Like paintings from personal experiences with the city of São Paulo, where images are appropriated and recombined to paint a city without painting a landscape, with an art dissolving in the context of urban life.

A metropolis is seen as a mythical land, saturated with a paraphernalia of illusions, as an urban landscape where the real and the natural or cease to exist. There is no more architectural debate, ceasing as doctrines, there is no theory, no planning: there is only a creation and destruction of mosaics of urban fragments, a juxtaposition of human impacts in the face of nature in the process of accumulating disasters and fantasies. It's an eyewitness parody.