INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12077, 'ALNEe7D1SNR5L5RE', 'autoterapia', NULL, 'Maurizio Ruggiano works explicitly starting from some deeply rooted obsessions originating in childhood. It is not a matter of a simple confession, but of a process of transformation: giving an aesthetic form to his own uneasiness, objectivizing it outside himself, and often succeeding in going beyond it. One of the greatest artists of the twentieth century, Louise Bourgeois, throughout her life worked in her creations on her obsession with parental ghosts and on her own trauma to heal an original wound, always destined to reopen: “Art is a guarantee of sanity,” she wrote. “The artist is able to bear his torment by making art.” If the outcomes can be very different, the process is similar: sinking into one’s own dark side and bringing some fragments back to light, and finally communicating the incommunicable. That is, consigning your ghost to the Other. little corpses of memory portraying the oppression of social relationships, uncertainty of gender, the suffering of those who cannot defend themselves from psychological and physical abuse. For years they have been Maurizio Ruggiano’s visiting card, his secret and recurrent ‘selfportrait’.Thus, drawing freely on the repertoire of contemporary languages, Maurizio Ruggiano not only works out his own trauma, but leads us along an uncomfortable path, sometimes a disturbing one, into that healing mental region “where art ends, and life begins.”', NULL, NULL, 'the project adapts to the proposed space, the optimal situation would be a room of 50 sqm by 40', NULL, 'artist', NULL, NULL, 'https://vimeo.com/288705503', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 837, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 703, NULL, '2020-04-06 16:23:43', '2020-06-23 02:40:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12078, 'y8dStY5U7JiS6Eld', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:28:30', '2020-04-06 16:28:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12079, 'MPvMUTS8oKD9uN0G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:30:36', '2020-04-06 16:30:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12080, 'qFYBQlgNbsqqz45B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:31:43', '2020-04-06 16:31:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12081, 'ieLtQzJ2pALJ9rUD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:35:22', '2020-04-06 16:35:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12082, 'VTQV9DbW9CiC0Qd5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:40:03', '2020-04-06 16:40:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12083, 'LfGbeYs7q9PNIeEO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:49:21', '2020-04-06 16:49:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12084, 'UCQF6kId9aP3BVuN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:53:52', '2020-04-06 16:53:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12085, 'UMyDWPxLGbAGBsBm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:54:26', '2020-04-06 16:54:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12086, 'bKpRyK8FqRO4pv0x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:54:41', '2020-04-06 16:54:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12087, 'WH2cVpFOfUw8zbJM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:55:48', '2020-04-06 16:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12088, 'nQYh64139HClCk4R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:55:53', '2020-04-06 16:55:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12089, 'PO9m92ijEkQWTDUL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:55:54', '2020-04-06 16:55:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12090, 'i7FmaPIer59qEVFp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:56:03', '2020-04-06 16:56:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12091, 'FoVpJkLs9W04ouuX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:56:04', '2020-04-06 16:56:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12092, '2oWF6czrAfP89aWa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:56:39', '2020-04-06 16:56:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12093, 'w22XlRGEmuOTkUlq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:56:42', '2020-04-06 16:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12094, 'aRT9LL5OS7roBiMv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:57:32', '2020-04-06 16:57:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12095, 'Zh9tpAv80tWRRxmw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 16:58:26', '2020-04-06 16:58:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12096, 'E7FL3UYdZI7hoa1n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:02:58', '2020-04-06 17:02:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12097, 'BQAtFJUWpQKMsDXo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:05:41', '2020-04-06 17:05:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12098, 'tPw2cABdUUOkyVBa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:08:17', '2020-04-06 17:08:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12099, 'dufcURh5YA8ccDi0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:09:03', '2020-04-06 17:09:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12100, 'vJT5QRlVI3XYOvie', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:15:10', '2020-04-06 17:15:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12101, 'dWS8L66xQq8cUjiE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:16:32', '2020-04-06 17:16:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12102, 'wKVjUigsLwLOCC9T', 'SORORIDAD', NULL, 'Esta instalación se exhibió en la muestra: V+V Vivas, (2018), en el Museo M  Arte Cdad. de Puerto Madryn, Chubut, Argentina.\nSORORIDAD convoca a la reflexión sobre las luchas femeninas, desde todos los rincones de la tierra, por nuestros derechos vulnerados. \nUn abrazo de sororidad, un círculo energético que visibiliza la potencia femenina de pie, demandando el cambio por la igualdad de derechos de todos los géneros. \nSiluetas femeninas recortadas, a modo de guarda, en papeles de diarios de distintos lugares del mundo en un abrazo concéntrico, dan materialidad a la propuesta. Un cilindro abierto, demarcado por mamparas de mujeres en papeles multinacionales, genera un espacio que invita a inmiscuirse en él. Dentro se percibe la vibración de lo femenino, lo uteral, la energía colectiva, la suma de individualidades e invita a ser parte. Las sombras proyectadas hacia el exterior marcan la infinita expansión y potencia de estas demandas. \nCaracterísticas formales: miles de siluetas recortadas en papel de diarios, 17cm altura,  distribuidas unas al lado de otras, arriba y abajo, penden con tanzas invisibles desde el techo, generando cortinas que forman un cilindro de dos planos curvos concéntricos.\nLuces dirigidas provocan sombras que expanden las féminas multiplicándolas infinitamente propagando esta energía vital como un holon en el agua que expande en círculos crecientes.', NULL, NULL, 'Sororidad, requiere ser exhibida en un espacio interior  por su materialidad: papel, y por necesidad de un techo de donde penden las siluetas.\nUn espacio  de aproximadamente de 4 x 4 m. de lado.\nUbicada en el centro. Demanda la posibilidad de dirigirle luces para la proyección de sombras en la pared.\nEl cilindro permite dimensiones variables, sugerencia 3,5 m  diámetro por 2,50 m de altura. \nLa distancia al techo es regulable mediante la altura de la parrilla que sujeta las tanzas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2252, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1950, NULL, '2020-04-06 17:16:33', '2020-07-02 20:19:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12103, 'B00sDKOFtuEQuHA4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:17:32', '2020-04-06 17:17:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12104, 'g1msxTHUlND0t91i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:18:40', '2020-04-06 17:18:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12105, '4plMoc56VhsrxuR0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:20:56', '2020-04-06 17:20:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12106, 'z2TkG5DQUi6e070t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:23:14', '2020-04-06 17:23:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12107, '8ZvalXwZFz7e9jnz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:23:30', '2020-04-06 17:23:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12108, 'CVIkzE0QOwOqzEhy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:24:04', '2020-04-06 17:24:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12109, 'yVpGjNWJgj4wKj2A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:26:09', '2020-04-06 17:26:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12110, 'U3AoBmDEShNjTEfX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:26:52', '2020-04-06 17:26:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12111, 'YAiwckJqPkicQrq6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:28:41', '2020-04-06 17:28:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12112, 'J56ZV6WhQ8qndfsw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:28:59', '2020-04-06 17:28:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12113, 'fUHCEhoh6BVPtsrz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:30:11', '2020-04-06 17:30:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12114, 'tJm24pn4KLaBYXSz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:31:53', '2020-04-06 17:31:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12115, 'KylTZcNo1u5slesq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:38:32', '2020-04-06 17:38:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12116, 'V91pJm5HKv8lt793', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:38:36', '2020-04-06 17:38:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12117, '3b1EGsqP7cXxsYKc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:40:07', '2020-04-06 17:40:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12118, '9U8j3GuHpYwxQdU9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:49:31', '2020-04-06 17:49:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12119, 'D9w5Oms99EUHbWKE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:53:01', '2020-04-06 17:53:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12120, 'y0xkOUJOT47UnL6U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:54:25', '2020-04-06 17:54:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12121, '11fi6ZNlju4EQnFr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 17:57:14', '2020-04-06 17:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12122, 'fxWy0HP6fv3voPC8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:02:40', '2020-04-06 18:02:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12123, 'TYEHXN3v1x98dlo6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:02:57', '2020-04-06 18:02:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12124, 'X13bpfnFw9c5o8ZE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:03:01', '2020-04-06 18:03:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12125, 'AAlueiUNHD0qmS2g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:08:06', '2020-04-06 18:08:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12126, '2s8GwiproWPnCEAY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:13:09', '2020-04-06 18:13:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12127, 'fA9x2goQOGdGdbs5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:19:13', '2020-04-06 18:19:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12128, 'fACQoATCtHM5ow5G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:22:32', '2020-04-06 18:22:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12129, 'B8vCnuWsg5hLmzWP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:24:12', '2020-04-06 18:24:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12130, '8OKGtnQ9rEO7Aqyv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:28:20', '2020-04-06 18:28:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12131, 'CphIy3DOsGk2uypS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:31:14', '2020-04-06 18:31:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12132, 'VjJKRQcnQumKxPsg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:31:27', '2020-04-06 18:31:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12133, 'BO9RJetUp7Iu7rLg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:37:05', '2020-04-06 18:37:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12134, 'IzGH5RH7GWslo98F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:41:14', '2020-04-06 18:41:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12135, 'R8Dc8oXqIb7onqim', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:43:18', '2020-04-06 18:43:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12136, 'Fm5CRABRvBbVYCGX', 'sobre ruínas', NULL, 'Trabajo de 10 años de pesquisa sobre ruínas de iglesias coloniales brasileñas, con cerca de 200 dibujos, de dimensiones variables. Ahí están representadas grande parte de los edificios religiosos en ruínas, ciertamente los más relevantes. Es posible encontrar su geo localización através de un tag.\nEllos revelan la diversidad artística y igual los procesos de decadencia de sus núcleos sociales y econômicos, haciendo un recorte transversal de la América Portuguesa.\nAsí el conjunto puede ser visto de diversas formas, como simple dibujo, como linea evolutiva de la arquitectura de Brasil, o igual como una formulación antropológica más compleja.', NULL, NULL, 'El conjunto se adequa a cualquier espacio disponible, siendo posible hacer recortes dentro del conjunto.\nigualmente pode ser trabajado el espacio para que se pueda exhibirlo como una instalación.\nCada uno de los trabajos son de dimensiones entre A4 y A2, y pueden ser arreglados de distintas formas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://everderame.wordpress.com/ruinas-e-outras-igrejas-2010/', NULL, NULL, NULL, 864, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 730, NULL, '2020-04-06 18:44:23', '2020-07-10 01:09:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12137, 'RPfZgzmJSIZlPygl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:44:43', '2020-04-06 18:44:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12138, 'xWLY131NVwB8RXlq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:45:41', '2020-04-06 18:45:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12139, 'fSDIPBlOHUzHU9jR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:46:19', '2020-04-06 18:46:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12140, 'QnQta8lN777Vhu9r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:48:22', '2020-04-06 18:48:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12141, 'RnztyXtOSl95UXMZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:50:06', '2020-04-06 18:50:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12142, 'pjTLEH3akusfOlue', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:51:32', '2020-04-06 18:51:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12143, 'RpKIfJ6n8Y8fjEV6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:54:41', '2020-04-06 18:54:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12144, 'R2qhZq2g1RjWpKSs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:55:27', '2020-04-06 18:55:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12145, 'TZIQ32sdarBOA2st', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 18:56:10', '2020-04-06 18:56:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12146, 'BnBFeJ2gFb2HYMJH', 'e-ruqyah', NULL, 'e-ruqyah is a process of electronical therapy (healing). By performative approach, electronical ruqyah (e-ruqyah) shows an activity of rubbing a cell phone that play Holy Qur’an verses to the body. In Islam, ruqyah is an exorcism practice or take the negative energy that caused health problems. \nSubstantially,  ruqyah means not only for exorcism or take a negative energy from the body. But, this method as a holistic therapy (healing) for physical or non- physical problems. The prayers are only a medium to harmonize the frequency of electromagnetic waves inside and outside the body. In moslem tradition, this healing was inherited for generations.\n\nThis video tries further possibilities in outsmarting the limitation of technology. And emphasizes the endless dialogue between art, technology and spirituality', NULL, NULL, 'Video Projection', NULL, 'artist', NULL, NULL, 'http://vimeo.com/69953517', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 841, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 707, NULL, '2020-04-06 18:59:06', '2020-07-10 01:03:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12147, '8EGIoSUPWQr8E5uF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:04:05', '2020-04-06 19:04:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12148, 'jDswgbxCCM9QERmj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:05:02', '2020-04-06 19:05:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12149, 'Bjn2SJWgMVB7DjnP', 'Meninas Reload', NULL, 'Debido a la similitud de acontecimientos acaecidos en éste 2020 con la época en la que Velázquez pintó las Meninas he querido pintar \"mis Meninas particulares\". Unas Meninas que al individualizar las toman más peso en cada cuadro. Mi técnica es mixta sobre diferentes formatos:Papel, lienzo, cartón tratado o tabla. Un impresionismo lírico novedoso, pues es un estilo propio que fui creando desde niño. Alguno de los cuadros se han pasado a tela y más en concreto a vestidos, cazadoras modernas, bolsos o camisetas. El proyecto engloba presentarlo junto a los cuadros, las prendas que han pintado a mano el grupo D\'atrezzo.', 'Juan Carlos Velasco del Barrio\nGrupo D\'atrezzo.\n\nNacionalidad española\nWeb: www. D\'atrezzo.com', NULL, 'La obra al ser colorista es mejor apreciada sobre fondo blanco, si que preciso de un juego de luces bueno. Al estar pintada en su mayor parte sobre cartón tratado o lienzo enmarcado ya en blancos el transporte puede ser el mayor inconveniente, si bien yo estoy dispuesto a colaborar en todo momento con ustedes.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 844, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 710, NULL, '2020-04-06 19:05:04', '2020-06-23 02:40:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12150, 'Jl260KTdFLPmVwNC', 'Paso Galope', NULL, 'Paso Galope (video color, sonido mono, 7’21\'\', 2014-2018)  es un estudio del movimiento. Esta película forma parte de mi investigación sobre el Ardia deSan Constantino\" (Cerdeña),  rito en el que cien caballos montados por sus jinetes cruzan el pueblo de Sedilo para dirigirse a la iglesia de San Constantino y conmemorar el triunfo de la fe católica sobre el paganismo. \nFilmado en picada, desde el vientre del caballo, observamos sus patas y el cambio del suelo mientras el caballo se mueve al seguir el circuito organizado del rito. \nDel paso al trote, del trote al galope, del pavimento de la ciudad al camino polvoriento del Santuario, el rito emerge en el movimiento y la violencia de los cuerpos, en el enredo de las piernas, en los cambios de velocidad, en el sonido. Basada en las grabaciones de cámara que lleva el caballo en su movimiento, la banda sonora está compuesta por disparos de fusil, galope, voces humanas, multitudes, introduciendo el contexto de una celebración que, aunque no se ve, se percibe.', NULL, NULL, 'Posibilidades: \n1- Video instalación. Proyección en gran formato (proyector gran ángulo de preferencia), sobre muro 5 x 3 m aproximadamente, en loop. Sala oscura.\n2- Video instalación. Pantalla plana en el suelo 40 pulgadas, en loop.\n3- Screening en sala', NULL, 'artist', NULL, NULL, 'https://vimeo.com/292680273', 'miguela', NULL, NULL, NULL, NULL, NULL, NULL, 2218, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1926, NULL, '2020-04-06 19:06:03', '2020-08-12 18:04:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12151, 'ZqTylW6hfINochVA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:09:31', '2020-04-06 19:09:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12152, 'bGwCZGcFUDKwsm1X', 'W. B.', NULL, 'Video - Art W. B.: This Video Art is associated with the relationship between invisibles structures of the ideas and life of Walter Benjamin using visual poetry to transmit it and creating a temporary identity of this German literary critic and philosopher.\n\n\n- Artist Beatriz Albuquerque\n- Video - Art W. B.\n- Year 2020\n- Running time 1min 45sec  loop\n- City/Country New York – USA & Porto - Portugal\n- Color, no sound', NULL, NULL, 'TV monitor or projected into the space. Video is looped.', NULL, 'artist', NULL, NULL, 'https://youtu.be/t24SSJ6sO68', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 843, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 709, NULL, '2020-04-06 19:10:27', '2020-06-24 15:57:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12153, 'eR450o4DbS6aP3oy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:10:40', '2020-04-06 19:10:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12154, 'JaZxd5WwagmZbrA3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:11:27', '2020-04-06 19:11:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12155, 'dFFmDO9acqkvfgRg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:12:09', '2020-04-06 19:12:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12156, 'pvSRjB7CDMdHruYv', 'Listas negras', NULL, 'Esta propuesta propone la creación de listas confeccionadas -a partir de investigar en archivos- para ser intervenidas posteriormente con pintura negra.\nMe interesa tratar la pintura negra como una alegoría al olvido que oculta los acontecimientos. Interpretar la lista como un catalizador de memoria que invite una lectura del archivo en la que mediante la utilización de la pintura se vuelva performático.\n\nListas negras está enfocado en la creación de una serie de listas para ser\nintervenidas, según su contenido, con una pintura negra que reaccione, desapareciendo, como reacción a diversas acciones y otros materiales, específicamente el fuego, el agua y el gesto de frotar la pintura con la mano.\nMi propuesta es desarrollar una serie de Listas negras a partir de cuatro ejes principales: Libros quemados durante la dictadura militar en Chile, Personas migrantes muertas en el Mar Mediterráneo, Personas desaparecidas durante la guerra civil y el franquismo en España y personas desparecidas durante la dictadura militar en Chile. Una vez realizadas las listas, filmaré un vídeo por cada lista realizando la acción que permita su lectura, en el caso de las personas desaparecidas invitaré a familiares de personas desaparecidas a interactuar con la obra.', NULL, NULL, 'MUSEO DE LA MEMORIA Y LOS DERECHOS HUMANOS, SANTIAGO DE CHILE\nhttp://ww3.museodelamemoria.cl/', NULL, 'artist', NULL, NULL, 'http://www.miquelgarcia.net/List-of-burned-books-in-Germany-in-1933', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4602, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3870, NULL, '2020-04-06 19:13:22', '2020-08-11 22:41:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12157, 'FII5m0xo3fyzmb9f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:14:23', '2020-04-06 19:14:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12158, 'tazoVeKatLyWNQiZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:17:21', '2020-04-06 19:17:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12159, 'IJ1BSBsKpgaN0HfY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:17:49', '2020-04-06 19:17:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12160, 'odgw6d2Ct8BRNsdY', 'Consciência Ecológica Coletiva', NULL, 'Representar espécies de animais e plantas do Brasil e do mundo, em diversas técnicas de pintura, se torna cada vez mais um importante motivo de pesquisa nas artes visuais. Com o intuito de aproximar o público da diversidade e riqueza de nossos biomas terrestres e o de acentuar a importância de se preservar cada espécie de vida, levando em conta a contribuição de cada uma delas para a manutenção e equilíbrio dos ecossistemas, a ilustração científica na pintura é uma ferramenta que mesmo em meio à um mundo de constantes avanços tecnológicos, ainda é a mais eficaz e precisa para o trabalho de identificação e preservação das espécies e base de estudos para pesquisas.\n A pintura naturalista tem o objetivo de representar a natureza com exatidão, utilizando de diversas técnicas para alcançar o máximo de precisão e melhores resultados ao retratar o realismo na natureza.', NULL, NULL, 'Pinturas de ilustrações de animais mamíferos do Brasil em diversas técnicas sobre tela e papel; aquarela, têmpera, pastel sêco, pastel oleoso, carvão, óleo, acrílica e técnicas mistas.\n As dimensões das obras variam entre no mínimo 42 x 29,7 x 5 cm e no máximo 150 x 150 x 5 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.instalaram.com/alanricherartes', NULL, NULL, NULL, 852, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 719, NULL, '2020-04-06 19:18:36', '2020-06-23 02:40:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12161, 'm3hCBqgdkIUqqdRm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:18:49', '2020-04-06 19:18:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12162, 'gN9GCSe7XYeMW2YS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:20:09', '2020-04-06 19:20:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12163, 'ZwSrQbW2j4KecG3J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:24:10', '2020-04-06 19:24:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12164, 'YWC9YZsCwUZFTfLo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:26:39', '2020-04-06 19:26:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12165, 'lpT2qXcGLwnImeyX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:27:37', '2020-04-06 19:27:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12166, 'Cay7dvcD2KjOtM1k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:28:47', '2020-04-06 19:28:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12167, 'zAHWz2FrPoQI4PwQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:29:22', '2020-04-06 19:29:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12168, 'j922qzg7qAEYP2EI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:29:30', '2020-04-06 19:29:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12169, 'fvCN0mP4tfl6OR3P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:29:48', '2020-04-06 19:29:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12170, 'f3QupyR08EWPf89F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:31:22', '2020-04-06 19:31:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12171, 'tqEbgRvk0pEmB5Xs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:31:26', '2020-04-06 19:31:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12172, 'sNZmeptjG2kITGFO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:32:01', '2020-04-06 19:32:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12173, 'cZr6WDufUE8VqDjP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:36:00', '2020-04-06 19:36:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12174, 'DFKRmn7G9bC6XoGC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:37:43', '2020-04-06 19:37:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12175, 'pOr3DCgrkofGktQN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:38:24', '2020-04-06 19:38:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12176, '3ehirRoYCsKsLVnL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:38:27', '2020-04-06 19:38:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12177, 'KPK8492jbVkYHM93', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:38:58', '2020-04-06 19:38:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12178, 'l7BdvkFVqdqcTBdb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:41:40', '2020-04-06 19:41:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12179, 'CkG1eUuGyJrjV9UQ', 'Miracle', NULL, 'Realismo mágico manifiesto en un retrato, se encuentra envuelto en tramas que nos llevan a pensar en un lugar geográfico boscoso y terraneo frío y calidez en el mismo lugar.\nPintura,acrílica \n36x65 cm.', NULL, NULL, 'Galeria', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 846, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 713, NULL, '2020-04-06 19:41:57', '2020-06-23 02:40:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12180, 'PRY70ck6p68txbiB', 'Matadero de Reses', NULL, 'Donde el delito de desplazamiento, intimidación, amenaza, secuestro, violación, asesinato, son parte del diario existir; dan prueba del espacio abrupto y violento en que se ha convertido todo un país: como un Matadero de Reses, en donde se marca indiscriminadamente con la llamada amenazante, el panfleto perturbador, el mensaje de ultimátum, al próximo individuo que será asesinado brutalmente. El contexto de espacio agresivo y degradado, que es un país donde no se da tregua ni a respirar, donde todos están numerados, y al que por amaño o antojo sea señalado es obligado a hacer fila en un desplazamiento forzado ¨in prima fase¨, sin poder recurrir a autoridad alguna, como muestra absoluta del deterioro y despreocupación del vandálico comportamiento de instituciones que dictan leyes a su amaño para su artimaña.\nHemos asumido de algún modo como cierta una culpa desconocida, se presenta cuerpos femeninos en espacios sombríos y objetos que indican el lugar de salvajismo en que se ha convertido todo Colombia. El rostro en una circular lámina oxidada, a la vez cubierto por un trapo negro, a la vez vendado los ojos, a la vez un hoyo negro. Un tapete cuadrado negro dividido en partes y con manchas rojas como territorio luctuoso y sangriento, y un gran telón formado por 50 costales de fibra, en donde se han hallado envueltos cientos de seres humanos, dibujando la silueta en el lugar de la posición final del cuerpo como mudo testigo de la escena del crimen que no miente. Y... no olvidar.', NULL, NULL, 'Espacio para 17 obras:\n5 obras 250 X 137 cms. Cuerpos: Mujer en Lista de Espera \n5 obras 165 X 127 cms. Retratos: Estudio para Retrato de Alguien\n5 obras 250 X  162 cms. Escenas: Cabezas como Agujeros de Desague\nTelón de costales de fibra 485 X 870 cms. (50 costales)\n9 Tapetes negros 170 X 225 c/u  cms.\nLos espacios en muchos casos determinan el impacto de una obra ante el público, pero la obra por si sola debe generar esa convulsión. Me adapto a un espacio  inesperado que contenga esta obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2772, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2404, NULL, '2020-04-06 19:43:16', '2020-06-24 22:19:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12181, 'LMWbhjJymn2pviLR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:50:59', '2020-04-06 19:50:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12182, '6t2DkyU7QI1pov2F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:51:25', '2020-04-06 19:51:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12183, 'biOsZovBHYcmCqo9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 19:52:06', '2020-04-06 19:52:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12184, 'mZ2jV6TCpp02adzm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:00:58', '2020-04-06 20:00:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12185, 'rt9rgnLsZwFu7hN1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:04:03', '2020-04-06 20:04:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12186, 'UDA4MhuCvfCRV2As', 'Lockdown', NULL, 'The personal ongoing photography project titled Lockdown are create in time of coronavirus (COVID-19) outbreak in my homeland Malaysia since implemented movement control order (MCO) by goverment to stay at home on 18 March 2020.The black and white series images reflect the cityscape in moment of silence and emptiness during COVID-19 lockdown period throughout Kuala Lumpur, the city where i living and working.', NULL, NULL, 'The Lockdown series will showing in glass frame with each print size around 36 inch x 24 inch on the wall.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1770, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1552, NULL, '2020-04-06 20:10:01', '2020-06-23 17:46:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12187, 'XK3bJJLgxTDiYeH8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:11:17', '2020-04-06 20:11:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12188, 'YXT2vYZ5kwevzjph', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:15:45', '2020-04-06 20:15:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12189, 'fHbxS8OVwJ36yODj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:16:18', '2020-04-06 20:16:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12190, 'KqKLKakcLWUTut4v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:16:23', '2020-04-06 20:16:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12191, 'CSX1jC6iqCx3Kudt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:17:17', '2020-04-06 20:17:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12192, 'ooQFfHB1OxfZDDMZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:18:18', '2020-04-06 20:18:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12193, 'UjaXAtlB4jFT45Jv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:20:22', '2020-04-06 20:20:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12194, 'KPrGciJs1djDv9xZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:20:51', '2020-04-06 20:20:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12195, 'PD1DSqk8ksp7RmK6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:24:23', '2020-04-06 20:24:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12196, 'Atm4czGCWgWbelRC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:25:23', '2020-04-06 20:25:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12197, 'UqPEkmfXDyd3UFor', 'Loukanikos & Kanellos (Sausage and Cinnamon)', NULL, 'Loukanikos & Kanellos (Sausage and Cinnamon) pushes forward the capacity of artificial intelligence to represent, trigger, and enhance social participation of individuals, using as it’s basis the story of the riot dogs. Consisting of a live simulation, this work uses AI and self-perception theory to rethink social engagement in the digital era.\nIn our daily digital lives, AI is a tool to maximize an individual’s participation. But what if we used AI so as to social participation? The path to such a digital system, I believe, lies in the story of Loukanikos & Kanellos (Sausage and Cinnamon), two stray dogs that became an emblem of the Greek anti-austerity movement. \nIn 2011, the Greek government faced one of the strongest aftermaths of the 2007-2008 U.S financial crisis and neared total bankruptcy. Reforms inflicted by the European Union led to loss of income, retirement pensions, and property for Greek citizens. These reforms triggered mass protests and clashes with the police in Athens. Among dissidents were anarchists, socialists and even conservatives, but also among them stray dogs of the city joined protestors. Two of the most famous were Loukanikos, which became among Time’s Person-of-the-year in 2011, and Kanellos. These dogs who owned nothing, had no benefit in participating in these demonstrations, were still at the forefront of every event. That selflessness, that dedication, and that presence is what I believe transformed these animals into icons.', NULL, NULL, 'This installation can be tailored to the space it will be given. Ideally it would be a white cube of minimum 3 x 3 x 3', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5219, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4348, 5, '2020-04-06 20:25:36', '2020-08-30 00:19:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12198, 'GdeEI7a6JRxkKxqX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:26:31', '2020-04-06 20:26:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12199, 'MnflxwPbATioVNp1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:32:46', '2020-04-06 20:32:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12200, 'yDVADzs1kQpypYXP', 'Retratos imaginários', NULL, 'Retrato problemas contemporaneos tendo a questao ambiental como principal tema', NULL, NULL, 'Quadros de 70x50 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 848, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 715, NULL, '2020-04-06 20:39:15', '2020-07-10 01:04:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12201, 'XCQ9lNZd9jN1mBV6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:40:30', '2020-04-06 20:40:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12202, '62xsSSPcEQgMi8Pi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:40:49', '2020-04-06 20:40:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12203, 'htMxWkyKwQWPokbA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:42:00', '2020-04-06 20:42:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12204, 'nTt3HuHwBI9yLWX5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:44:27', '2020-04-06 20:44:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12205, 'fdgI8OMo4eNjecl5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:46:31', '2020-04-06 20:46:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12206, 'm662Jj3ZBE3VzLzB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:46:34', '2020-04-06 20:46:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12207, 'AwfX8TtJo2jYLLLS', 'Abandoned but still a memory', NULL, 'Urban Exploration was something I discovered in 2018 and found there was an international network of photographers, artists, and explorers who documented abandoned buildings, machines, catacombs, rooftops, and mines. Inspired by their stories and photographs, I traveled to countries such as Ukraine, Sweden, France, and Iceland to explore abandoned places. Since then political artwork about sustainable living has been my main focus. The narratives celebrate nature, buildings and animals. My practice as a photographer, video-maker, and storyteller attempts to investigate boundaries, beauty, symbols, stories and our understanding of the world around us. I have explored these concepts in different ways through moving images, sounds, design, objects, characters, and stills.\n\nPhotography is particularly intriguing to me as a way to invite dialogue and investigation. The images allow me to work with and through time. Like other artists, I have found photography and video to be solid bases for reflection and communication. Frontiers between fiction and reality are purposely open and undefined. This approach creates possibilities for the artwork to be tools for observation, analysis, and experience. I find my artwork to be in the intersection of the personal with the political, the emotional with the logical, the social with the private, aesthetic with the vulgar.', NULL, NULL, 'Frame: Wood, 10 cm wide.\nSize: 80cm x 60cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 850, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 717, NULL, '2020-04-06 20:48:38', '2020-07-10 01:05:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12208, 'JPNfgNFhRE9oKZIT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:54:50', '2020-04-06 20:54:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12209, 'sBzFhrH77s9V5oi8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 20:55:36', '2020-04-06 20:55:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12210, 'iuk5NhdNtpJHD9yb', 'The Symphony of Disharmony', NULL, 'In psychology, and particularly in the field of psychoanalysis in the vocabulary of Laplance & Pontalis, the Freudian conceptualization of the death drive (Todestrieb) is defined as the opposite instinct that opposes the life drive and has a tendency to return living creatures into the inanimate state. It is primarily oriented inwards and tends to self-destruction and secondarily outwards and is expressed as an aggressive or destructive drive. \n\nThe work “The symphony of disharmony” has key influences-references, on the one hand, to the field of Psychology and the views on the death drive and, in the other hand, to the work of the playwright Samuel Beckett.\n\nThe purpose of the play is to highlight the paradox of drive as an unconscious impulse of internal violence and self-destruction, as a tendency of self-handicapping, uncontrollable and irreversible. In the video, the clowns of an orchestra playing music in an unconventional way, creating a condition influenced by Fluxus practices, play on the brink between harmony and disharmony trying to make a reduction or a parallelism, among bipolar relationships between conscious and unconscious, psychological balance and paranoia, totality and fragmentation, life and death.', NULL, NULL, 'Video: Single channel\nFormat: 1920-1080HD, MP4 H264, 16:9\nSound: Yes\nProjector or Monitor', NULL, 'artist', NULL, NULL, 'https://vimeo.com/360036195', '11111', NULL, NULL, NULL, NULL, NULL, NULL, 851, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 718, NULL, '2020-04-06 21:02:55', '2020-06-24 16:21:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12211, 'QKL9jp8y7mLI6Wvw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:04:08', '2020-04-06 21:04:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12212, '8fJMa37OJK4rMYSa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:04:59', '2020-04-06 21:04:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12213, 'Qr8pp7A7vTXz0taY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:05:07', '2020-04-06 21:05:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12214, 'UPFABZo0jiiejoPz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:09:24', '2020-04-06 21:09:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12215, 'QqvhNecMaU0RfZdR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:09:33', '2020-04-06 21:09:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12216, 'sSWBNPJCGCnAjlbe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:09:56', '2020-04-06 21:09:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12217, '35YOjdkBFgqtQBJd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:10:27', '2020-04-06 21:10:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12218, 'LFnPMePwLr2PENs4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:13:07', '2020-04-06 21:13:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12219, 'fK89cFTXcn0jpyoi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:18:21', '2020-04-06 21:18:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12220, 't0H0maXRonsIkGk4', 'Ambivalence Is Where The Heart Is, 2020, duration 30 minutes.', NULL, 'This work is an auto-ethnographic film which features my childhood home, situated in one of Edinburgh\'s council housing estates. A place that has been a constant through good and bad experiences in my life, offering a place of sanctuary and reflection while also provoking feelings of inhibiting claustrophobia due to the lack of stimulation or movement. The video is a single shot, taken from the kitchen window of the flat, which tries to capture how time almost seems to stand still there, as well as communicating to the audience a sense of unease or discomfort despite visually seeming pleasant or inviting. I did this through the manipulation of the audio track, looping every 20 seconds or so, creating a sense of familiarity to the viewer. The stillness in the visual component of the film is intended to construct a sense of waiting, and wanting something to happen, but nothing ever does. Using the architecture of the buildings to establish the aforementioned sense of claustrophobia. The warm sunny nature of the scene is to show the sanctuary like nature of the place. This is then consciously altered by the use of the audio and the length of the film playing with the perception of the viewer and their engagement, intentionally drawn out with little in the way of stimulus inviting the viewer to stay with the film as long as they like. In light of recent events, regarding the full lock down a lot of us find ourselves in has given this work further meaning in these difficult times.', NULL, NULL, 'This work is adaptable in its installation. As a video work I see it being displayed on a wall mounted monitor or projected,\ngiving a sense of almost looking through or out of a window. I personally feel that the audio is best utilised through headphones, cutting the viewer off from the surroundings and encouraging them to engage with the art work more thoroughly.', NULL, 'artist', NULL, NULL, 'https://youtu.be/6DktnekjjkA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1150, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 994, NULL, '2020-04-06 21:20:29', '2020-06-23 16:29:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12221, 'ccABDw4d16Rark23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:22:52', '2020-04-06 21:22:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12222, '6yDK7CBcmMrIClnw', 'Una doble exposición', NULL, 'Una doble exposición es una instalación de sitio específico y performance a partir de collages expuestos al sol en las ventanas de un edificio, creando una suerte de capa que recubre los huecos de luz para transformar el espacio tanto internamente como hacía el exterior. El título apela a pensarse como un proyecto en proceso que sucede por un lado por la condición del sol modificando el color de los collages y a la vez como una exposición que se exhibe hacía los transeúntes de la calle buscando generar una comunicación en ambos canales y un cambio de estado perceptivo.\n\nEs por tanto una obra en proceso que además se activa en diferentes momentos. Un primer momento de los collages en las cartulinas expuestas en las  ventanas, otro segundo momento se crearan una serie de performances, concebidas como coreografías que interpretan los collages y a su vez una agenda de actividades publicas paralelas donde interactuar entre los diferentes públicos, e integrantes de la Bienal Sur, el adentro y el afuera para finalmente presentar el resultado de las cartulinas expuestas al sol, como objeto final metáfora de la memoria y las capas complejas que la componen.', NULL, NULL, 'Instalación de sitio específico con activaciones y performance a lo largo del tiempo de exhibición.\nCollages (medidas variables según el espacio de exposición) en exhibición a través de la ventanas. Espacio de exposición todas las ventanas de un edificio, casa o sala de exhibición.\nDimensiones variables\nTiempo en exhibición mínimo un mes- máximo 3 meses ( para poder observar con posterioridad la huella del sol en las cartulinas)', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=UmYr0iAsbio', NULL, NULL, NULL, 'https://www.youtube.com/watch?v=hmsti_zwehY', NULL, NULL, NULL, 5848, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4815, NULL, '2020-04-06 21:23:21', '2020-08-10 19:24:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12223, '0wt7iVP0syDj2uBi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:24:39', '2020-04-06 21:24:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12224, 'X3RJnBUNQOVCe7w0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:28:01', '2020-04-06 21:28:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12225, 'kTFBCjCYJxYsLIky', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:28:11', '2020-04-06 21:28:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12226, 'Qtll3zUeo6mA2Y6m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:29:53', '2020-04-06 21:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12227, 's8eGegqLoKI5QTJ5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:32:08', '2020-04-06 21:32:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12228, '75L6CMzo1RRF3IQs', 'Ontofanía', NULL, 'El proyecto propone plantar un círculo de girasoles de 5.5 metros de diámetro en el Parque de la Memoria. Pensando la propuesta como respuesta a la pandemia, lo primero que definimos fue ocupar un espacio público y abierto al sol. La segunda certeza que tuvimos fue que plantar como gesto ayudaría a la reconquista del espacio público y de la alegría. \nLa elección del girasol se debe a dos razones. Por un lado, porque su flor es símbolo de vida y luz a causa del heliotropismo (el giro que realiza la flor hacia el sol). Por otro lado, lo consideramos como una de las plantas nativas de nuestro continente que, entre otras,  representa la identidad latinoamericana. Este sentido se refuerza con el paisaje de los campos de la Pampa de nuestras rutas nacionales, refiriendo también a lo colectivo y al alimento.\nLa plantación en forma circular acompaña la simbología y se integra al diseño del Parque (ver mapa en imagen 4).\nLa obra es de carácter procesual. Dividimos la intervención en tres etapas. La primera es la de labranza (preparación del terreno para siembra, realización de surcos y protección de la plantación). La segunda es la de siembra (colocación de 200 semillas de girasol variedad Guayacán en tierra, extensión de protección y señalización, riego y mantenimiento durante el crecimiento). La tercera es la cosecha de semillas de girasol para próximas plantaciones. \nEl procedimiento contribuye a la dinámica cíclica que alentamos con la acción pública.', NULL, NULL, 'Para Ontofanía sugerimos el Parque de la Memoria. Necesitamos un espacio público al aire libre apto para la siembra de 5.5 metros de diámetro, un terreno que reciba lluvias, aire y luz solar directa durante 8 horas diarias aproximadamente.\nEl período de duración de la intervención será el mismo que el ciclo de vida del girasol: desde octubre hasta principios de enero.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3286, NULL, 397, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2826, NULL, '2020-04-06 21:41:42', '2020-08-13 22:19:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12229, '3Yw9ihN4k4JVZ2WL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:47:03', '2020-04-06 21:47:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12230, 'HOz96bC4XI7eguOc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:47:20', '2020-04-06 21:47:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12231, 'ZJS5PRhA4pXGpbD7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:47:49', '2020-04-06 21:47:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12232, 'F03saqf5t6C4go1o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:49:42', '2020-04-06 21:49:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12233, 'DL5alyW4gV3KUWZz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:56:18', '2020-04-06 21:56:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12234, 'Q2Juic4i3UNE4lYF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:56:18', '2020-04-06 21:56:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12235, 'PgVDgQT4YakiqihH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:58:27', '2020-04-06 21:58:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12236, 'Cs8D7iJjrmM337lv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 21:59:31', '2020-04-06 21:59:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12237, 'tVC1MJc88aRz81Od', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:00:33', '2020-04-06 22:00:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12238, 'dDBcJSBwNigIr9Hu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:02:02', '2020-04-06 22:02:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12239, 'AlMMClAN83f9SoNb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:05:31', '2020-04-06 22:05:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12240, 'GhTMotbIGZJ7SWVB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:06:16', '2020-04-06 22:06:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12241, 'PbjHkx4IkbhB5p4O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:07:58', '2020-04-06 22:07:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12242, 'jaxhHO0TQD5NEfuc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:07:59', '2020-04-06 22:07:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12243, '295Ri4ItTr5sRSwA', 'Oratorium Para Uma Árvore Morta', NULL, '\"Oratorium Para Uma Árvore Morta\"\nÉ uma ação performática-escultural inciada em 2015 e que perdura até os dias de hoje, baseada no desmatamento da Amazônia, e que tem como consequencia a  assassinatos de agricultores, seringueiros , trabalhadores sem-terras, ecologistas que lutam pela preservação da floresta.  O canto na performance se baseia em Lamentos,  cântico s de recomendação das almas, que ocorre na sexta-feira santa. No decorrer da frase vao citando simbolicamente os nomes daqueles que morreram de uma certa forma nos conflitos.  A peça central, escultórica, tem a forma de uma casa, de um sarcórfago. A madeira usada para a obra central é uma árvore de castanha-do-pará que havia sido derrubada quando de minha estada na Amazônia.\n\nEs una acción performativa-escultórica iniciada en 2015 y que dura hasta hoy, basada en la deforestación en el Amazonas, y que tiene la consecuencia de los asesinatos de agricultores, recolectores de caucho, trabajadores sin tierra, ecologistas que luchan por la preservación de la floresta. El canto en la actuación se basa en Lamentaciones, canciones de recomendación de almas, que tiene lugar el Viernes Santo. A lo largo de la oración citan simbólicamente los nombres de quienes murieron de cierta manera en los conflictos. La pieza central, escultural, tiene la forma de una casa, como un sarcófago. La madera utilizada para el proyecto central es un árbol de castaña que había sido cortado durante mi estadía en el Amazonas.', NULL, NULL, 'Esta obra foi pensada no decorrer da Bienal Sur em se apresentar na forma de uma projeção de video. Caso a Bienal tenha recursos, talvez seja apresentada na forma performativa e com a execução da obra no Local onde será exposta. Assim o tamanhao da peça central é de 80 X 60 X 220.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=J2TM-xwyq4g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 860, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 727, NULL, '2020-04-06 22:08:21', '2020-06-24 15:57:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12244, 'N3JBRte7NcWac3PW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:08:44', '2020-04-06 22:08:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12245, 'L6yb26nkNB4u5opK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:08:44', '2020-04-06 22:08:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12246, 'KeFKWASJ0lNyjqjp', 'The Glades/Los Claros', NULL, 'In the past, we couldn’t have imagined the disappearance of people and the dissolution of a country. The consequences of climate change and capitalist political strategies is changing the way we can live. Can we imagine that after human disappearance, public art could be the remaining standing structures in our different landscapes? \n\nIn Montreal, on the glades of the Mont-Royal mountain, a collection of sculptures produced in 1964 for the first sculpture biennial in the americas is asleep and forgotten. In Santiago, neighbours take care of The Panul, the last native forest in the city. I would like to thread public sculptures with the space of the mountain as a symbol of strength and contradiction, and revisit the notion of public art as a utopian idea and form of art made for everyone. The designed space of the Mont-Royal versus the natural space of the Panul put different contexts, stories and reactions into perspective. Can public art really be for everyone? How can we archive memory and keep stories alive when everything is forgotten?\n\nThe project will consist of initiatives indoors and outdoors, including a publication of posters (24 x 36) of the sculptures on the Mont-Royal mountain in Montreal in a winter setting, a series of posters/journal (36x42) by Antonia Taulis, and a video/installation by Patricia Dominguez. If the possibility arises, we would like to invite Lucy Lippard to exchange on her reflections of public art in Chile in the 70s and its current state.', 'Victoria Carrasco, Canada/Chile, https://fondation-phi.org/en/home/, \nPatricia Dominguez, Chile, http://www.patriciadominguez.cl/\nAntonia Taulis, Chile, https://www.instagram.com/mercvria.cl/\n\nList of images: \nVictoria Carrasco (work to be produced) IMG_1437.jpeg\nAntonia Taulis (work to be produced) mercvria\'s past artworks No. 0 - Prospecto, No. 1 - Matria\nPatricia Dominguez (work to be produced) past artworks https://www.gasworks.org.uk/events/patricia-dominguez-eyes-of-plants-and-mother-drone/', NULL, 'The pandemic has caused many questions in relation to the future of exhibitions and how a viewer can and want to experience art. Vitrines and outdoors can be invested differently in order to make art open and accessible. \n\nFor this project, 2 spaces adjacent to an outdoor space, separated by a window or vitrine where the video/installation could be displayed and seen and heard at all times from outside. We would be able to meet onsite with viewers and exchange on the various initiatives.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4540, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3814, NULL, '2020-04-06 22:09:21', '2020-08-11 19:45:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12247, 'GsTmn98bAiwp99R7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:09:31', '2020-04-06 22:09:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12248, 'RIgptjuSHvOSKCV8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:09:37', '2020-04-06 22:09:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12249, 'DwPKRKZDFEaOd4qL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:10:47', '2020-04-06 22:10:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12250, 'cPU2zXD0ub5Sxzo7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:12:50', '2020-04-06 22:12:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12251, 'Bm4v5ymZwJvrKC43', 'Registros de un encierro', NULL, 'Fotografía digital - Buenos Aires, 2020.\n\n\nRetrato de momentos en lo cotidiano, extrayéndolo y colocándolo en un nuevo estado, recobrando una nueva y extraña dimensión.\n\nReflejar un momento de pausa, \nentender que todo el mundo esta adentro\n¿Qué hacemos? ¿Qué es el tiempo? ¿Qué hacemos con él?\nSe interrumpe la literalidad del tiempo, nos desordena el \"tiempo productivo\" y nos invita a habitar(nos) de nuevo,\nencontrarse con el abismo, con la incertidumbre, no hay bordes..\n\nNadie pone despertador, nadie está en la calle, nadie está corriendo... \nCambiando el tiempo y nuestra visión de él, ¿cambia nuestro ritmo', NULL, NULL, 'Fotografías enmarcadas en la pared', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 858, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 725, NULL, '2020-04-06 22:18:20', '2020-07-10 01:08:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12252, 'to5J7rOPCdSH4BTf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:18:44', '2020-04-06 22:18:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12253, 'IsHzopd3dCa21rIF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:19:26', '2020-04-06 22:19:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12254, 'xEg0D9ZAmgX4swdX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:20:40', '2020-04-06 22:20:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12255, 'FZWo4TBaLDMF24ed', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:21:58', '2020-04-06 22:21:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12256, '7TIfH3d1DY0H8x1l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:22:08', '2020-04-06 22:22:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12257, '078tEJ34fQIDNzAB', 'Una fuerza que me aplasta', NULL, 'UNA FUERZA QUE ME APLASTA\n\nExperiencia para memorizar en el cuerpo la medida de tu voluntad:\nMedida límite / medida victoria / medida efímera / medida aplastante / medida impuesta / medida ausente / la ley propia y desmedida\n\nPrograma performativo: \n\n1 Llegar a un espacio público\n2 Recorrerlo con un contrapeso* hasta encontrar tu sitio adecuado / 3 Demarcación territorial\n4 Coger una tiza del color que prefieras y escribir en el suelo tu año de nacimiento\n5 Acordar in situ:\n   a- cómo cargaremos los contrapesos\n   b- durante cuánto tiempo\n   c- cómo medir ese tiempo por lo que sucede a nuestro alrededor\n6 Llevar a término el tiempo escogido\n7 Estar allí hasta que cada uno de los participantes haya finalizado su proceso\n8 Al finalizar, escribir UNA FUERZA QUE ME APLASTA en el piso\n9 Ante cualquier imprevisto, ajustarse siempre al programa\n\n*Contrapeso: lingote de hierro usado en la tramoya de un teatro. Los contrapesos utilizados en esta pieza pesan aproximadamente 25 libras cada uno.\n\n\nEn esta pieza invitamos a los participantes a dar una declaración especulativa que deviene estudio antropológico del imaginario social que existe en ciertas zonas de la ciudad. \n\nDesde afuera, varias personas reparten a los que se acercan una pequeña tarjeta que dice: \nUNA FUERZA QUE ME APLASTA\n1. Escriba su año de nacimiento en el piso\n2. Seleccione un contrapeso\n3. Cómo levantaría este peso.\n4. Durante cuánto tiempo.\n\n\nhttp://teatrolaquintarueda.blogspot.com/p/blog-page_26.html', NULL, NULL, 'Espacio:\nUn espacio público. Una avenida. Intersecciones de paradas de autobuses. Un parque. Una zona de tránsito de peatones. Algún lugar bastante concurrido de la ciudad. Una zona de puerto. Un barrio obrero. Una zona turística, etc..\n\nPara la realización de esta pieza se solicita colaboración del equipo de la bienal para trasladar los contrapesos. \nTambién se solicitan algunos voluntarios para llevar a cabo la pieza.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=OgxGjvCoJoY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 917, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 772, NULL, '2020-04-06 22:24:47', '2020-07-10 02:45:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12258, 'X7bfhLweAi6hiGtY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:25:39', '2020-04-06 22:25:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12259, 'ZCxbZeviHGUjhjyR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:26:07', '2020-04-06 22:26:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12260, '8IFZV99zm9TCwOR0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:30:06', '2020-04-06 22:30:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12261, 'VLxFok4ahgeoMTey', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:30:10', '2020-04-06 22:30:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12262, 'OJjPpmj1RG2dBD99', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:30:11', '2020-04-06 22:30:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12263, 'siSBYolj72YbRCSs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:31:59', '2020-04-06 22:31:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12264, 'KZa0PYG6kLioAi0Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:35:44', '2020-04-06 22:35:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12265, 'uiFIPiV9nnKfYQHT', 'EL MAIZ MEXICANO', NULL, 'El tema de mi proyecto es el Maiz Mexicano\n\nEl maíz alimento que forma parte del tesoro gastronómico y una de las principales fuentes de energía en la dieta del mexicano.\nEra importante tener el pensamiento elevado al agradecimiento por el alimento y conservación de la cultura, ya que con eso el pueblo tenía una identidad un refugio físico y espiritual.  Sin el carecían de sentido los astros, las estaciones, los vientos, la lluvia y aun los propios dioses.\nLas grandezas de nuestra cultura se empoderaban de la sabiduría y la trasmitían haciendo participes a sus habitantes.\nLa fiesta de la Candelaria se bendice la semilla en los templos donde la diosa Madre mediante el agua bendita ejerce un efecto de protección y fertilización en la semilla que se sembrará tres meses después. \n\nLos rituales de adoración y plegaria que los mexicanos rinden son invenciones humanas y divinas, era tan intenso el fervor por esta planta que en algunas culturas prehispánicas se llegó a pensar que el maíz había creado a los hombres, no solo era su principal sustento, sino que era su carne y sus huesos. \n“El maíz es nuestra sangre”, o “El maíz es nuestro cuerpo”. Y entre los huicholes se cree que los hombres somos de maíz.', NULL, NULL, 'TITULO: Sin maíz no hay país\nTECNICA:   Óleo sobre tela \nMEDIDAS: 39X32 CM.\n\nTITULO: Las bodas del maíz\nTECNICA:   Óleo sobre tela\nMEDIDAS: 39 X 32 CM.\n\nTITULO: El ritual del maíz \nTECNICA:   Óleo sobre tela \nMEDIDAS:   39x32 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 853, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 720, NULL, '2020-04-06 22:40:00', '2020-06-23 02:40:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12266, '0aJlArUny0X4Bka7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:42:25', '2020-04-06 22:42:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12267, 'KLrfH2ZYqV5RrbZB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:46:54', '2020-04-06 22:46:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12268, '0xyOmaUJzYVSH4Ks', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:47:42', '2020-04-06 22:47:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12269, 'EGooa9LrO72rbWg8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:49:25', '2020-04-06 22:49:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12270, 'hHKEbb2KKQHkNEXv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:50:08', '2020-04-06 22:50:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12271, 'cBadffAJAxikw8OE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:55:46', '2020-04-06 22:55:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12272, 'lTd9GZfvePCa3Weu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:57:33', '2020-04-06 22:57:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12273, 'mYjBx2AreMSUSZpf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 22:59:17', '2020-04-06 22:59:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12274, '4CZkiLrTFGf7uoGr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:00:32', '2020-04-06 23:00:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12275, '9GerDPZXaMDxLuoR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:02:42', '2020-04-06 23:02:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12276, '8KriW0TI891cHtBc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:03:29', '2020-04-06 23:03:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12277, 'vBlgkUg9AkP1QwR0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:07:20', '2020-04-06 23:07:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12278, 'sQJXCzZLEVqhv1F9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:07:20', '2020-04-06 23:07:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12279, 'tKD8ykvp74E0H1gy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:08:30', '2020-04-06 23:08:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12280, 'hx2oSAKVhDHpdTlB', 'érase que se era', NULL, 'Retomo los cuentos de hadas como historias que se han ido suavizando, en un comienzo estos cuentos no eran para niños; es más eran sangrientos y aterradores.  Así son las historias de violencia en nuestros días que conforme son contadas se van diluyendo y haciendo \"rosas\".   El proceso fotográfico que utilizo es impermanente ya que son fotogramas en papel caduco sin ningún proceso de fijado o revelado, por lo cual el deterioro es evidente cada que se saquen de la bolsa negra donde se encuentran.  Solo se realizaron y no se han revisado en un tiempo mayor a un año (realizados a principios del 2019).  Se encuentran intervenidos en algunos casos con mi propia sangre (Barba Azul), o gotas de lluvia(fragmentos de papel galleta dejados a la intemperie e intervenidos por la naturaleza).  \nCada una de las imágenes tiene el fondo conceptual específico al relato (en algunos casos me basé en versiones muy antiguas) y tienen la dimensión de una hoja en tamaño 8\" x 10\" a excepción del vestido de la cenicienta que son paneles que forman una imagen en tamaño natural.', NULL, NULL, 'Si se desea exponer los originales habría que documentar el deterioro permanente de las piezas.   En caso de reproducciones impresas tendrían que ser en el tamaño natural e íntimo con mucho espacio entre una y otra (se sugiere una por muro ) para que el espectador tenga que acercarse mucho para poder apreciarlas creando un espacio íntimo y quizá ubicaras a la altura de la mirada de un niño de unos 6 años.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1359, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1188, NULL, '2020-04-06 23:11:02', '2020-06-23 02:17:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12281, 'AwhOxtBVtOqRRraL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:14:30', '2020-04-06 23:14:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12282, '7r2yjTQPQxXPsvDz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:20:54', '2020-04-06 23:20:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12283, 'XqYaEcgz9WhFGyEN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:21:07', '2020-04-06 23:21:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12284, 'xKhUcrJ2o2jQuMqF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:25:43', '2020-04-06 23:25:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12285, '6H7q2LpDVL2LkQL5', 'Years of nights', NULL, 'Shot in expired 35mm film, the short \'Years Of Nights\' presents a field infested by termites and the useless attempt to remove the parasite. The narrative takes place at night, like a dream. A pick opens gashes in the colonies, revealing an internal noise provoked by the movement. Alongside the typography of the termite houses and its ruins, we hear excerpts from the play \"Amedée or How to Get Rid Of It\", by Eugène Ionesco, where there is an effort to eliminate a long neglected problem that is currently taking up all the available space.', NULL, NULL, 'Video projection on a wall. Dimension may be variable - According to curatorship decision.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/398578930', '1954', NULL, NULL, NULL, NULL, NULL, NULL, 855, NULL, 106, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 722, NULL, '2020-04-06 23:26:11', '2020-07-10 01:08:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12286, 'Pl7BEMuF2y7yBdWc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:26:59', '2020-04-06 23:26:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12287, 'zRDuaOlDFzCZ5uEN', 'XTRÆNCESTRAL', NULL, 'XTRÆNCESTRAL es una instalación que propone repensar la memoria colectiva de les afrodescendientes para proyectarnos al futuro. En este proyecto pensamos como alternativa un “afrofuturo” a diferencia del hipotético futuro occidental. Les afrodescendientes no existimos en la memoria colectiva ni en los imaginarios de futuro de la cultura dominante, es por eso que  proponemos pensar un futuro afro donde la tradición dialoga con lo experimental, la herencia con lo nuevo y la naturaleza con lo tecnológico. Este futuro afro se materializa en una nave espacial comandada por mujeres ancestrales del futuro que llegan al presente a darnos un vislumbre de ese mundo posible y llevarnos a este viaje. \n\nLa instalación consiste en la nave (una estructura en que se puede entrar), vídeos proyectados de las arquetipas que comandan la nave y diversos estímulos que les espectadores experimentan en este espacio construido. Otros estímulos incluyen textos, audios, diseños de luces, y olores.\n\nLes visitantes serán bienvenidos por las mujeres ancestrales arquetípicas cuya voz les hablará dentro de la nave y les hará las preguntas necesarias para que empiezan a crear dentro de sí, este nuevo futuro. El interior de la nave envolverá a quien entre con luz, agua, olores, sonidos.\n\nConceptualmente la nave también es un altar donde honrar a les ancestres, y un espacio sin tiempo para hacer el trabajo activo de pensar posibles futuros. Al entrar a esta instalación están pasando al futuro que proponemos.', NULL, NULL, '*Sala de al menos 8x8 m\n*Piso con cinta reflectiva que indica camino a la nave.\n*Proyector de video al techo en medio de la sala que se proyecta a una pared. Video de arquetipa que da la bienvenida.\n*Estructura de nave: Carpa circular, 4m de diámetro, 3m de alto.\n*Nave: Cuenta con dos capas. Capa exterior negra que imita un peinado africano, hecha en espuma liviana. Capa interior en tela rafia de colores. En el interior, un altar que las personas adentro pueden rodearlo caminando. Luz cálida.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Ayg77um7KzY&t=3s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6101, NULL, 893, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5003, NULL, '2020-04-06 23:27:04', '2020-06-23 23:03:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12288, '4fT2BgxtzC1VRweu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:27:10', '2020-04-06 23:27:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12289, 'dzhqpGeDer9xAvAs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:29:27', '2020-04-06 23:29:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12290, 'tklmR3xfrOeH6uuu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:30:47', '2020-04-06 23:30:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12291, 'IYTiSlMRXzQWSaZ1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:31:09', '2020-04-06 23:31:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12292, 'oke0FkkBOnGu92zG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:31:12', '2020-04-06 23:31:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12293, 'VTIOqA2RAuNoeaal', 'Labirinto de Cruzetas', NULL, 'A cruzeta é um elemento da arquitetura popular destinado a sustentação de caixas d\'água, sendo uma solução tecnicamente simples e de baixo custo. Trata-se de uma estrutura de alvenaria em formato de \"x\" que se projeta verticalmente e consegue suportar um reservatório cheio. Esta estrutura substitui colunas de concreto armado e sua concepção é exemplo da genialidade intuitiva do construtor popular. Quando vi pela primeira vez esta estrutura, passei alguns dias desenhando e pensando sobre aquele monumento da arquitetura e em algum momento desenhei o que seria uma sucessão desses elementos, fazendo surgir um labirinto de apertados becos, intrincado de ângulos retos. O elemento da arquitetura popular sucessivamente reproduzido começa a assumir uma identidade com o ambiente urbano e simboliza o crescimento desordenado sem deixar de ser lúdico. Então comecei a me dedicar ao projeto do Labirinto de Cruzetas e em 2017 fui convidado a construí-lo no MuBE, em São Paulo. Numa área de aproximadamente 80 m² no pátio do museu, construímos 23 cruzetas de alvenaria chapiscada, com alturas variando entre 1,70m e 3,20m. Ao mesmo tempo bruto e lúdico, o Labirinto é muito frequentado por pessoas de todas as idades que ali se divertem e depois me enviam feedback nas midias sociais. Eu tenho muita vontade de construir este projeto em outros lugares, levando sempre em conta a possibilidade e o desejo de, nas próximas vezes, ampliá-lo.', NULL, NULL, 'Praças públicas, parques ou pátios de museu.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://dmurgel.blogspot.com', NULL, NULL, NULL, 3070, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2642, NULL, '2020-04-06 23:39:06', '2020-07-30 13:58:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12294, 'Q9RlDK1tpzbvnpAW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:44:59', '2020-04-06 23:44:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12295, 'zQ4dwudHPg1gDoX6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:48:09', '2020-04-06 23:48:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12296, 'UoyGRnPIib1nG5Wo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:53:07', '2020-04-06 23:53:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12297, '9VR1nuYPGihbu8sD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:53:35', '2020-04-06 23:53:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12298, 'eUSDv302oDK9rtM2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:58:31', '2020-04-06 23:58:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12299, 'QshsuMChEqoKa8HD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-06 23:59:51', '2020-04-06 23:59:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12300, 'oVmOwePDuQwIC9Fb', 'Cuarentona', NULL, 'A través de un personaje hecho con madera y plastilina representé la gradual destrucción interior humana, y que consecuentemente genera destrucciones físicas. Lo que se puede observar en el video es un borracho, pero es interesante no permanecer en esa idea fija, sino que profundizar en ella: todos tenemos nuestra debilidad, y nuestro inconsciente actúa abusando de ella para destruirnos. Considero que la soledad del personaje es lo principal de la obra, y cómo su única compañía el vino lo destruye completamente, a punto tal que la dependencia es absoluta. Por otro lado, decidí poner en juego la fina línea entre la seriedad y lo divertido, lo absurdo; cómo un mensaje tan profundo (que va acompañado por la poesía recitada) puede a su vez estar representado por un muñeco de plastilina, y acompañado musicalmente con una canción conocida por la generación contemporánea para hacer \'memes\' en internet.', NULL, NULL, 'Considero que sería interesante exponer la obra en un dispositivo de aprox 20 cm x 15 cm colocado en la pared con auriculares. El público a medida que se acerque a ella podrá darle play cuando lo desee.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/404755765', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 867, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 732, NULL, '2020-04-07 00:02:02', '2020-06-23 15:46:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12301, 'ktR89KmS1T6LBRrg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:02:09', '2020-04-07 00:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12302, 'viNkrFMHBGmA4f0z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:02:26', '2020-04-07 00:02:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12303, 'YEWVht7tYoKw84ZT', 'Beatriz Eugenia Diaz.', NULL, 'The te de Bogota is a tea discovered by the Botanical Expedition 1783. The tea was believed to be the greatest of the world, thence, a commodity that can be exported from the colony.\nIn 2004 Carlos Barreiro wrote a text about the Tea of Bogota. He asked Beatriz to illustrate it. He was interested in the history of the tea as a failed project. For the illustration she found one of last trees of this tea of Bogota, downtown Bogota.\nThe sound installation. “Te de Bogota” records the environment around the tree at 3 moments of the day: morning, midday and midnight. The tree is a silent witness of the city\'s cruelty, while she is reading Carlos\' text. In a series of 7 black and white,  photographies of the tree and the text.\n“Te de Bogota”conceives the extractive relation with nature, as well another relation, the failures in our history, and how these failures shaped the historical time, disturbing the sequence between past, present and future, constantly scrambled, for example, by the urban development of a  Bogota. By chance and fortune, e.g. the aborigines tree that boosted the independence dreams at colonial times, survive.\nTime plays an important role in Beatriz\'s practice. As well as numbers. And here, the use of past, present and future in 7 photographies, refers to the idea of reading tarot cards. Reading and talking with the spirits that left us already, such as Carlos, who died years later after he published the text, and our aborigines, the colonials, and with Bogota', 'Beatriz Eugenia Diaz, Colombian.\n\nBeatriz Eugenia Diaz is a composer and visual artist. She is one of the first sound artists in Colombia, and her career, as artist and as a teacher, had a great influence on a generation of Colombian artists.', NULL, 'Variable Dimensions. Enviromental sound installation of 4 channels. Format WAV.\nTable of diameter 90 cm, for the photographies. 7 Photos 12x 25,5 each', NULL, 'curator', NULL, NULL, NULL, NULL, 'https://soundcloud.com/user-411684960/tedebogota-arbol-numero-21860', NULL, NULL, NULL, NULL, NULL, 933, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 787, NULL, '2020-04-07 00:05:37', '2020-07-10 22:46:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12304, 'dQ7fwyMILSnbsT1Q', 'The Artist Collective; Reconciling institution and community', NULL, 'This research will explore case studies of artist collectives, focusing on Bernadette Corporation, DIS, and imagists Hairy Who? considering the Artist career rubric via a lens of institutional critique. The essay will discover whether artist collectives may function as the antidote to Institutional exclusion, functioning almost as a union. The theory is that if one member of the community gains in success, the artist collective (in a sense the adversary of the museum) receives due credit and marcation in mythologized art history. Both Bernadette Corporation and DIS are current though their role in the art community may be considered and speculated on to suggest acceleration of art historical inclusion in contemporary art. I will discuss Hairy Who and how their collective led them to be widely celebrated, as well as artist collectives who are just now receiving recognition (note, MOCA’s recent Pattern and Decoration exhibition). Artist Collectives are a function of community, more than institution, often utilizing guerilla methods such as zines, self-publishing, artist organized exhibitions etc. I will consider these methods and discuss how, when performed by a collective rather than individual, they are embraced. The exhibition will present art objects, sculpture, photo/installation, video as well as DIY printed material published by these artist groups. It should function as part historical exhibition, part environment/happening.', 'Bernadette Corporation, American, http://www.bernadettecorporation.com/\nDIS, American, https://dis.art/\nChris Kraus, American\nIan Svenonius, American, \nTiny Creatures (Janet Kim), American, https://www.artforum.com/print/201102/tiny-creatures-40134\nStill House, American, http://www.enterstillhouse.com/', NULL, 'The exhibition space should be non-commercial, lending itself to an non-profit space. The space itself needn\'t fulfill any aesthetic particular specification. It could be large, or small. It could be white cube, or more charactered. However it certainly must be inside, due to the technological aspect of many of these works.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 854, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 721, NULL, '2020-04-07 00:06:12', '2020-07-10 01:07:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12305, 'xSAOYGRPZ0ZmwkkS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:10:41', '2020-04-07 00:10:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12306, 'I2T6vMhemT0xM4lb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:10:47', '2020-04-07 00:10:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12307, '4FixJlF5h3RLxhBG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:11:43', '2020-04-07 00:11:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12308, 'riOg7rEM09K3Q7P8', 'Obsolescencia', NULL, 'Este proyecto parte de la reflexión a partir del contexto de la pandemia COVID-19. Reflexiono sobre la vulnerabilidad frente a un agente externo que nos viene a interpelar. Ante la fragilidad de la vida, los adultos mayores han estado en la primera línea. La cuestión aquí es replantearnos el fenómeno de la vida occidental contemporánea que nos coloca en una situación de extrema vulnerabilidad, no solo frente a la muerte sino frente a los medios, que a cada minuto borbandean con sus titulares de cifras. A lo largo de la historia de las civilizaciones la vejez ha sido tomada de muchas formas, pero aquí quiero hacer mención a aquellas que vieron en la vejez un sesgo de sabiduría y de templanza. En la vida contemporánea parece que nuestro relacionamiento con el otro sigue un camino de uso y desuso, así como la obsolescencia programada ha sido dispuesta para los productos como forma de maximizar la economía, ésta parece permear también la vida. Vemos el camino hacia el desarrollo de una eudaimonía colapsado por el avance y la globalización, frente a un capitalismo que no parece dar tregua. La idea de ver a la vejez como el subterfugio de la sociedad implica una reificación, esta implica un alejamiento de sí, que trae como consecuencia también un alejamiento del otro, un no reconocer al otro como una entidad emocional con capacidad de desarrollar, a pesar de su edad, una vida plena.\n\nPintura: (Falso Collage) + Stencil\nAcrílico sobre lienzo y carbonilla.\nMedidas: 67Cm x 1mtr', NULL, NULL, 'Lienzo sobre bastidor\n\nPintura: (Falso Collage)\nAcrílico sobre lienzo y carbonilla.\nDimensiones de la pintura:\n67cm x 1mtr\n\nStencil acrílico: 25cm x 75cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 859, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 726, NULL, '2020-04-07 00:19:34', '2020-06-24 16:21:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12309, 'r3xVPrVQmdU22d7L', 'Cruz II', NULL, 'Las formas simples, en este caso cuadrados, juegan un rol preponderante con el espacio y las demás formas que juegan en un ir y venir de luces y formas junto a espacios circundantes que adquieren la preponderancia ínter relacionadas con las formas', NULL, NULL, 'Cruz II - Escultura realizada en madera multilaminada y enchapada, mono cromada - Medidas 0.70 x 0.60 x 0.90 m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 856, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 723, NULL, '2020-04-07 00:24:27', '2020-06-23 02:40:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12310, 'aao3lk5wyWdPPZZx', 'As vontades do corpo', NULL, 'Sendo influenciado pelos desdobramentos da condição humana,  o projeto se designa pela compreensão poética das intersecções de sobrevivência, aborda temas como: sexualidade, ansiedade e resiliência . \nUm estudo coreográfico sobre amor, beleza e ansiedade na masculinidade negra, apoiando-se nas experiências pessoais dos performers para alcançar a transformação no imaginário social sobre a figura desses corpo afetados pelo racismo estrutural.', NULL, NULL, 'Espaços com formato Arena / Semi-Arena', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=SKriztpEIaw', '2014 - Completo', 'Áudio - Doenças', NULL, 'Foto de divulgação', 'Yago Goya', NULL, NULL, 1682, NULL, 198, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1480, NULL, '2020-04-07 00:29:11', '2020-06-23 02:08:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12311, 'pH9vpKU8tMcifARR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:32:05', '2020-04-07 00:32:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12312, 'oBYVgsoI7ebUDEcA', 'Potência da Inflexão', NULL, 'Inflexão é uma mudança de direção, um desvio da norma. Os artistas presentes nessa curadoria são jovens com pesquisas em desenvolvimento, o que os une é um elevado grau de experimentação, criando reconciliação e sobreposição de linguagens, um borramento das fronteiras e limitações das técnicas no campo da Arte. \nÉ um grupo inteiramente composto por brasileiros com uma grande parcela de artistas mulheres e que representam a potência de ser um artista independente, sem recursos externos e com nenhum vínculo institucional com o mercado artístico, que vem persistido e resistindo a precarização para produzir, especialmente em uma em uma conjectura política brasileira de desmonte e desvalorização da cultura e da arte. \nSão trabalhos latentes que por vezes encaram criticamente o status quo político e também olham para as questões poéticas do que é ser artista, do que é produzir no campo formal e principalmente de realizar uma mescla processual das linguagens. Por isso a importância dessa proposta curatorial, no sentido de valorizar e dar visibilidade a esse grupo diverso que realiza uma inflexão da forma e das linguagens, em que não existem barreiras entre vídeo e pintura, escultura e pintura, gravura e escultura.', '1-	Emerson Freire, Brasil - @ emerfreire___ \nPortal para o inferno (2019) 200x150cm e Novo mundo tropical (2020) 230x100cm\n2-	Marina da Silva, Brasil -  @marinadasilvadasilva\ndeixa os garoto brinca (2020) 188 x 100cm\n3-	Marina Avello, Brasil -  @maavello \nÍcaro ou rede de prender bicuda (2020)\n4-	Guilherme Ferreira, Brasil \nSem título I (2019) – dimensão variável\n5-	Eloisa Almeida, Brasil -  @ eloisaeloisaeloisaeloisa\nScott-brite (2018) - 40,5x11cm\n6-	Luis Mourão, Brasil -  @damints\nQuanto vale ou é por quilo? (2020)', NULL, '1- 200x150cm e 230x100cm: Pintura sobre placa metálica e tinta descascada da superfície. \n2- 188 x 100cm: Pintura sobre madeira coletada na rua. \n3-130x70cm: Tecido tingido, bordado com correntes e gravura sobre tecido.\n4- Dimensão variável: Pintura com Têmpera ovo e tinta acrílica, sobre madeira e isopor.\n5- 40,5x11cm: Pintura sobre quatro esponjas de limpeza com encáustica. \n6- 35x25cm(3 peças): Desenho sobre fotografias apropriadas e cartazes de promoção.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4085, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3480, NULL, '2020-04-07 00:36:07', '2020-07-03 21:47:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12313, 'G78g2ENQEW2DM15z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:41:11', '2020-04-07 00:41:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12314, 'JbzHxN1c9uNSGyML', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:41:20', '2020-04-07 00:41:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12315, 'whkP6fYvjrcViwcC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:43:37', '2020-04-07 00:43:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12316, 'yI68cka81q5yPXUQ', 'LINGA', NULL, 'Nos encontramos en la calle Chacabuco, Valparaíso, Chile. Una calle destinada al comercio de materiales de construcción, maderas, metales,etc.  El sujeto y el director de acción se sitúan en este escenario, es la calle, para poder realizar las acciones. La linga como material de amarre de cargas pesadas es nuestro elemento para generar una tensión entre persona con el espacio, la arquitectura, dejando caer el cuerpo sostenido por la cuerda. \n\n¿Transformamos nuestro entorno cuando caminamos y habitamos nuestras ciudades? ¿ Donde nos situamos cuando transformamos la arquitectura?  Con estas acciones se pretende cuestionar nuestro papel en la ciudad, poder mirarnos y acercarnos a esa actitud transformadora que significa el solo hecho de habitar un espacio.  Usar la calle como exploración en torno a la re-significación de lugares, en acciones combinadas que tensionan arquitectura, cuerpo e imagen. Exploración del espacio intersticio entre arquitectura, cuerpo y espacio urbano; un tercer espacio. \n\nLinga es un proyecto de acción performática ligado al soporte fotográfico y audiovisual.  Usa los elementos de la acción misma en su instalación en galería, haciendo colgar una televisión con una linga del techo o las paredes. En esa misma televisión están contenidas las imágenes de la acción que van repitiéndose una tras otra.', NULL, NULL, 'Linga se puede adaptar a cualquier espacio con techo o travesaños que puedan soportar una televisión de alta definición, para poder colgarla sin mayores problemas. Las cuerdas lingas miden aproximadamente 5 metros cada una pudiendo extenderse su longitud e incluso soportar otra pantalla, o múltiples si fuese de interés de la bienal. \n\nLa instalación se realizó en la galería de la escuela de fotografía Cámara Lúcida en Valparaíso donde se utilizaron tarugos y tornillos de gran formato.', NULL, 'artist', NULL, NULL, 'https://www.facebook.com/camaralucidachile/posts/1357859497696564', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 974, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 824, NULL, '2020-04-07 00:48:15', '2020-08-11 21:43:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12317, '9OBKN60rwWgRhwRw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 00:52:08', '2020-04-07 00:52:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12318, '4AThxuDHACcLF5cM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:00:38', '2020-04-07 01:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12319, 'IhIcLfopMwpE0jWz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:01:16', '2020-04-07 01:01:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12320, 'GKiXXSbKkwh1Rzu5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:07:55', '2020-04-07 01:07:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12321, 'Qc8S4CPsqStMprjk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:10:14', '2020-04-07 01:10:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12322, 'QPeFemY1DEDo2x8n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:20:12', '2020-04-07 01:20:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12323, 'q2NSGreTzDBRj5W6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:23:24', '2020-04-07 01:23:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12324, '6nC0fV4i9ytILFcE', 'Remoto', NULL, 'Desde marzo del 2020, en el contexto del distanciamiento social obligatorio, pusimos en funcionamiento una bitácora colectiva: una página web en la que cualquier usuario puede enviar mensajes a un dispositivo que recibió, almacenó, imprimió y leyó mediante voz sintética los mensajes. Paralelamente, se transmitió las 24hs el funcionamiento del dispositivo. La obra recibió más de 500 mensajes de varias partes del mundo. \nUsando estos textos como materialidad expresiva proponemos un espacio abierto de experimentación, para explorar los relatos sobre experiencias personales en el aislamiento generando nuevas materialidades. Como parte de la sociedad contemporánea, estamos en continua producción de “texto-spam”,  nos preguntamos: ¿Pueden recuperarse sentidos de los archivos? ¿Cuáles son los límites y posibilidades de su abordaje? ¿Qué nuevas experiencias vinculares entre las máquinas y los humanos desarrollamos durante el aislamiento?\nComo metodología de trabajo partimos de lo que sugieren los textos, abordándolos desde la ‘Arqueología digital’, método trabajado en obras anteriores, para experimentar la escritura y la re-escritura como performance colectiva. Elaborar un proceso de transformación de los textos en producciones que se incorporen al espacio, explorando alcances y posibilidades de la materialidad, generando nuevas obras y acciones. Abrir el espacio a otros participantes que trabajen con los materiales desde diversas técnicas. \n\nhttp://colectivomod.com/bitacora.html', NULL, NULL, 'Una habitación de que permita instalar mesas de trabajo y utilizar herramientas, en el que se pueda trabajar en diversos soportes y que a su vez permita la circulación de público de forma segura. Que posea buena iluminación y acceso a internet. Que posea  sistema de colgado o soportes para montar pinturas, fotografías e impresiones.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=p9xWdKlZVXA&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5291, NULL, 743, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4399, NULL, '2020-04-07 01:36:24', '2020-07-27 23:28:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12325, 'odZdjrkXVWncpR0C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:36:40', '2020-04-07 01:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12326, 'ft75W6G5FjhJ19Qk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:38:46', '2020-04-07 01:38:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12327, 'KRANTb3KHnFMYbOx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:41:30', '2020-04-07 01:41:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12328, 'NqbknfK2z4zIZmq3', 'Bienal do Sertão from Bienal Sur', NULL, 'Bienal do Sertão from Bienal Sur\n\n*Construir uma plataforma para artistas e curadores de propostas criativas e inovadoras emergentes no campo das artes visuais.\n*Facilitar o diálogo, o intercâmbio e a discussão crítica das práticas artísticas atuais, como o emparelhamento regional, global, seus desafios e oportunidades assim como seu compromisso educacional.\n*Divulgar os resultados, experiências e conclusões da Bienal no Brasil e no exterior.\n*Promover a notoriedade da marca da “Bienal do Sertão”, através da difusão das artes contemporâneas e do apoio ao empreendedorismo criativo.\n​\n​ O comissariado da Bienal atua de foram voluntária e colaborativa com a inserção de apoiadores e artistas vinculados com a responsabilidade de reposicionar noções de curiosidade, criatividade e invenção.\n​\nPara tanto, propomos a interaçao de alguns artistas e obras de nosso catálogo, ou que possam ser desenvolvidos à esta ediçao, em co-curadoria a ser indicada pela Bienal Sur na seleçao de alguns artistas.\n\n​​ As ações e os objetivos da Bienal continuam a cada edição, com grande repercussão na mídia, critica de artes e publico em geral, onde visa abranger o numero de espectadores extra nessa região específica do território brasileiro, com exposições, rodas de conversa e formação de público e sistemas de educação entre obras de arte e artistas.\n\nEstá dividida em dois eixos básicos temáticos: Histórico e Contemporâneo, além de instituições convidadas.', NULL, NULL, 'Pode-se averiguar 10 artistas, ou alguns, de todos os participante de suas ediçoes anteriores em co-curadoria conjunta à Bienal Sur.\nVer em: https://bienaldosertao.wixsite.com/bienaldosertao\n\nMuseus, armazens, teatros, galerias de arte, centro de cultura, universidades, ruas e bibliotecas.', NULL, 'artist', NULL, NULL, 'https://bienaldosertao.wixsite.com/bienaldosertao', NULL, 'https://bienaldosertao.wixsite.com/bienaldosertao', NULL, 'https://bienaldosertao.wixsite.com/bienaldosertao', NULL, NULL, NULL, 900, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 757, NULL, '2020-04-07 01:42:26', '2020-07-10 02:40:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12329, 'KEIYOOBJpy0fT5of', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:44:25', '2020-04-07 01:44:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12330, 'isPO0FVwj0riBKiV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 01:45:42', '2020-04-07 01:45:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12331, '09Qlfg3pLtWDKZvr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:01:16', '2020-04-07 02:01:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12332, '9DFffFwqstzUg2KT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:01:47', '2020-04-07 02:01:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12333, 'FuwjbP7Z3hrHNgpH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:02:28', '2020-04-07 02:02:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12334, 'VBODiqTBlQaqHZbp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:03:38', '2020-04-07 02:03:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12335, 'EaUYdVfoPuc4Ytb4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:04:07', '2020-04-07 02:04:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12336, 'KWD4envPsBFmrMZa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:05:43', '2020-04-07 02:05:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12337, 'wEeZLZqSNLvCw35x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:07:59', '2020-04-07 02:07:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12338, '78IdtwBynynt42O7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:08:15', '2020-04-07 02:08:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12339, 'VQiaFSoCQuwedLRt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:13:10', '2020-04-07 02:13:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12340, 'OBX4oXiT2sHPw858', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:13:58', '2020-04-07 02:13:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12341, 'xjZ8P4A4m8FkkekF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:14:15', '2020-04-07 02:14:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12342, 'CVsXv3dUY0UlE6lH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:19:51', '2020-04-07 02:19:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12343, 'ToHRgQnrEVA99vfL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:20:17', '2020-04-07 02:20:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12344, 'jaoNMO3kfuX5RaMa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:20:53', '2020-04-07 02:20:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12345, 'cqDOgoHMdVsw3YdG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:24:02', '2020-04-07 02:24:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12346, 'W0cFcXLJwvZoiw8l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:24:14', '2020-04-07 02:24:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12347, '6N2GBbFpRMNHEipE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:36:34', '2020-04-07 02:36:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12348, 'rzXm6yB1u4yjPkCL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:38:51', '2020-04-07 02:38:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12349, 'W4oXq1S32M5zjjo5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:48:32', '2020-04-07 02:48:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12350, 'jZrdA8AhH0IHJfp6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 02:49:21', '2020-04-07 02:49:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12351, '1C5psQmG6VLPHVdl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:05:03', '2020-04-07 03:05:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12352, 'D24b2ZOyIW86SdHy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:12:07', '2020-04-07 03:12:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12353, 'KU80N1WhghrXUaoP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:14:42', '2020-04-07 03:14:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12354, 'PxEmgHvhxuWjRt0B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:15:15', '2020-04-07 03:15:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12355, 'BEa2NEfS9FJjKEBE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:17:09', '2020-04-07 03:17:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12356, 'KKCSSbI5etPyaHcT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:18:00', '2020-04-07 03:18:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12357, 'NynAeTbF4SA6zqDT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:23:55', '2020-04-07 03:23:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12358, '1qbcUpjqq9sG8zX1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:30:41', '2020-04-07 03:30:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12359, 'Il6CUPZnoSUPSmwL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:40:46', '2020-04-07 03:40:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12360, '3nozGNROX9vr7RII', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 03:52:32', '2020-04-07 03:52:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12361, 'khlCLSOmkiZiEM8u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:00:03', '2020-04-07 04:00:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12362, 'FvjPXb1PszVigel1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:14:10', '2020-04-07 04:14:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12363, 'G051JcqRpD933FO9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:18:05', '2020-04-07 04:18:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12364, 'CosiImr0sq3FEMaw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:29:48', '2020-04-07 04:29:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12365, 'fSb69gBONRtm5zGB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:31:20', '2020-04-07 04:31:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12366, '2V8LYMCtwNKeiEt1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:32:44', '2020-04-07 04:32:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12367, 'FzCJ2LKV4FvqWi8V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:37:12', '2020-04-07 04:37:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12368, 'ZgTh5qotX3Uj9oNv', 'Silencion y Pulso', NULL, 'Silencio y pulso parte de una búsqueda de comprensión del diálogo dialéctico existente entre los intentos de personas y/o grupos marginales de plasmar en los muros y paredes de la ciudad de San Pablo sus \"indeseadas\" identidades, por intermedio de escrituras rudimentarias, casi que encriptadas,  y la acción constante del poder público y/o privado de cubrir tales escrituras con pintura blanca o gris, por considerarlas \"vandalismo\". A la vez, tal hecho sociológico se conecta paralelamente con mi vida personal en el año de 2019, cuando pierdo la capacidad de proyectar la voz por problemas de salud. Eso se suma a la asistencia que di a mi madre que, por su enfermedad, tampoco logra hacerse escuchar las personas. \nTales situaciones, junto a  mi vivencia de más de 15 años por el centro y el conurbano de San Pablo, me llevaron a abordar la temática de la meticulosa silenciación y ocultameinto de voces no interesantes al sistema.\nTratase de una obra videoinstalativa y performática, que tiene como soporte un toten de madera en formato de L.\nA la derecha está el espacio perfomático y a la izquierda el espacio videoinstalativo.   Ambos no funcionan paralelamente, sino que primero se desarrolla la performance y, a su fin, empieza a operar el sistema automatizado de la derecha, compuesto por un video y una máquina de pintura automática, el AgS (Agente Silenciador), que pinta la pared de blanco mientras es proyectado el video.\nA eso se suma el espacio sonoro, que es contante.\n60 min.', NULL, NULL, 'Espacio mínimo: 4m x 4m.\nMateriales:\n1 Proyector.\n1 Sist. de parlantes.\n1 toten en L de 1m de ancho y 2m de largo, cada lado.\n10L de tempera blanca.\n1L de Esmalte a base de agua.\n1 Máquina de pintura automatizada (AgS).\n1 video de 30 min y 1 pista sonora de 1 hora.\n1 Fresnel de 500.\n2 zapatillas.\n1 banco.\nMontaje:\nFijar el AgS en la pared derecha del toten.\nConectar el proyector y los parlantes.\nAsistentes:\n1 para prender, cargar y apagar el AgS.  \n1 para controlar audio y video.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=d_fjd966U6w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 870, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 734, NULL, '2020-04-07 04:40:36', '2020-06-24 16:21:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12369, 'kQq2Ttk9bc3BAFsU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:43:49', '2020-04-07 04:43:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12370, '7kDbgWEhkheCIAzW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:51:53', '2020-04-07 04:51:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12371, 'uNAxeX2HyckDgFDD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 04:52:58', '2020-04-07 04:52:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12372, 'CCScMrHpWvJG5Zht', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:01:40', '2020-04-07 05:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12373, 'Kqbvus4AW0tWzQJ0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:02:23', '2020-04-07 05:02:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12374, 'Y5e8M9VAMhC2d3Kj', 'Corpo Brasileiro', NULL, 'Corpo Brasileiro, a group exhibition of 11 artists consisting of 10 video performances, is focused on the appearance of the body and the poetry in contemporary Brazilian art. Each work represents a different approach to the question of which difficulties the Brazilian has to deal with in the context of the political, social and insecure reality of this South American Federal state today. Recently, Brazilian state institutions have become more \'careful\' and \'aware\' of the far-right political line of the country’s president and if the curators of those cultural institutions have to decide what kind of work they expose, especially in theatre and performance art, they would rather not choose nudity, queer, political or trans-related art projects. Under those conditions, it is not a surprise that São Paulo already organised a festival of \'banned\' art. When self-censorship enters the mind of the artist in order to survive and make a living, the spirit of free creation is killed. Art becomes a caricature and honesty disappears the same way as the fear comes in. The necessity to question the freedom of artistic creation has recently been connected to the fact that the administration of Bolsonaro is not really interested in censorship, but rather in ‘curating’ the art in line with their religious beliefs (as Sophie Foggin recently pointed out).', 'Élle de Bernardini, Brazil, www.elledebernardini.com \nAndressa Cantergiani, Brazil, www.galeriamamute.com.br/andressa-cantergiani\nJanaina Carrer, Brazil, https://cargocollective.com/janainacarrer\nFabiana Faleiros, Brazil, https://virandooazeite.blogspot.com\nJulha Franz, Brazil\nPedro Galiza, Brazil, http://www.pedrogaliza.com.br\nRaphael Jacques, Brazil, https://almanegrot.tumblr.com\nGabriel Pessoto, Brazil, www.cargocollective.com/gabrielpessoto\nTúlio Rosa, Brazil, www.cargocollective.com/tuliorosa\nYuri Tuma, Brazil, http://www.yurituma.com\nFabiana Vinagre, Brazil, https://fabianavinagre.com', NULL, 'Exhibition space:\n-circa 100 - 150 m2\n-dark with no windows/possibility to cover them\n-white walls (for projections)\n\nTechnical requests:\n-10x projectors/TVs + media players\n-7x headphones\n-2x sound system', NULL, 'curator', NULL, NULL, 'http://www.yurituma.com/poesia-cartografica.html', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1636, NULL, 189, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1441, 1, '2020-04-07 05:03:21', '2020-09-17 17:46:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1p7rryMma7DPW0r3eNbC_N_6Dt2sWDKZx?usp=sharing'),
(12375, 'fUcexeHO3Tb5bwhQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:03:41', '2020-04-07 05:03:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12376, 'QNEna4KANP77y7D8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:04:45', '2020-04-07 05:04:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12377, 'y2Yez35tF3cs8676', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:39:51', '2020-04-07 05:39:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12378, 'ZMZXLMFH3hMzLLle', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:42:58', '2020-04-07 05:42:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12379, '1AlMqcE51YOMvYWZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:46:04', '2020-04-07 05:46:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12380, 'iBY2UPh8F6P1Ibke', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:49:25', '2020-04-07 05:49:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12381, 'l58RpZFevjqhGFdf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:49:25', '2020-04-07 05:49:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12382, 'YJ0D0V0emCF92Nwn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 05:54:32', '2020-04-07 05:54:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12383, 'fXqmY85U8Xuk7aPz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:01:42', '2020-04-07 06:01:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12384, 'lv5PjRRo0Mfd3gCp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:04:12', '2020-04-07 06:04:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12385, 'RAjrWWsj7uUWNuvX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:15:57', '2020-04-07 06:15:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12386, 'Hw5G7tZDMk3sR37d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:20:40', '2020-04-07 06:20:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12387, 'P5En82UcZnDAISw1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:21:29', '2020-04-07 06:21:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12388, 'Vm7VqgB8dFAwh7uL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:22:28', '2020-04-07 06:22:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12389, 'nYCSjxdQFZKtfjFN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:37:44', '2020-04-07 06:37:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12390, 'iDFSH9tmhyyrH951', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:41:27', '2020-04-07 06:41:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12391, 'a6TYHYhqpgoYllvU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:42:08', '2020-04-07 06:42:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12392, 'ASnRSYgl7F3TXvmC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:44:34', '2020-04-07 06:44:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12393, 'kahmgDPMSDY2at7w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 06:45:36', '2020-04-07 06:45:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12394, '0QDpOYOg5gvB6kgf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 07:12:15', '2020-04-07 07:12:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12395, '02ctrLiXnQLzvknn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 07:29:53', '2020-04-07 07:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12396, 'BM1h8Q2bcA6SAdeZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 07:42:39', '2020-04-07 07:42:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12397, 'Ir1TdOXSX7mc3o6q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 07:44:57', '2020-04-07 07:44:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12398, '6SAOjwqn56nXGnyu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 07:50:26', '2020-04-07 07:50:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12399, 'FXEOojnhpizi6HCP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 08:02:53', '2020-04-07 08:02:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12400, '6RNQqQ16dqHPJt1q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 08:06:49', '2020-04-07 08:06:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12401, 'PUQqaIp3kyBPaAEB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 08:36:25', '2020-04-07 08:36:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12402, 'DpONRc7gvo8KsCxd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 08:47:15', '2020-04-07 08:47:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12403, 'DRImTf0eV1GCvB9N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 09:13:46', '2020-04-07 09:13:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12404, 'B08ZJxNC6hq82oDy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 09:14:19', '2020-04-07 09:14:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12405, 'i9BDFNtx8JnvPyOC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 09:22:16', '2020-04-07 09:22:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12406, 'nijvcm0PqO2d8pVo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 09:36:39', '2020-04-07 09:36:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12407, 'cNNXtvBzjewGdywe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 10:08:25', '2020-04-07 10:08:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12408, 'jbmynpZ8qaTPgZ95', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 10:13:05', '2020-04-07 10:13:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12409, 'kTuBEynIdmpPJRWd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 10:13:30', '2020-04-07 10:13:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12410, '4Poqb5jrd5DF0hje', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 11:10:25', '2020-04-07 11:10:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12411, 'OSIOupoWMrKFYpXj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 11:20:41', '2020-04-07 11:20:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12412, 'is1ylGN5rHwEhceG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 11:52:41', '2020-04-07 11:52:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12413, 'F6Q0mO8TcpJJwX26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 11:57:18', '2020-04-07 11:57:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12414, 'uJadrIvl2RiVFL6B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 11:57:53', '2020-04-07 11:57:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12415, 'KbISzwpSSGPEPHqY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 11:58:44', '2020-04-07 11:58:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12416, 'lXRkxHhhhkGNrQfn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 12:00:46', '2020-04-07 12:00:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12417, 'zp8FdTJz1NKC6f8f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 12:02:57', '2020-04-07 12:02:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12418, '0ppZ7k5OlnVKr3jD', 'Lo Sai? (Were you aware?)', NULL, 'Lo Sai? is a double-channels video installation focused on an epistemological issue, based on the comparison between academic and cosmic cultures: are they a dichotomy or could be a pair?\nThe work analyses respectively the western cultural canon –positivist, individualistic, anthropocentric– and the cultural elaborations of other traditions –spiritual, emphatic, generous, intersubjective–, to testify the dense value and potentiality of these last, after a long period of imposing quiescence (references go to: Eduardo Viveiros De Castro, 2014; Emanuele Coccia, 2018; Manden Charter, 1236). The goal is to compare these two realms of knowledge, in regards to education, power, the relationship between human beings, as between them and nature. \nIn these videos the “kente” fabric and stole, designed by myself selecting specific colours and patterns, are the protagonists as a code-language accompany the verbal (the thoughts of some philosophers, video 1, and African oral narrations, video 2), media (a diachronic long take and a syncretic plural view) and environmental one (a classroom and a mountain landscape). There is not an ethnic purpose: the Ashanti fabrics play these roles because their meanings and evolution cover punctually the themes and values at issue. Although it is not a work aimed to support a thesis –I am not looking to answers but opening questions– my interest is “to explore the possibilities offered by other forms of apprehension of the real” (Felwine Sarr, 2016).', NULL, NULL, 'The two videos should be exhibited in the same space, a medium size rectangular room (not a booth). The installation includes the “Kente” fabrics and the drawings of them, in a set up alluding to the two cultural horizons. It could also be in Ghana where I’m developing my PhD research in the frame of the sperimental blaxTARLINES collective mentored by karî’kachä seid’ou.\n(Links: video channel 1 https://vimeo.com/405862627 - video channel 2 https://vimeo.com/407789677 - for both pw: HoldenAlpe)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/407789677', 'HoldenAlpe', NULL, NULL, NULL, NULL, NULL, NULL, 1435, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1258, 5, '2020-04-07 12:09:45', '2020-09-02 00:48:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12419, 'YPnZF4kHENXsWsKU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 12:25:33', '2020-04-07 12:25:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12420, 'Qg5dCdZxQ0W42ftI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 12:26:21', '2020-04-07 12:26:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12421, 'B7zaOEKxtZu29rF5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 12:34:10', '2020-04-07 12:34:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12422, '4aQo7RhjfmkHxuct', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 12:35:45', '2020-04-07 12:35:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12423, 'sbp1YRJtFlRNBuRr', 'Monedas de cambio', NULL, 'Este último año he estado haciendo monedas. Si no tienes dinero, hazlo tu mismo. El tema del valor ha estado presente también en otros proyectos anteriores como Adopta un Señor Importante, serie de retratos sobre tondo de madera que expuse durante un año bajo el dispositivo comunicativo de una campaña de adopción que acabaría con la quema de los  no adoptados. La broma me permitió trabajar sobre la idea de lo efímero, lo cultural y circunstancial y azaroso en la construcción del relato histórico y del valor de la gente.\nMonedas de Cambio parte de la idea de elaborar una divisa propia, un conjunto de monedas, elaboradas en técnica mixta sobre madera (acrílico, transferencia e intervención física y química sobre el soporte) y concederles un valor azaroso en términos económicos intercambiable por obra futura de mi autoría. Cada moneda es única y renuncia expresamente a cualquier valor añadido que pudiera adscribírsele como obra de arte, recibiendo un precio coincidente con la cantidad expresada en la misma pieza y que no presenta correspondencia alguna con más criterio que el azar.\nComo autora, cuestiono con ello el valor de mi trabajo (esa cosa a la que llaman carrera), invito al público a participar en un juego de compra futura de obra que aún no conoce (ni siquiera si llegará a hacerse) y pongo cara a los ejércitos informales de desplazados que somos los anónimos despatriados, aquellos que vivimos en el \"no ser de aquí\", los que no tenemos lugar ni en la cruz de la moneda.', NULL, NULL, 'El FARO DE FISTERRA, situado en el cabo Fisterra, provicia de A Coruña (Galicia, España).  Pienso que no sería difícil  negociar con la  la empresa pública del estado Autoridad Portuaria del Puerto de A Coruña y que, dada la proximidad del Xacobeo 2021, sería fácil acceder a algún apoyo económico de la adminsitración.\nEl lugar, ubicado en el punto más occidental del camino de Santiago es un punto de confluencia de cientos de miles de peregrinos, visitantes y turistas a lo largo del año.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 872, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 736, NULL, '2020-04-07 12:36:00', '2020-07-10 02:28:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12424, 'g4GoCXXZLvuswKco', 'Gens Una Sumus', NULL, 'The name of the multimedia installation is Gens Una Sumus which in Latin language means ”We are all one people”.  Its initial idea was based on the political crises of a religious nationalism that my country (Bosnia) has been experiencing more than 25 years, from the Bosnian war (1992-1995). \nThe installation is consisted of a representation  of Virgin Mary which stands in the muslim prayer niche - mihrab under calligraphic Qur\'aninc inscription that tells about her. The installation is followed by sound of Mary\'s eulogy from Bible in Arabic language, and mentioned sentence form the Qur\'an in Latin language. Switching the languages with the content, no matter in which language we name God, all of us use the same word in that particular language. The installation reflect the idea about unity of all people, and nonsense of the divisions we impose in spite of recent globality of the world. \nInterestingly, this situation with world\'s crises under COVID-19 put all people on the same plane.', NULL, NULL, 'The installation could be exhibited in different places, but its initial representational idea is in a Gallery space, ov a TV screen or similar medium. Dimensions are variable.', NULL, 'artist', NULL, NULL, 'https://youtu.be/bDfbtk8PeoQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1013, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 863, NULL, '2020-04-07 12:37:14', '2020-06-23 02:35:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12425, 'hi0W1PfdYva8Qi1G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 12:46:57', '2020-04-07 12:46:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12426, '9X3vzYzMe1ZgtJTk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:22:20', '2020-04-07 13:22:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12427, 'eISbB0SsN0IsQuHF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:29:53', '2020-04-07 13:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12428, '5tVfbRpA4EqRH1JJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:41:01', '2020-04-07 13:41:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12429, 'gDM5zIEo0aIIHZZT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:41:19', '2020-04-07 13:41:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12430, 'AYUx8OOyuWwMzCVO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:43:19', '2020-04-07 13:43:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12431, 'bYrisfQq8tBXRKDd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:47:50', '2020-04-07 13:47:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12432, 'Qo22ZwnK0vma3GjX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:51:12', '2020-04-07 13:51:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12433, 'H1biMzJ74KFNJuz1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:56:22', '2020-04-07 13:56:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12434, 'JjCgQDj0V3kRfjm8', 'That sort of things', NULL, 'Mediante el ensamblaje de fragmentos, tanto de objetos encontrados como recreados, el proyecto construye un nuevo imaginario arqueológico; manifestando contradicciones con respecto a la temporalidad o hacia conceptos como original o copia. Se reflexiona sobre la ruina utilizando una imagen que fascina y emociona, pero que nos desafía a pensar en nuestra propia decadencia como civilización. El proyecto contempla un número variable (2-5) de cajas de madera dispuestas en el espacio. Cada caja mide 100x70x10cm.\nEn su interior, se presentan elementos de yeso; fragmentos de artefactos cotidianos y de impronta utilitaria, encontrados en el espacio público. Estos han sido moldeados o impresos (casteados) en arcilla, para luego traducirlos en yeso. Van acompañados por materiales de embalaje y otros provenientes de desechos de la construcción, así como pintura acrílica y lápiz grafito. En su conjunto, las estructuras asemejan paquetes de archivo o envío; disponiéndose en la sala simplemente apoyados sobre el piso.\nSe emplean materiales sencillos y desprovistos de riqueza formal o matérica, para construir nuevas composiciones o monumentos arruinados.\nEn tiempos de incertidumbre mundial, el trabajo vuelve la mirada al pasado, observando vestigios de antiguas civilizaciones así como a los descubrimientos arqueológicos del siglo XIX, pero asimismo nos enfrenta a un futuro incierto, jugando con la idea de una arqueología futura, y situándonos sutilmente en un porvenir quizás ya pasado.', NULL, NULL, 'Se sugiere su exhibición en la sede de un museo, idealmente de carácter clásico, ya que la obra juega con la idea de la clasificación museográfica derivada de aquellas instituciones, creadas en su mayoría, el siglo XIX.\nLas dimensiones dependerán de la cantidad de obras que se empleen, pero creo que entre 7 y 12 metros lineales de muro estaría bien. También podrían estar todas en una pequeña sala de unos 16m2.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1086, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 937, NULL, '2020-04-07 13:56:51', '2020-06-23 15:33:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12435, '7NsZDMJeh5ucACGO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 13:57:39', '2020-04-07 13:57:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12436, 'WcPz3Lwrj5tk82B7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:14:28', '2020-04-07 14:14:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12437, 'PPGoEsX26eRHn2js', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:15:50', '2020-04-07 14:15:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12438, 'HD0LevkWiPwKbN5I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:16:38', '2020-04-07 14:16:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12439, 'ErNHcp6KhYQMe3XK', 'Monólogo', NULL, 'Es un vídeo-arte, un monólogo o quizás un diálogo con la propia muerte, que llevamos dentro. Es un enfrentamiento con ella, un conjuro, un deseo de vivir.  Fecha: 18-3-2020. Tiempo: 1m. Formato original: Movie .mp4  H:264 1920x1080 16:9 153MB. Sonido: Stereo. Dirección y producción : Laura y Sira Cabrera. Música: Marta Sainz. \n Este vídeo contiene algunas imágenes de un vídeo anterior, que se han modificado agregando otras nuevas y formando este nuevo: Monólogo.', NULL, NULL, 'Este vídeo se puede proyectar en una gran pantalla de una sala o verse en un monitor.', NULL, 'artist', NULL, NULL, 'https://youtu.be/JIQmaZtWM2M', 'no hay contraseña, está \"oculto\"', NULL, NULL, NULL, NULL, NULL, NULL, 1130, NULL, 130, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 977, NULL, '2020-04-07 14:30:16', '2020-06-23 02:29:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12440, 'kCcpnyBoCKQCxN7q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:36:21', '2020-04-07 14:36:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12441, 'Q6sBKM77DsAjUlXg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:37:34', '2020-04-07 14:37:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12442, 'RQnhtTcZ8zL9T4sA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:39:01', '2020-04-07 14:39:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12443, 't84XIqcRWfN07gat', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:42:05', '2020-04-07 14:42:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12444, '32AnVE9dcDEut5ds', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 14:56:06', '2020-04-07 14:56:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12445, 'sVYY1gVSxy2vIAHO', 'BARRACUDA - Quem são as Travestis do Fundo do Mar?', NULL, 'Installation, 2020. Materials: hooks, machetes / fishmongers with inscriptions, hooks, fishing nets, photographs printed on sail fabric / raw cotton.  WHO ARE THE TRAVESTIS OF THE FUND OF THE SEA? is an interartistic poetic research project, which aims to cover the frictions between violence, relationship with the sea and transgenderity in Fortaleza. Through the invention of photovideoperformance and contemporary expography, the project leads to a series of cross-centered questions, calling on witnesses to the works to refocus their positions on the issues raised by the research process.  Barracuda is an offshoot of the research “Who are the Transvestites of the Fundo do Mar?”.It\'s an installation that brings together, in a 4.5m by 3.5m space, nets, machetes, hooks and photographic works printed on raw cotton / raft sail fabric. The perspective is to rub matter and concept, performatively building a new expographic possibility for research. In a net, seven photographs are displayed, printed on the material indicated and attached with hooks on the net. In addition to the photographs, a series of fishmongers / machetes for dissecting fish are also arranged, making a match between the violence shown in the photographs and the violence materials that are often used against fish and transvestites. Another net is arranged to the side with several machetes and fishmongers, subtly inscribed, with the name of historical transvestites for the Brazilian trans movement.', NULL, NULL, 'A room or some any space that you can attach a net with 3,5m by 4,5m. The work can be affixed to the ceiling or wall using hooks installed, which are attached to the net and will provide support for the entire structure. The prospect is that the work is suspended, far from the wall - in this way, the hooks will be affixed to the ceiling. High quality project presentation link - https://drive.google.com/drive/folders/1Xc7MU8-NlEdj3wGvn-i5NF3IlhduL6Vj?usp=sharing', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1Xc7MU8-NlEdj3wGvn-i5NF3IlhduL6Vj?usp=sharing // https://photos.app.goo.gl/1MHBgQPJnG8MWrJT7', NULL, NULL, NULL, 873, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 737, NULL, '2020-04-07 14:58:31', '2020-07-10 02:31:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12446, 'RqQwIDYWRToCYwvD', 'ORIGINARIA, espacios  santos  de  universos  privados.  Una poética de la  identidad.', NULL, 'Una  obra-performance,  que  puede ser espectáculo  efímero  o,  como  me  gusta  proponerla,  una  instalación  con  performance  en  vivo  que podrá  ser filmada para  las subsiguientes propuesta.  La  instalación consta de  :  obra-performance:  una performer en escena;  con  video  en  pantalla que  a  su  vez tiene hacia  el  frente, por  ambos costados,  hacia  un  lado  una exposición  de  fotografías  de familia  llamada  \"de la  era  perfórmica  natural  a  la hegemoneica  nacional\"  y  hacia  el  otro lado,  una plataforma  de videos  llamada  \"la  danza  escondida\".  \nHabrá  dos funciones con  la  performer  en  vivo, que será filmada para que continúe  dicha  instalación  con el video  de  la  obra-performance .  \nUna obra  elaborada a partir  de dos matrices: la danza escondida y somos originarios de nuestro propio  núcleo  generador-somos  habitantes del  planeta.\nUn cuerpo  performático lleno de recursos expresivos (la  danza  escondida). Luego  un  mapa  de los  ancestros  que  harán  a  la  memoria directa y otra  anterior  que harán  a  las  articulaciones físico-sonoras y  manifestaciones en la escena. Una concatenación de cuadros.\nLa  obra fue  concebida considerando  al Hotel d e  Inmigrantes  (lugar  adonde  llegaron  mis  abuelos paternos) y el  Museo de Arte Hispanoamericano (lugar representativo  de mis abuelos maternos, originaria  y  español), donde sucedió el estreno en diciembre 2019.', NULL, NULL, 'Hotel de Inmigrantes  (Muntref).  Hay  que  considerar el  frente  don de sucede  la  performance con pantalla  de por  lo  menos  3x3  y  luego  los  costados  con  la  danza  escondida  /proyeccion  en  lataforma) y  la  exposición de fotos.  El  lugar  debe  tener  una  luz  adecuada  para  que  el  video de  pantalla  no  pierda  su  aura.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/382476077/96000153b0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 994, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 844, NULL, '2020-04-07 15:02:04', '2020-06-23 02:37:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12447, '30NdvQEDIkRS8TT2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:02:39', '2020-04-07 15:02:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12448, 'bJ4p69klPhkbwvr3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:06:09', '2020-04-07 15:06:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12449, 'jhqDYTLyd53GwizP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:07:06', '2020-04-07 15:07:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12450, 'umAXVjIsB1J9AhRv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:13:16', '2020-04-07 15:13:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12451, 'M7Q30ahqsmmFTRGC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:15:33', '2020-04-07 15:15:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12452, 'u5rSnw31R3MO95DH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:17:01', '2020-04-07 15:17:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12453, 'F5Z0WsNef7MYWYYB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:19:11', '2020-04-07 15:19:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12454, 'XB3PQAbWBIEZ90dS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:26:22', '2020-04-07 15:26:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12455, '9jE3lL8bMdKsFV4P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:28:39', '2020-04-07 15:28:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12456, 'lFZ5yC9jFc7z8XbI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:28:42', '2020-04-07 15:28:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12457, 'MBl6rjEwmyAwardx', '#Dafne i Apol·lo', NULL, '#Dafne i Apol·lo es una pieza multidisciplinar que revisita y analiza, des de una perspectiva de los nuevos feminismos y del concepto de violencia simbólica que acuñó Piere Bordieu, el mito presente en la edición catalana de 2008 de Las Metamorfosis de Ovidio. En la presentación del libro, Jordi Parramon afirma que la metamorfosis es un tema universal al que todas las mitologías recorren para explicar el origen de las cosas y, como es de suponer, la obra de Ovidio sigue el mismo principio; <<forma parte del pensamiento mitológico y debe aceptarse como tal>>, dice Parramon. De acuerdo que aceptemos que las metamorfosis sean inherentes a la mitología pero ¿debemos tolerar cualquiera de las causas de estas mutaciones? ¿Hemos de aguantar, solo por la etiqueta de “gran clásico de la literatura” que Ovidio y las ediciones del siglo XXI digan que el comportamiento abusivo de Apolo hacia Dafne es amor o enamoramiento? ¿Hay que aceptar que, mientras el se presenta como héroe, ella se vea obligada a cambiar su forma humana para liberarse de la violación? ¿O que, tanto los personajes como el autor del libro, excusen tal violencia culpabilizando Dafne y su belleza y actitud de no cumplir con los roles que se le han asignado “divinamente” (el matrimonio, la satisfacción de los deseos sexuales del hombre, la maternidad y los cuidados a la familia)?\n\nLa obra consta de un videoperformance, 2 objetos artísticos, intervención site specific y además, la versión de performance en directo.', NULL, NULL, 'La versión expositiva requiere una sala de exposición con las siguientes características. Dimensiones aproximadas: 5 x 4 x 5 m (izquierda x central x derecha) Detalles: paredes blancas para intervenir y techo para colgar un objeto. Otros requisitos: peana blanca. \nLa versión de performance en directo es adaptable a cualquier espacio con los siguientes requisitos: elementos para realizar la acción (a cargo de la artista), un micro de pinza y altavoces (a cargo de la institución o espacio).', NULL, 'artist', NULL, NULL, 'https://youtu.be/Tqm36kV1Ae4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 929, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 783, NULL, '2020-04-07 15:28:46', '2020-07-10 22:38:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12458, '5UTLWm0jZiXrSWbM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:31:23', '2020-04-07 15:31:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12459, 'GsWX1IJ8yrerNH40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 15:34:27', '2020-04-07 15:34:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12460, 'lUuURDlM03vgeJcf', 'NUTRICULA', NULL, 'NUTRICULA is a concept of solo physical performance by artist Yasen Vasilev in collaboration with a series of performers, each of them changing the structure of the work based on their biography and socio-political context. The series of versions monitors how a global system regulates the ways in which we live, produce and reproduce and how we respond to it locally, limited by our own bodies. The concept subjects the performer to an intense physical effort that aims to test and reconsider the limits and functions of body parts.', NULL, NULL, '10x10 m with wooden floor or dance floor mat', NULL, 'artist', NULL, NULL, 'https://vimeo.com/137120912', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 875, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 739, NULL, '2020-04-07 15:46:35', '2020-06-24 16:22:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12461, 'K3SFaZN0SDZ6mgaC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:02:20', '2020-04-07 16:02:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12462, 'rWKOzDvVPGf4QZUb', 'THE FOLLOWING QUIET IS BROKEN BY CHEERING FROM THE CROWDS, THE BIRDS FLEEING TO THE SKY AND HUGE CLOUDS OF DUST WAFTING SLOWLY AWAY', NULL, 'An extensive collection of different material about the history of the NRTS-INL area in Idaho is the starting point for this video essay. Local and national newspaper articles, photographs and footage from field research and archives are the data associated and connected in a new “sometimes true, sometimes fictional“ narration about the territory surrounding the INL facilities. Precisely, focusing on the concept of expectation and how this idea is related, positively and negatively, to different aspects of the reality concerning the INL area and history: from the real estate industry (which was supposed to sell a pleasant community life to the INL’s workers, in the city of Arco and Atomic City) to the dream like idea that nuclear energy is safe, to people’s necessity to have a job. Parallel to that, the history of nuclear research, the increasing of atomic tests during the cold war, and the philosophy of propaganda are some of the themes the work offers for the audience’s reflection. Personal fear and archive materials become part of a dual screen video in which the observer is free to associate and play further between the layers of information.\n\nVideo Essay – 44:44 min – 2 channel HD Video  - length: 47\'06 - 2019\nThe Video has been realized for the 4th annual exhibition \"Holding What Can’t be Held\", based on the area of the radioactive ‚clean-up‘ site at the Idaho National Laboratory (US), presented at MING Studios, Boise (US)', NULL, NULL, 'Ideally the space should be adequate for video screenings (dark enough) and have enough space for the audience to sit.\nTechnical Information / requirements 2 flat monitors or 2 projectors, 1 raspberryPi, Sound pre-amplified loudspeakers or Headphones.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/397130881', 'vacuum', NULL, NULL, 'http://irinanovarese.de/the-following-quiet-is-broken/', NULL, NULL, NULL, 890, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 751, 5, '2020-04-07 16:04:05', '2020-08-22 17:14:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12463, 'Cbk6QKCgODcLxNbx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:14:10', '2020-04-07 16:14:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12464, 'btyIdXOY8NJDDFeu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:21:04', '2020-04-07 16:21:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12465, 'r9nXR4cwhx6EDx3v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:21:32', '2020-04-07 16:21:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12466, 'WdqnjicJEvQ0SDox', 'A vida não é um mar de rosas', NULL, 'A instalação olfativa \"A vida não é um mar de rosas\" apresenta de forma poética a imperfeição inerente da vida como mobilizadora de afetos e potência do contato com o outro. Um rastro olfativo de rosas que se dissemina para além do espaço onde a obra acontece receberá os visitantes antes mesmo que se estabeleça qualquer contato visual com a obra. O \"mar\", com cerca de 20.000 mini rosas de gesso perfumadas dispersas pelo espaço expositivo em ritmos variados fazem alusão à pequenas marolas. Assim, as rosas - material e simbólico - apresentam a irrealidade deste cenário de calmaria já com a negativa expressa em seu enunciado, de origem na sabedoria popular \"a vida não é um mar de rosas\". A altura dos olhos, a frase \"Eu sinto muito por isso\" destaca-se como a fala de um outro que compartilha do penar e acolhe, estabelecendo um canal de conexão, um meio de nos tocarmos mutuamente ainda que sem contato físico: é o sentir que nos une. O silêncio costumeiro dos espaços artísticos aqui tem sua razão de ser: é como se o cheiro já dissesse o suficiente para que qualquer som povoe o mesmo espaço. Apenas sinta.', NULL, NULL, 'Espaço necessário:\nÁrea de aproximadamente 120 m² em um espaço fechado e sem janelas. \n\nEquipamentos necessários:\n02 refletores Pano Convexo 03 refletores Fresnell\n\nobs. A obra foi exposta no Complexo Cultural Funarte SP no mês de março mas a mesma foi interditada 1 dia após sua abertura em decorrência da pandemia.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3574, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3054, NULL, '2020-04-07 16:22:38', '2020-07-17 00:30:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12467, 'PjOZrq6Q2bezthCc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:24:56', '2020-04-07 16:24:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12468, 'HeJmxx9u9VRTmnhW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:33:31', '2020-04-07 16:33:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12469, '3CQW6oVBrGMiPOq1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:36:06', '2020-04-07 16:36:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12470, 'g18aoQsygwhZ0RlP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:36:40', '2020-04-07 16:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12471, 'lpAQWyEZod3n5ysP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:37:16', '2020-04-07 16:37:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12472, 'JUhM4p9SATTkJLZ5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:41:38', '2020-04-07 16:41:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12473, 'jLByT3pZbPuN9WCk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:45:40', '2020-04-07 16:45:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12474, 'tADmz22ds9PrNrhy', 'ABANDONADAS À BEIRA DO CAMINHO', NULL, 'Um exercício de catalogação e registro fotográfico de casas em situações de abandono, ou já em ruinas, realizado ao longo do ano de 2019 na beira das estradas e rodovias que ligam municípios do interior do Ceará deram origem a instalação, composta de seis séries de trabalhos intitulada, ABANDONADAS À BEIRA DO CAMINHO. \nA imagem do abandono conta muitas histórias, desperta várias lembranças...\nA ideia de casa como lugar sagrado (por isso a alusão com templos e lápides...)\nE as perguntas que ficam com a imagem do abandono...\nEste trabalho de certo modo quer enfatizar, como escreveu Gaston Bachelard, ainda que maneira contrária, “a valentia das paredes, a coragem do teto. A casa não luta”, nos diz. Mas nós dizemos: as casas em ruínas, lutam, a força de suas paredes desmoronadas, de seu teto em pedaços, tudo reclama, grita, resiste ao tempo... A casa em ruinas luta!!\nA série de trabalhos constitui-se de imagens de casas plotadas artesanalmente sobre um de seus fragmentos, sejam tijolos, parte do piso ou telhado. Que caiadas de branco recebem o acréscimo de uma pequena cruz, fazendo alusão a templos católicos ou lápides - e apresentados em números de dez como obra única.', NULL, NULL, 'Com um total de sessenta peças, a instalação é um registro do abandono imposto pela violência, pela falta de meios de sobrevivência e as falsas promessas de vida melhor na cidade. De certa forma o trabalho expõe fragilidade do ser humano, com seus de ver e se apropriar do mundo. De resto, ficam muitas perguntas com a imagem do abandono.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 877, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 741, NULL, '2020-04-07 16:47:52', '2020-06-24 16:22:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12475, 'pMheOncUBeA17vCi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:49:46', '2020-04-07 16:49:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12476, 'vJ2oSqh2YRsfLuvM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:50:52', '2020-04-07 16:50:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12477, 'm3aydW6EtpDvltb9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:52:16', '2020-04-07 16:52:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12478, '7dMzcy10q6zS0b2p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:53:28', '2020-04-07 16:53:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12479, 'nNjoZIQMLnekCzmt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 16:55:09', '2020-04-07 16:55:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12480, 'cquCNBmfnWXb8nY0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:01:51', '2020-04-07 17:01:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12481, 'e0lszyQbnwvmyEad', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:02:42', '2020-04-07 17:02:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12482, '8pDY9MfGPvMkpzPl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:06:49', '2020-04-07 17:06:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12483, 'xD64SY5OrqZT0Obj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:14:32', '2020-04-07 17:14:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12484, 'uD8Kthv9zbeg6OTO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:16:20', '2020-04-07 17:16:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12485, 'CBpprd91o86Q0c8G', 'entelequia', NULL, 'Entelequia es un proyecto integrado por tres piezas textiles de gran tamaño, tres sábanas matrimoniales antiguas como soporte de una serie de escenas de caza, muerte, ataques, violencia. Utilizo el bordado, el dibujo y sublimado artesanal, para dar vida a los protagonistas de estas imágenes ficcionales: una serie de animales de diversas especies, extraídos de un inventario dibujado por mi nono en la década de 1950. La simpleza de la línea y el color que recuerdan a dibujos de la infancia, y la calidez de la técnica y materiales propios del bordado a mano, de este oficio familiar, se contraponen a una imagen melodramática, ficcional, de violentas posturas. Por sus dimensiones, obliga a observarla desde lejos, pero al acercarse, se vuelve confuso el episodio. ¿Qué están haciendo esos bichos ahí? Se plantea así  una tensión entre las distancias, ángulos, y dislocaciones que atraviesan tanto el cuerpo de la artista como el del/la observador/a, proponiendo una mirada siempre a tientas, siempre sigilosa.\n\nAclaración: sólo una de las piezas ya se encuentra confeccionada, las otras dos adjunto boceto de la imagen a bordar.', NULL, NULL, 'Por las caracteríasticas de cada una de las tres piezas, se puede adaptar a cualquier espacio expositivo que sea cerrado, no al aire libre. Preferentemente de una altura mayor a los 2,5 metros, con paredes que posibiliten el colgado de las telas. Cada una poseen en su borde superior un doblez para poder hilvanar un tensor o cable de acero, permitiendo que puedan ser colgadas/tensadas de pared a pared.', NULL, 'artist', NULL, NULL, 'https://daniarnaudo.wixsite.com/obra/posturas', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 883, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 745, NULL, '2020-04-07 17:16:53', '2020-07-10 02:34:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12486, 'gtzsUq2zdfvRCruO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:17:34', '2020-04-07 17:17:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12487, 'm8jS4XjtH8EHIKnX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:18:50', '2020-04-07 17:18:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12488, 'KBx1oOIrgbsrx3m0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:20:52', '2020-04-07 17:20:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12489, 'iR8pbLQZEH8XreQ8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:21:41', '2020-04-07 17:21:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12490, 'jGzhqU7t2DaqfV0b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:24:25', '2020-04-07 17:24:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12491, '38FSWkYiifq1WZRO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:30:53', '2020-04-07 17:30:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12492, '23X1MsxndJGqSlAU', 'O som deles', NULL, 'The work O som deles (2017–) is a mutable, growing structure of paintings in ceramic tiles addressing queer histories in its fragmented configurations. The work’s first iteration was commissioned by the Schwulesmuseum* in Berlin in 2017, followed by a second iteration of the work in Johannesburg in 2018 and a third one to happen in Geneva at Espace 3353 in Fall 2020. The work looks at different stories that regards the queer body from a de-colonial perspective: In 2017, the first tile panels were based on the story of Tibira do Maranhão, found in the archives of the Schwulesmuseum* in Berlin. It’s the story of an indigenous man from the Tupinambá people that according to the diary of a French priest, was executed in Brazilian territory in the beginning of the 17th century for showing non-normative gender behaviour. The scene from the book is reconstructed using fragments of paintings from the time drawn from multiple sources, presenting a visual echo chamber.\n\nThe work’s second iteration is based on the first major Brazilian novel with a homosexual romance narrative – ‘Bom Crioulo’ by Adolfo Caminha from 1895, which tells the love story between a former slave and another man at the navy. The book was also one of the first Brazilian novels with a black leading character.\n\nFor the Bienalsur I intend to develop this work further adding a new story to the piece (tbd) in conjunction with a sound piece. All the panels of the series will be hanged in conjunction as an echo chamber.', NULL, NULL, 'The work consists of a main wooden structure defining a square space of 500 x 500 cm to be built in the middle of the room. The space functions as a hanging system for the tile panels. Most of the panels are hanged directly on the hanging structure, while others are placed in different positions around the room. These decisions depend on the exhibition space provided to the work. Depending on the room\' specificities, the hanging structure can also be redesigned.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 879, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 743, 5, '2020-04-07 17:40:03', '2020-08-29 22:21:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12493, 'qAStAnWcltGxnIbv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:40:14', '2020-04-07 17:40:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12494, '1IIm3tNDgCjC6jEh', 'Withered Green, Thrived Red', NULL, 'What can we understand or feel in moving from point A to point B? \nThis moving motion could be an inside out representation of a geographic migration and an inner sentimental reflection. In other words, it is the heart of the exile feeling which the human soul feels while experiencing changes and variations during the long process of migration of what already exists and what can be expected. This project questions and spots the genesis of a distress, a lost identity (?) and an adventurous search of answers in the long living experience called life. But a question remains; will I ever be able to find an answer to all my doubts and insecurities?\nTo make see without showing; the physical, emotional, ideological and geographical transition movement - Are we building a new identity and destroying the one that we hold by default? Or do these details and events occurring in this process symbolize a single and unchangeable identity but in permanent evolution?', NULL, NULL, '15cm x 20cm \nWhite frame with glass\nClassical/Chronological Installation', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 878, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 742, NULL, '2020-04-07 17:46:21', '2020-06-23 15:47:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12495, 'Bi5j4E6IhJSUwAZ8', 'Inlanders', NULL, 'Inlanders, 2019, single-channel video, 3 minutes\n\nInlanders is a short single-channel video work that takes as its starting point the morphing, ever-changing film sets that populate the landscape near where I live in Frensham (UK), and the peculiar array of permanent and temporary marks they have left upon the landscape.\n\nThis strange in-between space plays host to the Inlanders; a group of disembodied nameless entities that are intent on moving further inwards, towards an unknown central realm.', NULL, NULL, 'This work could suit multiple configurations within an exhibition context. It could be shown in a blackout space as a large projection with stereo speakers; as part of a set screening programme/event, or on a flatscreen monitor with a pair of wired or wireless headphones.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/sarahduffy86/inlandersfull', 'INLAND', NULL, NULL, NULL, NULL, NULL, NULL, 3019, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2602, NULL, '2020-04-07 17:51:59', '2020-07-29 12:45:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12496, 'YUXsyO7oWVxEacFv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:54:01', '2020-04-07 17:54:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12497, 'GBCMZBEWwccAmNoM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:55:09', '2020-04-07 17:55:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12498, 'e4C8L0kmtPcI4PUG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:56:51', '2020-04-07 17:56:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12499, 'dhgUnzUOtjv6EbEU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:56:52', '2020-04-07 17:56:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12500, 'F6PbDgRO2ZMr9a8D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:57:01', '2020-04-07 17:57:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12501, 'CcDcwAWxnJJj1gSt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 17:57:06', '2020-04-07 17:57:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12502, 'voHuoHqlFy3gyLzY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:01:40', '2020-04-07 18:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12503, 'h0KHce672OnfJlDJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:01:42', '2020-04-07 18:01:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12504, '4FnRmAtlHoari6cp', 'Cómo Cargar un Cuerpo', NULL, 'Devenir en femenino presupone la intención voluntariosa de ratificar la forma que se porta, ya sea en el amenazante misterio de la secreción hormonal o desde el inamovible cielo platónico. Participar en la negación de los límites del lenguaje, el estímulo y deseo que da sentido a un cuerpo ataviado de su jurisdicción. Prescindir de reclamarse propio, diferente e incluso ajeno de otro, porción de la oposición del bien y del mal; estipulado inhabilitado, sujeto de discordia, animadversión y violencia.\nSer, quedarse, convertirse o sentirse mujer, es la invitación que acercan desde la producción artística 16 mujeres Latinoamericanas. Todas ellas vigentes en el circuito del arte contemporáneo, aportan desde la visualidad a la discusión académica actual, explorando las perspectivas y discordancias de la representación en la disputa de lo femenino.\nEsta exposición surge a partir de la observación del vínculo entre creación y género rescatada por la investigación curatorial de Elisa Massardo, que llevada a cabo durante los últimos dos años en diversos países de Latinoamérica, considera esta relación, elemento decisivo en el escenario de la plástica mundial y, por lo tanto, una lectura insoslayable para el contexto curatorial nacional.', 'Aurora Anita Dulanto, Chilena, www.auroraanita.com\nHersilia Álvarez, Argentina, www.hersiliaalvarez.com\nMartha Amorocho, Colombia, marthaamorocho.wordpress.com/blog/\nAisha Ascóniga, Perú, www.instagram.com/aishaasconiga/\nTeresa Bracamonte, Perú, http://teresabracamonte.com/\nMarisa Caichiolo, Argentina-EE.UU., www.marisacaichiolo.com/\nRegina José Galindo, Guatemalteca, www.reginajosegalindo.com/\nRocío Hormazábal, Chilena, www.rociohormazabal.cl\nCheril Linet, Chilena, https://cherillinett.blogspot.com/\nCamila Lobos, Chilena, http://www.camilalobos.cl/\nElizabeth Neira, Chilena, http://videoselineira.blogspot.com/\nAna de Orbegoso, Perú-EE.UU., http://www.anadeorbegoso.com/\nErika Ordosgoitti, Venezuela, http://erikaordos.com/\nBruna Truffa, Chilena, http://brunatruffa.com/\nMaría Eugenia Trujillo, Colombia, https://www.instagram.com/maritru53/\nGenietta Varsi, Perú, https://www.geniettavarsi.com/', NULL, 'Se requiere de un espacio de 4 metros de alto y cerca de 400 metros cuadrados para exposición, además de panelería para poder crear un recorrido. De todas formas se puede adaptar de ser necesario.\nLas ventanas deben ser bloqueadas porque hay dos obras que son proyecciones.', NULL, 'curator', NULL, NULL, 'ttps://vimeo.com/330054879', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 913, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 768, NULL, '2020-04-07 18:02:18', '2020-08-12 11:41:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12505, 'qWSLvKxvNsHNvrRR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:03:35', '2020-04-07 18:03:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12506, '5mEmj2o0Yn5KEqsC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:09:04', '2020-04-07 18:09:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12507, 'cxDCtUv4Ls9gbnev', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:13:07', '2020-04-07 18:13:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12508, 'Arb8amD9LUfpb2Qt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:14:20', '2020-04-07 18:14:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12509, 'i96f87BecVlQnR9T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:15:46', '2020-04-07 18:15:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12510, 'ZElLmETALEoKPDlr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:20:59', '2020-04-07 18:20:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12511, '1ue8vgW9mx3lGhEp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:32:26', '2020-04-07 18:32:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12512, '4ihRA3oqunv9U2Vn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:32:57', '2020-04-07 18:32:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12513, 'EYo3pWM9S9r1kyyH', 'Há de a ver', NULL, 'The artistic work addresses the theme of the mirror and its reflection in the elaboration of the photographic image. It investigates how the notions of identity and the image of the body are influenced by the mirror and how this device allows an awareness of the self, the image of the body and the idea of ​​otherness.\n\nThe approach is not limited to the physical phenomenon of reflexivity. Reflection is a metaphor for thinking that comes back to itself with the intention of expanding the limits of knowledge. Reflecting is a discursive attitude towards work and the world.\n\nIn the field of image, the investigation adopts photography as a language, analyzing the influence of the mirror on the possibilities of representation of the body image.\n\nLike art, the mirror offers visibility to the invisible; the device is a means / object to exercise a new power of the gaze, the multiplication of points of view and the expansion of the limits of the visible.\n\nThe two main conceptual elements that structure artistic practice are photography and the mirror, with the main objective of questioning the approximation between the mirror image and the body image. The reflective surface is investigated as an instrument for the construction of the self, with the development of a dissimilarity procedure.', NULL, NULL, 'Photographs must be displayed in a conventional art exhibition space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 907, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 763, NULL, '2020-04-07 18:43:39', '2020-07-10 02:43:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12514, 'oZ8Z7YZ8xxsRzvuO', 'BLINK', NULL, '“Blink”\nMany of us are exposed to an uncontrollable bombarded of news and other people’s opinions via the internet and social media. The speed at which information travels from one person to another generates confusion of what ‘truth’ and ‘reality’ are. \nIf things have no clear beginning, how can we position ourselves in relation to information so that we can interact with others in a meaningful way? How does an idea break down, progresses, and change during the course of a conversation? And how can we deal with stories that seem ambiguous, that we do not understand, in order to remain part of the conversation and part of the group? In order to be visible and be counted. \nBlink is an online game project involving 6 Participants who are located across separate distances at different times and they will get connected through a moderated schedule in a WhatsApp group during the game. Our material to start this conversation is a source of texts gathered from various literary sources. The material to continue this conversation will be provided by the participants. \nBy this project we are seeking to build a context to simulate our everyday experience of facing distorted reality and creating our reaction to this situation through contemporary art, meanwhile practicing critical thinking about it. \nWe hope to open a gap that will allow for juxtapositions, contradictions, and distortions, a space that is both familiar and unfamiliar at the same time.', NULL, NULL, 'we will design a website with an online platform that participants can join the game through an open call. We will run the project as a tabletop game All the archived images will be printed in 5x7 inch and will be kept as cards Viewers will be allowed to join any table with anyone and can play the game on the spot The rules for the game on the spot will be a little different so that one game can get end within an hour', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1344, NULL, 158, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1174, NULL, '2020-04-07 18:43:42', '2020-08-01 00:34:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12515, 'B3k3cIADvHqETPsa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:44:23', '2020-04-07 18:44:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12516, 'MC94yDS8VhcXLAuM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:45:13', '2020-04-07 18:45:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12517, 'heYjCB2XrdT9Kf4X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:48:43', '2020-04-07 18:48:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12518, '0DluvcIZ92jDpAl9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:49:27', '2020-04-07 18:49:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12519, 'iVf3uckE8RIr6Avv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:51:37', '2020-04-07 18:51:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12520, 'VRi5oeKlZEG5VrSO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:52:22', '2020-04-07 18:52:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12521, 'v0fTVV32uRAohMRw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 18:59:02', '2020-04-07 18:59:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12522, 'JxkySTLx2ttbcWQ1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:00:38', '2020-04-07 19:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12523, 'TkdM8UvYo4TFKIUv', 'BRASILIDADES', NULL, 'APresente parte de la cultura y el folclore brasileño a través de pinturas al óleo.\nCon la premisa de fortalecer los lazos entre las naciones, mostrar el arte brasileño y unir a las personas, mostrando respeto y conocimiento.\nPresente las tradiciones ribereñas de las personas que viven en las orillas del río Amazonas, los festivales tradicionales y religiosos de esta parte de la población de Brasil simbolizados en obras figurativas y modernas, expresionistas y con una influencia cubista.\nMuestre el lado ingenuo del habitante del campo, lejos del estrés de las grandes ciudades Presente el lado bucólico y lúdico de las relaciones humanas sin las influencias de la sociedad moderna, con temas de pura ingenuidad e inocencia.\nCon un fuerte cromatismo esbozado en las obras, muestre el lado colorido de la vida de los pueblos rurales y ribereños de Brasil, donde la naturaleza es más valorada y las relaciones sociales más verdaderaPara presentar un espacio acogedor y convidativo para los visitantes, queremos crear un escenario típico, insertando algunos objetos de uso de la región amazónica, así como una decoración basada en plantas no perecederas, como las orquídeas y las palmas brasileñas.', NULL, NULL, 'Para presentar un espacio acogedor y convidativo para los visitantes, queremos crear un escenario típico, insertando algunos objetos de uso de la región amazónica, e una decoración basada en plantas no perecederas, orquídeas y las palmas brasileñas. Necesitamos espacio para monitores que muestren videos del artista  en el estudio, y videos sobre la región y las razones de los trabajos. Desde 30 metros cuadrados, podemos trabajar, pero lo ideal  seria un espacio de 50 metros cuadrados.', NULL, 'artist', NULL, NULL, 'https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=4&cad=rja&uact=8&ved=2ahUKEwjg2MPO2dboAhV2JbkGHRidC6wQtwIwA3oECAsQRA&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DrEDQoJ_i9dU&usg=AOvVaw32qj5Eugipf39CdhK_77GN', NULL, NULL, NULL, '@sebastiaomendesarte', NULL, NULL, NULL, 886, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 748, NULL, '2020-04-07 19:02:17', '2020-06-24 15:57:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12524, 'WxmiochfaOzf8P9M', 'Tecituras', NULL, '“Tecituras” é um espetáculo de dança com música ao vivo.  É construído  através de processos de improvisação estruturadas  e tece  como fios de um tear relações permeáveis entre corpo, objeto, sonoridades, voz e arquitetura.  O espetáculo tem uma linguagem transversal e se propõe a refletir o cenário vivo de cada local de apresentação, integrando-se aos espaços públicos da cidade de BH. \n\nA apresentação criará para  o público  a possibilidade de novos olhares e interlocuções que reflitam suas relações com a cidade,  contribuindo desta forma, para um processo de  valorização de suas memórias e   identidades, permitindo  tomadas de  consciência de sua existência, das relações com  o  patrimônio material, imaterial e  da diversidade cultural presente nestes contextos.\n\nAo levar o “Tecituras”  para a “Bienal Sur”, pretende-se deixar para o  público através do nosso  fazer artístico, percepções ampliadas que criarão  uma ponte   sutil  entre o  simbólico e o  real.', NULL, NULL, 'Não é necessário  montagem de palco pois o espetáculo  é itinerante e acontece em espaços públicos abertos.  \nOs espaços podem ser praças, parques ou  áreas de convivência e se possível  que tenham uma importância para a cidade,  como patrimônio histórico ou local de uso pela população. \n\nNão é necessário equipamento de iluminação, pois o espetáculo acontece durante o dia. \n\nNão é necessário montagem de equipamento de som, pois o espetáculo é feito com música ao vivo  e de forma acústica.', NULL, 'artist', NULL, NULL, 'http://bit.do/tecituras-2016', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 884, NULL, 110, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 746, NULL, '2020-04-07 19:02:38', '2020-06-23 15:47:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12525, 'MPcReTIzvIcYqcp1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:09:41', '2020-04-07 19:09:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12526, 'RyfjPRmBlHp1HWBW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:09:52', '2020-04-07 19:09:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12527, 'dSEWtiYMtBEQjPuh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:16:43', '2020-04-07 19:16:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12528, 'XzEIahjEBPuHcBoW', 'Ressonâncias', NULL, '“Ressonâncias” é um espetáculo de Dança-Teatro construído a partir de um referencial que dialoga com o processo de improvisação para sua criação. É uma obra aberta ao público. Convida tanto a participação efetiva na cena, quanto a criação de sentidos.  Apresenta de forma sensível a cada sujeito uma narrativa.\n“Ressonâncias” faz oscilar  em máxima amplitude corpos, sons, símbolos e arquitetura. \n\nA apresentação criará para  o público  a possibilidade de novos olhares e interlocuções que reflitam suas relações com a cidade,  contribuindo desta forma, para um processo de  valorização de suas memórias e   identidades, permitindo  tomadas de  consciência de sua existência. \n\nAo levar o “Ressonâncias”  para a “Bienal Sur”, pretende-se deixar para o  público através do nosso  fazer artístico, percepções ampliadas que criarão  uma ponte   sutil  entre o  simbólico e o  real.', NULL, NULL, 'Não é necessário  montagem de palco pois o espetáculo é itinerante. \n\nNão é necessário equipamento de iluminação, pois o espetáculo acontece em espaços abertos e durante o dia. \n\nÉ necessário um espaço público como praças ou parques e que tenha uma importância para a cidade escolhida como patrimônio ou local de uso pela população.', NULL, 'artist', NULL, NULL, 'http://bit.do/ressonancias-2014', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 884, NULL, 112, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 753, NULL, '2020-04-07 19:18:34', '2020-06-24 15:57:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12529, 'dLbzlNXEddO7VHVd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:26:53', '2020-04-07 19:26:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12530, 'sOAOBGbSKJ3VFHmn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:27:15', '2020-04-07 19:27:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12531, 'fSD3ctvUI90O1LVE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:27:35', '2020-04-07 19:27:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12532, 'f6gyfR1ZEzit2A5g', 'FARDOS', NULL, '¿Cuántos ladrillos de miedo se necesitan para construir una sociedad conservadora?\n¿Cuántas vidas se resumen en Cargas/Fardos? Las normas de la sociedad conservadora (extrema) que desata el odio y la intolerancia contra las vidas que resisten esta conjetura doctrinal y loca han causado y acentuado el caos social. ¿Cómo dialogar, cómo llegar al sentido común? ¿Es posible la convivencia si hay diversidad? Esta es una duda que está latente, pero que se revela en medio de comentarios que surgen y saca a reverberaciones que pesan y oprimen las Vidas LGBTQI+. La Performace Arte \"Fardos\" presenta las muchas \"cargas\"/\"fardos\" que las Sociedades Tradicionales, Patriarcales y Coloniales designan (o) las LGBTQI+ desde su nacimiento, entre ellas: llevar su propia carga/fardo a los nuevos calvarios ya preestablecidos por la sociedad actual. La idea de la Performance \"Fardos\" que crea conexiones desde el encuentro entre el artista y el espectador y que el acto de performance se produce a partir de este intercambio relacional que es reafirmar el núcleo mismo de este arte que es un género anti artístico de la vida contemporánea y ofrece una ruta fronteriza y dialógica con lo que emerge intensamente entre las fronteras no solemnes de la vida cotidiana.', NULL, NULL, 'El performer se vestirá, desde donde comenzará su acción de manera instalativa (de pie y con movimientos minimalistas), de pie envuelto en ladrillos (cargas/fardos) que se atarán mediante cuerdas / cuerdas a su cuerpo. Después de alcanzar el estado aburrido, pesado y opresivo, continúa su caminata en los alrededores (ruta que se acordará con los organizadores) y cesará hasta que los ladrillos se rompan o haya intervención de terceros en su performance. Duración: 60min. Calificación: libre.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/277578081', NULL, NULL, NULL, 'https://jeffersonskorupski.wixsite.com/jskorupski/69o-salao-de-abril', NULL, NULL, NULL, 887, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 749, NULL, '2020-04-07 19:31:23', '2020-07-10 02:37:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12533, '1ugxDQFYsw7AHRcu', '\"El lazo vacío\"', NULL, 'En esta obra utilizo un objeto de madera, un maniquí articulado, esos que se utilizan para aprender a dibujar la figura humana. Estos son todos iguales, solo cambian en su tamaño, pero no tienen particularidades que distingan uno de otro. También remiten a la igualdad que puede ser representada en un dibujo, a través de la observación de ellos. Al ser todos iguales, no hay OTREDAD, no hay posibilidad de construir un vínculo con el otro, ya que en la actualidad, en general, al que es distinto, es dejado de lado. Por eso el lazo está vacío, porque solo me encuentro con el otro, cuando acepto su diferencia, \"diferencia\" que completa la mirada de uno mismo.\nUn maniquí articulado de madera, está intervenido con una cinta de madera en chapa. Dicha cinta, la continuaría sobre el espacio designado por la Bienal y generaría unas imágenes creadas por líneas y recorridos. La idea simboliza EL SER A LA DERIVA, PERDIDO POR SU PROPIA MISMIDAD.\nTrabajar con las paredes y espacios designados por la Bienal, me aportaría un contexto arquitectónico específico, y al mismo tiempo,  un desafío para la conceptualidad y materialidad de mi obra.', NULL, NULL, 'Si la obra se exhibe como una escultura (ver imagen SILVINA CERMINARA El lazo vacío), solo necesitaría una tarima para presentar la escultura. Podría ser 1, 5 metros de altura y de 50 cm. de ancho y profundidad aproximadamente.\nSi la obra se exhibe como una escultura expandida en el espacio expositivo (ver imagen IN SITU), TRABAJARÍA EN LAS PAREDES Y EL ESPACIO DESIGNADO POR LA BIENAL, y la cinta de madera en chapa, continuaría prolongándose en el espacio, y trabajaría in situ.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 889, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 750, NULL, '2020-04-07 19:31:28', '2020-06-24 15:57:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12534, 'wcWcTzizBP0Xh3xk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:31:30', '2020-04-07 19:31:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12535, 'i3vARZAqd2io1D78', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:35:34', '2020-04-07 19:35:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12536, '7T7BOiESxZSjOKuw', 'PLOMB', NULL, 'PLOMB es una exploración coreográfica/sonora que se organiza en torno a una plomada y su producción de desplazamientos y cuya puesta en escena ronda la estética del laboratorio, la maqueta y la instalación.\n\nEl público visitante es invitado a observar desde una relación de cercanía, diversos eventos físicos en torno al movimiento y la materia, y a percibir, a través del procesamiento en vivo, un sonido que se ve afectado por la presencia del cuerpo. \n\nLa obra busca, ser cada vez actualizada por la arquitectura de cada espacio particular y replantear  su estructura en función de adecuarla a las condiciones materiales que la circundan. De esta manera, cada lugar impone un nuevo orden para esta experiencia y permite indagar en este formato experimental de presentación, poniendo a funcionar diferentes zonas coreográficas delimitadas por alturas, motivos, eventos, distancias, posiciones y sentidos que evidencian la naturaleza eventual de las relaciones físicas, relativizan la importancia de lo humano y redistribuyen el peso (físico y dramático) de todos los cuerpos presentes en la escena.\n\nAgitando aquello de metafísico que hay en lo físico al explorar la dimensión plástica/performática de los cuerpos animados e inanimados y el brillo esotérico que irradian cuando son convocados a la presencia.\n\nBuscando ubicar cuál es la propia astronomía, cómo constela y que viaje produce, encendiendo a partir de este objeto pendular lo hipnótico, lo ensoñado, la estática y lo magnético.', NULL, NULL, 'Galpon, nave, sala teatral o cualquier espacio alternativo de 7 mts por o 7 mst o mas, que disponga de una parrilla o viga para colgar un elemento en el centro del espacio y alguna pared aledaña donde instalar una roldana. El piso puede ser de cemento alisado o madera, pudiendo ser al aire libre o espacio interno.\nLa performance puede adaptarse a un frente único o circular y el publico debe poder guardar cierta cercanía con la performer.', NULL, 'artist', NULL, NULL, 'https://youtu.be/Xilfl0WXYsQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 885, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 747, NULL, '2020-04-07 19:38:17', '2020-07-10 02:35:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12537, 'ky8HyxaLMOvbFYYk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:51:43', '2020-04-07 19:51:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12538, 'ICpMb09z5zanNgsQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:54:31', '2020-04-07 19:54:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12539, 'J5gxeKaaiMuXFC2n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:56:10', '2020-04-07 19:56:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12540, '5DlwFI6w4AxvXrn4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:56:23', '2020-04-07 19:56:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12541, 'o0NIlt7HY1YeVQzR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 19:58:00', '2020-04-07 19:58:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12542, 'FTynQUVthjtIsgoJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:02:05', '2020-04-07 20:02:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12543, '4mbnI9GvBA9jO98z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:03:04', '2020-04-07 20:03:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12544, 'rtJgljeJ0vsIGanQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:06:30', '2020-04-07 20:06:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12545, 'OlvfopAB52AxFEH3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:07:13', '2020-04-07 20:07:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12546, 'lVsMLc2SlHKM8Q3W', 'PLAN LIQUIDO', NULL, 'PLAN LIQUIDO es una instalación performática de estética minimalista que conjuga una investigación plástica, sonora y coreográfica en torno a la materialidad acuosa y elástica de los cuerpos. \nPropone ser observada desde cierta cercanía, por lo que puede albergar no más de 50 espectadores por presentación. La particularidad que esta obra presenta es la de  proponer una experiencia temporal dilatada e intensa, desprovista de teatralidad e intensificada por el despliegue material de cuerpos que, en su marea, involucran objetos, observadores y performers y arrastra las orillas de estas categorías. \nMediante una insistente agitación de líquidos internos, la experiencia del temblor muscular y su propagación mediante circuitos de micro contactos, se retiene el progreso del movimiento en el espacio, permaneciendo en un estado de desequilibrio colectivo. Así, el trio de performers se organiza para permanecer en esta simple premisa sin dejar de avanzar hacia ella, buscando extremar las posibles bifurcaciones y desvíos y consiguiendo, a través de esta operación, cuadros de un dramatismo épico totalmente desplazados de su representación. \nLa pieza persigue, en esta liquides, un modo de atención que permita percibir la artificialidad del tiempo cronológico, el valor de no hacer suceder y la posibilidad de acceder a terrenos difusos e inmersivos en lo que refiere a estados físicos y performáticos.', NULL, NULL, 'Galpón o nave de mas de 8 mts por 8 mts, con viga para colgar un hielo de 25 kilos cuyo piso pueda mojarse y donde el publico pueda colocarse de manera circular.', NULL, 'artist', NULL, NULL, 'https://youtu.be/qPO7FW4HGbM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 893, NULL, 113, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 754, NULL, '2020-04-07 20:08:08', '2020-07-10 02:38:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12547, 'HpOKxrMMSoYizIeu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:09:18', '2020-04-07 20:09:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12548, 'L9auNu3zTpPOJXVT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:11:37', '2020-04-07 20:11:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12549, 'uu5TvbUzMSHTB8ER', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:13:20', '2020-04-07 20:13:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12550, 'oFTG0cUXbTQithgf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:14:39', '2020-04-07 20:14:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12551, 'RgCyN1HOajNQ5Y1D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:16:19', '2020-04-07 20:16:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12552, 'dFat9YqiWSJ9NTIx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:19:24', '2020-04-07 20:19:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12553, 'uY2AvNG1Zp364EGu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:19:25', '2020-04-07 20:19:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12554, 'rQWUkK9R5DxZyu3S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:21:51', '2020-04-07 20:21:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12555, '7Oxcb5k7WFS28Nvt', '“I’ve always thought that the ideal is to do nothing and still be able to make a living out of it...” *', NULL, 'In addition, Jean Baudrillard\'s criticism of consumer society in « The Symbolic Exchange and Death » (1976), and even of cultural overproduction, is more current than ever. Does the art market stand outside of a \"hyperreality\" where the image reigns and hypnotize ? Thinking so would be missing the fact the University as a Global institution also operates on an over-productive rhythm. In France, a researcher is required to produce writings at a steady and strict pace. But a third solution would be to break the imbalance of \"the symbolic exchange between the human and the world\", by proposing to the artists and the authors to do nothing, in order to reclaim this assertion without seeking to address immediately, and tirelessly, to the world that works and wants them to work.\n \nStarting from this idea, we plan to create a structure which would aim at welcoming artists in order to slow down their production to the point of nothingness, in a first place, so that they can then bring reflections through open medias : video, text, email, conversation, skype call, drawing answers linked to the thematic, and truly nothing. In that last case invited artists will only sign a paper stating « the positive agreement answer to participate in the exhibition and to produce nothing », and it will be shown in the exhibition. What will they choose faced to this paradoxical thematic ?\n \n*The title of the show is quote by Franz West ', NULL, NULL, 'Up to 20 m2\n\nArtists:\nRenaud Auguste-Dormeuil, Babi Badalov, Julien Creuzet, Bady Dalloul, Anne Deguelle, Roxana Ferrguson, Ghazel, Mona Hatoum, Jean Katambai Mukendi, Zhanna Kadyrova, Esmeralda Kosmatopoulos, Georgy Litichevsky, LU.PA (duo), Taus Makhacheva, Rachel Monosov, Niyaz Najafov, Piotr Pavlensky, Nina Roos, LR Society, Günther Uecker, Janus Samma, Turpentine (magazine), Sanna de Wolf, Laurence Weiner.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 921, NULL, 116, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 776, NULL, '2020-04-07 20:25:15', '2020-06-23 02:39:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12556, 'TQJC26g3cBky8TnJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:29:51', '2020-04-07 20:29:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12557, 'DIR2SI0xUQq0KCne', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:31:33', '2020-04-07 20:31:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12558, 'TpBh2A7fhFwNwCwJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:37:45', '2020-04-07 20:37:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12559, 'lICAAQDF0SLQxS08', 'PRETA', NULL, 'This series is about the process of recognizing and learning to value one\'s own blackness and ancestral roots,\nthe perception of everyday racism, the discovery of new possibilities to love and be loved, the experiences and feelings of Black people who are often not seen, heard or spoken. My focus of study is the African Diaspora, Afro-Brazilian art, African philosophy and the experience of Black LGBT people.', NULL, NULL, 'The first one is \"We learn to be strong very early\" which is a diptych of 2 screens size 27x35cm (acrylic paint and posca pen.) The second one is  \"Blackness\" (acrylic paint and pen put on canvas 40x50cm.)  The third \"Afroafeto\" (acrylic paint, spray and posca pen on canvas 50x70cm.) And the last one is \"God is a black woman\" (paint acrylic, spray and posca pen on canvas 60x60cm). All five need only a maximum wall of 2 meters and a half, to be placed at a distance of 40 cm from each other.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1760, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1546, NULL, '2020-04-07 20:38:02', '2020-06-23 17:46:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12560, 'jiiUFYwViP2JARPl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:40:07', '2020-04-07 20:40:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12561, '6FCPf0evsXw79nmT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:40:53', '2020-04-07 20:40:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12562, 'efpoeQspRyO1nXcm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:41:20', '2020-04-07 20:41:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12563, 'gDDYZyi95hQIziuO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:43:18', '2020-04-07 20:43:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12564, 'QCAC9G5Rs5vn9bM8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:43:40', '2020-04-07 20:43:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12565, 'lHy1OYrf17o7YALV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:49:10', '2020-04-07 20:49:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12566, 'QDqthNEYeskHEhwE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:50:25', '2020-04-07 20:50:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12567, 'KafdEHsVBjfEyLDK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:57:49', '2020-04-07 20:57:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12568, 'WqgwHMJcozKNEt8R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:58:28', '2020-04-07 20:58:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12569, 'ftGkDvbQSYVjIeIA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 20:59:05', '2020-04-07 20:59:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12570, 'knxDAU3uspsH7IwR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:04:20', '2020-04-07 21:04:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12571, 'pRgM4hJAbrJt71IU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:04:21', '2020-04-07 21:04:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12572, 'BFPajBUIcfPjWci2', 'New Frontiers', NULL, 'In a world that is in an extreme time of opposition, vast environmental change, and lack of empathy, the world cries out for a new frontier. We as humans are all connected together through collective land and plant life and as they dwindle and change, taking care of them and each other become more radical of ideas and values. \nThe work proposed is a new frontier: the take back of systematically destroyed land for new frontiers through textile. This installation is a version of a new future, a vision that holds our environment to its highest value; providing traditionally marginalized people with the power to change the way we operate in this new developing world.  The use of couturier textile making techniques and garment construction will be used alongside biodegradable beads that are each handcrafted individually with seeds placed inside them. Seeds ultimately transform into life that feeds us, clothes us, shelters us, and has the power to change our collective environment. Chosen seeds that are fossilized in the hand-made beads for this proposed work are seeds that narrate places of origin, showcase paths of migration, and seeds that repair our depleted and poised dirt back into rich soil. When the beads are constructed into a textile they are created as modes of armor that lay on top of individual papier-mâché figures.', NULL, NULL, 'Soil, our land and the collective action of healing is the most important part of this installation, the 8 figures hosting the textile will be in the space in a variety of arm gestures, underneath the figures will be living soil growing the crop each armour piece holds in seed form. The soil under the feet of the figures will be connected in the space. The space preferred is an indoor space that is open with a 10 by 15 ft area for installation.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6111, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5009, NULL, '2020-04-07 21:10:12', '2020-08-15 00:48:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12573, 'BMVm6RwJxyTRSdlz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:12:56', '2020-04-07 21:12:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12574, 'sjr5yumoA3Q8qKDx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:15:11', '2020-04-07 21:15:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12575, 'ormQ0WJMKUwhqpx2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:17:05', '2020-04-07 21:17:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12576, 'p8NxG1gllsmeTsRW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:21:22', '2020-04-07 21:21:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12577, 'L7bvFPVV5taH9FDl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:25:33', '2020-04-07 21:25:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12578, 'pPftALwgJdYfh7wV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:25:40', '2020-04-07 21:25:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12579, 'PkRpkMr53XKOWBTA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:25:44', '2020-04-07 21:25:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12580, 'iDm9HjklVQ1AKvGm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:25:57', '2020-04-07 21:25:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12581, '797okZxksEdpUgVd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:34:52', '2020-04-07 21:34:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12582, 'vQcEOhweJXdLQRw2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:34:59', '2020-04-07 21:34:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12583, 'JmQgyJHBBWfwDO1m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:36:00', '2020-04-07 21:36:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12584, 'gHbsq9Z4h2qDE4E1', 'SIAMESE - Construção e Performance', NULL, 'A construção coloca o artista Siamese em seu processo intimo de construção e preparação de sua identidade Fashion Queer, exibi de forma direta ao público o processo de concentração e construção da imagem e preparação do artista passando do ser civil para a persona artística e finaliza com Siamese performando musicalmente no mesmo espaço e tempo posicionado dentro de uma estrutura (2mx2m) rodeado por grades, estas que o cercam, limitam e ao mesmo tempo o protegem de ser atacado por sua identidade.  Nosso objetivo é atingir o público de forma inesperada com intervenção sutil que gere interação direta entre público e o artista durante o processo de construção da performance.  O projeto SIAMESE - Construção e Performance Urbana terá 4 ações realizadas em Curitiba no 2° semestre de 2020 por meio do Programa de Apoio e Incentivo á Cultura - Fundação Cultural de Curitiba e da Prefeitura Municipal de Curitiba. \n\nsite:::: http://siamese.redelivre.org.br/', NULL, NULL, 'Espaço interno ou externo com fácil acesso direto ao público da BIENALSUR. Espaço transgressor, que torne a ação inesperada diante do público. \nDimensão de 4m x 4m com boa acústica ambiente.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=TKbYXWemlNQ', NULL, 'https://open.spotify.com/artist/2OLLRxyUx1qVXo3t8lTZed', NULL, NULL, NULL, NULL, NULL, 973, NULL, 119, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 823, NULL, '2020-04-07 21:36:51', '2020-06-23 02:39:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12585, 'yA1C2RceaaBbgvWX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:36:52', '2020-04-07 21:36:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12586, 'z19dtt2Sl904VIta', 'Eyewitness Parody', NULL, 'Like paintings from personal experiences with the city of São Paulo, where images are appropriated and recombined to paint a city without painting a landscape, with an art dissolving in the context of urban life.\n\nA metropolis is seen as a mythical land, saturated with a paraphernalia of illusions, as an urban landscape where the real and the natural or cease to exist. There is no more architectural debate, ceasing as doctrines, there is no theory, no planning: there is only a creation and destruction of mosaics of urban fragments, a juxtaposition of human impacts in the face of nature in the process of accumulating disasters and fantasies. It\'s an eyewitness parody.', NULL, NULL, 'The ideal space to exhibit my paintings is a room of approximately 5x10m, two white walls and two painted black, with a ceiling height of at least 2.5m. The fixing of the works will be done by screws.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 899, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 755, NULL, '2020-04-07 21:44:15', '2020-07-10 02:40:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12587, 'ZHVykq2wRBKAMHLZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:46:06', '2020-04-07 21:46:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12588, 'xOKBylyvsREPGr9f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:47:28', '2020-04-07 21:47:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12589, 'q6CnNV4ox4vFTRU5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 21:47:31', '2020-04-07 21:47:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12590, '1C3m55JDNo2t9fgD', 'Collage vivo', NULL, '\"Collage vivo\" se trata de una instalación sobre pared de 500 pinturas hechas en óleo sobre papel de aproximadamente 17x25 cm cada uno. \n\nEstas 500 pequeñas pinturas confeccionan una grilla de gran tamaño (10 mts x 14 mts). Lo que me interesa con esta grilla es impactar no solo por la cantidad de módulos que la conforman sino también por los colores, las formas y los gestos que están adentro de ella.\n\nA la vez, me gusta armar y desarmar. Esta grilla puede verse distinta (de miles de maneras diferentes si quisiera) según como ordene las pinturas que la conforman. Por eso el nombre de esta obra es \"Collage vivo\" porque mi intención es hacer una activación en la cual propongo una intervención de esta grilla a través de la cual voy a accionar la estructura general de esta gran pintura reconfigurando sus módulos para así generar una nueva pieza.', NULL, NULL, 'Esta obra necesita de una pared lisa de aproximadamente 10 mts x 14 mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 902, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 759, NULL, '2020-04-07 21:59:48', '2020-07-10 02:41:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12591, 'rJ1UJERTqZO5MbfD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:02:38', '2020-04-07 22:02:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12592, 'KoKVNisRcEp7meqZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:04:57', '2020-04-07 22:04:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12593, '9hRBOMsY72RcLsuG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:10:50', '2020-04-07 22:10:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12594, 'ZVFo36T3S1wS7YMp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:17:15', '2020-04-07 22:17:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12595, 'pJoTW1m3GWt7tzE1', 'DOMA', NULL, 'DOMA construye una investigación / ficción/performance sobre el estatuto de muerte, la existencia post-mortem y su virtualidad, utilizando movimiento, tecnología, sonido, DIY, luthería electrónica y las derivas que esto habilita. La propuesta se plantea como un concierto performático que persigue una intuición/relación entre lo sórdido y lo estético, estableciendo una serie de estaciones donde se manipulan y operan distintos dispositivos sonoros, recurriendo al sonido como base del relato. Se plantea así un plano de narración , que opera de manera autónoma de la imagen y que no responde a una estructura lineal/ racional, sino que se sostiene en un terreno más inestable e impreciso (perceptivo). Utilizando la performatividad del sonido como puente  para acercarnos a este estado hermético y onírico; lleno de fenómenos transitorios, ilusorios e irreales que convoca el pasado carnal y muscular de los animales a través de los intentos de captación de sonoridades sugestivas. Permitiendo la aparición de la veta salvaje y de lo místico, construyendo un sistema de relatos sonoros inconexos, haciendo hincapié en lo virtual, lo inadvertido, lo olvidado y lo sórdido y del detenerse en lo invisible para visibilizar.\n Se emplean esqueletos tecnológicos tales como circuitos, cables y pedazos de parlantes, poniendo énfasis en vincular los resultados sonoros conseguidos con un estudio del movimiento que permita poner en diálogo la presencia humana con los objetos y dispositivos utilizados.', NULL, NULL, 'Espacio interno vacío, industrial o teatral, con piso de madera preferentemente, de profundidad escénica mínima de 11 mts, ancho mínimo  7 mts, posible de ser oscurecido.\n Disposición del publico de un frente único. Debe contar con equipo de amplificación de sonido.', NULL, 'artist', NULL, NULL, 'https://youtu.be/W15yc9-6f7M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 903, NULL, 114, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 760, NULL, '2020-04-07 22:29:21', '2020-07-10 02:41:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12596, '4pkiFJncmgomzgX6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:30:02', '2020-04-07 22:30:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12597, 'bLgINpkR8yWTJfNl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:31:32', '2020-04-07 22:31:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12598, 'Xs3phlTKHl9ZK8og', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:37:56', '2020-04-07 22:37:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12599, 'mk9Vkobvn3a1Vggs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:42:32', '2020-04-07 22:42:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12600, 'tfEPdFYH9rqY9DGT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:44:04', '2020-04-07 22:44:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12601, '48SgkKNuIWuIuAHA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:45:17', '2020-04-07 22:45:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12602, 'uzIkDOmuJAsPgPkT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:45:53', '2020-04-07 22:45:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12603, 'OmuNumPNvGAlGb0V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:47:37', '2020-04-07 22:47:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12604, '5ylUgtNKx5LDvXbs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:50:27', '2020-04-07 22:50:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12605, 'G0y58enEr1fNJMwu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:51:03', '2020-04-07 22:51:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12606, 'qiaqbI2K1sd3ks4u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:52:01', '2020-04-07 22:52:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12607, 'wDTy1iRO5QsC05xF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 22:56:54', '2020-04-07 22:56:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12608, 'JZNZ9bzhgyEpvnCY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:09:10', '2020-04-07 23:09:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12609, 'drSuxHt9PTbx2fX7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:10:20', '2020-04-07 23:10:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12610, 'Vvb5ijiVhEWgocuD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:11:52', '2020-04-07 23:11:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12611, 'Pw0CVim9OPmKvck3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:14:07', '2020-04-07 23:14:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12612, 'UV4NPT8Q2MN3xtLa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:14:28', '2020-04-07 23:14:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12613, '5CQkpYrXSPdLpSSm', 'Numina', NULL, 'Numen (en plural numina) es un sustantivo que proviene del latín que se refería a las deidades romanas, pero actualmente es utilizada por sociólogos para hablar de la idea del poder mágico que hay en un objeto.\n\nEste proyecto parte de una investigación en torno a diversos santos paganos latinoamericanos, tales como “Santa Gilda”, cantante santificada en Argentina, “Gauchito Gil”, un gaucho argentino; el mexicano “Jesús Malverde” quien fue un bandolero de principios del siglo pasado, “El Cacique Guaicaipuro”, “El Negro Felipe” y “María Lionza”, tres deidades venezolanas, “Juan Soldado”, un santo de Tijuana; el famoso “Ekeko” del área andina, “Pablito Escobar” a quien se le reza en Medellín e “Ismaelito” un santo malandro venezolano.\n\nEl interés de este proyecto radica en ver cómo este sincretismo puede producir unos personajes donde lo surreal pueden hacer convivir figuras sagradas católicas con malandros, policías, cantantes, indígenas, libertadores, etc., en una mezcla más cercana a lo real maravilloso que a lo propiamente religioso.\n\nDe esta forma se realizaron una serie de piezas escultóricas en fotoescultura haciendo alusión a la representación de este tipo de personajes en tiendas de santería, una serie de fotografías fijas haciendo alusión a las estampas que venden con sus imágenes y un librito de oraciones a estos santos.\n\nLas imágenes son personificaciones de estos santos, realizadas por el autor de este proyecto.', NULL, NULL, 'De acuerdo con su caracter sincrético religioso - pagano sugeriría los siguientes espacios:\n1. Museo Iglesia Santa Clara, Bogotá.\n2. Museo de Arte Contemporáneo de Bogotá (que pertenece a la Universidad Minuto de Dios)\n3. Sala de Exposiciones, Facultad de Artes, Universidad Javeriana (universidad jesuita)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://fotojuanalonso.com/espanol/numina/numinaweb.pdf', 'numinaweb2019', NULL, NULL, 1111, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 961, NULL, '2020-04-07 23:36:06', '2020-08-11 21:58:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12614, '18x3yA4BH0lKBi3m', 'Strange Valley (Realidad virtual)', NULL, 'Este proyecto surge de un viaje realizado por América Latina, donde recorrí 7 países durante 8 meses, dándome cuenta que en realidad estas problemáticas se repetían de un país a otro, con alguna variable, por la diferencia cultural pero en reducidas cuentas, los conceptos eran los mismos en todas partes del mundo.\nPor esta razón me fui interesando y observando cada vez mas, en los seres humanos y sus comportamientos ante la sociedad, desde mi propia experiencia.\nMi objetivo para transmitir estas sensaciones, fue primeramente trabajar las bases de este proyecto, mediante la disciplina de la fotografía, tratando y realizando imágenes que nos pudieran provocar sensaciones y conceptos de los comportamientos humanos, tanto sociales, políticos, como personales. \nOtro objetivo principal de este proyecto era llevar este tipo de narrativa al campo de la instalación, en la que esos conceptos, tuvieran movimiento para poder provocar más al espectador. Es ahí, cuando surge la idea de aplicar técnicas de 3D a las imágenes en 2D, proyectándolas en un espacio expositivo, transmitiendo movimiento y profundidad. \nFinalmente la obra se fue convirtiendo en un proyecto de realidad virtual, con el objetivo de que el público o el espectador, pase a formar parte integral de la obra de arte.', NULL, NULL, 'Modo libre:\nPara desarrollar este proyecto en modo LIBRE, necesitaremos una superficie lisa y sin obstáculos con unas dimensiones de 45 m x 45 m de distancia, en la que podremos caminar y movernos por las diferentes salas del proyecto con total libertad.\n\nModo tour:\nPara desarrollar este proyecto en modo TOUR, necesitaremos una superficie lisa y sin obstáculos con unas mediadas variables, pudiendo se adaptar a diferentes espacios.', NULL, 'artist', NULL, NULL, 'https://www.adanargibay.com/realidad-virtual', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 908, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 764, NULL, '2020-04-07 23:43:38', '2020-06-24 16:22:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12615, 'IeSRniT9OlXQzKBp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:45:43', '2020-04-07 23:45:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12616, 'RRme7hdLm5oFwZY0', 'Pintura sobre llaga', NULL, 'En 1977 la dictadura militar expropió y demolió cientos de viviendas de la calle Donado y aledañas en los barrios de Saavedra y Villa Urquiza para hacer una autopista que finalmente no construyó. Desde entonces la zona fue escenario de problemas habitacionales, conflictividad social entre vecinos, desalojos y usufructos inmobiliarios. La “traza” había dejado una herida abierta en la ciudad que se veía como cientos de terrenos baldíos o con construcciones semiderruidas. Entre fines de los ‘90 e inicios de los 2000 esos terrenos fueron también el sitio de otra historia, la de una generación de jóvenes grafiteros y muralistas que encontraron allí el espacio ideal para sus primeras experimentaciones. Franco Fasoli fue uno de ellos. \nDos décadas más tarde, Fasoli vuelve a barrio de sus comienzos donde el conflicto social parece haberse silenciado. Pinta en una pared vacía la fachada de su antigua casa pero, a la inversa, como si se tratara de una reconstrucción quirúrgica o arqueológica: primero los claros, luego los oscuros y sobre ellos, el revoque. Esa pintura es retirada del muro, trasladada y montada en sala sobre un andamio.\nEl proyecto es una pintura sobre llaga, aquella que se formó sobre una herida mal curada en el trazado urbano, y también un monumento blando, epitelial, para que la historia suture, o acaso, sangre.\nLa exhibición será acompañada un programa público diseñado por el artista y la curadora con la participación de otros artistas, vecinos e investigadores.', 'Franco Fasoli / argentino / www.francofasoli.com.ar', NULL, 'Cubo blanco de 8mt de largo x 16 de ancho x 6 de alto (mínimo)', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4844, NULL, 663, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4077, NULL, '2020-04-07 23:47:53', '2020-08-13 22:21:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12617, '0vOfSN7fb1dOOjSv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:48:06', '2020-04-07 23:48:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12618, 'uAYfFCIuLMhXamiw', 'Still life', NULL, '“Still life” focuses on the intimate and domestic realm and the human connection to the everyday interior, the domestic, family and home life but through the dark lense of Domestic Violence.\n\n Still life draws on two very different artforms i.e Silent Movies and Still Life painting genre.  Silent movies communicate without sound or colour, they ingeniously found ways to share a range of emotions, sounds and sites to tell stories, using only images, emphasis, atmosphere, text and intertitles. \n\n Bringing these strategies into play “Still life” comprising of 37 unique drawings in black indian ink, charcoal, white ink and conte. It sets out to explore  the complex terrain of  Domestic Abuse from multiple viewpoints while embracing the subjective, lived experience to capture a sense of entrapment, cohersion, anxiety and fear', NULL, NULL, 'A wall that will accommodate thirty seven x 22 x 23 cms individual drawings as a block set', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://www.margaretfitzgibbon.net/index.php?/exhibits/still-life/', NULL, NULL, NULL, 943, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 797, NULL, '2020-04-07 23:51:39', '2020-07-02 02:19:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12619, 'U7BqnVYPO2OoXITb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-07 23:57:31', '2020-04-07 23:57:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12620, 'uzzBHrzSUNITHYYm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:03:41', '2020-04-08 00:03:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12621, 'R1KrG7vYKsPGQMQX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:06:50', '2020-04-08 00:06:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12622, '7Ps3xbihFfr6V27L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:08:58', '2020-04-08 00:08:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12623, 'VwKx9glbu4X5OV5u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:13:43', '2020-04-08 00:13:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12624, 'op9FAU4P4QNytfFR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:14:49', '2020-04-08 00:14:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12625, 'WSZXjBKk5qX2KiT3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:27:19', '2020-04-08 00:27:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12626, 'jWIiG0xqishyJUGy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:28:17', '2020-04-08 00:28:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12627, 'fmkW2n5WS7DulZuX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:28:22', '2020-04-08 00:28:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12628, 'jLcLfqeuqW3c1w6L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:34:53', '2020-04-08 00:34:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12629, 'imq4o78a1nAFKtA9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:35:29', '2020-04-08 00:35:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12630, 'll6gx2AUx3u1kINK', 'HOMBRE: CUERPO Y ALMA', NULL, 'HOMBRE: CUERPO Y ALMA\nAlejandro Montes Pérez\nTécnica: Fotografía Blanco y negro\nDesnudo artístico/conceptual\n\n“Un viaje sin fin a través del infinito. En busca de la nada, de la liberación del cuerpo. Toda la eternidad y los confines del universo. Dejando atrás a la humanidad, sus reglas, sus ambiciones, su avaricia, su dominio, su autodestrucción, sus odios, su estupidez, su indiferencia y sus males. “El cuerpo es la cárcel del alma” Platón\nFlotando en el cosmos para luego caer en la tierra llenos de angustia.\nBlanco y negro, alma y cuerpo, primero luz y luego sombra.\nNos encontramos en la utopía de nuestros anhelos para pronto caer en el vacío del tedio y el desconsuelo.” \nAlejandro Montes fotógrafo emergente, que se desenvuelve predominantemente en la fotografía en blanco y negro, desnudo y conceptual.', NULL, NULL, 'Fotografías impresas 90 x 60 cm\n\nEnmarcadas en vidrio o acrílico', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 909, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 765, NULL, '2020-04-08 00:37:43', '2020-07-10 02:43:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12631, '6FZcO5hYc1tAyONk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:38:42', '2020-04-08 00:38:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12632, 'buNGNPfjplAYQtY4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:39:12', '2020-04-08 00:39:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12633, 'RdUxY7yNgXN3OXhh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:39:52', '2020-04-08 00:39:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12634, '0Tl0d45FvCZQ4Jpj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:46:29', '2020-04-08 00:46:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12635, '9kq3QH0XnbrMvyz2', 'Colgo&MoirO', NULL, 'En pleno siglo 21, la violencia generalizada, arrastrada del pasado, persiste con su naturalización. La alta responsabilidad de los medios de comunicación y la publicidad siguen manteniendo, aunque sin antifaz, los niveles históricos del siglo pasado al menos, pero las novedosas redes sociales supuestamente manejadas por el ciudadanx de a pie, repite formulas aprendidas o mejor dicho malaprendidas al menos por gran parte de ellxs. El circulo vicioso entre la falsa noticia, la imagen manipulada y el insulto indiscriminado, producen un síntoma que aleja toda posibilidad del ser racional.\nEl espacio expositivo a veces es expulsivo o al menos amedrenta al espectador. No basta con el valor de la obra. A la obra principalmente se la evalúa por su puesta, lo que hay alrededor de ella. De ahí lo interesante de la Instalación Artística como fenómeno. \nA partir de estos datos, el proyecto Colgo&Moiro pretende utilizar a uno de los medios de comunicación más directos, el del propio cuerpo como soporte expositivo. \nLa vestimenta y más concretamente la remera es la prenda más difundida, autopermitida y de permanente variabilidad para que gente de cualquier edad, condición económica, género e ideología de cualquier lugar en el mundo, se permita por obra o por omisión difundir un mensaje. Por esto, pretendo con “cotidianeidad”, dar un mensaje gráfico de alerta, el de la “violencia naturalizada” en el cuerpo y su vestimenta y en un ámbito naturalizado, el del negocio de prendas de vestir.', NULL, NULL, 'La instalación consiste en 6 dibujos/estampados en tamaño 100 x 70 cm, montadas en un soporte particular. Dicho soporte será una “gran remera” cuyas dimensiones serán de 250 x 175 cm., las cuales serán colgadas en perchas del tamaño correspondientes a dichas remeras de gran porte. La intención de esta presentación  será la de recrear un virtual negocio de prendas de vestir donde las mismas serán colgadas en distintos espacios del salón expositivo y acompañando a dichas prendas de gran escala.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1015, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 866, NULL, '2020-04-08 00:47:02', '2020-06-23 02:35:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12636, 'Avy6YRjbzf9p7w7t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:50:05', '2020-04-08 00:50:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12637, 'BCLsWsro1rrudaCC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:52:52', '2020-04-08 00:52:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12638, 'PSbP83zIGP4Q23SM', 'Ñanduti', NULL, 'Fundamentación: El trabajo destaca la memoria de un pais tejidos en las manos de su mujeres. Através de una pesquisa amplia sobre líneas que al se entrelazar construyen un simbolismo único de la cultura paraguaya los dibujos intentan plasmar la técnica que se desvanecen al tiempo que la evolución tecnológica avanza.\n\nGenero artistico: dibujo contemporaneo (instalación)\n\nTécnica: pintura y dibujo, acrílico y bolígrafo blanco, sobre papel\nFicha técnica:  cada dibujo es 29,7x21cm\n\nFormatación: Conjunto de 50-100 dibujos únicos individuales entitulados en guaraní, en papel A4 sin moldura con espacios de 10cm entre si horizontalmente y 6cm entre si en sentido vertical, formando 8 columnas y 6 lineas. Son instalados con pequeños clavos e imanes (las columnas y cantidades son variables de acuerdo a la cantidad de dibujos seleccionados). \n\nComo no es necesario que el proyecto sea inédito, estoy apresentando este proyecto ya se ha llevado a cabo en Paraguay como parte de la Bienal de Arte de Asunción (BIA) en 2017. Los dibujos provienen de los encajes del Ñanduti, con el qual las mujeres paraguayas levantaron el país después de la guerra. \n\nMi investigación es hacer un registro de una cultura que se está perdiendo porque hoy en día los jóvenes no quiere aprender las técnicas manuales. Mi deseo es mantener la cultura de mi país que se esta evaporando.', NULL, NULL, 'El espacio expositivo sugerido seria una habitación de 3 a 5 metros de pared blanca, dependiendo de la cantidad (adjunto fotos).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3071, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2643, NULL, '2020-04-08 00:54:42', '2020-08-01 17:42:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12639, 'pkfNqumYCCoeXkdn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:57:53', '2020-04-08 00:57:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12640, 'cAvw7e3OvPOS9diU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:58:44', '2020-04-08 00:58:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12641, '9Gj078dgMz9sWoim', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 00:58:46', '2020-04-08 00:58:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12642, 'VMxKhI1QRF5J93OE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:00:23', '2020-04-08 01:00:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12643, 'YejUHCYtJ1Zeb1mz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:05:51', '2020-04-08 01:05:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12644, '6my9xCRsrrrscIqf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:06:17', '2020-04-08 01:06:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12645, '5isDXPurIYWOnqO9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:07:13', '2020-04-08 01:07:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12646, 'nFT8x61tfg3aoQxj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:07:42', '2020-04-08 01:07:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12647, 't9IRUUeUcdSDCIDx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:09:48', '2020-04-08 01:09:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12648, 'DgsA8XhlLw8UDPiX', 'Tyrannus Melancholicus', NULL, 'PROJECT TYRANNUS MELANCHOLICUS\n\nWe live in a world threatened by a collapsing social, ambiental and economic system. Each life system changes throughout its evolutionary history through the exercise of its ingenious potential to adapt to the environment, living beings carry a deep survival instinct. Tyrannus Melancholicus is a bird specie that uses industrial materials in the construction of its nests, as a result of this adaptability to humans, it has the status of little concern about extinction.\n\n“The constant movement makes the project remain indeterminate. The unfinished is imposed, the order is incomplete and changeable. It is a potential move towards completeness or something like the uncertainty of the future and the suggestion of innumerable possibilities for prolongation. The unfinished incites exploration, discovery.” - JACQUES, P. B. The Aesthetics of Ginga: Slum architecture through the work of Hélio Oiticica.\n\nThe use of wire, plastic and other industrial materials is not for lack of branches; the same as the basic cause of urban slums is not poverty but wealth. T. melancholicus and communities are bricoleurs, existence of inventors in opposing spaces.  The project\'s proposal is to carry out the process of building the Tyrannus Melancholicus nesting on a human scale, bringing to the work the fragments of poverty and urban wealth. An architectural experiment about what could happen if our social system just be more inspired and related to other living beings.', NULL, NULL, 'All the materials will be collected and transported to the site specific to build a giant nest with industrial and organic materials available in a 10km radius.\nIf it\'s an indoor space, it will be necessary a high ceiling over 6m, area space at least of 40 square m and walls available to drill.\nIf it\'s an outdoor space will be necessary a soil ground able to dig foundations for the structure.\nThe installation will have the capacity to fit in a \"contemplative distance\" at least 4 people inside.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1892, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1660, NULL, '2020-04-08 01:10:17', '2020-08-14 00:46:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12649, 'Pf3csNwUo0udCLfd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:20:38', '2020-04-08 01:20:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12650, 'nyV8nD2T4tCOS99J', 'Arquitectura Inteligente (edificios inteligentes, ciudades inteligentes, domótica)', NULL, 'La Investigación Proyectual pone el acento en los factores disciplinares y organizativos del proyecto. Se diferencia de otras prácticas y metodologías de estudio tanto en los procedimientos como en la escala de los problemas que aborda, desde la construcción de los Programas Complejos hasta cuestiones de arquitectura urbana con tamaños limitados a fragmentos urbanos, donde la arquitectura mantiene el control de las decisiones tanto conceptuales como operativas.\n\nEn el presente contexto de digitalización de la sociedad, surge el concepto de Diseño Paramétrico que viene a modificar radicalmente la metodología del proceso proyectual y los sistemas de producción de los espacios, los objetos y los sistemas de comunicación. Esto posibilita establecer modelos que permiten simular la acción de fenómenos naturales, comportamientos sociales o diferentes procesos mecánicos y físicos.\n\nDe este modo, el campo de intervención del Diseño Interactivo se refiere a temas prioritarios para el desarrollo productivo y social tales como:\n- la planificación urbana y el diseño del espacio (ciudades inteligentes, domótica)\n\nLa reflexión sobre la práctica, la investigación aplicada y la visión crítica sobre los problemas vinculados a la cultura digital permitirán desarrollar la disciplina, extendiendo sus potencialidades desde el cono sur hacia el mundo.', 'Grisel Karina Gastélum V.\nMéxico\nhttps://www.linkedin.com/in/griselkarina-gastélum', NULL, 'Taller de investigación.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 912, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 767, NULL, '2020-04-08 01:27:51', '2020-06-23 02:39:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12651, '4OhlpXImo6rxELzi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:33:40', '2020-04-08 01:33:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12652, 'BzJw25Med9tmeRtZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:35:16', '2020-04-08 01:35:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12653, 'ls2D5PXWBamVCyl3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:42:10', '2020-04-08 01:42:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12654, '5wyNJO3GRM0aMpDU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:43:35', '2020-04-08 01:43:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12655, '7ubIv8gIP7KmPLqp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:45:50', '2020-04-08 01:45:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12656, 'fC6LxDzYGpzdbNFD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:48:49', '2020-04-08 01:48:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12657, 'tVgyRzlerzq3io1H', '(Aún sin títilo)', NULL, 'La propuesta consiste en una intervención site-specific a través de la recopilación de textos migrantes programados en pantallas led en formato horizontal, formando renglones de texto e instalados en el espacio público. \nLos textos son obtenidos mediante un ejercicio de re-escritura con migrantes informales que transitan la ciudad para ganarse la vida mediante la recitación de versos, grupos organizados o no, que generan diversas dinámicas de sustento mediante la palabra.\n\nLos desplazamientos humanos son un fenómeno dramático que permea la realidad mundial y latinoamericana. La necesidad de trasladarse a otro país en busca de sustento sitúa a una buena parte de los migrantes en situaciones de precariedad económica, agudizando su situación la escasez de trabajos dignos y la ausencia de salud básica que, junto a la xenofobia imperante en gran parte de la sociedad, obliga a asumir determinadas estrategias de supervivencia donde la creatividad es el imperante. Dentro de este contexto se encuentra un grupo determinado de jóvenes que viajan en busca de ese sustento a través de la palabra, recitando versos en formatos de rap que relatan gran parte de la realidad que viven a diario en su éxodo, creando comunidades temporales que se fortalecen en la solidaridad.\n\nLa instalación da voz a estas personas, con el fin de incorporar en la realidad urbana un espacio de reivindicación social.', NULL, NULL, 'Las pantallas led se instalan en un muro preferiblemente en un espacio muerto (una pared que posiblemente sea usada por grafiteros o abandonada) dentro de la urbe. La intención es que la intervención funcione como un tag en medio de la ciudad.\nLos letreros requieren conexión eléctrica, por lo que su intervención requiere un anclaje eléctrico visible, ya sea público (a través del alumbrado de postes u otro) o privado (a través de la colaboración de vecinos, etc.).', NULL, 'artist', NULL, NULL, 'https://garyveraz.wixsite.com/proyectos/copia-de-errare-humanum-est', NULL, NULL, NULL, 'https://garyveraz.wixsite.com/proyectos/estados-del-tiempo', NULL, NULL, NULL, 1027, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 879, NULL, '2020-04-08 01:52:54', '2020-08-12 11:54:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12658, 'MyTYKdRp6bqU41Ej', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:55:44', '2020-04-08 01:55:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12659, 'oZ8Ktz5QF6bkDXTp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:55:45', '2020-04-08 01:55:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12660, 'AxplHLRasV3HB7Xj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 01:56:08', '2020-04-08 01:56:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12661, 'nunHEsIvdBTcLu4A', 'Civiles huyendo del bombardeo a la Plaza de Mayo', NULL, 'El proyecto es realizar un mural tejido con cintas VHS, que remite al orden, clasificación y trayectoria de circulación de un acontecimiento en particular: el bombardeo a la Plaza de Mayo del año 1955. Es elegido ese momento de la historia argentina para ser representado por ser, posiblemente, uno de los eventos más representativos y fundacional en cuanto proceso histórico registrado en soporte fílmico, utilizado y tergiversado según los medios partidarios o no de la época.\n\n/La obra retoma la técnica del tejido (ancestralmente, un encuentro entre lo divino y lo humano, entre el pasado y el presente de un pueblo y, por lo tanto, en una representación de su supervivencia en el tiempo), utilizando en este caso un material contemporáneo como la cinta VHS que propone una actualización de aquellos sistemas de representación. Tomando como referencia un fotograma del material fílmico del bombardeo y por medio de un proceso de manipulación digital se genera una nueva imagen pixelada, una reescritura del original que actúa como dispositivo para representar el suceso. \n\n/Civiles huyendo del bombardeo a la Plaza de Mayo se enmarca en forma de homenaje a las víctimas inocentes del entramado violento de la política y toma una actitud crítica ante la batalla cultural librada por los medios de comunicación, un lugar sensible para la sociedad que la obra revisita con la intención de acercar una nueva reflexión sobre la construcción del discurso.', NULL, NULL, '/ La obra la montará el artista directamente sobre una pared interior, lisa y blanca.\n/ La superficie del mural será de 3,40m de ancho x 2,40m de alto aproximadamente.\n/ La obra irá pegada a la pared con cinta adhesiva transparente (esta cinta es libre de ácido y cuenta con adhesivo resistente a la humedad y de larga duración).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 916, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 771, NULL, '2020-04-08 02:00:08', '2020-08-12 11:44:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12662, 'qleWf1Fs5za1jf2Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 02:02:25', '2020-04-08 02:02:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12663, 'JAp7JINMhnRWSEAE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 02:03:10', '2020-04-08 02:03:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12664, 'UobSHTIQkzicEShC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 02:03:40', '2020-04-08 02:03:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12665, 'FhfuC5q55iR3baYO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 02:10:16', '2020-04-08 02:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12666, 'QfIBKGogRhhFtYTt', 'Espíritus nomades', NULL, 'Al sur del mundo donde la tierra se termina y el cielo se vuelve universo, los vientos se elevan soberbios ante un explotar constante de océanos endemoniados que en su épico entorno nunca dejan de batallar; solo una pequeña porción de tierra se eleva junto al frío viento.\nCon once mil años de armoniosos rituales, los Haruwenn (antepasados) formaron una organización social de estructura matriarcal con Kreeh -la luna-, primera chaman que intermediaba con los espíritus y las mujeres y oficiaba la ceremonia Hain para los 14 espíritus que regían la tierra mucho tiempo antes que los hombres descubrieran el secreto de lo que ocurría en la choza y se apropiaran de la ceremonia iniciática.\nAntes que los colonos emprendieran el genocidio Selk´nam, expropiando sus almas y tomando sus cuerpos como trofeos de caza, exhibiendo sus vidas en  zoológicos europeos y evangelizando con enfermedades.\nXalpén, el devorador de almas, debía ser calmado pero ya no estaban los Selk´nam para aplacar a los espíritus que vagan por la tierra. Krenn -el sol- seguirá persiguiendo a su esposa Kreen - la luna- como lo vienen haciendo desde el comienzo de su  cultura cuando las mujeres dominaban la Tierra del Fuego.\nEl proyecto presenta 14 pinturas hechas sobre material reciclado hallados en sucesivas búsquedas una vez terminado el boceto de cada espíritu.', NULL, NULL, 'Sugiero para este proyecto una exposición itinerante (nomade) de las 14 pinturas que forman la serie.\nLa técnica: pintura acrílica sobre tabla de chapadur de mediano formato en diferentes medidas \n(55 x 45 cm aproximadamente).\nEl espacio inicial debe ser la Tierra del Fuego (como origen), e irá viajando por diferentes espacios \nartísticos (museos, galerías de arte, centros culturales, etc.) haciendo la recorrida de un año por el mundo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 915, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 770, NULL, '2020-04-08 02:10:55', '2020-06-24 15:58:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12667, '376g2EwAnf081UMp', '\"UN ABRAZO PARA CARACAS\"', NULL, '\"UN ABRAZO PARA CARACAS\"\nTiene como objetivo que nos reencontremos con nuestra ciudad y con nosotros mismos, rendirle un homenaje a Caracas, redescubriendo y reivindicando sus edificaciones y lugares públicos a través de una muestra fotográfica y realizando actividades culturales en sus espacios más importantes, generando lugares de encuentro,  que a pesar de nuestras diferencias políticas, religiosas o económicas podamos darnos un abrazo.\nBuscamos generar espacios de encuentros, enamorarnos nuevamente de nuestra ciudad. Rescatar los valores ciudadanos y nuestro sentido de identidad.\nPrimero realizar una exposición fotográfica móvil (fotos tamaño 90 x 60 cm) en la  que combinemos el abrazo del tango con la belleza de nuestras edificaciones y plazas.\nLuego tomaremos los espacios registrados con actividades culturales, plazas y espacios públicos,  generando espacios de encuentro, donde disfrutemos la presentación de bailarines y músicos, acompañados de la exposición móvil de manera que el público pueda  deleitarse de ella en la medida que se integra a los eventos allí realizados. \nFinalizadas las exhibiciones se realizara un intercambio de abrazos entre los bailarines del show con el público,  un gesto de respeto y de paz , reencontrarnos como hermanos, como venezolanos que queremos construir país.\nEstas actividades se registrarán en un vídeo en el que mostremos este hermoso proyecto de paz y amor', NULL, NULL, 'Las fotografías son  de 60 cm x 90 cm y son en principio 24, necesitaría un área de 21 mts lineales y para proyectar el vídeo un área que tengas las condiciones para hacerlo', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 920, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 775, NULL, '2020-04-08 02:21:46', '2020-06-23 15:47:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12668, 'P00B6Fic0bsXQiuT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 02:25:08', '2020-04-08 02:25:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12669, 'gglBjA6NfFokaurs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 02:32:12', '2020-04-08 02:32:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12670, 'Q5gU89FGwHgnzOFw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 02:36:07', '2020-04-08 02:36:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12671, 'eEm3orcW2EEMukgw', 'Obra Gruesa', NULL, 'Mi trabajo se origina en el ejercicio de la contemplación y exploración del paisaje urbano y en la reflexión sobre la vivencia de los espacios públicos. A partir de esta reflexión cobran vital importancia los límites físicos y administrativos de la ciudad, como lo son muros medianeros, cercos metálicos, cierres vegetales u otros elementos o fronteras perceptuales que separen las aceras y calzadas de los predios. Estos elementos son relevantes en la medida que generan tramas urbanas singulares que caracterizan cada ciudad.\nDesde esta perspectiva busco reinterpretar los límites de la ciudad, tomando \"El Muro\", como elemento vertical jerárquico presente en todas las obras.\nUtilizando un soporte artístico convencional, pretendo aportar una nueva dinámica en la percepción del espacio que recorremos día a día en la ciudad. Esta nueva dinámica se plantea a partir de una mezcla de técnicas, en un proceso artístico cuyo método incorpora un guiño a la maquetería, con elementos que se instalan sobre la tela evocando muros que configuran la composición final.\n\nEl imaginario de la obra se basa en elementos neutros, que se funden en la tela sin un color que identifique su posición o función en el espacio, formando así tramas irregulares que finalmente se presentan ante el observador como un soporte a escala menor que devela las huellas del paisaje urbano, pero que deja a la experiencia del observador la conclusión de la obra.', NULL, NULL, 'El espacio y soporte que se requiere es el mínimo estándar para telas  en formatos 60x90 cms hasta 100x200cm según detalle adjunto en imágenes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 919, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 774, NULL, '2020-04-08 02:43:26', '2020-07-10 02:47:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12672, 'rg6mK3Gf72kW5Jfq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:08:49', '2020-04-08 03:08:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12673, 's1nWI7etyQvqf0Ci', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:16:11', '2020-04-08 03:16:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12674, 'wxn4GsNPBVSzDHzH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:21:22', '2020-04-08 03:21:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12675, 'bFrPjAAPZlGjuwob', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:21:24', '2020-04-08 03:21:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(12676, '1BKOkP0fHl7JYN0m', '(...) Absolutamente relativo. Un juego de entrevistas sobre la percepción del tiempo.', NULL, 'El cortometraje\n\n“(...) Absolutamente relativo” es un cortometraje de entrevistas sobre la percepción del tiempo en el que diferentes personas, de distintos países y edades, contestan un mismo cuestionario. Bajo la consigna  “responde lo primero que te venga a la cabeza”, la invitación es a jugar con la idea del tiempo.\n\nEl juego\n\nEl objetivo del juego es agarrar al tiempo y darlo vuelta, enredarlo, retorcerlo, estirarlo, vaciarlo, llenarlo, pervertirlo, asimilarlo, juzgarlo, pensarlo, sentirlo, dejarlo de lado, doblarlo, romperlo, mirarlo, medirlo, calificarlo, cerrarlo, abrirlo, saltarlo. Stop.\n¿Es posible? De eso se trata, de jugar.\n\nPara eso, la propuesta tiene tres etapas: Antes de la proyección, se invita al público que va llegando a responder el mismo cuestionario del cortometraje bajo la misma consigna: responde lo primero que te venga a la cabeza. Luego se proyecta la película, y después de la proyección, con las cartas sobre la mesa, abrimos la charla para seguir jugando.\n\nSe trata de un juego filosófico, que no es exactamente un espectáculo, ni una proyección con debate, ni una videoinstalación, ni una performance, sino un híbrido en el que los límites se desdibujan a través de una dinámica y disposición espacial que cambian en cada instancia del juego, y rompen con los roles que sitúan a las personas “en escena” o como “espectadores”; irrumpiendo en el espacio de lo dado, invitando a habitar la contradicción y motivando la reflexión y la risa.', NULL, NULL, 'Se trata de una actividad itinerante que, justamente,  juega con la experiencia de ser-en-el-espacio, por lo que el espacio expositivo sugerido sería uno de tipo no convencional: puede ser la vía pública, una plaza, un club, un centro cultural, una biblioteca, una escuela, un bar...  No importa si es un espacio al aire libre o cerrado. Sólo que si es al aire libre, la actividad debe ser de noche para que sea viable la proyección.  El espacio mínimo requerido es de 30 m2.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=PhicB-rQC1E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 926, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 780, NULL, '2020-04-08 03:23:45', '2020-06-24 15:58:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12677, 'sL0MKaHR8PExiPRO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:25:31', '2020-04-08 03:25:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12678, 'TwGKBzb5Z6bqeukO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:29:37', '2020-04-08 03:29:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12679, '4xFXomzVAjkJpxtD', 'En el fondo (Referencial, no está definido)', NULL, 'La subjetividad que representamos con la fotografía da una visión parcial de un objeto o en el caso de En el fondo, un acontecimiento. A través de la fotografía fijamos imágenes en el tiempo y la memoria. Aún en el caso de que lo que se fotografíe esté en movimiento, la foto que obtenemos constituye una representación de ese momento, pero siempre carente de movimiento. Siempre fija. En el caso del trabajo de Aissa, un recuerdo generado a partir de imágenes y memorias de otros que las hace propias. Apariencias de las apariencias, donde lo reflejado siempre es ficticio.\n\nLo que perturba en estas imágenes es precisamente lo que no debe ser visto pero que podemos entrever a través del texto, ese algo que no debe salir en la foto; lo que está encubierto. Ese detalle que se escapa de la memoria, o que se filtra como un espectro dentro del cuadro, que trastoca la gramática reguladora de la mirada. Es el Punctum de Barthes, el punto de fuga que hiere y descoloca. Eso que debe ser borrado del campo de la memoria, poniendo en cuestionamiento lo que se quiere proyectar, pero también lo que auto-regulamos, lo que reprimimos y no debe ser dicho. Los silencios enunciativos que transforman la realidad sin perturbarla. Eso es precisamente lo que no está en la imagen, su negativo, lo que debe ser interrogado.\n\n- Rosanna del Solar', NULL, NULL, 'Fotogramas sobre papel baritado \nTamaño 36cm x 23cm\n\nCada una de las imágenes va montada sobre una plancha de aluminio, sin marco ni vidrio.\nMontaje Op.1: Presentadas colgadas en una pared de manera lineal\nMontaje Op.2: Presentadas recostadas sobre 4 pedestales circulares negros de distintos diámetros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1135, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 981, NULL, '2020-04-08 03:29:40', '2020-07-12 16:50:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12680, 'gmqmgAXP9pi0TX0Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:30:48', '2020-04-08 03:30:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12681, '2eAFdWO1yyQEe2zG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:36:12', '2020-04-08 03:36:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12682, '8w35BxWRVwbgMQX7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:36:32', '2020-04-08 03:36:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12683, 'e38eCvgjSrSwxJ61', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:37:32', '2020-04-08 03:37:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12684, 'UqkwrpeZmUQ58V6K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:39:19', '2020-04-08 03:39:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12685, 'yi6pUC0KSEUDPzKB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:51:32', '2020-04-08 03:51:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12686, 'meYFjFndS4afF00o', 'Erráticos n°6', NULL, 'Erráticos propõe diálogos artísticos de errância entre os sujeitos operativos e as obras. Como\ngesto operativo, é pela andança nos locais abandonados da cidade que inicia o trabalho,\nposteriormente, a experiência do deslocamento entre as ruínas constitui a identificação de\nresistências, por meio dos rastros deixados no local, construídas pelos seres que as ocupam e\nmanifestadas de modos diversos naqueles espaços. Ao enxergar a margem entre os errantes\ne a cidade, investigo como, por meio das minhas memórias, posso gerar novas formas de\nconversas.\nO estudo se deu a partir da caminhada por uma ruína, à separação e catação de vestígios errantes, as pichações que\nestão nas paredes do local, o tecido como forma de exploração do movimento entre a ruína. As ações propostas utilizadas, além de palavras e\nimagens, as mãos para formação das conversas. Ao construir o trabalho pela pesquisa,\nentendeu-se que o diálogo proposto partiu da caminhada - coleta de memórias afetivas sobre\nos materiais correspondentes a docência do errar.\nA proposição poética é projetada nas gravuras por meio dos objetos encontrados nas\nruínas urbanas, concretizado em conjunto com o tecido que remetem as minhas memórias e\nsugere novas formas de ocupação em conversa com o espectador. As gravuras são\nconstituídos em diversas movimentos com o aglomerado de coisas, como é exemplificado nas\nimagens. A errância apresentada nas impressões e propõe novos formatos de conversas entre\nespaços, experiências e vivências.', NULL, NULL, 'TÍTULO: Erráticos n°6\nTÉCNICA/MATERIAIS: Monotipia com chapa de cobre sobre papel de algodão.\nDIMENSÕES: 0,80 cm X 0,40 cm\nANO: 2019', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 923, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 777, NULL, '2020-04-08 03:51:53', '2020-07-10 02:48:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12687, 'L2CcofbKsh6uG2Io', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 03:55:55', '2020-04-08 03:55:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12688, 'wITXismb2nwOW486', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:01:40', '2020-04-08 04:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12689, '4fTUa2DqGbxwvye1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:03:51', '2020-04-08 04:03:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12690, 'hjNyqvlTo3w7jVid', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:06:18', '2020-04-08 04:06:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12691, 'cWYv9Y807KdYtWmG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:06:41', '2020-04-08 04:06:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12692, 'zxeQDsP3QqSBVNz3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:17:58', '2020-04-08 04:17:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12693, 'zo9vTxvqH0X8YZvS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:22:36', '2020-04-08 04:22:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12694, 'DajdFPw4GKbEbXpy', 'Entre rubio y oscuro', NULL, 'En este proyecto pretendo señalar como las clasificaciones medidas por el color de piel construyen identidades en función del color, convirtiéndose este último en una medida social de aceptación dentro del los imaginarios sociales hechos por la oficialidad, en este caso desde el documento de identificación de los colombianos expedido a partir  del año 1952. A lo largo de la historia colombiana el color de la piel ha sido la forma de identificación más convenientemente usada para el dominio de las personas, clasificándolas según sus diferencias fenotípicas tal como ocurrió en la época colonial, con las más de 70 castas que dieron los nombres de los colores de piel a las mezclas varias entre dos razas. Más adelante la jerarquización de razas que se mantuvo después de la independencia conlleva a un imaginario social homogéneo (blanco) provocando la invisibilización de razas negras e indias mediante su segregación a territorios no aptos para la reproducción futura de una sociedad fértil, esto, según los escritos de la comisión corográfica.\nAhora, siendo la región pacífica una zona con alta heterogeneidad en color de pieles es preciso señalar la importante apreciación hecha en el libro “Los problemas de la raza en Colombia” (1920) donde Luis López de Mesa (científico) menciona una coloratura de piel trigueña la cual  mejoraría la raza colombiana tanto física e intelectualmente. Treinta y dos años después se expide la cédula blanca laminada con su ítem color: Trig.', NULL, NULL, 'Realizaré una instalación colgante de pieles (50 x 65 cm, c/u) representando los 60 colores de piel de todo mi árbol genealógico como muestra de la mezcla genética proveniente de “trigueños”. En la segunda obra, en lápiz sobre papel realizaré la mimesis de las cédulas B.L aun existentes en mi familia junto con un retrato actual en acrílico de 30 x 40 cm. La tercer obra será una instalación (250 x 200 x 100 cm) de una paleta de color trigueño que tendrá cerca de unos 50 tonos diferentes', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3852, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3275, 5, '2020-04-08 04:23:33', '2021-02-19 17:28:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12695, 'MoAB5ft0Nh7Ys6gs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:29:24', '2020-04-08 04:29:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12696, 'EHQgx2x0LvTCOMHD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:36:32', '2020-04-08 04:36:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12697, 'KwZtsVQ26c7NUcB3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:40:21', '2020-04-08 04:40:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12698, 'eLYhf745AOHX9XwK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 04:40:22', '2020-04-08 04:40:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12699, '3cfqPDLYD3wr0aP6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:02:55', '2020-04-08 05:02:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12700, 'zdjVmoxX03Mrvs7T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:06:27', '2020-04-08 05:06:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12701, 'umcvQPq3NwEiXJEs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:13:20', '2020-04-08 05:13:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12702, 'kE8mXynuclxYm2hP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:26:17', '2020-04-08 05:26:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12703, 'DzneWFZIuprCDs7L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:26:51', '2020-04-08 05:26:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12704, 'm0TKUchF9smUll7I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:29:35', '2020-04-08 05:29:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12705, 'x91GxFIOKX1eqAWv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:35:22', '2020-04-08 05:35:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12706, 'ICYM0Fhb7Zso3E6u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:47:41', '2020-04-08 05:47:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12707, '2g05UwHlRTOvkTql', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:52:01', '2020-04-08 05:52:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12708, 'IpNwBTke1Ds9sbco', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:54:00', '2020-04-08 05:54:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12709, 'cnctDlvjqBQMvkog', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:54:53', '2020-04-08 05:54:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12710, '76XVlf17zh5eoYWy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 05:57:50', '2020-04-08 05:57:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12711, 'wF9FwaC8soumJEuG', 'Fanzine \"Por Onde Estará Ednardo?\"', NULL, 'O fanzine \"Por Onde Estará Ednardo?\" se compõe como uma produção totalmente autoral, na qual todas as técnicas artísticas utilizadas foram desenvolvidas pela autora de modo independente, bem como a diagramação da obra. Pensando na agregação de distintos métodos de expressão (fotografia, desenho, colagens, poesia) em uma plataforma versátil e menos engessada, a peça final tornou-se uma proposta de reflexão acerca do pensar e sentir no cotidiano contemporâneo. Sendo assim, confeccionou-se um produto final democrático no que diz respeito à formatação, compondo um todo que trespassa a soma de suas partes e propondo inovações no consumo e circulação da arte, em geral.', NULL, NULL, 'Tendo em vista que o produto é um fanzine, seria necessária uma mesa a para exibição do mesmo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 947, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 800, NULL, '2020-04-08 05:58:23', '2020-06-24 15:58:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12712, 'GbcvVzcKANNcADyQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:00:08', '2020-04-08 06:00:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12713, 'vQNjBb3ig5GZFY4t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:09:13', '2020-04-08 06:09:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12714, '8SqR7vVQ86LZLlIP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:15:13', '2020-04-08 06:15:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12715, 'YMNbfM4PTOooZffq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:28:27', '2020-04-08 06:28:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12716, 'iMCRgWVOk0ddzaFj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:28:28', '2020-04-08 06:28:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12717, 'q9F8RNHUycpCKjYc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:35:34', '2020-04-08 06:35:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12718, 'Ob4u0wmvMP6kDgnw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:37:18', '2020-04-08 06:37:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12719, 'cqLF4BAFbuQeFiML', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:50:42', '2020-04-08 06:50:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12720, 'MwGU9DgB2csXAAoj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:55:40', '2020-04-08 06:55:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12721, '0BZ3VrExyFCQJQMX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:59:34', '2020-04-08 06:59:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12722, 'DnlmKjnSztBmFtLl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 06:59:41', '2020-04-08 06:59:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12723, 'KMsmDLxIXZ8LpgQL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:02:30', '2020-04-08 07:02:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12724, '1MI5jIsH31FP2IkW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:02:50', '2020-04-08 07:02:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12725, '2WTDX3Aumw2KsOgW', 'El grito de piedra', NULL, 'Un poco de historia latinoamericana desde seres mitológicos y costumbres a grandes batallas y hechos históricos.', NULL, NULL, 'Centro cultural municipal Almacén de pepino. Serían 8 obras de 120 cm x 100 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 925, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 779, NULL, '2020-04-08 07:04:14', '2020-06-23 15:48:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12726, '8RNdBaXYahsvCRVR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:18:04', '2020-04-08 07:18:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12727, '5H8h3FRpu8KP0Y0f', 'GRANDE SUPERFICIE  De la apertura económica al mercado del deseo', NULL, 'La década de los noventa fue una época de ruptura para la sociedad colombiana, la apertura económica, que nos integraba a la nueva economía global, significó un futuro neoliberal, pero el nuestro era un neoliberalismo tercermundista con todo lo que esto implicaba en costos sociales. Por otro lado, la llegada del Internet, facilitó el acceso a información e implicó un cambio en la visualidad, que produjo unos códigos que enriquecieron las formas de hacer arte. El contacto permanente con la televisión y la práctica del zapping, eran solo el comienzo de lo que posteriormente, los computadores y la Internet, afianzarían con la infinita cantidad de redes e información expresadas en el hipervínculo. Estos desarrollos tecnológicos, sumado al auge de la comunicación móvil, marcaron un cambio generacional que es visible en la gramática del arte. Era el inició de profundas transformaciones sociales que favorecieron nuevas formas de consumo, que se volvían cada vez más sofisticadas, llevándonos a transitar de un mercado de productos para instalarnos en un mercado del deseo. La muestra reúne artistas que crecieron bajo la influencia de las pantallas, los nuevos ídolos, el marketing y la Internet y, que, han utilizaron la apropiación, la estética del reciclaje, la hibridación como estrategias de renovación, tanto en las formas como de los medios, para señalar las trasformaciones culturales que vivieron por cuenta de la globalización.', 'Todos lxs artistas son colombianos: \nAdriana Martínez / https://cargocollective.com/Carne/ADRIANA-MARTINEZ\nAlix Camacho / http://alixcamacho.laveneno.org/\nBarbarita Cardoso /  http://barbaritacardozo.com/biografia-cv/ \nDaniel Salamanca /  https://www.danielsalamanca.info/declaracin-de-artista\nDon Nadie / https://www.instagram.com/donnadie111/?hl=es-la \nFelipe Lozano / https://felipelozano.com/\nFernando Uhía / https://issuu.com/nueveochentaenred/docs/fernando_uh__a \nGabriel Zea / https://gbrl.in/\nJuan Obando / http://www.juanobando.com/\nJuan Pablo Echeverry / http://juanpabloecheverri.com/ \nJuan Peláez /  https://www.instagram.com/juansebastianpelaez/?hl=es-la\nLorena Espitia / http://www.lorenaespitia.com/lorena-espitia-cv\nMariana Murcia /  https://www.instagram.com/marianautomatic/?hl=es-la\nMilena Bonilla / http://milenabonilla.info/ \nSebastián Carrasco / https://www.scarrasco.com/\nSofía Reyes / https://vimeo.com/user39913918', NULL, 'Salas de exhibición del Museo Universitario de la Universidad de Antioquia (MUUA) en Medellín. El museo cuenta con varias salas, dos de las cuales ubicadas en el primer piso podrían utilizarse para este proyecto −si la exposición requiriera más espacio se puede negociar−. Las dimensiones son: 6,30 x 10,15 mts, la primera y 6,30 x 20, 20 mts, la segunda, 5mts de altura ambas. Cuentan con las características estándares iluminación, lugar de almacenamiento, vigilancia, guías de sala, etc.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/219286784', 'DESIERTO', NULL, NULL, NULL, NULL, NULL, NULL, 3167, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Podría negociarse con el museo parte del rublo de adecuación de espacios, depende del tiempo de antelación de la programación, al ser una entidad pública los trámites administrativos para la gestión de recursos son muy complejos, deben ser efectuados con suficiente tiempo.', 'si', 'La mayoría de las obras son de montaje convencional, las dos de mayor complejidad son las instalaciones. El diseño museográfico, definirá la forma de exhibir las obras y ofrecería soluciones (económicas) para acondicionar el espacio cumpliendo las requisitos y restricciones técnicas del museo.', NULL, NULL, NULL, NULL, '-3 televisores, el museo cuenta con 2 televisores de 42” que requieren de otro dispositivo para reproducir contenidos (dvd, TV box , etc.); -Un video beam /sistema de sonido (opcional). La disponibilidad de los equipos depende del tiempo de solicitud. La producción de los elementos museográficos.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2723, 5, '2020-04-08 07:20:51', '2020-08-31 21:17:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12728, 'KKVUuO6r1hBwDEsM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:26:24', '2020-04-08 07:26:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12729, 'MZNM3qpnvlLrSbpW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:35:10', '2020-04-08 07:35:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12730, 'PLV3oloxRnxzKjEG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:53:36', '2020-04-08 07:53:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12731, 'cDFVvsV437KMt7jO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:56:27', '2020-04-08 07:56:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12732, '3DFgrK6loPOmES3h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 07:58:52', '2020-04-08 07:58:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12733, 'CRELT7Q4s0rQfxzU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 08:00:09', '2020-04-08 08:00:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12734, 'XRVCAppNkAk6lYeT', 'Infinito infinito', NULL, 'Instalación/Intervención del laberinto de Borges \n¿Por qué  despiertan nuestra curiosidad los laberintos? \nLa reflexión en torno al tiempo, nuestra finitud, lo cíclico, el universo, lo infinito, perderse para encontrarse.\nEl espacio propio y el de la obra, en un plano diferente e inspirado en la poética borgeana.\nMientras se adentra en los senderos del laberinto, va descubriendo esculturas objetos, explora la simbología Borgeana oculta en ese “Libro abierto al Universo” percibe y  obtiene nuevas sensaciones, la experiencia del breve instante transcurrido, enfrentándose a su propia imagen (espejos  enfrentados) a la vez inserto en el mapa estelar, ahora EN SUS PIES (constelaciones hemisferio sur dibujadas sobre el piso con trozos de espejos y líneas) como en un Libro de Arena , el instante transcurrido no se repetirá, pero la experiencia que atraviesa (camina literalmente dentro de la imagen) SERÁ permanente. \nDentro del laberinto, objetos en metal, papel y luz, performance. Mapping desde la torre. La propuesta abarca dos momentos (día y noche) y dos visiones de una misma obra (dentro del laberinto y desde la torre). No poder abarcar toda la obra al transitarla, tener una experiencia en ella u observarla desde lo alto, captar su dimensión en perspectiva. Vivirla. Reflexionar.  Dejar registro, desde el montaje y la vivencia. Otra obra. Otra mirada.\nDos laberintos idénticos en dos continentes- San Rafael y Venecia- Un espejo, dos universos. Una misma imagen. El laberinto.', NULL, NULL, 'Laberinto de Borges : Cuadro Bombal, San Rafael, Mendoza, Argentina. Laberinto multicursal, espacio privado con acceso  público. Siete mil plantas de arbustos boj “buxus sempervirens”, formando un gigantesco libro abierto con senderos que dibujan el nombre del escritor, sus símbolos preferidos y las iniciales de María Kodama.\nEl diseño es del inglés Randoll Coate, jardín cultural que se plantó en el 2003. Dimensiones 90 mts x 65 mts.\nTorre de metal capacidad 100 personas. Altura 20 mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1163, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1006, NULL, '2020-04-08 08:00:39', '2020-06-23 02:29:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12735, 'zCcZpZgucSH61xRg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 08:09:08', '2020-04-08 08:09:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12736, 'J9QrDU53AHMvxyPb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 08:23:37', '2020-04-08 08:23:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12737, 'XlPfgIyq8m88nqgh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 08:45:57', '2020-04-08 08:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12738, 'UEtKLiyO51oZpRTc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 09:11:15', '2020-04-08 09:11:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12739, 'PMBUaqSY3FpTu5Hf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 09:19:03', '2020-04-08 09:19:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12740, 'J8q7v4o49cEgalmG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 09:35:39', '2020-04-08 09:35:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12741, 'SaSQsYd09mWkX6V7', 'El ego esfumado (Carlos Arias+Felipe Lavín)', NULL, 'Vanidad, trascendencia y miedo al olvido. Pulsiones características a los retratos que la sociedad humana ha producido sobre sí misma, a modo de reflejos del inconsciente personal y colectivo. Carlos Arias y Felipe Lavín  se interrogan por las maneras en que el ego se vierte en imágenes que lo singularizan, lo anestesian, o lo desarman, en una contemporaneidad que se sostiene en un principio de identidad esquizofrénico: somos todos distintos, pero todos iguales.\nFiguras que se funden y se confunden en  tramas textiles prefiguradas por la técnica industrial. Un ego ambivalente,  tímido como soberbio, trémulo como contingente. Desde el autorretrato, Arias tematiza las caras de una identidad frágil, cuyo devenir está sujeto a la nitidez que solo puede otorgarle la mirada del espectador. A través de una aproximación pictórica al bordado, el artista evoca la figuración del yo en una sociedad narcisa pero gregaria,  donde el afecto personal es efecto de la aprobación ajena. \nEsa humanidad precaria, es motivo de interés en el trabajo fotográfico y medial de Lavín, quién a partir del concepto no lugares, tensiona la singularidad humana con la arquitectura, mediante alegorías a la condición existencial del sujeto contemporáneo: individuo y masa a la vez. Cuerpos que se trasladan como autómatas, líneas policromas homogéneas, o apenas indeseables puntos que interrumpen la asepsia visual del entorno, implican que toda posibilidad de distinción propia se esfuma en la igualdad colectiva.', 'Felipe Lavín, chileno, https://www.felipelavin.com/\n\nCarlos Arias, chileno (residente en México), http://www.carlosariasvicuna.com/', NULL, 'Se solicita (idealmente) un espacio delimitado por los paneles móviles ubicados en el primer piso de la Capilla del Arte de la UDLAP (Puebla, México). El sistema de aquella sala posibilita la realización de museografías dinámicas adaptables a muestras temporales.\nAnchura total: 12,45 mt\nAltura máxima: 295 cm\nIluminación: el espacio cuenta con focos LED dirigidos y también con luz natural (ventanales con filtro UV que rodean el perímetro de la galería). El proyecto puede adecuarse a ambas.', NULL, 'curator', NULL, NULL, 'https://www.felipelavin.com/desvanecidos', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2271, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1967, NULL, '2020-04-08 09:47:42', '2020-08-12 18:08:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12742, 'wJOblUewQpyHecCn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 09:47:44', '2020-04-08 09:47:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12743, 'bLnOkrOYz5FKHnCE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 10:07:11', '2020-04-08 10:07:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12744, 'Vc0TmqNyTCHnjFaT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 10:10:06', '2020-04-08 10:10:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12745, 'ni9ACOtqr3BOxP7f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 10:20:04', '2020-04-08 10:20:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12746, 't0SWyPa8PnhJtA7J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 10:45:17', '2020-04-08 10:45:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12747, 'DxOSe665JplvNtjl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 11:25:37', '2020-04-08 11:25:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12748, '5BiTzJgIYOtetSye', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 11:25:45', '2020-04-08 11:25:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(12749, 'VSeJ3xVXkL6gSHQF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-08 12:06:23', '2020-04-08 12:06:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
