INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4107, 'ZghQkPirvlCnxcvJ', 'O DESIGN DE SUPERFÍCIE  E OS ELEMENTOS GRÁFICOS SEMIÓTICOS DA CULTURA POPULAR BRASILEIRA', NULL, 'O projeto consiste na pesquisa dos elementos gráficos semióticos (símbolos, signos, desenhos, adornos etc.) das manifestações artísticas e culturais brasileiras (cerâmica Marajoara, literatura de cordel, desenhos indígenas, folclores, inscrições rupestres,  arquitetura, hábitos e costumes urbanos etc.) para, por intermédio da mediação da técnica de Design de Superfície, construir expressões artísticas e elaborar projetos visuais para os diversos segmentos da Economia Criativa (moda, cenografia, papelaria, revestimentos, embalagens, decoração...).\n\nOs signos e símbolos nos relatam vivências históricas e contemporâneas dos grupos socialmente organizados que se inter-relacionam através de imagens gráficas. Trazer à luz os vários elementos de comunicação desde a sua origem enquanto ser humano até o presente como ser urbano que, em função do cotidiano, passam despercebidos aos seus atores. É a captura dessa “diversidade/unidade” em padrões de Design de Superfície o objeto central deste projeto.\n\nOs designs serão desenvolvidos a partir dessas informações, possuindo, porém, suas próprias características visuais, funcionalidades e “licenças poéticas” resultando em uma produção original com uma linguagem plástica própria. \n\nO projeto inclui o “Workshop sobre o Design de Superfície”, onde demonstro a técnica e todo o processo de criação. O participante é estimulado a perceber e utilizar os signos e símbolos que compõem o seu universo histórico e cotidiano.', NULL, NULL, 'A exposição é composta por quadros, impressos digitalmente em canvas, medindo 1,10mX0,75m, que serão afixados em painéis, além de impressos adesivos que comporão a ambientação. \n\nPara o workshop, serão necessários projetor e telão, flipchart e pilot coloridos, xerox das apostilas a serem distribuídas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 332, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 272, NULL, '2020-02-28 20:48:32', '2020-06-24 16:35:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4108, '8ZLEMyHFSuh8lHh7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:02:38', '2020-02-28 21:02:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4109, 'zk3qDZVDVbenCQBY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:03:46', '2020-02-28 21:03:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4110, 'FDvaCWK1KwYHa5UB', 'Partir', NULL, 'A performance consiste na relação entre três elementos interdependentes: a ação coreográfica a partir da caracterização por um traje objeto que mimetiza um veleiro, e a sonoplastia. A indumentária é feita de madeira, metal e tecido; a máscara de madeira em forma de casco ou carranca traz à figura um enigma: afinal trata-se de um humano não revelado ou da transmutaçãodo humano em simbiose com o ato de velejar? O resultado da mimética da navegação permite à performance, no decorrer de sua duração diante do observador, uma profusão de atmosferas em torno do tema. A travessia se dá por um corpo altamente comprometido com os movimentos, sinuosidades e desequilíbrios; o eixo vertical raramente se alinha ao bilateral, aos pés restam novas formas de apoio. A dança se dá a partir do manejo do mastro em prolongamento da coluna sob o efeito da passagem do ar pelas velas,que replicam em menor escala, asvelas genoae balão de um veleiro. É inevitável o mítico tema da navegação vir carregado de diferentes narrativas: do humano globalizado capaz de decifrar o mistério dos mares e encontrar desconhecidas civilizações, do viajante que ao se arriscar rumo ao desconhecido tangencia o limite da sobrevivência ou ainda a experiência de, em alto mar,tocar o sentido transcendente da existência. Eventualemnte se torna visível a figura por trás damáscara que revela a origem indígena da artísta.', NULL, NULL, 'Volumetria do traje: 2,30m de altura, 1,80m de largura e 2,10m de comprimento. Não requer iluminação específica mas convém aproveitar a luz natural ou a iluminação instalada em estruturas arquitetônicas ou de sinalização. Ao ar livre é importante que não haja vento. Relação de proximidade visual com edificação como um forte ou o mar. Para a montagem é necessário em lugar reservado que seja próximo do local da performance, e uma cadeira com encosto. Tempo de montageme preparação: 5 horas.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://soundcloud.com/luannajimenes/e-como-o-vento', NULL, NULL, NULL, NULL, NULL, 248, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 210, NULL, '2020-02-28 21:13:57', '2020-06-24 15:44:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4111, 'iRK2FglpAv7ovPEw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:17:14', '2020-02-28 21:17:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4112, 'rpbpxnTNCHyQslZ4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:17:37', '2020-02-28 21:17:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4113, 'j2UfNTEPycL2JaXk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:17:44', '2020-02-28 21:17:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4114, '47qcFw9ooeRrStxZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:27:51', '2020-02-28 21:27:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4115, 'fHn9peI2eTKKf0gJ', 'Ondina', NULL, 'A instalação Acquabox de Mauricio Mancioli serve de ambiente natural da personagem Ondina, que imersa em seu elemento, se revela. \nCom movimentos e ações a performer descreve diferentes temperamentos da personagem, podendo variar entre profunda paz e tranquilidade para estados de muita agitação. O resultado é um convite ao devaneio sobre a água com estética impecável.\nDa performance surgiu o vídeo, pelo olhar e edição delicados da videomaker Gabriela Greeb.', NULL, NULL, 'Sem áudio e com duração de trinta minutos o vídeo é perfeito para ser projetado em fachadas de edifícios verticais, intervindo na paisagem de concreto da cidade com delicadeza e beleza.', NULL, 'artist', NULL, NULL, 'https://emperformance.wixsite.com/nucleodeperformance/paisagemsonora', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 248, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 211, NULL, '2020-02-28 21:29:19', '2020-06-24 15:45:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4116, 'TJaxPkpEk6GOpTQY', 'O Asno', NULL, 'A performance consiste na relação entre um suposto jornalista que se relaciona de forma violenta com uma máquina de escrever. Esta ação acontece junto a um áudio aberto no ambiente em que uma voz masculina, pausada e didática, dita os significados simbólicos do asno, o animal tido como uma subespécie de mamífero que ao longo da história da humanidade ganhou sentido pejorativo, “um animal ridículo”.  A figura tem um temperamento à beira da irritação. Isto porque a performance deflagra o desmantelamento da profissão do jornalista: o comunicador que escrevendo transmite a um corpo coletivo acontecimentos de interesse comum. O temperamento da figura na performance e especialmente a violência com a máquina de escrever, assim como a comparação com o “animal ridículo” permite uma leitura irônica para o formador de opinião claramente obsoleto. O traje de alfaiataria recebe modificações importantes: papéis e colagens acrescentam ao traje detalhes que descolam definitivamente a figura do cotidiano.  \nA paleta de cor (invariavelmente branco e preto) assim como o modelo de todo o traje que serve de base, traz a previsibilidade, o equilíbrio e até a confiança de um uniforme de trabalho, porém com elementos de papel aplicados gerando estranhamento. A máscara tira definitivamente a identidade da artista que o veste: o olho alcança os objetos por debaixo da colagem de maneira funcional porém estará inacessível ao observador.', NULL, NULL, 'Espaço expositivo modelo cubo branco, interferindo entre os visitantes da exposição. Necessário equipamento de áudio para a transmissão da peça sonora que poderá ficar em exposição, acessível por fone de ouvido, junto ao objeto da performance', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://soundcloud.com/luannajimenes/o-asno', NULL, NULL, NULL, NULL, NULL, 248, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 212, NULL, '2020-02-28 21:37:23', '2020-06-24 16:31:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4117, 'yTON7Q7FCAvt37Ye', 'Geniecillo', NULL, '“Geniecillo” es un cortometraje que explora la fe. Enumera una lista de elementos y requerimientos necesarios para la construcción de aquel amuleto al que el constructor será sometido, mientras expone testimonios de apariciones que atestiguan con su realidad. El pequeño geniecillo fabricado en el video personifica algunos hábitos de conducta, todas aquellas desmesuradas afinidades a algo que justifiquen o carguen con algún tipo de sentido la existencia.\nLa conformación de estas deidades podría mitigar el vacío, pero no podremos darle lugar a la duda ni cesar en el sufrimiento o la magia divina podría castigarnos y convertirnos en inertes partículas de sal.', NULL, NULL, 'Video Digital a reproducir en Televisor analógico.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/101275236', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 250, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 213, NULL, '2020-02-28 21:45:45', '2020-06-24 16:32:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4118, 'kC85hk5Uq80TFxdm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:46:12', '2020-02-28 21:46:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4119, '4DpPqdxs5KZTOUt2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:47:32', '2020-02-28 21:47:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4120, 'dzfNE3x3n2G4aZ9q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 21:56:01', '2020-02-28 21:56:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4121, 'h3zcTwxE25MuU01u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 22:03:55', '2020-02-28 22:03:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4122, 'qrXttvtxn2z4gbuP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 22:29:15', '2020-02-28 22:29:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4123, 'wMunJVL8tBx7ow4j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 22:34:13', '2020-02-28 22:34:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4124, 'JpnHi4HN7OvLJuxL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 22:34:14', '2020-02-28 22:34:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4125, '87wxIQKC5mD8Pi1L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 22:39:14', '2020-02-28 22:39:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4126, '0Dxi0Yki1K1MYeJx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 22:43:42', '2020-02-28 22:43:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4127, 'NeDyWKuM7MuX4wlX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 22:44:12', '2020-02-28 22:44:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4128, 'MrJl6wSogQv30f9r', 'anyWare', NULL, '‘anyWare’ is a distributed sculpture that includes three identical objects that can be located in three different locations, anywhere in the world. The ‘anyWare’ sculptures are connected to the Internet, and physically mirror each other (i.e. if a blue light lights up on one sculpture, that same blue will light up on all of the sculptures). The objects simultaneously respond to people who interact with them, and enable people in different locations to interact with each other through the objects. Each physical location is assigned a signature colour which makes it possible to identify which location is actively engaging with which sculpture. ‘anyWare’ uses a series of simple games to structure these interactions, which allows people in different locations to work together and collaborate on a joint goal.\n\nThe objects encourage playful interactions that are designed to inspire experimentation, exploration, and potential “conversations” with other interactors. As a reward for this interaction, the light, sound, and engagement states of the objects transform through the experience of exploration (either with one person or potentially with many people) and in so doing reveal different modes of interactivity as well as different levels of aesthetic experience, which we are calling Art States. These states include a ‘Minimal State’, a ‘Shadow State’, and a ‘Colour State’. Interactors must play/interact with the sculptures in order to transition them through the various Art States.', NULL, NULL, 'anyWare requires a location with ethernet internet, power outlets, and audio - please see requirements here: http://janetingley.com/wp-content/uploads/2019/01/FINAL-Tech-Reider-Jan12.pdf\n\nThe work requires a light controlled space that is around 4m x 4m.\n\nThree locations should be sourced, if you want the three sculptures to connect them. Otherwise, they can also be in the same city in different locations, the same building on different floors, or even in the same room.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/222898628', NULL, NULL, NULL, 'www.janetingley.com/anyware', NULL, NULL, NULL, 251, NULL, 39, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 214, NULL, '2020-02-28 22:48:43', '2020-06-24 16:32:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4129, 'aPBjZXLvOq6wIEav', 'A sudden lawn (provisory)', NULL, 'My proposal consists in the presentation of a monumental public art project.\nA huge participatory action to transform an empty space (a vacant lot, a forgotten square, an unused parking lot..) in a place of meeting, through the installation of a temporary lawn.\n\nThis proposal represents the first re-edition ever of a project I realized in Italy in 2008 when I was 25, and during which I covered a forgotten square of the city of Florence with 2000 real turf rolls. \nIn one night 40 young people transformed - with sixty tons of grass - a not-place in an area of social well-being: thousands of people from all backgrounds sitting down, relaxing, meeting, talking, enjoying the green, realizing that something could change.\nA project to activate a debate on the importance of the role of the artist/art as a social catalyst.\n\nP.S. In the form I attached you a video of the project and few pictures about it.', NULL, NULL, 'A vacant lot ( or a forgotten square, an unused parking lot, a concrete \"desert\".. ) that is located within a lived community of a urban area.\nOf course it would be even better to install such a lawn on a abandoned natural terrain, where the grass could attach properly and stay even longer than the Biennial itself..', NULL, 'artist', NULL, NULL, 'https://vimeo.com/86993412', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3130, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2693, 5, '2020-02-28 22:58:32', '2021-02-12 19:40:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4130, 't3kNWMyjdFuK8iEC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 23:08:07', '2020-02-28 23:08:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4131, 'pFiBQr0aobWo1pUC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 23:28:28', '2020-02-28 23:28:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4132, '4zevo9Mr9tXKwQNu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 23:51:17', '2020-02-28 23:51:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4133, 'e83exYWpc2FvcDMD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 00:10:19', '2020-02-29 00:10:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4134, '4V3etE5lAazaJXz2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 00:35:33', '2020-02-29 00:35:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4135, 'weOvSecjhcxCzg1m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 00:41:25', '2020-02-29 00:41:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4136, '09Fb36ODHpviyG9U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 00:53:17', '2020-02-29 00:53:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4137, 'uKEPuJOpIOsBBPhW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 00:57:40', '2020-02-29 00:57:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4138, 'iDkfQ2mSsDVN3sDL', 'Arqueologia de un laboratorio', NULL, 'Descripción conceptual:\nEl proceso de montaje de un laboratorio es en sí una actividad cultural de transformación.\nLa compra de maquinaria tecnocientífica implica, en cualquier entramado social, la adquisición de los medios para producir una particular imagen del mundo. Hacer un retrato de cada aparato es nuestro modo de rendirles un homenaje.\n\nCaracterísticas formales:\n\"Arqueología de un laboratorio\" es una serie de 9 fotografías impresas en Fine Artsde 100 x 80 cm  con un montaje variable según el espacio asignado.', NULL, NULL, 'Sugerimos como espacio expositivo el MUNTREF Centro de Arte y Naturaleza porque nuestros trabajos operan sobre el análisis de lo vivo y consideramos este espacio el más adecuado.\nRespecto de la sala podríamos adaptar el número de imágenes de la serie \"Arqueología de un laboratorio\" según el espacio disponible en dicho centro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 433, NULL, 61, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 366, 5, '2020-02-29 01:03:59', '2020-08-27 03:06:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4139, 'uXSG9Cvo4q2SkK7N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:11:15', '2020-02-29 01:11:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4140, 'Cfdkqw43w7sZB8oc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:29:44', '2020-02-29 01:29:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4141, 'JJPNNmDfVJbvRtuO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:31:57', '2020-02-29 01:31:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4142, 'j6JmbWwsCM0EWToU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:32:30', '2020-02-29 01:32:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4143, 'RGSoCjnJGGvN9d5l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:32:52', '2020-02-29 01:32:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4144, '0JBWNFG82c8odmDa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:42:00', '2020-02-29 01:42:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4145, 'nyE0WMioPRXB8KrA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:43:29', '2020-02-29 01:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4146, 'NMdBH4JbXiWx2Ygi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:51:45', '2020-02-29 01:51:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4147, 'wWDjmCeAUalvnZYX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 01:58:24', '2020-02-29 01:58:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4148, '7SSLezK4rwHSKXfa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:08:42', '2020-02-29 02:08:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4149, 'HVEms9CRNYGbU3Al', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:14:16', '2020-02-29 02:14:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4150, 'YmYnXfdQxCJGgxpo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:28:19', '2020-02-29 02:28:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4151, 'bPZOjwdbay4vIAKx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:29:39', '2020-02-29 02:29:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4152, 'Jgtun9Xzarq1q37z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:29:49', '2020-02-29 02:29:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4153, 'LperZvacinRhfFTn', 'La música de mi amor por ti', NULL, 'El proyecto se basa en la búsqueda de un código de comunicación que permita enlazar el plano terrenal y el celestial. Consta de 2 instalaciones. \nEn la sala 1, en una vitrina empotrada en la pared, se exhibe un objeto (8 x 30 x 10 cm) formado por cuadernos pentagramados azules y base de madera. En las páginas de los cuadernos volqué una escritura musical que desarrollé basada en la traducción vocal del sonido de las chicharras e inspirada en las notaciones de cantos gregorianos. La sala tiene el cielorraso pintado de azul iluminado por unas luces de forma tal que el reflejo del color llegue hasta el suelo. A través de parlantes ocultos, se escucha un canto en loop (link soundcloud) que grabé con mi propia voz basado en esa traducción. El tamaño pequeño del objeto funciona como contrapunto al canto -mántrico y celestial- que espacialmente ocupa todo el espacio.\nPara la sala 2, presento dos posibilidades. La instalación se compone de un video en loop (200 cm de ancho) donde exuvias de chicharras vibran sobre un parlante. El audio del video es un aria de La Pasión según San Mateo de Bach. Sobre mesas de madera con base tipo acanalada y cubiertas de acrílico transparente (medida total 600 cm x 70 cm, largo adaptable) o en vitrinas empotradas en las paredes, se despliega un código elaborado a partir del calcado de notaciones,ligaduras y uniones (sin pentagramas ni notas)de las partituras de La Pasión,en pliegos de papel de 45 gr.', NULL, NULL, 'La sala 1 podría ser de 2,5 x 2,5 x 2,5 m aprox y si fuera posible, de piso color claro. El empotrado de la vitrina se logrará generando una pared falsa aunque se puede adaptar. Un colega técnico trabajará la dimensión espacial del sonido.\nLa sala 2 debería estar oscurecida para proyectar el video desde un proyector en alto. La medida ideal de la sala es de 6,50 m x 8 m, aunque todo puede redimensionarse. Se usarán parlantes; y luces puntuales para las mesas o luz interna para las vitrinas.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/287957395', NULL, 'https://soundcloud.com/user-290497237/traduccion-vocal-chicharras', NULL, NULL, NULL, NULL, NULL, 5092, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4257, NULL, '2020-02-29 02:53:45', '2020-07-25 00:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4154, 'tBedqCA2KPpPaxji', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:53:55', '2020-02-29 02:53:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4155, '8HBqkeEDwEYxBKti', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:54:27', '2020-02-29 02:54:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4156, 'peP7v1puiseZBYUk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:57:06', '2020-02-29 02:57:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4157, 'w1IQnqvGO9mvcB5a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 02:58:01', '2020-02-29 02:58:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4158, '6IcAZTZJfzuYUztm', 'Sangue Negro (sangre negro)', NULL, 'SANGRE NEGRO es una reflexión sobre la cantidad de cuerpos negros violados, sus vidas marginadas por la pobreza y su dignidad ignorada. Vivir en una piel negra es un acto de resistencia y ser negro en una sociedad racista en este proyecto, es saber cómo revisar nuestra lucha antirracista, sin embargo, además de eso, también está revisando y aprendiendo nuestra cultura que no nos fue enseñada. Es conocer la violencia que ya nos ha sucedido y dónde nuestra historia ya ha sangrado.\n  El proyecto investiga más allá de la dinámica del racismo, más que la relación bilateral de los injustos y privilegiados por la existencia de esta separación de individuos en el mundo, el ensayo estudia la presencia negra contemporánea y su lugar de discurso, recordando las heridas abiertas de un pasado aún reciente, de un dolor sufrido por los ancestros de todas las personas que se identifican o no como negras. Hablar sobre la violencia, y los medios y métodos que usaron para infringirla, también es una forma de respetar esta ascendencia, porque negar su sufrimiento es seguir contaminándose con deshonor y despreciando toda la explotación que se les impuso.\n SANGRE NEGRO encarna la voz de mis antepasados ​​y me llevo los restos de sus cicatrices.', NULL, NULL, 'Fotos en tamaño A4 y fondo blanco, si es posible, colóquelas en una pared del mismo color.\nEl fondo blanco representa la sociedad racista en la que los cuerpos negros deben existir y que nunca podrán ocupar por completo porque nunca han alcanzado la estática dominante.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 274, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 223, NULL, '2020-02-29 03:02:35', '2020-06-24 16:33:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4159, '5fjuV3vol62Bxrml', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:13:55', '2020-02-29 03:13:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4160, 'Y3W28JJErZn188Qe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:21:58', '2020-02-29 03:21:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4161, 'CvZ8Fq9skrzuc6KG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:27:21', '2020-02-29 03:27:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4162, '2o6aY2mdXe0cx3yO', 'AMBIENTE INVISIBLE', NULL, 'Marshall Mc Luhan  en 1969 define a los medios de comunicación como “nuevos ambientes, tan imperceptibles como el agua para el pez” Hoy sabemos fehacientemente que la inteligencia artificial modela nuestra percepción del mundo. Los algoritmos de las redes mediáticas saben de nuestros deseos y aspiraciones, ese entramado de ondas y radiaciones registra cada movimiento, palabra, relaciones, para extraer datos y procesarlos y devolvérnoslo en forma de contenidos-verdad. \nLa afirmación de Mc Luhan que “los nuevos medios de comunicación no son puentes entre el hombre y la naturaleza: SON LA NATURALEZA” hoy queda en evidencia en la contaminción electromagnética, medioambiental y mediática.\nProponemos una reflexión estética sobre esta naturaleza, sobre el ambiente invisible que la estructura y sus efectos a través de los  videos de Benavídez desde Puerto Príncipe y Nueva York en plena pandemia y en las manifestaciones BlackLiveMatters. Las fotografías de Serra relativizan el protagonismo humano en un ambiente surrealista, o lo hunden como en los sumergidos de Kosik. La denuncia de Ivern sobre la manipulación de nuestros alimentos y las fotografías de Prece del entramado eléctrico que aprisiona nuestro patrimonio urbano. \nUn núcleo de intimidad propiciará un espacio para resetear nuestra mirada y pensarnos desde un lugar más auténtico, nuestra verdadera identidad originaria. Espacio-nido ilustrado por Kosik y musicalizado por Suárez en versión libre de Strawberry Fields.', 'Daniel Kosik /Argentino / https://www.instagram.com/danielkosikarte/?hl=es-la / https://www.facebook.com/danikosik\nOscar Serra / Argentino, residente en Españña/ https://www.instagram.com/oscarserra_artyshowgallery/?hl=es-la\nM. Eugenia Prece / Argentina / https://www.instagram.com/eugeniaprece/?hl=es-la / https://www.facebook.com/mariaeugenia.prece\nJulio Benavidez /Argentino https://www.instagram.com/herupajkraat/?hl=es-la / https://www.facebook.com/juliocesarbuenavida\nDiana Ivern / Argentina / https://www.instagram.com/dianaivern/?hl=es-la / https://www.facebook.com/diana.ivern.3\nMariano Suarez /Argentino / https://www.instagram.com/mariano.suarez.5686/?hl=es-la / https://www.facebook.com/mariano.suarez.5686', NULL, 'Se requerirá de una pared para la proyección de los travelling de NY y Haití, otra pared donde se colgarán las fotografías y dibujos y un espacio reducido representará un nido con elementos para sentarse y dispositivo de audio (aprox 35m2).\nVirtualmente se creará un AMBIENTE INVISIBLE on line con acceso a las obras y un espacio de debate sobre temas medioambientales y mediáticos. En Rosario disponemos de espacio para ofrecer camprosario.com / instagram.com/camp_rosario / facebook.com/caMpRosario', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/user/herupajkraat', NULL, 'https://www.instagram.com/mariano.suarez.5686/?hl=es-la  /https://www.facebook.com/mariano.suarez.5686', NULL, NULL, NULL, NULL, NULL, 4403, NULL, 577, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3704, NULL, '2020-02-29 03:30:58', '2020-07-28 18:05:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4163, 'zXQ3qLA0phegtjqn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:31:18', '2020-02-29 03:31:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4164, 'PFQOnu4Ng2XsHWhX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:33:59', '2020-02-29 03:33:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4165, 'XpnRzYLXepadDnGe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:34:01', '2020-02-29 03:34:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4166, 'Q4Bq3m7cPt5qVOYx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:36:48', '2020-02-29 03:36:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4167, 'XTNrqYz0D23HDWfG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:38:32', '2020-02-29 03:38:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4168, 'PKNEMJCMww0qlXAn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:39:42', '2020-02-29 03:39:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4169, 'xybu9j5HWPsOyU26', 'CONEXÃO TERRA II', NULL, '“Conexão Terra II” was part of the solo exhibition “Quando Me Olhas” presented for the first time in Galeria Refresco in December 2019. \n\nI executed the first experience “Conexão Terra I” I 2016, in Leme’s Beach, Rio de Janeiro. In this act, I had the objective of dig in the sand, with my own hands, a hole of my own size and, after find the desired depth, I proposed myself to stay as long as I could, that my body and mind would allow, inside this limited space. \nIn this second investigation, also realized in Leme’s Beach, in 2019, I repeat the dig exercise during 04 hours. Through the exhausting and rhythmic effort of displacing the sand, the mind reaches a state of trance, where is a loss of consciousness about reality. The muscles that complain with each repeated movement, the work of the mind so that the body goes beyong its limits, breaking the physical barriers. The loss of the consciousness of the psyque leads to the annulment of the critical capacity about actions, generating an automation of movements. Tis psychic experience is accompanied by a state of muscles and body surface hypersensitivity, this being the moment of total connection with the matter itself. The excavation towards the Earth’s nucleus also presents characteristics of encapsulation and reconnection with the maternal womb.', NULL, NULL, 'brasil - 2019\ndéborah zapata\n\nperformance art video\n9\'26\"\n\ndir. of photography\n@vidafodona\n\nThe work must be projected in high definition on a flat wall or suspended lightweight fabric, both white. The projected image can have a variable dimension, but respecting the minimum size of 1,5m in length.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/383156546', 'deborahozapata', NULL, NULL, NULL, NULL, NULL, NULL, 1244, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1082, NULL, '2020-02-29 03:56:51', '2020-07-12 16:51:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4170, 'x7uF18HNWJjETlrj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:58:00', '2020-02-29 03:58:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4171, 'jEUbh4N5Ex6eLDww', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 03:59:42', '2020-02-29 03:59:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4172, 'wh9x8ilbbSH5WGBM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:05:10', '2020-02-29 04:05:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4173, 'GUPRry0J9Vi8DrxU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:05:19', '2020-02-29 04:05:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4174, 'N9Uh7PkCpHa6xGfX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:05:30', '2020-02-29 04:05:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4175, 'X55lWy2DjjcliziY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:08:17', '2020-02-29 04:08:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4176, 'pkTti3tvjeRd8Xpb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:09:11', '2020-02-29 04:09:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4177, 'p7K1o0NzipFnIMsi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:10:54', '2020-02-29 04:10:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4178, 'Onai7jjiOhnlDyFC', 'Antimonio', NULL, 'ANTIMONIO\nLa muerte es más universal que la vida; \ntodo el mundo muere, \npero no todo el mundo vive.\n                                       Alam Sachs\n\nEl proyecto utiliza símbolos y metáforas visuales para proponer una reflexión sobre existencialismo, temas esenciales sobre la vida y la muerte. Una no existe sin la otra.\nEl grande mural presenta símbolos de la muerte. ¿Reflexión de la vida?\nReflexión sobre la fragilidad de la vida en las grandes ciudades, donde la brutalidad del hombre viene a tono con mucha facilidad.\nO, reflexión sobre la vida: “la muerte es renacer”. Sobre las calaveras están pintadas muñecas, dados, hondas, helados, referencias al mundo infantil, a los niños, símbolos del principio de la vida. \nMediante representaciones simbólicas, los lienzos en la pared exhiben el principio y el fin, vida y muerte.\nRepartidas por el suelo, otro símbolo de los niños, las pelotas, de todos los tamaños y colores, aquí manipulables o no.\nLa instalación discute sobre los antimonios, principio y fin. Son unísonos. Están conectadas de forma umbilical. \nTodos nosotros, observadores, adultos y niños, frente a una instalación que nos desnuda en nuestra propia esencia.', NULL, NULL, 'Las dimensiones del espacio sugerido para esta propuesta expositiva: 80 metros cuadrados.\nDos paredes de 2,70 metros de altura x 5,50 metros largura (Una pared para el mural fotográfico y la otra pared para los dos lienzos)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 489, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 415, NULL, '2020-02-29 04:15:39', '2020-06-23 15:37:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4179, 'GbkpIa3jx9JcHtPf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:16:01', '2020-02-29 04:16:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4180, 'HPwb8rRvUms8nmep', 'Poemas Multimídia', NULL, 'O projeto Poemas multimídia visa mostrar parte da produção do poeta Paulo Aquarone com suas poesias em objetos, fotos e instalações, trabalhos estes realizados em diversos suportes, como; madeira, metal, papelão, tecido, etc. A poesia de Paulo Aquarone tende a abordar temas cotidianos da existência humana, fazendo da leitura ou interação do poema a compreensão do mesmo. Cada obra necessita de um determinado suporte para sua melhor compreensão e sentido, mostrando de forma autorreferente o seu trabalho.', NULL, NULL, 'Pode-se utilizar qualquer espaço expositivo adaptando a quantidade de obras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://pauloaquarone.com/paulo_aquarone-poemas_multimidia.pdf', NULL, NULL, NULL, 393, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 326, NULL, '2020-02-29 04:16:23', '2020-06-24 15:49:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4181, 'cmeLtrAze6CfpI3P', 'Mas cerca Mas lejos', NULL, '...Y un dia nos tapamos la boca,nos cubrimos la cara y tomamos distancia por resguardo.La polaridad  Cercania/Lejanía se subvierte continuamente.De esa relación trata este proyecto.\nPresento el dibujo de un mapeo fantastico colgado a una altura que incomoda por que  dificulta su vision.En paralelo,a la altura de los ojos se puede ver el mismo dibujo en detalles de cercanía a través de un pequeña pantalla.\nQuien puede cuestionar lo que nos muestra esa pantalla?\n\n(Este trabajo esta en progreso,adjunto material que estoy elaborando.)', NULL, NULL, 'Dibujo Diptico.\nPrimer elemento: dibujo sobre papel ,sobre bastidor de 3,30 X1,20 mts. Requiere estar colgado a no menos de 2 mts. desde su lado base.\nSegundo elemento: Pantalla de Ipad donde se pueden ver en forma continua numerosos detalles  del dibujo colgado arriba.Secuencia de fotos sin fin.\nSugiero una sala con una de sus paredes de las siguientes dimensiones: 6,50 de largo por 4,00 de alto.Acceso a un toma de 220v.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5371, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4459, NULL, '2020-02-29 04:18:36', '2020-07-28 17:06:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4182, 'JmYwvfS0yND8PJSg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:22:48', '2020-02-29 04:22:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4183, '38y9vB4yr4I4WPVJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:23:41', '2020-02-29 04:23:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4184, '28HH6Ke4PbKiYHZw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:23:46', '2020-02-29 04:23:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4185, 'GHtaQOL3p2LfSFaJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:31:56', '2020-02-29 04:31:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4186, 'DEw7OHRL31KzOvqU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:32:39', '2020-02-29 04:32:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4187, 'Fz1T7GbcNB7A3GjI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:33:11', '2020-02-29 04:33:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4188, '2yfXDvgxrMZXOCdy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:36:20', '2020-02-29 04:36:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4189, 'U4sRkJpGSojIkH5D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:39:35', '2020-02-29 04:39:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4190, 'S9nyX5GjwDogpcbk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:40:12', '2020-02-29 04:40:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4191, 'w9ivWW3ysYkjmmD5', 'Un Rayo de Luz', NULL, 'La salud mental es un tema que se está luchando por generar conciencia. Es tratado como tabú por la falta de conocimiento, apoyo y estigmas sociales. Muchos de los que hemos sufrido algún tipo de trastorno mental nos sentimos con vergüenza, que no seríamos aceptados si lo contamos, nos sentimos menos y nos da miedo. Hay mucha falta de aceptación, empatía y prejuicios en la sociedad. Mi propuesta es una exposición completa de 20 elementos aprox que lo dividiría en 2 partes. La primera crear impacto de cómo se viven y manifiestan ciertos trastornos mentales. Se presenta el tema de la vergüenza, la impotencia, prejuicios, frustración, máscaras que uno se pone y la fragilidad de la temática per se.  Luego pasar a la parte de la esperanza en donde se pueda sensibilizar al espectador conectando con su empatía y para las personas que sufren es un rayo de luz y esperanza. Quiero presentar los elementos que aportan a salir adelante como técnicas de mindfulness, cómo la salud mental puede generar arte, la paciencia que hay que tener hasta encontrar finalmente el tratamiento adecuado, la llave que sí encaja y el mensaje final de esperanza el cual es mi inspiración. Es un mensaje que supera las barreras geográficas y que va en aumento por la falta de conexión que hoy vivimos y esto nos une con nuestra parte más humana. Es una batalla que no la luchamos solos y que es una gran responsabilidad que tenemos como ciudadanos del mundo. Es una mirada crítica pero a la vez presentando la luz.', NULL, NULL, '2 salas grandes. Una pared transitoria. Primera sala un espacio para elemento de 2mx80cm, de 1mx1.90m y de 120x120cm, 3 tótem 110x80x80cm 2 tótem de 180x40x40cm. Espacio elemento radio 70cm. 4 murales medianos ancho 3m. Segunda sala 2 murales medianos, 2 tótem de 180x40x40cm, 1 tótem de 110x80x80cm, tótem circular de radio 70x180cm y una pared grande principal (7-8m) disponibilidad para que del techo caiga una tela guiada por alambres. Todo se puede adaptar a la disponibilidad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2342, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2030, NULL, '2020-02-29 04:40:19', '2020-06-23 20:18:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4192, '0DhzNncCVlT3ZPy1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:41:38', '2020-02-29 04:41:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4193, '5dnnisAd5nwCBYzi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:42:46', '2020-02-29 04:42:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4194, 'SWsP3o7OmcVjR5Sd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:43:49', '2020-02-29 04:43:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4195, 's1zJkhkvvNTPQ8WH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 04:49:06', '2020-02-29 04:49:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4196, '6cs5ELd3B8gnQFuI', 'A Tradução da Saudade (sentidos contrabandeados I) // A Possible Translation of “Saudade” (smuggled meanings I)', NULL, 'Peça audiovisual apresentada em dois monitores de 24” afixados à parede (cerca de 150cm acima do chão) e acompanhados, cada um deles, por um par de fones de ouvido.\nAbaixo de cada monitor (1 e 2, respectivamente) se encontrará uma pequena placa com as seguintes informações:\n1) “‘I speak without hearing myself’ (said in broken portuguese: ‘Eu falo sem me escutar’)”.\n2) “‘Eu falo mas não consigo me ouvir’ (pronunciado em inglês adaptado: ‘I talk but I can\'t hear myself’)”.\nCada um dos monitores exibirá (por meio de vídeo em loop) uma frase sendo processada pela ferramenta Google Tradutor. \nNo monitor 1 palavras no idioma inglês construirão a sonoridade de uma frase em português. \nNo monitor 2 palavras no idioma português construirão a sonoridade de uma frase em inglês.\nA obra problematizará assim conceitos como os de alienação, livre circulação de ideias, insuficiências expressivas, invisibilidade social e abertura ao dissenso por meio da plasticidade inerente à dinâmica linguística.', NULL, NULL, 'Será necessário um espaço de no mínimo 2m² adequadamente coberto e iluminado (tal como o ambiente de uma galeria ou instituição cultural) para abrigar os dois monitores (com fones de ouvido) e suas respectivas placas informativas, de modo que os visitantes consigam ouvir e visualizar o vídeo neles reproduzido.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/395013735', 'translation2020', NULL, NULL, 'Display da obra - imagem ilustrativa', NULL, NULL, NULL, 940, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 794, NULL, '2020-02-29 04:54:11', '2020-07-10 22:48:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4197, 'W6wgJMfVlUvgjvKD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 05:04:15', '2020-02-29 05:04:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4198, 'c5agleFtbDNTMndy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 05:06:34', '2020-02-29 05:06:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4199, '0C8Kq6RXv0nMVdPU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 05:09:27', '2020-02-29 05:09:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4204, 'bqqn2pASwkYTgCnE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 05:27:32', '2020-02-29 05:27:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4205, 'LwJIr4upRkC94zYD', 'Show Café 25 - 25 Anos de Influência da Música Brasileira', NULL, 'Show Café 25 - 25 Anos Sob Influência da Música Brasileira\n\n\nFernandes apresenta o Show Café 25, composto por 20 canções, sendo 12 delas autorais presentes nos trabalhos Modernas (2009), Sobre Outras Coisas (2012), Paralelo (2014) e Café 25 (2019). Além de oito canções que são de artistas que influenciaram toda a música brasileira, incluindo o estado do Paraná, e da própria carreira do artista em seus 25 anos de atuação na música, portanto o show leva ao público a importância da Música Popular Brasileira para a cultura do país.\nO artista interpreta um trabalho desenvolvido sob influência da música brasileira, de uma gama que vai desde artistas consagrados como Gilberto Gil, Tim Maia, Zeca Baleiro, Wally Salomão e Jards Macalé. Fernandes também teve como influência a música produzida no Brasil nas décadas de 1980 e 1990, incluindo o rock nacional.\nO Show conta com canções fortes de composições próprias bem harmonizadas e letras com conteúdo sob vários aspectos humanos, suas relações afetivas e sociais, sobre justiça e sociedade.\nO show é apresentado com interpretações de canções do próprio artista, além de músicas de Gilberto Gil (3), Zeca Baleiro (2), Jards Macalé e Wally Salomão (1). O show é apresentado com o formato voz e violão, onde mostra todo o potencial de um casamento perfeito entre o instrumento e a voz.\nO nome Café 25 é em alusão às casas de shows e bares chamados de cafés e 25 pelos 25 anos de estrada do artista nascido em Nova Santa Bárbara - PR.', NULL, NULL, 'Show formatado para  palcos de preferência com dimensões no mínimo 6 metros de frente por 4 metros de fundo, pode ser em praça pública, casas de shows, escolas, feiras ou outros.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=U47_cHRJf1M', NULL, 'https://drive.google.com/drive/folders/1wtYmmKOF4eLyPOfuUZZ8sef1UIrbwRxD', NULL, NULL, NULL, NULL, NULL, 268, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 217, NULL, '2020-02-29 05:41:56', '2020-06-23 02:32:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4213, 'lvUtHaDzLVvJ6YJ7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 06:47:40', '2020-02-29 06:47:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4214, '3vyBehz33SI2dYq1', 'SOÑÉ', NULL, 'SOÑÉ es una instalación sonora que busca explorar en el inconsciente colectivo bajo el contexto de la sociedad actual. \n\nEl año 2015 Mª Luisa Portuondo decide registrar sus sueños en archivos de audio. Luego de tres años y habiendo recolectado más de quinientos episodios oníricos, la artista decide extender el proceso invitando a todas las personas con las que había soñado durante esos años a enviarle un audio con un sueño memorable de sus vidas. Con todo ese material y en colaboración con el compositor Christopher Manhey deciden agrupar los sueños recibidos por temáticas, creando narrativas colectivas construidas a partir de los sueños afines en simbología. Es así como forman una data de sueños relativos a una serie de temáticas comunes al inconsciente colectivo. \n\nLa obra, que espera será exhibida en Museo MAC (Chile) el  2021, abrirá la dinámica de participación a la audiencia una vez sea estrenada, invitándolos a dejar grabado un sueño memorable de sus vidas el cual será integrado a  la data de la obra con el fin de ir rescatando el valor patrimonial de la construcción onírica. \nLa instalación visual busca estar al servicio del contenido conceptual. Asi, se ha creado una propuesta ligera en simbología que esta enfocada en crear una atmosfera que invite a la audiencia a entregarse a la dinámica presentada, involucrándose física y emocionalmente con la propuesta. Esto a la vez motiva al espectador a ser parte de la obra dejando registrado su sueño.', NULL, NULL, 'Instalacion de espacio interior o exterior cuyo único requerimiento es altura. \nAspectos formales: la instalación esta hecha de 10 “carpas” de gasa de 1,80 mts diámetro y alturas oscilantes que varían entre 3 y 6 metros. En el interior de las “carpas” se disponen camas donde escuchar las capsulas de distintas temáticas de sueños que son reproducidos por un mp3 conectado a audífonos.\nÁrea total abarcada puede ser de 16 mt2 (espacio pequeño) o 36m2 si el espacio ofrecido para exponer es grande.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://soundcloud.com/chrismanhey/sone-demo/s-ef5XD', NULL, NULL, NULL, NULL, NULL, 4526, NULL, 603, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3801, NULL, '2020-02-29 06:50:27', '2020-07-30 23:12:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4244, 'M2OS2ngcvA1fWRU5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 09:16:35', '2020-02-29 09:16:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4246, 'dZ5psAhzmnEOiICt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 09:19:38', '2020-02-29 09:19:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4247, 'Xpk2xnLq4WcQdPxR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 09:24:13', '2020-02-29 09:24:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4248, 'hEZG2Nb6yCODMPwD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 09:32:04', '2020-02-29 09:32:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4249, '6PPmaS2bm8xSCcaJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 09:35:25', '2020-02-29 09:35:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4250, 'm5t26r1Rjqxsg3XH', 'Lume vaga', NULL, 'Lume vaga\nLume solitário que vaga indo e vindo revelando de maneira aleatória um corpo em movimento improvisado. A luz proposta é intermitente e cadenciada pelos relâmpagos. Uma luz não dominante possibilita entrever os aspectos mais sutis, favorecendo a adversidade. Só uma luz que ilumina e “desilumina” de maneira casual, revela os movimentos de maneira igualmente ocasional. Momento imprevisível para o performer que não sabe quando a luz acenderá e sempre será pego de surpresa; o que deixa entrever o gesto despreparado mais autêntico.\nUma intermitência em relação à fantasia e a realidade; abrindo e fechando a passagem entre o mundo real e o mundo das imagens por vezes criadas na mente do público nos momentos de escuridão. Lampejos imagéticos, luz fugaz e reveladora; uma metáfora da vida em si. \nComo ser uma imagem-intermitente num mundo de imagens totalizantes? Trata-se realmente de uma questão de luz.\nLivremente inspirado em A sobrevivência dos Vaga-lumes de George Didi-Huberman.', NULL, NULL, 'Trata-se de um vídeo de uma performance a ser visualizado em um local escuro e silencioso. Busca-se, com isso, uma imersão necessária nos momentos de ausência de luminosidade na tela e expansão da percepção dos sons da natureza noturna: ambiente propício para o aparecimento dos vaga-lumes.\nDuração: 3mins52segs\nSala escura de aproximadamente de 4x4m, com porta única com cortina preta Obs: não utilizar projetor de vídeo.\nClassificação etária: 18 anos.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/406195185', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2308, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1999, NULL, '2020-02-29 09:42:54', '2020-07-07 21:49:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4251, 'vOohWDLSYsWzEOgz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 09:44:45', '2020-02-29 09:44:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4253, '4JzMKTZMSzs23mug', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 10:05:48', '2020-02-29 10:05:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4254, 'bhX9EpOHh1s6ytQh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 10:06:43', '2020-02-29 10:06:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4255, 'HkxuW42Ump4i3zN6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 10:10:13', '2020-02-29 10:10:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4256, 'Sa1fPlzEv2SLF2F5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 10:18:13', '2020-02-29 10:18:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4257, 'c0i397dFIguSJRfM', 'PAISAJE COMO METODO: CONEXIONES INEVITABLES ENTRE FRONTERAS IMPOSIBLES', NULL, 'Paisaje desde el Sur Global no es geografía si no método, tal como plantearon Okwui Enwezor o Boaventura de Sousa. La propuesta combina exposición itinerante con programación en espacio público entrelazando procesos transculturales, interdisciplinares y multisensoriales de diferentes generaciones que provienen, pertenecen o habitan Colombia y Catar, respondiendo a paradigmas comunes.\n\nDesde una lectura del paisaje contemporáneo, las obras construyen espacios de encuentro para repensar ¿qué es periferia? ¿qué es límite? ¿qué es centro? partiendo de territorios glocales. El diálogo nace de inquietudes por aproximarse a estos dos lugares, alejados por sistemas cartográficos óptico-geométricos derivados de procesos coloniales. Por tal motivo, esta relación sin intermediarios es no sólo necesaria sino urgente y solo posible a través de obras que transforman experiencias formales en conocimiento sensible, desde ejercicios nomádicos. \n\nLa exposición permite aprehender el territorio con los ojos cerrados, explorar recursos endémicos traducidos a procesos escultóricos, elementos domésticos que sugieren abstracciones radicales, y el rol del vacío en el paisaje entreteje realidades alejadas. La programación en espacio público resalta la agencia de la música y el performance en la creación  de memorias e identidades colectivas que articulan esas conexiones inevitables entre fronteras imposibles.', 'Enlace con los detalles de cada obra e información adicional de nacionalidades\nhttps://dsuarezmira.blogspot.com/2020/06/lista-de-artistas-paisaje-como-metodo.html\n\nEXPOSICIÓN ITINERANTE \n\nSIU VÁSQUEZ \nBucaramanga (COL)\n\nSOPHIA AL MARIA \nDoha-Londres (QAT)\n**\n\nLUIS CARLOS TOVAR \nBogotá (COL)\n\nMAHMOUD OBAIDI\nBagdhad-Vancouver-Doha (QAT)\n**\n\nOSWALDO MACIÁ \nCartagena-Londres (COL)\n\nAISHA ALSOWADI\nDoha (QAT)\n**\n\nMÓNICA NARANJO \nMedellín-Bogotá (COL)\n\nAMEENA AL YOUSEF \nDoha (QAT)\n**\n\nLUIS CALLEJAS \nMedellín-Oslo (COL)\n\nMAYSSA ALAMUMIN \nKuwait-Doha (QAT)\n**\n\nRODRIGO CALLEJAS \nMedellín (COL)\n\nYOUSEF AHMAD\nDoha (QAT)\n**\n\nPROGRAMACIÓN EN ESPACIO PÚBLICO\n\nFESTIVAL INVAZIÓN \nMedellín (COL)\n\nGCC COLLECTIVE\nDoha (QAT)\n**\n\nMARTHA HINCAPIÉ CHARRY\nBucaramanga-Berlín (COL)\n\nHANA AL SAADI\nDoha (QAT)', NULL, 'Tipología: Exposición itinerante en Museo Nacional de Catar y Museo de Antioquia. Programación en espacio público Plaza del Fire Station Artists Residence (Qat) y Centro Cultural Moravia (Col). \n\nCaracterísticas: Sistema de división con control de temperatura para ajustar obras olfativas y audiovisuales. Techo de 4 m de alto. Iluminación graduable con CRI sobre 85. Para espacio público equipos de sonido, mezcladores, dos proyectores 9600 lúmenes.\n\nDimensiones: Sala 600-800 m2 y plaza pública.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/user4911056', NULL, 'https://soundcloud.com/oswaldomacia/fables-of-the-wind-swarm-welcome', NULL, NULL, NULL, NULL, NULL, 4738, NULL, 648, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Hay más obras que necesitan especifaciones técnicas pero el espacio que proveen en la aplicación es demasiado corto', 'si', 'Oswaldo Maciá\nSistema de sonido 22.1 Genelec repartido en cuatro alturas de piso a techo.\nTarjeta de sonido MOTU. Computador MAC con programa Reaper Media.', NULL, NULL, NULL, NULL, 'Performance necesita sistema de sonido con consola, iluminación (black box, white box u open air), micrófono de mano inalámbrico. La obra interactúa con el público, por lo cual requiere un espacio cerrado.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3994, 5, '2020-02-29 10:21:22', '2020-09-03 07:18:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4258, 'npg6j0OWIji1Quie', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 10:24:55', '2020-02-29 10:24:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
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(4275, 'x9XFy5Ppo0rLNGSj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 12:45:13', '2020-02-29 12:45:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4276, 'gqy5VWNniAZ7HMee', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 12:45:57', '2020-02-29 12:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4277, 'v8YDshKz409vBNxU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 13:04:02', '2020-02-29 13:04:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4278, '6qDQsN5LkJPcrnMG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 14:37:21', '2020-02-29 14:37:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4279, 'Rlfda1SN7kAWllaQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 14:48:14', '2020-02-29 14:48:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4280, 'aYIQCxl7keuMUZFD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 15:37:57', '2020-02-29 15:37:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4281, 'RH9OjZXaBS5rg4kP', 'Hiccup', NULL, 'The settlement of the body in the consumeristic society reduces the sharing of the physically. Inside the social network we find the same apartheid. The perverse game of the media between text and image drives out us of tune physically. It’s so hard to escape from a less organic world, always more artificially anthropocentric and racist?\nThe future settlement between man and artificial memory won\'t be corrupt from a new economic racist map? \nMy works grasp signs that this abandonment is still communicating us. The identity of the subject in the hub of the human relationships is discovered and portrait in the instant of the comparison. The place of the comparison and its image reflected are made to emerge among faces, bodies, couples, skulls and objects. The human being deprived of trendy items, could returns to speak a language of everybody, the originally binocular vision. \nI have laid a trap there, digging under the skin, where shame doesn’t exist. It is there that people have confined their forgotten bodies, as in an old junkyard. Often through the looking glass of the selfie-mania we are distorted, but we must recognize ourselves. This truth is already written in our bones, but we are determined to deny it every day, like in a dead-end. \nInto my images the physical component bursts out, while the engraved sign becomes its nested content, inside a slow cry. An interior way of escape, where we lost confidence at the hands of ability to speak.', NULL, NULL, 'The proposed works are a series of art prints on 100% cotton paper size cm.100x70.\nTechnique: Etching and ink-jet (chalcographic and digital printing)\nThe arrangement of the paper may be with or without frame at your discretion.\nThe works express themselves best set up as diptychs or triptychs horizontal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2232, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1939, NULL, '2020-02-29 15:47:01', '2020-06-23 19:28:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4282, '0LFNhVQBkK7qEyGl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 15:57:56', '2020-02-29 15:57:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4283, 'mE1wZxfV6V6boILn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 17:14:12', '2020-02-29 17:14:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4284, 'Yytq2aBcTy5n6QuL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 17:20:01', '2020-02-29 17:20:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4285, 'Eh5KOtdLIn9bh4I6', 'El Violinista Mosca Muerta', NULL, 'En su primer concierto de violín, el Señor Cocó preparó una sencilla y conocida música para el público, con mucho capricho, metodismo y organización. Sin embargo, una mosca aparece en el escenario para perturbar la ejecución de su número musical, y para empeorar la situación, la propia característica excéntrica del músico contribuye al fracasso. Se inicia entonces una batalla con el inoportuno insecto y la personalidad del Señor Cocó. A pesar del payaso no renunciar y siguir hasta el último compás, la última nota, el último zumbido. El espectáculo \"El violinista Mosca Morta\" se estrenó en abril de 2019, dentro de la programación del \"9º Festival de Teatro de Ubá\", en Minas Gerais, y recibió nominación al premio al mejor actor y mejor de dirección de espectáculo infantil. Participó en la programación del \"7º Festival Cultural\" en el Gama-DF, el 11 de junio de 2019. Y realizó una breve temporada en junio del mismo año en el Teatro Brasília Shopping en Brasília-DF. En el mismo mes participó en el \"7º Festival Cultural\" en Gama-DF y en Recital de violín en la Escuela de Música de Brasilia. En agosto participa en el \"Festival de Arte e Cultura ConectaIF\". En octubre forma parte del programa del mes del niño en el \"Espaço Cultural Renato Russo\" en Brasilia-DF. En enero de 2020 formó parte de la celebración de los 35 años del \"Teatro Íracles Brocos Pires\", en Cajazeiras-PB. Compitió por el Premio al Mejor Show Infantil en el \"Prêmio Web de Teatro do DF\".', NULL, NULL, 'Tipología: Teatro\nCaracterísticas: Escenario tipo proscenio (el espectáculo es mejor apreciado en teatros de pequeño porte)\nDimensiones: 4m x 4m x 3m (área mínima de palco)', NULL, 'artist', NULL, NULL, 'https://youtu.be/XreWyGXUxr0', NULL, NULL, NULL, 'https://drive.google.com/open?id=1Owujo9Kn3PmTCvdJpGQ_L5VgIicM2Lr5', NULL, NULL, NULL, 269, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 218, NULL, '2020-02-29 18:00:43', '2020-06-23 02:39:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4286, '6oKXLhf5ungAtG56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 18:02:09', '2020-02-29 18:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4287, 'BMoA0pXEk3hNEmXj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 18:04:16', '2020-02-29 18:04:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4288, 'v0sKC12lALsyb84K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 18:13:12', '2020-02-29 18:13:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4289, 'e08qx8R4TR6fUJEz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 18:19:27', '2020-02-29 18:19:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4290, '8S7HwLe5tBsrRevP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 18:57:53', '2020-02-29 18:57:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4291, 'XQapqTJn1Uplfnbl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 18:58:22', '2020-02-29 18:58:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4292, 'xnYBKGNZYBTwnsop', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:11:39', '2020-02-29 19:11:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4293, 'jQ4Z7ERpceWPgyna', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:12:03', '2020-02-29 19:12:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4294, 'ppVsqpsOeZBIh67v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:29:14', '2020-02-29 19:29:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4295, 'R2iz0DNtwbS1bN1T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:34:32', '2020-02-29 19:34:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4296, 'bNOTMDlPBbrvWUFi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:35:27', '2020-02-29 19:35:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4297, 'SJOedqsJlUkJLqGQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:44:14', '2020-02-29 19:44:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4298, 'AY82ZbSK5xWgfbGE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:52:10', '2020-02-29 19:52:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4299, 'YGepbZ5pWAspzcY1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 19:59:01', '2020-02-29 19:59:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4300, 'I38UpHjshuI7pSy9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 20:06:29', '2020-02-29 20:06:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4301, 'znVvMU148JoN1l1q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 20:10:15', '2020-02-29 20:10:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4302, '8vD0SMwnjvXtfvSi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 20:11:00', '2020-02-29 20:11:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4303, 'LwMqrBYCabYX7gAs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 20:13:34', '2020-02-29 20:13:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4304, '1PIiM5VkTM41ccyH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 20:24:52', '2020-02-29 20:24:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4305, 'MoQuEfUFve4t2h5o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 20:44:46', '2020-02-29 20:44:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4306, 'bI4Z3NflEG7aT1gr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 20:47:26', '2020-02-29 20:47:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4307, 'rwfpAcfIiAbhMDIP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:05:59', '2020-02-29 21:05:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4308, 'KZ1l1wKa5Xv4jINf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:13:59', '2020-02-29 21:13:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4309, 'QQZ1GtaMitrskZYi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:20:15', '2020-02-29 21:20:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4310, '44ii7bAA8untV0sh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:20:26', '2020-02-29 21:20:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4311, 's9LAqTNSKELWflzf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:26:53', '2020-02-29 21:26:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4312, 'xwWHPab7VMiU3i4O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:27:57', '2020-02-29 21:27:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4313, 'rtyEiNoDrbk0SzvN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:38:22', '2020-02-29 21:38:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4314, 'mzNhyggV5XSb0GZn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:43:44', '2020-02-29 21:43:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4315, '6mDybtcS6D3y72Aj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:52:42', '2020-02-29 21:52:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4316, 'WZ2uYol914zZvmWH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:54:30', '2020-02-29 21:54:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4317, '2zlnXj7MSueo1LSQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 21:55:55', '2020-02-29 21:55:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4318, 'ZSNHmh21xgPOzTxA', 'A Face Oculta Da Lua', NULL, 'A FACE OCULTA DA LUA parte de indagações: qual a estética de um mundo pós-catástrofe? Quais imagens do tempo presente serão os ícones de um futuro distante? Se retomássemos a comunicação rupestre, quais seriam os registros nas paredes de nossas cavernas? A mostra tem como força motriz a reflexão acerca da performance como uma linguagem autossuficiente e una, capaz de estruturar uma exposição, voltada apenas à ação, seus resíduos e registros, e que não esteja apenas arraigada a festivais ou mostras de curta duração. Este é um desafio e problemática encarados pelas curadorias, instituições e pesquisadores de arte, desde os períodos de maior difusão da performance, iniciados principalmente nos anos 1970, e que se mantém pulsantes, décadas depois, por conta da grande produção de artistas performáticos e sua aproximação à questões que envolvem o contemporâneo, como as novas narrativas e os corpos executores de ações performáticas corpos negrxs, indígenas, trans, travestygenere, não-binários', 'A Face Oculta da Lua entende a criação ligada ao corpo como processo fundador de diálogos entre espaço expositivo, artista e público, já que, enquanto idealizadores da mostra, a curadoria encara a presença do observador também como corpo fundador da imagem e da exposição em sua totalidade. A performance em A Face Oculta da Lua é pensada como ritual e suas executoras, sacerdotisas do rito de iniciação de um novo mundo de imagens, assim como a ideia de novas realidades terrestres ou interplanetárias, iminências apocalípticas e póshumanas são descritas na literatura de Octavia Butler e Doris Lessing, ou mesmo no cinema de Ridley Scott, Lars Von Trier e Ana Lily Animpour, referenciais de pesquisa para a concepção desta mostra e articulado com as artistas: Paola Ribeiro, Ju Bernardo, Ana Giselle e Carolina Velasquez.', NULL, 'O período da abertura é de comunhão, o decorrer da mostra, de contemplação e absorção. Como em terreiros e templos, as sacerdotisas são condutoras do ritual, afetam com suas ações a fé do participante, suas convicções e pecados. O fluxo ritualístico é rítmico, passa pelo corpo, que pode dançar, ir às lágrimas, ajoelhar, perceber com o fechar dos olhos a presença divina.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'Artistas: Paola Ribeiro, Ju Bernardo, Ana Giselle e Carolina Velasquez', NULL, NULL, NULL, 2613, NULL, 313, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2266, NULL, '2020-02-29 22:05:06', '2020-07-21 14:24:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4319, 'bWV1UG03Fka52KdF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:08:36', '2020-02-29 22:08:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4320, 'ACblCKKRs5fZIuHV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:14:09', '2020-02-29 22:14:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4321, 'ADgIE7rFgCQqlKNi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:28:30', '2020-02-29 22:28:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4322, 'ievile5WZnYQJBpI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:31:40', '2020-02-29 22:31:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4323, 'GaYBnxuscjuRORCs', 'unu muzika homa faleco', NULL, '\"unu muzika homa faleco\" é a versão internacional de \"uma falácia humana musical\", projeto de performance sonora de música de improvisação livre/intuitiva cujo o tema é a falácia, campo da linguagem em que se evidencia alguns discursos erráticos nas relações sociais, seja por engano do emissor do discurso, seja para enganar o receptor do discurso ou por outro motivo não estabelecido claramente. Para a performance desta inscrição, será feita a gravação, em esperanto, de trechos de discursos politicos e sociais de diversas partes do planeta, discursos estes que ocorram no ano de 2020 e de 2021 (até duas semanas antes da performance se realizar)assim como também gravação, em esperanto, de trechos da atual \"Declaração universal dos direitos humanos\". Enquanto a gravação é disparada, André realiza a sessão de música de improvisação livre/intuitiva com instrumentos e objetos sonoros e vocalizações, com e sem efeitos.\nNo cenário haverá , além dos instrumentos, microfone, cabos e performer, cinco tecidos de algodão (de 2 metros por 40 centimetros) pintados com tinta acrílica de figuras humanas deformadas\n\nDuração da performance: aproximadamente 30 minutos', NULL, NULL, 'Qualquer espaço que seja possível ter música eletricamente amplificada e que tenha estrutura para amplificação sonora como mesa de som (com disponibilidade de do mínimo três canais) e amplificadores. Sugiro teatro ou hall de espaços internos em que seja possível manter apenas uma luz focal na performance', NULL, 'artist', NULL, NULL, 'https://youtu.be/3izvJTSM0JQ', NULL, 'www.soundcloud.com/umafalaciahumanamusical', NULL, 'https://www.instagram.com/p/B3SPWEkHOF-/?igshid=t73jcykaxx51', NULL, NULL, NULL, 270, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 219, NULL, '2020-02-29 22:34:21', '2020-06-24 15:46:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4324, 'UyTzdmxmnsUilBKr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:39:00', '2020-02-29 22:39:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4325, 'jgg5d7uiv0pX9hVD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:49:03', '2020-02-29 22:49:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4326, 'UmWh11oDGVcJ7K6k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:50:49', '2020-02-29 22:50:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4327, 'CepQtzS5MNGfyXPc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:51:36', '2020-02-29 22:51:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4328, 'OQEZDUOF7IqIAEUG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:53:09', '2020-02-29 22:53:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4329, '3YsFZQdMjR2D71Jk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:53:19', '2020-02-29 22:53:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4330, 'xJpRnd4EFlfWcBkD', 'LAS 4 ESPOSAS', NULL, 'El TEP (Experimental Research Theater), Santos/SP, en funcionamiento desde 1969, tiene su origen en el movimiento de teatro estudiantil en Santos, en los años 70, creando su identidad basada en los acuerdos con el Teatro Dialéctico y el Teatro Autor la producción artística de la época, tanto desde el punto de vista estético, como a la búsqueda de nuevos lenguajes expresivos que en sus extensiones reflejen la postura comprometida del grupo.\nEl desarrollo del espectáculo \"LAS 4 ESPOSAS\" comenzó en mayo de 2017 con la primera investigación y ensayos para su montaje, que culminó en un módulo de muestreo de 15 minutos, participando en ensayos abiertos y el 21 ° FESCETE (Festival de Escenas de Teatro, Santos) en el que tuvo nominaciones y destacados en varias categorías.\nTrabajo desarrollado en adaptación libre de una historia milenaria de origen oriental, donde un viejo rico observa su vida desde la perspectiva de sus cuatro matrimonios, cada uno de los cuales representa un valor específico para las etapas de la vida que pasan bajo revisión: O Corpo, As Posesiones, amor y el ser absoluto. Sobre la base de esta reflexión, se nutre la moraleja de la historia, un elemento persistente en el universo legendario abordado, con el objetivo de reconocer los valores éticos esenciales para la vida en sociedad.\nBasado en la investigación y experimentación en formas tradicionales de teatro oriental (Nô, Kabuki (y sus derivaciones) y Bunraku).', NULL, NULL, 'Como el trabajo requiere solo un actor y el escenario es fácil de mover, el espectáculo teatral se puede adaptar a cualquier espacio, ya sea un espacio abierto, auditorio, teatro, anfiteatro, etc.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 271, NULL, 42, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 220, NULL, '2020-02-29 22:55:34', '2020-06-23 02:40:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4331, 'QI9H5J45aHaqP0hL', 'Queen!', NULL, 'The project consists of the works Metamorphosis, De-Drag and Queen! They  are presented through film and \n sound installation. All the work thematize identity within homosexuality and drag queens.\n\n￼The film Metamorphosis \nIn biology, metamorphosis is described as a pervasive inner and outer physical transformation. The term can be transmissible to the transformation a drag queen undergoes when changing clothes.\n\nThe film is a staging of two male drag queens` transformation from male to female.  It´s recorded in Chicago due to the high level among the drag queens there.\n￼\nThe film music is Richard Strauss` Metamorphosen performed by The Norwegian Chamber Orchestra. Within European art music, metamorphosis exists as a composition technique. The film thus parallels an auditory and a visual metamorphosis\n\nThe installation De-drag\nThis work describes undressing women\'s clothes. It consists of plaster sculptures of the artists in the film Metamorphosis. It´s presented on pedestals made of mirror balls. The sculptures are made using 3D technology. The whole room is lit as in a club; dark with disco lights. \n\nThe music is solely based on sounds made by the two drag queens from Metamorphosis in the makeup room when they de-drag (going out of drag costume). \n\nThe film Queen! \nThe material is filmed outside the nightclub Smartbar in Chicago during a weekly drag event called \"Queen!\" The club guests pose benevolently in front of the camera wearing fantastic outfits.', NULL, NULL, 'The two films can both be shown in loop, or as two projections in different rooms.\n\nThe sound installation should have an own room.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/286691859', 'inspirasjon', 'https://vimeo.com/366625616', 'dedrag', 'https://vimeo.com/286342433', 'metamorfose', NULL, NULL, 316, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 256, NULL, '2020-02-29 22:58:04', '2020-06-23 02:59:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4332, 'cgDuRkxmiRrPCNAN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 22:59:53', '2020-02-29 22:59:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4333, 'BZ5s2loZie913KBn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:01:54', '2020-02-29 23:01:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4334, '8FuJqjnfTtHJCPtI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:04:16', '2020-02-29 23:04:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4335, 'ktFh6qJKtSgSV3Hx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:09:13', '2020-02-29 23:09:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4336, 'IjE1pzZxVDqkZMle', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:09:22', '2020-02-29 23:09:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4337, 'OW4dugEf47j54VZO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:12:00', '2020-02-29 23:12:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4338, '3GTLDHayfFMYCYQV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:12:42', '2020-02-29 23:12:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4339, 'VBetPv6VwgapoOF2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:17:18', '2020-02-29 23:17:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4340, 'ERP9h0pF0a67r3Vx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:18:19', '2020-02-29 23:18:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4341, 'p3MvzMWEjWuG7AUs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:26:10', '2020-02-29 23:26:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4342, 'QfDIBd1jBePypFeg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:32:51', '2020-02-29 23:32:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4343, 'E6u5Tlvcoz5IPZLf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:33:21', '2020-02-29 23:33:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4344, 'sIGTHxMkThptKbkU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:47:07', '2020-02-29 23:47:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4345, 'unQtGXUFu1amkSBm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:47:08', '2020-02-29 23:47:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4346, 'GvRhq4vjOgUS20wR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:48:03', '2020-02-29 23:48:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4347, 'oIRZ1B90RmDq7kOz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:48:10', '2020-02-29 23:48:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4348, 'MvLyycyYmlM24FH1', 'Un animal sin importancia', NULL, 'Un Animal sin Importancia, se enmarca en mi investigación artística reciente. Consiste en una exploración sobre “lo prehistórico”, que es abordada desde distintos medios y materialidades. Las estrategias de trabajo utilizadas para indagar en dicha noción, devienen principalmente del trabajo con archivos audiovisuales, y el tránsito de estos; entre lo digital y lo análogo.\n\nEl presente video propone una situación (y sensación) prehistórica, tanto en su dimensión medial como iconográfica. Numerosas secuencias de video son impresas, intervenidas y vueltas a digitalizar, construyendo un relato que propone un encuentro particular entre la naturaleza, lo humano, y el paisaje.', NULL, NULL, 'Indistintamente, el video puede ser proyectado o reproducido en pantalla. Debe presentarse íntegramente de comienzo a fin, incluyendo su audio. La dimensión (tamaño) de reproducción la dejo a criterio del equipo museográfico.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/387734783', 'animal', NULL, NULL, NULL, NULL, NULL, NULL, 339, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 279, NULL, '2020-02-29 23:48:26', '2020-06-23 15:34:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4349, 'YhfCVgoraJ1PVVM5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:49:11', '2020-02-29 23:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4350, 'O095HdEhzYkGycXA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:49:12', '2020-02-29 23:49:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4351, 'ObXqnBIApZ2U8OYZ', 'Taller-performance: Hey bitches! Para ser una perra: Antropofagia, de(culo)nización, y tránsito entre ser mujer y ser perra.', NULL, 'Taller-performance que aborda la activación de la antropofagia de(culo)nial en el cuerpo. Este trabajo implica la experiencia de crear un cuerpo adecuado para devorar, seguido de la exploración de antropofagia del otro. En el taller, exploraremos la posibilidad de abrir y conectar agujeros en el cuerpo, especialmente aquellos restringidos por la heteronormatividad dominante ( y vagina), experimentando la llegada de un ser \"transespecífico\" entre la mujer y la perra, proponiendo reposicionar el término \"bitch\" (perra).\nEl taller es el resultado de una investigación guiada por la práctica realizada en mis estudios de doctorado en danza en la Universidad de Roehampton, Londres, Reino Unido. El trabajo se titula \"BITCH - The Solo-Cannibal Practice: An Anthropophagic Study to Solo Dance Making\". Por lo tanto, en el taller, los participantes experimentarán coreografías desarrolladas para el solo BITCH.\nPara componer este solo, hice un viaje a través del concepto de antropofagia, investigando sus raíces indígenas y los preceptos acuñados por Oswald de Andrade en su Manifiesto paradigmático. Me sumergí en movimientos y artistas antropofágicos y en actualizaciones recientes y otras derivaciones del concepto, especialmente las obras de visiones ofrecidas por Jota Mombaça, Lygia Clark, Sérgio Vaz, André Vallias, Sueli Rolnik y Eduardo Viveiros de Castro.', NULL, NULL, 'Público objetivo: artistas intérpretes, bailarines, actores, feministas.\nDuración: formato corto 2 horas (sin rendimiento final). Formato largo 8 horas con intervalo (con rendimiento final).\nNecesidades: amplio espacio (estudio de baile o similar), sonido, luz de escenario (opcional). El número de participantes depende del tamaño del espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 617, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 520, NULL, '2020-02-29 23:50:17', '2020-06-23 15:42:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4352, '2Qa0dCXkiRyrtquc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:53:05', '2020-02-29 23:53:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4353, 'eKLwBvT9F7Qy69Mk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:56:09', '2020-02-29 23:56:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4354, 'tslP5ZMnM0zUa8gC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:56:19', '2020-02-29 23:56:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4355, 'bLdcJiHEejsXIq8N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:56:21', '2020-02-29 23:56:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4356, 'GvTyajtZoVqH6THk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:56:36', '2020-02-29 23:56:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4357, 'mMobIkYiqxii5MqX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:57:15', '2020-02-29 23:57:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4358, 'tDyLGg0a7m76fXA5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:57:48', '2020-02-29 23:57:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4359, 'Ul2GUhKmGMRbrBbX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:58:38', '2020-02-29 23:58:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4360, 'JUAY4J8P6s8ZyjxJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:58:52', '2020-02-29 23:58:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4361, 'SrLScXEBAJ2gDOnG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-29 23:59:13', '2020-02-29 23:59:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4362, 'Fsc6u8T0QLIqlNwy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:00:53', '2020-03-01 00:00:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4363, 'tGwhzw60MUwahX07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:01:00', '2020-03-01 00:01:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4364, '3OqPhZlMv9mgKH0P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:01:03', '2020-03-01 00:01:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4365, 'UUpI6yPQFlf5Ytwq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:01:54', '2020-03-01 00:01:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4366, '0NNNwJMsWMUBztsW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:01:55', '2020-03-01 00:01:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4367, 'xMXok98QSWupTlK3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:02:26', '2020-03-01 00:02:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4368, '1VhUo4ao190uMQ0j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:03:34', '2020-03-01 00:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4369, 'BTCuooOVLSFqQRky', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:04:50', '2020-03-01 00:04:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4370, 'MN6DiWFrC4lwhLKu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:05:20', '2020-03-01 00:05:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4371, 'WbSZRAkMqpoAmgUB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:06:54', '2020-03-01 00:06:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4372, 'IH7reSov8jy8QdFY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:07:02', '2020-03-01 00:07:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4373, 'bXnl77LQzpx5EApm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:11:47', '2020-03-01 00:11:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4374, 'jDYkgpWVWGmOkFNb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:25:02', '2020-03-01 00:25:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4375, '05cuya5N4I8xqcwf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:31:15', '2020-03-01 00:31:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4376, 'EkM38qDYS4SpwTX6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:37:41', '2020-03-01 00:37:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4377, 'RzCdBT2M3r9GidpY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:41:38', '2020-03-01 00:41:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4378, 'KrHTy0kreslIwjGj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:46:59', '2020-03-01 00:46:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4379, 'rxjofEduFPtVKZCL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:47:09', '2020-03-01 00:47:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4380, 'T2tajzxlt6perJup', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:48:04', '2020-03-01 00:48:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4381, 'QhydoymABrTyRJer', 'inevitable', NULL, '\"Inevitable\"\nSimbolo de la puerta:\nella simboliza la interogacion entre dos estados, entre dos mundos, entre lo conocido y lo desconocido, invita a pensar al mas alla.\nPodemos abrirla o cerrarla\nUna elección…\nLa palabra \"inevitable\" (en español, ingles,francés,se escribe igual) propone tomar la decisión de elegir el camino; nuestro propio camino…\nBuscar , encontrar…\nEnfrentarse a la puerta es enfrentarse a si mismo…\nTodos lo podemos hacer…\nTodos la podemos abrir o cerrar…\nDepende de cada uno…', NULL, NULL, 'El espacio puede ser interior o exterior. El material puede ser acero inoxidable o curten.\nmedidas:\n altura: 4 metros y el resto en proporcion a la altura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 272, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 221, 5, '2020-03-01 00:49:32', '2020-10-26 05:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4382, 'xgsGPXuPrPdyTmpm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:51:06', '2020-03-01 00:51:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4383, 'vy8eNinKLLylNZma', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:52:17', '2020-03-01 00:52:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4384, 'ElDCkR8dvcRSR1ln', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:53:34', '2020-03-01 00:53:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4385, 'IJl2qbyqSGvGlzBL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 00:54:35', '2020-03-01 00:54:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4386, 'Fa9p4ToFZM4UdK80', 'Huella de Maternidad', NULL, 'El proyecto recoge las memorias y documentos de distintas madres estudiantes dentro su proceso de creación en las artes, visibilizando así el trabajo físico, mental y emocional que ello demanda. Se trata de un Corto documental que relata la construcción del mito de la Maternidad a través del relato colectivo del ciudadano de a pie en una sociedad llena de condicionamientos machistas y patriarcales, desmitificados por Jóvenes madres estudiantes de arte adjunto a una serie fotográfica en blanco y negro que muestra huellas de maternidad desde un primer plano a gran escala, en donde las figuras orgánicas, texturas y relieves dan diferentes sensaciones al espectador que permita reflexionar sobre estos verdaderos registros de vida.\n\nEl proyecto nace desde una experiencia personal en donde los condicionamientos que se reconocieron como patriarcales incidieron desde la adolescencia, después, en la etapa de maternidad se han hecho más notorios, lo cual ha llevado a cuestionar la jerarquización de poderes respecto al género.\nAquí se busca transmitir la sensación de crudeza a través de la imágen y el video para lograr desmitificar la idea de Maternidad como un proceso libre de prejuicio.', NULL, NULL, 'Espacio uniforme de 2.50 cm de alto, 5 m ancho y 8.50 cm de largo en muros blancos. Posición central en pared de 5m para  colocar un televisor donde se transmitirá el audiovisual, fotografías al rededor.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=AAr2xyvhwys&t=68s', NULL, NULL, NULL, 'https://we.tl/t-uAud5yqoMV', NULL, NULL, NULL, 348, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 288, NULL, '2020-03-01 00:59:20', '2020-06-23 02:58:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4393, 'MtKb87iG94ua2Vn6', 'El Arte Perdido de la Educación', NULL, 'Los sistemas educativos continúan obsoletos y anclados en las estructuras originadas durante la revolución industrial. Por esta razón, la intención principal de la serie documental \"el arte perdido de la educación\" es descubrir cómo desarrollar nuestras capacidades y habilidades humanas de manera integral, con el objetivo de crear sociedades más críticas y sostenibles ante los grandes retos y desafíos que la vida nos depara. La promoción de las artes en nuestras escuelas, institutos y universidades dan lugar a un horizonte educativo con profundas implicaciones filosóficas y pedagógicas, provocando que los estudiantes actúen como sujetos activos, críticos y creadores de su propia realidad. De este modo, la educación artística persigue fomentar una consciencia crítica a los estudiantes desde su vinculación con la comunidad. Al experimentar prácticas culturales diversas, y ponerlas en diálogo con los conocimientos académicos, se logra un aprendizaje significativo que integra las paradojas, ambigüedades e incertidumbres de nuestra historia humana. Esta práctica educativa y artística permite superar las falencias epistemológicas de la ciencia moderna occidental, que margina todos aquellos saberes que no pueden ser medibles, calculables, mensurables, constatables ni experimentables, como son nuestras dimensiones afectivas, emotivas, artísticas, creativas y espirituales.', NULL, NULL, '- Computadora y altavoces para reproducir los documentales\n- Proyector que amplifique los video-documentales (pared de 2 x 2.50 metros)\n- sala oscura\n- mural con texto explicativo (80 x 60 cm)\n- banner con el cartel de cine (80 x 60 cm)', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=jPbE_71yloE&feature=emb_logo', NULL, NULL, NULL, 'http://elarteperdidodelaeducacion.com/galeria/', NULL, NULL, NULL, 273, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 222, NULL, '2020-03-01 01:09:08', '2020-06-23 02:40:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4454, 'XXUmqOnY58b8kyv3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 03:24:52', '2020-03-01 03:24:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4455, 'wZVNNPVm6Uayf8pS', 'Terra Prometida', NULL, 'Terra prometida é sobre esse ponto de torção entre a sombra e a fulguração, sobre nossos impasses e insurreições, nossos muros e diásporas, nossos céus e suas quedas. Como pensar as imagens (e a imagem da arte, na arte) que circulam no mundo e nos inundam os dias em uma velocidade vertiginosa.  Que guerras se travam entre imagens? Entre imaginários?  Minhas pinturas surgem a partir de imagens que lhes chegam das janelas midiáticas, das memórias perdidas, dos sonhos suspensos, dos pesadelos à espreita, mescladas com repertórios imagéticos de fontes diversas: das imagens da arte às do cinema, das HQs a storyboards de filmes. A paleta acrílica, explosiva, brilhante, alude aos antigos letreiros e publicidades urbanas, mas também aos cartazes e faixas de agitprop, erguidas pelas multidões insurrectas pelas ruas de um mundo que explode entre gestos de potência e solidão, entre misérias e rebeliões.', NULL, NULL, 'O espaço expositivo necessário é uma sala de paredes brancas, altura mínima 2,5m. Meu desejo é o de que os trabalhos circulem além das fronteiras do meu país. São 3 pinturas de grandes formatos e um conjunto de 21 pinturas.\nTítulo: G20, Técnica: Acrílica s/ tela, Medidas: 38x55cm cada Total: 120x400cm\nTítulo: Batismo, Técnica: Acrílica s/ tela, Medidas: 141x200cm\nTítulo: PEC 215, Técnica: Acrílica s/ tela, Medidas: 225x180cm\nTítulo: Ni Uma Menos, Técnica: Acrílica s/ tela, Medidas: 144x230cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 280, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 229, NULL, '2020-03-01 03:26:41', '2020-06-24 16:33:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4456, '5Wf4dYpy2qVLalTP', 'Obra audiovisual \'iDiot\' (Largometraje documental)', NULL, 'Mar del Plata. 29/02/2020.\n\nHola, mi nombre es Walter Centurión, y acabo de realizar una obra audiovisual, un largometraje documental intitulado \"iDiot\", que trata sobre nuestra sociedad, y especialmente sobre un tema que va a ser, en mi opinión, el tema político más controvertido de los últimos dos siglos: La Democracia.\n\nDicha obra nace de la CENSURA para exponer este tema en el ámbito educativo, más precisamente en la Universidad de Tierra del Fuego, durante el año 2014, en la cátedra de Introducción al Estudio de la Sociedad, Cultura y Ambiente (IESCA).\n\nComo considero que el acceso al conocimiento es un Derecho de todas las personas, y que por tanto no debería quedar aislado en el pequeño ámbito de la Universidad, he realizado este documental que pone en tela de juicio la supuesta \"Democracia\" en que vivimos, desde 1983 en Argentina, según el mito nacional y popular.', NULL, NULL, 'La exposicion podría ser en forma variada, pero es preferible en el ámbito público, ya que el tema en cuestión busca trascender a dicho documental, porque lo importante es comunicar que en realidad nunca hemos vivido en Democracia, pero que podriamos hacerlo si primero lo sabemos. Por ello, la importancia en comunicarlo.\n\n(En el link, explico de manera resumida el motivo por el cual he realizado dicho documental, para la convocatoria de este año para las conferencias de TEDxRioDeLaPlata)', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=vY_K7nO929c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 275, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 224, NULL, '2020-03-01 03:36:51', '2020-06-23 03:00:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4472, '1vHkf6Qda0rQpFIO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 04:08:29', '2020-03-01 04:08:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4474, 'u0cRUc6oHsswaBX2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 04:12:22', '2020-03-01 04:12:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4475, 'qHrueygexoJaj5I5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 04:13:14', '2020-03-01 04:13:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4476, 'ZvwbDlRuZHtFdHFE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 04:14:17', '2020-03-01 04:14:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4477, 'qmlQhmaecnArwDGS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 04:14:49', '2020-03-01 04:14:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4478, 'v0khZEhxhIqEnNmm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 04:25:36', '2020-03-01 04:25:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4479, 'KWvafbHG7oOhuTpQ', 'Ao som do mar e a luz do céu profundo', NULL, 'Ao som do mar e a luz do céu profundo: these words from the Brazilian national hymn were once carriers of happiness and pride. Today, the bright green, yellow and blue of lush tropical nature turned grey and brown, as the Amazon is turning into ashes and as mud devastated the areas of Mariana and Brumadinho after the dam collapse caused by the cold greed of powerful mining companies. The stars in the Brazilian sky are fading as the country’s corrupt politicians adopt their northern neighbor’s value system and trade the country for the sake of immediate interests, negating and annihilating at the same time all that represents the otherness, erasing the roots of a country to the profit of a blind neo-colonial logic. In a moment where populism and far right seem to prevail in Brazil and in the world, Ao som do mar e a luz do céu profundo present artworks from four Brazilian artists that question the very concept of national identity and the traditional narratives that are associated to it, while making an attempt to restore the initial message of freedom and justice that flags are initially meant to convey.', 'Luana Vitra - Brazilian - https://luanavitra.wordpress.com/\nMano Penalva - Brazilian - http://www.manopenalva.com/\nMoises Patricio - Brazilian - https://moisespatricio.weebly.com/\nRandolpho Lamonier - Brazilian - https://randolpholamonier.com/', NULL, 'Massapê Projetos: artist run space and studio located in dowtown São Paulo. The exibition space is at the back side of a groundfloor building that favors interaction with passersby and that includes artists studio at the front. \nExhibition room is 7 x 4 m, white rectangle with very high ceilings.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://1drv.ms/u/s!AlG_XMDtQE-ogpl7k1Kn135nOCJkLQ?e=6IF87c', NULL, NULL, NULL, 4236, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3600, NULL, '2020-03-01 04:40:30', '2020-07-27 20:46:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4489, '82shhvn05dEUDkp9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 05:27:14', '2020-03-01 05:27:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4491, '2uVY2wqIgKgfGaPA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 05:34:53', '2020-03-01 05:34:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4492, 'eCGzaw4C3C2MoTfI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 05:36:25', '2020-03-01 05:36:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4494, 'oXxqtye3BQvwx89F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 06:17:10', '2020-03-01 06:17:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4495, 'aRRgQaBxZVEbnJ6K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 06:27:09', '2020-03-01 06:27:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4496, 'juyVNJRzdW2eZjVy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 06:31:53', '2020-03-01 06:31:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4497, 'IdvP2c8Gfnj298r5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 07:00:12', '2020-03-01 07:00:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4498, 'vialGfFnq0S4PHQA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 07:06:03', '2020-03-01 07:06:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4499, 'yHzhHlCfbMitMOHV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 07:06:57', '2020-03-01 07:06:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4500, 'NyJABHc3y6PNueIb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 07:43:25', '2020-03-01 07:43:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4501, 'dZ0Pj8RR8jm7U7hv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 07:46:37', '2020-03-01 07:46:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4502, 'nb1DWqlkUOJ9gYwg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 07:57:39', '2020-03-01 07:57:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4503, 'dU92hBuRlGTE7dRC', 'Saberes diaspóricos', NULL, 'Se miran cara a cara dos culturas, la mapuche en Chile y la afrodescendiente del pacifico colombiano, a pesar de las distancias ancestrales y territoriales, existen diálogos en cuanto a prácticas ritualistas de salud dentro de estas comunidades. Las experiencias del parto se asimilan en matices importantes que entienden la salud como un bienestar comunitario.\n\nInteresa el relato oral del rito del parto, hay historias parecidas, prácticas, preparativos, la existencia del nacimiento dentro de la comunidad, asumir la responsabilidad de la salud natural, el nacer para el oficio de traer al mundo, la prohibición y persecución de las parteras por parte de un enemigo común externo, que ha penetrado a la comunidad mapuche y afro, y que finalmente ha agenciado la desvinculación con estos saberes. \n\nLa herencia cultural se violenta a partir de la colonización mercantil del sistema capitalista, a partir de la dictadura que desarticula y oprime, la incidencia de la cristianización que banaliza y demoniza, la esterilización de la institución del hospital y la farmacia. \n\nLa obra consiste en testimonios a modo de carta, dos de mujeres afrodescendientes en Colombia, cuatro de mujeres mapuche en Chile. Cada una escribe su memoria, son recopilados en un cuadernillo que se imprime y envía hasta sus domicilios. Dos mujeres mapuche leen, cada una un testimonio de una mujer afrocolombiana, y estas últimas hacen lo mismo con las cartas de las mujeres mapuche.', NULL, NULL, 'Tres vídeos presentados en dos televisores pantalla plana con usb de 40\", texto descriptivo en plotter troquelado del lugar de procedencia de cada vídeo(color blanco, arial), 13 cartas y gráficas tamaño carta impresas en papel fotográfico sobre cartón foam de 1cm. Las cartas ocupan 1 metro cuadrado de pared,el tv y plotter ocupan 3 metros cuadrados de suelo. \nLos televisores se adosan al suelo boca arriba, equidistantes el uno del otro.\n \nVídeo1:2\"12\'\nVídeo2:2\"14\'\nVídeo3:6\"16\'', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394711267', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 276, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 225, NULL, '2020-03-01 08:10:32', '2020-07-20 22:33:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4504, 'G8gXA6cZKsvFYS7t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 08:12:15', '2020-03-01 08:12:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4505, 'zVonbNba9K1Sn3P7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 08:19:48', '2020-03-01 08:19:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4507, 'PYqrvbP8ohZ9Vcq2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 08:34:05', '2020-03-01 08:34:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4508, 'l1bboJgQ0k1Hp6M0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 08:43:48', '2020-03-01 08:43:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4510, 'MJKkalrR4Qy4p2ZQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 08:45:23', '2020-03-01 08:45:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4529, 'qeYwZtfGD3xlCaps', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 11:40:34', '2020-03-01 11:40:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4530, 'bGwKsUCSQs3mLtjy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 13:59:24', '2020-03-01 13:59:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4531, 'Ph2QlfpcEpxz5GhT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 14:20:42', '2020-03-01 14:20:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4532, 'NFqsGsVGQK8WMfxA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 15:30:42', '2020-03-01 15:30:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4533, 'OJC2qVrkhGSedQJs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 15:35:25', '2020-03-01 15:35:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4534, 'oLYNTiyt9s9adWvY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 16:58:27', '2020-03-01 16:58:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4535, 'dMqqxnagwwTjkbCu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 17:49:19', '2020-03-01 17:49:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4536, 'kymhY98YBClXZnEo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 18:35:07', '2020-03-01 18:35:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4537, 'oAAj8kK73QB51Kjz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 18:40:11', '2020-03-01 18:40:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4538, 'Ioylmav55E7Da9Qm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 18:42:50', '2020-03-01 18:42:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4539, 'HgBtEU3b4aXTfcmc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 18:51:26', '2020-03-01 18:51:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4540, 'btUJB88iF49ITGW8', 'Errant roots', NULL, '\"Errant roots\" is a phrase I use to describe a sense of errancy and uprootedness that recent works seem to suggest. This is not only due to an autobiographical underpinning, but also reflective of a generalized sense of displacement and loose anchoring in the current age, propelled by various volatile factors in the socio-economic paradigms and the digital infrastructures that are replacing them - although errant roots also suggest that the past is carried forward - it \"errs\" along. Errant roots is borrowed from the poet Édouard Glissant, in Poetics of Relation (1990), where he wrote about the african diaspora and human displacement.\nFor the project I will be developing an installation that explores a part of my research related to root-systems, plants, networks, and the mirroring landscapes that exist between vegetal entanglements and digital infrastructures. In a sense there is a concern with energy and exchange, the spiritual and the invisible as well as the sense of place, rooting, and presence. The work I want to develop will be looking to establish a networked ecosystem that makes these relationships visible and negotiates between the tangible and the intangible, by implementing electrical and other energy systems in the sculptural work (therefore extending its already \"dormant potential\").', NULL, NULL, 'Ideally the space would be indoors due to the fragility of some of the elements that are normally present in the practice. I am open to suggestions, and also open to spaces that are not the typical white cube or gallery setting, between 30 and 50 m2.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.yananaidenov.com', NULL, NULL, NULL, 503, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 428, NULL, '2020-03-01 19:06:47', '2020-08-11 21:04:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4541, 'azaSP04wUWaACQqX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 19:16:28', '2020-03-01 19:16:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4542, 'wWZyM80Wagur2CKk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 19:19:45', '2020-03-01 19:19:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4543, 'Czxv29mLmJCp1pFA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 19:22:52', '2020-03-01 19:22:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4544, 'ZN4qCpeoJIM50LN4', 'Eclipse of the real', NULL, 'This project foresees as the main objective to develop the complex matter of consumerism, the interaction and correlation of self and object within the historical narrative. First, it is essential to point out that the phenomenon of consumerism is treated from various angles in the present proposal. It is crucial to understand that it lays the canvas for the critical analysis of both downsides and trade-off of the matter. In the works of artists selected for the exhibition the relation to the materiality, to the object is not exclusively of a negative nature, critiques of the consequences of mass consumption, it bares the attempt of constant search of identity, self-belonging to history, family, country, system, trauma, etc. everything that has importance in shaping memories. The title “Eclipse of the real” suggests a symbolic blur of humans against things, where objects celebrated by the mass consumption dominate and are coming to the fore conditioning the patterns of human behaviour, relationships. It is an absolute allegory of the times we live in, the so-called era of Anthropocene. Almost each artwork acts independently, forming a section to develop a specific idea revealing one of the aspects of identity within the phenomenon of consumption.  Each section has a foreword (quote) that most reflects the nature and the purport of the display. The selection of works: performance, installations, video, photography, sculptures, paintings.', 'Januário Jano, Angola, https://www.primomarellagallery.com/en/artists/48/januario-jano/\nLiset Castillo, Cuba, https://www.lisetcastillo.com/\nLorena Gutierrez Camejo, Cuba https://www.galeriavillamanuela.com/artistas/lorena-gutierrez-camejo-2/\nRafael Perez Evans, Spain-Wales, https://rafaelperezevans.com/\nStephané E.Conradie, South Africa, https://stephaneeconradie.com/\nPaulo Nazareth, Brasil, http://www.mendeswooddm.com/en/artist/paulo-nazareth', NULL, 'Ideal exhibition space would be a former industrial space; a factory is a priority. Otherwise, a public museum space would do the job equally well.  Here is the link to the South London Gallery website https://www.southlondongallery.org/about-slg/.This space is the perfect prototype for the proposal. The natural light is one of the essential characteristics here, which is the requirement for the project as well. The space is divided into six unequal sections, a total of 100 sqm minimum.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 302, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 243, NULL, '2020-03-01 19:31:22', '2020-07-20 22:28:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4545, 'IBnMaUc9I5VAqi1U', 'La conversión de la huella', NULL, 'El proyecto La conversión de la huella trasmuta la percepción tangible de la naturaleza interviniendo imágenes fotográficas analógicas alterando los componentes químicos esenciales de dicho soporte, en los aspectos morfológicos y formales. La destrucción y mutación de sus propios componentes la alejan de su  tradicional rol de representación, de ese modo se crea una linea más delgada entre la fotografía y la pintura, que hay sido que se han visto comparadas en la historia del arte moderno y contemporáneo. \nLa obra toma el proceso de intervención fotográfica como una analogía entorno a los cambios climáticos donde la materialidad del planeta ha sido alternada por el ser humano desde el Antropoceno, variando nuestra superficie terrestre y la percepción del paisaje. \nEl proceso de La conversión de la huella empieza con fotografías de copia cromógena intervenidas con lejía. Este líquido ejerce un poder removedor y desprende fortuitamente los componentes químicos de su soporte, luego estos espacios en blanco o lavados son reemplazados por pigmentos.\nLa lejía compuesta por sales alcalinas y cloro es corrosiva y trasparente, logra ser destructiva y silenciosa sobre la imagen fotográfica. La lejía desinfecta, borrar las manchas, para eliminar rastros y así empezar en blanco. Con el vacío visual que genera se permite crear una nueva oportunidad para el paisaje, que donde las imágenes de La conversión de la huella surgen surreales, fantasiosas, mágicas y a la vez siniestras.', NULL, NULL, 'Pared que soporte imágenes enmarcadas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 277, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 226, NULL, '2020-03-01 19:49:38', '2020-06-24 15:46:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4546, 'nSdEasopr978Z1NL', 'Desde los ojos de Caracas', NULL, 'Desde los ojos de Caracas:  del constante caminar y observacion por lugares de Caracas se van guardando imágenes cambiantes que forman parte del movimiento agitado de la ciudad. A veces hay cosas que estan como parte de la cotidianidad y en la misma se pueden descubrir situaciones que muchas veces  pasan desapercibidas  .\nEl desplazamientopor la ciudad se compara a pequeños viajes que nos enfrenta al encuentro de una vasta cantidad de escenarios que se van armando dentro de la memoria visual.En ese recorrer nos topamos con plazas, parques, bulevares y calles colmadas de gente.Las esculturas están alli como testigos inmutables de lo que sucede en la urbe, muchas son referentes de un lugar en particular, dentro de ese abanico de imágenes se encuentra la obra de Colette DelozanneParis 1931, a través de esta se halla la unión de la estructura con la naturaleza a partir de sus formas orgánicas, se puede visualizar diferentes puntos de vista dentro un mismo lugar, su composición es una prolongación del ojo.Parte de la conformación expresiva de las esculturas de Colette es la textura y la repetición de circulos inmanentes en su lenguaje, En su obra hay conexión con lo espiritual, mitológico y lo poetico manifiesto en los titulos de muchos de sus trabajos como: Lugar del abrazo eterno, Conjunto de seres esenciales. En el registro fotográfico hecho a partir de su escultura de estructura fuerte y armónica, se pudo descubrir la variabilidad del mirando a través de ella.', NULL, NULL, 'En una pared que tenga como soporte seis fotos de 8x 10', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 278, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 227, NULL, '2020-03-01 20:14:55', '2020-06-24 15:46:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4547, 'ab08FkR5KKYFKL51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 20:32:07', '2020-03-01 20:32:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4548, 'UioF24FXIEBdzDwk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 20:48:21', '2020-03-01 20:48:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4549, 'Fre6VzkQFbtXghQn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:33:38', '2020-03-01 21:33:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4550, '4tWWenuFtCWkje6G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:39:30', '2020-03-01 21:39:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4551, 'lRnBVDhfWHpEf5z9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:42:59', '2020-03-01 21:42:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4552, 'hFWPPZYATtSjPQti', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:43:06', '2020-03-01 21:43:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4553, 'NX7HSYsXl1zWYE2R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:44:22', '2020-03-01 21:44:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4554, 'gJIjoIKgb69MiRz8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:49:26', '2020-03-01 21:49:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4555, 'FhEwp2g4Lr4DQJ2J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:51:00', '2020-03-01 21:51:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4556, '9wcjaunZWpsy5BH0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 21:52:02', '2020-03-01 21:52:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4557, 'ZYcQvy1lAXYifPHw', 'POR DEFINIR', NULL, 'Una serie de elementos son elaborados a partir de la cotidianidad .en si,en cada uno busco la manera de poder comunicar  la plasticidad y el cromatismo de las costumbres y tradiciones sobresalientes en nuestros medios culturales. también considero importante la multiplicidad de relación que puede guardar  las cosas comunes en este caso seria la( COLCHA DE RETAZOS)  con el mundo de las ideas artísticas, especialmente desde el punto de vista de crear espacios a partir  de la presencia de los objetos y sus formas\nAlrededor de este comportamiento o mejor aún tradición de señalar, en parte por los rituales vigentes de la humanidad, para referenciar y recordar su pasado; existe una de las otras tantas circunstancias, en esta oportunidad por medio de la realización de proyectos artísticos como este caso en particular he querido resaltar, acudiendo por medio de los recursos de la expresividad del arte contemporáneo, retener y a través de las mismas, proponer en la medida de lo posible la recuperación de muchas más preguntas e interrogantes sobre los múltiples contenidos del pasado y la historia nuestra.', NULL, NULL, 'La obra desde el punto de vista de la técnica aplicada, en su ejecución corresponde, a una acción pop, en la que acudiendo a las técnicas de la confección textil (colchas de retazos elaboradas en sus tiempos por las abuelas en espacios  libres en una sociedad que las rechazaba   ), incluyen la aplicación de un diseño planteado a partir del cromatismo del color\ny las forma de espacio a intervenir', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=xh2TyDslCxs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 279, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 228, NULL, '2020-03-01 22:08:42', '2020-06-23 03:00:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4558, 'a01nUiFJM8CPXlu6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:11:37', '2020-03-01 22:11:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4559, 'aWjotwEBZhimMSqR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:22:28', '2020-03-01 22:22:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4560, 'QYEYldibQP7wKJuC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:27:20', '2020-03-01 22:27:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4561, 'hL54GsSmWp4NI7Yp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:33:29', '2020-03-01 22:33:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4562, 'adY865inemZeDyjS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:36:03', '2020-03-01 22:36:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4563, 'xZ38QpHF8HC8dZwg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:39:22', '2020-03-01 22:39:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4564, 'EKHwG2zAQIWGaMo5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:51:35', '2020-03-01 22:51:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4565, 'nWgCIGFV6caqq3UJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:53:09', '2020-03-01 22:53:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4566, '7eNE35Ti1vis7i8e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 22:55:13', '2020-03-01 22:55:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4567, '1TMiPwo73P7bpvnn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 23:32:17', '2020-03-01 23:32:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4568, 'BNxPnXyUHFT7TuhS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-01 23:45:45', '2020-03-01 23:45:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4569, 'SdpbWdYQVM6Dfdkx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 00:22:17', '2020-03-02 00:22:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4570, 'z8OQjMJMOqweEe2e', 'Ningún proyecto es individual', NULL, 'Agua de muerte (performance) duración: 5 horas. \nCompuse el terreno de interacción ubicando el cuenco y la regadera en la misma línea.A 3 metros está la olla de 70 litros con agua. Los tres elementos forman un triángulo agudo.\n Cuenta con tres momentos:\n1- Preparar el canal de comunicación. (10 minutos)\n2- Informar el agua.\n3- Regar con ella.\nPara la etapa de emprolijamiento (1) uso el cuenco. Lo lleno de agua, instrumento la vibración durante aproximadamente 5 minutos y devuelvo el agua a la olla, así repetidas veces.\nLuego, dispongo mi cuerpo entre el cuenco y la regadera para dar comienzo (2). Se acerca quien/es deseen participar y explico cómo a través de la utilización de la voz -susurro, secreto, charla, canto, etc.- se irá construyendo una ofrenda comunitaria. ¿Qué le dirían a sus difuntos? Puede consistir en cantar o susurrar la canción favorita, describir un recuerdo, una anécdota, etc. Si aceptan sumarse, le/s acompaño hasta la olla y  la destapo diciendo: - el canal de comunicación está abierto - alejándome luego unos dos metros mientras se estén ofrendando en la intimidad.\nUna vez concluído, agradezco su participación y cubro la olla cerrando el canal.\nEl tercer momento de esta acción acontece en la caída del sol, cuando las almas retornan al uku y hanan pacha. El parque de la UNC fue regado en nombre a lxs difuntxs aclamadxs durante la celebración del día de muertis el pasado 1ro de noviembre.', NULL, NULL, 'Para la acción se necesita un espacio de 3 x 4 metros, la posibilidad de permanecer durante 5 horas y ,para la etapa final de esta performance, exista proximamente una extensión de tierra para poder regar el agua informada, la ofrenda comunitaria.', NULL, 'artist', NULL, NULL, 'https://www.instagram.com/p/B4znr4TAHnH/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 504, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 429, NULL, '2020-03-02 00:31:03', '2020-06-23 02:50:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4571, 'uIg4KmqxwBLv3ZoL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 00:32:26', '2020-03-02 00:32:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4572, 'zNKQO2lDdjlLTeVz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 00:35:50', '2020-03-02 00:35:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4573, '5XVplwsTDmii21yg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 00:35:54', '2020-03-02 00:35:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4574, 'ppuX7tyB9zjaKMj3', 'ARMILLAE', NULL, 'Video performance \"Armillae\" was commissioned by \"Musée National des Arts et Métiers\" Le CNAM, Paris for the hall of Scientific Instruments in the Museum.\nIt was presented during FIAC 2019 (International Fair of Contemporary Art) with prolongation till 27 October 2019.\nARMILLAE (lat. bracelets, circles) is a video-performance constructed around the “armillary sphere”, a site specific immersive project created for the location and adaptable for further exhibitions.\nAs a six channel installation, ARMILLAE is meant to be projected in the space - on the walls, ceiling and floor (video number 4) of the location. The idea is to engage with the architecture, blurring the boundary between the projected fiction and the reality of the visitor\'s surrounding. \nARMILLAE is inspired by resonance of the spiralling movement of astral bodies in humans. Putting the body in the center of galactic motion (performer and spectator), the artist creates shadows that become reality, questioning our capacity to  differentiate between what is real and what is fake - the source and… its shadow. \nJust as if we entered Plato’s cave, each one of us becomes a center of our own galaxy, weaving our reality with reflections of our subjective perceptions.\nIn times of post-truth, reconnecting with the allegory of the cave echoes the importance of the comment rather than the accuracy of the information in a poetic way, immersing the spectator into a dance with elements and motion of our universe.', NULL, NULL, 'Any space where it is possible to create black box type of atmosphere, 6 projectors, videos number 1, 2, 3 and 5 projected on the walls, video n. 4 on the floor (interacting with audience\'s walk) and video n.6 on the ceiling. The goal is to create a total immersion and the feeling of entering a cave full of moving shadows that disorient the perception.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/380093925', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2891, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2503, NULL, '2020-03-02 01:22:09', '2020-07-24 16:55:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4575, 'ipeOxOjXqpPLuacS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 02:00:28', '2020-03-02 02:00:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4576, 'itdOmQxvBukapQl5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 02:21:39', '2020-03-02 02:21:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4577, 'ttILPLtFRZGINSty', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 02:25:45', '2020-03-02 02:25:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4578, 'N4CMKTEM8F1T0QTE', 'Promised Land', NULL, 'Promised Land is about this point of twist between shadow and glare, about our impasses and insurrections, our walls and diasporas, our skies and their falls. How to think about the images (and the image of art, in art) that circulate in the world and flood our days with dizzying speed. What wars are fought between images? Between imaginary? My paintings emerge from images that come to them from the media windows, from lost memories, from suspended dreams, from lurking nightmares, mixed with imagery repertoires from different sources: from images of art to cinema, from comic books to storyboards of films. The acrylic palette, explosive, shiny, alludes to the old signs and urban advertisements, but also to the agitprop posters and banners, raised by the insurrected crowds through the streets of a world that explodes between gestures of power and solitude, between miseries and rebellions.', NULL, NULL, 'The necessary exhibition space is a room with white walls, minimum height 2.5m. My wish is for the work to circulate beyond my country\'s borders. There are 3 large format paintings and a set of 21 paintings.\nTitle: G20, Technique: Acrylic on canvas, Measurements: 38x55cm each Total: 120x400cm\nTitle: Baptism, Technique: Acrylic on canvas, Measures: 141x200cm\nTitle: PEC 215, Technique: Acrylic on canvas, Measures: 225x180cm\nTitle: Ni Uma Menos, Technique: Acrylic on canvas, Measures: 144x230cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 280, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 230, NULL, '2020-03-02 02:36:14', '2020-06-23 03:00:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4579, 'gUzTyyj0O8F9Ea9L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 02:37:23', '2020-03-02 02:37:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4580, 'HHXSNhIySYSpChqg', 'Red Carpet', NULL, '\"Red Carpet\" consiste en un vestido único para ser usado por dos personas al mismo tiempo, imponiendo la condición escultórica a aquellos que comparten el tiempo de tres horas (o más) en el mismo espacio de exhibición, donde la comunión de cuerpos alude a un juego de espejo, hablando sobre vivir juntos entre existencias diversas, igualando singularidades en importancia a través del énfasis de sus diferencias. Las composiciones corporales se alteran en movimientos extremadamente lentos (casi estáticos) y, de esta manera, aparece una cualidad de danza para el trabajo.\nDecir que alguien tiene los \"pies en el suelo\" significa decir que esa persona es realista, está convencida, es racional y, al proponer un impedimento para el contacto de los pies en el piso de quienes activan el trabajo, aporta el aspecto fantástico y soñador, irreal que quien ocupa el disfraz, cuyo nombre se refiere a la alfombra de Oscar y toda la noción glamorosa de este universo, donde hay una subversión en la presentación de dos figuras elegantes convertidas en una sola alfombra, que incluso puede ser pisada por el público, que tiene una participación performativa extremadamente simbólica con respecto a las clases sociales de una sociedad.\nEste trabajo fue concebido durante una residencia artística realizada en el Zsenne Art Lab en Bruselas / Bélgica durante el mes de septiembre de 2019.\nEste trabalho puede ser presentado través de video y objecto performativo y también través de performance en vivo.', NULL, NULL, 'Espacio blanco y amplio.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/375310784', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 281, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 231, 5, '2020-03-02 02:48:13', '2020-08-31 09:10:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4581, 'L7jrvJ9Abzwlh8DP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 02:49:56', '2020-03-02 02:49:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4582, '7As2DKTDczGvrWTR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 02:52:47', '2020-03-02 02:52:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4583, 'AV81ZVuTzN0qvAZk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 02:53:40', '2020-03-02 02:53:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4584, 'IMg6pFjgrtZslKXL', 'UMIDUS', NULL, 'Artista visual, na modalidade fotografia experimental em campo expandido, explora práticas híbridas e alquimia, transitando do pré ao pós-fotográfico. Investe na experiência estética, em detrimento da técnica, por meio de um aprendizado artesanal e sensorial, desacelerado e reflexivo. Resiste a desmaterialização da imagem resgatando processos históricos fotográficos arcaicos, primitivos, pré-industriais devolvendo peso a fotografia. Aposta no risco, no desvio, na contaminação, preparando seus próprios suportes, químicos e aparatos, transgredindo antigas estruturas, subvertendo assim, as excessivas leis da mecânica e do mercado. Expande os limites do suporte e da linguagem mesclando conceitos porosos propondo outras leituras, de caráter transdisciplinar e dialógico.', NULL, NULL, 'O resgate expandido, de maneira artesanal a partir da receita do livro The Silver Sunbeam de John Towler 1876, do processo histórico fotográfico denominado placa úmida de colódio, inventado em 1848 pelo inglês Frederick Scott Archer (1813-1857), mas introduzido apenas em 1851, é uma técnica de aplicação ainda líquida de uma solução viscosa de piroxilina (colódio), numa superfície de vidro, objetivando a produção de matrizes positivas diretas em vidro incolor de nome ambrotipia.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.escanhuela.com/umidus', NULL, NULL, NULL, 381, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 315, NULL, '2020-03-02 03:17:41', '2020-08-06 23:25:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4585, '2QrsV4hbEDobQkej', 'Livro \"Diálogo\" - da série \"Cidades Invisíveis\"', NULL, 'Após uma imersão na obra “Cidades Invisíveis” de Ítalo Calvino, foi criado o livro que transcreve um JOGO de perguntas e respostas entre a autora e Calvino, através de  recombinação de citações do livro . \nObra única, escrita a mão, com 12 paginas de diálogos, 1 pagina glossário e 19 paginas de trabalhos em desenho, colagem, nanquim, aquarela e gravura.\nNesta obra a autora, continua trabalhando o lugar imaginário. A realidade objetiva transformada em paisagem subjetiva, imaginada e idealizada. A Ficção se torna real pela potência do objeto.', NULL, NULL, 'Expor o livro em plano inclinado, em espaço medindo 1,30mX1,0m, ficando aberto em página indicada pela artista.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 569, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 476, NULL, '2020-03-02 03:36:50', '2020-06-23 02:48:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4586, 'nUNPH0zXgtfQkvfQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 03:48:04', '2020-03-02 03:48:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4587, 'PlmYMRlw9WWR8YUt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 03:48:05', '2020-03-02 03:48:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4588, 'uWq6kwrp0AGvDURI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 04:00:42', '2020-03-02 04:00:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4589, 'OKomcD4UDxYUmJda', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 04:15:20', '2020-03-02 04:15:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4590, 'gNGLN3R2dshL5kBH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 04:23:51', '2020-03-02 04:23:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4591, '4vEYZRXe2cTq8wii', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 04:45:11', '2020-03-02 04:45:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4592, 'EgY15ggKIxaRFbu6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 04:51:36', '2020-03-02 04:51:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4593, 'c7RQFcGVA9bkC6P8', 'Il Faut Souffrir pour Être Belle', NULL, 'En las puntas de dos clavos grandes, sostengo mis talones y me balanceo sobre tales objetos por un corto tiempo, aludiendo al uso de tacones altos y la relación de la moda y el ideal de belleza con dolor. Fatalmente, el mito de Aquiles se incorpora no solo por el signo de los talones como puntos débiles del cuerpo sometido a la acción, sino por la presentación de un llamado cuerpo masculino sometido a un procedimiento atribuido a las mujeres en una sociedad que todavía niega lo que no es binario y heteronormativo y, por lo tanto, el cuerpo espacioso, que consiste en un par de piernas, se subraya como vulnerable porque se relaciona con el cuerpo con la sugerencia de un adorno corporal, aunque solo son clavos.\n \nAdemás de los dispositivos de video y fotografía (60x40cm), este trabajo puede presentarse como una actuación en vivo con duración de 30\'.', NULL, NULL, 'Para vídeo: proyección o TV LCD.\nPara fotografia: Pared donde pueda poner la obra.  \nPara performance: Una base blanca donde el performer pueda estar.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/291774127', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 281, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 233, NULL, '2020-03-02 04:52:20', '2020-08-08 00:50:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4594, 'gRdQUCsBdYO91kIE', 'Aventura olvidada', NULL, 'El proyecto tratará la profundización de ciertas prácticas que vengo explorando en los últimos años, desarrollando pinturas y esculturas que se complementan para elaborar un espacio complejo .\nEl trabajo consistirá (idea aprox. en el material gráfico adjunto)en una instalación de una serie de pinturas sobre panel donde se ven representados espacios geométricos de bordes netos. Los cuadros estarán emplazados desde una estructura de madera pintada. Esta estructura delimitará un prisma que servirá de contención para el emplazamiento de una serie de otras estructuras, cuyas fisonomías serán precarias, irregulares, postergadas; principalmente hechas de ramas de árbol y varillas unidas con precintos, alambres e hilos. En estos armazones habrá objetos en porcelana fría coloreada, plastilina, madera, tela, papel, atravesados por el esqueleto de ramas y troncos. Cabezas pequeñas que lloran, pájaros sin cabeza, piel de masilla derretida en las ramas, piel de rostros antropomorfos, huesos de masilla desperdigados, ojos desorbitados, libros y hojas sueltas, partes de cuerpos con tatuajes, ropa, formas que reposan, gotas de fluidos endurecidos  que caen de los cortes, lágrimas petrificadas. \nLa iluminación estará focalizada en los cuadros, dejando que todos los sucesos que ocurren dentro del prisma queden en penumbras o con alguna ocasional luz tenue.\nUn punto importante para desarrollar el proyecto es conocer el espacio de montaje, al cual se adaptarán las dimensiones y emplazamiento.', NULL, NULL, 'El espacio expositivo sería una sala de forma rectangular no menor a 6 x 10 m. x 3 de altura. Pudiendo ser mayor a estas dimensiones.  Las paredes, sin aberturas, pueden no ser blancas y lisas; en el caso de ser blancas se pintará de un tono oscuro.\nSin embargo, el trabajo propuesto se acomodará a cualquier tipo de espacio designado. Adoptando la forma,  dimensiones y luz adecuadas luego de conocer ese espacio y meditar sobre la manera específica de llevar a cabo el proyecto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3178, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2733, NULL, '2020-03-02 04:54:31', '2020-08-14 21:43:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4595, '2OefIHD5pdeLTeGX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 05:22:13', '2020-03-02 05:22:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4596, 'fzW1EPjeBeuRBrue', 'Los tres sobrevivientes de Hiroshima.', NULL, 'En el escenario, tres sobrevivientes del primer ataque nuclear en la historia hacen sus declaraciones sobre una de las peores tragedias de la humanidad. Se cuentan los momentos de la explosión nuclear en la ciudad de Hiroshima, en Japón, en 1945, los días siguientes y la inmigración a Brasil. \"Los tres sobrevivientes de Hiroshima\" reconstruye la historia del militar Takashi Morita en ese momento, de 21 años, y los civiles Kunihiko Bonkohara, de 5 años, y Junko Watanabe, de 2, que estaban en Hiroshima el día del bombardeo. En el escenario, actúan en el formato de teatro documental, también conocido como biodrama. Las fotos y canciones originales de la época interpretadas por los sobrevivientes conforman la atmósfera de la presentación. Con un guión y dirección de Rogério Nagai, el programa dio origen al proyecto Survivors for Peace. La idea surgió en 2012 con una investigación sobre la comunidad japonés-brasileña y la inmigración japonesa en Brasil. El texto, aunque trata una tragedia, reflexiona sobre la paz donde quiera que vaya, con un fuerte mensaje de resistencia, perdón y superación. Poner a los sobrevivientes en escena es una de las formas en que el proyecto demostró la importancia de difundir y mantener la paz, para que eventos como este nunca vuelvan a suceder.', NULL, NULL, 'Necesitamos un lugar para la presentación, que puede ser una sala de espectáculos con al menos 50 m², con proyector y pantalla para mostrar video y sonido.', NULL, 'artist', NULL, NULL, 'https://youtu.be/6Rk9oFcf-7w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 285, NULL, 44, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 234, NULL, '2020-03-02 05:36:54', '2020-06-23 03:00:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4597, 'oHBAnLQUPLczf5XG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 05:55:16', '2020-03-02 05:55:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4598, 'A7KXEdpoGsRBYrTw', 'Ciudades invisibles', NULL, 'Desplazarse por sí mismo o con ayudas, es una acción básica que toda persona debería poder ejecutar, máxime si hablamos de movilidad en espacio público, territorio de la ciudad donde cualquier persona sin importar su condición física, mental o de comunicación tiene DERECHO a estar y circular libremente. En Colombia se contempla la diversidad física como factor clave para el desarrollo de políticas sociales y urbanísticas. El problema radica en que las entidades territoriales aplican poco estas reglamentaciones. Hecho grave teniendo en cuenta que el último Censo nacional de discapacidad 2010, arrojo una población de 2.018.078 pnas., de ellos 413.269 con afectaciones en el movimiento del cuerpo, manos, brazos y piernas. Ciudades invisibles es un proyecto que se pregunta por la movilidad diversa y surge de recorridos peatonales por el espacio público de diferentes ciudades y propone 2 obras escultóricas para espacio público: 1.RAMPA es una construcción temporal que emerge del piso como una superficie irregular de circulación, confinada por pasamanos laterales y a la que se accede por 4 puntos diferentes y 2.DISPOSITIVO DE MOVILIDAD, un artefacto que el espectador activa en recorridos programados por el espacio público de la ciudad. Por último, se plantea una Exposición colectiva en sala, con artistas invitados a quienes se les pide sobre obras ya elaboradas, desarrollar estrategias para que poblaciones diversas (invidentes, sordos,déficit cognitivo, etc.) puedan acceder a ellas.', NULL, NULL, 'El lugar propuesto queda en el municipio de Rionegro a 35 km de Medellín y el sitio es el museo MAR, construido hace 3 años en un proyecto público de renovación urbanística. El museo cuenta con una sala para exposiciones temporales de 300 m2 allí se propone la exposición colectiva. En la parte superior del museo se ubica la plaza de la libertad sitio propuesto para el emplazamiento de la escultura Rampa e inicio de los recorridos hacia las periferias. Rionegro cuenta con aeropuerto internacional', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4525, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3800, 5, '2020-03-02 05:56:21', '2020-09-01 16:10:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4599, 'wP0ydf3GenRCIgV4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:06:22', '2020-03-02 06:06:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4600, 'APEThtnZ0M79hR0G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:07:12', '2020-03-02 06:07:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4601, 'gTIa8h0hxSCTQGKa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:09:40', '2020-03-02 06:09:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4602, 'FVJLm8mj5LHMaWgh', 'El Hilo de Esquilo', NULL, 'El hilo de Esquilo propone una experiencia sinestésica entre pintura y literatura. Una interrelación de formas, causas y efectos. Es la renovación de los mitos con intensa actualidad. \n\nUna sala, tres mitos y el hilo de Esquilo como conductor a través de la oscuridad de los tiempos y las interpretaciones. \n\nEl espectador se iniciará en el destino del trágico Esquilo al ingresar a la sala, y seguirá, a través de marcas en un diseño circular en el piso, un derrotero por tres mitos que se resignifican y resignifican las experiencias de vida. Cada uno de estos mitos se expresa en un cuadro y un texto que someramente narra la historia. La ninfa Eco, el Dios Balder y el mito de Saturno. Diferentes civilizaciones, la misma suerte. Las pinturas interpelan y evocan la reflexión; las palabras desnudan su trazo y descansan en la poesía de la sonoridad. Para esto, se dispone bajo el texto de un código QR para su escucha y descarga mediante Smartphone. \n\nLa parada final, en el centro de la sala y mirando al techo, donde el contorno de una tortuga le revela al espectador que ha recorrido, sin saberlo, el camino de Esquilo, completa una narración metadiscursiva, en la que entramos y salimos del mito: lo construimos mientras él nos deconstruye.', NULL, NULL, 'Se sugiere una sala cerrada, en la que se puedan montar juntas las obras (una en cada pared o tres en línea) y colgar del techo una pieza en forma de tortuga. \n\nLas dimensiones mínimas son 5 metros de ancho total y techo al menos a 2,5 mts de altura, dadas las medidas de las obras:\n2 cuadros de 60cm alto x 90cm ancho\n1 cuadro de 120cm alto x 100cm ancho', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ccUUKHF4BhY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3857, NULL, 488, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3279, NULL, '2020-03-02 06:10:30', '2020-07-02 20:35:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4603, 'WHgqs3o3E62QVSE0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:10:44', '2020-03-02 06:10:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4604, 'HzmSGj9uPBluLx68', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:11:50', '2020-03-02 06:11:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4605, 'KpkPpKaW4VtxiJMW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:14:02', '2020-03-02 06:14:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4606, 'pJGHppPOYlIvJpzU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:14:41', '2020-03-02 06:14:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4607, 'HgCjDsxmUodxJ9g6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:20:25', '2020-03-02 06:20:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4608, '8FA3SvKAdqLtJIKF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:27:30', '2020-03-02 06:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4609, '3OaHY0HvzRJpevG9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 06:51:52', '2020-03-02 06:51:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4610, 'UYHJOONnxDp8tIzw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 07:01:33', '2020-03-02 07:01:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4611, 'DjHsib31dR7cfakd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 07:16:12', '2020-03-02 07:16:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4616, 'cZhLECDpXdg7bnJg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 08:44:50', '2020-03-02 08:44:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4617, 'y6u9ZoBA3n90a0am', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 08:50:27', '2020-03-02 08:50:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4618, 'wMTfzfAbAtONF7wQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 08:50:29', '2020-03-02 08:50:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4619, 'egPvsXnCqNFkOqwf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 08:51:58', '2020-03-02 08:51:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4620, 'RY4vwWrNqyinjehh', 'Eu Gisberta', NULL, 'Com ênfase na body art, exploro uma série de procedimentos artísticos em que mesclo a minha autobiografia com outras histórias reais e ficcionais, reunindo elementos da literatura, da cultura contemporânea e de mitologias de civilizações diversas. Em \"Eu Gisberta\" (2015) – bem como em outros trabalhos de body art executados por meio da tatuagem –, mantenho sobre o meu próprio corpo uma exposição ininterrupta, a qual opera como uma estética relacional, trazendo permanentemente à luz a sombria história que circunda Gisberta Salce, mulher transexual brasileira brutalmente assassinada na cidade do Porto em Portugal no ano de 2006, mais uma vítima da transfobia.', NULL, NULL, 'A legenda da obra é: Paulo Aureliano da Mata, \"Eu Gisberta\", 2015. Fotografia e texto, 100 x 100 cm. A organização da BienalSur pode decidir o idioma - espanhol ou inglês ou português - da obra que achar melhor para a exposição. A edição 1/5 + 2 P.A. pertence ao MAC-Niterói (Niterói, Brasil) e a edição 2/5 + 2 P.A. pertence ao MAM-RJ (Rio de Janeiro, Brasil). Portanto, a edição 3/5 + 2 P.A. é a edição da obra proposta à BienalSur. Essa obra deverá ser apresentada unicamente presa sobre a parede.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://ciaexcessos.com.br/da-mata/obras/eu-gisberta/ (ver texto da obra nesse link)', NULL, NULL, NULL, 314, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 251, NULL, '2020-03-02 08:52:05', '2020-06-24 16:04:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4645, 'huWuZ2cmrzOEogmk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 11:28:29', '2020-03-02 11:28:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4646, 'EACyC3Iw0ggx780H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 11:28:34', '2020-03-02 11:28:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4647, 'JU4ea9GuXfIfJzJa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 11:28:37', '2020-03-02 11:28:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4648, 'awPxbL2vWB6EDNfH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 11:28:42', '2020-03-02 11:28:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4649, '36zJS0bKLt5HgOPt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 11:43:42', '2020-03-02 11:43:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4650, '6ZbY0LufY8xwF8qW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 11:43:56', '2020-03-02 11:43:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4651, 'mT603Oj3g5ksS68u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 11:44:24', '2020-03-02 11:44:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4652, 'MZmoDysB9baw0pGG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 12:10:58', '2020-03-02 12:10:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4653, '6JsOICz2vq4tSuXa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 12:11:36', '2020-03-02 12:11:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4654, 'DVFaCAV2ILjYwiSD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 12:22:09', '2020-03-02 12:22:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4655, '3MILSkl1BOWu1B10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 12:36:42', '2020-03-02 12:36:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4656, 'JeGTIrNUqCQi7wF3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 13:02:17', '2020-03-02 13:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4657, 'ltKK3Lg1b4pNMyQ8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 14:06:41', '2020-03-02 14:06:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4658, '1kl4vqxkQS6or8OM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 15:11:19', '2020-03-02 15:11:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4659, 'AsfQjhKRRmZEy8nk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 16:58:14', '2020-03-02 16:58:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4660, 'drQCWlJGIwo8OjlP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 18:53:49', '2020-03-02 18:53:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4661, 'zzWm7u68jOadcHiu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 18:53:50', '2020-03-02 18:53:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4662, 'LT6MwirrzXN307v3', 'Golpe de Gracia', NULL, 'El 20 de octubre de 2019, en Bolivia hubo una interrupción en el conteo rápido de las elecciones presidenciales, que dio origen a una crisis Estatal, desatando una disputa social sobre un fraude electoral. Esta crisis derivó en la renuncia de Evo Morales y la sucesión de Jeanine Añez. \n\nA raíz de lo mencionado, pienso que la objetividad construida en medios internacionales es obtusa y abstracta respecto a la información que circula en Bolivia, esto intensifica mi búsqueda de una línea de información sin especulación, sin medias verdades o medias mentiras; es decir, una objetividad real. ¿Quién es el Pueblo? \n\nEsta “posverdad” está representada a través de una instalación audiovisual en la que planteó preguntas que proponen un análisis objetivo sobre los acontecimientos  sucedidos en Bolivia durante el 20 de octubre y el 20 de noviembre de 2019.\n\nEsta propuesta artística, también cuestiona cuánto realmente llegamos a saber de nosotros mismos y de los otros, o cuánto creemos saber. En qué medida nuestro sentido común responde a la veracidad de la información o es manipulada por esta. Hasta que punto reconocemos a nuestro colonizador interior, que pretende saber más de una crisis sociopolítica.\n\nDiferentes preguntas se plasman en una línea cronológica, sobre paneles de color gris claro, instalados en el espacio de exhibición, sobre los cuales se presenta la obra que mezcla técnicas de pintura y video mapping, simulando las calles de las principales ciudades de Bolivia.', NULL, NULL, '- Hotel de Inmigrantes,\nPor su objetivo de \"recibir, orientar, alojar y ubicar\" y su espacio. La idea se basa en el interés de simular las paredes de una micro ciudad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4328, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3655, NULL, '2020-03-02 19:04:47', '2020-07-14 23:41:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4663, '0mZsfISVyNXcPlzP', 'Territorio portátil', NULL, 'Este proyecto tiene como eje principal el territorio y la canción. El territorio como un espacio dinámico, en constante movimiento, que transforma al sujeto y a su vez es transformado por el mismo.\n\nProponemos el concepto de “territorio portátil”, en donde el sujeto se impregna de su contexto, de ese paisaje y su temporalidad. De esta manera el territorio pasa a formar parte de la constitución de la identidad, de su subjetividad, su forma de manifestarse y vincularse con el mundo.  Podríamos decir, que así se convierte en un \"portador\" de su territorio, en un territorio en sí mismo, un pedazo de tierra móvil, un paisaje andante, que lleva dentro suyo un conjunto de informaciones estéticas, que inevitablemente imprimen en su obra o en cualquier manifestación creativa, una configuración sonora, visual, energética. A veces tangible y obvia, otras veces, más profunda y compleja.\n\nLos tres músicos, compositores que participan de este proyecto, habitan  en este momento tres puntos diferentes de un territorio enorme: La Patagonia Argentina.  Juan Ignacio Sueyro (Ushuaia), Damián Soto (Neuquén) y Joaquín Merino (Chubut), además de ser docentes e investigadores de la música latinoamericana, conforman un nuevo territorio portátil, con identidad patagónica y forma triangular.', NULL, NULL, 'Características :\n\nEscenario de 4 x 3 mts. Preferentemente circular. \n\nObservaciones: Que permita una interacción fluida, no jerárquica entre la música en vivo y el público auditor (sean transeúntes, o personas con voluntad de escuchar activamente el concierto)\n\nSonido: operador y asistente. Consola 12 canales, cajas de sonido, equipamiento técnico para sonido en vivo (3 mics sm58, 2 mic OH, 1 kick, 6 pies de mic, cables, monitoreo). Más info vía rider al momento de la presentación.', NULL, 'artist', NULL, NULL, 'https://youtu.be/LeYWm82GZic', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 292, NULL, 45, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 236, NULL, '2020-03-02 19:09:06', '2020-06-23 03:00:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4664, 'opEDZp43pFwAPmvD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:14:03', '2020-03-02 19:14:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4665, '5ecAoFP6RKplcZcB', 'CRYSTAL / the mental body of menthol /', NULL, '“Only the physical experience can help a man to move forward in spirituality. No book can do it.” Marina Abramovic (c)\n\nThe project belongs to the genre art & science. \nThe project is aimed at direct communication between two objects: a human body and a chemical substance, i.e. menthol. During the performance, menthol crystals melt and evaporate, affected by heat coming from a heating device; menthol is transferred into its gaseous form, and the gas creates fog, which is caused by low temperature maintained in the aquarium. The crystallization on human skin begins with spherolithic crystals growing on his/her feet, because they are the coldest spot, and with dendrite crystals growing on his/her fingers. For 60 minutes, the performer stays in a direct subtle quantum contact with the substance, experiencing its different stages with his body and with his mind. When the time in the glass tank elapses, the substance is washed away from his/her body with water and the body regains its normal state. \nWhy does this project explore the contact between body and substance?\nIn this project, we explore subtle relations between a human being and a substance. We do not use any intermediaries, such as digital analysis or data translation. The project explores the direct encounter between a human being and a certain chemical or physical substance in order to demonstrate their qualities in relation to each other.', NULL, NULL, 'Technical rider:\nDark, soundproof room around 30 m2. It can be a local space in a large exhibition hall.\nCeiling height - 3 meters or higher.\nElectricity (Euro-grids) - 5 kW, 220 V.\nSound system (just a good sound).\nThe temperature in the room should be not more than 20-22 degrees.\nShower for performer.\n- Project transportation (from Moscow), \nWe have 3 people in our team.\nOur team: Julia Borovaya (artist, performer), Edward Rakhmanov (engineer, scientist), Nastya Kraseva (performer).', NULL, 'artist', NULL, NULL, 'https://vimeo.com/374099430', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 298, NULL, 47, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 238, NULL, '2020-03-02 19:22:07', '2020-06-24 16:34:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4666, 'Chq94MKtSqtJu9j6', 'Latidos Marinos', NULL, 'Esta instalación de realidad virtual busca recrear y representar el universo de la ballena jorobada, partiendo de la sensibilización en torno al latido de su corazón y a sus cantos. Usando gafas de realidad virtual, el participante podrá sumergirse en un video 360° donde conocerá un mundo abstracto fabricado alrededor de las melodías de estos grandes mamíferos.\n\nEl cambio climático, el mal uso de máquinas, los deshechos, la caza desmedida y otros factores han puesto en peligro la supervivencia de diferentes animales, la humanidad está acabando con ciertas especies en gran parte debido a la falta de conciencia y sensibilidad. Este proyecto permite crear una cercanía especial con las ballenas jorobadas, para despertar precisamente esa conciencia, sensibilidad y pertenencia a través de los latidos de su corazón, detonando una intimidad especial y una sensación de proximidad.\n\nLa instalación también dialoga con la percepción del movimiento y la descomposición de este, vinculándose así a las experiencias científicas de los estudios fotográficos desarrollados por Marey y Muybride, los juguetes ópticos y la cronofotografía. Haciendo una relectura de las tecnologías del siglo XIX que culminan en la invención del cinematógrafo y que van hasta nuestros días con la realidad virtual, entablando un dialogo entre naturaleza, tecnología y arte.\n\nComposición sonora: Éter Lab.\nArchivo sonoro de los cantos de las ballenas jorobadas en Colombia: Esteban Duque Mesa, Biólogo.', NULL, NULL, 'Un salón oscuro de 3 x 4 metros apróx\n2 celulares con conexión a Internet\n2 gafas de realidad virtual\n2 guayas para fijar las gafas del techo\n2 auriculares\n4 instalaciones eléctricas para los equipos\n2 sillas\n1 bajo\n1 Set de parlantes estéreo\n1 reproductor de audio para el sonido del bajo\n1 reproductor de audio para el sonido ambiente\n1 cajón para guardar equipos\n2 bases para los parlantes\n5 lámparas texturizadas debido a que no se emplearán las luces del salón', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=yaAeN4_Icj8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 293, NULL, 46, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 237, NULL, '2020-03-02 19:27:04', '2020-06-24 16:33:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4667, 'gHccithNwGcWTS3A', 'Memoria ancestral', NULL, 'Hace algunos años comienzo un proceso de búsqueda, de investigación, de deconstrucción personal que me llevó a sumergirme en el linaje familiar y su recomposición.  Esto me llevó a establecer un mapa de deseos y vivencias compartidas. Un viaje al pasado para encontrarme con mi historia, lugar de origen, experimentando el dolor del desarraigo, no sólo de mi familia, sino de todas aquellas que vivieron y viven en la contemporaneidad situaciones similares. \nTodo este proceso estuvo atravesado por el arte, surgiendo así la idea de generar la Muestra Memoria Ancestral.  Las obras que la componen sirven como puente: referencian, simbolizan y pretenden recircular aquellos pensamientos, sentimientos y acontecimientos vividos (propios y colectivos), que trazan el territorio de la subjetividad e imaginación. Obras como puentes imaginarios hacia aquello que se encuentra tal vez oculto, tal vez vedado, tal vez a la espera de ser devuelto. Obras que son en sí mismas territorios y “espacios otros” para ser habitados y transitados. Obras que a su vez, proponen un diálogo entre diferentes materialidades y soportes para exponer y revivenciar todo este entretejido diverso que hace a la identidad y a la memoria. \nPinturas. Soporte: tela (sin bastidor de madera) de 160 cm x 160 cm (aprox). 5 telas\nInstalación. Objetos de archivo personal: Fotografías y objetos. / ó serie de dibujos', NULL, NULL, 'Espacio con buena luminosidad. Las telas pueden colgarse en una pared  de grandes dimensiones.  La instalación es un baúl antiguo, de la segunda guerra mundial donde los inmigrantes habitualmente traían sus escasos objetos personales. Sobre el baúl (álbum de fotos antiguas de inmigrantes de distintas nacionalidades y objetos personales).  La instalación puede ser reemplazada por una serie de dibujos, a criterio del curador del espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2946, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2545, NULL, '2020-03-02 19:29:50', '2020-06-25 22:20:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4668, 'BrDDqYcOqP9vytgS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:32:32', '2020-03-02 19:32:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4669, 'wsfAy3yVeEY1f76u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:32:32', '2020-03-02 19:32:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4670, 'HAe3vWFibG4oHJcP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:38:53', '2020-03-02 19:38:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4671, 'Eya1Y4GcvHI1sxxB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:40:04', '2020-03-02 19:40:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4672, 'cv3WmGAKpNI4Bk7S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:45:43', '2020-03-02 19:45:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4673, 'jz6nsYXI4l7GU8ce', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:48:43', '2020-03-02 19:48:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4674, '07UcLPwfVSlsJM13', 'Huellas emocionales-Lunas astrologicas', NULL, 'El proyecto consiste en presentar las lunas astrológicas a través de mi interpretación visual de las mismas. Una relación, entre las cualidades de cada luna, (son 12 lunas, representadas por cada signo del zodíaco), sus talentos y refugios, y la expresividad plástica de éstos mismos. Estas características particulares de cada luna, sintetizadas y reducidas a las más fundamentales para plasmarlo plásticamente por medio de la línea, la superposición y las transparencias.\nLas 12 lunas son presentadas a través de dibujos, pinturas, grabados, fotografías de retroproyecciones de acetatos, video-instalación y Serigrafías. \nDibujos.\n12 dibujos en grafito y microfibra, geométrico/abstractos s/papel, 23 x 30 cm. Sin enmarcar por el momento.\n12 dibujos en tinta china, geométrico/abstractos s/papel, 65 x 50 cm. Sin enmarcar por el momento\nPintura.\n12 pinturas en óleo, geométrico/abstractos s/tela, 100 x 100cm. Sin enmarcar\nGrabados.\n12 Aguatintas, geométrico/abstractos s/papel, 25 x 32cm. Sin enmarcar\nFotografías.\n12 Impresiones en papel Hahnemühle Rag Smooth 305 gm. De 50 x 50 cm. Sin enmarcar por el momento\nVideoinstalación.\nProyección de video de las lunas, con sonido del espacio, sobre media esfera de Telgopor. \nSerigrafía.\n13 impresiones de las 12 lunas, más el radix de las lunas, en telas transparentes de 200 x 200 cm cada una ( esto no esta realizado aun) Adjunto fotografía de la idea, tomada de una instalación de Christian Boltansky en el Centro Pompidou de París.', NULL, NULL, 'El espacio sugerido es el Museo de Arte de Tigre. MAT. \n\nTiene la caracteristica de poseer diferentes salas para poder mostrar las diferentes tecnicas. Realizar la videoinstalacion y colgar las telas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1510, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1327, NULL, '2020-03-02 19:53:15', '2020-07-23 17:18:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4675, 'Qcmgbi20v7nogIrP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 19:53:58', '2020-03-02 19:53:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4676, 'oDZp1Ojq6a1ZOBhA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:00:20', '2020-03-02 20:00:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4677, 'Zv0EuorlGindgii9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:01:21', '2020-03-02 20:01:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4678, 'iWuaa4R9tF73txwq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:01:57', '2020-03-02 20:01:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4679, '8YoFE2rTchZsj1Qc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:02:22', '2020-03-02 20:02:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4680, 'yNpsNmGddeK0Chxd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:12:35', '2020-03-02 20:12:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4681, 'S2uOawXPKTaFHVZN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:12:36', '2020-03-02 20:12:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4682, 'XzY10LRkIMYs28FL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:37:28', '2020-03-02 20:37:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4683, 'iDNydvsYzll270IR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:37:28', '2020-03-02 20:37:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4684, 'J7Wdd4WyOjjpCF3M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:37:33', '2020-03-02 20:37:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4685, 'Th4qIOVyotTjxMTi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:54:38', '2020-03-02 20:54:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4686, 'YQhgCIQ9Te5uHBOr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:56:55', '2020-03-02 20:56:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4687, '1S6mB9Qn2Z0mLdRG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:58:52', '2020-03-02 20:58:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4688, 'ju8yj9Qi2KbkQuB4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 20:59:10', '2020-03-02 20:59:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4689, 'Kas8E5gdTcEGgefV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:07:08', '2020-03-02 21:07:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4690, 'JIUJ8EGrQ16UN2aZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:14:42', '2020-03-02 21:14:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4691, 'b9nfzRskJlRxuI1M', 'Rebaño', NULL, 'Son 201 ovejas de base de madera revestida con vellón natural de oveja, las patas y cabeza son de fundición de aluminio recuperado. \nLa instalación consiste en ubicar 200 ovejas sobre quince metros aproximados de pared, toda la sala inclusive el techo pintados de negro mate, desde 1.20 metros de altura hasta cerca del techo siguiendo un recorrido aleatorio, la manada de ovejas blancas pegadas a la pared recorren el recinto de uno de los lados de la pared armando una composición agradable, sin embargo inquietante, ya que las ovejas si bien siguen una lógica estética, el rebaño tiene algunas  ovejas descarriadas; En el medio del rebaño de ovejas blancas convive una oveja negra y al final del recorrido sobre pared blanca se encuentra la oveja número 201 de color  blanca, al inicio de la instalación a un metro de altura un texto en color blanco escrito a mano que reza “POR FAVOR NO ACARICIAR” \nLa instalación ya fue exhibida en formato mediano (131 ovejas), en la edición 2019 de CASA DIR feria de diseño y decoración del NOA que se realiza todos los años. En dicha exposición participé como artista invitado, logrando el aplauso de los demás expositores y público en general, la reacción de la gente es lo que me alentó a mostrarla como obra artística fuera de mi lugar de origen.', NULL, NULL, 'La instalación no tiene un formato fijo, sino que se adapta a la conformación del espacio asignado, el requisito fundamental es que será instalada sobre una de las paredes de la sala, en caso que no haya una sala de esas dimensiones se puede instalar en dos o tres habitaciones intercomunicadas. Son necesarios aproximadamente 20 metros lineales de pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 299, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 240, NULL, '2020-03-02 21:14:59', '2020-06-24 16:04:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4692, 'vpzkviXwWXCFI2E9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:21:12', '2020-03-02 21:21:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4693, 'NbpDwc1vKA6TqqM1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:22:17', '2020-03-02 21:22:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4694, 'sPAh71UCxEnVCXgq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:34:23', '2020-03-02 21:34:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4695, '5vHPhz7ZJ2nXaWR2', 'Hinterland', NULL, 'The proposed work consists of a phrase in black adhesive vinyl cut lettering installed on the glass facade of the MUNTREF external elevator.\nThe phrase, “tenias que tener casas grandes para alojarlos a todos y tenias que tener bibliotecas para los libros y tenias que tener casas fuertes para cuidar los libros” describes an initial structure. Over the past few years, I’ve been investigating translation within the artistic practice as a way of creating incisions in speeches and utterances. In this sense, I’ve been interested in the logistics operations of cargo transportation, for example, by sea and in ports. I speak of translation as a place of incommunicability that confronts logistics as something that seeks to overcome barriers —linguistic, social, cultural, etc— and translation as the act of dealing with what is left behind in this crossing. Establishing this background, with the phrase, I want to talk about load structures that look like enunciation structures. The elevator tower, the port, and the museum enables a tension between these platforms and its Hinterland, the land behind, what remains of these structures, in this sense, a place of translation.\nThe phrase measures 13 meters long and shall be arranged along the 24 meters high of the elevator structure. The work can be assembled from the inside of the structure with the adhesive vinyl being glued to the glass so that the reading is done from the outside of the elevator.', NULL, NULL, 'The work is initially proposed to be installed on the external panoramic elevator of the Museum of Immigration, in Buenos Aires. Taking into account the possible difficulties in making the project feasible, if applicable, space and installation conditions can be relocated noting the specificities proposed by the work. In this case, the dimensions described by the attached project can be changed as well as its layout.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1TDhnhCUWqNBCGrFMBRSeKoZETUIkDz0-?usp=sharing', NULL, NULL, NULL, 3440, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2947, NULL, '2020-03-02 21:35:42', '2020-08-13 22:24:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4696, 'oyJpbOhygpBpYh3t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:36:55', '2020-03-02 21:36:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4697, 'tzcJGkCCt6l2bVSi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:36:56', '2020-03-02 21:36:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4698, 'cDb9JYZVoKn3sFRY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:37:31', '2020-03-02 21:37:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4699, 'dfbjm86mER5tG2xm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:38:11', '2020-03-02 21:38:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4700, 'BT4y4IPUxXp1HDjf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:40:55', '2020-03-02 21:40:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4701, 'kW4oA8P2dZ3aaQsU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:41:05', '2020-03-02 21:41:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4702, 'inmHbxaQfNe0PEws', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:53:07', '2020-03-02 21:53:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4703, '0cYEQpmxhpvZ1dHa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 21:53:24', '2020-03-02 21:53:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4704, 'UfDntGCBPsPilT8r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:00:39', '2020-03-02 22:00:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4705, 'U7Q3Uyjbl8nGvdrM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:01:33', '2020-03-02 22:01:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4706, '0LvDzXj8Vbph3Jdv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:01:53', '2020-03-02 22:01:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4707, 'LDvVZU30IkP52jso', 'Una pregunta para que el mundo exista', NULL, 'Proceso de investigación analógica, a través de diez años. Todos los álbumes y fotografías están ligadas a un texto poético en formato de epígrafe. El proyecto surgió con la idea de retratar las mismas personas y espacios durante cuatro estaciones, para observar cambios gestuales, emocionales, configuraciones de las atmósferas. Dicho proyecto fué interrumpiéndose por tomas random, por fuera de esta lógica estacional, que también comenzaron a componer un mundo. Al observar las tomas (aprox 200 fotografías), comencé a observar un orden interno, las fallas de la cámara, las acciones de la luz, que generaban otros órdenes ligados a atmósferas de color y temperaturas que trascendían las sentencias climáticas y tenían su propio orden. Una muestra circular. Cada estación nueva (verdes, azules, violetas, naranjas) está ligada a un playlist musical y videopoemas.\n\"Hay una temperatura. Un gesto. Sentencias climáticas. Atmósferas. Hay viajes e inmovilidad. Tierras míticas y estructuras abandonadas. Recuerdos del futuro. Emulsiones. Amor en tiempos de velocidad. Varios entierros. Campo y ciudad. Invierno-Primavera. Verano-Otoño. Aves migratorias. Constelaciones. Artefactos. Extranjeras-exiliados. Cinco años ininterrumpidos en 35mm. Una muestra que crece en todos los espacios que habito. Que nadie ha visto. Todas las fallas que esconden lo invisible. Una respuesta imposible a las preguntas del mundo. La belleza random de los días\"', NULL, NULL, 'Sala de al menos 5 x 5 mts / preferentemente vacía.\nOscuridad mínima en un  sectore para hacer legibles proyecciones a gran escala.Paredes blancas para exponer imágenes y ploteo de textos.\nTomas corrientes varios (220v.). Sonido y proyector. Luces y gelatinas, difusores.\nAltura de 3mts mínimo. Con posibilidad de colgar pantallas de tela biyonet, telas semi transparentes, acrílicos de colores.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=zQFfETYcV9Q&list=PLcYW2MuE1yjIUcIIsYXtUA_IgZX7pjauO', NULL, NULL, NULL, 'https://www.instagram.com/gabrielaclarapignataro/', NULL, NULL, NULL, 254, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 239, NULL, '2020-03-02 22:04:41', '2020-06-24 16:03:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4708, 'AR4dobEdFGIWLOB7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:06:30', '2020-03-02 22:06:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4711, 'bUkM3kS9XHIg59C7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:19:39', '2020-03-02 22:19:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4712, 'JoRDdfdXjK9k1Q08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:20:41', '2020-03-02 22:20:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4715, 'ksaAGtV96apT7fxd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:29:23', '2020-03-02 22:29:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4716, 'nY15FfBh8eZHz0tJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:31:14', '2020-03-02 22:31:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4718, 'wkidGeOFUpebR0qJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:38:15', '2020-03-02 22:38:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4719, '5dXY1EUR0bYVguLp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:40:04', '2020-03-02 22:40:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4720, '6n7ncxF3izFTB6hl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:41:41', '2020-03-02 22:41:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4721, 'p1IX0PVnUOkN2Djw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:45:51', '2020-03-02 22:45:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4722, '2fMSmLaSZl75dVJg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:48:11', '2020-03-02 22:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4724, 'tqoQtGgSKvce7PFW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:52:02', '2020-03-02 22:52:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4726, 'vHvSCPSQft4cA52s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:54:13', '2020-03-02 22:54:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4727, 'Q5jlqmggdHewuYp3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:56:56', '2020-03-02 22:56:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4728, 'DrXOrqevUjcuW9fC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:59:22', '2020-03-02 22:59:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4729, 'jlW4fb75GFjz0HgD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 22:59:54', '2020-03-02 22:59:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4730, 'Y1dUYEqeNMDJdlEt', '#OjosComoPuñales', NULL, '#OjosComoPuñales es un proyecto audiovisual basado en 13 textos del libro de Julián Marcel, que lleva el mismo nombre. Cada uno fue dedicado a una mujer. A través de una cadena de interpretaciones, fusionamos las palabras, con las luchas, con los colegas independientes que saben la importancia que tiene nuestro rol de comunicadores sociales. Visibilizando el trabajo diario de esas mujeres, que hacen de este mundo un lugar mejor. 13 historias, 13 profesionales que se salen de sus espacios para generar uno nuevo, en conjunto. 13 mujeres que le ponen el cuerpo a la vida, literal. Y tienen una batalla en sus manos, que con el mayor amor y respeto, traté de reflejar con el trabajo. La re construcción. La lucha contra el cáncer. La maternidad responsable. Autogestión e independencia artística. Superar miedos. La contención. #NiUnaMenos. Nuevas generaciones que piensan en comunidad. Educación igualitaria, inclusiva, llenas de derechos y amor. #AbortoLegalSeguroYGratuito. Donación de órganos. Respirar. La amistad. #SinNosotrasNoHayCarnaval. \nPor 13 días,lo compartimos en las redes sociales\nLa idea, dirección y producción es de Laura Lasalvia, pero en realidad #OjosComoPuñales somos: Claudia (UY) Daiana (UY) Natacha (AR) Daniela  (UY) Erica (AR) Nadia (UY) Ana (BR) Marian (AR) Agustina (AR) Lucía (AR) Carolina/ Majo/ Murga Detonada (UY) Laura (UY) Chiroye (AR) Xhala  (AR) Milo (CH) Mandela (AR) Juliá (AR) \nTodxs vamos y venimos por la calle y sabemos que #ElArteCallejeroNoEsDelito.', NULL, NULL, 'Son 13 videos de un minuto cada uno. Puede exponerse en cualquier pantalla/monitor/proyector/tablet o celular. Todos los videos al mismo tiempo en diferentes lugares, o seguidos. Es un proyecto muy flexible.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/playlist?list=PLUmDn1i5pG2KCkHKojHZ6gB0Umi94e2Ev', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 300, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 241, NULL, '2020-03-02 23:00:05', '2020-06-24 15:47:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4731, 'xYbteFhFdPueHOxL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:02:54', '2020-03-02 23:02:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4732, '99kc3Z0VkmRTJhPe', 'Grupo Performatico Picante', NULL, 'El proyecto de movimiento abarca diferentes dimensiones del espacio en relación, donde lo perceptual es protagónico, así como los distintos aspectos que despiertan los sentidos, buscando una experiencia espacial que haga surgir una serie de emociones que a través de los puentes creados por los sentidos, percepción y memoria puedan trasladar al espectador hacia todos aquellos lugares olvidados procedentes del mundo onírico. Una utopía referenciada en un espacio físico adquiriendo así una dimensión existencial que crea una serie de alteraciones en el entorno, configurando una atmósfera poética.\nTrabajamos la improvisación en danza, performance, música experimental y visual en formato digital analógico. Sincronía entre imagen y sonido de una precisión imposible de reproducir en video, o a través de Internet, y por ello sólo puede percibirse su efecto en vivo. Performance que busca la composición y la actualización constante, entre la improvisación individual y la creación grupal, que se redefine y evoluciona en sí misma y en cada presentación.', NULL, NULL, 'ESPACIO ESCÉNICO IDEAL: piso apto para danza, con una superficie de 5 metros de ancho por 3 metros de alto para proyectar las imágenes, pudiendo ser una pared o un lugar disponible para colgar una tela, todo susceptible a modificación de acuerdo al espacio establecido.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=q-tHEtLlrgs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 303, NULL, 49, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 244, NULL, '2020-03-02 23:05:42', '2020-06-23 15:29:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4733, 'ArVrNg2tx0b95znB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:07:19', '2020-03-02 23:07:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4734, 'rSzj7HEuMh1rE5f6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:07:35', '2020-03-02 23:07:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4735, 't8rBQSuTdVGxxcm0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:10:10', '2020-03-02 23:10:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4736, 'VqHl3SkibENNcJdx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:15:40', '2020-03-02 23:15:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4737, 'me21KBzYEbGij6s8', 'Churrasquin Modernin', NULL, 'Em três Churrasqueiras em formato de maquetes de edifícios modernos, fazemos churrasco vegetariano. As Maquetes ão do MASP , da Lina Bo Bardi e o MAC e o Palácio da Alvorada, do Niemeyer.', NULL, NULL, 'Praça pública ou calçada. O churrasco é aceso durante a hora do almoço.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 301, NULL, 48, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 242, NULL, '2020-03-02 23:19:34', '2020-06-23 03:00:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4738, 'CQYxz9qsQvr1IWBN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:20:32', '2020-03-02 23:20:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4739, 'sMqdZoN5RD25Zzba', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:22:26', '2020-03-02 23:22:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4740, 'EXUsv7Z9mzCxx0s7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:22:28', '2020-03-02 23:22:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4741, 'cqyQUHpGBrOISOcD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:22:30', '2020-03-02 23:22:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4742, 'hxR8y2SQJ5D5NgZq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:29:13', '2020-03-02 23:29:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4743, 'OCbQH8eNToYMCIPV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:29:17', '2020-03-02 23:29:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4744, 'BMHXnn3VBvphgIbL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:29:30', '2020-03-02 23:29:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4745, 'Tuqt3tay9Q8LQt7T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:30:32', '2020-03-02 23:30:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4746, 'Y93K1RMYienBeZcO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:30:55', '2020-03-02 23:30:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4747, 'xzAVQx4MR4AdVf54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:32:54', '2020-03-02 23:32:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4755, 'cX9sfXR8xFA2QYUO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:42:25', '2020-03-02 23:42:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4756, 'ven62OwmSp0j8kqJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:45:47', '2020-03-02 23:45:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4757, 'rpkeA1IlrZIAlMdG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:47:05', '2020-03-02 23:47:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4758, 'E7HBdWm7Nee5GMH9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:47:46', '2020-03-02 23:47:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4759, 'bHcuvsXqEtrghYJ6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:48:26', '2020-03-02 23:48:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4760, 't4jqgsPcyVIySu6q', 'Breve', NULL, 'O Solo Breve ​parte da história autobiográfica da avó de Tatiana Guimarães, fazendo um paralelo desta com a situação macropolítica do Brasil, do fim da ditadura militar até os dias atuais. Lança um olhar artístico para esse período, que se inicia no processo de redemocratização, passa por ciclo de progressivas conquistas de direitos civis e sociais, e é enterrado com a eleição presidencial de 2018; em paralelo à história de vida e morte da avó da artista neste mesmo período.\nBreve parte do pressuposto de que a ascensão do autoritarismo no Brasil e no mundo tem profundos traços patriarcais e traz como pano de fundo a perspectiva de um atentado ao feminino - metaforizado no projeto nas figuras da avó e da democracia - que é cíclico na história da humanidade, como na Caça às Bruxas, que ocorreu entre os séculos XVI e XVII.\nEm uma camada mais mitológica, o trabalho reflete dualismos como vida e morte, feminino e masculino, democracia e autoritarismo, que estão em contínuo confronto e que se desestabilizam de forma irruptiva de tempos em tempos, como é o caso de agora. Em seu aspecto formal, Breve estabelece diálogos entre a dança e o cinema, uma vez que as cenas foram criadas a partir de sinopses cinematográficas de cunho documental e autobiográfico.', NULL, NULL, 'Espaços com mais de 3x3 metros. A performance pode ser apresentada tanto em espaços cênicos convencionais quanto em espaços alternativos.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394689274/16a38f15f2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 309, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 246, NULL, '2020-03-02 23:50:28', '2020-06-23 15:29:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4761, 'qOnEpe5LUdtu3ja5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:51:38', '2020-03-02 23:51:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4762, 'vgR6lQxTq7Eh8iP0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-02 23:52:36', '2020-03-02 23:52:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4763, 'tU1N2lWf6wpta6xp', 'El gran brujo', NULL, 'Un grupo de obras graficas ( collage), predominante en ellas el dibujo. Acompañado por esculturas en nylon.', NULL, NULL, '10 metros lineales dentro de una sala', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 308, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 245, NULL, '2020-03-02 23:54:06', '2020-06-23 03:00:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4764, 'Lj4THPt463GhJMJj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:07:12', '2020-03-03 00:07:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4765, 'oIDuNpBzmEvB9t4J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:10:31', '2020-03-03 00:10:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4766, 'tNdCNuBTlnVvECAV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:15:24', '2020-03-03 00:15:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4767, 'LRznohRYiw7WsBTb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:16:46', '2020-03-03 00:16:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4768, 'rRBwBk981KQ51gBH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:17:11', '2020-03-03 00:17:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4769, 'hLuOSLwjySiCmzBO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:22:33', '2020-03-03 00:22:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4770, 'CCtZOYQdq49iusHj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:43:33', '2020-03-03 00:43:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4771, '5hhYpQICaIZSjjWn', 'Contra el Olvido...tras las huellas de la verdad.', NULL, 'Contra el Olvido…tras las huellas de la verdad.\n\nEste Proyecto nace de la necesidad de contribuir con el proceso de reparación a las víctimas del conflicto armado en Colombia en tiempos de Paz, de post Conflicto. \nLa idea de hacer pintura mural-tela de gran formato es llevar el trabajo a espacios públicos de manera itinerante donde se visibilice a las víctimas, el arte siempre va a ser un elemento importante en la vida del ser humano. Funciona para ponernos a pensar y a reflexionar. Vivimos en una sociedad donde hay muchos elementos que mantienen al ser humano “encajado- encajonado”.\n\nEsta pieza de formato mural 7 * 5 metros, tiene su creación y participación directa con las víctimas. \n\nEl artista como etnógrafo, estableciendo vínculos con objetos fuera del contexto original. El territorio como una plataforma donde confluyen objetivos y percepciones, un observatorio para analizar fenómenos, cartografías de procesos, un lente sobre las realidades cotidianas que confluyen los paisajes sociales. \nLa acción misma del pintar concentra la actividad en el que el gesto y la razón, abre las posibilidades poéticas desde la composición. Construcciones estética de memoria e historia del conflicto.', NULL, NULL, 'Telón – Mural; Lona Calima de 7 metros de largo por 5 metros de alto, con ojales en la parte superior e inferior para ser colgada sobre muro o fachada de edificio, esta reforzada en los costados con costura, la pintura empleada es acrílico y esta reforzada con emulsión acrílica, soporta intemperie( sol-agua).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 310, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 247, NULL, '2020-03-03 00:46:16', '2020-06-23 03:00:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4772, '9TCO39GsgQl2oHI9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:47:11', '2020-03-03 00:47:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4773, 'Gcm5BmfupOjbKfqZ', 'Noxaí', NULL, 'Noxaí\n\nUna comunidad en el interior de Rio Grande do Sul, donde una costumbre peculiar se transmite de generación en generación:\n\nLas mujeres aprenden, desde los primeros años de vida, a recoger piedras en su camino y guardarlas en una bolsa que siempre llevarán consigo. Se cree que el acto de sostener estas piedras cerca del cuerpo trae suerte y garantiza el paso al paraíso cuando termina la vida en la Tierra.\n\n\nNota: El trabajo fue producido a partir de una narrativa ficticia y de actuaciones, explorando metafóricamente el tema de la desigualdad de género y  el hibridismo existente entre la realidad y la ficción.\nNoxaí participó de tres exposiciones en Brasil y fue premiado en el 24º Salão Anapolino de Artes.', NULL, NULL, 'Originalmente consta de 1 video y 11 fotografías impresas en papel matte y dispuestas en molduras estrechas. 9 horizontales en tamaño 45x30 y 2 verticales en tamaño 40x60. \nPensando en adaptar el trabajo según lo definido por Bienalsur, envío 9 imágenes por upload, pero se puede ver el projecto en su totalidad en el link a mi sitio web. También envío el link al video. \n\nEstoy abierta a sugerencias de los curadores para que el trabajo se adapte mejor a la exposición.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Rxi7weg-lTU', NULL, NULL, NULL, 'https://estefaniayoung.46graus.com/portfolio/noxai/', NULL, NULL, NULL, 1275, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1110, NULL, '2020-03-03 00:54:20', '2020-06-23 02:23:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4774, 'Cq5YX3BO5xWkQAaW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:56:11', '2020-03-03 00:56:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4775, 'mStnMIiuJh2vNBGs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:57:46', '2020-03-03 00:57:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
