INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(9382, 'tB5kShf43XhpIBRJ', 'El blanco en la naturaleza', NULL, 'El suelo argentino ha dado nacimiento a muchas especies que han evolucionado con el tiempo, cambiado de tamaños y pelajes, desarrollado miembros y descartado otros. La fauna muta y la tierra muta con ella. En mi obra tomo la evolución como punto de partida para descubrir variantes fantásticas y reflexionar sobre el accionar de una naturaleza que es dinámica, que está siempre recalculando y calibrándose a sí misma.\n\nDe aquí surgen múltiples preguntas que acompañan mi práctica: ¿Cuáles serán las siguientes transformaciones de la naturaleza? ¿Qué nuevas formas surgirán? Como seres humanos, ¿qué relación elegiremos tener con ella?\n\n“El blanco en la naturaleza” es una intervención de piezas de papel maché en los árboles del jardín del Museo Larreta o del Jardín Botánico. De terrenos vírgenes a espacios culturales públicos, ambos fueron testigos del vínculo vivo entre las personas, el arte y el medio ambiente. Los objetos elegidos para esta ocasión son seres extravagantes y blanquecinos que emergen de mi necesidad de entender nuestro vínculo con el mundo. En convivencia con estos lugares, busco crear una situación entre lo sagrado y lo absurdo, una invitación a adentrarse en posibles fábulas imaginarias en las que la naturaleza cobra nuevas formas y comportamientos.\n\nA nivel formal, las piezas son tridimensionales y de distintos tamaños (no superan los 100 cm.). En fotos, muestro piezas realizadas (otras serán hechas para el proyecto) y, como ejemplo, algunas ubicadas en árboles.', NULL, NULL, 'Para el proyecto sugiero dos posibles espacios: el Jardín Botánico y el jardín del Museo Larreta (CABA). La intervención será situada en árboles de uno de estos jardines. La cantidad de piezas y su disposición se definirá in situ. Al ser espacios públicos de gran circulación, las piezas serán sujetadas al terreno para evitar hurtos. Están tratadas para resistir los fenómenos naturales. Sin embargo, sufrirán cambios y esto no será evitado, ya que estas transformaciones forman parte de la obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3138, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2701, NULL, '2020-04-01 18:09:22', '2020-06-26 22:52:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9383, 'qXhcfVkB8Qd20vhH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:26:21', '2020-04-01 18:26:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9384, 'Gzc8Wd1p6Ak6JlhP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:27:45', '2020-04-01 18:27:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9385, '5LpuiXjJ6OiARLT9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:27:49', '2020-04-01 18:27:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9386, 'eo10wOjBlILXv6Gb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:30:53', '2020-04-01 18:30:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9387, 'z6dcJpevMSxRAOYG', 'TRIPTAMINA', NULL, 'TRIPTAMINA libera sentimientos mediante la música y la imagen danzando juntas en tiempo real. Música electrónica creada con instrumentos analógicos y digitales. Visuales realizadas desde capturas de imágenes propias y luego mezcladas. \nBúsqueda contínua de meditación mediante la atención a cada detalle que nos envuelve, para armar pensamientos en la mente y el cuerpo de la persona que nos experimenta, viajando hacia una conexión. \n\nDúo de estudiantes de Artes Multimediales de la UNA.\nSet de música electrónica generada con distintos sintetizadores analógicos y digitales, procesado con Ableton Live con un controlador hecho con partes recicladas. Los videos son filmaciones originales con temática de naturaleza, y luego son modificados y mezclados con Resolume.', NULL, NULL, 'Para nuestra performance utilizamos 2 notebook, 3 controladores y 2 sintetizadores. También un proyector o pantalla.\nEl lugar puede ser en interior o exterior, pero debe estar oscuro para que las visuales puedan verse correctamente.\nEn vivo nos armamos de distintas formas, podemos estar frente al proyector con las visuales a la espalda, o podemos ubicarnos enfrentados y las visuales en el medio. La formación es adaptable a la locación.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=5nqSXK8PgZI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1441, NULL, 171, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1263, NULL, '2020-04-01 18:33:04', '2020-07-16 19:22:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9388, 'R6CfkGpY2DRJDeb0', 'Todo lo que no deja huella', NULL, 'Gisella Scotta y Julia Levstein proponen por medio de una operación de desmontaje, desarmar y repensar los conceptos de autoría, individualidad y originalidad dentro de la producción artística contemporánea. Partiendo de la autorreferencialidad, su impulso las lleva a pensarse no como individuos, sino como un colectivo en cuyo manifiesto juegan con la homogeneidad y la semejanza y se aventuran a construir una gramática en cuyo desarrollo se pueden identificar dos hilos conductores:  \n\nPor un lado proponen un ejercicio de pérdida de autoría. A la vista de otros, existen semejanzas en sus trabajos; según ellas, no existen las “producciones en solitario”. Piensan la ejecución en relación a un contexto, donde los más mínimos intercambios forman parte de los gestos, diálogos, silencios y espacios con los que se produce la obra. Su intención recae en evidenciar estas redes invisibles pero centrales para dar paso al ejercicio que desdibuja la autoría.\nPor otro lado está latente una perspectiva feminista, despojándose de sus roles como productoras. El interés recae en aquel patrimonio simbólico heredado que toma forma a través de acciones mínimas como lo doméstico, lo cotidiano o aquello que se repite incesantemente a diario, pero que no lleva nombre. Una serie de rituales automatizados e inherentes a la vida misma, pretendiendo desarmar los modos aprendidos. Obstaculizando el movimiento, poniendo trabas para generar torpeza y así desaprender para volver a empezar una y otra vez.', 'Julia Levstein, Argentina  https://www.julialevstein.com/\nGisella Scotta, Argentina  http://cargocollective.com/gisellamailenscotta', NULL, 'El lugar exhibitivo ideal sería un lugar al aire libre como el patio del Museo Eduardo Sívori, ya que de esta manera hay una apropiación del espacio público dentro del ámbito privado del museo.\nEl lugar deberá permitir la circulación de los espectadores de manera fluida y propiciar un lugar de encuentro al aire libre.\nDebe ser un lugar amplio para poder albergar la pieza central de 4mts x 2mts y tener acceso electrico para proyectar un video', NULL, 'curator', NULL, NULL, 'https://vimeo.com/417367780', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2385, NULL, 277, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2071, NULL, '2020-04-01 18:36:37', '2020-08-14 22:39:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9389, 'Dav4FKdX1XXawYPc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:37:09', '2020-04-01 18:37:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9390, 'KUQ8Jksf9iaMgW55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:43:12', '2020-04-01 18:43:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9391, 'hoFuPTOw538qtzKi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:46:56', '2020-04-01 18:46:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9392, 'CbJWPdWajYj93VYq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:49:37', '2020-04-01 18:49:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9393, 'kiqdBzCgVPIePrbp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:52:31', '2020-04-01 18:52:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9394, '57sK6oSmAVoNDC4M', 'Breastfeeding', NULL, 'The proposed project seek to evoke the strength and power of the feminine, the power of the woman as a driving force for the meaning of her own existence in the world.\nI try to shape and weave stories of my life, that of my family and close people, which become universal, perhaps representing the stories of many other people in the Brazilian reality. A black woman, growing up and living in a society full of prejudices and structural violence, ingrained, veiled by naturalized customs and behavior. In my work, I want to weave and shape to disrupt, to undo what must be undone and to give a glimpse to ways of life and expressions that many years of concealment wanted to ostracize.\n\nMy works seek to represent elements of the feminine that give rise to life power, strength, and nutrition. From the most primary sources of nutrition for every human being, since they are simple Fetuses, the Umbilical Cords are born, the Teats that Gave the World Breastfeeding, and a tangle of works in which I research women as this first potentializer of human life.', NULL, NULL, 'A Room where can be installed sculptures (ceramic) and wall sculptures (works in crochet and fabrics) in dialogue with photographs and video performance projections. The works could be activated through artist performances.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 699, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 592, NULL, '2020-04-01 18:52:35', '2020-07-09 16:52:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9395, 'pTdAnTYAMBbRmMcD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 18:55:26', '2020-04-01 18:55:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9396, '2DdFcYiHCtfpMe1Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:01:03', '2020-04-01 19:01:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9397, 'IHfYNzBetzRYcu1h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:02:51', '2020-04-01 19:02:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9398, 'PikTEingjEop8HG1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:04:41', '2020-04-01 19:04:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9399, 'FtxE0N1vXMyEQMbj', 'CUERPO DE OBRA', NULL, 'Alternando su naturaleza, expandiendo su dimensión en capas escultóricas y reconstruyendo sus elementos, la serie ¨Cuerpo de Obra¨ pone a prueba el medio tradicional de la pintura con el fin de descubrir la vida de la obra más allá de la tela. \nComprendida dentro de una estética que comunica la escultura con la pintura, lo utópico con lo material, se plantea lo pictórico como disciplina expansiva en donde el espacio es el medio y la pintura se percibe como rastro visible y a la vez camuflada: escultura y escenario. \nLa obra completa se compone por 3 bastidores de gran escala (3 metros de alto x 5 de ancho aproximadamente) ubicados de manera paralela. Con el fin de que dialoguen entre sí pero a su vez invite al público a interactuar y adentrarse a la experiencia se disponen con espacio que permiten su circulación y recorrido. (quedando en 3 metros de profundidad aprox)\nEstos tres bastidores están realizados con materiales que componen una pintura: madera, lienzo, gesso, acrílico, grampas. Cada uno de estos desnuda y expone los elementos y procesos de la disciplina desde un enfoque diferente pero conectados entre si como un relato, como un cuerpo. \nBastidor 1: realizado en madera lenga con alteraciones en el diseño tradicional . Bastidor 2: pintura sobre tela montada en ambas caras del bastidor. Bastidor 3: lienzo de lino y algodón sobre bastidor. De una cara preparado con geso, de la otra en su estado natural con el proceso de embastado visible (grampas).', NULL, NULL, 'Lo más importante y fundamental en cuanto a espacio expositivo para esta obra es que sea un espacio amplio de gran escala que permita contemplarla tanto en su totalidad desde la distancia y a su vez recorrerla por dentro.\nPor otro lado esta obra debe estar en un espacio cubierto ya que no es una obra para exterior.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1259, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1095, NULL, '2020-04-01 19:05:19', '2020-06-23 02:24:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9400, 'tkChMtbtaCLmwRnr', 'Retorno', NULL, 'Propongo un espacio donde el espectador ingrese y se encuentre en una atmósfera ilusoria, rodeado de ingredientes místicos que invitan a extraviarse en ellos. Diluirse en microuniversos de formas orgánicas capaces de descubrir una nueva realidad y arrojarnos nuevamente a nuestro reducido lugar en el universo al que originalmente pertenecemos.\n  	A través de imágenes distorcionadas que se mezclan con rocas, cuevas, células, montañas y demás figuras orgánicas, Sofía Barrio nos presenta su manera de ver lo noble y bello de la naturaleza pero también su faceta más perturbadora.', NULL, NULL, 'Paredes o planos verticales capaces de exponer 10 obras de pared de mediano y pequeño formato entre 30 y 140 cm. de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 700, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 593, NULL, '2020-04-01 19:08:40', '2020-07-20 22:48:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9401, 'xuztgwCmx5bTnqe7', 'Desvelando Quimeras', NULL, 'Fabio Benetti, artista oriundo de uma realidade de Belerofonte, desenvolve um tanto que ritualisticamente um exercício de libertação e exacerbação de suas quimeras, desvelando-as em materializações absurdas, pouco prováveis, resultados de imaginações que pensamos não serem possíveis. Fundem-se humano e animal, material e imaterial, consciente e inconsciente, imaginação e realidade. Traz-se à superfície o que parece arraigado na essência, o que a própria natureza quer desvelar mas ofuscamos, num processo de desrracionalização e experiência puramente expressiva, material e reflexiva. O fogo bafejado por suas quimeras parece causar explosões, rupturas, rasgos em nossas superfícies, abrindo-nos a possibilidades de potências totalmente desconhecidas ou por vezes imaginadas, mas impensadas. Benetti desvela quimeras, desvela esperanças, desvela vidas.', NULL, NULL, 'Sala de exposições com paredes brancas ou pretas, para exposição das telas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 727, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 619, NULL, '2020-04-01 19:09:30', '2020-06-23 02:42:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9402, 'F68xO5kwLrWMcTFZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:12:18', '2020-04-01 19:12:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9403, 'tDVljAp7MMix841r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:12:29', '2020-04-01 19:12:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9404, 'SoAcv8FhuHd6uHRH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:15:15', '2020-04-01 19:15:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9405, '0N5jUAa250L2dB3I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:16:40', '2020-04-01 19:16:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9406, 'w5257WKBRL1go3RG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:20:05', '2020-04-01 19:20:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9407, 'FWGEufxqcF62WBWN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:28:11', '2020-04-01 19:28:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9408, 'HWpIO52Ih6V8gS9R', 'Still Life', NULL, 'Still Life, o naturaleza muerta, se define a través de un conjunto de pantallas de móviles rotas recuperadas -que niegan su estatus como imagen figurativa debido a su ruptura la cuál genera una abstracción- se establece un reflejo de los modos de producción y consumo de la sociedad contemporánea, donde, a partir de su acumulación y disposición lineal mediante la presión de los sargentos -que evita la obra caiga al suelo y colapse su significado- se representa una recontextualización de un artículo de consumo cuando ya ha cumplido su misión y se encuentra obsoleto, inútil y lejos de un sistema de producción, estableciendo un nuevo significado a partir de una narrativa basada en la imponente físicidad de un conjunto de pantallas de móviles rotas frente a una sociedad desmaterializada y la opresión que ejerce el entorno digital y el capitalismo sobre el ser humano, además de la dependencia casi absoluta y vital en la experiencia diaria de nuestra propia comunidad.', NULL, NULL, 'Espacio interior. Para el dispay expositivo se necesitarían unas serie de peanas -a determinar por comisario- de diferentes alturas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 729, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 621, NULL, '2020-04-01 19:34:05', '2020-08-11 21:20:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9409, 'gJuwhCaKNB7zj8Cq', 'HUMAN PORTRAITS (MATER - GLOVES)', NULL, 'MATER \nThe work is a portrait of my mother. My mother died in May 2012. Contradicting the way in which a portrait can be synthesized in a single shot, I made a portrait in 24 shots because I think the complexity of a person cannot be contained in a single image . Especially if you know deeply the person portrayed.Although the basic material was produced in 2008, the portrait was never finished: in these years I have taken up this work several times, but only in September 2013 I was able to finish it in one week. It was as if something was missing that I had just found. The long incubation of the work was a development process of this loss unbridgeable.I can summarize the work as a void, an absence that causes restlessness.\nPhotographic installation - 24 photographs 30x40 cm each photographic print on matte paper\nGLOVES\nThe work was made in 2003, when a global pandemic was unthinkable. The work exposes a garment that protects from direct contact compared to its scanned image, recalling the incommunicability and insecurity of contemporary man. In this sense, the work is closely linked to the photographic series MATER. \nMixed media: scan from object, latex gloves, plywood panels and glass. total dimension 30X200 cm (2 panels 30X40 cm each, 4 panels 30X30 cm each).', NULL, NULL, 'TYPOLOGY:  wall \nCARACTERISTICS AND DIMENSIONS: for MATER work minimum width dimension 300 cm – for GLOVES work minimum width dimension 300 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 983, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 833, NULL, '2020-04-01 19:39:53', '2020-07-11 01:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9410, 'roM13rYqJHdWDkCu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:47:31', '2020-04-01 19:47:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9411, 'hBBtUEuP1EKOLmo1', 'Tabu- Da arte a Sagração. \"Os catadores de sonhos\"', NULL, 'Tabu- Da arte a sagração. \"Os Catadores de sonhos\". Traz a discussão sobre a realidade da população de rua, e a sua relação com a natureza e a necessidade de sobreviver. Onde se propõe um desvio desse olhar preconceituoso que a sociedade tem com essas pessoas. Trazendo um conceito de expansão imagética. A obra retrata a imagem de um ser humano e o trabalho primário dos chamados \"catadores\". Onde na sua grande maioria resgatam da cidade o lixo abandonado pela população dita \"civilizada\". Tendo assim um papel fundamental na coleta de garrafas pet, papelão e latas de alumínio. Atribuindo ao nosso sitema uma melhor utilização desse material primariamente descartado. Contudo, é necessário afirmar a importância de políticas públicas de auxílios e suportes mais adequados para essas pessoas. Que por muitas das vezes fazem um trabalho informal, onde a necessidade de sobrevivência se choca com a sustentabilidade que outrora era assunto esquecido pelos governantes. Portanto essa obra tem um papel socioeducativo e não somente necessário para a conscientização e valorização dessa camada da sociedade e do trabalho árduo ao qual eles se dedicam para sobreviver, que é posta a prova de vida, todos os dias pelas ruas da cidade. Assim o objeto imagem que essas pessoas trazem, tem um contraste com o cenário urbano e \"limpo\" que as grandes metrópoles vendem.', NULL, NULL, 'A obra ocupara a dimensão de um saguão, hall, ou uma sala. Onde se tem fixado ao chão uma figura humana de aproximadamente 1,80. Feita de madeira e ferro. Acima de sua cabeça uma estrutura com sacos transparentes, uns prédios ao outro, cheios de latinhas e garrafas pet. Formando um grande globo com dimensão de aprox. 20mts quadrados. Essa ficara suspensa, como se a escultura humana estivesse carregando um globo terrestre em contra proporção ao seu tamanho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 701, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 594, NULL, '2020-04-01 19:47:53', '2020-06-23 02:43:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9412, 'xKDGJcEKWw4FWwNy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:51:05', '2020-04-01 19:51:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9413, 'D6QQthjKKIJXQxPY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:56:51', '2020-04-01 19:56:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9414, '8PAgmroFmzNafWx9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:56:58', '2020-04-01 19:56:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9415, 'lL1Qf7NfmFDcTgQu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 19:59:40', '2020-04-01 19:59:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9416, 'z47sb9mfjdqyK5l0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:05:01', '2020-04-01 20:05:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9417, 'PrRfpW4phtCvBOqZ', 'Paradises Purgatory   The World (Is Going Up In Flames)', NULL, 'Proyecto fotografico \nParadises Purgatory  \nThe World (Is Going Up In Flames) \n \nPara la mayoría de los creadores visuales contemporáneos, lo importante no son las estrategias de los medios de representación, sino la realidad de la mediación o, dicho más exactamente, ¨ el control sobre lo real ejercido por la pluralidad de signos que circulan en el interior de la sociedad ¨   \nCon el precedente de mi experiencia como Fotógrafo –reportero y Director Creativo,  mi interés se ha centrado en un especial  método creativo, a partir mi trabajo en la reporteria y la yuxtaposición de eventos en diferentes contextos, por medio del lenguaje de la múltiple exposición. para poner en dialogo mis propias experiencias como artista visual y reportero gráfico en torno del acontecer humano.\n\nEl proyecto fotográfico \n presenta 14 imágenes en dimensiones variables imágenes a manera de comentarios que  retoman los recursos  del arte de la comunicación de masas, el foto mural como recurso , presenta de algún modo la veracidad del acontecimiento mediático, dispuesto en el transmedia para las plataformas de contenidos digitales en temas tan actuales del globo como la intervención de los recursos naturales no renovables  el expansionismo, desplazamiento forzoso de poblaciones la desterritorializacion de la población por intervención arquitectónica, el medio ambiente, Las pandemias por exterminio de la raza y la economía mundial.\nTodos los derechos reservados   \nPara  Daniel Eduardo Rojas Sánchez', NULL, NULL, 'El espacio sugerido para la exhibición de este proyecto Proyecto fotográfico \n\nLa galería de la cámara y comercio de Bogota en Colombia:  Sede y Centro Empresarial Chapinero, según la disponibilidad de sus cedes.\nPresento 14 imágenes en dimensiones variables,(impresas y proyectadas  en formato mural de acuerdo a la disponibilidad de la galería: formatos de 300cm x 200 cm, foto impresa digital  y mural y fotos proyectadas en video bend en  pisos y techos de la galería )', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 703, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 596, NULL, '2020-04-01 20:08:57', '2020-07-09 16:49:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9418, 'OOXzC0u9f9nQU7sC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:16:45', '2020-04-01 20:16:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9419, 'rY3pMOfHcbPeob13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:32:32', '2020-04-01 20:32:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9420, 'CHHtncDnDLT2dw76', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:32:42', '2020-04-01 20:32:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9421, 'gthU1h42fYBLE2kA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:34:00', '2020-04-01 20:34:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9422, 'ReUCXksiIj5DrEx0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:34:06', '2020-04-01 20:34:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9423, 'olfwwqa3TgeiktwK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:36:36', '2020-04-01 20:36:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9424, 'ULo2K5GKBB3MqZN0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:42:45', '2020-04-01 20:42:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9425, 'U0i83uzTxwmA2Pa5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:43:47', '2020-04-01 20:43:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9426, 'AUO5tj4AbDX9iQRO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:45:01', '2020-04-01 20:45:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9427, '7OdurjDolBbHB7DV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:48:00', '2020-04-01 20:48:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9428, 'I84Jk9GYypfzjF4t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 20:56:34', '2020-04-01 20:56:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9429, 'L2aylKtrru24EZIG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 21:02:01', '2020-04-01 21:02:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9430, 'ExO9zvdLzERM4eHu', 'ECLOSIÓNS', NULL, 'El proyecto ECLOSIÓN, es una propuesta que engloba la gráfica (el grabado), la acción y las instalaciones con objetos o las hibridaciones entre estos medios. \n\nLa gráfica y más concretamente el grabado expandido, es un terreno virgen por experimentar. Su estudio y difusión son una herramienta necesaria en la plástica actual, ya que asume tanto la tradición como la innovación.\n\nLa metamorfosis constante es lo único que se mantiene constante en cualquier ciclo vital, desarrollado en un fluir continuo y cambiante, con principio y fin. Cuestión fundamental en el encuentro del sujeto con la vida y consigo mismo; basado en doctrina de pensamiento occidental, formulada por Heráclito, que se resume en el famoso “pantarei”, imagen del devenir animado por opuestos; fundamento, asimismo, de la milenaria filosofía oriental del Taoísmo -Yin y Yang-, tan decantada hacia la meditación y lo contemplativo. \n\nEl artista apela a lo sensorial, previo vaciado de todo contenido contaminante, siendo éste el planteamiento al abordar la obra, trasladando esos estímulos a los diferentes soportes por medio de las distintas técnicas y fieles a su plasmación. El proyecto conjuga una serie de elementos entre lo vegetal y lo fósil, lo celular o lo estelar, conformadores de sistemas, siguiendo un patrón no ajeno a lo fractal. \n\nEsta propuesta tiene como objetivo principal facilitar la creación de redes de colaboración y el fomento de la producción artística.', NULL, NULL, 'Una simple sala de exposiciones en la que pueda agujerear las paredes para colgar obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2335, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2024, NULL, '2020-04-01 21:07:02', '2020-06-23 20:03:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9431, 'pyEdrgarJfeT9iMG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 21:23:06', '2020-04-01 21:23:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9432, 't8LiQsybSlOsl6pj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 21:24:38', '2020-04-01 21:24:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9433, 't46jKC70hB4aKNcP', 'El hombre en medio de la degradación y contaminación del mundo', NULL, 'Este es un proyecto que busca representar el hombre en medio de todas las dificultades, donde muestra por medio de sus colores, su forma , sus elementos un significado diferente, donde el chelista radical purpureo representa la sangre y la fuerza y la postura radical de las obras representando nuestra realidad, por su parte los instrumentos musicales hablan de un movimiento de libre expresión, entendiendo la música como la forma de llenar el alma, siendo esta radical y expresiva basada de la disciplina la cual le da poder a todo. Además faena en blue representa el momento actual de degradación humana donde se busca motivar al otro a salir al ruedo, pelear, luchar y buscar rescatarnos a nosotros mismos.', NULL, NULL, 'Obras con la técnica bronce a la cera perdida:\nChelista radical purpureo:  música y realidad . D: alto 70 cm, largo 25 cm y ancho 30 cm\nFaena en blue:  representa la lucha, la contaminación y la degradación,  D: alto 61cm, largo 55cm y ancho 25cm\nPianista:  música en época de desesperanza\nFe: como la fe nos puede llegar a salvar. D: alto 68cm, largo 30cm, ancho 30cm\nViolinista el rinoceronte blanco: animales en vía de extinción a causa del ser humano. D: alto 76cm, largo 30cm\ncerbero desperatio', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 702, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 595, NULL, '2020-04-01 21:37:27', '2020-06-23 02:43:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9434, '8c8eICE9DPlpOATt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 21:39:22', '2020-04-01 21:39:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9435, 'MBn31WNVcCdNZOgo', 'Este número não existe.', NULL, 'Em meio aos transversais sintomas críticos da natureza social e política em conflito com a ética e a conduta, a segregação e exclusão voltam a tomar exposição na mídia, lembrando o inicio do processo educativo que facilmente é esquecido ou simplesmente desvisto. Em \'Este número não existe\', frase programada para o sistema telefônico nacional a número não cadastrados, insinua-se as atuais e reais situações reproduzidas pela nomeada segurança do povo. A cena recorrente e divulgada em diferentes territórios, traz à exposição o especular a não funcionalidade do serviço, dos símbolos e a ideia de seleção numerada.', NULL, NULL, 'Impressão em tecido 60 cm x 100 cm, aconselha-se estar içada horizontalmente a pelo menos 1m do solo.  Ou impressão em papel, formato lambe-lambe 12 unidades nas dimensões individuais de 42 cm x 59,4 cm, há flexibilização na composição horizontal ou vertical.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5209, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4338, NULL, '2020-04-01 21:41:12', '2020-07-06 23:58:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9436, 'fkOUsybdWmZ5JkOM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 21:43:57', '2020-04-01 21:43:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9437, 'oYoGu9FOESxDsfB5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:06:24', '2020-04-01 22:06:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9438, 'iERx2rkZHppf94mU', 'Homo Homini Lupus', NULL, 'In Hobbes’ Leviathan of 1651, the English philosophy lays the ground for his theory of natural justice, deeming this as a continuous state of warfare (bellum omnium contra omnes), where “man is a wolf to man”. Moving on from the philosophical metaphor to the hypertextuality inherent to contemporary art, Filippo Berta picks up the Hobbesian theme: the artist shows the ferinitas of the human condition using directly a pack of wolves. Set in an almost lunar landscape, the wolves violently fight over an object, an Italian flag, not over a prey, and it is this which unsettles us. In the Hobbesian world, the only way out of this continuous state of warfare is through the creation of the state, capable of reducing the plurality of individual wills to a single will. This solution is put into question by Berta through one of its most emblematic of symbols, the flag, always present in this allegorical \"mise en scène\" that reclaims the state of nature over that of the rule of law [...]\nExtract from the text by Eugenio Viola, Chief Curator presso MAMBO - Museo de Arte Moderno de Bogotá', NULL, NULL, '1. The setting of the contrasts of light and saturation have to be established considering the size of the projection and the darkness of the exhibition space. \n2. Projector: Full HD resolution - Preferably DLP - Brightness: 5.000/6.000 ANSI lumens at least + Multimedia Player + USB + File mp4\n 3. Stereo System: n°2 pre-amplified speakers dolby surround, connected directly to the projector or multimedia player', NULL, 'artist', NULL, NULL, 'https://vimeo.com/27572182', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 935, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 789, NULL, '2020-04-01 22:13:16', '2020-08-11 21:41:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9439, 'GbTNuKoOJigxzEiE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:14:25', '2020-04-01 22:14:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9440, '2Ls2HH9AXJAseHnM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:15:04', '2020-04-01 22:15:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9441, 'eVqc4n7VpOQAyCuX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:16:00', '2020-04-01 22:16:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9442, 'NeQffcCivDk95l2A', 'Figuras en un espacio', NULL, 'El proyecto consta de una instalacion de cuatro esculturas tamaño natural de figuras humanas de piso, realizadas con la tecnica del yeso directo con color incorporado , similar a las de las figuras cuyas fotos se adjuntan', NULL, NULL, 'El espacio ideal seria un cubo blanco de 7m x7m aproximadamente con buena iluminacion', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://saracenmarcelo.wixsite.com/marcelosaraceno', NULL, NULL, NULL, 821, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 690, NULL, '2020-04-01 22:19:49', '2020-06-24 15:57:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9443, '6YnagZwm5773gOfz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:26:21', '2020-04-01 22:26:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9444, 'xusasNqaz6lbASP4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:51:00', '2020-04-01 22:51:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9445, 'PQ8m7pLoqgGPr6Co', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:55:37', '2020-04-01 22:55:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(9446, 'O0WeUaSLHOkTpSVO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:58:59', '2020-04-01 22:58:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9447, 'Y8KVXIIpMRFk0IJq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 22:59:37', '2020-04-01 22:59:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9448, 'UZrjivQHkZoJQayr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:01:21', '2020-04-01 23:01:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9449, 'zSTAtE9AAgFQjNSq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:04:28', '2020-04-01 23:04:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9450, 'YDIX3y9AUrivoiQQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:13:20', '2020-04-01 23:13:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9451, 'HVuLChcCOR0Wyo5v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:14:04', '2020-04-01 23:14:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9452, 'TtVdF25TQVlNVCB0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:20:32', '2020-04-01 23:20:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9453, 'eCH0BN1iel8Obhpa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:23:40', '2020-04-01 23:23:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9454, 'kNgR2ivjvg4zpR5t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:26:04', '2020-04-01 23:26:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9455, 'n114xuPVaaY8hOCh', 'Sed de vida', NULL, 'Hace dos meses que experimento la maternidad. Como artista, pienso en ella como una nueva forma de hacer arte, moldeando mi experiencia artística con la personal como madre. El proyecto “Sed de vida” nace de la acción sonora de mi bebe insistiendo en su vida al mamar aferrada a mi pecho con mucho poder, pero al mismo tiempo desde una fragilidad enorme en medio de una pandemia.\n\nLa obra se compone de un programa aleatorio de sonido, basado en anotaciones de horarios en que alimenté al bebe durante sus dos primeros meses de vida.  \nEn una instancia fuera de lugar y a modo sorpresa, se escuchará un sonido vigoroso que emerge de un objeto y contiene en su interior el sonido del bebé. \nCada objeto tendrá perforaciones por donde aflora luz y sonido y será creado en cerámica citando la condición contenedora y frágil del material y de quien produce el sonido.  \n\nDesde las glosas tomo siete días de ejemplo y programo cada pieza con horario independiente, transmitiendo el ritmo intenso de una semana de amamantar, recreando el tiempo inicial madre e hija. \nCada objeto se enciende por unos minutos y mas o menos cada dos horas y media con un orden único y particular.  \nJunto al sonido ilumina una luz tenue que nace de los orificios de cada pieza, recordándonos a los espantacucos, aparatos infantiles que se prenden con el llanto del bebé y reproducen una música agradable que los tranquiliza, cumpliendo la función de consuelo al igual que la acción de mamar.', NULL, NULL, 'El proyecto se plantea como una experiencia intima en una habitación. \nSe propone luminaria tenue para que cada objeto al encenderse proyecte sombras relevantes. \nAl muro irá un marco teórico con las anotaciones realizadas durante los 2 meses. \nCada objeto tendrá un tamaño aproximado de 40 x 40 x 40cm. \nPara presentar el conjunto se plantea una base/plataforma.\nSon 7 piezas que aluden a los 7 días de la semana.  \n\n* Las imágenes y el sonido presentado, son bocetos, no las piezas finales.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2178, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1900, NULL, '2020-04-01 23:30:11', '2020-07-12 17:02:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9456, 'lkW3PFwtnk2s7RJz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:38:43', '2020-04-01 23:38:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9457, '3NnMBzqUbRPQiRmB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:40:56', '2020-04-01 23:40:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9458, '8i9nxtmKx6kv6OU4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:41:07', '2020-04-01 23:41:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9459, 'aLFAeb2OJ6bdLbo4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-01 23:56:46', '2020-04-01 23:56:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9460, 'ho4P6mh6Vj49MHDg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:00:44', '2020-04-02 00:00:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9461, 'kN6PeahVxvSSvqx4', 'Todos os rios são o mesmo rio', NULL, 'O projeto tem como tema disparador o desaparecimento.\n\nEm agosto de 2019 meu pai faleceu. A morte já estava anunciada há quase seis meses, gerando um reconhecimento antecipado de sua ausência. Ele vai desaparecer. Ele desapareceu.\n\nCom esse projeto, tento comunicar um processo muito pessoal de reflexão sobre os limites entre presença e ausência. Busco, através de desenhos, intervenções sobre fotografias antigas e vídeo, retratar o vazio deixado pelo que já passou.\n\nA memória - revirada, reinventada, emprestada - se torna matéria criativa e cenário: com ela, correm todos os rios da minha infância, os rios que conheci com meu pai, os rios coloridos, os rios que receberam suas cinzas. Todos os rios são o mesmo rio.\n\nEmbora parta de uma experiência pessoal, esse conjunto de obras tenta comunicar processos individuais comuns a muitos de nós. O que fazer com o espaço deixado pela ausência? Como uma espécie de resposta ao luto, o projeto apresenta algumas obras finalizadas e outras em processo.', NULL, NULL, 'Espaço expositivo tradicional, com possibilidade para projeção.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394521659', 'todososrios', NULL, NULL, 'http://www.claradecapua.com/all-rivers-are-the-same-river.html', NULL, NULL, NULL, 1154, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 998, NULL, '2020-04-02 00:07:30', '2020-08-14 18:47:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9462, '6AKHHcTXWGxFo84b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:10:03', '2020-04-02 00:10:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9463, '3KcBFmmEgDt6LAKn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:10:16', '2020-04-02 00:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9464, 'avTZ7PScVZJou0ep', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:13:44', '2020-04-02 00:13:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9465, 'EpEjkuu1Dc3JBVFd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:16:49', '2020-04-02 00:16:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9466, '1dsLKrV1WZW6cTW0', 'Konichi', NULL, 'El  grupo  Konichi* se forma con una gran  perspectiva “situacionista”  queriendo reelaborar algunas ideas y constantes de la ciudad y el clima cultural de Cochabamba, en el envase más amplio de Sudamérica, bajo algunos criterios curatoriales formulados en el seno del grupo. Remover y transformar bajo la discusión y la interrelación de tres bloques de obra y su relación entre sí, en tres espacios no convencionales y la posible ampliación de una serie de tres , que se multiplica en todos los ámbitos y contextos .Digamos de una vez que las “Artes Plásticas y Visuales” en la ciudad de Cochabamba sufre, lo que un integrante del grupo denomina, la “municipalización del Arte”, esto es, el funcionamiento de un circuito de arte más bien débil, distribuidos en dos o tres  “salones”, que funcionan bajo la lógica edil de los funcionarios públicos. En ese sentido, la construcción de una obra que parte de la tradición para resignificarla bajo conceptos estéticos y teóricos del arte Contemporáneo constituye ya en sí mismo, un puntal importantísimo y una vocación del grupo en mostrar y diseminar una ruptura con modelos ya agotados en la actualidad .Nos interesa conservar algo y discutirlo todo. Tres bloques de obra, de tres artistas, en tres espacios que se imbrican simultáneamente en su construcción. El proyecto tiene un grado amplio de “procesual”, es decir, mucha de la obra surgirá del proceso que se haga efectivo en esta especie de “triángulo  virtuoso”.', NULL, NULL, 'Casa Toscana:Es un edificio patrimonial de la época de la Republica .El espacio pose una superficie aproximada de 180 metros cuadrados.\n.Museo de Ciencias Naturales “Alcide D`orbigny”  : Las salas del museo son de dimensiones pequeñas o medianas, variando su tamaño según el material de exposición.\n.Bazar “El gato blanco”:Pose sobre una de las calles cinco vitrinas de grandes dimensiones (2,52 X 3.00 mts aproximadamente) distribuidas sobre uno de los frentes .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 865, NULL, 108, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 731, NULL, '2020-04-02 00:24:43', '2020-07-10 02:27:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9467, 'UPWm2I9kbMNwiXYV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:26:04', '2020-04-02 00:26:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9468, 'Ti0SJSqpZRI3dls2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:26:11', '2020-04-02 00:26:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9469, 'Jnw2Xr0Z4cqmJtCX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:26:38', '2020-04-02 00:26:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9470, 'sG5veplHSMLYPErJ', 'Muestra en su Estado Natural', NULL, 'Reunimos estas producciones a partir de un diálogo sostenido con el paisaje litoral y patagónico, y de la inquietud frente a la huella humana visible y el ecocidio que se está perpetrando hoy en día con la quema de las islas del delta medio del Paraná para cría de ganado.\nEn nuestras obras se despliega la pregunta por el estado natural del paisaje contaminado del que formamos parte: ¿Una botella de plástico en el medio del bosque, está en su estado natural? ¿Llegamos a sentirnos parte del paisaje o aún queremos distanciarnos? ¿Hay una relación de dominación humanx-naturaleza o la naturaleza nos domina a nosotrxs? ¿Existe, al fin y al cabo, una separación posible? \nFrente a esta relación de extrañamiento, descontento y descontexto, nos vinculamos con el paisaje natural desde la exotización y la idealización, cual apertura hacia lo mágico y lo visionario como dimensión sanadora y deseable de la realidad. Intencionando una experiencia de armonía con el entorno, mientras se convive en simultáneo con marcas de una contemporaneidad caracterizada por un capitalismo salvaje, por el consumo y el extractivismo.\nEl cuerpo de obra estará compuesto por una serie de pinturas en formato pequeño y mediano, enmarcadas; una serie de pinturas digitales impresas sobre telas ( 1 mt x 1.5 mtrs c/u) , una serie de carteles para una intervención de sitio específico, y obras realizadas con técnicas mixtas en pequeño (30 x 40 cm) y gran formato (1 mt x 1.5 mtrs).', 'Julián Sileiko, Argentina. www.instagram.com/julian.sileiko\nAgustina Siffredi, Argentina. www.agustinasiffredi.com.ar', NULL, 'Proponemos realizar esta muestra en el Barco Ciudad de Rosario 1, ya que en el mismo se suelen realizar eventos sociales mientras circula por el canal del río Paraná, bordeando las islas. \nPlanteamos un circuito expositivo dentro del barco, y también consideramos la posibilidad realizar una instalación en las islas para ser avistada durante el recorrido.\nTambién proponemos realizarla en el nuevo Acuario del Río Paraná.\nNo obstante, el proyecto puede adaptarse a un espacio formal de exposiciones', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5896, NULL, 849, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4847, NULL, '2020-04-02 00:26:54', '2020-08-10 20:57:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9471, 'AAqHaok2YBc1CWcz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:27:55', '2020-04-02 00:27:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9472, '6PX6Ph6Ohr9LqzV6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:28:16', '2020-04-02 00:28:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9473, 'kOv9U6nJ1E9Gx8Tq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:28:17', '2020-04-02 00:28:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9474, 'pkpCbZC4hc8p8yoo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:31:23', '2020-04-02 00:31:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9475, '4A8sWKpVXFKfZqbL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:32:27', '2020-04-02 00:32:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9476, 'FUMtoip8uilMXyua', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:39:19', '2020-04-02 00:39:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9477, 'uQpu61YD0WWyedyw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:42:13', '2020-04-02 00:42:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9478, 'lad8IxdXrZ16Ubr2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:51:39', '2020-04-02 00:51:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9479, 'MInlbNdXJkRV8zcP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 00:55:01', '2020-04-02 00:55:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9480, 'A6eMRzuYkn1R2QZm', 'Seleccion Natural', NULL, 'Mi proyecto consiste en poner en evidencia los estados de  encuentros y desencuentros,  entre el hombre y la naturaleza, utilizando situaciones y  mimetismos de los objetos y las imagenes ( videos) donde el mundo animal toma  el protagonismo proponiendo cierto grado de metamorfosis entre ambos mundos.\nLos objetos  producidos y resignificados , camuflados , la amplificación de las texturas , los procesos miméticos, entre el hombre y la naturaleza son solo encuentros y desencuentros  entre los unos y los otros.\nTrato en este proyecto de proponer ese estado permanente de tensión entre  ambos mundos para crear una alegoria de las relaciones entre nuestro desarrollo y el entorno animal.\nCasi todo mi cuerpo de obras ha reflexionado sobre estos temas, por eso este proyecto toma una especial forma ya que lo he pensado para un espacio donde el entorno le da el contexto exacto a estas ideas.\nTanto la instalación como los videos van en esta dirección: la relación de hombre y la naturaleza.Que se esconden mutuamente y de que manera se necesitan , podrían ser las preguntas. Me propongo crear escenas  metafóricas y buscarles un refugio común.', NULL, NULL, 'El proyecto tomaria mas volumen conceptual si pudiera ser exibido en el Centro de Arte y Naturaleza, ya que de manera explícita dialogaria con el entorno y con el sentido curatorial del lugar.\n\nMi instalación es de medidas variables y la propongo para  la planta superior del Centro, la instalación esta pensada para ocupar todo el espacio, piso, paredes y algunas piezas colgando de la gran altura del lugar.\nLos  4 videos podrán estar en una smartv o en una pantalla.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 996, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 846, 5, '2020-04-02 00:57:24', '2020-08-26 19:51:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9481, 'KTk28kS7yibpAjeb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:08:24', '2020-04-02 01:08:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9482, 'QkAKFxytB6gYrKmA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:09:03', '2020-04-02 01:09:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9483, 'NRmGKQDmrFGaTmi5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:17:15', '2020-04-02 01:17:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9484, 'KE7jGSWqRxtzWA9T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:21:15', '2020-04-02 01:21:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9485, 'OF4TidcP473KRGDV', 'Feminis-Arte', NULL, 'Mis trabajos tienen rasgos surrealistas, conceptuales e impresionistas. Con ello intento darle a la obra una profundidad basada en unos conocimientos dedicados a transmitir valores, ideas que abran nuestra visión y que nos haga replantearnos nuestra posición en la vida. Todo ello bajo un sesgo filosófico que plantea la creación de una cultura de calidad, porque esa es la responsabilidad del artista como creador de cultura. ¿Y que es la cultura si no la agrupación de la raza humana en sociedad? Por eso necesitamos un arte de progreso social y que pueda crear un espacio de encuentro participativo en condiciones de igualdad. Que beneficie así al desarrollo\nintelectual del individuo. La cultura está en nuestro día a día, en lo que vivimos y en todo lo que se comparte. Es lo que nos caracteriza. Así intento ser un artista responsable e implicado en sus creaciones.\n\nEste proyecto lo realizo para visibilizar la problemática de la desigualdad de género, sin hacer referencias al feminismo, ya que a mi parecer es una palabra con un significado ya distorsionado. Lo realizo como un proyecto social, en el que involucro a las mujeres en el proceso de creación con breves entrevistas que me ayudan a enfocar la idea de la obra y el\nproceso de creación. De esta manera los lienzos cobran personalidad propia al exponer las palabras de la modelo junto con el lienzo, con el añadido de los extractos del libro de Silvia Navarro Pedreño.', NULL, NULL, 'Sugiero el T.E.A (Tenerife espacio de las artes) Es un centro sostenido por los organismos públicos del estado. Las salas exposicitivas están preparadas exclusivamente para esa función y no dispongo de la información de las dimensiones ni carácteristicas, pero es un lugar ideal para exponer mi proyecto. Se encuentra en la capital de la isla y es un lugar de encuentro de muchos estudiantes y público en general.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 721, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 613, NULL, '2020-04-02 01:21:51', '2020-06-23 02:42:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9486, 'XFyrre8HPV2OeQ7q', 'SOLILOQUIO', NULL, 'El alambre de púas se ha transformado en un instrumento político que ha ejercido una función de delimitación de la libertad de un territorio como también de la libertad de un otro. Ha sido símbolo de guerras, mutilaciones y exterminio del ser  humano. De este modo, la obra se instala como un soliloquio urgente desde la propia historia y sobre la propia experiencia atravesada por el peso del pasado que se rememora en lo actual, en tanto repetición de las claves del encierro, la violencia y el exceso de frustración, que se ancla y visibiliza en el malestar de una cultura. Así, soliloquio funciona como una conversación con la propia mirada que se interpela así misma frente a su reflejo y se intercepta con aquello que el sujeto moderno se ha imposibilitado de volver a tejer, reconstruir y recordar. Esto, evocado en la metáfora que signo en  la acumulación de la lana en tanto diálogo con la belleza de la fibra blanda, arrojada a modo de derrame de olvido y memoria, como hebra que se multiplica sugerente y parte de algo mayor que contrasta al mismo tiempo con la evocación del horror y la tensión de la rigidez del alambre punzante que alberga los complejos entramados de la historia, a propósito de la territorialidad, cuerpo, dolor y agresión. Así, la materialidad en la obra se transforma en un contenedor de información cultural, abarcando las dimensiones de lo presente y lo pasado en tanto testimonio actual del exceso de violencia y sufrimiento de una sociedad en conflicto.', NULL, NULL, 'El espacio sugerido es un lugar silencioso. El ideal sería una habitación cerrada completamente de color blanca  en la cual el público esté invitado a abrir una puerta para poder encontrarse con la instalación. El cuadro debe ser colgado en una muralla blanca y la lana que se arroja a modo de derrame debe tener la espacialidad suficiente para su ejecución.\n\n\nObra Soliloquio\nInstalación Cuadro (espejo biselado, alambres de púas), 15 kilos de lana roja\nDimensiones 2.5 x 2.5 x 2.5 mt\nAño 2020', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4350, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3672, NULL, '2020-04-02 01:24:08', '2020-07-08 16:44:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9487, 'qyORacus9uwpyQAb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:31:48', '2020-04-02 01:31:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9488, 'u1EmwDIV6ieu2jFX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:34:47', '2020-04-02 01:34:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9489, 'hSZbn6rF7af4DR6H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:36:40', '2020-04-02 01:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9490, 'ySbnQJqe1vLZxgNv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:36:45', '2020-04-02 01:36:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9491, 'wqx6TEXuZVFXSNbC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:37:55', '2020-04-02 01:37:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9492, 'bzG2PW27HP0EeSBF', 'Mito', NULL, 'Setenta mil años atrás el homo sapiens empezó a construir una ficción, y hoy seguimos escribiéndola. Creemos que los mitos son cosas de civilizaciones antiguas, pero que si te dijera que todos los días vivimos en un cuento. Cuento que nos cuentan, cuentos que nos inventamos, para soportar la vida, y esquivar el compromiso de vivir. \n\nA través de esta instalación, se propone al espectador vivir una experiencia para reflexionar sobre las doctrinas, teorías y sistemas que nos forman. Entender el concepto del .ismo.- y cuestionarnos cual nos representa, y cual nos asusta, y mirarlos desde la lejanía, para poder obtener un plano mayor de visión y conexión.\n\nEl espectador entra a una sala a oscuras, en la que se ve una pila de piedras blancas y negras mezcladas, formando un circulo en su centro, remitiendo a un espacio sagrado, como oficiaba el fuego en las antiguas generaciones. \n\nComenzará a ver un mapping circular, acompañado de un sonido envolvente por el cual van a ir escuchando noticias.  A medida que las noticias avanzan, en el mapping un yo imaginario comienza a escribir ciertas palabras del audio, mientras que el ritmo crece y cada vez más información rodea al público. Hasta verse envuelto, mareado y asfixiado de palabras. Hasta que empieza a escuchar su respiración, su latir, se aleja y puede ver todo. \n\nSe invita a que tomen una piedra y escriban en la blanca el ismo que mas lo representa, y en una piedra negra el que más miedo les da, y vuelvan a dejarla en el centro.', NULL, NULL, 'Se propone un espacio cerrado, en donde se pueda lograr una oscuridad total, en lo ideal que se pueda formar un circulo en con paneles montados en las paredes de aproximadamente 8 metros de diámetro. Al tener proyectores y equipos de sonido lo ideal sería un espacio interior. La obra podría ser vista por 30 personas simultáneamente.', NULL, 'artist', NULL, NULL, 'https://youtu.be/kOZykYRyDqU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5441, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4514, NULL, '2020-04-02 01:41:37', '2020-07-29 17:10:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9493, 'ncDTXQQdk57FO0Mm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:47:41', '2020-04-02 01:47:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9494, '8Psv3jQUY3k2Nch4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 01:54:58', '2020-04-02 01:54:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9495, 'vDIybesPPZDdTLd0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:00:42', '2020-04-02 02:00:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9496, 'FnZzqpn7IIfZ1V1b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:03:09', '2020-04-02 02:03:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9497, 'DL0TCz8eB38nAtKj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:08:20', '2020-04-02 02:08:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9498, 'R3Ydf0bUbz8LsbiZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:17:30', '2020-04-02 02:17:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9499, '6nBuVwUuk6uLlie2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:21:29', '2020-04-02 02:21:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9500, 'hW8Ui37Z6oi178cT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:22:33', '2020-04-02 02:22:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9501, 'N4OK1TJWpQEzX2Q6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:22:33', '2020-04-02 02:22:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9502, 'araISjzbNYbOfn7b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:23:12', '2020-04-02 02:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9503, 'sg2pC7Jaj81MNlTO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:34:07', '2020-04-02 02:34:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9504, 'fwJAmCSSLItPjR82', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:35:21', '2020-04-02 02:35:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9505, '6b5Dzvun6ry39ub4', 'Defrontar: desimaginando fronteras', NULL, 'Curadoria de Nilen Cohen y Alex Ka Wei Tso\nComo nativos, las fronteras esbozan nuestros espacios más cómodos. Lo conocido nos resulta acogedor, pues sabemos que pertenecemos. \nComo forasteros, las fronteras nos etiquetan como extraños, exóticos, meramente diferentes.\nActualmente, el flujo migratorio, nacional e internacionalmente, se intensifica cada vez más, conllevando al surgimiento de nuevas generaciones que viven un intercambio cultural mucho más diverso y acentuado. Son esos momentos de intercambio donde la palabra “extranjero” es dejada de lado para ofrecer un espacio que privilegie un intercambio de saberes y “defrontar” las fronteras geográficas que nos separan.\nCon la participación de 8 artistas, brasileños y colombianos, la exposición “Defrontar: desimaginando fronteras” propone reflexionar sobre los momentos en que ‘defrontamos’ las fronteras, sea a través de puntos culturalmente en común, sea a través de aquellas situaciones que no permiten diferenciar claramente lo que le pertenece específicamente a cada territorio.\nA través de pintura, objetos artísticos, instalaciones, esculturas, fotografías y videos, cada artista trae, a partir de su jornada personal, miradas distintas sobre el abordaje de límites - identitarios, geográficos, artísticos, culturales y, por qué no, personales - tan propios de la contemporaneidad.\nEsta exposición tuvo su primera y única edición en la Biblioteca del Memorial de América Latina en São Paulo, Brasil, en julio de 2018.', '- Andrey Zignnato, brasileño, https://www.zignnatto.com/\n- Fernanda Porto & Laura Berbert, brasileñas, https://cargocollective.com/fernandaporto\nhttps://cargocollective.com/lauraberbert\n- Ligia Zeid, brasileña, https://cargocollective.com/ligiazeid\n- Maria Andrea Trujillo Mainieri, colombiano, https://www.behance.net/maainieri081c\nhttps://instagram.com/maria_delosvientos\n- Nyuki, brasileña, https://instagram.com/nyuki_\n- Omar Alonso García Martínez, colombiano, https://instagram.com/omaralongarcia\nhttps://www.behance.net/omaralons\n- Patrícia Araújo, brasileña, https://www.patriciaaraujo.me/About-patricia-araujo\n- Ricardo Franzin, brasileño, https://www.ricardofranzin.com.br/', NULL, 'Idealmente el espacio debe tener mínimo 40m² y ser cerrado, pues ninguna obra puede estar expuesta al aire libre. La mayoría de los trabajos son expuestos en pared, por lo cual se sugiere que haya un número generoso de superficies con dimensiones variadas donde puedan ser instalados. \nLos trabajos audiovisuales, dos videos con audio, dependiendo de los equipos electrónicos disponibles, proyectores o televisores, podrían necesitar espacios oscuros separados de las otras obras de la exposición.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/191942903', 'Maçã8!', NULL, NULL, NULL, NULL, NULL, NULL, 799, NULL, 148, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1116, NULL, '2020-04-02 02:37:41', '2020-07-27 20:22:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9506, 'FAtzbElczIAWIkWn', 'El caballo rojo está suelto', NULL, '\"El caballo rojo está suelto\" es una fiesta que celebra el rojo. En este happening, condenso mi experiencia e interpretación de ese color y propongo su conmemoración. A través de una ambientación roja, percusión colombiana y brasileña, ritmos latinoamericanos, danzas circulares y una divulgación que invita al público a asistir a la fiesta vestido de rojo, la propuesta estructura una experiencia de una realidad multisensorial del rojo -saturada con varios simbolismos asociados a ese color- con el propósito de replantear nuestra lectura del mismo.\nDuración aproximada: Mín. 4 horas\nLINE-UP\n- CORTEJO DEL \"MARACATU VERMELHO\"\nEl \"Maracatu vermelho\" es un grupo de percusión compuesto por 22 miembros. El maracatu es una manifestación de la cultura popular brasileña y uno de los ritmos afrobrasileños más antiguos. \n- RUEDA DE CUMBIA COLOMBIANA CON \"PRENDE LA VELA\" (MÚSICA EN VIVO)\n\"Prende la vela\" es un colectivo idealizado por Andrea Villalobos y Nilen Cohen en 2018, el cual pretende divulgar la diversidad de danzas y ritmos colombianos en São Paulo y Rio de Janeiro.  \n- DJ KAMOMILAH\nEscritora colombiana apasionada, comenzó sus curadorías musicales en diversas fiestas de la fervorosa Cartagena. A través de la cumbia, el bullerengue, el dance hall, salsa, reggae y otros, llega a São Paulo en 2014 y se asocia con el colectivo \"Prende la vela\" en 2018.\n- RUEDA DE COCO\nDanza típica del noroeste de Brasil. Percusión en vivo con miembros del \"Maracatu vermelho\".', NULL, NULL, 'Para la realización de \"El caballo rojo está suelto\" sería ideal un espacio, abierto o cerrado, que comporte por lo menos 300 personas. Debe contar con tomas de corriente y baños para el público. Como el happening se realiza en la noche, el espacio debe tener una cierta flexibilidad de horario y por el número de personas que puede asistir como público, es primordial que cuente con las condiciones mínimas de seguridad como salidas de emergencia, corredores seguros y extintores.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 799, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 668, NULL, '2020-04-02 02:38:11', '2020-07-10 00:58:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9507, 'j66vfeeGbpTYG8SG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:40:39', '2020-04-02 02:40:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9508, 'cfbFaQoYp1wO94T4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:42:18', '2020-04-02 02:42:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9509, '0LFMzeR0fGydWkvl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:47:46', '2020-04-02 02:47:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9510, 'IUemHYKA7A3X0nxP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:48:42', '2020-04-02 02:48:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9511, 'ufAPNOqMJrdo1Atj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:48:47', '2020-04-02 02:48:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9512, 'BiiqTuLf9V5U3KWx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:49:51', '2020-04-02 02:49:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9513, 'JXq8E2qS0T4VxeLZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 02:52:48', '2020-04-02 02:52:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9514, '8jsD7F4mMsUKxi4Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 03:15:16', '2020-04-02 03:15:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(9515, 'FuVRLpTgO3X2Nzsg', 'LIMPIA', NULL, 'Limpia es una exploración de la resistencia de las mujeres transgénero en Colombia en contra de las múltiples violencias que las acogen.  El proyecto acompaña a un grupo de mujeres transgénero quienes han sido objetivo de campañas de \"limpieza social\" que anuncian su asesinato en panfletos por supuestos crímenes contra el bien común. Enfrentadas al descarte oficial y para-oficial de sus vidas, estas mujeres buscan en los recursos de la magia una esperanza de protección y una forma de aseverar su propia agencia. La serie de multimedia se desarrolla en el encuentro del fotoperiodismo, la antropología, y la representación artística, habitando un mundo mágico que, convocado por estas mujeres, ilumina sus poderes y los mundos que conjuran. Limpia escenifica un ritual de purificación, un mito visual, que se enfrenta a la violencia social, política, e histórica, y que crea espacios de liberación íntima y transformación comunitaria. El proyecto hace hincapié en el doble sentido coloquial de la limpia. Por un lado, es una práctica de terror movilizada por grupos ilegales que producen amenazas de muerte como un implemento de control social en los barrios más pobres del país. Por el otro, la limpia también hace referencia a los ritos de purificación que buscan liberar el poder sobrenatural de las plantas para buscar la armonía espiritual. Las limpias aluden tanto a saberes antiguos, como sincretismos contemporáneos que emergen como reacción a procesos continuos de desorden y desarraigo.', NULL, NULL, 'Se sugiere el  Palacio de la Inquisición en Cartagena , Colombia, para mostrar el proyecto. Será una instalación conformada de videos, fotografías, y  panfletos de limpieza social. Los formatos serán entre pequeños (20cmx25cm) hasta grandes (150cmx150cm). Las fotos de presentarán solas y en una cuadrícula. Los vídeos serán proyectados en distintos formatos en televisores. La sala de exposición es un rectángulo de 18 metros por 5.2 metros de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://spark.adobe.com/page/4oIWnerGRiVZa/', NULL, NULL, NULL, 5153, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4299, NULL, '2020-04-02 03:15:17', '2020-07-26 02:24:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9516, 'KWS9LieDRZAvhqER', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 03:24:50', '2020-04-02 03:24:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9517, 'pw1kxiHkfklIK76C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 03:36:28', '2020-04-02 03:36:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9518, 'WA0f9Gd6Qkop7nlN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 03:40:51', '2020-04-02 03:40:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9519, 'zM7PDSZOVIXN610O', 'SEM MEDO DO FEMINISMO', NULL, 'A mulher possui intrínseca a ela uma história de luta. Mesmo quando ela não se posiciona ativamente, a luta perpassa seu cotidiano. É o simples existir da mãe solteira, da executiva na alta hierarquia, da governante entre todos os governantes, da mulher andando sozinha na rua à noite.\nQuando olhamos para trás, vemos que muito já foi conquistado. Analisamos a nossa realidade, lembramos como eram as coisas há 10, 5 anos, e podemos ser tentados a pensar que já estivemos muito pior, e que agora atingimos um lugar satisfatório na sociedade. Em alguns círculos, a palavra \"feminismo\" é inclusive um tabu, e cria-se a falsa impressão de que a meritocracia é o substituto perfeito da luta que existe há anos. \nMas não. Ainda há 1 mulher morta a cada 7 horas, que ganha 20% a menos que um homem, e serão as mulheres, mães solteiras, as que mais sofrerão com essa crise econômica e social do mundo pós-coronavírus. Esse projeto curatorial existe para lembrar a necessidade dessa luta.', 'O projeto envolve as seguintes obras:\nFotografias de mulheres carentes, solteiras e mães de família - fotos específicas para o projeto, ainda não finalizadas\n3 murais - criação específica para o projeto; são murais adesivados com as obras gráficas anexas\n1 escultura - \"Muro\", feita em cimento com acabamento chapiscado, arame farpado e cacos de garrafa de vidro\n3 pinturas - \"Flor de lótus\", \"Semear\" e \"Crescimento\", utilizando sangue sobre papel', NULL, 'Há uma ordem de visualização, em 3 espaços:\n1) No primeiro espaço, introdução / título da mostra e as fotografias - podem ser duas paredes com uma passagem no meio\n2) Passando pelo meio chega-se ao segundo espaço, com os 3 murais pendurados / suspendidos em formato de U e que permita ao visitante fazer fotos com eles - a possibilidade de fazer fotos com as obras atrai o público, e é uma nova forma de consumo das artes\n3) No último espaço, estão a escultura e as pinturas dispostas na parede', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2850, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2475, NULL, '2020-04-02 03:53:09', '2020-06-25 19:31:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9520, 'oMdwDgiodf8z3qBy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 03:56:42', '2020-04-02 03:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9521, '4Csmxv9X90xljgrh', 'La cuenta atrás: la memoria del bosque', NULL, 'El proyecto tiene como objeto construir espacios y acciones sociales que inviten a interactuar y contribuyan a concienciar sobre la responsabilidad que tiene el hombre de preservar los hábitats naturales, espacios necesarios para la biodiversidad. \nRetoma el nombre y concepto de La cuenta atrás, Museos de Tlalpan y El Centenario, México 2014-15 y continúa con el concepto de Resistencia animal, Museo de la Ciudad CDMX, 2020.\nOBRAS: Acción humana: plantar semillas de árboles autóctonos en espacio verde para dar comienzo al Jardín animado. 4 instalaciones. La jungla urbana (400x800cm). Un árbol de otro mundo (Memoria del árbol que talaron frente a casa. Pintura 185x215 cm, audio con sonido real de aves y realidad aumentada). Huellas (Impresiones de anillo forestal en xilografía). Realidades paralelas (Laberinto a crear a partir del concepto de “ecosofía” de Guattari*, “una articulación ético-política… entre los tres registros ecológicos, el del medio ambiente, el de las relaciones sociales y el de la subjetividad humana” que nos plantea “de qué forma se va a vivir de aquí en adelante sobre este planeta”. Acetato y estructura de aluminio con siluetas del bosque en serigrafía.\nSe considera el uso de materiales reutilizables para instalaciones y virtuales como la realidad aumentada; como alegoría de una realidad artificial, recuerdo de hábitats devastados. La visión de la naturaleza desnaturalizada. La visión del mundo a través de los dispositivos móviles y las nuevas tecnologías.', NULL, NULL, 'Una a 3 salas con espacio diáfano con una altura promedio de 4 metros, entre 97 y 180 m2 totales de espacio expositivo. \nRealización de un semillero de vida en espacio verde a definir con Bienal Sur para acción social - humana.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6336, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5184, NULL, '2020-04-02 04:22:09', '2020-06-23 01:40:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9522, 'vw4wmhgR0nkeFU8L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 04:22:09', '2020-04-02 04:22:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9523, 'zeIerEvwTDPnj8Gg', 'Hierro y cactus', NULL, 'Mi proyecto consiste en funcionar mis dos pasiones, la escultura en hierro y mi pasión por el cultivo de cactus formando una obra surrealista . Con esta obra busco mostrar y realzar lo que la botánica puede generar en algunas personas. Tombien tengo intención de hacer participar otros elementos como madera y cemento. Creando.una obra contemporánea que genere una sensación de conexión y tranquilidad a pesar de las espinas peligrosas y a la defensiva.', NULL, NULL, 'Será una obra en hierro madera y cemento , este ensamble sería a escala real y mostraría medio torso humano. Por la espalda brotaría una gama de cactus y euphorbias. La escultura no tendría más de 120 cm de altura 44 cm de ancho y una profundidad de 60 cm. La patina solo realzará lo materiales excepto  en las plantas que tendran un poco de color.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 707, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 600, NULL, '2020-04-02 04:25:57', '2020-06-23 02:43:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9524, 'uzLcUiyzoDIVBJjb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 04:28:37', '2020-04-02 04:28:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9525, '4zoMDigtQneSDjxm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 04:30:48', '2020-04-02 04:30:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9526, 'ftXsEr1iekk3Bckn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 04:35:16', '2020-04-02 04:35:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9527, 'XJyYmPxAtZSHm0Rj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 04:59:28', '2020-04-02 04:59:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9528, 'RQHpyVdExC0uY7CF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 05:18:10', '2020-04-02 05:18:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9529, 'qZab3esl20nAvOU4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 05:32:48', '2020-04-02 05:32:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9530, 'DhWVoWlGjQOOqHRl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 05:35:50', '2020-04-02 05:35:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9531, 'QSACKG6OW4PgM8vg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 05:51:45', '2020-04-02 05:51:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9532, 'bdKnuftRaO7SxNtG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 05:59:39', '2020-04-02 05:59:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9533, 'SbfyoH6inlaCbtwb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 06:18:45', '2020-04-02 06:18:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9534, 'r3rD05WtMSfNTUTQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 07:00:52', '2020-04-02 07:00:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9535, 'ymaxSn92uKpsimdA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 07:03:34', '2020-04-02 07:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9536, '44MF7hcvVTzEX2nv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 07:45:11', '2020-04-02 07:45:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9537, 'Oxm6EGSrw8txMsax', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 07:55:21', '2020-04-02 07:55:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9538, 'frpLGZSxFuEhhkYT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 08:07:19', '2020-04-02 08:07:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9539, '8lo3zU8db4e6hJvX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 08:34:23', '2020-04-02 08:34:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9540, 'qHHjFE22fCE1LYH8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 08:35:08', '2020-04-02 08:35:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9541, 'wSBUvyR9HXT97aUL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 09:09:54', '2020-04-02 09:09:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9542, 'CI3eos8Kge86VbyA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 09:24:50', '2020-04-02 09:24:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9543, 'rjUVyW9UpFhh8JmD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:09:02', '2020-04-02 10:09:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9544, '6aQNYqnnnBKlsEP6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:20:22', '2020-04-02 10:20:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9545, 'tfKYsLiRm3qpWb06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:26:45', '2020-04-02 10:26:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9546, 'Eyq1o0LHhUTLs25Q', 'A poem to read when I\'m gone', NULL, 'A Poem to reade when I\'m gone is an objection against dominant or forgetful narratives. \nA yet unpublished video (2020), it follows a man running away from a refugee centre in Berlin\'s former airport Tempelhof, surviving from winter to summer, finding himself locked outside in limbo. At the origin of the project there is the remark by Walter Benjamin that \"to inhabit is to leave traces\".I started to wonder:  what about those who disappear from the everyday without a trace, and, eventually, vanish from memory?  The homeless, asylum seekers, lost kinds?\nI needed to be truthful to the subject; yet I was skeptical of \"sincerity\" and wanted to search for an open ended form. Neither documentary nor fiction, the film is built around a series of lyrical monologues of deterioration that reflect the feelings of total helplessness. Taking place in the circular topography of the margins, the night shelters, microtrafic areas, temporary squats, street corners, it builds a disturbing eloquence and visual beauty to accommodate the absolute horror of being disappeared. \nThe video stars Zazaki actor Korkmaz Arslan, nominated at the 66th Cannes Film Festival for his role in My Sweet Pepperland (category \"Un certain regard\") and \"Sepanta Award\" for Best Actor for Bahar in Wonderland (Behrooz Karamizade, 2013).', NULL, NULL, 'The film is 28 minutes long, finished in 2020. It is shot in colour 4 K . Its original language is English , and is subtitled in English.\n\nI would require a large room, minimum 60 m2, equipped with surround sound speakers. \nThe projection screen or wall should be rather large: ideally no less than 6 m long. The height should ideally be no less than 3 m. \n\nThe video should be projected as an open-ended screening installation.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/330950259', 'poem', NULL, NULL, NULL, NULL, NULL, NULL, 1124, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 971, NULL, '2020-04-02 10:34:26', '2020-08-11 21:59:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9547, 'xKFaag31AP6dlXDj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:42:28', '2020-04-02 10:42:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9548, 'zbGxtUjXKs5eQ6GV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:45:37', '2020-04-02 10:45:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9549, '2MNO4cr56Fwx4Qko', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:55:53', '2020-04-02 10:55:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9550, '0VlsukzzfOJL1CDH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:56:15', '2020-04-02 10:56:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9551, 'RbpDZkryyeKo4aBA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 10:56:42', '2020-04-02 10:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9552, 'PA6vVaRbBNwSbS9G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 11:01:30', '2020-04-02 11:01:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9553, 'URaikZVeEB76NyDe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 11:09:46', '2020-04-02 11:09:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9554, 'oPERV6xp5EEdr1tC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 11:11:58', '2020-04-02 11:11:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9555, 'CTIPWqAPY1RUZ2Ec', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 11:13:42', '2020-04-02 11:13:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9556, 'RVDcJgT4CQIfLNu4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 11:18:13', '2020-04-02 11:18:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9557, 'N66XIWUf8l7lruy6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 11:28:29', '2020-04-02 11:28:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9558, '6ba5V4SvUMMWiVls', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 11:37:43', '2020-04-02 11:37:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9559, 'V4WxVNAMrdiPtKZr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:02:17', '2020-04-02 12:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9560, 'PV9obVbHdhH1MV9J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:03:29', '2020-04-02 12:03:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9561, 'cxWEp6EXwV9VCTht', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:03:31', '2020-04-02 12:03:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9562, 'EQxdX34XpV3m4BNP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:03:43', '2020-04-02 12:03:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9563, 'Tt7N13rhax5CdZOQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:04:18', '2020-04-02 12:04:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9564, '3PPBXFDWwWpQMb3i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:05:13', '2020-04-02 12:05:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9565, 'pQCshlAErPYL2NBx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:05:19', '2020-04-02 12:05:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9566, 'Oo09ot9Et5bYDrtz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:05:49', '2020-04-02 12:05:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9567, 'HPTwUoOpKnYRaEjP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:06:38', '2020-04-02 12:06:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9568, 'Zex3Zeo6wuTx19xr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:06:40', '2020-04-02 12:06:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9569, 'BHMSiwTY86uQfwlv', 'Artistic Residency and solo exhibition - Rouzbeh Akhbari', NULL, 'Akhbari\'s research revolves around the legends of ‘edible earth’ in connection to purported paranormal activities in the strait of Hormuz, Persian Gulf. Inspired by a medieval illustration of a Portuguese courtyard on the Island of Hormuz, he looks at the ways in which myth-making plays a significant role in shaping the socio-cultural identity of trade-centric geographies. In the 16th century, during Portuguese colonial campaigns, tales about the existence of supernatural forces flooding European settlements in Hormuz circulated widely; and subsequently were depicted in the famous Códice Casanatense as a “technology against the intense heat!” Simultaneously, rumours about Hormuz’s inhabitants as lustful ‘earth eaters’ were rampant, giving rise to a series of odd phantasmagorias that facilitated the ‘othering’ and moral justification of colonial endeavours in the peripheries of the Indian Ocean. \n\nAkhbari\'s goal for pursuing this line of investigation over a 1-month research residency in Lisbon in 2021 followed by an exhibition, is to unsettle common political interpretations of middle-eastern industrial expansion as either a natural capitalist miracle or an unfortunate resource curse. He aims to highlight the role of constructed fiction in facilitating imperial occupation and to find a critical lens to unpack the spectres of various mythologies in the upkeep of neo-imperial hegemonies and continued proxy battles over ancient trade networks.', 'Rouzbeh Akhbari (Tehran, Iran, 1992) is an artist working in video installation and film. His practice is research-driven and usually exists at the intersections of political economy, story-telling and critical architecture & planning. Through a delicate examination of the violences and intimacies that occur at the boundaries of lived experience and constructed histories, he uncovers the minutiae of power that organizes and regiments the world around us. Akhbari was trained as a sculptor at OCAD University and holds a graduate degree in visual studies from University of Toronto\'s School of Architecture, Landscape and Design.\n\nhttp://www.rouzbehakhbari.com/', NULL, 'The research residency will take place at the Hangar, an Artistic Research Center located in Graça, Lisbon. \nThe solo exhibition will take place at the Gallery of the Catholic University in Lisbon which is composed of a large room (90 square meters) and a small room (a black box, for video, 15 square meters). The Gallery is a space for exhibitions within Cultura@Catolica, a center of education, talks, and conversations that stimulate the development of artistic and theoretical practices.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 768, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 650, NULL, '2020-04-02 12:06:59', '2020-07-10 00:55:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9570, 'RxJBt4aFiqtYFvKv', 'A Good Day?', NULL, 'The proposed curatorial project A Good Day? will contextualise 10 years of the practice of the internationally recognised contemporary visual artist Mare Tralla. It will be the culmination of Tralla\'s durational performative practice having designed, knitted and traded over 27,500 hats, cardigans, mittens, headbands, frisbees and pom-poms under the moniker of Natty Peeps. \n\nThe proposed project will bring hands-on, lived experience of an artist-market trader adhering to the slow life movement yet rebelliously resisting the dominant neo-liberal paradigm. It will radicalise the identity of the craft business woman earned independently over 10 years from within the markets of London. It will chart the transmission of the production techniques belonging to the pre-capitalist artistic production such as traditional Estonian crafts alongside the transmission of techniques drawn from science, scholarship, entertainment, political activism and everyday life.\n\nThe notions of criticality and publicness are central to the proposed project. Starting with the question A Good Day? – which refers to the ubiquitous greeting amongst market stall owners Did you have a good day? – this project will become a pop-up agora temporarily set at the epicentre of the biennial art world. It will allow other questions to be raised echoing the twin functions of the Ancient Greek Agora as a political and a commercial space where the word agora derived from the two verbs \"I shop\" and \"I speak in public\".', 'Mare Tralla, British Estonian, https://iliyananedkova.wordpress.com/2020/05/08/mare-tralla/, https://www.tralla.net/about/', NULL, 'A Good Day? proposes to transform any of the Bienalsur designated exhibition spaces into a market complete with stalls, stories and criticality. This agora will offer an immersive experience of the artist’s hand-crafted commodities which will be embedded with sensors for interaction, screens playing the stories of the artisans and market traders, data collected from slow production, reflections on free trade and consumer interaction as well as testing the viewers attitudes to the value systems.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/398117555', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4068, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3463, NULL, '2020-04-02 12:07:00', '2020-08-14 16:34:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9571, 'vQMJWu5UZi7fd3Fp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:07:26', '2020-04-02 12:07:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9572, 'c2sAPqtzgFCeSJ46', 'DELTA', NULL, 'DELTA es una performance documental sobre la explotación sexual y la  trata de mujeres en el Perú.\n\nComo parte de la investigación viajamos a las ciudades con mayores casos de trata de personas y recogimos testimonios de adolescentes víctimas de explotación sexual. \n\nEsta investigación se realizó junto al medio digital OJO PÚBLICO y la ONG Internacional Terre des Hommes Suisse.\n\nEn escena, una mujer de 20 años ofrece su cuerpo y su voz para revelar testimonios reales de mujeres  víctimas de explotación sexual.\n\nElla convierte las historias de estas niñas y adolescentes en movimientos corporales y nos muestra el viaje que les toca afrontar: desde su captación, los momentos de esclavitud, el rescate y su regreso a los prostíbulos.\n\nEl montaje está acompañado de videos, voces, sonidos y relatos reales que entregan una visión compleja de la trata de personas.', NULL, NULL, 'Se requiere de un espacio a partir de 5 mts. x 4 mts. aprox. que cuente con proyector de video y ecran o pared para proyección audiovisual.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=18OLpuXoZROSyt84lBvXHaxY3gEwipHjm', NULL, NULL, NULL, 'https://drive.google.com/open?id=1yX26JKHcM76kcS1Hm4ws3TecWkK9jYZz', NULL, NULL, NULL, 1151, NULL, 132, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 995, NULL, '2020-04-02 12:07:28', '2020-06-23 19:28:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9573, 'Aiw9nRVaq2Bs1c5d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:07:31', '2020-04-02 12:07:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9574, '2M7Qmp0yokmFrn85', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:07:34', '2020-04-02 12:07:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9575, 'VEbsz0w3l3mlDhhh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:07:55', '2020-04-02 12:07:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9576, 'WTOg2LhwpTlj1Zv9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:00', '2020-04-02 12:08:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9577, 'u4HDqa0IeuyFn24M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:08', '2020-04-02 12:08:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9578, 'CKajlItXiVlB4FBd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:12', '2020-04-02 12:08:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9579, 'VdwMJ5PnaW76krMf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:14', '2020-04-02 12:08:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9580, 'qa3uBG507A9TpYe2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:17', '2020-04-02 12:08:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9581, 'PNeuqLD1ARdbeCJF', 'Thievery and Songs', NULL, 'In the film ‘Thievery and Songs’ the filmmaker narrates, in his own voice, a dream he has\nof the Town Musicians of Bremen. The film itself comes across as a dream or hallucination.\nLike much of his work, this film is based on research, memory and narration and brings\ntogether this fairy tale with childhood recollections, combined with animal characters visiting\ntheir psychotherapists and memories of his own education and body art. \nThis collage of moving images is composed of Super 8 film, video, watercolours, drawings, claymation and his father´s photographies. Each frame carries the distinctive atmosphere of its medium. The work narrates different stories, from Wieland’s transformation into a snail, which by the turns of narrative, bears a relationship to landscapes, a therapeutic session, the notion of memory and hierarchy. \nThis latest work presents a critique of hierarchical structures and the ghosts of WW2. \nThe film also delves into the true story of a Jewish-Austrian dancer who had to escape Austria for Bombay in1938. Filmed inside government buildings it sets a ‘quote’ for Austria’s past, since there were so many people in these buildings who were responsible, who could decide over life and death.’\nAltogether in this film, fables, memory, histories and reflections on contemporary life\ncollapse into a visual philosophy of being, carrying a tragicomic spirit that mingles irony and\nabsurdity with a gripping, poetic sobriety.', NULL, NULL, 'Big screen, black box if possible.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/188433822', 'thievery', NULL, NULL, NULL, NULL, NULL, NULL, 718, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 610, 5, '2020-04-02 12:08:19', '2020-08-22 01:40:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9582, 'OcY46wKXmrNXk7ja', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:21', '2020-04-02 12:08:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9583, 'pwk0okndyeImNQQD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:27', '2020-04-02 12:08:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9584, 'Ez42rXFtYRLzofps', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:08:33', '2020-04-02 12:08:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9585, 'fWqXITiKni8RZTbP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:01', '2020-04-02 12:09:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9586, 'abY8AnT1nZZZyHRE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:02', '2020-04-02 12:09:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9587, 'ac44TQfpNB9qjxpe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:11', '2020-04-02 12:09:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9588, 'Pa9CelImI2KL8nlZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:18', '2020-04-02 12:09:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9589, '3YbKv7Hl4XmliBoS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:29', '2020-04-02 12:09:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9590, 'xdydsysSxwmauapj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:31', '2020-04-02 12:09:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9591, 'UXyvJLYXwK6MmYwI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:31', '2020-04-02 12:09:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9592, 'X9Dr2T0tEkYPpjDP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:39', '2020-04-02 12:09:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9593, 'eO3QqmnkpejcM7gz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:48', '2020-04-02 12:09:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(9594, 'tNU02SI10SRvugO7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:56', '2020-04-02 12:09:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9595, 'nH0YnnOgELz6pOJc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:56', '2020-04-02 12:09:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9596, 'XgLmAGWA0FtZF4tZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:09:56', '2020-04-02 12:09:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9597, 'duvsi93BCNOFZHWa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:02', '2020-04-02 12:10:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9598, 'I6lO8IktXEZYF1oQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:09', '2020-04-02 12:10:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9599, '6epRgrzKXGLsDPCZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:12', '2020-04-02 12:10:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9600, '1gy4wN8XADUgkTY7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:15', '2020-04-02 12:10:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9601, 'EKrDZv2WK3HhKcQz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:16', '2020-04-02 12:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9602, 'zAAonEdokNH1elvL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:20', '2020-04-02 12:10:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9603, 'cz3thA756PgXqaA7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:23', '2020-04-02 12:10:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9604, 'wn9kAQxZP17Md4nv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:50', '2020-04-02 12:10:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9605, 'HeIZ021L2Hk6c0Tm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:55', '2020-04-02 12:10:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9606, 'aD7FcvY7QP6T7iwj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:10:59', '2020-04-02 12:10:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9607, '7mbKjLP6P3ul15pr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:11:12', '2020-04-02 12:11:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9608, 'NVnixn7Deuj1H5tC', 'Deserto', NULL, 'The video Deserto reflects on the possibility of speaking about multiple and queer identities through the invention of a new language. Through only the movement of two hands and a voice over, the desert is evoked as the place where the sand never takes a precise shape. The desert is also a symbolic reference to two specific films: Teorema (1968) by Pier Paolo Pasolini and The Adventures of Priscilla, Queen of the Desert (1994) by Stephan Elliot. \nThe protagonists of these movies are the Guest (a mysterious stranger with an ambiguous sexuality) and Bernadette (a transgender character), respectively, and both played by the same actor Terence Stamp. These films are the starting point for the text narrated by the voiceover in Deserto, where real and fictional identities disappear, dismantling the existence of any fixed role.\nThe video was produced by E.M.M.A and Matadero, Madrid.\nConcept: Jacopo Miliani\nPhotography: Carlos Fernández Pelo\nVoice: Angela de la Serna\nDancers: Korsia Company, Madrid', NULL, NULL, 'I am quite open to different possibility of installing the work.\nThe video could be projected in a dark room or installed on LCD screen.\nIt is also possible (but not mandatory) to create a video installation (red wall/red pillow all over the space).', NULL, 'artist', NULL, NULL, 'https://vimeo.com/255022301', 'deserto2018', NULL, NULL, NULL, NULL, NULL, NULL, 712, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 604, 5, '2020-04-02 12:11:23', '2020-08-20 20:20:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9609, 's72AVGFShAYFoN7X', 'Zinc White Lard', NULL, 'According to today’s global tendencies of separatism, nationalism, and xenophobia, I am motivated to explore a perverse approach to identity loss and subsequent pursuit of ideological affiliation. I create art installations with inspiration from theatre aesthetics and rhetoric in today’s identity politics.\n\nThe exhibition project consists of two main parts. 1) An installation of TelePrompters, a theatre prop in today’s public speeches in the media-based and political spheres. 2) A photo series of actors preparing; behind the stage, in the makeup room, in hallways and waiting rooms, minutes before entering the stage and perform.\n\n“In the case of Nordby, we can imagine the theatre as a visual field that can place our role-plays in a location where suppressed aspects of life’s theatricality return to an experience of ‘not being able to act the part,’ and thereby also a return of the void in the symbolic drama we are usually so wrapped up in.” \nKjetil Røed, Art Critic.\n\n“In the exhibition space, Nordby lets teleprompter-texts with good advice on how to obtain a persuasive behavior scroll before our eyes. We also catch actors in the space between the person they are and the character they will soon embody - much like the dichotomy between private and public selves. Nordby invokes a notion of expectancy about a performance about to happen.” \nHanna G. Hattrem, Art Historian.', NULL, NULL, 'A fluorescent-lit gallery space is ideal for the presentation of the photo series, also in relation to the free-standing TelePrompters. A video installation, containing a similar approach as the photo series, can also be projected as a third part of the project proposal, in a slightly darkened space. Each photo is 91x126cm (Giclée Print), and each TelePrompter, with tripod, has a dimension of 65x184x65cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://larsnordby.com/zinc-white-lard', NULL, NULL, NULL, 734, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 626, NULL, '2020-04-02 12:11:24', '2020-08-11 21:22:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9610, 'RLngfhyt2w7FHhhP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:11:39', '2020-04-02 12:11:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9611, 'XpIW0aSbub6gnCK6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:11:41', '2020-04-02 12:11:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9612, 'EQNU6ulPytHx2oMB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:11:44', '2020-04-02 12:11:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9613, 'WC7oSBY08eMLD5Of', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:11:49', '2020-04-02 12:11:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9614, 'myyaqKDLhAuj9emo', 'Dark Matter(s)', NULL, 'Dark Matter(s) is based on a performative polyphonic reading of fragments on photographic, photosynthetic and ecological processes and the ultimate limits of matter. This proposal is suggesting a material essay with a dark holistic approach: Dark Matter(s) will unfold in character, as authored and organized by a last human or first vegetal persona. Collected writings on, drawings and photograms of, and becomings with dark matter in an archive of darkness, rather than a white cube, staged in between greenhouse and herbarium, hospital and bestiarium, solarium and darkroom.\n\nDark Matter(s) brings a diverse flora of photographic, scientific, ecological and science-fictional methods into critical dialogue with each other. Dealing with dark symbolic and symbiotic relationships between patients and agents like Green Men, Tree Man (Epidermodysplasia verruciformis) and Human Grey Pea Dark Matter(s) is concerned with otherness and strange ecologies.\n\nHow to image and imagine a future of less-human-than-vegetal beings and bodies? The unnamed persona submerged in and emerging from Dark Matter(s) appears as oracle and shapeshifter of language, body and identity. The dark archive is activated with Mendellian love letters to peas, karaoke lectures on seedings, seedlings and siblings, peas growing in the dark, drawings of Green Men with Tree Man hands – beyond both natural and national (b)orders, like a coronavirus.', NULL, NULL, 'The project should be presented in sites and situations connected to the Dark Matter(s) character evolving. E.g. notable treeman syndrome case patients stem from Indonesia, Bangladesh, Iraq and Gaza. Tree Men in the Global South, Green Men in European Medieval culture, and transgenic human pea culture (Timo), produce a polyphony of sociocultural and biopolitical perspective of subaltern subjects. Traditional science history museums and collections in Europe can serve as in-situ institutions.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/263730544', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 803, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 672, NULL, '2020-04-02 12:12:34', '2020-07-10 00:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9615, '6LGXargj1G6SN7K9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:12:47', '2020-04-02 12:12:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9616, '6wAbryq9PxbpcGSn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:13:12', '2020-04-02 12:13:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9617, 't27rNDA2mIAoW1Cs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:13:14', '2020-04-02 12:13:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9618, 'aDWIGzL1KFn7QXLg', 'Soliloquium', NULL, 'En ‘Soliloquium\' podemos ver una persona dialogando consigo misma. La referencia para la construcción de cada uno de los diálogos es la fenomenología clínica que define la agnosia visual. \n\nLas personas que padecen agnosia visual, aunque no son invidentes, son incapaces de reconocer la información que llega del exterior a través de la vista. Por ello, deben hacen uso de otros sentidos para reconocer los rostros de sus allegados. Este tipo de patologías definen manifestaciones evidentes de comportamientos comunes en todos los seres humanos.\n\nCada una de las partes de la pieza audiovisual versa sobre: \n- Los aspectos epistémicos de la enfermedad.\n- Retóricos a través del poema ‘El Ciego’ de Jorge Luís Borges\n- Factores empíricos en base a estudios realizados con primates, que analizaban cómo podían reconocerse ellos mismos frente a un espejo.\n\nEn este proyecto, interpreto diferentes dibujos de Santiago Ramón y Cajal sobre el sistema nervioso del cerebro en esculturas de vidrio. El científico utilizó el procedimiento químico de la tinción para hacer visibles las neuronas. Sin este procedimiento de teñido, la neurona es invisible al ojo humano. \n\nEn Soliloquium transformo los dibujos de Cajal en visibilidad transparente de acuerdo a las claves conceptuales de Thomas Metzinger: “la transparencia es una forma especial de oscuridad” en la medida en que no somos conscientes de los procesos neuronales que intervienen en la formación de la experiencia de la realidad.', NULL, NULL, 'Espacio sugerido: sala de exposición con luz tenue y sonido envolvente\n\n- Video tricanal ‘Soliloquium’ (8\' 14\") en tres pantallas independientes sincronizadas  \n- Cinco paneles de metacrilato con adhesivo reflectante sujetas a tubos de aluminio pegados al suelo (\'PHNMNLGY\': https://bit.ly/2XE6OJc)\n- Serie escultórica sobre penas de metacrilato (\'A special form of darkness\': https://bit.ly/2Ve08Qh)\n- Intervención en pared con vinilo (\'Transparency\': https://bit.ly/3crIle6)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/262726481', 'Soliloquium.01', NULL, NULL, NULL, NULL, NULL, NULL, 1191, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1033, NULL, '2020-04-02 12:13:20', '2020-08-06 23:33:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9619, 'qgCqKV4bqPdnZNRI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:13:32', '2020-04-02 12:13:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9620, 'OGbJ5Crr0HLhUkRb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:13:39', '2020-04-02 12:13:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9621, 'yBQJxuBsT8uaNkgC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:14:11', '2020-04-02 12:14:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9622, '0ib345tn6fom6I75', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:14:41', '2020-04-02 12:14:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9623, 'D8r7cBOsW7ITKNnz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:14:57', '2020-04-02 12:14:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9624, 'OkiU6kCWTdKkJQHH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:05', '2020-04-02 12:15:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9625, '5MP2wzCl9nLRaVG5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:06', '2020-04-02 12:15:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9626, 'njFepyEB5RVArqqx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:13', '2020-04-02 12:15:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9627, '8JYkwS7a3rPbU6Wx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:14', '2020-04-02 12:15:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9628, 'qUhdNPipkpmKGqhw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:21', '2020-04-02 12:15:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9629, 'ixP1clCGFP03ljhY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:30', '2020-04-02 12:15:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9630, 'VHiRrDEHsxSXV9V2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:39', '2020-04-02 12:15:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9631, 'fiIeDO1bfMPPJweE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:15:47', '2020-04-02 12:15:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9632, 'sKlpnov5FKDWLfzA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:00', '2020-04-02 12:16:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9633, '362Ks1P3RHNdvNaD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:07', '2020-04-02 12:16:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9634, 'y7NVTOeXNfXbfHxQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:16', '2020-04-02 12:16:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9635, 'UhT6PIh7OfjEYCYE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:16', '2020-04-02 12:16:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9636, 'yMhp7AI0HcRrhypo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:29', '2020-04-02 12:16:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9637, 'NISqhav3kEmrdELm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:32', '2020-04-02 12:16:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9638, 'Cvj1z2sjrEFspgFs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:40', '2020-04-02 12:16:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9639, 'IUCDiLWXpUDIlBas', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:44', '2020-04-02 12:16:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9640, 'X5ykwHfisL0Vok9J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:52', '2020-04-02 12:16:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9641, 'MqjTFOhBI4trBsh5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:16:56', '2020-04-02 12:16:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(9648, 'YPmBtW5vDyzoE6ik', 'Brainscape', NULL, '\"Brainscape\" is based on  tomographic images of the artist’s brain,  Brainscape is conceived as an animated journey over the landscape of the artist\'s brain. The surface properties were modified using my own photographs of the glacial landscapes of Patagonia as an inspiration. The virtual flight of the camera in a 3D space has been animated and the flight over a glacial landscape of the whole brain has been simulated. In total more than 11,000 images were rendered.\nThe brain is not only a repository of information: pictures, sounds, smells and feelings as well as personal and maybe even collective memories. The genes that contain the blue print for the cerebral structure result from hundreds of millions of years of evolution. .\nThe labyrinthine brain is compared with glaciers as stores of information about the Earth\'s climate reaching back thousands of years. The transparency of the images – a poetic journey through the amazing labyrinth of folds and canyons - make us also aware of the fragility of the brain as much as the fragility of the glacier and the immense amount of information which has accumulated over a long time - and which is in danger of being lost for future generations. \nAs a projection landscape, Brainscape illustrates the transition between human development and nature. This work addresses in this respect the fundamental questions of our time as interface between the realm of nature and global interdependency, environment and life.', NULL, NULL, 'Back projection through an oval-shapeded window as part of \"Dark Gravity\".  The visitors experience the work  looking  through a porthole. The sound composition of cello music by Dr. Johannes Sistermanns is further emphasizing the impression of a fragile ice landscape.  Alternatively I showed the work as a square projection at Nevada Museum of Art in the US.Due to the meditative quality of the  work it would be best shown  in its own space.', NULL, 'artist', NULL, NULL, 'http://www.helgagriffiths.de/intro/Brainscape.mp4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 716, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 608, NULL, '2020-04-02 12:17:26', '2020-08-11 21:19:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
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(9706, 'hjb9TumtWGrCuTuF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:24:00', '2020-04-02 12:24:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9707, 'BghyrzzRO3bS1TGg', 'The United States of Propaganda', NULL, '‘It is the Americans who today stand as the masters of the art, science, and craft of propaganda.’\n\n- Philip M. Taylor author of Munitions of the Mind.\n\nThe contextual and thematic guide for \'The United States of Propaganda\' is rooted within political discourse; as well as a desire to employ the parameters of a contemporary archival practice within an expanded documentary exhibit. Within the thematic guide for \'The United States of Propaganda\' there are themes related to: hegemony, re-appropriation, performativity, the concept of the spectacle, and the ideological state apparatus all play a key aspect within this body of work. Conceptually, this work is derived from the course of marxist philosophy, namely, Louis Althusser. Who in his groundbreaking work, Ideology and the Ideological State, outlined how our modern-day society is \"propped up\" by several institutions. One of which happens to be the political state. Which is the focus of this installation; as I have utilised the \"archival lens\" to hijack the narrative and scrutinise the use propagandistic symbols and images within our modern-day democracies.', NULL, NULL, '\'The United States of Propaganda\' at Bienalsur shall be an 8\'x12\' industrial-sized US Flag hung by c-hooks from the ceiling of the building where it shall be installed. Furthermore, the installation shall contain over 100 4x6 matte archival images of Donald Trump sown with crimson thread into the very fabric of the flag itself.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.konstantphotography.com/documentary', NULL, NULL, NULL, 713, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 605, NULL, '2020-04-02 12:24:24', '2020-08-11 21:18:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9708, 'P5KQij97QuMW56JK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:24:35', '2020-04-02 12:24:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9709, 'DozNF2xg5y13aBri', 'Sitt Al-Koull (Grandma of All)', NULL, 'After hearing the loss of his beloved grandma Sıdıka Çolak (92) in 2018, artist and researcher Erdem Çolak returns to her abandoned country house where he spent his childhood and saved unforgettable memories. Sıdıka, an illiterate Arabic woman who spent almost all of her life in a village of Samandağ (south of Turkey), was the driving force behind all of her children, grandchildren and relatives to seek for better education and life conditions which made her Sitt Al-Koull (grandma of all). In order to pay homage to her, the artist decides to make an artistic intervention on her abandoned country house and turns it into lieu de mémoire.', NULL, NULL, 'Due to questioning the possibility of transforming an abandoned house into a site of memory, it could be better if the work can be screened in a place that has its own memory / history, yet it is not essential. The work may be screened at any dimensions. The link that I share includes a low-quality version of work. I will supply the high quality if needed.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/398975950', 'sittalkoull2020', NULL, NULL, NULL, NULL, NULL, NULL, 714, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 606, 5, '2020-04-02 12:24:40', '2020-08-30 15:03:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(9732, 'CtMD309YqFclB8d5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:29:25', '2020-04-02 12:29:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9733, 'XxB1RrFkgP87irAF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:29:29', '2020-04-02 12:29:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9734, 'TinQf3e5bvklk0l5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:29:51', '2020-04-02 12:29:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9735, 'k4IeJYzfwxk7wFZi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:30:11', '2020-04-02 12:30:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9736, 'umrvZymUkDX5ZXoM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:30:39', '2020-04-02 12:30:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9737, 'P1Fi74BJ65XM3I5R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:30:42', '2020-04-02 12:30:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9738, '2BQow8xZ6AODCVYn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:30:44', '2020-04-02 12:30:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9739, 'gkWrQIVa3ZfQJpPX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:30:54', '2020-04-02 12:30:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9740, 'bC1x9QUYbRlV1Nch', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:30:56', '2020-04-02 12:30:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9741, 'BDF7qX7KfovIqqCE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:30:58', '2020-04-02 12:30:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9742, 'sLlkToVR5mZ3Xux9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:31:02', '2020-04-02 12:31:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9743, 'E2EdSHcMY6Pj5HsG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:31:15', '2020-04-02 12:31:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9744, 'ffQWKbETp1xQ1SIt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:31:18', '2020-04-02 12:31:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9745, 'Q2BvatzF6cjUwDQ5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:31:32', '2020-04-02 12:31:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9746, 'BubYmxNK2gDhms3J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:31:35', '2020-04-02 12:31:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9747, 'Bp8UmQ928712bstS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:31:50', '2020-04-02 12:31:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9748, 'nHBr83hAC4EAn8Qg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:31:58', '2020-04-02 12:31:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9749, 'LdSAGk5gxFcacXER', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:32:16', '2020-04-02 12:32:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9750, 'sNJi4bIYl3lz53EN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:32:39', '2020-04-02 12:32:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9751, 'ik5XiqChc72RABi6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:32:52', '2020-04-02 12:32:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9752, '1wTv0c7nnHfOAOdd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:18', '2020-04-02 12:33:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9753, 'Gpg9xf2QqMJzYRqQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:22', '2020-04-02 12:33:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9754, 'V1YCcq1eT7rgmGhH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:23', '2020-04-02 12:33:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9755, 'vl9q0jjuIQPV7MgB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:32', '2020-04-02 12:33:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9756, 'Kux9XJFNoc5GZkkO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:34', '2020-04-02 12:33:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9757, 's4cEqhItadVPIu0R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:36', '2020-04-02 12:33:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9758, 'mrZVMIrDOWE5UF8a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:39', '2020-04-02 12:33:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9759, 'zjlFRCnsLpag6VNc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:33:40', '2020-04-02 12:33:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9760, 'ao4Ws28xEOwuLMu5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:34:28', '2020-04-02 12:34:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9761, '8RlP6db88WGOg5Hg', 'Adbusters___Break the Trance', NULL, 'We would like to propose a documentary exhibition on Adbusters, the journal of the mental environment, as it has highlighted social and political transformations that have occurred over the past three decades. \nA bi-monthly magazine and one of the global leading editorial voices in global environmentalism, anti-capitalist and anti-consumerist movements, Adbusters was founded by Kalle Lasn in 1989. Ten years later, driven by disillusionment toward the corporatisation of the world, and the failure of conventional left politics, the members of Adbusters  were among the many agitators of the Seattle protests. \n\nThe magazine is renowned for its culture-jamming and subvertising practices, as it parodies advertisements of companies such as Nike, McDonald\'s, Coca-Cola. Throughout the years the publication proposed collective actions like TV Turnoff Week — meaning try to avoid television for seven days — the annual Buy Nothing Day, which is self-explanatory, and it paved the way to Occupy Wall Street movement, just to name a few.\nAdbusters Media Foundation runs a bi-monthly magazine, a website, and an activist community at abillionpeople.org.\n\nThe exhibition will display their artworks, posters and magazines along with documentary material that chart climate change, economic issues, environmental activism, media addictions, depression, just to name a few. It is a visual reflection of alternative practices created by Adbusters within the world of art and culture we live in.', 'Adbusters Media Foundation', NULL, 'As for the exhibition space, it could be either a museum or a public space like a library or a school.  As for the amount of posters, magazines and documentary material, we would prefer to discuss it later on, in case the proposal will be accepted and according to the available exhibition space. We are attaching a visual display of Adbusters\'s previous exhibition, so you can have an idea of it.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1413, NULL, 170, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'also need \nStaples, white paint, black spray paint for the intervention', 'si', 'The poster are printed on adhesive paper. We staple the covers directly on the walls and intervene on the top with a site-specific spray-paint.\nthe posters are printed on adhesive paper. We staple the covers magazine directly on the walls and intervene \non the top with a site-specific spray-paint.', NULL, NULL, NULL, NULL, 'a printing house for the posters, magazine’s covers, stickers sheet and for the cloth banner with the title of the show', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1236, 5, '2020-04-02 12:34:47', '2021-02-19 17:25:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9762, 'hiQqOUQyxQN8ABkD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:35:22', '2020-04-02 12:35:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9763, 'FjcMilkafwlb0KyJ', 'Shit', NULL, 'I give a shit. You decide how much it is worth.\nMoving from this English idiomatic statement, the project aims at establishing a dialogue between artist and public on the material and immaterial value of her work. The meandering questions that inform the work revolve around the meaningfulness of socially aware and socially engaged art, the role of the artist as an agent of political sense-production and eventually the capacity to talk to professional as well as non-specialist public. \nThe work will be realised as a public intervention in the urban space and as a physical presence in an exhibition location.\nIn the latter case one single piece will be exposed in the context of a broader collective exhibition – which topic I can imagine to be any socially relevant one - and will be made available for public estimation, not only aesthetic but also monetary. During the first weeks of the Biennale the public will be asked to give their price for the exhibited piece and will be able to actually purchase the piece. During the last few weeks, if the piece gets sold, instead of the actual piece, the list of offers and the contract will be displayed.\nIn the second case a considerable amount of pieces (a hundred or more, according to the specifics of the location), labeled with work\'s info (artist name, year, material, etc. but no contact info) will be left in the public space as an act of public gifting.', NULL, NULL, 'While the proposed project can be realised in any location, and theoretically also in two different countries, I would like to connect both with one of the main Bienalsur centres and realise them in the same city, but I\'m open to discuss different arrangements.\nWith regards to the exhibited piece the space needed is basically irrelevant as its dimensions range below 15x10x10cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4737, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3993, NULL, '2020-04-02 12:35:37', '2020-07-14 19:23:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9764, 'b4s7wrCYdGyPdNvt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:35:48', '2020-04-02 12:35:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9765, 'Yo2mPnWyC3RViHSa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:35:56', '2020-04-02 12:35:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9766, 'STg1h7ce93Ps89sH', 'KOMOREBI', NULL, 'In Japan, KOMOREBI is the name given to the sunlight that passes through the leaves and branches of a tree. \n\nThe project envisions nature and space beyond the conventionalism of human ontology and the idea of the national-sovereign state. This decentering of the human involves a rejection of dualisms such as self/other, human/animal and mind/body, in favour of concerns such as materiality, affectivity, animals, extra-territorialities and technologies. \n\nThe immersive installation and performance is a collaborative project between 7 artists and curators about a future in which humans and nature are not opposing forces but weirdly coexistent.\n\nDarkness, flashes, thunder, movement, breath, montage; the aura of an expanded nature, a symbiosis of organisms and media orchestrated in time and space. KOMOREBI as a spatial and experiential group work intertwines artistic and aesthetic research. It invites us to reflect from the sensual and cognitive about the pressing call that is our present. \"The truth emerges in evanescent flashes.\"', 'Chris Bierl (Germany) Berlin-based. www.chrisbierl.com – Painting, Sculpture and Installation.\n\nHerwig Scherabon (Austria) Vienna-based. www.scherabon.com – CGI Video and Photography. \n\nMelanie Maar (Austria) NYC-based. www.melaniemaar.com – Dance, Performance and Choreography. \n\nNatalia Domínguez Rangel (Colombia) Amsterdam-Vienna-based. www.nataliadominguezrangel.com – Music Composition and Sound Art.\n\nZalán Szakács, Rotterdam (Netherlands) Amsterdam-based. www.zalansworld.com – Light, Space and Sound Art.\n\nMaximilian Mauracher (Austria) Berlin-based. Curator, Art Director, Stage Designer.\n\nFelipe Duque (Colombia) Vienna-based. Curator, Editor, Sound & Stage Designer.', NULL, 'Ideally, we will need a hall or a large dark room for 50 to 100 people, where attendees can walk, sit, and immerse themselves in the play of light, sound, video, and performance.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?time_continue=28&v=xPP-DQ6Z3Zk&feature=emb_title, https://thescreenisnotthelimit.com/herwig-scherabon-pille-riin-jaik/, https://vimeo.com/372630431', NULL, 'https://soundcloud.com/nataliad/etude-1-between-the-artificial-and-the-natural', NULL, NULL, NULL, NULL, NULL, 1186, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'As KOMOREBI is an installation made of six parts/works by five artists and therefore a collaborative group piece, all artists need to be present for setup to bring the single elements together – adjusted to the space and conditions available/given. We\'re experienced in on-site setups like this.', 'si', 'General assembly will be done on-site. The \"stage\" or black box that unites all pieces will be made from wood, and painted black both inside or outside. We\'re open to suggestions or spatial interventions with a similar effect (small, square and dark room within a bigger, light room).', NULL, NULL, NULL, NULL, 'General technical needs (which could be transported from Europe as well) are:\n4 Projectors, 2 Raspberry Pi 4, 1 LFC Scanner, 4 Channels Amp, 8 speakers, 2 Subwoofers\nTherefore, at least 15 power outlets (or several multisocket outlets) are needed.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1029, 5, '2020-04-02 12:36:21', '2021-02-12 15:31:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9767, 'Qt1O5O4RxwRVh6oC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:36:24', '2020-04-02 12:36:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9768, 'ptwlh14k8ZBLO14l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:36:24', '2020-04-02 12:36:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9769, 'jFste9oyKk0xF8bc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:36:25', '2020-04-02 12:36:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9770, 'dj1PcVOYIPP3Y8JJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:36:33', '2020-04-02 12:36:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9771, 'n5ooSJj1wb24gxbP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:36:35', '2020-04-02 12:36:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9772, 'Rlry6lb0JeYjsJEb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:36:57', '2020-04-02 12:36:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9773, 'Wdz3lFVNAgIX0g8A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:37:05', '2020-04-02 12:37:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9774, 'PYvIax6YsvBq6JCe', 'Infancy and History', NULL, 'The exhibition project “Infancy and History” takes its title and inspiration from the renowned collection of essays published in 1978 by the Italian philosopher Giorgio Agamben. Yet, it neither aims to be a mere illustration or adaptation of this philosophical enquiry, nor does it wish to be developed into an exhibition about the history of childhood. Rather, it takes on the challenge to follow some of the working methodologies indicated by Agamben, and translate those to the realm of aesthetics and visual arts, where the two poles – infancy and history – become intertwined reference terms that circumscribe the field of our research and provide the ground for a possible experimental critical approach. \n\nThe gaze towards infancy becomes in this case a powerful tool and method of analysis, allowing deconstructions of dominant narratives, official historiographies and dichotomies, such as those between the rational and irrational, universal and individual (particular), natural and cultural.\n\nThe curatorial team attempts to create a field of visibility and legibility of those “discourses of things” and gestures, which can allow us to reread and reinterpret history from a different angle. Each of the materials gathered in this exhibition provides a historical witness of its own cultural background, and the emergence and gradual mutation of the perception and understanding of the notion “childhood” in different geographical and historical contexts.', 'Yuanyuan Yang - Chinese -http://www.lukayangworks.com\nPetrit Halilaj - Kosovo -http://chertluedde.com/artist/petrit-halilaj/\nErick Beltran - Mexico- https://www.galeriajoanprats.com/erick-beltran/\nJia Chun - Chinese \nMarko Tadic -Croatian\nLiu Ding - Chinese\nFabrizio Milani -Italian\n\nTBC', NULL, '-kind of theatre or playground\n-good for screening\n-also for documents\n-min 10x10 m', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1686, NULL, 199, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1485, NULL, '2020-04-02 12:37:05', '2020-08-13 22:48:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9775, 'n2QnDWkKzSsi4mQJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:37:10', '2020-04-02 12:37:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9776, 'JopRoih030RsJ49A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:37:13', '2020-04-02 12:37:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9777, 'fBE8rnoOOr2DtGfD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:37:33', '2020-04-02 12:37:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9778, '2WbgbijQrXed8kj3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:37:37', '2020-04-02 12:37:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9779, 'YDcPS6HbwP2FD981', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:00', '2020-04-02 12:38:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(9780, 'FChAQPvp1N4PGdAS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:03', '2020-04-02 12:38:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9781, 'MXlozXDpoK4hdEYK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:04', '2020-04-02 12:38:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9782, 'tMMe86BaWgpb01kh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:10', '2020-04-02 12:38:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9783, '11yIrlLO4xwg7KfY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:20', '2020-04-02 12:38:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9784, 'HKxy7AEggtE1QH3Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:22', '2020-04-02 12:38:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9785, 'AS9VILZ4kH1f11Cq', 'FUGUE OF LOVE, 2020', NULL, 'FUGUE OF LOVE, 2021\n\n(A participatory art project in relation to contemporary Arabic poetry \nin collaboration with the local Islamic communities within the city of presentation.)\n\nFUGUE OF LOVE, 2021 is a participatory art project seeking to make visible the rich aesthetical scope of Arabic contemporary poetry. \n\nFUGUE OF LOVE, 2021 is a modest edition of 1.000 issues (330 Arabic, 330 Spanish, and 330 English) \nthat will be freely distributed to articulate a public communication in relation to contemporary Arabic poetry.\n\nThe proposal will utilize printed matter (a simple edition of books and posters) and the performative practices \nas relational elements to implement novel actions between citizens of diverse cultural backgrounds.\n\nFUGUE OF LOVE, 2021 will pay special attention to those several performances read by Arabic-speaking citizens willing to be an active part of the project, whether as performers, whether as an active audience attending the several reading sessions proposed. \n\nThe project will present a series of carefully designed performances presenting the poets: Madmoud Darwish, Fadwa Tuqan, Adonis, Nizar Qabbani, Etel Adnan, Abdul Al Bayyati, Nazik Al Malaika, Andrée Chedid, Salma Jayyusi, Souad Al Sabah and Fatima Naoot.', NULL, NULL, 'Any indoor space useful to invite the audience to attend the several performances to present. Those locations should be big enough for public gatherings and group presentations.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 797, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 666, NULL, '2020-04-02 12:38:26', '2020-08-12 11:31:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9786, 'cDBAvdpv25PujTAl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:39', '2020-04-02 12:38:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9787, 'lOjbgn7vfZbtKins', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:48', '2020-04-02 12:38:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9788, 'gsDuUiMUuhTIe0Et', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:52', '2020-04-02 12:38:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9789, 'VABYMMdJW5n4bsYs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:52', '2020-04-02 12:38:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9790, '68URUXS5wUNfeAyK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:52', '2020-04-02 12:38:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9791, 'q4saXj17V1psQ4uQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:57', '2020-04-02 12:38:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9792, '5poW6q6u9b4PDFKx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:38:58', '2020-04-02 12:38:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9793, 'VM6sRELIqxFUHBf5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:39:03', '2020-04-02 12:39:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9794, 'e5rhDg5BRGoplcR5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:39:21', '2020-04-02 12:39:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9795, 'cZG0jOUB0UrqQ3fG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:39:38', '2020-04-02 12:39:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9796, 'R5ldFGzFjfz9VCBj', 'Before and After Science', NULL, 'Before and After Science aims to randomly select a number of works from any given art collection and display them in random order. Although simple, the concept calls into question what is understood as the work of a curator. Also, it justifies that a collection finds its own character, its underlying narrative, all of which within its cultural environment. In addition to the queries regarding what it is to conceive exhibition narratives, the project invigorates what is irrevocable in the arts: an evasion of the canon. More importantly, when a collection is to be examined through chance operations, the impossible avoidance of a conceptual line, before or after the selection of the pieces, is revealed. What I mean to say is that, with or without the common tasks of a curator,  there is always an underlying concept that will come to the surface of meaning, pre-existent or in the aftermath, and, like in the most intuitive artworks, the intentionality or awareness of the artist, or its absence, does not make whatever a posteriori reading, meaning or ideal less valid and/or true. It explicitly imparts and interrogates what is key to exhibition-making, functioning as that which lies before and after science: before and after the analytical comprehension of works. Like in Deleuze and Guattari’s ‘pre-philosophical understanding’ required of non-philosophy’, the exhibition aims to confront the preanalytical state of exhibition-making.', 'The artist participating in each exhibition room will be chosen randomly —either employing an automatic number generator or the I-ching system— from the complete list of artworks in each archive selected. Also, taking into account the space of the exhibition rooms.', NULL, 'The project seeks to highlight the nature of the archive in different places and cultures. The word \"archive\" comes from the Greek arkheîon: \"town hall\"; a place where records are kept; the sanctuary of a particular place; the mirror of its events, cultural heritage and phenomena. Therefore, the perfect spaces for the project are small showing rooms close to the chosen archives or collections.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 733, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 625, NULL, '2020-04-02 12:39:48', '2020-06-23 02:41:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9797, 'PDI11rFraj2Pa7eu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:39:55', '2020-04-02 12:39:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9798, 'huP6AR9EULx3CvjN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:39:59', '2020-04-02 12:39:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9799, 'yFDOwFTpNydbNjqg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:40:07', '2020-04-02 12:40:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9800, 'lnGyu72MCjHlAJfD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:41:11', '2020-04-02 12:41:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9801, 'KGgDDuX375bN1X2D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:41:12', '2020-04-02 12:41:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9802, 'C4PMAhXTI2VtbCCp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:41:28', '2020-04-02 12:41:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9803, 't6sClt6pWUokAeEU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:41:30', '2020-04-02 12:41:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9804, 'pG45I91tD5kaZcge', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:41:35', '2020-04-02 12:41:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9805, '1f8nGvBIRmtPNXla', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:41:44', '2020-04-02 12:41:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9806, 'Fhs06PbqeSP88E50', 'O.s.C – Organes sans Corps', NULL, '“O.s.C – Organes sans Corps” is a biopolitical tribute to Artaud-Deleuze, and a reflection on the transformations (displacement of boundaries / meanings / potentialities /...) that the concept of “biological body” is progressively assuming. \nAn “endoscopic exploration” of organs and apparatuses freed from all logic and function, from any organic organization; synthetic, adaptable, programmable, interchangeable, available organs – without bodies.', NULL, NULL, 'The video is suitable for both being displayed in a single screening program and as \'infinite loop\' video installation (HDTV / Projection, stereo speakers, darkened room).\nPlease feel free to present the video in the way you believe the most appropriate according on your technical / curatorial needs.', NULL, 'artist', NULL, NULL, 'https://lorenzooggiano.net/works/osc/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1041, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 892, NULL, '2020-04-02 12:41:50', '2020-07-12 16:44:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9807, 'HEX3t0WfbaE7xHkz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:42:04', '2020-04-02 12:42:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9808, 'VO3o10RvG6JwipWp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:42:10', '2020-04-02 12:42:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9809, 'IyJnrExXYmkugoYJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:42:17', '2020-04-02 12:42:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9810, 'TVt9wUkVSCSmm7iv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:42:23', '2020-04-02 12:42:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9811, 'GgjMu4Yidxj3astu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:42:42', '2020-04-02 12:42:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9812, 'yY1jY3FtTXWxCud6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:42:47', '2020-04-02 12:42:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9813, 'ah77guZb2ExAg4Gu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:43:03', '2020-04-02 12:43:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9814, '2U1hOcxc2GXKdFnj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:43:35', '2020-04-02 12:43:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9815, 'qt7US4S3zyjzYQL4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:44:08', '2020-04-02 12:44:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9816, 'IqGkkk5cuhiFPWte', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:44:16', '2020-04-02 12:44:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9817, '4pLuklnKTJCWvx59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:44:22', '2020-04-02 12:44:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9818, 'MlcRBsKzp9fl3L15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:44:23', '2020-04-02 12:44:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9819, 'MzINhC9j1n5xPs5S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:44:50', '2020-04-02 12:44:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9820, 'UL0WJPGuM5i4DojJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:44:56', '2020-04-02 12:44:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9821, 'Xm7FhPAgeCZ0d63W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:44:56', '2020-04-02 12:44:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9822, 'HOvR0HTO18FjD4Oq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:45:25', '2020-04-02 12:45:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9823, 'MfjH7Gydmc4EdmIc', 'Without', NULL, 'The installation elaborates on the concept of solitude and isolation resulting as lack of physicality in the Covid-19 era. The piece wishes to reflect the question mark, levels of despair and hopelessness that arose in each of us. The audio is in fact fragmented, intimate and melancholic. \'Without\' would like to reflect and embody the current situation in its absence of physicality as if it was a silent lament that we hear inside ourselves.\n\nFormally, the installation is made of a baby carriage placed in the middle of an empty room with an audio system incorporated within it.  Baby carriage has to be daily spread with baby powder perfume so that the space is invaded by its smell.\n\nAudio system is fixed in such a way that is invisible by the visitor. Sound comprises three separate audio files that alternate each other in a loop. The audio has been edited by the artist and includes environmental sounds mixed with HIVE (experimental choir) vocal improvisation performance on \'Lessness\' by Samuel Beckett (1970). I am fascinated by the way Beckett in this piece adopts a non linear way of narration of the inner life of the character. The attempt is to create a delicate and fragile atmosphere around the visitor of the gallery space.', NULL, NULL, 'Space should be as bare as possible and pretty spacious (at least 5 m x 5 m). Good audio system is required in order to reach the visitor from all corners of the room.\n\nLighting should be smooth and delicate reach the installation via the glass of a window. The installation should be preferably naturally lit without any artificial spotlights.\n\nBaby carriage with audio should be placed almost in the middle of the room.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1zWKTdi2bOhMrXFrvQP0Ks3RRoUYo9iMA?usp=sharing', NULL, NULL, NULL, NULL, NULL, 2744, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2382, NULL, '2020-04-02 12:45:33', '2020-07-22 14:39:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9824, 'MECY2ZHCyKey9bZZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:45:42', '2020-04-02 12:45:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9825, '3ZlhXHYihZT53uSf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:46:05', '2020-04-02 12:46:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9826, 'sQ71WYlUJqaPtZVl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:46:07', '2020-04-02 12:46:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9827, '13OCYWdriZrjfpev', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:46:08', '2020-04-02 12:46:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9828, 'kEeiabkcRS944Ryk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:46:55', '2020-04-02 12:46:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9829, '1F2Eu4J20z2v2Cd3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:47:15', '2020-04-02 12:47:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9830, 'Hxs7lbvcoaUYhwot', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:47:23', '2020-04-02 12:47:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9831, 'qTHgYle0H7t66qos', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:47:31', '2020-04-02 12:47:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9832, 'CDUCmCyLCgmEYymP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:48:50', '2020-04-02 12:48:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9833, '3SWHinH5V2CxnoMH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:49:32', '2020-04-02 12:49:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9834, 'zGBj842AVoPMjWdg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:49:49', '2020-04-02 12:49:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9835, 'OB7IYKpKTzaa55Mm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:49:58', '2020-04-02 12:49:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9836, 'G0K54BBcbbJHAl0J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:50:09', '2020-04-02 12:50:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9837, 'nClsIqPdlQNDY04c', 'Shedding Light', NULL, 'One way to think possible futures is to turn to the ruins of the past and the present. Moving through the plentitude of all that which already exists (through landscapes, buildings, images, stories, texts and sounds), one encounters many once visionary futures that have faded into the past. Seen in this way, our world is filled with such utopian debris, with myriad dumped potentialities and the slowly rotting traces they left behind.\n\nThe central theme of my artistic practice is to seek out and follow these traces, to critically reassess the past futures they lead to, and to try to graft new futures from them. Therefore I investigate different cultural and historical contexts with diverse media. An important strategy is to illuminate sites that are important in constituting our present reality and which contain promises of passed futures. I did this in the works “Theater of Combustion” (where a light sculpture illuminates oil fields in Azerbaijan by burning the resource, which was exploited and refined there) and “Ausleuchtung” (which re-stages a cosmist socialist mosaic in the former Stalinstadt in Eastern Germany). Under the title “Shedding Light” I propose for BIENALSUR: to show a photographic/film documentation of these works; and/or to develop a new project in this cycle specifically for BIENALSUR, continuing the strategy of critically casting light on relics of the past and thereby constructing understandings that might lead the way to new futures.', NULL, NULL, 'For showing photographs/a film of “Theater of Combustion” and “Ausleuchtung”, a wall of 5m length in a standard exhibition space would be suitable. In the case of being given the opportunity to develop a site-specific work for BIENALSUR, I would like to intervene in or around the exhibition building (ideally outside of the designated exhibition area).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3914, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3333, NULL, '2020-04-02 12:50:14', '2020-08-11 22:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9838, 'cq4yksFRmHxmQVmj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:50:22', '2020-04-02 12:50:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9839, 'niRNf7ZSBi7qSy8j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:50:24', '2020-04-02 12:50:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9840, 'OXQBNAFx2m04VP3A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:50:31', '2020-04-02 12:50:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9841, 'yuu709CsLFvFjDPa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:50:34', '2020-04-02 12:50:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9842, 'ZechHk2MHy8PM233', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:50:34', '2020-04-02 12:50:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9843, 'v0qeEwpPFqQVZmn4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:50:38', '2020-04-02 12:50:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9844, 'DuUrpdPaxftwyr5x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:51:15', '2020-04-02 12:51:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9845, 'svjdpfMh10JKT2wZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:51:26', '2020-04-02 12:51:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9846, 'Kt7Xlw2GvvvvnMal', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:51:33', '2020-04-02 12:51:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9847, 'XEaBwGf0htrck3ej', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:51:45', '2020-04-02 12:51:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9848, '0kfSeKRPAgJLmz3q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:51:51', '2020-04-02 12:51:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9849, 'IXgMba1d3eVOUXKf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:52:03', '2020-04-02 12:52:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9850, 'dtq0u5A0GVijnvot', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:52:17', '2020-04-02 12:52:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9851, 'B5CJb7ITCM3c9ks2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:52:20', '2020-04-02 12:52:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9852, 'DpIYwSv6TkGyq1vc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:52:26', '2020-04-02 12:52:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9853, '99nisGgjR0UjxbWA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:52:26', '2020-04-02 12:52:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9854, 'y20pg1vDgGPsNxpE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:52:30', '2020-04-02 12:52:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9855, '9I9TbOievW1xWLHh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:52:49', '2020-04-02 12:52:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9856, 'v4XDQY4tr3LFoWjd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:53:14', '2020-04-02 12:53:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9857, 'PBRqIE1rAB5v2DqV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:53:16', '2020-04-02 12:53:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9858, 'hWAGipENK5yuuf60', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:53:23', '2020-04-02 12:53:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9859, '8wDbKqGcShxdqDXp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:54:29', '2020-04-02 12:54:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9860, '4QobUe5bDjRu80cR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:54:37', '2020-04-02 12:54:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9861, 'wIVt1V1Kk2touwKs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:54:48', '2020-04-02 12:54:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9862, 'h3qmGbY48IT1Y7uS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:55:02', '2020-04-02 12:55:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9863, 'Zp0wtSAjwgpBmtdW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:55:20', '2020-04-02 12:55:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9864, 'UKGNiKw4DJYKbONq', 'Playing House', NULL, 'An emerging field of knowledge that is both inter-disciplinary and multi-scalar, domesticity is deeply entangled with identities and identity markers such as those of class, ethnicity, gender, and sexuality, and how they intersect with a space. Facilitating and arbitrating the relationships between material, mental, and socio-cultural elements, the study of domesticity goes beyond being a functional analysis of the affective layer of a specific form of build environment to encompass both the performative aspects of bodies in space as well as the various spatial and discursive practices that can/will engage these bodies on multiple fronts, in domains from public policy to media representation.\n\nUsing its namesake—a traditional children’s game where the players assume the roles of a nuclear family and make-believe various domestic scenarios—as a point-of-departure, Playing House seeks to utilise domesticity as a critical lens through which notions of home, situated-ness, and occupancy can be examined in the Southeast Asian context, and explore how the domestic context remains as constrained to broader public imaginings even if it appears as a private space. Comprising installations, performance, photographs, and films, the exhibition, which manifests spatially as a literal apartment unit, explores different elements of a traditional spatial conception of a home, a notion that bears great relevance in the current context of a global pandemic which necessitates homebounded-ness.', 'Alfonse, Chiu, Singapore, alfonsechiu.com\nDaniel, Hui, Singapore, daniel-hui.tumblr.com\nDivaagar, Singapore, divaagar.com\nHasyimah Harith, Singapore, p71sma.com\nJoel, Seow, Singapore\nNorhaizad Adam, Singapore, p71sma.com\nRosalia, Engchuan, Germany/Thailand, eth.mpg.de/engchuan', NULL, 'Approximately 90m2 (9x10) area, 3m height, standard wall partitions with some wall mountings.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1536, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1352, NULL, '2020-04-02 12:55:26', '2020-07-26 02:25:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9865, 'mJ8R3aGb2umxKi1y', 'Precarios', NULL, 'El consumir dosis cotidianas de violencia tiene como resultado imágenes precarias.\n\nEste proyecto es una investigación sobre la objetividad de la imagen, una reflexión sobre qué tipo de relaciones generan una imagen política. Las composiciones parten de la idea de que desde la reflexión de la destrucción se puede proponer el abandono de la violencia. “Precarios” es una interpretación visual de los procesos de alienación que alteran nuestro entorno natural. Discute la perdida de lo natural en el mundo, su descomposición y destrucción y su sustitución por el mundo de los objetos.', NULL, NULL, 'Impresiones en papel montados en pared blanca.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1OVO7hL_ifoKCb427dlTRelw3Mfrp3trn/view', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 715, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 607, NULL, '2020-04-02 12:55:40', '2020-08-11 21:17:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9866, 'JcJbuOdqD5hVsAam', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:55:42', '2020-04-02 12:55:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9867, 'UIwV4JxUk2qnBktK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:55:45', '2020-04-02 12:55:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9868, 'Lx5e16dhfnn8WcQD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:56:01', '2020-04-02 12:56:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9869, 'nQziOx2Rxeczek37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:56:02', '2020-04-02 12:56:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9870, 'RngETHCBdIDGDUX7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:56:08', '2020-04-02 12:56:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9871, 'f862DIsjoiSXGbnn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:56:37', '2020-04-02 12:56:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(9872, 'pZM9p57TxG60aEaA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:56:38', '2020-04-02 12:56:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9873, 'yNtyZqCK1V3IZeoe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:57:17', '2020-04-02 12:57:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9874, 'VHJxhFQGsHLJJxYF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:57:21', '2020-04-02 12:57:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9875, 'PEDcjyMfpscx31wS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:57:35', '2020-04-02 12:57:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9876, 'I22jQfneJUlupGNS', 'Carbon and Captivity', NULL, 'Carbon capture and storage (CCS) is presented by fossil industries as technofix to prevent catastrophic global warming. The idea is to extract carbon dioxide in the refinery process and to transport and store it in sub-seabed formations. But CCS remains a relatively immature technology: investigations in 2013 showed cracks in North Sea seabed rocks where carbon was stored in field tests. This suggests the likelihood of leakage and the release of carbon into the atmosphere. \nThe world’s largest facility for testing carbon capture technologies on an industrial scale is the Technology Centre Mongstad (TCM) in Norway. This film was recorded there. TCM has operated since 2012 and is a joint venture between the Norwegian state, Equinor, Shell and Total. \nThe appeal of CCS for the fossil industries lies in the huge new subsidies it promises. The oil and gas should be left in the ground and a fully funded transition to a post-oil economy begun immediately, but the large-scale introduction of CCS would delay the necessary decarbonization, deepening our dependence on the fossil fuel industry. The film’s title refers to humanity’s “captivity” within the logic of capitalism, which seems to carry extractivism onward to the point of no return.', NULL, NULL, 'The film should be presented as a projection, preferably in a dark space.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/403281000', NULL, NULL, NULL, 'https://vimeo.com/378509694', 'Mongstad', NULL, NULL, 724, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 616, NULL, '2020-04-02 12:57:40', '2020-04-23 18:34:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9877, 'h1vH7dhmz5CynJtc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:57:50', '2020-04-02 12:57:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9878, 'LxfBL8b774XcOoZT', 'Kiosk', NULL, 'I would like to produce, at a metal|smith company near exhibition area, 3 - 9 guard courses which are exact copies of courses with, for example, historical political or oppressive associations, some still existing, some historical. Such as the security guard at Checkpoint Charlie in Berlin, the security guard to the Auschwitz extermination camp in Poland, the security guard outside the large prison camp at Phu Quoc in southern Vietnam, which was used during 1940-70\'s by US forces to imprison FNL soldiers, a security guard from Guantanamo the US prison camp. Cuba, the cure for the infamous Villa Grimaldi torture center outside Chile\'s capital Santiago 1974-78, etc \nFor many, nature is the safe place we turn to breathe new life into uncertain times. Maybe for recreation, beauty experiences or to simply pick berries and mushrooms. Nature seems to overcome us and works to protect and support us in our daily lives. We rarely appreciate it for its true value, but nature plays a vital role and provides us with clean air, clean drinking water, clothes, food and raw materials for building houses.', NULL, NULL, 'Outdoor or in exhibition spaces', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 717, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 609, NULL, '2020-04-02 12:57:55', '2020-04-22 19:15:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9879, '5S3MAf2MPPWD3wZS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:58:07', '2020-04-02 12:58:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9880, 's8inst7HKR0TCoVf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:58:15', '2020-04-02 12:58:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9881, 'at3Uyu1n6Yesr4Dr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:58:17', '2020-04-02 12:58:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9882, 'kDz8ApK5fcoezxm8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:58:21', '2020-04-02 12:58:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9883, 'fK5Ac2TwAjYPM6l5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:58:55', '2020-04-02 12:58:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9884, 'wye3426Rp8mb12c5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:59:11', '2020-04-02 12:59:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9885, 'Fjix7teT5gLGDmm6', 'LA FÁBRICA DE LA MAGDALENA', NULL, 'La Fábrica de la Magdalena fue un proyecto industrial cerámico creado por intelectuales Gallegos en Buenos Aires exiliados  del Franquismo. Inaugurada en el 1957 aglutinó en un conjunto industrial a artistas y pensadores Argentinos y exiliados en un contexto de semi industrialización. Tuvo una vida muy corta, en el  convulso año de 1968 cerró la fábrica.\n La Fábrica estaba ubiada en el Pago de la Magdalena, la propia alcaldía de la Magdalena concedió los terrenos y exhimió de impuestos al nuevo proyecto industrial. La Fábrica  se instala en los pagos de Magdalena, viejo territorio de los indios Tubichaminí, que habitan cabañas lacustres a salvo de las crecidas del río. Un lugar remoto y perdido de la pampa húmeda, situado a 47 kilómetros de la ciudad de La Plata y a 107 de Buenos Aires. Los Tubichaminí son una tribu históricamente  perseguidas por los Colonos y Criollos descendientes de españoles, reubicados constantemente.\nEl proyecto LA FÁBRICA DE LA MAGDALENA es una reflexión sobre los mecanismos coloniales/culturales,  el contraste de lo industrial con lo tribal y a la vez una forma de escapismo de una dictadura opresora.(la española). \n«Magdalena fue una estación extraña en nuestra vida ; no sé qué se nos perdía allí,en el fin del mundo, a más de cien kilómetros de Buenos Aires, al lado del río más ancho de la tierra, de aguas barrosas, en una inmensa llanura verde donde soñábamos y esperábamos no sé qué» Isaac Díaz Pardo, intelectual.Fundador de la Fábrica la Magdalena.', NULL, NULL, 'El proyecto LA FÁBRICA DE LA MAGDALENA se desarrolla en diferentes mecanismos formales; Instalación  escultórica donde se confrontan ciertos procesos cerámicos industriales con los de los indios Tubichaminí,  vídeo instalación sobre el Terreno habitado por los indios Tubichaminí . Por lo tanto el espacio ideado e ideal sería una nave industrial en un contexto de Vegetación frondosa, con cierta carencia de ruina.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5611, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4644, 5, '2020-04-02 12:59:42', '2020-09-03 02:21:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9886, 'kgstzKL2B3VOwUaL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 12:59:46', '2020-04-02 12:59:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9887, 'iwvTsFYy2Xjspr7b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:00:05', '2020-04-02 13:00:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9888, 'a9eNKbCWwGv9zAeR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:00:08', '2020-04-02 13:00:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9889, 'CgDAXLRzOOhXVFyC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:00:10', '2020-04-02 13:00:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9890, 'c7FVaILMK42q3x5z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:00:33', '2020-04-02 13:00:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9891, 'ys0aKWargttYNQ01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:00:39', '2020-04-02 13:00:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9892, 'vnZ05fzc5QQPTPvb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:00:59', '2020-04-02 13:00:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9893, '4QeELVf5yTKnYAPh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:01:32', '2020-04-02 13:01:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9894, '4n6DeeEegjl6sLx5', 'MOIRE AND ALIASING', NULL, 'The worship of Sebastiano, in the history of sacred iconography, is too vast and varied in its repertoire to be defined as a constant reference for the public. Raffaello portrays the saint contemplative, while Antonello da Messina portrays him young, clean shaved and pierced by arrows, moments before Irene, widow of Castulo, comes to his rescue. He\'s identified as a gentile knight and as a tough soldier, as a courteous servant and as an aristocratic official. Yet, his image remains impressed and recognisable in the mind of each individual who has crossed his path, both for belief or simple curiosity.\n\nMoiré and Aliasing (2020) is an 11 minute video project set in Palazzolo Acreide, a rural Sicilian town  near Siracusa, during the celebration of \'La sciuta di S.Sebastiano\', an event that every summer gathers hundreds of people to celebrate the patron of the town. The anticipation and excitement of the crowd for the revelation of the Martyr is manifested, in the form of sounds, voices, fireworks and steps, within the streets and alleys surrounding the central square, without ever revealing, for the entirety of the film, the main site of worship. \n\nThrough the act of de-contextualization operated by the camera, where the bigger picture is constituted by audio-visual details in order to stimulate the audience to interpret a plot, the project aims to maintain a distance and only be generally attributable to a collective event, devoid of any political-religious-cultural attribute.', NULL, NULL, 'MUNTREF, Museo de Arte Contemporaneo, video room\n\nDigital support: wall/panel, projector, USB reader, speakers \n\nSite-specific dimension of the wall \\ panel', NULL, 'artist', NULL, NULL, 'https://vimeo.com/409562458', 'aliasing2020', NULL, NULL, NULL, NULL, NULL, NULL, 1247, NULL, 145, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1084, NULL, '2020-04-02 13:01:36', '2020-06-23 02:25:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9895, 'k4MR9oElC1rIHnPP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:01:44', '2020-04-02 13:01:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9896, 'Oa3R8qaGWo4LsaRT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:01:46', '2020-04-02 13:01:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9897, 'rCbVvJcfpq6nbToL', 'Morendo', NULL, 'Morendo is a video installation featuring two projections on cinema-size walls, located in front of each other, and played in a loop. The 2 videos works as a one-unit film, which present a testimony of a random and accidental encounter that occurred about 3 years ago. The meeting of a former couple, the divorced parents of the artist, who had been married for twenty years, took place at a gas station in the city of Tel Aviv, after they had not spoken or seen each other for six years. What first appears as a nostalgic description of their initial romantic story turns out, towards the end of the film, to be a painful, unplanned, and unexpected encounter. The very short moment of the hasty meeting, which took about 30 seconds in reality, has been intensified, extended to a six-minute film.\nThe installation\'s mechanism and rhythm, is being created by the mother figure, portrayed as a one-woman band. Whenever she is playing, the scene changes on the opposite screen, which displays the father. He is photographed at a unique solar power station that is currently under construction, located in the south of Israel. \nThe installation deals with the concepts of separation, time, and memory, using visual and sensual elements – changes of sound, light, and reflections. While the ex-couple continues to maintain detachment in real life, they keep finding themselves together in different art constellations and installations that function as sound machines in space.', NULL, NULL, 'The required space for the work is a video space – dark room for a video exhibition. Since the installation is composed with 2 large projections facing each other, it is important to have space between the two screens (around 3-4 meters). The dimensions of each projection is about 300 cm x 300 cm.\n\nLink for an installation view :\nhttps://vimeo.com/332982035', NULL, 'artist', NULL, NULL, 'https://vimeo.com/332977347', NULL, NULL, NULL, 'https://www.shirhandelsman.com/morendo', NULL, NULL, NULL, 2384, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2070, 5, '2020-04-02 13:01:54', '2020-08-20 17:28:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9898, 'RRFpUMP0zadge7qB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:02:07', '2020-04-02 13:02:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9899, 'IKPxexLiOEOcwnCZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:02:09', '2020-04-02 13:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9900, 'XMjK4G5p5pe6Ned8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:02:23', '2020-04-02 13:02:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9901, 'QExwjcNjkvMtGBqJ', 'Fix it in post', NULL, 'What does it mean to metaphorically cultivate the land and how does it relate to the actual, physical transformation of the Earth?\n\nI have been interested in green screens, both as a tool and an object in itself, a fertile ground on which the enactment of creation myths and creation of myths takes place. In my research, I have been exploring the lack of a stable identity resulting from a constant movement between fictional worlds. Looking for the real amidst the fictions produced by visual culture, I have explored landscape as a way of shaping the land, of cultivating it, literally and metaphorically.\n\nThe green of the green screen is to me the feeling of both hope and greed - a desire for an alternative future, a new beginning, but also an escapist gratification, an instant relief. I think this duality can be translated broader into image formation and image production. In this project therefore I try to see the differences between the two and subvert them in my video works.\n\nFo now I, am in the process of developing two videos along with my research. Ideally I would like them to be connected as part of a video installation, in which one video would influence the other and vice versa.\n\n1:\nI have been collecting footage of a person in a green cape from everywhere I go for more than a year now.The figure to me represents a shifting identity of a groundless body.\n\nhttps://youtu.be/Ak_xkbLhqh8\n\n2:\nhttps://youtu.be/ifbUjn0elHk\n\n3:\nhttps://youtu.be/gpRlPxG71K4', NULL, NULL, 'The work could be screened as large scale projections. It could potentially exist in any possible space. Dimensions could be scaled to the specific space.', NULL, 'artist', NULL, NULL, 'https://youtu.be/ifbUjn0elHk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1548, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1364, NULL, '2020-04-02 13:02:29', '2020-07-27 17:59:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9902, '1nhSACAFsZp9paJv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:02:31', '2020-04-02 13:02:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9903, 'gbfkTCTveeuYpeDt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:02:46', '2020-04-02 13:02:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9904, 'AISeBouGDN7Vy53c', 'Seen in the Dusk', NULL, 'Seen in the Dusk consists of a 17-minute long performance, and an installation, which includes sound pieces, moving image work and sculptural elements. And a publication that aims to translate the process of research exploring myths, memory, how we perceive ourselves, and the understanding of nature as an entity. This project is a collaboration between the artists Jina Song and Martha Panagiotopolou, where they explored intersections between Greek and Korean Mythologies. \nIt aims to promote intercultural connections and myths as a form of knowledge, with a democratic nature. It brings elements of nature worship and its strong connection with womanhood. It celebrates respect, changes, and cycles.\nAlso as an educational element, the publication informs the two artists’ practices and future collaborations and indicates possibilities within the two artists’ practices. It allows scope for discussions regarding the roles of artists in exploring ancient forms of knowledge and in cultural exchanges.', 'Jina Song (b. 1993, South Korea) https://www.jinailime.com\nSong is a visual and performance artist, based in Glasgow. Her work merges the art of storytelling with media ranging from performance to film and writing to dance. Song’s current focus is the complex fictional narrative of the lives of grandmother, daughter, and granddaughter, whose stories she refers to collectively. Within it, she explores themes of shared memory and trauma, relationships, and personal identity as it relates to nationality and shared experiences.\n\nMartha Panagiotopoulou (b. 1991, Greece) https://www.marthapan.com\nPanagiotopoulou is an architect and visual artist. Her basic interest is found in the in-between space where duality (between the physical and the emotional, the self and the Other, the self and the environment) is transcended and barriers are eradicated to create a space of wholeness and connection.', NULL, 'Although the performance can be adapted to different venues, it works better in large spaces (10 meters x 6 meters). However, it is essential to have enough power sockets for the equipment.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/397442211', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 728, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 620, NULL, '2020-04-02 13:03:01', '2020-06-24 16:16:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9905, 'EPjr3GsFFuJx5A0q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:03:03', '2020-04-02 13:03:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9906, 'e4nsQFjL6vqa0lSv', 'Dear Document Fukushima', NULL, 'Certain urban pockets are slipping away from human habitation due to spillage, war, heavy mining, pollution, nuclear radiation, climate change and deep space radiation etc.. Such spaces are \'excess\' of an incident – heterotopias – intense, hostile, and transforming – worlds within worlds, mirroring and yet upsetting us what is outside. How to approach the inexhaustible ontology of such empty spaces and speculate? Can we fill these spaces with flora and fauna or animals, incorporate with designing horror vacui ? Can hyper Socia Media technologies adhere to this design? \n\nMy proposed project Dear Document Fukushima approaches the ‘documentation’ of Fukushima that I shot and collected during my last visit to the exclusion zone in 2014. The project tries to grasp the wild imaginary of Fukushima as a metaphor, at a Social Media scale and imagine an afterlife. I have been thinking of the process of dissemination of material on social media and social media duration as a counter? During my visit to Fukushima, I accumulated 60GB of audiovisual material. Revisiting the material opens new entry points into this grand mythology. A close study and processing of the material may result into a long video essay film or multiple video installations and a series of lecture performances. While dealing with Fukushima, I consider human dehabitation – a flip towards the other side of the climate crisis, or my own progressive exit from this mythology.', NULL, NULL, 'The project engages with various cinematic methodologies, animation techniques, writing, drawing, aligning, editing, performance, and speculations. The project will manifest in a multiple channel video installation. The layout is not yet planned. After the work finished I will work on the layout and exhibition design. I am planning to exhibit the work at Vadehra Art Gallery, New Delhi.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/172433506', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 981, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 831, NULL, '2020-04-02 13:03:06', '2020-08-14 18:35:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9907, '2zBZ61xflVWfeZRS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:03:32', '2020-04-02 13:03:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9908, 'ZUsel8oKdFupmFRZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:03:40', '2020-04-02 13:03:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9909, 'dohxbkkmRvolJdXX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:03:43', '2020-04-02 13:03:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9910, 'm0vUU8CRwIW0lrRY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:03:43', '2020-04-02 13:03:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9911, 'IKJhhdLj9YCH1l2g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:03:46', '2020-04-02 13:03:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9912, 'g7SEUnEkGxcq9jJj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:04:00', '2020-04-02 13:04:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9913, 'IG3owoIEAfIjesti', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:04:05', '2020-04-02 13:04:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9914, 'Ni3eaibU421nmqsB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:04:13', '2020-04-02 13:04:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9915, '6ABQWKl23itQ4i38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:04:17', '2020-04-02 13:04:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9916, 'lPNB1FQ3oNrzQJf7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:04:43', '2020-04-02 13:04:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(9926, 'YjH6nw2x27gncrTW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:08:21', '2020-04-02 13:08:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(9929, '3y2Tbu4V8YUwlAlD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:09:41', '2020-04-02 13:09:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9930, 'jVyNQz5Zekt2CLCS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:10:04', '2020-04-02 13:10:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9931, 'Q4r1PUuXDj2eBBsu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:10:12', '2020-04-02 13:10:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9932, 'dQuFPld6xbAaEMzG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:10:35', '2020-04-02 13:10:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9933, 'v23PNspQjxUhWh7d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:10:43', '2020-04-02 13:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9934, 'Gu2dCqNJ10sPqbPV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:10:47', '2020-04-02 13:10:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9935, 'SXGVTiu936mZ6O5s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:11:00', '2020-04-02 13:11:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9936, 'qIeX26d6agyA43MF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:12:19', '2020-04-02 13:12:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9937, 'lxjC2nKPq3jRiKfn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:12:19', '2020-04-02 13:12:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9938, '2oqlDeSXA7bprBK0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:12:22', '2020-04-02 13:12:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9939, 'nsgsCTELR4RJclN5', 'The Pleasure of Expense (working title)', NULL, 'The Pleasure of Expense is a chapter within my latest research, exhibition and film project. The project addresses the concept of political gifting of culture throughout (trans)national identity crises via the exploration of paramount examples of gifts of architecture, art, music and dance using allegory and narrative. It’s an artwork that reaches into depths of historical case-studies and examples of culture being utilised as a Trojan horse of political and national power. The film is shot exclusively within architectures that were all political gifts themselves (including the Palace of Nations Geneva, Niemeyer’s French Communist Headquarters  in Paris, Tito’s Museum of 25th of May in Belgrade); and the music, script as well as the characters are all drafted from some of the most perturbing examples of diplomatic and political cases of culture deployed as a trojan horse of political power. \nThe chapter I propose for the biennial is a performative installation with a segment of the film: developing further the first performative output we carried out at Cooper Gallery Dundee (attached links). As this is a project with multiple outputs, which evolve the theme within specific instalments into more context and site specific set ups, I would like to develop the next chapter specifically with the biennial team (words/singers/installation).', NULL, NULL, 'The general output of the installation would be a 1 or 2 channel projection within a dark space (measuring around 10 m x 8 m, ceiling height cca. 4 – 5 m; though the project offers flexibility). Additional suggested elements are a wallpaper covering the walls (depicting a collage made from gifts to Tito by official state photographers following the Yugoslav diplomacy around countries of the Non-Aligned movement). The second element is a performance by singers that interact with the projection.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/366987852', NULL, NULL, NULL, 'https://www.dundee.ac.uk/cooper-gallery/exhibitions/jasminacibicthepleasureofexpense/', NULL, NULL, NULL, 720, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 612, 5, '2020-04-02 13:12:56', '2020-10-05 17:58:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/16nfJmei7JoZ3aWp8HDg1YKghExsN3nqz'),
(9940, 'aYkYziNSRGW44Znj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:13:02', '2020-04-02 13:13:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9941, 'gZZ88cxp7ZNvmpqF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:13:07', '2020-04-02 13:13:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9942, 'rjD1tEYRWIVpj9Dj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:13:52', '2020-04-02 13:13:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9943, 'VbQbOpKuqmyhNYF6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:13:56', '2020-04-02 13:13:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9944, 'rJjttPocT1xzmvoP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:14:52', '2020-04-02 13:14:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9945, 'x9jP4wHfaMKwWKIE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:15:11', '2020-04-02 13:15:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9946, 'jyzB1dSItBUAzbJY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:15:36', '2020-04-02 13:15:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9947, 'uRrwhdCLipIocqTF', 'Corrientes', NULL, 'Corrientes es un espacio en línea para la imagen en movimiento latinoamericana que tiene como objetivo aumentar la visibilidad y conectar a artistas y espectadores a través de una plataforma en la que cada dos semanas se invita a unx artistx a exhibir una de sus películas. Cada obra será acompañada por una respuesta creativa con fin de crear conversación con y alrededor del trabajo y del contexto en el que vivimos. A medida que pasa el tiempo, un archivo de voces e imágenes creará un mapa de referencias de imágenes en movimiento latinoamericanas.\n\nNos gustaría poder crear una exhibición o un programa físico de los artistas que han estado y van a estar invitados a la página. Bienal Sur sería la oportunidad perfecta para poder hacer una recopilación física de corrientes.\n\nwww.corrient.es', 'Jeannette Muñoz, Chile, http://jeannettemunoz16mm.blogspot.com/\nAna Vaz, Brasil, https://vimeo.com/anavaz\nIsabella Londoño, Colombia\nSara Vera, Colombia\nBeatriz Santiago Muñoz, Puerto Rico, http://fabricainutil.com/\nLaura Cadena, Colombia\nSula Bermudez Silverman, EEUU, https://sula.studio/\nColectivo Los Ingrávidos, Mexico, https://vimeo.com/user15819885\nAnto Astudillo, Chile, https://www.antoastudillo.com/\nLaura Huertas Millán, Colombia, https://www.laurahuertasmillan.com/\n\nMás a venir...', NULL, 'Pantalla de cine o pantalla expositiva (black box o white cube) donde se pueda hacer programación de las películas elegidas. Idealmente sería programación varias veces al día. \n\nwww.corrient.es', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1348, NULL, 159, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1178, NULL, '2020-04-02 13:16:39', '2020-08-01 00:38:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(9948, 'Wncx7nWAjiQUeU9e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:16:52', '2020-04-02 13:16:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9949, 'bA7J8nFW2rV9zdbK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:16:54', '2020-04-02 13:16:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9950, 'Trr3TU05WD4cFluF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:17:06', '2020-04-02 13:17:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9951, '9vpmYr7jkbXGV6f7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:17:58', '2020-04-02 13:17:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9952, '8KnhCvVTB2vE3jNX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:18:09', '2020-04-02 13:18:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9953, '3Ymd1XfyKM3QIqxb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:18:22', '2020-04-02 13:18:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9954, 'uZf7MhpNhwLAginz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:19:57', '2020-04-02 13:19:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(9955, 'D6cXbaiRQI79gq2W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:20:18', '2020-04-02 13:20:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(10004, 'tZZVV7vBnDFiSCsN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:35:25', '2020-04-02 13:35:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10005, 'IfJjTZW0y9zxnuid', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:35:31', '2020-04-02 13:35:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10006, '9X6pgn57dk7x1reL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:37:03', '2020-04-02 13:37:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10007, 'ob9t0pklkUwBKm8d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:37:07', '2020-04-02 13:37:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10008, 'Qft3PR4F2UrkrzbU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:37:09', '2020-04-02 13:37:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10009, 'jNBQnS3ElDlnDm2b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:37:19', '2020-04-02 13:37:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10010, 'P8s1ddv3NLfNVw03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:37:30', '2020-04-02 13:37:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10011, '8puEmTv8eMhEbf8s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:37:51', '2020-04-02 13:37:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10012, 'LUsQUYnYb5zmaTLz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:37:51', '2020-04-02 13:37:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10013, 'p9RNXhqEjGvR4Gaq', 'Correspondance (Contact)', NULL, 'Correspondance (Contact) and Correspondance (Touch) is a choreographic work in two parts: a corresponding video and live performance. Each part can be exhibited/performed by itself independently from the other, or together as one event. An exercise in crossing thresholds, the choreography – both live and on screen – occurs amongst a constellation of co-protagonists: two performers move through and are moved by their surroundings on a moment-by-moment basis, triggered through a collective becoming-with ebbs and flows while occurring through a co-constitutive manner. Together in interplay with natural elements (light, shadow, water, etc.) the choreography unfolds as an entangled process of becoming-with one another. Through processes of attunement, correspondence, contagion and contact, the performers trace qualities of force, breath and flow in vibration – reorganizing, shape-shifting and boundary-probing the patterns of a potential new becoming. Experimenting with variable morphologies of co-presence, Correspondance attempts to create an encounter of rethinking a mutual field of potential relations in a shared, mutually affective field of resonance.', NULL, NULL, 'Correspondance (Contact) is a single-channel moving image that can be screened once in a cinema setting or on loop in the context of an exhibition, either on a monitor or projected. \n\nCorrespondance (Touch) is a live performance performed by myself together with Geneva-based dancer/choreographer Lucie Eidenbenz. This performance is best presented in a large space and requires a Source Four ellipsoidal light and a programmable lighting desk as well as a number of cushions for audiences to sit on.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/368578472', 'Morphology', NULL, NULL, NULL, NULL, NULL, NULL, 1283, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1119, NULL, '2020-04-02 13:38:05', '2020-07-27 20:42:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10014, 'NZ32eHHxu7jE39de', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:38:10', '2020-04-02 13:38:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10015, 'PXPJlnfGBm9vp4VL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:38:31', '2020-04-02 13:38:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10016, '09gJRfYHhPKxz6AU', 'Sandrine Llouquet´s project', NULL, 'Ancient spiritual practices, mythological imageries and religious behaviors have been at the center of my art making. For years, fascinated by the powerful influences that beliefs have played in many aspects of the human existence, I have been searching for common connections between them to try to understand their unshakable importance in the human psyche. “Syncretism” – a fusion of heterogeneous elements stemming from different philosophical or religious doctrines or visions of the world - symbolizes the way I look at the world. This same principle of fusion is applied in my work, where I create my own universe of religious gestures, imageries, and rituals. Echoing my subject, I have been experimenting for 2 years with 2 techniques: Vietnamese Mosaic and Portuguese Azulejo. Like jigsaws, these techniques offer ways of associating the opposite concepts of the Multiple and the One, creating back and forth between overview and vision of details. As a mise en abime of the process of ‘syncretization’, my project is based on a series of panels combining these techniques. I first paint a composition of esoteric symbols, characters or objects on tiles. Then, the tiles are broken into pieces or mixed, thus decomposing the represented patterns. The new-created fragments are then re-organized, as a kind of recursive process. A video I realized last year in Vietnam and staging an esoteric ceremony will accompany these panels.', NULL, NULL, 'Dark room for screening the movie\n\nWalls for hanging the panels (lenght: 12meters)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/manage/391251823/general', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1192, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1034, 5, '2020-04-02 13:38:40', '2020-08-28 19:08:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10017, '2t9OFdH5oPRDcCiq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:38:56', '2020-04-02 13:38:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10018, 'xoZe2QZcvle2Y4GI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:39:03', '2020-04-02 13:39:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10019, 'lrv2Knbs83t9CBIq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:40:14', '2020-04-02 13:40:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10020, 'mHUFNP6xrR1B8MJv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:41:14', '2020-04-02 13:41:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10021, 'hNr5nfoaiGobA54Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:41:30', '2020-04-02 13:41:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10022, 'EEXD3aFKL7Pm1LV4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:42:12', '2020-04-02 13:42:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10023, 'Q7DP3GQSySXlFway', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:42:13', '2020-04-02 13:42:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10024, 'h6p2Kfk114oJjeSN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:42:17', '2020-04-02 13:42:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10025, 'T7yRVbdqGSIEvXM8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:42:30', '2020-04-02 13:42:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10026, 'UhdlYjp4Af9VgkaH', 'Todos somos indios: Archivo de las Panteras Parias', NULL, 'La constitución haitiana del siglo XIX logró un evento jurídico con la siguiente frase: “de ahora en adelante todos los ciudadanos se conocerán como negros”. El adjetivo discriminatorio se tornó en el espacio de resistencia legal y social. La exposición “Todos somos indios: archivo de las Panteras Parias” es una reflexión estética detonada por la presentación y traducción del archivo independiente de las Panteras Parias. El archivo, recopilado por Shrujana Shridhar y Nayantara Bhatkal, representa una serie de libros, panfletos y carteles que fueron utilizados como dispositivos para la promoción de ideas de emancipación política y reivindicación de las castas oprimidas en la India contemporánea. El movimiento de las Dalit Panthers empezó en 1972 en la ciudad de Bombay y congregó a pensadores, artistas y activistas para hacer pública la importancia del pensamiento de los autodenominados dalit – traducido al español como parias. Dalit significa “polvo”, “sucio” u “oprimido”. Esta exposición se piensa como un espacio de colindancia y disonancia, entendiendo que, si bien México y la India son países lejanos con contextos sumamente diferentes, comparten un destino de colonización y una estructura socio-político-económica basada en la discriminación y la desigualdad sistémica. México se ha forjado como un país mestizo-criollo al tiempo que ha excluido, atacado y discriminado a las comunidades indígenas y negras del país.', 'Shrujana Niranjani Shridhar y Nayantara Bhatkal, India, http://ssaf.in/grants/shrujana-niranjani-shridhar-2019/\nBirender Yadav, India, https://www.birenderyadav.com/\nUjjwal Uttkarsh, India, http://www.kanishka.co.in/\nYogesh Barve, India, https://www.youtube.com/channel/UCtvg7pKu9yzE8mPRHDO5rxA/videos\nYutsil Cruz, México, https://vimeo.com/user36933817\nMartín Tonalmeyotl, México, https://letralia.com/letras/poesialetralia/2018/03/19/poemas-de-martin-tonalmeyotl/\nErik Tlaseca, México, https://eriktlaseca.carbonmade.com/', NULL, 'Casa del Hijo del Ahuizote, Ciudad de México. Este archivo, imprenta y museo acoge el periódico El Hijo del Ahuizote y sigue los ideales de los Flores Magón, quiénes usaron la impresión artesanal para la difusión de ideas políticas. En una zona de comercio informal del centro de la ciudad, el edificio cuenta con tres pisos (dos pisos de exhibición, uno de oficina/imprenta y una terraza). Se aprovechará el mobiliario del espacio para la proyección de vídeos y muestra de material histórico.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/218252631', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 988, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 838, NULL, '2020-04-02 13:42:31', '2020-08-11 21:45:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10027, 'uBGSheSOxySMGLeF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:42:33', '2020-04-02 13:42:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10028, 'vpH38DUxVTgDxBp7', 'One Year Women\'s Performance 2015-2016', NULL, 'One Year Women’s Performance 2015-2016 es un proyecto inspirado en la performance One Year Performance 1980-1981 (Time Clock Piece) de Tehching Hsieh. Cada hora, vestido con uniforme y durante un año, este artista taiwanés fichaba en un reloj a la vez que se tomaba una foto, poniendo de manifiesto que el trabajo de un artista abarca las 24 horas del día.\nEn contraposición, Raquel Friera cuenta con 12 ciudadanas de Sant Cugat del Vallés (Barcelona), una figura colectiva. Cada una de estas mujeres, durante un mes, ficha y se toma una foto cada vez que realiza en su casa una tarea considerada como trabajo doméstico o de cuidados. Además, registra en audio los momentos en que dicho trabajo sobrepasa la dimensión material, como por ejemplo la disponibilidad o el tiempo dedicado a la planificación de las actividades, evidenciando así su carácter incuantificable.\n\nOne Year Women’s Performance 2015-2016 reflexiona sobre el trabajo no remunerado realizado por mujeres y tiene como objetivo visualizar y reconocer todas esas tareas imprescindibles para el mantenimiento de nuestras vidas y el funcionamiento del engranaje capitalista. Además, la obra muestra cómo, en un contexto europeo, ciertas dimensiones de la subjetividad como el género siguen siendo manipuladas para establecer jerarquías entre trabajos, como en este caso el artístico y el doméstico o de cuidados.\n\nLa obra forma parte de la serie Feminizing Art History, una serie que reinterpreta obras míticas de la Historia del arte.', NULL, NULL, 'Instalación de 1089 fotografías, 320 tarjetas de fichar y grabaciones sonoras de voz.\nPrecisa de 27 m lineales de pared continuados.\nLo ideal es instalar la pieza en una sala individual.\n\nSe trata de un proyecto contextualizado en Europa y complejo en su realización. Se requieren actividades paralelas para inscribirlo allí donde se expone y profundizar en los temas que, de diferentes maneras, atraviesan a todas las mujeres: seminarios de diálogo entre mujeres y/o visitas guiadas experimentales.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/293094768', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3125, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2688, 5, '2020-04-02 13:42:49', '2020-08-29 14:56:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10029, 'PSk5r47TJDDn8nAD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:42:58', '2020-04-02 13:42:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10030, '7h0lAaVGVGXTfVda', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:43:03', '2020-04-02 13:43:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10031, 'LvyT7fyFtR1WWbpW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:43:28', '2020-04-02 13:43:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10032, 'rEX9WDTXL9yOVoQN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:44:01', '2020-04-02 13:44:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10033, 'vKhokQ6qDoLV0Dw8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:45:02', '2020-04-02 13:45:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10034, 'gdJXPPjTyx8tSHN2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:45:53', '2020-04-02 13:45:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10035, 'juQdR6nVLtFPQ8lb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:46:55', '2020-04-02 13:46:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10036, '6bc2ZicdFJBQ8C9p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:47:14', '2020-04-02 13:47:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10037, 'DDCPONfQM9tVr5pT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:47:17', '2020-04-02 13:47:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(10038, 'E36uBTkX96Be5iQh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-02 13:47:48', '2020-04-02 13:47:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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