The work “Teologia Natural” is composed of a video and an installation with drawings and fragments of texts found in internet archives and old newspapers. All of these elements are related, in some way, to the discovery and exploitation of rubber by Europeans that began in the 18th century and later by the Americans and continued until the end of World War II. An exploration that had harmful consequences for the people of the Amazon and for the Northeastern immigrants used by rubber tappers as slave labor during the two rubber cycles. The entanglement between these particles: images and texts, emerging from different historical times, has the potential to shape a type of archeology, an assembly, where the interstitial zones reveal new connections. The video “Quem me encontrar parado me empurre para o meio” (Whoever finds me standing and pushing me to the middle) is a performance on the Amazon River where wooden boats are launched into the river's waters. The narrative that is heard in the video is the reading of a letter written in 1953 by a woman from Ceará who lived in the Amazon, addressed directly to San Francis, to pay the promises made in times of desperation.