In my practice, actions such as drawing, dancing, weaving, photographing are mediation for conscious relationship between me, myself and my context. Structured by repetition, my practice reformulates the experience of everyday life: instead of an idea of monotony (of tasks), the repetitive has an aesthetic role of poetic virtue (poiese). A creative function that I use as methodology to induce new organizations.

The sculptures that I propose, emerge from the action of knitting. Action that I use to generate a delay/permanence time — which contradicts the urgency of contemporary times —, and a relational space, where virtual interlacing are made with different knitting generations (mostly in the female field).
Therefore, this works should not be perceived as closed forms, showing perfection or virtuosity technique (knitting), but as sensitive forms of a lived experience organized in tactile and kinesthetic impulses, in dynamics established between interiority and exteriority, present and memory.