In this project cultural diversity is connected to displacement of non-text in India and China and furthermore connected to the visual aspect of scriptures with calligraphy in contemporary art. The artists and scholars involved in this research and exhibition platform are trying to explore the hybrid identities that they can locate themselves in with their regional calligraphy.

One part of this project seeks to address the role of writing, creating signs and symbols, and ultimately develop a writing system for the Mizo people-an ethnic group native to north-east India, Western Burma (Myanmar) and eastern Bangladesh. The term Mizo refers to ‘people of the highlanders’ and covers several ethnic groups who speak various kuki-chin languages. It is a multi-disciplinary project involving researchers, artists, linguists and cultural activists. 
In the search for identity and indigenous roots, Rih Dil- the most culturally significant lake became an important site and geopoetic figure 

KwiKwi Collective created an exhibition  in the Jawaharlal Nehru University in 2016. 
Cave, translated into Mizo languages is Puk, which is another word for borrow. The project experiments on the idea of ‘borrowing’ and ‘lending’ from other cultures and ideas that celebrates diversity and instigate collective collaboration and further the act of thinking and seeing.
In our proposed project we will invent a new scipt from traces of Mizo visuals in caves. text as non text creates our framework.