INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19332, 'HbShkNXklRZYk3Yv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 17:56:14', '2020-04-27 17:56:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19333, 'zI7Tr9Cd0iYDlTyn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 17:56:19', '2020-04-27 17:56:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19334, 'VAbhmAsLQd8Gge7O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:05:03', '2020-04-27 18:05:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19335, 'htfTfF8yFRyifWav', 'Vinte limites anna', NULL, 'Veinte limites Anna es una serie de 20 dibujos hechos en tinta sobre papel, que presenta una encuesta de ubicaciones en el mundo que llevan el nombre de la artista: Anna. La investigación empeezó durante el aislamiento causado por la pandemia de covid-19 en 2020 y la relación con los límites de la casa y la imposibilidad de desplazamiento durante el período en cuestión. El anhelo de nuevos horizontes, diferentes de los que se ven solo a través de la ventana, condujo a la búsqueda virtual de otros espacios. Como una forma de encontrar un lugar en el mundo, la artista buscó en plataformas y mapas digitales lugares llamados Anna y encontró de todo, desde pequeños pueblos y vecindarios hasta un lago, una autopista, pueblos y pueblos fantasmas. A través de Internet, la artista puede caminar virtualmente por estos territorios, observar el paisaje y los nuevos horizontes. Los dibujos funcionan como un catálogo de estos lugares visitados, con la definición del territorio en líneas y anotaciones de las coordenadas del globo terrestre.', NULL, NULL, 'Cada dibujo tiene un tamaño de 15x21 cm y se puede colocar directamente en la pared o en pequeños estantes, organizados en 4 filas y 5 columnas como se sugiere en la foto adjunta. Ocupan 65 cm de alto y 110 cm de ancho en una pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1575, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1391, 5, '2020-04-27 18:05:08', '2020-08-20 02:37:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19336, 'sce4zAoSjhzaHFih', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:07:11', '2020-04-27 18:07:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19337, '6Q5aUUJVdlsFOlly', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:13:00', '2020-04-27 18:13:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19338, 'LryAEErdfgQ4tVWp', 'Δromos', NULL, 'The concept for the installation arose during discussions with the residents of the neighbouring B\' of Thessaloniki, a neglected district of the town, and in the context of the collective performative work Truly Yours. More specifically, the work Δromos was an act of restoring the unfulfilled expectations of the residents regarding the opening of a road - and with it, an exit to the port, by depicting a virtual road as lighting installation.', NULL, NULL, 'A narrow space of 19mx25m long. Thin tree branches should be spread around the space and be mostly placed underneath the light installation. Led cable connecting the two ends of the space in a going upward direction from the front side to the back forming a triangle. White or blue led cable is used for the outlines of the road and a led tape of moving light like drops is used for the middle line of the road.', NULL, 'artist', NULL, NULL, 'https://youtu.be/OhfLgy-yQAc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1858, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1632, NULL, '2020-04-27 18:13:06', '2020-06-23 02:00:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19339, 'kFSH8xMcHSl2atuk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:15:23', '2020-04-27 18:15:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19340, 'KXkJ8dctMqvJMapD', 'Jardim dos Baobás', NULL, 'Projeto Jardins dos Baobás \nEm meus estudos mais recentes, utilizando-me das pesquisas com a azulejaria e estamparia das chitas realizei 10 (dez) Totens medindo: 8.5cm de diâmetro e 140cm de altura, em técnica mista  em tubos de papelão prensado com base em madeira, cada qual com padronagens, texturas, côres  diferentes  e por suas formas cilíndricas e  eretas  classifiquei de Baobás, numa despretensiosa homenagem e alusão a árvore que é um dos símbolos fundamentais das culturas africanas tradicionais segundo o pensamento mágico-religioso yorubá têm na simbologia da árvore um de seus temas recorrentes. \n Na sua cosmogonia, a árvore surge como o princípio da conexão entre o mundo sobrenatural e o mundo material. É o elo entre o céu e a terra. Conforme já mencionado, não tem em absoluto a pretensão de interpretar estudos tão sérios e aprofundados nos fundamentos da religião, apenas, como humilde admirador e por ser nascido numa terra de miscigenação e afrodescendentes e de incalculável herança cultural.', NULL, NULL, 'Espaço sugerido: conforme a determinação da curadoria do evento, sugiro que pode ser uma sala mediana aproximadamente de 50m2  para que as obras possam estar com uma boa distância umas das outras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1582, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1398, NULL, '2020-04-27 18:20:39', '2020-08-03 18:17:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19341, 'jTtzGmGd4mh6tSGt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:21:19', '2020-04-27 18:21:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19342, 'qjPsXHs8mKkGmJuY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:22:49', '2020-04-27 18:22:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19343, '9ewfba9CkLHzyxBt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:23:12', '2020-04-27 18:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19344, 'QxXUgd8bfGSeBnhj', 'DÍNAMO', NULL, 'Performance\nA bike ride.\nThe game between different familiar mate-\nrials, make us feel in a home environment.\nHere lives the music and poetry that “tap”\nthrough space, passing through the various\nscenarios of wonder and suspense, constantly\ncommunicating with the fragility of the human\ncondition.\nIt is a simple story of demand and that will\neasily create links of identification with the\npublic, it is a symbolic expansion of a life that\nmerges between comings and goings.\nIt’s going to be a round trip. Thus, we leave a\nblank space in the script that will be filled by\nthe specificities of each place where the pre-\nsentation is. This whole trip is live musicized.', NULL, NULL, 'Installation\nThe installation as an art form allows us to expand the environments and the consequent transformation of the pu-\nblic space, causing the encounter and active participation of the viewer.\nThe installation invites the public to ride an old bicycle, activating dynamos that generate light in the headlights\nshowing directions, the more pedalling the more light there will be, in a sustainable and clean energy production.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/user33918794', NULL, NULL, NULL, 'http://www.kopinxas.com/dinamo-instalacao-performance/', NULL, NULL, NULL, 1576, NULL, 184, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1392, NULL, '2020-04-27 18:24:23', '2020-08-03 18:17:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19345, '9ubC9k8edOQlHape', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:24:56', '2020-04-27 18:24:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19346, 'UM6Irpjhj2uJPyla', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:25:19', '2020-04-27 18:25:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19347, 'UG8EBqT1giuNSulL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:26:42', '2020-04-27 18:26:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19348, 'uLvHeUBtIFW9Hc1B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:31:06', '2020-04-27 18:31:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19349, 'mTn6cyn1PsbFrQXU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:32:50', '2020-04-27 18:32:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19350, 'CMw8wP1VYktojNNP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:33:11', '2020-04-27 18:33:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19351, 'N76BloJyjI5vCJZc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:34:38', '2020-04-27 18:34:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19352, 'AY8lgKBzu0eXOhYQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:40:05', '2020-04-27 18:40:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19353, 'lSrQVsdZNaKacLD9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:55:15', '2020-04-27 18:55:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19354, 'UwyQxDQTgYNcVlVa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:55:23', '2020-04-27 18:55:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19355, '6CZTRokXynSg09no', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:55:33', '2020-04-27 18:55:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19356, 'wWjk3G6F9S7hLlTJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 18:58:50', '2020-04-27 18:58:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19357, 'sxPv2waI7BiFszFt', 'III (INSTITUTO IMPERMANENTE IMPERFECTO)', NULL, 'Crear un instituto impermanente imperfecto que promueve una nueva forma de vida combinando nuevas practicas de sonido. \n\nEsta residencia para artistas, es online y amerita de mucho compromiso ya que se trabaja generando hábitos para una mejor vida. Todo esta adentro nuestro, solo hay que hacer silencio para escuchar. \n\nDe este grupo de artistas se genera una agencia para trabajar en un evento final online y un encuentro anual; todos los años en un pais diferente del mundo. \n\nEl trabajo fue motivado por la necesidad que sentí de parar de hacer objetos y crear arte invisible.', NULL, NULL, 'En el Marco de Bienal Sur, el Instituto Imperfecto puede funcionar como conector de todos los lugares geográficos que se plantean, así como una forma de vivir online.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1695, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1491, NULL, '2020-04-27 19:01:35', '2020-08-11 22:03:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19358, 'AcVnIkHvlaJtbwoB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:02:35', '2020-04-27 19:02:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19359, 'UFjYzRf0d86TKppj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:09:44', '2020-04-27 19:09:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19360, 'YEoj8BYOmd63YafT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:11:44', '2020-04-27 19:11:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19361, 'l67Rphs7k3jgvRvm', 'ephemeral angels', NULL, '... todos somos ángeles efímeros sobre este Planeta...\n\nEphemeral Angels es una video instalación interactiva en tiempo real basada en una interfaz digital.\nEl visitante se ve en la proyección como reflejado en un espejo, con alas de plumaje blanco, como un espejismo mágico.\nEl movimiento de las alas activa un sistema de partículas, creando brillos en el fondo.\nEl sonido generativo recuerda el de plumas moviéndose en el viento.\nEste trabajo está inspirado en conceptos de biomimética relacionados con los primeros intentos de volar en la historia de la humanidad, como los de Leonardo da Vinci y Otto Lilienthal.\nLas gráficas para las alas y las plumas fueron tomadas de los estudios de Otto Lilienthal, recogidos en su publicación \"El vuelo de los pájaros como base para el arte de la Aviación\", 1889.\n\n... imitando a los pájaros, los humanos devenimos en ángeles...\n\nInformación adicional en las imágenes.', NULL, NULL, 'Superficie de proyección lisa y blanca. Puede una pantalla, una pared, muro o fachada lisa.\nSe debe contar con una determinada penumbra que permita percibir claramente las proyecciones.\n\nEspacio de interacción frente a la pantalla: donde el público puede moverse libremente interactuando con la interfaz.\n\nEl proyecto puede ajustar sus dimensiones a las del espacio expositivo: desde 10m x 8m x 8m en un espacio urbano, hasta 2m x 3m x 3m en un espacio expositivo.\n\nMás información ver diagramas', NULL, 'artist', NULL, NULL, 'https://youtu.be/pBhrvqfNyHE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4167, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3551, NULL, '2020-04-27 19:15:40', '2020-07-06 19:00:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19362, 'rZFGPRh5Ohb5Mgiz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:17:42', '2020-04-27 19:17:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19363, 'IJXgP8nUSlTHiFvq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:18:16', '2020-04-27 19:18:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19364, 'O4KPo247vkq1P1vz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:18:46', '2020-04-27 19:18:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19365, 'cVoYFWpOUGxTdLf3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:20:59', '2020-04-27 19:20:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19366, 'mzUZdcftt99VXiAI', 'SOPRO/BLOW  Denise Calasans Video 1’52\'\' São Bento do Sapucaí- SP Feb / 2020  Curator: Marisa Flórido César Direction: Adriana Menescal Photography: Claudia Mattos Edition: Duda Las Casas', NULL, 'In times of pandemic , we have the perception that being invisible is a condition of staying alive. As an effect, we have been connecting much more through the digital world,as a way to make up for the distance. In confinement, we cannot miss the chance to look inside, at our cracks, edges, our shadows that the fast time of the city and the contemporary world does not allow us to find in real life. It is the opportunity to recover our ancestral memory and identify what is essential in our lives.\nThis work, in a poetic way, portrays the need to reconnect with the nature from which we have distanced ourselves over the ages. It is an invitation to immersion to return to the ancestral origin when nature and man were inseparable. Like a breath of hope, a dream, just surrender into the forest. As a transcendental experience. The buzz of an insect triggers the process that leads the artist to the fading away herself in the landscape, mimicking herself with the fog. The tinkling of the insect\'s wings, in the final seconds, awakens the viewer from the brief drunkenness, like a cut in the ecstatic pleasure of the image. Proposing this sensorial experience where listening to the silence of the forest and looking inside would give us back what somehow still connects us to NATURE, fusing us with her again.', NULL, NULL, 'Total wall projection in room approximately 20 to 25 square meters\n\nNecessary equipments;\n\n4 QSC K12.2 speakers\n1 Yamaha MG 06 6-channel mixer\n1 notebook for video playback, minimum configuration Intel Core i17 8GB memory\nOptoma BR 451 Projector', NULL, 'artist', NULL, NULL, 'https://vimeo.com/410394889', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1588, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1402, NULL, '2020-04-27 19:21:56', '2020-06-23 01:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19367, 'ZLMlsk4v0QrZMO0q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:23:50', '2020-04-27 19:23:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19368, 'hYi3PUn6eON1mbB6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:32:04', '2020-04-27 19:32:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19369, 'jomyPE8Ko9Ip7bPK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:33:04', '2020-04-27 19:33:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19370, 'ofBshMaSX7oqcJOr', 'ICONOS', NULL, 'Mi pintura se basa en personas que han sido iconos por aspectos positivos o por el contrario. Son pinturas hechas, algunas en tempera, otras en acrílicos.  Todas han pasado primero por un diseño digital hecho en mi celular, que luego ha sido llevado al formato de pintura, mezclando de distintos recursos (collage, pixelado). No soy artista profesional, ni tengo formación, soy psicólogo de profesión y este mi clave a tierra.', NULL, NULL, 'Son todas láminas de 70x50 cm. Que irán enmarcadas para preservarlas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1581, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1397, NULL, '2020-04-27 19:33:26', '2020-08-03 18:17:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19371, 'PF3E2JykNYbk2kYp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:34:06', '2020-04-27 19:34:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19372, '0ETHtBn1mE9I3gV3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:34:25', '2020-04-27 19:34:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19373, 'oc2VANpy1vxKyCEs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:34:27', '2020-04-27 19:34:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19374, 'Fms2Qt1qFHwZJzdM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:34:37', '2020-04-27 19:34:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19375, 'EaPmwwCYsqAJmZ4P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:34:43', '2020-04-27 19:34:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19376, 'HAB2DAal9pe86Yt4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:36:03', '2020-04-27 19:36:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19377, 'SivKSDy7uMfuO9HD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:49:49', '2020-04-27 19:49:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19378, '7DMp6weVxyOLjToJ', 'Ontology of an image', NULL, 'If one takes a look at the photography today, without any concern nor surprise first word that comes to mind in order to describe it is DIGITAL.\n\nThe true meaning of the term \"digital\" lays within its name – expressed and written in digits.\nBehind every single digital photographic image stands a chain of binary digits which, in its basic form consists only of zeros and ones. Digits are the quintessence of today’s photography and majority of the world that surrounds us. But if digits are the essence and/or substance of images it also indicates that one can express their meanings not merely in a singular, visual way.\n\nProprietary technique that I’m working with relies on the statement above. Photographic image is just a starting point along much longer journey to the final picture. I change the character of a photographic image by changing it to sound, tweaking it – then changing it back and so on...\n\nFinally I end up with the visual basis to work on.\nAt the end I come up with the image that one can rather treat as an abstract expressionist picture rather than mimetic photograph.\n\nThis method as well as a way of thinking about the digital image paradoxically brings it closer to the art seen in a more conservative way. The peculiar substance of digitalization can be treated as a bridge towards abstract or expressionist artworks.', NULL, NULL, 'Each work is presented as a large UV Print on 3,5mm Dibond metal plate with subframing. Majority of the works are 100x100 cm. \nPreferably they should be exhibited in a white space lit with cold light. The size as well as the method of producing these images makes them a contemplative objects, rather than simple printouts. These images reach their final form as a large canvases.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1586, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1400, NULL, '2020-04-27 19:51:16', '2020-07-17 21:00:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19379, '7JVWC3W9bLuVb9yR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:52:05', '2020-04-27 19:52:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19380, '8vCL0PH10Z4qBVC7', 'Memoria Individual - Memoria Colectiva', NULL, '¿Puede la memoria individual formar una memoria colectiva? A partir de este interrogante se invita a lxs habitantes de Santa Cruz a participar de una obra colaborativa. Los objetivos de la propuesta son por un lado armar una memoria colectiva del territorio a partir de la memoria individual de sus habitantes; y, por el otro revalorizar los archivos fotográficos personales añorados y escondidos en los cajones de sus casas, en las carpetas de sus computadoras y celulares, u olvidados en sus historias de instagram. Estos archivos dan cuenta de la diversidad de situaciones que transcurren en las vida de lxs habitantes de la provincia, además de que permiten visualizar diferentes temporalidades y momentos. Los mismos son intervenidos digitalmente para formar nuevas imágenes y memorias de la provincia. Como finalidad, las imágenes visuales que conforman la memoria colectiva se presentarán en dos espacios distintos y relacionados entre sí: la vía pública y el espacio museístico. Se pretende montar algunas de las producciones visuales en el espacio público para que todxs tengan acceso a ellas, y además para que estas dialoguen con el espacio que representan; y, a su vez se presentarán en el espacio museístico con el objetivo de valorizar los archivos fotográficos personales como obras.', NULL, NULL, 'Se presentará en la vía pública y en el espacio museístico. El espacio público sugerido es La Ría, un estuario ubicado en la ciudad de Río Gallegos; se montaran algunas de las imágenes en formato cartel de 2,00 x 1,50 m. A su vez se proyectarán todas las imágenes visuales que conforman la memoria colectiva en una sala expositiva sobre una tela de 2,00 x 1,50 m; el suelo de la sala estará cubierto con las mismas piedras que se encuentran en La Ría, en alusión al terreno de la región costera.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/113b2I0yfy5UNbXESV55wvjuvYvL_ZvWY?usp=sharing', NULL, NULL, NULL, 2633, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2277, NULL, '2020-04-27 19:52:17', '2020-06-24 20:03:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19381, 'qQghfkVi5Ut3epa3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:53:35', '2020-04-27 19:53:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19382, 'qHgQXKUHmD1diITl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 19:57:29', '2020-04-27 19:57:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19383, '94NQ4K4NdR47X3Uw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:00:38', '2020-04-27 20:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19384, 'upwGvKk45Nee5QdI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:00:55', '2020-04-27 20:00:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19385, 'NJS5tQvA8g7cyewO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:01:23', '2020-04-27 20:01:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19386, 'FoJ7wXRT2aO8TZbp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:02:12', '2020-04-27 20:02:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19387, 'HrmmeGXKo1th0Kmx', 'El jardín de las delicias', NULL, 'Siempre me ha causado interés la relación entre la pintura y la fotografía, creo en la simbiosis entre ambas como medio de expresión de la sensibilidad del alma humana. ambas son una forma de entender y profundizar el comportamiento de la luz, su efecto en los objetos, en las criaturas. hoy la perspectiva aérea nos ha permitido ver el mundo con cierto distanciamiento, con una mirada un poco mas neutras, algo así como la mirada de Dios, para vernos ínfimos pero no por ello menos importantes. pensando en los cuadros de otras épocas, en una concepción de belleza poética, bondadosa, idílica tuve la idea de reunir a 10 mujeres de talla plus para dejarlas reposar en un gran jardín, desnudas, libres, como Diosas que se saben hermosas, estoicas, ellas se sienten seguras y se aman tal cual, entonces quise plasmar ese momento eterno de belleza con una perspectiva universal, cósmica y así generar una especie de poema por medio de la fotografía area con algo tan terrestre como estas mujeres de bondadosas carnes y creo haber logrado algo poderoso. las imagenes fueron logradas con un dron Dji spark.', NULL, NULL, 'necesito una pared donde quepan dos fotos en lienzo  donde cada una tiene un tamaño 50 de ancho y 37,5 de largo, separadas entre si por 50 centimetros de ancho. y a una altura de 1 metro del piso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1590, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1405, NULL, '2020-04-27 20:03:44', '2020-06-23 01:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19388, 'MlUrPUOlYIX59jBr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:04:32', '2020-04-27 20:04:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19389, 'OLSvYiKT4yoLiObP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:05:10', '2020-04-27 20:05:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19390, 'coN6hBQOIg9H529C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:06:59', '2020-04-27 20:06:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19391, 'T9EEjiASp3RBGtKj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:07:55', '2020-04-27 20:07:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19392, 'VLbX981Pe8HBLaxD', 'En Otro Poder', NULL, '¿Cuáles son los poderes que gobiernan nuestras vidas? ¿De dónde vienen y cómo organizan la forma en que nos comunicamos, percibimos, creamos y vivimos en sociedad? ¿Podemos pasar por alto las reglas, cruzar las prohibiciones, proponer otros poderes, otras formas de pensar y crear? \n\nComo artistas latinoamericanos, provenientes de una amalgama de culturas con fuertes influencias amerindias, africanas y europeas, partimos de la noción de decolonialidad para reflexionar sobre el lugar de las culturas en el sistema, así como otras formas de sentir, desarrollar y transmitir conocimiento. De este modo, hemos convertido nuestros enfoques creativos y preocupaciones en un proyecto conjunto de exhibición.  \n\nEn el marco de la muestra cada artista propone al menos una obra original, respondiendo a su forma de sentir e interpretando la decolonialidad desde sus experiencias. La exposición incluirá obras individuales y colectivas que cuestionan las nociones de conocimiento, cultura, formas de hacer las cosas, globalidad, etc desde la perspectiva latinoamericana.\n\nNuestro posicionamiento es proponer, a partir de una reflexión sobre la decolonialidad en América Latina, un diálogo sobre la decolonialidad en otros continentes. Por lo tanto, invitamos a artistas y a migrantes, expatriados, ilegales del sur global a participar en las actividades del programa de la exposición para reflexionar en la creación de nuevos ejes para una otra globalidad que incluya la multiplicidad.', 'Natalia Baudoin, Bolivia/Venezuela - www.nataliabaudoin.com \nAndrés Brisson, Argentina www.andresbrisson.com\nMarina D’Aiuto, Brasil - https://www.marinadaiuto.com/ \nIsabella Guedes, Brasil- https://www.instagram.com/lisbellatrix/?hl=es\nHugo Larqué, México - www.dobledosis.com \nEzequiel Martinez Llaser, Italia/Argentina- https://ezequielmartinezllaser.com/\nMaximiliano Mamani, Argentina - https://www.facebook.com/Bartolina-XiXa-Drag-Folk-1946862925633599/\nRafael Medeiros, Brasil  https://www.instagram.com/medeirosrafael/?hl=es  http://rafaelmedeiros.fr/ \nAlice Monteiro, Brasil - -----\nEdgar O Novíssimo, Brasil - https://www.instagram.com/novissimoedgar/?hl=es \nLívia Pareja Del Corso, Brasil - -------\nElías Tobares, Argentina- http://www.eliasbird.blogspot.com.ar/ \nNatalia Volpe, Argentina - www.nataliavolpe.com.ar \nLa Sierra , Colombia - https://www.instagram.com/la__sierra/?hl=es', NULL, 'El proyecto de exposición fue inicialmente previsto para dialogar con el territorio francés, específicamente con comunidades migrantes, razón por la cual nos gustaría hacerla en el MAC VAL de Vitry-sur-Seine. El proyecto requiere aproximadamente 200m2 de espacio de exposición que pueda permitir espacios de total oscuridad. Requiere de espacios fuera del espacio de exposición para las actividades: talleres, performances, conferencias, etc.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3607, NULL, 449, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3085, NULL, '2020-04-27 20:08:02', '2020-07-16 21:59:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19393, '8h6kMnPzi8c4FPRE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:08:44', '2020-04-27 20:08:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19394, 'sD8TB78CPJCnSXyg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:11:24', '2020-04-27 20:11:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19395, 'aGn2YW6twE00Pgu9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:11:39', '2020-04-27 20:11:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19396, 'iE5kJhEm1n1sOMHw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:12:53', '2020-04-27 20:12:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(19403, 'UKTRX7WR22DYgyr3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:23:16', '2020-04-27 20:23:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19409, '4aMBmtIwT1cf2oit', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:26:42', '2020-04-27 20:26:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19410, '370f5ujP7W5eFHMZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:30:00', '2020-04-27 20:30:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19411, 'R0LLGJZx616I60vD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:30:21', '2020-04-27 20:30:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19412, 'bwIDu66GLwh7w0w1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:30:54', '2020-04-27 20:30:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19413, 'HRGZ63zJqrvoL3MY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:33:10', '2020-04-27 20:33:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19414, 'G8d2lGJFkuKslj2y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:33:19', '2020-04-27 20:33:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19415, 'oWVbWVbRrTX8by0T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:36:50', '2020-04-27 20:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19416, 'EP55uBH4g6TZvJgk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:37:11', '2020-04-27 20:37:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19417, 'BuwGRFy1nQSnvJqF', 'On the threshold between emergency and norm', NULL, 'Affected by Corona Virus, we are living a rare stage, in which the bitter sentence of Fredric Jameson, \"it is easier to imagine the end of the world than the end of capitalism\", increasingly sounds more valid. It seems that we are living several dystopic kinds of literature at the same time. To mention one, it is enough referring to Margaret Atwood\'s novel, The Handmaid’s Tale. Since few days ago, in a supermarket, I heard the loudspeaker repeating: “keep social distance so that shopping can still be a reality”, I can\'t forget the image of Atwood’s supermarket with loudspeakers announcing: “don\'t look at each other, don\'t talk to each other”.\n\nWe are living the era of the unfolding of biopolitics, which foresaw Foucault five decades ago. Locked in our quarantines, in front of media, observing the drastic rising in numbers of dead and infected people, we are gradually converting to complete passive spectators. Evoking Aristotle, those “political animals” that we used to be, are losing their political capacity. Without any faculty of intervening in the sociopolitical situation, we are converting to naked life, biological body, or bare life. Reminding Giorgio Agamben, now we are bare lives, who “may be killed and yet not sacrificed.” \n\nThe represented painting tries to explore this \'not-political-animal\', overwhelmed by espacial politics which are controlling his existence.', NULL, NULL, 'Mixed media on canvas - 120x80 cm\nWall mounted', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1587, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1401, NULL, '2020-04-27 20:40:23', '2020-06-23 01:29:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(19419, '8g7fJishYyE5Gucp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:50:39', '2020-04-27 20:50:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19420, '6U20RweL29URmAMy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:50:39', '2020-04-27 20:50:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19421, 'VblVFt0oDwHLtGjS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:51:17', '2020-04-27 20:51:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19422, 'Qimc9wcZdbwWTfNS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:55:03', '2020-04-27 20:55:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19423, 'ioYCGeQsCAew4l4a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:56:23', '2020-04-27 20:56:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19424, 'pPrFRfImjTHg48Bx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:56:54', '2020-04-27 20:56:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19425, 'mD0ZSHlmfJOO7qwE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 20:58:18', '2020-04-27 20:58:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19426, 'p60KXjEnfGWFSywn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:00:32', '2020-04-27 21:00:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19427, 'COjBg8Ifpbyq6f4X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:02:38', '2020-04-27 21:02:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19428, 'ZYju8LHBOH8k5AVU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:02:40', '2020-04-27 21:02:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19429, 'rUMnLVkZC8jwo1Ez', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:04:32', '2020-04-27 21:04:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19430, 'k5aIMSv1x2CTgIsS', 'MOM, I\'M NOT EATING', NULL, 'Transitional < body > Witch Warrior ()==[:::::::::::::>  collaboration between trans dj / producer Odete & non-binary queer visual artist Sandra Araújo. Although, labels should not matter as they (still) tend to objectify over human complexity, it brings up to surface the translation / representation of  < gender > into social space. This virtual identity #shout(s) out to a sensory and imaginative concept of identification through videogame related characters. An empathic form of identity and strong emotional connection with the < avatar > as a set of default actions / assets that translate into tools / text of visual representation.', NULL, NULL, 'projection, any kind of screen, monitor, lcd, media wall, headphones or column speakers', NULL, 'artist', NULL, NULL, 'https://vimeo.com/360856924', NULL, 'https://soundcloud.com/queriastarmorta/7-mom-im-not-eating', NULL, NULL, NULL, NULL, NULL, 1589, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1403, NULL, '2020-04-27 21:04:48', '2020-08-12 17:46:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19431, 'IvNW5cZGcjj5CBIL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:05:29', '2020-04-27 21:05:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19432, 'mNkQ8rqLFvItDvEg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:06:34', '2020-04-27 21:06:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19433, '2RcHcO5ozcVoRybL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:06:34', '2020-04-27 21:06:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19434, 'GGuMJMe2ut1Gnk7a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:07:23', '2020-04-27 21:07:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19435, 'm9IKFO3eH3nO3fws', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:07:39', '2020-04-27 21:07:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19436, 'NaoYq8XjbGYpBvea', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:09:03', '2020-04-27 21:09:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19437, 'z7BxvUkts8aMNU2b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:10:16', '2020-04-27 21:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19438, 'laXxNPLjTj7BJRJD', 'Magiando poéticas del afecto: cuerpos, espacios y geopolíticas', NULL, 'El cuerpo es el primer espacio que habitamos y con el que nos relacionamos; se encuentra inmerso en diferentes proyectos políticos. Su porosidad le ha permitido escapar de prácticas variadas de domesticación ejercidas por el poder (neo)colonial. El cuerpo es una entidad geopolítica en los procesos de lucha de las mujeres. Las opresiones generadas a partir de su materialidad tienen una expresión espacial específica. ¿Qué rol ocupa el espacio en esas relaciones de desigualdad? ¿Qué puede un cuerpo magiar en el devenir de un mundo más habitable? \nEn una época de movimientos migratorios forzados, procesos de deshumanización -actualizados cotidianamente en las políticas fronterizas, la feminización de la pobreza, la desmembración de una convivencia armónica biosocial, la gentrificación en contextos urbanos, amerita poner de relieve las reflexiones poético-afectivas de una serie de artistas, cuyos procesos de creación desvelan las relaciones de poder, que producen cuerpos y espacios en nuestro sistema-mundo globalizado. \nEsta exposición presenta una serie de procesos creativos, experiencias y vivencias poéticas, de modo a sentir-pensar las relaciones histórico-sociales, que engendran cuerpos y espacios localizados en contextos específicos. Apelar a la magia, como práctica artística y curatorial, significa situarse en genealogías feministas, que tensionan el marco de decidibilidad moderno-colonial y subrayan la existencia de múltiples conexiones entre las mujeres y sus saberes.', 'Grasiele Sousa a.k.a. Cabelodrama - BRASIL http://grasielesousa.org/ \n \nLhola Amira - SUDÁFRICA https://smacgallery.com/artist/lhola-amira/ \n\nMarcela Bonfim - BRASIL https://www.instagram.com/bonfim_marcela/ \n\nCarolina Caycedo - COLOMBIA / EUA http://carolinacaycedo.com/ \n\nEdizita Sigoviva - BRASIL https://soundcloud.com/edzita \n\nCarolina Andreetti - ARGENTINA http://www.carolinaandreetti.com.ar/ \n\nRubiane Maya - BRASIL / REINO UNIDO https://www.rubianemaia.com/ \n\nMónica De Miranda - PORTUGAL https://monicademiranda.org/ \n\nDaiara Tukano - BRASIL - https://www.instagram.com/daiaratukano/', NULL, 'Sala polivalente adecuada a la presentación de piezas en audio, audiovisuales, instalaciones, documentos textuales y fotográficos en vitrinas, así como también espacio para la realización de performances. \nDimensiones aproximadas de la sala: 250 metros.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=fk2-fYLYDMk', NULL, 'https://www.youtube.com/watch?v=BSjBqAFQP54', NULL, 'https://taylladepaulafotografia.pixieset.com/devires/', '7517', NULL, NULL, 3966, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3377, NULL, '2020-04-27 21:11:08', '2020-07-23 18:35:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19439, 'onwovPTqjPNgeUz5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:12:42', '2020-04-27 21:12:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19440, 'B2CEcBkT3udGxSJh', 'FEELNASTIC', NULL, 'FEELNASTIC es un film inmersivo, una instalación audiovisual compuesta de cuatro proyecciones de video simultáneas en un espacio cuadrado con el público en el centro. De esta manera, la audiencia es rodeada completamente por las imágenes, sin una direccionalidad fija y pudiendo elegir hacia donde mirar en cada momento. \n\nDependiendo del momento de la narración, las pantallas funcionan de diferentes maneras. Puede ser una construcción realista (por ejemplo mostrando los cuatro lados de un espacio en el cual la acción está sucediendo) o no (distintos planos o detalles de la misma escena en cada pantalla). En algunos casos la situación es construída de manera redundante, repitiendo la misma imagen, o distintas versiones de ella. Nuevamente, esto puede ser de manera realista (misma imagen para todas las pantallas) o de manera «mágica» (superposición del mundo real e imaginario del personaje). Así la narrativa es construída combinando diferentes usos de las pantallas y del espacio escénico de una manera dinámica, que avanza y crece junto con la intensidad de la historia, jugando con los bordes entre lo real y lo imaginario.\n\nEl proyecto fue seleccionado para una residencia de creación en el Museo Nacional de Arte Moderno y Contemporáneo de Corea del Sur, en Seúl, donde fue presentado en noviembre de 2018. En mayo de 2019 fue presentado en JAMTEC y en julio de fue elegido ganador del llamado QQ29 y presentado en una exposición individual en la Maison de l\'Amérique Latine de París.', NULL, NULL, 'Espacio totalmente oscuro, de preferencia negro de al menos 6m x 6m x 4.5m  con capacidad de suspender elementos del techo.\nUna posibilidad que tenemos en cuenta es hacer una versión itinerante, en la cuál los elementos son montados sobre una estructura autoportante. De esta manera el proyecto puede recorrer distintas ciudades del interior del país, generando situaciones de intercambio y talleres entre el artista y los locales, llevando el arte contemporáneo a lugares donde normalmente no llega.', NULL, 'artist', NULL, NULL, 'https://youtu.be/_MP-k2zr3XQ', NULL, NULL, NULL, 'https://www.dropbox.com/s/9qaej6cb9dxrejo/FEELNASTIC.pdf?dl=0', NULL, NULL, NULL, 2898, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2510, 5, '2020-04-27 21:12:42', '2020-08-24 14:04:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19441, 'TdHAfYKXLrBjv0jb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:12:48', '2020-04-27 21:12:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19442, 'LXzWqIMWaHRF13CZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:12:50', '2020-04-27 21:12:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19443, 'HBE2w1vhxHwJwiPD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:12:51', '2020-04-27 21:12:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19444, 'dB869ZB9uHYzvxhg', 'u$aar v3.0', NULL, 'social media platforms stealᵀᴴ analytics & algorithmic lifestyleᵀᴹ in gifs̸ loops or how data is shaping & twisting social / political events < memetic media coverage >', NULL, NULL, 'HD single-channel video\nprojection, any kind of monitor, screen, lcd, headphones ou column speakers', NULL, 'artist', NULL, NULL, 'https://vimeo.com/302700174', NULL, 'https://freemusicarchive.org/music/Cairo_Braga/Revision_of_The_Future/Cairo_Braga_-_Revision_of_The_Future_-_02_Revision_of_The_Future_Single_Version_Instrumental', NULL, NULL, NULL, NULL, NULL, 1589, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1404, NULL, '2020-04-27 21:13:43', '2020-06-23 01:30:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19445, 'nxbgcf7xRuF5RvZt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:15:07', '2020-04-27 21:15:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19446, 'qX1zlySwuakWP2gF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:18:58', '2020-04-27 21:18:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19447, 'QnUlRJp5WXqAW0Vo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:19:53', '2020-04-27 21:19:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19448, 'o0tFOOhDIHBuFLHK', 'Yo , Tú , Él , Ella , Nosotros y Nosotras .', NULL, 'Estimado Sr. / Sra.\n\nMi propuesta para la BIENALSUR consiste en un recorrido a través de una serie de pinturas que reivindican con su contenido erótico , un análisis de la relación de cada persona con su propio cuerpo o con otros seres y en consecuencia \ncon su entorno .\n\nEn un tiempo en el que las personas tenemos que adaptarnos a cambios entre otros tecnológicos , que afectan a la estructura social o económica ... debemos convivir además con aquellas creencias religiosas , valores éticos o logros \nsociales que necesitan adaptarse también a un mundo que cambia a pasos cada vez más rápidos .\n\nA través de mi trabajo propongo por tanto un tiempo muerto para la reflexión desde la contemplación de una pintura \ninspirada en distintas culturas y tiempos ; Cada una de ellas se ajusta a un momento concreto y en su conjunto son \nun recorrido por parte de nuestra historia como especie animal y espiritual hasta nuestros días .\n\nAlgunos de estos óleos de mediano y gran formato han sido expuestos con anterioridad y espero poder exponerlos de forma conjunta para una muestra completa de tal propuesta .\n\nEn espera de que mi trabajo sea de su agrado , le saluda atentamente :\n\nMiguel Angel Castrillo Fernandez', NULL, NULL, 'Estimado Sr. / Sra. \n\nEl espacio que yo sugiero para la muestra de mi trabajo dado que ello se trata de pinturas al óleo , es por supuesto \ninterior para su buena conservación ; Y con respecto a sus dimensiones , creo que aunque flexibles , deben ser medianamente grandes dado el tamaño de las pinturas .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://artsotoko.blogspot.com', NULL, NULL, NULL, 1708, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1499, NULL, '2020-04-27 21:19:53', '2020-06-23 02:07:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19449, '0iw5vqWqYEYm295l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:20:09', '2020-04-27 21:20:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19450, '6hTs2p11FbzWzk82', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:21:55', '2020-04-27 21:21:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19451, 'vVswKaytjVzdLj8S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:22:04', '2020-04-27 21:22:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19452, 'O88AeLBa8CMCPiuk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:23:15', '2020-04-27 21:23:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19453, 'HV6kMbJF9UxAKGNH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:24:17', '2020-04-27 21:24:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19454, 'K2MsaaK4fyn9rz5E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:28:42', '2020-04-27 21:28:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19455, 'SbCEYytVQdIowOnt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:29:26', '2020-04-27 21:29:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19456, 'ijFsV1BbtfsVNOAp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:31:49', '2020-04-27 21:31:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19457, 'lAWKT4CEEE2tYeXT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:31:52', '2020-04-27 21:31:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19458, 'U6l2X7OEA4DzgKkk', 'Pedra molhada no céu', NULL, 'This video is part of my Final Graduation Project, presented on June 2019, at the Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo. My will is to consider space with interest on people. A much recognized brazilian cartoonist, Millôr Fernandes, has brought, in one of his drawings, the discussion that is so essential in the work presented here: on a squared paper sheet, Millôr creates the typical modern building facade, so characteristic for its monotonous glass frame. On the top, and almost imperceptible, if it weren\'t for the speech balloons that read “I wash and you dry”, two workers in the task, as necessary as inglorious, to clean that facade. Are we considering architecture from the perspective of its daily life? The scenario is the Museu Brasileiro da Escultura e Ecologia (MuBE), a space vividly present in the set of images in which we identify the well successful São Paulo\'s modern architecture. However, which are the conflicts workers face every day?\nHaving been working at MuBE for almost three years, I noticed my privilege of having the chance to experience, every day, a space that is not usually unfolded to the ones that often know MuBE only by the famous photographs taken by architecture photographer Nelson Kon. I decided to film MuBE under another perspective, which, for me, reveals itself as much more valuable because it can bring to the surface the discussion about architecture images and how they can go far beyond the mere documentary record.', NULL, NULL, 'This work has been presented previously at the XII Bienal Internacional de Arquitetura de São Paulo (Sep - Dec 2019). It consists on a Full HD video file, 1920 x 1080 format. Only a screen or free white surface would be necessary to its presentation, since the size of the projection does not substantially alter the proposal of the work.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=15L0e-Hpmu9GuXz_uXLS-hlnbzJZ7KqfY\r\n\r\n', NULL, 'https://drive.google.com/open?id=1BXgojxbGlfQBmc3vKtU2osBH7kYFzXrE\r\n', NULL, NULL, NULL, NULL, NULL, 1804, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1581, NULL, '2020-04-27 21:33:03', '2020-08-11 22:04:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19459, 'sVx3qobYj3wlPvU9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:37:16', '2020-04-27 21:37:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19460, '4fcqLqSLw996P27v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:38:47', '2020-04-27 21:38:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19461, 'nvy8zGK7MQz97kUC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:40:29', '2020-04-27 21:40:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19462, 'bmwA2fmMw4fi84iH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:40:49', '2020-04-27 21:40:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19463, 'LR9NZtXEvtQ4dvZE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:45:57', '2020-04-27 21:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19464, '7wfK2tyvFb6dHtd6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:47:08', '2020-04-27 21:47:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19465, 'jMXhJHAV17ohuL2G', 'Buen Salvaje', NULL, 'Mis fotoperformances tienen mucho de \"bedroom pop\", casi al límite de un \"hikikomori\". Son obras emocionales, auto-producidas en confinamiento, con las herramientas tecnológicas que tengo a la mano en casa. Mi taller es un teléfono móvil y un ordenador personal, ubicado en cualquier rincón, desde donde mis imágenes lúdicas y distópicas, giran alrededor de las construcciones culturales que se desmoronan y que visualmente recreo. Ellas narran historias que alegorizan infamias políticas, descontracturadas por los estallidos sociales. Y, ahora, en medio de esta extraña y pandémica época donde, cada día, la camaradería es despojada del comulgar físico, rememoro sentimientos encontrados sobre las dimensiones del miedo a la muerte y a caer en la pobreza. No es casualidad, vivo en Chile, laboratorio histórico del neoliberalismo, uno de los tres países con mayor desigualdad socioeconómica en el mundo. Mis obras para BienalSur, enmarcadas bajo el título \"Buen Salvaje\", habitarán Internet, en las redes sociales, en mi página personal, donde BienalSur quiera. Serán fotoperformances realizadas en un (incómodo) escenario de fondo: la reclusión en la pobreza y las hostilidades de las urbes encubiertas por un igualitarismo tecnocrático, impuesto por el “modelo chileno” neoliberal y la “smart society” planetaria.', NULL, NULL, 'Plataformas on line ( web / red social )', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2980, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2572, NULL, '2020-04-27 21:51:00', '2020-06-25 22:18:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19466, 'rBdT87Y44XjUgaqu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:54:33', '2020-04-27 21:54:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19467, 'TA8o4k4HhklM7Hhr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:54:37', '2020-04-27 21:54:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19468, 'x0QB30yhA4UlZCey', 'Cuerpo presente', NULL, 'La obra explora la temática de género, las luchas por la no violencia contra la mujer. \nEl propósito es acompañar, rescatar la mirada y sus emociones en éste momento histórico. \nLa instalación gráfica se compone de fotos, afiches y libros de artista que reflejan las diversas voces en la calle. \nLa documentación es del 8 m, paro y movilización al Congreso Nacional en Bs As,\nde la campaña por el aborto legal seguro y gratuito del 2017 al 2020\ny el 34 encuentro nacional de mujeres en La Plata 2019.', NULL, NULL, 'Pared de 5 metros por 3,50 de altura aproximadamente para los afiches de las marchas,  los retratos y pancartas y\nun escritorio de 0.60m x 1,20 m con vidrio para exhibir los libros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1592, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1407, NULL, '2020-04-27 21:57:36', '2020-06-23 01:31:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19469, 'VrA2WZnQTTSuNKs4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 21:58:45', '2020-04-27 21:58:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19470, 'gJaGir466LMD7dQo', 'Corpo Indócil (o ato)', NULL, 'Desarrollo trabajos que investigan los procesos de intercambios informales en el entorno público. Como ejemplo, Corpo Indócil (o ato), instalación que presenté en la exposición Abre Alas 15, en 2019, en la galería A Gentil Carioca, en Río de Janeiro.\n\nEl proyecto consiste en instalar Corpo Indócil (o ato) en Buenos Aires. Una gran escultura compuesta de dulces, comprados en los mercados populares de la ciudad, pensada a partir de la referencia constructiva y plástica de los vendedores ambulantes en Río de Janeiro. \n\nEn esta ciudad, estas estructuras utilizadas por los vendedores ambulantes no son solo un objeto escultórico, sino algo que revela un conocimiento periférico, para poder crear situaciones de supervivencia,dentro de una situación urbana caótica. La propuesta es experimentar en otro contexto la epifanía de la obra, considerando una poética formada a partir de la observación de la realidad de Río de Janeiro. El objetivo es trasladar esta inteligencia constructiva y plástica,así como su relación con la comunidad de la ciudad de Buenos Aires. \n\nLa intención es investigar esta movilidad,caracterizada por la circulación de objetos y conocimientos. Una experimentación,cuyo objetivo es trabajar estos límites entre contextos y traer nuevas capas sensoriales. \n\nLos visitantes podrán tomar o quitar los dulces del Corpo Indócil. Estos son los enfrentamientos que tienen lugar en las calles,el intercambio,la venta,el giro,insertado en las relaciones que propondrá este objeto.', NULL, NULL, 'La instalación Corpo Indócil pesa 200 kg, con dimensiones de 4m de altura y diámetro de 50cm. Consistirá en 1 gancho de hierro, una cadena, bucles,bolsas de plástico y dulces.\nSerá necesario un espacio, donde la instalación debe colgarse del techo o de un elemento arquitectónico, utilizando un soporte de gancho,fijado con un anclaje mecánico de parabolt, preservando un área libre con un radio de 120 cm desde su eje,de modo que el visitante pueda moverse libremente por toda la instalación.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429072437', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4330, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3657, NULL, '2020-04-27 21:59:00', '2020-07-08 00:28:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19471, 'dVZRD59jGnWQ1e0d', 'Boa Cabra', NULL, 'A intervenção urbana “Boa Cabra” coloca em questão o uso dos corpos das mulheres negras no regime escravocrata, sobretudo praticado no Brasil, com o recorte para as figuras das amas de leite, designadas e reconhecidas em corpos de mulheres africanas ou descendentes, que eram compradas, vendidas ou alugadas para amamentar os filhos de famílias proprietárias. Corpos que sofriam apropriação para o desempenho compulsório de funções do trabalho, corpos que não lhes pertenciam.  Problematiza a exploração desses corpos vistos como “animais de ordenha” de nossa espécie, comumente chamadas de “boas cabras” quando boas de leite e reprodução.\nA obra propõe interferir na paisagem do espaço, um corpo negro na imagem sangra entre seus membros inferiores, tem sua identidade oculta e seus seios cobertos pela embalagem comercial do leite animal. Objetiva-se que a exploração do corpo negro feminino seja espalhada pelas ruas como uma denúncia, para que sejam vistos pelos transeuntes não só o ato, a ação do intervir, mas seu posterior resultado ficando impresso, marcado por entre as ruas da cidade. \nRealizada em 2018 em Salvador-Bahia-Brasil planeja-se a realização de novas imagens com diferentes mulheres negras a fim de apreender e visibilizar os processos de resistências e a luta pela reexistência das populações afrodiaspóricas.', NULL, NULL, 'Para a realização da proposta sugere-se espaços urbanos emblemáticos com grande circulação de pessoas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2643, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2287, NULL, '2020-04-27 22:04:11', '2020-06-24 20:03:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19472, '8hHkZJvVGlsbuwpH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:09:20', '2020-04-27 22:09:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19473, '4jKJ64IaXz5NoGuI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:15:38', '2020-04-27 22:15:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19474, 'zA1XMR2W4bYcjodD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:15:44', '2020-04-27 22:15:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19475, '3Z06eWlhd2bLFXiM', 'ruídos', NULL, 'Sintetizando uma ampliação: Se não houvesse senso comum sobre o rabisco - “é só um rabisco” - o ato e a palavra não existiriam. Provavelmente eu não daria importância a ação de rabiscar. Mas é o oposto que ocorre. São esses desenhos que me instigam. Desde as garatujas. Desde o desenho como esboço. Do desenho buscando autonomia. Aos desenhos nas placas de metal. Nas paredes das cavernas. O desenho produzido e reproduzido, buscando igualdade. É leitura universal. Assim, o desenho é linguagem antes da escrita. Desenho é experiência, experimentações: risca possibilidades, são formas gravadas. Reflexões. O desenho atrás do desenho. Rasgando, girando, de cabeça pra baixo. Arranhando, borrando, apagando. São memórias. São escritas. São processos. Um infinito aprender. É limite sem limitação. Paradoxos. Assim arrisco: sobre o papel, sobre o tecido e sobre o alumínio: com carvão, giz pastel seco, giz pastel oleoso, tinta óleo, tinta acrílica, lápis conté, bastão oleoso...', NULL, NULL, 'Os trabalhos devem ser anexados à parede branca com imãs de neodímio. As paredes devem ser grandes, em torno de 6 metros de altura por 10 metros de largura, que comportaria dois desenhos juntos ou um individual.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.raissaarruda.com/2019-1?lightbox=dataItem-k240zals', NULL, NULL, NULL, 5420, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4501, NULL, '2020-04-27 22:15:54', '2020-07-29 17:09:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19476, 'MrSLGeGQR4JU93Xx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:20:04', '2020-04-27 22:20:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19477, '9TLTsEHDaAHV5uzO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:21:33', '2020-04-27 22:21:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19478, 'XaIJGCbofJx3E1E5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:21:41', '2020-04-27 22:21:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19479, 'UuEaM6CYuU2LA8Fb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:23:37', '2020-04-27 22:23:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19480, 'bO82IwRD8HlD091D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:24:27', '2020-04-27 22:24:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19481, 'i59E1Uj14l6Lqkya', 'VINCULACIÓN TRANSVERSAL EN MASA', NULL, '[SE RECOMIENDA LEER LA MEMORIA DE LA PROPUESTA EN PRIMER LUGAR]  -  Enviada como imagen. \n\n\n[DESCRIPCIÓN]\n\nLa obra consiste en la colocación de dos espejos perfectamente alineados y enfrentados en las dos medianeras que quedan expuestas en el atrio de entrada del Colegio de Arquitectos de la provincia de Santa Fe. \nDichos espejos irán vinculados a la pared por medio de ganchos de acero, evaluándose posteriormente el uso o no de algún pegamento.\nEn el caso de la medianera Sur,Nprobablemente se requiera el retiro temporal de la malla que sirve de guía a las plantas como así también de los reflectores allí ubicados.\nLo mismo ocurrirá en la medianera norte. Los espejos quedarán siempre detrás de las columnas y siempre sobre el muro medianero. Uno de los espejos llevará el dibujo de la silueta de una persona a realizar por el autor.\n\n[DATOS TÉCNICOS]\n\nMaterial: Espejo, madera, metal.\nDimensiones: 2 figuras circulares de Ø 3.00mts. \nProceso y tiempo estimado de realización: 2 días de taller + 1 día de montaje.', NULL, NULL, 'La presente intervención de Sitio Específico surge como consecuencia del llamado a concurso por parte del CAPSF para tal fin. La propuesta es una reflexión crítica sobre la naturaleza de las medianeras en la ciudad y de la sociedad que las legitima. \nLa propuesta \"no requiere\" un espacio expositivo, sino que es intrínseca al mismo. La muestra que originalmente fue planteada para permanecer solamente 30 días, aún permanece en su lugar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://guillermopressiani.com/portfolio/capsf/', NULL, NULL, NULL, 1594, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1409, NULL, '2020-04-27 22:24:28', '2020-07-17 15:39:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19482, 'Nh7XdiujzbSBivjm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:27:22', '2020-04-27 22:27:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19483, '9lyJARGpJXec2qfk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:27:39', '2020-04-27 22:27:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19484, '1uOGo1WHAxhRGZ5o', 'Muy cerquita al cielo', NULL, 'Sobrevivencia en el mundo andino del peru', NULL, NULL, 'Las costumbres andinas, de actividades agrícolas que dan subsistencia a la raza', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1591, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1406, NULL, '2020-04-27 22:30:11', '2020-07-08 00:25:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19485, 'XNZ7RkepUGXfpwN6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:33:04', '2020-04-27 22:33:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19486, 'qCBys0Qp0dFHfJ9O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:35:39', '2020-04-27 22:35:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19487, 'fZwCxEjki0939yCT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:36:16', '2020-04-27 22:36:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19488, '4CkKD7tSUN6qJKSj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:38:44', '2020-04-27 22:38:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19489, 'Iyy2nOtS1lOt8Drv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:40:08', '2020-04-27 22:40:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19490, 'wisLHDhg75wnPM4i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:41:44', '2020-04-27 22:41:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19491, 'IwADVwev0LmfQfXh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:41:45', '2020-04-27 22:41:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19492, 'h3cPSwp9cJi5lKtp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:42:57', '2020-04-27 22:42:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19493, 'p0qIO6CvYV5vtmXm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:43:16', '2020-04-27 22:43:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19494, 'S5nmWaWxtWY8MnOU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:45:02', '2020-04-27 22:45:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19495, 'PpbVUfGbeNkQramx', 'hospitalidad', NULL, 'El concepto de ofrecer un vaso de agua: a un huésped, a un viajero, a un desconocido, es uno de los símbolos de hospitalidad mas antiguo del mundo.\n\nLa primera fase: pedir en las casas del barrio o pueblo un vaso de agua. En caso que las personas me inviten a un vaso de agua, pedirè el mismo vaso que será un elemento de nuestra pieza.\n\nInstalación:\nUna vez coleccionados todos los vasos, la idea es de instalarlos conjuntamente, pegando los vasos entre sí, formando torres, como totems luminosos, creando un monumento a la hospitalidad del lugar.\n\nLa medidas de nuestra pieza será proporcional a cuanto será abierta y hospitalaria la gente.\nLa pieza quiere representar la fragilidad del concepto de hospitalidad y los vasos instalados como totems quieren ser como un trofeo a este arcaico concepto.', NULL, NULL, 'una ventana bien visible ...o un marco de una ventana o una peana libre...mirar las imagines de alegado de trabajo similares, l idea es de aprovechar un sitio propuesto dal contesto sin materiales nuevos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=s57_wGdTEdU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1798, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1575, NULL, '2020-04-27 22:46:52', '2020-07-20 23:34:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19496, 'cl1gTaGZlfewFa50', 'Antonio Fierro \"historias campestres de un gaucho olvidao\"', NULL, 'El personaje se basa en historias campestres que vivencio junto a personajes célebres de la cultura argentina, trae a escena resumida información, pero concreta de mujeres heroicas que fueron parte de la liberación del estado colonizador español en aquel entonces, el virreinato de la plata. Nombra a Victoria Romero, Martina Chapanay, y Juana Azurduy que son las principales protagonistas que acompañan el recorrido físico y humorístico por corporalidad y jerga de Antonio Fierro.', NULL, NULL, 'Antonio Fierro es un personaje que puede desenvolver su destreza en un espacio 4x4m2 en medio de un potrero arado o en el escenario del Teatro Colón. Siempre logra la atención y concentración del público, ya sea callejero como así también de sala convencional. Iluminación? la que se encuentre a mano. Antonio Fierro hace arte con el espacio y la iluminación que éste a disposición.', NULL, 'artist', NULL, NULL, 'https://studio.youtube.com/video/ROExrsQSvM0/edit', NULL, NULL, NULL, 'https://youtu.be/202sW7fWglY', NULL, NULL, NULL, 3740, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3193, NULL, '2020-04-27 22:46:53', '2020-07-02 00:19:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19497, 'FylTQIQLa2ooTLHD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:47:43', '2020-04-27 22:47:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19498, 'lvJl1AcKXl8fp4r5', 'Pampa de las Lagunas', NULL, 'Con Pampa de las Lagunas queremos acercarnos cuidadosamente al Proyecto de Expedición en tanto movimiento sobre y hacia un territorio, abrazados por la emoción del hallazgo y el porvenir. Se trata de una exhaustiva investigación en torno a La laguna de Gómez, Junín, Prov. de Bs.As., en términos de biodiversidad, geología, ecología, geopoética y sociedad, dirigida a integrar la multiplicidad de cambios y procesos que conforman ese paisaje. \n\nSacudidos por las contingencias tectónicas que consolidaron la geomorfología de la Pampa de las Lagunas; los “monstruos que por ahí pulularon”; las “Transgresiones Marinas” del antiguo Mar Paranaense; los modulares ecosistemas sujetos a la explotación de esos suelos; lo que quita y ofrece el categórico ritmo pluvial; los diálogos “interlagunares” de sus aguas; la conquista de las fronteras de los asentamientos extemporáneos; las marcas de los colonos en la tierra y en el inicio de la historia visual, oral y acústica del entorno: vemos y oímos cómo este matorral de cambios estalla en el presente y resuena hacia el futuro. Pues hacia allá vamos. \n\nUn proyecto de expedición desde una perspectiva estética asume la intención de estar en ese paisaje como si fuéramos hacia el futuro: ¿qué podemos aprender de un lugar en el intento de asumir las múltiples fuerzas creativas que en él acontecen? ¿Qué estrategias de convivencia reporta ese paisaje exaltado bajo el diseño sonoro, las acciones coreográfica, la arquitectura y las prácticas amerindias?', NULL, NULL, 'La expedición abarca el espacio liso en torno a la Laguna de Gómez, Junín y alrededores. El campamento se ubicará en el Camping Municipal y ahí se compartirán charlas y la vida cotidiana del proyecto. \n\nAdemás se preveen los siguientes sitios: Cementerio “Jardines del Recuerdo”; Parque Borchex; Canal pluvial entubado, Río Salado;  Museo “Legado del Salado”, Camino Costero “Laguna de Gómez”, Ciudad de Junín (rastros del Fuerte Federación), Espigón “Laguna El Carpincho”; Sociedad de Fomento, LDG.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1sTSRO8QVuJv1f1ytTmVj5XSrwbmn1SPE?usp=sharing', NULL, NULL, NULL, 4228, NULL, 544, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3595, 5, '2020-04-27 22:49:45', '2020-09-02 03:25:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19499, 'k4rtgso0z3mAEpFm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:50:50', '2020-04-27 22:50:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19500, 'x2ON6emBrvsPSCWt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:52:57', '2020-04-27 22:52:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19501, 'eccI0X6obzGmYePI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:53:35', '2020-04-27 22:53:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19502, 'aeO44HMT9FUIOaf3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:53:53', '2020-04-27 22:53:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19503, 'ZIm6sTBsZsvF2lzu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 22:58:53', '2020-04-27 22:58:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19504, 'zgsgbGGs4aQchFxX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:02:02', '2020-04-27 23:02:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19505, '7EkrhAQagaJ3gxSa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:02:10', '2020-04-27 23:02:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19506, 'B2SKR5lS0QxOgpP0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:02:12', '2020-04-27 23:02:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19507, 'I7coJWqoluYnydu1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:05:23', '2020-04-27 23:05:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19508, 'qmALfss5ZVwjTwpw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:06:00', '2020-04-27 23:06:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19509, 'gV9zoyRVsIgal8zF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:07:50', '2020-04-27 23:07:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19510, 'foMxAj4fepH2Vfah', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:08:35', '2020-04-27 23:08:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19511, 'b0nKrdoM7zfHLxNP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:10:58', '2020-04-27 23:10:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19512, 'KuwPR8vj5h8h2ODB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:11:00', '2020-04-27 23:11:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19513, '9RfXcSZQboJJeNrT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:14:53', '2020-04-27 23:14:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19514, 'iiE7BtblaNScrodt', 'Indígena observando la depredación de la selva', NULL, 'Oleo sobre lienzo de tela instalado en bastidor de madera de cedro', NULL, NULL, '1mt x 1.50 mt', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1595, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1410, NULL, '2020-04-27 23:15:11', '2020-07-08 00:25:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19515, '2nCcOrPa7zNafEm3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:16:10', '2020-04-27 23:16:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19516, 'U9MRmhLKMGGYRSgE', 'Opera de Cuadros', NULL, 'Esta propuesta “ Opera de Cuadros ” forma parte de una serie. La intención de estas Operas es tomar como libreto los cuadros y las vidas de diferentes artistas, pintoras y pintores argentinos.\nPara esta convocatoria proponemos desarrollar una obra en la que se interprete la Obra de Mildred Burton. Para esta Opera tomamos como guía visual, para la escena y los personajes, muchas de sus creaciones pictóricas, no recreándolas sino interpretándolas y vivificándolas por la composición musical. Sonorizando y vocalizando sus partituras y su biografía y sus palabras. Algunos ejemplos de tantos posibles:\n“ … Quedarán algunas de mis obras(…) muchos manuscritos y ellos contarán sus historias y posiblemente la mía, la de una artista latinoamericana libre…” “…  Paso largas horas delante de mi piano interpretando a autores alemanes. Estoy haciendo un collage musical, pues quiero musicalizar mi próxima muestra y colgar mis cuadros en forma más poética, en estos cuadros la belleza sobrepasa cualquier otro rasgo…de ella se desprende sutilmente la hipocresía, la malicia, la bondad, lo angelical, lo demoníaco, la vida y la muerte….ahora la muerte es un personaje cotidiano, me acompaña en el trabajo, es un prodigio, ya no le temo….”  \nEste material es de gran riqueza para la investigación vocal y visual, será de gran ayuda para el desarrollo de esta pieza contar con el apoyo que ustedes ofrecen, una gran oportunidad !', NULL, NULL, 'La propuesta es adaptable a distintos formatos y presupuestos. Comenzando con la versión para maqueta, en la que puede mostrarse solo el video, o como una video instalación que incluya la maqueta, o como una pieza operística en toda su dimensión escénica y musical.  Adjuntamos el link a la primer prueba de maqueta y varias imágenes que sugieren posibles montajes y algunas investigaciones escénicas . Y links sonoros a \" Radio de cuadros \" que es la semilla de donde nació esta propuesta.', NULL, 'artist', NULL, NULL, 'https://youtu.be/c22NMaQ_N4M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1671, NULL, 196, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1470, NULL, '2020-04-27 23:19:39', '2020-07-07 23:25:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19517, 'vcq8s8r2mH60wpId', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:20:33', '2020-04-27 23:20:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19518, 'hFeH59i3AbAT1zBX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:22:40', '2020-04-27 23:22:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19519, 'ACH8mjUfzcu5lKM3', 'Vida en el  Manglar. Seres y Saberes', NULL, 'El trabajo advierte sobre la necesidad de preservar los manglares y lo hace principalmente de tres maneras: sintonizando a los individuos con su realidad topológica, obedeciendo a las pautas situacionistas de ver-estar-construir y brindándoles a estos biomas un status de fuente de creación desde la perspectiva de la apofenia. Este concepto hace referencia a un sesgo cognitivo que ofrece la posibilidad de asociar la naturaleza directamente con el arte, sin realizar ninguna intervención en la estructura del material, al mismo tiempo que deja en evidencia la preservación como doble pieza en el proceso creativo, con el objetivo de estimular una nueva forma de observar la naturaleza y practicar el reciclaje, todo esto tomando como base la frase de Jean Baudrillard: \"Nada como lo inútil para ser artístico\".\nLas maderas usadas, que son raíces y ramas de vegetación propia del manglar, materia del trabajo, son recogidas en la playa durante la marea baja, una vez que ya se ha definido la forma y el significado de la futura escultura. Luego pasan por un proceso de limpieza para la retirada de arena, algas y percebes, y finalmente se aprecian y se decide si deben ser pintadas o no y colocadas en su respectiva base.', NULL, NULL, 'El proyecto de exposición propuesto se puede adaptar a los espacios disponibles. Sugerimos una habitación con un espacio aproximado de 120 a 180 m². La propuesta incluye las esculturas y una instalación de video con imágenes, frases y palabras, buscando  a traves del arte contemporáneo sensibilizar al  público en relación al concepto que se tiene de los manglares, importantes cunas de la vida marina, animal y vegetal.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=fUej7yM7a1U&ab_channel=MichelFran%C3%A7a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3776, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3220, NULL, '2020-04-27 23:24:59', '2020-07-02 02:10:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19520, 'jBe7bWysR9O4qpjY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:25:00', '2020-04-27 23:25:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19521, 'BFsDKdx937Q10TgO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:28:23', '2020-04-27 23:28:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19522, '2fS2Z1gbAenVdcBq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:29:51', '2020-04-27 23:29:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19523, '1PU9Q3NyZHMAv4ff', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:31:28', '2020-04-27 23:31:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19524, 'jZb7R9om39mZYRpi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:34:06', '2020-04-27 23:34:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19525, 'ZI6uRC6fTUX6ihCl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:41:35', '2020-04-27 23:41:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19526, 'EpfyuelOsQkgTXSm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:42:48', '2020-04-27 23:42:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19527, '6Bd8UtfuVZZhd5Ed', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:44:09', '2020-04-27 23:44:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19528, 'UHSitpb8bTSYDxl9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:44:10', '2020-04-27 23:44:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19529, 'QXCtod5gowSGlEVX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:44:23', '2020-04-27 23:44:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19530, 'WzCteEo8ZhF4uST4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:46:23', '2020-04-27 23:46:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19531, 'I8OwDYvTN9QwzSnw', 'Performance O Menestrel', NULL, 'A performance O Menestrel é uma apresentação de poesia teatralizada com figurino e cenário próprio que abrangerá diferentes linguagens em uma síntese pós-moderna  que engloba uma interseção dinâmica das técnicas da Mímica, da Pantomima, da Mímica Corporal Dramática, da Mímica Vocal, do Circo, da Dança e do Teatro. Usa voz, música, cenários, efeitos especiais. Tem grande caráter gestual e visual.\nCONTEXTUALIZANDO O ARTISTA:\nO Menestrel, segundo o site Wikipédia, “era o poeta e bardo na Europa Medieval, cujo desempenho lírico referia-se a histórias de lugares distantes ou sobre eventos históricos reais ou imaginários. Embora criassem seus próprios contos, muitas vezes memorizavam e floreavam obras de outros. À medida que as cortes foram ficando mais sofisticadas, os menestréis eram substituídos por trovadores, e vários deles tornaram-se errantes, apresentando-se para a população comum, tornando-se assim os divulgadores das obras de outros autores”. Hoje o artista Moacir Reis adota essa denominação e realiza apresentações pelo Brasil com figurino característico ao Menestrel da era medieval, conforme pode ser observado em seu site.', NULL, NULL, 'O acesso do público ao trabalho será amplo e de diferentes formas pois o projeto encontra-se assim estruturado:\nA apresentação da performance se dará em espaços públicos diversos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=iRHra89S9yc&t=304s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1596, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1411, NULL, '2020-04-27 23:47:07', '2020-06-23 17:45:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19532, 'qQyZZCK1yk8K4kUw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:48:38', '2020-04-27 23:48:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19533, 'yngTaPD7WSxfyC8l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:54:41', '2020-04-27 23:54:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19534, 'rNoFQi1OmCOrEIZi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:55:59', '2020-04-27 23:55:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19535, '9RNUpvm8hie67mCH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-27 23:59:43', '2020-04-27 23:59:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19536, '1l4dWW15Fc4e4fJs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:00:59', '2020-04-28 00:00:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19537, 'zhw2eTOmxrSamWz5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:03:11', '2020-04-28 00:03:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19538, 'Fr1eIILQcuVZos5S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:08:18', '2020-04-28 00:08:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19539, 'p3a5ntbfftH5qYjt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:09:14', '2020-04-28 00:09:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19540, 'abd9H9zOg7tF84IM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:18:58', '2020-04-28 00:18:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19541, '8X1GFPuG9RheJAIJ', 'Plegaria a Puerto Rico', NULL, 'Acrylic on canvas originally drawn in pencil.  It is a humbling expression of my prayers for acceptance as a mulata Puertorrican.', NULL, NULL, 'Canvas is 20 x 40 to be hung.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'jpng', NULL, NULL, NULL, 1597, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1412, NULL, '2020-04-28 00:23:27', '2020-06-23 17:45:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19542, 'L39ZratNCsTPIYMB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:29:32', '2020-04-28 00:29:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19543, '8VqIQp4rConhJy5t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:37:49', '2020-04-28 00:37:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19544, 'SDwazkYG7d5MkrqP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:39:02', '2020-04-28 00:39:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19545, 'wSFTzxzqgQyfvzO0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:39:07', '2020-04-28 00:39:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19546, 'wlFeejq66QBAzhnD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:39:12', '2020-04-28 00:39:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19547, 'L4Dhe7M4CCPt1vxP', 'Coreografía Urbana', NULL, 'COREOGRAFÍA URBANA  es un proyecto en curso que reúne un conjunto de obras que dialogan entre si reflexionando sobre el diseño de límites en el espacio público.\nPuntos de control de acceso, vallas de seguridad, manuales para el mantenimiento del orden público e imágenes de manifestaciones recientes tomadas de la prensa sirven como base para encontrar diagramas, que como partituras, dibujan nuestros movimientos en la ciudad. \n\nObras:\n\n1. Acceso:\nDibujos basados en registro fotográfico de mochilas y bolsos abiertos al momento de ser inspeccionados para el ingreso a un espacio público.\n\n2. Mecánica de fluidos:\nVideo-animación realizado en base al “Manual para el control de multitudes, Perú.” donde se explica un ejemplo de operación táctica para disolver una manifestación pacífica basándose en una explicación científica sobre las leyes físicas de la \"mecánica de fluidos\".\n\n3. Breve reseña anatómica: \nVideo-performance basado en el “Manual para operaciones policiales, Bolivia”, donde se determinan las partes del cuerpo que se pueden golpear con el bastón policial.\n\n4. Disturbio:\nStop Motion, realizado en base al video publicado en El País Digital el 20 de octubre de 2019 sobre manifestaciones en Chile.\n\n5. A la voz de ¡Aura!: \nVideo-performance (pieza en proceso). Danza tradicional del Río de la Plata, El Pericón Nacional, bailada por niños escolares utilizando pañuelos de las reivindicaciones sociales actuales.', NULL, NULL, 'El espacio expositivo sugerido es una sala interior de aproximadamente 10x10 m. La instalación tiene configuraciones variables y puede adaptarse a diversos espacios.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/399639483', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3929, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3345, 5, '2020-04-28 00:39:27', '2020-09-01 05:34:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19548, 'hK08XqM5A2Oxmqzf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:41:28', '2020-04-28 00:41:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19549, 'Yte4G4c5kwOaLQdc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:41:36', '2020-04-28 00:41:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19550, 'Icf2w8uXqOWjZ0NT', 'Landscape Painting', NULL, 'No landscape is ever neutral. Every landscape has multiple layers of history, interpretation, and\nimportance. From its folklore to its geology, every plot of land has told many stories. My project is about\nunearthing the social and political contexts embedded in the landscape and reinterpreting the landscape to\nmake the invisible visible. Through this process, I continuously ask these questions: Who has the\nauthority to reshape a landscape? Who are the people affected by those changes?\n\nLandscape Painting is a project composed of research, performance, and a video about the Young-Heung\nIsland in Incheon, South Korea. The project focuses on my father’s stories about the loss of the clean\nseawater and tidelands on this island to industrial development and tourism.\n\nI interviewed my father, who was born and raised on the island, to learn how the landscape lost its\noriginal features. The construction of a new tide embankment, power plant, and bridge to the mainland\nhad a devastating impact on the locals’ livelihoods.\n\nBased on my father’s memories, I painted a scene of the sea with the original natural scenery\nsuperimposed on an image of the new constructions. With this painting, I am unearthing a remembered\nlandscape, challenging the appropriateness of the new construction in the local community.', NULL, NULL, 'Title: <Landscape Painting: How to Recover the Missing Scenery> \nYear: 2019\nPlace: Young-Heung Island, Incheon, South Korea \nMedium: Video \nVideo: HD Single channel video (31:40min): https://vimeo.com/302658831\nVideo excerpt (3:00min): https://vimeo.com/369804790 (pw:original)\n\nSpace for projection: minimum size of wall: approx. 8x2m, floor: appox.8x10m\nProjector: 1 (5000 Ansi) \nSound amplifier: 1', NULL, 'artist', NULL, NULL, 'https://vimeo.com/413832940', 'original', NULL, NULL, NULL, NULL, NULL, NULL, 1820, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1595, NULL, '2020-04-28 00:43:36', '2020-10-03 00:31:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/1_V2cVQ1vOrkk56Hvmqgm3C1II0KeTW-r'),
(19551, 'XMWgqjGfBSJnd8U3', 'Bares Notables y Diseñadores Notables de Argentina', NULL, 'Serie fotográfica tomada en una selección de 16 de los denominados “Bares Notables” de la Ciudad de Buenos Aires.\nPara cada bar se seleccionó uno o dos diseñadores destacados de Argentina para completar una identidad “Ciudad – Arquitectura – moda” que refleje nuestra personalidad en este sentido.\nLos cafés notables seleccionados son “El Progreso”, “Lobby bar Hotel Alvear”, “El Banderín”, “El Estaño”, “El Federal”, “García”, “La Flor de Barracas”, “La Giralda”, “La Ideal”, “La Poesía”, “Las Violetas”, “Los Galgos”, “Miramar”, “New Brighton”, “Tokio” y “Tortoni”\nQueda excluido al momento “El Molino-Bogani” a la espera de su re-inauguración.\nLos diseñadores seleccionados son: Laurencio Adot, Pablo Ramírez, Min Agostini, Guevara-Ocampo, Marcelo Senra, Pía Carregal, Marcelo Ocantos, Evangelina Bomparola, Cecilia De Bucourt, Jesús Fernández, Marcelo Giacobbe, Gabriel Lage, Fabián Zitta, Elsa Serrano, Fabián Kronenberg, Martin Churba, María Pryor.', NULL, NULL, 'El resultado da un total de mas de 100 imágenes en dimensiones aptas para gran formato ya que fueron tomadas en 51 MP\n\nPermite ampliaciones de hasta 2,4 metros por 1,6 metros en 200 dpi, incluso más dependiendo del tipo de impresión, por lo cual se sugieren imágenes de gran tamaño con algunas de tamaño máximo como el ejemplo citado.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/368098339?fbclid=IwAR0GkPkzHf51MbNEieHN0USha-XSSYnejWRDrztHAmLR0kl3lTYjh1oj_Ps', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2179, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1901, NULL, '2020-04-28 00:49:05', '2020-06-23 01:47:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19552, 'sXybniBi6sIZbkms', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:49:07', '2020-04-28 00:49:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19553, 'cLdSNEiRfbfkKrVu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:50:23', '2020-04-28 00:50:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19554, 'r0vJiSDREdokYGfR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:52:23', '2020-04-28 00:52:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19555, 'rFWcIt4yuXL4Zha7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 00:52:24', '2020-04-28 00:52:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19556, 'LvufiOu7yrWd4Mkv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:01:09', '2020-04-28 01:01:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19557, 'P34E6uGqGj2caSxb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:04:33', '2020-04-28 01:04:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19558, 'G06aXvqOTub4qJEv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:05:20', '2020-04-28 01:05:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19559, 'bP7kj27WKFfxKw9C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:05:46', '2020-04-28 01:05:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19560, 'NWNt8VKYLVJJsRHa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:07:15', '2020-04-28 01:07:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19561, 'ZKh8s0NrCoqBcTvt', 'Grito ensordecedor', NULL, 'Grito ensordecedor, es una conducta inconsciente bajo la óptica de mi propia personalidad, con relación al bullying escolar durante la adolescencia que por tal motivo se tuvo la necesidad urgente de expresar tales recuerdos pasados reprimidos durante tanto tiempo en mi psiquis mental. En el encuentro creador que tengo directamente con la máquina de escribir y el papel pergamino grueso, se apropian frente a la experiencia en sus diferentes variantes y asociaciones con el mismo objetivo de hostigamiento, por medio de una catarsis replicándose una y otra vez, viendo mas allá de mi propia imagen visible, donde el punto era la mirada vigilante, la cual apuntaban hacia mi y dar al blanco, alterando ese cuerpo invisible sobre esos polos, tanto negativos como positivos, cobran significados opuestos,  referenciando mi sobrenombre, con mayor frecuencia en las repeticiones, al golpear el tipo de la maquina fuertemente. Todo llega a un punto en que el grito se adentra cada vez mas en lo incomprensible que nadie puede entender en medio del abatimiento, ese ruido que nadie escucha y no comprende, para librarse del incomodo sonido literal que lo provoca y al mismo tiempo el reflejo del yo interior, creaba esa barrera de protección, hacia las reacciones inconscientes de mi cuerpo físico sobre esos polos positivos de la sumisa personalidad frente a otros que apuntaban, como golpes de voz ensordecido y confusos en medio del desorden y abatimiento de un alma indefensa que adolece sin palabras.', NULL, NULL, 'Como espacio expositivo aproximado 6 metros de largo, 5 metros de ancho y 4 metros de altura, con paredes, techo color blanco y piso gris o negro e iluminación penumbra clara. Las 12 piezas colgadas, en papel pergamino carta, más 3 de un metro con 30 cm de ancho, sostenidas desde el techo con cinta, iman y alambre, otra pieza carta pergamino alumbrando en el centro sobre cajon de sobre madera en pedestal y una videoinstalación por medio de televisor y portatil cerca a la entrada y ficha técnica.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=YR-uf38XQE4&feature=share', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1624, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1430, NULL, '2020-04-28 01:11:42', '2020-07-17 15:59:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19562, 'a5aCLnOtI889O4Rv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:12:48', '2020-04-28 01:12:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19563, '97jLy8khYfpZTvSG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:14:03', '2020-04-28 01:14:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19564, 'Ez31H6EvMpXWDGov', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:17:16', '2020-04-28 01:17:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19565, 'K6c0F1iFJJJpYyZS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:17:55', '2020-04-28 01:17:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19566, 'RrxTDIKsLGzqMPfS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:18:02', '2020-04-28 01:18:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19567, 'TrfSY9jcK15GAHfH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:18:05', '2020-04-28 01:18:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19568, 'qI16BKknM33lnfZ8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:20:34', '2020-04-28 01:20:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19569, '1e7gdw6rYwNxMRWq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:27:38', '2020-04-28 01:27:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19570, '298xIBuHtbZ2LMvU', 'Ode as Marias', NULL, 'A vestimenta é como uma segunda pele. Nela se encontram impressas nossas histórias, carregadas de lembranças e sentimentos. \nA obra Ode as Marias fala sobre as histórias de avós, mães e mulheres que vieram através dos anos se dedicando ao fazer doméstico, a criação dos filhos e formando personalidades que foram se transformando e ressignificando suas histórias. \nA obra é composta por dois elementos: uma tapeçaria tramada com tiras de tecidos diversos, do mais rústico, como os utilizados para a limpeza doméstica, aos tecidos mais nobres, como o cetim, a viscose e o chiffon, utilizados na alta costura. \nA idéia de trabalhar com os tecidos é de nos remeter ao ambiente doméstico e ao fazer manual, normalmente reservado as mulheres e trasmitidos por gerações, promovendo ao mesmo tempo o diálogo entre a atividade e o lazer produtivo com o fazer artístico. Em composição com a tapeçaria, um video em mp4 contará sobre este diálogo através de imagens, mostrando o processo de construção da tapeçaria, que incorpora através do vestido, estas memórias.  \nNo vídeo a artista se despe desta pele, carregada de histórias familiares, e a ressignifica através da arte, que lhe traz um novo olhar e representatividade no mundo. As várias mulheres projetadas no final do video representam todas estas gerações que foram sofrendo transformações ao longo dos anos.', NULL, NULL, 'Materiais: Tapeçaria (em processo final). Filmagem em mp4 feita com celular.\nTécnica: Tiras de tecidos diversos, fio de algodão, renda e um vestido. Video.\nDimensões: 1 peça de tapeçaria de 1,15cm X 1,60cm\nEquipamentos necessários: 2 cabos de aço para pendurar a tapeçaria e um monitor de TV para a transmissão do vídeo.\nEspaço aproximado para a exposição: Até 3 metros de largura para posicionar o monitor ao lado da tapeçaria ou na parede lateral.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394788070/e280794adb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5058, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4233, NULL, '2020-04-28 01:28:31', '2020-07-02 23:23:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19571, 'b1nrQIBdZaBwBmwb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:28:57', '2020-04-28 01:28:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19572, 'Ur7RCF5XraSauzbr', 'Mutante', NULL, 'Mutante es la multiplicidad de mujeres que habitan dentro de una. En Mutante, exponemos cómo la mujer ha desarrollado diferentes roles/personalidades dentro de sí misma para poder manejar las exigencias de su mundo externo inmediato (madre, pareja, , soltera, profesional, niñez, fortaleza, sensualidad, etc.) Estas diferentes facetas conviven juntas a veces protegiéndose, a veces en armonía y a veces en competencia, tomando un paso al frente cuando es necesario una o la otra. Mutante muestra la evolución de esta mujer dividida mientras va perdiendo y soltando estas diversas hacia su esencia principal .\n\nMutante es una pieza coreográfica de danza contemporánea, danza por contacto y performance con una duración de 10 minutos. En escena, 2 bailarinas.', NULL, NULL, 'Mutante se puede presentar en el exterior (espacio afuera/espacio público) o en el interior (sala de exposiciones, sala de teatro, auditorio, etc.). Necesita una área de de 7 x 5 metros como mínimo y piso liso o piso de danza .\n\nAl hacerse en el interior tiene la ventaja de poder usar luces para la puesta en escena.\n- en teatro/auditorio: uso de luces frontales, calles, como mínimo.\n- en sala de exposiciones: ambientaciones de tachos de luz en el piso\n\nSonido.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=3VnHCd2zxD8', NULL, 'https://www.youtube.com/watch?v=3VnHCd2zxD8', NULL, NULL, NULL, NULL, NULL, 1609, NULL, 187, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1418, NULL, '2020-04-28 01:29:47', '2020-06-23 17:45:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19573, '3EpBPU7ShxEfgKDF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:29:57', '2020-04-28 01:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19574, 'fSgFmgKACvdQ0aqd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:30:13', '2020-04-28 01:30:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19575, '51ZmEGBOEifofpx0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:30:29', '2020-04-28 01:30:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19576, 'Sq1OvwY9YSj3tf41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:39:43', '2020-04-28 01:39:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19577, 'e4vnT6WxWCUzvp2Q', 'Danza de los espíritus', NULL, '\"Danza de los espíritus\" está compuesta por la interacción entre un cuerpo femenino que yace sobre ruinas urbanas y  rostros vendados que atestiguan. La operación ( -de la estética del vendaje-)  da cuerpo a esta obra y nos remite al antiguo rito mortuorio de la momificación.\nLa problemática  de la  obra se construye a partir de un análisis crítico entre los conceptos de Rito, Mujer y Muerte.  Las nociones  de trascendencia,  cuerpo femenino y  rito fúnebre, que se debaten entre vínculos y tensiones,  proponen desde una contingencia urgente el  gesto mediador entre dos tiempos y espacios: los actuales femicidios urbanos y la momificación ritual de los cuerpos en el pasado primitivo. \nEl cuerpo de la momia es instalado sobre un cúmulo de escombros, siendo el desecho urbano el ajuar que lo acompaña. Instaladas alineadamente sobre la pared, algunas  máscaras -rostros anónimos con ojos y boca vendados- simbolizan a otros muertos que acompañan y atestiguan esta escena ritual. Sobre otra pared, siguiendo la línea , una serie de muñecas que dialogan con la problemática de la obra, las cuales encontramos presentes en las antiguas momificaciones de la cultura Chancay y en la actualidad, plásticas, evocando la maternidad y la hiper-sexualización del cuerpo femenino.  Se trata de  un monumento que honra, en una sociedad que impone un estilo de vida devorador, fundado en el delirio del goce y del consumo individualista, a las mujeres muertas y oprimidas por la violencia imperante.', NULL, NULL, 'Para exponer  la obra se necesita una sala de al menos de 6 x 4 mts. Sobre el suelo va el cumulo y el cuerpo que miden  3x1.5x0.6 mts. Además esta sala debe tener al menos dos paredes blancas para poder montar los rostros y las muñecas. La iluminación ideal es baja, con focos direccionados, aunque funciona con otras luces.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5703, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4710, NULL, '2020-04-28 01:40:24', '2020-08-08 02:39:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19578, 'SlewnR4ZLECTNHXz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:40:58', '2020-04-28 01:40:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19579, 'QyN1mbDXI18i3hlF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:48:36', '2020-04-28 01:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19580, '4fDzAulh7V9y3eDc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:49:44', '2020-04-28 01:49:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19581, '4zpASjZtjUFi5kTG', 'La antología del forastero', NULL, 'Esta investigación es una respuesta a la cotidianidad, a centenares de horas perdidas, una puerta a las banalidades figurativas. Es el lugar de las noches infinitas con aroma a azufre, ese que despide una ciudad populosa y hambrienta. Este universo cuatripartito configura la antología del forastero, aquel que recorre caminos e historias buscando preguntas más que respuestas. Un explorador del inconsciente colectivo que se adentra en lugares recónditos buscando redimir su ser; liberándose de ensueños enajenantes. Este refugio de pensamientos comprende como ejercicio, la creación de un espacio en conexión con la idea libertad, actúa en resistencia y hastió a las múltiples dinámicas de un mundo que acapara nuestra humanidad y nos despoja de toda búsqueda reflexiva.\nLas imágenes concebidas en este proyecto son capturas logradas en el 2019, en la costanera norte, periferia de la Ciudad de Buenos Aires, Argentina.  \n Este vagar íntimo parece revelar un interminable -Dejá Vu- de situaciones y paisajes - que aún constantes - son únicos. El proceso de observación paulatino acompaña e impulsa la decisión por fotografiar en negativo blanco y negro de 35 milímetros, un tiempo detenido que explora la naturalidad y esencia del lugar que se enfrenta al constante transitar de individuos.', NULL, NULL, 'Ensayo fotográfico conformado por 12 imágenes. Dos son fotografías individuales y las diez restantes son imágenes compuestas por grupos de 4.  El proyecto está pensado para exhibirse en un tamaño de 30x40 para las imágenes individuales, y 15x20 cada fotografía que compone el grupo de cuatro. El tamaño del enmarcado final tanto de las individuales como las grupales es de 36x48 cm, enmarcadas con paspartú y marco negro.\nSugiero como espacio de exposición, el parque de la memoria.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4594, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3861, NULL, '2020-04-28 01:49:56', '2020-07-15 23:09:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19582, 'qPQIznNAMTimFUdk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:50:54', '2020-04-28 01:50:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19583, 'ddW0sFSDHbfcjPB9', 'Textere, como construir un hogar y a ti mimso', NULL, 'Tradicionalmente la casa es entendida como propiedad del padre al igual que todo lo que se encuentra en su interior, pero en la práctica es un espacio femenino, las mujeres son omnipresentes por medio de pequeños tejidos que adornan el lugar guardando muchas historias en estos. La raíz etimológica de la palabra tejer, el vocablo latino textere, que a su vez también significa texto me hacen a reflexionar en las historias contenidas en casa de mi madre como elemento importante en la conformación de mi identidad.\n \n“Textere” genera un diálogo entre materiales orgánicos y de construcción por medio del dibujo, la escultura y el tejido para evocar sentimientos de fragilidad y delicadeza que reflexionan sobre mi identidad masculina a partir de la exploración  plásticas de materiales antes mencionados.', NULL, NULL, 'Galería de al menos 6 x 6 mtrs', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3096, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2666, NULL, '2020-04-28 01:52:40', '2020-08-02 14:49:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19584, 'tuKkp5lIupxLg98n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:53:43', '2020-04-28 01:53:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19585, 'yxr6jtMDsdQUo1CI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:54:18', '2020-04-28 01:54:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19586, 'OXa7cUK6IA7dmNbd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:54:24', '2020-04-28 01:54:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19587, 'OFo14fBCYy8XU2Nt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 01:55:05', '2020-04-28 01:55:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19588, 'STK9lyBZICwZUlgu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:00:13', '2020-04-28 02:00:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19589, 'on5DNLHYOv3mGsGR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:00:15', '2020-04-28 02:00:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19590, 'ZOC79LvvrzJcYhO4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:00:33', '2020-04-28 02:00:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19591, '1hDJoqd7pOXll0jb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:00:38', '2020-04-28 02:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19592, 'kfrXh3wEy1gfXUxH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:09:43', '2020-04-28 02:09:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19593, '9tCFjKCI7LacqxWA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:11:01', '2020-04-28 02:11:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19594, 'CyPU5V7OnrFKQXPG', 'Mostruitxs', NULL, 'Son guerrerxs de la luz, \nidolxs hermafroditxs de Benevolencia\nhechos con material encontrado en la calle, \nun conteiner, la playa, el bosque,\n o algún amigue que viene y te dice \n\"che mirá, encontré esto para tus mostruitxs\".\nTienen  funciones mágico-religiosas para rituales y ceremonias\ny la consigna es:\nCon cada piecita encontrada, \nantes abandonada, \nen aparente perpetuidad, \nsentenciada y mutilada ,\n construir una nueva identidad,\nun nuevo perteneSER\ny un nuevo ser parte,\ndesde el silencio y la ceniza\n para rearmarse, \nreciclarse,\ny encenderse\n como el  Fenix \notra vez.', NULL, NULL, 'salon amplio con cubos de 1,50 mts de alto por 50 de ancho iluminados en cenital', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/mostruitxs/', NULL, NULL, NULL, 1610, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1419, NULL, '2020-04-28 02:14:34', '2020-06-23 17:45:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19595, '34AGH24P7w1BRF65', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:15:52', '2020-04-28 02:15:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19596, 'C27F2ztN79txvC88', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:20:07', '2020-04-28 02:20:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19597, 'FqiP6fkuXfZdLQ6Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:22:14', '2020-04-28 02:22:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19598, 'Uah9fCspRfI8kYQT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:22:52', '2020-04-28 02:22:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19599, 'lqNIfUqrU1iGWyqj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:26:21', '2020-04-28 02:26:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19600, 'HSo8lRgkRaZ1Lf20', 'NATURALEZA MUERTA', NULL, 'La muestra invita a la audiencia a un recorrido inmersivo a través de una Vida Contemporánea pero a la inversa, entrando por la Muerte y saliendo por una instalación llamada “Redención” que representa el Nacimiento. Con una única entrada y una única salida, el recorrido por las distintas obras, en su mayoria de gran formato e instalativas, refleja aspectos característicos de una vida contemporánea desde la crítica y el absurdo. Para la presentación general de las piezas y su recorrido, no se dispone de paredes divisorias o salas, sino más bien se juega con la totalidad del espacio abierto donde conviven todas las obras generando un ambiente de playground onírico.\n\n\"La vida es una línea entre dos puntos, aquel que tiene la suerte de experimentarla tiene también el derecho y la libertad de darle a esa línea la forma que quiera. Sin embargo hoy, parecería que casi nadie esta dispuesto a aceptar esos derechos ni esas libertades y por el contrario, se busca la obediencia y la dependencia haciendo que sus vidas se distingan lo menos posible del resto.\"', NULL, NULL, 'Aproximadamente:  400 m2\nAltura Mínima:  6 m\n\nInicialmente la exposición se proyectó para el amplio espacio común de Sala Cronopios, CCRecoleta y luega una de las Salas de Museo MAR de Mar del Plata.\nPero el modelo inicial de exposición esta abierto a adaptarse a distintos espacios, distribuciones e ir incorporando actualizaciones o piezas site-specific.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/286889917', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2090, NULL, 241, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1831, 5, '2020-04-28 02:26:38', '2021-03-16 18:19:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19601, 'qrStYo9gtWXxfXCP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:28:30', '2020-04-28 02:28:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19602, 'L4FIA7ROLe2g28h0', 'Vórtice Virtual', NULL, 'La obra consta de una instalación interactiva con realidad aumentada, donde los participantes ingresan en un espacio en el cual se encontrarán con varias pantallas. Apuntando con la cámara de su celular y con una App previamente descargada podrán visualizar en las pantallas el contenido de la obra mediante sus pantallas. Una ves finalizada la experiencia existe la posibilidad de compartir reflexiones e ideas acerca de la obra y la temática planteada mediante un formulario online.\nTomando como hilo de conducción el hecho de que vivimos en una sociedad escapista y que gracias a la tecnología es algo que se ha vuelto accesible, pienso que gran parte de este escape virtual se genera a través de las pantallas que nos rodean. Es por ello que planteo una instalación en la cual se indague, se explore y se produzcan significados impredecibles acerca de la tensión que existe entre Realidad y Virtualidad. \nMediante el uso saturado de pantallas en un ambiente reducido, el participante podrá visualizar el contenido de la obra en el cual ocasionalmente se presentarán preguntas y disparadores acerca de la temática planteada.', NULL, NULL, 'El espacio de la instalación (3mts x 2mts aprox) estará constituido por cinco (o mas) pantallas distribuidas en un ambiente reducido, las cuales emitirán imágenes fijas que actuarán como targets para la localización y reproducción del contenido en las pantallas de los participantes. Al ingreso y salida se situarán códigos QR. Se necesitaran TV de tubo, pantalla plana, monitores de PC, parlantes y luces para la ambientación de la sala (cantidad a definir según espacio de sala).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1612, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1420, NULL, '2020-04-28 02:28:54', '2020-07-18 00:17:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19603, 'lBP8EefNvvvAdeyg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:38:32', '2020-04-28 02:38:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19604, '5CoJMYgCzJSjQqho', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:39:55', '2020-04-28 02:39:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19605, '5yAXpPY0TNcuTE5D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:40:22', '2020-04-28 02:40:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19606, 'ADPFI2nk2b8N9M7c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:40:39', '2020-04-28 02:40:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19607, 'WCRwGGsqL67xEqOU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:41:16', '2020-04-28 02:41:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19608, 'IXaMLuFKA9CWc0wc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:41:22', '2020-04-28 02:41:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19609, 'fYlXUIpcm9lk9mKk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:45:17', '2020-04-28 02:45:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19610, 'ph7YdqfbRCh1mgIW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:45:49', '2020-04-28 02:45:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19611, 'aUp62BXUuo5Qw24h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:47:55', '2020-04-28 02:47:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19612, 'WR5FDSVjSPHJN31w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:53:53', '2020-04-28 02:53:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19613, 'Cfn4NPnk9lmIltRe', 'Aproximación al dibujo', NULL, 'Las redes son una especie de Gran Hermano personal que sigue la vida de los usuarios, nutre una visión documental hacia lo cotidiano y una necesidad por capturar cada momento de la vida. Ligado a la noción de inmediatez nunca vemos una imagen, leemos todas las instantáneas de los usuarios como una serie, una detrás de otra. Uno de los mayores atractivos de las redes es la legitimación de los usuarios como entes creativos, como artistas que editan su vida y construyen sus historias. Las redes expanden nuestra percepción, nos aproximan al otro restringiendo nuestro espacio, delimitándonos.', NULL, NULL, 'Pared lisa, blanca, 2x2x2 mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1614, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1422, NULL, '2020-04-28 02:54:40', '2020-06-23 01:33:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19614, 'SxrdyrPUt1kEtCKL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:55:27', '2020-04-28 02:55:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19615, '3cGVy2C5qJFikcN6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:56:02', '2020-04-28 02:56:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19616, 'TQ8QnIXjyFpl15jD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 02:56:15', '2020-04-28 02:56:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19617, 'vAFdorJid09KyVX5', 'Erosiones', NULL, 'EROSIONES\n\n Este proyecto se compone de 10 obras de chico a mediano formato, partiendo de la pintura, escultura e instalación, que abordan la destrucción de los ecosistemas por el error humano, el territorio, lo colectivo, la contaminación del agua, la falta de planeación urbana, la devastación y la transformación del paisaje. Considero importante las ideas sobre el origen y la naturaleza de las cosas, el derrumbe y lo orgánico.\nLa producción de este proyecto fue beneficiada en el 2019 por la Secretaría de Cultura de México, en el programa de Estímulo a la Creación y Desarrollo Artístico del estado de Jalisco en la categoría de Jóvenes Creadores. Una obra fue expuesta en la segunda Bienal de Arte Contemporáneo de Lagos, Nigeria (2019). \n\nLa exposición de las obras estaba planeada para el 2020 en Guadalajara, México; por consecuencia de COVID-19 no pudo ser realizada por este año.', NULL, NULL, 'Espacio cerrado, muros blancos con una dimensión de 60m² aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1819, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1594, NULL, '2020-04-28 02:59:05', '2020-07-20 23:44:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19618, '2tLDykC0d4SSUjml', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:03:15', '2020-04-28 03:03:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19619, 'yG9bCvKJ5eDGNbh4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:05:56', '2020-04-28 03:05:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19620, 'umPbPulp09gYfL46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:08:21', '2020-04-28 03:08:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19621, 'LzOTlg6UWlGAyMkA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:08:29', '2020-04-28 03:08:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19622, 'rzkuocnB1SNL50Zi', 'Necesité de una pandemia', NULL, '“Necesité de una pandemia” es una canción que nace en plena cuarentena por el covid-19, después de unas semanas de encierro y de mucha introspección. Esto quiere decir que fue hecha totalmente en casa, de la mano de la producción de Daniel Rivera. Con instrumentos reales, digitales y todo lo posible dentro de dos casas aisladas conectadas por el internet, como la vida misma con la pandemia del 2020.\n\nEsta canción nació literalmente así: En las primeras semanas de la cuarentena donde todavía parecía que nada de lo que pasaba era real y me sentía impasible al respecto, hice un mandado para recuperar mi disco duro, que lo tenía un amigo hace mucho tiempo en su casa (muy lejos de la mía). Apenas llegó, lo conecté al computador para “borrar” archivos y liberar espacio. Lo que no sabía es que me iba a encontrar un montón de videos, fotos y memorias de años atrás y en vez de “borrar para liberar espacio” acabé inundada por la nostalgia del pasado y haciendo esta canción.\n\nMientras se llevaba a cabo el proceso de producción sonora de la canción, yo fui haciendo un videoclip casero, grabado con mi celular, emulando el proceso de creación de la canción en un día entero en mi cuarto.', NULL, NULL, 'La canción como el videoclip duran 3:24', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=sNbdOD88Z_E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1613, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1421, NULL, '2020-04-28 03:18:04', '2020-06-23 01:33:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19623, 'TbzRWPLqJIn6glQf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:20:15', '2020-04-28 03:20:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19624, 'Pj0d4rRAmuQKryME', 'Delivery', NULL, 'São tempos de gestar uma nova relação com o planeta, de pensar formas de cultivo que visam não destruir e acumular, mas sim coexistir e alimentar. A distância entre o mundo animal e vegetal precisa ser repensada, bem como entender que o humano não é a única referência para construir essa nova relação planetária. Assim a ligação entre prato e a terra, propõe uma agricultura ao alcance da nossa mão, das nossas varandas, dos nossos quintais. Precisamos entender esse correr do tempo que não deve ser controlado mas sim assistido.\nEsses casulos são construídos com matéria orgânica vegetal, como cipós, galhos e folhas em geral, a essa matéria com potência nutritiva será incorporada, terra e argila. Nessa terra e argila sementes de alimentos que foram consumidos por mim e por estudantes de escolas em que a proposta pode ser apresentada, são incorporadas e poderá se assistir seu crescimento nessa estrutura. Penso na potência original do alimento selvagem, apenas como o que mantém uma pessoa viva: é possível assistir a gestação, a germinação e o nascimento. Espero que as pessoas possam conectar uma parte de si mesmas a detalhes do mundo natural, afinal a semente é o espaço mínimo onde cabe tudo. A a mudança climática seria a ameaça comum para uma cooperação internacional global, mas ao contrário recuamos para guetos nacionalistas. O objetivo maior dessa experiência será nos deslocar dessa alienação do nosso potencial gerador e comensal (no sentido biológico do termo).', NULL, NULL, 'Espaço público e acessível a todas as classes etárias. Teria que ser um espaço que abrigasse, em segurança, os casulos e os alto-falantes, é necessário um espaço que tenha uns 8 metros por 4 metros para distribuir 12 casulos suspensos. Também é necessário uma fonte de água para instalar um simples sistema de irrigação automatizado bem como uma fonte de luz (natural ou artificial). Seria um espaço vinculado ao consumo de alimentos e seus resíduos como praças de alimentação de Museus, por exemplo.', NULL, 'artist', NULL, NULL, 'https://youtu.be/HHG1GPby0VI', NULL, NULL, NULL, 'https://drive.google.com/file/d/1yLd7Z3YMz7YBQCFwq4ljOrJSQwIciDtO/view?usp=sharing', NULL, NULL, NULL, 5073, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4248, NULL, '2020-04-28 03:21:34', '2020-07-02 23:23:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19625, 'kPscdJpzRG8cLHSi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:24:26', '2020-04-28 03:24:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19626, 'ozB71KjPwcY2ktD1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:31:52', '2020-04-28 03:31:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19627, '2ZyF16rDxvnmuJAo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:34:27', '2020-04-28 03:34:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19628, 'elqmM51EIKLfbfQe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:35:22', '2020-04-28 03:35:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19629, 'awZdnXTALYFF9Esc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:36:06', '2020-04-28 03:36:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19630, 'lwEECOLkZfeknZKZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:37:58', '2020-04-28 03:37:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19631, 'SSEgtIiP9XfQmXbD', 'ATMÓSFERA', NULL, 'La  obra está inspirada en la sutileza del movimiento casi imperceptible que nos rodea.\nEstá compuesta por paneles suspendidos en el aire. La volumetría de cada panel presenta una conexión de texturas geométricas y ondulaciones orgánicas, un nexo entre lo natural y lo artificial, con sutiles vibraciones generadas a partir de motores en distintas velocidades y ritmos.\nEl sonido y movimiento se transforman uno en consecuencia del otro. Mediante la iluminación, los diversos materiales se reflejan entre sí y hacia el espacio transformando el ambiente creando un cielo geométrico de paneles texturados a partir de tramas plegadas a mano suspendidas en el aire. El suelo se convierte en un soporte de apreciación, donde el tiempo se detiene cuando el suave movimiento y la iluminación capturan al espectador.\nNuestro deseo es generar una experiencia visual y sensorial, queremos crear un espacio de apreciación del movimiento y de las geometrías, y cómo éstas confluyen entre sí.\nSiguiendo nuestra experiencia con la técnica del origami, nuestro desafío es potenciar la capacidad dinámica y versátil de las estructuras, quitándole rigidez a la geometría a partir del movimiento.\nQueremos cautivar al espectador y sumergirlo en la sutileza de la oscilación generada por las vibraciones de este cielo y sus cambios lumínicos. Hacerlo detenerse a observar hasta lograr percibir este movimiento casi imperceptible.', NULL, NULL, 'Cuenta con 2 tirantes de 4 metros de largo, dispuestos a 6 metros de separación. Son el soporte de sujeción de 4 alambres tensados. Por otro lado 4 motores , giran y golpean los tensores, a distintas velocidades y fuerzas.\n6 paneles suspendidos de los tensores, se manifiestan de forma directa al ritmo producido por los motores, vibran, se mueven, se encuentran y se separan.\nDimensiones 4 metros de ancho, por 6 metros de largo, por 2 metros de altura, dispuesto a 1,70 metro del suelo.', NULL, 'artist', NULL, NULL, 'https://www.instagram.com/p/BtL05AcATzc/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1615, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1423, NULL, '2020-04-28 03:38:15', '2020-07-17 15:53:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19632, 'wxYWOIV8indMxP2w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:38:44', '2020-04-28 03:38:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19633, 'AlYxE6Nb4l5wc79g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:40:50', '2020-04-28 03:40:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19634, 'j5tSlDKDVBDcZAjR', 'The Power Ball.', NULL, 'Sandra Ramos Statement - Power Ball Series \n\nThe pieces included in the Series; The Power Ball Projects, Lotto Politics, The New World Order and Political Ping Pong are related to a playful and ironic visual representation, of the ways in which political and economic powers are inter-related and manifest in the contemporary world.\nIn these works, Im using critically the characteristics and design of mass production propaganda (political merchandising). I establish references to the Power Ball Lottery one of the most widespread and popular in the United States. The pieces are made up of series of portraits of politicians, world leaders, and other public, characters printed on ping pong balls (like those used to draw the lottery numbers and bingo). This emphasize symbolically, the random surprising and tragicomic processes of ascension to power nowadays. \nSome pieces establish a dysfunctional dialogue between the portrayed individuals, highlighting political, ideological or religious conflicts  yet unsolved, others manifesting the contradiction between the so-called \"positive and negative leaders\" as North Korea (Kim Jong-un) - Korea South (Park Geun-hye); Israel (Benjamin Netanyahu) - Palestine (Mahmoud Abbas); Cuba (Castro) - USA (Obama) etc. Other works have a more playful character as the Ping Pong table game where Hillary Clinton and Donald Trump face, portrayed on pallets, against a ball that has on both sides the USA map in blue and red', NULL, NULL, 'An approximately 5 x 6 x 3  meters room , 1 or 2 video projectors or 1 OR 2 TV sets. \nThe installation is very adaptable and I can use some of the pieces and videos or not depending of the space provided without change the sense of the pieces and the essence of the installation.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1945, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1713, NULL, '2020-04-28 03:43:19', '2020-07-12 16:53:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19635, 'SCK30pgjnGZChBEA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:46:36', '2020-04-28 03:46:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19636, '16XgPat8uVeVN4eB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:48:20', '2020-04-28 03:48:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19637, 'pYHKLoWgrWSkJbhy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:53:59', '2020-04-28 03:53:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19638, 'Y2GiHIvNF29ROiwW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:54:42', '2020-04-28 03:54:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19639, 'dGYrB9JCVj9WPyiY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:57:47', '2020-04-28 03:57:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19640, 'wZ5X16ITQFF931Uq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:58:02', '2020-04-28 03:58:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19641, 'Og0lsU40DRLOwfkT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 03:59:07', '2020-04-28 03:59:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19642, 'iFYZ0EkW7AQVaTXd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:04:46', '2020-04-28 04:04:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19643, 'MJOiUAR9uSJyfwlO', 'Nuevas Reglas', NULL, 'Extractos oníricos se ven plásticamente  influenciados por un encierro obligado, que logró reflejar la necesidad de lo ahora prohibido.\n\nLa fecha de creación de estas obras está comprendida entre el 13-3-2020 y 25-4-2020\n\"Con tacto\" Pintura al óleo, 90x70 cm\n\"Las dos parcas\"   Pintura al óleo, 90x70 cm\n\"Monedas” Pintura al óleo, 115x67cm\n\"Juntos\" Pintura al óleo, 100x50cm\n\"Libertad\" Pintura al óleo, 2,05x1,50 Mt\n\"Contención\" Pintura con acrílico 2,05x1,25 Mt\n\"El guardián\" Pintura con acrílico, 90x70 cm\n\"El hombre y los cerdos\" Pintura con acrílico, 120x94 cm\n\"En Casa\" Pintura al óleo, 100x70 cm', NULL, NULL, 'Se sugieren paredes amplias , con iluminación cálida y direccionables ubicada frente a las obras .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1622, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1428, NULL, '2020-04-28 04:05:40', '2020-07-17 15:57:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19644, 'bNPJ3a9czM4uXQKm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:06:55', '2020-04-28 04:06:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19645, 'lVnpnqMEPjQHNDbO', 'MAREA', NULL, 'Marea es una obra de papel plegado a mano con la técnica del origami. Propone una superficie de curvas y contracurvas que producen un movimiento orgánico y, a través de la iluminación, sus texturas transforman el espacio.\nEstá generada a partir de secciones de papel ecológico que la hacen reconfigurable según el lugar donde sea expuesta, esto le permite ser instalada en diversas posiciones, ya sea vertical tomando forma de \"cortina\", u horizontal en formato de “techo”. \nEl papel del cual está compuesta, permite el paso de la luz, esto hace posible iluminarla exteriormente o por detrás posibilitando transparencias a partir de la luz aplicada.\nAl mismo tiempo esta trama produce sobre sí misma una sucesión de sombras que multiplican las texturas y potencian el impacto visual de la obra..\nLa producción de esta pieza lleva más de 50hs.horas de trabajo y 15 metros de papel plegado a mano.\nSu apariencia orgánica se contrapone con su morfología, el origami es generado a partir de  tramas geométricas que, repitiendolas, permiten ondulaciones suaves y orgánicas que nos remiten a la naturaleza.\nSu nombre está inspirado en el  movimiento continuo del mar, en el vaivén de las olas cuando se acercan a la orilla y retroceden hacia lo más profundo, en las ondas que se desplazan ininterrumpidamente por la superficie de todo el océano,.\n-“Marea: Movimiento periódico de ascenso y descenso del nivel del mar, debido a las fuerzas de atracción que el Sol, y la Luna, ejercen sobre la Tierra.”', NULL, NULL, 'Esta creada a partir de 15 metros papel tyvek plegado a mano, este material es impermeable y muy difícil de romper.\nSus dimensiones dependen del formato adoptado. En su estadio de mayor tamaño (modo cortina), mide 3 metros de alto, por 4 metros de ancho, pero al tener una configuración tipo arcordeón tiene la capacidad de ampliarse y reducirse.\nEl único requerimiento de montaje es la sujeción a una superficie, puede ser un techo, paredes, o trípodes según el espacio otorgado de instalación.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=1IogtabUCP2NOjboJ2E8p6leV42xoLLRq', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1N5u6mucl2pZZm6TJhLYr2pT1aSttMVBH?usp=sharing', NULL, NULL, NULL, 1947, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1715, NULL, '2020-04-28 04:11:52', '2020-07-06 23:19:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19646, 'Xcs688PCPxAC0BNm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:14:34', '2020-04-28 04:14:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19647, 'x6m37FyhC8T9MKoe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:14:35', '2020-04-28 04:14:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19648, 'd2Jk3IPpKyQ3rjnY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:17:01', '2020-04-28 04:17:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19649, 'H0pcD4gLT12PHT1Q', 'La humanidad frente a su imagen', NULL, 'Este proyecto tiene su génesis en una serie de exploraciones a través del collage manual. Recortes de distintos colores de piel y texturas pétreas se separan de su superficie original para formar parte de un nuevo orden: rostros que en su abstracción son concebidos como genéricos. Surge a partir de la posibilidad de pensar a la humanidad como sumatoria, multiplicidad y superposición. \nLa instalación se compone de 9 capas de gasa de lino, todas del mismo tamaño (1,50 m x 2,50 m) y colgadas a la misma altura. Todas al mismo nivel. Dichas capas contienen las imágenes impresas y por veladuras permiten el paso de la luz y por lo tanto de la visión. El espacio se percibe fragmentado, pero por las transparencias siempre se tiene consciencia de que es un único lugar de todas/os. El límite es permeable, ya no separa. La disposición de las telas es tal que permite al habitante mezclarse en el recorrido y atravesar la experiencia o pasar por un costado sin involucrarse, eso es libre albedrío y corre por cuenta de cada uno.', NULL, NULL, 'El espacio expositivo sugerido es una sala de planta rectangular de 10 m de ancho x 25 m de largo, con una altura de 5,50 m aproximadamente. Del cielorraso se debe poder colgar, o contar con estructura secundaria que lo permita, artefactos de iluminación puntual y ganchos omegas para sostener las piezas. De ser posible que posea solado con hormigón pulido reflectante para acentuar la atmósfera de multiplicidad deseada.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6042, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4961, NULL, '2020-04-28 04:27:22', '2020-08-11 03:00:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19650, 'ZqLaNkJIlloPObRa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:28:08', '2020-04-28 04:28:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19651, 'gqQWO12XZ0WmXL1Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:33:51', '2020-04-28 04:33:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19652, 'lfJq8VfpSQkVivHx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:36:06', '2020-04-28 04:36:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19653, 'eiCdoPcNjOYGJctp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:41:29', '2020-04-28 04:41:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19654, 'mCzAVdtVYjHaXVBo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:46:17', '2020-04-28 04:46:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19655, 'cr7GGRsZRtQ0nIzc', 'YO SOY LUZ, ENERGIA Y VIBRACION - \"El mundo interno de un artista\"', NULL, 'Este proyecto artístico pretende aflorar el mundo interno del artista, por medio de la pintura a través de análisis y reflexiones, permitiendo de esta manera el despertar de los sentidos internos y de la conciencia, es decir, es reconocerse a sí mismo expandirse a una apertura creativa . Utilizando símbolos, códigos, números y la geometría sagrada como fuente de engranaje y de contenido oculto en su propuesta artística.\n\n     Explicando un poco como es el proceso creativo,  el artista parte de la técnica de la meditación que le permita de esta manera, encontrar equilibrio y armonía en su interior. \n      \n     En su propuesta bidimensional utiliza una técnica mixta en soportes en madera, tela y papel empleando diferentes materiales que le permita vincularlo con lo actual. Creando una serie de pinturas, dibujos y collages con medidas variables. Rompe un poco con los estándares técnicos de la pintura, es decir; utiliza soportes que pueden ser ensamblados en el espacio determinado logrando unificación en la pieza. Son obras con una simbología implícita bien marcada ya sea por el color, las formas geométricas o números, códigos ocultos que le permiten al artista lograr un acercamiento y expresar con más libertad sus deseos de transmitir elementos que lo vinculen al despertar.', NULL, NULL, 'las medidas son:\n\nEstrella de seis puntas -1.44 x 1.28 cm\nSol interno- 1.88 x 1.28 cm\nDespertar de la ascensión- 1.70 x 44 cm  \n11.11 Espejo de luz -1.88 x 2.00 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1620, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1426, NULL, '2020-04-28 04:48:45', '2020-06-23 17:45:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19656, 'UYRPT4d1jfRD2JxX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:55:48', '2020-04-28 04:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19657, '1TzWc32KajUK0rX8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 04:59:28', '2020-04-28 04:59:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19658, 'LWS4tJVCwrWsPyuP', 'Afogamento a seco', NULL, 'O Projeto \"Afogamento a seco\" trata-se de um material audiovisual que está sendo produzido de maneira isolada tratando de questionamentos pessoais relacionadas ao isolamento social diante do Virús \"COVID-19\" do artista \"Guilherme Tx\" de maneira atípica sentido o que o isolamento está trazendo ao seu corpo e sua mente...', NULL, NULL, 'Trabalho de caráter de vídeo instalativo audiovisual, poderá ser usado em projeções, a critério da Bienalsur...', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=v3kTNPcShy0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1617, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1425, NULL, '2020-04-28 05:10:46', '2020-06-23 01:34:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19659, 'pezGOwuesccNyTnQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:11:51', '2020-04-28 05:11:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19660, 'y9V2pA9Qf6WzAUHh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:18:23', '2020-04-28 05:18:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19661, 'QECL9Ydk88p40B86', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:21:32', '2020-04-28 05:21:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19662, 'D1d8tmthNHELNZxY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:23:42', '2020-04-28 05:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19663, '8QgfxUC1yAwNNylY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:27:34', '2020-04-28 05:27:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19664, 'u2wDYuUg8iDRRcFF', 'Cu-irentena', NULL, 'The title is inspired by an Argentine periodic publication called Puntos suspensivos ediciones, which launched an edition focused on queer bodies and their experiences in the quarantine period.\nThe hyphen used in the title seeks to emphasize the term cu used frequently in my family context to express something tedious, tiring or even irritating.\nThrough this project, I script my experience in a cinematic aesthetic, registering my private environment by placing myself in a kind of pictorial diary. I bare my intimate and create scenes just like when I was a child creating stories.\nUsing a tripod and the Samsung Galaxy s8 + cell phone, I frame the scene in order to create an image that provides an act intention which is confirmed in the following photos. I use the camera in professional mode with specific adjustments that give me idealized contrast and cold temperature at the images. Create the scene with the elements of my house and I dress with myself and my mother\'s clothes and shoes, which we share daily. On the cell phone, I edit the images using the Snapseed, Lightroom for mobile and use the Panoramacrop app to include the black bands characteristic of cinematic exhibitions.', NULL, NULL, 'The photographs are between 5 and 9 MB, 4032X4032 resolution. Thinking in the current context of social distancing, the works were created to be digitally displayed, and it can be through social networks of cultural institutions and if exposed in a physical environment, it will be presented on a 52\" FullHD LED screen, emphasizing the cinematographic aspect.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1623, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1429, NULL, '2020-04-28 05:34:04', '2020-06-23 01:34:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19665, 'O3OANOUa4JZYhYiW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:37:11', '2020-04-28 05:37:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19666, 'k5mw6tQrVPhxZ0sc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:39:21', '2020-04-28 05:39:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19667, 'uCYHneMrtvpRQYHJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:43:57', '2020-04-28 05:43:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19668, 'xCGY5ujHitUPafxH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 05:46:31', '2020-04-28 05:46:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19669, 'L5ouWGgflGmyAVA1', 'Land Escape', NULL, 'Land Escape es un estudio de sobre el movimiento y la migración. Los viajeros quedan atrapados en un espejismo, desorganizados por el desarraigo, por los límites, por el pasaje sin extremos fijos. Lo absurdo de las condiciones recrea la tierra como un paisaje paradójico hecho de video proyectado, tela chiffon y alambre de púas que rompe los límites de la imagen plana para invadir el espacio compartido, y definir un borde entre el espectador y la obra.\n\nLos viajeros usan máscaras de animales y humanos, destacando el instinto innato de la humanidad de moverse, reasentarse, buscar y encontrar. Lo que experimentan los migrantes en Land Escape es un colapso del orden natural. Mientras el espacio se transforma, el tiempo también lo hace. Su viaje siempre conduce al comienzo, y su tránsito no deja rastro. No hay huella para marcar el progreso, solo el bucle de su universo de video, el eterno retorno del ser humano en la migración.\n\nEs solo cuando estos personajes se detienen por un momento que uno puede vislumbrar, en el breve jadeo de su pausa, al humano bajo la máscara. Cuerpos viejos doblados por la edad, cuerpos jóvenes con trenzas: todos los cuerpos que deben moverse no pueden detenerse por mucho tiempo. Y en su pausa, deben contemplar. Y en esa contemplación, comprende la naturaleza interminable de su camino.', NULL, NULL, 'Land Escape es una instalación multimedia que hace uso de múltiples proyecciones sobre pantallas de tela chiffon, sonido, y alambre de púas. Para su instalación se requiere un espacio amplio de aproximadamente 100 metros cuadrados y hasta 5 metros de altura. La obra tiene la posibilidad de adaptarse dependiendo del espacio que sea asignada y así mismo se determina la cantidad de proyectores y tela a ser usados.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/342607987', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1621, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1427, 5, '2020-04-28 05:50:48', '2020-08-28 02:48:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19670, 'OYP2Hs9GMfuA4zyh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:00:11', '2020-04-28 06:00:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19671, 'TtrI5lI94ZOW96BY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:00:24', '2020-04-28 06:00:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19672, 'W9kpXPMntvJs8MGm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:11:09', '2020-04-28 06:11:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19673, 'zw1EpBw0sOE7EcRg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:15:02', '2020-04-28 06:15:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19674, 'Cx8GzuDdR3YskWXB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:16:26', '2020-04-28 06:16:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19675, 'uEeyafWuesPyK5Ii', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:18:41', '2020-04-28 06:18:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19676, 'mxEhR5y8KmGyfzlt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:25:21', '2020-04-28 06:25:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19677, 'afNrlYehryc7ePRQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:25:45', '2020-04-28 06:25:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19678, 'QRnzM5ToVsS5zq7D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:26:24', '2020-04-28 06:26:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19679, 'BGejm9lfMLpXylUT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:36:12', '2020-04-28 06:36:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19680, 'BVCMQvr5a979O6EV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:36:15', '2020-04-28 06:36:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19681, 'Ar15OIrGa1ltOS3F', 'La flor doliente y la diáspora expectante.', NULL, 'Se trata de una obra pictórica elaborada con pigmentos alternativos: chimó (pasta de tabaco), clorofila y azafrán sobre papel Fabriano.\n\nLa obra representa a la diáspora venezolana (siluetas) esparcida por todo el mundo (un bosque) contemplando desde lejos una flor solitaria, caída en un claro. La flor es una orquídea, uno de los símbolos naturales de Venezuela. Su flor nacional.\n\nEn la pieza quedan plasmados sutilmente el dolor de la diáspora venezolana lejos de su tierra, y el abandono de Venezuela a su suerte, que también sufre la ausencia de los millones de personas que han migrado, dejando infinidad de familias rotas o separadas.\n\nEl uso de pigmentos alternativos es una práctica que la autora viene desarrollando desde 2018, en parte por las dificultades existentes en Venezuela para adquirir los pigmentos más comúnmente utilizados, y en parte para demostrar que no hay imposibles para un artista a la hora de expresarse, y que los medios, las técnicas y la creatividad, pueden abrirse en abanico a pesar de las dificultades.\n\nLa presentación al público de la obra por redes sociales se hizo con un poema de la misma autora, especialmente creado para acompañar la pintura. De ser requerido, está disponible.', NULL, NULL, 'La pieza no está montada sobre bastidor. El lienzo lo constituye un pliego de papel Fabriano cuyas dimensiones son: 0,70 x 1 mt. (70x100 cm.)\n\nLa pintura ha sido sellada con laca fijadora en varias capas y es resistente al tacto y a la manipulación moderada. No requiere de un espacio expositivo superior a sus propias dimensiones. Una vez montada sobre cualquier base que mantenga el rollo abierto, la obra queda lista para su exposición donde no haya luz directa, especialmente si es luz solar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://1.bp.blogspot.com/--hu71fjs2lQ/XUAiRj9vSzI/AAAAAAAAHD0/bbOsXB2i1hYVafw2Rytc0St-I_ULU_N0QCLcBGAs/s1600/La%2Bflor%2Bdoliente%2By%2Bla%2Bdi%25C3%25A1spora%2Bexpectante.jpg', NULL, NULL, NULL, 1626, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1432, NULL, '2020-04-28 06:36:23', '2020-06-23 17:45:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19682, 'Yb5uHAB4bgBD3iWo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:44:24', '2020-04-28 06:44:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19683, 'G9L8N7zB2qkFHgr6', 'La Fábrica', NULL, 'La Fábrica es un cortometraje de ficción que dialoga con el teatro, la performance y la reproducción de la obra de arte. \nEl film construye una diegesis paralela donde en una Argentina contemporánea las fábricas son espacios de producción de diversas actividades artísticas, cuyos ingresos son regulados por una comisión estatal que otorga puntaje a las obras realizadas anualmente.\n\nEn este contexto, en la ficción, nos centramos en el sector de artes dramáticas de una fábrica, donde el gerente impone una obra de tinte posdramático para subir ganancias y bajar costos. Esto genera un conflicto con los trabajadores que se resisten a esta nueva lógica ya que deben actuar de si mismos y repensar la construcción de obra. Al mismo tiempo, la idea del propio gerente se transforma y la obra que él quiere construir, converge en performance y dialoga con el aparato cinematográfico.\n\nQuizás el interrogante que más me surge es:\n¿Es posible pensar una performance dentro de una ficción cinematográfica? ¿Se pueden borrar esas lineas? ¿Que sucede al enmarcarse en esta disciplina?\n\nEl elenco lo componen: Walter Jakob, Maitina de Marco, Ana Ceruti, Héctor Bordoni, Noemí Ron y Franco de la Puente.', NULL, NULL, 'El cortometraje puede exhibirse dentro de cualquier espacio que se considere apropiado para una proyección audiovisual.\nSu duración es de 15 minutos.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/358211061', 'LF2019', NULL, NULL, NULL, NULL, NULL, NULL, 1625, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1431, 5, '2020-04-28 06:44:39', '2020-08-24 22:57:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19684, 'qsnSF8aPRtOB0lM5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:50:46', '2020-04-28 06:50:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19685, '62CKOTLk4JWO9WKh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:53:57', '2020-04-28 06:53:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19686, 'vPLUIz5BBsZijSyD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 06:54:21', '2020-04-28 06:54:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19687, 'EEGUUHIldxoZpZXN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:04:40', '2020-04-28 07:04:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19688, 'PKVgZAoOA8jy6cij', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:06:55', '2020-04-28 07:06:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19689, 'XYiGWfhVVu4gS0iF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:06:56', '2020-04-28 07:06:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19690, 'f8bT5glgQuxB2rMa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:15:10', '2020-04-28 07:15:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19691, 'VDtHd6rqpogY5YAl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:18:59', '2020-04-28 07:18:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19692, 'UKstCnrDkOFZ7flq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:32:06', '2020-04-28 07:32:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19693, 'dCf1uNt5uYHyvc5m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:39:13', '2020-04-28 07:39:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19694, 'SvrLrIjpvjlLSyP0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 07:57:14', '2020-04-28 07:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19695, 'MqAPIAwRMbawVAv5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:00:17', '2020-04-28 08:00:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19696, '0WpjKFgITce2CsZT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:15:16', '2020-04-28 08:15:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19697, '8REhcCgVrvAvTK1B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:17:32', '2020-04-28 08:17:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19698, '26ifnuuLOQIKOLyS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:18:42', '2020-04-28 08:18:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19699, 'R5wGcrb1PINs12Pc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:31:29', '2020-04-28 08:31:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19700, 'tBX5mYPW4bYKhFuZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:41:28', '2020-04-28 08:41:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19701, '28ndLSfzMYf71MtZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:49:03', '2020-04-28 08:49:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19702, '7Qnl98A2CsqHAteJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:55:30', '2020-04-28 08:55:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19703, 'QanU2Wz8bPAaJPKi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:55:37', '2020-04-28 08:55:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19704, 'XV5dsWlyBUk8CXIB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:55:48', '2020-04-28 08:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19705, 'hsoWQafajSRrmrFY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 08:56:39', '2020-04-28 08:56:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19706, 'zk7it5V65wyMtd0H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 09:03:32', '2020-04-28 09:03:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19707, 'W6TcjwbJfjcOKcT9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 09:14:32', '2020-04-28 09:14:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19708, 'Z2rmJo7EqxzfQb5k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 09:31:31', '2020-04-28 09:31:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19709, 'BHwgajM9cTQTeC8p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 09:46:04', '2020-04-28 09:46:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19710, 'jzXTuhqFzGFNhfmf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 09:51:05', '2020-04-28 09:51:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19711, 'nEJNsIN8XCNsmggM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 10:26:21', '2020-04-28 10:26:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19712, 'ZHjBuGYgSUwavHjc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 10:39:24', '2020-04-28 10:39:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19713, 'I3JTGtFhOohNkF6p', 'The Unreal', NULL, 'The Unreal is a meditative and guided journey to the core of an artificial mine. Through the recreation of a utopian land, we present an immersive experience. \n\nThe Unreal is a conceptual appropriation of techno-romantic and colonial ideals. The route, marked by a speculative derive along a path of spiritual transcendence, takes the therapeutic and meditative narrative concerning the ‘oceanic’ and ‘pacific’ feeling of freedom associated with the techno-liberal dream. The viewer is promised a path towards individual freedom conquering the infinite. A smooth female voice-over leads a contradictory narrative to exalt the failure of techno-capitalism alternatives and the colonisation of all imagined spaces.\n\nThis journey is an invitation to explore the contradictions between techno-liberal rhetoric and the disregarded geological materiality of media. The dematerialisation and deterritorialization of the digital have been defined by natural metaphors that mirror rhetoric of digital emancipation and cultural hegemony of Silicon Valley. Under the slogans of ‘innovation’ and ‘progress’, we have voluntarily forgotten and rejected the physical, material and residual condition of technology.\nIn light of the eco-catastrophe that is forging a need for new vocabularies and imaginaries to refer to the materiality of technology, The Unreal offers a reflective scenario set to the Post-Anthropocene era.', NULL, NULL, 'For the exhibition, the immersive experience will be reinforced by an installation accompanying the video, projected in a big screen in a dark room. By creating a space of self-care dressed in soft materials and comfortable seating on the floor, we will emphasise the meditative intention of the film. \n\nThe Unreal (Credits)-  2 versions: Spanish and English\n00:13:50\nVisuals: Sive Hamilton Helle\nConcept and text: Gloria López Cleries\nVoice English: Lucy Wilson\nMusic: Ernesto Ojeda', NULL, 'artist', NULL, NULL, 'https://vimeo.com/359597162/8aacd7834a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1630, NULL, 188, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1436, 5, '2020-04-28 10:53:33', '2020-08-29 15:33:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19714, '3PqOyI9IGoVHVLBM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 11:03:37', '2020-04-28 11:03:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19715, 'QS0Xx46ON8wfEJX6', 'Falso positivo', NULL, 'Escultura en madera de calavera humana. Representa la grave problemática de los falsos positivos en mi país Colombia, muchachos llevados con promesas falsas de empleo y asesinados con tiros de gracia por fuerzas del estado para pasarlos como bajas de guerra en combate, por este motivo tiene una bala de fusil incrustada en la frente a manera de tiro de gracia, bala de fusil que usan tanto las fuerzas de la ley como las subversivas porque en Colombia los muertos caen de lado y lado. La muerte y violencia no discriminan raza, edad ni estratificación social', NULL, NULL, 'Aproximadamente 15 x 15 cm.', NULL, 'artist', NULL, NULL, 'https://www.instagram.com/p/CA6dAjTj9NH/', NULL, NULL, NULL, 'https://www.instagram.com/p/CBAbilvjMIt/', NULL, NULL, NULL, 2988, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2580, NULL, '2020-04-28 11:04:45', '2020-06-25 22:19:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19716, '2yeayH5o5ib17ApX', 'Invisible work', NULL, 'Invisible work (4K video, 2020, 7:34 min)\nHapetzeder has filmed the cleaners\' work processes in a hospital.\nIt is a work that is so familiar that many people choose to filter it out of the field of view.\nThe video depicts the people and their work and the artist has also interviewed cleaners about their work and life.\n\"I want the work to be a highlighting and uplifting of the mostly invisible continuous work that is being done, which is vital in maintaining our society,\" says Felice Hapetzeder', NULL, NULL, 'Black box, screening programme, etc.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/401027945/9b437d55b6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1627, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1433, NULL, '2020-04-28 11:09:28', '2020-07-17 16:05:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19717, 'YzJByUeVd3B4O1dD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 11:25:00', '2020-04-28 11:25:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19718, 'ayP4S2Mq8007KU4D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 11:50:05', '2020-04-28 11:50:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19719, 'UIGcRBC3FJcLWXu0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 11:52:30', '2020-04-28 11:52:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19720, 'hQcVCH8EDMseFuGi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 11:55:37', '2020-04-28 11:55:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19721, '8GN32ucOtrwPzWRS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:09:19', '2020-04-28 12:09:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19722, 'Neu5QOpsNG0W528O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:09:40', '2020-04-28 12:09:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19723, 'bmeyKXvqFgC2IPCv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:20:24', '2020-04-28 12:20:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19724, 'PMj4dxOVt2FFusD5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:30:04', '2020-04-28 12:30:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19725, 'eWoLwD8azI1TNMpL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:32:02', '2020-04-28 12:32:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19726, 'IWuFw0Fdv75auAPq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:32:24', '2020-04-28 12:32:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19727, 'Ms6rFSnUY3cm2nvf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:45:04', '2020-04-28 12:45:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19728, 'tHt03E7HX3YLjzB6', 'mural \"  Witold Gombrowicz\"', NULL, 'The assumption of the project is to commemorate the figure of the eminent writer Witold Gombrowicz, as well as to find out the cultural relations between Poland and Argentina, which was a home for the writer for nearly 25 years. Therefore, the intention of the mural\'s authors is to invite Argentinean artists to collaborate with it, hoping for further cooperation and cultural and artistic dialogue. In the project we present were used Polish and Argentine ornaments. Visualization of the mural is a preliminary proposal, which can be changed depending on the specified place of implementation, so that it best fits into the surrounding space.', NULL, NULL, 'For the implementation of this project, is needed an external wall of the building in a public space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1651, NULL, 192, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1456, NULL, '2020-04-28 12:48:09', '2020-06-23 02:10:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19729, 'rXvGDgQ5GWwdk0CU', 'Arquitectura desplazada. Enterramiento, 2010', NULL, 'El vídeo Arquitectura desplazada. Enterramiento muestra cómo una máquina excavadora realiza un agujero en la antigua pista de carreras del Canódromo Meridiana de Barcelona para enterrar una maqueta de grandes dimensiones que reproduce la Casa de Estudios para Artistas. Esta casa fue construida en Buenos Aires en 1939 por el arquitecto Antonio Bonet Castellana –junto a sus socios argentinos López Chas y Vera Barros– para albergar a artistas y arquitectos. \nEl Canódromo que se construyó en 1963 para celebrar carreras de galgos, fue destinado en el año 2010 para ser un centro de arte. Ambos edificios, además de estar hermanados por el arte, comparten también el vínculo del exilio: la Casa de Estudios para Artistas fue la primera arquitectura que Bonet construyó cuando marchó a la Argentina y el Canódromo la primera que construyó tras su regreso a España.\nCon el enterramiento de esta maqueta enfrente del Canódromo se pretende, además de retornar simbólicamente una arquitectura que fue “desterrada” por los avatares de la Guerra Civil, evidenciar la cruel invisibilidad y el silencio sufrido por los exiliados republicanos durante la dictadura franquista y posterior democracia. Para ello, Arquitectura desplazada se constituye como un monumento a la inversa, del que no existe ninguna señal o marca, pero también como un acto de metamorfosis entrópico donde los restos de aquella utopía, que ponía el arte en el centro, pudieran dar lugar a una semilla que fundara otro presente.', NULL, NULL, 'Proyección de vídeo sobre pared. Medidas variables en función del espacio disponible.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/412379959', 'Bonet_2010', NULL, NULL, NULL, NULL, NULL, NULL, 1628, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1434, 5, '2020-04-28 12:48:31', '2020-08-31 23:33:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19730, 'NLsXFqgW3IYrmSHj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:51:16', '2020-04-28 12:51:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19731, '0B5GiX5BZe5Lqdwq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 12:51:49', '2020-04-28 12:51:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19732, '47d2olTyp0K9XOEk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:23:40', '2020-04-28 13:23:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19733, '9n1msvybFTz0lznQ', 'EXPLORACIÓN ÍNTIMA DE LO INVISIBLE', NULL, '“Para algunos nos hacemos demasiado las víctimas, para otros no cogemos como deberíamos, o somos demasiado perras o demasiado enamoradas y tiernas, pase lo que pase no entendimos nada, demasiado porno o no bastante sensuales.” Teoría King Kong, Virginie Despentes.\n \nEnsayo etnográfico sobre la parte invisible de la figura del iceberg que representa la violencia machista.\nEl control que ejerce la cultura patriarcal sobre el cuerpo femenino, genera subidentidades y roles sociales asociados al uso que cada mujer le da.\nLa violencia verbal hacia la mujer deseante, se utiliza como una forma sutil de reprobación, que se encadena con la culpa subyacente que convive con la emancipación sexual.\nAquella mujer que pone en el centro su sexualidad, incomoda, por lo tanto, queda al margen.', NULL, NULL, 'Espacio para proyección', NULL, 'artist', NULL, '', 'https://www.youtube.com/watch?v=GbHWhd3dO7M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1629, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1435, 5, '2020-04-28 13:28:31', '2021-02-12 15:32:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19734, 'USZ4gZhWb9WbEGJz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:30:22', '2020-04-28 13:30:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19735, 'BfqEAAQpJ9iiapPW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:30:29', '2020-04-28 13:30:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19736, 'tWH55xkVVDE1iDoD', 'dream home; drift home', NULL, 'Dream home; drift home is a video projection comprises shower curtains, sea salt, plants, fabrics and a white bench. The eight-minute video is a collage of footages from video conversations and old family event recordings. Divided into four chapters: Chapter I peeling a mandarin, Chapter II china the dinnerware, Chapter III the conversation, and Chapter IV the event, the video attempts to retrace the concept of home in gathering connections to the land, China. The video narrates the personal experience of the past and the present being torn apart in exposing oneself in the constant western portrayal of China, which is oftentimes mingled with negative political connotations. At its grandest, the work speaks of the leftover sense of belonging by singing a visual poem to the home that has been left behind.', NULL, NULL, 'There are two ways to exhibit Dream home; drift home. \n1) The work is displayed as a video on monitors or a projection on walls. \nor\n2) The work is displayed as an installation: a projection on shower curtain with sea salt piled underneath, pots of Dracaena Marginata (the tropical plant with thin and pointy leaves) laying around, and a white bench or a plastic chair in front of the shower curtain. Such layout requires a space of 4 meters by 3 meters. \n\nThe projection doesn\'t require dark space.', NULL, 'artist', NULL, NULL, 'https://youtu.be/z6dqdYC3NSw', NULL, NULL, NULL, 'http://he-yifan.com/dream_home_drift_home.html', NULL, NULL, NULL, 1634, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1439, NULL, '2020-04-28 13:34:55', '2020-07-17 16:18:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19737, 'Cb2TgSdFjorRAFwf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:34:56', '2020-04-28 13:34:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19738, '8qm0SAC227LOXRhs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:35:57', '2020-04-28 13:35:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19739, 'asCsfFjS5eF8LotP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:48:26', '2020-04-28 13:48:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19740, '0AD4x3SZiEcIuTsj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:49:34', '2020-04-28 13:49:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19741, 'g7LqQ6M0xucr85Cn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 13:55:42', '2020-04-28 13:55:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19742, '694z0oKCEF8IdcvH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:09:32', '2020-04-28 14:09:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19743, 'VTijxZi5Zw5wuI47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:09:33', '2020-04-28 14:09:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19744, 'yRubulXfga4WHJNp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:18:52', '2020-04-28 14:18:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19745, 'QNSwCdAspjBBesd6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:29:47', '2020-04-28 14:29:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19746, 'f4NLNdDqaG4oqHO2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:32:05', '2020-04-28 14:32:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19747, '1nhvzg6cwKMDeC6u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:32:47', '2020-04-28 14:32:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19748, 'g0nc9wU6kMnkmBF0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:36:25', '2020-04-28 14:36:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19749, 'BZ1w29rcZbUc8nw3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:40:04', '2020-04-28 14:40:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19750, 'yGE2qqm3ibWyjAME', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 14:53:18', '2020-04-28 14:53:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19751, 'KHpEcIB006RbXctg', '</EARTH> ARTE, HUMANIDAD, TECNOLOGÍA, NATURALEZA', NULL, 'El título de este proyecto de investigación multidisciplinar con título: </EARTH> ARTE, HUMANIDAD, TECNOLOGÍA, NATURALEZA hace referencia al cierre de una etiqueta cargada de un contenido urgente de abordar, léase: al cierre del modo antropocéntrico de ver y entender el mundo, para abrir un nuevo paradigma en el que, a partir de ahora, la buena agencia de los múltiples ensamblajes, solapamientos, mutaciones, coexistencias e interconexiones entre la humanidad, la tecnología y la “Naturaleza” será esencial. Tal vez la actual pandemia reclame una curación que desencadene ese nuevo paradigma: un nuevo equilibrio de cuerpos vulnerables y una nueva comprensión a la hora de aproximarnos a todos los  seres vivos de la Tierra.  \n\nEn un proyecto expositivo al uso, seguramente una publicación sería el lógico final de tal experiencia. Por el contrario, el proyecto </EARTH> ARTE, HUMANIDAD, TECNOLOGÍA, NATURALEZA surge de un diálogo colectivo previo, una reflexión polifónica publicada por ¬Accesos. Revista de Investigación artística en versión impresa y digital (www.accesos.info/accesos-3) que se desplegará en su segunda fase a través de una exposición activa multidisciplinar que nos gustaría mostrar en el contexto de Bienal Sur 2021 (instalaciones multimedia con proyección audiovisual, videoGIF, holograma, performance y conferencias en live streaming o talleres y media-labs, entre otros formatos).', 'F. ADAM (FR); M.J. CALLANAN (UK); E. BALANZA (ESP); V. PERALES, (ESP); A. GIL FOURNIER (ESP); LABORATORIO DE PENSAMIENTO LÚDICO (ESP-CHL); N. LIMPO (ESP); C. NOGUEIRA (ESP); NIETO, E.; ABELLÁN, D. Y LUCAS, J., (ESP); L. BENAVIDES (ESP), ; M.A. REGO (ESP) ; D. MORENO WRAY, (EC); B. FLUXÁ (ESP); S. MORILLA (ESP); M. LEÓN DE CELIS (MEX); H. SUNAIRI (JPN-EEUU); E. LAVELLES (ESP); F. BENÍTEZ (CHL); HACKITECTURA (ESP) \nhttps://www.accesos.info/accesos-3', NULL, 'El display de la exposición estaría organizado a través de una variedad de formatos que pretenden contribuir a la ecología de medios y desplazamientos: junto a algunas fotografías, posters, dibujos y esculturas, el eje central de la exposición estaría constituido por instalaciones multimedia con proyección audiovisual, videoGIF, holograma, performance y conferencias en live streaming o talleres y media-labs. De ese modo, sería ideal disponer de un espacio acorde para todo ello de mínimo 200 m2.', NULL, 'curator', NULL, NULL, 'https://www.accesos.info/accesos-3', NULL, 'https://www.accesos.info/accesos-3', NULL, 'https://www.accesos.info/accesos-3', NULL, NULL, NULL, 1637, NULL, 190, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1442, NULL, '2020-04-28 15:00:03', '2020-08-13 22:29:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19752, 'CAnqXgMpd8cBHe8n', 'diário da sanidade', NULL, 'Esta seleção de 12 pinturas revelam a forma coming tenho vivido estes estranhos dias em confinamento.\nEstes dias rachada com a minha família (2 filhos, marido e cão) tenho pensado muito acerca da importância da solidão no processo criativo e da necessidade de um tempo de recolhimento. Impossibilitada de ir ao atelier, reservei uma parte de uma parede na sala para  pintar. Mas nunca é possível ter silêncio ou tempo sem interrupções.', NULL, NULL, 'Até 12 trabalhos\nformatos 50x70cm, 70x100 cm\nAcrílico sobre papel (bidimensionais)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://danielareis.pt/2020/04/17/sanity-diary/', NULL, NULL, NULL, 1632, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1437, NULL, '2020-04-28 15:00:14', '2020-06-23 01:34:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19753, 'yvYuicVMlW53ooME', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:01:45', '2020-04-28 15:01:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19754, 'nZ70iZPnKWaThZuY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:03:35', '2020-04-28 15:03:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19755, 'j7Dvg8hJqTbfpXV4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:03:49', '2020-04-28 15:03:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19756, 'ZUfNifTW3mRhkfGo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:03:50', '2020-04-28 15:03:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19757, 'ojJX4k9vRtNWei5D', 'We.', NULL, 'I traced all my actions and my thoughts and connect them to exterior events, my culture, my context or the way society has made me. I am the society and the society is myself. I felt imprisoned. So I tried to break free. I wanted to be as simple as an animal. But although I admit myself as corrupted by society, I also came to realize I’m also corrupted by my own instincts. In my artistic work there’s a kind of research between this sphere of values and context (from external sources) and the sphere of desires and instincts (from genetics). I lay my sight on the body with curiosity.\n	Each individual bounces between the polarity of victim and aggressor of society. But individually humans are fragile. Without the others we are nobody. Even our own definition of “I” presupposes the existence of “others”. If the human being is the result of its context and instincts, all its actions can be justified and predicted. The human is an inoffensive animal.\n	In the ongoing construction of my painting series “We.” I’m looking to represent this idea of embracing the animal within each one of us individuals. The subjects are presented in the absence of any context just simply being as nothing else has ever had any power in their personality. Only genetics and instincts. I erase the context leaving them on an uncomfortable emptiness free of conceptions. Like this the subjects become anonymous, but still with some singularity. Each representation is oil painted on a canvas randomly sized.', NULL, NULL, 'The three paintings that are presented here are 64x64cm, 50x50cm, and 73x92cm. Ideally I would present three or four more paintings within the same structure. I picture this paintings hanged on the wall with soil dropped under each painting.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2417, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2093, NULL, '2020-04-28 15:03:59', '2020-06-23 21:19:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19758, 'v6YVOpkfqhBQWNeh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:11:13', '2020-04-28 15:11:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19759, 'q7wHyo8Z65z3eDai', 'Becoming a Subject', NULL, 'The feeling that I wanted to showcase with this performance: the willing choice to give up control.\n\nIt’s so personal, yet it brings people together.\n\nThis is a multidisciplinary arts project with a huge emphasis on dancing. Different art forms make us feel different things but in an equally elegant manner. I wanted to show that some things can feel universal across the board. How incredible does leaving your mental barriers behind feel?\n\nIt means so much more than just having a good time. It means that you feel safe enough to embrace the “now.” People’s incredible brains tend to create never-ending psychological cycles. These cycles transfer your mind to familiar places and are counter-intuitive to the fact that real joy and beauty can only exist in the present. You don’t seek eternal love or legacy while your body is in full synergy with a beat; you let yourself be indulged at the moment.\n\nWhat does not move, is therefore dead.\n\nPeople seek the timeless: either it’s love or legacy. Both of these things, when true, are eternal. Why would one seek for what is timeless? Why won’t one try to give into now and experience what is around?', 'Martynas Čepas / Lithuanian / https://www.instagram.com/martynascepas/\nIeva Jasaitė / Lithuanian / https://www.instagram.com/jasaite/\nMatthew Dane Livingston / American / https://www.instagram.com/the.greatdane/\n\nThere were also other artist involved which are not listed here but are listed in the credits of the performance', NULL, 'Since this performance uses many mediums of art expression I would love for that to be the case when exhibiting as well.\n\nYou should be able to listen to the ambient music form the performance (probably with headphones) and oversee the canvas (on which the performance was held) laid on the ground as well as the screen playing the performance. These thing should also be accomponied with short annotation and a few high quality photocopies of captured moments.', NULL, 'curator', NULL, NULL, 'https://youtu.be/Uqr0QfQz0Ac', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1635, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1440, NULL, '2020-04-28 15:34:25', '2020-06-23 01:32:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19760, 'RvIR8Z7fKkfjDVBO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:34:26', '2020-04-28 15:34:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19761, 'AXm9RoFxEvBKKo6t', 'Testimonio. (ROJOULTRAMAR).', NULL, 'A través de la observación de la remoción y sustitución de la estatua de Cristóbal Colón en Buenos Aires por la de Juana Azurduy y la futura desaparición de las palmeras indianas por la llegada de la especie invasora del Picudo Rojo, establezco una revisión de los hechos como acontecimientos interrelacionados y sintomáticos de los efectos del capitaloceno. \nEl análisis de estos dos elementos simbólicamente coloniales y su desmonumentalización - desde la práctica artística- desemboca en este ensayo visual que muestra cómo naturaleza y sociedad están interconectados, permitiendo una reflexión en términos de ecología política, a través de las imágenes como reveladoras de la historia de nuestro tiempo. \nEnlazo un boceto del ensayo visual compuesto por fotografías cianotipias y fotograbados de 420 x 297 mm aproximadamente, así como la página web en la que pueden verse algunas imágenes del proyecto ROJOULTRAMAR dentro del que se contextualizan estas piezas. Pudiendo articularse el ensayo en una instalación junto a otras piezas del proyecto, de mayores dimensiones, según el espacio expositivo y las condiciones de portes y envíos. \nhttps://www.rakelgomezvazquez.com/Rojoultramar', NULL, NULL, 'Enlazo un boceto del ensayo visual compuesto por fotografías cianotipias y fotograbados de 420 x 297 mm aproximadamente, así como la página web en la que pueden verse algunas imágenes del proyecto ROJOULTRAMAR dentro del que se contextualizan estas piezas. Pudiendo articularse el ensayo en una instalación junto a otras piezas del proyecto, de mayores dimensiones, según el espacio expositivo y las condiciones de portes y envíos. \nhttps://www.rakelgomezvazquez.com/Rojoultramar', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4907, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4130, NULL, '2020-04-28 15:34:52', '2020-07-20 18:16:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19762, 'uy1kNkiVMzk79qwa', 'Luzes do mundo', NULL, 'Esse formulario ta estranho. a lista de paises esta em branco, então cliquei qualquer um e tipo de projeto tb. \nEntão sou do Brasil e seria um projeto de pintura. Exposição de quadros em pintura acrilica.', NULL, NULL, 'Uma sala escura com foco de luz no quadros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1859, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1633, NULL, '2020-04-28 15:42:48', '2020-06-23 01:59:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19763, 'vJrwuvd2kwhIat6N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:44:14', '2020-04-28 15:44:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19764, '6evIZHPF8hBGnfhD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:45:43', '2020-04-28 15:45:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19765, 'XuA24NS6rZsMQarX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:46:56', '2020-04-28 15:46:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19766, 'nKS9OYoBxNorFc0R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 15:58:42', '2020-04-28 15:58:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19767, '7aiYUzGA0oc16Y3d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:00:39', '2020-04-28 16:00:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19768, 'SXKAatFwygMq3e5v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:17:08', '2020-04-28 16:17:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19769, 'rAoYpA2FHiY1X4gz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:20:14', '2020-04-28 16:20:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19770, 'uh4ZNjEPZcfNfSEs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:23:11', '2020-04-28 16:23:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19771, 'bx2ggmnRviOUxY4g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:26:34', '2020-04-28 16:26:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19772, 'lxnvutxqpDwJxwtd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:28:52', '2020-04-28 16:28:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19773, 'GVAwthHfdYBMViOr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:29:45', '2020-04-28 16:29:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19774, 'BV2QjD3e8ffnabeD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:31:32', '2020-04-28 16:31:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19775, '4MOeVRLWlKb96V76', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:32:14', '2020-04-28 16:32:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19776, '9wS3VKuJ6gIwP4Vr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:34:19', '2020-04-28 16:34:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19777, 'RYAnaiJEEjxInwpO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:47:32', '2020-04-28 16:47:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19778, 'KJ3zc8E390EYZZze', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:47:54', '2020-04-28 16:47:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19779, 'tXAkPfuoJlzK8VFD', 'Soñadoras errantes [Wandering Female Dreamers]', NULL, 'Esta obra consiste en unas erie de acuarelas acompañada de documentos y mapas que relatan, homenajean y muestran el rostro de  28 mujeres tergiversadas en las narrativas canónicas. Este trabajo propone una nueva narración de la historia de la arquitectura y el arte a partir de las aportaciones realizadas por una red de mujeres errantes en tres contextos, México, Brasil y Argentina, a saber:\n\nElena Garro; Clara Porset; Anni Albers; Tina Modotti; Remedios Varo; Alice Rahon; Frida Kahlo; Ruth Rivera; Leonora Carrington; Marianne Gast; Ida Rodríguez Prampolini;  Maria Luisa Dehesa; Georgia O’ Keeffe; Lina Bo Bardi; Tomie Ohtake; María Auxiliadora da Silva; Carmen Portinho; Marta Traba; Alice Brill; Gego; Eileen Gray; Ray Eames; Charlotte Perriand; Lilly Reich; Norah Borges y Delfina Gávez Bunge de Williams.\n\nEn esta investigación descendemos directamente a los espacios creativos y proponemos una correspondencia ficticia pero argumentada a través del trabajo de archivo de las creadoras.  Hablamos de territorios materiales, inspiracionales e imaginados. La investigación está compuesta de miles de fragmentos que no siempre se dejan ensamblar, y las cosas que a veces vemos unidas, otros, las verán separadas sin apenas posibilidad de unión; de ahí el goce de intentar recomponer esos añicos sueltos de lo real para restituirlos en una unidad personal alterable.', NULL, NULL, 'Serie enmarcada de manera individual + documentos en bolsa sobre pared + pantalla con línea de tiempo + visualización del proyecto en Instagram (ejemplo  https://www.instagram.com/p/B_VZORoK949/?igshid=64x65mctskfn', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1640, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1445, NULL, '2020-04-28 16:47:57', '2020-08-11 22:01:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19780, 'r94PYFXxlnBPe6YE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:48:04', '2020-04-28 16:48:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19781, 'jAwNY1KnHtvlW6aI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:48:07', '2020-04-28 16:48:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19782, 'TKZ4ClrCfAdzrkmp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:48:14', '2020-04-28 16:48:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19783, 'Km0rDogn8bzyUrzQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:49:22', '2020-04-28 16:49:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19784, 'KhIIEiaVHwMzLJWv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:51:36', '2020-04-28 16:51:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19785, 'GNBEtL9aEbCoGvw2', '\"buquê de galhos secos\"', NULL, 'BUQUE DE GALHOS SECOS //\nVideo e foto-performance; 2018.\nFotos: 40x60 cm, impression en mattefiber paper. \nLas fotografias hicieran parte de la Bienal de Curitiba- Polo SC, en MASC- Museu de Arte de Santa Catarina, Florianópolis, SC. (septiembre- dicembre, 2019).\nAdemás de hablar sobre el amor y de todos los desarrollos emocionales  que conlleva, hablo sobre minerales y ramas. Siempre he recolectado, secado, congelado y dibujado estos elementos. Ahora he decidido relacionarlos simplemente con el tema que siempre ha golpeado mi cabeza y mi corazón: serán una metáfora del amor. Relacionar algo vivo, algo orgánico y algo de la naturaleza, para representar algo tan efímero, tan inmenso e intenso y al mismo tiempo frágil y abstracto como un sentimiento.\nPienso en esta colección como una caminata de aprensión de sentimientos, que puede ser juguetona y nostálgica porque alguna vez existieron y fueron parte de algo hermoso (en este caso, las ramas alguna vez fueron parte de un árbol vivo), pero también traen consigo un peso de algo olvidado, muerto, viejo, que ya no existe. Este antagonismo de las emociones en el mismo desempeño también es parte del trabajo, ya que a menudo es difícil ser claro cuando se trata de sentimientos tan profundos y tan atrofiados. En la segunda parte del proyecto, se contempla el lanzamiento de estas emociones recogidas, guardadas y consumidas. La quema de las ramas se llevó a cabo en este proceso y se relacionó con una lectura de rendimiento.', NULL, NULL, 'Projector para los vídeos(2) en una pared blanca y auriculares.\nEspacio para exibir 4 fotografias de 60x40 cm de dimension cada. \nhttps://www.doranaspolini.com/coletor-de-sensibilidades', NULL, 'artist', NULL, '', 'https://drive.google.com/open?id=1KQLLz7OXDtIXncdLTN1PmnoJMhMrkUWJ', '', '', NULL, 'https://drive.google.com/drive/folders/1b2XNm7rZWunAfKtWK7QMcCjaFaLRdY6J?usp=sharing', NULL, NULL, NULL, 1654, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1457, NULL, '2020-04-28 16:52:03', '2020-06-23 02:10:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19786, 'fzXMUV2PGvD0NBkU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:52:48', '2020-04-28 16:52:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19787, 'nF3orGf6PZZxKhrx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:54:02', '2020-04-28 16:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19788, 'Sag7T6cWni18Z8gk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 16:55:05', '2020-04-28 16:55:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19789, 'XsCh3E112QJ1mpvW', 'El Agua que viene', NULL, 'EL AGUA QUE VIENE es una videoinstalación acerca de la transformación del agua desde las primeras horas de una mañana hasta el mediodía. Un insecto, un mar y una montaña son las medidas de su construcción y destrucción. La historia contemporánea y la prehistoria miradas a través de las gotas de vapor.\n\n\nhttps://www.khm.de/~marcello/html/videoart/oncoming.html', NULL, NULL, '1 monitor LED de 55\"\n1 auricular *\n1 gancho para colgar el auricular\nParedes blancas\nLargo: 3m x Ancho: 4m x Alto: 3,5 (Las medidas pueden cambiar según el espacio)\n\n*(También se pueden eliminar los auriculares y reemplazarlos por parlantes según el espacio)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/57495899', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2215, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1923, NULL, '2020-04-28 16:59:26', '2020-07-01 20:29:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19790, 'vJm5MDsjRX9DL32e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:01:19', '2020-04-28 17:01:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19791, 'KaZ8qLqDp8P21R0R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:01:20', '2020-04-28 17:01:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19792, 'pZCLOhZkCHfk9LtP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:03:53', '2020-04-28 17:03:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19793, 'Ryyc7sd8y5sm9rAx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:04:04', '2020-04-28 17:04:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19794, 'LpPXNBsSDkBWamtu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:17:18', '2020-04-28 17:17:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19795, 'U9NACb7jvm9yKcZg', 'mirror quilt', NULL, 'a quilt made crochets squares in one side and mirrors in the other side.\nholding from the ceiling 200 x 150', NULL, NULL, 'from ceiling 200x150', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1639, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1444, NULL, '2020-04-28 17:24:59', '2020-07-08 00:25:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19796, 'xp0N2WymHOo2afUQ', 'fotografico', NULL, 'In the 1950s the so-called \"nuclear family\" took shape in America: a traditional, heterosexual and perfect family model. Soon the contradictions of this social mask emerge, suitable only for non-thinking individuals.\nThe current quarantine condition has made us think even more about the contradictions of the nuclear family (currently families in Italy, with the exception of working members, are blocked at home and often do not have the necessary space to live together peacefully), which we have tried to represent deformed and crazy. Thus, some collages printed in a small poster format (2 x 3,5 cm/3,5 x 2 cm), take up the imagery (archive photos, slogans and vintage graphics) of the nuclear family of the fifties, but the trait of the drawings is nervous and shows psychopathy, anxiety and uncertainty about the future. In many collages, domestic details of a declining apartment are the background, to suggest both the collapse of the psyche in quarantine, and the possibility of glimpsing art even in the trash.\nThe choice of a small print format is linked to the fantasy that anyone during the quarantine has made about the lives of the houses opposite. Through windows, balconies or other we spied on the neighbors and imagined their lives in their homes. Therefore every visitor will be equipped with a magnifying glass to enjoy the images, just like a true vouyerist.', NULL, NULL, 'Our exhibition project requires a wall on which about twenty collages will be posted for use with a magnifying glass.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1641, NULL, 191, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1446, NULL, '2020-04-28 17:36:01', '2020-06-23 01:34:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19797, 'QruvMaMwd9Bfp7rw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:37:23', '2020-04-28 17:37:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19798, 'LZkQOmZ1sdb4w9Qb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:41:46', '2020-04-28 17:41:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19799, 'EJT4TkUXxesLffVK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:48:46', '2020-04-28 17:48:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19800, 'sxaafy0XFsTlvscR', 'Performing DNA', NULL, 'I walked along the footpath of the Warren, collecting black berries with a French lady who supported my forage ritual. Our fingers were stained with our blood and the ink from the berries. Our skin were torn apart by the needles that protected the beautiful black clusters, the pain of our forage was all for the preparation of a performance behind an abandoned building in Folkestone. My body, covered in clumps of red blood like substance, I moved with the weight of my endeavour. \n\nPerforming DNA, is a performance art project exploring depression and food  as topics for philosophical enquiry into the relevance of performance practice in the field of scientific and medical research. The project explores various fasting practices, the idea of the proposition of self-care as a socially performed medication; putting them up for debate and inviting participants and audiences to share and exchange perspectives. Informed by my performance practice, and a contextualisation of fasting as a ritual that locates the site of resilience within the body. Contesting conventional notions and expectations of self-care and in turn questioning the boundaries of care within the socially expected institutions. \n\nThrough this project, I am developing new areas of cultural consideration, allowing for human ecological reflection and the adoption of new strategic thinking tools for myself and my audiences in areas such as mental health and the relevance of food in our internal ecology.', NULL, NULL, 'I am proposing to develop an extension of this project to take place as a site-epeffic intervention, combining installation and movement. I will create a new performance that will work with tension and labour between the body and object.\nThe process will be repetitive and the ideal site would be a site located in a rural setting; thus a field or in a forest and the performance will combine spoken words and repetitive actions.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1644, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1449, NULL, '2020-04-28 17:55:14', '2020-06-23 02:11:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19801, 'NlLhyJR2XijLRkhs', 'The Endless Doll House Project', NULL, 'El proyecto Casa de Muñecas Infinita es una iniciativa lanzada en Instagram durante el confinamiento COVID 19 que visibiliza la imagen de la habitación de tus deseos o tu ensoñación en torno a lo doméstico. Esa imagen surge en este preciso momento,  —el del confinamiento provocado por la crisis sanitaria COVID19—.\nAntecedentes: En 2016 realizamos el proyecto Casa de mueñacs saudita que ya reflexionó sobre lo doméstico, en un entorno aislado de referentes ajenos al mundo saudí. La reflexión entonces estuvo protagonizada por mujeres estudiantes de Arquitectura.\nCasa de Muñecas Infinita suma composiciones visuales para crear una casa de muñecas virtual, global e infinita. Hemos hecho una llamada abierta, comenzando por atistas, arquitectos y creativos. El formato solicitado es de  composición visual lúdica (collage, vídeo, dibujo etc) enviándola a través de Instagram o mail, acompañada de un título y 3 hashtags.\nEl proyecto Casa de Muñecas Infinita, lleva en su nombre la misión: difundir y compartir un número ilimitado de aproximaciones a lo doméstico materializadas en una Casa de Muñecas. La tecnología es nuestra mejor aliada y una ventana a estos universos creativos que enlazamos y que llamamos infinitas maneras de una Casa de Muñecas. Este proyecto trata de  \"escuchar\" esos espacios domésticos que ya hemos mencionado y enseñar a través de estos diseños de Casas de Muñecas y representar a través de este juego nuestra cultura, nuestros ritos y nuestras tradiciones.', 'El proceso continúa abierto', NULL, 'INSTAGRAM', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1687, NULL, 200, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1486, NULL, '2020-04-28 17:57:28', '2020-08-11 22:02:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19802, 'uVkI08ZmEQ7nFZk9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:58:08', '2020-04-28 17:58:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19803, '1P9OEWIqzgC0OfAu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:58:09', '2020-04-28 17:58:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19804, 'RCrBEPRhCvu9r0Ra', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 17:59:29', '2020-04-28 17:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19805, 'xuJjCVn4qaypFfMi', 'Desbordados', NULL, 'Desde mi contexto como residente de Caracas, Venezuela, tomo a latinoamérica como escenario de múltiples crisis políticas y amplias protestas sociales. En «Desbordados» hago una aproximación lúdico lingüística a la actual situación de la región a través de la técnica textil. La instalación consiste en un extenso mapa de latinoamérica (aproximadamente 6 mts de alto por 2.5 mts de ancho) elaborado con hilos que se superponen, cruzan, chocan y se enredan entre sí, traspasando los bordes, asediados por todo tipo de oposiciones y desequilibrios.', NULL, NULL, 'La instalación se puede presentar en un espacio (pared o piso) de más de 7 x 3 mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4978, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4181, NULL, '2020-04-28 18:01:22', '2020-07-02 17:58:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19806, 'X7RcHK9eDhLuFHPc', 'No Language', NULL, 'A table set for six people and decorated festively with bouquets and candles. In a moment—so we suspect—the members of the family and perhaps also guests will gather to dine together. It is an upscale ambience for a well-to-do circle. Dinner parties are closed gatherings reserved for those for whom a place has been set, those who have a place. It is a table prepared in the manner familiar in Western and Westernized countries. Upon closer inspection, we see that something has been embroidered into the napkins and fired into the porcelain. It is not decoration, nor is it a monogram: It is a line of text in Dari, a language spoken in Afghanistan. Translated, it states: “You need no language to wash dishes.” This subversive intervention causes a crack to form in the cultivated world of the dinner party, and the reality concealed behind it bursts in. \nAs is typical for my work process, a concrete event forms its background. During a flight to Kabul, I unintentionally overheard two men having a conversation in Dari. They were both Afghans and both had fled the country, but while the status of the refugee who had gone to Germany had been recognized, the status of the one who went to Sweden had been rejected after two years. When the man sitting next to him asked how he had been able to get by for so long in Sweden without any language skills, he answered with the sentence now inscribed on the dishes and tea towels.', NULL, NULL, 'The installation needs the space of a dining table for 6 people close to a wall so the tea towels a small frame can be installed close to it. The piece can be installed according the space and the needs no strict requirements.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2051, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1797, NULL, '2020-04-28 18:03:40', '2020-05-13 13:35:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19807, 'gn0ZRbB1HEs7IV7N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:05:08', '2020-04-28 18:05:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19808, '9FjCV5g0Zdop3Pws', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:08:27', '2020-04-28 18:08:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19809, 'HpPmDMMmfeYv8SEZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:11:17', '2020-04-28 18:11:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19810, 'S0S9CkCWMFRCZ8fe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:15:33', '2020-04-28 18:15:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19811, 'LUjAOYlzXvhlipeU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:17:30', '2020-04-28 18:17:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19812, 'hHscrT96BAFhuLT2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:17:40', '2020-04-28 18:17:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19813, 'KDGRMXbYiTk0o1N6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:17:57', '2020-04-28 18:17:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19814, 'UTEhIheShb0yr6lj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:18:27', '2020-04-28 18:18:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19815, '41FmuQ1VGEwiAzXX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:20:31', '2020-04-28 18:20:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19816, 'RnmAGhRrv2dLYHvv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:24:27', '2020-04-28 18:24:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19817, '1SXDECB4YQTQWrb2', '“Voyager sans bouger d\'un pouce o el viaje inmóvil”. Un auto-stop ecológico, una forma ética y sensible de estar en el mundo', NULL, 'Viajar con el espíritu sin moverse geográficamente: “Voyager sans bouger d´un pouce o el viaje inmóvil” es un proyecto artístico colaborativo entre Buenos Aires y Niza que propone presentar dos maletas con obras portátiles para ser desplegadas de manera simultánea en ambas ciudades. \n\nLas maletas darán cuenta de colaboraciones plurales y horizontales entre artistas, botánicos, cocineros y poetas. Contendrán fotografías, cartas, dibujos, bocetos, herbarios, semillas, flores y plantas aromáticas apelando a los diferentes sentidos como el olfato y el gusto. Se exhibirán mediante un dispositivo escenográfico liviano y de sencillo montaje, según las consignas contenidas en la maleta. El público podrá participar de este relato colectivo escribiendo en su idioma anécdotas o recetas de cocina en un libro disponible para ello. \nSe cuestionarán las nociones de interpretación, traducción y transmisión.\n\nAl mismo tiempo se fabricarán dos cajas de cartón a modo de versión nómade del proyecto (un “DIY” con pequeños objetos, cartas e instrucciones). Cada caja será enviada a un artista cuya misión será agregar contenido y enviársela a otra persona con la idea de que finalmente llegue a Francia y a Argentina para poder de este modo sumarse a la muestra. Una suerte de cadáver exquisito que se modifica y enriquece en función de los encuentros en su camino. El proyecto tiene el potencial de escapar de nuestras manos. ¿Llegará más allá de este marco predeterminado alcanzando otras regiones?', 'Santiago Carrera\nNacionalidad argentina\nIG: @santi_photo\n\n\nIvana Adaime Makac\nNacionalidad argentina\nIG: @ivanaadaimemakac\n\n\nGuadalupe Wernicke- poeta\nNacionalidad argentina\nIG: @taller_del_silencio\n\n\nEve Pietruschi \nNacionalidad francesa\nhttp://www.evepietruschi.com/\n\n\nMarco Godinho\nNacionalidad portuguesa\nhttp://www.marcogodinho.com/ \n\nIsa Barbier\nNacionalidad francesa\nhttps://www.isabarbier.fr/\n\nDelphine Wibaux\nNacionalidad francesa\nhttp://delphinewibaux.fr/\n\nMarie Claire Messouma Manlanbien\nFrancia/Guadalupe/Costa de marfil \nhttps://www.messouma.com/\n\nMengzhi Zheng\nRuian (China)\nhttp://www.mengzhi.fr\n\nKalice Brun- Chef y herbalista\nNacionalidad francesa\nIG: @kalicebrun\n\nGontran Cherrier- Chef\nNacionalidad francesa\nhttps://www.gontran-cherrier.com/fr/', NULL, 'Sala luminosa con entorno vegetal. Edificio arquitectónico de estilo.\nBA: Embajada de Francia, Alianza francesa, Museo de Arte Tigre (MAT), Palacio Duhau, Villa Ocampo, Museo Larreta, José Hernández, Jardín Botánico, Centro de Arte y Naturaleza.\nNiza: Centros de arte en la región de Provenza-Alpes-Costa Azul: centre d’art de Château vert; Villa Arson, Nice; Les Capucins, Embrun. Lugares privados alternativos: la Villa Caméline; la Villa Henry gestionado por la asociación Circa.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3824, NULL, 484, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3259, NULL, '2020-04-28 18:27:15', '2020-08-11 22:20:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19818, 'Jt0sA7mW8pFoPdrj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:27:16', '2020-04-28 18:27:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19819, 'b8ynTcutWaRrLYIA', 'Desencuentros', NULL, 'El proyecto \"Desencontros\" se comunica con los espectadores sobre sus sentimientos y sensaciones. Su objetivo es poner en perspectiva las conexiones que buscan en su vida, los espacios que intentan llenar y aquellos que inevitablemente permanecerán vacíos. En el momento casi distópico en que vivimos, el deseo de estar en contacto con el mundo externo es universal y, al mismo tiempo, individual, profundamente íntimo: una verdadera paradoja. En el trabajo del n. 1 el cristal roto, casi imperceptible, que aún no se ha deshecho en su totalidad, y las raíces de los manglares de la costa de Sao Paulo (obras n. 2 y 3), que, físicamente, son muy similares a nuestras venas, se sobreponen con los edificios icónicos de la ciudad, como el Copan, y representan el deseo de fijarnos en algo que es fugaz, casi desapareciendo, perdiendo su color. Los caminos que trazamos están en des(encuentro) con aquellos que el agua traza en el suelo, \nhasta el momento en que el río se encuentra con el mar. Los colores utilizados, predominantemente rojo y dorado, caracterizan la sangre y la luz, la belleza y la dureza que existe al vivir en la tierra. \nLas tres obras buscan mostrar el movimiento, el cambio, la inconstancia y las oposiciones que trae la vida. Mezclando varias técnicas, es creada la sensación de imágenes que están en construcción, en dualidades de luz y sombra, lleno y vacío, ligero y pesado, naturaleza y ciudad, orgánico y concreto, aislamiento y conectividad.', NULL, NULL, 'Tres pantallas de 1.20 x 1m x 3 cm, que contienen impresiones de fotografías sobrepuestas e intervenciones en pintura acrílica, aceite, varios tipos de bolígrafo y pan de oro. La idea es que las fotografías estén una al lado de la otra, a una distancia de 15 cm entre cada una, con el centro a 40 cm del suelo. La iluminación puede ser directa, desde arriba o indirecta, desde el medio del ambiente y las obras clavadas en la pared. Las obras no tienen un orden específico de montaje.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1736, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1525, NULL, '2020-04-28 18:27:34', '2020-06-23 02:06:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19820, 'qFj6Peb0G8VsLE5l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:28:05', '2020-04-28 18:28:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19821, 'XRsJdh6F3RCfZE2A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:30:02', '2020-04-28 18:30:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19822, 'b93KTZXrIpDEOCFX', 'Silver Wish', NULL, 'The project combines visual aesthetics with participatory activity. The installation on display consists of tiny 999 silver \norigami cranes. The screened video of crane folding instruction invites the viewer to fold one. \n\nThe missing crane would symbolicaly be 1000th thus completing the installation. The Japanese refer to the crane as the “bird of happiness”.  It has also become a symbol of hope and healing during challenging times. According to ancient Japanese legend folding 1000 paper cranes grants a wish by the gods. In some variations of the tradition, the person folding 1000 cranes may be granted happiness and eternal good luck, instead of just one wish.\n\nThe viewer is then also invited to write down the wish and place it in the depository of wishes for the world. And the brave ones may as well record video message to be viewed by the upcoming audience. \n\nThe cranes are made of cofectionary paper in the name of memory of sweet, happy moments. Choosing silver is not accidental, not only it expresses Argentina\'s name but also exhibits the highest electrical conductivity of any metal and thus may transmit wishes as electric impulses in the universe best. Besides silver is lustrous and very reflective referencing the ancient wisdom of what one sends in the world he receives.\n\nEncyclopedia testify of no cranes living in Argentina or Southern America, but they can be brought to life by the efforts of \ncommunity as much as anything the people decide to have by coming together', NULL, NULL, 'The installation can be adjustable to exhibition space, approximate size of display 2 x 7.5m.\nThe aim is to create inviting magical space allowing for deep reflection.\nThe exhibition space should include a monitor for showcasing folding instruction, convenient table and a few chairs for audience to fold the crane, filming equipment and another monitor to screen the expressed wishes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4407, NULL, 578, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3708, NULL, '2020-04-28 18:30:25', '2020-07-28 18:05:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19823, 'odpMyUeJw7yChBVn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:34:18', '2020-04-28 18:34:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19824, 'l8jn3rAcg14gzAXl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:38:03', '2020-04-28 18:38:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19825, 'vKPpBS5uTnKNygZ6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:40:08', '2020-04-28 18:40:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19826, 'W81kGEJH2axAEBg1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:40:16', '2020-04-28 18:40:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19827, '90NgjczcQRJLNeAP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:40:41', '2020-04-28 18:40:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19828, 'NsROWzrN9SNVCmW4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:44:08', '2020-04-28 18:44:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19829, 'zABi8czAxv0jeAhw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:45:36', '2020-04-28 18:45:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19830, 'A9PQMAATne8Gcdfa', 'A. Salvaged. Captured. Pictures . Sculptures. Thoughts.', NULL, 'A. Alter Ego. Reflection of Self. Projection of the (un)conscious.\nA. Is like a silhouette. The pictogram of life, of the human. Broken through grotesque facial features.\nHunger for life. Fear of. Oversubscribed but also simple minded and dreamily.\nExistential questions, accompany society and life.\nSecurity becomes captivity?\nSecurity through incapacity?\nCastles in the air and dreams.\nCozy than reality?\nIs adjustment correct?\nSuffer or self-chosen Cocoon?\nQuestions and thoughts in seeking the path, the balance between the poles . . .', NULL, NULL, 'ca. 10 sqm, there will be placed two tables or several pedestals belonging to the number of sculptures we will show. We want to show the steel sculpture as well as four to five wooden sculptures.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1648, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1453, NULL, '2020-04-28 18:46:47', '2020-06-23 02:11:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19831, 'pYGR4n2fuUmzxe4N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:46:53', '2020-04-28 18:46:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19832, 'Ba0PlPCztUhhNLiX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:55:33', '2020-04-28 18:55:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19833, 'z76qL1sE34ovWfUf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:57:06', '2020-04-28 18:57:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19834, 'UVSvdt0pr0RJxrmS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:57:12', '2020-04-28 18:57:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19835, 'akDo6S1DSxivXrIM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:57:28', '2020-04-28 18:57:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19836, 'm2ErKQzsjA0naoNr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:57:52', '2020-04-28 18:57:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19837, 'fOAstsgRKgIMfHmK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:58:07', '2020-04-28 18:58:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19838, 'sVDOvFrEJrqCwcXq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 18:58:34', '2020-04-28 18:58:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19839, 'D3lculV47eziq6b0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:10:26', '2020-04-28 19:10:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19840, '4uKpJ5GOG6jOQrLQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:10:41', '2020-04-28 19:10:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19841, 'zKD2FRNvitplFIuw', 'Ventana Espiritual', NULL, 'Para la realización de esta obra estuve inspirado en la ventana que pocos conocemos de nosotros mismos, una vista introspectiva de nuestra propia realidad nos ayuda y nos invita a ver la realidad de otro como complejidades distintas.', NULL, NULL, 'Esta obra tiene una dimension regular, hecha con materiales ecoamigables.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1649, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1454, NULL, '2020-04-28 19:16:23', '2020-06-23 02:10:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19842, '8MUhvpAObyJJD40K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:21:27', '2020-04-28 19:21:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19843, 'pbXAkvlXneKhGSfL', '\" inter sanctum et pollutum/ entre o sagrado e o profano \"', NULL, '(The end is the beginning ....\nAll sums up to a meeting point that never comes to existence, a zero point that serves as mediator between the spiritual world and the physical world, it´s the bridge between the sacred and the profane- between the Above and the Earth.\nWhat we see it´s temporary, what we don´t see is everlasting, and the shadows submerge through that collision between the inner world and the outer world, between the space itself and the art piece.\nIf, in one hand, what´s material- in the art piece- evokes the weight that is inherent, on the other hand, its suspesion calls for lightness. This duo lives entirely of space, of the architectural relationships between the exhibition space- a corner- and the space occupied by the art piece itself. It´s equally presented the notion of singularity as a whole, where the simetric composition of the iron pipes - with various dimmensions- sugests a relation of distance and approximation.\n.... and the beginning is the end.)', NULL, NULL, 'As for the space for installation, it is suggested that the work be installed and displayed in a corner, where there is an immediate relationship of distance and approximation - which characterizes the work.  \nIts assembly must start with the smallest iron pipe in the center of the wall (vertical) and, from that same center, build the rest of the piece, with larger iron pipes', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5145, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4293, NULL, '2020-04-28 19:25:39', '2020-07-06 17:20:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19844, 'OmAgYV6EhV1yfCiR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:27:21', '2020-04-28 19:27:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19845, 'NvvU73ES4koRm3XE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:33:33', '2020-04-28 19:33:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19846, 'j2tZcj1BzRzO5I7Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:35:38', '2020-04-28 19:35:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19847, 'TayL1HM1cqhTGEnF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:36:06', '2020-04-28 19:36:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19848, 'VHNob1BMmKnORc7h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:40:31', '2020-04-28 19:40:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19849, 'IBvtI3ECmZFvN2Rq', 'AQA ( 9 ) : palo y cuerda', NULL, 'arte ecuménico \n\n\nestablecimiento de  árboles nativos, bio diversos', NULL, NULL, 'círculo 13 mts de diámetro ( prom ) \n\nespecies bajas, medianas, altas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/groups/256331474570160/permalink/1302710089932288/', NULL, NULL, NULL, 1645, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1450, NULL, '2020-04-28 19:40:54', '2020-06-23 02:11:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19850, 'sXmbH86tEcRfMwoq', 'AA', NULL, 'The name \"AA\" refers to a double, something that is not fixed. Is it two places or a place that is duplicated? \nDualities are played out in the couple Atlas/Aomori : the Amazigh (original name for Berbers) of Morocco and the one of Japan couples (the Japanese peopulations before the arrival of the Chinese Empire). The communities of these two regions, for which writing is equivalent to speaking, engraving, weaving, are at the heart of  this project. I have initiated a journey- in Japan as well as in Morocco - to the origin of the first systems of understanding created by man. I went to the prehistoric site of Ait-Ouazik in Morocco and the village of Jomon period in Aomori in Japan, to find the oldest man-made objects. And the oldest geological strata that captures the oldest form of life on earth. I explore both territories as an archaeologist, an anthropologist, a researcher who superimposes temporalities, past, present and future merge. I am looking for the very essence of the systems shared by these peoples.  These two explorations will give rise to a first body of work that links both territory History through common primitive symbols.  AA groups together objects and sculptures.Atlas (1) questions the idea of archiving an oral civilisation through books. Atlas(2) a fossil marble sculpture which symbolizes the mutation of man-made systems of understanding. Aomori(1) and Aomori(2) work in progress, functions as a multi-entry table where similar signs are in mutation.', NULL, NULL, 'This corpus being in progress, I propose an exhibition in one of these two important places. \nIn Japan, I am considering one of your existing site but also to open at the Aomori Center for Contemporary Art, where I am carrying out the continuation of my research this year. Indeed, the works Aomori (1) and (2) still need further research. Japan is important because the project has never exhibited there before. We can also think of a second part in apartment 22, Rabat, Morocco.', NULL, 'artist', NULL, NULL, NULL, NULL, 'http://rabatokyo.a-i-t.net/?page_id=56', NULL, 'http://www.appartement22.com/spip.php?article441', NULL, NULL, NULL, 2388, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2072, NULL, '2020-04-28 19:42:02', '2020-08-14 19:10:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19851, 'B720dKKveQRsyRfR', 'Crítica constructiva.', NULL, 'Bajo un punto de vista crítico pero por supuesto artístico trato de mostrar en cada una de las obras de esta serie una crítica dirigida a diferentes factores que a mi parecer deberíamos tener en cuenta para el buen funcionamiento de este mundo cada vez mas echado a perder y el cual requiere una previa concienciación para el posterior cambio inmediato. \n\nCada una de estas piezas han sido bocetadas a mano y creadas desde cero en 3d. Iluminación, modelado, composición, texturizado y configuración render.', NULL, NULL, 'Respecto a la forma de presentar las obras habría de ser impreso sobre un papel de calidad para su posterior montaje sobre un formato rígido a libre lección o bien enmarcado para la presentación de la forma mas bella posible estéticamente hablando.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1647, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1452, NULL, '2020-04-28 19:47:36', '2020-06-23 17:45:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19852, 'HSeRN7FT3Ewhqs7w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:51:36', '2020-04-28 19:51:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19853, 'MNfrhE2Jh4a5LPTq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:55:51', '2020-04-28 19:55:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19854, 'wCEvitMYceZHUwX7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 19:56:04', '2020-04-28 19:56:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19855, 'gbTUvMUz9goE3jAS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:01:26', '2020-04-28 20:01:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19856, 'WUNwTiEnz9SNJmgT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:08:09', '2020-04-28 20:08:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19857, 'evuCZqZqF6KkY3nl', 'Personas.', NULL, 'La obra está compuesta por 20 collages hechos íntegramente en papel obra 118 g/m2 de 17 por 12,5 cm cada uno. \nLos mismos fueron agrupados de a dos casi al azar para ser presentados. Sólo se tuvo en cuenta el juego intuitivo entre los colores sin demasiada elucubración. \nEl papel está coloreado en masa. Se utilizaron los ocho colores incluidos genéricamente en el block de dibujo que me regalaron para mi último cumpleaños.\n\nNos tocó atravesar muchos días de aislamiento por un virus, algo impensado. Encontré paz en la creación manual. \nPoder elegir formas y colores es una fiel maniobra para sentir la libertad de alguna manera.\n\nLa cuarentena me hizo pensar muchas cosas. Cada persona en su entorno, con la vida que lleva, sus espacios, sus vínculos, sus elecciones (o no): eso es lo que cuento en mis collages.\nSin darme cuenta utilicé formas simples para graficar la complejidad de los vínculos y las relaciones de cada collage.\n\nY vos, ¿qué ves? ¿qué sentís? ¿te sugiere algo?\n\nGracias por la oportunidad.', NULL, NULL, 'Una pared blanca de 1m por 1,5 m es suficiente para hacer una linda puesta, pero estoy abierta a nuevas ideas.\nAdemás adjunto un video con la secuencia de collages y una canción de fondo de mi autoría, que puede llegar a funcionar bien. Al final aparece un texto que intenta describir la situación según mi punto de vista e intenta cuestionar la realidad. Tal vez podría proyectarse el video en otra pared blanca del recinto en el caso de que los collages tengan el placer de ser expuestos.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://open.spotify.com/track/0bsPuFJBSqDSsHY2oRsbT5?si=8cXUIi0zRY6FmsnVAzQBwA', NULL, NULL, NULL, NULL, NULL, 1729, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1519, NULL, '2020-04-28 20:08:22', '2020-06-23 17:46:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19858, 'GkvMfDLApYUMVB0J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:10:23', '2020-04-28 20:10:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19859, 'xCyynZYkxMAsdmCk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:16:11', '2020-04-28 20:16:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19860, 'WFm7E8ayxc9jEkdx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:16:51', '2020-04-28 20:16:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19861, 'oOiJVfHfdVyowr44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:18:38', '2020-04-28 20:18:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19862, 'yk9wcKCyQQq7zAzS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:18:44', '2020-04-28 20:18:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19863, 'I7JL9nznFYPxUZNy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:19:29', '2020-04-28 20:19:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19864, 'bp6Kwi1mXEt7oOKK', 'Jardines como espacios para la vida. Educación, arte y naturaleza.', NULL, 'Nuestra propuesta gira alrededor de la sensibilización ambiental desde el arte. Mientras el confinamiento social pone manifiesta la necesidad vital de nuestra relación con la naturaleza nos interpelamos: ¿Cómo nos alejamos tanto del ambiente natural que nos considerarnos separados de éste? ¿Por qué los cuidados de la naturaleza no se transforman en una prioridad ética y se reconoce su conexión como un derecho humano? Para Aristóteles, es el asombro ante la naturaleza lo que nos permite reflexionar y, por ende, adentrarnos en la filosofía. Es menester incorporar una educación ambiental transversal e integradora que devuelva vitalidad y sociabilidad.\n\nACCIONES EDUCATIVAS\nObjetivos\n. Activar la percepción sensorial a través del contacto con la naturaleza;\n. Entender procesos de vida y muerte con la observación de las relaciones establecidas entre diferentes especies; \n. Introducción a conceptos artísticos y filosóficos;\n. Aprender colores, formas, armonías y proporciones;\n. Preservación de la naturaleza.\nMetodología\n. Juegos y actividades al aire libre;\n. Talleres de expresión plástica (traducción de las experiencias con materiales artísticos y naturales);\n. Visitas a muestras de Bienalsur para activar diálogos entre los conceptos trabajados anteriormente;\n. Creación de un archivo con obras realizadas en los talleres;\n. Exposición de las obras.\nPúblico\nNiñes y adolescentes; mitad del público para habitantes de villas y barrios periféricos.', 'Marcela Vilela, argentina.\nStella Carrozzo, italiana.', NULL, 'MUNTREF Centro de Arte y Naturaleza - Ecoparque\nJardín Botánico Carlos Thays\nPlaza Italia\nBosques de Palermo', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4492, NULL, 595, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3782, NULL, '2020-04-28 20:24:10', '2020-07-15 15:44:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19865, 'GT8ByRZJ4ps5RoXO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:24:31', '2020-04-28 20:24:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19866, 'Z1OcIOj25JikNuiP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:26:08', '2020-04-28 20:26:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19867, 'D1j4CJAoVun8S2T7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:35:06', '2020-04-28 20:35:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19868, 'Va9JKL68aeCurrmf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:36:30', '2020-04-28 20:36:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19869, 'hqqTUGmkZIXjPM78', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:41:21', '2020-04-28 20:41:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19870, 'pvhvQj5etpWC8plO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:43:29', '2020-04-28 20:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19871, 'rMR5MGs1VJCKLj87', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:48:05', '2020-04-28 20:48:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19872, '8jDrZo4xKXGAHR9J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:48:28', '2020-04-28 20:48:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19873, '0dLm82yckIgMO3xd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:48:49', '2020-04-28 20:48:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19874, '6U1Vrr91DamcIn6O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:50:55', '2020-04-28 20:50:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19875, 'fIT8ChxEfMBc8KZo', 'Tentacular: kinship and co-habitation', NULL, 'Tentacular thinking is a way to understand the planet and all its living things as one mechanism working together, based on kinship and co-habitation. Taking this into account, the collaborative character and its intrusion with feminist artistic practices, we tried to explore it in what is the Portuguese female artistic context. From the work of eight women artists, from different areas and with different approaches to the same current of thought, explore their stories, processes and connections, these “tentacles”. In this way and once working on the creation process of the works, also understand how they relate to tentacular thinking, what documentation supported them to their artistic practice - whether textual or visual - and how they count these women their own story. It’s with these questions in mind that we will be developing a project that explores tentacularity in all its possibilities, in order to shift the narrative into the now and what feminist narratives can be created, from all the diversity of the works and their process. Finally, and after this plural reading of the works of the artists in their context, influences and discourses, bring to light their importance for tentacular thinking, for a common artistic practice, for community thinking, which is so dear to women and above all in a society as individualized as contemporary.', 'Julieta Rocha \\ Portuguese \\ @julietardotcom \nRita Romeiras \\ Portuguese \\ @ritacomedida\nInês Pedrosa e Melo \\ Portuguese \\ @agnesemelo\nCarlota Rodrigues \\ Portuguese \\ @carloti.r \nInes Mena Silva \\ Portuguese \\ @ines_menasilva\nMarina Mendonça \\ Portuguese \\ @marinamendoncav\nCláudia Trongmo \\ Portuguese \\ @claudiatrongmo\nCristina Ataíde \\ Portuguese \\ @cristina_ataide', NULL, 'Considering tentacular thinking and its connection with the feminine, we propose to work on a museography discourse that has curves as shape. These are associated with women par excellence; just the circle represents life and its cycle. This shape would be closed, with a minimum of 3m high, 21m wide (upper axis) and 10.5m wide (lower axis), with the walls 1.5m thick as a minimum and with an entryway. The roof can be opened, and this space can be embedded within another architectural space.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=vpxrq8wbXoE', NULL, 'https://soundcloud.com/inespmelo/the-premise-is-flawed?fbclid=IwAR1HFubRj2U6tAOfDsUXqVd1RPnVYyvbM9K3GyzPfKhHLUViC18V22IseiQ', NULL, NULL, NULL, NULL, NULL, 3908, NULL, 492, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3328, NULL, '2020-04-28 20:58:00', '2020-07-21 21:38:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19876, 'koOyOerdZuEia56Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:58:24', '2020-04-28 20:58:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19877, 'YQoCt7aJWWlDh22f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 20:58:30', '2020-04-28 20:58:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19878, 'JiSWTH8OzbmqlMcp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:02:07', '2020-04-28 21:02:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19879, 'Kez4BcdMMQRGeeLM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:03:01', '2020-04-28 21:03:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19880, 'CKqMnDL2HXtu9S9W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:04:30', '2020-04-28 21:04:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19881, 'IG8T9J5NPsDw4Qj8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:04:37', '2020-04-28 21:04:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19882, 'E30lZdoCHHwwV7Rt', 'Los Distractor', NULL, 'The present project focuses on two main themes: the myth of romantic love and how it is interpreted and received unconsciously in our reality, and the use of art as a mechanism for changing our beliefs and therefore our reality through the methodologies of art therapy and psychomagic. The myth of romantic love is taken as a problem and the creation of art is taken as a mechanism for solving the problem. \n\nThis artistic project is presented as a visual essay on the concept of romantic love by depicting portraits of the men she once fell in love with throughout her lifetime. It is a 12-piece collection of textile wall hangers which translate the artists past relationships into symbols which carry a certain energy in order to start a communication stream between the conscious and the unconscious in order to change the current conception of couple love on individual, social and cultural levels. \"Los Distractor\" (“Los” is the Spanish word for \"The\" and \"Distractor\" is the English word for \"distractor\") is the name given by the artist to this group of  men stating that they all have one thing in common and that is that they all served as distractions; all of these love stories were full of fantasy, expectation and idealization, keeping the individuals involved away from possible real love. \n\n(In Process)\n\nMATERIALS: Cotton canvas, cotton thread, acrylic paint.\nTECHNIQUES: Hand painted Illustrations and embroidery on fabric.\nSIZE: Different sizes (From 180x180cm to 80x80cm).', NULL, NULL, 'The exhibiting place should be an indoor facility, if possible, with natural light. Because all the pieces have a natural color textile “frame”, the background walls should be painted in colors for them to stand out. This will generate great visual impacts as well as help show all the pieces as a unity. Because each of the pieces has a lot of visual information, it is suggested that each piece is displayed on one wall or baring a reasonable distance from each other.  (Sample pictures below)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1856, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1630, NULL, '2020-04-28 21:04:54', '2020-06-23 17:49:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19883, 'Jn7LtZubE5qIGOJG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:06:14', '2020-04-28 21:06:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19884, 'K63yE1FxhZE4p3GS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:09:40', '2020-04-28 21:09:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19885, 'veVsRSETql8DnhCm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:14:00', '2020-04-28 21:14:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19886, 'qVTvcOxOcc2EsGjx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:15:19', '2020-04-28 21:15:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19887, 'iOQGe7GUhdXBTdx7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:15:29', '2020-04-28 21:15:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19888, 'A8YpnLqYJQKXku2c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:17:49', '2020-04-28 21:17:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19889, 'xbRiQaTenwHeFHEk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:19:54', '2020-04-28 21:19:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19890, 'ecQmu2ngCzGXef2o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:25:57', '2020-04-28 21:25:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19891, 'a9YPkLPy97cnod5o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:27:21', '2020-04-28 21:27:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19892, 'LIWKlbYpW6gVP5O6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:29:23', '2020-04-28 21:29:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19893, 'iTAcRBiW7Xf5TTv3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:29:57', '2020-04-28 21:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19894, 'mxtyX4G7r4IlD3XL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:38:51', '2020-04-28 21:38:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19895, 'pvxP7moI5qxFEnHK', 'Fanzines como mídia impressa', NULL, 'A ideia é exibir durante um certo período de tempo do que estamos produzindo, objetivando mostrar o quanto é fácil produzir um material impresso, salientando a importância desse material na formação intelectual das pessoas, além de brindar os produtores de fanzines com essa homenagem. Olhar o Fanzine como um objeto de arte que carrega praticidade e está ao alcance de todas (os).\nA ideia é colocar os fanzines expostos ( reunidos via chamada formalizada nos termos desse edital) de forma que fiquem visíveis ao público, e que as pessoas possam tocar, ler, movimentar o material.\nA ideia é ocupar alguma sala de médio porte com essa exposição, colocarei junto a exposição, uma mesa com materiais usados para se fazer um fanzine, e alguns exemplos práticos.\n\nAlém da exposição dos fanzines, proponho uma série de oficinas práticas para crianças e adolescentes das escolas regionais, de forma e trazer público e gerar contato desses alunos com a exposição, seria uma semana destinada a essas oficinas gratuitas.\n\nA maior parte do acervo exposto (cerca de 5.000 fanzines) são de minha propriedade e já estão em minha tutela, sendo os devidos autores já cientes de qualquer exposição que eu possa por ventura vir a fazer com os materiais.', NULL, NULL, 'Precisa-se de uma sala de médio porte, o material por ser pequeno e prático se encaixa bem em qualquer espaço, podendo desde ficar pendurado em linhas pelas paredes, a ficar exposto sobre uma mesa central.\nOs fanzines têm uma praticidade enorme, e uma capacidade de se encaixarem em qualquer ligar, superfície. Todos os aparatos para se usar na exposição são (barbarantes, prendedores de roupa, grampos de grampeador, cordinhas coloridas de diversas metragens.', NULL, 'artist', NULL, NULL, 'https://youtu.be/v6QKWucu69Q', NULL, NULL, NULL, 'www.facebook.com/mostragrampo', NULL, NULL, NULL, 1659, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1460, NULL, '2020-04-28 21:42:56', '2020-06-23 02:10:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19896, '0sYhSPbWANYIB30g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:44:19', '2020-04-28 21:44:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19897, 'jIkNSZHRzRgrE4n4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:45:44', '2020-04-28 21:45:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19898, '0nEdoCRjVv3UEOwq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:51:43', '2020-04-28 21:51:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19899, 'r3455dbUXY8aJyPK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 21:52:59', '2020-04-28 21:52:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19900, 'ZYn93lG2kL5QJ0C6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:00:27', '2020-04-28 22:00:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19901, '7UrUO2JBgEqufh7h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:02:17', '2020-04-28 22:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19902, 'wcYhjSpfvep2S5a7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:02:45', '2020-04-28 22:02:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19903, 'KbySCpA7GoFJOT1N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:04:11', '2020-04-28 22:04:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19904, 'pPZdfdf2L3P5NbBR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:08:37', '2020-04-28 22:08:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19905, 'dwBvmPrmI4jpkjGB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:10:35', '2020-04-28 22:10:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19906, 'S7I5j4A3h5yrCn47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:11:29', '2020-04-28 22:11:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19907, 'eYE04uTFyu32Nvgs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:13:03', '2020-04-28 22:13:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19908, 'ARnCAch3cLFUCiXu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:16:41', '2020-04-28 22:16:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19909, 'NLy3jZUTZFaev3LZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:17:30', '2020-04-28 22:17:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19910, 'AduvwZLdryAUDU0E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:19:23', '2020-04-28 22:19:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19911, 'ggjdSt3FFbdJtFVN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:20:25', '2020-04-28 22:20:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19912, 'zjlPNjeNnWH6OJUz', 'Pra te contar num suspiro', NULL, 'Trabalhando com a ética do desejo e incompletude das palavras, pretendo expor um livro em diversos pontos estratégicos, que converse com os leitores interessados em sua falta de apelo visual, num contexto de vistas instagramáticas. \nO livro se trata de um compilado de fragmentos permeados por poesia sentimental, filosofia da natureza e estudos em artes, linguagem e esquizo /psicanálise. Seu conteúdo ou formato final estão em delineamentos de contornos. O título varia entre algumas opções, Para te contar num suspiro, ou O silêncio faz amor com todas as coisas (inspirada em Alejandra Pizarnik) são as mais fortes. Me disponibilizo a enviar mais do material.', NULL, NULL, 'Sugiro que o livro fique perto de assentos, preso a uma corda, para que a pessoa tenha que se manter no mesmo ponto por um tempo para garantir a possibilidade de um encontro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1660, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1461, NULL, '2020-04-28 22:26:05', '2020-07-08 00:25:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19913, 'CjZMhjguais53khi', 'Una Máquina de Guerra / Sur', NULL, 'Proyecto producido por encargo de documenta14 - 2017, y asesorado por Paul B. Preciado.\nSe mostró en Museo Benaki, Atenas y Neue Galerie, Kassel.\nEsta 2da versión del proyecto se actualiza en un 60 % de obra nueva, con temas de política local.\nLa instalación, similar a un museo etnográfico, incluye vitrinas, objetos fetiches, material orgánico, fotografías, documentos y dibujos anatómicos. Simboliza una máquina cuya función es establecer una taxonomía de instituciones involucradas en el negocio de la guerra.\nPartes de la máquina\nSiguiendo una metodología forense, se seleccionan personas de la política, la economía y el complejo militar-industrial. Los escogidos se presentan para su estudio en series de fotos según la antropometría, método de identificación criminal desarrollado por Louis Bertillon en el siglo XIX.\nLos candidatos finales pasan a un simulacro de reducción de sus cabezas, empleando retratos tridimensionales preparados con sustancias orgánicas. Luego se exhiben en vitrinas ubicadas sobre un mapa transitable en el piso. Este plano de planta entreteje gráficos policiales de crímenes políticos, arquitecturas de sedes estatales y diseños industriales de armamento pesado.\nFicha técnica\n4 a 6 vitrinas / retratos y objetos / arcilla y látex / 10 a 12 cm. diámetro\n170 fotos b/n / A4 y A5 / sin marco / 8 metros x 1,2 m\nDibujo de piso / papel y poliestireno / 6 x 5 y 4 x 3 m\nDibujo / grafito / calcos sobre papel /280 x 100 cm\n20 bocetos / grafito / varios formatos', NULL, NULL, 'Museo de Arte del Centro Cultural de la Universidad Nacional Mayor de San Marcos, sala Juan Acha; segundo nivel. Lima-Perú.\n\nLa sala Juan Acha recibe proyectos que articulan las sensibilidades globalizadas con la cultura local, hibridaciones que juntan soportes heterogéneos: performances, intervenciones en el espacio, instalaciones y otros mixes.\n\nÁrea de la sala: 178.7m2.\nAltura con zócalo: 3.05m. Altura sin zócalo: 2.85m.\nIluminación: dicroicas led.\nPiso madera capirona acabado DD.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2705, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2347, 5, '2020-04-28 22:27:13', '2020-08-27 23:34:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19914, 'LSKHIEFoGk6Ge0tL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:27:35', '2020-04-28 22:27:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19915, 'YWGwq67a9SDNvzjl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:28:07', '2020-04-28 22:28:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19916, 'yLAggDuWvWtIyufr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:28:33', '2020-04-28 22:28:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19917, '9xktpnqr4cWVP5S4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:29:07', '2020-04-28 22:29:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19918, 'psmdUCbd0vApcRcm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:29:46', '2020-04-28 22:29:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19919, 'cTRJelauZQYRZx5O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:30:55', '2020-04-28 22:30:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19920, 'rQ1bPYeIUGe2Kjwk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:34:39', '2020-04-28 22:34:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19921, 'XFsFPLNkLw8mK6Gn', 'deseo / necesidad', NULL, 'Uma visão crítica ao consumo criado na nossa sociedade deste nosso tempo de inseguranças através da interpretação de imagens que permeiam os sentimentos entre a vontade e necessidade.', NULL, NULL, 'Fotografias digitais impressas com pigmento mineral em papel algodão montadas sobre placas de aluminio nas medidas :\n110cm x 60cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1663, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1463, NULL, '2020-04-28 22:47:40', '2020-07-18 00:20:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19922, 'zgkp5g0ryqJ0USK1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:48:51', '2020-04-28 22:48:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19923, 'j4DqwI34ZMb722Qm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:48:52', '2020-04-28 22:48:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19924, 'VzbPLS6pA0UuEbjE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:48:52', '2020-04-28 22:48:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19925, 'jJEzm3vcEeHK386V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:50:08', '2020-04-28 22:50:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19926, '6UwDkNV67iDGut07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:53:52', '2020-04-28 22:53:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19927, 'xnErFjJltTcdSDJC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:59:34', '2020-04-28 22:59:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19928, 'OUSwSCG2Qdyc7kwq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 22:59:37', '2020-04-28 22:59:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19929, 'FF3hjPTWVkfWLCKE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:06:39', '2020-04-28 23:06:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
