Like the Venus de Milo but with arms. Like the Aphrodite of Milos but artist is known. ELAWIATR has a complex character. She imitates Venus de Kapui, which is an imitation of Aphrodite of Lyssipos or rather they imitate ELAWIATR.

Urania is an epithet of Aphrodite, signifying "heavenly" or "spiritual", while Plato and Pausanias describe Aphrodite Pandemos as the goddess of sensual pleasures.
ELAWIATR New Renaissance Venus is the center point from which infinity begins to develop in the cosmos, extending to -∞ and +∞. To both the microcosm and the macrocosm, revealing the universe inside and outside of the cosmic womb. Φ as the signature of the divine in every creation, the stirring wheel of life in its travel in perpetuity, carries the secret of eternity. New Renaissance Venus is the conjunction of earth and heaven. Pandemos and Urania.  The intersection of humanity with the divine  merges both and reveals beauty, as a still absolute, as an evolving golden ratio.
Venus of New Renaissance is opening the circular boundaries of human fragile (in)finite nature, giving them the right to dream eternity.

ELAWIATR New Renaissance Venus comes down off the pontium of the ‘Louvre' and alive as she is , as a sculpture who can move, with delicate skin, breaths, and her holistic beauty, free from the stone, expands out of the visual field. Her voice texture, transparent and healing, fills the infinite space as her spirit travels beyond quantum time.