I've been reseaching for some time  alternative processes within the photographic field, thus expanding its possibilities.

Clorophyl prints, a technique dating from the 19th century, is the object of this proposal, and has been able to combine my previous work with self-portraits and ballerinas as a basis for prints on leaves.

A very rich aspect of this process is the observation of natural light, the climate, the forecast of sun or rain. This factor has also become a determining factor in the possibility of creation that I do. As much as observing the way that each type of leaf ages and colors or discolor, proving what we mean by color is, in fact, an abstraction.

This process keeps its beauty in the precariousness of the result, being it as unpredictable as it is inaccurate. Embracing its precariousness is a way of positioning yourself in the face of consumer images these days, where everything seems to be retouched and manipulated.