INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31065, 'lbrpEvzA7nVJWlwX', 'Bravaria. La conquista de lo imbécil.', NULL, 'Es un proyecto de sitio específico y mi intención es llevar esa idea hasta la profundidad. Construir un reino en un museo. Para esto hay que residir en el museo,conocer el territorio, el clima, las zonas de derrumbe, los códigos lingüísticos. Trazar un mapa y un plano posible que incluye los horarios, movimientos y recorridos de quienes habitan el suelo, los gestos, los afectos, las lealtades, las disidencias y por supuesto lo arquitectónico. Como una antropología del museo. Es un proceso donde los acontecimientos inmediatos y cotidianos serán el disparador de cada pieza escultórica, de cada vídeo. Una manera viva, subjetiva y personal. La experiencia “Bravaria. El reino inexistente” que realice en el MUMU  nace de una idea que terminó de madurar en Inglaterra, durante un viaje que hice en el año 2018.  En Córdoba (Arg.)  ya corría la cuenta regresiva para la visita de la realeza española por el Congreso de la Lengua. De pronto me encontraba rodeada de información sobre reinas, reyes y cortes. (Adjunto imágenes y vídeo)\nMe interesaba mucho la manera de sostener el poder simbólico que tienen las grandes potencias occidentales. \nY cómo, desde el monumento que deviene en souvenir, se construye una identidad y una cultura. \nEl reino de “Bravaria” se sostiene sobre tres ejes conceptuales: La invención, lo establecido y el absurdo.\n“Bravaria. La conquista de lo imbécil” es una continuidad y propongo sumar un streaming constante de toda la experiencia de desarrollo y construcción.', NULL, NULL, 'Espacios patrimoniales o museos donde se pueda disponer de un lugar para producir esculturas, dibujos e instalaciones in situ  por 15 días mínimo. Tiene que ser fuera de Córdoba y preferentemente de Argentina. Lima o México son lugares donde este proyecto puede ganar fuerza (No se descartan otros países). Posibilidad de disponer de 2 o 3 salas para exponer la producción, proyectores y/o plasmas. En MUMU fueron 5 salas y el patio como taller.\nContar con asistencia para esculturas grandes.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429089990', 'Bravariamumu', NULL, NULL, NULL, NULL, NULL, NULL, 5951, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4896, NULL, '2020-06-14 03:05:56', '2020-07-27 20:49:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31066, 'Lw8TDvlKGHdXRufp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:08:02', '2020-06-14 03:08:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31067, 'oDwyGX1aGUg02joo', 'Amor mio', NULL, 'Falar de amor através da arte, divulgando a cultura cigana, tão pouco conhecida do público, através da música e dança.\nCantor e compositor: Juan Victor\nCantora e dançarina: Jackie Chermont\nCanção: Amor mio', NULL, NULL, 'Este vídeo foi gravado em nossa casa, em tempos de distanciamento social.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3855, NULL, 487, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3278, NULL, '2020-06-14 03:09:43', '2020-07-02 20:35:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31068, 'Ysn03n8i0GTVXFRB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:11:10', '2020-06-14 03:11:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31069, 'SEWh0wXNNT7yNu7n', 'Niveles sobre la botánica oculta', NULL, 'Concepto del proyecto \nInvestigación sobre la botánica oculta y la disciplina de los herbolarios, practicas ancestrales de curaciones, se propone hibridarlas con los lenguajes de la pintura abstracta orgánica y geométrica. Se trata procedimientos químicos de extracción liquida de plantas y esencias florales para obtención de diversos pigmentos de hierbas y plantas.\nCaracterísticas formales \nSe ha elegido diferentes hierbas, plantas y frutos para un proceso químico de despigmentación, extracción o maceración con líquidos: agua oxigenada, alcohol, vinagre, aceite de vaselina y aceite vegetal, estos líquidos pigmentados me sirven para ser envasados en capas de vidrios, tubos de ensayos, pipetas, para ser mostrarlos como niveles de eficacia para el restablecimiento del sujeto (cura medicinal). Para su instalación  se requiere que sean enmarcados para sostener los tubos y las capas de vidrio.\nEn otra pintura estos pigmentos han sido chorreado dejando manchas de color en el lienzo crudos, con un efecto luminosos por unas pipetas que contienen agua oxigenada formando una estructura sobre la geometría moleculara de un virus que afecta al sistema inmunológico.\nEn los tres dibujos (proyectos para obras) de acrílicos sobre cartulina canson se muestra un cubo (remolacha), cuboide (zanahoria) y estructura geométrica ensamble de queso (vitamina D), choclo (zinc), tomate (vitamina E) y kiwi (vitamina C), que al juntarse alude al restablecimiento viral y de manera poética anti Covid.', NULL, NULL, 'El espacio expositivo es cubo blanco  pero con paredes grises para contrastar con los marco blancos que sirven de soporte a las obras bidimensionales,  se ha propuesto realizar 8 pinturas movibles  pequeño formato que miden 25 x 25 cm c/u en una instalación con repisasen en un área de 70 x 180 cm y otra con tubos de ensayos enmarcados,  1 pintura en lienzo crudo  de 100 x 120 cm y tres dibujos en acrílico sobre cartulina canson que miden 70 x 100 cm c/u enmarcados en blanco.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/p/Bv6y3HyFMai/?igshid=pj04hm8km6fv', NULL, NULL, NULL, 3872, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3294, NULL, '2020-06-14 03:13:46', '2020-07-02 20:36:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31070, 'SXQLmNko0IultKie', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:16:41', '2020-06-14 03:16:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31071, 'EsmTQrJGHVNBzGQq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:17:22', '2020-06-14 03:17:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31072, 'Xc3cJFP75qiysPcj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:18:40', '2020-06-14 03:18:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31073, 'OmDBuAsuvzclMuX0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:19:33', '2020-06-14 03:19:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31074, 'kRmurnbcF0hFhv2y', 'Partitura para sujeto A, sujeto B', NULL, 'Video-Acción\nDos partituras / electrocardiogramas para dos violines \nInterpretes: Fernanda Herreman y Carlos Alegre \nDuración aproximada: 3:48 mins\nEn esta pieza se contraponen dos electrocardiogramas, los cuales registraron la afectación corporal de dos personas, mientras éstas narraban la historia de su rompimiento amoroso, sin previo dialogo entre ellos. Las representaciones gráficas registradas en los electrocardiográmas, se transcribieron en una partitura para ser interpretada a dueto por dos violines. La recreación sonora a ejecutar pretende abrir nuevas narrativas en torno a la somatización de dos cuerpos al dejarse.', NULL, NULL, 'Un cuarto oscuro con la proyección y bocinas para el audio, En la entrada del cuarto se sugiere la muestra de ambas partituras, aunque no es necesario.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/262865373', NULL, 'https://soundcloud.com/ngela-leyva/partitura-para-sujeto-a-y-b-presentacion', NULL, NULL, NULL, NULL, NULL, 3785, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3230, NULL, '2020-06-14 03:19:38', '2020-07-20 21:38:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31075, 'YDLjxNdBFovL0xeU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:23:58', '2020-06-14 03:23:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31076, 'K4lDRpsiD3SDr7HF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:24:11', '2020-06-14 03:24:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31077, 'AdZjFmuzWotbHP0V', 'hybrida', NULL, 'Hybrida\nluz, polietileno, árboles, viento, cable de acero, corriente, sonido.\n\nEmplazádose en el terreno orgánico del bosque subantártico fueguino, Hybrida propone un recorrido, un sendero, una serie de intervenciones, donde los elementos artificiales generan un campo de experiencia extrañado.\n\nHybrida es un proyecto mutante que propone nuevas conexiones y diálogos entre la naturaleza y la tecnología, pensándolas cómo un organismo mestizo bio-tecnológico. Imagina un futuro (o presente) donde las fronteras entre lo biológico y lo artificial se desdibujan para darle lugar a nuevas formas que nos permiten repensar las relaciones entre lo orgánico, la máquina y humanxs.\n\nPlanos de polietileno, líneas de código, sonido, geometrías lumínicas, atraviesan el bosque. Pero también viento, árboles, lluvia. \nCaos. \nLa deriva, contenida solo por las convenciones del sendero, compone una experiencia singular para cada unx que transita el espacio. \n\nEntre segmentos de la realidad y códigos cifrados, Hybrida propone un recorrido, experiencia inmersiva sonoro-lumínica-ambiental.', NULL, NULL, 'El espacio planteado para este proyecto es el bosque subantartico fueguino, como el Parque Nacional de Tierra del Fuego, o la senda del guanaco.Por lo tanto, las dimensiones para el desarrollo son variables. Se necesita corriente eléctrica (ya sea directa o con generdaroes ) y acceso de vehículos a la entrada del espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4064, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3459, NULL, '2020-06-14 03:24:23', '2020-07-03 21:46:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31078, 'CcI0nV1S36zcBfAt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:25:01', '2020-06-14 03:25:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31079, 'kaOc9R1rt6XGHdTC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:25:25', '2020-06-14 03:25:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31080, 'Xv8eg66iiuEp37Dw', 'Palabra clave derrumbe', NULL, '“Palabra clave derrumbe” es un proyecto que se compone de fotografías, textos y el entorno Google maps. \nPRESENTACIÓN \nUn espacio cerrado con un dispositivo conectado a internet para acceder al trabajo, y una pantalla fuera de este ambiente, en la cual se proyecte en simultáneo el dispositivo de la habitación.\nTambién se podrá acceder al proyecto a través de la plataforma Google maps desde cualquier lugar del mundo.\nCONCEPTO\n¿Dónde estamos ubicados cuando la nostalgia nos habita? El trabajo explora este sentimiento en la intersección entre lo íntimo y lo público, utilizando las herramientas propias de Google maps. Se propone además un espacio para volcar “reseñas” vinculadas al Proyecto, que con el paso del tiempo sumarán nuevas líneas de sentido al trabajo, generando un feedback. En el territorio virtual casi todo registro sucede a través de una pantalla, por lo que la nostalgia aparece de modo preponderante, sin embargo el cuerpo solicita de diferentes espacios para permanecer.  \nRESEÑA\nLa 1er. reseña (por el autor) servirá de introducción a la obra y de disparador a futuras reseñas. \nPuede leerse accediendo a visitar la obra,  ingresando en el buscador de Google maps : Palabra clave derrumbe', NULL, NULL, 'Centro Cultural Ricardo Rojas o algún espacio cultural vinculado a la enseñanza con talleres, cursos, etc. donde se generen mas posibilidades de interacción entre quienes acuden al espacio y el proyecto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.google.com.ar/maps/place/PALABRA+CLAVE_DERRUMBE/@-34.6348932,-58.4751102,17z/data=!4m12!1m6!3m5!1s0x95bcc9f693a17b65:0x630af072b7400af4!2sPALABRA+CLAVE_DERRUMBE!8m2!3d-34.6348932!4d-58.4729215!3m4!1s0x95bcc9f693a17b65:0x630af072b7400af4!8m2!3d-34.6348932!4d-58.4729215', NULL, NULL, NULL, 5531, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4591, NULL, '2020-06-14 03:25:56', '2020-08-03 18:21:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31081, 'UhMFPf0zQuH91kA4', 'sin titulo', NULL, 'A día de hoy se han establecido en nuestras vidas   nuevas  formas de organización y estructuración   social,  basadas en el distanciamiento y el aislamiento.El \"Stay home\", \"quédate en casa\" se ha convertido en el sistema de control frente al miedo.Muchas de nuestras libertades se han visto afectadas , a causa del estado de emergencia sanitaria en el que nos encontramos\nEl contexto de la pandemia  me provoca pensar urgentemente en el impacto que esta tendrá sobre mi cuerpo y su accionar político.Un cuerpo sometido  ante el miedo y el encierro es un cuerpo alterado, es un cuerpo vulnerable , débil inmunológicamente , incapacitado para protegerse y reaccionar .\n\nEsta pieza se construye y configura a partir de un libro encontrado en la biblioteca de mi casa titulado : educación cívica, moral y política editado por Editorial Juventud de la Paz,Bolivia, atravesado por un machete a la mitad del mismo. A través de este gesto  reflexiono acerca de estas preguntas :\n¿Cuales serán las nuevas características de nuestros cuerpos después de la pandemia?¿El control sobre el miedo es solo el nuevo estado de poder mundial reactualizado?', NULL, NULL, 'La pieza esta  pensada para ser expuesta sobre el piso, la misma no ocupa mas de un metro cuadrado', NULL, 'artist', NULL, NULL, NULL, NULL, 'hhhh', NULL, 'https://drive.google.com/file/d/1yIiH4DWtk5vMPkY1s_XnajI5Q9P3-UD6/view?usp=sharing', NULL, NULL, NULL, 5122, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4275, NULL, '2020-06-14 03:26:49', '2020-07-06 17:19:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31082, 'u9jsU2LKOS8umVKY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:27:18', '2020-06-14 03:27:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31083, 'ugQcAIuW1tEIFrTn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:27:48', '2020-06-14 03:27:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31084, 'maeg6XsV4eEZfZBM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:28:48', '2020-06-14 03:28:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31085, 'CTcBS6lnTlJI8TH5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:29:19', '2020-06-14 03:29:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31086, 'LGZppqcJEF5bsIbC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:30:10', '2020-06-14 03:30:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31087, 'Gx9dx9Pp7JUyuk7Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:31:40', '2020-06-14 03:31:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31088, 'S0qVxzSqpJm3JyKy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:33:37', '2020-06-14 03:33:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31089, 'DOA47jqYynk0bYmk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:34:31', '2020-06-14 03:34:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31090, 'YRmTHCaBGNApzO79', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:35:18', '2020-06-14 03:35:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31091, 'SfDSuLM2ZlZvrq44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:35:29', '2020-06-14 03:35:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31092, 'ELKLG4nwwZMRgWEZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:36:34', '2020-06-14 03:36:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31093, 'Ys9068H6vVpgLb73', 'Devenir plástico', NULL, 'Devenir plástico sos relieves escultórico/textiles, con una mirada un tanto pesimista, sobre el proceso que viene sufriendo la tierra y todxs sus habitantes a partir del uso del petróleo y sus derivados, permitiendo la industrialización de todo y el mega estractivismo. Por otra parte, muestra un rayito de luz que se cuela por la hendija, es la posibilidad de disminuir este problema con el reciclado del material. Desde las prácticas artísticas podemos marcar, señalar e invitar a acciones colectivas, que mejoren los usos de este material. Reconozco la atracción que nos genera la tecnología, la máquina y la mixtura con lo humano/animal. En estas piezas investigo el encuentro entre la fibra animal (vellón de lana) y el polietileno. Devenimos plástico en las ciudades, devienen plástico los ríos y mares. Micro y macroplástico transforman el planeta y es inminente una nueva era :  el \"antropoceno\" (el ser humano modifica inevitablemente el planeta que habita). Y así como la micropolítica nos atraviesa la vida, el microplástico en lo matérico, se queda en nuestro cuerpo y en el cuerpo del mundo todo. Entonces “devenimos plástico” como una transformación del inconsciente. La palabra repercute en en aire expandiéndose y atravesando la materia la modifica. Un cuerpo que cae en el agua, hace su expulsión y crea ondas que llegan hasta una orilla. También las ideas y acciones pueden ser reales transformadoras de realidades adversas.', NULL, NULL, 'Son relieves escultóricos realizados en vellón de lana modelada y polietileno, que se adaptan a distintos espacios. También pueden instalarse en el piso. Una pieza que está  en proceso puede ser intervenida por el público visitante, ya que representa un gran nido, donde se entrelazan ramas (material vegetal), paja, lana, barro y plástico. \nLos tamaños varían  entre 50 x 50 cm y 200 x 200 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2398, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3245, NULL, '2020-06-14 03:37:28', '2020-07-02 02:11:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31094, 'Stlunghub0GyID6O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:37:48', '2020-06-14 03:37:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31095, '5aQUsegRNsuRPtvj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:39:27', '2020-06-14 03:39:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31096, '1aqgHY1V7nC9GXUJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:44:24', '2020-06-14 03:44:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31097, 'vwmIAGPUz1QeQeMK', 'Batalhão', NULL, '\'Batalhão\' é uma instalação, cujo o chão de um ambiente é forrado por milhares de envelopes brancos e vazios, dispostos num rígido alinhamento. Diante dessa forração de alta alvura, um único envelope de época, de órgão censor, onde a etiqueta apresenta o brasão da república junto com a escrita em caixa alta do termo \'ABERTA PELA CENSURA\', fica disposto, solitário, em uma das paredes da sala. No canto oposto a essa parede, fica disposta no chão uma coluna de envelopes, correspondente ao número desses invólucros necessários para preencher a área restante, ou seja, de chão descoberto. \n\nAlgumas leituras podem ser feitas diante desse conjunto de papéis, mais o documento da censura. A instituição (representada pelo envelope amarelado) fica numa altura acima de uma \'multidão\' de mesmo objeto e comum (envelopes brancos), com as implicações que significam as relações de hierarquia. Pode-se pensar nas inúmeras correspondências que foram condenadas, desaprovadas e esvaziadas, que não encontraram seus destinatários. Os envelopes são brancos, como apagamentos provocados e desejados por regimes autoritários. E as abas, ligeiramente levantadas, remetem a pequenas lápides sem inscrições, além da contraditória impressão de estarmos diante de um mar, em \'pixels\', com reflexos de seus movimentos.', NULL, NULL, 'Como escolha do espaço, dá-se importância a locais, cuja característica possa configurar como ambientes \'transitórios\', ou de passagem. Esse fator é determinante, na leitura que esses envelopes no chão, impedem a livre circulação, uma vez que não é possível pisá-los.\nComo área mínima, dá-se preferência por salas de pelo menos 50m2, sem limite para espaços maiores.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5024, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4213, NULL, '2020-06-14 03:45:11', '2020-07-22 00:49:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31098, 'icKnuDdY4GdvQFG0', 'Sin espacio para ser. Serie fotográfica. 50x35 cm. 2018', NULL, 'Seis fotografías muestran primerísimos planos de piel humana plegada, apretada y hendida con una cuerda delgada, una línea casi imperceptible. Los planos están casi llenos por esas pieles que, estando atadas, se transforman en abstracciones a merced de la subjetividad de quien las mira, imaginando, quizá, qué partes del cuerpo se encuentran allí tergiversadas.\nLa imagen se contiene en la estrechez del formato. La carne constreñida reprime la libertad de las formas del cuerpo, disminuye su holgura en un intento fallido de obligarlo a ser lo que no es. Dicho cuerpo (o cuerpos) no cabe y aun así existe, se sabe que está allí ¿pero bajo qué condiciones?\nLa falta de espacio se convierte en una necesidad formal: Se hace necesaria la expansión del formato y con ello, la expansión de los límites del cuerpo. Y, ahora, ¿quién va a generar esa expansión?\n\nLa diversidad de los cuerpos humanos dentro de la cultura occidental se ve limitada a estrictos modelos que se empeñan en homogenizarlos estéticamente aprobando lo que se considera bello o no. Establecer cánones implica relegar la diversidad en busca de una perfección vacía, entender la otredad como un modelo de referencia.', NULL, NULL, 'Pared blanca o negra de 3,5 metros de largo por 2 metros de ancho. Fotografías dispuestas de forma horizontal, separadas unas de otras cada 5 centímetros. Se disponen centradas a lo largo de la pared y a lo alto a una altura visual de 1,60 metros. \n\nLas fotografías originales están impresas a 300 ppi', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3789, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3360, NULL, '2020-06-14 03:45:20', '2020-07-03 04:29:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31099, 'kIzZ4yom23TAvES3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:47:53', '2020-06-14 03:47:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31100, 'p30UIxTENRgjG6Av', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:48:10', '2020-06-14 03:48:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31101, 'ASlu7WTdtTnhfRGf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:50:00', '2020-06-14 03:50:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31102, 'Zv0cvZjQxTlr2UXg', 'Matria Útera. Un proyecto de arte colaborativo sobre la gestación situada.', NULL, 'Matriz Útera es un proyecto de arte colaborativo que explora las vivencias de las mujeres gestantes. Con la modernidad, se dio un disciplinamiento de la mujer en el que los saberes comunitarios del gestar y el parir fueron desplazados por la medicina. Esto significó una pérdida de conocimientos generados desde la sensibilidad femenina y un creciente bloqueo de la emocionalidad de las gestantes sobre los cambios que sufre su cuerpo. \nPara la Bienal Sur, se plantea una exhibición de piezas de cerámica hechas por mujeres gestantes que se les propuso representar su útero, órgano reprimido por la sociedad patriarcal. En ese proceso de factura de las piezas, las mujeres dialogaron con parteras y artistas y compartieron sus vivencias. Con las piezas de cerámica se exhibirán fotografías y un mediometraje del proceso. Esas voces registradas de las mujeres, atravesadas por una cartografía personal, tensionan las idealizaciones de la maternidad y denuncian los mandatos sociales que la regulan.\nMatriz Útera, como proyecto participativo, cuestiona la figura tradicional de autor siguiendo obras como la Estructura del self de Lygia Clark o Pedimento de Ana Gallardo; obras que dialogan con universos extrartísticos como las terapias y la vejez. \nComo actividad opcional, se propone sumar a la exhibición una convocatoria de mujeres gestantes para realizar una nueva obra colectiva y charlas sobre arte y maternidades situadas.', NULL, NULL, 'Se sugiere para la exhibición una sala de un centro cultural o museo de 3 m2 x 3 m2 como mínimo. En ella se expondrán una instalación de seis piezas de cerámica, una selección de fotografías y un mediometraje.    \nEn caso de ser posible hacer los encuentros con las mujeres gestantes para realizar una nueva obra colaborativa se necesitaría un espacio de 16 m2 aproximadamente.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/372211177', 'matrizutera', NULL, NULL, 'https://drive.google.com/drive/folders/1Y9m-WqSJ_gUqZ9QzfrE7_Hsgbwc4cnai?usp=sharing', NULL, NULL, NULL, 3800, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3240, NULL, '2020-06-14 03:50:09', '2020-07-24 02:53:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31103, 'ndoOJGs7F9GJXa2r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:51:13', '2020-06-14 03:51:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31104, 'dDYq0OTV5Mhu8Exu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:54:09', '2020-06-14 03:54:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31105, '49IuFYMemgqfzKZd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:54:15', '2020-06-14 03:54:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31106, 'FyzNrIiQkTSngMYq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:54:54', '2020-06-14 03:54:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31107, 'BqHIk0ySdWoRo6Bm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:55:05', '2020-06-14 03:55:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31108, '8RxXsKZfU2wfQHqb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:57:28', '2020-06-14 03:57:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31109, 'RNA6yQAP3lFZ3LxR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 03:59:50', '2020-06-14 03:59:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31110, 'zqsFnFvgx7ffH388', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:00:17', '2020-06-14 04:00:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31111, 'RcRLjInFN4IiU2n6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:00:19', '2020-06-14 04:00:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31112, 'FamLo9fhjiGgWr5X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:00:33', '2020-06-14 04:00:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31113, 'Q9HDxtkR2KyYFR1Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:01:33', '2020-06-14 04:01:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31114, '1dUhcgkWcEta6bBZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:02:17', '2020-06-14 04:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31115, 'erhWC8hMRewPevU1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:05:53', '2020-06-14 04:05:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31116, 'L8SNWKTg79CUtUhx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:08:49', '2020-06-14 04:08:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31117, 'w27HtxjQGD5OJWIQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:09:17', '2020-06-14 04:09:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31118, 'rkM7akRLJXj5Nmzg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:10:58', '2020-06-14 04:10:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31119, 'ln7PXzycADUiUnWF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:11:17', '2020-06-14 04:11:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31120, 'brZ1rYsW04ZJpb1B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:12:32', '2020-06-14 04:12:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31121, 'YEXqnkOP1D84IYgo', 'Espacio comunitario I', NULL, 'El happening tiene una realización de 3 días y está constituido por una tela de 10m x 5m, la cual será dañada por el público participante utilizando varios objetos punzocortantes, al mismo tiempo siendo reparada por un grupo de costureros. Se colocará en una pared un adhesivo en donde se leerá “Puede dañar esta tela, el deterioro que haya provocado será reparado por otra persona” a manera de instruir al público. Una vez finalizado, se exhibirá la tela resultante y se proyectarán imágenes del proceso. En la pieza, la tela se convierte en un lugar comunal y una representación social, en dónde existe un dialogo interminable entre sujetos que la destruyen y otros que la reparan, evidenciando que, aunque se intente restaurar la tela, el daño realizado es irreversible y ésta nunca recobrará su integridad inicial, sino que mientras el tiempo avanza se irá deteriorando cada vez más. Con esto se busca establecer la conexión existente entre el actuar individual y la repercusión que posee en lo colectivo, entender que las acciones de una persona influyen de manera directa en otras y en el entorno circundante, siendo nosotros quienes damos forma a este a través de cada pequeño acto. Esto conlleva a varios cuestionamientos importantes: si mis acciones como sujeto y como colectivo son destructivas o constructivas, como éstas afectan y afectarán a una sociedad futura, y como esta será. La tela es así una representación tiempo-espacial de la influencia humana, en su entorno y sociedad.', NULL, NULL, 'Espacio o habitación de por lo menos 17m x12m, mínimo de tres paredes blancas cercanas, idealmente 4, conexión eléctrica.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4465, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3760, NULL, '2020-06-14 04:13:36', '2020-07-14 23:43:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31122, 'YyS1rFTqtrOdSdYx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:19:29', '2020-06-14 04:19:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31123, 'PV4yZqYj82i3c1EB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:21:03', '2020-06-14 04:21:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31124, 'NkxD09R1yLrZAP5G', 'REENCARNACIÓN', NULL, 'La Reencarnación, un elemento inmaterial donde se origina la vida misma, nos ofrece la sensación de la pérdida,\nnos aleja cada vez más del presente desapareciendo  la vida, la sensación de asombro que el hombre siente cuando se enfrenta a la grandeza de la naturaleza hace que cada uno de nosotros vivamos nuestra extrema fragilidad y finitud, la presencia de la figura humana no es tranquilizadora sino que escapa a la razón al generar un sentimiento de  impotencia; el silencio representado por luces y sombras  infinitas invitan al espectador a escucharlo y en donde el color cuando se reduce en pocos detalles, forma una imagen tenue y descolorida de dominio de la vida.  \n\nCARACTERISTICAS FORMALES\nFotografía Digital.\nTamaño: 35cm (ancho) x 50cm (alto) x 2.5cm (profundo)\nImpresión: foto metal\nSistema de Montaje: bloque flotante.', NULL, NULL, 'Area para exposición pared de color blanco de 1.45 cm x 1.20 cm.\nOrganización de las fotografías:\n         2 filas de tres fotografías con un espacio entre ellas de 20 cm .\n         3 columnas con espacio entre ellas de 20 cm.\nIluminación: luz puntual.\nDetalle del Montaje: bloque flotante.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4030, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3437, NULL, '2020-06-14 04:23:42', '2020-07-23 04:02:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31125, 'hFe6SOHCwpdirsNK', 'Iguazú', NULL, 'Main Subject: Cataratas del Iguazú / Garganta del Diablo.\nThe concept of the painting should encompass the spectrum of the abstract to the point of figurative painting without formulating any kind of realism. The impression extends from expressive to graphic. \nA playful lively composition, free intuitive forms that connect, support and complement each, flying and dancing, prudently and carefully, as well as wildly and impetuously. Always embossed and Inspired by life, memories and feelings during the process, the painting should be an interpretation of a memory, a place and different subjects that is less tangible with words, rather shrouded in mystery without clarification. Decorated and interpreted by inner life and draw from the conscious, as well as from the unconscious.', NULL, NULL, 'Exhibition Space: Inner space on a wall\nCharacteristics: Oil on Canvas\nDimensions: 295 cm x 200 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3839, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3266, NULL, '2020-06-14 04:24:36', '2020-07-02 20:36:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31126, 'NSo0aJC6y8yuaNp3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:26:15', '2020-06-14 04:26:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31127, 'hbbD4BXRIwwoEGT0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:26:22', '2020-06-14 04:26:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31128, '5L9J0nbrhBZ16T00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:28:28', '2020-06-14 04:28:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31129, 'xGpctJnZLT5T949l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:28:53', '2020-06-14 04:28:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31130, 'aPoISDabxxSVsvvb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:28:53', '2020-06-14 04:28:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31131, 'ijzdvL3addoSUQ5S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:30:25', '2020-06-14 04:30:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31132, 'd7S0kol9Kl4FRbI7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:32:10', '2020-06-14 04:32:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31133, 'Q7b5QaxzxLKyvoyM', 'In Utilidades', NULL, 'Mi propuesta es una instalación conformada por un conjunto de piezas cerámicas, de pequeño y mediano tamaño, colocadas sobre el suelo en su mayoría, algunas sobre pedestales o bancos bajos. La sala debe tener iluminación tenue, cálida, recayendo las luces principales a lo largo de toda la instalación, tratando de generar un clima de intimidad.\nConsta de una extensión aproximada de 6mt de largo y 1mt de ancho.\nCada pieza está modelada a mano. Son formas que evocan evidentemente objetos utilitarios. \nMis cuestionamientos apuntan a, mas allá de las cuestiones puramente técnicas que hacen que una pieza sea utilizable, qué formas aceptamos como perfectas o imperfectas, en su técnica, en su forma, cuáles de ellas parecen propias a determinado mercado y cuáles otras al mundo del arte, ¿cuál es el límite?.\nCreo que como humanos, podemos hacer, fabricar cosas, objetos, que identificamos como perfectos, según nuestros propios parámetros, pero al fin y al cabo estamos en los errores, en lo irrepetible, lo que se nos escapa. Aspectos que nos vuelven oscuros, frágiles y vulnerables, siendo conscientes de nuestra propia existencia.\nSomos en las intersecciones, en los límites difuminados, en las esferas permeables. Somos nuestro subjetivo punto de vista, y el arte se nos aparece como un medio para intentar descifrar una leve arista de la realidad, de nuestra percepción.\n¿Existe, acaso, otra cosa que nuestro subjetivo punto de vista?', NULL, NULL, 'Para que la instalación pueda recorrerse y observarse cómodamente, sugiero un espacio de 10mt de largo, y 4mt de ancho, colocando la instalación en el centro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4079, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3474, NULL, '2020-06-14 04:32:50', '2020-07-03 21:47:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31134, '5IPnWNLxF1k8ESes', '“Todo parecía color de rosa”', NULL, 'Todo parecía algodón de azúcar, rosado ideal. Cada vez aumentaban más la cantidad de ceros en el papel verde y todo parecía ir viento en popa. \n\nO no... tal vez todo era una fantasía construida, una mera ficción que se articulaba ante nuestros ojos para que el color de rosas fuera solo un oasis. Un oasis donde unos pocos tuvieran la llave, muy escondida en el fondo de sus entrañas. Pues como dice el título, parecía. Así como plantea un viejo refrán español, “La mentira dura hasta que la verdad florece”. \n\nTodo parecía color de rosa es un stop motion experimental que dura 2,31 minutos que muestra sucesos estremecedores y difíciles. Esto con la forma de un pastel endulzado y embetunado, igual que lo que se nos lleva años mostrando, para callar y ocultar lo que siempre ha habido detrás. Tomando como referencia el estallido social en Chile.', NULL, NULL, 'El video idealmente debe ser mostrado en un proyector para poder sumergirse en este. Por otro lado la sala de exposición debe ser oscura para', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Q6k745zHoEo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3980, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3390, NULL, '2020-06-14 04:34:31', '2020-07-23 03:19:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31135, 'JLmk2mRSKkBYha6b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:36:02', '2020-06-14 04:36:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31136, '8sksqsRXmos78BAr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:42:39', '2020-06-14 04:42:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31137, '59jMW7HYCT4mfUJJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:43:55', '2020-06-14 04:43:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31138, '9XDiIQVTXiuwC2Y9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:44:43', '2020-06-14 04:44:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31139, 'omrLotDPHumjvxdc', 'Pressa (pt)   /   Prisa (esp)   /   Rush (eng)', NULL, 'La obra “Pressa” consiste en la instalación de un reloj de calle, con la exhibición de un conjunto de imágenes creadas para su espacio publicitario, dispuestas en el espacio público.\n\nEl reloj muestra un conjunto de 8 imágenes, creadas a partir de la colección de fotografías de personas en momentos de estrés conduciendo un automóvil en el tráfico, adquiridas en un banco de imágenes publicitarias. Cada imagen consta de dos fotografías superpuestas con el plano cerrado en las caras de estas personas, que buscan exacerbar los aspectos desesperados y enfurecidos de sus rasgos, que terminan obteniendo sus caras similares a las de una apariencia monstruosa: personas con tres ojos, dos narices o dos bocas. Del mismo modo que a través del recorte aproximado de fotografías en los rostros de las personas, las imágenes adquieren un aspecto de rigidez y acurrucamiento. \n\nEn cuanto al reloj digital, está duplicado. Luego, los relojes están programados para funcionar en diferentes momentos y más rápido de lo normal. Finalmente, se superponen, donde se mezclan, creando un reloj extremadamente rápido y difícil de identificar las horas programadas, deshaciendo el enlace en tiempo real.\nPor lo tanto, el trabajo apunta a enfatizar los efectos nerviosos que el uso del automóvil tiene en los cuerpos de las personas que conducen en una ciudad con una alta densidad demográfica, buscando reflexionar sobre el tema de la movilidad urbana en los tiempos contemporáneos.', NULL, NULL, 'La obra fue creada desde el espacio público de la ciudad de São Paulo.\nEn diálogo con la propuesta de BIENALSUR de pensar en el territorio expandido, el trabajo permanece abierto al diálogo con los curadores, entendiendo que la transferencia a otras ciudades también puede ser deseable e interesante.\nEn ese caso, se pueden crear nuevas imágenes de acuerdo con las fotografías de las personas en esta nueva ubicación.\n\nMateriales:\nestructura de metal, pantallas led, video\n1,8 x 5 x 0,5 m', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394732515', 'pressa', NULL, NULL, NULL, NULL, NULL, NULL, 3822, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3257, NULL, '2020-06-14 04:52:09', '2020-08-11 22:19:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31140, 'ppL1sO8THvX07hV7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:52:37', '2020-06-14 04:52:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31141, 'oIjflLi3KpXdziAp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:58:34', '2020-06-14 04:58:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31142, 'LCp2Fivbclb7xuep', 'La tierra para quien la danza', NULL, 'Hay una antiquísima memoria ancestral que subyace en la piel de cada ser humano, sin distinción de ningún –ismo, ni\nnacionalidad. Esa memoria primigenia late y vibra y se perfecciona con el ritual colectivo de la danza, la música y la poesía. Los rituales han sido elemento fundacional fundamental de la humanidad; en el ritual nos cohesionamos como colectivo, nos fundimos en la unidad, se disuelven los egos en un trance de ascensión grupal hacia un sentir universal, cósmico. \nLA TIERRA PARA QUIEN LA DANZA es una toma de danza en círculo en el espacio público. No se requiere una experiencia previa en danza ni un conocimiento específico en alguna técnica, sino disposición al compartir y a la apertura. Esto se logra con un calentamiento o sesión previa, con ejercicios dirigidos y propuestas de movimiento que suelten los cuerpos y además, las voces. Porque la música que se hace durante el círculo, es hecha por les mismes\nparticipantes, cantando, vocalizando, haciendo percusión corporal, hablando en lenguas. El círculo es el contenedor y es conformado por todos los cuerpos, mientras en el centro del mismo, con la metáfora del fuego, hay alguien danzando,\nmoviendo, expresando, gestualizando, siendo, revolucionándose.', NULL, NULL, 'Espacio público. Una plaza o un parque de algún pueblo o de alguna ciudad. Espacio abierto de mínimo 5m x 5m.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=wfiBh6gRJWY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4035, NULL, 516, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3440, NULL, '2020-06-14 04:58:52', '2020-07-03 19:33:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31143, 'ckIiXahvfA8ozrHm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:58:59', '2020-06-14 04:58:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31144, 'syPikaTfracJavJx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 04:59:12', '2020-06-14 04:59:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31145, '69CcjwFONNL6cTfQ', 'Rostros', NULL, 'Implementación de plataformas de arte global, participativo y colaborativo con comunidades en vulnerabilidad por medio del desarrollo d talleres lúdicos y fotográficos que darán como resultados mensajes específicos  q representan y expresan sus necesidades, ideales, sueños idiosincracia, etc para ser expuestos interviniendo sus propios espacios públicos y otros espacios estratégicos q apoyen la intención de dicha narrativa, por medio de fotografia y video de sus rostros en instalaciones, paralelo a una documentación y puesta en escena digital.', NULL, NULL, 'Espacios públicos propios de dichas comunidades que surgen y se desarrolla la curaduría a medida q se desarrolla la interacción con la población. Así como involucran espacios estratégicos de mayor envergadura a travez de la multiplicidad e interacción del mismo proyecto.', NULL, 'artist', NULL, NULL, 'https://youtu.be/t0AufowM9jQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3830, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3260, NULL, '2020-06-14 04:59:49', '2020-07-20 23:57:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31146, 'm0wrzqcJB6sBxgso', 'SOMBRAS VEGETALES', NULL, 'La sombra es esencial para el disfrute del espacio público, mejora su habitabilidad, otorgando espacios de frescor, permanencia y juego que posibilitan la interacción social entre ciudadanos. En el contexto de ciudades chilenas insertas en paisajes áridos y semiáridos, y de alta vulnerabilidad urbana, es posible plantear estrategias de sombreamiento para valorizar la calle y el espacio público como lugares de encuentro y relevar la importancia de los beneficios ecosistémicos que otorga la naturaleza para la calidad de vida de sus habitantes.\n\nLa sombra es un elemento que construye el espacio, le otorga movimiento, lo transforma y deja huella en quien lo habita. Es posible observar una sombra y detenerse en ella, seguir con la mirada las superficies que recorre, las texturas que genera, imaginar su procedencia y lo que inspira, ver su transformación y recordar su origen.\n\nInspirados en la biomimética, se plantea que, a partir de la proyección de sombras vegetales se naturalice desde nuestras percepciones lo urbano. En aquellos lugares donde no hay sombra o es muy poca, la dotación y superposición de estos tamices, busca llamar la atención sobre el origen de la sombra, árboles y plantas han sido menospreciados, mutilados, y su presencia es casi inexistente en muchos espacios públicos, estos elementos naturales, son irremplazables para la búsqueda de una mejor calidad de vida en las ciudades, que están cada vez más expuestas a la desertificación, sequía y calentamiento global.', NULL, NULL, 'Espacio abierto con luz natural.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3821, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3256, NULL, '2020-06-14 05:02:21', '2020-07-02 20:34:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31147, 'BFam3yIhbGIHYzQq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:04:33', '2020-06-14 05:04:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31148, '0CDfU6RiHnSpg3Dw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:06:22', '2020-06-14 05:06:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31149, 'AOAf6f6jH0FmvP60', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:07:31', '2020-06-14 05:07:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31150, 'amWeB9oHRlrTZOnY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:08:02', '2020-06-14 05:08:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31151, 'WF9FPMW6wbuoJxjT', 'Antropoceno y el paisaje contemporáneo', NULL, 'Si hacemos un análisis comparativo vrs. La tradición artística observada a lo largo de la Historia del Arte, es notable cómo los conceptos y las lecturas del paisaje tienen una precedencia considerable y prolongada, aunque hoy en día, existen temas urgentes que requieren respuestas o reacciones inmediatas por parte de los actores del medio del arte.\n\nPara el proyecto \"Antropoceno y el paisaje contemporáneo\" un colectivo de artistas de Costa Rica aborda distintas aristas de problemáticas ambientales que no son propias únicamente del momento histórico actual o de su contexto, sino que son temas que han perdurado a lo largo del tiempo por medio de procesos cargados de intenciones de poder y dominación. \n\nLos artistas acá expuestos, ponen de manifiesto la difícil situación de la existencia humana amenazada por la absoluta destrucción y la catástrofe ambiental; optan por renovar la conciencia humana abstrayéndose de referencias antiguas o de imágenes exclusivas de la contemporaneidad, desarrollando un conjunto profundo de ideas o nociones que buscan propiciar futuras exploraciones de lo que cronológicamente hemos denominado el Antropoceno. \n\nSe abordan temas desde la culpa, la vergüenza, la desolación, la destrucción, la deshumanización, el miedo, la manipulación, la indiferencia, la arrogancia, el tiempo, y se insta a la concientización hacia el medio ambiente, a través de la pintura, instalación y arte objeto.\n\nLink a dossier de propuesta y artistas: https://bit.ly/37swI5o', 'Albertine Stahl\nAle Rambar\nAlessandra Sequeira\nAlexander Chávez\nMan Yu\nOsvaldo Sequeira\nRoberto Murillo\nPablo Mejías\nPhilipp Anaskin', NULL, 'La propuesta se conforma de\n50 Cuadros en dimensiones varias desde 50x70 cm hasta 150x250cm\n390 Dibujos de 20 x 20 cm\nque requieren montaje tradicional sobre paredes.\n\nAdemás, involucra\n7 Instalaciones de dimensiones varias\n6 Piezas de arte objeto\nque requieren espacio de piso', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4381, NULL, 574, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3692, NULL, '2020-06-14 05:13:44', '2020-07-28 03:37:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31152, '67ivTFrXbrFVIqH0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:14:00', '2020-06-14 05:14:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31153, 'cq12njzPfLqtrhfa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:15:00', '2020-06-14 05:15:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31154, 'a4Az93ByFXy5it1E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:19:29', '2020-06-14 05:19:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31155, '4WYJ2QU3xZxu8mv3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:21:24', '2020-06-14 05:21:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31156, 'wb3QsP8XunOMFgLw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:22:50', '2020-06-14 05:22:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31157, 'Rkj88dqKXF2nSGES', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:23:47', '2020-06-14 05:23:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31158, '7C4rbxknvBencCVa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:23:55', '2020-06-14 05:23:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31159, 'RJbdZckNwoqbsFMg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:26:56', '2020-06-14 05:26:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31160, 'Jll5mHzdmlO65c0J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:33:48', '2020-06-14 05:33:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31161, 'JHW3bYdXgOZ3mQiq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:34:06', '2020-06-14 05:34:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31162, 'cK2Fn62uZPNBH0RS', 'A Força dos Fracos é seu Tempo Lento (The Strength of the weak is their slow time)', NULL, 'The Strength of the Weak is its Slow Time is an audiovisual work developed in my doctoral thesis at the Music Post-Graduate Program of Federal University of Rio de Janeiro. During the four years of the research, I filmed all my journeys on public transport in the city with cell phone. Parts of this material were edited and added to another assembly: the audio from speeches by geographer Milton Santos, who discussed the relations between society and space. Edited and reframed in the light of the political and social developments that took place, in the Latin America and the world, over the nearly twenty years that followed his death. \nThe title of the work is a phrase from the geographer that allows us to infer how his thought extracts, from a utopian humanist base, the tools to think about an existence in which the subordinate and disadvantaged masses, far from being the precarious and exploited matter that they appear, are slowly producing themselves as the real active poles of a transformation that is increasingly evident in the face of the dizzying collapse of market democracies built by the pressures of colonialism, racism and inequality.\nThe audiovisual montage that I propose overlaps the intellectual\'s voice, talking about varied topics and assembled in a narrator form, to the images collected in the streets of Rio de Janeiro, 20 years later. The video is being finalized. To submit the proposal, I will send a teaser link.', NULL, NULL, 'Video in one channel, sound in two stereo channels. File in mpg4, H264 format.\nRoom equipped with a monitor of at least 40 \', headphones and benches, shared with other works or projection room with sound reinforcement and chairs, soundproofed.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=x8Zz9AQNAKw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5927, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4878, NULL, '2020-06-14 05:35:06', '2020-06-25 01:43:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31163, 'vXNhVAT1GAGgTY5S', 'El Cabeceo', NULL, 'Loop animado (con audio), duración 46 segundos, Full HD (1920 x 1080 px) parte de la serie de animaciones \"Rejas\"\n\nTrata de dar cuenta de los momentos en que nos vemos obligados a compartir espacios con otros sujetos o de participar de situaciones aun cuando no lo deseamos.', NULL, NULL, 'Televisor LCD, proyector o plataforma online', NULL, 'artist', NULL, NULL, 'https://youtu.be/GfLOvnrylLk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4421, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3721, NULL, '2020-06-14 05:35:44', '2020-07-13 23:48:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31164, '2xDGMopPXLNU4JlP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:37:50', '2020-06-14 05:37:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31165, 'qCyF9QNMpLxMkVS7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:38:02', '2020-06-14 05:38:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31166, 'UHTNWcoN1NnpUlBs', 'Baikal', NULL, 'Obra de arte textil realizada bajo técnicas de telar y embarrilado en seda natural cruda.\n\nRepresentación de una ola de hielo o Ivu que interpela sobre la influencia de los seres humanos sobre el cambio climático', NULL, NULL, 'Medidas de la obra:\n108 cm de ancho\n90 cm alto', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3831, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3261, NULL, '2020-06-14 05:38:23', '2020-07-02 20:34:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31167, '8rfkVO5ZKkWHzw5B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:44:13', '2020-06-14 05:44:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31168, '7d3vLbkdkP4zJLNz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:46:20', '2020-06-14 05:46:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31169, 'FGSkLs6mGtez1M8A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:47:28', '2020-06-14 05:47:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31170, 'RTNf282LaTKHy8w3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:53:00', '2020-06-14 05:53:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31171, 'WpgUErgihvL4vN6T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:56:03', '2020-06-14 05:56:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31172, 'jIFSYKU0K8ikr8ak', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:56:22', '2020-06-14 05:56:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31173, 'M2cmmNsrUOxERN7S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:58:16', '2020-06-14 05:58:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31174, 'OT551Mfh5YnffrtH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 05:59:42', '2020-06-14 05:59:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31175, 'DWxoq15mS7gsndJE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:00:47', '2020-06-14 06:00:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31176, 'ebPu6VU0uf72MNkI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:00:47', '2020-06-14 06:00:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31177, 'WhBsoeYA4J9JtkoT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:08:33', '2020-06-14 06:08:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31178, 'aFUc4w4BSpK4N1F6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:13:31', '2020-06-14 06:13:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31179, 'xRh3FLhFBw3dMXav', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:16:07', '2020-06-14 06:16:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31180, 'B7za49RMIupKzSiq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:18:24', '2020-06-14 06:18:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31181, 'ykFuKzTCdAQSnPdi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:22:36', '2020-06-14 06:22:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31182, 'CkAPNlnWJv8jEreV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:27:36', '2020-06-14 06:27:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31183, 'vHa9894iaETQ1O42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:29:35', '2020-06-14 06:29:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31184, 'iVqiFbfZIqtOdzrA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:34:19', '2020-06-14 06:34:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31185, 'hQTpR879Am3fRWPC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:35:59', '2020-06-14 06:35:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31186, 'yVlQEJNkeSJOKPzm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:43:05', '2020-06-14 06:43:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31187, 'yl6jeGoe1KBJ2AFf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:43:40', '2020-06-14 06:43:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31188, '17fvJzlRqHhl7f3O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:43:50', '2020-06-14 06:43:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31189, 'jIsBxJFQxrxB5pjy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:44:12', '2020-06-14 06:44:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31190, 'aTb1chLIMcCukUBd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:44:31', '2020-06-14 06:44:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31191, '1qNfXjUN4wsb9J5k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:45:28', '2020-06-14 06:45:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31192, 'k1TyGP635DkXZh9l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:45:46', '2020-06-14 06:45:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31193, 'tmN3NoAsYqxzey4D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:46:46', '2020-06-14 06:46:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31194, 'yX2MsZKLcnFZPkoH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:46:49', '2020-06-14 06:46:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31195, 'zsffaAbyslENEZOf', 'Let me sea', NULL, '“Let me sea” refiere a un juego de palabras entre el Mediterráneo y los ojos, la vista y la paleta de color vinculada al mar. \nMe interesa esta conexión de la paleta de color con los viajes en cualquier sentido. Me refiero a los traslados por mar, por cielo y por tierra, tanto como a la imaginación.\nDesde que recuerdo construyo imágenes que señalan vínculos y dejan entrever movimientos secretos. Trabajo siempre con variaciones y repeticiones sobre lo mismo.\nLa naturaleza física de la fotografía y la ambigüedad del cambio de escala me ayudan a insistir sobre el significado de los gestos y las acciones como parte de la construcción de la mirada. \nMe interesa la plasticidad de la fotografía, su capacidad de plegamiento como un material. Estas ideas están ligadas a lo pictórico y escultórico, dos elementos habituales en mi territorio visual.\nTal vez las piedras sean quienes mejor sepan de los temas que impulsan mi práctica: los traslados, los roces, las huellas, las fragmentaciones, los lugares y el tiempo; los lazos, lo que gravita, lo que cae.\nCreo en el arte como medio de exploración para distinguir la fragilidad, lo que se pierde; eso que vemos y que sabemos que va a cambiar o desaparecer.', NULL, NULL, 'El espacio expositivo que sugiero es el de una sala blanca, de una medida como mínimo de 5x6 metros cuadrados o bien 6x7 metros cuadrados. De la sala utilizaría solamente dos paredes; las demás quedarían vacías.\n\nLas imágenes necesitarán, cada una,  una luz puntual para ser iluminadas. La sala tendría un luz general tenue.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4041, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3444, 5, '2020-06-14 06:50:14', '2021-02-12 15:37:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31196, 'zwLIHdZASy83ojJT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:51:21', '2020-06-14 06:51:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31197, '2a1fjr8PbfEFzmBC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:51:58', '2020-06-14 06:51:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31198, 'krq4aH5WN2XNiU3w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 06:58:25', '2020-06-14 06:58:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31199, 'Ih5mJNevUyLDUS3J', 'Flapping in the wind', NULL, 'Recently the Italian national flags were lowered to half-staff at government buildings across the country to show respect to victims of vicious covid-19. Flags are not just to be observed in our daily life, but they also have long been a theme in the art history. By means of flag, this concept unites three artists from three different countries. Theses contemporary artists venture further into the space experimenting the sculptural potential of a flag.     \nIn„Color Strips“ and „Unpredictable border“ Elsa Werth highlights the emblematic feature of a flag. With large variety of mediums she brings up the further discourses on a territory or a nation. Using daily objects the artist claims anti-spectacular gestures as resistance tactics that challenge the systems of representation in an administered and programmed setting. „Beaufort\" series is a ongoing series of Tobias Brembeck to figure out the balance between static and dynamic elements regarding to flag. He transforms the representational act of raising a flag into a playful act interacting with structures of various sites. Titled after „Beaufort wind force scale“ his idea is based on its function and system to signal the physical changes in nature. Anna Sokolova, the multimedia artist, will show a site-specific installation and a video work. In her video she points out that a flag represents an individual act of manifest. Using only two colors, black and white, she brings sense of movement into a static architecture.', '1. Elsa, Werth, France, www.elsawerth.net\n\n2. Tobias, Brembeck, Germany, www.tobias-brembeck.de\n\n3. Anna, Sokolova, Republic of Belarus, http://annasokolova.org/', NULL, 'Werth: \"Unpredictable Border\", \"Fullback Solution\", \"Color Strips\", \"Stopper Knot\" - inside and outside.\nBrembeck: \"Beaufort 0\", \"​Beaufort 1 (Early in the morning)\", ​\"Beaufort 1 (On ground)\", \"Beaufort 3\", \"Beaufort 5\", \"Beaufort 9\", - aluminium/steel wire/flagholder, various size, inside and outside.\nSokolova: \"Blown-up\"(2020), modified version of \"Drawing room\"(2019), flag 3 × 5 m, fan, \"SCHWARZ-WEISS-SCHWARZ. MANIFEST\"- Video, HD, 1’36 Min in Loop, color, without Ton', NULL, 'curator', NULL, NULL, 'https://vimeo.com/385925544', 'viewcolorstrip', NULL, NULL, NULL, NULL, NULL, NULL, 3849, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3272, NULL, '2020-06-14 07:06:06', '2020-07-14 23:41:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31200, 'WM8yfPdFOxpK1bvE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:06:49', '2020-06-14 07:06:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31201, '8msfkMkaDTYGhXkq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:09:02', '2020-06-14 07:09:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31202, 'iJJ7LPikvs6b6VvD', 'Molas, Between Layers', NULL, 'This interactive immersive installation is a collaboration between First Nations of Australia & Panama. The concept is based on Molas, a textile craft by the Guna people in Panama & the environmental & cultural challenges experienced by many indigenous groups globally.\nThe Guna people achieved sovereignty within the Guna Yala Archipelago, while in Australia the conversation on sovereignty & treaty is still unfolding. Both peoples face severe environmental impacts as a result of climate change. These parallels provide points of encounter & support in the struggles of both communities, with the intention of creating dialogues & making the stories visible.\nThe installation reconfigures the multiple layered fabric design of the Molas to create a succession of large fabric layers in which the spaces between contain musical compositions, recorded conversations with community leaders including Kutcha from Australia & members of the Rodriguez Guna Yala family in Panama.\nThe immersive experience invites people to walk between the layers of textile while being surrounded by spaces of sound & stories that connect artists, communities & their cultural exchanges.\nThe project was launched in the FAC, Melbourne in 2020. The second intervention is in 2021. Textile artist Emma will further elaborate on the Australian Layers with the female Rodriguez members, whilst musicians Daniel, Kutcha & the Rodriguez create the Panamanian conversation. The outcome will be presented in the MAC, Panama.', 'Daniel Alejandro Jauregui Marquez - Venezuela - www.danieljmarquez.com - Creative director; music composer & storytelling soundscape facilitator (between the Layers) \nEmma Ikin - Australia - N/A - workis with the layers of fabric\nKutcha Edwards - Australia`- www. kutcha-edwards.com - is a First Nation member works with Daniel\nRodriguez Family - Panama - Guna Yala, San Blas Archipelago in Panama.\nCarolina Aguilera de Snow - Australia/ Argentina - https://artscentre.frankston.vic.gov.au/Exhibitions_Festivals/Ventana_Fiesta_2020 \nIn Australia Jack Charles, Paul Ah Chee & Colin Hunter, Aunties Emma Donovan & Deborah Cheetham and Allara Pattison.\nIn Panama we will collaborate with the Universidad Iberoamericana and in Australia with the University of Melbourne and the Embassy of Panama in Australia.', NULL, 'The making of the textiles and story telling recollection & recording  will be done at the Guna Yala communities.\nThe editing and mixing of the sound and video materials need a recording studio.\nThe exhibition space should be approximately 12 metres long by 5 metres wide, have a ceiling hanging system or similar, some plinths to place mp3 devices and a space to place a socket to charge the mp3 players overnight.\nTheatre spotlights with colour filters.', NULL, 'curator', NULL, NULL, NULL, NULL, 'https://youtu.be/Vyfpz1JySHo', NULL, NULL, NULL, NULL, NULL, 5163, NULL, 719, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4305, NULL, '2020-06-14 07:11:24', '2020-07-26 02:24:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31203, 'fDWhf0jS0sC4LRom', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:11:25', '2020-06-14 07:11:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31204, 'uCKME7pSC1Q6UmOg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:13:07', '2020-06-14 07:13:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31205, 'aPfB2XChiptfamui', 'Coletivo Suspenso', NULL, 'Coletivo suspenso trata-se de um conjunto de 23 peças produzidas em aço galvanizado e tinta automotiva. Cada forma é inspirada em plantas baixas de casas ou apartamentos de condomínios residenciais retirados de anúncios impressos. Fruto do confinamento da covid 19, este trabalho surge do aproveitamento de sobras de materiais de outros trabalhos que estava desenvolvendo no ateliê no início do ano. Os contornos das peças são pintados com tinta automotiva, enfatizando seus limites, fazendo referência às balizas das nossas moradias, às molduras dos nossos universos de intimidade. Ao instalar as peças no espaço da parede pretendo construir uma paisagem suspensa, uma unidade composta de formas singulares, que juntas formam um só corpo, um povoamento.', NULL, NULL, 'Instalação vertical de 200 x 300 x 002 metros (foto enviada).\nEste trabalho têm a característica de ser modular, podendo crescer horizontalmente de tamanho para se adequar ao espaço expositivo, por meio da adição de novas peças de aço.\nA obra se ativa quando colocado no espaço, sendo a parede fundamental na composição da obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3854, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3277, NULL, '2020-06-14 07:15:43', '2020-07-02 20:35:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31206, 'kEMA5UtMwGcZ2jMO', 'RITMOS DE SORORIDAD', NULL, 'Se trata de una serie de 21 obras digitales que recuperan la intimidad y la seguridad que surge del encuentro de mujeres que nos juntamos a modelar entre nosotras. Nos desnudamos y nos dibujamos, nos acercamos y confiamos. De esos dibujos nacen las obras y con ellas me propongo compartir la fortaleza, el amor y la ternura que suceden en el encuentro sincero y sororo. Pensé esta serie como una forma de aportar a la lucha feminista una mirada propositiva, un recordatorio de lo que sí logramos juntas, ademas de todo lo que nos queda por cambiar. Pero también quiero hablarle a los hombres, para que puedan abandonar la complicidad fraterna para adentrarse en la intimidad y la ternura que puede hacernos mas humanxs y menos violentxs.', NULL, NULL, 'Las obras estarán impresas en formato mural para intervenir el espacio publico en varias ubicaciones de la ciudad de BsAs. Seran proporcionales a las paredes donde serán pegados:cerca de canchas de fútbol, del Congreso Nacional, de la Plaza de Mayo, plazas y parques de la ciudad. Cada imagen contará con el texto que cuenta y acompaña el sentido de la serie completa. Ademas seran presentados en un centro cultural de la ciudad impresos en tamaño proporcional 1m ancho montado en fibrofacil.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3860, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3282, NULL, '2020-06-14 07:19:27', '2020-07-02 20:35:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31207, 'LnN4cnL8vaSyl44Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:22:24', '2020-06-14 07:22:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31208, 'DqR7K3CMeLyKZjD8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:24:32', '2020-06-14 07:24:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31209, 'RoRkJD0bKgjEUuNu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:30:17', '2020-06-14 07:30:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31210, 'pZwFnVIH5oBCNmhb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:30:41', '2020-06-14 07:30:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31211, 'wxCwCJMIwDtEqLQn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:31:06', '2020-06-14 07:31:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31212, 'VdkVXe7OnfYAfbRF', 'UNIUNI Tango', NULL, 'I want to make [uniuni]project.It is a structure that designed a single unit that also functions as a joint.One unit is called uniuni.I make it from the machine that makes each unit.This work transforms into various shapes.For example, \'Kamakura\', \'tea room\', dress, decoration,,,It may look like fluff, thorns, or even a fairy, depending on the viewer and the mental state of the viewer.The image will changes before and after the coronavirus raged. What kind of shape will uniuni have after 2020, and what kind of personality will it have?One person may have imagined the shape of coronavirus with uniuni. It may also look like a needle thread to hurt another person.I would like to create a new form of uniuni work for this biennale.Hedgehogs  take a certain distance because they touch each other\'s edges and hurt each other. There are also hedgehogs that damage their needles.Each piece is created as a lump like a needle or a virus.People wearing needles keep their distance from each other,The virus flying in the air sometimes sticks to the needle.\nI want to collaborate with tango performers in Brenos Aires, the birthplace of Argentine tango.\nIn the stage set made with Uniuni, whenever the performer dances, uniuni will stick to each other and the costume will collapse.Originally, tango, which is danced by a pair of men and women, is close in body distance, but it is necessary to find a new way to dance in this costume and on stage.', NULL, NULL, 'Around 1880, Buenos Aires was a cluttered port town (Boca district) crowded with immigrants seeking new lands.\nI heard that the beginning of tango was when men danced wildly in a bar as an outlet for frustration where various races coexisted.I think that it is the best for expressing the relationship between the world after the coronavirus, and tango, which is a free dance, intimately dancing in pairs, with pity to the hometown, passionate beauty, and a culture of dancing outdoors.', NULL, 'artist', NULL, NULL, 'https://sentioergosum.myportfolio.com/3', NULL, NULL, NULL, 'https://drive.google.com/file/d/17Vl5F3D0LCT9SJFhW96qM65luxZmCcC7/view?usp=sharing', NULL, NULL, NULL, 4612, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3879, NULL, '2020-06-14 07:33:47', '2020-07-31 01:41:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31213, 'TSzshW5LpCKnc1NU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:35:16', '2020-06-14 07:35:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31214, 'jCW3X4ChtjCt1Bg8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:40:35', '2020-06-14 07:40:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31215, 'Nm4UuxOXTj07TCS5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:40:38', '2020-06-14 07:40:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31216, 'NWahMEcnU6ByXHL5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:40:39', '2020-06-14 07:40:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31217, 'BOrQSzSKvAiwwlO2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:41:53', '2020-06-14 07:41:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31218, 'XSB5Xzvevk0yvnKj', 'MUJERES ARTIVANDO', NULL, 'Propuesta en conmemoración a niñas y mujeres latinoamericanas, mestizas, desde una\nmemoria visual, precolombina, cuya identidad abarca diversos territorios culturales que viajan\nprincipalmente desde Tierra del Fuego, Chiloé, el altiplano y la selva amazónica.\nEsta muestra técnicamente cuenta con Obras Ilustradas, Murales y Pinturas digitalizadas, con\nuna visión desde lo originario estando en y con la naturaleza, de cómo el cuerpo es político y\npoético, porque es ahí donde se han producido las más feroces batallas en contra del\nimaginario femenino y es donde se pone énfasis en la recuperación de ese cuerpo,\ndesde una mirada que da cuenta del empoderamiento que la mujer logró y a su vez le fue\narrebatado, dejando claro que la lucha actual es concordante con lo que alguna vez fue\npatrimonio suyo.\n\nDesde el color como lenguaje  principal, visibilizo cómo las mujeres atendían sus cuerpos, y más\nque eso, hacían de él un ritual único porque había allí un sentido de sincronía con  la tierra, las\nmareas, el sol; un poder y una cosmogonía que las hacía fuertes y con sentido de pertenencia. \nLa presente muestra es un símbolo y un viaje por los pueblos precolombinos, sus ritos y\nsimilitudes, con una mirada contemporánea y asertiva, que nos acerca a nuestra herstoria\ny la pone en nuestras manos a modo de alianza a través del Arte y de cómo esa manifestación\nautónoma y a la vez concatenada en todo el territorio, es un símbolo de lucha, resistencia,\nunificación, rescate y ejemplo.', NULL, NULL, 'La Muestra cuenta con 52 Obras.\n \nTécnica: pinturas e ilustraciones digitalizadas\nMaterialidad: Impresión sobre Foam 7 mm\nFormato: 50x50 cm\nMontaje: Colgado, el Material es liviano y adaptable a cualquier superficie.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3871, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3293, NULL, '2020-06-14 07:43:18', '2020-07-02 20:36:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31219, 'lxVZ33zQDoLZkoOu', 'HORIZONTE DE TIERRA', NULL, 'La obra es un rollo de papel extendido (20 x 600 cm) bordado a mano con hilo, que figura los trazos y grietas de la Tierra vistos desde imágenes satelitales de Google Earth. La obra, dispuesta de forma horizontal (colgada sobre el muro), sigue el recorrido de surcos, quebradas, cuencas y ríos de agua del paisaje chileno. Como, por ejemplo, las fisuras en la superficie del Desierto de Atacama en el norte o las estrías que resultaron luego de secarse una laguna. \n\n“Horizonte de tierra” imagina un horizonte seco, que materializa las huellas del paisaje como una memoria física del tiempo y su transformación. Trazas que dejan en evidencia una sequía, debido al cambio climático y la intervención desmedida del ser humano en la naturaleza. \n\nLa mirada del espectador se desplaza por este horizonte de hendeduras con formas orgánicas y quebradizas. Líneas que se entrelazan y enredan a través de los hilos que adquieren volumen y textura, convirtiéndose en cuerpos blandos y dóciles que flotan suspendidos sobre el papel. Son trazos sin un sentido establecido: el ojo se pierde en un entramado de dos dimensiones. \n\nPor otra parte, el gesto de bordar, desplaza al dibujo sobre la superficie del papel por medio de un movimiento repetitivo y monótono, el cual, mezclado con la respiración, encarna una meditación activa. La insistencia de la aguja perforando el papel, como un gesto vital, revela la incisión y la marca que queda en el papel, al igual que el que queda en la Tierra.', NULL, NULL, 'Espacio interior cerrado, protegido de la humedad y que no reciba luz directa del sol debido a que la obra es de papel.\n\nEl espacio debe ser, igual o superior, en su largo a los 8 metros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6123, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5019, NULL, '2020-06-14 07:46:22', '2020-06-23 23:03:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31220, 'iIS0VnTIapiHanuy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:50:52', '2020-06-14 07:50:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31221, 'oKoJNiVBjkYFqt5Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 07:59:02', '2020-06-14 07:59:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31222, 'vaZTi2HB6zJMDMvK', 'El Hilo de Esquilo', NULL, 'El hilo de Esquilo propone una experiencia sinestésica entre pintura y literatura. Una interrelación de formas, causas y efectos. Es la renovación de los mitos con intensa actualidad. \n\nUna sala, tres mitos y el hilo de Esquilo como conductor a través de la oscuridad de los tiempos y las interpretaciones. \n\nEl espectador se iniciará en el destino del trágico Esquilo al ingresar a la sala, y seguirá, a través de marcas en un diseño circular en el piso, un derrotero por tres mitos que se resignifican y resignifican las experiencias de vida. Cada uno de estos mitos se expresa en un cuadro y un texto que someramente narra la historia. La ninfa Eco, el Dios Balder y el mito de Saturno. Diferentes civilizaciones, la misma suerte. Las pinturas interpelan y evocan la reflexión; las palabras desnudan su trazo y descansan en la poesía de la sonoridad. Para esto, se dispone bajo el texto de un código QR para su escucha y descarga mediante Smartphone. \n\nLa parada final, en el centro de la sala y mirando al techo, donde el contorno de una tortuga le revela al espectador que ha recorrido, sin saberlo, el camino de Esquilo, completa una narración metadiscursiva, en la que entramos y salimos del mito: lo construimos mientras él nos deconstruye.', NULL, NULL, 'Se sugiere una sala cerrada, con tres paredes donde montar cada una de las obras y techo a al menos 2.5 mts para colgar la pieza final.\n\nMedidas de las obras:\n\"Eco\" 60cm alto x 90cm ancho\n\"Balder\" 60cm alto x 90cm ancho\n\"La Grandeza de Saturno\" 120cm alto x 100cm ancho\nTortuga aproximadamente 50cm x 50cm', NULL, 'artist', NULL, NULL, 'https://youtu.be/RJe8_WhbTuU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3857, NULL, 489, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3286, NULL, '2020-06-14 08:06:10', '2020-07-02 20:36:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31223, 'MZstWVK5XUVuxpZW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:11:12', '2020-06-14 08:11:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31224, 'Rq8z7KWRSszDL3Dr', 'Funk Ficção', NULL, 'Funk Ficção is a work formed by two video channels working in sync, and intents to create a fictitious reality for the Brazil of the future, through stereotyped images of a national identity, such as the painting Abaporu, by Tarsila do Amaral. The soundtrack is formed and edited from presidential speeches, accompanied by images of famous dance steps disseminated on the Internet, as well as illustrations by artist Jean Debret and imaginative and futuristic maps of Brazil. Through this narrative, a utopia / dystopia for the country is imagined, based on elements that form it as a nation. The work arises from the question “Which Brazil do you want for the future?”, a Rede Globo television campaign carried out in the 2018 election year.', NULL, NULL, 'The proposal consists of two projections of the video channels on two walls facing each other, one channel on each wall,  with the two videos synchronized playing at the same time. The sound is played through channel 1 through speakers. On the space floor exhibition, lots of white sand are spread. The insertion of the scenographic element serves to the intention of expanding the work beyond the themes of the video. The sand presents itself as a stereotype of Brazil and tropical countries.', NULL, 'artist', NULL, NULL, 'https://youtu.be/haME2Th4JHM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4897, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4120, NULL, '2020-06-14 08:12:01', '2020-07-20 18:15:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31225, 'VKa1gzkvT3UaInAU', 'Re-Sentidos', NULL, 'Este es un proyecto que parte desde dos conceptos pilares. El primero es Re-sentido, un juego de palabras que involucra el prefijo RE- para enaltecer y volver a significar la palabra sentido, es el nuevo nacer de algo. El segundo concepto es Excluido: habla del otro que está fuera de su espacio, aislado en una posición no favorable, un sujeto o un grupo que es negado en su admisión y participación de una esfera que valida una forma de hacer y de pensar. En la exclusión surgen las prácticas artísticas que atañen esta exposición, el graffiti y la gráfica en Bogotá, Cali, Medellin, Colombia, Latinoamerica y el mundo ,  expresiones  agresivas de una sociedad muchas veces marginada, será el contexto para este acto de volver a sentir, este acto de reconstrucción de la mirada hacia esta comunidad y sus saberes artísticos, que seguramente no serían posibles sin ese acto previo de exclusión. Somos un  proceso curatorial busca exponer de manera positiva y puntal a l@s Grafiter@s emergentes y con trayectoria las diversas técnicas que usan en cada una de sus piezas. Paralelamente se pretende generar un circuito productivo de arte independiente en donde confluyen diversos elementos del arte urbano con fines de hacer un aporte para promover, comercializar y expandir la escena.', 'Scrap,  camilo maecha,   https://www.facebook.com/profile.php?id=100001463133240\nDose, https://www.facebook.com/david.dose2\ntour Bogotá grafitti, Jhir Burgos     http://bogotagraffiti.com/   https://www.instagram.com/bogota.graffiti/  \nOspen, Carlos Rico,  https://www.facebook.com/INKCREWART/\nJoems, Joems Malagon  https://www.instagram.com/joems777/?hl=es-la\nNómada, Cristian Rodriguez   https://www.facebook.com/nomadacdr/\nArk, Gabriel Sabogal,  https://www.facebook.com/Arkaloides \nFode, Felipe Baron , https://www.facebook.com/Barrioeternoi/\nJuda y Neve,  https://www.facebook.com/thisishardkorecolombia/\nTHC,  Johan Quintero, https://www.facebook.com/johan.molina.754570 \nChip,  Steven Acosta,  https://www.instagram.com/chyp_one/?hl=es-la \nWap,  David Quintero,  https://www.facebook.com/juandavid.quinterogallego\nOxal, Shristian Oxalc Villarreal, https://www.instagram.com/oxalcvillarreal/ \nHueso Solido, Fabian Rico,  https://www.instagram.com/solidbone/ \nRoberto Romero @chirretegolden', NULL, 'El espacio expositivo sugerido,  es un circuito urbano que abarque diferentes características arquitectónicas y de uso, en varios puntos . Se requiere en cada espacio encontrar el cubo blanco sobre pared lisa para la puesta en escena de la exposición y la pared intervenible de formas atípicas para representar el graffiti', NULL, 'curator', NULL, NULL, 'https://vimeo.com/429311680', NULL, NULL, NULL, 'https://proyectochanejo.wixsite.com/chanejo', NULL, NULL, NULL, 4990, NULL, 693, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4189, NULL, '2020-06-14 08:18:30', '2020-07-02 17:59:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31226, 'jdg2SAilb5Covr1y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:25:55', '2020-06-14 08:25:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31227, 'qZDsuKcfCR5UCrn9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:38:43', '2020-06-14 08:38:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31228, 'GovfsLInNzPSXbKO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:43:32', '2020-06-14 08:43:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31229, 'sWx291wrX07fuARL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:44:40', '2020-06-14 08:44:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31230, '1mRxKWMw0L0kyuCK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:46:00', '2020-06-14 08:46:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31231, '0a02l5tNRcghyDjv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:48:59', '2020-06-14 08:48:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31232, 'eVZCVAVs3bcG5XWT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:53:07', '2020-06-14 08:53:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31233, 'aRZSfsHYHBOWSmjK', 'sistole diástole', NULL, 'Dos cuerpos, dos voces, dos mujeres, dos hermanas, dos niñas, dos amigas que juegan, se bailan, se cantan, se imitan, se espejan, se cuidan, se abrazan, se diferencian. \nConstruimos escenas vinculando la voz y el movimiento a partir de recuerdos, recuerdos como nudos que armamos, que nos unen a la trama que nos sostiene.\n\n¿qué nudos nos limitan? ¿qué nudos nos sostienen? \nSiendo niñas construimos nuestro propio refugio como podemos, vacilando entre amor-odio hacia nuestro propio cuerpo, sosteniendo creencias ajenas, encarcelando nuestra sexualidad y nuestro potencial, apropiandonos de exigencias externas, quedando reducidas ante demandas patriarcales y heteronormativas.\nAnimandonos el fuego interno, nómades o sedentarias, rompemos, crecemos y volvemos a armar nuestros refugios; desdibujamos el límite entre nosotras mismas, desdibujamos el límite de las que fuimos, jugando con la complejidad de abarcarse a una misma. \n \nSístole-diástole, atar-desatar, soltar-sostener, fases de un ciclo que existe de a dos: aunque nos peliemos, siempre vas a ser mi hermana.\n\n{ duración estimada: 45 a 60min sin intervalo }', NULL, NULL, 'Espacio cerrado, sin luz ni sonido del exterior, con 8mt de largo por 4mt de ancho aproximados, con 3.5mt de altura de techo aproximada. \nAcústica reverberante para cantar a capella a dos voces. \nPiso de tapete negro o una superficie apta para bailar descalzas y con medias. \nParrilla de luces. Proyector. \nSistema para reproducir pistas de música en vivo. \nEspacio para el espectador: gradas o sillas distribuidas en 3 frentes.\nCantidad de espectadores ideales: entre 30 y 80.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/channel/UCBDjoqaZeqX1o7W7MzXBRtQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6390, NULL, 948, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5224, NULL, '2020-06-14 08:53:40', '2020-06-23 01:38:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31234, 'kHK3oFE6NbYxNh7M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:54:06', '2020-06-14 08:54:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31235, 'pSBCb9ckR994rbR3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:57:22', '2020-06-14 08:57:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31236, 'fQB1uPA3yYRaJElL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:58:15', '2020-06-14 08:58:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31237, 'FfULeempSySdzIpc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 08:59:06', '2020-06-14 08:59:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31238, 'ZW7JQFFfMycKsk7x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:00:22', '2020-06-14 09:00:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31239, '8NWR6E6ZylRMe7GK', 'Plantas e Fantasmas', NULL, 'Em Plantas e Fantasmas decidimos apostar na encruzilhada como espaço de ação coreográfica, onde o trânsito entre mundos inacabados pode se dar, onde nosso corpo pode rodar e, ao sair de si, encantar o espaço.\n\n​Esse trabalho nasce com a confiança no mistério, na invenção de traquitanas que cruzam o nascer e morrer, com o convite para se olhar xs mortxs que gostaríamos de exumar e cantar as vogais de vossos nomes para criar um buraco por onde eles possam dançar nosso corpo.\n\n​As três performers, Aline Guimarães, Bárbara Fernandes e Vanessa Nunes, estão habitando a encruzilhada desde o início. De olhos fechados e próximas, estão a tentar captar sons antigos com seu próprio corpo, transformando-o em um buraco por onde esses sons podem transpassar e serem emitidos novamente.\n\nElas cantam vogais numa tentativa de encantar xs mortxs que estão deitadxs na terra para abrir a possibilidade de permanecermos com elxs no mesmo plano.\n\n​A cada buraco que se demoram, fazem funcionar as arapucas que, não prendem  ou aprisionam, mas suspendem o chão para fazer outro corpo nascer. Xs mortxs se misturam e ganham uma nova forma a alguns metros do chão, na altura dos olhos.\n\nOscilando entre a coreografia, a instalação e a uma celebração fúnebre, Plantas e Fantasmas assenta no espaço para nos afastar do assombro de um mundo desencantado.', NULL, NULL, 'espaço mínimo 8mx18m, máximo 12mx12m; \n\npé direito mínimo 3,5m; \n\nmínimo 2 colunas no espaço que sirvam de suporte para amarração das cordas.\n\nmínimo 36 lugares, máximo 60.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/422527277', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1MXbcIopaikPlARSaT59VUOcD2nZ4z6FJ?usp=sharing', NULL, NULL, NULL, 4366, NULL, 572, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3684, NULL, '2020-06-14 09:07:19', '2020-07-08 16:45:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31240, 't0UJOiLZ0KVWu3S7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:08:13', '2020-06-14 09:08:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31241, 'sjxBdK9ebxg9Tfv3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:08:58', '2020-06-14 09:08:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31242, 'NQ9KXxbc818xqmtx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:20:57', '2020-06-14 09:20:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31243, 'tmRnjLEAdRRJxJXy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:21:01', '2020-06-14 09:21:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31244, 'lahjr7ha76eWpG4N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:22:29', '2020-06-14 09:22:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31245, 'vYYK6CpeacGQmQEH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:24:53', '2020-06-14 09:24:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31246, 'ma5cplwc97sCqXfR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:31:46', '2020-06-14 09:31:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31247, 'WN8gVqqLKCz1Jl79', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:33:32', '2020-06-14 09:33:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31248, 'kyKnIGE8658Ekezw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:41:34', '2020-06-14 09:41:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31249, 'WsPZJDKLD06BHZgF', 'Archivo Represión', NULL, 'Archivo represión es un ejercicio que reflexiona en torno a los mecanismos de la memoria en la era de la imagen digital. En diciembre de 2017 en Argentina, quienes se encontraban en las calles manifestándose en contra de la Reforma Previsional, mientras sus cuerpos eran oprimidos, tuvieron el impulso de registrar desde sus celulares y viralizarlo por las redes sociales, en una especie de denuncia colectiva desesperada por visibilizar los hechos. Esto permitió que quienes no estuvieron en la represión la pudiesen observar de manera virtual en primera persona.Se generó así una doble memoria: física y virtual. En una acción activista colaborativa se recopilaron las imágenes subidas a las redes sociales para generar un archivo de represión y utilizarlo como una posible arma de denuncia, con el tiempo este archivo nos enfrentó a un angustiante depósito del olvido generado por nosotros mismos.Mientras tanto, nuestra memoria y archivo se comparte con la Big Data,sin que podamos tomar decisión alguna sobre esto.Nuestra indignación,furia,temor se vuelve dato y se almacena.La instalación nos propone vernos reflejados en el ejercicio de volcar nuestras propias imágenes de denuncia en una red neuronal artificial, para empezar a comprender de qué se trata esta herramienta que se utiliza desde las grandes esferas de poder para abarcar el volumen de información que produce la sociedad.Actualmente,qué memoria estamos alimentando?Cómo es esta memoria colectiva híbrida?Qué materialidad tiene?', NULL, NULL, 'Videoinstalación:\n\n-Espacio interior de 5x5m(aprox)\n-Acceso a tomacorrientes\n-Iluminación: oscuridad y luz puntual\n-4 plasmas en la paredes a altura estándar\n-Serie de pedestales (60x140 cms aprox)\n\nLos plasmas reproducen la imagen fija de cada una de las visuales y los pedestales presentan al archivo activo. Así, la instalación enseña el resultado visual y el archivo con el cual se entrenó la red neuronal artificial, con la intención de descajanegrizar los procesos, y los sesgos del algoritmo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5655, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4679, NULL, '2020-06-14 09:43:01', '2020-06-26 18:05:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31250, 'LPm3PxjEykfu5YZT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:43:48', '2020-06-14 09:43:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31251, 'vE2XZHUzL4fs5UjG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 09:58:53', '2020-06-14 09:58:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31252, 'g42pi0WDfRBJ6CJs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:01:12', '2020-06-14 10:01:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31253, 'tJ68Wk9fSmp2ruXj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:06:54', '2020-06-14 10:06:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31254, 'LG1m3AcR9oI9Rog1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:07:28', '2020-06-14 10:07:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31255, 'E1Dn4bVhcDSnreGW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:08:18', '2020-06-14 10:08:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31256, 'Auf8QS16jxgNSBUD', 'Like It Or Not, Blue Anthropometries', NULL, 'Like It Or Not, Blue Anthropometries is a participative installation consisting of blue ink pads along with the request for visitors to put their thumbprints on dedicated surface, or not.\n\nThe installation alludes to Facebook and the tyranny of liking. Like it or not is not an affirmation but an interrogation, questioning our ability to choose. It evokes thumbprint signature both as a biometric technology and as a necessity within illiterate context: in this all-icon age where the image tends to stand for the word.\n\nLike It Or Not, Blue Anthropometries is also a wink at Yves Klein´s Monochrome and Anthropometry works. \n\nThe connection with BIENALSUR here lies in the very lines of our fingerprints, in the random pattern resulting from the thumbprints left by visitors (or not!).', NULL, NULL, 'Like It Or Not, Blue Anthropometries installation requires no more than a day to be built. \nIt can be set either indoor or outdoor, on a clean and dry surface.\n\nLike It Or Not, Blue Anthropometries consists of blue ink pads, along with a cartel/light signage inviting visitors to participate in.\n\nDimensions are thus variable and eventually depends on the actual participation of visitors in.\n\nThe ink used is water-based, skin-safe and environment-friendly.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://laureneboismariage.weebly.com/like-it-or-not.html', NULL, NULL, NULL, 3958, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3371, NULL, '2020-06-14 10:09:07', '2020-07-03 04:30:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31257, 'RWctzfgBVACY9lMm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:10:12', '2020-06-14 10:10:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31258, 'yRMglTo79potKtSo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:14:52', '2020-06-14 10:14:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31259, 'IxySrUY4f71Ld5F7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:18:57', '2020-06-14 10:18:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31260, 'kyIjWcompsCxemT7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:20:41', '2020-06-14 10:20:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31261, 'XHJWdzec8L2A3wFu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:24:50', '2020-06-14 10:24:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31262, 'gu8DJhms6btgYCEu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:26:37', '2020-06-14 10:26:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31263, 'wbVUjSPw3ntrNoTZ', 'El deseo no es una palabra invisible/ Cartografía de un abrazo', NULL, 'El proyecto  es hacer una vídeo instalación compuesta por: vídeos proyectado sobre  espejos; el reflejo impreso sobre el espacio;  la corporalidad del público y la sonoridad como una presencia incuestionable.  \nLes presento este relato audiovisual (“DE NUESTRAS BOCANADAS CONTINUARA… LA PELÍCULA”) que nació  en tiempos de pandemia. Donde la distancia, no fue un límite; si no la puerta  y la llave, el deseo  de un abrazo entre amigues.\n\nEl objetivo es: continuar “la película”, a partir del mismo procedimiento. Una obra construida: con audios enviados desde la distancia por medio  de wassap, producidos por diferentes participantes Y en un estudio de edición de bolsillo, el celular, en principio. \nEsta es la primera edición, de una serie de relatos audiovisuales, que se desarrollan en este tiempo. Momento, de deseo, de esperado abrazo, donde la sonoridad está presente: como dialogo, murmullo…carcajada, llenando el espacio vacío. \nCuando la palabra toma cuerpo es un abrazo sin distancia. La mirada es el camino y un recorrido… una puerta que se abre a la conciencia. Una bocanada de vida a la transformación colectiva.\n\n“EL DESEO NO ES UNA PALABRA INVISIBLE/CARTOGRAFÍA DE UN ABRAZO” Será esta serie de pequeños relatos audiovisuales donde, se  ampliara el recorrido de las latitudes espaciales geográficas; profundizando el mensaje, (presente en la primer producción)\nDonde la brújula sea el abrazo, que nos una como hermandad, sóroro y fraternal.', NULL, NULL, 'el espacio puede ser de dimensiones variables seria necesario  que contar con una sala con mas de un soporte donde proyectar las producciones audiovisuales, dispositivos tecnológicos de proyección de imagen y sonido. y una zona donde colgar espejos de uso cotidiano de diversas dimensiones.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=zNSHRD-0TWQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5487, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4554, NULL, '2020-06-14 10:32:28', '2020-08-02 00:38:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31264, '3Fjzsv2SA6nvajXS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:34:58', '2020-06-14 10:34:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31265, 'VmquN2wuVIhRkqK5', 'OXYGENE', NULL, 'As the earth can be a reminder of our identity, water can play the same role, as the element of life is impacted by all matters of impressions and feelings. For example, each woman reacts differently once she enters water, yet the goal remains the same: deliverance. Who did not share in the experience of the bath or the shower? Once in water, we  exhibit absolute silence; it is an intimate and unique moment with ourselves, our ideas, our depths – resurgences of childhood memories. Water brings with it a relaxing effect, inspiring confidence and bringing us closer to absolute freedom. Water remains however mysterious, housing hidden forms within itself. It is - to quote Bachelard - “A fluid language, with no collisions, no limits, continuous,  softening the rhythm...”  It is the building block of the wold; a simple contact with water is a contact with the beginning, the start, our origin. In this project, I tried to show different positions of women in water, including the “fetus woman” with her anodyne and naive movements. The video exhibit  Oxygène is a living, breathing work which forces the viewers to interact with the art, either by seeing themselves in it, or by developing in them a form of compassion towards the women depicted.', NULL, NULL, '- 3 white screens of 6m/4m size, one central and two lateral, diffusing the videos simultaneously in a dark room.\n- A transparent bathtub filled with water placed in the middle of the room on which is also projected a video. \n- 4 video projectors of 10000 lumens will also be necessary to play a 4K video file;\n- The sound: consists of a stereo installation, 8 baffles installed (2 per projection): the vibration waves will allow the water in the bathtub to move.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/127338878', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4183, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3565, NULL, '2020-06-14 10:37:37', '2020-08-11 22:33:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31266, '0lsiNLioi91cCbpc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:42:53', '2020-06-14 10:42:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31267, 'VnyDfHS3OMiyWnYD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:43:28', '2020-06-14 10:43:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31268, 'tG8jEtoRUiidd1Fs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:43:46', '2020-06-14 10:43:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31269, 'ZIVTmNUJDRFmqgut', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:53:36', '2020-06-14 10:53:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31270, 'UeUPc4AtgN8mMKZW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:54:34', '2020-06-14 10:54:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31271, 'h0JYvcPPCCN5fiXM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 10:54:46', '2020-06-14 10:54:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31272, 'oMOfCaUj9Hw3e0AW', 'Humanes', NULL, 'En un espacio de límites blancos, (paredes y piso,el techo blanco o cielo), y protegido del viento, flotan alto, a 3 metros una multitud de globos llenos de gas helio, anclados a la vez, por hilos invisibles, vinculándoles a otros globos ubicados sobre el blanco piso, llenos de aire y con un poco de agua que los sujeta a la Tierra.\n\nLa sala habitada por globos a color tanto en suelo y en ¨techo¨ deja un vacío intermedio invisible donde las tanzas verticalisimas y sutiles interpelan la mirada de quien llega.\n\nEl uso de globos grandes con color saturado en el centro de la experiencia y de colores más livianos, con menor tamaño hacia la periferia logran transformar un recinto de 10 metros de diámetro en un Sinfín.\n\nLa instalación es recorrible a través de pasajes intersticios  definidos ¨in situ¨ durante el montaje.\n\nEn la sala vibra un latido humano estereofónico.\n\nLos muros perimetrales bañados de luz blanca desde el piso profundizan la experiencia.\n\nHumanes (texto de Sala, aproximación)\n\nUn día blanco niebla,\ndesde alguna elevación,\npodés darte cuenta\nque la línea de horizonte\nes sólo una convención.\nNo existe cómo tál,\nno hay línea,\nde hecho, cómo el arcoíris,\nes una visión\npuramente\nsubjetiva y personal.\n\nCómo las gotas de lluvia\nque olemos antes\nde que empiezan a caer,\nque pintan el suelo por goteo,\ncada una lleva un volumen\ny una velocidad distinta,\nuna carga absolutamente única,\nya que, cada una  proviene \nde su distancia  \ny tiempo particular.\n\nLo inmanente es Misterio', NULL, NULL, '¨Humanes¨ puede montarse dentro de una Sala de 3,2 mts de altura o más y con dimensiones en planta cuadrada de 12,5 mts por lado o más. \nPuede instalarse en una Sala cerrada, o también en un espacio sin techo, pero con paredes perimetrales para protegerla del viento.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=z4gMuIoOPys', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3880, NULL, 640, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3954, NULL, '2020-06-14 11:01:59', '2020-07-17 00:29:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31273, 'ZiQXz3sralsEArst', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:14:59', '2020-06-14 11:14:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31274, 'wGD2wHdwtjkRXP5S', 'Rainessence', NULL, 'Our movement \"Raininess\" (\"Rain\") and \"essence of rain\" and \"Renaissance\") A project to turn picturesque ruins into the art-objects. In any city and country there are buildings left over from the past. became worthless.It’s like scars that keep the memory of important events, life milestones of this place. We find such objects and display images on them that help to reveal the depth and historical and philosophical significance of this place.We use paints of natural shades, so as to create the feeling that the pattern manifested itself, under the influence of time. Our paintings are an imitation of ancient reliefs. We create them in order to show the connection between eras, to convey to passers-by the idea of ​​the importance of perceiving the flow of history without interpretation, without crossing out events that are declared objectionable\ncurrent ideology.For Russia, this is relevant, since revolutions often took place on its territory, and regimes changed.\nThe meaning that is hidden in the name of our movement \"Rainessence\" is a \"revival\" revival of attitude to a person as to a creature created in the image and likeness of God. This means a revival of the consciousness and responsibility of mankind in relation to nature.\n\nAnd the further existence of mankind is possible only under the condition of a subtle, harmonious interweaving of its philosophy into the philosophy of life, taking into account the connection of generations.', NULL, NULL, 'As a street artist, she took part in the Moscow Street Art Festival \"Art Platform\" (2019) and was awarded a prize in the nomination \"for the best cultural street art\"\nFestival \"Stenograffia\" 2019 (Yekaterinburg)\nExhibition \"Stenograffia X\" 2019 (St. Petersburg)\nAt the Italian Contemporary Art Fair (curated by Untitled Gaiiery) (2019)\nMay 2020\nGrant from the Ruarts Foundation and the Artmossfer Association for the best street art project in Russia', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=L71IMfQetxA&app=desktop   https://don24.ru/rubric/kultura/grecheskie-motivy-hudozhnica-razrisovala-dom-v-centre-rostova.html', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3910, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3329, NULL, '2020-06-14 11:17:13', '2020-07-21 20:53:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31275, 'JNBQoGOaBEyGvJ8b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:18:50', '2020-06-14 11:18:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31276, 'se0LuSb63Nr9tg4p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:20:03', '2020-06-14 11:20:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31277, '1GGrNkAGbRtKGCl8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:21:54', '2020-06-14 11:21:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31278, 'ph4euyBsuFboX307', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:38:03', '2020-06-14 11:38:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31279, 'wFatDZ1MkwHBzDHO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:45:31', '2020-06-14 11:45:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31280, 'FN0otiRZgYhmZbdf', 'VISTA PREVIA', NULL, 'El proyecto explora la relación entre imágenes y materias ligadas con la visualización del futuro y las transformaciones del paisaje. Está compuesto por 4 piezas: Georáculo, Aguas Duras Tierras Planas, Termoterraformado y Deadlines.\n\nEl cuarzo es el elemento transversal, al ser un mineral derivado de múltiples alteraciones geológicas y estar vinculado a diferentes prácticas adivinatorias. Así, algunos fragmentos de roca, arena y bolas de cristal de cuarzo se entrelazan con registros de fenómenos naturales, petrografías, mapas y modelos meteorológicos post-apocalípticos, generando nuevas visualizaciones del paisaje. Así mismo, se mezclan sonidos producidos por el choque y roce de rocas y cuencos de cuarzo con sonidos provenientes de documentales sobre calentamiento global.\n\nLa transparencia y translucidez de estos cuarzos y los demás materiales utilizados en el proceso (proyectores, pantallas, globos, vidrios templados y películas back-light), producen múltiples transformaciones de las imágenes que se reflejan, refractan y difractan mutuamente. Su disposición en el espacio de exhibición propone una experiencia inmersiva más física de las imágenes digitales que componen cada pieza, buscando una relación sensorial y corporal más estrecha con ciertos recorridos, coordenadas y características del paisaje.\n\nLa propuesta es la evolución de un proyecto previo surgido durante la especialización en fotografía de la UNAL (2019). El sonido y dos de las piezas propuestas son inéditos.', NULL, NULL, 'Lo ideal sería una sala de exhibición de al menos 40 m2 o 4 salas de exhibición pequeñas (una para cada pieza del proyecto) de al menos 12 m2 cada una. Entre más grande el espacio, mejor, para potenciar los recorridos entre las piezas.\n\nEn cualquier caso, el espacio debe ser cerrado, estar totalmente a oscuras y tener puntos de conexión eléctrica (para los equipos audiovisuales que componen las piezas: 1 proyector, 3 pantallas de TV, 1 monitor, 5 reproductores de DVD y 2 sistemas de sonido).', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/user/thecamparr', NULL, NULL, NULL, 'https://www.camiloparra.net/vista-previa', NULL, NULL, NULL, 6356, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5201, NULL, '2020-06-14 11:46:05', '2020-08-12 00:24:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31281, 'kBu164fgTvIVMhZi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:50:52', '2020-06-14 11:50:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31282, 'xQEQql92UQ2H0Pn9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 11:51:41', '2020-06-14 11:51:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31283, 'RFQjkbzu3ZmNYoEi', 'A New Wave; subcultural social commentary from the Arabian Gulf', NULL, '“A New Wave”, is a project initiated in concomitant with the forward-thinking philosophy and aesthetic of the Post Contemporary culture. Based on an artistic movement championing universal experiences, the proposed exhibition will delve into the nuances and social sub-cultures residing in the Arabian Gulf today. As a region usually associated with skyscrapers, fast cars, oil-wealth, and religious conservatism, it becomes difficult for voices from the Gulf to perforate the surface of preconceived notions.\n\nArabian Gulf culture married with Post Contemporary concepts, offers an opportunity for shifting the focus from the aforementioned to generating a new and progressive discourse. It is one that promotes asking new questions, deconstructing Middle-Eastern identity, and offering empathy on discussions surrounding race, gender, sexual orientation and religious beliefs. What is then offered is a third-millennium perspective responding with social structures from a siloed region that ascend to universal conversation.', NULL, NULL, 'The suggested exhibition space should be 5x 5m. To accommodate two paintings and on video projection with headphones. The videos need to be shown in a slightly partitioned setting that is dark enough to view the video installation.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/366918120', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4759, NULL, 652, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4011, 5, '2020-06-14 12:05:08', '2020-09-02 21:21:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31284, 'DAOHocUzb15jgbBy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:44:32', '2020-06-14 12:44:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31285, 'yNKuc6rxVYsT1Pxw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:48:02', '2020-06-14 12:48:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31286, 'z5bphqNOBUjA7BX5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:48:11', '2020-06-14 12:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31287, 'pLTfZLP0RwDPlQmr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:50:52', '2020-06-14 12:50:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31288, '0pkWVNyWZ4rpkswF', 'Tegumentos Veniales', NULL, 'Dentro de las acciones de investigación-creación, que adelanto, relacionada con el tema de las identidades, las pieles y los ropajes, busco encontrar no solo formas, modos de ser y sentirse en el mundo contemporáneo en donde se yuxtaponen miradas internas y externas a la humanidad íntima y publica. \n\nDesde allí cobra sentido la incorporación de patrones simbólicos asociados a las pieles de Hundertwasser, puestas en escena desde lo cotidiano, en piezas pictóricas que se basan en el miniaturismo persa, la caligrafía árabe -así como otras grafías-, sus ropajes tradicionales, pero también desde esos elementos que trascienden lo físico hacia lo espiritual, entrelazando cuerpo, mente, espiritualidad y expresión.   Es curioso que pese al uso de aproximaciones a elementos inicialmente estéticos de esta técnica, ahora florece en su implementación para recoger otras identidades, mezclas de lo oriental no visto como lo surgido únicamente en Asia, sino todo aquello que es sinónimo de una resistencia cultural en el contexto occidental:  Las culturas ancestrales, las culturas afro y aquellas mezclas que somos en definitiva, en un constante transformar de nuestras miradas, pensamientos y comportamientos expresados a través de las pieles y los ropajes, las múltiples identidades de nuestros pueblos.\n\nAsí, la obra se compone de 8 piezas en miniaturismo de 24 cm X 19 cm, trabajados con acrílicos sobre lienzo templado en base de retablo.', NULL, NULL, 'Pared de 3 mts de largo X 2 mts de alto, con iluminaciones puntuales a cada obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://hercadena.wixsite.com/artes-y-sentires/criaturas', NULL, NULL, NULL, 3885, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3306, NULL, '2020-06-14 12:51:15', '2020-07-02 23:21:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31289, 'Iy7xAHZWlsgOpmCM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:51:51', '2020-06-14 12:51:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31290, 'MZntrKvXEx2yYn0Q', 'Y si retomamos las viejas prácticas?', NULL, 'Esta pieza es una interrogante, un replanteamiento sobre el pasado y el presente. \n¿Y si retomamos las viejas prácticas?  La obra quiere hacer conciencia a los espectadores y nuevas generaciones a retomar algunas prácticas de nuestros abuelos, evitando el consumo de muchos productos que lo único que nos hacen es contaminar el ambiente, y contaminar nuestro organismo.\nEstas empresas transnacionales lo que están cometiendo son crímenes, y nosotros somos sus cómplices. Porque si no existiera el consumo desmedido tampoco existiera la producción. Al tener más demanda tendrán más producto.\nNosotros también somos criminales y cómplices porque estamos contribuyendo a que los mares estén llenos de plástico y con ello sus especies se estén muriendo. Cómplices que las semillas tengan un monopolio y que sean transgénicas, cómplices del despojo de las tierras a los campesinos, cómplices de que estos productos sean los provocantes de la diabetes, cáncer, etc. Cómplices que quieran apoderarse del agua para después venderla, cómplices de que se estén muriendo del hambre y que prefieran tirar la comida a regalarla a la gente pobre, cómplices de la explotación de los campesinos, cómplices de innumerables crímenes a la sociedad.\nEstá en nosotros la decisión de ser cómplices de estos crímenes o no. Así como también pensar en el futuro de nuestros hijos. Si no retomamos las viejas prácticas, este mundo ya no durará mucho tiempo.', NULL, NULL, 'Los espacios expositivos podrían ser galerías, vitrinas o espacios públicos. La obra se podrá llevar a diferentes puntos de la o las ciudades. Los elementos por utilizar son dos carretas de supermercado rodeada de las cintas que colocan cuando ha ocurrido un crimen. Productos reales, de marcas que están contaminando el medio ambiente, y nuestro organismo, etc. (según el estudio realizado). Estarán colocados en el suelo simulando las pruebas de un crimen con número respectivo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3899, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3319, NULL, '2020-06-14 12:51:51', '2020-07-03 01:59:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31291, '1qBfjgoDK0gzda0u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:52:08', '2020-06-14 12:52:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31292, 'i2UlSjNjkJj4Rxfj', 'Micro Filmmaker', NULL, 'Se trata de piezas audiovisuales de un máximo 20 segundos de duracion. El concepto es la transmisión de estados de ánimo o reflexiones a través de un lenguaje cuasipublicitario. Combinando así mis estudios de psicología y publicidad. Las piezas se refuerzan con apoyo musical compuesto para cada una y de un par de imágenes fijas que la contextualizan. Las piezas están concebidas en su mayoría para funcionar en loop, sin comienzo ni final claro.\n\nLas piezas se pueden adaptar a varios formatos. Ese año (en febrero) fuimos a ARCO Madrid2020 en una Expo colectiva y las presentamos en pantallas led de 6x4 metros. Pero pueden proyectarse o reproducirse a la carta en TV o en varias TVs simultáneamente.', NULL, NULL, 'Las piezas podrían adaptarse a cualquier espacio interior (salas, galerías etc).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3888, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3308, NULL, '2020-06-14 12:52:42', '2020-07-02 23:22:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31293, 'V2Y8ivF0iSyVjUuI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:54:04', '2020-06-14 12:54:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31294, 'lBvR0N0W7wFtHRLr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 12:56:38', '2020-06-14 12:56:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31295, 'lIGaH8N4GTHbUQ9p', 'Muerte en vida, soledad en compañía, sueños de Libertad', NULL, 'Hacer visible una realidad intangible, oculta en la vida de una mujer; sus motivaciones para salir adelante y sus luchas en el proceso de superación, representadas simbólicamente en el mapa de su piel es quizás uno de los retos mas importantes que he querido afrontar hasta hoy.  Poder mostrar algunas de las situaciones que vive una mujer maltratada emocional, física y espiritualmente a lo largo de su vida y de forma recurrente, así como entender un poco su sentir y su vivir en un mundo en el que nunca ha sido valorada como mujer, un mundo que la ha tratado como un objeto; la misma mujer que está siempre tratando de cambiar sus formas de ver el mundo, sus anhelos y arrancar de nuevo desde sus raíces.\nEn definitiva, a partir de esta historia, hoy deseo plasmar una visión de la violencia intrafamiliar, la que no es palpable por un morado, pero que a la larga hace tanto o más daño que el mismo golpe y como desde lo que le apasiona a Libertad, lograré mostrar la angustia que vive una mujer maltratada, logrando que las texturas, el relieve y el color puedan representar la soledad que se vive aun estando en compañía y como contar con una obra de arte  (tres cuadros de 70x90) que los sueños se hacen realidad; plasmará su muerte en vida, su soledad en compañía y sus sueños de libertad anhelando que sea visto por todas aquellas personas que viven la misma situación, animándoles a luchar por su vida y por sus sueños.', NULL, NULL, 'Pared de 3 mts de largo con iluminación puntual a cada obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3890, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3310, NULL, '2020-06-14 12:58:45', '2020-07-02 23:22:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31296, 'PQ6gfjylXLCfkBxH', 'Snapshots of an inner journey', NULL, 'Este proyecto recorre momentos y aspectos de mi camino de búsqueda interior, y que a mi modo de ver también resume el cambio en la espiritualidad de la sociedad occidental. En esta serie se unen conceptos pertenecientes a tradiciones como la Kabalah, la Metafisica, el Budismo y el Cristianismo, a visiones e intuiciones personales experimentadas durante prácticas de meditación y Reiki.\nEn \"Snapshots of an inner journey\" (\"Instantáneas de un viaje interior\") intento dar una forma visible a las creencias espirituales que fui sosteniendo y moldeando a lo largo de mi vida. Me cuestiono dónde posiciono mentalmente a la \"superioridad\", dónde creo que están las respuestas, cuál es la dirección a seguir. La búsqueda de la salvación en \"lo alto\", el fluir con los ciclos y procesos y la búsqueda de la unión con el Todo.\nLas manos, parte del cuerpo extremamente expresiva y comunicativa, símbolo del dar/recibir, y canal de energía y transformación, son los sujetos que hacen referencia a la experiencia humana y a la búsqueda de su sentido.\nLa utilización del color está ligada a la simbología de los Chakras del cuerpo humano y a la concepción del cuerpo según la Kabalah, donde el rojo corresponde a las vibraciones bajas ligadas a la materia y a los bajos impulsos, pasando por el verde y azul de la emoción y la voluntad expresiva, hasta el violeta/magenta, color de la unión con lo trascendental.\nLa serie consta de 5 óleos sobre tela, dos de los cuales son dípticos (uno en proceso, envío 4).', NULL, NULL, 'Por ser pinturas el espacio deberá ser cubierto, permitiendo al observador posicionarse a una distancia adecuada de unos 4 / 5 metros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3896, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3316, NULL, '2020-06-14 13:02:39', '2020-07-03 01:59:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31297, 'jAifyrRp7P9OeyBl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 13:09:41', '2020-06-14 13:09:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31298, 'UjEE98XF4pnmvQI7', 'U.S. (Unwholesome Shelter) 「美」國', NULL, 'This series juxtaposes the torn and dirty USian flag with the naked bodies of all genders, races, sexuality, nationality, and cultural backgrounds. I am interested in critiquing the United States as the dreamland and shelter for people and immigrants. The U.S. was alleged to be the most open and tolerant country but it fails to welcome people from various backgrounds equally. This series aims to document and capture people\'s bodies, their vulnerability, emotions, and strength through/with the cut USian flag. Everyone was invited to join the project because most of the people are immigrants in some ways at some point in history in the country even if they\'re citizens now. Moreover, I am interested in the body, not some mainstream beauty. I encourage people all to model nude because I am not interested in censoring any specific body parts. Also, if they are part of the body, they deserve to be seen/there.', NULL, NULL, 'Any type of space will do.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3952, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3366, NULL, '2020-06-14 13:16:19', '2020-07-03 04:29:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31299, 'qwGzPBryrUlZDWtW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 13:19:03', '2020-06-14 13:19:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31300, 'fwyQEXBITGUnpRFe', 'subject of interest;', NULL, 'The surface that one person touches bears the trace of that person, hosts and transfers that trace, and affects the next person whose touch lands there. The surfaces differ.  Plastic won’t bear the trace for long, but some porous materials clearly do like human skin. During the era of social distancing, everybody at least one time doubted about touching something or someone. This project is about this intermediate space between two subjects of interest and this intervening time of taking a decision e.g. giving a handshake or not. This time is not dead time but time of exploration, consciousness and placement, mentally and physically. \nAfter the social distancing what was the action that took a different texture; to kiss someone, to go to the market, to hug your mother. Documenting personal stories connecting them through a certain physicality (a minimal motion that goes forward and backwards, see also vimeo link). \nA shareable series of short films that will function as the recording of the beginning of a new era that every simple action can be a chance for introspection.', NULL, NULL, 'The ideal exhibition space should a gallery. Several small video screens playing on repeat the different short movies and the audience is free to revisit, stay as long as it wants. Otherwise, a single screen is enough to project the series of the short films repeatedly.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/showcase/7145796/video/419887261', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3891, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3311, NULL, '2020-06-14 13:23:23', '2020-07-23 03:19:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31301, '3m0EMeiyzhK5Ss6l', 'Ex Voto [Good-Looking-Good]', NULL, 'My artwork is a feminist critique of consumer culture. I propose a series of billboard posters, newspaper adverts, & social media adverts that use common advertising tropes to draw attention to the stereotypical representations presented in the commercial realm, rather than impel people to buy something. The adverts comprise photographs, montage, & text & will feature sculpted objects that function as portraits of different types of consumer. In the past, sculptural materials have included porcelain, rubbish, blancmange, & rotting meat. It is my intention to challenge advertising cultures through my work: operating in the commercial spaces that my work critiques is key to achieving a balance between art & activism. This public domain project will examine the particular mode of looking (at our own bodies and the bodies of others) that is produced by advertising rhetoric. The work will be specially developed for Bienalsur. This project draws on my PhD (Royal College of Art, London, 2017) that examined contemporary consumerism & the commodified construction of ideal gendered bodies. The aim of the body of work is to develop a psychoanalytically informed theory of the political economy of the body in neoliberal capitalist societies, paying particular attention to the new mechanisms of interaction afforded by social networking sites (Consuming the Body: Capitalism, Social Media and Commodification, Bloomsbury Academic, 2021).', NULL, NULL, 'Artworks will be developed for existing public domain spaces. I will research the types of advertising that are common in South America, such as billboards, ads on public transport & video screens. In addition, I will design adverts that will run in newspapers & on social media channels, via targeted adverts. The artworks I produce aim to be challenging, but not to cause offence, and ethical consideration of the audience will be central to the development of the work.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3906, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3326, NULL, '2020-06-14 13:29:15', '2020-07-03 01:59:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31302, 'E5FyT9AtdzIv3YJ8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 13:33:00', '2020-06-14 13:33:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31303, 'vtJNS2tdShZ9Ct2b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 13:36:36', '2020-06-14 13:36:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31304, 'dmA9joI9c1XMEctz', 'VENTANAS DEL TROPICO', NULL, 'Mi proyecto consiste en la Elaboración de arte con responsabilidad ambiental a partir de papel reciclado, dandole una segunda oportunidad a los papeles  impresos, transformando la \"basura\" en piezas estericas llenas de belleza y color demarcadas por la hermosa naturaleza del tropico.\nQuiero recalcar que las fotos de la serie que envio esta en proceso. Pero pueden ver mi pagina https://www.facebook.com/MARGARITA.ARANGO.J/ para ver la calidad del trabajo.\n\nAclaro que nunca he realizado exposisiones, pero deseo que muchas personas puedan ver lo que hago. Las piezas a postular mide cada una 25 x 90 cms y son 6 unidades. No se si requieren más unidades.', NULL, NULL, 'Las piezas a postular son 6 unidades, mide cada una 25 x 90 cms por lo tanto en una pared de 275 cms estaria bien, pero debe ser libre de humedad y altas temperaturas o sol directo', NULL, 'artist', NULL, NULL, 'https://www.facebook.com/257644100948428/posts/2791017710944375/', NULL, NULL, NULL, 'https://www.facebook.com/MARGARITA.ARANGO.J/', NULL, NULL, NULL, 5442, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4515, NULL, '2020-06-14 13:38:16', '2020-07-29 21:33:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31305, 'etG8G51wYRqiAtQr', 'THE WALL OF DELICACY', NULL, 'THE WALL OF DELICACY (ode to America), dried rosebuds, steel, concrete, environmental dimension\n\nTHE WALL OF DELICACY at BAM  Festival, Palermo 13 x 2,20 x 0,50 meters\n\nRaw and delicate, a rosebuds wall. A meditative practice. A reflection on ephemeral, beauty, delicacy. \nThe practice is realized through simple and graceful gestures: inserting, one after the other, rosebuds in a metal wire, paying attention not to damage them, and observing their petals that inevitably fall to the ground immersed in their scent.\nAn installation that in its aesthetics refers, overturning its meaning, to the barbed wire used at the borders between Countries.\nBorn as a site-specific installation during my residency at MASS MoCA, USA it has turned into a traveling and participatory project.\nIn May 2019 it took part in BienNoLo, a biennial show of contemporary art in Milan, Italy, and in December 2019, the project took part in BAM Biennale Arcipelago Mediterraneo in Palermo, Italy.\nFrom the 1st to the 6th of December, 2020 in Piazza Pretoria, Palermo, I invited citizens to take part in the meditation practice and in the realization of the installation. \nOn the 7th of December, THE WALL OF DELICACY was installed in Piazza Pretoria, Palermo, dividing the square in two.\nIt’s a light, modular installation, and every time THE WALL OF DELICACY is installed, it contains older versions of it along new parts made as a result of the participatory meditative practice.', NULL, NULL, 'THE WALL OF DELICACY can be installed inside or outside. \nIf outside, it will adapt to any pedestrian urban space with the possibility to be divided in 2.\nAttached pictures of BAM Festival (outside) and Biennolo(inside).\nAlong with the older versions of THE WALL OF DELICACY, a wall 20 meters long and 2,20 cm high can be realized with the help of at least 4 persons a day (they can be different people rotating in the meditative practice) six hours a day for a week.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4070, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3465, NULL, '2020-06-14 13:39:31', '2020-07-03 22:42:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31306, 'IR1HvKGi75RIrPfJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 13:41:19', '2020-06-14 13:41:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31307, 'liwqKoaWu4nMb0JC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 13:42:45', '2020-06-14 13:42:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31308, 'oaA80f8obyX0qkpT', 'intervalos... entre lo anterior y lo exterior/ Intervals... between inner and outer spaces', NULL, '\"Intervals... between inner and outer spaces\" is a video installation consisting of 3 video works. \nVideo work 1: \"Round of breath\". The movement of breath... a rhythmic movement between the  inside and the outside. Breathing in - air from outside moves into the inner space of a human being. Breathing out - air from inside move into the space outside. Essential movements that are barely visible to us. \"Round of breath\" is seeking a way to make these movement visible.\nVideo work 2: \"my voice`s home\". The following poem/ written fragment is connected to the video work.\nmy voice`s home \ntell me - \nhow well do you know \nthe place \nthat is your voice`s home? \nDoes the path \nthat leads you there \nfollow a line \nstraight and smooth? \nOr is it rather \na silent flowing \npulsing \nfrom moment to moment? \nThe work is based on close-up photographs of inside the human mouth. These images were then composed into movement resulting in the present video work.\n\nVideo work 3:The following poem/ written fragment is connected to the video work.\nComing home... into my skin \nBeing touched by the world \ncan pull me away \nout of my skin. \nWhat happens with it \nmy skin \nonce I`ve been pulled away? \nHow can \nbeing touched by the world \ntransform to \ncoming home - into my skin? \nBlack and white video sequences of the print, that the human body leaves in a space. These sequences are composed into movement between strength and gentleness, shape and the dispersal of it, being present and withdrawing.', NULL, NULL, 'The video installation needs a room with 2 walls opposite of each other for large format projections of \"Round of breath\" and \"Coming home... into my skin\". \"My voice`s home\" will be projected onto the ceiling at a height of about 2,5 meters. The floor should allow the viewing person to comfortably look at all projections, which means sitting or lieing down to watch the ceiling. There should be carpet and cushions on the floor.The room should be dark enough for good quality video projection.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/426966651, https://vimeo.com/427039787, https://vimeo.com/428915968', 'Atemrund, Stimme, Heimkehr', NULL, NULL, NULL, NULL, NULL, NULL, 3904, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3324, NULL, '2020-06-14 13:49:00', '2020-07-14 15:57:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31309, 'tmPLfUy9feLhnUD4', 'PER ANNA', NULL, 'A partir de mi vivencia como nieta de inmigrantes, habiendo crecido en una familia que siempre vivió añorando volver y manteniendo las costumbres de sus pueblos, quiero mostrar como ese vínculo tan estrecho se mantuvo casi intacto a través de más de 60 años y se sigue sosteniendo los descendientes.\nVimos nacer,crecer, envejecer y morir a nuestros familiares a través de cartas,fotos,estampitas,souvenir  y todo lo que nos llegaba por correo,con la alegrías de los confites de un casamiento o la tristeza que se respiraba durante semanas porque llegaba el aviso de alguna muerte.\nLos de allá nunca los olvidaron y compartieron todos sus momentos con ellos, fue esta asidua correspondencia lo que permitió que hoy,aún cuando ellos ya no están sigamos sintiéndonos cerca.\nCon estas fotos familiares y demás anuncios de momentos importantes de sus vidas y las nuestras quiero hacer un recorrido visual en el que veamos y sintamos como una imagen, un papel en 2 dimensiones ,con una líneas escritas en cursiva, tiene la extraordinaria fuerza de mantener vínculo de afecto y costumbres que atraviesan generaciones.\nA través de una videoinstalación, en un espacio donde se genere un  recorrido de ida y vuelta entre dos puntos,en modo casi de árbol genealógico veremos la vida de cada personaje contada por medio de la documentación enviada,inmerso en este espacio un fotodocumental y los sonidos de las voces  en dialecto que han llegado a enviar por cassette sentiremos que aún están ahí.', NULL, NULL, 'Pienso como espacio ideal,alguna Sala o sector del Museo de la Inmigración.\nUn espacio alargado, que permita realizar un recorrido,paneles donde van las fotografías/ árboles genealógicos  y espacio para objetos en los extremos , cierta amplitud para tener perspectiva en la visualización  del fotodocumental.\nMinimo 12 x 5 metros , altura mínima de los techos 3.50/ 4 m. Posibilidades de montaje del proyector y parlantes diseminados por todo el espacio para escuchar los relatos en dialecto.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429467806', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6339, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5186, NULL, '2020-06-14 14:05:49', '2020-08-11 22:14:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31310, 'F2hnsHI7tQF5GBl3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:11:06', '2020-06-14 14:11:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31311, 'mVJOZArDoIjg4O0H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:16:05', '2020-06-14 14:16:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31312, 'qZkc91CgVF1IsTYx', 'He creado un Fósil', NULL, '¿A quien le importa los conjuntos de ideas intemporales?, ¿Quién tiene en cuenta la poética escondida en la estructura de un pensamiento?, ¿A quien le interesa la entropía que generan los fósiles con los que sueño?\n\nLa obra “He creado un Fósil” es una crítica ante la precariedad y la falta de compromiso gubernamental con aquello que alimenta el alma de una sociedad sedienta de respuestas, la cultura.\n\nReivindica la importancia y la belleza de las ideas del ser humano, y pone en valor aquellos paisajes imaginados por los creadores, como algo preciado e imprescindible para el patrimonio inmaterial y el pensamiento colectivo.\n\nLa pieza es una instalación construida a partir de un conjunto de pequeñas cajas antiguas de porcelana, cuyo contenido serán enredaderas de pensamientos materializados a partir de apuntes, anotaciones, dibujos, objetos, etc.\n\nLos objetos se manifiestan para ser observados, rindiendo homenaje a aquellas ideas que quedaron en el olvido por falta de visibilidad, es por ello que estarán instaladas sobre peanas blancas, escogiendo la peana como símbolo tradicional de legitimación en el arte.\n\nLas cajas podrán ser abiertas y cerradas por el visitante para analizar el contenido de las mismas, y de esa forma crear una interacción directa con la propia idea.', NULL, NULL, 'La pieza consta de siete cajas de porcelana, 10cm x 8cm x7cm aprox, que estarían apoyadas sobre peanas alineadas, de un tamaño aproximado de 120cm de alto. La instalación podría situarse en medio de la sala o en una pared, con una longitud de 2,65m de largo. Adjunto en mi candidatura fotos de bocetos de las futuras esculturas, ya que la obra será desarrollada en los próximos meses, una simulación de propuesta expositiva e imágenes de referencia de los materiales.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4076, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3471, NULL, '2020-06-14 14:21:02', '2020-07-03 21:47:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31313, 'mSqRqgPd2KtHpmHd', 'Galaxies', NULL, 'My characteristic as an artist is to have permanent projects which are never done entirely, as life itself; and at the same time, some of them exist for years just as an idea. I try to approximate art’s from life’s methods. Also the mixing of languages is a characteristic; as well as pliability. That means there are different ways for this work to be displayed on the Bienal Sur: it can have only pictures and texts, graphics elements; it can also have video; it can compose an installation; have me performing it live. It can be a part, it can be all together. And in any way: it will be plenary.\n\nHaving that explained, this project sees people as galaxies: a complex system full of proper structures, signs and meaning. Full of lives inside itself. To investigate that, I use groups of body spots as constellations. The inspiration for that came during a trip to Argentina in 2004, when I discovered the word “lunares” nominating the spots on our skins. That semantic issue of Spanish language made me consider.\n\nSo I began to either intuitively or by interviewing people, register body constellations and baptize them, inventing myths of creation, legends and fictional stories or explanations for each. I have pictures and texts, objects like maps, videos and the chance to be live performing, talking with people and showing/registering their own galaxies in this human astronomy I do. Also my son was born last year and I’ve been watching the coming spots. Registering the birth of a galaxy.', NULL, NULL, 'I think this pliability is important (specially over this pandemic circumstances and all doubts about future). Also the ability to “make it fit” has been essential for me as a Latin American artist coming from poverty and precariousness. I could send only images with texts, or also some videos, objects (all the sizes and proportions can be set). In case to build a installation a 4m² area would be good. To be performing it live, simple things and a audience available (I could also do it online).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3928, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3344, NULL, '2020-06-14 14:22:53', '2020-07-03 04:29:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31314, 'hrs5RH82RTw2Xaj2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:31:17', '2020-06-14 14:31:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31315, 'coAJFCwPkxLklrCE', 'taking away', NULL, 'Description short:\n\ntaking away shows surprisingly quiet streets in Tokyo at night. The nocturnal peace is interrupted by an unauthorized intervention. A strange object shifts the appearance of the uncanny and seemingly apocalyptic nightly streets. It disturbs the peaceful order of the well-kept neighbourhood. \n\nDescription long:\n\ntaking away shows surprisingly quiet streets in Tokyo at night. The empty streets reminiscent of apocalyptic scenarios - only here and there lights are blinking in the distance. The nocturnal peace is interrupted by an unexpected intervention. The unauthorized manifestation of a strange object shifts the appearance of the uncanny nightly streets. It disturbs the peaceful order of the well-kept neighbourhood. \nDue to their illumination the sceneries shown in the video somehow seem like film-sets. The moving object divides the narrow streets, slides through the alleyways, obscuring large parts of the video image, thus creating temporarily altered spatial situations. It is rectangular and its dimensions are reminiscent of a video screen.\nThe gloomy aura of the abandoned, nightly streets is underlined in the work. At the same time, taking-away takes a closer look at people’s primordial fear of the darkness - the Achluophobia - which is especially pronounced in childhood. Furthermore, the black wall becomes a metaphor for subconscious fears and arouses associations with stage elements and thus increases the stage-atmosphere the places somehow posses.', NULL, NULL, 'Videoscreen / projection / Blackbox', NULL, 'artist', NULL, NULL, 'https://vimeo.com/250187795', 'passwort_7010', NULL, NULL, NULL, NULL, NULL, NULL, 4148, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3534, NULL, '2020-06-14 14:35:19', '2020-07-24 23:38:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31316, 'ypdRMMCxGyPSF4Bt', 'Máscaras 2021', NULL, 'La experiencia compartida de vivir un pandemia nos revela a cada uno de nosotros nuestra propia fragilidad. Este contexto nos sumerge en la incertidumbre, en la precariedad del sistema de representación política y de repartición de la riqueza, y por supuesto, en la ansiedad de perder seres queridos y con ellos parte de nuestra historia.\n\nEl ser humano se muestra un animal tan vulnerable. Entregado y encerrado en sus pasiones, el ejercicio de la catarsis podría ser la oportunidad de enfrentar este espacio del tiempo intenso y sin final por el que estamos pasando.\n\nEste nuevo escenario fue una oportunidad para mi investigación artística. Abandoné la sobriedad de los dibujos en blanco y negro y sus juegos de perspectiva. Cambié drásticamente mis costumbres artísticas para dar lugar a la catarsis en forma de máscaras de animales locos y coloridos. Cada uno de ellos exprimé la estupefacción, la duda, el cautiverio y la agresividad.\n\nA lo largo de la historia son varias las civilizaciones que han usado la máscara como instrumento catártico para proyectarse más de la realidad. Desde el teatro japonés Noh, la danza sagrada budista Tsam en Mongolia hasta las máscaras venecianas, todas son una invitación a purgar nuestras pasiones.\n\nLas máscaras que produzco no son sólo esculturas, pero más bien un objeto interactivo. Quiero que el espectador pueda agarrar y sentir las máscaras en su rostro, viviendo con a través de ellas mi propia experiencia catártica.', NULL, NULL, 'Las máscaras están colgadas en la pared con un clavo a 1,60 m del suelo.\n\nSon esculturas de papel maché pintadas con pintura acrílica.\n\nDimensiones : \n\nJacaré doido : 18 x 18 x 16 cm\nMacaco chocado : 22 x 22 x 9 cm\nGorila palhaço : 44 x 22 x 15 cm \nGenio gritante : 22 x 20 x 12 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6207, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5089, NULL, '2020-06-14 14:35:54', '2020-06-23 20:13:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31317, 'FQxTxsVAYd2D3Qi1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:36:26', '2020-06-14 14:36:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31318, 'f01BzKq2nBJSg59q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:39:35', '2020-06-14 14:39:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31319, 'l8pL0xY7uzyOBy6A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:41:19', '2020-06-14 14:41:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31320, 'c5Ct3rgk5QOF7Hts', 'Retrospective of a Fictional Queer Artist', NULL, 'Taking parafiction as a queer medium, a collective method and, a strategical tool to deal with unexplorable queer pasts of Turkey by bringing together contemporary artists to create a fantasy retrospective of a fictional artist and a queer archive of Turkish past via this retrospective. Let’s imagine there is a queer artist who used to live and work in Turkey during the 70s, 80s, and 90s who was producing excessively in different mediums by constantly transgressing them in the recent past and who never had a chance to show their work. This artist existed only in the realm of parafiction and will be created by the means of contemporary artists’ productions. This means that participant artists will produce in the name of this unique queer artist and enjoy being someone else by configuring the whole life of this unknown figure, by narrating their story collectively and individually at the same time in an inter-responsively and responsibly, by creating a retrospective of a fictional artist with the productions of the contemporary era. My idea of giving a collective form to the speculation helps me to queerize the notions of the archive, historiography, monograph/retrospective, spatio-temporal essentialism, identity politics, the bodily-charged informations. With this formulation, I will be also playing with institutionalized factuality,  exhibitory complex, pedagogical versus imaginative engagement with the audience, and curatorial knowledge versus curatorial unknowability.', 'Nilbar Güreş, Turkish/Austrian, https://tanjawagner.com/artists/nilbar-gures/\nErdem Taşdelen, Turkish/Canadian, http://www.erdemtasdelen.com/\nRüzgar Buşki, Turkish, https://www.instagram.com/accounts/login/?next=/ruzgar.buski/%3Fhl%3Dtr\nArdıl Yalınkılıç, Kurdish/, http://ardilyalinkilic.com/\nOnur Karaoğlu, Turkish,  https://www.onurkaraoglu.com/\nMahmoud Khaled, Egyptian, http://www.mahmoudkhaled.com/\nTamas Lakhrissi, French, https://tareklakhrissi.com/\nAdrian Van Melle, French, https://www.adrienvanmelle.com/\nİz Öztat&Zeşan, Turkish/Armenian, http://www.izoztat.com/\nCan Küçük, Turkish, http://www.pilotgaleri.com/artists/detail/42', NULL, 'The exhibition should take place in İstanbul, but the typology of the space is open to discussion. \n\nMahmoud Khaled used the building of Ark Kültür (http://www.arkkultur.net/about-us/) for his fictional museum project \'The Unknown Crying Man Museum\' commissioned by 15th Istanbul Biennial. Considering the similarities between the two projects, Ark Kültür might be a good option for the exhibition.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://tanjawagner.com/artists/nilbar-gures/', NULL, NULL, NULL, 5439, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, '! Reminder: While the artists mentioned are confirmed, the nature of the project requires that they will all produce new artworks for the exhibition, thus the artworks shared here are exemplary and only to give you an understanding of the artist\'s a style/vision/aesthetics.', 'si', 'Since all thee works will be new commissions, technical and assembly needs would be known and finalized only after the workshopping period with the participant artists.', NULL, NULL, NULL, NULL, '! Reminder: While the artists mentioned are confirmed, the nature of the project requires that they will all produce new artworks for the exhibition, thus the artworks shared here are exemplary and only to give you an understanding of the artist\'s a style/vision/aesthetics.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4512, 5, '2020-06-14 14:41:46', '2020-09-02 23:38:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31321, 'mca8Okm3bVBUyFOl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:41:51', '2020-06-14 14:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31322, 'mVS7UBCUxM6F6vcK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:45:24', '2020-06-14 14:45:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31323, 'Or77VY4R80hhf6mr', 'Coração na América - Desenhos Imateriais e Paisagens das Pequenas Coisas', NULL, 'Desenhos imateriais são registros digitais de caminhos percorridos ou planejados feitos com aplicativos baseados em sistemas de geolocalização como, Googlemaps, usado para desenhar a expedição Coração na América (2019 - 12.125 km) e Sportstracker, rastreador para atividades esportivas, usado nos desenhos Pandemonium (2020) e Arte e Política (2020). Eles resultam da inquietude e da vontade de desenhar sem precisar ficar no mesmo lugar, são executados em viagens ou passeios solitários de moto. Desenho á movimento.\nPaisagens das pequenas coisas é uma Série de desenhos sobre papel (10 x 15 cm), realizados durante a expedição Coração na América (execução do desenho pré-planejado). Cada desenho está relacionado a uma cidade ou são memórias de cenas das estradas percorridas pela América do Sul. São desenhos de coisas “desimportantes”, que vemos, mas que não observamos como: um porta-guardanapos, uma faca, um trinco, folhas no chão ou uma poltrona de hotel.', NULL, NULL, 'Intervenção na paisagem urbana - Projeção de animação \nDimensões variáveis\nProjeção em empenas e fachadas de prédios ou outras edificações públicas ou privadas em cidades diversas do Brasil, Argentina, Chile e Peru.\nA obra consiste na projeção do desenho / planejamento com pop-ups das Paisagens das Pequenas Coisas, que surgirão no mapa desenho caminho, a partir de pontos aproximados das localidades onde foram realizados. Esses desenhos são espécie de diário de bordo, digitalizados.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3924, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3341, NULL, '2020-06-14 14:49:20', '2020-07-03 04:29:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31324, 'iieSFBMuIRY5tBGs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:52:44', '2020-06-14 14:52:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31325, '94wxV3wPE7YnPsZp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 14:54:13', '2020-06-14 14:54:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31326, 'clE6C222HHjxxuah', 'Aesthetics of poverty', NULL, '“Aesthetics of poverty” aims to explore the subordinated position that Indigenous peoples occupy in contemporary photography. I am interested in exposing the mechanisms through which historical heritage operates simultaneously as emancipatory resistance and neo-colonial oppression. Specifically, I will attempt to challenge the binary logic traditional/modern by which an indigenous person is portrayed as uncivilized and modernity’s other. Being an indigenous woman, I live this contradiction in a daily basis.\nI will work with perhaps one of the most celebrated markers of ‘authentic’ indigeneity in the Andean Region: textiles/costumes. I am interested in situating these items as an integral part the experience of modernity as most of indigenous clothing are increasingly mass produced by the global garment industry.\nThrough a Google Image search, I have been collecting images that are repetitive under the words “Indigenous Andes”. I will classify this archive and connect it with different layers of personal and collective experiences of memory, trauma and displacement from my family’s history and my community in Bolivia. Then I will use Indigenous textiles to re-enact those moments and insert them into emblematic sites of ‘modernist’ architecture in Europe (e.g. South bank). I will perform this move to claim our participation in building the edifice of modernity. Yet this is no apologia. Our ‘integration’ into the modern world has taken place in exploitative terms.', NULL, NULL, '‘Aesthetics of poverty’ will be exhibited outdoors. The photographs will be taken in a digital medium format and printed in large scale. A series of 16 images (Landscape/Portrait) will be placed in 8 panels.\n-Measures (W x H)\nPanels 1.4 x 2.2m\nLandscape prints 0.84 x 1.18m\nPortrait prints 1.18 x 1.682 m\n-This exhibition will be shown in the following capitals cities:\nParque de la Exposición, Lima\nPaseo el Prado, La Paz\nPaseo el Prado, Madrid\nCanal de l’Ourcq, Paris', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5238, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4358, NULL, '2020-06-14 14:59:43', '2020-07-27 18:00:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31327, 'KKAWt38f2yxBIiwO', 'Walkways In The Sky', NULL, 'This project will take place on the Aylesbury housing estate, where I live, in South London. The estate, built as social housing for the poorest in London in the 60’s and 70’s, was built according to brutalist architectural principles. This style is functional and raw with the ideological intention of creating a modern social utopia. Monolithic multi-level concrete blocks interconnected by raised walkways, that separate residents from street level and traffic, were developed and fittingly termed ‘walkways in the sky’.  Over the last fifty years the estate, like others, has become a notorious hot spot for crime and poverty and deemed more of a dystopia.  With the added advancement of aggressive social cleansing the estate is being demolished with the community being displaced and gentrified.\n\nI aim to create works that portray elements of beauty and intimacy within these seemingly desolate spaces. These works will exist as performances and actions or ephemeral installations enabling me to re-engage with exterior spaces around the estate. Rather than portraying this domain and the multi-cultural community living within it in a negative light, I want to embrace the complexities of living on such an estate as a fellow resident.  I aim to develop performance works that speak of larger emerging contexts - ie COVID 19, Black Lives Matter - with the backdrop of the estate forming a certain perspective. I aim to challenge the status quo and perceptions of a so-called underclass.', NULL, NULL, 'This exhibition will exist as a website that can be accessed anytime from anywhere in the world. There will be a program of performances listed during the period of the exhibition that I plan to undertake in real time. The performances once completed will be available to view as documentation. The website will act as a space of creation and develop over time as actions, installations, and objects are created, documented and uploaded. This will accumulate over 14 days.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/421929389   https://vimeo.com/410262857    https://vimeo.com/223462787   https://vimeo.com/223524164  https://vimeo.com/255585129', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3545, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3629, 5, '2020-06-14 15:01:20', '2020-09-02 20:12:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31328, 'gBcElcJ84lnUU25b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:05:26', '2020-06-14 15:05:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31329, 'ufYRp7ZJPvFRiSiT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:12:15', '2020-06-14 15:12:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31330, 'I12zlBVrjpm3lDbg', 'POCKET SHOW RICARDO BRUNO #fiqueemcasa', NULL, 'A proposta se trata de um pocket show de 30 min com conteúdo de classificação livre,onde serão apresentadas composições autorais com temas que abordam a atual situação do país entre outros assuntos e versões de músicas de artistas já consagrados. O show virtual gravado em casa dá ênfase a importância de nos mantermos seguros em meio a pandemia ocasionada pelo novo Corona vírus.', NULL, NULL, 'O show será apresentado em formato de vídeo para as redes sociais tais como Facebook, Instagram e YouTube e contará com uma apresentação de voz e violão com classificação livre e cerca de 30 minutos de apresentação.', NULL, 'artist', NULL, NULL, 'https://youtu.be/x4zJ4sNyjiE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3907, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3327, NULL, '2020-06-14 15:15:18', '2020-07-03 01:59:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31331, 'k8CNdph1UQVEHlD8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:19:23', '2020-06-14 15:19:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31332, 'KSs5lGaTVQHJKA6S', 'Terra sem males - Brasileiro #1', NULL, 'O título do trabalho faz referência ao mito guarani, da Terra sem males (Yvy marã e\'ỹ, em tupi yby marã e\'yma) e aponta ao imaginário de uma terra onde não haveria fome, guerras ou doenças. O mito foi um dos principais instrumentos de resistência utilizados pelo povo guarani contra o domínio dos espanhóis e portugueses.                                                         \n                Dessa forma, a proposta procura tencionar o conceito de pátria, pertencimento e identidade nacional. O vocábulo \"brasileiro\" foi dado aos portugueses envolvidos na exploração do Pau-Brasil. O sufixo “-eiro”, quando forma adjetivos para qualificar pessoas, costuma indicar: aptidão, hábito, profissão, ofício. Assim, a palavra “brasileiro” não surge como adjetivo pátrio, mas para designar quem extraía o pau-brasil e, por extensão, quem atuou na sua comercialização e tráfico. Brasileiro era, portanto, termo (pejorativo) de caráter econômico e não político. \n   A bandeira Terra sem males - Brasileiro #1, constitui-se a partir do trançado da bandeira nacional e da bandeira do Movimento dos Trabalhadores sem Terra. O trabalho procura articular a idéia do Estado como organização politica, social e jurídica, levantando questões a respeito de sua atuação como mediador entre interesses públicos e privados e de pertencimento a terra.', NULL, NULL, 'O trabalho em questão foi originalmente pensado para ser exposto/hasteado junto as demais bandeiras nacionais como ocorre tradicionalmente em prédios públicos no território nacional (Brasil). Ainda assim, isso pode ser adaptável levando em consideração a viabilidade de execução do trabalho junto ao evento.\n\nTerra sem males - Brasileiro #1\nTecelagem\nTrançado da bandeira nacional Brasileira e do\nMovimento dos Trabalhadores sem Terra\n2020\n200 x 135cm', NULL, 'artist', NULL, NULL, 'https://www.instagram.com/p/B_qGrYlnOGB/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3915, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3334, 5, '2020-06-14 15:21:46', '2020-09-01 18:29:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31333, 'IbCiZQKAktshNWYr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:23:12', '2020-06-14 15:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31334, 'zumgg4XpozD5W7IZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:26:07', '2020-06-14 15:26:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31335, 'e1IBoLgcowNEpt7g', 'VOIDS', NULL, '\"VOIDS\" is a work made using the Cellular Glass technique, which provides textures and empty spaces with organic shapes in the glass.\nThe technique used is the result of research to obtain new effects on glass. The new way of working with the material makes it possible to create textures impregnated with irregularly shaped holes, featuring “voids” in the glass plane, which represents a paradigm break in relation to the traditional smooth and uniform material. For this reason, the technique can be considered an innovation in the traditional language used for glass work.\nThe artist\'s works were awarded at the Museo Del Vidrio in Bogotá and at the 3rd International Visual Arts Exhibition - SINAP; selected at the International Biennale of Glass (Bulgaria), Warm Glass Prize (England); The Venice Glass Week (Italy), among several other exhibitions.\n\nInstallation: 80 pieces 15x 15cm\nMaterial: Glass\nTechnique: Cellular Glass\nWall application', NULL, NULL, 'The work moves between languages ​​or is situated in imprecise limits of the same, since it presents characteristics of sculpture. At the same time, however, it is a two-dimensional sculpture, which in turn distances it from the traditional concept of volume present in sculpture, possibly inserting it in the field of enlarged sculpture, as proposed by R. Krauss. On the other hand, it presents a clear formal and chromatic composition, which also brings the work to the abstractionism of painting.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3993, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3398, NULL, '2020-06-14 15:38:01', '2020-07-23 03:19:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31336, 'sKVVcE7KRQP82onG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:38:12', '2020-06-14 15:38:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31337, 'owS37RyaDUbXjuuA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:38:28', '2020-06-14 15:38:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31338, 'glO2ZYLwGYoxlpGJ', 'Pixel Works', NULL, 'Pixel Works @ BIENALSUR is the evolutionary project of Pixel Works in Europe and Asia, which materializes texture mapping of 3D computer graphics into the actual space by human labor.\nAt this time, virtual reality―a huge digital platform increasing the width, depth, and density rapidly―has been infiltrated into our reality. In the processes of scanning, digitizing, and algorithmizing the world for that, enormous components of the world can be seen as high-resolution data. As a result, paradoxically enough, invisible elements of the world are increasing. What kind of meaning does the situation―the actual world is covered with the high-resolution informational layers―have? Pixel Works reflects one part of the true nature of it.\nPixel Works @ BIENALSUR is also an attempt of Un-computing media art, which means “media art with no computer devices” as the same as Pixel Works projected before. The most important thing in the installation process is the quality and quantity of how well my living body can trace digital technology, and this intends to focus on and reveal the digital nature being in the body of human innately. Regarding digital technology and the concept, there is an area that can be told only through living body and analog works. Considering it carefully is one of the biggest themes of this project.\nThis installation is composed of 3D polygon constructions, an iPad, and a time-lapse movie. The installation process will be open to the public as work-in-progress.', NULL, NULL, 'I would like to request for the following conditions.\n- Indoor open space or museum, where could be a site for work-in-progress\n- A site having good access to electric power\n- A site under flat lighting or uniform illuminance', NULL, 'artist', NULL, NULL, 'https://vimeo.com/339580252', 'couch_pass_2019', NULL, NULL, NULL, NULL, NULL, NULL, 6281, NULL, 927, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 5133, 5, '2020-06-14 15:40:02', '2021-02-12 15:42:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31339, 'r0Hoea4TSI8z79zd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:42:43', '2020-06-14 15:42:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31340, 'Ow4sdgkmukK4Qztn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:44:14', '2020-06-14 15:44:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31341, 'rbIM80P1Oq1obMFb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:44:30', '2020-06-14 15:44:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31342, 'm4xdMWwceXdUdize', 'Subconsciente Colectivo.', NULL, 'Los efectos curativos, liberadores, terapéuticos del arte, estarán al alcance del público durante el tiempo que sea asignado para la acción pictórica: SUBCONSCIENTE COLECTIVO.\nAl cohabitar un espacio geográfico, las personas comparten una especie de “campo emocional” llamado subconsciente o inconsciente colectivo.\nEste aspecto de la comunidad es el que convertiremos en un hecho plástico con expresividad única de habitantes de la región y/o de asistentes al sitio que participen y que plasmarán sus emociones en lienzos de gran formato, dejando así un valioso testimonio visual de la época.\nConcebidas más allá de las capacidades de artistas específicos y que tienen participación del ciudadano que no es artista, estas pinturas de gran formato pueden ser exhibidas en espacios públicos o de contemplación. Nada más cercano al sentir de una comunidad que los propios trazos de sus habitantes.\n¿Cuál es el formato?\n1.	Una obra pictórica de gran tamaño: Un políptico de 3 paneles (tela templada en bastidores) de 2 metros de altura por 2 metros de ancho, que suman 2 metros de altura por 6 metros de ancho, en la que ha participado parte de la comunidad y que ha sido supervisada y terminada por Henry Pacheco Gonzalez, autor del proyecto.\n2.	Un bastidor adicional, de 0,90 x o,60 metros, que contiene las firmas de los participantes.\n3.	Se hará archivo fotográfico en formato digital de los momentos transcurridos durante el hecho pictórico.', NULL, NULL, 'El espacio expositivo es de: 3 Metros de alto por 10 Metros de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://www.henrypachecogonzalez.com/', NULL, NULL, NULL, 3917, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3336, NULL, '2020-06-14 15:44:35', '2020-07-03 04:29:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31343, 'cZA2QzqA2QfNmzXP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:44:37', '2020-06-14 15:44:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31344, '30b2xZ8eSFXfPgJW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:45:44', '2020-06-14 15:45:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31345, 'HgvfgxekXfRUBJJ3', 'There is no caller ID for HOPE (woking title)     or, alternatively  a Spannish title: ?Me puede power con Esperanza?', NULL, 'In a globalised world, art facilitates the circulation and presentation of practices and traditions that mirror the diversity of contemporary life. This project strives to promote cohesion between different communities, to negate borders and to enhance communication between people within larger sociopolitical and cultural contexts.\nAs artist–curator of the 201Telephone Box Gallery (in an iconic red public telephone box in Scotland), I propose a two-stage project: \nPart 1. Inviting artists from my network of contacts in South America to create artworks that will be shown in the 201 Telephone Box Gallery. The emphasis will be on video artworks by artists I am already communicating with.\nPart 2. I will make a new artwork in response to these videos. A compilation of sounds extracted from the videos will be combined and interposed with extracts of conversations with the artists involved. It will be an eclectic mix of Spanish (which I also speak) and English. I plan to show the artwork in a custom-made replica of the phone box, placed in a public space in Buenos Aires in July/August 2021.\nThe replica of the phone box will be a ‘pod’ in which sounds will provide an immersive experience and allow the audience to become active listeners. The sounds will transport listeners to places far from the world we are living in today – somewhere where hope is fulfilled and you do not need to dial a number to be connected; an imagined borderless world for creative practitioners to dream in.', NULL, NULL, 'Exhibition in Scotland and installation in Buenos Aires running simultaneously.\nFor ease of transportation, a replica of the phone box [80x80x220cm] will be printed on textile (waterproof) held together by a ‘scaffolding\'. Ideally, the replica will be placed in the grounds of the Museo de Arquitectura y Diseño but I am open to other suggestions. I will organise an exhibition in Scotland and then travel to Argentina to install the work and, in a performative manner, be ‘present’ with the work.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://soundcloud.com/visionbylise/intertwined-immersive-audible/s-xypRy', NULL, NULL, NULL, NULL, NULL, 5149, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4296, NULL, '2020-06-14 15:52:47', '2020-07-26 02:24:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31346, 'zg8znqc3ETwKEutM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:54:55', '2020-06-14 15:54:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31347, '7N400jjUAXjZBHzQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:55:14', '2020-06-14 15:55:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31348, 'bUKHqK4d88whMLfL', 'Sororidade e amor: minha alma feminina', NULL, 'a exposição \"sororidade  e amor \" vem retratar o universo feminino de maneira lúdica, despretensiosa, colorida e quase ingênua.\nas 20 obras que compõem a exposição buscam retratar o feminino  trazendo ao final uma sensação de aconchego e poder.\nSou brasileira, e a maior característica da minha obra é a relação com o feminino e seus diferentes  desdobramentos, sempre buscando despertar em cada mulher o amor por si mesma e pelo gênero que representa.\nAs cores das Telas utilizadas em profusão refletem as minhas origens nordestinas e os três anos passados na África na primeira infância, dando origem há uma arte naif diferenciada e alegre mas engajada na valorização do feminino e na superaçãodas dificuldades impostas as diferentes mulheres.O projeto da exposição sororidade e amor se encaixa oportunamente no momento atual. nunca se falou tanto em todos os países e nas diferentes classes sociais e culturais sobre os avanços da mulher, sobre a construção da sua identidade na sociedade, sobre a sua independência em relação as próprias escolhas e ao próprio destino. por outro lado, também nunca se falou tanto nas dificuldades encontradas, no preconceito, nos casos de feminicídio, e na depressão silenciosa que ataca milhares de mulheres que não se sentem na altura dos elevados padrões impostos pela mídia e pela sociedade.', NULL, NULL, 'São 10 obras de acrílica em Canvas com chassi.\n1.  Você nao está sozinha  98 x 76 cm\n2. Juntas somos mais fortes  103x 75 cm\n3. Meu corpo nao é um convite 100x80 cm\n4. Album de familia 98x80 cm\n5. Orai por nós  100 x 90 cm\n6. Lute como uma garota 53 x 116 cm cm\n7. Matriarcado 94 x 68 cm\n8. A culpa não é sua 50 x 100 cm\n9. Nenhuma a menos 75 x 70 cn\n10. A beleza esta na verdade, não nos padrões 110 x 80 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://photos.app.goo.gl/u3y4u2JGH3Yk34UQ8', NULL, NULL, NULL, 3923, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3340, NULL, '2020-06-14 15:55:26', '2020-07-03 04:32:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31349, 'j6D0NroKR2NAqMlg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:55:38', '2020-06-14 15:55:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31350, 'xJ7jXwVwkk0viHcd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 15:58:06', '2020-06-14 15:58:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31351, 'bCZOg7YY6lGdeAlx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:00:22', '2020-06-14 16:00:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31352, 'AEtRADzWJqy5WcQ9', 'Shepherd\'s Office Conference', NULL, 'Shepherd’s Office (SO) is a collaborative research initiative between artists Daniela Vainio and Zaneta Zukalova, investigating the ethics and politics of digital labour within the framework of the Amazon Mechanical Turk (AMT) platform. Our proposed participatory project will directly engage the community of AMT workers and the exhibition visitors, who will participate in our performance.\n\nAMT is a crowdsourcing online platform where Requesters (could be companies, researchers) register Human Intelligence Tasks (HITs) to be completed by Workers, for very little pay. \n\nTo create our video, we will be using Zoom as a facilitating platform to make a connection to AMT workers, creating a space for them to be seen by and share opinions with their ‘colleagues\' and ‘employer’. Our duo will satirically perform as Jeffica, the workers’ fictional employer, accompanied by Alexa, a partially automated occupational therapist. The workers will be encouraged to share any feedback on their working conditions, and how Covid-19 affects them, while receiving pretentious advice from Alexa and lack of sympathy from Jeffica, both ironically copying the stereotypes assigned to their roles. \n\nWe will record the Zoom sessions and edit the footage into a video piece. This video will be part of our live performance - a parody on a company conference. We will present the video as a \'research outcome\' to be discussed with the rest of our company team, which will be the exhibition visitors in this case.', NULL, NULL, 'The preference is to have a room - closed space (imagine a conference room). We will need to fit an oval conference table (10-15 seats) with chairs in. There will be a projector with screen on one of the walls. The space in between the projection wall and the table needs to be at least 3m. The room will need to be lit but not too strong, would be great to have spot lights that can be pointed at different directions.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5417, NULL, 762, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4499, NULL, '2020-06-14 16:02:00', '2020-07-29 17:09:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31353, '5LYQIfUs8ESXhBAK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:02:17', '2020-06-14 16:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31354, 'tWX3TTKy46EOWl8Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:04:05', '2020-06-14 16:04:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31355, 'Lt4BGzElw85AUzpM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:07:42', '2020-06-14 16:07:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31356, 'Y3kAKpLoEot6bPQ5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:08:56', '2020-06-14 16:08:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31357, 'baVlIA2lyKTEP1Eq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:10:41', '2020-06-14 16:10:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31358, 'xs1mawiDRZyC2KNV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:11:44', '2020-06-14 16:11:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31359, 'Zmw3BE79KtvzyN7o', 'Waiting Room', NULL, 'We live in the era of a certain time and analyze its characteristics. Even the phrase “contemporary art” has a reference to time, to the actual continuity of a particular conversation. At the same time, it can be extremely difficult to reflect. Reading this text, we waste time. From the very words, “wasting time” follows that we take time quantitively but not qualitatively. In pre-Christian era, time likely was a set of times and was a synchronization of various agricultural and nature’s cycles, holidays: the harvest time, the wedding time, the fight time and so on. \nTime has become a commodity, and amounts to the currency (“time – the money”). Gradually, free time without reference to the action has become a stress factor. If we have a break, it is immediately filled with checking messages or a new mobile game. People have forgotten how to spend time with themselves, to live inside of time.\nWaiting today is the only form of time where the individual is left to himself. It is waiting that we get in touch with the time consciously, perceiving the lack of time quality in its amount. That’s why the expectation is often so painful, because corporate ethics and consumer society demand the time to be immediately sold or spent. “Waiting Room” makes it possible to transit deliberately to another time as in another qualitative reality. Each viewer can spend in it as much time as he/she wants, because the amount of time is no longer important.', NULL, NULL, '“Waiting room” is the 5x5m space with only one entrance. First, a viewer chooses the thing he/she expects on the reception. The viewer can enter the “Waiting Room” only through the terminal. If there is somebody inside, entrance is blocked. There is a chair and a screen inside, it shows the looped video of endless processes. At the entrance, there are sensors that allow to fix when the viewer enters or leaves the room. After the viewer left, the video turns off and another person can come in.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/334427285', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3921, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3338, NULL, '2020-06-14 16:11:58', '2020-08-14 22:56:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31360, 'lWRWfbiPgmqfWgVI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:18:43', '2020-06-14 16:18:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31361, 'JX1CcTDTcbSc7IBO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:19:22', '2020-06-14 16:19:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31362, 'FEkRSix6L6b4toOO', 'In All Senses', NULL, 'In All Senses is a reminder that although the interaction of time and space influence our existence, it is our senses that give them their power over our presence. Imagine a space with no one to witness how it time leave its mark over space; no eye to see and no ear to hear. Would it have the same impact over our memories of the past? Over our understanding of the present, and our hopes and fears for the future? Would time and space actually exist?\nIn All Senses is a play of words where the term which is often used in English to express the act of fully understanding a matter, is used here as reminder of the powerful role human “senses” play in giving time and space their significance. It is an attempt to take control over what we often see as authoritative and uncontrollable; the affect of time and space. A reassurance that their power is limited to the way we perceive them. Thus, we shall observe, but not worry much about how they shape our past, present, and future.\nThe exhibition shows innovative work by artists Anna Ippolito and Marzio Zorio where both observe in different ways the influence of time, space, language, and other forms of natural and human interaction over our comprehension of the world. Most importantly, each work is never complete without an audience to see, hear, or touch it to bring it to life.', 'Anna Ippolito, Italian http://www.annaippolito.it/anna-ippolito.html\nMarzio Zorio, Italian http://www.marziozorio.it/index.html', NULL, 'All the artworks presented throughout \"In All Senses\" project can have a good dialogue with different typology of exhibition space, from post industrial building to white cube space. The necessary dimension are about 30 mq with high ceilings (4/5 metres), electric current and Wi-Fi connections.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=k3Jdyy2yQvI&feature=youtu.be       https://www.youtube.com/watch?time_continue=6&v=Gaw3RXDXYSg&feature=emb_logo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3976, NULL, 507, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3387, NULL, '2020-06-14 16:28:34', '2020-08-15 03:47:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31363, 'OKIwIWbFrNIIbZ0s', 'Motín de Bacterias', NULL, 'Somoto Blues Band es una banda de art-noise compuesta por artistas visuales nicaraguenses. \"Cada exploración sonora es como si fuera una obra en si misma\".  \n\nEsta propuesta es una exploración para magnificar e imaginar los sonidos de seres que habitan en los micro mundos y microorganismos (bacterias, protistas, virus, hongos etc.) de nuestra sociedad cotidiana, que son y han sido imperceptibles, nos interesa cuestionar nuestra relación política con los microorganismos ya que es más evidente que las decisiones políticas nos afectan no sólo a nivel macro sino también a nivel de los microorganismos. También nos interesa jugar con esa absurda polarización binaria de nuestras sociedades entre: buenos-malos, blanco-negro, Izquierda - Derecha, grande-diminuto, etc. \n\n \nEl proyecto consiste en una serie de performances sonoros, en la que Somoto Blues Band (ese bebe) hará de “banda sonora” en vivo, sobre una serie de proyecciones de 3 películas microscópicas de pruebas de microorganismos sustraídos #1 de botas de policías y manifestantes de BA. # 2 película microscópica que muestra como el sonido de las sirenas de policía alteran la forma molecular del agua recolectada del puerto. # 3 recolección de muestras entre el público, pequeñas muestras de saliva, sangre, mugre de los zapatos etc., Tanto las películas y el sonido se harán en vivo como una acción VJ, para magnificar la experiencia orgánica viva entre los microorganismos y el sonido con el público.  .', NULL, NULL, 'Las Proyecciones y acciónes sonoras se harán en los espacios académicos y públicos de la universidad de UNTREF así como en: The Museum of the National University of Tres de Febrero, Art and Science Center, pero también en una sala de proyecciones para consolidar la relación dual que hacemos con el espacio académico-científico y el cine.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=xCldY91u9cg', NULL, 'https://somotobluesbandsbbesebb.bandcamp.com/track/animales-vertebrados', NULL, 'https://www.youtube.com/watch?v=tSl9p_rAQJo', NULL, NULL, NULL, 3982, NULL, 509, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3391, NULL, '2020-06-14 16:29:00', '2020-07-03 04:31:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31364, '9gJLnn8FSr1xcU4F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:29:13', '2020-06-14 16:29:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31365, 'FzJLDytyl5OszT5K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:31:50', '2020-06-14 16:31:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31366, 'IFMAS9lgrSV2f8b9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:32:48', '2020-06-14 16:32:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31367, 'CvIBdSaIYAtktqwC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:33:47', '2020-06-14 16:33:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31368, 'ykxlPIR5of1fmsV9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:34:21', '2020-06-14 16:34:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31369, 'ihzVBwV5mVFBVYoW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:34:40', '2020-06-14 16:34:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31370, 'rQXkKT7SPyjPBj3f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:34:46', '2020-06-14 16:34:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31371, 'H05SmPNnB1baKdCu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:34:55', '2020-06-14 16:34:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31372, '8waJH4YsyvmjbGKq', 'Mujeres', NULL, 'La instalación Mujeres está compuesta por 146 camisas que se exhiben quemadas dobladas, con los botones prendidos y los alfileres, prolijamente guardada dentro de una bolsa de nylon, cautivas. Transmite un cuidado extremo y paciente, la intención de rehacer a esas mujeres, de preservarlas y protegerlas con sus marcas y cicatrices, nos habla de una curación simbólica, de un proceso de sanación, en definitiva, de resiliencia.\nLa obra refiere al incendio ocurrido en marzo de 1911 en la ciudad de New York en la fábrica de camisas Triangle Shirtwaist donde fallecen 146 mujeres.\nLas costureras que exigían un trabajo digno y mejoras en las condiciones de trabajo fallecieron por la imposibilidad de salir del edificio en llamas debido a que los responsables de la empresa habían cerrado las puertas para reprimirlas.\nEste hecho produjo que se crearan nuevas normas de seguridad y salud laborales e industriales aunque en la actualidad se siguen contratando mujeres y niñxs que trabajan en condiciones lamentables y se siguen sucediendo catástrofes por accidentes laborales que podrían prevenirse.\nLa instalación es un zoom sobre el hecho. La obra también es un memorial, un homenaje, un gesto sobre la memoria, para evitar el olvido, un recurso estético tomado de lo arqueológico para revolver, traer los restos para poder repensar desde un presente crítico y dialéctico.', NULL, NULL, 'Mujeres\nInstalación / Site Specific\nCamisas de tela, bolsa de nylon, alfileres, cartón, clavos\nDimensiones Var. (aprox 7 x 2 m)\n2014\n\nLa única vez que esta instalación se expuso en Montevideo fue en el espacio privado Colección Engelman Ost, para un público reducido. Luego fue expuesta en otras ciudades de Uruguay, Argentina y España. En el marco de esta convocatoria, me interesa que, dada su vigencia, se exhiba en otro espacio en Montevideo para llegar a más personas. (www.mariamascaro.com.uy)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1353, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3550, NULL, '2020-06-14 16:35:31', '2020-08-14 23:01:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31373, 'oBme4rvQR02Zz1MF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:44:11', '2020-06-14 16:44:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31374, '4ZVKvm4Xu3d3JJBG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:45:08', '2020-06-14 16:45:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31375, 'OPsVarFUISRpkI7Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:48:37', '2020-06-14 16:48:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31376, '8dStDbPvUTz3jgS8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:51:06', '2020-06-14 16:51:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31377, 'kLYHhE8KQUJsEWfc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:51:15', '2020-06-14 16:51:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31378, 'Th05LsuFNisPZFZj', 'crisálidas', NULL, 'El amor infinito por las formas y procesos de la naturaleza ha unido a Celina Saubidet y Marina Molinelli Wells en un tercer ente que las trasciende y que es mucho más que la suma de las partes: Cabinet Óseo. Ambas hijas de médicos, artista y escultora una, diseñadora industrial la otra, potencian su visión y desarrollan desde pequeños objetos y joyas hasta esculturas e instalaciones de grandes dimensiones. A Cabinet le interesa de la naturaleza lo que no está al alcance del ojo humano, no solamente en términos de su capacidad física, sino aquello que para las consideraciones de la cultura cotidiana es insignificante o desdeñable como la cáscara de maní o una ramita perdida en el jardín. Lo desoculta y le da carácter de objeto estético, lo convierte en joya, lo amplía en escultura o lo cristaliza en memoria eterna.\nCrisálidas\nEl término crisálida refiere a un proceso y también a una materia. Es la transición entre el estado de larva y el de imago (adultez). En ese tránsito el ser vivo se guarece en una suerte de cabina que le brinda protección en ese viaje evolutivo. Observada por el microscopio esa cápsula revela una suerte de estructura poligonal, la misma que aparece en distintos seres vivos, que ampliada y convertida en volumen hueco se transfigura en estas grandes esculturas agrupadas o diseminadas en el espacio de modo que puedan ser recorridas o habitadas y en todo caso, siempre vivenciadas como la huella de una experiencia de transformación.', NULL, NULL, 'Las crisálidas pueden estar en interior o en exterior, dependiendo de las posiblidades del espacio. La idea es que la obra sea transitable y habitable por los espectadores, siendo la experiencia de transitarlas una idea intrínseca del proyecto. Las esculturas son de hierro con una terminación de pintura poliuretánica al horno que les confiere la resistencia a la intemperie y una textura cálida y suave al tacto. \nDimensiones:320 x 320 x 200cm /310 x 200 x 200cm/120 x 80 x 80cm /190 x 150 x 190cm', NULL, 'artist', NULL, NULL, 'https://www.dropbox.com/s/bmjqrm8959txong/BAILARINAS%20%2010%3A6.mp4?dl=0', NULL, 'https://www.dropbox.com/s/fop70fjhowt084s/REINOS%20HEAD2.mp3?dl=0', NULL, 'https://www.dropbox.com/sh/1974fztd6w1qntz/AACn8u_pz8Lk1kHIHCjJmht8a?dl=0', NULL, NULL, NULL, 3936, NULL, 496, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3352, NULL, '2020-06-14 16:53:49', '2020-07-22 23:24:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31379, 'gHoBH1Vfj9SnRTbq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:54:21', '2020-06-14 16:54:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31380, 'R6bf7JjNGVK3axLW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:54:41', '2020-06-14 16:54:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31381, 'NlhIdQ7qg37nbq9Y', 'TriVerso/ Androginos/ Solfeggio 852Hz', NULL, 'Vídeo de animación representado a partir de una única imágen dibujo/pintura. Animado mediante técnicas de edición de fotografía, composición de videograma y edición de vídeo (imágen y sonido).\nEste vídeo surge de una serie de personajes androginos que se van creando para desarrollarse en un mundo plástico/visual/virtual. \nLa sexta frecuencia LA 852 Hz es la frecuencia de la visión y la conciencia espiritual. Retorno al orden espiritual. Solfeggio 852Hz', NULL, NULL, 'Técnica: Vídeoarte de animación.\nTipo de elemento: Clip de Vídeo\nTamaño: 729 MB\nDuración: 00:03:33', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=x_ByKhlT-dU', NULL, NULL, NULL, 'https://www.instagram.com/p/B-S_lVUgjsV/?igshid=16cji6ev7acdr', NULL, NULL, NULL, 3932, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3348, NULL, '2020-06-14 16:55:06', '2020-07-03 04:29:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31382, 'S9BeVfObQbvQgi9J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:55:37', '2020-06-14 16:55:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31383, 'ofPMHndxNFR3De4v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 16:56:09', '2020-06-14 16:56:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31384, 'cPRobk8gIqp1Aov0', 'Al servicio de la visión', NULL, '\"Al servicio de la visión\" ha sido un trabajo en convivencia con el estallido social chileno de octubre del 2019. Se trata de escudos protectores que tienen un lado espejado, que se repartieron entre la primera linea de manifestantes para  protegerse del abuso policial y reflejar la imagen de los policias de vuelta. Se trataba de generar una primera linea de espejos.  Además, usando la luz del sol, se podía cegar momentáneamente a los policias y especialmente al carro lanza agua, pudiendo parar la violencia de los policias contra los manifestantes sin ni siquiera recurrir al contacto fisico. \n\nEn los meses de diciembre 2019 y enero 2020 se liberaron estos escudos y muchos más están a la espera de poder liberarse cuando termine el estado de alarma por el COVID. \n\nEste ejercicio de protegerse con el reflejo, es especialmente significativo en Chile, donde más de 400 personas tienen daños oculares por el uso de perdigones por parte de la policía y se ha usado la mutilación ocular como una forma de extorsión. El ojo, la visión, y la ceguera son pilares de la protesta chilena donde se está intentado \"imaginar\" una sociedad mejor.', NULL, NULL, 'De este proyecto hay escudos reproducciones de los usados en la protesta, también hay documentación fotográfica y videos, ya que algunos de los escudos llevaban incluidas cámara go pro, grabando desde el punto de vista del escudo.\n\nHasta ahora se ha mostrado haciendo una reconstrucción de la formación de los escudos, pero llevándolos al espacio expositivo. Estoy totalmente abierto a encontrar modos de mostrarlo que sea más coherente con el proyecto.Cada escudo tiene aproximadamente 110cm x 55cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4342, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3667, NULL, '2020-06-14 16:58:01', '2020-07-08 01:54:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31385, 'AZn7Ui6VOC6Mbwuc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:00:51', '2020-06-14 17:00:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31386, 'aw6pgkD7nCxJLEUe', 'Alienação Sagrada', NULL, 'A pintura refere-se a alienação misógina exercida pelos grupos religiosos patriarcais às mulheres. A crueldade como são criadas, subjugadas à alienação e a inquisição masculina.\nUma mulher sem cabelos, logo, sem vaidade, com roupas sóbrias e fechadas pois não lhe é permitido exibir-se, segura um livro onde há um protocolo a ser seguido. Em seus ombros dois corvos sussurram ordens e ao mesmo tempo fiscalizam suas ações. \nNão há mais espaço para tal exercício de poder patriarcal. É preciso que a alienação religiosa seja extinta.', NULL, NULL, 'Pintura \nData :05/2020 \nTécnica: óleo sobre tela\nDimensões: 50x80 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3933, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3349, NULL, '2020-06-14 17:04:48', '2020-07-03 04:32:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31387, 'pDJDsbVkvyKhdLTC', 'La fragilité du monde', NULL, 'L’œuf constitue la base de ma production plastique. J\'interroge les mythes liées à l’œuf, à sa fragilité, à son histoire et à sa signification. C’est aussi un hommage à nombre d’artistes contemporains à l’instar de Marcel Broodthaers qui déclarait dans Les Beaux-Arts, Bruxelles, n° 1086, 1er avril 1965 : « Des moules, des œufs, des objets, sans contenu autre que l’air et sans grâce. Seulement leurs coquilles exprimant le vide forcément». \nLa coquille d\'œuf est utilisé comme matériau et comme récipient pour des plantations de divers graines et arbustes, dans l\'objectif de susciter un débat autour de l’écologie, les rapports sociaux et la dimension esthétique d’une œuvre. Il n’est jamais utilisé dans sa totalité seule la coquille est déployée pour signifier plusieurs thématiques. Elle est d’abord couleur, comme l’indique son nom arabe « bida » qui signifie blanc', NULL, NULL, 'Il est préférable d\'installer mon travail dans un espace clos, entièrement blanc et éclairé d\'une manière artificielle.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4031, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3438, NULL, '2020-06-14 17:05:21', '2020-07-23 18:34:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31388, 'dgzwddV7DB7vlMbd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:06:05', '2020-06-14 17:06:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31389, 'MZPUylzEjA1n3fjR', 'Semi Submerged', NULL, 'CONCEPT\nA life-sized submarine rises through the floor up.\n\nAs visitors enter, they find themselves confronted with the top of a submarine pushing itself through the ground. This is  surrealism and a metaphor for the mysterious, the unknown and the unexpected. \n\n\nFEASIBILITY\nI’m proposing a sculptural project tailored to my experience of previous site specific projects in London, Hong Kong, Shanghai, Tehran and especially the Latin Americas: Argentina (Bs As) and Uruguay (MV).\n\nMy 2010 installation \'All your base\' presented a visceral scene of intergalactic conflict, made up of forty-two individual sculptures and sixty-five variously sized plinths. My 2015 project of Freight presented a \'dystopian container terminal in space\', made up of thirty-five large and 350 small sculptures. I’m therefore well-practiced at creating ambitiously-scaled, transformative environments under deadlines.\n\n\nTECHNICAL SPECIFICATIONS\n\n- A site-specific sculpture for an indoor location.\n\n- Made by myself on-site or on a location nearby.\n\n- Modelled in clay, mould with silicone and cast in polymer.\n\n- The colour is concrete-grey.\n\n- The projected sculptural scale will be 25-35m³. Height: 3,5m, width: 1m70, depth: 3m.\n\n\nPRELIMINARY MODEL\nI made a scale model for this proposal, you find the pictures attached. Imagine it on a 3,5 meters height. The bolts on the last picture represent people, emphasizing on the balance between spectators en sculpture.', NULL, NULL, 'REQUIREMENTS\n\n- An indoor space with at least 35m² of exhibition space. \n\n- If indoor: a ceiling of at least 3m. 5m or more is preferred.\n\n- An even floor.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4074, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3469, NULL, '2020-06-14 17:06:27', '2020-07-24 19:52:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31390, 'btFHmS4mUK7sKMG5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:06:28', '2020-06-14 17:06:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31391, 'NczeWwTGxoHqQxK6', 'Laboratorio del tiempo suspendido', NULL, 'El aislamiento social trajo aparejado la suspensión del tiempo /espacio. Cada persona desde el interior de su casa, cuerpo, esfera mental y emocional, creó adaptaciones para sobrevivir a la nueva realidad a medida que la conocía. La propuesta es reunir a un grupo de artistas, poetas, músicos, para trabajar la idea del Tiempo suspendido, a la par y en consonancia, en un mismo espacio que recree la burbuja de una casa detenida en el tiempo.', 'Florencia Fernández Frank. Argentina. https://www.florfernandezfrank.com.ar/\nValentina Rebasa. Argentina. https://www.facebook.com/ValentinaRebasa\nGeorgina Hassan. Argentina. http://georginahassan.com/\nAlejandro Méndez. Argentina. https://www.facebook.com/alejomendez\nJulia Magistratti. Argentina. https://www.facebook.com/julia.magistratti \nAlejandro Arriaga. Argentina. https://www.youtube.com/channel/UCkZDl3sQeMjtr4VvpQ2tJlQ\nAlejandro Bovo Theiler. Argentina. http://alejandrobovotheiler.blogspot.com/\nLaura Ferreira. Paraguay. http://artesanasdelapalabraparaguay.blogspot.com/', NULL, 'Nave, galpón, centro de producción y reunión. Dimensones acordes.\nLa propuesta es producir in situ durante un tiempo a determinar. Puede ser una semana o 3 días, de acuerdo a las posibilidades de participantes y de la producción. Se plantea como un centro de residencia. \nAl término de ese tiempo, se mostrará lo producido. Cada participante será invitado a traer al espacio de producción, ideas, materiales, obras, que produjo durante el aislamiento social obligatorio. Ese será el punto de partida.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=m3tiK4pG54U&fbclid=IwAR1TsmMJF4r7NYFNXjC4al86ABuk38ZacWs4NAdBPIHZzsVsLYAFPimv7m4', NULL, 'https://www.youtube.com/watch?v=AcZNtwWJXkA&feature=share&fbclid=IwAR2ZY5qgR8kBOMkFlnugeZ5TFwaVxabjvvCQnnCAhmHdetwIM8IZ097HdEQ', NULL, 'https://issuu.com/valentinar-bajolaluna/docs/lo_20que_20queda_20del_20dia?fbclid=IwAR1giWNW8908K_lvxPhBfp9zqMF5QKBV8ch6QIKvqm7EPBdsYJ-bUUsN4UE', NULL, NULL, NULL, 3930, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3346, NULL, '2020-06-14 17:07:19', '2020-07-21 22:03:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31392, '6Ojjy5fnwpF9U38W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:11:39', '2020-06-14 17:11:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31393, 'JpED4GZQDqIxqgbu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:13:27', '2020-06-14 17:13:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31394, 'r1oy4Xf6YlK3DvfV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:14:40', '2020-06-14 17:14:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31395, 'yx8UpBeqbIr5hlTs', 'Fragmentos del Otro', NULL, 'Entrar… con pasos que tengan la sensación del viento. Imágenes que abren mundos que dan lugar a la\nmemoria. Estampadas en finas telas que cuelgan, impresiones de ventanas, puertas, muros, rejas. Se mueven\nal paso del espectador, creador de su propia interioridad. Aflora una memoria y una construcción que es\nciudad, campo, realidad o fantasía.\nEste recorrido invita al espectador a acercarse a un centro, “La casa”, asociada al universo de lo femenino,\nrefugio, seno materno, protección o a veces también desamparo, violencia y angustias.\nAllí nosotras, artistas argentinas, Vega, Sor y Dogliotti invitamos a descubrir nuestra propia casa interior a\ntravés de los procesos creativos que nos despertó el confinamiento.\nEn plena pandemia, en estos largos meses de encierro en que todos tuvimos que #quedarnos en casa,\ndescubrimos una certeza: el encuentro con nuestra interioridad.\n“La intimidad necesita un nido” nos dice Bachelard. Significa que así como la vida requiere un espacio\nfísico, desde el cual desplegarse, los sueños también demandan sus propios espacios imaginados, sus\nquimeras para poder volar y voltear esas barreras físicas del encierro.\nDesde el 2014 hemos creado incontables imágenes invitando a la ensoñación del mundo femenino.\nNumerosas exposiciones y el libro “Más Allá de la Piel” dieron cuenta de ello. En esta ocasión invitamos a\ntransitar “Fragmentos del otro” en un mundo compartido.', NULL, NULL, 'Una sala aprox. de 20x20 m. Pero podríamos adaptarnos a un espacio rectangular de 35x20 m. con entrada y\nsalida en oposición, en lo posible.\nEspacio expositivo sugerido: CCK, sala a determinar u otro espacio alternativo.\nPara el montaje haría falta sostener desde el techo las telas impresas que rodean el núcleo central.\nLa iluminación de ese núcleo central debería ser en forma cenital mientras que la que incide sobre las telas\nse encontraría incorporada al soporte superior de esos paños.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3931, NULL, 495, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3347, NULL, '2020-06-14 17:16:05', '2020-07-21 22:03:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31396, 'Bapk6tgBa6oDksu7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:17:00', '2020-06-14 17:17:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31397, 'aK4P1Mh6VO2uHrwd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:18:54', '2020-06-14 17:18:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31398, 'sQKu49V2CrRtZVmT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:19:55', '2020-06-14 17:19:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31399, 'iOpBKiP4vGmkvdoJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:23:09', '2020-06-14 17:23:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31400, '0rHCd0KYJyG2uDXa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:26:06', '2020-06-14 17:26:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31401, 'SdqnXJAWSISdNaHY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:26:49', '2020-06-14 17:26:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31402, 'GzaBojqgVQc1uxtt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:29:52', '2020-06-14 17:29:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31403, 'VQpadLwIoofE5ajR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:37:49', '2020-06-14 17:37:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31404, 'ARKr5dpLair61LKC', '100% Celestial. Home Edition', NULL, 'El proyecto consiste en la reconfiguración del espacio privado, vivienda que hospeda y junta a tres artistas multidisciplinarios durante el período de Aislamiento Social Obligatorio.\nRealizamos el montaje de la obra instalativa “100% Celestial” del artista Sergey Kolesov. Realizada en el 2018, en la Universidad Nacional de San Martín:\n“Un ecosistema artificial autónomo que se alimenta de lo que escucha. Genera música aleatoria a partir de la desfiguración y encriptación irreversible de su entorno. El material engendrado por el sistema proporciona a su vez la materia prima necesaria para su propia evolución estableciendo un caótico estado de constante mutación por retroalimentación.” Motor de procesamiento sonoro y lumínico en tiempo real desarrollado en software MAX/MSP.\nAl complemento en escena lo  personificó Orkgotik, Drag Queen e investigador de las nuevas pieles; quien desarrolló la caracterización del personaje principal, utilizando técnicas de vestuario y effects propios. \nUn nuevo paradigma tomó forma junto con una forma de hacer, condicionó las planificaciones, incorpora virtualidades obligatorias; una atmósfera escánica ruidosa, ilimitada e interdependiente.\nDe género thriller/cyberpunk, con narrativa discontinua y a partir del registro cámara en mano, se sintetizan los movimientos en 03:03 min de duración. \nAcudimos a la alternativa de acceder a la circularidad que ofrece BIENAL SUR. Como también reciclar el tiempo dedicado y reponer los recursos empleados.', NULL, NULL, 'Pensamos la pieza como parte de un esp. expositivo a compartirse con otras propuestas. Preferentemente a emplazarse en torno al interés con la vinculación entre las Artes y las nuevas tecnologías.\nSugerimos una Pantalla LED, empotrada de 42” (o a definirse dependiendo de los recursos disponibles). Con auriculares directos de tipo cerrado y de acceso librado a la decisión del público. La composición se reproduce en loop, diseñada para estar en constante repetición sin mayores máximas.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/411007101', NULL, NULL, NULL, 'http://soloshow.online/orgoastro.html', NULL, NULL, NULL, 3969, NULL, 505, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3380, NULL, '2020-06-14 17:38:21', '2020-07-22 23:24:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31405, 'iIvG3B9sWM2np1ZT', 'Six days for a rainbow', NULL, '\"Six days for a Rainbow\" is an installation made up of 366 oil and graphite paintings on canvas, and 12 name indexes.  The project appears in light of the invisibility of the increasing violence against a specific population: the violence against the freedom of being who you are. Through one painting a day, the project creates a calendar registering homophobic and transphobic murders committed in Brazil every day in the year 2016. \n\nEvery day a painting was made. If there were no homophobic or transphobic murders reported on that day, the canvas carried one of the colors of the rainbow, following the sequence of colors from the flag of the LGBTQ movement. A rainbow is formed through six consecutive colors, starting with a red painting and ending in a violet canvas, symbolizing six days without murders. However, the formation of a rainbow is hindered every time there is a killing. In that case, a portrait or representation of the person, or persons, that were killed on that day is painted. There is a return to the attempt to make a rainbow in the next day without a murder, starting once again with red. \n\nThe images and portraits developed in the paintings come from following sites of projects that monitor this type of violence. From 2008 to 2014 they documented 1,731 homicides. Among these, 689, or 40% of all the murders in the world happened in Brazil. Data shows that the number of murders have increased 48% in relation to previous years.', NULL, NULL, 'The project is made up of 366 canvases (15 x 18 cm. or 16 x 22 cm) installed in chronological order and 12 oil on paper (36 x 46 cm.) framed indexes. Ideally, I would need two walls to exhibit this project (one for the paintings and another for the indexes). One should measure at least 5 meters long by 2.65 meters wide and the other  2.70 meters long by 1.10 meter wide. The installation is also mutable according to the available space, as long as the paintings follow a chronological order.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4994, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4191, NULL, '2020-06-14 17:39:19', '2020-07-02 17:59:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31406, '0ZTSxQQwbhXcJ6U1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:41:11', '2020-06-14 17:41:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31407, 'OR5hDl4NSaUrggdW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:42:15', '2020-06-14 17:42:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31408, 'w2Dwii25CoKHQoCW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:42:57', '2020-06-14 17:42:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31409, '6Nr5KRoFrsSrQex8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:42:58', '2020-06-14 17:42:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31410, 'q07Du1nZ6KaLVBeH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:43:29', '2020-06-14 17:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31411, 'LA5PniKStHEwuH1G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:44:35', '2020-06-14 17:44:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31412, 'VA5WyRAcP2dQq3Xf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:45:42', '2020-06-14 17:45:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31413, 't835FKyeISJgsqOi', 'Ventanas de ensueño', NULL, 'El proyecto titulado \'Ventanas de ensueños\" consta de once obras de arte, algunas pictóricas/matéricas, y otras escultóricas. \nPara la realización del proyecto se utilizarán distintos materiales y técnicas a determinar.\nEl modo gráfico parte del concepto ventana, teniendo en cuenta su eje paradigmático como su eje sintagmático.Aclarado esto, me gustaría acotar que dentro de las imágenes de ventanas, la sintaxis visual jugará un papel importante en la transmisión adecuada del mensaje de mi trabajo, constituído por once propuestas diferentes. Las mismas intentan formar una totalidad significativa..\nPero, volviendo al concepto, juguemos con la palabra como un significado que contiene significantes. Una ventana se puede asimilar como símbolo de la forma en que nuestra conciencia observa e interpreta el mundo. También representan un medio de percibir la luz divina. Veamos qué sucede cuando el cuerpo es la propia ventana. Un cuerpo inmovilizado puede buscar en ellas un escapismo. Un cuerpo solitario se ilusionará con pensar en un punto de contacto con el afuera y más allá...Con el otro.\nLa idea surgió a partir de la cuarentena que vivimos, como una forma de evidenciar la problemática general y los transtornos provocados por el encierro. La ventana entonces es nuestra conexión a la vida. Por eso, cuando el miedo a la enfermedad nos obliga a permanecer en un lugar y a cerrar todas las puertas ante el peligro que representa la pandemia del Covid-19, necesitamos abrir las ventanas.', NULL, NULL, 'Un salón amplio de paredes blancas para colgar/ instalar once ventanas de arte.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/wath?v=jxo4SOLKPJA', NULL, NULL, NULL, 'https://www.youtube.com/watch?v=4_80uwufH1s.       https://www.youtube.com/watch?v=jxo4SOLKPJA', NULL, NULL, NULL, 3945, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3361, NULL, '2020-06-14 17:46:09', '2020-07-03 04:29:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31414, 'gHfz9J6kcRGjLrgZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:46:36', '2020-06-14 17:46:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31415, 'b5GACKXYEv6cdB2y', 'LATENT NORDLI', NULL, 'The processing of LATENT NORDLI started with the purchase of three storage-elements (cupboard with drawers, called Nordli) in a famous swedish furniture store, to keep order in my own home. But the first result was crazy disorder: \nThe \"negative mass\" (= the packaging material) of the carry-home packets filled the room with mountains of cardboard and plastic-foil… So it happend, that my assembly work changend into a deep dealing with spatial structures.\nThe result for a show is 9 photographed spatial structures and 1 sewn baldachin/canopy.\n\nMargit Greinöcker, born 1974, training as technical draftsman (engineering), degree in architecture at the university for art and industrial design in Linz, contributor in various cultural initiatives and advisory boards, guest lecturer at various universities on artistic practices in public space. During her studies she developed her interdisciplinary approach to architecture, society, and art. Thus, her works span from temporary buildings, or site-specific performative actions, to experimental and documentary video productions.\n\nBest Regards!', NULL, NULL, 'LATENT NORDLI  #1: \nmaterial: 9 fine art prints, \nsize each: 40 x 60 cm, \nhow: prints fixed on a wall, (for the exhibition the prints are also possible in larger size)\n\nLATENT NORDLI  #2: \nmaterial: sewn baldachin/canopy, \nsize: 4 x 3 meters, \nhow: hangs from the ceiling on nylon threads', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3957, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3370, NULL, '2020-06-14 17:47:48', '2020-07-03 04:30:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31416, 'cmNWGGDl9gaUKF2g', 'Um filme para Ehuana', NULL, 'Este trabajo es un documental experimental realizado con mujeres yanomami de la comunidad de Watorik en la frontera entre Brasil y Venezuela. La relación realizadora / personaje está presente a lo largo de la película, un intercambio, un encuentro o al menos un intento de estar cerca de un universo femenino afuera del ocidente y no capitalista, un deseo de echar un vistazo a un debate decolonial pasando tiempo con Ehuana y su familia en el dorso de la floresta yanomami.', NULL, NULL, 'Lo ideal para este trabajo es una proyección en video en una habitación pequeña, cubo negro, con sillas para que el público pueda sentarse. Pero también se puede mostrar en un espacio abierto con la disponibilidad de auriculares para que el público pueda centrarse en los pocos diálogos a lo largo de la película.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/262314173', 'ehuana', NULL, NULL, NULL, NULL, NULL, NULL, 3954, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3368, 5, '2020-06-14 17:48:44', '2020-09-01 01:00:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31417, '2ibQlLfIFZu3iDnM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:50:15', '2020-06-14 17:50:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31418, 'bERhf9T9dpFWkH4Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:51:38', '2020-06-14 17:51:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31419, 'sDo9fajzRuQ8wwCc', 'Marginados', NULL, 'Mi propuesta se basa en una serie de ilustraciones digitales de una parte de la sociedad con un concepto estético.\n La idea es visibilizar a los invisible dentro de mis imágenes, manifestar las diferentes problemáticas e injusticias que sufren dichos ciudadanos, el arte de represión estatal y social que tienen que aguantar los jóvenes de los barrios populares. Visualizar a los marginados, víctimas de maltrato e indiferencia de los demás. \nEn tiempos de pandemia esto se hace visible cada vez más, sufren discriminación cada vez más y la indiferencia no cesa, siempre es momento para concientizar y reflexionar acerca de estas cuestiones de la vida a diario, no hay que hacerse a un lado, por esto es que, desde mi lugar de artista, decidí retratar a este sector de la población.', NULL, NULL, 'Las imágenes son en formato digital. La idea es proyectarlas en una pantalla grande, de 4x4 aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4352, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3674, NULL, '2020-06-14 17:51:44', '2020-07-28 01:59:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31420, 'C8AaxUoeNvpV8Qxi', 'S/Título #2', NULL, 'A pesquisa \"Sem Título, #2\"  faz uma apropriação de imagens veiculadas em sites de “auto-exibição” e de sex-cam e busca trazer um pouco de luz às novas possibilidades de relações sociais, costuras afetivas, sensuais e eróticas que vão muito além do sexo propriamente dito. Nessas plataformas, as pessoas têm a possibilidade de abrir as suas próprias câmeras e deixá-las abertas a quem as quiser ver. O estudo traz também como as novas tecnologias criaram outras possibilidades de encontros e questiona a solidão e a “não-solidão” observadas - sentimentos que são atemporais e inerentes ao ser humano. Os mais diversos e variados usos podem ser observados: sejam sexuais, comerciais ou afetivos. Seja como for, fica evidente que as principais razões de existência dessas plataformas, e dos usos que são feitos delas, são a constante busca das pessoas pelo olhar do outro e a luta humana contra o isolamento. De quem se mostra, de quem as assiste. Evidenciando também o paradoxo da hiperconectividade contemporânea. [Pesquisa em desenvolvimento. ]', NULL, NULL, '8 peças de tamanho A2 \n\nTécnica mista em Impressão de fotografia a jato de tinta com intervenções de pintura sobre fotografia com Tinta da china tinta acrílica.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://cobaz.art/work', NULL, NULL, NULL, 3940, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3356, NULL, '2020-06-14 17:53:16', '2020-07-03 04:29:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31421, 'cEX7laqX36yF3QWD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:54:08', '2020-06-14 17:54:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31422, 'a7LGpTUOLBvT3OL2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:54:48', '2020-06-14 17:54:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31423, 'Eom44t4YXkNN6HPa', 'El orden de lo invisible', NULL, 'El ser humano ha sentido siempre un impulso por indagar los límites que separan lo conocido de las zonas enigmáticas de lo existente. Por medio de la exploración científica como a través del arte. Siglos atrás como en la actualidad, los dispositivos ópticos generadores de imágenes fueron importantes aliados en la misión por acceder a la visualización de temas y territorios esquivos al encuentro frontal, cuerpo a cuerpo, con el hombre\nEl orden de lo invisible reúne 5 fotógrafos argentinos contemporáneos que trabajan con la imagen como herramienta de acceso a aquello que es del orden de lo invisible o irrepresentable. Aquí la fotografía es el portal para atravesar un umbral, una distancia insalvable ante los límites de la visión y el entendimiento \nBollati mira hacia nuestros orígenes investigando la representación a través del Museo. Provedo trabaja con cámaras trampas en la naturaleza jugando con los límites de la visión y del encuentro con lo animal. Herrera explora un Sexto Continente a través de fotos de cuevas con las que construye un relato ficcional. Lutufyan utiliza procedimientos de la ciencia para asomarse acercarse al cuerpo etéreo de un ser vivo. Fernández parte de imágenes de films argentinos con imaginarios distópicos sobre los que ejerce una sucesivas traducciones técnicas para develar un paisaje marginal y subterráneo\nEsta muestra invita a acercarse a territorios existentes pero innacesibles con la fotografía como pasaporte a lo oculto y ficcional de lo real', 'Cecilia Azniv Lutufyan / Argentina / www.cecilialutufyan.com\nManuel Antonio Fernandez / Argentino / www.fernandezmanuel.com.ar\nEstrella Herrera / Argentina / www.estrellaherrera.com.ar\nMartín Bollati/ Argentino /www.martinbollati.com\nFrancisco Provedo / Argentino /https://www.instagram.com/camarastrampapatagonia/', NULL, 'Se requiere un espacio cerrado de aproximadamente 11x5m o 10x4m con paredes lisas pintadas de blanco o gris que se puedan perforar para colgar cuadros de no más de 5 kg. \nSe precisa poder pintar una franja de color amarillo en una pared.\n\nLas piezas presentes son : 10 cuadros con vidrio de 40x30 cm / 2 copias fotograficas con imanes de 250x190 cm / 4 cuadros sin vidrio de 130x72 cm / 1 instalación de 150x70x30m / 1 foto 20x30 sobre franja amarilla pintada en pared de 60x200 cm', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5376, NULL, 843, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4829, NULL, '2020-06-14 17:55:55', '2020-08-10 20:56:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31424, 'FkjgalECUSLZOLjf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:56:56', '2020-06-14 17:56:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31425, 'bPT6Opk2YzLmnQyv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 17:57:35', '2020-06-14 17:57:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31426, 'mG5fFBJ1ZRwd54px', 'Lo genealógico', NULL, 'Serie de pinturas que se refieren a lo genealógico, torres de seres, seres que un día se transformaran en una fotografía y quizás en un buen o mal relato, olvidos o altares sagrados, calvarios o éxitos.\n\nQuién recuerda los nombres de sus tatarabuelos?\n\nQuién sabe si alguien con nuestro ADN, vivirá en otro planeta.\n\n Seis pinturas sobre lienzos, de 200 cm x 110 cm cada una .', NULL, NULL, 'Cualquier sala que permita acoger en sus paredes , las dimensiones de las obras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3950, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3364, NULL, '2020-06-14 17:57:58', '2020-07-03 04:29:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31427, 'Sl7JXilWaiIsayR1', 'Descartografías para Ancestralidades Contemporáneas', NULL, 'El objetivo es buscar pistas para nuevas humanidades posibles - pospandémicas - en los saberes de los pueblos amerindios y afrodiasporicos. A pesar de ser silenciados e invisibilizados por siglos son en ellos que valores civilizatorios pueden señalar caminos del devenir. Aílton Krenak cuestiona que humanidad somos y cual queremos llegar a ser. Boaventura de Sousa Santos propone aprender del Sur y del Sur. El proyecto consiste en crear piezas gráficas y sonoras que recopilan imágenes y sonidos (música, canto, palabra hablada, instrumentos, ruido) en los saberes ancestrales, compuestos por cosmovisiones de los pueblos originarios en los siguientes contextos: Brasil, Argentina y Nigeria. Las imágenes enviadas emplean el collage y el dibujo abstracto como los materialidades principales, articulando aspectos del espacio y la música con el uso de mapas y partituras, generando geografías inusuales. Tejen costuras entre tiempo, representación, plantas, moda, ritmo cardíaco, esclavitud, potencia, lugares de encuentro y afectos. Son una primera aproximación de estos temas y, con la ejecución del proyecto, planean generar nuevas piezas, en tamaños y soportes más grandes, a partir de materiales recolectados in loco. Porto Seguro, conocida como la ciudad del \"descubrimiento\"; Buenos Aires, como epicentro afrodisporico de la región sur de América Latina; y Lagos, como punto de encuentro entre muchas religiosidades y que generan tantas otras tanto en Brasil cuanto en Argentina.web', NULL, NULL, 'En cada ubicación el trabajo está dirigido para encontrar personas y lugares que tragan esta memoria de forma viva así como el uso de la deriva como método. Después de esta fase, serán creadas nuevas piezas gráficas y \"Mixscapes\" (fusionando \"Soundscape\" y \"Mixtapes\", ejemplo anexado). Los resultados serán expuestos en las tres ubicaciones, con materiales de tres inmersiones, invitando las personas involucradas para charlas públicas, promoviendo nuevos encuentros del público con estos saberes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://cargocollective.com/amiantus', NULL, NULL, NULL, 6159, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5048, NULL, '2020-06-14 18:01:01', '2020-07-21 20:53:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31428, 'CMG6dFRMvbcuyss7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:01:11', '2020-06-14 18:01:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31429, 'aiUpuwW0bnxl4xwg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:01:15', '2020-06-14 18:01:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31430, '6otFhk2RUnEz2GRR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:01:42', '2020-06-14 18:01:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31431, 'OInxKlDaomHXZ3qU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:02:56', '2020-06-14 18:02:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31432, 'MNGRN9T4lNwdqFFL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:03:37', '2020-06-14 18:03:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31433, 'QObO0zWo7tkFSzqv', 'Por um Fio', NULL, 'Em novembro de 2018, ano de eleições presidenciais no Brasil, Jair Bolsonaro foi eleito, mesmo com o levante de mulheres que foram às ruas no Brasil inteiro gritar #elenão. Nós, mulheres, pretas, brancas, cis, trans, faveladas, classe média, trabalhadoras da cultura, artistas, lésbicas, bissexuais, jovens, idosas, de povos originais, de religiões de matrizes africanas, entre muitas outras, ficamos todas “por um fio”. Foi neste contexto que o Coletivo em Silêncio, que desde 2011 trabalha com mulheres atingidas pelo sistema prisional e de justiça, desenvolveu a performance Por um Fio. Trata-se de uma oficina-instalação de bordado, cuja dinâmica se dá por práticas transversais entre performance, manifesto político, poesia, artesania, vídeo, e, principalmente, pelo gesto ancestral de bordar. Uma proposta político-poética, que produz encontros e estratégias sensíveis entre mulheres, de autoconscientização e auto-representação de seus corpos e de suas questões femininas singulares. O gesto de desenhar e de bordar corpos femininos revela o quanto todas nós somos socialmente impostas à “cárceres corpóreos”. Assim como o gesto ancestral de sentar-se em torno da mesa com mulheres diversas e compartilhar histórias ativam corpos políticos e transformam realidades. O gesto criativo torna-se um gesto político. Edições anteriores (RJ/BR): Festival Panorama (2018); Museu Penitenciário (2019); Santa Cruz (2019); Fundição Progresso (2019).', NULL, NULL, 'Uma grande mesa (espaço de pelo menos 10 pessoas sentadas, mais cadeiras extras), com desenhos, linhas, tecidos, livros, adereços diversos; uma máquina de escrever que convida à escrita; um painel onde os retalhos de bordados são expostos; linhas pendendo do teto com pequenos poemas. Há também 2 microfones de mesa e amplificador de som, para que qualquer pessoa possa se expressar oralmente ou iniciar um debate-livre; uma tv (ou tela projetada) com uma série de videoperformances e videoartes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6035, NULL, 877, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4957, 5, '2020-06-14 18:03:50', '2021-02-12 15:42:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31434, '67iWApKfn7Pi4ORA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:04:14', '2020-06-14 18:04:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31435, 'BWbYofUFK4fLu3p8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:04:25', '2020-06-14 18:04:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31436, 'jvylSXKNwN9JFv7L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:06:21', '2020-06-14 18:06:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31437, 'i3Rz503EorXPoTGe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:06:34', '2020-06-14 18:06:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31438, 'OA0VTKmyF8bDgfze', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:11:00', '2020-06-14 18:11:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31439, '9sGce5DDCxco1DmH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:13:23', '2020-06-14 18:13:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31440, 'wzfFmGw4HJ4jW9LK', 'Janela', NULL, 'Janela é um espaço aberto em alguma edificação, que abre espaço para arejar e ver o que há fora desse corpo. Se pensarmos em nós como um corpo-edifício, pensamos o olhar para fora como um espaço de conexão e percepção do que é externo. E se ao olhar para fora percebermos a nós mesmos? A possibilidade que há externamente é um espelho de nós, desta forma este trabalho convida para essa reflexão. Isso porque cada ser se atravessa e todos coexistem. É sobre entender que “ver-se” também é “vê-los”. Isso é enxergar-se no outro. Isso é entender-se como humano. O que há lá fora é o que somos. Deixem que contemplem a obra que tu és, assim se verão também. O desejo de que a inteligência emocional e o autoconhecimento se construam também é uma forma de pensarmos nossas problemáticas e lugares no convívio. \n\n“Em seu reflexo verás o que não te atreves a ver, que aquele que se deixa observar por outros é observado por ele mesmo em muitas direções. Avatar, só isso. Um reflexo vivo projetado na busca de um, convertido em muitos. Quando descobrirem a verdadeira natureza de ser um avatar, o mesmo deixará de existir fora para ser dentro. A esfera lhe rodeia e milhões de olhos observam a si mesmos, projetados no que vêem. Deixe que te vejam e assim se verão, sem medo ou frustração, deixe-os contemplar. Só ser o avatar que eles devem ser, expande e o todo se expandirá.\" Luah Marques', NULL, NULL, 'VITRO DE CORRER 4 FOLHAS RETO PADRÃO CEDRO:\nAltura	1,00  m\nLargura	1,20  m\nBatente	10 cm\n\nESPELHO POR TRÁS:\nAltura	1,00  m\nLargura	1,20  m\n\nInstalação adaptada para ser pendurada como tela de pintura com ganchos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4053, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3447, NULL, '2020-06-14 18:13:32', '2020-07-03 19:33:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31441, 'cpxfU925UgeB7OmN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:14:55', '2020-06-14 18:14:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31442, 'fgSxPVIBnVpOSzMQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:17:31', '2020-06-14 18:17:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31443, 'LzN8EaavWRDiHK4R', 'Manicômio', NULL, 'Estudo de apropriação e intervenção em imagens de arquivo público do Hospital Psiquiátrico da Tamarineira em Recife , Brasil, no ano de 1982.\n\n\n\nNa época, antes da reforma manicomial, os hospitais psiquiátricos eram um espaço de esquecimento e humana. Os que eram colocados ali eram esquecidos e condenados a viver excluídos da sociedade que não os queria em vista. Mesmo assim de adaptavam e desenvolviam seus próprios códigos de convivência e laços afetivos e sociais.\n\nProjeto, intervenção e conclusão - Lisboa, 2019', NULL, NULL, 'O estudo conta com dez imagens em tamanho original A4 - São fotografias impressas em jato de tinta e finalizadas a mão com tinta acrílica e tinta nanquim.\n\nPara exposição seriam feitas 10 impressões fine art em papel Canson tamanho A2', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://cobaz.art/work', NULL, NULL, NULL, 3951, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3365, NULL, '2020-06-14 18:18:38', '2020-07-03 04:29:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31444, 'lGLZqnoWaiSN0pgq', 'ELO', NULL, '___\n\nMe veio a lembrança um pequeno ato de inquietação quando ainda criança. Por volta dos três anos de idade, ganhei um relógio digital dos meus pais e sem hesitar, fui correndo pelo corredor lateral da casa, de encontro a caixa de ferramentas. Abri, escolhi algo pesado - um martelo talvez - tirei o Casio do pulso esquerdo e como libertando alguém de um aprisionamento, acreditando que por detrás daquele painel digital, cercado por borrachas e plásticos, sairia alguém, desferi um único golpe, certeiro. As partes se separaram em cacos e ninguém de lá saiu. O tempo parou e um calafrio tomou conta do meu corpo. Quem controla esse tempo? Onde pode estar? Será que o matei e acabou o tempo? Descobri que o “tempo registrado e controlado” durante o confinamento pareceu não ter sentido. ELO é a intenção de representar a humanidade através de duas figuras em meio a uma passagem estreita num vazio imaginário, suportando um ao outro, habitando este espaço frágil, representado pelo cristal em formato de ampulheta, traduzindo a fragilidade da humanidade, em que o tempo não existe mais.\n\n___\n\nobjeto de parede em latão e cristal soprado 36x6,5x29cm - 2019/20 - 20 cópias + 1 p.a. \n\nfeito em latão e vidro soprado (cristal), acompanha caixa em madeira, com gravação do número de tiragem e a data de produção, certificado de autenticidade assinado por mim e uma luva de algodão para manuseio/instalação do objeto na parede.', NULL, NULL, 'Uma parede de 2x2m com a possibilidade de uma única perfuração. O objeto deve ser instalado em uma parede vertical.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3999, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3404, NULL, '2020-06-14 18:23:17', '2020-07-03 19:31:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31445, 'r6gLotEygyM77SPB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:23:48', '2020-06-14 18:23:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31446, 'fkyaPiRUfDCl9dxW', 'Há dias que vivo da raiva de viver', NULL, 'El proyecto nació a partir de una escena que viví en mi casa. \nEn respuesta, empecé un estudio sobre la rabia y su circulación en las relaciones a partir del punto de vista de las mujeres. Acompañada también por un estudio teórico, noté que la rabia es una estratégia en artes visuales por la cual las mujeres hablan de sus relaciones con los hombres, sea afectiva o romantica.  \nLa presente obra es una manera de registrar y testificar sobre lo ocurrido, pero también de elaboración, al ponerme en el lugar del otro que actua a partir de su rabia. Es, por un lado, intentar vivir la rabia del otro, y por otro, poder dominarla. \nLa parte escrita, es mi registro de la escena y el video, un intento de repetir el registro como si fuera un guión, apropriarme de la agressividad que me arrojaron.', NULL, NULL, 'La propuesta es para una sala con proyector para el video, de manera que la proporción del video sea considerablemente mayor que la de una persona, y el sonido alto. El video es exibido en loop.\nAl costado del video queda afixada con cuatro clavos la parte escrita, en hoja de 42x29,5cm y iluminadas con luz direccionada.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/user116568602/review/429245075/b92d43df1b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4808, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4046, NULL, '2020-06-14 18:27:08', '2020-07-20 18:14:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31447, 'ozrB7SURrwJbcDZG', 'Pañulos por la Memoria', NULL, 'Los pañuelos son el símbolo de amor, resistencia y fortaleza para sostener el pedido de memoria, verdad y justicia frente a los crímenes de lesa humanidad cometidos durante la última dictadura militar. \nUn pañuelo para la lucha y la memoria, un pajarito para la libertad, una Azucena para  las catorce primeras.\nA través de este proyecto y obra, desde el colectivo MMR, tenemos el agrado y la iniciativa en conjunto con Madres de Plaza de Mayo Línea Fundadora, de devolver los símbolos de la Memoria, Verdad y Justicia a la Plaza, con la intención de recordar que Nunca Más volveremos a permitir el terrorismo de estado siendo que la Memoria está Viva.\nBajo esta fundamentación hemos trabajado durante el año 2019 un mes y medio en el taller de cerámica de la Estación Darío y Maxi (Avellaneda) y el 24/3 de ése año emplazamos la obra en 8 hs. Hoy día, el bebedero se encuentra en un estado deplorable por su constante uso y vandalismo por lo que tenemos la nesidad de restaurar y mejorar el diseño. \nEl proceso de restauración implica producir nuevas piezas, respetando el simbolismo de la idea principal, y mejorar el diseño agregando más elementos en la misma técnica. \nPara lograr esto, necesitamos comprar las materias primas: arcilla y esmaltes. Costear los traslados,  el uso de energía eléctrica  y  los conos pirométricos para la medición de la temp. del horno.\nEl resultado final es la permanencia de la obra en el espacio público.', NULL, NULL, 'Espacio Público: Plaza de Mayo. \nDimensiones del monolito-bebedero: 1.18 com de alto x 30 cm de ancho y 13 cm en sus costados.\nTécnica: Mural Cerámico.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4166, NULL, 533, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3549, NULL, '2020-06-14 18:30:37', '2020-11-11 21:26:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31448, 'QrdM9CbsiPnCB8mJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:32:12', '2020-06-14 18:32:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31449, 'WrYo0XOXxN1onszl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:33:38', '2020-06-14 18:33:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31450, 'EU6NLC9blrSd0pdT', '\"Throw up your guts\"', NULL, '“Throw up your guts”-double presentation\nIn this project we are showing 6 oil paintings created by Panagiotis Kefalas, 4 drawings, a video, a poem and an ASMR by Evi Roumani. \nPaintings:60x80cm, 50x60cm, 30x35cm, 30x40cm, 20x25cm, 30x40cm\nDrawings:100x120cm, 6x8cm & 10x12cm & 5x9cm approx.\nVideo:15’(loop)\nSound:approximately 30’\nPoem:hand written on the wall\nΑ stream of our guts along with water’s omnipotence push us to explore an inner drive that empowers and immobilizes us at the same time. Closed eyes, lying bodies, embraced dysfunctionalities. What do we see when the world is tearing apart? What do we dream of? Can we get it all out? How does it taste to get out of the line? \nWith “throw up your guts” we aim to raise questions regarding the images shown. The viewer is encouraged to create a personal path while exploring the artworks that represent fragmental depictions of suffering subjects. Our scope is also to create a connection between the waterfall and the vomit that are depicted.\n“throw up your guts” is an attempt to discover inner states through artistic practice that engages many disciplines whilst paying a tribute to the tradition of painting as a political stance. Painting creates alternative and ever-changing realities that embrace all matters that trouble our contemporary lives while it connects us with an almost primordial aspect of visual culture. Heterogeneity and failure function as tools for a painterly statement against oppression, against all exception.', NULL, NULL, 'Standard exhibition space approx. 25-30square meters, empty walls. Generally, we are open to discussion with the curatorial team and organization as for the exhibition space.\nAll works are ready for mounting on the wall, we will need a projector and speakers for the video and the ASMR sound.\nThe poem can be handwritten on the wall with oil paint approximately and it will not take more than 1meter.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/294319394', NULL, 'https://vimeo.com/420646051', 'exception', NULL, NULL, NULL, NULL, 4133, NULL, 527, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3521, NULL, '2020-06-14 18:34:03', '2020-07-24 02:53:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31451, 'OEaDvKrwT19jt0Tx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:34:14', '2020-06-14 18:34:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31452, 'apT4krwyKvllrj20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:35:03', '2020-06-14 18:35:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31453, 'gLCPmY9RAA4PrCw5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:37:20', '2020-06-14 18:37:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31454, 'uExWWJzFH4zh7e1h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:38:48', '2020-06-14 18:38:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31455, 'TnheRkzB7GojW4hY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:39:50', '2020-06-14 18:39:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31456, 'TmOURUqtYrvytYLi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:40:57', '2020-06-14 18:40:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31457, '6TMPqechPxhv2ogU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:42:18', '2020-06-14 18:42:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31458, '2o9EG6SHhLJugzyq', 'El devenir de phyfis', NULL, 'La presente propuesta presenta cuatro trabajos que, desde diferentes espacios geográficos se juntan para formar un recorrido a través de diferentes territorios, mediante representaciones simbólicas de resistencia, creadas a partir de moldes e improntas, en el caso Mapas de Resistencia que presenta una serie de 9 reproducciones de gran formato de 9 lugares en donde existen fallas geológicas en la ciudad de Cuenca, en donde Vidal a puesto atención al considerar la resistencia de estos lugares a ser habitados, incluso ha insertados en cotidiano de la ciudad, mostrándose como heridas que no cicatrizan. \nPor otro lado, Vidal presentará el trabajo realizado durante su residencia en París, una obra que aborda la memoria del espacio mediante improntas tomadas de rocas, cuyas ubicaciones se encuentran en la costa noroeste de Francia, mostrando huellas que dejan ver hechas tangibles en la erosión propia de esta geografía, la propuesta consiste 35 piezas que representan el desgaste producto de la deshidratación de los moldes que se utilizaron para la elaboración de las piezas, visibilizando de manera lúdica una erosión simulada, en contraposición del paso del tiempo natural que originó a sus pares. Adicionalmente, Vidal pone a disposición del espectador un para elaborado con sal deshidratada con la ubicación geográfica donde fueron tomadas las improntas, Finalmente, bajo la misma linea de trabajo, se presentára un vídeo, y una ultima instalación generada a partir de moldes-contramoldes.', NULL, NULL, 'Este proyecto fue uno de los escogidos dentro de una convocatoria para  exposiciones en el Museo Municipal de Arte Moderno de Cuenca, Ecuador,  en caso de ser necesario, la exposición puede adaptarse a un otro lugar. \n\n\nSe adjuntan todos los bocetos, pues la obra esta en proceso de creación.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3961, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3373, 5, '2020-06-14 18:42:47', '2020-08-29 04:27:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31459, 'lparCVhj3s9KqTi2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:43:48', '2020-06-14 18:43:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31460, 'GUYzpBFixRcOVX97', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:45:43', '2020-06-14 18:45:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31461, 'DSAJP44owrzhwAGt', 'Los Ojos Gritan', NULL, 'El retrato como documentación del feminismo, como proceso social continuo y acumulativo que se inscribe en la construcción social de una Argentina que reencuentra en la movilización colectiva una nueva manera para canalizar la lucha popular de manera transversal  y potente. Esta serie fotográfica muestra a distintas mujeres exteriorizando sus experiencias personales en una de las vigilias históricas de nuestro país.\nEn formato de instalación fotográfica nos invita a realizar un recorrido personal a través de diferentes relatos que emergen de la mirada.\nLa construcción de un espacio delimitado para ingresar y estar a solas con cada retrato, permite que la experiencia se individualice y cada visitante pueda conectar con las diferentes sensaciones.\nEl formato y las imágenes, intentan de esta manera dialogar con lxs participantes en un encuentro íntimo.\nLa instalación propone de esta manera la relación 1-1.\nEl diseño a modo de recorrido finalizando cada tramo con la imagen de una retratada simboliza de alguna manera  el paso del tiempo a través del encuentro.\nAl finalizar,  un espejo es la última pieza, devolviendo de esta manera a quien observe, su propio rostro, su propia mirada. Buscando la reflexión luego de haber atravesado los demás rostros y decires.\nJunto a él se ubica un texto de la autora realizado el día posterior a la toma de las fotografías, en el cual, valiéndose del lenguaje escrito,  expresa y acerca una forma de ver, de creer.', NULL, NULL, 'La instalación tiene un formato cuadrado, midiendo 6 metros (mínimos) cada uno de sus lados. Un punto de ingreso y de salida están detallados en la superficie.\nEstá constituida por 15 box colgantes ubicados de manera espiralada. Permaneciendo los mismos a una distancia de 1,50 metros aproximadamente del piso y una distancia de 60 cm mínimos entre cada uno de ellos.\nLos box son construidos con cajas de cartón de exportación sujetados a una estructura aérea.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ZqAxM5uQPps', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3971, NULL, 506, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3382, NULL, '2020-06-14 18:46:02', '2020-08-11 22:24:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31462, 'iJsvTCXlEP0MSNDy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:46:17', '2020-06-14 18:46:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31463, 'dUq7qysuxWZ49uiO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:48:11', '2020-06-14 18:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31464, 'PTzNnkdvORIUcFqh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:55:56', '2020-06-14 18:55:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31465, 'swWtRVlQfnfs7bRT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:57:08', '2020-06-14 18:57:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31466, 'fhAK91dGPLzidzLl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 18:58:38', '2020-06-14 18:58:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31467, '9yG13djy9NZAlRJ0', 'Taken', NULL, 'Scrubbing\n\nBent over\n\nThe smell of chlorine reeks from my hands\n\nEyes water\n\nLegs tremble\n\nBreath shakes\n\nMind blank\n\nFear of them walking in to hit me\n\nYell at me\n\nRape me\n\nLife is hell\n\nHuman trafficking is a global and domestic human rights issue that is characterized by economic exploitation through force, fraud and coercion.\nTrafficked women and girls encounter high rates of physical and sexual violence, including homicide and torture, psychological abuse, horrific work and living conditions, and extreme deprivation while in transit.Serious mental health problems result from trafficking, including anxiety, depression, self-injurious behavior, suicidal ideation and suicide, drug and alcohol addiction, post-traumatic stress disorder (PTSD), dissociative disorders and complex PTSD.Physical symptoms among trafficking victims include neurological issues, gastrointestinal disturbances, respiratory distress, chronic pain, sexually transmitted diseases (including HIV), uro-genital problems, dental problems, fractures and traumatic brain injuries.taken', NULL, NULL, 'Dimensions \n1,57x 1,60\nAcrylic on canvas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4711, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3965, NULL, '2020-06-14 18:59:00', '2020-07-17 00:30:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31468, 'Ob2ejovpSi35ZSEf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:01:47', '2020-06-14 19:01:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31469, 'lTWBeDvi1r7pbTFG', 'Ver es creer', NULL, 'Ver es creer\n\nDe la serie “la dictadura de la imagen” (antiguos pensamientos publicitarios)\n\nRotulador sobre revista sesentera desarmada\n\n180 x 130 cms\n\n \n\nAl repetir el ejercicio de vagar  por la ciudad y hurgar en sus guaridas de remate, entre algunas cosas, me encuentro con estas revistas sesenteras y reviso como por medio de la imagen publicitaria se buscaba persuadir y distorsionar los criterios de las masas, cumpliendo así con el travieso objetivo de comprar o morir: obey -citando a Cronemberg en su película “Nos Vigilan”.\n\nUna mirada retrospectiva pone en evidencia la caducidad de la narrativa de la época y cuestiona la dictadura de la imagen como mercantil de confianza en una actualidad donde además de los sujetos habituales entran en juego los trolls y las fake news para cumplir los mismos objetivos a través de experticias digitales.', NULL, NULL, 'sobre pared, con iluminación directa, especial para vidrios con reflejos', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4719, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3975, NULL, '2020-06-14 19:04:52', '2020-07-17 00:30:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(31470, '5nYvp6NXyePwhKlk', 'Multitudes', NULL, 'A l’heure de la remise en question des fondamentaux démocratiques sur la totalité de notre planète, la question de la restriction des libertés individuelles et collectives dans l’espace public physique et numérique quotidien constitue aussi un enjeu des imaginaires communs. \nQuelles propositions artistiques face à un désir vital de renouveau des possibilités d’habiter, de rêver, et d’interroger cet espace public ? Une préfiguration des futurs possibles?\nDeux œuvres ( et autres propostions de groupe voir ci-après) sont ainsi proposées, simultanément fictions anticipatrices et documentaires poétiques, l’une singulière et numérique, l’autre physique et collective :\n-> « Le Récit des Multitudes » est un projet d’application pour mobile en espace public. Cette création numérique s’inspire des usages de la littérature, du spectacle vivant et du jeu vidéo. L’auteur, Eli Commins, se définit  comme metteur en scène de formes proliférantes, non-linéaires, qui interrogent les technologies contemporaines.\n-> « Signaux faibles » est une création performative et numérique en espace public, une file d’attente qui convoque le public-participant pour une expérience spectaculaire et synesthésique, simultanément intime et collective. Emmanuelle Raynaut est performeuse et auteur et porte son attention sur des espaces intersectionnels d’écriture.', NULL, NULL, 'Les lieux sollicités sont des espaces publics (rues , places, cours intérieures, espaces mémoriels, non-lieux, friches, espaces tertiaires, foyers de théâtres,…) qui font sens dans une mise en relation  sur le territoire humain, historique, et cartographique de la ville. À définir ensemble.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5809, NULL, 831, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4786, NULL, '2020-06-14 19:05:08', '2020-08-10 21:32:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31471, 'gEHuALd2m061ekB2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:05:11', '2020-06-14 19:05:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31472, 'Zt4A9yCGv3XjZqID', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:05:15', '2020-06-14 19:05:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31473, 'DDRXVC0AM99AvDHR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:06:28', '2020-06-14 19:06:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31474, 'SXzRy3ZJcop7pjft', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:07:13', '2020-06-14 19:07:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31475, 'IjXu3qUNSteqEqsx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:07:44', '2020-06-14 19:07:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31476, 'EmPJtR6F2UxGDryF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:08:27', '2020-06-14 19:08:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31477, '06D2pEJgA0fhsiRT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:09:33', '2020-06-14 19:09:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31478, 'rAek26hbMWfQQ5H7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:10:08', '2020-06-14 19:10:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31479, 'A377b8TRC8VdXajC', 'Trembling passions', NULL, 'Abstract thinking – linearity, no substantial facts,  pure emotions. Nature-like three-dimensional texture, shapes, shadows of mental sculpture. A structure, full of trembling passions made of raw material. The shades of gray in this work present my vision of the multicolor world from the monochromatic point of view.', NULL, NULL, 'Art fabric made of crochet yarn mix in shades of gray. Size 150 x 135 cm, fabric stretched on a pine wood stretcher. Fastening in 2 places connected by a thin wire for hanging on a hook.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4105, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3498, NULL, '2020-06-14 19:11:20', '2020-07-03 21:48:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31480, 'a7fvxRcSZKtoETJb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:12:01', '2020-06-14 19:12:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31481, 'IK7yhEZJh4faxn2V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:12:57', '2020-06-14 19:12:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31482, 'SvX34bqrEAD0OJBw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:13:43', '2020-06-14 19:13:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31483, 'OJYHdDCRAQ0kva0v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:14:34', '2020-06-14 19:14:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31484, 'f10XTDqMOTr5d3IR', 'La Práctica del Asombro - taller de artes para niñes y adolescentes', NULL, 'Se inició en 2018 pensado desde las artes gráficas y audiovisuales, analógicas y digitales brindando diversos dispositivos. El dibujo, la narrativa, la escenografía, el diseño, los elementos de la puesta en escena y la reproducción de las imágenes en telas, papeles, video, fotografías, son experimentadas a través del juego y el descubrimiento. \nCreemos como principal el deseo de cada niñe, sus tiempos, sus intereses y búsquedas creativas. Compartimos herramientas y proyectos de diferentes comunicadores, creadores, libros, videos, acciones e intercambios, pasando por procesos creativos, incentivando y profundizando la sensibilidad, la palabra, la libertad de expresión y elección, la diversidad, el pensamiento crítico, las necesidades y miradas de las infancias contemporáneas desde una perspectiva de género e igualdad. La educación de las artes visuales desde la conciencia hacia el cuidado personal y colectivo, de nuestro ambiente y nuestros derechos de recrearlo.\nProponemos un taller itinerante con equipos para registros en video y fotográficos como también materiales para la creación de imágenes y sus impresiones (videos y links adjuntos). Nos interesa exponer las producciones y sus procesos en diferentes espacios en simultáneo, nacionales e internacionales, donde pueda suceder el intercambio cultural de dirversas formas, por correo, físico o virtual y el registro de acciones para conocer y aportar en diferentes contextos emergentes de un territorio y su comunidad.', NULL, NULL, 'Espacios para exponer las producciones realizadas. Espacio para instalar una mesa de trabajo con herramientas (aprox, 2 x 1,5 metros) considerando poder circular y producir colectivamente en lo público o no/incluyendo dispositivo de traslado. En el caso de intercambio cultural, pensamos en la comunicación con otros lugares de residencia. (Realizamos actualmente talleres virtuales junto una compañera en la comunidad de Limón, Costa Rica, y mantenemos contacto con colectivos comunitarios).', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/1w1lWVRYtgS9S2zdga-trrqGN3raJ8W02 - https://www.instagram.com/tv/CA_jW5-gi5H/?igshid=j0mdzsa3pvg0', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/105rvNuby6uipYHohqfTAt4_oPACWJmEg - www', NULL, NULL, NULL, 5253, NULL, 735, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4372, NULL, '2020-06-14 19:15:08', '2020-07-27 20:48:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31485, '0Aqx9tRzdFx7K9EV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:19:27', '2020-06-14 19:19:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31486, 'P7QpFlfUxmsH2Nwl', 'STODGY', NULL, 'Individual or collective, the sensations that the white meat causes in the black body are intragable. We pass through hard situations to chew. Situations that are swallowed but undigested. Even more we have to think and create possibilities of tell our own existence from a displaced vision of the white universe. As black queer bodies in the diaspora, we are surrounded by questions of our connection with the past, the mythic and the primitive. Who am I? Who are you? Who are we? Stodgy is one way to be a protagonist of one\'s own life and nourish an utopian future where black people can live and be represented by themselves. Video Performance. Porto Alegre, 2019. Duração: 03:52\nDIRECTION: JOTA RAMOS \nPERFORMERS: GABRIEL FARIAS, JOTA RAMOS\nVIDEO: DAIMON ISAIAS\nPHOTO: GUILHERME FARIAS \nCOLLABORATORS: LEONARDO FARIAS, MARI FALCÃO', NULL, NULL, 'The work is made to be presented as a projection in a white wall in an environment that has little light input.  Video format 16:9, 3321 x 1868 milimeters and 150 inches. The video is accompanied by twenty-five kilograms of sand that follow the entire length of the projection, which will be an extension of three meters in length with 50cm in width, which is just below the video on display, on the floor surface. Also a headset through which the audio of the work can be heard.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/362944162', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4979, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4182, NULL, '2020-06-14 19:22:24', '2020-07-15 19:38:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31487, 'NdkHN1mtuiT8eT8I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:22:37', '2020-06-14 19:22:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31488, 'rsMGjLLNEmV75ipt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:22:40', '2020-06-14 19:22:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31489, 'QtE6JoCqK8Lbmmu2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:23:46', '2020-06-14 19:23:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31490, 'sdxVpxzJTcX8RzbG', 'BARROPLÁSTICO', NULL, 'BARROPLÁSTICO es un conjunto de esculturas realizadas en su mayoría con tierra, pasto seco, papeles y residuos. \n Las piezas fueron elaboradas durante el periodo de Marzo-Junio  evocando a la Pachamama y al accionar humano sobre ella. Cuestionando la contaminación y celebrando a la Tierra, un diálogo que se produce entre ellas, en el cual me veo obligado a intervenir y exponerlo para que el espectador se pueda involucrar de alguna manera. \n  Utilicé diferentes técnicas , materiales y herramientas. Los materiales protagonistas son el barro y el plástico.', NULL, NULL, 'Se sugiere un espacio interior con una superficie de al menos 18 mts2 . En el que la iluminación se verá alternada entre lo frío y cálido;  algunos soportes en los que se colocarán algunas esculturas, algunas van directamente en el suelo. Es clave que se se desarrolle un recorrido libre para que el visitante pueda armar su propia experiencia.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.behance.net/gallery/98887959/BARROPLASTICO', NULL, NULL, NULL, 4287, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3637, NULL, '2020-06-14 19:23:50', '2020-07-08 00:27:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31491, 'KeLjUM7Kxzc2T5JD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:23:58', '2020-06-14 19:23:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31492, 'l26JfMyqdgMIURMg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:26:03', '2020-06-14 19:26:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31493, 'Vg75BeLI6zYJdHH6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:26:09', '2020-06-14 19:26:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31494, 'dGjdDfDFOYb2Fhvh', 'Mecanismos para encender la luz', NULL, 'Mis actuales preocupaciones artísticas están relacionadas a los modos de vincularse y en cómo esto repercute como una huella en la superficie.\nFabrico piezas de cerámica que aluden a tubos de cañería de agua y gas. Estas formas son tomadas de un registro fotográfico que llevo hace más de dos años de tubos encontrados desechados en las calles. Aquellos vestigios de lo utilitario transportaban sustancias, fluidos.  Recorrían los espacios, escondidos bajo el suelo y dentro de las paredes.\nAlgunas piezas son modeladas a partir de la observación, otras las reproduzco a partir de moldes. A veces me concentro en ampliar las partes que componen un mecanismo; por ejemplo,  el interior de una canilla. \nMe concentro en las conexiones  de las estructuras. Con las piezas en crudo genero encuentros, a veces armónicos y dulces, otros hostiles y violentos. En la arcilla queda congelada mi acción y su consecuencia. A veces las piezas se encastran entre sí, otras se apoyan tímidamente. \nEn su agrupamiento, el orden de las piezas es modificable y reordenable, como las piezas de un juego.  Se codifican y reagrupan a partir de las posibilidades del medio.\n\nEl desarrollo de este proyecto fue realizado gracias al apoyo del FNA al otorgarme la beca a la creación (2019).', NULL, NULL, 'Las obras que presento para la Bienal Sur son un conjunto de piezas de cerámica. Algunas permiten ir apoyadas sobre una base, otras se montan contra el muro. El sistema de montaje de estas piezas se realiza con ganchos omega construidos específicamente para cada tubo, debido a que sus diámetros son siempre diversos. \nSería interesante probar con los trabajos de pared un montaje en un espacio exterior, para observar cómo se comporta la cerámica en la intemperie.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4930, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4146, NULL, '2020-06-14 19:26:19', '2020-07-20 18:16:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31495, '8PnCUQQAUHNvreLG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:26:48', '2020-06-14 19:26:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31496, 'ZHflodj1ucnFCeVA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:26:50', '2020-06-14 19:26:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31497, 'HrrF3HZ2A56ZkTnl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:27:56', '2020-06-14 19:27:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31498, '0CXea5xSeE6ly1ns', 'The Red Dress Project', NULL, 'The Red Dress Project is a performance and photography project created by brazilian born artist and activist Manuela Benini.  \nAn evolving series of photographs featuring Benini’s movement interactions within natural, architectural and industrial landscapes. The Red Dress has travelled internationally since 2006 in Brazil, Cuba, Mexico, Peru, Colombia, Bolivia, India, UK, Denmark, Scotland and Cambodia.\n\nThe resulting collection of images are powerful evocation of gender, place and identity which address human rights issues and our impact on the environment. \n\nWith backdrops of dormant and active volcanoes, landfills, ship breaking yards,  rubble, ashes, city centers, ice, waterfalls, rocks as her stage Manuela transforms everything around with her red dress. \n\nActing as a catalyst to absorb the energy of the landscape, Manuela reclaims public spaces, dancing and responding to the environments with movement often that the camera fails to capture. Her ‘red’ muslin signifies her passion and the danger our Earth is in with a fragility yet with a strength of what humanity can do if it decides to tune in. \n\nThe red dress forces us to listen with powerful imagery on difficult subjects.', NULL, NULL, 'The exhibition can be online, in a virtual space, or in a physical space in the format of an exhibition with images mounted on a board that are 140 cm x 90cm.\n\nThe space can be a conventional gallery, white wall space, but also can be an alternative space without white walls.  \n\nThere film,  \"Close Circuit\"  can be projected onto walls,  not necessarily white, or onto a white screen.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/311440612', 'closecircuit', NULL, NULL, 'www.thereddressproject.co.uk', NULL, NULL, NULL, 5125, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4277, NULL, '2020-06-14 19:29:08', '2020-07-25 01:34:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31499, 'x3m5DGW4A2KPgI7M', 'Bajo la superficie', NULL, 'Vivimos en tiempos movidos. Tiempos llenos de incertidumbres y cambios. De preguntas candentes  como el futuro ecológico de nuestro planeta o las luchas constantes por una redistribución justa. Surgen grandes movimientos sociales que se confrontan con la ignorancia de los mandatarios.\n\nLa serie de dibujos “Bajo la Superficie” parte de la observación del surgimiento de dichos movimientos masivos, como una expresión de descontentos acumulados que alcanzan el punto de masa critica. De repente sale a luz lo que estaba gorgoteando bajo la superficie. Individuos salen de sus guaridas, se aglomeran hasta formar un cuerpo único y fluido que toma un rumbo impredecible y arrollador. Barras verticales negras intentan ocultar los sucesos – intentos fallidos de negar lo evidente. \nLos dibujos reflejan momentos claves que podrían convertirse en momentos históricos.\nBerin89(70x110cm) – la caída del muro de Berlín, \nManagua18 (70x80cm)– las protestas en Nicaragua 2018, \nLatinoamerica19(70x65cm) – los diferentes movimientos de Protesta en Latinoamérica 2019\nBlackLivesMatter 20(en proceso; 70x75cm) – las protestas anti-racistas masivas en Estados Unidos (y otros países).\nTodos ellos movimientos esperanzados por poder lograr un cambio. Algunos exitosos, otros en su momento reprimidos, pero siempre latentes.\n\nLos dibujos son realizados en tinta china sobre tela, luego aplicado en textiles retomando la forma de estandartes o tapices, que relatan hechos históricos. (Anexo ejemplo de montaje)', NULL, NULL, '4 m de Pared en interiores. Los dibujos pueden ser divididos en grupos. El montaje se puede realizar tanto con Clavos/Tornillos en la pared, como con rieles de Montaje u otros sistemas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3974, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3385, NULL, '2020-06-14 19:29:28', '2020-07-03 04:30:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31500, 'ZNke39Nw6Ha2EXEt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:29:34', '2020-06-14 19:29:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31501, 'uKXO4OXKiW767kpZ', 'Hidden Stories', NULL, 'Hidden Stories is interested in the public sphere and questioning the role of artists in society, especially in using artistic media and creative expression to explore and formulate the characteristic of today’s society and its possible configurations in nearest future.\nOne of the phenomena of the present day is the transformation of the society, and the transformation of our way of thinking about society. The series Hidden Stories focuses on the peculiarities of the current socio-cultural space in transition, which can also be indicated as unstable or temporary.\nArtist in this project is understood as medium, as sensitive support for all unstable and preliminary that happens in society. Author uses such ability of art as hybridity, heterogeneity and horizontal communication to find out the universal language understood beyond the “field” that would confront avoidance, erasure and binary complacency. Hidden Stories strives to talk about ruptures of global society through artistic methods and working with social groups such as refugees, migrants, and homeless people. \nIt is supposed that in the exposition the works will create a dialogue within and between represented images, as well as between the images and the audience, determining and simultaneously dissolving boundaries between the individual and society, image and exhibition space. Means that the scale of works is proportionated to human and space dimension.', NULL, NULL, 'It can be both artistic and public space. If it is non-artistic space then it can be the place where the meaning and relationship between man and material and nonmaterial culture are combined and contrasted. As an example it can be church or shopping mall. It is preferable if works are situated in one space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3998, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3403, NULL, '2020-06-14 19:30:15', '2020-07-23 04:02:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31502, 'tXhpxA9m4WrDPmjs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:32:32', '2020-06-14 19:32:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31503, '1ewUWqVCJ90B6hfo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:33:18', '2020-06-14 19:33:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31504, 'GzJZpyxp7eaS4tcp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:33:56', '2020-06-14 19:33:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31505, 'LJgwDNReHRcDFEhn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:36:44', '2020-06-14 19:36:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31506, 'nEzhOyaDr6OSXQYJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:37:17', '2020-06-14 19:37:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31507, 'EtQz7qX4x5vLCtNz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:37:28', '2020-06-14 19:37:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31508, 'pxfEnxXyTiwl8kwG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:37:58', '2020-06-14 19:37:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31509, '4KKVj2t253yQnaLv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:38:03', '2020-06-14 19:38:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31510, 'OmsbDXuiGg2cVk4h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:38:05', '2020-06-14 19:38:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31511, 'pWu4C1mMNIJDvTnv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:39:42', '2020-06-14 19:39:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31512, 'jADS8NgsOAVSlqaQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:40:15', '2020-06-14 19:40:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31513, 'yPliZWMEN5IkLZbN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:40:30', '2020-06-14 19:40:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31514, 'adn0qFiPnSwAWmh2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:40:33', '2020-06-14 19:40:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31515, '8aKcqLdtnMCxHlWC', 'Sankofa', NULL, 'Sankofa es un proyecto que tiene su origen en la música compuesta y producida entre Alvaro Silva y Felipe Fuentes, un trabajo que lleva ya 4 años de desarrollo, el cual converge en un disco de 11 temas propios, fusionando ritmos afrouruguayos con otros ritmos de origen afro como el hip hop. En dicho disco participan nombres importantes de la cultura uruguaya como Ruben Rada y Hugo Fattoruso.\nEl origen de la idea está en el libro \"Samba Bo\" de Juan Julio Arrascaeta, bisabuelo de Alvaro Silva, y uno de los primeros poetas Afro en ser publicado a nivel latinoamericano.\nLa idea del proyecto es montar un espacio donde converja tanto la música que ha sido grabada, como los videoclips (aún en proceso de desarrollo) y pinturas de autoría de ambos relacionadas a la temática de la música.\nEn definitiva generar en un espacio, una entrada sonora y visual al mundo que la música plantea.\nDando la opción a el día de inauguración hacer una presentación en vivo de la música.\n\nAlvaro Silva es músico, beatmaker, graffitero, poeta y tallerista de hip hop\nFelipe Fuentes es productor, músico, artista visual\n\nAmbos oriundos de montevideo, algunos de sus trabajos en conjunto son el disco \"Satori\" (disponible en spotify) disco que gano el premio disco del año en los premios nacionales al hip hop en uruguay, y la canción de la campaña oficial de No a La Reforma, campaña que logró frenar la militarización en Uruguay además de otros cambios anticonstitucionales que la ley proponía.', NULL, NULL, 'Instalación audiovisual, donde se sugiere a lxs espectadxres a hacer streaming del disco en plataformas digitales mientras habita el espacio (con auriculares personales)\n1 proyector y espacio donde proyectar los 3 videoclips (se adapta a lo que se disponga)\nLas obras de pintura también pueden adoptar distintos formatos como por ejemplo escultura, lo ideal seria un cuarto que cuente con al menos una pared de entre 5-8 metros.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://www.youtube.com/watch?v=Zg0T7a3CfTo', NULL, 'camaiti.tumblr.com', NULL, NULL, NULL, 4631, NULL, 625, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3896, NULL, '2020-06-14 19:42:37', '2020-07-16 19:23:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31516, '21bjI5uOpGPaqioU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:44:04', '2020-06-14 19:44:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31517, '1durDRqO9KLVn6ex', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:45:00', '2020-06-14 19:45:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31518, 'hUDkeHZ38Yqs3a6N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:45:46', '2020-06-14 19:45:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31519, 'jQvb9UwqzLPSkmTG', 'Troyd, preludio', NULL, 'El proyecto Troyd, parte de la idea de imaginar una ciudad mítica en  un futuro post-humano.\n Preludio se propone como un punto de encuentro de la obra previa a este proyecto y una serie de ensayos o apuntes para el desarrollo del proyecto en sí.  \nObras:\n- Paisaje post-humano (acrílico y microfibra sobre lienzo, dimensiones: 155x110 cm). Obra finalizada. Se adjuntan fotografias de obra completa y detalles\n\n- Apuntes para una ciudad post-humana: Bocetos y dibujos con acuarela y tinta china de pequeño formato (10x15cm a 20x30cm). Obra en proceso, cantidad de dibujos entre 15 y 20. Se adjuntan algunos ejemplos. \n\n- Core: escultura realizada con tizas y tinción cromatografíca sobre soporte de madera esmaltada. Obra finalizada.', NULL, NULL, 'Espacio: rectangular (ingreso por uno de los lados de menor longitud). Paredes pintadas de blanco. Dimensiones mínimas sugeridas: 5m de largo por 3m de ancho. \n\nDistribución (proporcionada a dimensiones finales). \n\n Pintura: emplazar de frente al ingreso \n\n Obras de pequeño formato: distribuir en los laterales a partir de una línea de separación de  2m de la pintura. \n\n Core: en el centro del espacio, de frente a la pintura', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4149, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3535, 5, '2020-06-14 19:45:52', '2020-08-31 03:03:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31520, 'UaCLcx4I40NP5sHm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:46:22', '2020-06-14 19:46:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31521, 'jGYiuLkSRtu4hczK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:47:31', '2020-06-14 19:47:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31522, '8QAGLUNoSGXyFKTr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:47:53', '2020-06-14 19:47:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31523, 'AbEOEkoQwAzaYnye', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:48:12', '2020-06-14 19:48:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31524, 'h2bfDvCoR1TcpEs5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:48:45', '2020-06-14 19:48:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31525, 'iMOFmhKNfAyW4s1U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:49:01', '2020-06-14 19:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31526, 'vS8xfAtN2er3OVmD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:49:01', '2020-06-14 19:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31527, 'UykoXx01Kx5gSP57', 'Somos 1', NULL, 'Serie de pinturas orientadas a la generación de preguntas que impulsen la conciencia de unidad, unidad entre personas y unidad con unx mismx, cuestionando al individualismo y a la dualidad, buscando integrar polaridades en pos de una existencia más fluída y en conexión con todo.\nTrabajo con acrílicos, utilizando diferentes técnicas para buscar un lenguaje propio.', NULL, NULL, 'La producción de la serie no está completa, proyecto pinturas grandes, de 120 x 80 cm la mayoría, no sé muy bien como completar este campo, disculpas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3996, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3401, NULL, '2020-06-14 19:51:18', '2020-07-03 19:31:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31528, 'ExrOEkGMJ50OYEHr', 'Discromatopsias', NULL, '¿Vemos todos el mismo verde, el mismo azul, el mismo rojo?\n\nDe esta pregunta, surge mi estudio de la percepción de los tonos en los campos de color RGB Y CMYK (rojo, verde, azul, cyan, magenta y amarillo).\n\nCuando un individuo disminuye su habilidad para discriminar los tonos de un color presenta discromatopsia. Se trata de una ceguera parcial a los colores. El color depende de la cantidad de iluminación que incide sobre el objeto pero cuando la luz es demasiado intensa las células para el color se saturan y no pueden diferenciar los colores. \n\nDiscromatopsias es una serie de dispositivos pictóricos que provocan deslumbramiento de la retina para que todo espectador sufra una alteración en la percepción del tono. La luz  dificulta  la percepción del color en cada una de las piezas y el espectador podrá entonces comprender que el color es una elaboración mental. No vemos color, pensamos color.\n\nDiscromatopsias son 6 dispositivos con luz de distinto tono que recorren los 6 colores de los espectros RGB y CMYK. Presento en esta oportunidad tres ejemplos de la obra total : el verde, el azul y el amarillo porque la producción se encuentra interrumpida por la coyuntura actual.', NULL, NULL, 'Las obras necesitan ser exhibidas sobre una pared de 10 metros lineales o dos paredes de 5 metros lineales. Cada pieza lumínica mide 80 cm de ancho por 100 cm de alto. Las obras requieren estar separadas por 80 cm entre sí para que las luces de cada una no compitan. \nEl espacio necesita una iluminación en semi penumbra y por lo menos dos enchufes de 220 V para conectar los dispositivos lumínicos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4001, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3406, NULL, '2020-06-14 19:51:22', '2020-07-24 02:53:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31529, '692jknzszxdTpKNQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:51:31', '2020-06-14 19:51:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31530, '4ZsHk0FEEHNCD7Ey', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:51:56', '2020-06-14 19:51:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31531, 'db29RZIJeVIMvrhu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-14 19:54:29', '2020-06-14 19:54:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31532, 'Dh20OoiZlMLu7yI7', 'Un Otro-Lugar', NULL, 'Un Otro-Lugar, reformula viejos estandartes y explora en profundidad los conceptos de orden y caos, para reflexionar sobre la idea de Cambio. Así como Ananké Asseff ha ido tratando en su obra los complejos y paradójicos lazos entre la acción y el repliegue, la contención y la provocación, es en este tiempo y contexto tan complejo, que Asseff construye desde otra mirada, una obra que recoge la transición del caos hacia un nuevo orden, nuevas formas y nuevas lógicas que se materializan desde lo analítico, lo vivencial y lo poético. Con elementos simples y procesos completos, este proyecto representa un espacio de transición. De esta manera Asseff investiga las diferentes posibilidades de identificar en la cotidianidad, fenómenos físicos que puedan hacer evidente la transición entre lo real y evidente, así como de lo no visible y percibido desde los sentidos.\nEs en este sentido que Asseff indaga en los superfluos estigmas que nos inquietan ante la Idea de Cambio. \n\n2019-', NULL, NULL, 'Sala de paredes blancas, sin ventanas. Dimensión aproximada 40 m2.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/424348091', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3988, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3394, NULL, '2020-06-14 19:55:27', '2020-08-14 22:06:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(31533, 'AoJPbcaDI60VMj2G', 'Carmela', NULL, 'Carmela \n\nEn 1980 mis padres llegaron a \"Lagomar\" donde construyeron una casa rodeada de arena que, poco a poco, supieron transformar en tierra fértil. Ese mundo repleto de canteros era el destino de plantines que llegaban desde los jardines familiares de su \"San José\" natal. \nUna de las principales proveedoras era Carmela: la abuela de mi madre, que en 1926 partió de \"Castronuovo\" para llegar casi accidentalmente a Uruguay. En \"San José\" se enraizó, gestó una familia y cultivó insistentemente la tierra negra del nuevo mundo.\n \nEn 2018 mi madre se propuso reconstruir la historia de su abuela, camino que la llevó a viajar hasta aquel pueblo en el sur de Italia.  Ahí pudo comprobar que entre las rocas de \"Castronuovo\" habitan las mismas plantas que la abuela Carmela hacía nacer una y otra vez su jardín. Como si las raíces y los afectos pudieran cavar túneles por debajo de los mares.\n\nEl proyecto reconstruye esta historia de migraciones y nuestro árbol genealógico apelando al poder fotosensible de las plantas que son el legado de Carmela. Las  piezas son realizadas con procesos fotográficos que apelan a la reacción de la clorofila.  Las obras no contienen tintas ni químicos adicionados. \n\nSobre el Autor: en el 2002, producto de la crisis económica, se vio forzado a abandonar el laboratorio tradicional. Tiempo después, comenzó a explorar con procesos fotográficos alternativos, enfocados en materiales y técnicas sustentables, económicas y vinculadas a su entorno', NULL, NULL, 'El proyecto cuenta con cartas de aceptación para  ser expuesto por el Museo de San José de Mayo (Ciudad a la que llegó y vivió Carmela) y por el Museo de las Migraciones de Montevideo. Las fechas no están fijas dadas las reformulaciones de agendas (covid).  La propuesta está abierta a otras salas.  Espacio de pared necesario para exponer 20 obras de \n 70x 70cms.  Se exponen las piezas originales. Se puede evaluar también la exposición de reproducciones digitales en salas del exterior.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4137, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3524, 5, '2020-06-14 19:56:03', '2021-02-19 17:28:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
