INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24768, 'hTD78dMGSGoMsuGg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 20:55:20', '2020-05-26 20:55:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24769, 'BhhytYA9z6YtXr30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:21:14', '2020-05-26 21:21:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24770, '3NPuEvI64nRxXa7B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:36:51', '2020-05-26 21:36:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24771, '011cZZjP0HreZxXR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:39:45', '2020-05-26 21:39:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24772, 'hxkCWwWTDPbwGiYL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:40:45', '2020-05-26 21:40:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24773, '2ns6kqzOPXorsAwx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:43:29', '2020-05-26 21:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24774, 'Jw6ozsezd45PrwHD', 'Quarantine', NULL, 'The Quarantine project is an initiative of the artists Lais Myrrha and Marilá Dardot, the curator Cristiana Tejo and the founder of the 55SP platform Julia Morelli and arises from the attentive reflection on the great challenges that the world faced due to the Covid-19 pandemic and more specifically of its impact in the field of visual arts. The crisis has reinforced the importance of cooperation between all and the minimum redistribution of material conditions as the only possibilities for overcoming it. Faced with this context of uncertainties and interruption of professional compromises, the group proposed a collective experiment of re-imagining an economic model for the arts.\nYoung, mid-career and well established artists, representing different regions of Brazil, genres and races were invited to create works according to quarantine conditions (at home, using available materials and tools) to be digitally sold, sent and printed or executed by the collector. Very much inspired by conceptual and mail art, the works vary from drawings, digital prints, sound art, videos, photos, and instructions, and they could not be visualized before the purchase. Working as a cooperative of Brazilian artists, all works are the same price and the final profit is shared equally among collaborators.', 'Ana Dias Batista\nAna Lira  \nArissana Pataxó \nArmando Queiroz\nBruno Faria \nCaetano Costa \nClarice Cunha \nCinthia Marcelle e Diran Castro\nClara Ianni \nDaniel Lie \nDebora Bolsoni\nDenilson Baniwa\nFabiana Faleiros\nFabio Morais\nFabio Tremonte\nFernando Cardoso\nGuto Lacaz\nJaime Lauriano\nJanaina Wagner\nJoão Loureiro\nLaercio Redondo\nLais Myrrha\nLenora de Barros\nLia Chaia \nLucas Bambozzi\nManauara Clandestina\nMarcellvs L.\nMarcia Xavier \nMarco Paulo Rolla\nMariana de Matos \nMarilá Dardot\nMarta Neves\nMaurício Ianês\nNicolás Robbio\nPatrícia Francisco\nPaulo Bruscky\nRafael RG\nRicardo Basbaum\nRomy Pocztaruk\nRosângela Rennó\nSara Não Tem Nome\nSara Ramo \nTraplev\nYana Tamayo\nYuri Firmeza\nAll artists are Brazilian, only Nicolas Robbio is Argetinean\nYou can find a bio of each artista at \nhttps://www.55sp.art/quarantine', NULL, 'We suggest 16 linear meters of wall, that can be in one or divide in  two or more.\nThe space does not require high ceilings, as the works are small scale.\nAs all the artworks being sent via digital files, we would like to show the instructions files printed for each of the 45 works.\nWe are open minded regarding space, a corridor could be interesting. \nWe would also like to suggest the online exhibition on the Bienal Sur website.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5280, NULL, 740, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4390, NULL, '2020-05-26 21:46:15', '2020-07-27 23:28:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24775, 'MaNI4tIPnyGuVxE2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:46:29', '2020-05-26 21:46:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24776, '2m59F5q48q33Sty2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:46:47', '2020-05-26 21:46:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24777, 'bGgr8qsiJpSs96bR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:57:01', '2020-05-26 21:57:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24778, 'KdgLFfxx3hOew7mE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 21:57:40', '2020-05-26 21:57:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24779, '0VbchjIWSGVXPVo0', 'La deriva de los horizontes', NULL, 'Este proyecto fue parte de la exposición “Los límites de la tierra”, de la 14 Bienal de Artes Mediales realizada en Santiago de Chile en diciembre de 2019. Esta obra de carácter itinerante, consistió en la instalación de un grupo de remos sobre el antiguo puente Lo gallardo, que cruza el rio Maipo antes de su salida al mar en la comuna de San Antonio, Chile. Hoy este puente está en ruinas después de que colapsara en el terremoto de 1971. Un enclave con reminiscencias de comunidades prehispánicas, pasando por crudos episodios de la dictadura militar, hasta nuestros días y sus conflictos de intereses hídricos y ecológicos. Aquí se instaló un grupo de remos sobre el puente, emulando una embarcación fragmentada, y que propone en su esencia, la analogía de un espacio de acción colaborativa con un horizonte compartido. Un espacio de cohesión y cooperación, donde existe un grupo de individuos que trabajan juntos intentando avanzar hacia un destino en crisis.\nLa obra busca activar reflexiones en torno a los esfuerzos colectivos de comunidades, pueblos y naciones que trazan rumbos inciertos hacia las ideas de progreso y bienestar.\nLuego de la acción en el puente y su registro en foto y video, los remos fueron trasladados al  Museo de Arte Contemporáneo de Santiago, para iniciar un nuevo diálogo con las líneas curatoriales de la Bienal,  el contexto específico del Museo, su historia y su rol en la sociedad.', NULL, NULL, 'El espacio debería contar con dimensiones adecuadas, donde la obra sea capaz de activar un dialogo tanto visual como simbólico con el contexto social y espacial del lugar. Dicho esto, es una obra abierta a las propuestas por parte del equipo curatorial.\n-Los remos tienen 5 metros de largo c/u. Están construidos en madera e intervenidos con diversos objetos de desecho y luego cubiertos con cal y sal.\n-Video HD en Loop de 14 minutos.\n-Fotografía (dimensiones variables).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4266, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3620, NULL, '2020-05-26 22:05:48', '2020-08-11 22:35:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24780, 'zXhEihmp5xiRlbZr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 22:30:18', '2020-05-26 22:30:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24781, 'VWHFoC9LleV9MKkn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 22:30:42', '2020-05-26 22:30:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24782, 'nbfk4afYTGeZbGOm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 22:36:44', '2020-05-26 22:36:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24783, 'khxVo2aEwhrLLLH7', 'MEMÓRIA REINVETADA', NULL, 'Quando se acaba de ler ou escrever a palavra já é passado. O agora é indizível. Nós vivemos o visível, sempre supondo que determinadas situações são ou não reais. Este ensaio pretende enfatizar como a memória esquece, silencia e imagina. Podemos acusar a memória de ser pouco confiável, mas não a imaginação. Nessa instalação, o público é convidado a participar, inserir suas marcas na cera, que em breve se apaga e transforma. O apagamento e o esquecimento são parte da nossa vida. \nA cera e seu derretimento será o material utilizado para enfatizar a memória que muda o que foi representando a impossibilidade de recordação total. A ideia surgiu a partir da “tábula rasa”. Os gregos, antes de Cristo, a utilizavam para anotar aprendizados, rascunhos e fatos cotidianos. Este objeto era feito de pequenas tábuas com bordas de madeira, formando um pequeno nicho, no qual se colocava a cera de abelha, sendo a mesma raspada ou aquecida para que fossem inseridas novas anotações.', NULL, NULL, 'Neste projeto são apresentadas duas mesas escolares antigas, nas quais são introduzidas cera de abelha nos seus tampos. Sobre as mesas, são instaladas duas luminárias com lâmpadas quentes que aquecem a cera permitindo seu consequentemente derretimento. A intenção é fazer com que as pessoas inscrevam suas marcas no tampo, permitindo que as inscrições se apaguem enquanto a cera derrete, representando a memória que fricciona e esquece. O espaço necessário seria de aproximadamente 2 x 2 m., coberto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'No campo tipo de projeto não estão aparecendo as palavras??', 'INSTALAÇÃO', NULL, NULL, 2325, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2013, NULL, '2020-05-26 22:51:50', '2020-06-23 20:02:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24784, '4FGOyzXsphkoq7pT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 23:08:36', '2020-05-26 23:08:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24785, 'jC0EHUWd3ZRlbQQf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 23:13:51', '2020-05-26 23:13:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24786, 'vSUe7fdmrpD1dFbR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 23:38:53', '2020-05-26 23:38:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24787, 'l1HKkIGPg5UtLPs4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 23:46:52', '2020-05-26 23:46:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24788, 'JDiImOdBhVAUWrZc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 23:47:14', '2020-05-26 23:47:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24789, 'yQ0fRR0tFdAoXWSh', 'OPACIDADE', NULL, 'Visitei Pequim e Xangai em janeiro de 2020. Além da cultura, história e tradição, me impressionou o progresso e as complexas ordenações dos centros urbanos nas cidades visitadas. Vale ressaltar que a obediência e a deferência ao controle social e econômico é uma das imposições mais rígidas do governo à sociedade. Presencia-se uma sensação de que tudo está sob controle. Contudo paira no ar a presença de algo que nos distancia, uma dúvida, uma desconexão, como se uma névoa escondesse a real situação dos chineses. \nSete dias após ter chegado ao Brasil proveniente dessa viagem à China, o governo chinês decretou o fechamento da cidade de Wuhan devido à expansão descontrolada dos casos de coronavírus. A tentativa do regime autoritário inicialmente foi a de controlar, desmentir e punir médicos e indivíduos que relatavam o que estava ocorrendo. A sensação de estar tudo sob controle se esvaiu. A dúvida, a desconexão e a neblina que antes “pairavam” no ar, passam a se “expandir” pelo ar.', NULL, NULL, 'O trabalho é composto de 12 polípticos na dimensão de 220x112 cm, permitindo pensar e sentir o que “paira” no ar, tal “opacidade” por mim presenciada. O conceito primordial estabelecido foi a coerência na ordenação do conteúdo (texturas, cores, tonalidades, disposição das imagens, mesclas entre o que está próximo e distante e variação das dimensões) sendo importante pensar sua disposição no espaço: (área de 110m2, coberta), podendo ser menor caso seja diminuída a quantidade de polípticos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'Não está sendo possível marcar o tipo de projeto (espaço aparece em branco)', 'EXPOSIÇÃO DE FOTOGRAFIA', NULL, NULL, 2325, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2014, NULL, '2020-05-26 23:54:03', '2020-06-23 20:02:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24790, 'uLTsou2uVQveYKxA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-26 23:55:14', '2020-05-26 23:55:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24791, 'H8dpchU4vUZEJG2W', 'Karacha Orcko', NULL, '¿Qué nos sucede que no oimos las voces de los antiguos?\n¿Será posible que usemos, tan sólo un poco, de esa sabiduría?\nSi el terreno es frágil ante un hombre, ¿cómo será cuando muchos lo atraviesen?\n\nSegún los hablantes de quechua, que acompañaron a Jerónimo Luis de Cabrera en la colonización de nuestro territorio, llamaron Karacha Orcko a las Sierras Chicas de Córdoba. La traducción equivale a cerro que se desarma, por lo que no eran buenas para construir senderos. Actualmente, el Gobierno de la Provincia de Córdoba construye una autovía de montaña de cuatro carriles atravesando más de 20 km sobre bosque nativo virgen.\nPienso en una relación de igualdad entre naturaleza y hombre, o al menos en una paridad entre una componente de la naturaleza extrahumana y mi propia humanidad. Con mis propias manos, destruyo la montaña hasta recolectar mi peso en piedras, unos 67 kg. Se evidencia en dos resultados: un video registra la acción de sitio específica realizada a la vera de la autovía y un prisma de extremos truncos que forma una inclinación de 15° respecto de la vertical sirve para contener los residuos. Con el objeto se hace referencia al entorno (en inclinación y material) y al sujeto (en altura y peso). Así el paisaje serrano se muestra como constituyente de mi identidad (y visceversa). Además dado el contexto temporal, la pieza se torna una denuncia política y ambiental.', NULL, NULL, 'Espacio cerrado en el cual se pueda amurar y posea conexión eléctrica.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428833972', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4884, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4108, NULL, '2020-05-27 00:25:19', '2020-07-02 02:12:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24792, 'YsXU1UFjTuWqkgMT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 00:36:26', '2020-05-27 00:36:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24793, 'dChADFTd5F0loGBn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:13:02', '2020-05-27 01:13:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24794, '5JiaBKOJI8YPRrhq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:14:03', '2020-05-27 01:14:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24795, 'K4SoMsRcI7dMDjX3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:19:18', '2020-05-27 01:19:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24796, 'DaOA2hn0nPzImUgr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:20:40', '2020-05-27 01:20:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24797, 'Vzmjv3UP0nSmN3fb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:22:46', '2020-05-27 01:22:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24798, 'qxsHqYWSrlkC3CeF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:24:30', '2020-05-27 01:24:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24799, 'GYGcwfCkLxTLsT2t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:35:34', '2020-05-27 01:35:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24800, '1qMjCo3jIQhf2pz8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:43:19', '2020-05-27 01:43:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24801, 'r3TAJpP4aqKZ73PE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 01:47:52', '2020-05-27 01:47:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24802, 'W5Fbv0eMXjmjEXzN', 'Corazón delator', NULL, 'Tendría que revivir a Cerati para poder expresar correctamente lo que quiere expresar esta obra. El corazón delator. Porque en él nuestra sociedad ha asociado  las cosas más bellas; el amor, los sentimientos, la amistad, el querer, el desear, o simplemente la verdad.  La verdad más digna de ser verdad, la verdad de estar vivos, de ser quienes somos, de tener las emociones que tenemos. Si pudiera hablarle al corazón, le diría:\n-Gracias corazón, por estar siempre ahí latiendo a pesar de todo. Siempre constante, aunque a veces más rápido. Latís rápido porque no eres tonto corazón mío, sabés que estás a punto de pasar a otras manos. De ser entregado con los ojos cerrados. Vos ahí siempre fiel, ¿Y nosotros que hacemos? Vamos y se lo entregamos a cualquiera. Cometemos errores corazón, y por eso no solo te voy a agradecer, sino que también te pido perdón por hacerte sufrir. Te juro que fue sin querer.', NULL, NULL, 'Las dos partes del corazón miden 15 centímetros. Está hecho de arcilla, engobes, pigmentos y esmaltes. Se sugiere apoyarlo sobre una superficie lisa, blanca o negra, y que el espectador esté ubicado a unos 40 centímetros, con los ojos a 45 grados, pero que tenga la posibilidad de agacharse y observarlo a la altura de los ojos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2327, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2016, NULL, '2020-05-27 01:48:54', '2020-06-23 20:02:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24803, 'ha7hxZsB1dYkQLdK', 'Los reyes del hogar', NULL, 'Exposición fotográfica con temática de enfoque social que aglutina temas como: el consumismo, la sobrepoblación y el hacinamiento en la región centroamericana, particularmente, en El Salvador. \nSe trata de 8 puestas en escena a manera de metáforas articuladas con objetos cotidianos que dialogan entre sí en monocromías específicas a cada composición y que serán caracterizadas según el tema: violencia (rojo), consumo (dorado), entre otros. \nComo artista, me interesa reflejar, de manera personal, los impactos que genera el cóctel de los fenómenos antes mencionados en el contexto salvadoreño, partiendo de la siguiente premisa:  \nEn mi país se naturaliza el hecho de procrear como mandato, sin medir consecuencias para la vida del ser humano que viene en camino. \nPor tanto, en contextos como el salvadoreño, la falta de educación genera ignorancia, la ignorancia genera una vida sexual irresponsable, la vida sexual irresponsable genera sobrepoblación, la sobrepoblación, hacinamiento y el hacinamiento violencia social. Cadena de problemáticas que nunca han sido abordadas de raíz por gobiernos y grupos de poder.', NULL, NULL, 'Espacio expositivo: salón de aprox. 7 mt2 2 fotografías por pared. \nFotografías impresas en papel fotográfico mate con vidrio anti-reflejante. \nDimensiones de 1 m x 70 cm cada fotografía más marco estilo barroco 15 cm adicionales.\n\nNota: Se adjunta únicamente 2 piezas por tratarse de una serie en proceso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2874, NULL, 338, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2493, NULL, '2020-05-27 01:50:55', '2020-06-25 19:32:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24804, 'RPNvxJW5oTzeaJv8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 02:09:00', '2020-05-27 02:09:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24805, 'BJjT36xe9tGXI3ea', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 02:18:42', '2020-05-27 02:18:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24806, 'wCCRkg02tj48sV6P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 02:21:44', '2020-05-27 02:21:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24807, 'o6ri7o67d0SbBArc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 02:25:04', '2020-05-27 02:25:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24808, 't0XZMoXFU6OLMxeo', 'Dame Un Beso', NULL, 'DAME UN BESO\n\nLa masturbación es el acto de estimulación de los órganos sexuales para obtener placer, esta\nacción es parte del autoconocimiento, entender nuestro cuerpo, la masturbación no solo es\nplacentera, también es saludable, ayuda a liberar el estress, conciliar el sueño y otros beneficios\nterapéuticos. Aunque esta información es obvia, para otros no lo es, sigue siendo una práctica\ntabú.\n\nLa masturbación debería ser parte de la educación sexual desde temprana edad.\nEn el confinamiento, preferí quedarme sola en mi casa, cuidando mis cosas en lugar de ir junto a\nmi familia, Pensé que en algún momento tendría que confrontar alguna molestia personal y esto\ngeneraría una situación hostil.\n\nSentí miedo a la enfermedad, a la falta de ingresos económicos, a quedarme sin casa y a otras\nsituaciones. Vi muchos noticieros, analistas económicos, virólogos, astrólogos y todo lo que\nindicara una explicación a esta situación apocalíptica. Viví días intensos, donde pensaba que había\nperdido todo y lo más importante, había pedido mi identidad, de un momento a otro nada tenía\nsentido y ninguna acción serviría para mejorar, el mundo estaba colapsado como nunca se había\nvisto.\n\nSin llegar a un falso positivismo o coaching y creer que todos saldremos adelante, junto a la\neconomía y el medio ambiente. La masturbación ha sido un aliado, he aprendido a observarme, a\ndisfrutar de mi compañía, aprendí a perdonarme, a consentirme, a respirar, a resignificar la vida y\na la naturaleza', NULL, NULL, 'Video gif, proyección a la pared se sugiere un tamaño de 50cm *70cm', NULL, 'artist', NULL, NULL, 'https://youtu.be/zTpTOoZo2ok', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4690, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3946, NULL, '2020-05-27 02:30:45', '2020-08-01 01:04:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24809, 'KFd3x34sRiFT3XZn', 'Y si c*gemos?', NULL, 'Sumergidos en una virtualización obligatoria de la sociedad que nos ubica dentro de esta experiencia intrínseca de la realidad, podríamos ubicar las relaciones sexuales como una práctica contemporánea que pudo reinventarse en lo que conocemos actualmente como “sexteo”;  entonces ¿Por qué se naturalizó el sexteo en este momento? ¿Se estableció para modificar la realidad temporalmente o es una reversión producto de la constante puja de factores que le son intrínsecos? ¿Acaso la reivindicación de este sistema de sexo virtual, no es más que una reafirmación de que las máquinas nos interpelan de tal manera que prescindimos de cuerpos físicos?\nEste proyecto plantea una proyección de videos que parodian de manera irónicamente ingenua, la forma de re-vincularse sexualmente en tiempos de aislamiento. Videos en los cuales se busca establecer  nuevos códigos frente al paradigma de si los encuentros sexuales son por medio de máquinas, ¿realmente estamos teniendo sexo con otra persona?', NULL, NULL, 'Para el proyecto de video instalación, propongo un espacio de montaje cercano a una toma de corriente, ya que los videos se proyectarán mediante celulares; los cuales estarán conectados a un cargador para extender la duración de la batería. Los videos correrán en simultáneo en cinco celulares que estarán sujetos al pedestal –que mide 70cm x 70cm x 1mts – donde estarán ubicados.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/1nRDa7ZxVLFATAE82Z7TtCaBEGSP_osHT?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5019, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4210, NULL, '2020-05-27 02:31:53', '2020-07-02 23:22:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24810, 'KhbkmnYscMZiMuT8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 02:34:29', '2020-05-27 02:34:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24811, 'cxa0TSXskKLnPJKl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 02:46:21', '2020-05-27 02:46:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24812, 'GvKG6lJvRu1MCkXu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 02:57:06', '2020-05-27 02:57:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24813, 'wEjY5pLghN8nrONw', 'Biblioteca Escaner', NULL, 'Trata-se de uma ação performática work in progress para bibliotecas e acervos de publicações que produzirá uma síntese a partir da amostragem de uma coleção. A ação consiste no escaneamento e impressão simultâneas de duas páginas, uma de imagem e uma de texto, de livros do acervo selecionados a partir de um sistema pré-definido para serem escaneados e impressos. O processo de escaneamento dos livros é projetado no espaço da biblioteca e gravado diretamente do computador para a posterior edição de um filme. As páginas impressas são posteriormente encadernadas para a criação de um livro. Tanto o livro quanto o filme devem ser incorporados ao acervo em questão. A metodologia de seleção dos livros e suas páginas só poderá ser determinada após o conhecimento do acervo no qual o projeto acontecerá,  e levando em consideração suas dimensões e as características da coleção. Pode-se utilizar um sistema que percorre todo o acervo, intercalando os livros por quantidade ou pode-se determinar o cruzamento entre duas sessões especificas, por exemplo: paginas de textos da sessão de sociologia com imagens da sessão de arte.\n\nEste projeto foi realizado em caráter experimental na biblioteca da EAV/Parque Lage, em outubro de 2019. As imagens apresentadas neste projeto são desta ocasião.', NULL, NULL, 'O projeto deve acontecer em uma biblioteca com acervo de no mínimo 10 mil livros e com espaço suficiente para que seja montada uma mesa de trabalho com dois computadores e dois escâneres/impressoras, além de espaço para projeção.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/395746094/272afced72', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3099, NULL, 368, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2669, 5, '2020-05-27 03:14:13', '2021-03-18 19:37:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24814, 'FdupqNnorfOqStm1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:20:22', '2020-05-27 03:20:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24815, 'KKKaKkSoQJTt3fAA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:26:00', '2020-05-27 03:26:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24816, 'sKYlSkQJUQa5hBah', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:26:51', '2020-05-27 03:26:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24817, 'uAOBKJWnu1BUUYlf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:27:25', '2020-05-27 03:27:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24818, 'M1jSJtu17uFlIE8m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:31:03', '2020-05-27 03:31:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24819, 'dRTjrw8XXQ2i4v1u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:32:01', '2020-05-27 03:32:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24820, 'hOhIx0KZparM9Usu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:34:12', '2020-05-27 03:34:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24821, 'In3VJPG5LRjSamEg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:36:11', '2020-05-27 03:36:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24822, 'IkDX7gryidHCQXt7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:40:54', '2020-05-27 03:40:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24823, '4YKoeNhueCPReFMu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 03:40:59', '2020-05-27 03:40:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24824, 'BBWOSHtKU1s5f1Ub', 'ESPECISMOS', NULL, 'Estos trabajos forman parte de una serie que se llama: \"especismos\". \nEl especismo es una forma de discriminación basada en la pertenencia a una especie. Implica tratar a los miembros de una especie como moralmente más importantes que los miembros de otras incluso cuando sus intereses son equivalentes. Al igual que en el prejuicio racista, los humanos sometemos a los animales que no pertenecen a esta especie infravalorando sus intereses básicos: vivir en libertad y no ser víctimas de torturas.\nEl desarrollo de nuevas tecnologías generalmente se aplican para aumentar la producción y la rentabilidad:  modificaciones genéticas, iluminación led para granjas, drones que monitorean y controlan el ganado, robótica aplicada al pastoreo o al ordeñe, etc., son algunas de las innovaciones que perpetúan un  continuo ciclo de violencia, desamparo y sufrimiento.\nEn esta serie de pinturas la gestualidad es la base con la que construyo una trama o mapa laberíntico y lúdico, donde luego inserto figuras de animales en blanco y negro. Vacas, gallinas, peces y cerdos, animales comestibles que utilizamos para el consumo humano. En estas obras aparecen apilados, mutilados, caídos, hacinados, despojados, explotados en un territorio siniestro, tortuoso y caótico  \nMe interesa proponer una reflexión acerca de esta maquinaria imparable y nuestra relación de sometimiento, crueldad y maltrato a seres sintientes.', NULL, NULL, 'Pinturas sobre lienzo, técnica mixta, diferentes dimensiones, el trabajo mas grande: 1,20 x 1 mt, el mas chico: 0,50 x0,70 mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://sandrabbotner.wixsite.com/misitio/especismos', NULL, NULL, NULL, 2331, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2020, NULL, '2020-05-27 03:53:43', '2020-06-23 20:02:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24825, 'ShVpg2UhXsqP4BP8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 04:09:36', '2020-05-27 04:09:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24826, 'S9D4GGkk3EJlmH4M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 04:09:53', '2020-05-27 04:09:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24827, 'paWqth7H3NQXfA3r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 04:45:07', '2020-05-27 04:45:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24828, 'bThMFnJmTMa5eIyP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:00:55', '2020-05-27 05:00:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24829, 'h1Cyb2oR28BZENkU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:05:12', '2020-05-27 05:05:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24830, 'W0mdywqOC7M4h7z8', 'TOP', NULL, 'Ljubljana, a city in the process of gentrification, has many examples of parking lots that are significantly derogating from standards of planed city areas, intended for parking vehicles. The idea of my intervention was to set up my own parking lot as a criticism of the described situation. Since I intended to set it up as a critical and not a functional piece, the intervention took place at a location, unavailable to vehicles. It was executed on a meter-high platform, which is actually a roof of an underground garage.\nI also performed two additional actions. Firstly, I equipped the TOP parking lot with a cash register. The register included banners of ‘wild’ parking lots in Ljubljana. Secondly, I imitated aggressive advertising campaigns, superior to competition. For this step, I removed the posters from citylight boxes, altered them to promote my own parking lot and returned them. An action is inherently absurd, because it advertises an (fake) parking lot, and not even near to it.', NULL, NULL, 'Gallery installation is adaptable on site-specific spaces. Take a look on the attached photos how it looked in White cube gallery space. I exhibited without following objects, it could be presented through prints and video installation.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/364542900 https://vimeo.com/364543045 https://vimeo.com/364543217 https://vimeo.com/364543366 https://vimeo.com/364543537', 'dnlmlvnvcwtch', NULL, NULL, NULL, NULL, NULL, NULL, 2330, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2019, 5, '2020-05-27 05:08:01', '2020-09-01 01:43:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24831, 'xvJ1mCFYtOwk0yzb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:18:34', '2020-05-27 05:18:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24832, 'juw27s1qhROcWncD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:18:35', '2020-05-27 05:18:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24833, 'hbdaVi5m8h8wKQz3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:25:14', '2020-05-27 05:25:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24834, 'O8TY04PGu0YHMRBA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:28:47', '2020-05-27 05:28:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24835, 'wdiH3JbFNxUaNU61', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:40:07', '2020-05-27 05:40:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24836, 'BKv4b6o3QE6zG179', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 05:52:10', '2020-05-27 05:52:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24837, 'ZJ3kuqi3kXJjOGKJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 06:06:02', '2020-05-27 06:06:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24838, 'TMakSOCD9m54zoAg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 06:27:57', '2020-05-27 06:27:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24839, 'exm1QNBUamBZr148', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 06:59:36', '2020-05-27 06:59:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24840, 'YKLWPEA9KC5wttkG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 07:00:41', '2020-05-27 07:00:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24841, 'L0gp38Fx5GXzAq0D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 07:09:48', '2020-05-27 07:09:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24842, 'tV9fGS9mmgMYMQyb', 'Aideas and dias la liberación', NULL, 'Es un laberinto laboratorio, que intenta  hacer una mínima representación  de las reacciones humanas con sus necesidades y decisiones ante lo imprevisible de la vida desde distintos puntos de vista ( activo , pasivo y investigador) Se estudia los diferentes roles de las personas ante los estímulos.\nIngresan 2 personas (participante , activo) en una entrada dividida. Las paredes son de un material traslúcidos  (acetato, vidrio blindado, acrílico) . El público puede ver desde afuera a los que ingresan ( espectador, pasivo)  o a través de pantallas que proyectan la vista aérea Que un dron filma ( documentador) El recorrido se divide en tres instancias Con puntos de contacto entre los participantes a través de mallas elásticas a distintas alturas del cuerpo  permitiendo “tocar” a la otra persona. Para lograr la sincronización se colocan barreras (puertas) Que se abren  solo cuando los dos llegan .Cada instancia genera ,con efectos físicos y sensoriales situaciones de angustias; incertidumbre, necesidad de contacto.  El ingreso debería ser cada 10 min aprox .y los materiales incluyen espejos , sonidos , texturas , olores , sonidos ,etc\nEsta obra se concreta con la participación del público experimentado diferentes sensaciones inconscientes que se despertaron en la restricción de la cuarentena.\nTodo esto es filmado y editado para exhibir la necesidad del ser humano en el otro cuando encuentra los límites propios y ajenos.', NULL, NULL, 'Se puede llevar a cabo en un espacio abierto como porq ejemplo parques; o con una altura que permita a un dron filmar en altura \n Las medidas pueden ser en una superficie de 14 x 15 metros . Puede variarse acuerdo al espacio. Es amoldable.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5493, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4560, NULL, '2020-05-27 07:15:21', '2020-08-02 00:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24843, 'zgwNOmIvr5NHPK8w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 07:40:06', '2020-05-27 07:40:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24844, 'DQvVPSaJhReGs2n3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 07:50:58', '2020-05-27 07:50:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24845, 'm9xSd0kh8NFNZACk', 'Si el patrimonio tuviera genero', NULL, 'Hace un tiempo visité el Museo Nacional en Costa Rica y cuando ingresé a una escenografía de la casa típica costarricense durante el periodo posterior de la colonia ´´respiré´´ a mi abuela materna, volví a esa teoría que habla de los recuerdos heredados de la abuela materna por habernos encontrado en estado genético dentro de nuestras abuelas por medio de los ovocitos inmaduros de nuestras madres antes de nacer, lo que significa que todos estuvimos dentro de dos cuerpos al menos en estado genético cuando aún no había nacido nuestra progenitora.  Sin embargo mucho de esa información se perdió durante cada ciclo reproductivo sin fecundación, sentimientos, características propias de la personalidad que nuestras abuelas transmitían de generación en generación a través de un hilo genealógico y que quizás fueron reprimidos dentro un sistema patriarcal, un clima, una alimentación o educación específica.  Esto nos permite imaginar que todos poseemos una herencia ancestral que se acaba con cada óvulo no fecundado pero con capacidad de continuar con cada mujer nacida.\n\nEn este sentido imaginar que recuerdos pudieron haber quedado en cada ciclo menstrual es el patrimonio ancestral que nuestra especie transmite por medio de la mujer.  Con cuanto material cargamos gracias a la epigenética no lo sabemos pero nos permite hacer una reflexión interior.   En forma de texto surrealistas escribo conceptos como huellas heredadas pero perdidas por los ciclos naturales de la fertilidad.', NULL, NULL, 'Espacio amplio y pared negra, buena iluminación o luz natural.\n\nTécnica\n30 toallas sanitarias con textos inspirados en emociones y sensaciones del ambiente y las atmósferas en las que por múltiples razones vivimos se escribirán bordados en estas, hilos conductores de lenguajes y mensajes que activan sentidos ocultos en nuestra carga genética.\n\nEjemplos:\n\nEl invierno fue tan intenso que mis lágrimas perdieron su sabor.\n\nNací sobre mi piel, no tenía frío pero necesitaba huir.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/14xD6GNzTT0-xZEGkJuICbhkwMcvE-dt-?usp=sharing', NULL, NULL, NULL, 3489, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2986, NULL, '2020-05-27 07:59:05', '2020-08-13 18:03:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24846, 'MOdwka1J4y7RgRic', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 08:00:29', '2020-05-27 08:00:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24847, 'WP2Opp3SAt0vYSL8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 08:29:20', '2020-05-27 08:29:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24848, 'ZvxOPPFRmgb95tGF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 08:44:33', '2020-05-27 08:44:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24849, 'aJiSLWShjSn82ANe', 'MERCANCÍA HUMANA', NULL, 'MERCANCÍA HUMANA\n\nMéxico se ha convertido en un país que recibe grandes flujos provenientes de Centro y Sudamérica en tránsito hacia Estados Unidos. Si bien los mexicanos sufrimos de ataques racistas, explotación, vulnerabilidad y xenofobia en E.U., los migrantes de la frontera sur de México son mercancía para el crimen organizado, masacres, violaciones y secuestros que ocurren durante el tránsito en nuestro país. Toda esta violencia ha sido denunciada en su gran mayoría sólo por albergues, organizaciones civiles y casas de migrantes.\n\nA partir de testimonios recolectados de migrantes víctimas de secuestro de Centro América en nuestro país, se reconstruye el testimonio de un hombre hondureño donde se pude leer claramente su testimonio, con la tipografía de cientos de ejemplos de letras analógicas, físicas, en  toda clase de soportes, aplicaciones, contextos, formas de producción y estados de conservación que pueblan la Ciudad de México y otros estados de la República.', NULL, NULL, 'Vuelvo a proponer esta pieza que cancelaron  la exposición en la pasada BIENALSUR EN EL CENTRO CULTURAL HAROLDO CONTI y adjunto la carta que me mandaron ya que ahora es parte de la pieza y se presenta junto al políptico.\n\nEs un políptico de 5 piezas, cada una mide 90x150 cm, se puede imprimir en diferentes soportes, tela, papel, etc.. y puede adaptarse a otro tamaño, pero por la legibilidad de la pieza esa medida es la pertinente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4094, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3488, NULL, '2020-05-27 09:03:59', '2020-06-14 23:05:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24850, 'K6tKUPGUWZsblhtr', 'Os estranhos', NULL, 'A arte de Erik se da numa combinação de traços \nexplosivos, dilacerantes, que tendem a \nestressar as formas e traços, \ne convivem com linhas contínuas que \ntendem a suavizar o conjunto da \ncomposição \nSeus personagens quase sempre têm a boca costurada, assim como os olhos, em algumas \ntelas, remetendo às famosas máscaras africanas que tanto encantaram Picasso. \nOs olhos acrescentam algo da vida que é diariamente retirada da população negra, seja no \nBrasil ou na Manhattan de Basquiat, principalmente no que toca às mulheres negras.\nA alma que vive, apesar das grades, da crueza da sociedade, da tensão do dia-a-dia, aponta\npara a sobrevivência da essência humana, mesmo na desumana condição. Busco por meio da arte expressar a dor, a injustiça, o dilaceramento dos sonhos m com a beleza, a sutileza e a delicadeza da vida e da alma que sofre', NULL, NULL, 'Trabalhos em gesso e tinta acrílica sobre placa de madeira reutilizada.\n\nDimensionamentos: 90cm x 90cm; 45cm x 165cm; 60cm x 150cm; 10cm x 60cm; 60cm x 25cm; 115cm x 27cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2334, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2023, NULL, '2020-05-27 09:24:28', '2020-06-23 20:03:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24851, 'WY9zhXTbC1BKEFr9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 11:19:50', '2020-05-27 11:19:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24852, 'B9B8Cg7ItFbISuQR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 11:22:57', '2020-05-27 11:22:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24853, 'tAmmwS5u4ap2g002', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 11:23:33', '2020-05-27 11:23:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24854, '7EmnmZwSL7NWnby1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 11:38:11', '2020-05-27 11:38:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24855, '3OuUg5qWbgU9g9KK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 13:53:19', '2020-05-27 13:53:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24856, 'kZUSvHP7Hq2KeRLr', 'GENTE DE LA TIERRA', NULL, 'El video trata acerca de un grupo el cual se unifica en la vida cotidiana rural formando un proyecto de viviendas ecológicas en Malargüe (Malal-Hue en mapuchezungún). Desde el punto de vista de Franco (29 años), mi novio, voy siguiendo un recorrido por zonas rurales y naturales mientras acontece el trabajo con el telar y la platería mapuche, el barro, la madera, la huerta, el cine. Luz, tierra, viento, agua, tiempo, también forman parte de los momentos íntimos. Mostrando así una iniciativa del contacto con la tierra cuyas energías desembocan en algo no esperado que se vuelve realidad.\nFranco, Sol, Fede y Pedro, son los integrantes de este grupo de personas que se encuentran para re-significar un modo de vivir alternativo y al mismo tiempo antiguo. El cual surge de la necesidad de aprender colectivamente acerca de la construcción natural y la cultura mapuche. El video se proyectará al aire libre en la urbe y en el campo, mostrar  este trabajo en los exteriores de la ciudad puede influenciar a los habitantes a pensar otras formas de vida; en nuestro territorio puede ayudar a revalorizar las costumbres ancestrales.', NULL, NULL, 'URBE: Ciudad Autónoma de Buenos Aires, Retiro y Barracas donde se encuentran las Villas 20-24 y 31. \n\nCAMPO: Mendoza, Malargüe,  paraje de Agua Escondida y paraje de Bardas Blancas.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ufTYvDPRGB8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2338, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2027, NULL, '2020-05-27 14:03:48', '2020-07-17 03:39:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24857, '2ldYoIYYUDvIDfRl', 'FURIA de Filo', NULL, 'Furia de Filo es un proyecto gráfico y textil . Surge en el escenario de los conflictos de los últimos años como alegatos poéticos contra la violencia en sus múltiples modos, desde una perspectiva de colonial y feminista. Rescato la economía de recursos, la humildad de los materiales, revalorizando técnicas caídas en desuso.\nSeleccionado para exponerlo en el Museo del Barro en Paraguay en diciembre de 2020 pero ahora suspendido para ser reprogramado en 2021. Por eso pienso que la Bienal Sur podría ser un contexto de articulación. Cuento con aval e instalaciones en Museo del Barro.\nUna parte es sobre papel. Combina fragmentos de textos e imágenes.\nLa otra parte del proyecto es textil,  retoma la tradición de la almazuela, artesanía oriunda del pueblo natal de mi abuelo, y de la cual me interesa su carácter mestizo, e íntimo, ligado a la producción de las mujeres y revisitándola desde una perspectiva contemporánea. \nEn ellas coexisten imaginerías, mitos y arte popular desde mi propia subjetividad. Coso en invierno y estampo en verano, como siguiendo el ritmo de las estaciones, para evitar el frío, aprovechar el fresco en un intento persistente de volver visible lo invisible, re componiendo, a partir de retazos y fragmentos un todo nuevo de mundos dispares.\nMi condición de argentina migrante residente en Italia vuelve compleja la visibilización de mi obra en Argentina, por eso la bienal sur una gran oportunidad.', NULL, NULL, 'Cuento con invitación de Museo del Barro de Paraguay. Dada la multiplicidad de las estampas, podrían ser mostradas simultáneamente en otro espacio. Me encantaría en Argentina mostrar una extensión de piezas similares en el Museo de los Inmigrantes, para potenciar localmente la propuesta. Cuento también con el apoyo del Museo de Arte y Memoria de La Plata. Las estampas entran en un espacio de 20m cuad. Los textiles en un espacio de 50 m cuad. Con la posibilidad de mostrar alguna en el suelo', NULL, 'artist', NULL, NULL, 'https://youtu.be/F1wVuOqIxtw', NULL, NULL, NULL, 'http://marianachiesa.blogspot.com/', NULL, NULL, NULL, 2766, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2399, NULL, '2020-05-27 14:18:52', '2020-08-14 16:49:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24858, 'mSo1YHVluL93cp3P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 14:26:08', '2020-05-27 14:26:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24859, 'xU7GYgZ0aMnbQSjG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 15:27:51', '2020-05-27 15:27:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24860, '8p34oig9ZP2V1gQ4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 15:39:20', '2020-05-27 15:39:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24861, 'OkTG7jDV9u4tUlDX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 15:48:39', '2020-05-27 15:48:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24862, 'Occ2heiFrleSlemB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 16:07:49', '2020-05-27 16:07:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24863, 'ihJP0DHPFXlXJkJF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 16:22:47', '2020-05-27 16:22:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24864, '0idfWlqq3KDbpbar', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 16:23:53', '2020-05-27 16:23:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24865, 'xHJ8KjbbFBpUSyZF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 16:29:59', '2020-05-27 16:29:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24866, '9IXkvS7tvz03f6QP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 17:00:27', '2020-05-27 17:00:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24867, 'LystuzhTnNtzYBQP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 17:21:04', '2020-05-27 17:21:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24868, 'LMY31MbI5xEHmN6a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 17:22:12', '2020-05-27 17:22:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24869, 'pVkwT1ylCvlqihof', 'Mimesis', NULL, '\"Mímesis\"   una serie de pinturas abstractas que nos invitan a percibirlas a través de lo que significa mirar.\nSon  pinturas donde cuesta encontrar las figuras porque se mezclan, se pierden, se mimitizan con el fondo.\nEsto invita a mirarlas y en cada una de ellas se pueden descubrir distintos significados, que va a depender de la emoción e inspiración  que le genere a quien  las mire.', NULL, NULL, 'Propuesta expositiva : Serie MIMESIS\n\nOBRAS                        MEDIDAS\n\nDESCUBRIRTE           1,00 X 1,20\nY VI TUS OJOS          1,00 X 1,20\nMACBETH                   0,90 x 1,20\nSOLTARTE                  1,00 X 1,00\n\nPinturas en acrílico sobre bastidor', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2337, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2026, NULL, '2020-05-27 17:39:18', '2020-06-23 20:03:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24870, 'Oauus7VETN0PdQGI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 17:49:36', '2020-05-27 17:49:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24871, 'QUVFRMhhLEpEyNtL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 17:56:30', '2020-05-27 17:56:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24872, 'g1moV5q8y91Te27V', 'Estamos Perdidos.', NULL, 'Projeto Inédito\n \nTítulo: Estamos Perdidos. \n\nA ideia surgiu durante a Pandemia  de  Covid-19, comecei a olhar  meus trabalhos de  combine e pinturas e me deparei com esse tema tão relevante para o momento.  O quanto esse vírus nos mostrou frágeis, desiguais, e com governantes perdidos e desgovernados.\nPara a \'\'convocatória BIENALSUR\'\',  apresento 10 obras  entre combine  e pinturas. Começando com os combine que nos mostram a miserabilidade, e em seguida as  pinturas nos levando ao purgatório ou ‘’Campo de Asfódelos’’. Uma massa de gente vagando sem direção. Trazendo para o contemporâneo sinto que  estamos assim, perdidos. E finalizo com a obra  utopia, que nos leva a um sonho  de um  lugar ideal.', NULL, NULL, '1 Restos 2018\nCombine Painting\n80 X 120 cm \n\n2 Invasão no D.F 2018\nCombine Painting\n80 X 120 cm\n\n3 Pelas Mãos  2020\nCombine Painting\n1,10 X 1,50 cm\n2020\n\n4 Mundo Desgovernado 2020\nCombine Painting\n50 X 60 cm\n\n5  Descaso, 2020\nCombine Painting\n50 X 60 cm\n\n6 Estamos Perdidos 2018\nÓleo sobre tela\n80 X 120 cm\n\n7 Submundo 2019\nÓleo sobre tela\n106 X 156 cm\n\n8  Purgatório 2019\nÓleo sobre tela\n100 X 100 cm\n\n9 Refugiados  2019\nÓleo sobre tela\n80 X 140 cm\n\n10 Utopia 2019\nÓleo sobre tela\n80 X 180 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://documentcloud.adobe.com/link/review?uri=urn:aaid:scds:US:8995abd7-9eb0-4bcd-85aa-b41bd0fd7da1', NULL, NULL, NULL, 2696, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2338, NULL, '2020-05-27 18:16:03', '2020-06-24 20:43:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24873, 'c2ps6ZAtF7M3nZTx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 18:28:32', '2020-05-27 18:28:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24874, 'yoqwtuyYGl4wQHGj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 18:30:08', '2020-05-27 18:30:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24875, 'wX5oLU2sevbOpsRu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 18:44:36', '2020-05-27 18:44:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24876, 'BJFmMg0LQsJtbHuh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 18:47:53', '2020-05-27 18:47:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24877, '57eCD1W46qb66fGh', 'Lilith no fue expulsada del paraíso,', NULL, '-Lilith no fue expulsada del paraíso, se fue por voluntad propia-\n\nGénesis 1:27- Y creó Dios al hombre a su imagen, a imagen de Dios lo creó; varón y hembra los creó.\n\nLiltih fue esta primera hembra, hecha antes que  Eva.\n\nEl concepto motor de esta instalación es el brote de la figura de Lilith en Sudamérica como una voluntad de forma que emerge con el latido de una fuerza inmensa. \n\nSegún el mito hebreo, Dios creó a Lilith del mismo polvo que a Adán, aunque utilizó además sedimento.  Esta lectura nos interesa pues intuimos en ese sedimento la cualidad que posibilita idear un resurgimiento vegetal desde la tierra.\n\nTomamos con referencia algunas interpretaciones que sugieren que “el primer ser humano era andrógino, macho y hembra, y que Adán (Adam) en principio no era el nombre de un único ser humano de sexo masculino, sino el nombre de la especie humana en su totalidad y no en su individualidad”  Transferimos este efecto poético a la cifra del génesis e imaginamos a Lilith como una mismidad sin diferencia genérica.  \n\nDiseñamos un contexto selvático bordado, con una figura central en relieve. Para la composición de la imagen de Lilith tomamos como referencia dos postales icónicas: el relieve de Burney y la Lilith de Gustav Klimt, ensamblándolas en una adaptación propia. El rostro y los brazos de Lilith son huecos. Esto invita a posar  desde dentro, componiendo la imagen mural con la propia.', NULL, NULL, 'Puede ser un espacio cubierto o semi cubierto. Sugerimos las siguientes dimensiones para que se pueda apreciar la obra:\nAltura mínima: 4 m.\nAncho mínimo: 6 m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3806, NULL, 479, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3247, NULL, '2020-05-27 18:48:10', '2020-07-02 02:11:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24878, 'Riq8GO9FU5TkQ9x3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 19:01:19', '2020-05-27 19:01:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24879, 'oj0rhNTx1jte2V6O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 19:28:29', '2020-05-27 19:28:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24880, 'mjWaHhuGxNyX7yi8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 19:32:56', '2020-05-27 19:32:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24881, 'FR08myzS1Vwyjgr1', 'CIUDADES Viajando des de casa', NULL, 'Rincones en las ciudades se convierten en manchas, en trazos. \nLa ciudad se esconde.\nImágenes que quieren ser pintura.\nLa ciudad está presente.\n\nLa pintura está hecha de vivencias y proporciona vivencias al espectador. \nEn mi pintura todo lo que he vivido, todo lo que soy, aparece.\nEs el caso de los lugares vividos, también viajando. El recuerdo del momento aflora en una imagen que se convierte en pintura evocando un lugar, un recuerdo, una ciudad.\n\nAhora nos ha tocado vivir una realidad muy distinta, encerrados en nuestras casas, y ante esta situación mi propuesta ha sido recuperar los lugares vividos en el pasado para revivirlos en este presente incierto. Y he querido invitar al espectador a viajar conmigo a distintas ciudades des de casa.\n\nDurante 62 días de confinamiento he realizado y publicado en las redes sociales cada día una pintura generada a partir de una imagen de una de las ciudades que he visitado.\nViajar des de casa, a través de la pintura que evoca un sinfín de sensaciones y de recuerdos.\n\nEl resultado ha sido 62 pinturas de pequeño formato realizadas a partir de una fotografía  con técnicas y soportes diversos, acuarela, acrílico, lápices, tinta sobre tela, madera, cartón, mostradas día a día en formato digital.\n\nComo final de este proyecto a través de la pintura, he recogido todas las obras en un libro, un libro de viajes que es el testigo de este tiempo de encierro en el que hemos tenido que descubrir la importancia del arte para ser libres.', NULL, NULL, 'El proyecto cuenta con 62 obras de pequeño formato, máximo 30x30cm, realizadas en soportes diversos.\nLa presentación se plantea como un recorrido vinculado a cada día en que la obra ha sido publicada en las redes sociales.\nEl formato expositivo se basa en la presentación de cada obra en un soporte de 40x40cm con fondo liso.\nCada obra se identifica con la ciudad que representa, el año en que la visité y el día en que se publicó durante el confinamiento.\nSe acompaña la muestra con el libro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2736, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2373, NULL, '2020-05-27 19:33:20', '2020-06-24 21:43:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24882, '3j85YhTN2hseUcz0', 'Jupi77er , 2020 (diptych)', NULL, 'This diptych is part of my research about fat and non-binary bodies. The photos are portraits of the rapper Jupi77er at his girlfriend’s home in São Paulo city. Centered on his naked and fat body, that operates within a fatphobic and transphobic culture that continually denies love, acceptance, care or pleasure. He named himself as a “boyceta”*- he identifies as a non-binary and question about the toxic masculinity and the binary standards.  Brazil presents alarming rates of violence against the queer community, in a rising context of conservative politics and religious forces. My ongoing documentary portrait project, of identities, fat and fluid bodies in the state of São Paulo, Brazil, celebrates the existence of these lively and engaging people and the unique creation of their own identities in the face of restrictive social norms.\n\n*boyceta is a union of two words boy + buceta (pussy)', NULL, NULL, 'Color photographic paper collage technique, external urban area - street or building wall.\n200 x 300 cm/ photo', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5440, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4513, NULL, '2020-05-27 19:46:20', '2020-07-26 02:25:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24883, '68fnpp84M89pKLWV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 19:50:55', '2020-05-27 19:50:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24884, '9aM8alo2pdLWUO3B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 19:52:40', '2020-05-27 19:52:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24885, 'XwVk4lknLGClUMEM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 19:59:29', '2020-05-27 19:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24886, '2bNdPkPIZXyBnRvL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:02:13', '2020-05-27 20:02:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24887, 'Qdd9udiu90veGuGq', 'Global Warming', NULL, 'Qué va a quemar al mundo primero ¿El calentamiento global o el perreo? \n\nEsta es nuestra hipótesis: el reggaetón ha sido la producción cultural más significativa en América Latina durante los últimos 50 años. Como singularidad ‘blanda’ del poder unificador de la lengua hispana, en el futuro, el reggaetón desencadenará un movimiento planetario de tal magnitud que modificará radicalmente el curso de la tierra. \n\n¿Cómo es vivir en un mundo post-Despacito? El calor y los recuerdos acompañan a un narrador anónimo mientras intenta responder a esta pregunta en su ruta por encontrar un lugar desde donde contemplar el despegue del Voyager 3, satélite que sacará de la órbita terrestre al reggaetón y lo lanzará hacia las estrellas. \n\nPara la convocatoria 2021 de la Bienal del Sur presento \"Global Warming\", un proyecto audiovisual que especula sobre las consecuencias de entender el reggaetón como un fenómeno ambiental, hiperbolizando su relevancia como una fuerza decolonial pese a las mediaciones del mainstream musical. A manera de monólogo reflexivo/ficción sónica, el proyecto extiende su formato original (video collage de 30:00 min.) para desdoblarse en una versión escrita y un mix musical derivado de las canciones utilizadas en la pieza de video.\n\nhttps://vimeo.com/383649725\nPassword: global-warming', NULL, NULL, 'Cuarto amplio ( 500 x 500 cm. min.), oscuro, preferiblemente entapetado, donde se pueda proyectar el video sobre una pantalla flotante o a pared. \n\nCuarto adyacente de medidas variables donde se presente  la versión textual del vídeo así como una mezcla (playlist) derivada del mismo. Se propone la adecuación de este espacio mediante el uso de \n\nSe requiere equipo de reproducción y proyección audiovisual, así como algún tipo de mueble /asiento opcional.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/manage/422874951/general', 'global-warming', 'https://soundcloud.com/sngst/global-warming-playlist-terremoto-remix', NULL, NULL, NULL, NULL, NULL, 3407, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2920, NULL, '2020-05-27 20:08:49', '2020-08-14 17:04:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24888, 'joSgnCxYa8egRo3d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:22:33', '2020-05-27 20:22:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24889, 'pwI9QTNKQUQKBzZr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:27:54', '2020-05-27 20:27:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24890, 'DacLoYZGOVKCY5uz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:33:39', '2020-05-27 20:33:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24891, '4sOtc7Q53bvtv06t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:42:10', '2020-05-27 20:42:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24892, 'XbbtTznrP8ot9uQx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:43:42', '2020-05-27 20:43:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24893, 'eNHHkmbdNfCBqlJ0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:53:36', '2020-05-27 20:53:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24894, 'Qm9g7rz013mXVYwE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:56:28', '2020-05-27 20:56:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24895, 'ecfa8FAIkny9SQrO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 20:58:40', '2020-05-27 20:58:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24896, 'VfoC85QnV43pFT8b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:05:32', '2020-05-27 21:05:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24897, '0HHkz62aGlHAvew8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:10:22', '2020-05-27 21:10:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24898, 'mYaKs6f6Kc9plqeh', 'Disonancias', NULL, 'Disonancias tratará lo político y la política a través del sonido, el silencio y el ruido. Entendemos la política como el espacio de las instituciones formales del Estado cuyo fin es la conservacion del poder y lo político como el lugar de la vida cotidiana donde se moldea la vida social. En Octubre, el paro nacional en Ecuador dejó muertos, heridos y detenciones. Frente al discurso del gobierno que lo negaba, las redes sociales fueron un canal de interpelación de la sociedad hacia el Estado pues visibilizó la represión estatal. Este clima político agudizado por la pandemia, sin embargo, es retratado en mute por el análisis. A través de Disonancias buscamos exponer el ambiente político sonoro del devenir de la lucha de los movimientos sociales en su interpelación al Estado, como parte fundamental de la poética estética de lo político. Disonancias en tanto no todos los sonidos tienen la misma dirección, tiempo, intensidad, etc. Además, el ruido tiene un lugar principal no solo por la disputa política sino también por la fragmentación y saturación  de las redes sociales. Disonancias estará conformado por un espacio oscuro de base circular. En los lados se dibujará una espiral. La historia avanza por la infinitud del tiempo en medio de la lucha política. En el centro, estarán las plumas de un pavo real, simbolizando la vocación seductora, volátil y los “ojos” de las redes sociales. Los iconos de estas, colocados en las plumas, se encenderán para iluminar imágenes en las paredes', NULL, NULL, 'Expo temporal. Espacio cilíndrico, base 2 m de r.; lado 3 m de h. En los lados, se dibujará una espiral donde estarán 4 imágenes de 120 cm x 80 cm en la dirección de los ejes del círculo. Los parlantes uno frente al otro, emitirán primero las sonoridades del gobierno, después de los movimientos sociales y al final ambas creando ruido. En el centro, estarán las plumas y en ellas los iconos de las redes sociales desde donde se iluminará mediante proyectores las imágenes colocadas en los lados.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6136, NULL, 901, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5030, NULL, '2020-05-27 21:14:29', '2020-06-23 23:04:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24899, 'vHJnrA51wuHlWg1R', 'URBICUS SHAMAN', NULL, 'URBICUS SHAMAN es un videoperformance que se desarrolla en un entorno urbano, que realiza una analogía entre el chaman tradicional de la selva y el individuo iconoclasta de género contemporáneo, en tanto que desde su propuesta visual necesitan evidenciar el rol social que es atribuido para transgredir la norma instituida y desafiarla a partir de los atavíos que lo configuran y así, deconstruir la naturaleza de lo humano llevándolo al ornamento y al despliegue de energías en “puestas en escenas” que se salen del cotidiano social, engalanándose con elementos como el fuego, la luz, la danza, el canto y la palabra, vórtice para filtrar lo real y transformar  lo que acontece a partir de una nueva norma instituyente. \n\nEste nuevo orden asume en la creación y la deconstrucción de la vida y lo humano dándole otro valor al cuerpo, comprendiendo la organicidad del mismo para alterarlo; es así que el movimiento, la quietud, la espiritualidad y lo tecnológico atraviesan lo natural y lo artificial en los distintos escenarios, paisajes que se activan en una metamorfosis que habita distintas dimensiones entre cuerpo, espacio, tiempo, espíritu, energía y materia. Siendo de este modo la urbe el lugar en el cual convergen las practicas ancestrales y de la vida moderna, evidenciando aun más la simbiosis, la transculturalidad y la migración en la que se ha visto envuelta la historia del territorio americano.', NULL, NULL, 'Esta videoperformance se puede proyectar desde cualquier dispositivo con los que cuenta La Bienal; desde la pantalla de un televisor o la proyección desde un Videobeam.  Lo importante es no distorsionar el vídeo por alguna inclinación o angulo que lo altere.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/285647002', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2344, NULL, 273, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2032, NULL, '2020-05-27 21:26:58', '2020-07-17 03:47:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24900, 'MCp5HaopcGaqJFIe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:28:57', '2020-05-27 21:28:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24901, 'mNdVyqr7qFDlNVX0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:29:12', '2020-05-27 21:29:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24902, '65yKf7gAF3l1Gtud', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:35:08', '2020-05-27 21:35:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24903, 'xty9UN2SA54A6LZJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:36:36', '2020-05-27 21:36:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24904, '6yuoqL1wU7YpWt31', 'POÇO DOS DESEJOS', NULL, 'O POÇO DOS DESEJOS\nDEIXARA TRANSPARENTE O QUANTO NOS EMPENHAMOS PARA REALIZAR NOSSOS SONHOS. QUAIS SÃO OS RITUAIS RELIGIOSOS, ESPIRITUAIS OU MÍSTICOS QUE ENVOLVEM UM PEDIDO POR UM OBJETIVO NA VIDA.\nJOGAR UMA MOEDA E FAZER UM PEDIDO DATA ANTES DO CRISTIANISMO, ONDE NÔMADES TINHAM DIFICULDADES EM ENCONTRAR ÁGUA EM SEUS PERCURSOS, E QUANDO A ENCONTRAVAM , JOGAVAM UMA MOEDA NO LOCAL EM AGRADECIMENTO A DÁDIVA .', NULL, NULL, 'OBRA SERÁ MONTADA  COMO UMA CAMA DE GATO, FEITA BASES DE FERRO DE 4X4X4 METROS, TRANÇADA COM TECIDO DE MALHA VERMELHO E COM UM POCO DOS DESEJOS EM SEU CENTRO PROJETADO EM MADEIRA MDF LEVE, COM ARRANJOS EM GRAMA FOLHAGEM ARTIFICIAL.. O OBJETIVO E QUE AS PESSOAS ULTRAPASSEM DESCALÇAS AS FAIXAS QUE SERÃO \"BARREIRAS\" PARA FAZER SEU PEDIDO NO POÇO INTERAGINDO E FAZENDO PARTE DA OBRA.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2343, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2031, NULL, '2020-05-27 21:39:22', '2020-06-23 20:18:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24905, 'QcdpVzliUTsOKbLz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:50:16', '2020-05-27 21:50:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24906, 'u6vvXPnETftyzpWL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:51:43', '2020-05-27 21:51:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24907, '2dFsagznqgnkoxwf', 'Vulcano', NULL, 'Elemento Fuerza Poder\nFuego Creador y Destructor\nEnergía desbordada\nCaos orden del cosmos\nInterior Hirviente\nFundición de la materia\nVolcán en erupción\nRojo incandescente transformado en cuerpo\nCuerpo que se chorrea en rojo\nVísceras, Órganos, Carne', NULL, NULL, 'Esta videoperformance se puede proyectar en cualquier dispositivo con el que cuente la Bienalsur para las muestras de video.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2345, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2033, NULL, '2020-05-27 21:55:22', '2020-06-23 20:18:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24908, 'MIVr2T6v19javG8w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 21:59:51', '2020-05-27 21:59:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24909, 'JA36Y3fBEdxvMBn2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:00:48', '2020-05-27 22:00:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24910, 'arUDsdbuczYg8TZV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:02:27', '2020-05-27 22:02:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24911, 'JHICHKuQiUevTT64', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:02:57', '2020-05-27 22:02:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24912, 'ZXciQi89eH8dRznL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:04:52', '2020-05-27 22:04:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24913, '0N1YnjEyjyJmodMT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:25:37', '2020-05-27 22:25:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24914, 'njSN5S6Mu2nvpz3t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:29:30', '2020-05-27 22:29:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24915, 'a8cq6krnv5ncjnP5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:31:41', '2020-05-27 22:31:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24916, 'F7det0MU4asYV3h1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:44:09', '2020-05-27 22:44:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24917, 'RJA8KA0rwAxcnGXn', 'Eccentricus', NULL, 'Por detrás desta série de obras fotográficas que recebe o de nome ECCENTRICUS, advém a união de algumas circunstâncias. Por um lado, este trabalho é resultado de um longo processo individual e profissional como artista visual que vem se consolidando ao longo dos anos e que está em constante transformação. Por outro lado, se baseia e se apoia numa série de reflexões pessoais a respeito das diferentes “naturezas”: aquela que nos rodeia, aquela intocada (ainda existente?); aquela a qual nós seres humanos domesticamos e destruímos e por fim a natureza humana, suas virtudes e defeitos, suas características gerais e singularidades. As ideias para produção destas obras, surgiram há alguns anos e durante algum tempo, fizeram parte somente de anotações e “rabiscos”, “nascendo” paulatinamente, dia após dia, por meio de inúmeros suportes e técnicas, até “encontrar-se”, finalmente, na fotografia. São fruto, em última análise, de leituras e reflexões diversas, que perpassam por questões de cunho filosófico, biológico/ambiental e estético. Estas fotografias mesclam pinturas, objetos, seres vivos animais e vegetais à objetos inanimados e figuras geométricas, fundindo-os muitas vezes em um único ser, em uma única entidade que possui identidade sui generis, muitas vezes aberrante, anômala, excêntrica.', NULL, NULL, 'Por serem somente fotografias digitais impressas (em formato bidimensional), medindo em sua maioria até 1mx1m, o espaço sugerido para a exposição seria aquele mais convencional: interior de um imóvel, sem umidade e protegido, que possa receber em suas paredes fotografias penduradas e/ou coladas (por pregos ou parafusos) sem comprometimento do imóvel (após a exposição). O imóvel deve também ser passível de ser fechado em horário não comercial para segurança das obras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3260, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2807, NULL, '2020-05-27 22:48:56', '2020-06-26 22:51:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24918, 'rxVeQb4CsNBBdydX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 22:51:47', '2020-05-27 22:51:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24919, 'SwJM7M06vjRxiv53', 'Hoja de ruta', NULL, 'Hoja de ruta\n…”ya todo está en lo abierto y en lo abierto fluye todo; sólo el hombre no se suelta, solo él a sí mismo se amarra.” 1\n1- Mujica, Hugo, \"Al alba de los pájaros\". Antología poética 1983-2016. \n\nCaminos\nEl destierro es la linea impuesta que desagrupa geografías e ideologías? Existirá una línea utópica del no plano? En la busqueda de un sentido la obra abre múltiples sentidos y la línea opera desde dentro.\n\nPara Herbert Read  “El ojo virgen no existe” \n\nEncuentros\nLa línea como hueso en la carne de la obra aparece y desaparece generando fuerzas opuestas que establecen el sonido de la melodía. El cruce, indica el instante de la temperatura rítmica de la obra y la confluencia en un mismo tempo. Conforma estructuras generando el \"acontecimiento\" que cuestiona la organización de la obra. Elemento primario la línea acciona como herida en la tela creando nuevas percepciónes.\n\n“La obra de arte es el escenario y el resultado de esa lucha, es su unidad y la escisión de los luchadores. En esa escisión- como en tantos otros contextos en el entre- la obra se establece como unidad, se mantiene, se custodia, el conflicto. 3 \n\nAmorosidad\nLa línea grita y despierta la relación amorosa entre los planos. Vincula lo material de la obra y la memoria del cuerpo, nos indica que la historia del cuadro nos espera entre verdades y juegos técnicos, que tiembla con nuestra pulsión...o puede apoyarse contra un elemento y convertirse en producción.\n\n3- Mujica, Hugo, \"La palabra inicial\".', NULL, NULL, 'Sala preferentemente museologica donde se muestren dibujos y lograr un diálogo con las líneas de mis pinturas!', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2777, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2409, NULL, '2020-05-27 22:55:12', '2020-06-24 22:19:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24920, 'P7RJCJ0OVM0Vv5Z3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 23:18:01', '2020-05-27 23:18:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24921, 'cuwPoCZjyY6bGKcb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 23:33:45', '2020-05-27 23:33:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24922, '4LlUjJgGJRHWlslL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 23:33:49', '2020-05-27 23:33:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24923, 'pIJ8zUBzUapsvdkY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-27 23:48:30', '2020-05-27 23:48:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24924, 'dZEWp5zFlQETjdc0', 'Amarte es la obra de arte', NULL, 'Esta obra conceptual es un gran espejo, símbolo por excelencia de la representación de la realidad, la verdad y algunos de los cuestionamientos más profundos del hombre. Quien se ve en el espejo tendrá ante sí un reflejo idéntico de sí mismo, de otra persona, y de un nuevo espacio. Posicionarse frente un espejo requiere un trabajo de introspección, contemplación y percepción, que conduce al reconocimiento de uno mismo, del lugar que habitamos y de quienes nos acompañan.\nAmar es un proceso de esfuerzo, dedicación, compromiso y tiempo, pero también de creatividad y satisfacción, de alegrías y juegos. Amarse es el motor de una búsqueda sin fin, así como sucede con el arte. “Amarte es la obra de arte” es la búsqueda de ese sentimiento reconfortante.\nLa obra se completa con un marco intervenido con juguetes de diferentes dimensiones y materiales, brillos, piedras, colores y micro universos. Cuanto más centramos nuestra atención en el, más elementos encontraremos al poner en práctica el uso de la observación y la imaginación, guiandonos a comprender que “amarte, es la obra de arte”, el concepto movilizante de esta obra.\nEste espejo tomará lugar en el espacio público, invitando al espectador a mirarse y mirar a su alrededor. Es una intervención artística necesaria para frenar el ritmo de la gran ciudad\n\nPantallas municipales intervenidas con juguetes de colección y glitter, de 160x250 cm. (apróx). Acrílico espejado 140x110 cm. Texto en vinilo blanco “amarte es la obra de arte”.', NULL, NULL, 'intervención de pantallas/carteles municipales en distintos puntos de la ciudad, como La Boca, Puerto Madero, Avenida 9 de Julio y Plaza Francia,  por su alcance turístico y constante circulación de gente (se intervendrá una pantalla de cada ciudad).\nMedidas aproximadas del cartel: 160x250 cm\nMedidas del espejo: 140x110 cm.\nMarco intervenido por juguetes de coleccion y glitter.\nTexto vinilico color blanco \"amarte es la obra de arte\"', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/18hgO3rjZtrRFH8Jh2FSe0xMxwjZNBBz9?usp=sharing', NULL, NULL, NULL, 5399, NULL, 758, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4485, NULL, '2020-05-28 00:03:22', '2020-07-28 17:07:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24925, 'sYKPXlXsaxXW2hil', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 00:21:03', '2020-05-28 00:21:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24926, 'RgMf1aj2Xn19y2cJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 00:31:59', '2020-05-28 00:31:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24927, 'Ggs9knCJLA1YirbZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 00:34:00', '2020-05-28 00:34:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24928, '9YCH3YYiIYNpJGaE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 01:11:05', '2020-05-28 01:11:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24929, 'PbCTlqNLHvJlKhMX', 'El Abismo Inesperado', NULL, 'El ensayo visual titulado, el abismo inesperado, busca: retratar desde distintas perspectivas, la urbe Quiteña, desde espacios ¨simbólicos¨. Es en la ciudad donde se ha querido experimentar y desafiar las nociones fotográficas del espacio, tiempo (y el color), buscando reproducir también sensaciones. \n\nEl rollo posibilito un manejo manual de la toma, por ende del proceso.  Las imágenes más que pensadas, son fruto del azar. Analogía de la ciudad y como una urbe, como cualquier otra, caotica. Por citar algunos ejemplos: los puentes a desnivel; los antiguos molinos como el Censo; las nuevas construcciones arquitectónicas; entre otras. \n\nLa experimentación, que no necesariamente buscaba un imagen ideal, daba más bien espacio para el juego en la toma, algo que se mantuvo durante el proceso de revelado (forzando la sensibilidad del rollo C 41 a la luz o los químicos). Finalmente, durante la post-producción digital se ha dado prioridad al color del negativo invertido, al igual que al positivo, tal cual resultan, sin mayores intervenciones. La serie de paisajes abstractos que se logran, guardan la autenticidad de una imagen, difícil de reproducir, dando apertura a los accidentes y la belleza de la fotografía más alla de la era digital e incluso de las imágenes planas.\n\nEn síntesis, la obra nos habla sobre la abstracción del espacio urbano a través de la experimentación del negativo que necesariamente altera la captura de la luz y su espectro.', NULL, NULL, 'Sala de exposición, paredes blancas, impresión digital de formato medio 90x60cm. \nResaltan las obras sin vidrio y, otras colgadas directamente de la pared (como la No. 8).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2347, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2035, NULL, '2020-05-28 01:14:44', '2020-06-23 20:18:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24930, '1mOZjpdvNiead40v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 01:16:49', '2020-05-28 01:16:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24931, '1d5gr9tNb0edzdvh', 'PSI (Para Su Información)', NULL, '¿Qué ocurre cuando las circunstancias no son propicias para la imaginación y entonces la vida se malogra? En la actualidad vivimos en un mercado de la personalidad donde la particularidad del individuo se anuncia a la venta desde los escaparates y vitrinas del capitalismo de espíritu, el que se dedica sobre todo a producir, comerciar, publicitar y vender las mercancías basadas en los sentimientos, emociones, deseos y fantasías de la propia población, en el que no hay instinto humano, pasión irracional o acto delirante que no encuentre su modelo y rol conformados como objeto de consumo, de tal forma que, dentro de la enajenación social, nadie sea capaz de encontrar el camino de su verdadera enajenación individual. \nEn efecto, mi mundo no es el mundo del comercio; en él tienen la palabra la imaginación y el capricho. Aquí no se fabrica margarina, neumáticos ni bicicletas. No se venden nada comestible. A lo sumo se fabrican imágenes fantásticas, y aunque no le sirvan de nada a nadie siempre seguirá siendo así.\nNo falta quien diga que el arte definitivamente no sirve para nada. Pero quizá sirva porque a la larga el arte sirve simplemente para sacudir la conciencia de las personas. Si decidiéramos pensar en unas cuantas cosas, no se repetirían unos cuantos errores.\n* Características Formales:  \"PSI (Para Su Información)\" / Arte Objeto / 40 x 9 cm / Año 2020 / México.', 'Nombre: Camilo Pérez\nNacionalidad: Mexicana\nPágina Web: http://camiloprezaguad.blogspot.com/', NULL, 'Cualquier sede o espacio formal para exposiciones en el que se pueda montar de forma individual cada uno de los objetos, sobre pedestal y con capelo, así como en cualquier plataforma virtual diseñada previamente para este propósito.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2349, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2037, NULL, '2020-05-28 01:30:22', '2020-07-17 13:41:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24932, 'vrKwwXP9zbWfAnSj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 01:34:14', '2020-05-28 01:34:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24933, 'xdbH5SjotWHUjekI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 01:40:45', '2020-05-28 01:40:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24934, 'drI4QufeHt7Yq4IE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 01:47:09', '2020-05-28 01:47:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24935, 'JAbCennIgm4DbBwj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 01:50:11', '2020-05-28 01:50:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24936, 'V51JeCADNmxwUyhF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 01:51:40', '2020-05-28 01:51:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24937, 'tATxGlFW7Iynhfnc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 02:02:45', '2020-05-28 02:02:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24938, 'LzwCLjeWpttJwxXT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 02:04:25', '2020-05-28 02:04:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24939, 'kqggpW1E27GDAS9Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 02:12:53', '2020-05-28 02:12:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24940, 'ydnVofXSw4p5r7Iw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 02:43:03', '2020-05-28 02:43:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24941, 'O8TXKC1rAmrdFkZg', 'anti-bandeirante', NULL, 'Quando nascemos, chegamos a um mundo pré-moldado pelos paradigmas de um tempo.\nNegra brasileira, de um país \"descoberto\" por uma suposta missão civilizatória. Nossos processos formativos, tem sido exercícios de como nos encaixar em uma estrutura sustentada por uma visão fixa de mundo. Hoje, bilíngue (versada na língua do sistema de dominação e na esperança), sinto a urgência de praticar o exercício próprio de quem observa o mundo a partir de um não encaixe, embora este suposto não-lugar, seja um território enorme.\nDeste território enorme de onde narro, a possibilidade de revisar essas estruturas pré-moldadas e deslocar o que nos é impresso como verdade para um campo aberto de questionamento, é fundamental. Reivindicar outras interpretações para o que é posto como verdade comprimida, é disputar um futuro que nos caiba, onde sobretudo é celebrada a diversidade das existências. Anti-bandeirante fricciona o imaginário colonial e refuta a naturalização de práticas de dominação. A partir de insalações visuais, a obra exercita outras definições para conceitos assentados socialmente. Versa sobre a dialética da emancipação enquanto questiona a ideia destrutiva de civilização, tensionando versões oficiais da história e contra-narrativas polifônicas, revelações de relações de poder e novos contornos para antigas estruturas.', NULL, NULL, 'A obra, composta por dez bandeiras (90 x 200 cm-cada; pintura s/ tecido), a partir do seu potencial de gerar contra-narrativas e percepções, deve ser vista como um site-specific. Sua localização completa a vocação para construir percepções a partir do desvio de sentidos proposto pelas bandeiras. A obra foi apresentada em 2019, no MANJAR Ontem, Hoje, Agora -Solar dos Abacaxis (RJ) e também foram realizados três ensaios visuais na cidade do Recife (PE). Pretendo produzir mais 7 bandeiras inéditas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6046, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4964, NULL, '2020-05-28 02:59:05', '2020-08-11 03:00:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24942, 'O0PeOy09SZ8nd9s5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 03:16:58', '2020-05-28 03:16:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24943, 'FdK4aRpyeC3IVkPR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 03:20:51', '2020-05-28 03:20:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24944, 'DcJ7zfcuEZCyNdTC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:01:57', '2020-05-28 04:01:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24945, 'yW2HpabjFAEe6tiU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:08:57', '2020-05-28 04:08:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24946, 'cgYzb8q7D5HXa2gE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:10:34', '2020-05-28 04:10:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24947, 'qHHlaUyO0uN96Sh6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:10:58', '2020-05-28 04:10:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24948, '5xBz7mXmeTKySPtY', 'Face It', NULL, 'Faces is the result of a process that includes the study of renaissance painters, cubism, and the techniques he developed through his career.\nThat was refined after he lived in Europe, where he studied classical art and painting in Florence, Italy and Catalonia, in Spain.\nProgressing between the artistic and laic world, breaking barriers, representing the expression of contemporaneity, and the completed disruption of the artist, bringing to the fore an explosion of colors and a spontaneous realism.', NULL, NULL, 'The Paintings have all the same measurements 1m,30cm  x  1m,70cm.\nThe technique is ACRYLIC  on cotton.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4114, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3507, NULL, '2020-05-28 04:12:37', '2020-07-03 22:42:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24949, 'qJ8rGj6oUbpn5SZw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:25:57', '2020-05-28 04:25:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24950, 'sjBGXxXz9lUZ0J8c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:44:23', '2020-05-28 04:44:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24951, 'bs9fCqpKtyHv7Awk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:44:46', '2020-05-28 04:44:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24952, 'pEiPws1NuBlfHaJ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 04:50:32', '2020-05-28 04:50:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24953, 'IOEEHVYLGVXOhUQZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 06:25:08', '2020-05-28 06:25:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24954, '26f2ZuAli4KEj0sV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 07:39:12', '2020-05-28 07:39:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24955, '6nukJVKB4h6657EN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 07:52:56', '2020-05-28 07:52:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24956, 'w6v9FyXWY7mGtnD8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 07:52:58', '2020-05-28 07:52:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24957, 'ZUdRrXHKYgUpF1Me', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 08:02:33', '2020-05-28 08:02:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24958, 'dg1rHM9YRExV1RWz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 08:08:16', '2020-05-28 08:08:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24959, '3tuwk8rhIf80FrwM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 10:20:29', '2020-05-28 10:20:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24960, '5CbJYo6eKcO1QD2G', 'OUT OF NEITHER', NULL, 'El proyecto OUT OF NEITHER consiste en una investigación sobre los patrones compositivos que se pueden realizar con la cinta señalizadora adhesiva de diagonales amarillas y negras. Estos patrones son posteriormente utilizados en diferentes intervenciones artísticas realizadas en espacios y arquitecturas cuyo objetivo final es la transformación del espacio mediante efectos ópticos de distorsión y cinetismo.\nLas franjas diagonales amarillas y negras son los elementos básicos de la obra: generan la forma, el color y la textura y son tomados como píxeles que se combinan mediante un sistema binario sencillo que se torna complejo desde el momento en que se aplican direccionamientos vectoriales y distintas fórmulas matemáticas para crear efectos de torsión y movimiento. Este efecto pixelado, ejemplo de precisión y rigor, origina formas cercanas al Op-art que obligan al espectador a releer el espacio continuamente y cuestionarse la realidad física de su entorno y su relación con ella.\nLa propuesta de intervención para la BIENALSUR consiste en realizar un mural en el que se desarrolle toda la secuencia de patrones que se ha realizado hasta la fecha. Se realizará una modificación absoluta de la pared, generando efectos de distorsión y cinetismo que inviten al público a moverse a lo largo del muro para apreciar cada uno de los patrones, de forma que, en ese trayecto, se puedan contemplar los efectos de movimiento creados específicamente para esta ocasión.', NULL, NULL, 'El proyecto Out of Neither se adapta a cualquier espacio que la organización considere oportuno. Es susceptible de ubicarse en paredes, suelos, techos, columnas... El trabajo se desmonta con suma facilidad y no deja residuo sobre la superficie seleccionada.\nSe trata además de un trabajo sostenible ya que el artista puede reciclar posteriormente el material residual.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=bH4iIBdSAGs', '-', '-', '-', 'https://www.contornourbano.com/es/victorsolanas-121-3/', '-', NULL, NULL, 4782, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4031, NULL, '2020-05-28 13:06:59', '2020-07-18 01:32:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24961, 'k3JzNCuba3j1zcBX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 13:12:18', '2020-05-28 13:12:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24962, 'nhVAOkjRLcD9tjnL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 14:26:34', '2020-05-28 14:26:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24963, 'Lj1dOvRlpk5ygVGH', '\"L\'amore in sordina\"  para cine mudo y solo clarinete', NULL, 'A modo de Explicación.\nL’amore in sordina es la historia de un músico en busca de su público, y la de un público en busca de su intérprete, por lo tanto es la historia de dos soledades que buscan encontrarse: la del músico, el intérprete, que aspira a un auditorio aun a sabiendas de la dificultad de su propuesta, y la del oyente que hace de su defecto, virtud, de su barrera, entrada y de su carencia, posibilidad. Y es también una historia de amor, como son todas las historias de encuentros, un amor atenuado, un amor que surge, como la sordina, de la obstrucción física, de la casi imposibilidad.\nTodo esto desde una propuesta pretendidamente kitsch en la que el fracaso deriva en éxito y la apariencia en realidad, con el soporte de la imagen en blanco y negro, la combinación de un lenguaje visual que alterna lo expresionista con lo sutil, el humor con el drama, la literalidad con la insinuación, lo contemporáneo con lo antiguo, el sonido con el silencio.', NULL, NULL, 'Esta esuna historia de un músico en busca de su público, y la de un público en busca de su intérprete. Y es también una historia de amor.\nDesde una propuesta pretendidamente kitsch en la que el fracaso deriva en éxito y la apariencia en realidad, con el soporte de la imagen en blanco y negro, la combinación de un lenguaje visual que alterna lo expresionista con lo sutil, el humor con el drama, la literalidad con la insinuación, lo contemporáneo con lo antiguo, el sonido con el silencio.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=XwvIgZwrYEM', NULL, 'https://viajeroinmovilexprimental.bandcamp.com/music', NULL, 'https://vimeo.com/120608372', NULL, NULL, NULL, 2361, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2049, NULL, '2020-05-28 15:04:39', '2020-07-17 14:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24964, 'ra5Iq9POpmXbfQAY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:06:51', '2020-05-28 15:06:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24965, 'ixY401hFu9YEMdz4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:08:24', '2020-05-28 15:08:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24966, 'mquPwhSd5nAzylp5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:11:16', '2020-05-28 15:11:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24967, '4vHDUnuJA4J2C2R8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:25:13', '2020-05-28 15:25:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24968, 'OAKZC9jV0bWC2Ztc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:25:41', '2020-05-28 15:25:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24969, 'cUkcTnWRXVs0GRUQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:27:09', '2020-05-28 15:27:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24970, 'NJh3ZDhPGp7ze47i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:27:20', '2020-05-28 15:27:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24971, '5eJAAvRU52KpGUdM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 15:39:52', '2020-05-28 15:39:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24972, 'EnxeqKC1SsnxVWKm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 16:36:36', '2020-05-28 16:36:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24973, 'mcknREv1S48O9dIX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 16:41:20', '2020-05-28 16:41:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24974, '1slNe3V2VjlOPsu3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 17:08:11', '2020-05-28 17:08:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24975, '3yV3nEHbCUSmz8XU', 'Bildgeschehen', NULL, 'Este projecto se ocupa con imágenes secuenciales y cambios sutiles de la forma. Con base en bocetos, formulo acuarelas en papel en pequeño formato, que digitalizo y combino en secuencias en movimiento.\n\nSecuencias\n\nLa primera secuencia, “Límites de la visibilidad” (Grenzen der Sichbarkeit, 01:29 minutos), cobra forma recién en el año 2004. El paisaje desaparece en la niebla: sus formas abiertas, con pocos contrastes y matices sutiles, y el viejo conflicto del motivo en movimiento. El dibujo no está terminado y ya todo ha cambiado.\nEstas imágenes trabajan con contornos desenfocados. Presentan una composición que está tomando forma o formas que pierden sus contornos.\n\nLo curioso de una imagen – Cuadernos de esbozos\n\nEl trabajo pasa por diferentes etapas. Comienza con bocetos que se realizan directamente en el paisaje. Allí hago anotaciones sobre las relaciones de color, lo curioso de un contraste...\nLas imágenes nunca son descripciones. La similitud no me interesa. Me interesa la lectura de los elementos y sus relaciones formales. \n\nSeries: acuarelas \n\nA partir de estos esbozos se desenvuelven series de pinturas y dibujos. Cada una de estas series compone una secuencia. El trabajo se basa en el principio de variación del paisaje y se concentra en el intento de captar sus cambios sutiles.', NULL, NULL, 'Proyección con Beamer sobre una superficie blanca (tamano variable - max. 3 x 4 m).', NULL, 'artist', NULL, NULL, 'https://vimeo.com/gabrielastellino', '----', NULL, NULL, NULL, NULL, NULL, NULL, 2353, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2042, NULL, '2020-05-28 17:09:30', '2020-06-23 20:17:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24976, 'xs0yncRroodD078p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 17:28:40', '2020-05-28 17:28:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24977, 'Xn687NxQg4k2tWDV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 17:34:41', '2020-05-28 17:34:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24978, 'EksUBVjhXFBbVqej', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 17:42:17', '2020-05-28 17:42:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(24979, 'eMesq1G4hy0ThEdk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 17:43:07', '2020-05-28 17:43:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24980, 'WJu3WxH26IpwUft4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 17:44:51', '2020-05-28 17:44:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24981, 'VqbOM0fPa3mr7yvV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 17:48:40', '2020-05-28 17:48:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24982, 'dy1KLTfGzqCHPQVR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 18:17:25', '2020-05-28 18:17:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24983, 's2wqX9FmynjunAIi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 18:34:56', '2020-05-28 18:34:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24984, 'vWfu1zAlCGoqquuA', 'Legado', NULL, 'Este proyecto está concebido con la intención de hacer visible el rol asignado a las mujeres en las sociedades latinoamericanas desde la época de la conquista hasta la actualidad. Dado que la producción de formas cultuales \"apropiadas\" asignadas a las mujeres en cada contexto histórico y social, están atravesadas por intereses económicos, políticos y religiosos; consideramos tomar como punto de partida, la llegada de los europeos al continente; hecho que produjo una ruptura en el tejido social de los pueblos originarios, alterando las formas simbólicas ancestrales bajo la hegemonía normativa del cristianismo.  \nPara materializar este concepto, proponemos realizar una instalación basada en diversos módulos textiles antropomorfos e intervenidos con técnicas serigráficas. Las figuras serán presentadas en un espacio donde los propios cuerpos entrelazados construyan una arquitectura humana y temporal del ser femenino. La obra en general es trabajada Íntegramente en material textil con varios procesos en distintas etapas y técnicas. Se comienza con la intervención colorimétrica de todas las pieza textil con tintes de tono rojo en procedimientos de teñido al batik. Terminada esta etapa, se procede a la aplicación de técnica serigráficas, primeramente con modo sustractivo de estampa por discharge, a modo de trama previa, y luego será sobre estampada con adición de tintas, también en técnicas serigrafía y de sellos para determinar imágenes representativas a cada personaje.', NULL, NULL, 'Cada módulo o figura terminada, será decorada con accesorios distintivos de cada personaje. Finalmente se procederá al montaje final, donde cada módulo figurativos tendrán una dimensión de aproximadamente 80 cm, que al ir superpuestas las figuras, llegarán a una altura total probable de 2.20 m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4592, NULL, 620, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3858, NULL, '2020-05-28 18:52:25', '2020-07-15 23:08:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24985, '9CizzpJebVUxo6hy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 19:07:54', '2020-05-28 19:07:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24986, 'W4Ev8JvKT42HiTWk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 19:14:08', '2020-05-28 19:14:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24987, '6EuJQtz8sfAtiSqR', 'Time and Memory', NULL, 'Time and Memory \nFull dome installation 2’30” \n\nThis is my personal thought about time and memory.\nWe can experience the gap between the real landscape and the memory. In my perspective, it is very interesting because I do not know the process of changing memories.\nThe story begins with my distorted memory of the forests. And then the scene changes to present scenery. It was Iceland where I traveled in March. I remember the open field and sea there. And I know this nice scenery will be changed in my head. It is interesting how it will be distorted in the future.', NULL, NULL, 'Since this can be projected any white wall or full-dome, space is flexible. \nYou can find how this was installed in the exhibition on my website link: https://www.alicedaeunkim.com/timeandmemory\n\nI actually do not mind, but if applicable, I\'d like to project this on the big white full-dome screen (Maybe about 5M*5M)\nI have had no budget for the installation in the previous exhibition so as you can see, the screen is small.', NULL, 'artist', NULL, NULL, 'https://www.alicedaeunkim.com/timeandmemory', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2355, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2044, NULL, '2020-05-28 19:25:02', '2020-08-12 18:17:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24988, 'rLEJJLbVyrc6TVgd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 19:25:54', '2020-05-28 19:25:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24989, 'vYMNglGs7vuQl4lu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 19:28:14', '2020-05-28 19:28:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24990, 'woe0T8yM4hDwwpXp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 19:34:49', '2020-05-28 19:34:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24991, '1dt6j1GvOxGO9CHX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 19:46:44', '2020-05-28 19:46:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24992, 'XBvHWm7R6n7GLvou', 'We are all interconnected, 2020', NULL, 'Entendendo a existência humana profundamente arraigadas em sua construção histórica, a série Interconexões dá sequência a uma reflexão sobre a complexidade das relações interpessoais, propondo pensar como cada ação na sociedade promove, por consequência, uma reação em cadeia. Em trabalhos anteriores, venho há algum tempo refletindo sobre a constituição celular dos casulos. Por meio de estudos plásticos, me abro ao exercício de tecer e construir objetos cuja a delicadeza do fio de cobre ou a aspereza da corda, convida o olhar ao seu interior, o que carregam e gestam dentro de si. Rígidos porém porosos ao seu entorno, incorporam os elementos dos espaços que os acolhem. Já na presente proposta, a trama de blocos em metal não possui uma disposição final pré-definida. Sua forma de estar no mundo depende diretamente de quem e de como se manipula. Cada movimento, cada ajuste, transforma o restante dos elementos, uma vez que são ligados em uma relação sem início nem fim. Há nesse processo tanto o impulso da curiosidade quando da incerteza e da angústia. Em clara relação com o momento em que nos encontramos, em que estamos postos à prova de adaptações, percebemos que decisões tomadas individualmente e/ou isoladas têm um impacto direto no tecido social. Há um equilíbrio entre as ações no processo de cortes, dobras e costuras, que são antagônicas e complementares pela dosagem do uso da força, das ferramentas e do material, moldando as formas cúbicas, criações tipicamente humanas.', NULL, NULL, 'A ideia é permitir que na montagem o trabalho encontre seu próprio equilíbrio estético. Basta segurar, com cada mão, uma porção de ligamentos (ver video), e apoiá-los cuidadosamente sobre o suporte. A sala pode ter iluminação natural ou pontual sobre o objeto.\n\nA escultura deverá ser montada sobre um suporte/mesa/pedestal liso, com dimensões mín. 70 x 100 x 50 cm (AxLxP). O vídeo (monitor ou projeção), deve respeitar um tamanho de tela proporcial ao tamanho do suporte da escultura.', NULL, 'artist', NULL, NULL, 'https://www.cristhinabastos.com/interconexoes', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2359, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2047, NULL, '2020-05-28 19:57:30', '2020-07-17 14:26:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24993, 'Utsgb917CXLQ3OxZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:00:59', '2020-05-28 20:00:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24994, 'buExFEaAML3YbIUf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:06:44', '2020-05-28 20:06:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24995, 'JHEEw4oxLXAaHeje', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:11:56', '2020-05-28 20:11:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24996, 'UN4fsf8NtCFhKPKP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:12:22', '2020-05-28 20:12:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24997, 'eI6zuQbLtMDvyeoL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:16:41', '2020-05-28 20:16:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24998, 'ok78yJfvdlcctVek', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:22:48', '2020-05-28 20:22:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(24999, 'DeciBTkgnVeYbiQZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:40:19', '2020-05-28 20:40:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25000, 'guc0CbBfWcD7lpg0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:54:08', '2020-05-28 20:54:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25001, '9cH7QKfFpEbSDV7U', 'La niñez', NULL, 'la niñez Representa en si lo puro que es un niño y los difíciles y enredados problemas que enfrentan en la vida a veces son bellos momentos y a veces espinosos.', NULL, NULL, 'pintura está hecha en un bastidor 50 x 60 pintada con acrílicos', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/p/BuGiO-1gHiS/?igshid=k8tstfcmx5pt', NULL, NULL, NULL, 2356, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2045, NULL, '2020-05-28 20:57:31', '2020-06-23 20:17:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25002, 'FzHJsKFNEeE1397G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 20:57:38', '2020-05-28 20:57:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25003, 'jUeiCZIYCgSMafWA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:03:41', '2020-05-28 21:03:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25004, 'DuU3YHPrCQjrtTfv', 'Caminho do Louco', NULL, 'A proposta busca um lugar/momento de reflexão sobre os elementos arquetípicos do Tarô para estruturas narrativas usadas para elaborar ficções sobre o real. \nA artista criou 22 obras inspiradas nas cartas dos Arcanos Maiores do Tarô, contando uma história que se inicia com a carta de número 0, o Louco, constituindo a mostra “Caminho do Louco”. A mostra se estrutura em inúmeras camadas de experiência para o público que pode ter uma vivência corpórea junto às obras e seus elementos pictóricos. \nA expográfica propicia se deslocar na trama da montagem elíptica da exposição, acompanhando a trajetória do personagem na condução do seu destino. A jornada se inicia com o nascimento do Louco que deve percorrer todas as cartas até a carta 21 e se transformar na carta de número 22/0, reiniciando o ciclo em uma estrutura narrativa infinita e circular.\nOs desenhos em cores e técnicas mistas, tamanho A5, emoldurados em sanduíche de vidro (tamanho A4) irão compor uma estrutura elíptica no centro da Galeria Homero Massena, suspensos em fios de aço. \nO catálogo será impresso em “luva” com uma tiragem de 100 exemplares, com a reprodução impressa de um baralho com os 22 desenhos. A escolha por este formato se deve à inspiração nas cartas do Tarô. \nOs baralhos terão uma proposta performativa de interação com o público na criação de narrativas inspiradas nos arquétipos das cartas que podem ser usadas para a construção de auto narrativas e também como cartas para serem lidas de diversas maneiras.', NULL, NULL, 'A Galeria Homero Massena é o espaço da SECULT-ES,  voltado a produção contemporânea de artes visuais. As atividades desenvolvidas propiciam a interação em um espaço com acessibilidade no Centro de Vitória, ES, Brasil.\nO espaço conta com uma sala retangular na qual os desenhos serão suspensos no teto em fios de aço, respeitando a estrutura do Caminho do Louco com um espaço oval interno, onde o público pode vivenciar a experiência corpórea do contato com as obras suspensa em molduras de vidro.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=1-e05l5Oj_KJvLvR-pdn7jvW4ToczDXMt', NULL, NULL, NULL, 'https://www.behance.net/gallery/86249521/O-CAMINHO-DO-LOUCO', NULL, NULL, NULL, 2362, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2050, NULL, '2020-05-28 21:03:54', '2020-07-17 14:37:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25005, 'ZeHABmldnbjWK7Fh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:07:51', '2020-05-28 21:07:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25006, 'hxcQHXh31opHzEDh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:10:43', '2020-05-28 21:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25007, 'm38m4RYbQgIOt8VR', 'Microporno', NULL, 'El arte escénico se rige por una ley de convivio en donde es imprescindible como mínimo alguien que ejecute una acción y alguien que la observe en el aquí y ahora. \n\"En Flex\" mi último proyecto personal antes de la cuarentena se basaba en reivindicar el cuerpo espectacular, la improvisación y las danzas urbanas en vivo. La propuesta era abarcar corporal y musicalmente las producciones, lugares y fechas varias a las cuales era convocada. Cabe destacar que en este contexto de pandemia estoy re direccionando el accionar de mi trabajo utilizando nuevas herramientas.\n“Microporno”, en cambio, es una visión posporno, sutil y audiovisual del cuerpo de una actriz acostumbrada a la escena convivencial que debe entregarse a un formato de aislamiento social. En este contexto de encierro es muy difícil no caer en el adoctrinamiento corporal, por eso como artista independiente interpelo con un pequeño desnudo las corporalidades sociales virtuales en tiempo de COVID-19.\nMe gustaría desarrollar a fondo esta idea que me permite trabajar desde mi casa y encontrar una identidad en el deseo virtual donde se ponga en juego lo erótico sin caer en el ya conocido \"porno machista\" donde la mujer tiene el lugar de la sumisión.\nAtravesar poéticamente estas temáticas me parece fundamental para combatir con arte el cuerpo hegemónico que nos quiere vender el mercado y la cultura de la violación que instituye el patriarcado.', NULL, NULL, 'El espacio sugerido de exposición es virtual en el caso de aislamiento social por la pandemia (redes sociales y páginas web) o de proyección en eventos o espacios allegados al cuerpo performático.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2360, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2048, NULL, '2020-05-28 21:17:05', '2020-06-23 20:22:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25008, 'Gg4eOmivMDN3eI2m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:21:02', '2020-05-28 21:21:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25009, 'jbiZwfMooCV35as7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:21:47', '2020-05-28 21:21:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25010, 'GYvBQom12CRWkbgz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:26:11', '2020-05-28 21:26:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25011, 'GU8F4LTnvO6V9tLm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:40:27', '2020-05-28 21:40:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25012, 'sUXSTUzIS6LA1vyH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:44:14', '2020-05-28 21:44:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25013, '03hYF9wA4niOBrYa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 21:59:05', '2020-05-28 21:59:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25014, 'ybysExN6g8OAZb9k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:18:40', '2020-05-28 22:18:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25015, 'mtFOheJDa2ZnosTE', '\"Broken Space\"', NULL, 'Propongo participar en Bienalsur 2021 con una instalación basada en una serie de trabajos que realizo desde el año 2015 a los que denomino \"objets de lumière\".\nSe trata de esculturas planas, volúmenes realizados con dos elementos: una proyección de luz blanca fría y una suerte de terciopelo negro adhesivo mate, aplicado directamente en la pared, techo o piso \nEl negro se lee como vacío y pleno a la vez, mientras que el blanco incandescente genera una sensación de irrealidad. Las esculturas parecen flotar y/o abrir agujeros en las superficies.\nDialogando con la arquitectura del espacio, estos objetos forman una puesta en escena entrópica en la que el tiempo y la ley de la gravedad parecen estar abolidos.\n\nCada componente de la instalación encuentra su lugar en relación a los otros y a la vez transforma y revela la arquitectura que los acoge. \nIntento calibrar un espacio paradojal, que exude simultáneamente  inquietud y serenidad y que sin embargo sea propicio a la introspección.\nEl contraste extremo de cada uno de los componentes de la instalación   provoca dudas y cuestionan las certezas del espectador. La percepción se desorganiza: ¿qué estoy viendo? ¿Cómo están hechas ? ¿Son bi o tridimensionales? ¿Cómo se sostienen? ¿Se están haciendo o deshaciendo? \nIn fine, estos cuestionamientos son metáforas que interrogan al espectador acerca de su propio ser y estar « aquí y ahora » en el mundo.\n\nNota: Este proyecto « in-situ » requiere de mi presencia para ser realizado.', NULL, NULL, 'Mi proyecto es voluble y puede radicarse en cualquier sede o espacio formal o informal de exposiciôn. Predileccion por lugares de 12 a 15m². Esto es una indicación ya que puede adaptarse a espacios más  grandes. Paredes blancas y lisas imperativas. Puede recibir luz natural o no. Columnas, ventana, puertas, bienvenidas.\nDe preferencia, espacio cerrado, no compartido con otras instalaciones.\nEl exterior, los interiores con techo de vidrio y los paneles no son viables para este proyecto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3591, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3071, NULL, '2020-05-28 22:22:48', '2020-07-01 20:13:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25016, 'KxZi67Kd3OHBl4XX', 'Desaparición en Tres Actos - Acto 1 Luto', NULL, '\'Acto 1 - Luto\' es una etnografía de la violencia en contra la mujer en las zonas rurales de México. Esta instalacion es la evidencia visual de varias fosas comunes localizadas en zonas rurales de México, funcionando no solo como documentación de estos trágicos eventos, sino también como un registro histórico de la violencia patrocinada por el estado. Los paisajes de exterminio tienen la capacidad de ocultar realidades de desigualdad y violencia, normalizando una realidad políticamente compleja. Lo que es visible es a menudo solo una pequeña parte de la conformación de estos paisajes. Estoy interesado en reflexionar acerca de estos procesos violentos en el paisaje y del cómo las atrocidades del pasado continúan atormentando el presente. \n\n\'Acto 1 - Luto\' apropia imágenes y motivos esteticos del paisajismo romántico Europeo del siglo XVIII, con su representación del poder incontrolable de la naturaleza y los extremos cataclísmicos. Las imágenes poeticas y aterradoras de la naturaleza en \'Acto 1 - Luto\', influenciadas por el paisajismo Europeo del siglo XVIII, establecen un paralelo y al mismo tiempo amplifican las huellas del terror de la desaparición forzada de mujeres en las zonas rurales de México. \'Acto 1 - Luto\' investiga las capas históricas de violencia en el paisaje rural, recuperando historias de violencia cotidiana y de inestabilidad política a medida que el violento terreno de la ocupación entra en el encuadre.', NULL, NULL, 'Esta video instalacion puede ser mostrada ya sea en monitor o en proyeccion. Mi preferencia seria en proyeccion, pero obvio, depende de muchos factores.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429281365', 'video', NULL, NULL, NULL, NULL, NULL, NULL, 4951, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4164, 5, '2020-05-28 22:27:20', '2020-09-03 00:16:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25017, 'NBzY51ks00zqfXvh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:28:28', '2020-05-28 22:28:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25018, 'qdyXmQ3GuxbFQDmZ', 'Cualquier pasado fue rosa.', NULL, 'Desde la habitual intimidad de mi cuarto, más la llegada de la pandemia y consigo las cuarentenas,decidí hacer una instalación en mi habitación justo en este momento en donde el tiempo se ha desquiciado, encuentro la manera de rescatar ese silencio que siempre le he querido reclamar a la misma producción artística que crece infinitamente, creando imágenes, a la final datos, en este mar de ellos. Por esto he conciliado con mis redes cercanas, llegando a acuerdos en la búsqueda de una especie de meditación silenciosa, busco generar espacios de silencio, de soledad y que mejor que dentro de sus propias casas, por esto quiero de alguna manera poder replicar, ya sea presencial o no. En sus habitaciones, cocinas, salas, baños, ya sea en pequeñas estanterías o esquinas, donde se me permita y sea posible. Podría incitar a aquellos que en lugares lejanos hagan estas replicas a manera de avatar a mi servicio o porque no al servicio de ellos mismo. Pinto todo del mismo color a manera de lienzo, podría verse un lienzo tridimensional a la espera de ser intervenido con la acción del habitante, ese lienzo que se prepara para ser intervenido, que después de preparado se mantiene mudo, una especie de aplazamiento para demorarme en el silencio, aunque no busco una superficie homogénea, ni mucho menos un silencio pulido, liberarse hoy es poder callar, es crear los espacios propicios para decir solo lo que valga la pena lo importante.', NULL, NULL, 'El espacio expositivo sugerido, es un muro de tres metros de ancho por dos y medio de alto, parte del techo y del piso de mi habitación, igual es un punto de partida, como origen instalativo para así ser replicado a medida de que mis permisos se extiendan, y pues sería hermoso poder contar con gente de la Bienal igual serán gestos muy sencillos a realizar. Ahora bien hasta mi propio desplazamiento a el epicentro de la Bienal para así poder tener mayor control y extensión. Abierto a propuestas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6238, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5110, NULL, '2020-05-28 22:33:19', '2020-06-23 01:43:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25019, 'tNr2GL3QdIuCx7aj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:36:10', '2020-05-28 22:36:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25020, '5yhGiAaJu5ZP3RLq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:36:16', '2020-05-28 22:36:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25021, 'tJuLHVc50t3ngGfM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:37:57', '2020-05-28 22:37:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25022, 'XyHKv3VYGuKhQtJU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:39:34', '2020-05-28 22:39:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25023, 'jI7OEakCT6yCMAV5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:47:40', '2020-05-28 22:47:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25024, 'uGcFOrTF0gXV50UC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 22:58:00', '2020-05-28 22:58:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25025, '3FaukxCWViBptd2g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 23:05:52', '2020-05-28 23:05:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25026, 'B94fKvhPmcGaYVPi', 'Qué sientes?', NULL, 'La pantalla \"Suicidio\" y la performance \"Callejón sin Salida\" (esta en colaboración con Zé Walter Albinati) dialogan directamente con el sentir. En este momento de pandemia cargada por emociones que se afloran y se mezclan, muchas veces algo difícil de ser articulado, pero no de ser sentido. \nHemos visto nuestros proyectos personales, nuestras relaciones afectivas, nuestros hábitos cambiar de la noche a la mañana. Sentimonos tristes, impotentes, ansiosos, irritados, cansados, desesperanzados. Buscamos medios para adiestrar a ese monstruo que crece y nos consume de forma a enfermar nuestro deseo de vivir. Encontramonos ahora con los sentimientos que nosotros ocultamos durante nuestra rutina pre-pandémica. Con todos los sentidos a flor de piel y esa mezcla de sentimientos, estas dos obras mías, abstracciones pandémicas, respiran en un aire de esperanza, añoranza, miedo, pensamientos suicidas y tantos otros momentos de luz y oscuridad percibidos como parte de un mismo sentimiento compartido por muchos. \nLa pantalla \"Suicidio\" fue trabajada a partir de mis sentimientos no verbalizados y la voluntad de cerrar esa angustia derivada de la cuarentena y del momento político brasileño a través del autoexterminio. Mientras que \"Callejón sin salida\" propone transformar los pasajes de los sentimientos en una concreción, en una experiencia por la performance artística, para que el arte siga siendo una posibilidad de vida.', NULL, NULL, '- Pintura acrílica\n\nPintura acrílica, pigmento, vino, lágrimas\n82 x 122 cm\n\nEl montaje de la pintura debe ser colocado en el suelo para comprender una cosa muerta, o con subvida\n\n- Performance (en colaboración con Zé Walter Albinati)\n\nPantallas de mi serie \"Abstracciones pandémicas\", traje negro, máscara, tela para limpiar pinceles\n\nEl montaje de la performance se realizará en la esquina de la pared, con el mismo efecto que el vídeo', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429472469', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6324, NULL, 935, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5174, NULL, '2020-05-28 23:10:55', '2020-06-23 01:41:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25027, 'uUdU5AsSAqkweRpE', 'Portable Cholets La Mesa', NULL, 'Portable Cholets: La mesa wants to experiment with anthropomorphic languages, ritualistic\nusages, and composite video-editing - to re-enact part of the festive equipment that inspires and populates Freddy Mamani’s architectures. Cholets are a privileged testing ground for these qualities: how can folkloric masks and costumes trigger an effective architectural cycle where inhabitation and aesthetic languages become mutually exclusive?\nWhat is unique at a time where superficial otherness seems to have become the standard, where vernacular spontaneity has been replaced by overconstructed only polished photoshop images? El Alto gives us the opportunity to conceive architecture as a performative act - enabling the mutual immanence between bodies and spaces, objects, and ceremonies. For us, performing fulfills necessities that have little to do with practical efficiency or quantitative variables. Rather, it is an evocative tool to activate symbolic links, to claim back identitarian needs, and to depict qualitative hedonistic traits into physical spatial compounds. \n\nThe video performance is constructed as a multi-layered happening that brings popular myths into dialogue with the urban fabric, understanding how architecture affects Bolivia\'s delicate political context. This short film is the result of 3 years of research. From the screenplay to props, to the narrative of the fiction, everything is the product of students, professionals, and collaborators in these years.', NULL, NULL, 'A performative and inhabitable telescope, with a square base 3x3 it stands so that it can become a pedestal with at its end a circular window from where the performance will be projected. People could collectively stand on any side of this object, as if it were a lighthouse, attracting people to come closer to enjoy the details. The pavilion is a window that offers another point of view to the reality of El Alto: an iconographical and symbolic contemporary ritual is there to happen.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=TUoRJHGqPR0&t=1s', NULL, NULL, NULL, 'https://drive.google.com/open?id=1MFXHVhiFII4CMGKnIZ83PUBw2tYkgBpn', NULL, NULL, NULL, 2367, NULL, 275, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2055, 5, '2020-05-28 23:11:06', '2020-09-03 02:00:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25028, 'w2fI4LI6mNf1FlhP', 'El sol da sin recibir', NULL, 'Como un collage conceptual, la obra encuentra su camino a través de diversos formatos como la instalación, la pintura y la escultura. Es una obra en proceso que surge de una investigación relacionada a los espacios que fueron económicamente productivos y que actualmente están atrapados o desactivados.\n\nAsí fue como encontré un caso muy particular de un antiguo grupo de molinos harineros a 1500 km de Buenos Aires. Para intentar dilucidar que sucedía con ellos, viajé hasta allí y entrevisté a sociólogos, molineros y punteros políticos vinculados con la restauración y el proceso de la molienda.\n\nYa de vuelta en Buenos Aires comencé una serie de collages a partir de unas 4 o 5 fotografías de los engranajes de estos molinos que fueron creciendo en tamaño y diversidad de formas. Se superponen, se quiebran, y de algunos, al fin y al cabo, sólo aparecen sus restos. Pero cómo dar cuenta de este movimiento?\n\nCada parte es componente de un todo que sus partes lo hacen; partes que mutan y muta el todo. Como si le fuera difícil quedarse quieta pasó del collage a la escultura, de la escultura a la pintura y cada uno de estos saltos dan lugar a una nueva obra que, como los engranajes de un molino, recuperan una lógica funcional que los mantiene en movimiento.\n\nEn esta iteración, la pintura se despliega sobre unos silos abandonados que se encuentran junto al Riachuelo en el municipio de Avellaneda, visibilizando un sistema milenario que resuena día a día.', NULL, NULL, 'El proyecto consiste en la realización de una pintura mural sobre los silos u otro sitio similar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5685, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4691, NULL, '2020-05-28 23:19:34', '2020-06-26 18:06:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25029, 'RJJSaBpDCloJ6GEa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 23:23:29', '2020-05-28 23:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25030, 'e78nFznXLy7JoDbp', 'Modos de Holganza', NULL, 'A partir de mi experiencia como empleada de un museo, presté atención a la forma en que habitamos los espacios laborales y cómo estamos supeditadas a determinados códigos que regulan, desde nuestra postura, hasta el modo en que nos desplazamos.  Producto del carácter rutinario del quehacer, y a manera de resistencia a los distintos tipos de regulación no- natural que existen, surgen naturalmente pequeños movimientos corporales.  Estos se repiten, cual silencioso ritual.  Modos de Holganza reexamina fricciones y conceptos latentes en lo cotidiano, partiendo de intervenciones realizadas en el área y horario laborales.  Me parece acertado explorar esta construcción desde el ojo de la cámara de vigilancia.  En este contexto, la idea de la cámara en este proyecto es tomada como metáfora de un poder que quita al individuo la posibilidad de agencia de diferentes formas.  Es mi intención instrumentalizar su mirada absoluta, convirtiéndola en soporte.  Asimismo, utilizo la cámara oculta en el registro de las acciones para destacar signos de complicidad que ocurren durante el proceso.  La acción, como soporte de obra, invita a considerar al cuerpo como motor de realización, poniendo en entredicho significados ligados a \"trabajo\" y \"ocio\", y a una constante pregunta: ¿A qué llamamos productivo?.', NULL, NULL, 'La instalación está compuesta por tres canales de video y uno de audio.  El primero consta de registro recolectado desde la central de video vigilancia del museo.  Da testimonio de rastros del movimiento rutinario en el espacio en mención. En contraparte, los canales restantes reúnen videos experimentados con mis compañeros de trabajo y exploran la estética resultante de muchas miradas y sensibilidades desde el espacio, modificándolo sustancialmente para propiciar una interrupción en él mismo.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/383101350', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2374, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2062, NULL, '2020-05-28 23:34:09', '2020-08-12 18:21:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25031, 'wFbE77pZkbwqlUou', 'c.i.f.', NULL, 'Son dibujos y acuarelas de objetos cotidianos, de medidas variables no mayores a 0.35 x 0.40 mts.\nEn contexto de pandemia y en el transcurrir de la cuarentena, comence a dar clases virtuales. Este proyecto nace como un ejercicio propuesto a los participantes del taller. Es mayo de 2020. Mientras escribo estas líneas, en Argentina se sigue con la cuarentena, con variaciones de contagios y permisos de circulación según la provincia.  \nLa consigna era buscar un objeto que nos sea familiar en estos días de COVID-19 y dibujarlo. A partir de esto me senté a dibujar haciendo foco en la estructura del objeto, y dejando que la linea escarbe. Una vuelta al oficio desde lo intempestivo del acontecimiento. Como toda obra es polisémica, aquí casi no hay texto. El título explica la obra o no significa nada. La experiencia de la observación es suficiente.\nEl acto performático del proceso creativo es sentarse con un lápiz en la mano y dirigir la mirada, buceando en la estructura. \nY entonces la forma aparece.', NULL, NULL, 'Cualquier pared interior. Puede estar pintada de color blanco, negro u opciones a conversar con la artista.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2364, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2052, NULL, '2020-05-28 23:39:50', '2020-06-23 20:57:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25032, '8HsPe2lxN3Wps6ZB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-28 23:43:27', '2020-05-28 23:43:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25033, 'S2wQ6F31uf5mi6ZK', 'Ancestrais de Outrora', NULL, 'O projeto tem como referência a ancestralidade das mulheres negras, e sua cultura, através da canção de autoria da personagem retratada no vídeo e os quadros. Seja essa cultura imaterial como a cantiga, toque do tambor, seja essa cultura material como as vestimentas e objetos. \nO vídeo apresenta cenas do cotidiano, e afazeres comuns para os praticantes da umbanda, religião essa de origem brasileira, inicialmente praticada pelos pretos.\nJá os quadros expostos mostram  importância deste legado, e despertam o imaginativo do observador ao se deparar com as imagens, ao som da cantiga.\nEste trabalho é uma homenagem a todas mulheres negras e a força da ancestralidade africana.\n\nInformações sobre as Telas:\nTítulo: “Nascida das Águas”\nAno:2020\nTécnica: Colagem Papel sobre papel\nDimensão: 29,7 cm x 21,0 cm \nArtista: Outrora (Letícia Damazio de Jesus)\n\nTítulo: “Colo de Lígia”\nAno:2020\nTécnica: Colagem Papel sobre papel\nDimensão: 29,7 cm x 21,0 cm \nArtista: Outrora (Letícia Damazio de Jesus)\n\nTítulo: “Reflexos”\nAno:2020\nTécnica: Colagem Papel sobre papel\nDimensão: 29,7 cm x 21,0 cm \nArtista: Outrora (Letícia Damazio de Jesus)', NULL, NULL, '+\n\n-O ambiente precisa ser no interior da edificação;\n- Vídeo: passar em um telão, grande o bastante para a visualização;\n- Quadros expostos: colocar os quadros em expositores na altura do observador (1,5 m).', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=nzv351BN4Y0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5987, NULL, 868, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4924, NULL, '2020-05-28 23:55:26', '2020-06-24 20:44:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25034, 'wDHxTVDVsnJWYZZU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:20:05', '2020-05-29 00:20:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25035, '9Yfn2gFOfF8PljJY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:21:27', '2020-05-29 00:21:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25036, 'Go3HwD0BhlYgF0f6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:30:45', '2020-05-29 00:30:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(25037, 'EHEPCLxfBYmG8Knb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:30:50', '2020-05-29 00:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25038, 'iGco8dKP6yam6KBH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:34:32', '2020-05-29 00:34:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25039, 'aZs9lb6Jhba2ohaV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:36:38', '2020-05-29 00:36:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25040, 'zvCGZHtuB0VRi71D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:36:39', '2020-05-29 00:36:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25041, 'u3Z4w2yNLtO2EAfv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:40:39', '2020-05-29 00:40:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25042, 'X3CaextJfXRe6aGz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:44:33', '2020-05-29 00:44:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25043, 'hcnLpoQ1TCdnRBIN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:47:23', '2020-05-29 00:47:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25044, '6yfKRrb4FVXLTu6G', 'No me acuerdo', NULL, 'Obra sonora a modo de archivo conformado por fragmentos, evocando la memoria de los cuerpos y sus percepciones, acudiendo a lo borroso, lo anhelado. A través de cuerpos múltiples y aislados, colectivizando lo individual, con el objeto de crear una memoria común y heterogénea, desde diversos lugares, edades, géneros y vivencias.La materia es el cuerpo metamorfoseado, escindido e inserto en lo virtual por medio de cuerpos sonoros que establecen nexos entre sí y a su vez afectan y activan las memorias de quien lo especte, configurándose como un lugar en el cual interactúan los cuerpos despojados de su carácter corpóreo, es decir, lo virtual modifica el cuerpo extendiendo sus espacios habitables.\nDel mismo modo remite a la memoria corporal de los sentidos, ya que, la mayoría de los recuerdos se genera desde lo sensorial tal como  Edward S. Casey  afirma la memoria del cuerpo es […] el centro natural de cualquier explicación sensible del recuerdo.', NULL, NULL, 'El espacio expositivo optimo pensado para la obra sonora se encuentra en una galería de arte, en la cual se ancle a la pared a 1,60m  un parlante que emita la obra con sonido bajo y en loop, permitiendo una relación cercana con la obra, ya que, el cuerpo debe acercarse para poder escuchar. Las dimensiones varían dependiendo el tamaño del parlante pero el espacio contemplado para una adecuada atmósfera es entre 1,5 y 2 m.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://soundcloud.com/valentina-inostroza-bravo/no-me-acuerdo', NULL, NULL, NULL, NULL, NULL, 2365, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2053, NULL, '2020-05-29 00:50:33', '2020-07-17 16:27:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25045, '7uorWD1xw8wwfFgj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 00:59:38', '2020-05-29 00:59:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25046, 'FhnGBrF6n1Nz508T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:00:46', '2020-05-29 01:00:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25047, 'bj5oZONOZJKTjf2w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:11:00', '2020-05-29 01:11:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25048, '3BCYqBP4yYPTxt9c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:13:45', '2020-05-29 01:13:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25049, 'vyvM9sPuIvV34OWj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:14:44', '2020-05-29 01:14:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25050, 'YrlRTrAB0PZxSp6R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:18:03', '2020-05-29 01:18:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25051, 'PAOtR4oTAkmS3GYS', 'serie mounstraciones: dulce maíz', NULL, 'Este trabajo es parte de un proyecto que indaga en la producción industrializada de plantas, y formas de vidas. Cuestiona la materialización de un ideal estético, económico y político de lo que se denomina “naturaleza”, en el diseño, patentización e industrialización de  plantas ornamentales, en trabajos anteriores, y ahora en plantas comestibles. El caso del maíz mejorado y transgénico es importante para la región, no solo por su valor alimenticio y económico, sino también cultural y espiritual para pueblos Mayas, Xincas y mestizos. El “rendimiento” ofrecido por semillas diseñadas y sistemas de producción a base de agroquímicos y monocultivos amenaza la diversidad de semillas y practicas de cultivos ancestrales o comunitarias. Este trabajo  trata de investigar ¿Cómo se da la plasticidad de la naturaleza? ¿Qué relaciones sostienen estas lógicas de producción industrial de vidas patentadas con la bio-zoo-tananto-politica en la región?\n\nLas enormes mazorcas de diseño me parecen monstruosas, porque muestran en su reproducción de un ideal, de un regimen estetico, la plasticidad y artefactualidad  de la naturaleza, a la vez que hacen cercanos los objetivantes procesos de diseño y programación, no solo de la vida del maíz, sino del resto de seres que convivimos con ellos, humanos y no-humanos, que participamos de estas historias que entremezclan la tecnociencia, la biopolítica, la economía, la precariedad alimentaria, la espiritualidad, las relaciones interespecies, entre otras.', NULL, NULL, 'Espacio cerrado\n3 pantallas una bocina. Videos de entre 0:30-5:00 min\na) video dedicado a la producción industrializada de maíz\nb) video en plantación de maíz tradicional.\nc) Video de uso ceremonial de granos de maíz.\nd) audio sonido del viento en maizales\nmesetas 35-40 cm con milpas (150-220cm), no menos 4. Por su artificialidad pueden proyectare sino es posible tenerlas físicas\nRecipientes vacíos de fertilizante químicos\nParedes y techo cubiertos parcialmente de tusa (hoja de mazorca seca)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428666822', 'sutiles1', NULL, NULL, NULL, NULL, NULL, NULL, 3578, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3058, 5, '2020-05-29 01:18:03', '2020-09-01 19:07:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25052, 'fQrJYcPwIO3t8lJF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:19:18', '2020-05-29 01:19:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25053, 'znSAbeiDG7t3Wm1G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:25:33', '2020-05-29 01:25:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25054, 'AaWqhzjYBqF5zteN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:27:18', '2020-05-29 01:27:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25055, 'fQBv4gLUWiffmT74', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:28:41', '2020-05-29 01:28:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25056, 'ZesbG373fBuZdw2c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:34:03', '2020-05-29 01:34:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25057, 'cNnmWnvatbpS3kPK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:34:16', '2020-05-29 01:34:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25058, 'UhSxCkHShK99wIfK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:38:47', '2020-05-29 01:38:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25059, 'Xj8MojnB3zbbPtUO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:40:43', '2020-05-29 01:40:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25060, 'dsXbT1DORchg6Vf4', 'Percepción', NULL, 'Hay alguien disfrutando de lo que sucede con nuestro más primitivo lenguaje del afecto , trabajando en silencio para instaurar un nuevo orden del lenguaje con el que vincularnos', NULL, NULL, 'Óleo , lienzo , 30x50 cm .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2369, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2057, NULL, '2020-05-29 01:46:32', '2020-06-23 20:57:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25061, 'EZk9sdoNlwrQtExP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:46:47', '2020-05-29 01:46:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25062, 'o3v8vsINNAK9Y7Yp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:48:13', '2020-05-29 01:48:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25063, 'G5tASXJ0y1Ybvm6I', 'cercaII', NULL, '1. audiovisual: 60 minutos:  (loop) cercaII librodeartista / es la toma de la bitácora de trabajo que sugiere el título. video sin editar.\n2. audiovisual: 25 segundos: (loop) cercaII /sin título. es un ejercicio de proyección de luces led con intervención del trayecto por medio de lupas y vidrios en movimiento.\n3. audiovisual: 27 segundos: (loop) ilusión óptica - sensorial.', NULL, NULL, '3 videobeam proyector / una pared por video sala luz tenue.', NULL, 'artist', NULL, NULL, 'https://maurobustosserrano.wixsite.com/artevisual/video', NULL, NULL, NULL, 'https://maurobustosserrano.wixsite.com/artevisual/video', NULL, NULL, NULL, 2368, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2056, NULL, '2020-05-29 01:50:45', '2020-07-17 17:09:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25064, '2QhHf5B2IwOVkxVE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 01:51:31', '2020-05-29 01:51:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25065, '1vnwQMQJSj7FJVNj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:01:56', '2020-05-29 02:01:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25066, 'JLiA9VpBYdGy6lnn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:03:47', '2020-05-29 02:03:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25067, 'KNXXiQsEetmKn4Az', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:04:24', '2020-05-29 02:04:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25068, 'lK6sdmHp6x9mozob', 'É mais fácil uma mulher ser estuprada do que ser vítima de câncer ou acidente.', NULL, 'Sejamos sinceras, a mulher já nasce fadada a violência. É inevitável, por mais que ela tenha proteção e uma família estruturada, ela será violentada, pois o nosso Estado Patriarcal é violento. As formas de violência são diversas e a que relato neste trabalho foi uma das que tive o desprazer de ser vítima: o estupro. Foi aos 21 anos que senti uma das maiores repulsas da minha vida. Foi também quando descobri que a maioria – se não todas, foram 66 mil vítimas de estupro no Brasil em 2018, sem contar casos subnotificados  – das mulheres ao meu redor já haviam sido estupradas também. Foi um choque. Percebi que no meu cotidiano até se fala sobre violência contra mulher, mas pouco se fala dessa violência atrelada às mulheres que conhecemos. \nO trabalho proposto é justamente a ideia de incitar o expectador a fazer uma reflexão mais profunda. Quantas vezes calamos as mulheres ao nosso redor e ignoramos a violência sofrida constantemente? O quanto nos distanciamos do estupro por considerar estar longe de nossas vivências?\nConvidei essas mulheres que são bem próximas a mim e que sofreram essa violência a participar do trabalho e fazerem essa denúncia comigo. A obra em si é uma montagem fotográfica de nossos corpos transformando em um só corpo anônimo, impresso em tecido corino que dá a sensação de pele e em tamanho médio de uma mulher. A intenção é remeter ao corpo físico e provocar empatia e uma reflexão mais profunda do expectador a respeito das mulheres que estão em sua vivência.', NULL, NULL, 'A obra é uma montagem fotográfica digital impressa em tecido corino no tamanho de 1,65x0,86cm. O espaço expositivo sugerido é de de ser preso em uma parede, possivelmente colado com fita dupla face ou pregado nos quatros quantos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2395, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2075, NULL, '2020-05-29 02:06:55', '2020-06-23 20:58:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25069, 'x6gOt6hAkUHLUwEe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:09:15', '2020-05-29 02:09:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25070, '6m379R1iWDkADzxm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:09:53', '2020-05-29 02:09:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25071, 'nazWuuNKFCVZDoY1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:14:38', '2020-05-29 02:14:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25072, '2mpRDZkwXXEK2Z4M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:15:23', '2020-05-29 02:15:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25073, '2PQFbOnbKOC1gzKC', 'EL GRITO DE LA MADRE TIERRA', NULL, '1. Descripción Conceptual\n“El Grito de la Madre Tierra”\nLa destrucción de la Madre tierra se hace inminente ante una relación social de codicia que ha generado una Crisis Planetaria. “Para seguir acumulando, les sobra gente y capital y les falta naturaleza. Para eliminar lo que sobra y quedarse con lo que les falta han lanzado una guerra contra la vida”. Este proyecto pretende contribuir al análisis de la problemática alarmante sobre la destrucción de nuestro planeta. “El calentamiento global a causado la muerte de especies; también a incrementado huracanes, tornados, inundaciones entre otras. La situación de los Ecosistemas es alarmante, también lo es la pérdida de la Etnósfera que representa el gran legado de la humanidad. Por todo ese peso que sostiene la madre tierra toca fondo con todo, envuelta en su destrucción sobre su propio piso, clamando a gritos:“salvación” y el eco se oye en nuestras conciencias. Se trata entonces de recrear nuestra espiritualidad, creando una nueva, con un nuevo latido del corazón ; esta es la clave para restaurar el nuevo mundo.  En la obra se manifiesta con una semilla, con varias semillas, unas visibles otras no y nacen en medio del caos, para generar las bases que sostienen al planeta tierra en un nuevo orden, representado por su posición. El renacimiento de la Tierra iluminada por el Sol de la conciencia de hombres y mujeres que oyeron: “El Grito de la Madre Tierra”.', NULL, NULL, 'Título: El Grito de la Madre Tierra.  Autor: Nerys Pineda.  Técnica: Acrílico sobre tela.  Medidas: 1 m. x 0,80 cm.\nEl proyecto está orientado a que el espectador pueda entrelazar cada uno de los elementos presentados para crearse una idea crítica de la problemática que presentad.  Se incorporan imágenes de revistas y periódicos para complementarlo. \n\nEspacio Expositivo: Lo sugerido es un salón.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2371, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2059, NULL, '2020-05-29 02:19:55', '2020-06-23 20:57:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25074, 'XS4yC0ffQVCJyUYJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:20:03', '2020-05-29 02:20:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25075, 'buzhzAR90mmycML1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:21:40', '2020-05-29 02:21:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25076, 'plmMUuxILrnXMT0p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:23:09', '2020-05-29 02:23:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25077, 'sE5bDg1DxqF83Exg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:24:12', '2020-05-29 02:24:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25078, 'BjilHdlgGGoms4gj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:29:13', '2020-05-29 02:29:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25079, '1GcXlZp97b8OonWZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:35:50', '2020-05-29 02:35:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25080, 'fbE2voSxRqIoIIJ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:43:25', '2020-05-29 02:43:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25081, 'vcNmf4tTbRyaWsrT', 'PERIFERIA', NULL, 'El presente proyecto de vídeo, Periferia, consiste en una serie de intervenciones en los espacios urbanos, delimitados por la segmentación de las áreas de alta peligrosidad en la Ciudad de Guatemala, invita a los espectadores a un viaje en zonas marginales, estas franjas y áreas de la ciudad, son denominadas Zonas Rojas, son las más densamente pobladas y que presentan altos índices de actividad criminal  e inseguridad. La mayor parte de las personas que habitan en estas comunidades, colonias, residenciales “guetos urbanos”. Son  personas de la clase trabajadoras, que son estigmatizadas por el lugar donde habitan. Finalmente intervengo digitalmente estos sitios, con esculturas virtuales que interactúan con los espacios, expando la realidad al campo de lo virtual, produciendo reflejos digitales del contexto; codificados en lenguajes binarios, creo “no lugares”, simulacros espaciales producidos por logaritmos matemáticos generados por ordenador; produciendo así, espacios de alteridad, territorios y lugares heterogéneos.', NULL, NULL, 'Reproducir desde un monitor Full HD, o proyectarse desde un proyector Full HD.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/287021275', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5176, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4309, 5, '2020-05-29 02:45:49', '2021-02-12 15:39:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25082, 'S2qdszqpM66md3Kt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:46:51', '2020-05-29 02:46:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25083, '9iuNsQ0xoDCDrKnV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 02:58:05', '2020-05-29 02:58:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25084, 'NDfmIKQjJiV78PmQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:07:39', '2020-05-29 03:07:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25085, 'AoPPOsmlVVkSDxg5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:12:02', '2020-05-29 03:12:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25086, 'QQuPWEvdVa2eE2H4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:19:27', '2020-05-29 03:19:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25087, 'KKuDnXIpjI3YT4NC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:35:01', '2020-05-29 03:35:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25088, 'jBLbqkAAIUSbCczA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:35:54', '2020-05-29 03:35:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25089, 'ZKLnx3EqyFg3JEXY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:38:56', '2020-05-29 03:38:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25090, 'H6y1uYFb32UXX9CB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:49:57', '2020-05-29 03:49:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25091, 'S7FN5axJpbTS3yOD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 03:55:34', '2020-05-29 03:55:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25092, '997eH30fxOWTFkhG', 'DIÁSPORA (DE)GLOBAL', NULL, 'Registro de acción presentada en el festival Hemispheryc (Ciudad de México, 2019) en las instalaciones de Ex-Teresa Arte Actual. La acción reflexiona sobre la reivindicación del origen y el reconocimiento del rol que han jugado los países periféricos en la construcción de una cultura universal desde la perspectiva occidental. La nueva configuración mundial está marcada por la migración y su repercusión en el reajuste de la economía y política global.\n\nEl registro muestra a un grupo de activistas caminando sobre un planisferio reconfigurado y marcado con las rutas de tránsito más usadas por los refugiados hacia países destino. Cada performer marca un trayecto con huellas impregnadas con sangre extraída in-situ como señalamiento directo en contra de la supuesta superioridad de los países centrales, bajo la cual se han justificado los mayores genocidios de la historia humana. El video se presenta junto con el mapa utilizado en la acción.', NULL, NULL, 'Video:\n1.- Pantalla / pantalla para proyección de 6,00 x 10,00 mts  colocada sobre muro.\n2.- Proyector de 500 lúmenes, suspendido. Se deberá asegurar la fuente de energía de 120 volts y la proyección constante (en loop).\n3.- Bocinas o salidas de audio ambiental (agregar requerimientos técnicos). Se deberá asegurar una fuente de energía de 00 volts y la reproducción constante (en loop) del audio.\nMapa: \n1.- Superficie plana de 8,00 x 10,00 m\n2.- La pieza debe ser montada en un espacio cerrado.', NULL, 'artist', NULL, NULL, 'https://youtu.be/gzpfcPd5wCA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4578, NULL, 615, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3849, NULL, '2020-05-29 04:02:22', '2020-07-15 16:57:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25093, '1xtGL7HiaqG8r7db', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:12:05', '2020-05-29 04:12:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25094, 'YEywXnlImNOs4h6p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:24:28', '2020-05-29 04:24:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25095, 'zp54wk7nXebTRpK0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:24:30', '2020-05-29 04:24:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25096, 'hg8JLphSyVQnSt3Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:25:58', '2020-05-29 04:25:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25097, '3PUL3l6L05lOsOFX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:27:38', '2020-05-29 04:27:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25098, 'VXrUpxv3Ojg2qyO3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:28:25', '2020-05-29 04:28:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25099, 'a8CswzQNBRxvNKxI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:33:41', '2020-05-29 04:33:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25100, 'ZzTFFjnzkPfwfLlh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:37:49', '2020-05-29 04:37:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25101, '848gaHy5veXcRMVW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:39:39', '2020-05-29 04:39:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25102, 'QJlV4BAFYxVvGDXr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:43:52', '2020-05-29 04:43:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25103, 'BLFkMwbbPqJ34TdM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:44:02', '2020-05-29 04:44:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25104, 'ywN5FSBymHRZHrR5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 04:53:41', '2020-05-29 04:53:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25105, 'Ehp2QJn1cEGDfcW1', 'EL PAPEL MONEDA ES BLANCO', NULL, 'La obra parte de una reflexión sobre el valor del trabajo, el tiempo y el esfuerzo dedicado a la construcción de imágenes tan complejas y llenas de significado como las que componen los billetes.\n\nSi se saca del contexto económico, ¿Qué le da el valor a un billete? ¿Cuál es su verdadero valor? ¿Cuándo lo pierde y porque en algunos casos lo recupera o inclusive lo supera con el paso del tiempo? \n\nEl proceso de redibujar línea a línea segmentos del diseño o interpretaciones personales de estos objetos, busca sacar sus detalles, expresiones, colores y simbologías del contexto del dinero, para resaltar las memorias, sensaciones y anécdotas que nos evocan y en este proceso ir evidenciando como la línea va otorgándole un nuevo significado al dibujo, como si fuera el trabajo, la técnica y la dedicación del artista lo que le diera un “valor” a este nuevo “billete”. \n\nLa elección de las series y denominaciones trabajadas corresponden a las más bajas disponibles en Colombia durante los años 90, década en la que tengo memoria de haber entrado en contacto con estos objetos. Estas relaciones personales con los billetes además de las memorias que nos evocan, forman parte de la construcción no solo de nuestra relación con el dinero, sino también con toda la simbología, imágenes e historias que cuentan sus diseños.', NULL, NULL, 'El proyecto consta de 24 obras individuales. Cada una es un dibujo hecho a mano con tinta china sobre papel. Las dimensiones son variables pero están entre 30 y 45cm x 15 y 60cm. La propuesta consiste en exponerlos en un muro dispuestos según el espacio disponible. El tamaño del muro tendría que ser de al menos unos 2mts de altura x 4mts de ancho.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=geNYOMSnxaM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5643, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4670, NULL, '2020-05-29 04:54:29', '2020-08-06 17:59:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25106, 'kVbZkQALqXtQkq47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 05:07:25', '2020-05-29 05:07:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25107, 'Obi5PQ29v0SOx6F6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 05:21:31', '2020-05-29 05:21:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25108, 'D5F9F9ZbGoer5n1R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 05:32:00', '2020-05-29 05:32:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25109, 'RemVGoJOd7bBTEoY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 05:35:41', '2020-05-29 05:35:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25110, '6ZfDrOhkpWOzd9nc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 05:41:51', '2020-05-29 05:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25111, 'Upq8VDPHss3HcJXf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 05:43:23', '2020-05-29 05:43:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25112, 'K188NFI9b1lJZtw0', '\"EVOLUCION DE LA NATURALEZA\"', NULL, 'Primera obra : \"naturaleza muerta\" significa la contaminación ambiental del mundo hacia la naturaleza , trabajé con los colores cálidos y frios para poder expresar lo que el mundo actualmente esta pasando.\n\nSegunda obra : \"evolución de la naturaleza\" (renacer) como el titulo señala significa como las plantas y la naturaleza en general ahora estan mostrandonos su verdadero estado, asi manifestandonos todo su esplendor.', NULL, NULL, 'Ambas obras son abstractas inspiradas en la actual realidad.\nEl lienzo tiene las medidas de 80 × 80 , utilice acrilicos, pinturas fosforesentes para resaltar, además altorelieve.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'Orlando', NULL, NULL, 2373, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2061, NULL, '2020-05-29 06:01:04', '2020-06-23 20:58:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25113, 'LoqIJJLsLD49z00Y', 'IT\'S RAINING RED PEOPLE', NULL, 'IT\'S RAINING RED PEOPLE (and I feel good)\n\nEl concepto\n\nComo fotógrafa, siempre participo de expediciones a sitios remotos, de naturaleza cruda y poca o ninguna gente, excepto mis compañeros de aventura.\nEn una de estas expediciones, explorando el Ártico, arriba del Círculo Polar, tuve una visión que resultó en este proyecto: \nIT\'S RAINING RED PEOPLE (and I feel good) / Llueve gente roja (y me siento bien)\n\nNada mejor que el texto que acompaña a las fotos para darle al espectador mi dimensión creativa como artista:\n\n\"I\'ve been travelling for a thousand years.\nAnd I started seeing red people.\nWhen I am alone exploring the wilderness they fall from the sky in a very gentle way.\nAt first I tried to establish a conversation but soon I realized that all they do is smile.\nIn the shiniest way.\nAnd that makes me feel hopeful.\"\n\nHoy, esta realidad fantástica se mezcla con la realidad de los días mundialmente vividos en cuarentena ante la pandemia Covid-19. CON ESPERANZA.\n\nCaracterísticas formales\n• captación digital\n• copias 100 x 66 cm \n• montaje en Metacrilato\n• serie limitada a 11 copias + 1 PA\n• lugares: Circulo Polar Artico; Jericoacoara, Mata Atlântica e Cerrado (Brasil); Catamarca (Argentina)', NULL, NULL, 'Espacio convencional de museo / galeria;\nObras montadas en Metacrilato;\nDimensiones: 100 x 66 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4925, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4141, NULL, '2020-05-29 06:01:58', '2020-07-20 18:16:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25114, 'tfhenVGsWMEfDaMh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:05:34', '2020-05-29 06:05:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25115, 'OIELb9alyH5xtTH0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:05:52', '2020-05-29 06:05:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25116, 'KJfeNBYZWl6Soay8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:09:04', '2020-05-29 06:09:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25117, '8owp4asxFTYEETYw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:18:09', '2020-05-29 06:18:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25118, 'yZWVK5xAJOgo6tYU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:18:09', '2020-05-29 06:18:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25119, 'ZlxpwAktklFlMIDq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:23:30', '2020-05-29 06:23:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(25120, 'PUG9FCVk8FG42b2f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:28:50', '2020-05-29 06:28:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25121, 'q2J3sU6abAdd9w1A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:32:54', '2020-05-29 06:32:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25122, '8PiATQ5wXEWbYLtt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:33:49', '2020-05-29 06:33:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25123, 'mPsmSQUKzZf2X9Wg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:36:30', '2020-05-29 06:36:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25124, 'OOLdRdHpZvHOmFXG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:37:20', '2020-05-29 06:37:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25125, 'R8eS2UVD0HBMqMmX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:37:54', '2020-05-29 06:37:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25126, 'KfMLuQfDtBEAdRTP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:38:38', '2020-05-29 06:38:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25127, 'LYbwdBjG32sBTt3o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 06:56:12', '2020-05-29 06:56:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25128, 'ygAjXnsrD4TjhqvQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:07:38', '2020-05-29 07:07:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25129, 'w933bwW3mWD1PwEx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:07:41', '2020-05-29 07:07:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25130, 'Eg9sWDd9CCbviQUJ', 'EXO/ENDO', NULL, 'Dado el contexto que el Covid-19 ha instaurado de manera mundial, EXO/ENDO, propone una serie de acciones cotidianas performáticas a materializarse por distintos performers en el ámbito urbano documentadas a través de un registro en video. Indaga acerca de cómo vinculamos el ecosistema interior con el mundo exterior.\nMediante el uso de trajes-esculturas con espinas (exoesqueletos presentes en la propuesta estética de Marta Pinilla, que han evolucionado junto con la búsqueda de su propia identidad) busca poner de manifiesto el sentimiento de alerta al mantener la obligatoria “distancia social”, en un contexto político donde el contacto físico se volvió restringido. ¿Cómo nos adaptamos ante una nueva dinámica social? Aquellos exoesqueletos que antes nos protegían de la otredad, ahora se resignifican: nuestros cuerpos peligran ante lo invisible y se refuerzan las ansias de contacto en clave primitiva. La debilidad se evidencia con el querer protegerse no ya de un otro, sino del invisible.\nLas nuevas fronteras humanas nos han llevado de la cotidianidad de los límites autoimpuestos a la prohibición institucionalizada. Por esto, los performers se activarán silenciosamente evitando el contacto visual con el espectador, despojándose de su condición humana, abogando por lo artificioso y ortopédico, y aumentando el efecto distante de los trajes.\nLa propuesta investiga nuevos modos de acción, percepción y recepción dentro de la propia práctica artística, en vista del auge de lo digital.', 'Marta Pinilla - Española - https://martapinilla.com', NULL, 'Serie de performances a realizarse en espacio del entorno urbano de Madrid, donde la cotidianidad se ha visto alterada por el Covid-19. \nSe dejará registro fotográfico y fílmico de estas acciones, que luego se podrán proyectar en salas, donde estarán presentes los performers con sus trajes. Así, se crea un metalenguaje en el cual lo proyectado se materializa y la distancia social queda evidenciada.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/195703805', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4997, NULL, 694, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4194, NULL, '2020-05-29 07:08:35', '2020-07-02 17:59:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25131, 'UMr8N74X6423YkK5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:09:48', '2020-05-29 07:09:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25132, 'gOkw6LZm0Hmim9u4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:10:15', '2020-05-29 07:10:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25133, '5ECi0HQDasJDWxmI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:10:22', '2020-05-29 07:10:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25134, 'NeFUEwGd5JIBnlW1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:18:29', '2020-05-29 07:18:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25135, 'OlC6JhP0aHt3WBsg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:19:01', '2020-05-29 07:19:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25136, '42rFNSrKkB3ARH25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:25:18', '2020-05-29 07:25:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25137, 'M80cOPm38uV32R9z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:38:34', '2020-05-29 07:38:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25138, 'm7rR3BNkNJqkFFYc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:39:50', '2020-05-29 07:39:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25139, 'Q2dBtMgr7kI7CcBf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:42:09', '2020-05-29 07:42:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25140, 'URGIaWBlJrx6mI5P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:42:17', '2020-05-29 07:42:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25141, 'oNw1COOjbwogkxWX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:48:27', '2020-05-29 07:48:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25142, '09TE7Nkwf0BXbskL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:48:58', '2020-05-29 07:48:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25143, 'CsxEjYqJLAxVltO3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:57:14', '2020-05-29 07:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25144, 'YsXsLW6KzoucmtLr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 07:59:41', '2020-05-29 07:59:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25145, 'scI1jfYCGytN8Vei', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 08:10:55', '2020-05-29 08:10:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25146, '58HiAy0atbylcqvV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 08:14:59', '2020-05-29 08:14:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25147, 'mn1lHnwDUcKOkppY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 08:33:08', '2020-05-29 08:33:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25148, 'juc6sE6FB9wk67pD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 08:41:35', '2020-05-29 08:41:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25149, 'OlAaOIjYXXXEns0X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 09:25:40', '2020-05-29 09:25:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25150, 'aKZLgVcn3VEoetg9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 10:00:16', '2020-05-29 10:00:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25151, 'IMCW9kaGy2IOxWUl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 10:01:13', '2020-05-29 10:01:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25152, 'w8tdp1Ft2RCVG4UT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 10:01:34', '2020-05-29 10:01:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25153, 'jmMPDDJu3H2hS9Y7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 10:02:03', '2020-05-29 10:02:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25154, 'zski2uLYT1JqUrne', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 11:30:50', '2020-05-29 11:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25155, 'LYJejCdreMA6FWVZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 12:02:38', '2020-05-29 12:02:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25156, 'h71n4iWFJQIugYBR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 12:14:29', '2020-05-29 12:14:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25157, 'IMEKCSmlx4zINWjq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 12:58:56', '2020-05-29 12:58:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25158, 'B6tJEEukHB981lbl', 'Fragmentados', NULL, 'Fragmentados recogiendo nuestro mundo con pedazos de vidrio y espejos rotos-uniéndolos tratando de que tengan coherencia con la vida que quedo atras y la vida que tenemos ahora- pedazos de\nEspejos y vidrios formando rostros marcados con cicatrices de lo que éramos y lo que somos.', NULL, NULL, 'tres Formatos 2 x 1 mt x 0.30cm cada una En obra sobre pared\ndos Espacio de 2 mt cuadrado para escultura siendo un cubo de vidrio', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2378, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2065, NULL, '2020-05-29 13:13:39', '2020-06-23 20:58:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25159, '8eMrDMKpFo6HUZLl', 'Out of Context', NULL, 'This project created during the quarantine months is called \"Out of Context\".\n\nShipping containers have always been intriguing to me. They are big containers of something that we do not know. They hide the nature of the objects they contain. A big group of these objects can be intimidating, being similar to developed and degraded cities, to skyscrapers, or to any industrial factory.  At the same time, they are just extremely adaptable objects. \"Have you realized that sometimes there are containers abandoned in random places?\" - someone asked me. In fact, their grandiosity stops the moment they lose their context, and what they may contain stops being an issue. On the one hand, these containers are a metaphor for invented worlds. On the other, they represent aspects of our society and the different societies that exist globally. \nPicking up from this description, this project focuses on the dualities outside/inside, real/imagined, power/abandon, creating invented scenarios that, somehow, seem real.', NULL, NULL, 'The ideal exhibition space would be composed by two or three walls and at least 3 square meters of flour. The idea is to place the \"containers\" on the floor of the exhibition, filling out the space. This would obligate visitors to move around in a specific way. Simultaneously, the audience would be invited to move the containers around in a way that makes sense for them, according to their own standards and contexts.  The installation has a background sound of a shipping port.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2379, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2066, NULL, '2020-05-29 13:40:21', '2020-06-23 20:58:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25160, 'GLoeIUt7IOO64f0q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 13:59:08', '2020-05-29 13:59:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25161, 'O4zWqwT2FX8YdRa5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 14:22:26', '2020-05-29 14:22:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25162, '2r9RvaupETuGa1Dh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 14:48:16', '2020-05-29 14:48:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25163, 'q56RaCJlf3iTpnLb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 14:50:43', '2020-05-29 14:50:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25164, '8DrQ73Vz2b5Q2wcL', 'Vês Três  (direct translation : see three)', NULL, 'The three members of the group have studied together at the Fine Art Faculty of Lisbon. After the end of the course, there is a big dispersion of artists and a lack of support from their peers. We all have very different styles and approaches to art. We all have different thematic. \nIn this project, we created a new personality \"VÊs trÊs\" which is a new author with its own intellectual property. All the works were created together, the three painters at the same time thinking, drawing, reflecting, erasing and adding to each other\'s creation. There is no \"my part\"-\"your part\". \nThis project reflects our lives, having a biographical character. Simultaneously, it reflects upon authorship and collaboration. There is a big focus on the audience, and what influence it may bring to the works.', NULL, NULL, 'These paintings are quite easy to hang in any wall, since the wood is not heavy. We would request any room that has good light and high walls. Five paintings would be placed on the wall and one on the floor.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2379, NULL, 276, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2069, NULL, '2020-05-29 14:51:06', '2020-06-23 20:58:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25165, 'jffLXTE1FfIGIv6B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:02:40', '2020-05-29 15:02:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25166, 'ivZKf1VS7Su7XgkU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:04:51', '2020-05-29 15:04:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25167, 'v9icpwpj3C7Iy55y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:12:05', '2020-05-29 15:12:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25168, 'RiP1S8MsV17lv8wU', 'de la serie \"Clara aclama su afanada libertad\" (período de aislamiento social 2020)', NULL, 'Se resuelven imágenes inesperadas mediante el juego con el esfumado de las formas y manchas negras y blancas con y la incertidumbre de las líneas que la atraviesan, en lo inmensurable del tiempo plasmado\nfrente a un universo descontroladamente apacible, las marcas agresivas son parte del gozo de plasmarlas y estas se ven  consagradas a la obra misma, marcando contornos, saturando aun mas la presencia del turquesa claro.', NULL, NULL, 'La obra tiene 120 cm de ancho y 150 cm de alto.\nSeria ideal se exponga sobre fondo blanco, no menos de 150 cm del suelo y no menos de 150 cm de proximidad con otra obra pictórica.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4914, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4135, NULL, '2020-05-29 15:24:42', '2020-07-20 18:16:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25169, 'RDh76YfbcESqNSX5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:28:24', '2020-05-29 15:28:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25170, 'l47mR9ZLQK9NyFMd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:42:32', '2020-05-29 15:42:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25171, 'MMWA2Yr3hTQDizNM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:43:30', '2020-05-29 15:43:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25172, 'PonBTYtpFcqebqfR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:45:08', '2020-05-29 15:45:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25173, 'dhvxKez7iWZ1oLzD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:49:39', '2020-05-29 15:49:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25174, '1wwM5yb3K8HxxXVQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 15:54:42', '2020-05-29 15:54:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25175, 'qdcxEy1KsIzH4oid', 'Box Age', NULL, 'From Stonehenge to mass globalization. The continuous transformation of human societies that from prehistory to modern times feels the need to believe in supernatural divinities, by dedicating remarkable temples to them. A place of worship built with current era material consistent with the worship in which the modern being believes. Containers will reproduce the famous Neolithic site transforming its spirituality, bringing it closer to the economic process that in the last 40 years he is changing society, culture, policies, thoughts, trade, needs etc., creating the common global opinion of veneration towards it.\nThe idea plans to propose the project several times in different locations after each presentation in order to fortify its symbolic value.', NULL, NULL, 'The space necessary for the realization of the \"Box Age\" project must be outdoors and flat, preferably natural, like a field, outside the housing center, or alternatively a square, open space or park in the city.\nThe planned dimensions of the work, which uses 30 containers as pillars and 30 as entablature, are (L) 62.50 x (I) 62.50 x (H) 8.28 m, so the size of the space must be such as to accommodate the intervention making it visible even from a distance and in its fullness.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3666, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3134, NULL, '2020-05-29 16:17:32', '2020-08-11 22:15:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25176, 'AWI712qsMbaHOiCx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 16:22:06', '2020-05-29 16:22:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25177, '9bGbQaLFTbUyGOkn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 16:24:02', '2020-05-29 16:24:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25178, 'jMcubrEx0xM11nSw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 16:28:15', '2020-05-29 16:28:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25179, 'LqJDxflMe0E66YJl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 16:37:56', '2020-05-29 16:37:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25180, 'Xbl81p4vUCNn3G8t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:00:05', '2020-05-29 17:00:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25181, 'Hs1FctQUPQjEuUXQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:02:48', '2020-05-29 17:02:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25182, 'ssQpSI93Wmc0Fu1c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:10:19', '2020-05-29 17:10:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25183, 'WJfIq6JIxcKHlJrp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:16:56', '2020-05-29 17:16:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25184, 'ABPXVjuAhBcUf6Sh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:22:05', '2020-05-29 17:22:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25185, 'FawBN8lkKrLhuyZG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:26:32', '2020-05-29 17:26:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25186, 'VYHQM0TsvvwqhSDn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:41:05', '2020-05-29 17:41:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25187, 'TYhfajUwepg0Bri8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 17:56:31', '2020-05-29 17:56:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25188, 'So2VA4fzMJinumG8', 'La Hora de la Siesta', NULL, 'Desarrollo de una ópera en la “Isla Sor Josefa”, en el marco de una exposición en el Museo Histórico Provincial de Santa Fe. \n\nLa hora de la Siesta narra la relación entre Josefa Díaz y Clusellas (1852-1891, Santa Fe), considerada la primera pintora de firma del continente, y Maria Hernandez, única habitante -junto a sus once hijos- de la Isla Clusellas. \nLa historia surge a partir del recorrido del territorio de un cuadro perdido. El paisaje fluvial extraviado traza una genealogía de la relación entre paisaje y economía, desde los orígenes del Estado Nación hasta nuestros días.\nLos personajes de la obra serán les habitantes de la isla y del barrio popular “Alto Verde” así como también contará con la participación de trabajadores del Museo. El público cruzará el río desde el puerto, frente al museo, en un barco que recorrerá la Isla a lo largo de toda su costa. La pieza performática sucederá en distintos puntos costeros y será vista desde el agua. \nEste proyecto desarrolla una multiplicidad de medios y formatos que toman los materiales disponibles en el territorio – los cantos de los cazadores de pájaros, las plumas de los pájaros que habitan la Isla, la arena del dragado que determinó la fisonomía del territorio, la arcilla que caracteriza los suelos – y recupera técnicas populares para relatar las diferentes formas de violencia- colonialista, social, ecológica, económica y patriarcal; que han dado forma y densidad a este paisaje.', NULL, NULL, 'Ocupa las salas de exhibición del Museo Histórico Provincial de Santa Fe Brig. Gral. Estanislao López  y el trayecto desde el puerto de Santa Fe hasta la Isla Clusellas, en un recorrido en barco de aproximadamente 20minutos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4354, NULL, 568, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3676, 5, '2020-05-29 18:02:31', '2020-09-02 20:04:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25189, 'NVGt84hT8I3NSGEw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:07:06', '2020-05-29 18:07:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25190, 'L0kTd6WNMfSdAe3F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:08:11', '2020-05-29 18:08:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25191, 'zFnqvnJf6uF8scD5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:10:25', '2020-05-29 18:10:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25192, 'bGTutwzglFjUQMB9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:16:24', '2020-05-29 18:16:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25193, '7xUxH2V8RyAsDsUm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:17:59', '2020-05-29 18:17:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25194, '07BncXqRhRkxbxjD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:20:25', '2020-05-29 18:20:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25195, 's1ZIoz5kCDMSCIRk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:26:22', '2020-05-29 18:26:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25196, 'zYfsy03MWI1trd3y', 'POSSIBLE FUTURES _ Online art residency program and exhibition, curated by Gabriela Maciel (Brazil) and Yasmine Ostendorf (Netherlands) _ 2nd Ed _ 2021', NULL, 'The first edition of this program that has the participation of national and international artists and curators that create artistic projects related to environmental, cultural and social issues is happening via EV_largo art residency platform from May to July 2020 with the participation of 13 participants from Brazil, France, Germany and the Netherlands.  \n\nThis proposal consists in the 2nd edition to be held in 2021.\n\nIt invites artists, curators and all people who are interested in thinking and designing new Possible Futures, to enroll. \n\nThroughout this program we will develop projects and works with artistic, cultural, multi-disciplinary and trans-disciplinary approaches.\n\nDuring the first two months online, participants will have critical follow-up and individual curatorial assessments and three online collective meetings. \n\nEach assessment will last approximately 1.20h and will take place every 15 days, giving the participant time to research and develop their studies and creations between each conversation.\n\n2 months online curatorial assessments and 1 online exhibition:  \n1st month March\n2nd month April\n3rd month May\n\nRegarding the 3rd month of online exhibition:\n1st week _ sending the digital content of the artworks to the curators.\n2nd week _ selecting the content with the curators\n3rd week – uploading the online platform (this will be made by the residency team)\n4th week – launching the online exhibition.\n\nCreated by Gabriela Maciel / platform: Tech Art Lab', 'Ten worldwide contemporary artists will be selected via open call', NULL, 'Online exhibition will be held at TAL Tech Art Lab platform www.tal.art.br', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2402, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2081, NULL, '2020-05-29 18:37:53', '2020-08-12 18:26:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25197, 'CeelEyfAyxTtq05U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:39:56', '2020-05-29 18:39:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25198, 'ySGxkZw58SM1wD1D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:41:35', '2020-05-29 18:41:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25199, 'ekEzNGp2bYvH7Aab', 'V2d7r Un matema poético para la causa artística. Un proyecto de Reencarnación arstística', NULL, 'A esa hora inesperada  llegan a la primera cita. La intervención inaugural es la puesta en acto de la lógica del dispositivo de experimentación artística. El cuerpo de la performer que porta la consigna es escrito. Mechones de cabello con su matema poético son cortados. Convertidos en ofrendas, se entregan en una caja a cada uno de los convocados, mientras se susurra una frase ininteligible pero no cualquiera al oído. Un día después, se bordea el acontecimiento con palabras. Hay quienes dicen haber transitado un sueño, o haber sido parte de la representación de un rito; incluso de un despertar a un vacío de sentido.  El encuentro con la música se produce en una atmósfera de improvisación extemporal. La danza vivifica los cuerpos entregados al goce. Se conversa sobre las múltiples textualidades de lectura. Cada encuentro está signado por el sesgo de los curadores. Las propuestas de obra serán efectos de lectura. Un matema poético para la causa artística es una fórmula singular de ficcionalizar el trayecto de un análisis, reducido a una frase,  un intento de transmitir la lógica del dispositivo subvertido y causar a otros. Un modo de introducir un real para agujerear la experiencia, liberarla de lo necesario, dándole cabida a la contingencia, al nacimiento de un nuevo significante desprendido de la significación. Cuerpos que hablan con lo escrito en acto en el lenguaje de la performance. Marcados por la diferencia absoluta, se sirven de un divino detalle para su acto creador.', 'Curadores: Gabriela Nafissi (autora/dir.), Paula Pino (artes visuales), Andrés Ceccarelli (música), Valentina Fusari.      (escénicas). Performer: Sabrina Kadiajh. Equipo: Verónica Sguazzini, Melisa Nafissi, Andrea Cazorla, Sol Delgado, Ariel Larriba, Laura Silberberg. Artistas visuales: Florencia Aise florenciaaise.com; Mariana Barón @marianabaron2.0; Omar Jury, @omar.jury; Adrián Zotto @zotto.ar; Emiliano Castillo @emilianocastillo; Valentina Giovannini @valengiovannini; Mariano García @mariano.garcia.266; Alejandro Spano @spanoalejandro; Modesta Reboredo @modestapintora; Sandra Marset @sandramarset.art, Gonzalo Prado. Músicos: Andrés Ceccarelli, Alan Alaska (Ignacio Ragone), Catalina Segura, Rol Lux (Rolando Lux), Celina Jury. Bailarinas: Valentina y Lucía Fusari, Rosario Chahla, Micaela Taber, Deborah Trovarelli, María Cicchitti, Noelia Martínez. Psicoanalistas: Julieta Tristán y Leandro Picighelli (argentinos). Poeta: Melissa Carrasco Aguilera. Facebook Melissa Carrasco (chilena)', NULL, 'Bodega Monteviejo. Int.:Hall de 199m2, recepción: diáfano y de triple altura. Se exponen obras de gran tamaño y textos curatoriales. Dos alas laterales de 5m alto y 2.85 ancho, techo de ladrillo abovedado, grandes muros terminación cemento, barras para montaje de obras, recorrido continuo, conectados por ala posterior, más oscura e íntima, espacio de exposición dado por paneles móviles de madera, 2,76 por 1.83. Exterior, extensos espacios de viñas y callejones, 15m ancho, utilizados para obras.', NULL, 'curator', NULL, NULL, 'https://youtu.be/rNdsN88OUgI', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1uYAz2MAowOyb58TPtDv2-CrMPR4NyDM5?usp=sharing', NULL, NULL, NULL, 2673, NULL, 317, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2316, NULL, '2020-05-29 18:48:35', '2020-07-21 20:51:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25200, 'i2SOzq0Ba601bJw6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:52:06', '2020-05-29 18:52:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25201, 'pRO87lMB0McgC6l4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:53:43', '2020-05-29 18:53:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25202, 'TwRWaXBISgU1GeQC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 18:55:09', '2020-05-29 18:55:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(25203, 'Kew0ILqCl4tf6pnr', 'Opulência, o mal dos trópicos: república das bananas e outras comodities (Opulencia, el mal de los trópicos: república bananera y otras comodities).', NULL, 'La serie de fotografias retrata plantas domésticas encontradas en grande parte del território brasilseño yuxtapuestas a otras visualidades, asi se controye una imagen que mezcla diferentes tempos y tradiciones artísticas. Hay en la composición pinturas de paisaje de artístas viajantes del siglo XIX y losetas portuguesas, es decir, el estudio visual y la mirada europea sobre la flora latinoamericana como un rompecabezas.\nLos diferentes registros se relacionan a históricidad brasileña, los medios de colonización material, como la monocultivo agrícola,  y los simbólicos como el arte. Na naturaleza como estímulo estético y paraíso exótico serve no solo a los ojos europeos asimismo fuente de riqueza y explotacion de los recursos naturales.', NULL, NULL, 'Dimensiones: 42x29,7cm\nFotografia (impresión en papel fotografico)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2976, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2568, NULL, '2020-05-29 18:55:15', '2020-08-13 20:27:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25204, 'OPqP4n546dIZt6V0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:04:26', '2020-05-29 19:04:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25205, 'j6BYf2u7GGqdYsnJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:12:10', '2020-05-29 19:12:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25206, 'o259BvSrpIOIKaHt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:16:48', '2020-05-29 19:16:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25207, 'k7Zp7amfMFcVsZbn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:18:53', '2020-05-29 19:18:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25208, 'GGxhMhHiF0Z2z9Qm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:20:44', '2020-05-29 19:20:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(25211, 'dO1hhcQXgQvNfNVU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:22:47', '2020-05-29 19:22:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25212, 'Cqi9jboGtdXLUJiy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:25:02', '2020-05-29 19:25:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25213, 'i80nq9UoT8O23ZQE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:25:50', '2020-05-29 19:25:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25214, '1yvBcQ6Pqj3K7SlN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:30:07', '2020-05-29 19:30:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25215, 'x6CUdnzqA4ThKER3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:30:15', '2020-05-29 19:30:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25216, 'ML3UKqLWQvIJgVbE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:34:57', '2020-05-29 19:34:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25217, 'IVXxeBDWXW7VEsZT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:35:20', '2020-05-29 19:35:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25218, 'kw3CWTCsxsXCEuMJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:36:34', '2020-05-29 19:36:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25219, 'ELtFv7HUaz7fCBpU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:41:31', '2020-05-29 19:41:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25220, 'Y037YHcNJGiozzpx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:42:54', '2020-05-29 19:42:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25221, 'n259PlmK9JoC58wN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:43:59', '2020-05-29 19:43:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25222, 't2CpRWwMxAnsBNY1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:53:24', '2020-05-29 19:53:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25223, 'vIbwtwRipZyTwDee', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 19:58:01', '2020-05-29 19:58:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25224, 'pMvuQl6RUUR9qbzX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:01:24', '2020-05-29 20:01:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25225, 'JM44AD9mCeSFK8wx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:01:31', '2020-05-29 20:01:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25226, 'Nbtwj42Qr6DTfT75', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:05:33', '2020-05-29 20:05:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25227, '9rRX2HLIhMZWRrcn', 'Proyecto arte sano', NULL, 'La idea de este proyecto es intervenir pintando las viviendas catenciadas de una zona de asentamientos informales ubicada en el puerto de la cuidad de Mar del Plata, provincia de Buenos Aires.\nEn esta área, una manzana barrial, viven aproximadamente 30 familias, diferenciándose de las villas de emergencia, en que en este asentamiento, la gente busca quedarse a largo plazo en ese lugar, no de manera transitoria mediando con el Estado la legitimación de sus viviendas. \nEl proyecto propone pintar estas viviendas en gamas de verde, al estilo Barrio La Boca, Caminito en Buenos Aires, pero de manera monocromática, en un degradé, que iría desde el verde más oscuro hasta el más claro y, en las viviendas que se enfrentan, lo mismo, pero en forma inversa, desde el verde claro, hasta el oscuro.\nLa pintura, no solo le confiere más dignidad a la gente que habita allí, y a esa zona en general, sino que además, lo podría convertir en algo pintoresco. Esto podría funcionar como una unidad, que si diera los resultados esperados, podría replicarse en otras áreas de características similares.\nLa elección del color verde es debido a que transmite tranquilidad, está ligado a la naturaleza y alegra la vista sin cansarla, proporcionando equilibrio y tranquilidad.', NULL, NULL, 'El espacio elegido para la intervención es un grupo de viviendas precarias que se implantan en dos filas diagonales en la manzana conformada por las calles: Av Edison, Ayolas, Posadas e Irala. Cuidad de Mar del Plata, Buenos Aires, Argentina.\nLas viviendas son mayormente en una sola planta, pequeñas, sin revocar, con chapas.\nEste grupo de viviendas son aproximadamente 30 unidades.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2688, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2330, NULL, '2020-05-29 20:06:06', '2020-06-24 20:43:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25228, 'R8i1y7jD1bzNTlUD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:14:33', '2020-05-29 20:14:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25229, '2PJjevgIMeyiPKsA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:16:46', '2020-05-29 20:16:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25230, 'rFDcZ10gu2Ei33Kl', 'Interior y fugaz', NULL, 'Descripción conceptual:\nInterior y fugaz es un proyecto presentado a modo de videoinstalación, que habla del distar con aquello que alguna vez llamamos hogar, llevándonos a habitar espacios desconocidos, lugares inestables que mutan tras cada mudanza, en donde llenar el vacío se vuelve una tarea difícil. Cada uno de los objetos a sido recogido de diversas mudanzas ajenas, otros han sido heredados por familiares o amigxs. Esta es la indagación de todas esas experiencias propias y compartidas, que nos hablan desde la memoria y el recuerdo, desde el presente y el pasado, de un rincón, de un objeto, algo del cual apropiarse para re significarlo, para evocar o crear un espacio ficticio; es una mirada a la intimidad efímera.\n\nCaracterísticas formales: \nLa videoinstalación esta pensada para ser emplazada en el medio del espacio, lo cual permita recorrerla en su totalidad, la misma esta constituida por una estructura que mide 3,30 metros de ancho, 2,30 metros de altura y una profundidad de 1,75 metros. Dentro de esta estructura se encuentran 1 TV, 1 DVD, 2 valijas, 4 cajas, 1 velador, 1 silla, 1 colchón, 1 lampara, y algunos libros. El TV esta pensado para reproducir un vídeo y un único sonido. Una de las caras de la estructura esta cubierta por una tela blanca translucida, en la cual se proyecta otro vídeo. La lampara, el TV y la proyección están pensadas como la únicas fuentes lumínicas de esta videoinstalación.', NULL, NULL, 'Teniendo en cuenta las dimensiones, sus características formales y técnicas, sugiero un espacio oscuro de aproximadamente 8,00 metros de ancho y largo, con una altura mínima de 3,30 metros. Es necesario que el espacio cuente con un techo apto para colocar un proyector y con un mínimo de 5 enchufes, de preferencia que 3 enchufes estén ubicados en el suelo y cercanos a la vídeoinstalación.', NULL, 'artist', NULL, NULL, 'https://youtu.be/0ZgssSqK3ec', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3660, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3128, NULL, '2020-05-29 20:18:11', '2020-07-17 01:36:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25231, 'OIOhpszszuy6O8LY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:19:19', '2020-05-29 20:19:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25232, 'FRrcG5sFdPVtTHwO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:20:56', '2020-05-29 20:20:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25233, 'kVoasJgN50W8Es6x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:27:30', '2020-05-29 20:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25234, 'A4MJwAZlhRO3FXdd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:32:17', '2020-05-29 20:32:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25235, 'Hhf22ssgEsl0r7Ix', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:33:41', '2020-05-29 20:33:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25236, 'gPcvk6X7tCtVWRPI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:37:25', '2020-05-29 20:37:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25237, 'ILSZ19ICezWRK7ck', 'Por alguna razon', NULL, 'Hablar de cosas mias  y mostrar mi mundo', NULL, NULL, 'Un espacio lo mas grande posible', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3155, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2713, NULL, '2020-05-29 20:39:02', '2020-06-26 19:58:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25238, 'AwYKmTlMCE1JuD36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:44:41', '2020-05-29 20:44:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25239, 'R3t32KqOuOCOL3jh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:46:52', '2020-05-29 20:46:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25240, 'rgOcgoM1NgVjwFbE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:50:07', '2020-05-29 20:50:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25241, 'fmjwHnOidwl06WaV', 'Entre Cajones', NULL, 'Cada etapa en la vida de un ser humano está destinada al encuentro con un cajón, desde el momento en que nacemos hasta el momento en el que el cuerpo se desintegra. Cuando se espera la llegada de un bebé, ya se tiene destinado y ordenado su cajón de pertenencias.\nEl cajón es ese espacio en el que tenemos permitido echar aquello que nos constituye desde su raíz más profunda y, al mismo tiempo, aquello que organiza nuestra cotidianidad. En él guardamos lo que no queremos que otros vean. También guardamos aquello que, pudiendo ser mostrado preferimos dejar dentro otorgándole, de ese modo, singularidad y especial valor. \nLa instalación que aquí se propone permite hacer un recorrido por la vida de una persona a través de la información y los objetos que recogen sus distintos cajones. \nSugiere la idea de cajón como síntesis de vida, identidad y pertenencia. \nEl proyecto consiste en una instalación comprendida por un mueble rectangular con, aproximadamente, 15 cajones. En algunos casos estos cajones permanecerán abiertos, exhibiendo los objetos que llevan dentro, en otros casos los cajones permanecerán cerrados invitando y desafiando al espectador a abrirlos y revisar su interior.\nEste proyecto irá acompañado de una serie de encuestas anónimas a modo de investigación, destinadas a personas de distintas edades, género y lugar. La información obtenida será traspasada a un libro o libreta que tendrá lugar en uno de los cajones de la instalación.', NULL, NULL, 'El mueble señalado estará ubicado contra una pared. \nEsta pared necesitará contar con aproximadamente 2 metros de ancho por 3 metros de altura. \nTamaño aproximado del mueble: 200 cm de ancho por 50 cm de profundidad por 100 cm de altura.\nLa instalación contará también con la presencia de unos afiches con frases y preguntas impresas. \nSerán 3 afiches de 70 cm por 100 cm cada uno. Ver foto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3276, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2818, NULL, '2020-05-29 20:56:48', '2020-08-13 17:59:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25242, 'oiN3GPzUcsrIY191', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 20:57:08', '2020-05-29 20:57:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25243, 'HTiGvXxiyHwTrbWv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 21:18:52', '2020-05-29 21:18:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25244, 'vPAMsHwEvVUyD3Ow', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 21:22:01', '2020-05-29 21:22:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25245, 'A7AH2mAPInQjQNnC', 'Pasaporte del migrante', NULL, 'La obra consiste en la elaboración de un pasaporte \"del migrante\" con el fin de señalar las diferentes razones por las cuales la gente centroamericana migra al norte, buscando despertar cierta empatía en el público y abrir un diálogo respecto a la lógica anti-migrante. En las páginas de dicho pasaporte se bordarán con hilo rojo diferentes frases como se pueden ver en las imágenes adjuntas del prototipo. Tomar en cuenta que debido a la emergencia del coronavirus, todavía no he podido realizar el proyecto final, sin embargo adjunto las imágenes para poder entender la idea principal.', NULL, NULL, 'El pasaporte medirá aprox. 13x9cm, por lo que no se necesitaría mucho espacio o recursos para montar la obra, es suficiente con una superficie plana en donde el público tenga acceso de interactuar con el objeto fácilmente. En Guatemala tenemos un centro cultural que se llama Casa de la Memoria, en donde considero se podría presentar el objeto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5826, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4797, NULL, '2020-05-29 21:27:26', '2020-06-25 21:21:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25246, 'WKkgGL6rG0oZCjGK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 21:28:27', '2020-05-29 21:28:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25247, 'kYK9l6FMANt8eOzp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 21:30:09', '2020-05-29 21:30:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25248, 'Q4f5jfSIMfCeEVB0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 21:31:18', '2020-05-29 21:31:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25249, 'qb2lg9jD6sXqKWKm', 'DESMONTABLE', NULL, 'La actuación pretende un cruce entre un teatro más convencional y una mirada material cercana a lo performativo. \n\nLa dramaturgia es el resultado de indagación nutrida de referencias de Lemebel, Lamborghini, Perlongher, Copi, Sbarra, Lens, entre otres. Estos disparadores confluyen en la creación de un lenguaje marica, poético, lisérgico, a veces romántico, a veces cómico, a veces onírico, con la que arar el suelo de los dispositivos escénicos. Dos mujeres sirven de piezas en un cuadro neobarroso; en él, se suceden las imágenes del amor como desolación, de la madre y la hija, las vecinas, y una historia criminal que pasa como desde un fondo reflejado.\n\nPero este lenguaje se construye en tensa convivencia con una propuesta performativa: un dispositivo escénico pensado en virtud de la desmontabilidad. El hogar agobiante en el que los personajes se ven encerrados está preparado para ser afectado, deconstruido, y, en última instancia, destruido por los actores. La afectación de la materia, de este modo, representa una apuesta escénica en sí misma. \n\nCrear materialidades alternativas y que los intérpretes sean catalizadores esenciales para la construcción de estas hipótesis. En el que el relato sea múltiple, divergente y que abra el campo hacia otra manera de percibir. Un vestuario, una escenografía e iluminación, en constante devenir, constituyendo un tejido dinámico que resignifique el tiempo y el espacio. Tratar de ampliar lo teatral pensando en desjerarquizar sus categorías.', NULL, NULL, 'Sugerimos un espacio escénico de 10x10m, con 5m mínimo de altura; sugerimos una platea en gradas. \nEs necesario un piso flotante para danza; disponer de un sistema de sonido, con una consola de 8 canales y 30W como mínimo; necesitamos facilidades para montar nuestro dispositivo escenográficos: armado en altura de 3 telones, 2 poleas propias, una parrilla para montar luminarias propias', NULL, 'artist', NULL, NULL, 'https://vimeo.com/411626179', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2390, NULL, 278, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2073, NULL, '2020-05-29 21:42:35', '2020-07-18 13:14:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25250, 'KlVpuFDliJbgBevI', 'PaQarina', NULL, 'PaQarina es una Obra audiovisual que contiene 3 esculturas lumínicas. Estas obras hacen un llamado al renacer, a buscar la dualidad entre el cuadrado y el círculo, encontrando su resultado en la espera de la catástrofe y renovación.  \n\nPara Javier Lajo paqarina es: “ Uno de los conceptos “puente” (..) para interpretar los conceptos de “lo virtual y lo real”(Lajo Javier, 2003)\n\n“Triángulo Sin Base”, toma como referente la charla de Cusicanqui Silvia (“Més enllà del dolor i del folklore\",2017) donde nos dice: la direccionalidad de las miradas hacia un superior hace que no nos veamos mutuamente. Es así que la materialidad de esta obra son dos cámaras de seguridad donde en la punta de los lentes sale una luz láser, esta se refleja por medio de espejos y angulaciones sobre una esfera difusa blanca. \n\n“Cuadro sin esquinas” nos muestra líneas que se mueven de un lado al otro; sus esquinas no pueden tocarse, sin embargo reaccionan juntas y sincronizadas. Pensando en la materialidad de los lasers, su distanciamiento y su sincronicidad esta obra nos lleva a pensar en la virtualidad y la distancia.\n\nPor último “La espera de Pachakutik”. Palabra que significa cambio del tiempo. Revolución(…) que es a la vez catástrofe y renovación. ( Cusicanqui Silvia, 2015). En la materialidad, vemos el movimiento de una mano autómata que mueve sus dedos en señal de espera y sobre sus nudillos lásers, los cuales apuntan a una chakana desvaneciendo hecha de lata de acero brillante.', NULL, NULL, 'Paqarina es un conjunto de tres obras cuya dimensión total de superficie es de 3 x 3 con una altura mínima de 1,80.\n Para la exhibición de las obras se necesita oscurecer el lugar manteniendo el espacio con una maquina de humo automatizada (proporcionada por el participante). \nAcceso al techo para colgar la obra “cuadro sin esquinas”.\n2 Pedestales de 60x60 con 1,20 de alto (ideal).\nPor ultimo acceso a energía cerca del lugar de exposición 110v o 220.  ideal (3 tomacorriente)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5220, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4349, NULL, '2020-05-29 21:45:57', '2020-07-27 18:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25251, 'crpyFAzNye4KkUjX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 21:47:40', '2020-05-29 21:47:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25252, 'TDi7coJHQbxbKUMg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 21:48:45', '2020-05-29 21:48:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25253, 'gwVdyZKehDUPFknU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 22:12:58', '2020-05-29 22:12:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25254, 'L3M5zXMbZZsKNL9k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 22:17:58', '2020-05-29 22:17:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25255, 'hQqryWao8zzqBifu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 22:19:32', '2020-05-29 22:19:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25256, 'WxNWVQTKgVvdIbt1', 'OURICURI', NULL, 'És una obra artística que proviene de la metodología de la investigación poética de las culturas precoloniales que, en forma de instalación, presenta una estructura propulsora de la experiencia estética que pretende ingresar en diferentes espacios de actuación en los modelos hegemónicos del sistema de arte.\n\nLa propuesta es comprender los modelos constructivos amerindios y africanos y relacionarlos con las claves interpretativas de la historia, la teoría y la crítica del arte, especialmente con los problemas impuestos por el arte contemporáneo y su relación con las nuevas epistemologías.\n\nLas formas precoloniales y el arte contemporáneo señalan algunas dimensiones fundamentales para comprender esta relación: la dimensión activista; la colectiva; la translingüística; la ritualística; la funcional simbólica; la dimensión histórico-cultural y geopolítica.\n\nEl resultado será la creación de un \"sitio cambiante\", una plataforma para el \"disfrute digital\" de los vínculos entre los procesos precoloniales y el arte contemporáneo, como contrapunto a un supuesto carácter \"representante del arte\".\n\nLa obra, como un pequeño espacio inmersivo, contiene una pantalla que transmite un video donde el alter ego de la artista, \"ORO PARAGUAÇU\", un ser afro-amerindio (teniendo en cuenta la mezcla étnica brasileña entre indígenas y afrodescendientes) trasciende el sentido estético en una construcción de imagen explotada. El video reúne recortes de una investigación basada en la descolonialidad.', NULL, NULL, 'Se puede instalar en cualquier lugar siempre que tenga buenas condiciones para enfrentar el clima.\nLas medidas son de 4 metros de alto por 4 metros de diámetro. Una hueca.\nSerá necesaria la construcción de una estructura metálica y luego habrá una cubierta de paja. (Una  posibilidad es hacer un taller de interacción con la sociedad local / estudiantes para hacer el recubrimiento).\nEl artista debe acompañar todo el proceso desde el inicio del proyecto de construcción de la estructura metálica.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5182, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4316, NULL, '2020-05-29 22:26:02', '2020-07-27 17:59:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25257, 'CiJTnn9gJbhcgoAf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 22:30:11', '2020-05-29 22:30:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25258, 'sOVxw0sfqp2g4bbz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 22:38:24', '2020-05-29 22:38:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25259, 'MrLWQiOeeL1GmbTz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 22:54:03', '2020-05-29 22:54:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25260, 'ox84Xjap4IBqgslh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 23:30:48', '2020-05-29 23:30:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25261, 'zDdwzOkTybKGYKyL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 23:31:26', '2020-05-29 23:31:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25262, 'w57v6KzqmDcQ0Enn', 'LOS INVISIBLES', NULL, 'Como trabajadora social profesional, encuadro esta propuesta en clave de conciencia colectiva y en defensa de los derechos humanos de los infantes, su identidad y la garantía de su desarrollo en paz y libertad.\n\nCada persona como cada árbol, alguna vez fue un tierno brote escapando de una semilla, casi invisible en la inmensidad del bosque pero enormemente relevante. Vulnerables, tiernos, libre de ambición por llevar sus ramas más allá del perímetro de sus troncos. Y una vez maduros, la nota del olvido se cierne sobre la pureza de su simiente, su pasado frágil, pequeño.\n\nLos infantes de estas representaciones vienen a despertar nuestra memoria y nuestra atención. Son los Invisibles, niños de rostros genéricos y espíritus únicos. Sus humanidades buscan el cobijo de la noche o el refugio de una mirada. Son los que anhelan, los que quieren jugar. Los que pujan por salir o por pertenecer. Los que son propietarios de nada, pero son dueños de la primavera. Son las que hacen magia de cartón y botellas. Son los que corren huyendo o persiguen sueños. Son quienes atesoran autitos de lata y palitos como riquezas inconmensurables.\n\nEl retrato de sus prácticas, es un ejercicio de percepción para superar la invisibilidad de lo obvio: aquello que de tan evidente se vuelve imperceptible. La niñez como una instancia de valor incorruptible, es para el conjunto social lo que al bosque añoso son los nuevos capullos: prueba de su pasado, indicio de su futuro, hecho vital de su presente.', NULL, NULL, 'La cantidad de trabajos y sus formatos puede ser variable según el espacio que disponga. Para dibujos hechos por niños, se propone una disposición en forma de dominó en suelos y/o muros. Asimismo, se ofrecerá papel y material de dibujo para que los visitantes puedan seguir completando la estructura del juego. Este aspecto apunta a incluir a los públicos en la construcción expositiva, a la vez que instarlos a exteriorizar a su niño real o interior a través de la acción lúdica.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2393, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2074, NULL, '2020-05-29 23:32:56', '2020-06-23 20:58:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25263, 'oJnmn8wBLbTs7Yda', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 23:37:13', '2020-05-29 23:37:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25264, 'WvyPsZ7A1ZjtqQfX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 23:38:34', '2020-05-29 23:38:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25265, 'XhpeIG1kjFPNTdnI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 23:47:29', '2020-05-29 23:47:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25266, 'ULLQB8wP6BOCNScu', 'Aislamiento estructural', NULL, 'Partiendo de la fotografía de edificios icónicos de la ciudad de Medellín, se pretende abarcar el momento de aislamiento social por el cual estamos transitando, mi fotografía se encarga de desconectar estas formas erguidas unas de las otras, permitiendo representar de una manera diferente o metafórica la forma de percibir el distanciamiento de nuestras estructuras sociales, la propuesta consta de una serie de tres fotografías de construcciones tales como el edificio Coltejer, el edificio de los espejos y el edificio del Café , las cuales serán intervenidas a modo de diorama,  logrando separar la estructura de su fondo, para lograr recubrir completamente con un sutil plástico cada edificio; simbolizando a su vez las acciones  sociales de auto cuidado para evitar el contagio, tal y como sucede en el interior de estos edificios que han sido tomados como referencia para englobar un asunto que nos concierne a todos.', NULL, NULL, 'Se sugiere cómo espacio expositivo la casa del encuentro en la ciudad de Medellín, ya que las personas congruyen en este espacio en torno al arte.\nLa tipología de la obra consta de una serie de tres fotografías/instalación a modo de diorama. Los materiales a usar para la construcción de esta estructura serán fotografías impresas, la base de estas estarán construidas por una lámina de zinc, con acabados de corrosión.\nSus dimensiones serán 70cm de alto por 50cm de ancho y una profundidad de 24cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6079, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4984, NULL, '2020-05-29 23:58:27', '2020-08-11 18:23:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25267, 'd5NwYoPCxAKd1C46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-29 23:59:35', '2020-05-29 23:59:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25268, 'ScX4Vp63EaLTEzay', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:00:39', '2020-05-30 00:00:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25269, 'pceTKQWevKbJh6fx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:02:25', '2020-05-30 00:02:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25270, 'G9KkjvoA8uMt5S3b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:15:45', '2020-05-30 00:15:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25271, 'RHzXGs0FAEpuYL1c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:20:06', '2020-05-30 00:20:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25272, 'G4SgvkEE4T3rcHld', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:23:41', '2020-05-30 00:23:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25273, 'G5zMdXn2JM0TbqVu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:28:52', '2020-05-30 00:28:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25274, '2OsFyednONWDeQzb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:29:30', '2020-05-30 00:29:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25275, 'hm84pdINLnEqBNbl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:31:39', '2020-05-30 00:31:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25276, 'HFWsVzCnfzsQHbbC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:34:01', '2020-05-30 00:34:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(25277, 'PoZZyFTJqNKtPGon', '23!', NULL, '-Las máscaras son tan grandes como nosotros mismos\nSu visión se mira a ella, siempre que se percibe como verdad\nAl centro el trono gira sobre su propio eje y elige hacia dónde mirar\nCada reflejo es un mundo sostenido, con cada giro parece cambiar.\nEntro al borde del rostro siguiente, por sus ojos comienzo a mirar.\nMi trasero está apoyado justo sobre la respuesta,\njusto como siempre está.-\n\nLa propuesta consiste en realizar una instalación escultórica, basada en 8 máscaras cerámicas de 1.90mt de alto cada una, dispuestas en octógono, en el centro hay un banco giratorio, que en verdad por dentro es un caleidoscopio que trabaja con las imágenes de las máscaras.\n\nFrente a cada máscara, dentro de una forma piramidal hay un espejo que la refleja para que se vea sólo a sí misma a través de un agujero en su frente, que es por donde mira quien que entra a explorar la instalación escultórica.\nDesde fuera se ve como una enorme estrella negra de unos 18 metros, cuyas puntas son pirámides de base cuadrada, Las mascaras están encastradas en la base mirando hacia su interior, donde más profundo está colocado el espejo que las refleja. \n\n\nNuestra percepción está atrapada en lo que creemos del mundo y de nosotros mismos. \nVemos a través de los límites que construimos para definir la realidad y sus formas. \n \nLlevar y traer el límite de la percepción, el tránsito de la observación que se mira a sí misma y su proceder \nenredándose infinitamente en otras cosas, jugar hasta desaparecer.\n\n23!', NULL, NULL, 'El espacio debe ser amplio, más de 20 metros de diámetro, puede ser interior, pero de preferencia un espacio abierto y público, como una plaza.\nEs necesario acceso a electricidad para la iluminación de las máscaras, que debe ser artificial ya que las pirámides son herméticas.', NULL, 'artist', NULL, NULL, 'https://youtu.be/npGcsUtG1Gs', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1nFtr13vXbihAPYeRq88blFyfc8eANCar?usp=sharing', NULL, NULL, NULL, 5789, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4768, NULL, '2020-05-30 00:38:21', '2020-06-25 21:19:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25278, '0sapojV6uLi60lZd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:42:51', '2020-05-30 00:42:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25279, 'ca6TnLrrrOsOPU08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:43:07', '2020-05-30 00:43:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25280, 'APAAmLU4uvo8VXl9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:52:09', '2020-05-30 00:52:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25281, 'HmmcC6HvlMwbhKOL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:52:12', '2020-05-30 00:52:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25282, 'Oeg1HiDt37LDve09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:57:16', '2020-05-30 00:57:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25283, '6omIjjmkyCtOWZYl', 'Yvy Marae´y / Tierra sin mal', NULL, 'En busca del Yvy Marae´y/Tierra sin mal.\nSiempre he indagado sobre la identidad latinoamericana, sobre su cosmogonía y lo sagrado.\nLa cultura guaraní, de la cual soy descendiente por vía paterna, ha buscado a lo largo de siglos la Tierra sin mal o Yvy Marae´y. Lugar remoto; paraíso donde todo es bondad, justicia, donde los alimentos crecen solos. Allí habitan los antepasados, pero también se podría llegar sin pasar por la muerte. Guiados por un Karaí o profeta que tiene el poder de recibir los mensajes de los dioses mediante alguna señal de la naturaleza, la comunidad levantaba campamento y peregrinaban con cantos y danzas hacia esa tierra remota y prometedora. Imagino frisos humanos recorriendo todo tipo de paisajes, buscando su lugar en el mundo con alegría y fe. \nSomos tierra que anda. No podemos dejar de pensarnos como seres en unidad con la naturaleza y el universo. La fiesta popular latinoamericana suele relacionarse con lo sagrado, donde el sentido de trascendencia se une al color, las danzas y cantos colectivos. Para mí, buscar la Tierra sin mal es recorrer lugares para en el fondo encontrar la virtud y alegría en nuestro interior. \nComo consecuencia de esta búsqueda, encontré mi Yvy Marae´y en Traslasierra, Córdoba, donde vivo y pinto desde hace más de 12 años. Quisiera mostrar en alguna sala importante de Buenos Aires, lo último de mi producción, entre 10 a 15 obras medianas y grandes (pinturas y objetos), que giran en torno a este concepto.', NULL, NULL, 'Sala de Arte, Centro Cultural, Museo.\nParedes blancas, buena iluminación.\nDimensiones sugeridas: ente 30 a 50 mts lineales de pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.doloresmendieta.com.ar', NULL, NULL, NULL, 2396, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2076, NULL, '2020-05-30 00:57:17', '2020-06-23 20:58:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25284, 'bYTJB66IEEAJzhg3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 00:58:29', '2020-05-30 00:58:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25285, 'riIhb1qgM1p4OKTV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:00:16', '2020-05-30 01:00:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25286, 'umNSpQkI0RUiFcfp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:04:53', '2020-05-30 01:04:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25287, 'BjpNO87DPgzABiiY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:07:49', '2020-05-30 01:07:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25288, 'CC2qE4VHi2lpqqIt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:19:34', '2020-05-30 01:19:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25289, 'XngZCN28vhNe9SBv', 'Ciudad radiante', NULL, 'Recorriendo la ciudad de Bogotá, fijo mi atención en los edificios- sellados, intervenidos y/o abandonados- de la Carrera Décima, y su relación con las dinámicas que se desenvuelven a su alrededor como reflejo de del desarrollo de la ciudad, sus transformaciones históricas y sociales que han desviado la atención y el uso de esta importante avenida\nPara el desarrollo del proyecto propongo un diálogo entre la ficción, la probabilidad y la realidad a través de una serie de maquetas a escala de algunos de los edificios de dicha avenida, las cuales contienen unos videos en pequeñas pantallas. De modo que, la relación que establezco entre estos dos sugiere una lectura de la fachada que observa a la Carrera Décima y el interior como un detonante que rompe con los supuestos esperados, pues este interior es un video del afuera, lo cual ubica al espectador dentro del edificio, como si este estuviese adentro, mirando al exterior. \nUn juego entre la realidad y la ficción, entre el espacio y el tiempo, el afuera y el adentro, como una forma de contraponer significados y generar preguntas, una aspiración hacia lo desconocido que nos remite hacia lo conocido, y nos hace cuestionar la forma en la que observamos, recorremos y habitamos la ciudad, así como nuestra capacidad de reconocer aspectos como el abandono y en sellamiento como un fenómeno que atraviesa a las edificaciones y finalmente percatarnos del impacto que generan la inseguridad y la informalidad en determinados contextos.', NULL, NULL, 'Este proyecto  es una video instalación que consta de siete maquetas en cartón pintadas a mano a escala 1:40 que van a piso, cada una de ellas tiene un video en su interior de la vista de ese edificio hacia afuera, los cuales se pueden observar a través de un agujero que se encuentra en sus respectivas fachadas. Por lo tanto es necesario un espacio amplio para el montaje, con un área para el montaje de aproximadamente 4mts x 5mts que permita el recorrido y la interacción entre y con las piezas', NULL, 'artist', NULL, NULL, 'https://youtu.be/lGoX0sM-BFc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2639, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2283, NULL, '2020-05-30 01:32:51', '2020-08-12 18:48:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25290, 'd5DqfFIIBRCk93lR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:41:51', '2020-05-30 01:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25291, 'GA61JcxTsyrqAm0y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:49:41', '2020-05-30 01:49:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25292, 'Z5B8eFZkzQ8ubCw2', 'Escenas íntimas', NULL, 'La idea de escenas íntimas es entrar en aquellas zonas donde no tenemos acceso a primera vista.\nLo que se ve y lo que no se puede ver. \nLa posibilidad de ver sin ser vistos. \nObservar los mundos de nuestros personajes, que al no saber de nuestra presencia se desnudan un todo su ser.\nEsperamos que esta posibilidad de ver al otro en su esencia, nos brinde paz, nos relaje, nos divierta, y nos espeje. \nQuizás eso nos permita ver aquellas escenas íntimas propias que no llegamos a ver.   \n\nRepresentar el espacio interior. En todos sus sentidos.\nLo que no podemos ver.\nLo que no podemos ver del otro.\nLo que no podemos ver del otro ni siquiera asomándonos por la ventana.\nNi siquiera pisándole el jardín.\nLo que no podemos ver de nosotros.\nLo que no pueden ver de nosotros.\n\nEscena 1  Todo gira a mi alrededor - Yo estoy al derecho, dado vuelta estás vos.\n\nLas vueltas de la vida, sus etapas y formas de experimentar.\nArriba no existe, abajo no existe, lo feo no existe, lo lindo no existe, ahora ya no existe.\n\n1-	Aprender a pararse\n2-	Reconocerse en el otro\n3-	Levantar vuelo\n4-	Sentarse a observar\n\nEscena 2    Hacer la experiencia.\n\nLa carga\nLas repeticiones\nLas huellas\nEl camino\nLa repetición\nLos saberes\nEl encuentro\n\nEscena 3  -  El Espejo  -  \n\nLo que vemos cuando nos vemos\nVemos lo que somos?\nQue vemos cuando nos vemos?\n\nEscena 4     El hacedor - La materia - Lo finito\n\nEl carpintero\nEl que prueba\nEl que toca, corta, rasga, golpea.\nEl que se lastima\nEl que sigue', NULL, NULL, 'Un escenario monocromático, con volúmenes y texturas.\nEl escenario tendrá una proporción apaisada 2.35:1 , y constará de 3 espacios.\nSobre cada uno de ellos se proyectarán imágenes que le darán marco, ambiente y color a la escenografía. \nEn ese escenario se desarrollan las coreografías de los bailarines. Proyectado también, interviniendo los espacios y jugando con la irrealidad y las posibilidades que nos ofrece el video para jugar con nuestras propias imposibilidades físicas de la materia.', NULL, 'artist', NULL, NULL, 'https://youtu.be/3__L_Gjd0Ck', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3515, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3005, NULL, '2020-05-30 01:52:29', '2020-07-14 23:42:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25293, 'uAmzg5bEycsXj3Ac', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:52:56', '2020-05-30 01:52:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25294, 'ymkATECRouAa41fO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:56:04', '2020-05-30 01:56:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25295, 'tegNlmS5ejdNMzkK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 01:58:53', '2020-05-30 01:58:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25296, 'IQOJAJlSeQBVpuOl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 02:00:07', '2020-05-30 02:00:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25297, 'hcCAR3538AvMKMsV', 'CICLOTRAZO/CICLOFOTO', NULL, 'Ciclotrazo y Ciclofoto es una experiencia de dibujo y fotografía destinada a aficionados al dibujo, fotograf@s y al público en general. Es un lugar de encuentro para ejercitar la observación; un espacio para compartir el gusto por dibujar tomando como eje la figura humana.\n\nEstamos creando valor principalmente estudiantes relacionados al ámbito gráfico y fotográfico como también profesionales independientes cercanos a esas áreas. Todo aquel que quiera reencontrarse con el hábito de dibujar/ tomar una fotografía (incluyendo sobre todo a el uso del celular) es un potencial participante. Dando lugar a desplegar nuestra creatividad. Apuntamos a democratizar la mirada en el arte, valorizando al hnumano sensibilizado en su contexto sociopolitico.\n\nEn esta experiencia público objetivo no solo es el que ya dibuja, sino todo aquel que haya tenido un vínculo de más pequeño, como “aficionado” a ambito grafico, se reencuentra con esta herramienta tan antigua como la historia. Pudiendo retornar a ese trazo y traerlo al presente. Destacamos también el uso del celular en el proyecto de foto, ya que es sumamente inclusivo y potencia/intencional en el capturar recortes de lo que plantea ciclo.\n\nCiclotrazo/foto es encuentro, es un vibrante “aquí y ahora”, es dejarnos atravesar por una propuesta de sonido, vestuario, maquillaje, actuación, escenografía. Es abandonar por un rato la frecuencia de nuestros días para volver a sorprendernos, es recuperar nuestra capacidad de asombro.', NULL, NULL, 'Espacio necesario para la instralacion: \nCircunferencia de al menos 5 m. más 3 m para les partcipantes : 10 m en total aprox. ( y un apartasdo de 5 x 5 m para la zona del coofe brake donde iria la mesa)\n+ equipo de luces y sonido dependiendo el ciclo a realizar.\n\nSi es Ciclotrazo: se necesitan 40/60 sillas de facil movilidad.\nMateriales de dibujo a cargo del equipo\n\nSe necesita proyector + pantalla', NULL, 'artist', NULL, NULL, 'https://www.behance.net/gallery/71113395/CICLOTRAZO-una-experiencia-en-modelo-vivo-caracterizado', NULL, NULL, NULL, 'https://www.instagram.com/ciclotrazo/', NULL, NULL, NULL, 2427, NULL, 282, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2103, NULL, '2020-05-30 02:00:09', '2020-07-18 22:32:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25298, 'T0j75zEctPr9wHIQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 02:20:04', '2020-05-30 02:20:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25299, 's1nMndMR47sXNwaf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 02:31:30', '2020-05-30 02:31:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25300, 'Xjmmtd93KIDhxAfb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 02:33:44', '2020-05-30 02:33:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25301, '3EZcazb3B7OqxHWi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 02:46:45', '2020-05-30 02:46:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25302, 'JhVTCz3rBInevISQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 02:51:21', '2020-05-30 02:51:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25303, 'vljXE93QovBqpbsj', 'Habitar la ambigüedad', NULL, 'La ambigüedad como una característica de la sociedad contemporánea, como condición social actual. Para abordar esto se tomarán los conceptos de dos autores: relaciones de poder de Michel Foucault y el de sociedad de rendimiento de Byung Chul Han. Habitar la ambigüedad procura generar una reflexión entre el control exterior que propone Foucault y el control interior que plantea Byung Chul Han. Uno de ellos pensado en su modalidad de límite e imposibilidad externa, y el otro como una restricción autoimpuesta; dos maneras de dialogar con un mismo concepto. \nEn ambas teorías la regulación y el control queda de alguna manera escondida y justificada por un sistema mayor.  \nA partir de esto, lo que se propone es una tercera opción que es en realidad un interrogante que se pregunta si en realidad no estamos en el medio de estas dos teorías; no se trata de elegir o de pensar en una sola teoría sino de ir y venir entre una y otra y así generar un modo de ser que es ambiguo, un modo de habitar la ambigüedad.\nEl vínculo entre las obras presenta las ideas de límite, frontera, cerco, imposibilidad, control, regulación, dominación, ocultamiento. La propuesta es hacerse conscientes de los mecanismos y una vez ahí, se podrá discutir o no, permanecer callados o empezar a discutir. Sentirse observado y callar o hacer algo. Todas las acciones modifican y representan un cambio y una posición.', 'Emilia Tonello, argentina, https://www.behance.net/user/?username=emiliatonello\nCandela del Valle, argentina, https://cargocollective.com/delvallece\nNicolás Restbergs, argentino, @restbergs\nKarin Arce, argentina, @karinarcegacitua\nLaura Zingariello, argentina, @lauzingariello\nCarlos Marulanda, argentino, @marulo.-\nFederico Barabino, argentino, http://www.federicobarabino.com.ar/p/bio.html', NULL, 'Muntref,  Centro de Arte y Naturaleza. Abordar la temática de las conductas humanas como parte de la naturaleza. La exhibición se extendería en la planta baja y la planta alta.', NULL, 'curator', NULL, NULL, 'https://cargocollective.com/delvallece/Cenestesia-del-Movimiento  https://www.youtube.com/watch?time_continue=3&v=Pm5_Xl7K9D8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5478, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4910, NULL, '2020-05-30 02:54:47', '2020-08-14 22:07:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25304, 'qwumY7FQyStGbrRb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:17:47', '2020-05-30 03:17:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25305, '74dFd7aPjW8F41ai', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:20:05', '2020-05-30 03:20:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25306, 'ZiIYlRell8AtjjSV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:22:51', '2020-05-30 03:22:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25307, 'jILzmgrJqvqlJksU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:32:31', '2020-05-30 03:32:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25308, 'ElwEDvkNaOz5fflA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:36:28', '2020-05-30 03:36:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25309, 'x8biJ7eA1UR0cdgh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:41:09', '2020-05-30 03:41:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25310, 'J1e3f1DDkU4LIDgX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:56:28', '2020-05-30 03:56:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25311, 'bezAuwFfKqF8l1Hz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 03:57:06', '2020-05-30 03:57:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25312, '9FeTYZiTS5zrlRdd', 'LOVE BINDS US', NULL, 'Hay un escrito especial en esta obra de autoría propia, dedicado a todas las personas que han sido afectadas por la raza, etnia, género o identificación sexual. Esta obra nos lleva a ver una division, donde la solución es el amor, el amor en todos sus colores y maneras es el único que nos puede unir.', NULL, NULL, 'Obra de 60 x 60 CM. Acrílico sobre Lienzo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3303, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2839, NULL, '2020-05-30 04:06:47', '2020-06-26 22:51:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25313, '3aMkD1GjMqnRNF58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 04:28:46', '2020-05-30 04:28:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25314, '3kh8rZ3Z3uaSUWTl', 'Carne Seca', NULL, 'Proponho uma Instalação cujo nome é Carne Seca.\nFiz uma série de fotos que mostra a desigualdade clara e visível que vivemos e ao eleger como foco de trabalho as pessoas mais vulneráveis da sociedade, compreendi que os incômodos por eles vividos tomaram corpo no meu corpo e através dessas fricções surgiu o nome Carne Seca.\nCarne Seca é a possibilidade de transformação e solução de sobrevivência que começa a ser usado no século XVI pelos índios, que ao sol e ao vento colocavam os peixes e carnes para secarem e é também, o nome da coberta que cobre a carne seca, mutilada de afetos, considerações, respeito e até do mínimo básico, que seria o digno pra existir pacificamente nesse mundo: teto e comida.\nA instalação é composta por dez cobertores e cada um deles possui: uma fotografia de pessoas em situação de rua e as que mostram o rosto, intencionalmente os cubro com espelho para resguardá-los, uma placa que quase sempre possui a palavra fome e uma nota fiscal no valor de 600 mil reais cada, para fazer uma apologia ao trabalho da banana de Maurizio Catellan vendida por 120 mil dólares. Utilizo esse valor de referência e o converto na minha moeda, visando propor uma reflexão sobre o valor da arte e o valor da vida e também, para propor outras reflexões essenciais como: me vejo refletido no outro e assim, compreendo que a sua dor é também a minha; indiferença não é sentimento; individualismo é doença; compaixão se faz necessário; não somos nada se não nos vemos no outro.', NULL, NULL, 'Ao entrar no espaço expositivo o espectador verá dez cobertores de 1,95 X 82,5cm afixados na vertical- parede e finalizados na horizontal-chão, colocados em sequência com espaçamento de 30 cm. O cobertor é apresentado com uma placa produzida e utilizada por pessoas em situação de rua e compradas por mim; uma nota fiscal da MZZ com a descrição do produto, que é a palavra VIDA acrescida do pedido da placa e a foto de um vulnerável impressa, sublimada em tecido e costurada.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4674, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3935, NULL, '2020-05-30 04:37:24', '2020-08-01 00:11:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25315, 'oGHTZBhFvSGgfSTf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 04:46:29', '2020-05-30 04:46:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25316, 'WXrJuKQTY0FQX5B6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:01:22', '2020-05-30 05:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25317, 'gzNRjRq2IaFBf3RX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:05:23', '2020-05-30 05:05:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25318, '46RBiPC6T92cbBoq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:07:07', '2020-05-30 05:07:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25319, 'wqhWDfnnFCFLcSIY', 'Je Suis Z19.', NULL, 'Aspectos formales: Es una serie de 3 ejercicios cartográficos realizados en la localidad de Ciudad Bolívar que se materializan en la técnica Serigrafía Comestible con la que imprimiré comida para los asistentes a la exposición en este caso: obleas. Si se están preguntando ¿Eso se puede comer? La respuesta es si. porque la tinta está compuesta de Arequipe o Dulce de Leche y Salsa de Mora. \n\nAspectos conceptuales: la pregunta problema que plantee es ¿Porque el territorio cambia de acuerdo a la situación? Para materializar esta reflexión decidí tomar el lugar donde crecí y donde actualmente resido y mi experiencia personal. Concretamente la serie está compuesta de 3 mapas de Ciudad Bolívar entre los barrios Quintas del Sur y Candelaria la\nNueva donde se muestran algunas rutas que suelo frecuentar, cada uno de los mapas está representado de la siguiente manera:\n● El primer mapa muestra una ruta de lugares que han marcado la infancia de la mayoría de personas que han vivido en el barrio.\n● El segundo mapa muestra una ruta de lugares por los que no puedo pasar en mi día a día ya que en esos lugares está el ejército presente reclutando chicos de mi edad para seguir peleando esta guerra sin fin.\n● El tercer mapa muestra una ruta de lugares que hacen referencia al cliché de que la localidad de Ciudad Bolívar es Insegura en ese orden de ideas es un mapa de lugares peligrosos donde nadie podría pasar porque lo robarían.', NULL, NULL, 'Dimensiones: 250 cm X 250 cm X 250 cm\nTiempo estimado de montaje: 4 Horas\nDuración: En caso de que la exposición sea solo un día se realizara la experiencia ese día, en caso de que dure más tiempo se harán 2: una en la inauguración y la otra en la clausura. O como se decida.\nEquipo: Una mesa grande y 2 paneles de exposición para poner las infografias\nEspacio necesario para el performance (Imprimir Obleas): 10 m x 2 m', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=XvayynfiMao', NULL, 'https://soundcloud.com/jerson-murillo-1/je-suis-z19-intro', NULL, NULL, NULL, NULL, NULL, 2397, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2077, NULL, '2020-05-30 05:08:04', '2020-08-12 18:22:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25320, 'BSSsFyAeKTE1xo7x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:10:00', '2020-05-30 05:10:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25321, 'zeiNuDCsHCCeI41a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:15:51', '2020-05-30 05:15:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25322, 'aZL97hkwalm4c7lt', 'Huele a Petróleo', NULL, 'La profunda crisis Política, Social y Económica por la cual atraviesa Venezuela, me incitó a comprar billetes Venezolanos a los inmigrantes que llegaban a Pamplona y ellos se sentían agradecidos, ya que los billetes no tienen valor económico y lo que yo les ofrecía por ellos, les servía para comer o buscar hospedaje.\nEn el primer cuadro, muestro una serie de caminantes sobre billetes Venezolanos, taques de Guerra y Aviones de combate, haciendo alusión a una posible invasión, la cual sería desastroza para todos los Ciudadanos de la Región.\nLa segunda pieza nos muestra a un Psicópata de las tiras cómicas (El Jocker o El Guasón) quien representa el Caos y la destrucción, pintado sobre billetes Venezolanos.\nLa tercera pieza es el retrato del Super Héroe Batman, quien se vé que está dispuesto a pelear por el bien y la justicia y salvar a Ciudad Gótica del mal......en éste caso, Ciudad Gótica es Venezuela.\nY la pieza No 4 es la calavera de la muerte y en sus ojos se ven a los soldaditos después de la Guerra.\nLa calavera nos muestra diferentes elementos tecnológicos y de poder que en algunos casos pueden ser bien utilizados y en otros casos nos pueden llevar a la muerte.\nAl representar al Guasón, pensé en la Dictadura que Gobierna Venezuela, Batman es el Superhéroe, o sea el Pueblo Venezolano, los caminantes siguen sufriendo y la Calavera simboliza la Guerra que se podría desatar con los Estados Unidos, la cual sería desastroza para todos nosotros.', NULL, NULL, 'Quisiera una pared blanca de 5 metros de alto X 5 metros de largo aproximadamente. Las piezas estarían ubicadas una sobre la otra como aparecen abajo de éste texto con un espacio de 50 cm entre cada obra.\nIluminación directa, ficha técnica y una breve reseña.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3038, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2621, NULL, '2020-05-30 05:28:15', '2020-06-25 23:21:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25323, '6BmucTBlmxkX0PqC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:37:22', '2020-05-30 05:37:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25324, 'yvBVwdWAiL91flop', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:49:41', '2020-05-30 05:49:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25325, '3NYZrxUd5GSYBwyK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 05:57:41', '2020-05-30 05:57:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25326, 'zI532bfozATImFgA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:04:53', '2020-05-30 06:04:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25327, '4uyMYCAT8nC1opue', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:19:57', '2020-05-30 06:19:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25328, 'PBCPBaBvJtFQpMxN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:45:06', '2020-05-30 06:45:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25329, 'P5Nih2vxUqEqkfHZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:45:21', '2020-05-30 06:45:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25330, 'hjLpE05KjPdu1DJ0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:48:56', '2020-05-30 06:48:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25331, 'kO9fZsfv3KQpQTzS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:52:08', '2020-05-30 06:52:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25332, 'ByPUCkZTFQMSsJJf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:54:31', '2020-05-30 06:54:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25333, 'hlKOHFIWV0XpuhE8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 06:59:14', '2020-05-30 06:59:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25334, 'D8ENXZzugFryylfE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 07:01:36', '2020-05-30 07:01:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25335, 'MkCiuTtAI4Uxa0fP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 07:12:14', '2020-05-30 07:12:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25336, 'xOPPeyxZYnDZvXFB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 07:28:59', '2020-05-30 07:28:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25337, 'yhARChjyoXfnRLkY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 07:39:40', '2020-05-30 07:39:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25338, 'dJ7vV1O226S9aTVS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 07:41:27', '2020-05-30 07:41:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25339, 'wfXUEASbaHpXR5lD', 'Deer Calling', NULL, 'Yuto Hasebe is a Japanese artist who is interested in the relationship between nature and musical expression. He creates the series of string instruments inspired by the shape and the material in nature. In early practice, he created the string instrument \"Tree Guitar\" has a branching structure. At first glance, the string\'s length was irregular but the strings were setup according to its natural structure. He made performance along with the environmental sounds recorded in the forest.\n\nHis recent work \"Deer Calling\" is the cello-typed instrument made out of deer antlers that was given from a hunter. And he gave a performance with it at huge park that was a former hunting ground in Prague, Czech Republic.​\n\nAbout an environmental problem in Japan, the beast harm by wild deer is one of the topics. They eat crops,  fallen leaves and soft tree bark in the forest which caused to annoy people, soil can not grow fertile and trees will wither. These all things are in danger of breaking natural ecosystem. Now, the number of wild deer are increasing. Therefore, local hunters and city governments are destroying wild deer to extermination. On the other hand, in Japan, deer are often respected as a god\' messenger. I feel a contradiction about value of life here. I thought that if I used a deer antler as material for the instrument, it would become music expression for value of animal\'s life.', NULL, NULL, 'This string instrument can disassemble as checked baggage for airplane.\nGuitar amplifier can work with cell batteries.\nRequired floor is minimum 3 x 3 meters.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/231237198', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3848, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3271, NULL, '2020-05-30 07:43:10', '2020-07-02 20:34:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25340, 'GQy01yrRlFnNYpyj', 'A lo Alto', NULL, 'Mural de 49 imágenes de portones de El Alto, Bolivia.\nEl Alto, situado a más de 4.000 mts s/nivel del mar, vivió un notable crecimiento endógeno. Declarado Ciudad recién en 1985, hoy ya es la segunda más poblada de su país.\nEn su arquitectura se da un particular encuentro entre lo moderno y lo tradicionalmente indígena, que es hacia donde enfoqué mi trabajo.  \nSi las ciudades son la expresión material de los procesos históricos, El Alto nos brinda un discurso de autonomía con estilo propio e identitario.  Surgió una arquitectura despojada de los cánones establecidos, donde el habitual y sencillo ladrillo a la vista, ahora se ve acompañado por las llamativas formas y el color de la nueva arquitectura andina.\nAdquirieron relevancia sus edificios conocidos como Cholets, pero también, quien transite sus calles internas de tierra y casas bajas, notará que mucho del hincapié y el color de la construcción alteña se encuentra en sus portones.\nDecidí abordar esta singularidad.  Fotografié portones de edificios pero también de casas de adobe, cuyos diseños van desde la invocación de lo ancestral de la cultura tiahuanaco hasta otros inspirados en transformers.\nMe propuse unir los diferentes estilos para que coexistan en el mural y surja un recorrido visual que interpele al espectador/a.  Y el que formen parte del mismo, tanto cruces andinas como muñecos de diseño japonés y comercialización estadounidense, quizá nos lleve a pensar sobre lo autóctono y lo transculltural.', NULL, NULL, 'Fotografía impresión fine art, encuadre/marcos de madera color negro y vidrio al frente.\nEspacio expositivo: cualquier pared que pueda alojar un mural con las siguientes dimensiones:\nMedidas: 125 x 140 cm.\nPeso: 7 kgs aprox.\n49 imágenes de 15,75 x 18 cm, en 7 filas y 7 columnas (simil a la bandera Wiphala, pero en formato 7-8, a lo alto).\n(*)  De ser posible me gustaría incorporar como parte de la obra, una pequeña tarima de dos escalones de adobe y ladrillo a la vista, para quien lo necesite.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2494, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2156, NULL, '2020-05-30 07:59:33', '2020-08-14 16:44:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25341, '1C9Owx9eHxltyhSQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 08:20:16', '2020-05-30 08:20:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(25342, 'krj6iU5Ax4xsfmRX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-30 08:24:00', '2020-05-30 08:24:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
