Certain urban pockets are slipping away from human habitation due to spillage, war, heavy mining, pollution, nuclear radiation, climate change and deep space radiation etc.. Such spaces are 'excess' of an incident – heterotopias – intense, hostile, and transforming – worlds within worlds, mirroring and yet upsetting us what is outside. How to approach the inexhaustible ontology of such empty spaces and speculate? Can we fill these spaces with flora and fauna or animals, incorporate with designing horror vacui ? Can hyper Socia Media technologies adhere to this design? 

My proposed project Dear Document Fukushima approaches the ‘documentation’ of Fukushima that I shot and collected during my last visit to the exclusion zone in 2014. The project tries to grasp the wild imaginary of Fukushima as a metaphor, at a Social Media scale and imagine an afterlife. I have been thinking of the process of dissemination of material on social media and social media duration as a counter? During my visit to Fukushima, I accumulated 60GB of audiovisual material. Revisiting the material opens new entry points into this grand mythology. A close study and processing of the material may result into a long video essay film or multiple video installations and a series of lecture performances. While dealing with Fukushima, I consider human dehabitation – a flip towards the other side of the climate crisis, or my own progressive exit from this mythology.