The installation “I dreamt it was windy yet everything was still” is composed of four walled corners, positioned to form the frame of a cube. White sheets, suspended by strings, connect the top of one corner to the other. Four fans, respectively placed in front of each side of the installation, cause the sheets to billow and sway, blurring the boundaries between the interior and exterior space. 

Understanding the corners as two faces meeting, the impossibility of continuous action, that is, the demarcation of the end of a trajectory, transforms it into a place of immobility, even if only momentarily. 

Although it is not possible to define the exact size of a corner, the positioning of four corners that do not connect to each other, facing the centre, marks a perimeter, imaginary or real. Thus, the movement of the sheets that occupy the gap between the structures, dissolves the previously delimited line, simultaneously transiting the inside and outside space. 

Playing with contrapositions, the static corners and the perennial sway of the sheets create an ‘in between’ space, a place concurrently covered and uncovered, a shelter that does not necessarily shelter us.

With architectural elements and interiors, the discussions that permeate the project seek to reflect on the limits of the spaces we occupy, both geographically and emotionally. Whether in the creation of imaginary spaces or a direct clash with the full and empty of the places we inhabit.