Dear Bienalsur. 

Firstly I want to thank the committee for inviting me to the second stage.

I already wrote an elaborate text of the meaning and philosophical background of the project, so if I am going to expand my description I choose to emphasise on two things. One: how the project can be calibrated to potentially suit Bienalsur needs. Two: the reception the project got in Oslo, Norway. 

1: The project as a whole is a comprehensive room installation. It consists of 3 sculptures, a "pedestal" in the form of a fireplace frame, 1 ton of gravel, 2 tons of red tennis clay (used at Roland Garros/French Open), tennis court lines in plastic, and blue Plexipave paint for the walls (used indoor at US Open in New York). I suggest that the biennale either go for the "whole package" and install the tennis-court in a designated space - or show the 3 sculptures separate from the room installation. 

2: In addition to exclusively positive art reviews in big media and a lot of buzz, the "Death Drive" exhibition made an all-time record in term of visitors both online and at the gallery. A larger delegation from the National Museum of Norway showed interest, and works were sold to the prominent European art collector Rolf Hoff (Mr. Hoff have confirmed that he will lend out the works to the biennale). The exhibition was also nominated for Best Art of the Year by the influential Norwegian culture magazine NATT&DAG (approx. 150.000 readers).