Composed of two installations, a video and an audio environment, the intention is to give value to the most diverse materials, including those discarded as garbage. This valorization involves the reuse of such materials and also serves to present the beauty that exists in the most common objects.
The two installations open a dialogue about the inscription materials and supports for the drawings and paintings that compose them. The installation “Collection for a landscape” is the result of the construction of a panel made up of 'supports' collected around the city. Each support is covered with small lines made out of the most varied types of inscription materials. The second installation, “Manual de Bordas”, is composed of 32 still life drawings of the supports that make up the panel of the other installation, using the same inscription material as the first drawing is taken. However, this is carried out on a smaller scale and with a caption indicating the materials and collection site. This investigation seeks a de-hierarchization, materials from different scopes that bring their contexts, all together in the same panel.
Finally, the video, ‘Series of forms’, in which we see a sequence of a passage of the clips that integrate the installations. The variation of shapes, materials and treatments, conceive the movement. The passage of these fragments is for me a metaphor for waves, places and an exercise in valuing each shape, place and material for its uniqueness.