Sine Nomine is the result of one experience, one encounter between artist and female figure.

It is also the result of a deeply personal investigation into the idea of the complexity of identity and the politics of gender.

Upon being presented with the work, one can sense the convoluted nature of the conversation. Central to the series is the engagement of identity as fluid versus static. 

The photographer carefully frames the dance between himself and his subject frame by frame. He is mining the depths and edges of ideas ranging from beauty to ambiguity, to intimacy and to identity. 

This work is imbued with light. In the beginning hers is a divine radiance, a suggestion of divine presence.  Here the word disambiguation comes to mind;  a need for elucidation, illumination, a removing of obstacles to  allow understanding.

However as the series progresses a gradual erosion of her silhouette occurs, it is as though she is being consumed by this light to point of quasi dissolution. 

Her transformation into a totem and or an effigy seems undeniable. 

Sine Nomine is a personal dialogue addressing the fragility of the self in relation to the individual and in relation to others. 

Art challenges our ideological status quo and helps catalyze the international gender discourse. 

Giorgio Possenti’s work aesthetises this dialogue; we not only willingly engage with his work, we surrender entirely to it.