The project is devoted to geology of the Anthropocene, and to photography as a medium in which a post-natural landscape is coming into being. The exhibition is based on a juxtaposition of two photographic series by Zamoyski. In ‘Cityspaces’ (2017), the artist looks at urban spaces as if they were a work of nature - or pure chance. Zamoyski frees his photographic images of narrative, metaphors, and context. Instead of a discourse of the cities, the artist focuses on their substance and structure. ‘Antarctic Typology’ (2018), was created during a cruise from Ushuaia, through Drake Passage, to the Antarctic Peninsula. The cycle consists of "portraits" of Antarctic waves and icebergs. Zamoyski creates photographic images of the water frozen by the camera, and frozen by the polar climate. The common thread of 'Cityspaces' and 'Anatractic Typology' is the absence of people in the frame. But, although invisible, a human being is ubiquitous in this project. A human is a photographer who transforms the waves or a fragment of the city into an image. A human being is a viewer who recognizes the concept of a landscape in this image. Likewise, mankind's activities is what links cities with polar seas and icebergs. Urbanization is accelerating climate change. Ice melts, the seas are rising. In the long run, they will start to absorb cities. Zamoyski photographs the sea, ice, and city in the same way - he does not impose the meaning on reality but looks for this meaning in reality’s image.