It comes from the connection between my life and old clothes. My stuffed closet becomes a problem. I start to mend these second-hand clothes as a symbol of both inside soul and outside body. I focus on a time-consuming process of hand sewing. It could develop an own spiritual practice to enter into a contemplative dialogue inside. It is like a healing method to release my pressure. After the repetitive work in a period of time, it carried out a sense of ritual. This process also transformed clothes into a key role. Installation of spotlights on them is like recovering injuries to connect their unknown history. The composition of this installation is separately named Circulation, Balance, Come In and Go Out."