INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(3501, 'Pv90V2irmAcyDUeF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-23 23:07:19', '2020-02-23 23:07:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3502, '55WYouqsNolyphzz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-23 23:10:20', '2020-02-23 23:10:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3503, 'o0qrfwQ0Or1yVpRT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-23 23:14:56', '2020-02-23 23:14:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3504, '7x57nImntVRgs4Bo', 'Alto contraste', NULL, 'Ejes: Modos de ver/ Cuestiones de género.\n\nEl proyecto fotográfico “Alto contraste” parte de una reflexión en torno al autorretrato. Convertido en un fenómeno universal a través de la selfie y de su circulación en redes sociales, este género de origen pictórico constituye un gesto de auto-exposición que adopta ciertas convenciones, a modo de máscaras. En el acto de exponerse, no dejan de velarse emociones, ideas, vivencias y contenidos inconscientes, que nos obligan a detener la mirada en busca de aquello que la imagen ha silenciado. La materia prima con la cual se ha trabajado es el archivo personal de autorretratos fotográficos, despojados de sus rasgos contextuales a través de un proceso sistemático de edición digital. \n\nEn el marco de BIENALSUR, se desea dar continuidad al proceso creativo iniciado en 2019 y actualmente exhibido en la Alianza Francesa de Buenos Aires (Galerie d\'Art del Centro Flores, Granaderos 61, CABA, 9/03 al 30/04 de 2020). En este contexto expositivo, las obras están reunidas en cuatro series autorreferenciales, ordenadas de acuerdo con un progresivo nivel de abstracción y generalización: “Mirada a cámara”, “Introspección”, “Máscaras” y “Paisajes anatómicos”. La propuesta a futuro consiste en trabajar con una nueva serie que incorpore  imágenes y voces femeninas del campo artístico-cultural local.\n\n- Eli Schürmann.', NULL, NULL, '• Sala de exposiciones de aproximadamente 20 m2, con iluminación focal. \n• Espacios propuestos: Casa Victoria Ocampo (FNA)/ museo temático (por ejemplo, Museo de la Mujer). Nota: no se ha llevado el proyecto aún a estas entidades.\n• Al tratarse de obras elaboradas digitalmente, las dimensiones finales y el tipo de soporte a utilizar se podrán consensuar con los responsables del espacio, en función del sistema de montaje disponible.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://bit.ly/38msZoP', NULL, NULL, NULL, 450, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 377, NULL, '2020-02-23 23:27:52', '2020-06-24 16:09:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3505, 'Lwx3wP3AqQdY8WHE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-23 23:32:55', '2020-02-23 23:32:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3506, 'DsDKIMSR87pdECXx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-23 23:33:42', '2020-02-23 23:33:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3507, 'cUNDkkhgna9w5yzf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-23 23:34:28', '2020-02-23 23:34:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3508, 'lHtZvU6Wg4qFQdLL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-23 23:49:17', '2020-02-23 23:49:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3509, '8QqlG2vSXVTCxo0L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 00:11:34', '2020-02-24 00:11:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3510, 'bMB9Be6h3q37xnGo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 00:39:28', '2020-02-24 00:39:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3511, '4XdHn9oShXgWziKf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 00:55:52', '2020-02-24 00:55:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3512, 'xdEZMoQbuewYSpOv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 01:02:26', '2020-02-24 01:02:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3513, 'Sdn0H3s3uzcBcLPt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 01:12:00', '2020-02-24 01:12:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3514, 'VySbIRocZZStuYjV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 01:31:12', '2020-02-24 01:31:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3515, 'MBl5FCQY1wq36ByK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 01:36:24', '2020-02-24 01:36:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3516, '6uaGk8ljiFctnJm5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 01:37:36', '2020-02-24 01:37:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3517, '0bx6f1EhHrwuLOlC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 01:41:24', '2020-02-24 01:41:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3518, '80xE65crQtj0J4wS', 'TRANSVER', NULL, 'COMO PERCEBER AS ENCOSTAS AO NOSSO REDOR? MANOEL DE BARROS, EM AS LIÇÕES DE R.Q., NO LIVRO SOBRE NADA, ANTEVÊ O QUE QUASE NÃO PERCEBEMOS COM TAMANHA SIMPLICIDADE: “O OLHO VÊ, A LEMBRANÇA REVÊ, E A IMAGINAÇÃO TRANSVÊ.” \nSOBRETUDO POR SERMOS SERES DE AÇÕES CONSTANTES, NÃO ENXERGAMOS AS ENCOSTAS QUE NOS RODEIAM. \nO ENCANTAMENTO PARA AS COISAS REQUER UM OLHAR PERIFÉRICO E IRREVERENTE. \nA POESIA FAZ ISSO QUANDO DESCONCERTA O LEITOR QUE ENVEREDA PELOS SEUS VERSOS. NA PINTURA, ESSE OLHAR OBLÍQUO PODE SURGIR PELO SILÊNCIO A QUE A IMAGEM REMETE OU PELA AUSÊNCIA DE EXPLICAÇÃO DO FAZER. O SIMPLES FATO DE PERCEBER JÁ É SUFICIENTE PARA ALGO EXISTIR. E É NA SIMPLICIDADE DAS COISAS QUE ENCONTRAMOS ALGUM SENTIDO. MAS, É PRECISO TRANSVÊ-LA PARA CONSEGUIR IR ALÉM.', NULL, NULL, 'O PROJETO OBJETIVA A REALIZAÇÃO DA EXPOSIÇÃO \"TRANSVER\" COM AS PINTURAS REALIZADAS POR JULIANA BAUMANN NOS ÚLTIMOS DOIS ANOS.\nOS TRABALHOS SERÃO APRESENTADOS EM TELAS E JÁ ESTICADOS EM BASTIDORES OU EM MOLDURA ARTESANAL COM VIDRO PARA AQUELES EM PAPEL.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4280, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3630, NULL, '2020-02-24 01:42:19', '2020-07-08 00:27:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3519, 'iCZulADlZJFipfnx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:11:16', '2020-02-24 02:11:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3520, '0JiYj0Eux2aRVdxi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:16:32', '2020-02-24 02:16:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3521, 'RtNqL7fRz6wF3LTp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:20:23', '2020-02-24 02:20:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3522, 'U2BkmnR5d7ZC8pT6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:27:20', '2020-02-24 02:27:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3523, 'CBKI32WM74776KGC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:29:02', '2020-02-24 02:29:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3524, 'DIvFp5CGQQNcOun0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:34:24', '2020-02-24 02:34:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3525, 'EvUHhMoBvKqyqeq1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:38:08', '2020-02-24 02:38:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(3527, 'AjDZ0TdrMUX1xxyX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 02:50:22', '2020-02-24 02:50:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3528, 'QPsIp8FgQyAgiy9E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 03:05:00', '2020-02-24 03:05:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(3541, 'Ca2ppGInU6JsRr5m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 04:23:57', '2020-02-24 04:23:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3542, '0OUIFyvqiOtvu8eD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 04:26:32', '2020-02-24 04:26:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3543, 'iH0RgN7truIspaxu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 04:33:09', '2020-02-24 04:33:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3544, 'isIXsp1WTxcfZHAQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 04:58:18', '2020-02-24 04:58:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3545, 'rGkCW6rGZLrJfTR1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 04:59:45', '2020-02-24 04:59:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3546, 'FpWYRBHzwoAAgvtC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 05:03:25', '2020-02-24 05:03:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3547, 'Gc1YWhQzikQAqXYL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 05:17:57', '2020-02-24 05:17:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3548, 'JSIuuYpmxJPpGDr2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 05:27:18', '2020-02-24 05:27:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3549, 'BIWS5x3nw4PzLYgJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 05:43:44', '2020-02-24 05:43:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3550, 'nary3puzDV2ldfkr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 05:57:40', '2020-02-24 05:57:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3551, 'JmeD4Z5ideIcnfnM', 'Cuerpo/Cadáver', NULL, 'Cuerpo / Cadáver es una  instalación gráfica que  desarrolla un texto a través de la selección  de un conjunto de series de palabras vinculadas entre sí por su condición de sinonimia, a las cuales denomino cadenas metonímicas.\nLas cadenas metonímicas se entrecruzan ocupando el plano y relacionándose a través de palabras-cruce, constituyendo, en su conjunto, una estructura rizomática, que se organiza en diferentes direcciones espaciales y genera una proliferación de líneas discursivas no jerarquizadas.\nEl proyecto produce un texto a partir de una regla restrictiva: solo palabras que sean sinónimo de la antecedente. Dicha selección está pautada por las características propias del espacio a intervenir.\nLas cadenas de sinónimos, desplegándose en el espacio, producen un texto que pone en juego una poética de la deriva y de la fragilidad del narrar.\nDesde este punto de vista técnico el texto está realizado en plotter de corte sobre viñetas de vinilo negro autoadhesivo en formato rectangular, con una medida de 6 X 9 cm.  Cada viñeta se vincula con la siguiente a través de líneas de 1.5 cm de ancho, realizadas también en vinilo autoadhesivo.\nUna versión del presente proyecto fue presentado con anterioridad en 2015, en la primera edición de FAUNA, organizado por la Universidad Nacional de las Artes en Ciudad Konex.', NULL, NULL, 'El texto puede desplegarse sobre paredes, pisos y techos. La distribución y extensión de las líneas no está predeterminada. Cada montaje tiene un formato y una extensión propios, de acuerdo a los criterios de curaduría.\nLa condición primordial del espacio a ocupar  lo constituye, en realidad, las superficies. Estas deben ser de escasa o nula porosidad (vidrios, superficies pintados con sintético, mármol y piedras pulidas) y estar secas y libres de polvo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 565, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 473, NULL, '2020-02-24 06:41:32', '2020-06-23 02:48:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3552, 'hCx6o1YlxEzEb0Yn', 'Little México', NULL, 'Little México fue una exposición mostrada en The Reach Gallery Museum, en Abbotsoford, Canadá en 2019, que indagó sobre les trabajadores migrantes agrícolas mexicanes que vienen a Canadá desde 1974 a través del Programa de Trabajadores Agrícolas Temporales (PTAT). El trabajo realizado por les compañeres contribuye substancialmente a la economía canadiense, sin embargo, elles son invisibles para una gran parte de la población. Además, a les compañeres no les son reconocidos parte de sus derechos humanos y laborales, que los expone a toda clase de abusos en los ocho meses que trabajan lejos de sus familias y comunidades fuera de México. En estos tiempos de pandemia y “nueva normalidad,” les trabajadores han sido reconocidos como “esenciales” aunque sin contar con las suficientes garantías sanitarias, laborales, y sociales que los protejan. Así, hoy mas que nunca debemos mirar hacia elles en este sur expandido con un pensamiento critico de nuestra región, que nos permita aproximarnos a estas otras experiencias vitales en estos tiempos. La propuesta consiste en tres de las obras que formaron parte de la exposición: “Festividades en Días Soleados,” una instalación hecha con papel picado diseñado para la muestra; “12hrs. diarias,” que muestra 28 gorras desgastadas usadas por les trabajadores durante las jornadas laborales; y “Proclamación,” una denuncia sobre la creación de una lista negra del Consulado Mexicano en Vancouver en contra de los trabajadores que denunciaban los abusos.', NULL, NULL, 'La pieza “12 hrs. Diarias” necesita entre 4 y 5 metros de largo para su instalación en la pared. La obra “Proclamación” es una impresión en papel de 90 x 120 cm, donde se invita al publico a firmar la petición en apoyo a los trabajadores. La pieza “festividades en días soleados” es una obra de dimensiones variables instalada pared a pared. Para esta obra, cuento con papel picado necesario para lograr la longitud deseada, y con las líneas necesarias para el espacio establecido.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3879, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3300, NULL, '2020-02-24 06:52:41', '2020-06-14 10:43:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3553, 'UbY4IbRdnPsCTnZ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 06:56:33', '2020-02-24 06:56:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3554, 'v3zIapPV6lJJtEXB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:10:09', '2020-02-24 07:10:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3555, 'w7MQJmQGrBqGhfO1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:17:19', '2020-02-24 07:17:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3556, 'R8HrYKiqOSiOahnM', 'Muñequitas', NULL, 'La serie muñequitas expresa los condicionamientos que sufren  las mujeres en un mundo machista dónde sus sueños no coinciden con los standard sociales. Expresa la liberación a través de arte', NULL, NULL, 'Las obrasestan realizados en madera, miden entre 70cm  80cm, están realizados en óleo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'Mariannepauls19', NULL, NULL, 171, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 154, NULL, '2020-02-24 07:25:22', '2020-06-23 02:15:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3557, 'EIInwvcU2y2pJcU3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:29:06', '2020-02-24 07:29:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3558, 'BKj2UzDhYBqdiQ9a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:35:24', '2020-02-24 07:35:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3559, '6NJzBRlQccdPm3et', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:36:04', '2020-02-24 07:36:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3560, 'QL6nlIg2dhVcLpSa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:38:57', '2020-02-24 07:38:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3561, 'UAb67UaCDiaEcJ5v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:47:41', '2020-02-24 07:47:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3562, 'SRRtXP16ru9wcznL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 07:57:32', '2020-02-24 07:57:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3563, 'VTU8dGrGOdmPgoty', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 08:31:47', '2020-02-24 08:31:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3564, 'BxzMHKBFcbFyFAjV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 08:50:00', '2020-02-24 08:50:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3565, 'nXBsUdQITCE5UST5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 08:52:55', '2020-02-24 08:52:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3566, 'FvpyqzmdWdhK8EpM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 09:26:51', '2020-02-24 09:26:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3567, 'Cf0lnMJP37809VI8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 09:43:39', '2020-02-24 09:43:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3568, '8OORtdbqemuVU1kr', 'Todo me pellizca', NULL, 'Descripción conceptual: \n\nQué se siente desde adentro? Mirar con el cuerpo, sentir más allá del goce visual. \nNo hay oscuridad, ni en la oscuridad. \nCuestiono el recorte visual. Transito la materia en el tiempo presente, su rastro latente, más allá del fragmento. \nHabito la inscripción indefinible. Qué hay en el entre de la consolidación de la forma?\n\n\nCaracterísticas formales:\n\nLa instalación corresponde a las exploraciones sensibles realizadas en Ushuaia, Tierra del Fuego en Noviembre de 2019. Considero importante respetar las marcas y particularidades del recinto, poniéndolas en diálogo con la obra. \nEstá compuesta por:\n\n-  un traje de seda de exposición parietal con sistema colgante de hierro a 1,8mts del piso\n- una fotografía de 37cm x 50cm  \n- Un video de 6 minutos en loop a ser exhibido con proyector directamente sobre la pared (a diferencia de la foto de referencia, por lo que no se precisa la mesa)', NULL, NULL, 'Espacio piso - pariental de 2mts x 2mts x 0,3mts en sala de exhibición. Los elementos pueden sufrir modificaciones de exhibición de acuerdo a las posibilidades del espacio, previo acuerdo.', NULL, 'artist', NULL, NULL, 'http://www.paoreymundo.com.ar/todo-me-pellizca/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 175, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 157, NULL, '2020-02-24 10:13:31', '2020-06-24 15:43:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3569, 'ur3BW6NVZp5jSJy3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 10:13:31', '2020-02-24 10:13:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3570, '5i6BixFW9FPMI07W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 10:27:48', '2020-02-24 10:27:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3571, 'SBKGo5QYvjStNtEA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 10:29:07', '2020-02-24 10:29:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3572, 'mATSoDaxR1fzhtEL', 'Héroe anónimo', NULL, '“Héroe anónimo”\n\nEl proyecto “héroe anónimo” parte del cuestionamiento de las formas hegemónicas que se han  impuesto en el discurso histórico. Reflexiona, en específico,  sobre la idea de “documentos de la cultura” que provienen  de aquellos que han vencido (aquellos que escriben la historia), quedando un gran número de personas anónimas, sin voz.\n\nEl trabajo pretende pensar  la memoria como un acto de justicia, como un  ejercicio de redimir a todos los que han quedado afuera, como una posibilidad de construir un  futuro en un retorno al pasado reconciliado.\n\nDesde esta premisa,  replanteo el busto clásico que hace homenaje a los héroes  de la historia, por un lado,  poniendo de  protagonista  un ciudadano común, un trabajador que sobrevive a un sistema precario e injusto. En mi país el modelo que nos rige protege a la economía y no a las personas, hoy la población se levanta para alzar su voz en contra, así, entre perdigones, represión y golpes, nacen héroes anónimos que luchan por una vida más digna para todos.\n\n Por otro lado, cambiando su materialidad (mármol, broce, etc.) por lana; textura suave que invita al tacto y genera una experiencia cercana. Aquí se replantea, a través de la urdimbre de lana que representa el   anhelo de cohesión y  sentimiento de pertenencia, el cambio de paradigma que se está viviendo, el choque entre el antiguo pensamiento y el nuevo.', NULL, NULL, 'La escultura mide 1.65 de altura y  ancho  80 cm. esta echa de lana peinada. El espacio que necesita es interior para cuidar su materialidad .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 861, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 728, NULL, '2020-02-24 10:29:52', '2020-07-10 01:09:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3573, 'sCqndo5d7G0oDQNe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 10:56:43', '2020-02-24 10:56:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3574, 'gWzor2gMe8DTOmbS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 11:02:21', '2020-02-24 11:02:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3575, 'uvY8K1SjMU8uRp0V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 12:37:05', '2020-02-24 12:37:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3576, '4FVXYqDAi3pw1xxq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 12:38:04', '2020-02-24 12:38:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3577, 'Grmd3UIEDyhrd1ua', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 12:39:01', '2020-02-24 12:39:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3578, 'fjawcAffkqLCEFzN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 14:54:11', '2020-02-24 14:54:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3579, 'mvG5OAG8gqiFz7b0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 16:32:22', '2020-02-24 16:32:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3580, 'm9n5n3WGkJ1mYl31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 16:44:35', '2020-02-24 16:44:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3581, 'GNIjv8wjYgUProBN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 16:45:05', '2020-02-24 16:45:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3582, 'zHlGvEt7sPeXOBEP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 17:24:59', '2020-02-24 17:24:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3583, 'niv6Ea1ziDwl9DEp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 17:33:06', '2020-02-24 17:33:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3584, 'WWZu1ZFpQRxmirdJ', 's/t', NULL, 'El proyecto consiste en 25 cuadrados , cada uno de ellas compuesto de  4 medias imágenes numeradas. El asunto es que empieces a construirla por donde empieces el rompecabezas siempre va armarse , a su vez si el espectador prefiere no armar el rompecabezas puede optar por armar el cuadro completo al azar y ver que imágenes se le forman.\nEn las imágenes de muestra 1 y 2 adjuntas se ve como quedaría armada la obra completa (Uno de  sus múltiples  posibles armados) \nLas imágenes 3 a 10 serian muestras de las 25 imágenes que la componen. \nLa obra está en construcción,  los espacios rosas son espacios donde falta colocar alguna imagen. En total faltan 13 imágenes de 50.', NULL, NULL, 'La obra en total mide un metro por un 1,10 metros x 1,10 metros : Cada cuadro mide 10 centímetros x 10 centímetros, estando separado uno del otro por 2 centímetros.  Va colgada en pared  blanca sin ningún tipo de marco para dar la sensación de infinitud. \nFrente a la obra colgada (o una de las tantas posibilidades que ofrece) hay una mesa de mínimo un metro por un metro con replicas de los 25 cuadrados para que el espectador pueda experimentar con sus múltiples posibles armados con libertad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 177, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 159, NULL, '2020-02-24 18:16:44', '2020-06-23 15:22:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3585, 'JOhuV5AAzl2yF86b', 'Cine underground', NULL, 'En mi practica artística combino el cine underground, el dibujo y la pintura.Cuando la gente me pregunta que tipo de cine hago he decidido definirla como underground porque una de las características mas relevantes es que las hago casi sin presupuesto y en ellas participan amigos y gente del entorno. Al no contar con mucho presupuesto el resultado es el que es, el sonido no esta pulido, la luz y la imagen no son impecables, los actores se ríen y se despistan, van despeinados, hay errores de racord, pero yo creo que las películas estan vivas justamente porque tiene todos estos fallos y sobre todo tienen una energía propia que es la ganancia que da la falta de recursos.Mi propuesta es hacer un proyección de mis películas, hasta el momento he realizado 3 cortometrajes TarotNight, TheNews, TheRealStarudsOil y un largometraje KillingTime. Aparte de la proyección me gustaría plantear un taller de 3 dias sobre cine underground si hubiese la posibilidad. El objetivo del taller sería conseguir que después de estos 3 días las personas que asistan salgan motivadas para empezar sus proyectos con los recursos que tengan. Mi planteamiento sería hacer 4 horas al día, la primera hora pondría películas underground y de bajo presupuesto que me parecen icónicas. Y después de esto en forma de charla abierta me gustaría que las asistentes al taller hablasen de los proyecto que quiere hacer y desde ahi yo poder darles algunas claves para que puedan realizar sus películas.', NULL, NULL, 'El espacio expositivo que necesitaria seria un cine o habitación donde haya una pantalla, un proyector, altavoces y una mesa de sonido o algo para manipular el sonido, para que el sonido de las peliculas se escuche lo mejor posible. Y unas sillas o butacas para sentarse. \n\nPara el taller necesitaria un espacio con proyector, una pantalla y  unas sillas donde sentarse.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/294582223', 'KillingTimesub', NULL, NULL, NULL, NULL, NULL, NULL, 4120, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3513, NULL, '2020-02-24 18:50:57', '2020-07-03 22:42:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3586, '8Nk8ijBuUPH2vD5N', 'Valientes', NULL, 'Valientes es un proyecto de Arte Feminista centrado en las disidencias. En este momento consta de 8 obras, cuyas disciplinas varían desde la Pintura, el Arte Digital y el Dibujo. La obra más pequeña mide 25x25cm y la de mayor formato mide 100x80cm. Se trata de retratos de mujeres que representan distintos colectivos: Las trabajadoras sexuales; el colectivo trans; las personas en situación de pobreza, entre otros.', NULL, NULL, 'Una sala de 12m cuadrados es suficiente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=1mtBlk0T7Nnow5ZVKhaK01j4UlkkbUGRB', NULL, NULL, NULL, 176, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 158, NULL, '2020-02-24 19:20:29', '2020-06-23 02:15:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(3587, 'ghPTQlP8G0IjJsJF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 19:30:27', '2020-02-24 19:30:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3588, 'OWRh6xWBQZ7fDZD5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 19:44:37', '2020-02-24 19:44:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3589, 'AhmGTwuqUDqV7veR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 19:45:57', '2020-02-24 19:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3590, 'nAJuHAWB50HodxE8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 20:00:51', '2020-02-24 20:00:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3591, 'kh0TTUEWzT3WjJbb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 20:14:08', '2020-02-24 20:14:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3592, 'TxoUzql3YAee7LlZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 20:19:01', '2020-02-24 20:19:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3593, 'oN4Y7ZUarmg3CFCh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 20:29:04', '2020-02-24 20:29:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3594, '8jAo5kX2dVkN3M6u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 20:42:15', '2020-02-24 20:42:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3595, 'kAQ2hbmZ1nu1JGEW', 'PROYECTO FILOCTETES', NULL, 'PROYECTO FILOCTETES es una intervención urbana creada por Emilio García Wehbi que se realizó en Viena, Buenos Aires, Berlín y Cracovia.\nPara García Wehbi existen en las calles de nuestras ciudades “dos tipos de gente: los transeúntes, que las atraviesan para ir de un punto a otro, se benefician de sus servicios y comodidades, y los que la habitan realmente, los mendigos e inmigrantes que llegan a ellas con la esperanza de un futuro mejor”. En los fundamentos de su proyecto plantea que su objetivo es interrogar en términos estéticos el vinculo establecido entre esos dos tipos de habitantes de la ciudad y afirma que las ciudades contemporáneas se han convertido en el lugar de destierro de los expulsados del sector activo de la sociedad. \nLa acción consistió en la colocación de veinticinco muñecos hiperrealistas, en posiciones de abandono o necesidad, en veinticinco puntos neurálgicos de la vía pública. Cada muñeco era acompañado por un grupo que registraba disimuladamente las reacciones de los transeúntes e intervenía cuando era necesario. Sin pretensiones de ser un estudio del comportamiento social, Proyecto Filoctetes fue una irrupción estética en la que lo artístico se mimetizó con la realidad para tomar de sorpresa aquello que estaba siendo intervenido: el espacio público. \nEl archivo FILOCTETES está compuesto por la documentación de estas acciones. La propuesta para BIENALSUR es la realización de una exhibición de ese archivo.', 'EMILIO GARCÍA WEHBI (1964)\nArgentino\nPágina web: http://emiliogarciawehbi.com.ar', NULL, 'Por las características conceptuales del proyecto así como por los ejes temáticos que atraviesan toda la obra de García Wehbi, por un lado, y por la carga semántica del MUNTREF/Sede Hotel de Inmigrantes, por el otro, sugerimos un espacio expositivo de ese Centro. \nLa sala 2, su espacio principal y los adyacentes son ideales para montar esta monográfica del PROYECTO FILOCTETES, dado que la misma incluirá objetos, piezas audiovisuales, fotografías y audios, documentación del proceso creativo, etc', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=QGWJRUKu8xE&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 938, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 792, NULL, '2020-02-24 21:09:10', '2020-07-10 22:47:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3596, 'h3h6sjMBOA31omJ0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 21:12:31', '2020-02-24 21:12:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3597, 'OZC0vlGTbEl05Wwv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 21:12:59', '2020-02-24 21:12:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3598, 'OM2bLD2x0mfCoaYe', 'Diminutas ficciones para incendiar una escena de teatro.', NULL, 'Un grupo de actores se reúnen para explorar y cuestionar el “Estallido social” de  octubre del 2019 en Chile.  Producto de la investigación deciden presentar algunos acontecimientos de esta revolución a través de ciertos personajes.  Una enfermera de la primera línea, un militar, un carabinero y una señora de clase alta permiten evidenciar la intimidad de diferentes realidades de la sociedad chilena.    Estas historias se entrelazan con elementos biográficos, permitiendo el juego escénico entre   pasado/presente, ficción/realidad y representación/presentación.\nDiminutas ficciones para incendiar una escena de teatro es un espectáculo que invita a reflexionar sobre los diversos comportamientos que afectan al ciudadano en la rebelión que estamos viviendo.', NULL, NULL, 'La propuesta  escenográfica está compuesta por elementos que cumplen la función de narrar diferentes espacios escénicos, estos son: Una mesa, sillas y un altar.  Estos  elementos están a disposición de la performance de los intérpretes en escena. La narrativa visual se instala en del  espacio vacío que resinifica habitaciones, un departamento, una calle e incluso un propio escenario de teatro. Espacio escenico  aprox. 6 x 4 m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 193, NULL, 34, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 173, NULL, '2020-02-24 21:45:32', '2020-06-24 16:30:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3599, 'SrIRTbZ87vAshhxM', 'Al César lo que es de todos', NULL, 'Es una reflexión necesaria frente a los tiempos trastornados de nuestro presente. Se convierte en testimonio activo de una realidad que tiene de su lado a esos “destructores” de la memoria. El concepto de la tierra es el hilo conductor de su obra, éste se presenta como el motor fundamental del conflicto: ¿A quién pertenece la tierra?, ¿Quién es el que la merece? ¿A quién le ha sido arrebatada? De esta manera, frente al olvido que quiere esparcirse sembrando el vacío y la nada.\nProvocar incomodidad desde la sutileza hace parte de la estrategia para fundamentar un discurso que se revela a partir del juego. Influenciado por recuerdos de la propia infancia, donde yo mismo soy protagonista del desarraigo, me interesa mostrar la relación entre el territorio y el individuo que lo habita.  A través de las vídeo - instalaciones y pinturas se recrea un ambiente cartográfico y lúdico que hace alusión a los territorios en conflicto y a sus actores. La obra permite la reflexión frente a la experiencia creativa en territorios en duelo, una experiencia que solo puede nacer con el dolor y la conciencia de los que han sido silenciados.\n\nla propuesta puede ser montada completa (todas las obras en conjunto) o ser escogida individualmente, cada obra cuenta su propia historia', NULL, NULL, 'La única recomendación es que el espacio debe tener poca iluminación y ser en interior (puesto que se trata de vídeo-instalaciones)', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=DltGejTytmg&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 179, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 161, NULL, '2020-02-24 21:51:05', '2020-06-23 15:22:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3600, 'R8W20ZLqMOgbqYCx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 22:01:06', '2020-02-24 22:01:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3601, '9ELtXMfJ1IgzvqgH', 'LICANTROPIA', NULL, 'LICANTROPIA\n27\'\n2019\nFILM\nAudio 5.1\n\nLicantropia is an atonement of the figure of the werewolf, a creature shaped by men-kind as a scapegoat to give contour to cruel acts perpetrated by humanity through the course of history. Narrated by the moon during the course of a night and merging fiction and reality, the film is a collage of 16mm, digital, engravings, texte and anonymous testimonies. \n\nThe werewolf, a hybrid being, operates always “in between”, transitioning around the limits of reality and invention, lie and truth, history and stories : it is an amalgam that merges in one single image the human and the animal, operating as an approachable bridge to investigate civilizing processes of domination through history.', NULL, NULL, 'The suggestion is that the film should be project in a cinema scale with an audio sistem that is 5.1.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/342075106', 'loboe', NULL, NULL, 'https://lefresnoy.net/panorama21/artwork/1210/licantropia/janaina-wagner', NULL, NULL, NULL, 188, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 169, NULL, '2020-02-24 22:21:50', '2020-07-09 16:22:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3602, 'qj1B1t3j3Io4wifI', 'Pueblos en Perpetuo Movimiento', NULL, 'La obra consiste en una intervención de la Plaza de las Naciones Unidas, ubicada en Buenos Aires. Atendiendo a la geometría de la Plaza, se ubicarán 14 carpas construidas con maletas de viaje, usando un número no inferior a 14 maletas en cada una de ellas. De las maletas que formen el techo de las carpas se suspenderán banderas representativas de los siguientes pueblos y países: Argelia, Etiopía, Eritrea, Kurdistán, Sahara occidental, Palestina, Yemen, Somalia, Colombia, Venezuela, Honduras, México, Libia y Haití. Las banderas serán visibles en la fachada de las carpas que colinden con la caminería adyacente. Para evitar que las carpas sean destruidas por el viento, se les proveerá de una estructura de sostén interior y se usará pegamento de alta resistencia entre las maletas, tal como se muestra en la imagen.', NULL, NULL, 'PLAZA DE LAS NACIONES UNIDAS, BUENOS AIRES, ARGENTINA.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1172, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1015, NULL, '2020-02-24 22:45:56', '2020-07-12 16:50:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3603, 'hCPJzqI3oExprsHQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 22:50:01', '2020-02-24 22:50:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3604, 'YeFe5SDnJOirOg0e', 'HEXAGONO PERIMETRICO', NULL, 'Trabajo bajo la mirada del abstraccionismo, constructivismo y cinetismo; mi obra desarrolla un lenguaje global con identidad atemporal re-interpretando la cultura peruana y llevándola al hombre moderno.\nInspirada en la perfección de un hexágono, forma geométrica que se circunscribe dentro de otra que lo contiene; el círculo, visualmente imperceptible simboliza al Inti o Dios sol, centro de la vida y el mundo pre-colombino formado por muchas culturas que representadas por cubos calzan a la perfección para formar parte de un todo armónico, que unidos por telares de colores tierras trazan las perpendiculares que denotan el trabajo artesanal de nuestros antepasados.', NULL, NULL, 'Giclée Digital en papel y panel metálico rotulado en láser de forma hexagonal                                                                                                                    46 x 46 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 330, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 270, NULL, '2020-02-24 22:52:56', '2020-06-23 15:30:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3605, 'nsQBjNK2Hh5wRMcU', 'De colombia para el mundo', NULL, 'Sería de tres piezas que resalta uno de los elementos culturales del caribe colombiano, el vendedor ambulante que es quien lleva consigo el folclore, la gastronomía, y sobre todo es quien lleva la calidez, la alegría, y la amabilidad del caribe colombiano', NULL, NULL, 'tres piezas  de 90 x 120 cm cada una, grabado en mdf, matriz', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/arteconhache_/', NULL, NULL, NULL, 180, NULL, 30, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 162, NULL, '2020-02-24 23:14:07', '2020-06-23 02:15:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3606, 'CO0WUoG7VZVT7uJN', 'Indice de Memoria Corporal', NULL, 'En México, el 70% de los mexicanos padece sobrepeso y casi una tercera parte sufre de obesidad, esta enfermedad se asocia principalmente con la diabetes y enfermedades cardiovasculares, pero también con trastornos óseos y musculares y algunos tipos de cáncer. La forma mas efectiva para conocer el grado de obesidad y sobrepeso en las personas es de acuerdo a su Índice de Masa Corporal (IMC). Se considera que una persona tiene sobrepeso cuando su IMC está entre 25.0 y 29.9. Muchas de las causas indirectas  son problemas hormonales, malos hábitos de comer heredados de la familia y más comúnmente problemas emocionales. Muchos de los casos de personas con sobrepeso se derivan de problemas con el autoestima. Habitualmente, las personas obesas, con baja autoestima tienen una imagen insatisfecha sobre su propio cuerpo y una percepción negativa del estado de salud.\n\nEste proyecto aborda estos temas en una serie de autorretratos que funcionen como herramienta visuales para ayudar  a las personas que padecen esta  enfermedad Mostrando algunos factores claves como los hábitos malos de la alimentación de la población del estado y  algunos padecimientos derivados de esta condición. \nExiste una relación clara entre la obesidad y algunos trastornos psicológicos de manera que, por el hecho de tener más peso, las personas obesas son fuertemente estigmatizadas, tanto durante la niñez como en la edad adulta, lo que conlleva una disminución de su autoestima, un incremento de la ansiedad.', NULL, NULL, 'La serie fotográfica de 10 piezas en fotografía digital. Impresas y enmarcadas con dimensiones de 40 x 60 centímetros. los autorretratos reflejan una diversidad de emociones que padece una sobrepeso, tanto sentimientos agradables como desagradables.  Las imágenes deberán estar montadas en mamparas blancas con su ficha técnica y una separación de 50 cm entre cada pieza. con un espacio aproximado de: 3 m alto, 11 m largo (puede haber esquinas).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 319, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 259, NULL, '2020-02-24 23:17:03', '2020-06-23 02:59:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3607, 'mxGBYpOYmkdGXrRa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 23:17:04', '2020-02-24 23:17:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3608, '0UjPUhlC9xyGiPmt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 23:17:54', '2020-02-24 23:17:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3609, 'vIWLNH2bkGaeuA4l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 23:20:48', '2020-02-24 23:20:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3610, 'cOlqcj8ia1Tpv1lJ', 'The Iguaçu Hydra', NULL, 'As a Brazilian artist who uses cinema as the main language and creative tool, issues of memory are a permanent source of investigation in my work. Researching history is an act that feeds my cinematographic experimentation and guides my search for the poetic reformulation of the colonial archive to which we are subjected. The Iguaçu Hydra investigates the reverse of colonial history, the crossed lines behind the celebrated images, in search of a memory that is an act of reinvention and re-enchantment of life. The video uses the equipment to film and process the 16mm film as instruments of investigation of history, proposing to combine the use of the analog technique of filming with the historical research of the project.', NULL, NULL, 'A dark space, where the video is projected on a screen, or white wall, in front of a backless bench where 4 or 5 people can watch the work while seated.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/389753959', 'IGUAÇU', NULL, NULL, NULL, NULL, NULL, NULL, 420, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 353, 5, '2020-02-24 23:31:20', '2021-02-12 15:31:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3611, 'HFFfsx5TiAy6iTaB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-24 23:39:09', '2020-02-24 23:39:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3612, 'dMPTXQ35J7iBRuly', 'EL MUSEO COMO OBRA DE ARTE EN EL ESPACIO PUBLICO', NULL, 'La denominación de Barrio Museo San Miguel, asignada en Bucaramanga, a los   espacios y áreas de carácter público y urbano, existentes en este sector de la ciudad, en el que tanto los residentes como los visitantes, tenemos la oportunidad de explorar un escenario libre y abierto. Desde el diseño urbanístico y el tratamiento artístico y cultural, nos encontramos con las   características y la presencia de una exposición permanente de actualidad, conformada por 22 referentes de gran formato que nos remontan a los orígenes del collage, técnica y planteamiento introducido en el arte universal por PABLO PICASSO.  De igual forma asistimos   a lo largo y ancho   del   recorrido del lugar, a explorar cada una de las 22 apropiaciones artísticas realizadas por el escultor GUILLERMO QUINTERO ROJAS, quien argumentado en la genialidad   de MARCEL DUCHAMP, propone y descubre a través de la reivindicación de la memoria colectiva, urbana e histórica, un concepto y una infraestructura   cultural a la que con acierto se le ha identificado como MUSEO   DE ARTE CONTEMPORANEO.\nEl proyecto en materia de coordinación y planeación, por la condición implícita de una obra civil de infraestructura cultural y naturaleza artística, se diseñó en 4 fases y ha ido avanzando sin contratiempos para su terminación e inauguración oficial, prevista para el mes de julio de 2021.', 'GUILLERMO QUINTERO ROJAS\nArtista Colombiano\nEmail: quintero2065@yahoo.es\nINSTAGRAM: guillermoquinterorojas\nPAGINA FACEBOOK: @guiquiroarte', NULL, 'Tipología museológica y museográfica, con la fundamentación en los contenidos artísticos y la estética contemporánea, en consolidación de un espacio urbano de 1.200 mt2, abierto a plenitud las 24 horas del día, en orientación a un público en general y a una comunidad participativa en formación cultural permanente. \nEscenario destinado al desarrollo de las artes plásticas y visuales, ubicado en la carrera 15 entre calles 50 y 53 del Barrio San Miguel de Bucaramanga, Santander, Colombia.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=c0m3Ts7-BOI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3729, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Dada las condiciones atípicas del proyecto presentado, como curador del mismo, considero esencial adelantar su consolidación, teniendo en cuenta las orientaciones al público, en la argumentación de un modelo pedagógico, basado en la contemporaneidad y conceptualización estética, artística y cultural.', 'si', 'A la fecha actual, las obras artísticas ya se encuentran instaladas y concluidas en las áreas de exhibición del museo. El proceso de ejecución consistió, en la intervención y reconstrucción de los 22 referentes arquitectónicos recuperados, en el área y espacios replanteados, dentro del proceso de ampliación de las diferentes técnicas museográficas requeridas, entre las que se destacan: Diseño y construcción de los marcos y soportes metálicos, planteados en la protección y a su vez visualización de cada uno de los referentes artísticos patrimoniales. Diseño e instalación del sistema eléctrico de iluminación. Diseño, fundición e instalación de las placas metálicas de identificación de los referentes artísticos. Diseño, construcción y terminación de las áreas de acceso y circulación de público. Diseño y terminación de las zonas destinadas a la jardinería y el embellecimiento. Diseño, producción e instalación de los materiales y contenidos de la información y la comunicación institucional.', NULL, NULL, NULL, NULL, 'Al día de hoy, estas necesidades en su gran mayoría, prácticamente ya se encuentran resueltas y superadas, en los aspectos correspondientes a la ubicación y exhibición del contenido, que conforma la producción artística de la colección permanente del proyecto: EL MUSEO COMO OBRA DE ARTE EN EL ESPACIO PUBLICO. \nDentro de lo propuesto en la fase 3 de desarrollo del proyecto, relacionado con la construcción y adaptación de un café libro y una sala de exposiciones de arte. Me permito comunicarles que la correspondiente gestión, se encuentra en trámites de diseño y ejecución.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3185, 5, '2020-02-25 00:02:45', '2021-02-12 15:48:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3613, 'C1DKauag4OpM4BTg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 00:23:49', '2020-02-25 00:23:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3614, 'VnPgCS27F33xK6IS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 00:34:47', '2020-02-25 00:34:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3615, 'Lo4y17CYhAkCoiA5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 00:47:56', '2020-02-25 00:47:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3616, 'pzNlEb3qZeq1FLZv', 'TRANSPARÊNCIA', NULL, 'Com foco no consumo, no trabalho, no uso da tecnologia e toda transformação que esta trouxe à vida social, a sociedade , no inicio do novo milênio, se apresenta como um grupo de indivíduos que se comporta quase com o mesmo padrão - hábitos e costumes- formando uma grande massa, antagonicamente isolada de convívio real com o outro. O individualismo e os projetos a curto prazo são a essência desse período.  O ‘pós – pós modernidade’ está marcado pelo conflito entre a liberdade e a necessidade de regras; pela descrença na ciência e a horizontalidade do poder versus a falta de padrões que indiquem direções seguras. \n\nTransparência é um valor que suplicamos ao mundo social no início desta década. As linhas arredondadas, a sobreposição das cores e das formas propõem representar as relações interpessoais na contemporaneidade –estar junto e integrado e estar junto sem estar com; as partes e os inteiros das relações– uma proposta de que o mundo se inter-relacione mediado pela verdade, honestidade e empatia. Ao contrário de apontar o que não está adequado, a exposição sugere alternativas para um mundo melhor. Carregadas de subjetividade feminina, o conjunto das obras propõe a metáfora da gestação e renascimento de uma nova sociedade gerida pela mulher ou não, o que importa é que o olhar para o outro com cuidado, gentileza e acolhimento seja a semente das relações humanas. \nTransparência é a sim tese dos valores que suplicamos ao mundo social no início desta década.', 'Karen Venturelli\nBrasileira\nwww.karenventurelli.com\n@kventurelli\n\nDarly Pellegrini  \nBrasileira\nwww.darlypellegrini.com.br\n@darlypellegrini', NULL, 'São 10 telas ( 3= 55x90, 1= 90x1,10,  4= 100x100 , 2= 50x60) ocuparam paredes e as  5 esculturas  serão posicionadas no centro da sala sob cubos medindo 60 x 90 cm, sendo que uma delas, que possui uma lâmpada interna, produzindo um efeito de luz no ambiente. Textos da exposição: curatorial = na entrada, ficha técnica e texto sobre as artistas na saída. Iluminação direta nas obras. Música ambiente.  identificação com QRCod com acesso a áudio sobre a obra e temática da exposição.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 183, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 164, NULL, '2020-02-25 00:49:47', '2020-06-24 15:43:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3617, 'mq75aNMhS6WyAorc', 'Casa de modas.SOLEDID ROCILLO', NULL, 'Una casa de modas\nDonde se trabajara con sus reapectivas areas.lugar donde se encuentre todo lo relacionado al diseño.corte y confección..\nDonde contaremos.donde contaremos con profecionales para crear feria textil basada a nuestra cultura usando nuestros trajes tipicos para una atencion al publico y asi impondremos nuestro arte.cultura y turismo..', NULL, NULL, 'Genero cultural de nuestro llano\nDiseños textiles basados a nuestra tradicion.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 182, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 163, NULL, '2020-02-25 00:50:14', '2020-06-23 02:18:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3618, 'G5XBlDYFdSgdO2UO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 00:52:39', '2020-02-25 00:52:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3619, 'cORKSOvykNcGzgSS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 00:53:12', '2020-02-25 00:53:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3620, '6Uu2xdJey4rmFzeB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 01:10:03', '2020-02-25 01:10:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3621, 'rtEmf8ykJnRBzZp8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 01:10:27', '2020-02-25 01:10:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3622, 'D0YDNHKcDYSgAzdZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 01:51:28', '2020-02-25 01:51:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3623, 'ER0jxz3PkMKq1eUl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:04:41', '2020-02-25 02:04:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3624, 'EGQ2VMz7qduatFGr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:05:10', '2020-02-25 02:05:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3625, 'fUjUlxrxDalf4D9D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:05:17', '2020-02-25 02:05:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3626, 'mFEfYn5hqpxwcF5X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:05:55', '2020-02-25 02:05:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3627, 'IkH6QvgVv94onfUh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:09:54', '2020-02-25 02:09:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3628, 'KQO11wUatKN7X9hA', 'Entre pieles', NULL, 'El proyecto consta de un video y 28 fotografías (35x50cm c/u), que interactúan en una búsqueda en relación al cuerpo humano. En la obra se refleja, por medio de los modelos, la creación de una interdependencia entre los cuerpos involucrados que se entrelazan progresivamente, posibilitando una tensión reforzada por las distintas materialidades productoras de un aspecto ambiguo entre lo oculto y lo visible.\n\nEntre pieles alude al concepto propuesto por Yves Klein, donde parte del resultado final dependerá de la anatomía y expresividad de cada modelo, buscando disminuir la intervención directa de la mano del artista, para acontecer a la autonomía de los cuerpos involucrados. \nTrabajar con el cuerpo produce una energía portadora de vida, omitiendo la figuración concreta, que solo puede configurarse por individuos reales en el acuerdo común de un encuentro o lo que Yves Klein llamaría “ritual”, sin contacto personal o directo, en un trabajo creativo conjunto.\nEn relación a la serie Antropometría de Klein, la figura del cuerpo surge en Entre pieles a partir del registro y de la huella, a la par de un diálogo constante entre el vacío y la materia. Asimismo, este registro da lugar a una temporalidad, otorgándole la posibilidad al espectador de poder recuperar un movimiento pasado. En la obra de Yves Klein esta temporalidad surge a través de la pintura, de los cuerpos grabados en el lienzo; en Entre pieles es gracias a la fotografía y el video que se crea este espacio temporal.', NULL, NULL, 'La obra consta de 28 fotografías impresas en 35x50cm. enmarcadas con marco directo (marco simple, vidrio y fondo), y un video que será proyectado en una blanca pared.\nSe propone como lugar de exposición el Museo de Arte Moderno de Buenos Aires, Argentina; en las siguientes imágenes adjuntadas se encuentra disponible una alternativa de disposición de la obra, en una de las salas del museo.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1R6wMZPufUULk8vUgjIxsDl7sBgVnC0ik/view?usp=sharing', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/13fPWk-3TegBCu6lr_H2mZ8acjD9rrVW0?usp=sharing', NULL, NULL, NULL, 2752, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2389, NULL, '2020-02-25 02:11:44', '2020-06-24 21:43:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3629, 'iNERZyPwmmMaFHD6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:35:23', '2020-02-25 02:35:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3630, 'z2D1Lk1mkHh2P8B4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:36:53', '2020-02-25 02:36:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3631, 'XGbeD6LIEXoyq876', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:37:29', '2020-02-25 02:37:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3632, '1PFkCIWQSQfTIs7P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:51:30', '2020-02-25 02:51:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3633, 'hMRhknCKcpycIp0w', 'Fragmentos potenciales de obras para desplegar fractal y cíclicamente', NULL, 'En la serie de películas cortas ‘24 retratos’, Alain Cavalier registra a mujeres que han dedicado sus vidas al trabajo manual recopilando imágenes y testimonios desde un mundo laboral en peligro de extinción a través de acercamientos a rostros, manos, gestos y objetos. Este video retoma la idea del registro del trabajo manual y su representación, pero dentro de la producción artística. Vemos las acciones, métodos y modos de ver de Ana, una artista que se encuentra en el momento inicial de la creación de obras nuevas. La cámara registra su fuerte relación con los objetos: cómo los compila o cómo pretende manipularlos. Este es un seguimiento observacional sobre el habitus en el inicio de un proceso creativo. Por un lado, el video muestra imágenes de Ana y sus objetos junto a sus pensamientos, que van a manera de texto. La artista está influenciada por las ideas de Georges Perec, quien alentó a las personas a encontrar su propia ‘antropología’ para hablar y escribir sobre los objetos y para encontrarnos en los objetos de los demás. Y, por otro lado, el video nos anima a reflexionar sobre la circulación de los objetos, aquello que Arjun Appadurai llamó ‘la vida social de las cosas’, término usado para referirse a los usos, formas y trayectorias de estos, que en el caso de Ana se encuentran conectados con la obsolescencia programada (el celuloide en película Súper 8), o con la extinción en la naturaleza (las abejas muertas).', NULL, NULL, 'Proyección en una pared. Tamaño de la proyección 1.50 mts de ancho por 3.00 de largo', NULL, 'artist', NULL, NULL, 'https://vimeo.com/368808651', 'residencia.espanol', NULL, NULL, NULL, NULL, NULL, NULL, 184, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 165, NULL, '2020-02-25 02:57:18', '2020-06-24 16:02:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3634, 'kWZnx3ggmez22mM2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:58:28', '2020-02-25 02:58:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3635, 'pHeHZn0Jf2iyO5DN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 02:59:24', '2020-02-25 02:59:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3636, 'QNTK06CSNHMWd240', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 03:11:09', '2020-02-25 03:11:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3637, 'KA1Dh8Wt979G6VBy', 'screenshot', NULL, 'Screenshot es una instalación recorrible compuesta por retratos fotográficos que sirven como cortes en una estructura construida con caños de andamio. La interacción entre lo privado y lo público abre un juego en tensión entre la dualidad rol-expectativa que cada individuo tiene en una estructura o vínculo, cuestionando la idea de identidad, hábitat, interacción social, aislamiento.  Propongo cuestionar los símbolos que contienen las imágenes, que refieren a sistemas establecidos en la sociedad. Alterando retratos y construyendo personajes ficticios, interpelo sobre temas como la identidad, el consumo de imágenes y las estructuras de poder. La edición estética y los materiales que conforman la obra integran elementos de ficción que otorgan un poder artificial sobre las voces retratadas para construir un discurso crítico, incorporando muchas veces humor y doble sentido. \n...Almirón entiende el arte como medio posible para ficcionalizar un discurso y siguiendo la idea de Thomas Elsaesser que considera esos retratos como ‘espejos’, se pregunta: podría alguno de estos retratos trazar una línea o establecer una coordenada sobre dónde empieza la ficción y dónde termina la realidad? (Jorgelina Dácil para exhibición Efimerovalioso en Urbana, Buenos Aires 2019)', NULL, NULL, 'Al ser la obra una arquitectura modular, la misma puede expandirse y contraerse, y así adaptarse a las características específicas del contexto expositivo. Incluso sus retratos y personajes intervenidos, así como los materiales elegidos pueden tener que ver con el contexto de exposición.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4950, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4163, NULL, '2020-02-25 03:11:46', '2020-07-02 17:58:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3638, 's6ks1jECXi4chsKw', 'CARACOLAS EN ALMÍBAR', NULL, 'Sinopsis \nSofía pinta, crea mundos fantásticos y personajes imaginarios con líneas, colores y texturas. Un día le da vida a Caracola, un personaje plateado con el pelo brillante que le coloca sonido a todo lo que hace Sofía; ella pinta y Caracola ríe, ella pega papel y Caracola canta. Caracola nunca habla pero sí suena. Sofía vuelve a Caracola guerrera, reina, niña, bailarina de su mundito y hasta hace que lluevan estrellitas plateadas y aparezcan caballos de colores de dos cabezas. \nEntre ellas dos hay amor y amistad, se va desarrollando una historia que no está escrita pero que el público la construirá entre tejiendo los sonidos y las peripecias de Sofía para hacer sonreír a su creación. \n\nDescripción \nCaracolas en Almíbar es una partitura plástica/performática para la voz extendida en tiempo real. Usando los principios de la improvisación sonora: escucha y diálogo, la voz extendida y la manipulación de materialidades plásticas se construye progresivamente un nuevo espacio teatral.', NULL, NULL, 'Dos rollos de papel preparados con listones de madera en sus extremos para amurar en pared o suspender del techo. Cada uno tiene una altura de 2,60 metros y un ancho de 1 metro. Se colocan yuxtapuestos ocupando un espacio total de 2 metros de ancho. \nRectángulos de tela y papel que cubren el piso en una superficie de 2x2 metros. \nTarima de 1x0.40x0.40 metros sobre la que se coloca una escultura de papel.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=TXWEaR3RFqQ&feature=youtu.be', NULL, NULL, NULL, 'https://bsjulianaa.wixsite.com/websitejuliana/producciones-1', NULL, NULL, NULL, 186, NULL, 32, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 167, NULL, '2020-02-25 03:27:48', '2020-06-23 02:18:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3639, 'xWKEUqNMcHL7pdY1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 03:30:51', '2020-02-25 03:30:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3640, '6shDBZk5H1t6wvV6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:00:59', '2020-02-25 04:00:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3641, 'OJR8xlfxzyIMtevp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:03:34', '2020-02-25 04:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3642, 'aLlDojsDqlZ8eQmo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:10:33', '2020-02-25 04:10:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(3643, 'bOxT80USLtm0EWXY', 'Galería de los Buscados', NULL, 'Desc. conceptual: \nAndar por la ciudad sin que su identidad sea rastreada por cámaras de vigilancia es un desafío a la deambulación libre. Hoy, bajo el argumento de seguridad, presenciamos la pérdida del anonimato y de la privacidad. En cada esquina hay una cámara apuntándonos como sospechosos. En Brasil, se observan los constantes intentos de escapar de la vigilancia a través de nuevas máscaras urbanas: cascos, sombreros y gorras. En el cotidiano de la violencia urbana, las imágenes de delitos capturados por las cámaras de seguridad fallan frente a esos nuevos juegos de disfraz.  \nEl proyecto Galería de los Buscados tiene como asunto esa tensión entre el control y el disfraz en la producción de las imágenes. A través de una serie de pinturas, diferentes personajes vestidos con cascos son retratados de perfil y de frente, haciendo una clara referencia al sistema de identificación policial. Frente a las nuevas tecnologías de reconocimiento facial y de una “Nube de la Policía”, la protección del casco tal vez nos recuerde que mezclarse en las masas sin tener su identidad definida y rastreada hace parte del derecho al anonimato, y que su vestimenta indique cuerpos no dulces a los panópticos contemporáneos.  \nCarac. Formales:\n7 pinturas. Óleo sobre lona, 93 x 110 cm (Las pinturas pueden ser expuestas tambien como trípticos).\n3 pinturas. Óleo sobre lona, 120 x 140 cm (idem). \n\nEste proyecto harán parte de la exposición en el Museu da República, RJ, Brasil. de 30.04 a 30.08, 2020', NULL, NULL, 'Espacio expositivo: galería, salas, corredores.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'yokonishio.com.br', NULL, NULL, NULL, 1094, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 945, NULL, '2020-02-25 04:13:50', '2020-08-11 21:56:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3644, 'gMxRqLwoFxy0vu4y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:22:06', '2020-02-25 04:22:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3645, '2vkL2XrgIFpFN0wG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:32:45', '2020-02-25 04:32:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3646, 'Uz0FYUYMGJwLKusu', 'The Art of Feminisms (título provisional)', NULL, 'Invitamos a artistas y activistas de Chile y Alemania con diferentes trasfondos sociales y culturales a explorar desde sus perspectivas feministas las interacciones entre capitalismo, colonialismo, racismo, sexismo y otras formas de discriminación. Como resultado de este proceso, las obras y performances nuevas creadas para esta exposición proporcionan una visión de la diversidad de las prácticas de protesta feministas y pueden leerse como una crítica y un contrapunto al orden social patriarcal establecido. Queremos impulsar una reflexión de cómo las estrategias y utopías feministas se alimentan unas de otras y cómo se puede hacer posible la solidaridad más allá de fronteras culturales, sociales y nacionales. El espacio de exposición intenta ser un laboratorio experimental abierto a disposición de las artistas y los colectivos feministas para ofrecer talleres e intervenciones artístico-políticas. Estos, a su vez, se convertirán en parte de la exposición y así en parte del diálogo. Para que el debate se haga eco en el público general e impulsar la participación de lxs vecinxs, se realizarán presentaciones de películas, conversatorios y convivencias, entre otros. El proceso hacia la realización de la exposición es participativo y se llevará a cabo en colaboración con las artistas y activistas, por ejemplo, en la especificación del tema general y en el proceso de desarrollo de las obras artísticas. Además, la exposición se realizará junto a un equipo de investigadoras chilenas.', 'Listado preliminar de artistas:\n\nIngrid, Wildi Merino | Chilena | http://www.ingridwildimerino.net/ \nJanet, Toro | Chilena | http://janet-toro.com/ \nYishay, Garbasz | Británica | http://yishay.com/ \nEli, Neira | Chilena | http://videoselineira.blogspot.com/ \nMwangi Hutter | Alemana | http://www.mwangi-hutter.de/art/home.html \nJustyna, Koeke | Alemana | https://www.justynakoeke.com/ \nKatia, Sepúlveda | Alemana | https://www.katiasepulveda.com/ \nMaternal Fantasies | Colectivo feminista en Berlín | https://www.maternalfantasies.net/ \nSenoritaugarte | Chilena | https://senoritaugarte.wixsite.com/performance \nPaula, Baeza Pailamilla | Chilena | https://paulabaezap.wixsite.com/-paulamilla \nCheril, Linett | Chilena | https://cherillinett.blogspot.com/\nJulia, Lübbecke | Alemana | http://julialuebbecke.com\nMoshtari, Hilal | Alemana | https://www.moshtari.de/ \nAstrid, González | Colombiana | https://astridgonzalez.weebly.com/', NULL, 'El espacio sugerido es la Galería de la Memoria del Museo de la Memoria y los Derechos Humanos en Santiago de Chile. Tiene una extensión de 350 m2 y conecta el museo con una estación del metro. El museo además cuenta con un auditorio y una explanada que se podrían usar para actividades. La ubicación y el contexto institucional de este espacio permitiría tener como destinataria una audiencia interesada en el arte y la política y también un público “ajeno al arte” y transeúntes casuales.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.dropbox.com/s/4vp68qkzyvhfex6/Listado%20preliminar%20artistas.pdf?dl=0', NULL, NULL, NULL, 4757, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4009, NULL, '2020-02-25 04:32:49', '2020-08-14 04:04:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3647, 'ReIeALfc3SL268Vt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:33:49', '2020-02-25 04:33:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3648, 'i1jd4VcI2cpH0E27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:35:11', '2020-02-25 04:35:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3649, 'SP2bdpeDEPEnnp4c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 04:54:21', '2020-02-25 04:54:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3650, 'mEw8eSkdlJ1rXDgw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 05:08:49', '2020-02-25 05:08:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3651, '4FIq51FkyA72Iy59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 05:11:27', '2020-02-25 05:11:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3652, 'MwcHGwjZo2SrqR2V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 05:14:59', '2020-02-25 05:14:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3653, '1Pwc54Dac8B3eAg0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 05:15:25', '2020-02-25 05:15:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3654, 'A7uvYVCzzhlf8STO', 'Soul of Soil (SoS)', NULL, 'The project tends to explore the aspect social fabric in relation to the spaces and time by examine the\nrelationship between humans, objects and nature.\n\nI am interested to examine the relationship between humans, objects and nature by exploring the social\nfabric in time and space. How the space and time influenced these relationships and how the ecological\naspect help to shape these relation.\n\nThe environmental disaster that is unfolding before us is the result of human actions, that is the key for\nme to explore the humans actions in relation to space and time.\n\nI will investigate how different social groups dealing with the space of their habitat and their relationship\nwith nature, objects and other living organism throughout my research will focusing on exploring these\nintriguing socio-political structures through both historical references as well as current ecological\nissues of modern day society by consider how spaces and times have changed, or perhaps not so\nmuch.\n\nI endeavour to explore the local cultural realm by deploy the use of photography, textile, video, collection of object embedded with memories, plants, soil and other elements and parts collected in various places within the social sphere to convey strong socio-political and historical messages.', NULL, NULL, 'The Exhibition space suggestion, could be anything like an old Warehouse with high ceiling, open space with support to hang objects, with power supply, natural light and good ventilation.\n\nApprox. 8sqm and hight ceiling.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 189, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 170, 5, '2020-02-25 05:31:39', '2020-08-29 19:12:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3655, 'yTM7wpuf4gwD1mK1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 05:37:46', '2020-02-25 05:37:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3656, '2HZ0pg190JFFYTi1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 05:45:50', '2020-02-25 05:45:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3657, 'jcDhqDLG2eWkhcMe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 05:54:38', '2020-02-25 05:54:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3658, 'B8w2a901G3m5isyA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 06:11:47', '2020-02-25 06:11:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3659, 'HoHOA7BYwzNzxTG3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 06:13:14', '2020-02-25 06:13:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3660, 'pGxfHkJbekLqXyW0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 06:14:33', '2020-02-25 06:14:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3661, 'Gx4cracB0RuwSsqH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 06:24:14', '2020-02-25 06:24:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3662, 'dMQtIniMV5OlSsmm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 06:50:54', '2020-02-25 06:50:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3663, 'ToRP62CRysc8ZGVB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 06:51:47', '2020-02-25 06:51:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3664, 'gYQb9LvBCV4RBknk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 07:02:18', '2020-02-25 07:02:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3665, 'WJZ80FNvkfcIY9Up', 'Ciudad, Retrato, Tiempo', NULL, 'La obra es un dibujo de óleo sobre papel de 12 m. x 1.4 m, que retoma el tema de la ciudad el retrato y el tiempo. Como artistas no debemos ignorar el contexto al que estamos sujetos y esta obra no es la excepción, ya que surge en una primera instancia en los recorridos que realizaba a diario en la ciudad, en medio del estrés, los buses, el ruido y la multitud. No obstante, por medio de las fotografías, vídeos y dibujos empezó un primer acercamiento visual sobre la urbe en la que me movilizaba a diario, que se emparentaba y se influenciaba por la literatura que disfrutaba en el momento. Posteriormente surgió en medio de este agitado contexto unas relaciones con el retrato, con la multitud, con las personas que como yo, salían a diario a “ganarse la vida” como se dice coloquialmente. De esta manera se inició un acercamiento muy tímido impulsado por la curiosidad y la pregunta por el ser humano y la sociedad. En principio autores como Bradbury,  Ödön Horváth , Aldous Huxley, posteriormente Heidegger y finalmente con una visión contemporánea de Byung Chul Han marcaron una dirección. Estos referentes literarios ampliaron la mirada que se salía de una pregunta solo por  un contexto y se interrogaba por el sujeto que se ve envuelto en este. El cual es arrojado a un mundo objetual, a una concepción del “yo” incompleta y “otro” inexistente. Todo esto lo podía apreciar desde las ventanas de los buses, donde miraba a las personas como retratos concebidos y enmarcados en la ciudad.', NULL, NULL, 'En general debe ser un espacio cerrado que tenga una pared de unas dimensiones superiores a los 13 metros, museos como el MAC, el museo de arte de la universidad nacional de donde soy egresado, la Fundacion Gilverto Alzate Avendaño entre otros, tienen gran recepción a este tipo de propuestas.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/402396609', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 704, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 597, 5, '2020-02-25 07:18:42', '2021-02-19 17:24:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3666, 'AmUHVCaxl9hjz3Gf', 'solo un test', NULL, 'Eso es solo un test', NULL, NULL, 'es tan solo un test', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 486, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 412, NULL, '2020-02-25 07:23:01', '2020-06-23 02:51:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3667, '2oAUlBlYKuAFBg8p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 07:30:43', '2020-02-25 07:30:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3668, '2M4AUEHNP0nADD79', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 07:58:25', '2020-02-25 07:58:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3669, 'ba7isPxk742w8CEQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 08:28:50', '2020-02-25 08:28:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3670, 'fZgzyLaoznjKFzeM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 08:39:22', '2020-02-25 08:39:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3671, 'i9fybpOadGl8eeol', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 08:42:17', '2020-02-25 08:42:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3672, 'bQp4rq0jvADKSoBB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 08:46:31', '2020-02-25 08:46:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3673, 'NLWjbHbxZgkY7Sx6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 08:47:33', '2020-02-25 08:47:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3674, 'SXrotu5O4lctwZoi', 'FREE SEAT', NULL, 'A keyboard and an empty chair with headphones are placed in an urban space. A song is created in the moment for every person who takes a seat. This performance piece is an invitation to stop for a moment and dive into another realm within the public space. No explanation, no rules and no expectations are set, just a moment of encounter through music.\n​\n\"Free Seat\" is a collaboration between the Brazilian musician Pedro Carneiro Silva and the Iranian/German conceptual artist & filmmaker Ardalan Aram. \n\nBy promoting random encounters, the project seeks to act in the daily life of the city and raise questions about human relations through art. The participant, by overcoming the natural distrust of what is being offered to him and joining the proposal to take a seat, goes from the role of a spectator to co-author of the creation process, insofar as his attitude directly influences the music that is created in the moment.\n\nwww.freeseatproject.com', NULL, NULL, 'Any public space where people have freedom to pass by.', NULL, 'artist', NULL, NULL, 'https://www.freeseatproject.com/videos', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 190, NULL, 33, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 171, NULL, '2020-02-25 08:55:23', '2020-08-14 22:04:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3675, 'GS5CVCu0VRV4vRnZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 08:56:05', '2020-02-25 08:56:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3676, '3n9FnFKO5tKkxRCU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 09:25:13', '2020-02-25 09:25:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3677, 'dEiMln2D42OsYNF1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 09:35:52', '2020-02-25 09:35:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3678, 'yZdBgVfqbj3Mw9Q9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 09:36:11', '2020-02-25 09:36:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3679, 'tn13n495ymo5tUiM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 09:53:52', '2020-02-25 09:53:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3680, 'WYGr9ep2InRN9TFT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 09:55:40', '2020-02-25 09:55:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3681, '6DXgaagNfoYSGCsj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 10:02:46', '2020-02-25 10:02:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3682, 'engLoiwfx5vmSgj4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 10:54:28', '2020-02-25 10:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3683, '8n4glxXnGis0gMjx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 11:38:06', '2020-02-25 11:38:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3684, 'B7b2R6KFi7o97M5t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 11:51:32', '2020-02-25 11:51:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3685, 'ssp8wfZSod0Wx2z3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 12:12:50', '2020-02-25 12:12:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3686, 'XC5YZ03ioTZNgOWu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 12:44:53', '2020-02-25 12:44:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3687, 'Mbvz6DcxbCdtKBKo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 14:31:36', '2020-02-25 14:31:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3688, '9raTGV875ZkuCW5m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 15:51:32', '2020-02-25 15:51:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3689, 'kvErCF1tTKQmlVYN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 17:00:26', '2020-02-25 17:00:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3690, '7ZpKYWzjGjeWSRNu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 17:01:13', '2020-02-25 17:01:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3691, 'zYpQWxxZNjueNtgC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 17:27:57', '2020-02-25 17:27:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3692, 'iAg1E78absQtoWwt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 17:47:38', '2020-02-25 17:47:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3693, '86R3dFeFzxubxd60', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 18:18:56', '2020-02-25 18:18:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3694, 'Tgn3JosYpqgzCJpV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 18:19:14', '2020-02-25 18:19:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3695, 'dgF7XgKCk2aOded4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 18:30:40', '2020-02-25 18:30:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3696, 'iHHYivtkO9nHKDgS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 18:40:05', '2020-02-25 18:40:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3697, 'JXLBCupAiUqPfJm3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 18:42:49', '2020-02-25 18:42:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3698, 'ZFHs0BnMY9vAGKaW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 18:45:04', '2020-02-25 18:45:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3699, 'Kac0T6rsf4h8TV4c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 19:15:05', '2020-02-25 19:15:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3700, '7yZrBsqo1tGQkyLM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 19:24:54', '2020-02-25 19:24:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3701, 'RrJmjY8eV1qbzVLh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 19:26:03', '2020-02-25 19:26:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3702, 'ojCvMm0OwnAwDbk4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 19:43:16', '2020-02-25 19:43:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3703, '5c5fZqRdhcV6Z9xc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 19:47:10', '2020-02-25 19:47:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3704, 'YFJBU5JfGbploVom', 'ReVeladas', NULL, 'ReVeladas surge de un proceso de construcción de identidad. Durante tres años como fotógrafa afrodescendiente, me he dedicado a capturar con la lente los rostros de mujeres negras en la Argentina. Al tiempo que compongo un relato visual poético, revelo y afirmó tales rostros, resignificando su ancestralidad, su historia, su piel y sus raíces. Identidad, género e historia presencian este relato visual que rompe el silencio y alza las voces de las mujeres negras que habitan este territorio.\n\nReVeladas es una declaración política e histórica de resistencia de cuerpas negras que en sus miradas revelan, afirman y articulan una conciencia colectiva y reivindican su identidad como mujeres negras. Los retratos de la serie fotográfica se articulan para visibilizar una etnia negra y nos enfrentan con el reflejo de lo que somos. Es el espejo de un grito en el silencio.\n\nDe esta manera la muestra como relato visual poético, es una declaración política e histórica, que aporta al objetivo establecido por el Decenio Internacional para los Afrodescendientes proclamado por las Naciones Unidas y contribuye a la construcción de una sociedad que valore las diferencias y reconozca el aporte de todos los grupos a la construcción de la nación.', NULL, NULL, 'Se sugiere sala de exposición con luz dirigida y paredes  de color blanco o negro, la distribución de las fotos  se adecua al espacio sugerido.   \nSerie fotográfica de 25 fotos\nNombre de la obra: reVeladas\nTécnica: Fotografía Analógica\nMedida: 30*45\nMontaje de las fotografías: Fotos montadas en PVC sangradas', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/1JCdkOL-06Hxtx5aa11_X33Jhck77rTwr?usp=sharing', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1U6g7dEDwUQhB6cklsWM7oDsFp67soXx5?usp=sharing', NULL, NULL, NULL, 4161, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3545, NULL, '2020-02-25 20:21:37', '2020-07-24 23:39:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3705, '4kWpbthFEllvcP2J', 'La Ramada', NULL, 'Las propuestas  es una video instalación. Realiza en esterilla, madera y lámina de zinc con un video de 14 minutos en reproducción continua que da cuenta  análisis del  territorio   (invasión del Valladito en la comuna 15 de Cali), del distrito de Agua Blanca  observado desde los individuos que en el habitan y los vínculos que se dan  a su interior  a causa de  la    migración ,territorialidad  y violencia;    evidenciadas no solo   en la cotidianidad, sino también  en  la  arquitectura del lugar;  debido a la relación con objetos encontrados por medio del recorrido, como son: esterilla, lamina de zinc, madera y cartón ,  que son   reutilizados para responder  a necesidades de los cuerpos  dentro del territorio; empleados para construir sus viviendas en la invasión \nEn este sentido planteo video instalación como forma de análisis de la arquitectura (estructura, materialidad y modo); y recorrido en barrios \nde excasos recursos para encontrar materiales reutilizables que sirven de creación en la instalación; la observación y diálogo con diversas personas me llevan a comprender que es el territorio desde su propia visión y contingencia (necesidad) las cuales suscitan unas dinámicas de \ncoacción   que convergen en la cotidianidad. \nLa instalación es una estructura hecha con materiales reutilizables con forma de zapato teni debido a que son los más utilizados por los jóvenes que construyen las viviendas en la invasión y que adelantan los recorridos del sitio', NULL, NULL, 'La instalación se presentará en un espacio expositivo por poseer video, DVD y televisor 20 pulgadas que también dan cuenta de las tipo logias arquitectónicas o condiciones de las viviendas populares en el distrito como de las invasiones armado y desarmado  rápido como dinámica de construcción , proyectando el video de coser en la planta de los pies del artista el nombre del barrio en donde realizó la investigación;  dimensiones 120 cm X 70 cm X 45 cm de profundida', NULL, 'artist', NULL, NULL, 'https://youtu.be/Lhbwf4k4gc8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5044, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4227, NULL, '2020-02-25 20:25:02', '2020-07-02 23:22:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3706, 'F6C63pQdK53mBd7C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 20:37:06', '2020-02-25 20:37:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3707, 'ivcRCcTaWWv2UAcr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 21:37:44', '2020-02-25 21:37:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3708, 'pjRx9qvafbthFGVx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 21:37:52', '2020-02-25 21:37:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3709, 'a8s1rpDReFyuRWFu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 21:49:01', '2020-02-25 21:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3710, '7xF3LOPV4XcegOLK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:00:49', '2020-02-25 22:00:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3711, 'yZOjigcFV2ABiyUn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:04:17', '2020-02-25 22:04:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3712, 'y9QzE8Gky7UUCqEt', 'Pasaje', NULL, 'Pasaje se construye con una estructura ligera y de fácil montaje compuesta por 80 módulos de andamios tipo Cuplock y 80 pedazos de tela blanca liviana semi transparente que cubren toda la estructura. Parte fundamental de la obra es la interacción con el viento, produciendo una poética de formas y movimientos aleatorios que dependen del clima. \n\nLa propuesta se identifica con la transformación, la libertad, el cambio, lo permanente y lo impermanente como un diálogo de la vida misma. La fortaleza de esta estructura-torre-edificio, está en su fragilidad, en lo inmanente de la reinvención. \n\nLa tela, que funciona como una permeable piel, al entrar en interacción con el viento, hace que este se revele, otorgándole forma y presencia en una relación sin dominación.  Materialidades que entran en un juego, en una simbiótica danza entre diferentes naturalezas. Pasaje, como un dejar pasar. \n\nPasaje, busca generar una experiencia multi sensorial, que abre varias líneas de afectación y reflexión a partir de reconfigurar la relación entre elementos cotidianos como el viento, los andamios y las telas-cortinas, generando un transitorio objeto-paisaje urbano que se intensifica por su escala.', NULL, NULL, 'Se necesita un espacio abierto ya que la obra requiere de circulación de viento para activarse. El espacio mínimo para la instalación es de un cuadrado de 30 metros por lado, esta dimensión contempla poder instalar y experimentar adecuadamente la obra. El piso donde se instale la obra tiene que estar lo más nivelado posible y de un material suficientemente resistente para soportar el peso dela estructura, como asfalto, baldosa, adoquín, etc.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4397, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3698, NULL, '2020-02-25 22:05:58', '2020-08-11 22:37:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3713, 'V0pEQ0kK94opyrJi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:06:16', '2020-02-25 22:06:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3714, 'TB2AF4CjpvEyuDQu', 'Pluripotente', NULL, 'Pluripotente es un proyecto colectivo donde 11 bailarines y un músico habitan la escena\nde principio a fin, aportando desde el movimiento conjunto al desarrollo de una idea, un\nviaje hacia los caminos que proponen las resoluciones del grupo.\nEs un espacio ocupado por cuerpos que danzan, corren, se mueven al unísono entrando\nen rituales que muestran las historias pasadas y presentes. El músico es parte de la\nescena en su totalidad marcando la actualidad en el sonido, lo urbano y mundano.\nExiste un material que atraviesa a los intérpretes y los organiza a tomar acciones\ncomunes, representado por la utilización de la polenta como alimento raíz de los pueblos\nlatinoamericanos. Este elemento a veces es dibujo en el espacio y otras es el objeto que\nimpulsa el movimiento; pero siempre se hace presente transformando la escena y a los\nbailarines.\nLa idea conceptual de la superposición de elementos atraviesa todas las instancias de la\nobra. Se manifiesta a través de contrastes. Algunas veces entre las velocidades de la\ndanza y el devenir de sucesos, otras entre lo ritual, la tierra  y\nla polenta contra la urbanidad del vestuario y el clima sonoro.', NULL, NULL, '*REQUERIMIENTOS ESPECÍFICOS DE ESPACIO ESCÉNICO Y MONTAJE: \n Espacio aproximado de 12 x 12 metros, con piso adecuado para danza (madera o tapete oscuro).\nAclaración: para el trabajo se utiliza un material (polenta seca) durante toda la obra. Se manipula\npor dentro del tapete.      \n*ESCENOGRAFÍA\n\n\n: Mesa de 1,5 x 1m.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=fUeIzTSoxcg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 201, NULL, 35, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 178, NULL, '2020-02-25 22:11:24', '2020-06-24 16:03:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3715, 'Kdxen6azkppksHdW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:16:04', '2020-02-25 22:16:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3716, 'g0Lu3sE5dCKl1Thv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:23:07', '2020-02-25 22:23:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3717, 'sAF8RNuJtCwbLSxP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:26:05', '2020-02-25 22:26:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3718, '3SoUZ1cRHWGT1Pqh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:31:29', '2020-02-25 22:31:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3719, 'pkR3glaqlY53ae2e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:31:47', '2020-02-25 22:31:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3720, 'oK67dYny8lzblPFi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 22:37:12', '2020-02-25 22:37:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(3721, '3KDea0vlAiIom0ZG', 'EXSUL', NULL, '5 proyectores de diapositivas montados en una estructura metálica, que proyectan su imagen contra una pantalla ensamblada con los mismos materiales.\n\n4 de los proyectores, contienen 48 diapositivas cada uno, con imágenes de primeros planos de actores y actrices argentinos/as que participaron en filmes entre los años 1966-1981.\n\nEstos actores y actrices han formado parte de listas negras durante la última dictadura cívico-militar argentina. Teniendo que exiliarse fuera del país, hasta la vuelta de la democracia en 1983.\n\nLos proyectores intercalan linealmente las imágenes en períodos de 1 segundo, descomponiendo el tiempo característico del cine (24 fotogramas p/seg.) y recreando la ilusión del movimiento en un nueva temporalidad.\n\nEl 5to proyector, proyecta secuencialmente 40 diapositivas con textos que hacen referencia a preguntas realizadas a diversos/as actores y actrices argentinos/as, en entrevistas publicadas en el libro Las Listas Negras del periodista Carlos Barulich del año 1983.\n\nLos proyectores son controlados por un sistema Arduino, colocado a la vista en una caja con tapa acrílica transparente, en la parte inferior de la estantería.\n \nTodos los elementos físicos que componen la obra, a excepción de las imágenes proyectadas y la superficie de proyección, fueron pintados de un mismo color (gris oscuro) ultra mate.', NULL, NULL, 'La instalación está compuesta por 2 estructuras metálicas. La superficie total es de 5x2 metros en un espacio cerrado que permita la circulación al rededor de la obra. La iluminación del espacio debe ser tenue. Se requiere conexión eléctrica.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429006164/8d8a4ef4d5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4017, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3423, NULL, '2020-02-25 22:55:44', '2020-07-23 04:02:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3722, 'Umkn3rjtVQrNAVzL', 'ESPAÑA, APARTE DE MÍ EL 1532', NULL, 'Con un título inspirado de en poema de Cesar Vallejo, Este proyecto es una exclamación para repensar sobre el rencor histórico producido por la conquista del Perú por parte de España en 1532, a través de dos pinturas en gran formato que han sido intervenidas: \"La resurrección de Atahualpa\", una manipulación del cuadro \"Los funerales de Atahualpa\" con la referencia bíblica de la resurrección de Jesús colocando al Inca levitando. \"Los cuatro fundadores\" Un cuadro que coloca a los 4 personajes que iniciaron la conquista en la región y cuyos comportamientos comparte, Pizarro, Almagro, Atahualpa y Huascar, entre envidias, odio, avaricia y muerte, estos 4 iniciaron y marcaron el inicio violento en la región.\n\nSe acompaña a este proyecto 2 objetos, el primero, la biblia perforada y atravesada por un florecente led rojo, como un símbolo de una luz violenta y sangrienta que tuvo como consecuencia que Atahualpa arrojara tal libro. Y un televisor en estática con un dibujo intervenido de Huaman Poma, donde aprovecho para señalar que la historia está siempre en proceso de codificación.', NULL, NULL, 'Tuve el honor de participar en la anterior edición, y en mi estadía en Buenos Aires, pude observar el espacio del Museo de la Inmigración, Hotel de Inmigrantes. Y me parece un espacio altamente simbólico porque representa el choque de culturas, y debido a su grandes espacios es apto para mi trabajo pues mis pinturas miden alrededor de dos metros c/u. Y creo que este proyecto con las demás propuestas presentadas en ese espacio, propondría la diversidad que sumaría al contenido intercultural.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 197, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 174, NULL, '2020-02-25 22:59:40', '2020-06-24 16:31:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3723, 'bm9nJKpCMmBoyuRz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:00:38', '2020-02-25 23:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3724, '5PtCPVCXWiIsc0w1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:02:34', '2020-02-25 23:02:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3725, 'XLHuDvmaqQ5fIqaN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:09:19', '2020-02-25 23:09:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3726, 'p3eIQmPMZMb1eaCn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:23:20', '2020-02-25 23:23:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3727, 'bAL9PmjwTQJkoGG8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:25:37', '2020-02-25 23:25:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3728, 'cnLzzxRIr1nH8cXS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:34:20', '2020-02-25 23:34:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3729, 'MvGSU7cx0MTvYa9o', 'REALIDADES SIMBOLICAS', NULL, 'RESEÑA: La obra Realidades simbólicas, de Angel sebasstiam Bucheli, tiene una intersección de hitos  pictóricos del renacimiento  trasladados  al contexto actual, actualizados de una  manera posmoderna,  se toma las vírgenes  y madonas renacentistas de los artistas   Sandro Botticelli, Fillipo Lippi  y  Leonardo Davince, que  en su época tuvieron la finalidad de crear un mundo de formas puras, seres bellos, a través de un dibujo sinuoso, ondulante con contornos claros y precisos, cargados de un lenguaje poético, los cuales son contextualizadas con una gama de colores neón, de una forma irónica, matizados con la  intercomunicación de los sentidos a  nivel social,  a través de la imagen que es representada en  las  redes sociales, planteando una aproximación con la realidad con una crítica  hacia  la finalidad de crear un  imaginario colectivo sobre la felicidad. \nEl ser humano es la más elevada y noble invención de la vida como un proceso evolutivo que para alcanzar su culminación, atraviesa diferentes  fases que le permiten la estructuración psicológica, su madurez y su individualización, que parte de un  imaginario religioso, popular, comercial y  las relaciones sociales  del pensamiento actual. Cuando alcanzamos  la edad adulta debemos  estar en condiciones de vivir  con responsabilidades los  desafíos   existenciales, como seres humanos llevamos con nosotros los miedos,.', NULL, NULL, 'SE REQUIERE UN ESPACIO DE 250CM DE ANCHO LAS OBRAS TIENEN 60 CM ANCHO X 90 CM DE LARGO', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 386, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 320, NULL, '2020-02-25 23:35:11', '2020-06-24 16:07:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3730, 'BjZ8zvjfEeWDPYNY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:43:36', '2020-02-25 23:43:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3731, '8P4DYeGEfrtOXLDj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:52:50', '2020-02-25 23:52:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3732, 'J2REXTzu06IE7zTt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:53:07', '2020-02-25 23:53:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3733, 'qlVwHYdALjjOtB4a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:54:28', '2020-02-25 23:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3734, 'HPdmM12mYSKeM3Jo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-25 23:54:47', '2020-02-25 23:54:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3735, 'fmr98JxD5L2Zz7fD', 'La red divina', NULL, 'La red divina habla sobre la maternidad, la crianza y la ayuda.\n\nEl trabajo parte de lo particular, mi manera de convertirme en madre de gemelos.\nDescubro que no hubiese sido posible criarlos, alimentarlos, dormirlos y alzarlos sin todos los que estuvieron a nuestro lado durante más de un año. Recibimos ayuda de todo tipo y de todo tipo de personas. \nMediante el retrato hice el registro de ellas.\n\nPor otro lado, las entrevisté para saber cómo fue su crianza, y si son madres o padres que me cuenten cuál fue su experiencia en los primeros meses. \nRealicé un listado general que habla sobre el rol de la madre y el rol del padre en base a sus relatos que describen situaciones particulares.\n\nCreo que la historia nos escribe a las mujeres como madres. En la actualidad el empoderamiento de la mujer gana terreno en el espacio público, pero en el ámbito privado pareciera ser que lo femenino sigue ligado a una desigualdad de género. Sin embargo, a través de las redes personales e incluso virtuales podemos atravesar el abismo de la soledad de la maternidad y compartir un poco de nuestras experiencias con las ajenas haciendo de la crianza una tarea compartida. \n\nAcompañando las fotografías, realicé 7 listas de situaciones nuevas desde mi lugar de madre que vislumbran rasgos generales de la maternidad múltiple. \n\nConcluyo que algunas veces yo funcioné de sostén y otras de sostenida. \nLas relaciones son extrañas y misteriosas.\n\nDaniela Amin', NULL, NULL, 'La muestra requiere una pared de aproximadamente de 3mts x 3mts para pegar los retratos; una pared pequeña para colgar el listado de nombres que mide 50 cm x 20 cm;  y el del bosque que mide 50 cm x 75 cm.\nPor último una mesa o tablón para apoyar cada pilón de las siete listas. La idea es que cada persona se pueda llevar la lista que le interesa.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 198, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 175, NULL, '2020-02-26 00:01:39', '2020-06-24 16:02:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3736, '0d6JNbV8KF3atOkQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 00:05:38', '2020-02-26 00:05:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3737, 'pBZUhU7eeCeKBz0x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 00:18:49', '2020-02-26 00:18:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3738, 'omsvAXaIibwHWINK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 00:22:15', '2020-02-26 00:22:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3739, 'QTZi9mqOy6uKecmV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 00:45:52', '2020-02-26 00:45:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3740, 'rDjasuNDAQmWhNxK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 00:59:56', '2020-02-26 00:59:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3741, 'IBgzNF9SVxDWgnK8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 01:00:00', '2020-02-26 01:00:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3742, 'ZH8H95JkUR5IU1qV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 01:04:52', '2020-02-26 01:04:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3743, 'LbFhRSppJMbeIPzP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 01:04:53', '2020-02-26 01:04:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3744, 'H9bLEM3S6ubXnkdP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 01:19:48', '2020-02-26 01:19:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3745, 'dqa4rwvxoT6KDPgd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 01:55:15', '2020-02-26 01:55:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3746, 'dCQheOooo6eDQkgd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 02:18:54', '2020-02-26 02:18:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3747, '6D79K8Jreb5ocwh0', 'No es casual que el interior de una flor se llame estigma', NULL, 'Nuestros cuerpos (de mujeres, lesbianas, no binaries, travestis y trans) no logran aún escapar de la mirada patriarcal que censura nuestros pezones en los espacios públicos y virtuales como redes sociales. Obligada a percibir mi cuerpo por partes, porque la totalidad parece una amenaza al sistema, encontré una grieta a la censura. \nMi proyecto de collage fotográfico digital propone la deserotización de nuestros cuerpos para transformarlos en sujetos políticos. Las tetas, como objeto de mirada permanente en la cultura machista, se empoderan y se vuelven sujeto: por primera vez miran fijo y tienen voz. \nPara lograr esa transformación es necesario que el cuerpo sea un territorio lúdico, libre de peligro. La deserotización se logra mediante el mecanismo de recorte, utilizando el mismo recurso que la pornografía (el primer plano para excitar) para un fin completamente opuesto. Con sobreimpresiones y collage, encuadres de primer plano y formas abstractas, mezclo técnicas de movimientos como el dadaísmo y surrealismo, generando crítica a partir de la ironía y la comparación, con una paleta de colores limitada (gris, negro, blanco y rosa). Todas son fotografías digitales tomadas con celular y editadas con el mismo dispositivo.\nNo es casual que el interior de una flor se llame estigma y que nuestros cuerpos, en especial nuestros pezones, sean vistos como una amenaza al orden establecido. \nNUESTROS CUERPOS NO CESARÁN LA LUCHA POR NUESTROS DERECHOS.', NULL, NULL, 'Las fotografías son digitales, por lo que me gustaría que no pierdan su cualidad digital y que sean expuestas en pantallas, en lugar de impresas en papel (también para fomentar la consciencia ambiental). El espacio expositivo deberá ser una pared blanca en la que puedan montarse 5 pantallas de 40 pulgadas de 1920x1080 (vertical), una al lado de la otra. Las fotografías irán cambiando cada 5 minutos, generando nuevos diálogos entre ellas mediante la percepción del conjunto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 199, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 176, NULL, '2020-02-26 02:23:10', '2020-06-24 16:03:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3748, 'ezZMaDeiRCWfVGbW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 02:27:17', '2020-02-26 02:27:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3749, 'k9WtM7DfBSHvlicR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 02:30:09', '2020-02-26 02:30:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3750, 'BqIafW7UaKZ2KVJe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 02:59:39', '2020-02-26 02:59:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3751, 'Nobwi1QSF4Ek6nRD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 03:31:24', '2020-02-26 03:31:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3752, 'Xz2r1G0wif0lBfPu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 03:35:49', '2020-02-26 03:35:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3753, 'vULgoeU3fKRMLzFE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 03:51:13', '2020-02-26 03:51:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3754, '324mUALfkez7e8Ui', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 03:57:33', '2020-02-26 03:57:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3755, '6Zc4aWFtYGmoAq4U', 'Escape', NULL, 'Conceptual; escapismo', NULL, NULL, 'Pintura abstracta acrílica.\nDimensiones 0.80 x0.60 cms.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 242, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 204, NULL, '2020-02-26 04:11:48', '2020-06-23 02:29:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3756, 'UxG0utSRsnaUTGia', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 04:19:55', '2020-02-26 04:19:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3757, 'oIkdbnr8G2BoS2qK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 04:22:11', '2020-02-26 04:22:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3758, 'K03OjoVMhrzplIe0', 'IN DIFERENTES', NULL, 'IN DIFERENTES, es una propuesta en donde se aborda la discapacidad desde un lugar de sentirnos protagonistas. La inclusión eso que socialmente se comparte, pero en la escena misma de la cotidiano, muchas veces nos  aleja, hará que se cuente la historia de una familia en donde el vincularse con el otro, parece ser algo que siempre está pendiente, postergado. Siendo los  protagonistas de esta obra, los que se preguntaran: “si se puede estar de ausencias acompañados”.\nCon la participación de Santiago, -Joven con Síndrome de Down-; IN DIFERENTES, nos lleva a repensar la discapacidad desde la  mirada de uno y a la vez con ese otro que también es parte.', NULL, NULL, 'IN DIFERENTES, es un proyecto que propone generar la cercanía con el público, para que este sea participe de lo que les va pasando a los personajes y por continuidad hacerlos también protagonistas de una historia que deja un mensaje reflexivo, sobre los valores y los roles en lo social de esta familia. Con un cierre de la historia,  entre los actores y el público, que de alguna manera ocupan roles diferentes sin sentirse por esto IN DIFERENTES.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 212, NULL, 36, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 179, NULL, '2020-02-26 04:35:13', '2020-06-23 02:19:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3759, 'w3xuPSuRQNXUXJjD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 04:38:42', '2020-02-26 04:38:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3760, 'T5uMDwJgso9FBOLz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 04:41:05', '2020-02-26 04:41:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3761, 'URphVq8AyiWGMjeb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 05:01:34', '2020-02-26 05:01:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3762, 'LpvVAYz2wUYhzuMf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 05:12:14', '2020-02-26 05:12:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3763, 'Kw5g86hMYn0EVgRR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 05:20:03', '2020-02-26 05:20:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3764, 'mCsaCBPUPq19lhcA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 05:24:15', '2020-02-26 05:24:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3765, '3hbIfTH23TZ67d16', 'ARQUEOLOGIA HIBRIDA', NULL, 'El nombre de este proyecto: “Arqueología híbrida”, nace de mi propuesta visual que reflexiona sobre la impermanencia y la fragilidad de la naturaleza, en especial del impacto de la vida cotidiana del ser humano en los océanos, y todos los desechos que llegan al mar, desde ríos y lagos, afectando a la flora y la fauna marina. Busco dejar un registro o un inventario de lo que hoy aparece en nuestro entorno como “natural”. Al igual que el trabajo de un arqueólogo, mi metodología consiste en buscar y seleccionar elementos inorgánicos (como plásticos y residuos) que llegan a las playas. Y gracias a mi formación multidisciplinaria como artista visual y joyera, uso diferentes técnicas para tratar lo inorgánico y sintético, y hacerlo transitar hacia una nueva creación, una nueva naturaleza, donde cada quien puede imaginar orígenes y procedencias. Así, aparecen instalaciones que dan vida a organismos en espacios imaginarios, donde incorporo además de los materiales plásticos recolectados y precarios otras materialidades más orgánicas como  porcelana, piedras y musgos, entre otros, todo mezclado, haciendo un juego visual que confunde al espectador para hacerlo reflexionar. Además de la transferencia de calor, el plástico experimenta diferentes procesos manuales con técnicas como calar, perforar, lijar, coser, fundir, amarrar y pintar, los cuales incorporo en varias etapas para ir reconstruyendo la materialidad y generar un imaginario híbrido y muy personal.', NULL, NULL, 'Muro de al menos 4 metros de alto', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 213, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 182, NULL, '2020-02-26 05:29:14', '2020-06-23 02:19:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3766, 'bxzKclx284S4Bz3F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 05:29:39', '2020-02-26 05:29:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3767, 'RSNCnNIq4Xk3x83A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 05:46:08', '2020-02-26 05:46:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3768, 'XZGgQZ8VpC7sfgNs', 'Juntos tejían la continuidad de los tiempos, tan difíciles de recomponer...', NULL, 'Esta obra tiene su origen en investigaciones autobiográficas. A menudo, mis obras funcionan como conjuntos compuestos de fragmentos o patrones. Estos conjuntos intentan evidenciar la composición de una identidad compleja. Una identidad compuesta de carencias, relaciones contradictorias o violentas, pero también de fuerzas que surgen del arraigo a varios territorios. Mi trabajo trata de generar diálogos entre fragmentos y diferentes formatos, con la idea de crear puentes, cruces entre imaginarios y epistemologías.\nLa obra que presento es un patchwork compuesto de diferentes piezas de tela teñidas con el color índigo. El índigo es una planta que formó parte del circuito comercial transatlántico del siglo XVIII. Al igual que otras plantas, lleva consigo el símbolo de las poblaciones desplazadas bajo el régimen de la esclavitud. \nPara constituir el dibujo de esta pieza, esquematicé mi árbol genealógico para convertirlo en un \"rizoma genealógico\". La organización de los miembros ya no se dispone verticalmente, pero horizontalmente. \nEl dibujo es, por lo tanto, un soporte sobre el cual los miembros de la familia se conectan a través de segmentos que traducen las relaciones que los unen. Así se forman fragmentos geométricos que, una vez ensamblados, se convierten en un territorio compuesto por parcelas. Estas diferentes parcelas de algodón y lino teñidas, tienen cada una su propio color y textura. \nAsí la identidad se transforma en un territorio. \n\nmedidas: 3m50 x 2m70', NULL, NULL, 'El espacio expositivo pensado, es un espacio interior. Por su materialidad, la obra cuenta con cierta fragilidad. Respecto a las dimensiones, las medidas de la obra son de 3m50 x 2m70, entonces es necesario un espacio más amplio para su instalación (por ejemplo: 5m de ancho y 4m de alto). Ya que es un patchwork, es importante poder verla tanto de lejos como de cerca. Compuesta de textiles con ciertas transparencias, se busca la posibilidad de jugar con la luz natural y artificial de un espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3217, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2768, NULL, '2020-02-26 06:15:47', '2020-08-10 15:00:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3769, 'MdJkJHtRzGDsKaae', 'Negro Carbón', NULL, 'A partir de una reflexión sobre la muerte en la contemporaneidad, realizo una serie pictórica en la que invoco a las tres figuras fundamentales de las cosmogonías nativo-americanas (el puma en representación del felino grande, el cóndor, en representación de las aves, y la anaconda en representación de las serpientes) para que destruyan el mundo que habitamos y así se dé paso a uno nuevo. Cada pintura está acompañada de un texto, que es contexto y encantamiento. El vídeo, es una secuencia de posiciones con fundamento en el yoga que evocan a los animales citados y al Nataraja Shiva, la figura del Shiva danzante que destruye universos para crear otros nuevos.\nNegro Carbón, como vídeo instalación es un proyecto en proceso, que se compone de cuatro pinturas (los cráneos del cóndor, el puma, la anaconda y el humano) de 1 x 1,5 mts cada una, realizadas con óleo y acrílico sobre tela, dichas pinturas son inseparables de los textos que las acompañan, y un video-performance basado en figuras del yoga y principios del Butoh que completan el encantamiento lanzado en los textos. El video-performance se reproduce sobre la pintura del cráneo humano. Para conocer los textos, se puede visitar el instragram @kojconcolorcordisarah en el que se encuentran tanto las pinturas bocetos, como los textos.', NULL, NULL, 'El espacio requerido son paredes o paneles de 2x2,5 m mínimo, si son paneles individuales, o una pared o panel de 2x5 m mínimo si van los animales juntos, más un panel de mínimo 2x2,5m en el cuál se ubicará la del humano. En cualquier caso el puma y le humano siempre estarán enfrentados. La iluminación ha de ser focalizada y cálida. Sobre la pintura del humano se reproducirá el video performance con un video beam como herramienta.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=y3hZG9tLbBM', NULL, NULL, NULL, 'https://www.instagram.com/kojconcolorcordisarah/', NULL, NULL, NULL, 5594, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4635, NULL, '2020-02-26 06:30:30', '2020-06-30 17:58:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3770, 'ZnbQ4Rl675LcuxiN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 06:33:47', '2020-02-26 06:33:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3771, 'C7qe9m6ZcSmi4NtT', 'Los dones de las mujeres', NULL, 'Los torteros o pesos de hilar son los restos arqueológicos prehispánicos hallados en la llanura santiagueña, en cantidades llamativamente altas ,lo que habla de una intensa actividad textil y según investigaciones actuales también habla de un intercambio entre comunidades, a la manera de obsequios, consecuentes con la economía del don (el don o regalo implica una obligación de reciprocidad que caracteriza las relaciones en las sociedades simples, M. Maus). \nUna ofrenda hecha de instrumentos utilizados para la preparación de los hilos, el proceso previo  al tejido en si. El antes del textil, la preparación de las fibras . Los torteros son pequeñas piezas  de piedra o cerámica con incisiones o dibujos de la simbología identitaria usada en la cerámica de cada región.\nMe interesa hablar  de las relaciones entre grupos, del interés por las transferencias y los contactos, habla de  comensalidad  y cooperación entre mujeres dedicadas al mismo oficio.\n\nConsidero que estas practicas de solidaridad y de intercambios , muy naturales entre las mujeres son un modelo muy simple de imitar y aplicar en la realidad que vivimos hoy de cara a la pandemia y a la crisis mundial. \n\nPresento una instalación de piezas cerámicas colgadas de hilos de lana rústica hilados artesanalmente. Se sostiene del techo por una estructura de madera perforada desde donde se enhebran los hilos que cuelgan sosteniendo los torteros .Las  medidas de la propuesta inicial : 2,50 x 1,00 x 1,00 mas.', NULL, NULL, 'La obra es muy flexible , puede realizarse en medidas mayores según la altura de los techos y la escala del lugar . Puede ir en el centro de una sala mediana o ocupar entera un espacio mas reducido por completo . No tengo una localización especifica debido a las limitaciones de movilidad que nos impone hoy la pandemia .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5739, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4739, NULL, '2020-02-26 06:42:26', '2020-08-08 02:45:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3772, 'Z2gZ6S5EZ3hxRugH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 06:43:51', '2020-02-26 06:43:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3773, 'BeHNJZnXna6oXaOo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 06:55:05', '2020-02-26 06:55:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3774, 'KC83y25iv1qb8nMg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 06:57:04', '2020-02-26 06:57:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3775, 'UjZaoi2M4tkOssO9', 'Autorretratos de los no cuerpos', NULL, 'Texto - concepto - by Judith Le Roux\nEl cuerpo es una construcción social, la mirada del otro nos sirve para\nreconocernos; juego virtual entre la individualidad y lo social.\nUn lugar donde los espejos se resquebrajan; se reproducen y visualizan\ndevolviéndonos una imagen corporal, que se desea ver. Y en ocasiones se\nprefiere negar.\nComo me veo y como ven; son juegos perversos y desiguales. La\nrepresentación de mi propio cuerpo me esclaviza; me transformo en una\nimagen que me amenaza, delata y juzga. (..)\n\n\nLas fotografías estarán dispuestas en el espacio con superficies reflectantes que tengan el mismo tamaño que cada fotografía y será colocados en la misma línea para el espectador de la sala dialogue con su propio cuerpo en ese mismo formato generando su propia imagen dispuesta en el recorte de la obra. Generando una interacción con el espectador y su propio reflejo a partir de esa idea.\nLas fotografías estarán divididas en dos series aquellas que son retratos de otras mujeres no de la propia artista y cuyos fondos son blancos y aquellos autorretratos en clave baja donde la propia artista elabora un gesto frente a la cámara de frente y de perfil. \nEstarán impresas en plotter montados en mdf en tamaño natural de aproximadamente 150 cm de ancho x 80 cm de alto y de 130 cm de alto x 86 de ancho aprox\n\nSi el espacio fueran más chico del pautado, podrian ser solo las fotos sin las superficies reflectantes.', NULL, NULL, 'Museo o galería de arte contemporáneo especialmente en el exterior , ya que quiero mostrar mi trabajo sobre estereotipo y género fuera de Argentina.\ntendria que tener entre 25 o 30 metros la sala total.\n\nMusée d\'Art contemporain du Val-de-Marne. // Centre Intermondes. Francia\nMaison de l\'Amérique Latine //  FRAC Alsace Fonds régional d’art contemporain\nMuseo nazionale delle arti del XXI secolo.  Museo Nacional Centro de Arte Reina Sofía.\n Baluard Museo de Arte Moderno y Contemporáneo de Palma.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 360, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 298, NULL, '2020-02-26 06:57:04', '2020-06-24 15:49:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3776, 'DbtLRnX8wnDf2i9k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 06:57:44', '2020-02-26 06:57:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3777, '19CPAextIPp5E8ds', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 07:16:03', '2020-02-26 07:16:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3778, 'Nj0SJqSMLcH8Tq43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 07:16:03', '2020-02-26 07:16:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3779, 'xtOCTiBPAcV91lgg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 07:43:05', '2020-02-26 07:43:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3780, '3DPbHpYz5emMvlRG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 07:54:28', '2020-02-26 07:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3781, 'EQOmz55QY6Zr0Gpj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 08:53:15', '2020-02-26 08:53:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3782, 'maeUaRkOptRkiWaa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 09:12:54', '2020-02-26 09:12:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3783, '6pkjg6AuYLXle61M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 09:23:39', '2020-02-26 09:23:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3784, 'x6ZhPAMhcBsiV5wc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 09:23:42', '2020-02-26 09:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3785, 'T5VE6WtbnmRqb8uO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:08:36', '2020-02-26 10:08:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3786, 'tuaGx6ET3YRbGbcV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:18:51', '2020-02-26 10:18:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3787, 'xQvqmx1wdQJr9QXJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:19:45', '2020-02-26 10:19:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3788, '7WRmohRYMfPnsF3I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:20:48', '2020-02-26 10:20:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3789, 'kQGrJ4mcHe0WM1OZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:32:19', '2020-02-26 10:32:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3790, 'yzKI9CX4DpnePKTO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:33:04', '2020-02-26 10:33:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3791, 'L4AlzBxafHebbatX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:42:33', '2020-02-26 10:42:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3792, 'zbzyfat4dVCdE2fJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:43:39', '2020-02-26 10:43:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(3793, 'A9wODwpWXjMVet1B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 10:47:23', '2020-02-26 10:47:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3794, 'SxD6mJ5Ex6TceI5y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 11:18:31', '2020-02-26 11:18:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3795, 'MA8NUP6F7fRPia8G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 11:35:13', '2020-02-26 11:35:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3796, 'JvlzotaI8lDgzhwl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 11:43:09', '2020-02-26 11:43:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3797, 'Vd25nwkAG5lj2ZhC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 11:45:25', '2020-02-26 11:45:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3798, 'dI1reeLjM1syDJt6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 11:46:14', '2020-02-26 11:46:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3799, 'tAxPYLzKUa9GFWBO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 11:48:23', '2020-02-26 11:48:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3800, '8jrP21LjeOFzD8zR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 11:49:42', '2020-02-26 11:49:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3801, 'I8OgrZXHINn6LADc', 'Toé centinela de mundos', NULL, '“Toé centinela de mundos” es una serie de cinco pinturas que hace parte de un estudio investigativo entre las ciencias de la Etnobotánica, Antropología y Artes plásticas sobre y a través de experiencias sensitivas inducidas con el uso de la planta enteógena conocida en la Amazonía con el nombre de Toé y en todo el territorio andino como “Floripondio” o “Borrachero”.  El Toé o “Borrachero” es una planta utilizada por muchas etnias de la cuenca Amazónica.  \nLa serie de pinturas revela aspectos desconocidos de la planta como manifestaciones espirituales y rituales, usos adivinatorios, elementos fundamentales de las creaciones simbólicas que han formado las personas de Leticia y sus comunidades en sus viviendas.   Al ubicar la planta en los costados de la entrada principal. Crean un umbral simbólico de protección contra las “energías oscuras”, siendo el guardián de los habitantes, permite un intercambio pacífico entre el espacio interior y exterior a la casa, sirviendo también como portal entre el mundo de los hombres y el mundo de los espíritus. Muchos hogares de nuestras ciudades, tanto en la zona rural como la urbana lo tienen para este fin entre otros. No solamente en Leticia sino también en Boyacá, Cundinamarca y Santander; se encuentra en casi todo el territorio suramericano.', NULL, NULL, 'Para el montaje de las pinturas es necesario módulos o paredes para colgarlas, cada una de ellas debe estar separada la una de la otra con un espacio prudente de 30 centímetros.   Las imágenes de las pinturas que enviaré incluirán la ficha técnica de las obras con sus respectivas dimensiones.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 238, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 200, NULL, '2020-02-26 11:54:00', '2020-06-23 02:27:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3802, '91RYCZMpjGDcVhOM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 12:36:59', '2020-02-26 12:36:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3803, 'UqivwoVXuQLeBJ4N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 12:46:18', '2020-02-26 12:46:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3804, 'Cau0nf2LKTg0sUR0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 13:17:40', '2020-02-26 13:17:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3805, 'zRB4C7rHqEefJZnb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 13:20:14', '2020-02-26 13:20:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3806, 'dIfYcg8CfbmQRFlR', 'Mapping coal', NULL, 'Mapping coal looks at ecological conflicts through the perspective of the Capitalocene era. Pursuing a narrative of appropriation of natural resources and externalization of ecological impacts, the project locates coal as the core element of conflict driven by developments taking place in northern Colombia and the United Kingdom. Through focusing on the historical value of this cheap resource, and by creatively engaging with current networks and infrastructure of coal mining and energy use, this on-going project explores trade routes, colonial and capitalists enterprises, natural depletion, and other issues relating to the continuous extraction and use of this polluting combustible. Tracing the violence embedded in industrial processes from opencast coal mining in South America to fossil combustion for power generation in Europe, the project proposes a narrative of contradictions by questioning the geopolitics of the centre/periphery debate, which currently unfolds in the midst of a global context that aims to converge efforts to accelerate the urgent transition to a post-carbon society.\n\nMapping coal comprises photographs, texts, maps and archival material.', NULL, NULL, 'Mapping coal can be accommodated to a variety of exhibition settings. The project can be exhibited either in a traditional exhibition space or through more experimental formats. Due to its characteristics of being mostly a 2D project comprised of visual material (photographs, texts, maps, etc.), mapping coal has the plasticity to adapt to a diverse variety of formats, media and dimensions. Ideally, the project should be exhibited in printed format but can be adapted to digital means if required.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4769, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4018, NULL, '2020-02-26 15:28:54', '2020-07-17 00:01:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3807, 'aUQvdjmE4Hq1O20n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 15:59:53', '2020-02-26 15:59:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3808, 'LTKs224idpFcrpwv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 18:41:46', '2020-02-26 18:41:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3809, 'iB385GNbgslApNmR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 19:12:44', '2020-02-26 19:12:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3810, 'f80QHXu4PHYlONDi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 19:20:45', '2020-02-26 19:20:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3811, 'MpeXSNvWICkPkw1x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 20:05:32', '2020-02-26 20:05:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3812, 'YaSU0Kxz6YTOhXva', 'El trémulo temblor de las bacterias poetas.  Instalación sobre bacterias amorosas', NULL, 'Se trata de un conjunto de dispositivos artísticos en torno microrganismos del cuerpo de la artista y con la hipótesis que un entono amoroso transforma su modo de estar o ser. Generando una investigación excéntrica o que al menos tensiona aspectos como la ficción- realidad, ciencia -arte, micro-macro, entre otras. \nEste proyecto comenzó en el 2015-2016 y fue presentado en el museo Evita en diciembre de 2017, “El trémulo temblor de las bacterias poetas”. Una especie de pseudo investigación científica y que puede incluir distintos modos de comunicar. \nAlgunas de las preguntas que han motivado esta investigación son: ¿Reacciona una bacteria a estados de ánimo? ¿Son las bacterias sensibles a los cambios contextuales emotivos?¿Qué pasa si se les canta, habla, o ríe?\nEn esta pieza en particular hay un lugar para pensar la subjetiva mirada de un humano en ese territorio común, con ese otro que es el  coetaneo en este tiempo y lugar.\nDe alguna manera se abre la posibilidad de imaginar otras virtualidades de lo inhumano y de sus comunidades posibles o pensar modos de responsabilidad o coexistencia, con respecto  a lo viviente.\n Los objetos pensados como parte de la instalación son las placas de Petri con el medio de cultivo y bacterias. (Selladas y dispuestas en una mesa)\nLas fotos de las bacterias que fueron sometidas a las intervenciones, es decir que son fotos microscópicas, acompañadas de un pequeño texto;  el video y una pequeña publicación a modo científico.', 'Raquel Ferreyra Argentina\nraquelferreyrapat.wixsite.com/raquel-ferreyra', NULL, 'Instalación que necesita un espacio de sala, de algún espacio instituido, museo u otro. \nSala mediana , con proyector, bases o mesa disponible.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/user39239545/bacterias', 'yobacterias', NULL, NULL, 'http://raquelferreyrapat.wixsite.com/raquel-ferreyra', NULL, NULL, NULL, 216, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 183, NULL, '2020-02-26 20:34:21', '2020-06-23 02:22:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3813, '5yVzaXqJDwFF4fJx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 20:53:21', '2020-02-26 20:53:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3814, 'W5jWZP5ZDZILdaW1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 20:56:22', '2020-02-26 20:56:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3815, '1aPiUuwqEGfh6ME9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 20:59:48', '2020-02-26 20:59:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3816, 'H0cRzUSPcpFBMZP6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 21:00:08', '2020-02-26 21:00:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3817, 'JuXcgvjzU88CMyQD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 21:19:30', '2020-02-26 21:19:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3818, 'jTeRy7g5SF7gzJ1m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 21:23:32', '2020-02-26 21:23:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3819, 'QFCe6yGLhL3o1XUo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 21:31:58', '2020-02-26 21:31:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3820, 'fOcLmqArSnJycYxw', 'Érase una vez…', NULL, 'La presente propuesta artística se origina en ciertos relatos infantiles, considerados modelos de pensamiento y conducta que apuntalan los lazos sociales que construyen los menores de edad con otros niños, los adultos y el mundo que los rodea. Hago uso de estas construcciones del lenguaje para a través de sus caracteres producir arquetipos alternos de relato. \nEs así como los personajes y símbolos de las narraciones se dislocan, cambian, invierten, se subvierte su sentido, abriendo el espectro de su lectura hacía preguntas actuales acerca del ser niño, los modelos sociales que se destilan en la tradición narrativa infantil, que reproducen constantemente códigos no tan inocentes, los cuales sirven a la exclusión y al uso de conductas que bajo un manto de inconsciencia deliberada pueden llegar a ser lesivas.\nEl resultado son piezas visuales con narrativas alternas que permiten otros juegos y lógicas comunicativas, que impulsan distintos significados y lecturas acerca de los roles que jugamos los adultos y los niños en el contexto contemporáneo, donde los menores se encuentran expuestos a situaciones de riesgo y violencia cada vez más fuertes y de los cuales es nuestra obligación protegerlos.', NULL, NULL, 'Para la presentación del proyecto se requiere un espacio dotado de buena iluminación y con capacidad suficiente para presentar las piezas, que tienen los siguientes tamaños:\n\nBlanca Nieves: 120 X 134cm\nPatito feo: 120 X 90cm\nLos Tres Cerditos: 98 X 1.96cm\nCaperucita: 100 X 150cm\nMambrú: 70X 100cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 217, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 184, NULL, '2020-02-26 21:34:30', '2020-06-23 02:23:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3821, 'CiPf27X6wxMtngfr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 21:37:26', '2020-02-26 21:37:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3822, 'aWZOoX2XtNDnIXSN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:06:50', '2020-02-26 22:06:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3823, 'npnDYNEe89iI0v5E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:09:23', '2020-02-26 22:09:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3824, 'JZbOFae5oqwPoXi8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:11:03', '2020-02-26 22:11:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3825, '54sixSRQhiY3mTGW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:20:54', '2020-02-26 22:20:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3826, 'aWtSSpWP3RlK3kCU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:31:15', '2020-02-26 22:31:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3827, 'jtDdU6RNO28fCcUV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:39:30', '2020-02-26 22:39:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3828, 'AJ4Lk1PkeOkWzDYl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:43:17', '2020-02-26 22:43:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3829, 'zJHyisTpzhdMxpzR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 22:55:57', '2020-02-26 22:55:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3830, 'yRu8qAZnNfgxtEZW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 23:23:06', '2020-02-26 23:23:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3831, '2Zezr6dxXuwMlDhR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 23:36:27', '2020-02-26 23:36:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3832, 'I8HhMqrWag0Ax9j7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 23:39:07', '2020-02-26 23:39:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3833, 'V9c6MvfZnlvzM2aO', 'Analogía hombre - naturaleza: estudio de las formas orgánicas a través de una eco escultura.', NULL, 'Es un proceso de investigación y creación donde se busca evidenciar la relación entre el ser humano y la naturaleza, mediante el estudio perceptivo de las formas orgánicas de una planta y de la figura humana. En especifico, las raíces de las plantas y la estructura del sistema circulatorio humano, obteniendo una tercera imagen como lo es la Eco escultura. Para la realización de esta, se hace un estudio experimental de la técnica de escultura modelada (arcilla) y como ella sirve de soporte para la germinacion de semillas y posterior brote de plantas. Al darle forma humana (puede ser cualquier otra parte de este) , las raíces al cubrirla recrean de manera natural una especie de sistema circulatorio.\n\nEl proyecto aspira a crear conciencia sobre la importancia de ambos sistemas dentro de cada organismo. \n\nLa escultura tendria dos etapas:\n\n1) La germinacion: Al estar listo el modelado en arcilla (materia orgánica que permite retener humedad),se colocan las semillas de la planta a germinar, proceso que las personas podrían ver durante unos 8 días. Para lograrlo debe estar cubierta por una especie de \"invernadero controlado\". El proceso sera documentado para que el espectador que no tuvo oportunidad de verlo en vivo lo vea en la segunda etapa.\n\n2) El podado: Pasado los días las plantas deben ser podadas (de lo contrario mueren) dejar solo sus raices y tallos principales, re ubicarse y bañarse en resina epoxica para su conservación. \n\nLa obra en total no pasaría los 60cm.', NULL, NULL, 'La obra debe estar dentro de un tipo de \"invernadero controlado\" o terrario, es decir, un espacio que la cubra y la mantenga en constante humedad, también que permita ser destapado si es necesario para controlar la germinacion. Si la obra mide unos 30cm y el terrario el doble, el espacio adecuado seria de 1,5m x 2m aproximadamente.\n\nLo recomendable es que este en una zona que no reciba mucha luz solar, debido a que normalmente la germinacion ocurre bajo tierra siempre.', NULL, 'artist', NULL, NULL, 'https://youtu.be/jcof0pNU5IU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 224, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 188, NULL, '2020-02-26 23:43:10', '2020-06-23 02:24:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3834, 'Sz5ETaYiVxi6IIcY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 23:44:45', '2020-02-26 23:44:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3835, 'PX8CyoMalIF2tHWY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 23:50:31', '2020-02-26 23:50:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3836, 'r1AXs4cJ3CjiKzzW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 23:57:00', '2020-02-26 23:57:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3837, 'WaDTUwK8mED2xnPL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-26 23:57:02', '2020-02-26 23:57:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3838, 'X4SiYMctCPGl28Uo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 00:15:05', '2020-02-27 00:15:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3839, 'GEo717WtJLhHxyIb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 00:19:14', '2020-02-27 00:19:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3840, 'uEKNZLNNnI1JLzw7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 00:19:40', '2020-02-27 00:19:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3841, 'ujpOX9rOBlKmVYvJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 00:48:23', '2020-02-27 00:48:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3842, 'huEe5LdijzSFruqg', 'Escultura relevo', NULL, 'Refúgio para refugiados\n\nMorar dignamente é um tema essencial na agenda global e se torna especialmente crítico para os refugiados. \nNum mundo caracterizado pela glocalização, ou seja, pelo cruzamento de questões globais com locais, a moradia de desterrados por motivos religiosos, políticos, sociais ou fenômenos climáticos aumenta justamente o número daqueles que fogem de algo e que precisam de um novo lugar digno onde viver.\n\nO artista plástico Jabim Nunes enfoca a questão sob um foco tridimensional, dando continuidade a um trabalho que já realizava no plano da pintura. A ideia básica de apresentar conjuntos de polígonos regulares e irregulares que, unidos de diversas maneiras entre cores, formas, texturas e relevos, permanece.\n\nO mesmo ocorre com o conceito de que o todo é mais importante do que cada parte individualmente na busca de uma forma de expressar o inconformismo com o mundo. Agora, no entanto, o criador visual trabalha com madeira encontrada nas ruas da região conhecida como Baixada Fluminense, no Rio de Janeiro.\n\nJabim Nunes compõe suas moradias para refugiados com pedaços de madeiras de lei retiradas de portas, portais e janelas antigas de casas de subúrbio, selecionadas por suas colorações, texturas e espécies. A organização desses fragmentos em moradias aponta para a possibilidade de ordenar o aparente caos da sociedade contemporânea. Assim, as casas do artista se tornam um refúgio para quem aparentemente parece não ter mais esperança.\n\nOscar D’Ambrosio', NULL, NULL, 'Desejo montar uma composição com a proposta de um assentamento para refugiados ou retratando uma favela .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 218, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 185, NULL, '2020-02-27 00:55:27', '2020-06-23 02:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3843, 'ZjAeqayynb9KeTCg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 00:55:40', '2020-02-27 00:55:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3844, '2vOn9Z9hsguOliUW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:12:14', '2020-02-27 01:12:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3845, 'VG00AlxxNnH22ytz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:14:26', '2020-02-27 01:14:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3846, 'MYaXsxJViagQWvJT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:19:33', '2020-02-27 01:19:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3847, 'zCPHDgtKmd37D4VX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:21:18', '2020-02-27 01:21:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3848, 'lce2HA9mqSzhqCSg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:34:07', '2020-02-27 01:34:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3849, 'BHLSGM4dhvizuReS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:44:41', '2020-02-27 01:44:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3850, '87wcfqFtcBTJFpWF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:51:18', '2020-02-27 01:51:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3851, 'eY7OAc7h9NMV93bI', 'La venida de mi reino. El tiempo y el espacio entre dos trozos de desechos', NULL, 'Actualmente está ampliamente difundida la idea de que el universo está en constante expansión, en la que cada cuerpo se aleja en distancias proporcionales a las que se encuentra de otros cuerpos. Hay que dejar por completo las imágenes que tenemos formadas del mundo para empezar a entender la lejanía de algo que está a millones de años luz. El mundo. Tenemos una idea tan redonda de “el mundo” que nos olvidamos en el cotidiano que esta idea es también otro relato. Las representaciones nos atraviesan, marcan pautas para tomar decisiones, para amar y hasta sufrir. No soy “Romina” o no sos “Sofía” sino la representación que nos hacemos de cada une, y no te amo sino a través de la imagen que tengo de vos. Pero en el cotidiano también quedan rastros de esa complejidad, no hay cosa en el mundo que no cargue con la herencia de ser hija del lenguaje. Por eso pienso que un trozo de madera usado en una construcción, o un pedazo de asfalto desechados por obreros municipales, pueden encarnar la historia del universo en el recorte de un momento y un lugar. El presente, en algún sitio de la Argentina. \nEste proyecto es una instalación de materiales de construcción y desechos urbanos dispuestos como si estuvieran en expansión en el espacio, desde el centro de la sala hacia sus extremos. El mismo se relaciona con trabajos anteriores, donde utilicé estos elementos desde un enfoque sociológico o antropológico, para presentar o interrogar las estructras sociales y su funcionamiento.', NULL, NULL, 'La instalación tendrá medidas variales, apta para cualquier sala de dimensiones medias, de aproximadamente 4x4x2,5 m. Los materiales para ejecutar la misma se recolectarán del entorno, que idealmente sería una ciudad metropolitana o semimetropolitana, con suficiente material de desecho.\nSe adjunta:\n> Imágenes: Registro de instalaciones realizadas que siguen la línea conceptual del proyecto.\n> Video: render de proyecto a realizarse en 2021 (postergado), mediante una Beca Creación del FNA.', NULL, 'artist', NULL, NULL, 'https://youtu.be/81E6I-_qJoE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3585, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3065, NULL, '2020-02-27 01:51:50', '2020-07-16 02:28:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3852, 'TBV5NQldthbhr4u4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:54:48', '2020-02-27 01:54:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3853, 'oEvQTD5B2KUOXw2g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 01:57:28', '2020-02-27 01:57:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3854, 'J4NgxZir9Zd3F3i8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 02:04:38', '2020-02-27 02:04:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3855, 'HWjCtEVySw6A91i2', 'REQUIEM', NULL, 'Algunos años atrás , conducir desde el sur a Buenos Aires ,implicaba descender a limpiar el parabrisas cada hora.\nLa cantidad de insectos que eran desintegrados , era inconmensurable. Recuerdo , lo dificil que era sacar el color amarillo y los cientos de alitas  adheridas a los vidrios ,    la parrilla  , y los faroles. En ese entonces , me sorprendia el movimiento aleatorio e individual , de cada ala , con la brisa.\n A veces  el ala , aun en la muerte , sigue moviendose, vibrando , girando  , vertical , irreal. , ¿adonde van las abejas cuando mueren ?. \n Transitar en autos, aún  a mayor velocidad ,  hoy  , no tiene el mismo  resultado.  \nEl uso de agroquímicos , diezmó a los insectos , una de las catástrofes ecológicas denunciadas en la actualidad  , aunque se hace hincapié en las abejas  .\n Yo no pude ser conciente de   esos miles de millones de vidas  destruídas  ,  pero puedo ver  mi parabrisas , y recordar', NULL, NULL, 'Son 25 las alas que intento producir , pueden  ser expuestas  en el exterior  , para que las alas fabricadas sobre rulemanes , se muevan con la BRISA  , en  alguna  plaza   , con  protección contra el viento\nEn el   Centro de exposiciones de Rada Tilly. , con aire inyectado , humo y luz azul.\n Disponer las alas  en grupos , para que sea posible recorrerlas  , algunas miden mas de 150 cm \nLa obra fué pensada para ser trasladada ,  y hacer un trabajo de  toma de conciencia , itinerante .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 223, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 187, NULL, '2020-02-27 02:06:46', '2020-06-23 15:24:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3856, 'PJ1oAG655QPY8T9n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 02:09:33', '2020-02-27 02:09:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3857, 'cYnAL68fgGBKuEei', 'Exposición Fotográfica Ciudades en Foco', NULL, '1ª Mega Exposición Fotográfica del Nordeste Argentino, desarrollada en la ciudad de Santo Tomé, Corrientes, nuevo polo universitario regional con la mayor densidad de estudiantes del país.\nExposición fotográfica de gran magnitud desarrollada al aire libre en la plaza principal de la ciudad.\n•	60 Gigantografías de 4 m2 c/u.	\n•	15 cubos de luz (retro iluminados) de 8 m3 c/u.	\n•	100 metros de exposición.	\n•	Conferencias.	\n•	Divulgación en medios locales, regionales y nacionales.\n•	Publicidad radial en principales difusoras de la región.\n•	Charlas técnicas.\n•	Venta de copias de las obras presentadas\n•	5000 visitantes (proyectado)', NULL, NULL, 'Plaza principal de la ciudad\n•	60 Gigantografías de 4 m2 c/u.	\n•	15 cubos de luz (retro iluminados) de 8 m3 c/u.	\n•	100 metros de exposición.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 222, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 186, NULL, '2020-02-27 02:10:28', '2020-06-23 02:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3858, 'KvkGoohVtofhKMDQ', 'MOSTRE-ME SUA CADEIRA QUE TE MOSTRO QUE TU ÉS.', NULL, 'A cadeira sempre foi um objeto muito simbólico em diversas áreas na história da humanidade, onde esta presente desde aproximadamente 2500 anos antes de cristo.\nElas podem representar poder, descanso, trabalho, conversa, burocracia, morte (no caso da elétrica), enfim, ela aparece em muitas situações na vida do ser humano. Para mim, ela me cativa na pesquisa estrutural, nas necessidades quase óbvias da sua função, onde e como sentamos, encostamos. Juntando estes fatores, meu trabalho, traz junto com estas referências simbólicas e técnicas, a super exposição deste objeto tão icônico, mixando todos estes significados e necessidades que traz intrínsecamente. \nEsta super exposição/sobreposição de cadeiras propõe uma referencia a complexidade dos nossos dias, da humanidade, das infinitas possibilidades de conexões e vivências, representados em um só objeto, que encontramos em quase todos ambientes que frequentamos.\nA cadeira se faz necessária tão quase como a comida, a água, é tão presente nas nossas vidas que seu renascimento é eterno, todos os dias nascem novos modelos, e morrem também. Algumas simbolizam épocas, cargos ou lugares, e acredito que até o fim da humanidade elas se farão presente.', NULL, NULL, 'Espaço da instalação (estrutura) 5x3x3m.\nMais ou menos 25 cadeiras interconectadas.  \nToda estrutura será feita in loco, precisarei do material devidamente cortado para a montagem, será usado caibros de 60x60x3000mm,2 chapas de compensado de15mm cortados em quadrados de 350x350 mm, e sarrafos de 45x20x3000mm, além de parafusos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2108, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1847, NULL, '2020-02-27 02:12:06', '2020-06-26 18:59:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3859, 'YY01kJ92YhDc4bZS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 02:13:06', '2020-02-27 02:13:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3860, 'M4eifDaSaogvj4om', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 02:39:29', '2020-02-27 02:39:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3861, 'cxwEpx0U5hWAI7Ub', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 02:56:36', '2020-02-27 02:56:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3862, 'M38yDeNkf7U0WfJd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 02:59:46', '2020-02-27 02:59:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3863, 'J0Lr3rP3zBMqQKWg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:22:42', '2020-02-27 03:22:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3864, 'ZP1H6Y2Sh3604SGE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:22:59', '2020-02-27 03:22:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3865, 'iZ9hr6Y5ESjgjOjk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:26:40', '2020-02-27 03:26:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3866, 'UcviEDK1Bfj53dK0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:28:10', '2020-02-27 03:28:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3867, 'npbtBmwVjM4g5bau', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:34:18', '2020-02-27 03:34:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3868, 'HZhmVbu4Q5GOCG4W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:35:49', '2020-02-27 03:35:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3869, '1icYzplQw9FHYTMa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:48:11', '2020-02-27 03:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3870, 'QrLtSK5sFojTmJ0Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 03:52:43', '2020-02-27 03:52:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(3871, 'sYrPIRCJxTyydLe9', 'SIN TITULO', NULL, 'Los espejos constituyen parte de la humanidad desde épocas remotas, ya sea para darles uso científico como el astronómico, o características míticas como el mito de Narciso. En si los espejos nos llevan a la introversión respecto al universo y la forma en la que lo percibimos.  \n\nEl proyecto es una forma de comunicación intrapersonal, mediante la cual, el sujeto observador se hace parte de la obra reflejándose en la misma, abriendo así un debate propio, en el cual el observador hará alusión (gracias a los símbolos expresados en la obra) a los sacrificios que forman parte de el mismo, a todos los acontecimientos que se llevaron a cabo en su vida para que pueda estar observándose a sí mismo el preciso momento en que lo hace. De esta forma la obra llama a la reflexión, al cuestionamiento de lo que realmente somos, al hecho de ser más que una imagen o un reflejo, a la conciencia espiritual característica de los humanos.\n\nLa obra es en efecto simbólica ya que en ella juegan dos símbolos evidentes. Primeramente el espejo que nos permite ser reflejados en la misma obra; luego están los cuchillos que representan los sacrificios previamente mencionados. \n\nLas características de la obra son las siguientes: \nTamaño: 100 cm x 100 cm x 11 cm\nPeso: 15 Kg (aprox)\nMaterial: Madera, espejo, vidrio, hilo, cuchillos', NULL, NULL, 'El espacio sugerido para la obra deberá ser amplio y de colores fríos, mejor si todo al rededor es blanco así el espectador podrá verse con mayor claridad en el reflejo, y sin distracciones. \nLa pared en la cual se colocara la instalación debe ser dura y estable ya que se perforara dos orificios para así colgar adecuadamente la obra. Así mismo si no hay posibilidad de colgar la obra, esta también puede ser apoyada sobre alguna superficie o pedestal, que este a un metro de altura del piso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1071, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 922, NULL, '2020-02-27 03:59:53', '2020-06-23 02:32:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3872, 'e4CIIrCHFRxIYT9f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 04:01:28', '2020-02-27 04:01:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3873, 'YeHWTO1Yu6tzBxHN', 'Memoria', NULL, 'Proyecto que rescata tecnología en desuso, memoria y bagaje cultural\n\nLa intención es rescatar tecnología en desuso y resignificarla generando estructuras que rescaten la memoria cultural colectiva contenida en cintas de video y casettes. \n\nConsiste en el tejido (diversas técnicas) de elementos rescatados de tecnología en desuso como cintas de video y cintas de casetes. Estos tejidos generan estructuras maleables que serán suspendidas en el espacio generando una instalación.\nSe incluyen también en menor medida fragmentos de radiografías como elemento representativo del sujeto.\nA su vez forman parte de este proyecto, un elemento tejido con el mismo material y la fotografía del mismo siendo usado como accesorio de vestuario.  Esta fotografía va exhibida contra la pared.\nDe este modo se propicia una doble situación. La instalación montada en la sala, como objeto en sí mismo y la exhibida a través de la fotografía siendo objeto de prenda de vestir o accesorio de vestuario.\n\n\nFicha técnica\nInstalación\nMedidas variables\nTres a cinco estructuras tejidas con diferentes técnicas de tejido, utilizando el material rescatado (cintas de video y casettes).\n\nElemento tejido con igual material, suspendido desde el techo y fotografía contra la pared que lo muestra como accesorio wearable .', NULL, NULL, 'Instalación.\nSe propone sala en penumbras permitiendo juego con las sombras proyectadas en la pared, e iluminación puntual de los trabajos \nLas medidas son variables pero se podria tomar una sala de aproximadamente 5x8', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 225, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 189, NULL, '2020-02-27 04:12:56', '2020-06-23 02:39:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3874, 'y5jyeBMd4jTnEJrS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 04:31:15', '2020-02-27 04:31:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3875, 'XG7AYAnsvF1qpQu4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 04:33:12', '2020-02-27 04:33:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3876, 'gRdA41KRwpMIkX2t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 04:47:32', '2020-02-27 04:47:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3877, 'twtRypZXJ1FfI8YR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 04:49:43', '2020-02-27 04:49:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3878, 'tErTy3R9gPACjBLU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 04:53:01', '2020-02-27 04:53:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3879, 'g5Je0PEWy0IRPjl6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 05:04:12', '2020-02-27 05:04:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3880, 'g81ymFgjzAS8HfIf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 05:07:35', '2020-02-27 05:07:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3881, '1i5v5Mbhvmg5kQjU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 05:38:16', '2020-02-27 05:38:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3882, 'q6FiKeomHUvsZtZf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 05:41:47', '2020-02-27 05:41:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3883, 'wpixgouO5ZNjXwnN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 05:45:04', '2020-02-27 05:45:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3884, 'r2yfIRDMhW0XcNbl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 05:47:34', '2020-02-27 05:47:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3885, 'VLhCaWSsPZglO2mk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 05:54:45', '2020-02-27 05:54:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3886, 'ZApZzfoit0ncVCkb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 06:14:51', '2020-02-27 06:14:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3887, 'Kq9N26sUHnUN9Q4u', 'RETRATO FAMILIAR', NULL, 'Mi obra es un relato acerca de los arquetipos familiares que se dieron y se dan a lo largo de la historia desde un punto de vista occidental y que abarca distintas etapas de la vida de una persona, observando estos primeros vínculos que pueden hacerla o deshacerla. Todo esto es llevado a cabo desde una forma irónica que contrasta lo trágico con lo mundano.\nMe interesa poner en debate los roles familiares con todas sus significancias: compromisos y responsabilidades, atenciones y cuidados, amor y desamor pero sobre todo el conformismo social e individual. De esta manera busco cuestionar la imagen idealizada de la tradicional \"familia tipo\", difundida por muchos medios y que está presente en el inconsciente colectivo de muchas personas.', NULL, NULL, 'La serie consta de seis (6) pinturas cuyas dimensiones van desde los 30 hasta los 100 cm. La técnica es la misma en todas las obras: esmalte sintético (brillante) sobre madera, más específicamente, melamina. Cada pintura cuenta con su sistema de montaje. Las imágenes presentadas con un estilo caricatura, sin muchos agregados de color, textura o fondo, ponen el énfasis en las figuras centrales, de lineas gruesas negras (con algunos efectos en rojo) haciendo alusión a viñetas salidas de un cómic.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=19N47d3NdhVrjS4OqigCuxtbO10PN5sMs', NULL, NULL, NULL, 229, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 192, NULL, '2020-02-27 06:16:06', '2020-06-23 02:24:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3888, 'z0NBNJQ6Y1Bnezua', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 06:20:22', '2020-02-27 06:20:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3889, 'OTkQ5bmHAJUTUsTw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 06:28:28', '2020-02-27 06:28:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3890, 'UmHohV47bHmYrZRz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 06:44:46', '2020-02-27 06:44:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3891, 'SUiwLvsDczGxUaBX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 06:47:29', '2020-02-27 06:47:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3892, 'vrs1deMFB9zypgMT', 'O.D.I.O.', NULL, 'Nuestra banda de Punk es un medio de catarsis sensible, una herramienta que nos permite aportar cultural y políticamente a nuestro entorno, al igual que es nuestra arma para gritarle al mundo todo lo que opinamos.\n\nSomos jóvenes de los barrios y las comunas de una ciudad fría y gris, curtida por el rugir de los disparos y la naturalización de la muerte y la violencia. Desde el nacer, nuestras libertades se han limitado por el dinero y por su uso en este injusto e inequitativo sistema que impone la guerra, el individualismo, la alienación, la servidumbre moderna, la esclavitud cotidiana, las fronteras y la apatía generalizada como forma de vida. De ahí surge la necesidad de reivindicar nuestros pensamientos, nuestro sueño de un mundo nuevo en donde todos los seres vivos podamos construir colectivamente como seres libres; un mundo incluyente, solidario, sensible y consciente, en donde haya una verdadera justicia que rompa el poder de este ambiente de control e intimidación que se respira en nuestras ciudades y en nuestras decisiones.\n\nComenzamos a escribir canciones y a componer nuestros ritmos en el año 2003, acerca del contexto en el que vivíamos, sobre lo que nos agradaba y desesperaba de nuestra realidad, a darles un ritmo en el estridente sonido del Hardcore Punk, siempre con un poco de la oscuridad y la fuerza del Punk callejero, con toques de Rap, de Ska, de Grindcore, de Metal y todos los sonidos que nos agradaban de las herencias que dejaron en nosotros los 90’s.', NULL, NULL, 'Somos 5 integrantes quienes componemos la agrupación, interpretamos nuestras canciones a través de 4 instrumentos y  4 micrófonos para proyectar nuestras voces, todas con efecto de Reverb en ellas. 2 guitarras, 1 bajo eléctrico y 1 batería compuesta por: Tom 1: 12”, Tom 2: 14”, Tom Piso: 16” o 18”, Bombo: 20”, Set de platillos Zildijan A Custom, Charles, Crash de 16”. Crash Ride de 18”, 20” o 22”, Ride, Splash de 14” y Chain; Twin Gibraltar segunda generación, Redoblante Dixon Pds2033m En Maple.', NULL, 'artist', NULL, NULL, 'https://youtu.be/73rZ6xE-Il0', NULL, 'https://odio.bandcamp.com/', NULL, NULL, NULL, NULL, NULL, 231, NULL, 37, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 195, NULL, '2020-02-27 06:50:01', '2020-06-23 02:25:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3893, 'IEe2q61RoKYZCUxw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:07:58', '2020-02-27 07:07:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3894, 'IDk2AYJPj9aEzVxn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:13:19', '2020-02-27 07:13:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3895, 'SVy6RFZoFLVYmc3s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:13:21', '2020-02-27 07:13:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3896, 'h1eLkQQ1cCfaJVRp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:16:59', '2020-02-27 07:16:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3897, '9Gk1NiVgnpe3VdmM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:27:28', '2020-02-27 07:27:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3898, 'qDV9xHtzkMsSmJUr', 'Origen', NULL, '\"Origen\" (2018).\nAcrílico sobre cartulina.\n\nConcepto:\nEn el Principio era el vacío que con su ensordecedor ruido minaba el Universo entero. Oscuridad y frío pululaban en ese entonces haciendo imposible la Vida. El Aliento sopló infundando calor a todo lo que tocaba, desvaneciendo el gélido estéril de los mundos. Con el calor, llegó la Luz que, desde sus primeros rayos cristalinos, llenó cada resquicio. La Creación estaba en proceso y con ella, la Vida.\n\nEsta pieza fue creada con el fin de ser portada de un libro científico a ser editado en Venezuela. No fue utilizada.\n\nObra inédita del autor.', NULL, NULL, 'Dibujo plano. Enmarcado.\nDimensiones: 60cm de alto x 48cm de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 243, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 205, NULL, '2020-02-27 07:37:43', '2020-06-23 02:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3899, 'Nk9h5ZuoY15zmDLv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:45:09', '2020-02-27 07:45:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3900, 'DmWUAvAvtK2FQ7xN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:48:36', '2020-02-27 07:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3901, 'KPCxvqAPRhgJvegr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:54:32', '2020-02-27 07:54:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3902, 'oji8pqCUA2WW26IJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 07:58:45', '2020-02-27 07:58:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3903, 'XWUce9a9hCWTXHTi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 08:01:44', '2020-02-27 08:01:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3904, 'n2Hy2xsN4M4lJz7w', 'DOBLE PUENTE', NULL, 'Todo puente implica un cambio de estado, un adentro, un afuera, un exilio, un regreso. En las fotos originales de esta propuesta encontramos puentes famosos, como el de Boyacá, el puente calicanto de Monguí, el puente Ortiz sobre el rio Cali, el puente Japonés en la ciudad vietnamita de Hoi An, los puentes sobre el Almendáres en la Habana, entre otros.\n\nEl proceso posterior con el que se trabajan estas imágenes sigue también la lógica de lo liminal,  encontrándose en la frontera de lo análogo y lo digital, entre lo fotográfico y las artes gráficas. Estas obras hacen parte de un proyecto de Investigación artística en el que llevo varios años trazando Puentes Gráficos, que expanden la visión de la fotografía y del grabado. Aquí se reúne la mirada sobre un afuera aparentemente inactivo, congelado en el tiempo y las manchas espontáneas ejecutadas desde un dripping químico producto de un azar controlado, que sigue en flujo en la medida en que el ambiente las afecta. Estas piezas conectan con parte de historia del arte fotográfico colombiano, con referentes como Miguel Ángel Rojas y sus revelados parciales o varias de las propuestas de Jorge Ortíz y su uso pictórico de la química de la fotografía análoga.\n\nEl ser humano siempre ha tendido puentes para superar los obstáculos, para pasar por encima de lo adverso y para conquistar otros territorios. Esta es una apuesta que conecta ideas que nos transportan desde unos terrenos estables, hacia un adelante incierto y creativo a la vez.', NULL, NULL, 'Siguiendo la lógica de la Bienal propongo que el espacio expositivo sea también un lugar perteneciente a una Universidad pública, de libre acceso y fuera del circuito de museos y galerías tradicionales.   Propongo la Universidad del Valle, en Cali, Colombia, que cuenta con la Sala Mutis al interior de su biblioteca central. En ella se pueden organizar de forma versátil, con paneles y muros, una muestra de varias piezas y formatos, una propuesta visual de montaje se adjunta en las imágenes anexas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 364, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 302, NULL, '2020-02-27 08:29:26', '2020-06-24 16:36:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3905, 'V1HILuzFPbpJtVpv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 08:41:00', '2020-02-27 08:41:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3906, 'TjhVuCrshocSttDJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 08:42:17', '2020-02-27 08:42:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3907, 'AvU5JkYTOQ3JJhxj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 08:54:46', '2020-02-27 08:54:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3908, 'ZQntwqlIK03FOwz0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 09:00:53', '2020-02-27 09:00:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3909, 'T41Tpue1n96SmTXk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 09:02:46', '2020-02-27 09:02:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3910, 'QynHzI5kMYIUkVS4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 09:04:51', '2020-02-27 09:04:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3911, 'xC4Az4mLBQj1tH5K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 09:10:17', '2020-02-27 09:10:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3912, '9MQSoditeLeSiZoa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 09:30:42', '2020-02-27 09:30:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3913, 'Pgno8n2voYNWiaDy', 'I - OÑO o el Primer Acto de Mirar Hacia Atrás - Memorias Recuperadas en un Pedazo de Carbón', NULL, 'Este trabajo en enmarca en una serie de imágenes basadas en la recuperación y realce de las memorias del carbón, desde la identificación de los llamados en éste proceso \"elementos arquetípicos\". El primer elemento \"Los zorros\"; caminantes de mil madrugadas, cuerpos entre torcidos, mimetizados por la carga de los maderos arrancados de los misteriosos bosques de Lota. Fragmento de un árbol sosteniendo pedazos de aliento, cristalizados en carne, viceversa.\nAparece también el “Pan Amasado” como segundo elemento arquetípico, de esencia al alimento. Como primera necesidad básica suplida y creada como acto de pura alquimia por nuevamente una materialización de un acto físico de unas manos de piedra femenina.\nComo cualquier acto de explotación física, sugiere una interrogante del por qué mueve a un Ser desde la posibilidad de libertad innata del ser humano seguir en espacios viciosos de sobre-exigencia, y aparece de inmediato como respuesta que es el Sacrificio por un Otrx lo que mantiene a un pueblo, a un hombre, a una mujer, niño o niña en constante explotación, abandonando cualquier sensación de desgaste, el movimiento de transformación que toma un auto-abandono por un acto de Amor hacia un Otrx. \nEste trabajo se presenta en una caminata donde un cuerpo camina con troncos en la espalda, a modo de procesión y acercamiento a los hombres que realizan este acto en las tierras de lota, terminando con el acto de compartir un pan amasado al finalizar el recorrido.\nDuración. 50 minutos', NULL, NULL, 'Trabajo que se puede presentar dentro de un espacio o tramo denominado con memoria, que tenga antecedente histórico de vulneración de derecho, explotación o de carácter contenedor de significado para el territorio. Está visualizado para compartirlo en un Espacio no Convencionales o Espacios Abierto.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ctUHm9v2_2Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 230, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 193, NULL, '2020-02-27 09:30:49', '2020-06-23 02:25:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3914, 'GRP7pgv0vX7oOaTN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 09:33:39', '2020-02-27 09:33:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3915, 'tqSCoMzFwFG1wo6g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 09:47:06', '2020-02-27 09:47:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3916, 'uOBX4nS8iCMfgSOB', 'I - OÑO o el Primer Acto de Mirar Hacia Atrás - Memorias Recuperadas en un Pedazo de Carbón2014', NULL, 'Este trabajo en enmarca en una serie de imágenes basadas en la recuperación y realce de las memorias del carbón, desde la identificación de los llamados en éste proceso \"elementos arquetípicos\". El primer elemento \"Los zorros\"; caminantes de mil madrugadas, cuerpos entre torcidos, mimetizados por la carga de los maderos arrancados de los misteriosos bosques de Lota. Fragmento de un árbol sosteniendo pedazos de aliento, cristalizados en carne, viceversa.\nAparece también el “Pan Amasado” como segundo elemento arquetípico, de esencia al alimento. Como primera necesidad básica suplida y creada como acto de pura alquimia por nuevamente una materialización de un acto físico de unas manos de piedra femenina.\nComo cualquier acto de explotación física, sugiere una interrogante del por qué mueve a un Ser desde la posibilidad de libertad innata del ser humano seguir en espacios viciosos de sobre-exigencia, y aparece de inmediato como respuesta que es el Sacrificio por un Otrx lo que mantiene a un pueblo, a un hombre, a una mujer, niño o niña en constante explotación, abandonando cualquier sensación de desgaste, el movimiento de transformación que toma un auto-abandono por un acto de Amor hacia un Otrx. \nEste trabajo se presenta en una caminata donde un cuerpo camina con troncos en la espalda, a modo de procesión y acercamiento a los hombres que realizan este acto en las tierras de lota, terminando con el acto de compartir un pan amasado al finalizar el recorrido.\nDuración. 50 minutos', NULL, NULL, 'Trabajo que se puede presentar dentro de un espacio o tramo denominado con memoria, que tenga antecedente histórico de vulneración de derecho, explotación o de carácter contenedor de significado para el territorio. Está visualizado para compartirlo en un Espacio no Convencional o Espacio Abierto Natural/Urbano/Rural.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ctUHm9v2_2Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 230, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 194, NULL, '2020-02-27 09:50:42', '2020-06-23 02:25:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3917, '6KqEVOsSa1DAMPps', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 10:06:07', '2020-02-27 10:06:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3918, '2P3ectF7ToyF3vTI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 10:53:11', '2020-02-27 10:53:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3919, 'bHJlV02xCt4MTv44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:01:07', '2020-02-27 11:01:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3920, '5Cv6VSVhw7SEGLZr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:22:52', '2020-02-27 11:22:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3921, '3nro7Ztp39hEaZgd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:22:53', '2020-02-27 11:22:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3922, 'NTHvD0ElPTvDl4bA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:23:27', '2020-02-27 11:23:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3923, '0RxBqLPhDpaLjxy8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:26:58', '2020-02-27 11:26:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3924, '9f5ondCBGVyyATY4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:30:07', '2020-02-27 11:30:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3925, 'Gg8GhDLbAkQoCq9V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:36:18', '2020-02-27 11:36:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3926, 'rMikwx3IzfKIetED', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:52:49', '2020-02-27 11:52:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3927, 'Ma5xzAJYM9Qmw1Da', 'Enxó', NULL, 'O Enxó é um projeto que busca investigar as possibilidades do encontro, assim se compreende enquanto obra a reunião das pessoas que aqui integram projeto e de todas as outras que venham a estar espontaneamente presentes em seu desenvolvimento. Portanto, o nome do grupo e do trabalho é Enxó. Com a ajuda de um suporte escultural, a idéia é criar um espaço de convívio que provoque os corpos a encenações e coreografias públicas. O suporte será fabricado junto aos carpinteiros da cidade, esses que também fizeram parte da produção do arquiteto José Zanine Caldas que durante a sua estadia na cidade, desenvolveu junto a eles seu trabalho com os princípios de preservação da natureza e conhecimento local. Trata-se de uma investigação do remanescente dessa história e de uma disputa sobre essa narrativa, protagonizando o conhecimento local. Durante a instalação desse suporte, serão realizados atividades de escuta para um registro etnográfico. Um exercício de diálogo não hierarquizado.', NULL, NULL, 'O projeto deve ser desenvolvido em algum espaço público de Nova Viçosa. O projeto refere-se especificamente a história desse local sob o questionamento de que estamos sempre a olhar para o coração das metrópoles, quando a periferia do capitalismo são alvos da financeirização e a digitalização da vida, da linguagem e da intersubjetividade. Assim como também é onde ainda se guardam referências de convívio e repertório afetivo que escapam e resistem a isso.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/245095365', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6302, NULL, 931, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5153, NULL, '2020-02-27 11:53:32', '2020-06-23 01:42:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3928, 'Vj3hcG3sDS2zhlSh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 11:58:13', '2020-02-27 11:58:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3929, 'CswuDWMQffhr2xu8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 12:21:23', '2020-02-27 12:21:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3930, 'GDFfwicGxT3xFzo6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 12:24:24', '2020-02-27 12:24:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3931, 'q5oM5zMFzZwEsWjy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 12:41:19', '2020-02-27 12:41:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3932, 'wj73wP9xfAZkuFsk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 13:09:09', '2020-02-27 13:09:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3933, 'MvGtVRA49KrniXhp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 13:12:14', '2020-02-27 13:12:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3934, 'w2lkoI4hs6yHiaAO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 14:17:21', '2020-02-27 14:17:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3935, '619nJzF4vnKt2mqT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 16:01:20', '2020-02-27 16:01:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3936, 'KTCJwnSlzODfkt1m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 16:26:51', '2020-02-27 16:26:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3937, 'ubrpuvC3Telg1zRb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 17:51:30', '2020-02-27 17:51:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3938, 'QRjPmLv3vCJ2tpBA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 18:51:02', '2020-02-27 18:51:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3939, '0eVIXSj4HBudmBJS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 19:24:38', '2020-02-27 19:24:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3940, 'NOvpbABuOkSyfevm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 19:26:16', '2020-02-27 19:26:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3941, '13Tm3dLktQOGhtum', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 19:29:47', '2020-02-27 19:29:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3942, 'TotWUZf1bFOWfFkL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 19:31:20', '2020-02-27 19:31:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3943, 'bv2kZru2O2JFVq9w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 19:47:06', '2020-02-27 19:47:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3944, 'eA2i5j0sJUjlTkYs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 19:50:38', '2020-02-27 19:50:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3945, 'sjNNJB8mk76Q2gFx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 20:01:47', '2020-02-27 20:01:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3946, 'qa4jMJxS5urxoR35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 20:10:58', '2020-02-27 20:10:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3947, '2h1KwkJQgvyWa2OC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 20:11:39', '2020-02-27 20:11:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3948, 'JkhnGCocZtVFlWxf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 20:17:20', '2020-02-27 20:17:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3949, 'W2l8PzNAlArIpQ1V', 'MAMAQOM', NULL, 'Es un mosaico de 60 x 80 cm , realizado en mosaico y venecitas.\nRepresenta una anciana de la etnia qom.', NULL, NULL, 'Necesito un espacio donde quepa mi obra de 60 x 80 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 233, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 197, NULL, '2020-02-27 20:35:53', '2020-06-23 02:26:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3950, 'mjQpcSfQXvVbARkP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 20:37:30', '2020-02-27 20:37:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3951, 'KEbXl3WOoSgLB5yM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 20:50:11', '2020-02-27 20:50:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3952, 'uUhIrqdJKD1E3q5c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 20:53:54', '2020-02-27 20:53:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(3953, '6FqM5eY3hzV2N2oR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 21:11:17', '2020-02-27 21:11:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3954, 'UY6tEHg3u8g2qs6J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 21:18:04', '2020-02-27 21:18:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3955, 'uV9FvwRk2yeY9aRw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 21:34:16', '2020-02-27 21:34:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3956, 'ZNvQD61lmtko6TVM', 'Limbo multimedia', NULL, 'Limbo es un dúo que mezcla  la música , entre el rock y el tecno junto con las imágenes multimedia\ntodo mezclado con canciones que llevan a un viaje  completo entre música y visuales.\nCada canción contiene un concepto  que es transmitir en sugerentes imágenes \nLimbo lleva 5 discos editados', NULL, NULL, 'El espacio que se necesita es de un escenario de 15 mts de ancho y 10 de alto  en el cual se proyectan las imágenes .\nEll escenario debe tener  sonido adecuado  con pantalla o proyector  de alta resolución en el fondo del mismo.', NULL, 'artist', NULL, NULL, 'https://youtu.be/8SXJx2MEZBg', NULL, 'https://multiplay.app/limbo', NULL, NULL, NULL, NULL, NULL, 234, NULL, 38, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 198, NULL, '2020-02-27 21:35:26', '2020-06-23 02:26:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3957, 'IZRTlJCVPlSFq6iu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 21:36:00', '2020-02-27 21:36:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3958, 'HbIYrM5zZqdmhxYN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 21:38:12', '2020-02-27 21:38:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3959, 'zw8P5TKsbQqY7H4V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 21:53:01', '2020-02-27 21:53:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3960, 'aO2AD1qZagcCfQrt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 21:58:19', '2020-02-27 21:58:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3961, 'FkuPbyG2s6KXJV7w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 22:10:35', '2020-02-27 22:10:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3962, 'IAdTr4B7XR6qhzhM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 22:25:32', '2020-02-27 22:25:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3963, 'gGeUSyyo6whBXkEH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 22:33:34', '2020-02-27 22:33:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3964, '8VvbEKrXkttg6PYF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 22:42:14', '2020-02-27 22:42:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3965, 'VFeYDuv6zbCXRUpa', 'Coexistir', NULL, 'Coexistir es una serie de fotografías de desnudo artístico en la naturaleza. Esta serie, pretende reflexionar en torno a la convivencia del ser humano con su entorno natural, dejando de lado los prejuicios del cuerpo y edad para adentrarse en los distintos escenarios naturales para poder disfrutarlos de manera respetuosa con el medio ambiente en completa libertad.  \nDefinición de coexistir: La coexistencia es la situación que se produce cuando un sujeto o una cosa existen a la vez que otro u otra. Coexistir, dicho de otro modo, implica una existencia simultánea. En la naturaleza, reino animal, nos encontramos con distintos ecosistemas que coexisten entre sí. Estos ecosistemas, conviven de forma armoniosa, respetándose los unos a los otros y por sobre todas las cosas cuidando el entorno que habitan. Esta serie fotográfica, se enfoca en la sana coexistencia de los seres humanos dentro del entorno natural que los rodea, los humanos al momento de incorporarse en cualquier sector natural, casi siempre deja una huella no favorable para la naturaleza, ya sea de basura, incendios o la sobreexplotación de los suelos. Pues bien, en este proyecto, se ha dejado al ser humano como el animal que es, mostrándolo de la forma más pura que posee, viviendo con naturalidad su desnudez en conjunto del entorno natural. De esta forma, se quiere concientizar el cuidado del medio ambiente, respetarlo, así como los animales salvajes lo hacen.', NULL, NULL, 'Las fotografías están hechas con cámara digital. Posteriormente fueron editadas a través de photoshop para convertirlas a escalas de grises.\nLas fotografías tendrán un tamaño de 60 cm en su lado más largo y 48 cm aprox en su lado más pequeño. Están distribuidas de forma horizontal y vertical. Precisamente, para el montaje se solicita tener un espacio amplio, un muro de aproximadamente 5 metros de ancho por 3 metros de largo. Las fotografías están en forma bidimensional sin marco.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 237, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 199, NULL, '2020-02-27 22:55:07', '2020-06-23 02:26:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3966, 'CstzrS1Onn9C9YLb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 22:55:29', '2020-02-27 22:55:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3967, 'xSfWxPMtcp57phtU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 23:07:27', '2020-02-27 23:07:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3968, 's8YJmnc2ePHL2oqr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 23:08:51', '2020-02-27 23:08:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3969, 'uIeDWEggTLsowqhM', 'Lugareños', NULL, 'Roberto Arlt en \"Aguafuertes del Delta\" nos dice: \"...Cada hombre que podemos ver en el Delta es el sobreviviente de una multitud de fracasados. De allí que esta lucha en las islas les conformó una voluntad de hierro, un sentido de la independencia y una individualidad tan extraordinaria que yo diría que el Delta argentino es uno de los pocos lugares del mundo donde aún existe un puñado de hombres libres...\"\nEste es un fotoreportaje tomado a Coco en mis frecuentes incursiones navegando en bote por el Delta profundo, ese que queda lejos del turismo y de la caricia de la civilización. \nEn Coco se puede representar a estos seres indomables y herméticos como la naturaleza que habitan. Moran  y se fusionan con estas aguas caprichosas y sus laberintos tan intrincados como sus vidas.\nEs un site specific de quince banners impresos de 120x120 cm montados sobre estructuras metálicas suspendidos desde el techo del hall central de la Estación  de tren de Tigre con la historia de quien fuera Coco. \nEn la sala de fotogaleria del MAT, Museo de Arte de Tigre se exhibirán  los originales con la historia de este isleño y su entorno.', NULL, NULL, 'El proyecto ha de realizarse  en los accesos y  hall central de  la estación de Tigre del Ferrocarril Mitre,  Pcia. de Buenos Aires. En simultáneo en la fotogaleria del Museo de Arte de Tigre, MAT, se exhibirán los originales impresos sobre papel Hanemühle 60 x 60 cm y 90 x 60 cm.\nSe montarán estructuras metálicas con impresiones fotográficas y textos alusivos. En el hall central  quince fotografías montadas en banners colgantes con la gráfica explicativa del proyecto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, 'Adolfo Llorente', 'https://www.dropbox.com/sh/sjsc2prfqnhzzd4/AABwKQYwiNPXfdL3oiCwoW_da?dl=0', NULL, NULL, NULL, 6270, NULL, 924, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5126, NULL, '2020-02-27 23:11:17', '2020-07-23 03:19:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3970, 'n4a7YTlZ8l0BaDMw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 23:16:03', '2020-02-27 23:16:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3971, 'OMCiVcuMJ54yBvdZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 23:16:04', '2020-02-27 23:16:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3972, 'lxN8lTrlGfE5tDs0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 23:23:32', '2020-02-27 23:23:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3973, 'B54dUVLloV8IU5P1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 23:56:10', '2020-02-27 23:56:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3974, 'TS5h3xOzJ4FuptcG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-27 23:59:11', '2020-02-27 23:59:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3975, 'qqdhNNhk1ctco21d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:03:42', '2020-02-28 00:03:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3976, 'fPT8Llof4LdiTNuh', 'PAREJA', NULL, '\"Pareja\" es un relato en primer persona sobre el vínculo amoroso. \nDividida en 3 acuarelas realizadas sobre papel de arroz ( los miedos, la charla, y la máscara), es una obra que habla sobre los devenires cotidianos de una relación amorosa. En ella, utilizo mi universo iconográfico para armar escenas íntimas donde represento los miedos, el diálogo y también  el encuentro con uno mismo dentro de la pareja.\nTrabajo desde una idea de la corporalidad que se fusiona con lo botánico y con lo animal, y dónde el limite entre las formas humanas y las no humanas se desdibuja.\nElijo la acuarela y la uso para explorar la figura humana desde la mancha y el color en búsqueda de una imagen expresiva. Utilizo el blanco y el vacío como una caja de resonancia y como un espacio neutro que puede ser completado por quien lo observa.\nEsta es una obra que habla sobre la pareja, pero también sobre los procesos de vida, muerte, deterioro y renacimiento presentes en toda la naturaleza.', NULL, NULL, 'Pareja ( triptico de Acuarelas)\n\"Los miedos\", 90 x 85 cm,acuarela sobre papel de arroz. \n\"La charla\", 90x 85 cm , acuarela sobre papel de arroz\n\"La máscara\", 90x85 cm, acuarela sobre papel de arroz.\n\nPrecisa un espacio de pared para ser montada.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5956, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4900, NULL, '2020-02-28 00:04:01', '2020-06-24 20:43:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3977, 'sazVwi10p5UQCS9A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:04:34', '2020-02-28 00:04:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3978, 'dRYtzkkFvDV8ebZO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:04:39', '2020-02-28 00:04:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3979, '6Ba3OBDUA3Rk5uEX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:06:55', '2020-02-28 00:06:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3980, 'l7MJFKOap7dzN5nC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:09:49', '2020-02-28 00:09:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3981, 'g8Rz5Qh0gzYxzVmm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:09:50', '2020-02-28 00:09:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3982, 'bpOY3IrqYAx2rOGE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:12:16', '2020-02-28 00:12:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3983, 'Yob7QdvXxMHiNKdX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:13:25', '2020-02-28 00:13:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3984, 'n8Y0VUX9ZihokAFm', 'Ariel Stavitzky', NULL, 'Ariel Stavitzky levanta la bandera de la canción a guitarra y voz zambulléndose en las distintas formas de abordarla.  Su tesitura de contratenor juega un rol preponderante, tanto en sus registros en estudio como en el vivo, mezclando las raíces folclóricas con su costado más despojado. La lírica para Ariel no pasa desapercibida, busca el sello distintivo allí. A través de metamensajes y lo capcioso de una poesía que no responde a un patrón de escritura. Buscando correr ciertos límites de género y a jugar sin miedo con los recursos.', NULL, NULL, 'Escenario.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=7ElNScIRW2E', NULL, 'https://arielstavitzky.bandcamp.com/track/barro-y-suelo', NULL, NULL, NULL, NULL, NULL, 375, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 309, NULL, '2020-02-28 00:13:43', '2020-06-23 02:58:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3985, 'FlId2GuvAKw2IdKd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:15:19', '2020-02-28 00:15:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3986, 't4dAdEe5pTfRmWso', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:15:26', '2020-02-28 00:15:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3987, '5pob8r0Y4WVyxf0p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:18:25', '2020-02-28 00:18:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3988, 'vXCTxmanX7iZvLXA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:18:29', '2020-02-28 00:18:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3989, 'fuvwnTBan4UFPsv6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:22:39', '2020-02-28 00:22:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3990, 'mPOvU3Az1levCdCN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:28:57', '2020-02-28 00:28:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3991, 'e8hFzROBWelD5IAa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:34:21', '2020-02-28 00:34:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3992, 'PPeJEdEXKz97baQf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:39:42', '2020-02-28 00:39:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3993, 'qC7YW0xWKdy8ncNj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:41:33', '2020-02-28 00:41:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3994, 'CZBDLSD6PR7s5aED', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:43:49', '2020-02-28 00:43:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3995, 'CuwyP91cgeIQT5br', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:43:51', '2020-02-28 00:43:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3996, 'TeVNYqqcRqg33H3M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:45:04', '2020-02-28 00:45:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3997, 'ZBNYIUJjvwfoVQhM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 00:59:39', '2020-02-28 00:59:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3998, 'k3nuHBBeAA31eFAz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:09:13', '2020-02-28 01:09:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(3999, 'ZKggBrUvMDJF5BpM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:20:11', '2020-02-28 01:20:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4000, 'BaxsqnComFNmIgTV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:20:15', '2020-02-28 01:20:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4001, 'u78ddSi2rBOXVNWm', 'ESTARTE LATINOAMÉRICA II', NULL, 'En la segunda edición de la residencia artística ESTARTE LATINOAMÉRICA, invitamos a 8 artistas e investigadores de arte de América Latina y Península Ibérica a participar en un proyecto de inmersión y creación artística centrado en la investigación, creación y intervención multilingüe. Con una duración de 60 días, el proyecto tiene como objetivo promover la reflexión y la acción sobre ser y estar en latinoamerica con el arte, proporcionando una rica experimentación del arte y los recursos para la creación, un despertar a la latinidad, intercambio de experiencias y creación colectiva. \n\nEl proyecto esta dividido en cuatro etapas: Percepción; Reflexión; Construcción y Acción. Partiendo del autoconocimiento y producción individual hasta la construcción y acción colectiva, con la ocupación de espacios públicos, capacitaciónes y diálogo con la comunidad.\n\nBajo la dirección y curaduría de Pilar Domingo, brasileña de ascendencia española es una artista premiada con trayectória internacional. La coordinación general de la residência será de Maria Matina, gerente ejecutiva y coordinadora de la Casa Benet Domingo, con experiencia en coordinación de residencias artísticas y proyectos de diálogo con la comunidad.\n\nEl lugar de residencia y creación será Casa Benet Domingo, un centro cultural alternativo con 12 años de existencia y más de 500 actividades realizadas. El espacio cuenta con alojamiento para artistas, galería y taller colectivo.', 'Pilar Isabel Benet Domingo, brasileña www.casabenetdomingo.com', NULL, 'Galeria multiuso con 5 paredes expositivas, 40m2. Feiras urbanas, e centros culturais parceiros.\nLas actividades también ocurirán en conjunto con talleres asociados y tendrán itinerancia por la ciudad de Rio de Janeiro.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=pe38xr7vcP0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 572, NULL, 77, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 479, NULL, '2020-02-28 01:20:33', '2020-06-23 02:48:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4002, 'uQGIQn0dgGWtUZ76', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:20:36', '2020-02-28 01:20:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4003, 'YnrnIlOWIaUYyUjr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:20:45', '2020-02-28 01:20:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4004, 'o751Y3IZxwLVGIKS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:22:43', '2020-02-28 01:22:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4005, 'wIkpcSmm0Hh8ixEZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:25:09', '2020-02-28 01:25:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4006, 'rkqRoMNTegZ9RStF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:26:33', '2020-02-28 01:26:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4007, '17vMtNNOpuFOpdbC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:31:06', '2020-02-28 01:31:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4008, 'Vo2tkLbeLiOT7r4X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:31:32', '2020-02-28 01:31:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4009, '7j6pPY6VwffMQn6e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:31:58', '2020-02-28 01:31:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4010, 'xRicyvfVucgbkYeH', 'Meus Cabelos de Baobá', NULL, 'O projeto situa-se em situações que rodeiam o universo feminino negro e na forte conexão com os ancestrais, que geram frutos para alimentar  e orientar as gerações futuras. Entendemos que os ancestrais são como raízes que fortalecem as mulheres para despertar para uma nova vida e como um Sankofa, pássaro que está sempre olhando para trás para seguir a diante a obra está referenciada em uma proposta cíclica de aprender com o passado, ressignificar o presente e construir um novo futuro. O espetáculo é formado por mulheres, apresentado sobre uma lona redonda e vermelha embalados por uma trilha sonora composta especialmente para a obra.', NULL, NULL, 'Teatro ou espaço alternativo com as seguintes medidas.\nBoca de cena\nMedida ideal:  7metros\nMedida mínima: 5 metro\n\nLargura\nMedida ideal: 7 metros\nMedida mínima: 5 metros', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1Puirm5DmQWtiZgRzI5rju4v7ShBiLGAs/view?usp=drivesdk', NULL, 'https://www.youtube.com/watch?v=drr-4UXYu1M', NULL, NULL, NULL, NULL, NULL, 282, NULL, 43, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 232, NULL, '2020-02-28 01:35:41', '2020-06-23 15:25:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4011, 'UvhTygHe2XzY93Ep', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:38:53', '2020-02-28 01:38:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4012, '7Gm5NBGVvzYdkyLJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:40:38', '2020-02-28 01:40:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4013, 'CeekOSxEiX4uB3NF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 01:55:24', '2020-02-28 01:55:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4014, 'x4ybcnkFoDBRShSx', 'Tempo Móvel', NULL, 'A partir do badalar dos sinos da cidade, construir uma instalação sonora.\n\nA sequência desta composição será determinada pela memória das pessoas que passam e ouvem os sinos: \n1)Escolherei aleatoriamente passantes e perguntarei que lembranças tem quando os sinos tocam, filmando-os neste momento, assim como gravando o som do badalar. \n2)Distribuirei estas lembranças no tempo de recordação de cada um. Criando uma linha do tempo de memórias. \n3)Cada gravação do som do sino, que corresponde à uma memória, será organizada de acordo com esta linha do tempo, o que estabelecerá a sequência dos sons na composição.\n\nAs Américas foram fortemente marcadas pelos sinos em sua colonização.\nWalter Benjamin distingue o tempo do trabalho diário, homogêneo da rotina, determinado pelos sinos das horas, esvaziadas da vida, do tempo rítmico pelo som dos sinos da festa.\nO tempo homogêneo e vazio é preenchido como um contêiner, que empilha indiferentemente trabalho e dias. O tempo histórico marca o tempo como dias de lembrança, pontos completos que capturam e coagulam o presente, o passado e o futuro. O tempo histórico, da memória, é a transgressão do tempo natural.\nAo criar uma composição a partir de uma linha do tempo das memórias, proponho uma interrupção no tempo imposto, uma interrupção do continuum, exclusão dos Cronos; Crio um novo tempo registrado apenas pela memória, o que naquele momento os olhos podiam captar, embalados por uma composição de momentos do tempo.', NULL, NULL, 'Será possível desenvolver o trabalho em qualquer espaço, num primeiro momento será necessário ir às ruas para entrevistar as pessoas, num segundo montar a linha do tempo e a composição sonora ( num ateliê, sala ou quarto, com força elétrica e um local para formar/desenhar a linha do tempo). Para apresentá-lo precisarei somente de caixas de som e SD cards para reproduzir a composição sonora. Este local poderá ser escolhido pela organização da Bienal.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Q7v60gkZlWA&feature=youtu.be', NULL, 'https://soundcloud.com/ursula-tautz/mobile-time', NULL, NULL, NULL, NULL, NULL, 240, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 202, NULL, '2020-02-28 01:59:46', '2020-07-09 16:40:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4015, 'rpSRJhIIkQXTqxW2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:02:28', '2020-02-28 02:02:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4016, 'EYooBYkYJEHTM1vU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:02:44', '2020-02-28 02:02:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4017, 'bX6eMYvPlCO9DB4L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:04:03', '2020-02-28 02:04:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4018, 'O397gvka54wZrEqz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:11:23', '2020-02-28 02:11:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4019, 'q9ZtnhCZIxKS5lgI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:24:31', '2020-02-28 02:24:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4020, 'yltelUqTeo5kVOA2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:28:41', '2020-02-28 02:28:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4021, '3tirNspeejBNMX78', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:32:58', '2020-02-28 02:32:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4022, 'CK9ydEGl89WeYZ9l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:33:06', '2020-02-28 02:33:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4023, 'GtHmF0AwUuCIUjdq', 'Memorias de una balacera en la luna', NULL, 'Mudanza de cuerpo. Ruinas, recuerdos y memorias de una balacera. Una experiencia sensorial sobre la muerte y la reencarnación. El registro de la muerte es distorsionado rítmicamente con música para presenciar una transformación humana-tortuga.  Viaje sensorial de ambientes marítimos desde el punto de vista de una tortuga.', NULL, NULL, 'Proyección o pantalla de video. Dimensiones libres aunque lo ideal sería sala obscura.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/342078639', 'mudar', NULL, NULL, NULL, NULL, NULL, NULL, 239, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 201, NULL, '2020-02-28 02:42:50', '2020-06-23 02:28:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4024, 'OUqU1lPs3mGkf3Nb', 'Altamira 2042', NULL, 'Altamira 2042 is a performative installation created from the testimony of the Xingu River about the Belo Monte dam. Led Speakers and Flash drives become techno-shamanic devices carring and amplifying both human and non-human voices, heard on the Xingu banks. The performer orchestrates, together with the audience, the different movements of the work:\n\nRiver y Road - where each speaker carries a non-human voice from the banks of the Xingu: The river, the forest, the frogs and birds, but also the chainsaw, the construction work, trucks and car engines.\n\nMs Herondina - enchanted narrator shaped as a sonorous woman. Its body is made up of two led speakers heads. Its perspective is feminine and spiritual. It carries the voice of Raimunda Gomes, a Xingu riverside dweller whose home was burned down and flooded by the Dam\n\nMr Dam Breaker - enchanted narrator shaped as a Big Audiovisual Snake. Its body consists of a projector-head, speakers and LED tape. Its perspective is mythological. Its voice is multiple of those affected by the dam.\n\nAliendigenous - enchanted narrator made of shamanic instruments of ancestral technology: rattles, drums. HIs body is the particle accelerator which, if played collectively, will open the dam in 2042. \n\nThe performer incorporates and presents the perspectives of these three machinic-spiritual beings who take the stage in order to mythologize History. Thus, the Belo Monte Dam is no longer simply a construction, but the myth of the enemy.', NULL, NULL, 'Altamira 2042 is to be presented in a black box type of room. The audience sits on the floor, around the installation. People with mobility issues can sit on the side benches.\n\nIdeal dimentions:\nwidth: 8,10m\nlength: 14 m\nheight: 4,5m\n\nMinimum dimentions:\nwidth: 8m\nlength: 10m\nheight: 4,5m\n\nComments:\nA candle and incense are lit on the scene, but all exits will be cleared to fire brigade\nstandards.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/334698415', NULL, NULL, NULL, 'https://drive.google.com/file/d/1VoRV_0PSAXOAEhYgQr7vCODdisfNrumc/view?usp=sharing', NULL, NULL, NULL, 519, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 433, NULL, '2020-02-28 02:45:43', '2020-06-23 15:37:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4025, 'lEvgF8rSjpyHVWVS', '\"ENTRE DOS MUNDOS: DE AISLAMIENTO AL ENCUENTRO\"', NULL, 'La pandemia, de hecho, ha cambiado los escenários urbanos, aunque temporalmente. Este \"ambiente apocalíptico\" atrajo la atención de la fotógrafa Tatiana Barthem, quien empezó a caminar por las calles de una ciudad donde las medidas de aislamiento eran estrictas desde los primeros casos. Como resultado, un retrato visual de la \"casi\" falta de presencia humana. Los autobuses escolares se detuvieron, la falta de poda en los parterres y grandes espacios vacíos.\n\nEs cuando el trabajo del fotógrafo Paulo Villar entra en contexto. Desde 2012, ha desarrollado una intensa investigación iconográfica, visitando los centros de Umbanda y Candomblé. La elección del fotógrafo se basa en el origen de la civilización, ya que los primeros registros de presencia humana en el planeta provienen de la \"Madre África\". Aunque no son las religiones predominantes en Brasil, estas manifestaciones demuestran cuán mezclada es la cultura brasileña.\n\nLa serie muestra la dicotomía entre las reuniones colectivas de fe (que representan el pasado) y el aislamiento (el momento presente) y un reflejo de lo que es realmente esencial.\n\nLa exposición \"ENTRE DOS MUNDOS: DE LA AISLAMIENTO AL ENCUENTRO\" de Tatiana Barthem y Paulo Villar, con curadoria de Rodrigo Accioly, abordará el encuentro entre realidades opuestas: el encuentro con la espiritualidad del pasado, con la desolación en el presente, en medio de la cuarentena de 2020. Simultáneamente, un \"mundo\" se destaca del otro en cuanto a los valores esenciales.', 'Fotógrafos: Tatiana Barthem y Paulo Villar\n\nTatiana Barthem \nbrasileño\nhttps://www.flickr.com/photos/tatianabarthem\nhttps://www.instagram.com/photoart.barthem/\nhttps://www.instagram.com/tatianabarthem/\n\nPaulo Villar\nbrasileño\nhttp://www.paulovillar.com.br/ensaios/\nhttps://www.instagram.com/paulovillar_fotografia/', NULL, 'Se exhibirán 40 fotos (20 de cada artista) impresas en adhesivo en PS, en el formato aproximado de 120x80cm (horizontal y vertical). Como soporte – dependiendo del espacio – puede estar directamente en la pared (cinta de doble cara) o suspendido por hilos de nylon. El espacio aproximado de la galería puede ser de 70m2.\n\nSe producirá un video de 15 minutos a lo largo de 2020, con testimonios de los fotógrafos y el curador. Como soporte puede ser un monitor (TV) de 42 \".', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1d4A47sSNQ5HScqy0aOBZCHig1ZfRLNeQ?usp=sharing', NULL, NULL, NULL, 5252, NULL, 734, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4371, NULL, '2020-02-28 02:46:57', '2020-07-28 01:09:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4026, 'x4UPbcISulPV4udo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:48:48', '2020-02-28 02:48:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4027, '36BZwoZrrceqHaRV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:53:35', '2020-02-28 02:53:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4028, 'WxYRsfbyRGgxVLZn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:56:25', '2020-02-28 02:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4029, 'UFyS0wKAznz5ggpq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:56:27', '2020-02-28 02:56:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4030, 'EXa2EyGNTxaHlLam', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 02:56:42', '2020-02-28 02:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4031, 'j02aL0RW33Cchdlm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 03:29:39', '2020-02-28 03:29:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4032, 'nW9dUfO5RVfLZLVm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 03:40:03', '2020-02-28 03:40:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4033, 'yqjYSEvu4ALuv2hf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 03:45:48', '2020-02-28 03:45:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4034, 'wlPgX5gNKqhbmcNH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 03:45:49', '2020-02-28 03:45:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4035, 'lWYDBGY5j2LMIYUO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 03:51:03', '2020-02-28 03:51:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4036, '7aSOxaabSL5QeTcd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 03:55:33', '2020-02-28 03:55:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4037, 'ZG84eOWvaL4lxIB2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 04:11:16', '2020-02-28 04:11:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4038, 'atMZDZvQbFvP86bh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 04:15:15', '2020-02-28 04:15:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4039, 'CuaPRM6UOxedFJWK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 04:43:55', '2020-02-28 04:43:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4040, '3PHzAtJcU7jqy9oo', 'DECOLONIZING VIDEOGAMES', NULL, 'This exhibition is an invitation to dive into videogames’ black box. It is an attempt to make visible the intricate processes that are hidden behind a humongous medium that is nowadays taking the lead of the entertainment industry whilst simultaneously entering the art institutional world all around the globe. \n\nFollowing Flusser’s methods we aim to unveil the ways in which videogames can behave both as a technological device and as a cultural milieu. We are set to further interrogate its possibilities as a communicational, activist and artistic tool that is representative of today\'s shift for the notion of amusement. The cultural industry has lost its negative connotation and is now considered a valuable resource and a strategic socio-political recourse. Nonetheless there are new struggles to be fought. The exhibition will be set upon three tensions: Labour & Play, North & South, Capitalism & Sustainability. \n \nThe exhibition will consist of playable game selections across different media, online and offline. It will thus reflect and act in a dialogical manner on the ways that both worlds are interchanging these days. For the purpose of this exhibition a group of videogames curators have gathered to work together under the umbrella of GAIA (Games Art International Assembly) If the nineties were the time to discuss the place of new media in the art world, now it’s time for video games to redefine their rules and place both in the entertainment and art world.', 'The works in exhibition will include two pieces specially developed for this occasion: \n\n+ Sierra Entertainment performance \n+ Videogames as an anatomical map of the current post - fordist era. \n+ It will also contemplate a selection of independent, experimental and artgames, some of the possible games: https://gameartsinternational.network/bienalsur/\n\nOleomingus, India, post colonial games/artworks, India, http://oleomingus.com/\n\nTuna Game, Shen Weng Lo, Video Installation/game,  Taiwan, https://www.shengwenlo.com/tuna\n\nCook Your Way, Enric Llagostera , Game /Interactive Installation, Brasil, https://enric.llagostera.com.br/2019/03/17/cook-your-way/\n\nFlorencia Rumpel feminist games, Argentina, https://rumpel.itch.io/\n\nRedMins feminist games,2048 Muug: Let’s stir Tea, Korea,  https://apkpure.com/2048-muug-let%E2%80%99s-stir-tea/com.redmins.muug\n\nGame Timelie, Thailand,  https://store.steampowered.com/app/1150950/Timelie/\n\nAfrica’s legend, Leti Arts, Ghana, http://www.letiarts.com/', NULL, 'INTERACCESS (http://interaccess.org)\n\nLocated in the Davenport cultural hub. The gallery is a 700 square foot fully enclosed room-  It is a 40’ x 18’ rectangle with 15-foot ceilings, and can accommodate 100 people standing or 60-70 seated. \n\nThe studio can be used to host workshops, meetings, lectures, or various events. The space can accommodate 75 people standing, lecture style seating for 50-60 people, or workshop style seating for 15-20.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://gameartsinternational.network/bienalsur/', NULL, NULL, NULL, 3061, NULL, 364, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2640, NULL, '2020-02-28 04:49:48', '2020-08-14 20:36:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4041, 'MqixhXbp94geLQAT', 'Mirada_', NULL, 'Numa madrugada, a escultura arqueológica “La Dama de Elche” foge do Museu.  Em lapsos, ela recorda (inventa?) sua biografia e viaja por séculos na História, entre memórias e expressões de três continentes. Mas há pouco tempo: ela precisa voltar a ser um busto de pedra antes que amanheça.\nMIRADA_ é uma performance solo que utiliza das linguagens do teatro, da dança, da música e do audiovisual. A cena é inspirada na onda migratória de refugiados do Norte da África e do Oriente Médio, no momento em que as nações insistem em delimitar suas fronteiras por meio de identidades étnicas.\nA atriz, em diálogo com o público e com a instalação, dança com as projeções, e com seu pedestal que se move, invocando nossos antepassados ibéricos, trazendo à tona nossas ancestralidades nômades.\nA condição que a pandemia COVID19 nos colocou, em total isolamento, acresce à cena a analogia da casa/redoma e realça questões acerca da tolerância: a imigração, as consequências de guerras, e a condição da mulher.', NULL, NULL, 'Equipe de viagens:\n01 atriz\n01 VJ\n\nNecessidades técnicas:\n01 Técnico de Palco (para montagem e operação do cenário)\n01 Técnico de Luz (montagem e operação)\n01 Projetor 5000 lúmens\n01 Tela de projeção 4mx4m\n01 Amplificação de Som\n09 SpotLights\n\nEspaço mínimo do palco 5m x 5m\nCom Blackout\nPiso de madeira (de preferência)\nPode ser apresentada em duração de 25 ou 50 minutos.', NULL, 'artist', NULL, NULL, 'https://youtu.be/_l2acl8QWbo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2490, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2152, NULL, '2020-02-28 05:02:52', '2020-06-24 02:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4042, 'Ve7PRe2j2dTcNXmn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 05:06:38', '2020-02-28 05:06:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4043, 'zzdHHDi0KhkpSSba', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 05:12:33', '2020-02-28 05:12:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4044, '75UoSc4fvA1rHWo0', '\"Mono.tono\"', NULL, 'La obra MONO-TONO juega con la representación gráfica y sonora del estado de monotonía y recrea la constante uniformidad tonal de un estado tanto emocional como sensitivo.  \n\nSe propone también registrar a un intérprete para acompañar la partitura por medio de un sistema de audio multifocal de 4 altavoces que repita constantemente e ininterrumpidamente la obra para así sumergir al espectador en el tedio y aturdimiento que provoca este mismo estado.', NULL, NULL, 'Todas las dimensiones son variables pero se sugiere poner la obra en un cuadrado prefabricado blanco, en donde en el fondo se encuentra la partitura y en cada esquina un altavoz.', NULL, 'artist', NULL, NULL, 'dcmp.info', NULL, NULL, NULL, 'https://dcmedina1543.wixsite.com/2204', NULL, NULL, NULL, 241, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 203, NULL, '2020-02-28 05:23:47', '2020-06-23 03:00:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4045, 'zWoQ9BMJ5BJHuPIO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 05:33:57', '2020-02-28 05:33:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4046, 'ybDfrehYqcOkx94x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 05:49:37', '2020-02-28 05:49:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4047, 'AILBt18gg46GakQl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 06:08:47', '2020-02-28 06:08:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4048, 'V8lSXRXK6ImwOsuv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 06:11:10', '2020-02-28 06:11:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4049, 'txixNcU0ItCAQyfn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 06:14:08', '2020-02-28 06:14:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4050, 'B6keCxTaUJjXkCxC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 06:17:09', '2020-02-28 06:17:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4051, 'X0BdTC1Cj5ppaK4y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 06:30:54', '2020-02-28 06:30:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4052, '3gGeD2PfquNEi7iO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 06:34:51', '2020-02-28 06:34:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4053, 'QE6ezus9lnbTR6Xg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 06:42:03', '2020-02-28 06:42:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4054, 'oCl8Bwi3cw9qpk5E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:10:06', '2020-02-28 07:10:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4055, 'BgJUxLvbGCzakZWk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:11:01', '2020-02-28 07:11:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4056, 'XqFUsSQYnZ5SSvpO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:17:27', '2020-02-28 07:17:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4057, '5MhpKlK4yl91wFgw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:19:19', '2020-02-28 07:19:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4058, 'cSIZiZiruTeZgK9j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:20:11', '2020-02-28 07:20:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4059, 'ColxkhoLXZlDqNzz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:30:48', '2020-02-28 07:30:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4060, 'rK8NL99lKrBrttqw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:36:05', '2020-02-28 07:36:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4061, 'uhX6KbCoIGAJgLoj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:44:07', '2020-02-28 07:44:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4062, 'zT4q8waxGBxGVlJV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:51:22', '2020-02-28 07:51:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4063, 'lOkaXREwsOjInfPF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 07:55:39', '2020-02-28 07:55:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4064, 'Zyw8iHIRR6LgWZyp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 08:24:40', '2020-02-28 08:24:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4065, 'Dbdga6rC62ephPRD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 08:35:11', '2020-02-28 08:35:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4066, 'eMrCtaCpW8wAUGCR', '52 araucarias', NULL, 'En 1846, Darwin describe el hallazgo de 52 fósiles de araucarias en pie del período triásico, en la localidad de Paramillos, en Mendoza.\nEn la actualidad sólo quedan las raíces petrificadas de esos árboles, producto del hurto y del descuido. \nA algunos kms de allí se encuentra el edificio de la Bóvedas en Uspallata que por esa época funcionó como hornos de fundición y se estima allí trabajaron bajo el yugo español cerca de 4500 aborígenes.\nEl edificio es de adobe y cuenta con 3 bóvedas. Elemento arquitectónico generalmente asociado al uso religioso, sin embargo, en Mza. hay varios casos con destino industrial y vivienda. Luego de estar abandonado, en la década del  40 fue restaurado y convertido en museo. Estas cúpulas fueron reconstruidas con cemento, hecho que puede deberse a la prohibición de construir con tierra cruda, vista ésta como precaria e inculta por el impulso moderno y occidental de la época.\nQué vemos cuando sólo hay raíces expuestas y deterioradas? Con qué nos encontramos cuanto estamos frente al monumento y/o la ruina?\nEste proyecto pretende abrir a la reflexión sobre el saqueo, lo enterrado, lo no dicho, el destierro, la réplica, lo solemne. \nAl mismo tiempo que pretende convertirse en acción y como una herida sanar y reparar. Se propone una instalación de 52 plantines de Araucaria pehuén, dispuestos en cuencos de alfarería en tierra, y su posterior plantación comunitaria en un espacio público a definir generando un espacio de memoria y re-significación.', NULL, NULL, 'El proyecto está pensado específicamente para el Museo de las Bóvedas de Uspallata, ubicado en la pcia. de Mendoza.\nSe propone el uso del patio para la instalación y de la sala de  muestras temporarias para la exhibición de material de investigación sobre el que se apoya la muestra.\n *Cabe mencionar que Mendoza tiene políticas activas en cuanto a la forestación. Requiere de ella para generar habitabilidad.\nhttps://lasheras.gob.ar/2019/09/26/importante-forestacion-para-el-valle-de-uspallata/', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6291, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 5143, 5, '2020-02-28 08:49:21', '2021-02-19 17:23:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4067, 'gEGAJzccoZNkplqu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 08:55:37', '2020-02-28 08:55:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4068, '7a4cQiiXcxX7V2uX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 08:56:25', '2020-02-28 08:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4069, 'FjjGMkQfn6urfoCx', 'Cartazes do desejo', NULL, 'Cartazes do desejo\nÉ um conjunto de fotografias que mostra o desejo em duas vias: uma o desejo erótico que anima todo ser humano: o de criação, de procriação e de festa; outro, o desejo de uma realização artística: o reconhecimento, através de exposições nos em diversos museus do mundo.\nAs fotografias são cartazes. Uma parte delas (em dimensões maiores) serão impressas em papel cartaz e coladas diretamente nas paredes conforme os espaços, a outra parte, (um pequeno número dela), impressa em papel fotográfico, emolduradas em dimensões reduzidas (25x35cm.), a serem expostas em diálogo e ao mesmo tempo em confronto com os cartazes. O objetivo é suscitar a dúvida entre verdade e fantasia, realidade e imaginário. As fotografias são cartazes e elas mesmas as imagens.', NULL, NULL, 'Sala de exposição convencional ou não desde que tenha paredes para se fixar/colar os trabalhos. As dimensões podem ser variáveis pois o trabalho se adequará ao espaço. Caso o trabalho seja aceito, comunicar ao autor as medidas existentes para que o trabalho seja devidamente impresso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 680, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 574, NULL, '2020-02-28 08:57:33', '2020-06-23 15:44:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4070, 'w5M08zDD6yDLW1sl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 09:03:14', '2020-02-28 09:03:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4071, 'wfvyAOeQfdK5QUrv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 09:03:52', '2020-02-28 09:03:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4072, 'PXERNzRasQuqIz4n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 09:04:06', '2020-02-28 09:04:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4073, 'gRJKFAwghZR8JdTL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 09:06:53', '2020-02-28 09:06:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4074, 'X0HH5DXFEZE2lpao', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 09:24:17', '2020-02-28 09:24:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4075, 'FFznAxWkdcuaGzng', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 09:36:02', '2020-02-28 09:36:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4076, 'XpyVLHMNSw0vhTPs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 09:43:30', '2020-02-28 09:43:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4077, 'KzoN1bAmdMH4jhUt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 10:00:06', '2020-02-28 10:00:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4078, 'T1bJXFnG7HzZNa7J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 10:24:18', '2020-02-28 10:24:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4079, 'rhFWGQOWE0OCNrf0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 10:31:25', '2020-02-28 10:31:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4080, 'MTYYHom6Gz6l7lbI', 'Piedemonte', NULL, '“Si boto la montaña… ¿Dónde se entretiene la nube?”\n\nEscucho sobre Montalvo y la provincia de Los Ríos desde muy pequeño;  mis padres migraron desde esta parroquia (cantón desde 1984) hacia Quito en 1979, pero decidieron regresar para trabajar en el campo hace diez años aproximadamente, específicamente en la producción cacaotera; viven del cultivo y venta de cacao desde ese momento. Al visitarlos intento encontrar una parte de lo que soy o de donde provengo.\n\nPIEDEMONTE es un relato familiar que reflexiona sobre la producción de cacao desde un trabajo interdisciplinar que evidencie y dialogue con las cotidianidades de las zonas rurales del cantón Montalvo mediante la interpretación personal del paisaje.\n\nEl proyecto plantea la noción de paisaje como una herramienta narrativa que va más allá de aspectos disciplinares tradicionales. Este elemento, entendido históricamente desde formatos tradicionales de representación como la pintura de caballete, busca transformarse en otras categorías más cercanas a la contemporaneidad. Ubico al paisaje como un espacio de representación colectiva o como un mediador de experiencias estéticas (John Dewey, 1934) que evidencie múltiples realidades, escenarios y momentos vividos.\n\nLa siguiente etapa de proyecto es la exploración de otros territorios que compartan este cultivo por lo que en el presente año tengo planificado hacer una residencia artística en Belém do Pará, el estado con la mayor producción cacaotera en Brasil.', NULL, NULL, 'El proyecto se plantea para ser mostrado dentro de un espacio expositivo convencional, en salas de exhibición, galerías o salas de museos', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=1yV9EdF9ZNlCZ25k_XtW40GSGsxCyr0PE', NULL, NULL, NULL, 321, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 262, NULL, '2020-02-28 11:10:57', '2020-06-24 15:47:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4081, 'YDrMeEdCa9Bxu7fp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 11:23:03', '2020-02-28 11:23:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4082, 'tagWm9v8p9z48pLe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 12:42:50', '2020-02-28 12:42:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4083, 'v3MOQ8CVLp1ah9xA', 'Renacer interno', NULL, 'Hablamos de la naturaleza del ser humano por sentirse agobiado pero saber “romper el cascarón “ y liberar el alma, pese a su entorno', NULL, NULL, 'Times new roman, hoja A5', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 244, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 206, NULL, '2020-02-28 13:06:54', '2020-06-23 02:31:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4084, 'xmohANywajSXerca', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 13:14:09', '2020-02-28 13:14:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4085, 'tEG8ooOoYmmANNv7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 13:16:25', '2020-02-28 13:16:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4086, 'DsVJ7ndtpSi0gBqv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 13:46:04', '2020-02-28 13:46:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4087, '0PHcybW9Z0II1pXV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 15:34:33', '2020-02-28 15:34:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4088, 'MBwTH3RV3Z5GKFkZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 16:53:25', '2020-02-28 16:53:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4089, '4I2Udejo2xKMLoIf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 17:43:00', '2020-02-28 17:43:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4090, 'gPU8zGna95UMzMG9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 17:45:01', '2020-02-28 17:45:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4091, 'URNQbGKzBc4YIBwm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 19:07:05', '2020-02-28 19:07:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4092, 'KeXeOiP9KNVDeZYn', 'Arqueologia del futuro', NULL, 'Núcleo (tinkuy)\nDe la voz quechua Tinkuy  que significa “encuentro” (núcleo de la materia, en la física, el núcleo atómico es la parte central del átomo). Es simétricamente esférico, estimando la variabilidad y la armonía matemática intrínseca celular de las dimensiones fractales de la naturaleza. De la misma forma el encuentro de  dos  ríos se unen para formar uno más grande, el  núcleo (tinkuy) es el punto central el vértice de las líneas del   camino compuesto, de los procesos sociales que forman núcleos políticos, colectivos culturales y núcleo familiar. A partir de esta categoría andina, se propone representar  la integración cultural de  la civilización en la humanidad, se han dado en diferentes escalas, en la obra, \"chaupis \", se entiende como él, encuentro de los poderes piramidales que tensionan el horizonte contemporáneo. Este fenómeno, se ve claramente en las sociedades políticas, donde cada grupo busca hegemonizar su poder, que tensionan la estabilidad económica de la sociedad con fines sectarios, produciendo así periferias que asimilan esta inestabilidad político-económico, los cuales son encargados a su vez de repetir el mismo proceso  de \"encuentros\" al tratar de erigir un nuevo poder.\nEn suma, este proceso de tenciones, o encuentros. De poderes nos recuerda el círculo que encadena la estructura de cada realidad latinoamericana confinada a un diálogo que no se concreta en las estructuras piramidales.\n\n ', NULL, NULL, 'Flamígera\n  \nFigura flamígera, el uso del cuerpo como protesta de  bio-política, la figura humana como expresión y representación de la existencia, se han creado estereotipos de sexo, sin embargo, no hay algo más grande que la naturaleza tal como se presenta en la superficie brillante, el ser humano se manifestó en su referencia próxima con las expresiones del uso del cuerpo como lucha y protesta de sobrevivencia sin embargo estamos sujetos a ideologías de construcción del sujeto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://www.imagebam.com/gallery/6knstedgr6b207idaavtnffqaofzxu43', NULL, NULL, NULL, 245, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 207, NULL, '2020-02-28 19:14:06', '2020-06-23 02:31:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4093, 'yKy9el57QceAaTaD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 19:15:21', '2020-02-28 19:15:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4094, 'WWtKDdo8bQTuIrVc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 19:15:32', '2020-02-28 19:15:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4095, 'GgkAu7uHFHdumUzJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 19:16:58', '2020-02-28 19:16:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4096, '4OR9Vin7hO2XbnQY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 19:42:50', '2020-02-28 19:42:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4097, 'KmOu5NiuG0I7s6pz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 19:44:17', '2020-02-28 19:44:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4098, 'mHf1JtN2rzRucIRF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 20:03:48', '2020-02-28 20:03:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4099, 'ZVUJClEKZpqw0KfS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 20:20:22', '2020-02-28 20:20:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4100, 'XYblLIRTPoaEFarM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 20:20:27', '2020-02-28 20:20:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4101, 'PEkTFQ8Imi92bfUL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 20:23:59', '2020-02-28 20:23:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4102, 'FnNIxYLbx0vEDVeJ', 'Encarnado', NULL, 'A performance Permanência para os Encarnados consiste na permanência da artista caracterizada por um traje de tecido preto encorpado que confunde o corpo com um constructo, elemento da arquitetura ou ainda um anti monumento. A artista permanece se movendo lentamente, os movimentos descrevem a expansão da respiração, com dimensões e tempos orgânicos, sendo portanto um expandir e recolher até limites extremos, alternando uma figura grande a outra pequena próxima do chão. As pausas no percurso permitem múltiplas relações entre a figura e a paisagem ou arquitetura. A atmosfera ao redor  se torna tensionada, apesar de sempre se mover lentamente parece guardar uma ameaça. O trabalho surgiu no programa de residência artística no Museu do Traje na pequena cidade de São Brás do Alportel em Portugal. Pesquisando a indumentária tradicional do algarve encontrei o Biôco, uma capa de feltro preta usada pelas mulheres para lhe cobrir todo o corpo inclusive o rosto que se assemelha a burca. O traje era de uso obrigatório para mulheres em espaço publico até o início do séc XX. O trabalho lida com o problema da alteridade, teve em seu processo pesquisa em documentos que registram a chegada dos ibéricos no território da América do Sul: o problema da imposição da cultura cristã sobre os povos autóctones, o controle do corpo e do comportamento, a aniquilamento do desconhecido.', NULL, NULL, 'O espaço sugerido é uma praça de livre acesso e circulação em proximidade a uma igreja. \nQue seja ampla o suficiente para diferentes relações de proximidade.\nTambém pode se relacionar a um projeto arquitetônico, histórico ou de design contemporâneo.\nÉ necessária uma área privada para o preparo proximo ao local da performance.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=1DCVXfnDyahQvRys9EPXUpqPlV-ZAaKfk', 'https://www.youtube.com/watch?v=vED86OtlZq4', NULL, NULL, NULL, NULL, NULL, NULL, 248, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 209, NULL, '2020-02-28 20:27:06', '2020-06-24 16:31:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4103, 'Ki4kWWURrEDScIIN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 20:29:06', '2020-02-28 20:29:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4104, '1sQ3u6imMIKriiHJ', 'Proyecto Border/IN', NULL, 'BORDER/IN es un proyecto multidisciplinario que busca conformar una instalación sobre los sujetos de los procesos de migración forzada que sufre principalmente el pueblo sirio: refugiados, voluntarios y quienes registran lo que sucede.El punto de partida es el material sonoro y audiovisual documentado en el campo de refugiados de Idomeni (Grecia) y Wedding (Berlín) a principios de 2016 por Daniela Tuvo.\nNuestro montaje pone su acento en el registro de lo cotidiano, más allá de las imágenes del horror: la vitalidad de los sujetos, las estrategias de resistencia, la recreación de lo doméstico y las ideas de comunidad. El proyecto intenta dispositivos que alojen la representación de los sujetos y su subjetividad actuando en relación al entorno y no al entorno por sobre la historia personal ¿Cuáles son las pequeñas historias que nunca escuchamos, entre las bombas y los botes cruzando el océano? Desde ese lugar, utilizando el cruce de lenguajes artísticos como arma de combate,\ndesafiamos el discurso hegemónico de los medios masivos y sus relatos sobre la posibilidad de existir en en los bordes del adentro/afuera.\nInvitamos a un recorrido sensorial a través de una restitución simbólica de los elementos y estímulos, la atmósfera experiencial en su diáspora de lenguas, acopio de sonidos, idiomas e imágenes. \nUn documentalista abre su diario de viaje y llevará a los espectadores a  transitar performances que construyen instantes de esa travesía.', NULL, NULL, 'Instalación Multidisciplinaria\nRequerimientos \nEspaciales:\nSala de al menos 5 x 5 mts. Oscuridad para proyecciones a gran escala.\nTomas corrientes varios (220v.).Altura de 3mts mín. Con posibilidad de colgar 5 telas biyonet.\nSonoros:\n4 parlantes de 5 pulgadas 1 sub. Potenciados/Alargues / Cable consola pc /5 micrófonos inalámbricos con pie.\nLumínicos:\n10 par 38.2 trípodes.8 bases para piso.Consola 12 canales.  \nVisuales:\nProyector mínimo 3000 lúmenes. Conexión a 220v. Trípode para proyector.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/19K3UgGToPj9KfWl2RSZ1dZvDF-nu0MvZ?usp=sharing', 'no tiene contraseña', 'https://soundcloud.com/user-297804929', 'no tiene contraseña', 'https://drive.google.com/drive/folders/1k9SFgEXDsnku3D_TkExKecenG7tNVd-O?usp=sharing', 'no tiene contraseña', NULL, NULL, 254, NULL, 40, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 215, NULL, '2020-02-28 20:29:22', '2020-06-24 23:54:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4105, 'kP6bAL95BUmUx0yP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 20:35:31', '2020-02-28 20:35:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4106, '4YY1tAtglflShydt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-02-28 20:45:43', '2020-02-28 20:45:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
