In Wave Hands Like Clouds (2020) the viewer is taken on a journey through a set of different situations: a cameraman is trying to capture the greenness of the pool-water, a woman drags a stranded dolphin back into the sea, another installs different objects for an unknown reason, meanwhile a man walks on a treadmill. The characters have in common that they’re all somehow isolated, but none of them have resigned fully. They’re still striving to achieve things, like a happy bird, a sufficient result or a balanced body, while an atmosphere of that something is soon going to happen surrounds them. 

The footage in the video is of different origin and quality, woven together through the rhythm of the clips, the associative connection between them and the use of lounge music in the soundtrack. 

The video will be presented at a solo show at the artist run space Arcway Nightlands Connector in Copenhagen in December 2020. There it is going to be part of an installation where it will be installed as an extension on a round airport sofa bench, with an elm tree in the middle. Inspired by the transfer center at Copenhagen Airport and the neologism “Non-Places” (Non-Lieux) by Marc Augé, which speaks about how super modernity has produced spaces of transience, that are dedicated to function, consumption and personal reflection, in which the individual remains anonymous and lonely.