The project is a portrait of the condition of inadequacy, fragility (but also awareness and irony) that characterizes the ’80s-’90s born, giving shape to the seemingly infinite potential of this generation, which often remains unexpressed. It is precisely this lack of expression that makes the project so urgent. The practices of the invited artists intercept some of the aspects described in the abstract already sent.

Federico Antonini’s work shows his interests in books and YouTube’s tendencies: the action is pervaded by an estranged eroticism that makes the video exciting and disturbing at the same time.
Lucia Bricco’s video questions the relationship both intimate and visceral with the studio, that the artist considers as a house.
Federica Di Pietrantonio’s aesthetics deals with painting tradition and digital culture, investigating a certain idea of the domestic space, which turns into something far from familiar.
Roberto Fassone’s work is a paradoxical oracle, in which the artist questions us, with subtle irony, about our anxiety to predict.
Valentina Furian highlights the sublime beauty of a traumatic event, offering many possible interpretations according to the time we are living, without any paternalistic intent.
Guildor makes a seemingly riot action, which turns out to be counterproductive and ridiculous for the artist himself.
Pablo Insurralde’s sculpture recreates a tiny domestic context, both reassuring and fragile.
Davide Monaldi, through the transfiguration of his keys into ceramic, makes a precarious monument of the artist’s properties.
Chiara Pagano’s installation is a metaphor for the condition of waiting and suspension, arousing a sense of mocking frustration.
Mattia Pajè creates a short circuit between the monumentality and fragility of the sculptures, a (bad) copy of two bodies made in a childish style.
Urara Tsuchiya’s figures synthesize our relationship with sexuality and with the intimacy of our houses, adding a touch of provocative irony.