una melodía sencilla mientras otro grupo de voces comienza a caminar por el espacio alrededor del público, cantando el eco de esa melodía. Así, se genera una inmersión sonora: una interdependencia entre la reverberación artificial de las voces, el sonido de los cuencos y la reverberación natural del espacio. El público, se encuentra recostado en el piso y tiene los ojos cubiertos con antifaces. Todos sus sentidos y modos de percepción están ahora centrados en uno: la escucha. Luego de 45 minutos, el público abre los ojos y queda en silencio, en un estado de paz, contemplación y recogimiento habiendo sido parte de una experiencia integral que excede los límites del sonido, del tiempo y del espacio. \nLa obra fue estrenada e interpretada por el Ensamble Vocal Untref (EVU) en Noviembre del 2019 en el Templo Escondido del Museo Santa Felicitas de Buenos Aires, Argentina.\n\nComposición y producción: Ángeles Rojas\nVoces: Ensamble Vocal UNTREF (EVU)\nCuencos: Maria Sol Taberner y Daniel Brower', NULL, NULL, 'La obra fue realizada en el Templo Escondido del Museo Santa Felicitas. Este espacio es una iglesia antigua que ahora se encuentra vacía. Sería ideal contar con el mismo espacio o uno similar: amplio, vacío y resonante, en lo posible con distintas divisiones internas. Además, sería bueno que el espacio cuente con ventanas para poder utilizar iluminación natural. Se requieren además algunos almohadones o alfombras para que el público pueda recostarse y antifaces para que puedan cubrirse los ojos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=fWCXDMh3w_E', NULL, 'https://drive.google.com/file/d/1YlujtpfiSOvfpuRD2T8D1DeobSLmsF7o/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, 1072, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 923, NULL, '2020-04-13 20:02:23', '2020-07-12 16:47:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13908, '3sPfTf9fWGgcuhEO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:04:06', '2020-04-13 20:04:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13909, 'D8JeBDv6Y8rPUmqB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:08:04', '2020-04-13 20:08:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13910, '1XsnvzmwWljUo0s6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:08:37', '2020-04-13 20:08:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13911, 'QTUXsWFRAAIXuaa9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:11:07', '2020-04-13 20:11:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13912, 'wweSxe6mHYgvLHQi', 'Solitude', NULL, 'In my narrative works, I have this drive to explore mysterious, forgotten or abandoned places and also a fascination for being immersed in a condition of melancholy and sorrow. I have always been irresistibly attracted to these non-sites, liminal places that look like ruins frozen in time or even deserted and pristine places. I feel the eternal decay of time impregnated in these spaces. A time that also seems suspended. My images aim to capture this state of suspension, a melancholic atmosphere in which time stops and the present disappears.\n\nI came to the conclusion that I have this urge to register the void. The emptiness of all kinds. Abandonment, death, loneliness, solitude, immaculate. I am also constantly interested in fragments of light and narrow points of view, details, minutiae that when gathered together make up a portrait of this void.\n\nDuring these unprecedented times where we are facing social isolation the emptiness feeling is even more present. Everything is empty now. Empty places, empty streets and we are stuck in this place between boredom and contemplation. Alone in ourselves.\n\nThese series entitled “ Solitude “ aims to capture this feeling of emptiness but with an ethereal, simple, delicate, vision of this moment. A portrait of solitude but a contemplative and sublime one, in an attempt to give us hope for a better future.', NULL, NULL, 'A white wall /room that would accommodate 9 pieces as described below:\n\nDigital photography printed on Fine Art paper Hahnemühle German Etching, 50 cm x 33 cm.\nMounted and framed with a white wooden frame.\nLimited Edition of 5 + AP.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1270, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1105, NULL, '2020-04-13 20:13:53', '2020-06-23 02:24:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13913, 'EzgbvGlBy69csByn', 'ALMA (novi fragilitas)', NULL, 'La dificultad de asumir los problemas cotidianos con entereza, la simbología de una gran fragilidad; el alma y el llanto como poema físico escrito en la realidad.\n\nVivimos en espacios creados, construidos o naturales que representan el origen de la inestabilidad, el ser con su expansión energética no ha hecho mas que perderse en esta jungla de emociones y materialidades.\n\nSin sentido hemos aprendido a vivir al filo de la navaja, esperanzados inconscientemente que la vida misma llegue para librarnos, pero el alma está ahí abierta para la exploración de nuevos universos, la fragilidad del alma siempre desollada por el almizcle del tiempo, se desploma lentamente en la fuerza invisible.\n\nLa fragilidad del alma siempre con los hombros heridos por los que nos aman sofocadamente y de los que nos odian exasperadamente, así  la difícil tarea del ser humano, un ser confrontado.\n\nLa fragilidad del alma sorteando la diplomática historia, una historia que grita por descubrir en sus escritos el verdadero significado del ser. Un anhelo que nos atormenta en las noches con mensajes encriptados en los sueños.\n\nEl único estado de realidad que pretende hacerse presente es el de la esencia del alma cristalizada, sal en grano en el fondo de nuestro ser. Y es que lo absurdo sana el corazón y desplaza las creencias.\n\nNos apoderamos del vacío, el cosquilleo incesante del alma. La fragilidad es ahora la fortaleza, nuestra magia.', 'María José Argenzio\n\nhttps://www.scan-arte.com/maria-jose-argenzio-bio\n\n Ecuador\n             \nJuana Córdova\nwww.juanacordova.com\nEcuador\n              \nStefano Rubira\nwww.stefanorubira.blogspot.com              \nEcuador\n\nDamián Sinchi\n\nhttps://vadb.org/people/damian-sinchi\n\nEcuador', NULL, 'De acuerdo a la investigación curatorial sobre la fragilidad del ama y los espacios creados históricamente por el ser humano, se sugiere una espacio expositivo de formato casa patrimonial, puede ser en uso o en abandono, así como un lugar grande tipo fábrica en desuso.\nEl formato de las obras van desde gran a mediano formato, siendo de suma importancia poder contar con espacios expositivos grandes para que el espectador quede absorto en la experiencia de observación en la magnitud de las obras.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1055, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 907, NULL, '2020-04-13 20:14:01', '2020-06-23 02:33:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13914, 'hgjWpSNTwWAmjvmp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:15:37', '2020-04-13 20:15:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13915, 'gudTwW4Z08CMzC0A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:15:55', '2020-04-13 20:15:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13916, 'OCDLroLIMqKTYvTK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:16:29', '2020-04-13 20:16:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13917, 'IHhIgK1GfwL7lViG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:17:00', '2020-04-13 20:17:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13918, 'uAYwkNBisKJQatcK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:17:16', '2020-04-13 20:17:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13919, 'EiMcwoAJlmcnKg0L', 'La naturaleza como muro fronterizo', NULL, 'La naturaleza como muro fronterizo toma dos aspectos, los miedos contemporáneos, contradictorios y ambiguos por una naturaleza destruida y tomada por el hombre y los aciertos de la misma por apoderarse de sus espacios cuando el hombre se repliega .Estos miedos que tienen una densidad temporal pero que hay que intuir su emergencia, los acontecimientos que irrumpen haciendo hablar a estos miedos los antiguos y los nuevos. Este Muro fronterizo que pone un alto para ver como seguimos.\nEl otro aspecto, la cultura. Como espacio de consenso y disensos, un espacio en el que podemos imaginar para darle significado al mundo que vivimos y estamos experimentando, mas allá de nosotros mismos. Un espacio de conflicto de preguntas y respuestas del hacer y experimentar situaciones que nos muevan y evidencien nuestros propios discursos', NULL, NULL, 'Ocupa un espacio aproximado de 300 x 300 cm por 35-40 cm de profundidad. Seria de techo a piso. En el piso se colocarían una línea de iluminación para la proyección de las sombras de estas piezas en la sala o si es un espacio al aire libre en sus alrededores.\nLa instalación consta de 400 piezas aproximadamente que irán colocadas y sujetas entre si, una al lado de otra, en hileras por color y una hilera de un color debajo de otra de otro color. Formando así un panel o muro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2760, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2393, NULL, '2020-04-13 20:28:05', '2020-06-24 21:43:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13920, 'nt77JxKXI4iTmawp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:30:33', '2020-04-13 20:30:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13921, 'RGUg6m9Q9Zm80C2o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:31:07', '2020-04-13 20:31:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13922, 'Wm06QvHmACVVb7VK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:31:09', '2020-04-13 20:31:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13923, 'XxamNFT37XDHxqFS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:32:51', '2020-04-13 20:32:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13924, 'kUQzJDp7fDjfEgW6', 'Sin título.', NULL, 'En este proyecto abordo de manera conceptual, mediante acciones de rechazo o destrucción el término de la intertextualidad en la comunicación entre personas en momentos de crisis, el uso de la defensión, o el rechazo a mensajes cuyo emisores buscan algo más allá que la simple información, cayendo en la provocación y/o la confrontación. \nLa comunicación en su origen, deviene para la supervivencia del ser humano, en la obligación de transmitir a quienes les rodeaban sus ideas e impresiones.\nLa intertextualidad en cuanto a las influencias de un mensaje que emitido por un emisor puede hacer que el receptor piense en otros emisores debido a la influencia que han ejercido sobre dicho emisor (bulos, o fake news) La intención está en reflejar el uso indebido de la información en torno a un período como el actual en el cual intentamos reducir a un virus sin tener en cuenta la posible sugestión y discursos de odio a los cuales nos someten algunos de los distintos medios y como afectan algunas conversaciones a nuestro entorno -situaciones en casa- cada uno desde el posicionamiento que el ideal político nos confiere y el impacto que causa en nosotros.\nEn las dos primeras piezas el agua es el vehículo de información que vierte el emisor sobre el receptor y en ellas dos casos: los que caen fácilmente en fake news y se empozoñan y los que tienen la info contrastada y omiten confrontación.\nLa tercera pieza abarca la falsa creencia del individualismo en la comunicación dentro del hogar.', NULL, NULL, 'Televisor o proyector a color.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Pd_MvEbZLWQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1063, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 914, NULL, '2020-04-13 20:39:06', '2020-06-23 02:32:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13925, 'eTRfvLce5KG4oAx4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:44:16', '2020-04-13 20:44:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13926, 'amof7vcjSvWLiToO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:44:33', '2020-04-13 20:44:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13927, 'fVtigKHkwIcLQz3u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 20:49:33', '2020-04-13 20:49:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13928, 'ZgPQyKQ3bHvZfE5m', 'MICROBITA MICRIBIANA', NULL, 'Esta obra se materializó durante el periodo de confinamiento obligatorio, se presentó como reflexión ante la vida microscópica que permanece invisible, que me habita y habita mi hogar. Capturo ese ecosistema microscópico y lo llevo a la plástica por medio de prácticas de laboratorio de microbiología, (Bio Arte). Microbiota Microbiana, es el resultado del laboratorio experimental del lugar que resido, es un autorretrato construido a partir de una serie de dibujos abstractos y paisajes aleatorios, creados con microorganismos provenientes del ambiente, de mi piel y fluidos, sembrados dentro de cajas Petri de vidrio, con cultivos de Agar (sustancia gelatinosa de algas marinas, la cual proporciona una superficie sólida para que crezcan las colonias bacterianas). Después de la inoculación o siembra, los microorganismos crecen siguiendo los patrones previamente dibujados en el cultivo y se hacen visibles en periodos de 1 a 3 días. La serie se corresponde en número a los días de cuarentena por la que atravesamos actualmente (19), uno cada día de aislamiento. los paisajes aleatorios son a partir de los hongos que se adhieren en el cultivo de este gel, al momento de exponer la caja en un ambiente determinado, son impresiones del paisaje y cada composición depende de factores como el lugar de aislamiento  y tiempo de exposición. Lo micro visto macro. Dibujos con ecosistemas microbianos, sobre cultivos de agar.', NULL, NULL, 'Obra para sala, con luminosidad baja, las cajas en vidrio van ubicadas sobre una lámina de vidrio de dimensiones 60 cm x 30 cm  con soportes en vidrio a una altura de 70 cm del suelo, la iluminación es cenital y ubicada a 30 cm de las cajas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1070, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 921, NULL, '2020-04-13 21:02:28', '2020-06-23 02:32:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13929, 'iH2qY7bseiA3Jh5x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:04:28', '2020-04-13 21:04:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13930, 'hdkgSYo5ktEQ4NlN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:09:45', '2020-04-13 21:09:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13931, 'yjJRRHhnBfV48mmw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:15:05', '2020-04-13 21:15:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13932, 'aU0aZ6r8dkHLKlh3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:18:26', '2020-04-13 21:18:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13933, 'wdsf8QlLJWfhifiL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:18:36', '2020-04-13 21:18:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(13934, 'R7eEmSUwdMz6c0kX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-13 21:18:48', '2020-04-13 21:18:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
