Dhvāni, meaning resonance, is an AI-driven, interactive, responsive and self-regulating sound installation that at its core draws on the idea of Networks, and inter-subjectivity. Emphasizing the role of the listener, and situational context of listening as the triggers towards construing an artistic experience, the project examines the position of the listening self against an overarching emphasis on artistic object for consumption permeating in the Western art tradition. Departing from the object, the project aims to create fertile and evolving “auditory situations” where the selfhood and subjectivity of the listener can be considered in an inclusive manner so as to encourage a participatory approach in sound art via a networked inter-subjectivity. The project also develops an understanding of the role of chance and contingency in sound experience as a mode of creating temporal disjuncture for the “divine intervention” as Indian musician Gita Sarabhai informed John Cage in 1946 helping to shape Cage’s subsequent work with chance composition (Cage 1973: 158, 226).