Initially, my work establishes its foundation on analogical photography and considers the volatile and aesthetic possibilities of the photosensitive matter. The proposed pieces are part of two series in progress that paradoxically break with traditional photography, building on the endless nature of this field and opening new spaces of creation.

The pieces of the De-construction series are points of view about the urban scenario, which is represented in a completely abstract form. The images show multiple exposures on the same photogram. To make the overlapping, I cross the lines of the surfaces by loosely moving the camera at each shoot. Later, I choose specific forms of the negative to copy and multiply. The intention is to rotate the photos in the space to connect the shapes, accessing potentially different compositions from the multiplied photos. Those compositions are not permanent and can be modified to fit other locations. This work goes beyond the typical photography process – the pictures become just a starting point of a process that reaches the realm of the plastic arts.

On the Vestiges series, I double expose the images and use expired graphic films degraded by time.