'Rastreando’ (Tracking), 2016, is a multimedia performance.
Due to events in Brazilian politics in 2016, I found myself reading newspaper headlines that seemed very similar to newspaper headlines published in 1964, the year of a civil-military coup in Brazil, and that got my interest. I started exploring this theme by projecting these headlines in a blackboard and drawing with chalk on it, as a live action. The result is traces that are often overlooked, that create an ephemeral image of my interpretation of the past in the 'now'. This work conveys political issues that are dealt with in an aesthetic way, and the viewer is challenged to think critically in the politics of memory.

This performance action, although it was first performed in 2016, it's a timeless action as every time the slideshow with newspaper headlines is altered to dialog and relate to contemporary and actual events of the period when is performed. 
Therefore what interests me as an artist, is to perform this action 'rastreando', along the years, allowing me to 'excavate' the past and relate it to the present moment, evoking a sort of Historical Apokatastasis, as Walter Benjamin would name it : 'the bringing back of all', the waiting for the redemption and recovery of the past, in which the moment will come when generations will come together to share both past experiences and the present moment.