INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(19930, 'B5wpd8j3SGqRIIwy', 'Travessia', NULL, 'Alguém. Uma pedra. Um rio.\nPor que não soltar o peso para realizar a travessia?\n\nAlguien Una piedra Un rio.\n¿Por qué no dejar caer el peso para hacer el cruce?', NULL, NULL, 'Idealmente, el ensamblaje debe hacerse con la imagen proyectada en una pared en las dimensiones de 2 m de alto x 3 m de largo. Sonido stereo.\n* Como se trata de un video, la edición se puede negociar con los curadores, lo que permite encontrar la mejor manera de exhibir el lugar.', NULL, 'artist', NULL, NULL, 'https://youtu.be/EIFZI9iqyNQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2151, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1876, NULL, '2020-04-28 23:07:47', '2020-06-27 15:27:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19931, 'FrjHx4zjlGmeWpAr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:08:14', '2020-04-28 23:08:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19932, 'UTSvQAnEUizVB1qK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:08:38', '2020-04-28 23:08:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19933, 'ljKkIpvKhWLzNlW7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:12:23', '2020-04-28 23:12:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19934, '0KwUemGzbnGrel0W', 'Sueños deAlquimistas', NULL, 'Cortometraje -  Ciencia Ficción  \nUna terrícola, Libertad apoyada por seres de otras galaxias en la Tierra idean el despegue de una nave sideral con energía amorosa artística musical (para volver a sus planetas)\n\nSinopsis: Libertad descubre la fórmula para el transformador de energía. Es presionada por varias  vías para comprar su invento y finalmente tratan de persuadirla para que abandone el experimento. Ella se niega y le retiran el financiamiento  por lo que debe patrocinarlo de modo ingenioso y creativo. La Real Academia Internacional de TransCiencias de la vida Sideral, al enterarse que continúa con su proyecto  tratan por todas las vías de impedir que se construya el modelo piloto. Libertad con muchas astucias e inteligencias, logra armar el prototipo y despegar la nave en vuelo sideral.', NULL, NULL, 'Sala de proyección, Pantallas de tv, y todo tipo de pantalla multimedia.', NULL, 'artist', NULL, NULL, 'https://youtu.be/G60AQnjwLPI', 'Favor enviarnos  una cuenta gmail para autorizar la vista', NULL, NULL, NULL, NULL, NULL, NULL, 1664, NULL, 195, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1464, NULL, '2020-04-28 23:15:03', '2020-06-23 17:46:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19935, 'wYoj41D4lXoWeGVd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:17:43', '2020-04-28 23:17:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19936, 'brhJHjlwwpQX5Cvj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:18:21', '2020-04-28 23:18:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19937, 'xJEgb0FsCCbvfthm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:19:05', '2020-04-28 23:19:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19938, 'xXnZe4qj60R4bFBg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:19:43', '2020-04-28 23:19:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19939, 'KDGJ2mQ1SPY5oIsb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:22:15', '2020-04-28 23:22:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19940, '73ZpUCZ7ieHmiUZY', 'SHINKANSEN', NULL, 'Desde el punto de vista del tren súper express SHINKANSEN (que recorre todo el territorio japonés), una cámara fija observa a través de la ventana. \n\nEl proyecto de Gianfranco Foschino para la BIENAL SUR 2021, es una video-instalación de 8 canales en loop que interpreta el paisaje contemporáneo nipón a partir de un ejercicio contemplativo. El artista busca detener la mirada de los espectadores en las formas y tiempos de un paisaje desconocido, que cambia a alta velocidad.\n\nFoschino presenta una obra configurada como un horizonte natural/industrial/urbano de 10 metros de largo en permanente transformación. La secuencia de casi 3 horas es reproducida de izquierda a derecha con un ligero desfase (1,5 segundos), sin sonido, a través de 8 pantallas LED de 50\" pulgadas desplegadas una al lado de la otra sobre una plataforma baja (1000 cm de largo x 60cm de ancho x 30cm de altura). SHINKANSEN propone retener el tiempo de la imagen que se reproduce y avanza (pantalla en pantalla) generando una experiencia sensorial/espacial a partir de los tiempos variables del tren, que atraviesa un paisaje de invierno y que se detiene en distintas estaciones a lo largo de Japón.\n\nSHINKANSEN fue desarrollada durante la residencia TOKAS de Tokio el año 2018 y presentada (en una versión de 4 canales) dentro de la exhibición SOMETHING IS MISSING curada por Taro Amano en el Instituto Cervantes de Tokio (Septiembre-Octubre 2019), gracias al apoyo de la Embajada de Chile en Tokio y PANASONIC.', NULL, NULL, 'Se requiere de una sala en semi-oscuridad o un corredor (sin ventanas abiertas) de más de 12 metros.\n\n - 8 módulos de madera pitados blanco de 125 x 60 x 30 cm\n-  8 monitores LED de 50\" pulgadas\n-  8 pendrives de  32GB. \n\nSe requiere de electricidad.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/346651616', '28051983', NULL, NULL, NULL, NULL, NULL, NULL, 6200, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 5085, 5, '2020-04-28 23:22:16', '2020-09-02 22:25:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19941, 'uYfcIH7I353D6wcb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:26:47', '2020-04-28 23:26:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19942, 'LXfR1OuvlvwmRhpe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:26:59', '2020-04-28 23:26:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19943, 'b7e4ZSqNDVWXWvlT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:30:14', '2020-04-28 23:30:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19944, 'cTYJE6p8vwgyoUpt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:32:16', '2020-04-28 23:32:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19945, 'F5PGnhzWLAqpqxn1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:33:18', '2020-04-28 23:33:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19946, 'AuUaFNoMpnqwVpOH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:34:13', '2020-04-28 23:34:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19947, 'BPmeJPAzlCz3Uex7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:34:13', '2020-04-28 23:34:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19948, 'X27UEL4JcqyuCqo2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:35:13', '2020-04-28 23:35:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19949, 'Gm7R26PLD67amqKY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:36:54', '2020-04-28 23:36:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19950, 'YVaWlZZA44t2upDN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:38:49', '2020-04-28 23:38:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19951, 's8wXGFN0szEBOC5M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:38:49', '2020-04-28 23:38:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19952, 'cqNBh2g5dGkmVs2a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:40:33', '2020-04-28 23:40:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19953, 'uulcoFwGlAYZZ9Ck', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:40:51', '2020-04-28 23:40:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19954, 'qbhrpwayyIomwS6A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:42:58', '2020-04-28 23:42:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19955, 'mYQQkfigbaGONNZg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:43:33', '2020-04-28 23:43:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19956, 'EoDuyNLbMFszovvq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:47:00', '2020-04-28 23:47:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19957, 'DX43zRwEoYi9M0gm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:47:17', '2020-04-28 23:47:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19958, 'juzkbHppySEi5lMV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:50:06', '2020-04-28 23:50:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19959, 'hSAptKlyGR052ZFP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:52:07', '2020-04-28 23:52:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19960, '31HEcuRapk9yjjwC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:56:29', '2020-04-28 23:56:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19961, 'xrAAf9RpZ4OVi72V', 'Tuscany', NULL, 'The painting I would like to report to Bienalsur is named Tuscany. It measures 60x50cm, has a frame and pendants. \nIt has been shown at several exhibitions in Poland. Tuscany was painted with oil paint technique on canvas.\n\nThe Tuscany painting is about memories. All important events that we experience in life are remembered by us. Sometimes it is so that we cannot part with some and so the past mixes with the present and future.\nI think that our psyche is constructed on the basis of the events we experience. These positive and negative events, and the conclusions drawn from life lessons.\nThe painting Tuscany shows my memories from Italy, where I had the pleasure to study a semester of Painting through the Erasmus Scholarship. \nIt was a very important time for my artistic and personal development.', NULL, NULL, 'The picture of Tuscany does not have large dimensions, it is important that it is well lit, so that you can see the details it contains. It would be great as if it was exposed on a separate wall.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.limonart.pl', NULL, NULL, NULL, 1669, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1468, NULL, '2020-04-28 23:56:38', '2020-06-23 02:09:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19962, 'tttErETPliQ9F5KI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:59:29', '2020-04-28 23:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19963, 'QUtDhGVBH8DB8LQh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-28 23:59:35', '2020-04-28 23:59:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19964, 'JeFj3SxOmbubmEZX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:01:39', '2020-04-29 00:01:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19965, 'YciX6fT0WrktqQDK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:04:36', '2020-04-29 00:04:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19966, 'BNeonZvpWOImXGhz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:06:27', '2020-04-29 00:06:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19967, 'X7PTy13lgONfxQvv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:07:39', '2020-04-29 00:07:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19968, '8Q3RVWWAmFpajL9F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:07:45', '2020-04-29 00:07:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19969, 'ybVixg8xnL6b7iQ6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:07:46', '2020-04-29 00:07:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19970, 'UW6uG5IB2JJA7VQ4', 'Pintura Mural', NULL, 'Realização de pintura mural em área externa (intervenção artística) em espaço público. A temática do trabalho baseia-se no retrato feminino como forma de representação das mulheres na arte urbana com a utilização da técnica do muralismo (pincel e rolinho)', NULL, NULL, 'Espaço em área externa, pois a principal característa da Arte Urbana é o contato e a proximidade com a sociedade de forma geral.  O desenvolvimento da pintura será em parede lisa, em horários alternativos e a medida da parede será de acordo com o espaço disponibilizado para o trabalho', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://www.instagram.com/joysmorrison/', NULL, NULL, NULL, NULL, NULL, 1668, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1467, NULL, '2020-04-29 00:08:48', '2020-06-23 02:09:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19971, 'ck2C28osLEOM9EzL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:09:30', '2020-04-29 00:09:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19972, '22YN8FrA4Em9Ze97', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:09:30', '2020-04-29 00:09:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19973, 'zsLSW9KKKKVWZEq1', 'Bio-Lógicas del Porvenir', NULL, 'Conjunto de obras pictóricas en esmalte sintético.\n\nEn estas representaciones abstractas, las emulsiones de color se desplazan con vigor presentando una metáfora de la forma en la que circula la materia. Se trata dar visibilidad al desafío humano de una evolución positiva sobre los ciclos de tomar, procesar y reintegrar.\n\nEl mundo natural que se adivina en las imágenes, son una construcción articulada entre lo que el sentido de la vista ha captado y la suposición que hace el pensamiento por pura necesidad de certezas. Pero así como la mancha no es flor, el recurso de la tierra, aunque generoso, no es perpetuo. Todo aquello valioso que hoy endulza la vista, mañana podría resaltar por su ausencia.\n\nLa urgencia de la práctica de hábitos individuales saludables dirigidos al impacto profundo en lo colectivo, coincide con la necesidad de definir la concepción ética del medio ambiente a través del cambio cultural. Esta variación implica anteponer el pensamiento biológico por sobre el económico. Impulsar sistemas de contabilidad del patrimonio natural es concebirlo como  elemento de crecimiento.\n\nLa conclusión desde la imagen hacia la reflexión, es que los escenarios que el ojo adivina en los trabajos presentados, pueden hablar de belleza o de desolación. La tarea radica en poder empezar a diferenciar los actos consientes de los automatismos y las lógicas mercantiles de las bio lógicas del porvenir.', NULL, NULL, 'Se precisan espacios de pared para montaje tradicional de obras de pintura en bastidor. El metraje puede variar de 10 a 15 mts lineales. Es posible adaptarse a más o menos metros según: la cantidad de trabajos, el tipo de disposición de los mismos, etc.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1842, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1619, NULL, '2020-04-29 00:09:38', '2020-06-23 02:01:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19974, 'ecWdYVxHIrSOI8Wx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:09:56', '2020-04-29 00:09:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19975, 'Q6XmnrIz2ciBkRNz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:10:38', '2020-04-29 00:10:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19976, 'DLpZmYSd1WGna6ur', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:13:32', '2020-04-29 00:13:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19977, '6iXmebkXjgBRrUc5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:13:38', '2020-04-29 00:13:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19978, 'c2LlU79x2ukxMdTn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:14:01', '2020-04-29 00:14:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19979, 'pIavAsgpMPEcSgoM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:15:31', '2020-04-29 00:15:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19980, 'b8kkorNdj7FsUmxd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:22:02', '2020-04-29 00:22:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19981, '6bBxlB3jC74r9aEw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:24:02', '2020-04-29 00:24:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19982, 'Vam9YRURhWWBIESS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:24:24', '2020-04-29 00:24:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19983, '1gqOb5ImCpLuIVQe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:27:15', '2020-04-29 00:27:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19984, 'WkfTAhxkCvxlHukT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:29:50', '2020-04-29 00:29:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19985, 'aYSAogHgLSdw7XXv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:31:19', '2020-04-29 00:31:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19986, 'QCGykRHVjrDfDKHV', 'Tramas', NULL, '“Tramas” são esculturas espaciais feitas de canutilhos e fio de nylon. Cada escultura se configura como um desenho tridimensional de linhas que reunidas se conectam formando tramas. Linhas que se tocam e se cruzam como se buscassem uma nova ordem que as desafia. Essa série de cinco esculturas foi desenvolvida durante o período de quarentena em função da pandemia do Covid-19. (imagens das esculturas nos arquivos JPG em anexo) \nToda a população mundial está sob efeito do mesmo evento: a pandemia. A medida de isolamento social foi adotada em massa. A série “Tramas” aborda plasticamente questões que se apresentam imaterialmente para nós nesse momento de ruptura: como reestabelecer nossa rede de relações – sociais, profissionais, políticas e afetivas – numa vontade de exercitar pensamentos e conceitos que fazem parte da reflexão sobre o novo mundo que estamos sendo desafiados a criar. As esculturas “Tramas” dialogam com o atual momento atravessado coletivamente pela humanidade como exercícios de novas formas de conexões possíveis. Como se darão as relações pessoais no mundo pós-pandemia? O momento é de ruptura. O mundo como o conhecemos já não existe mais. E o novo mundo ainda está para se revelar. Caberá a nós, viventes, o redesenho das formas de nos relacionarmos com o mundo e entre nós. Estamos fisicamente distantes, mas em algum termo, como as linhas da escultura, estamos mais conectados do que nunca.', NULL, NULL, 'As cinco esculturas da série “Tramas” aqui apresentadas possuem dimensões variadas. (Trama 01: 104 X 8 X 0,2cm; Trama 02: 52X 2,5 X 2,5cm; Trama 03: 52 X 39 X 0,2cm; Trama 04: 38 X 33 X 4cm; Trama 05: 48 X 16 X 0,5cm (dimensões variáveis). Cada uma delas pesa entre 50 e 200 gramas. Elas podem ser expostas penduradas soltas no espaço, ou na parede. Com exceção da Trama número 5, que recomendo que seja exposta sobre um cubo banco, numa das posições possíveis, como mostram as fotografias em anexo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5152, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4298, NULL, '2020-04-29 00:33:49', '2020-07-26 02:24:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19987, 'pAs3XmcXDHFaUSoA', 'Dança Depois do Fim do Mundo', NULL, 'A Série de pinturas que proponho, \"Dança Depois do Fim do Mundo\", faz um breve retrato dos caminhos percorridos pelo Butô, dança contemporânea japonesa - nascida das cinzas da Segunda Guerra Mundial. Inicio com cinco quadros  sobre o mestre Kazuo Ohno, difusor das sementes dessa arte para o mundo, nos anos 80 e 90. Trata-se de uma alegoria ao Louco do Tarô, que com sua flor inicia a viagem do herói através dos arquétipos.\nNa segunda parte da série enfoco a difusão dessas sementes plantadas pelo mestre. Encontrei no mundo atual traços muito próximos a um cenário apocalíptico. Como se uma Terceira Guerra já tivesse ocorrido sem que tivéssemos nos dado conta. Com isso, sozinho em meio ao caos, o corpo humano volta aos estados primais e questiona todas as regras e estruturas da antiga sociedade. Retratei nessa segunda fase diversas performances de bailarinos contemporâneos do Brasil, México e Sérvia. Cada qual com sua multiplicidade de expressões,  problematizando as experiências do ser humano no contexto do mundo atual e futuro.\nDesenvolvi uma técnica mista de pintura a óleo e carvão própria que compõe cada quadro da exposição \"Dança Depois do Fim do Mundo\". Aqui devo ressaltar a importância do carvão, no peso que sua corporeidade traz ao trabalho através de sua “sujeira”. Leva nossos olhos ao que a sociedade não quer ver, no que é tabu, estranho, feio.', NULL, NULL, 'Todas as obras são pinturas a óleo e carvão. A primeira série consiste em quatro quadros de 50x70cm, e um de 60x100cm. A segunda série pode ser dividida em várias partes, de acordo com qual performance e território retratei. Até o presente momento são cinco quadros medindo 50x70cm, dois de 60x100cm e um medindo 80x100cm. A Disposição das pinturas na galeria devem apenas separar com um texto, cada bailarino, começando pelas obras sobre Kazuo e seguindo as obras sobre os performers contemporâneos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1981, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1746, NULL, '2020-04-29 00:37:02', '2020-07-08 01:54:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19988, 'py3e1q31KUOmwH3n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:37:42', '2020-04-29 00:37:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19989, 'dJqvg1Kp1nPgf9tX', 'Kaitenzushi', NULL, 'El video nace durante mi viaje a Japón a fines de enero y durante todo febrero 2020. Fui solamente con mi teléfono celular, que me sirvió de dispositivo para todas las grabaciones y fotografías tomadas durante el viaje. De regreso a mi casa y ya iniciada la cuarentena optativa para aquellas personas que volvieran de otros países, decido darle forma. En él, intento plasmar la velocidad y vorágine en la que me encontré en aquel país, rodeada de nuevos estímulos donde se cruzan los amontonamientos de gente, las tradiciones shinto-budistas, algunas ceremonias , entre muchas otras cosas. \nEl título refiere a los famosos restaurantes de sushi en cinta, donde circula comida por cintas en distintos niveles, hay muchísimo ruido y se llenan de gente, generando una amplitud de estímulos en simultaneo difíciles de aprehender.', NULL, NULL, 'Considero que el video tiene la potencialidad de poder adaptarse a cualquier tipo de pantalla, sea tablet, celular, proyección de gran amplitud en visionado compartido o individual. Cuestión a charlar aún no resuelta.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=KcGZ20SW6bw&t=1s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2158, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1882, NULL, '2020-04-29 00:43:10', '2020-06-23 01:48:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19990, 'w5jlwzNtnfgNSfja', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:54:51', '2020-04-29 00:54:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19991, 'n5WsyYuApd72joRr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:57:13', '2020-04-29 00:57:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19992, 'kMlKNUzkmtfRf5gY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 00:59:19', '2020-04-29 00:59:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19993, 'W6pD6EKyyijien6U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:00:08', '2020-04-29 01:00:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19994, '8HgaMPpNOHIbpalN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:04:37', '2020-04-29 01:04:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19995, '24Qph4QAyYcnTvHT', 'Retratos Diluidos', NULL, 'En 2019, el aumento en casos de personas desaparecidas en Jalisco, México a causa del narcotráfico, provocaron la creación de nuevo sitio de internet gubernamental. Bajo el titulo de « Registro de Personas Fallecidas Sin Identificar (PFSI) » el gobierno puso a disposición del publico una serie de fotografías de las pertenencias encontradas junto con los cuerpos no identificados. Las imágenes son fuertes, camisetas bañadas en sangre, pantalones que aun conservan el lodo de las fosas clandestinas en donde fueron encontrados y llaves que nunca volverían a ver las puertas de sus casas yacen sobre el suelo del Instituto de Ciencias Forenses, como un negativo del cuerpo sin vida que solía portar estos objetos. La serie \"Retratos Diluidos\" retoma las imágenes del PFSI creando pequeños monumentos que honran la memoria de aquellos que permanecen sin nombre dentro de la morgue, víctimas de lo parece una interminable ola de violencia. Cada imagen queda sumergida bajo el agua, contenida por una fuente individual hecha de plexiglás que crea una corriente por encima de la imagen. El contenido de la foto aun se puede discernir, aunque las olas creadas por la corriente del agua la distorsionan. De la misma forma que el cadáver sin nombre yace en estado de transición, sin identidad y por ende sin poder ser enterrado, el flujo del agua es continuo, un ciclo que no encuentra descanso. De la misma forma que la identidad del cuerpo es indiscernible, la imagen bajo el agua es nebulosa y borrosa.', NULL, NULL, 'La instalación « Retratos Diluidos » es extremadamente versátil, ya que se pueden exponer desde 4 hasta 40 retratos juntos y ser parte de una muestra colectiva o individual. Las medidas del espacio pueden ser variables. Cada retrato/fuente esta hecho de plexiglas y mide 45x30x18cm. La base debe tener la altura de una mesa standard y estar cerca de un enchufe eléctrico. Adjunto imágenes de la obra con agua y sin agua para que se pueda distinguir con claridad el mecanismo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4405, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3706, NULL, '2020-04-29 01:04:52', '2020-07-13 23:47:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19996, '117eGlQaAcIZqCrL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:08:15', '2020-04-29 01:08:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19997, 'NQ8NGMK4OIp6hWVy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:08:52', '2020-04-29 01:08:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19998, 'L7hKRTiSmf8YJXET', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:11:20', '2020-04-29 01:11:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(19999, 'Bn3zU9iQhuovDg0g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:16:35', '2020-04-29 01:16:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20000, 'BoxVsYfmxdHrH2dA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:18:15', '2020-04-29 01:18:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20001, 'YHzwh6BGHdYUq6Ri', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:21:43', '2020-04-29 01:21:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20002, 'lzVmoEdprU2VbkGS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:23:29', '2020-04-29 01:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20003, '1y6qdr4mKSFHBsWO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:23:38', '2020-04-29 01:23:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20004, 'hHOM2wDsogftItJD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:26:16', '2020-04-29 01:26:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20005, 'IhjistXhX1aOaUKN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:29:17', '2020-04-29 01:29:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20006, 'JFEf2RqFv51yq4v4', 'Hacer cosas con Palabras', NULL, 'Hacer cosas con palabras es un proyecto explora la persistencia de las lenguas no occidentales habladas en México como experiencias descolonizadoras a partir de la producción sonora y musical como principio de empoderamiento de la identidad indígena.\n\nA partir de redescubrir mi lengua materna el náhuatl, me propuse indagar las formas en que se han mantenido vivas las lenguas originarias en el contexto de la ciudad de México, mapeando la diversidad cultural que ha llegado gradualmente por medio de la migración, para la cual investigue la producción de música indígena de las décadas 60s y 70s que me permitieron adentrarme al universo sonoro de los pueblos originarios y compararlo con su marginalidad actual.\n\nEl proyecto conforma una colección de música grabada en vinilos para dar lugar a un ejercicio de memoria colectiva en colaboración con raperos de lenguas indigenas y programas públicos con activistas a fin de generar un espacio de reflexión y consumo sonoro. La importancia del RAP radica en su capacidad de contener las lenguas originarias y las posibilidad de encontrar las identidades ancestrales y las contemporáneas\n\nPara la presente Bienal el proyecto profundizara la investigación en la ciudad de Mexico y la extenderá hasta las ciudades de Quito, Cusco y Cochabamba haciendo un mapeo de hablantes que usen la creación musical como forma de resistencia en contextos distintos a sus territorios creando una red de hablantes en Abya Yala y registrando todo el proceso en video.', NULL, NULL, 'El proyecto habita dos espacios, uno físico y el otro virtual en un sitio web que será creado con el registro en video. El espacio físico estará enclavado en una ciudad de America latina con densidad importante de hablantes por ejemplo, Quito o Cusco. Podrá ser un espacio independiente o institucional con la apertura necesaria para generar una serie de eventos con agentes locales y un espacio de 70 m² que cuente con un proyector de video, sistema de audio y reproductor de discos de vinilo.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=nKahiynKH5E&t=6s', NULL, 'https://www.youtube.com/watch?v=mdd2BpR9NT0', NULL, 'https://www.youtube.com/channel/UCKWpqABIVGUQa5v2geXngCg', NULL, NULL, NULL, 3179, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2734, NULL, '2020-04-29 01:33:58', '2020-08-14 16:53:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20007, 'gOZhcDbajCccZDmq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:38:41', '2020-04-29 01:38:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20008, 'XkWjKf47mngW1cJW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:42:59', '2020-04-29 01:42:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20009, '7Wj5xMuxBnyGlmdj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:43:24', '2020-04-29 01:43:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(20010, 'vMnJ4g4IU8NfDOPx', 'Paths', NULL, 'Representar diferentes caminos que se cruzan, sintetizando mi propia experiencia como inmigrante en varios países.\nEs una representación minimalista, pero impactante.', NULL, NULL, 'Intervención de fachadas y/o veredas o calles, espacios abiertos amplios y públicos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1670, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1469, NULL, '2020-04-29 01:47:37', '2020-06-23 02:09:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20011, 'Vggy1pxALZUI7RoK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:48:37', '2020-04-29 01:48:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20012, 'DC1qGbmYxJajRWWr', 'PUERPERIUM', NULL, 'Puerperio, también conocido como resguardo o quarentena, es el nombre dado a la fase posparto femenina, en la cual la mujer experimenta cambios en su cuerpo y transformaciones psíquicas. El período de tiempo se cuenta desde el momento del nacimiento hasta que los órganos reproductivos de la madre vuelven a su estado anterior al embarazo.\nMiles de mujeres experimentan los primeros momentos maternos como un reconocimiento de una nueva realidad y la destrucción de mitos, creencias e idealizaciones para construir una nueva identidad como madre.\nLo impredecible, lo nuevo, el caos y la falta de la rutina a la que estas mujeres estaban acostumbradas son marcas comunes en el proceso de reconocimiento y deconstrucción del puerperio.\nEl proyecto PUERPERIUM nació durante la pandemia de Covid-19 como un archivo de pensamientos e imágenes de artistas que busca unir estrategias de arte y ecofeminismo. En conexión con la teoría científica y concepto filosófico Gaia, el proyecto escucha un llamado urgente para la producción de posibles formas de hacer frente y resistir las condiciones de degradación ambiental que han puesto en riesgo la supervivencia de todas las especies.\nLa curaduría del proyecto PUERPERIUM consiste en una invitación a desarrollar estrategias poéticas entre la arte y maternidad, basadas en el concepto de que estamos pasando por un puerperio como sociedad.', 'Simone Moraes. (Brasil) https://www.simonemoraes.net\nDUDX e Gabriella Garcia. (Brasil) https://www.gabriellagarcia.com.br & https://vimeo.com/dudxdudx\nCecília Cavalieri. (Brasil) https://vimeo.com/ceciliacavalieri\nLuisa Callegari. (Brasil) https://www.luisacallegari.com\nLuisa Brandelli. (Brasil) https://luisabrandelli.com\nBrisa Noronha. (Brasil) https://murilocastro.com.br/brisa-noronha\nPaula Scamparini. (Brasil) https://paulascamparini.com\nMayra Redin. (Brasil) https://www.ufrgs.br/arcoe/m-a-l-h-a/mayra-redin-2', NULL, 'La exposición tiene como objetivo presentar 1 a 2 obras de cada uno de los artistas. Los trabajos seleccionados incluyen formatos como videoarte, fotografía, dibujo y escultura. El espacio de exposición ideal para el proyecto es una sala de galería con puntos de iluminación y electricidad para la proyección de los videos con 1 proyector. Las dimensiones del espacio pueden ser de aproximadamente 9 metros cuadrados.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1923, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1692, NULL, '2020-04-29 01:51:10', '2020-08-13 22:34:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20013, 'ybcMKgbX49LfHUVR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:51:49', '2020-04-29 01:51:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20014, 'UzmCBLIXsUkiBrbt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:52:40', '2020-04-29 01:52:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20015, 'E3jwr2CMXGOFgoxY', 'No rules, on rules', NULL, 'É um trabalho que conta com a participação de convidados usando camisas brancas com as letras N e O impressas, alternadamente, na parte da frente e na de trás de cada uma. \nNo encontro do pátio do MAC-Niterói, para cada um foi entregue uma letra que compõe a palavra RULES ou a palavra REGRAS, construídas em madeira leve com cerca de 1 metro. Essas pessoas se reuniram no local, vestindo a camisa e trazendo a letra que lhe foi confiada, escreveram as palavras Rules e Regras juntando as letras, interagiram com elas e celebraram o acontecimento comendo e bebendo. Em alguns instantes da ação, as palavras NO e ON, formadas pelos movimentos dos corpos, se juntam na mente dos participantes às palavras formadas pelas letras. Ao formarem a frase “No rules, On rules” (ou regras “ligadas” e “no” regras), percebem a implicação dos seus corpos na formação da experiência, sua relação com o espaço e a relação com a ambigüidade da arte que, ao ser realizada, não possui regras, porém está sujeita a regras no momento de sua apresentação.\nEm 2015, no ContemporãoVix, o evento implicou  em duas salas, uma com a palavra Rules e outro com a palavra Regras, adesivadas ao chão.', NULL, NULL, 'O projeto No rules, on rules, pode ser desenvolvido em ambientes fechados, como já testado no Contemporão Vix em 2015,  ou em ambientes abertos, como o pátio do Museu de Arte Contemporânea de Niterói, MAC Niteroi, em 2018. Necessita de no mínimo 11 participantes, mas não tem limite máximo de participantes. Dura cerca de 1 hora e necessita de ao menos 60 metros quadrados em espaços abertos ou o equivalente ao de duas salas (cerca de 24 metros quadrados) para sua versão mínima em espaços fechados.', NULL, 'artist', NULL, NULL, 'https://youtu.be/WNqmhi7oEjQ ; https://youtu.be/_IWWgktYK_4;', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1905, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1674, NULL, '2020-04-29 01:57:44', '2020-08-11 22:05:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20016, 'hwQtYipqQJEmBnm3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 01:59:31', '2020-04-29 01:59:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20017, 'c3ehjYOvXutxuAQ6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:05:15', '2020-04-29 02:05:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20018, 'TAeA6hg0Mqqgt4bv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:09:05', '2020-04-29 02:09:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20019, 'BpJPFzYLr5Xjsngk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:10:39', '2020-04-29 02:10:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20020, 'gizfW0dK0mIxltvo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:17:22', '2020-04-29 02:17:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20021, 'ySp1UAoSczQs68mR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:18:19', '2020-04-29 02:18:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20022, '0RxC02NCVnBTN6hv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:18:32', '2020-04-29 02:18:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20023, 'QVkwYMNZysEi8kdl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:34:53', '2020-04-29 02:34:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20024, 'fwx1svjyQORxSJrs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:36:29', '2020-04-29 02:36:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20025, 'JtwtBeD0O3Wi8DrV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 02:44:30', '2020-04-29 02:44:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20026, 'tIiSCIROEQ0VW3ZU', 'La llegada inconclusa', NULL, 'La llegada inconclusa es un videoarte de 39\'28\' minutos donde la voz de venezolanos en la diáspora, evocan el viaje a Venezuela que el viajero inglés James Mudie Spence realizó en febrero de 1871 y que registró en su diario The land of Bolivar: Or War, peace, and adventure in the Republic of Venezuela. El relato fragmentado fue entregado a investigadores, artistas visuales, fotógrafos y escritores, quienes desde diferentes partes del mundo grabaron la lectura del texto asignado en notas de voz. La cantidad de lectores corresponde al número de párrafos del primer capítulo, un total de 43 audios recibidos a través de WhatsApp, Facebook, Instagram y correo electrónico.\n\nLa idea del viaje ha estado muy presente en la historia reciente de Venezuela, siendo la emigración venezolana la más grande de la región en el último siglo. En La llegada inconclusa se aborda esta problemática a través de la lectura del testimonio de este viajero, creando conexiones entre un momento histórico donde el país salía de la guerra civil y parecía abrirse hacia el futuro, frente a los difíciles momentos que transitamos actualmente. Además de crear nuevas lecturas sobre el desplazamiento de venezolanos y la situación política en Venezuela, me interesa también agruparlos en espacio y gestionar, simbólicamente, su retorno al país.\n\nPara BIENALSUR mostraré una segunda versión con correcciones de audio y texto, eliminando la primera parte donde describo el proyecto para comenzar con las narraciones.', NULL, NULL, 'Para la proyección es necesario un cuarto oscuro, un video beam con puerto USB y un equipo de sonido. También un banco o varios puffs para tener donde sentarse. Me interesa crear una ambientación donde la gente se detenga y experimente el viaje.\n\nEste video fue mostrado por primera vez en Caracas, en La Hacienda La Trinidad-Parque Cultural, en una exposición sobre los 250 años del nacimiento de Alexander von Humboldt y su influencia en América. Allí recibió el Premio Goethe Institute 2019.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/360432208', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1851, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1625, 5, '2020-04-29 03:02:47', '2020-09-01 07:37:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20027, 'bHuQdVDSJnUFNARz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:07:19', '2020-04-29 03:07:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20028, '2KrfTKYcPWHRfI5W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:09:26', '2020-04-29 03:09:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20029, 'lNqTgEuY6mCeihzD', 'Banco de imagens//pessoas.com', NULL, 'As pessoas contam sua história através do corpo, o artista trabalha esta narrativa com o objetivo de despertar no \nobservador a  reflexão sobre a condição humana.\nA escolha dos desenhos das figuras humanas foi inspirada na iconografia digital, no Banco de imagens // pessoas.com \nAs imagens  são inseridas em outro espaço, o pictórico  criando uma sincronia entre a anatomia humana e \na composição visual.\nOs temas escolhidos são inerentes  ao homem contemporâneo, tais como o isolamento, o anonimato, a incerteza,  \na mesmice, o condicionamento,  a reflexão.\nA pintura é realizada com tinta acrílica, o suporte escolhido é uma tela de  algodão do tipo painel, que pode ser \nenrolado. Os painéis têm no canto superior uma haste de metal com uma pequena argola nas duas extremidades,\nque servem para fixá-los na parede. \nBanco de imagens //pessoas.com, já foi exposta no Brasil , UFRN (Natal, RN),  UFMA ( São Luis, Maranhão)                  \nSesc (Palmas,TO)', NULL, NULL, 'O conjunto da obra é composta por vinte  pinturas em tinta acrílica sobre tela nas dimensões :\n\n Da Janela ,143 x 38 cm   /    Cidade,  142 x 49 cm\n Sonhar, Talvez, 144 x 51 cm   /   Banco,136 x 58 cm\n Eu, Por Mim,  114 x 17 cm (2×) 104 x 17 cm (×2)\n Marcador, 113 x 29 cm\n Praia, Ondas, Caverna e Abismo, 140 x 40 cm (x4)\n Fila e  Pais, 142 x 60 cm (x2)  /   Sombra, 138 x 36 cm\n Executados e Executivos, 142 x 60 cm\n Desencontro, Para Cima,  Enquadrados e Encontro, 100 x 60 cm (x4)', NULL, 'artist', NULL, NULL, 'http://g1.globo.com/ma/maranhao/videos/t/jmtv-1-edicao/v/exposicao-de-obras-de-marie-ange-gianquinto-e-realizada-em-sao-luis/7860346/', NULL, NULL, NULL, 'https://www.sescto.com.br/noticias/detalhes-da-noticia/2401', NULL, NULL, NULL, 3767, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3213, NULL, '2020-04-29 03:19:40', '2020-07-02 00:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20030, 'H5d8gI08b3gKibgR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:24:16', '2020-04-29 03:24:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20031, 'WqmSYoQ0IkbSSDfG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:30:51', '2020-04-29 03:30:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20032, 'oHlCsRgpclhlOHHu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:33:41', '2020-04-29 03:33:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20033, 'chXSStVvjz7fD9Wu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:34:15', '2020-04-29 03:34:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20034, 'npW1XuPoAlk0R2lH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:35:23', '2020-04-29 03:35:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20035, '0R182MN8oGekC2lp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:36:25', '2020-04-29 03:36:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20036, '2MuUv0ggsEOleW8v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:45:02', '2020-04-29 03:45:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20037, 'pVLOh9NJNNghhwC1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:48:08', '2020-04-29 03:48:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20038, 'mrpWj447RHILVysc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:52:51', '2020-04-29 03:52:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20039, 'nSaVck5H7rgUhKSs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 03:57:44', '2020-04-29 03:57:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20040, 'S78ZHD5IOdHLc82Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:00:00', '2020-04-29 04:00:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20041, 'yXA1i98hNK6OagDt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:00:54', '2020-04-29 04:00:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20042, 'JeOFPbuvXOmNyZqL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:04:28', '2020-04-29 04:04:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20043, 'qm0EqdnlXd62LBtt', 'Gatos en cuarentena', NULL, 'La obra presentada  forma parte de una serie de pinturas plasmadas en el presente 2020, que siguen patrones de composición  referidos a gatos de forma abstracta. Se destaca que la artista trabaja sobre esa tipología  en un gran porcentaje de sus obras, cuyos inicios se remontan al 2004.', NULL, NULL, 'La obra se realizó con pintura acrílica sobre tela. Consiste en un díptico cuyas medidas por cara son de 20cm x 30 CM.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2289, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1984, NULL, '2020-04-29 04:05:16', '2020-06-23 19:30:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20044, 'w5aCHo3MSqdCk1pb', 'Filhos Do Rio', NULL, 'A exposição “FILHOS DO RIO”, pretende através do trabalho da fotografia, exaltar a beleza da vida intima da pequena cidade de São Gonçalo do Rio Preto no interior de Minas Gerais. Ao lançar o foco sob sua poética arquitetônica natural e seu povo, o fotógrafo Ditto Leite, mais um dos filhos desta terra, busca resgatar a autoestima em pertencer a este lugar!\nQuantas cidades estabelecidas às margens de um rio pode se orgulhar de não tê-lo poluído? Por aqui, não sucumbimos à ignorância de maltratar a natureza. Pelas margens desse rio, a cidade e sua zona rural seguem na mesma frequência de suas águas: tranquilas e permanentes. Mesmo no período da seca, quando se espera pelo milagre da chuva e a carência do povo se evidencia, o rio resiste. E este é o maior exemplo no qual devemos nos apegar! A natureza desse rio nos remete a força que herdamos nos ventres das nossas mães. Ele é essa metáfora viva do berço uterino. “Filhos do Rio” trazem à tona o olhar oblíquo de quem precisa atravessa o rio para então chegar nas curvas úmidas dos corpos vestidos por ele. Composta por uma série de quinze imagens, a exposição é uma ode a beleza daqueles que nasceram e cresceram sendo esculpidos sob a influência permanente das águas do Rio Preto.', NULL, NULL, 'O trabalho encontrasse no momento estabelecido apenas por imagens digitais, capturadas pelo fotógrafo. Nenhuma impressão ou enquadramento foi feito por falta de recursos. Neste sentido, as imagens poderão ser impressas em qualquer dimensão.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1674, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1472, NULL, '2020-04-29 04:09:48', '2020-07-18 00:22:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20045, 'oANSUwlIRl6ZJ2xH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:11:25', '2020-04-29 04:11:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20046, 'OkwmKuRh9yXqnMiB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:12:22', '2020-04-29 04:12:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20047, 'Tij967EV47o0ExPk', 'Méxicanos al grito de Guerra', NULL, 'Mexicanos al grito de guerra  \n\nEn este proyecto busco abordar los temas sociales de las marchas en la Ciudad de México, A partir de la documentación, \n\nrecolección de objetos, pertenencias que los manifestantes van dejando durante el trayecto e intervenirlos con objetos de\n\nmi cotidianidad.', NULL, NULL, 'Las piezas ya tienen una edicion deberan ir acomodadas en el orden que se envian, se podrian aceptar propuestas curatoriales, el soporte sera en imprecion fina de papel enhanced en soporte de PVC duro negro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1675, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1473, NULL, '2020-04-29 04:21:36', '2020-07-18 00:44:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20048, 'gzbY7Z3r8Cq4nd6S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:22:47', '2020-04-29 04:22:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20049, 'BVr5UI1hVdJ32Zsw', 'SED, la llama que encenderá la resistencia', NULL, 'SED, la llama que encenderá la resistencia, es una performance con foco en la crítica al consumo desmedido. En escena, el movimiento de cuerpos-masa, pone en relieve diversos aspectos en torno al individuo y cuestiona su relación con el poder. Sed es una crítica y, a su vez, una pregunta abierta lanzada hacia el espectador ¿de quién es tu cuerpo? ¿de quién es tu tiempo?\nSe realiza un recorrido que podría pensarse en tres ejes que trabajan, a modo de capas, la complejidad del tema. El primer eje se aproxima al fenómeno más visible, el consumo, donde los cuerpos indagarán su relación con los bienes materiales, relación que los pone en tensión y actúa como una suerte de deshumanización. \n\nDurante el segundo eje, haciendo foco en la publicidad, los medios de comunicación y el lenguaje como mecanismo de control, los individuos, enfrentados al poder simbólico, devienen masa y son divididos, manejados, arrastrados, torturados. La sed, en principio de consumo, encuentra su quiebre al momento en que la obra se pregunta sobre la masa y la posibilidad de unidad de la misma, cuestionando el rol de los dominantes.\n\nEn este quiebre se desarrolla el tercer eje que problematiza el sentido de la unidad, mostrando la fluctuación de la negociación con o contra el poder simbólico, la desesperación y sobreexcitación física de la masa, que por momentos se muestra víctima y por otros victimario, desplegando en escena los conflictos que se dan en el campo social y cultural.', NULL, NULL, 'La performance está pensada tanto para espacios cerrados como abiertos. \nDe ser realizada en un espacio cerrado las dimensiones deben ser mayores a 7x6 mt, donde no haya diferencias entre espacio de representación y de observación (espectadores)\nEn caso de contarse de un espacio cerrado, debería tener una pared en la cual se pueda llevar a cabo una proyección.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=WfpHWWgUBCY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2110, NULL, 246, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1849, NULL, '2020-04-29 04:22:57', '2020-06-23 01:50:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20050, 'NI4W8p6xqtNkO7wa', 'La indolencia no toca la piel: Un hilo invisible.', NULL, '\'Un hilo invisible\' es el resultado del trabajo en residencia TrueQué Vol.V Trazos y transiciones, en Ayampe - Ecuador. \nMarzo - 2020. \n\nEn un mundo globalizado, dividido y fracturado, se han imaginado y alzado un sin número de hilos invisibles, que fueron concebidos alguna vez por quienes temen a una presencia ajena, interrumpiendo así los tránsitos, a veces desesperados, de cuerpos, que sea por su propia voluntad o por la fuerza, se ven en la obligación de traspasar estos hilos para encontrar un lugar donde perpetuar la vida.\n\nEste video - performance hace parte de un macro proyecto llamado \'La indolencia no toca la piel\', el cual está atravesado por una pregunta en torno a la indiferencia por el dolor ajeno, a las separaciones de los cuerpos provocadas por las fronteras geopolíticas y la observación de \'la piel como un territorio común\'.\n\nLa dirección, edición y texto de este proyecto son de mi autoría.', NULL, NULL, 'Este proyecto está pensando para ser proyectado en un espacio oscuro y lo suficientemente amplio para albergar entre 15 a 20 personas. La imagen será proyectada a la pared, es necesaria la instalación de parlantes para el sonido del video. El recinto puede contar con bancas o asientos para comodidad de los espectadores.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=zG7Fck9OJjk&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1677, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1475, NULL, '2020-04-29 04:24:18', '2020-06-23 02:08:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20051, 'X5DNCcNY1NmPXYYQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:24:56', '2020-04-29 04:24:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20052, 'LUPZdCHQjczSEnqa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:26:54', '2020-04-29 04:26:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20053, 'Cjvn0qe4GN8Pjo9b', 'With Love, From -', NULL, 'The world is being tested. This is not the declare The End (though that has certainly been the sentiment lately), but is an observation. We are being tested ecologically, institutionally and socially, but this test is also revealing much about our capabilities for empathy. This exhibition is a contemplation of the current relationships that we hold with the systems around us, most specifically the ones that we cannot see but are deeply felt by society. The world has watched this year begin with many environmental disasters which devastated communities, before the outbreak of COVID-19 shook the world and its economics to its knees, spreading fear as it also revealed our resilience. Now, as BLM dominates the media, we can no longer ignore that we are, and always have been, facing a different kind of pandemic. These events speak to a shift in our social climates as much as they reveal a very delicate one, and we are being forced to confront how fragile they have been in the first place.\n\nThis project aims to explore systems of care, beginning by challenging curatorial and institutional methodologies, before translating into the structures outside of us. What does it look like to curate with care? How can this teach us to extend care to one another? This exhibition will take the form of an exhibition as a public intervention as well as a communal space, to allow this to be contextualised outside of the gallery to understand the urgency and relevancy of systems of care for us all.', 'Natasha Brennfleck, Australian artist, facebook.com/NatashaBrennfleckArtist/\nTyson Campbell (Te Rarawa/ Ngāti Maniapoto), Australian artist, tysoncampbell.info/\nTessa May Chung, Australian artist, tessamaychung.myportfolio.com/work\nCharlie Kol, b. Cambodia, lives and works in Australia, instagram.com/kintrope/\nIsabella O\'Leary, Australian artist, instagram.com/want_it_raw/\nDaniel Marks, Australian artist, danielrmarks.myportfolio.com/\nMietta Stoeckli, Australian artist, monash.edu/mada/student-work/madanow2019/visual-arts/mietta-stoeckli\nAri Tampubolon, b. Indonesia, lives and works in Australia, aritampubolon.com/\n\nImages attached include the most recent MPavilion commission, along with past curatorial projects in public spaces or alternative galleries, as well as in a previous MPavilion iteration, exploring systems of care and community, and alternative curatorial practices. Artists works in these images include Natasha Brennfleck, Tessa May Chung, Mietta Stoeckli and Ari Tampubolon.', NULL, 'This exhibition is envisioned to be at the MPavilion currently at the Alexandra gardens, for an open and publicly engaging art experience. Smaller and more intimate works will be installed inside which will also serve as a meeting place, before flowing into larger installation works in the public gardens, blurring the boundary between the internal systems of an exhibition and public spaces.\n\nThe Mpavilion traditionally measures aprox. 14mx16mx2.75m\n2020-21 will be a new architectural commission.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4065, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Final number of sculptures to be decided closer to the project date.', 'si', 'N/A', NULL, NULL, NULL, NULL, 'Mounting requirements, wall space.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3460, 3, '2020-04-29 04:33:26', '2020-09-03 08:32:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20054, 'bZ66a9xsPcxBWZo1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:33:29', '2020-04-29 04:33:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20055, '6CxsXQ80OGHECWLn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:35:40', '2020-04-29 04:35:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20056, 'zSUngmXMH0FUQtws', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:42:17', '2020-04-29 04:42:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20057, 'NCXejBePnn6dfrqg', 'Patrimonio', NULL, 'Un viaje exploratorio por el presente del patrimonio cultural de América Latina.', NULL, NULL, 'Salas de cine, museos y espacios alternativos de proyección.', NULL, 'artist', NULL, NULL, 'https://filmfreeway.com/PatrimonioFilm', 'Corteza', NULL, NULL, NULL, NULL, NULL, NULL, 1847, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1623, NULL, '2020-04-29 04:47:33', '2020-08-12 17:54:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20058, 'CWygn2zeiOpotHzp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:52:29', '2020-04-29 04:52:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20059, 'HKb6fyMyy0q47YET', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:52:42', '2020-04-29 04:52:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20060, 'MrBjgIUHuu2t1Xuf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 04:59:46', '2020-04-29 04:59:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20061, 'mInK0J5Txm9xpI8J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:00:17', '2020-04-29 05:00:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20062, 'WKaZiGsR4L7xP38S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:03:45', '2020-04-29 05:03:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20063, 'FiOqtTXwhPZuHqaL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:04:19', '2020-04-29 05:04:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20064, '9aK95ZJt5hSU09Zj', 'Flowes in Geek Myths', NULL, 'Robella’s works are inspired from Greek myths which relate to the male dominance that women endure in relationships even in contemporary times. This series refers to symbolism of flowers in Greek mythology. In her works she talks about the issues of extreme and negative possessiveness, narcissism, deceitfulness and suppression by men in a relationship. She looks at the myths of how Zeus turned Cyanara in an Artichoke covered with thorns so nobody could touch her, only because she goes to see her family after becoming a goddess. Narcissus who was so self-obsessed that he kept playing with feelings of women and was eventually cursed and turned into a Narcissus flower. Apollo who left Clytie for a goddess and she watched him go away for 7 days until she turned into a sunflower. Does all of this not happen in the real life?', NULL, NULL, 'Digital Prints', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1676, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1474, NULL, '2020-04-29 05:06:56', '2020-06-23 02:08:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20065, 'dFOWiQckccKYTG0W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:19:46', '2020-04-29 05:19:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20066, 'Z9sbs72Y7MYNzhD9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:25:13', '2020-04-29 05:25:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20067, 'QfTvVzjIYkhBkSVd', 'La alegoría EN la caverna.', NULL, 'La pandemia mundial marcó un antes y un después en el curso de nuestras vidas. Recuperó, quizás, antiguas creencias o comportamientos y acentuó formas de vivir y movernos en el día a día. El confinamiento por su parte, acentuó la importancia del cuerpo físico y la necesidad de cultivar y mantener lazos sociales. El aislamiento físico tiene fecha de expiración, pero el aislamiento social no es ni fue nunca una posibilidad. Nacemos embestidos de él y encarnados en un bello cuerpo que es el nexo entre los Otros y un Yo. El contacto no es sólo necesario para el ser humano, es crucial para su autodescubrimiento, para quien quiera gozar de éste. Y no sólo es esencial para sobrellevar la vida diaria y el tiempo que nos condena a una permanencia en un espacio determinado, pero también porque de él vienen todas las motivaciones y razones para seguir respirando esto que no sabemos si es aire, (¿e importa realmente si lo es?), y que es el medio por el cual puedo poner en manifiesto mi compasión, mi alegría de ser (humano) y de estar en este lugar. El amor es lo que une al mundo; la compasión es una expresión de amor, y el arte, un acto de compasión. \nA través de un video cortometraje espero poder compartir mi visión del arte y de la vida, de la importancia del cuerpo y de un Otro presente, de la imposibilidad de vivir en aislamiento social y/o físico y de los actos compasivos que nos llevan a tener un sentido y a llenar de colores nuestra realidad, sin importar realmente donde se esté.', NULL, NULL, 'Plataforma virtual YouTube, Museo de Arte contemporáneo de Rosario, cualquier otro lugar sugerido por la Bienal.\nVideo de entre 4 y 8 minutos de duración. No hablado, con música de fondo y de a ratos silencios. Actuado por un protagonista y otras personas. Se muestra la historia y un baile en el medio, que es en el momento en que sale de la caverna.\nSe requiere una pantalla y auriculares para exponer la obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2655, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2297, NULL, '2020-04-29 05:35:53', '2020-07-21 15:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20068, 'vIExybX9W4efsdc9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:54:06', '2020-04-29 05:54:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20069, '2Iwt0L4YEamfGejG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:55:10', '2020-04-29 05:55:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20070, '5VPXaE3Spz4QiGEN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:56:33', '2020-04-29 05:56:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20071, 'ao2IsNQcEeUSWEjo', 'Je Suis', NULL, 'Las imágenes corresponden a una serie de autorretratos tomados durante el período de confinamiento tras la necesidad de explorar las emociones provocadas por el aislamiento. El título en francés, refleja una situación íntima que se vio interrumpida a raíz de la pandemia, disparador del trabajo.La exhibición cuenta con 42 fotografías distribuidas en cuatro espacios que representan las cuatro temáticas tratadas: AIRE, AGUA, FUEGO Y TIERRA. \nEl concepto consiste en que el espectador pueda transitar los caminos desde la entrada que elija. En el AIRE, las imágenes cuelgan desde el techo, por lo que se puede caminar entre ellas libremente; en el AGUA, la incorporación de los espejos invita a la idea del reflejo interior; en el FUEGO, el tamaño de la imagen principal y la cantidad menor de fotografías busca un acercamiento a lo privado de los cuerpos; mientras que en el sector TIERRA los tres paneles muestran un mismo grupo seis imágenes distribuidas de manera diferente en cada pared en pos de comprender que cada uno puede tomar el camino que desee, y que el orden de los pasos es una decisión personal que busca un mismo fin, la respuesta sobre la satisfacción del deseo, la motivación personal, la razón de estar vivo.', NULL, NULL, 'Adjunto plano explicativo\nEspacio requerido: 8x8mts2\nFotografías: 42 en total ( 22 de 40cm x 27cm; 18 de 80cm x 54cm; 2 de 150cm x102cm) + 4 espejos (40cm x 27cm)\n\nFICHA TÉCNICA\nCámara: Nikon D610, lente fijo 50mm; 1.8\nTécnica: 1 sola toma, timelapss; luz natural\nRevelado: Lightroom\n\nNOTA: debido al límite de archivos y calidad, subí las imágenes en una menor calidad y cantidad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5414, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4496, NULL, '2020-04-29 05:56:34', '2020-07-29 17:09:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20072, '8makdryFbNSx9nVd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 05:58:49', '2020-04-29 05:58:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20073, 'nzmtrk3lv440LTuD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:03:03', '2020-04-29 06:03:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20074, 'KTM07dEEKUuq8H60', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:07:43', '2020-04-29 06:07:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20075, 'xuXS0pPzhj6bZKvh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:07:46', '2020-04-29 06:07:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(20076, 'UIK3Ruk2ftUD2nCx', 'Autocensura', NULL, '\"Autocensura\" consiste en una serie de pinturas digitales realizadas durante el periodo de cuarentena, \nLa temática principal  es la abstinencia, las imagenes atraviesan el deseo, la pasión, el coraje pontencializado debido al contexto de aislamiento social, para atreverse  a dejarse llevar por la fantasia reprimida , y animarse a la masturbación que resulta una nueva perspectiva para la reflexión y el autodescubrimiento, desestabilizando ideas preconcebidas , desestructurando \"ideales\", pasando por la culpa a la vergüenza.\n Autocensura ,hace referencia a la importancia de poder vivir y desarrollar naturalmente la sexualidad y el placer, trata de poner el tema sobre la mesa,en confianza ,  sin tabúes, para conocernos y descubrir nuestra identidad. \nA diferencia  de imposiciones y los abusos que marcan el autoestima,la dignidad y que suceden en lo oculto, los cuales se ha representado en imagenes ambiguas.', NULL, NULL, 'Puede exponerse\n -en una pantalla , exposición virtual\n-o ser impreso y colgado , (el tamaño puede adaptarse según la disponibilidad del espacio otorgado)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1680, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1478, NULL, '2020-04-29 06:14:29', '2020-06-23 17:46:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20077, 'Lo9yzK0xsIJwMtTH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:15:14', '2020-04-29 06:15:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20078, '42XvadsMnn7NU3Fv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:15:23', '2020-04-29 06:15:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20079, 'oGGNw2H4U6wDMVvI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:16:39', '2020-04-29 06:16:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20080, '80tMvgBP7AuphIH0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:19:12', '2020-04-29 06:19:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20081, 'D89PrFRraRtWLJpD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:20:52', '2020-04-29 06:20:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20082, 'zEKHTbrDmWNphByN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:22:26', '2020-04-29 06:22:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20083, 'oTZ9VvfSgTq1v6fg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:23:30', '2020-04-29 06:23:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20084, 'X2ryp74yTSqTvmpc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:25:56', '2020-04-29 06:25:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20085, '7MZRxJT6UE1Do0Cf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:26:51', '2020-04-29 06:26:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20086, 'CsQu7DbdRMgIYhVY', 'Once upon a time...', NULL, 'Porque nada hay oculto, que no haya de ser manifestado […]\nLucas 8. 17.  \nLa historia, como elemento vivo repleto de acontecimientos inconclusos que retornan todo el tiempo y, no como la suma de sucesos ordenados cronológicamente con dudosos fines didácticos, resulta condición indispensable  para comprender las crisis actuales desatadas en cada espacio que habitamos. ¿Qué procesos nos han modelado como individuos, sociedad y nación? ¿Cuáles son las causas históricas de los aciertos y trastornos del presente? ¿Cómo podemos interpretar el futuro desde múltiples pasado cargados de sentido que cíclicamente regresan? \nDesde este presupuesto conceptual y, desarrollado en Cuba, el proyecto fotográfico “Once upon a time…” construye metáforas visuales a través del registro documental de antiguos elementos del espacio público. Viejos textos con el común  denominador de un surgimiento anterior a la revolución socialista cubana. Cuando este proceso tomó el poder político en la isla, comenzó el ocultamiento de ellos por métodos diversos. Paradójicamente hoy muchos regresan en medio de un tiempo cargado de dislocaciones políticas, económicas y sociales. “Once upon a time…” se apropia de ellos para significarlos desde del actual contexto que vive la isla. \nDesde una posición crítica hacia el enfoque positivista con el cual asumimos el cuerpo histórico, con “Once upon a time…” quiero llamar la atención sobre las posibilidades interpretativas de lo que llamamos historia.', NULL, NULL, 'Dadas las características de la propuesta  documental “Once upon a time…”, el objetivo de la misma, así como el número de piezas que compondrán la muestra a presentar, sugerimos como espacio, sala o galería convencional apropiado para la fotografía. El mismo deberá permitir la presentación de entre 20 y 25 piezas de hasta 64 x 41 cm (iluminación adecuada y preferentemente paredes blancas que permitan la intervención con vinillo sobre una sección de ellas) y la posibilidad de proyeccion.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://danydelpinorodriguezgmailcom.portfoliobox.net', NULL, NULL, NULL, 1679, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1477, NULL, '2020-04-29 06:34:53', '2020-06-23 02:08:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20087, 'ZJ4MDXI5gyfLwxxh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 06:48:29', '2020-04-29 06:48:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20088, '2a2zW9x3AySr3PgL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 07:06:09', '2020-04-29 07:06:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(20101, 'DCWPxAIIeyyF1lBX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:08:33', '2020-04-29 08:08:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20102, 'mJisSatKX3yEnTmc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:08:55', '2020-04-29 08:08:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20103, 'tiSXQePoBDuW1Vur', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:18:32', '2020-04-29 08:18:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20104, '69G3jcNQc4VEB8tv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:30:57', '2020-04-29 08:30:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20105, 'Pyr5a8ZvOc4c58oG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:41:15', '2020-04-29 08:41:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20106, 'wNhfz258eheQ3xU0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:50:00', '2020-04-29 08:50:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20107, 'nowU71teQupvNjaP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:50:48', '2020-04-29 08:50:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20108, '9eDzfoR4i7EjMYch', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 08:52:05', '2020-04-29 08:52:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20109, 'SRPM2j5qUpEuLv6I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 09:01:53', '2020-04-29 09:01:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20110, 'n2MjiHq5AzRjdJa3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 09:07:31', '2020-04-29 09:07:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20111, 'vm5Qdf1CWnwhG2b7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 09:10:36', '2020-04-29 09:10:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20112, 'lehhjbHn1gRh1out', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 09:11:41', '2020-04-29 09:11:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20113, 'WJ6xPbhB9yiVwLT2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 09:15:23', '2020-04-29 09:15:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20114, 'ZR8BCifwr3zaTrbe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 09:31:28', '2020-04-29 09:31:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20115, 'u0IrvcgCd4aTst3p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 09:31:45', '2020-04-29 09:31:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20116, '3kljbwoUlENr4BRJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 10:03:48', '2020-04-29 10:03:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20117, 'PXSjcromna8YGhiX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 10:44:25', '2020-04-29 10:44:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20118, '69cqE6FJg5jNCW3a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 10:46:14', '2020-04-29 10:46:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20119, 'd1eePJR2IDkfZz6h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 10:52:53', '2020-04-29 10:52:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20120, 'BqBd28yveMvttN6O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 11:26:01', '2020-04-29 11:26:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20121, '8dJSCkvsfmaJfVEJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 11:26:05', '2020-04-29 11:26:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20122, 'CUchKoTu7xHpNg4U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 11:32:39', '2020-04-29 11:32:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20123, 'Gp1aoq8F8cIyWg9B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 11:35:36', '2020-04-29 11:35:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20124, 'BaBLqEKQp4qTmUVW', 'Volksgeist', NULL, 'Vídeo arte, instalación cinematográfica. Relación paisaje e historia del arte. Arte y política. Crítica a los ideales románticos que configuran la creación de los estados-nación.\n\n...El concepto Volkgesit (que atribuye a cada nación unos rasgos comunes e inmutables a lo largo del tiempo) tuvo en el paisaje uno de sus soportes imprescindibles. El artista Paco Algaba indaga en el origen del paisaje y en las claves de su representación para situarlo en un marco protohistórico. Para ello presenta lugares emblemáticos, inaprensibles por su cualidad natural, ajenos a su patrimonialización pese a estar inscritos en el patrimonio iconográfico de países tan referentes en la construcción de la idea nación como Alemania, China, España, Francia, Italia, Inglaterra, EEUU y Rusia.\n\n...crítica contra la apropiación del paisaje como “emblema y como conformador patriótico”... La representación del espacio sin función política, “desnacionalizado”...la naturaleza desalojada de discurso, sin poética, sin retórica, sin otro lenguaje que el de la propia percepción del espacio, sin halagos, solo mera intuición para sabernos incluidos o excluidos en ella...\nrecorre el mundo iconográfico del paisaje en busca de espacios que se expresen en su instantánea pureza y que no estén marcados por ninguno de los signos con que pudieran ser identificados para su patrimonialización....\n\nJavier del Campo. Director del CAB de Burgos\n\nTodos países del hemisferio norte. Hegemonía cultural y determinismo ideológico.', NULL, NULL, 'Según Kant el espacio es una intuición pura. la Instalación se muestra como inabordable para la mirada y está compuesta de 10 proyecciones en vertical de de 2mX3,55m para un frente de 20m en una caja negra. La duración es de 45\'48\'\'. Puede acompañarle 1 políptico por cada uno de los 8 países en monitores -18 monitores en total- Estos no son si no la apropiación mediante el objeto de la imagen del espacio como forma de conversión emblemática. De izar la bandera.  \nTodas las fuentes al frame.', NULL, 'artist', NULL, NULL, 'https://pacoalgaba.com/', NULL, NULL, NULL, 'https://pacoalgaba.com/', NULL, NULL, NULL, 2352, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2040, 5, '2020-04-29 11:52:11', '2020-08-27 12:38:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20125, 'Uj6YLKEphHl47VV9', 'Rubbysh', NULL, '“Un total de 9,3 millones de personas, aproximadamente un tercio de la población, sufren lo que técnicamente se denomina como inseguridad alimentaria” -Programa Mundial de Alimentos, febrero 2020\n  \nLos venezolanos viven en el fondo de la pirámide de Maslow, luchando por su propia existencia, tratando de escapar de la muerte misma.\n\nCitando Epicuro (341-270 a.C.), Carta a Meneceo “El peor de los males, la muerte, no significa nada, porque si lo somos, la muerte no lo es; si la muerte es, nosotros no somos \". Nos hemos convertido en una sociedad enferma que lucha por respirar, la muerte lo es todo. Esta extrema crisis de hambruna ha llevado a muchos ciudadanos a alimentarse de la basura. Una deshumanización kafkiana que se ha normalizado en la realidad surrealista venezolana representada con una dignidad quebrada en un mundo lleno de putrefacción, pero con un panorama lleno de petróleo y oro.\n\nRubbysh, explora la concepción de la \"basura\" (Rubbish en inglés)  el desperdicio, en la sociedad venezolana, donde cuando el hambre ataca, una bolsa de basura puede convertirse en un rubí (ruby en inglés).\n\n \"... y este sentimiento debería ser un panegírico sobre tus primeros antepasados, una crítica a tus contemporáneos y un terror a los desafortunados que vendrán después de ti ...\" - Jean-Jacques Rousseau, 1798', NULL, NULL, 'Ambientación en un espacio expositivo de 3x3 mts. Piso de acrílico (capa superior), capa media una mezcla de harina con pintura negra y aceite, que simulará petróleo, y en la capa inferior un material aislante. En el espacio expositivo encontraremos al centro un camino delineado por 12 bolsas de basura negras, a la derecha 3 monitores medianos (20\" aprox.) al centro de la pared y del otro lado de la habitación un pedestal con un smartphone. De fondo hay un sonido inmersivo de moscas volando.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/425874686', '1234abcd', NULL, '1234abcd', NULL, NULL, NULL, NULL, 2679, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2321, NULL, '2020-04-29 11:57:53', '2020-07-21 21:00:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20126, 'HGEQEI32IDgh9VFW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 12:03:44', '2020-04-29 12:03:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20127, 'AiWkVhwia46G5IWY', 'Time Sculpture', NULL, 'Time Sculpture is a work that claims \'time\' as a sculptural element. It defines a \'block of time\' which is delimited spatially by the room itself. It is a response to Robert Smithson’s sculptures where \'time\' is imagined as a material sediment that remains on hand indefinitely. However, Time Sculpture goes beyond Smithson’s notion of time as deposition and accommodates the notion of time as passage as well. Language is used here to inform the viewer of the sculpture itself, ultimately creating a phenomenological area of space-language. It is a configuration that allows the viewers to have an embodied experience of art and invites them to ponder questions of presence, impermanence and value. This work was exhibited for the first time at the Art Festival Begehungen 9 in Chemnitz (Germany, 2012) and again at Thessaloniki Biennale 4 parallel event Vanguard (Greece, 2013). It is a poignant work that deserves to be shown in South America, considering the current state of affairs. The text to be pasted on the wall:\nHere you are in the presence of time\nTime passes here\nTime reigns here\n(not beauty, not love, not justice, but time)\nTime fills this room\nHere you are in the presence of time', NULL, NULL, 'Original room size: 310 x 240 x 410 cm (it is variable). I prefer old or derelict room to strengthen the narrative. However, it can work perfectly in a white room, questioning the neutrality of the ‘white’ cube and ‘biased’ curatorial practices. The text is written with Indian ink on vintage wallpaper and glued to the wall. The work could be converted into a neon sign and displayed in the main square of a city. The word ‘room’ in the text can be changed to city, country or even continent.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1683, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1482, NULL, '2020-04-29 12:13:08', '2020-07-18 01:08:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20128, 'caXObtkSyez50fML', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 12:27:15', '2020-04-29 12:27:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20129, 'eohC2E5JZ2ycQvwk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 12:27:55', '2020-04-29 12:27:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20130, 'bgKweypRwKLxKzOd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 12:28:17', '2020-04-29 12:28:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20131, 'LczIaGv2kz17KXtp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 12:42:50', '2020-04-29 12:42:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20132, 'FLlbjg4kD8JbBRZD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 13:10:59', '2020-04-29 13:10:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20133, 'QIyluIkM8awCoZns', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 13:13:57', '2020-04-29 13:13:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20134, 'Z3ZOP28joc7KquDw', 'The Fourth Greenhouse', NULL, 'The project The Fourth Greenhouse is a result of research made in the last couple of years. It deals with the clash between nature and culture – in this work, I am intrigued by the juxtaposition of growing and man-made forms, and by the idea of enclosing nature in a glass case to create an artificial paradise or exotic, unoriginal environment. The Fourth Greenhouse touches a few other elements such as history and storytelling together with the postcolonial topic. All these general phenomenons are explained through the forgotten history of Josef Taaffe, English aristocrat living in the Czech countryside at the beginning of 19 c., and his fascination in botany. Taaffe spent all his money on building a private botanical garden in Mysliborice shire and brought here a lot of exotic plants from across the world. The story ends up very simply – Taaffe lost all his money due to his hobby, was forced to sell the entire property and botanical garden run wild. \n\nFor this purpose, historical-theoretical research was carried out, which is summarized in a booklet that is a part of the output. The spatial installation will consist of modified cultivation tables with soil, on which glass sculptures will be installed, which refers to the equipment of greenhouses. It will be completed by ready-mades, a fictional herbarium which recalls exotic plants grown in the local greenhouse and research documents. Dedicated space will be framed with textiles prints with plants (6 pieces of 150x225cm).', NULL, NULL, 'Preferably abandoned greenhouse, ideally connected to some historical place OR a room, space in buildings belonging to a botanical garden.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2515, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2177, 5, '2020-04-29 13:21:09', '2021-02-12 15:33:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20135, 'C7p7HxAyk5qa2cUD', 'Biographies of Object', NULL, '\'Biographies of objects\' explores the possible futures of nationality within the transnational discourse through the prism of quantum physics and technology, while addressing pressing universal and existential questions of humanity in crisis. The work focuses on signifiers of cultural production, and their presence in the construction of national and cultural identity. As diaspora is understood as phenomena that encourages multi-local attachments, the work aims to relate to the digital space of the on-line transnational communities. \n\nBeing centred around a metaphor of an object of cultural significance, the work deconstructs the formation of cultural identity in multiple cultures. Based on the historical roots of the blue and white printed ceramics from Ancient Egypt, Persia and Mesopotamia through China, Russia, Europe and Britain, the AI narrator takes the viewer on the object’s journey all the way through to the particles and the waves of the known universe.', NULL, NULL, 'Flexible presentation : screening, video monitor or projection', NULL, 'artist', NULL, NULL, 'https://youtu.be/CJgjNwpDxCE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1684, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1483, 5, '2020-04-29 13:24:11', '2020-08-24 12:40:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20136, 'vZcQTXRkgfsNdHp3', 'Lecturas Negociadas', NULL, 'En la actualidad los archivos y bibliotecas funcionan como bancos de memoria de la historia de la humanidad, muchas veces sin que éstos sean consultados por los investigadores (que encuentran la mayor parte de la información en internet). La vida de los libros transcurre inadvertida, aunque entre sus páginas encontramos todo tipo de presencias inesperadas como las “huellas de manipulación”, anotaciones, todo tipo de marca-páginas, exlibris, dedicaciones, sellos o pasajes censurados. Además de todas estas marcas, entre las estanterías del almacén se disputa una batalla cultural: la agresiva colonización animal del hábitat de la racionalidad humana. “Lecturas negociadas” pretende poner sobre la mesa estas presencias no humanas en los ejemplares más antiguos de Museos, Bibliotecas y Archivos cumpliendo dos objetivos: digitalizar mediante un reportaje fotográfico este material y cerrar el ciclo natural de estos libros devolviéndolos a la circulación en el mundo de la cultura humana.\n\nEl título hace referencia al modelo de codificación/decodificación de la comunicación propuesto por el sociólogo Stuart Hall. La lectura que nosotros proponemos de la colección es una lectura negociada, donde el lenguaje humano se mezcla con la huella animal. El proyecto se materializa en un display museográfico alternativo en forma de murales abstractos con los zoom de esas huellas animales y de instalación sonora interactiva en el caso de las partituras intervenidas.', NULL, NULL, 'Archivo, Museo, Biblioteca (la obra se genera mediante un reportaje site-specific de cada ciudad).\nImpresión de carteles en espacios publicitarios.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1685, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1484, NULL, '2020-04-29 13:38:42', '2020-08-12 17:47:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20137, 'FErqQl35Jv5aSiJg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 13:42:28', '2020-04-29 13:42:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20138, '7zfdcQsjtzcbQX6c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 13:43:32', '2020-04-29 13:43:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20139, 'L5M4xzlsNYYvCYrS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 13:43:41', '2020-04-29 13:43:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20140, 'TbL1HO0qURti8TxW', 'Becoming Code (Devenir Código)', NULL, 'Imágenes digitales intervenidas mediante la inyección de textos críticos dentro de su código. (Obra en proceso, 8 imágenes hasta junio de 2020).\nInstalación (Imágenes digitales y archivos de texto impresos. Videoproyección de dos canales) \nMaterial audiovisual en: http://4rt.eu/dc/\n\nTodo archivo digital, incluidas las imágenes, no son más que una serie de códigos cuyo resultado visual o sonoro sólo puede ser accedido por el humano a través de un intérprete informático -un visor de imágenes, un procesador de textos, un reproductor de mp3 o un monedero de Bitcoins, por ejemplo-.\n\nEn cada obra de la serie “Devenir Código”, una imagen digital es intervenida insertando dentro del propio código de la imagen, pasajes de textos críticos. El texto escogido, es dividido en fragmentos que se “inyectan” en varios sectores del archivo.\nEl resultado es un “texto” que ensambla los dos “contenidos” que entran en conflicto. Obtenemos por un lado un texto crítico que no puede ser leído fácilmente debido a la presencia entrópica del código de la imagen y, al mismo tiempo, una imagen que se disloca a partir del error que introduce el texto crítico.\n\nAl momento de ser exhibidas, se coloca una impresión de la imagen “leída” por un editor de fotos, junto con la impresión del código fuente -en codificación UTF-8 - para que pueda ser leído por el “interprete” humano. El vídeo muestra el proceso de inyección y los resultados intermedios hasta que se completa la introducción del texto crítico.', NULL, NULL, 'La instalación se compone de: entre 3 y 5 imágenes colocadas en pared (impresión de la imagen y de su código fuente) y de un video de dos canales (videoproyección a monitores). Las medidas son variables, adaptables al espacio. Se necesita cierta oscuridad si se usan proyectores, pero deben iluminarse las imágenes en la pared.\n(Ver boceto de la instalación)\nLa obra no ha sido exhibida aún en salas de exposición.', NULL, 'artist', NULL, NULL, 'https://youtu.be/tCykKPjWxSI', NULL, NULL, NULL, 'http://4rt.eu/dc/gallery.html', NULL, NULL, NULL, 4932, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4148, NULL, '2020-04-29 13:48:35', '2020-08-15 00:35:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20141, 'kRsdRCs7fytqhYfL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 13:50:09', '2020-04-29 13:50:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20142, 'W9JFvGzIgz2CL3Fq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 14:09:47', '2020-04-29 14:09:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20143, 'RqZV25evWCQ3ZJcE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 14:21:51', '2020-04-29 14:21:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20144, 'dv0qapHu3Lks6kDN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 14:33:01', '2020-04-29 14:33:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20145, 'rGkJJ3TMCedyua9p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 14:35:44', '2020-04-29 14:35:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20146, 'ZcwfrcehSvbifLvx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 14:47:49', '2020-04-29 14:47:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20147, 'PVuxU6o51OVnTjyq', 'MULLERES DO MAR. VILANOVA DE AROUSA', NULL, '\"Mulleres do Mar. Vilanova de Arousa\"\n\nPartiendo de la tradición artesanal del trabajo con conchas en los pueblos costeros de Galicia, se ha realizado un taller experimental con un grupo de  mariscadoras pertenecientes a la Asociación Mulleres do Mar de Arousa en el que se han creado objetos simbólicos que reproducen en gran formato el símbolo de la mujer y el anagrama de la asociación  usando las conchas como materia prima. \n\nEn un proceso abierto, se ha trabajado en la lonja y sus alrededores, valorando las posibilidades que ofrecen la situación y el contexto, para interactuar con ellos y modificar lo cotidiano. \n\nSe han realizado varios objetos y acciones performáticas con materiales y mobiliario de trabajo. \n\nEl proyecto interrumpido por la alerta creada por el covid, se retomará con la  participación de la comunidad de “bateeiras”, trabajadoras en el cultivo de mejillón. \n\nAludiendo a las mareas, por su estrecha relación con los trabajos en el mar, \nse representarán las fases lunares en círculos de 125 cm. con conchas de mejillón y almeja.\n\nAsimismo, se realizará un acto performático en la ría: Cuatro barcas navegan de noche portando los círculos-luna. La acción se documentará audiovisualmente.\n\nEl interés del proyecto para estas comunidades es el de dar visibilidad al trabajo que realizan. En Galicia tuvo una gran repercusión en prensa y en las redes sociales. Los objetos se exhibieron en la manifestación del 8M y en los congresos a los que asistieron.', NULL, NULL, 'Sala de exposiciones : museo de arte contemporáneo o espacio expositivo  vinculado al mar.\nEl proyecto puede adaptarse a diferentes formatos de espacios. \nSería ideal  que mantenga unas dimensiones de unos 100 mts.2 Deseable una pared diáfana de 8 o 10 mts. \nNecesario un proyector.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.dropbox.com/s/kxvwdepcpbpcdvi/NATIVIDAD%20BERMEJO.%20MULLERES%20DO%20MAR%20.pdf?dl=0', NULL, NULL, NULL, 1693, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1489, NULL, '2020-04-29 14:56:05', '2020-07-13 20:19:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(20148, 'lIuNe0RhRvnpAiYr', 'Swip Right', NULL, '“Swip Right” es una instalación dedicada al estudio de la objetualización emocional observando cómo se establecen los vínculos afectivos a través de las redes sociales románticas en estos momentos donde la cercanía corporal no está permitida.\n\nLas relaciones analógicas requieren una figura física y cierto nivel de compromiso. La red, sin embargo, presenta una matriz que, en lo que dura un clic, conecta y desconecta. Esta  proximidad virtual, se basa en una tecnología de presunciones sobre cómo entender el yo y cómo construir una sociabilidad por medio de la compatibilidad afectiva lo que genera genera un sistema emocional escalonado donde el amor se plantea como objeto hedonista de fácil consumo, transformando las experiencias sentimentales en estrategias comerciales. La satisfacción suele ser instantánea y los resultados no quieren ningún tipo de esfuerzo prolongado.\n\nLa instalación está compuesta por \"Match, Chat, date\" un video loop con los mensajes de propaganda promovidos por las aplicaciones de citas y \"Isolation\", una serie de 40 máscaras de porcelana instaladas sobre mesas metálicas de aluminio. Cada máscara es única y lleva en la parte de los respiraderos un trabajo floral muy delicado hecho íntegramente a mano.', NULL, NULL, 'El mejor espacio para la instalación sería una sala interior relativamente oscura.\nLas dimensiones de “Isolation” son 200 x 200 x 120 cm. incluyendo el soporte de mesas metálicas. \nLas lámparas para la correcta iluminación de la pieza pueden ser sustituidas por luces de sala si la organización lo cree conveniente.\nEn cuanto al vídeo “Match, chat, date”, podría proyectarse sobre una de las paredes de la sala o en un monitor horizontal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4763, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4012, NULL, '2020-04-29 14:59:37', '2020-07-16 23:45:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20149, 'nBgWiIbZZpHgt4B8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 14:59:53', '2020-04-29 14:59:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20150, 'hrbBL6uXy4XbTkCn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:03:34', '2020-04-29 15:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20151, '6DaSNIe0Pxtc3eU9', 'It\'s FURBY, beach! Humanes, Furbys y viceversa.', NULL, 'Se trata de una pieza que surge a través de laboratorios de investigación escénica integrando la inteligencia artificial del juguete “Furby” como dispositivo motor de la misma. La pieza parte del planteamiento de cómo sería el futuro de las relaciones humanas debido al avance tecnológico que hemos presenciado en los últimos 20 años. Por ello, situamos la pieza en una distopía, una realidad futura imaginada condicionada por las relaciones entre humanos e inteligencia artificial. En dicha realidad futura estamos de vacaciones eternas. La pieza cuenta con tres etapas. En la primera, el público accede a la playa de  \"FURBYTALE\" habitada por Furbys e interacciona con ellos mediante el uso de una máscara que les permite co-habitar con ellos y el espacio. Otra de las características de Furbytale es su propio lenguaje: el furbish (el idioma que hablan los Furbys). Se facilitará un audio vía WhatsApp con las expresiones básicas para sobrevivir en Furbytale. De este modo cualquier humano podrá convivir sin ningún problema con los Furbys. La segunda etapa tiene como motor el futuro de las relaciones humanas junto a la inteligencia artificial a través de la búsqueda del amor en la futura versión del programa televisivo \"Humanes, Furbys y viceversa”.\n\n*Esta investigación se llevo a cabo dos años antes del confinamiento a consecuencia del COVID19, pero en este momento la pieza ha cobrado más sentido que nunca.', NULL, NULL, 'Espacio con posibilidad de tener dos estancias diferenciadas de 6x4 metros o un espacio de mayores dimensiones en el que podamos hacer la división de espacio.\n\nApto para todos los públicos.\nDuración eterna o pactar con el espacio\n(40 min)\nNecesidades técnicas:\nEnchufes.\nSonido (microfonía y amplificadores).\nProyector (en caso de espacio cerrado).\nIluminación básica', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=V3eqIiziXqE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1691, NULL, 201, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1488, NULL, '2020-04-29 15:04:43', '2020-06-23 17:46:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20152, 'lXb8ecraqRrFV53j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:14:03', '2020-04-29 15:14:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20153, 'Hh0llMTdPAqts4o2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:15:42', '2020-04-29 15:15:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20154, 'qchVeziLhjnU05HF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:15:44', '2020-04-29 15:15:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20155, 'qfoSlQ5XI5qBeXhA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:18:03', '2020-04-29 15:18:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20156, 'S07R4S1w972scjzF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:18:12', '2020-04-29 15:18:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20157, 'CjXyFOL9vsXjzRLk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:20:37', '2020-04-29 15:20:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20158, '586a9hWUHiWdaRmp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:26:05', '2020-04-29 15:26:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20159, 'MhasHDwBYNIcrtNz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:27:23', '2020-04-29 15:27:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20160, 'MegQT4O6ZfThivMp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:33:25', '2020-04-29 15:33:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20161, 'cYEH2nVHAoHXlEpg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 15:34:26', '2020-04-29 15:34:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20162, 'SNSVRq1pBUavf11k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:01:31', '2020-04-29 16:01:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20163, 'uPG29efrJwaH2waE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:02:29', '2020-04-29 16:02:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20164, 'SqYZcj4Z4uKYOvFX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:02:31', '2020-04-29 16:02:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20165, 'ZmiZyyQoGuinfsFt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:07:14', '2020-04-29 16:07:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20166, '69R6OgD4TdaiIHDS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:12:44', '2020-04-29 16:12:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20167, 'yMulNRRIPQ1Zax7d', 'Pintando una tercera dimensión', NULL, 'Mediante un lenguaje abstracto propongo nuevas realidades pictóricas que se sustentan en lo imaginario. Parto de mi interés por rescatar lo que el cambio climático tiene casi extinto de los fenómenos naturales. Sus formas visibles y la interpretación de elementos esenciales para la vida, principalmente el agua. A partir de la superposición de capas y de las transparencias que éstas generan, creo diversas profundidades y volúmenes visuales que amplían la mirada hacia una tercera dimensión. Sosteniéndome de las propiedades puras del material, que me otorga los recursos necesarios para dar forma a un universo catártico y caótico donde predomina lo incontrolable.', NULL, NULL, 'Paredes amplias (6 metros de ancho aproximadamente)  color crudo o beige. Facilidad para colgar las pinturas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1694, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1490, NULL, '2020-04-29 16:15:01', '2020-06-23 02:08:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20168, 'MCKCXO6nW6TvG59q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:20:08', '2020-04-29 16:20:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20169, 'RT4js3NLtf5DRMbS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:21:03', '2020-04-29 16:21:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20170, 'lB8XXPN9NSa4aW0I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:21:52', '2020-04-29 16:21:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20171, 'ifiVESmVQkE4ocDa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:22:36', '2020-04-29 16:22:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20172, 'KKgZGEhL2aa1YudM', 'Loneliness of the city', NULL, 'Urban space as a set of layers and tracks . The city has specific characteristics, is a system of images, lights, temporary memorization and overlapping frames of each other. When space is read in this manner, the scenarios of a new city start to be imperceptibly formed in our imagination. Lost in a metropolis, travelling within frames we become creators for whom it is important  the din of numerous conversations. A project of four large-format graphics illustrating personal experiences in the city. Thoughts, feelings. Each of us has them. Each of us is a place. \nThe view of the city from the outside, and this one is imagined as part of human experience. We emphasize the importance of their importance at every step of our being. In cognitive processes, images are one of the basic ways of presenting the world. The image as a signal of existence.', 'Alina Ostach-Robakowska, Poland\n\nhttps://www.behance.net/malinadesign13\nhttps://wzornictwo.tu.koszalin.pl/instytut-2/pracownicy/alina-ostach-robakowska/', NULL, 'Each graphic has a format of 200x80cm. They should hang close together, preferably connected. Total area is 8mx80cm. The wall should be black. The surface can be a built-in cube that viewers can enter and view graphics.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1705, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1496, NULL, '2020-04-29 16:24:19', '2020-06-23 02:07:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20173, 'jlwKUHvvHlS4qFiq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:24:55', '2020-04-29 16:24:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20174, 'IVnEUoVmytgAhXn4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:28:22', '2020-04-29 16:28:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20175, 'BFuxdaC68QBIQIF3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:36:50', '2020-04-29 16:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20176, 'bxhvGAUhTH0AVlxW', 'International Artist Habitat', NULL, 'International Artist Habitat\n\nThe „immigrant artists shelter“ - habitat is a structure developed from the two images of a puppet house and a cloister cells. \n\nIt is another model for a new living museum and as such following the general idea of the Paul Pozozza Museum that the artists work in situ instead of just sending their artwork to museums. \n\nThe public can participate by just watching the artistic process or also being involved in it themthelves.\n\nFor example:\nMarcus Kaiser, the composer, can bring up a sound – composition in a landscape garden and public chorus,\nhttp://marcus-kaiser.net/marcus-kaiser.html\nhttp://www.opernfraktal.de/\n\n\nGünter Thorn, sculptor and musician, show the transparency of material glass in physical static optic phenomena\nhttp://www.guenter-thorn.de/\n\nMarcel Hardung, sculptor,  follows the principle of rotation and connections of ceremonies within 5000 years of the folks around the globe with reference to Aby Warburgs Ethnology.\nwww.marcelhardung.com\n\nJulia Lohmann, painter-sculptor, shows how to use color as a tool for diverse perceptions of the world and movement in space. \nhttps://julialohmann.com\n\nThe project can be enlarged by 4 more international artists up tp 8 artists.\n\nArt Curators of Paul Pozozza Museum during all the years are the art historian Dr. Stephan von Wiese, former Director of 20 century art of the Museum Kunstpalast Düsseldorf and the publisher of the Pozozza Studies, Dr. Marcus Mueller.', NULL, NULL, 'Concerning the space there are two possibilities. We can find an existing empty traditional house in which the installation can be developed and be open to the public,\n\nor\nthe cells for the artists can be build up\ninside an institute/ exhibition hall, transparent and visible for the public.\n\nThe material is a steel construction like a scaffold covered with plywood.\nWe  calculate 20 squaremeters per artist, 4-8 artists means 160 – 200 squaremeters.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.julialohmann.com/habitat/', NULL, NULL, NULL, 1731, NULL, 204, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1521, NULL, '2020-04-29 16:41:14', '2020-07-20 22:17:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20177, 'RodSP9iEro1BjGso', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:41:58', '2020-04-29 16:41:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20178, '20EDn4LA3CmichGT', 'Corpxs marginalizadxs', NULL, 'Corpxs marginalizadxs\n\nSeria uma exposição de lambes em ramanho real,  que ficariam nos espaços de maior circulação do evento. Corpxs marginalizadxs, sao corpxs esses que não vemos nas mídias, nas artes, na protagonização de sua existência.\nEsses corpxs, são encaputchadis (capuz), cobrindo seus rostos, deixando de fora só os olhos, que demontram varius sentimentos nesse olhar principalmente o da raiva. \nO que esses corpxs tem?! São gordis, tem cicatrizes (retirada da mama, cesariana, apêndice, e outris), são pretis, velhis, são de povis originárixs. Corpis invisíveis, que a sociedade colonizada e colonizadora, fazem questão de apagar. \nTrabalho com esses corpis há 5 anos, protagonizandx o invisível, esquecidi, marginal. Visibilizando nas ruas, através do graffiti/ pixo, espalhandis pelo Brasil. \nP.s: A persona da encaputchadis foi em protesto e revolta diante do desrespeiti que xs povxs originárixs do Brasil vem sofrendo.', NULL, NULL, 'Pensei nos ambientes de maior circulação, pela visibilidade e pela questão de se espalhar, se misturar com todxs. Como serão varixs corpxs encaputchadis em tamanho real, a \nintenção é a mistura e circulação!', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, '@consueloveacoroca (instagram)', NULL, NULL, NULL, 1877, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1649, NULL, '2020-04-29 16:47:25', '2020-06-23 17:49:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20179, 'B4nsQMOAEoZ6m9iv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:47:45', '2020-04-29 16:47:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20180, 'BxQotmK9Lb4UM2jR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:48:36', '2020-04-29 16:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20181, 'pxGuYS2X4m5978BM', 'Foliat', NULL, 'Los restos del protagonista de esta historia fueron abandonados al reposo eterno y la tierra se levanta a su alrededor.  Así como Goliat fue vencido pero aún vive a través del mito, nuestro personaje vive a través de la naturaleza, y sus despojos denuncian la tensa relación que existe entre el hombre y el deterioro provocado al Planeta.\nLa instalación está formada por dos figuras recubiertas de plantas carnosas ubicadas a un mínimo de 10 metros.  El espectador tiene un primer encuentro con una mano,  los dedos salen con fuerza del suelo.  Avanzando se encuentra la pieza más dramática del conjunto: una cabeza semi enterrada, con los ojos cerrados pero con la boca aún abierta. Cayó luego de una lucha, o se acostó a descansar y la fatiga no le permitió volver a su cueva, y así los organismos a su alrededor se hicieron dueños de su cuerpo, dejando solamente la cabeza como huella de su existencia.\nMás allá de la fantasía que evoca esta pieza y de la denuncia al maltrato que como sociedad le damos a nuestro Planeta, Foliat evoca las grandes figuras de la historia que quedan enterradas y viven a través nuestro. Cómo los relatos canónicos de nuestro pasado florecen y mueren para volver a nacer bajo otra piel, y la historia se vuelve a contar. Pensar en términos absolutos reviste una complejidad muy alta cuando se trata de Historia: en Foliat la verdad muta, brota, sobrevive y lucha, como la naturaleza, para que sus restos sigan siempre vivos.', NULL, NULL, 'Se trata de un conjunto de obras realizadas con un esqueleto de hierro soldado cubierto con una malla metálica flexible y con una superficie exterior de tierra y plantas suculentas. La mano  mide 150 cm de alto x 200 cm ancho x 120 cm profundidad  y la cabeza  130 cm de alto x  250 cm ancho x 170 cm de profundidad.\nLa obra precisa de un espacio abierto, puede ser el jardín de un museo, un parque o cualquier espacio al aire libre, con o sin verde, que mida más de 20 metros cuadrados.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4833, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4069, 5, '2020-04-29 16:48:37', '2020-08-31 17:02:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20182, 'PdhRmhuaCJTQ4e2Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:49:38', '2020-04-29 16:49:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20183, 'VD4zUwS84IWBEHbN', 'How much did you pay?', NULL, 'We intend to work with bank bills in this project. Since these bills are thermal papers, information on them disappears after a while; by re-typing the information on bills and retrieving them, we decided to archive them as daily human consumptions. These papers are made for short-term human consumption, which are important for a short time and then discarded. We intend to produce artwork from consumption, and make a call for these bills, then ask those who are interested in collaborating to save the day\'s receipts for us. We will retrieve their daily mortality data. Finally, will provide an installation of the archives and videos that will be provided during the project.', NULL, NULL, 'We need a space at list in 20 Square meters', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ZUP89ptGfIU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1776, NULL, 209, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1559, NULL, '2020-04-29 16:51:16', '2020-06-23 17:46:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20184, 'qtScWiFiSA56IThk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 16:59:09', '2020-04-29 16:59:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20185, 'I2Bm9DRNery2nBen', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:01:41', '2020-04-29 17:01:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20186, 'lBUkmOTjOh3m1FFL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:09:34', '2020-04-29 17:09:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20187, 'ATTVRTIjtMjbXIBa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:09:42', '2020-04-29 17:09:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20188, 'y39FIahYDJphlyfi', 'Praying pictures / Gebetsbilder', NULL, 'The installation ,,Gebetsbilder\" consists of eight or more works on Japanese paper that are hanging freely in a space. Each work is approx. 230 cm high and 100 cm wide. Each work is covered with my own body-print, paint and other materials. The installation represents an altair, so the paperworks are hanging in a form of a circle.\nThe work ,,Gebetsbilder\" is my initial point to spiritual-historical processes in our society and how do I include these processes into my work. I work with my own body-prints and primordial symbolic like prehistorical cave paintings which I studied in Slovakia and in Mexico with speleo-archeological group AJAU in a year 2017. Using different tools and materials and unbending the “canvas or paper” into the chosen space and with that creating an “individual mythology”,for me is a way to express not only figurative aspects, but transcend myself through the work. \nWith doing so I am leaving Traces.Trace of body, Trace of spirit, Trace of gesture and Trace of touch. These traces could also symbolize an archaic language or alphabet that exists since the origin and is universal.\nThe Titel ,,Praying pictures/Gebetsbilder\" refers to a praying. I understand praying as an performative act. So the work itself is a trace after praying and the performative act. My aim is to establish the situation where the viewer gets the feeling of what is transcended through my work. One paperwork can symbolize a curtain, an object, that is hiding what is behind him.', NULL, NULL, 'The installation could be exhibited in a white cube space but also in off-space (for example some sacral space). For the whole installation I need a ground plan of approximately 30 square meters or more. The works themselves are needed to be seen from all the sides, so the installation needs to be placed in an open space, not next to the wall (see the image of an installation). It is important that the viewer can enter the installation from inside and outside from all the sides.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1712, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1502, NULL, '2020-04-29 17:11:40', '2020-06-23 02:07:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20189, '9qQMlx22hdpsLlsc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:15:09', '2020-04-29 17:15:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20190, 'I9DRMhZbUdM1mgrO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:20:30', '2020-04-29 17:20:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20191, 'mhrzcKtnhYGbvFIn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:23:48', '2020-04-29 17:23:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20192, 'BPJMgBj4xg5viGGg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:24:18', '2020-04-29 17:24:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20193, 'dldWXtreWFhWyfHO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:39:08', '2020-04-29 17:39:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20194, 'VIMc5vI4Hy9dp2UO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:39:29', '2020-04-29 17:39:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20195, 'mArZWpfj6RtK9jyg', 'Pastopia', NULL, 'Pastopia means Pastel + Utopia, the project features a series of infrared photographs captured in different countries. I use photography as the canvas to create, to satisfy my lust of customizing the world with my aesthetics, and to overlay my imaginations with the real world. \n\nMy work portrays my subconscious mind, I visualize my thoughts by transcending ordinary reality into a fantastical landscape that offers the viewer an imaginative escape. The goal is not only to plunge viewers into fascination but to make them re-evaluate our world and our existence. \n\nTo me, photography is about seeing the unseeable. I often receive comments like “This is fake, it doesn’t look like that in reality”. This might be true from a human\'s vision. However, the intention of my photography is to bring viewers to another level -- to see beyond the comprehension of naked eyes and walk into the universe of invisible spectrums.', NULL, NULL, 'Pastopia requires an estimate total length of 10-15 meters of wall(s) (Can split up),  a total space of 200-300 sq ft across the gallery. The total number of works included in the exhibition is flexible (10-20 works, with each size not exceeding 30 x 40 inches),  and maybe expanded or condensed to meet the curatorial vision of the hosting venue.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4103, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3496, NULL, '2020-04-29 17:39:44', '2020-07-03 21:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20196, '6cr5hQNlGd29AOWf', 'We are here and this place is ours', NULL, 'The project I want to expose at Bienalsur is the result of ongoing long-term research about the organized football fan crowds and their behavior. In particular, my work examines what are the ‘situations’, the rules, and all the actions that lead to the formation of such a complex community. Considering ‘community’ in a positive sense, namely as a social group, a social environment to which people wish and try to belong.\n\nTo say that football is simply a game, or a sporting discipline does not allow us to understand the practices of hooligans. It is a form of collective activity that condenses profound social meanings. My work considers hooligans in terms of an ‘Imagined Community’ in Benedict Anderson’s sense: a sophisticated ensemble of rules, identities, and codes. Indeed, supporters adopt a particular lifestyle to build a sort of nation to which they feel they belong, despite the absence of a real connection to its people.  The artistic artifacts will represent the intrinsic relation between football and violence, focusing mainly on the ritualized confrontations and how groups construct their collective identity.\n\nThe ambition of this artwork is to give a more profound insight into the phenomenon of hooliganism, paying attention to the symbolic value of identity and social representation thought artistic production. The output will try to answer the following question: how is a Hooligan Community ‘imagined’ — in Anderson’s sense — and reproduced in an artistic dimension?', NULL, NULL, 'My artistic intervention serves different mediums, such as sculptures and site-specific installations. The artwork is mostly composed of beer cans, flags, banner, spray paint, stickers, acrylic textile, smoke bombs.\nSince space, where the work is exhibited, is thought to be a sort of \"conquested area\", there\'s no particular requirement for it. It\'s the artwork that shapes its characteristics according to the location. For a better understanding of it, an indoor space would be preferred.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1706, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1497, NULL, '2020-04-29 17:44:06', '2020-07-18 01:24:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20197, '3Dlydb5mKPWm2njU', 'IN Vento', NULL, 'O trabalho parte dos poemas do escritor polonês Paulo Leminski. “Vento” ou como propõe o poeta: “INVENTO” . Energia invisível transformadora . De causas complexas  se manifesta visualmente pelos seus efeitos, pelos seus rastros. \n  Proponho um trabalho de  vídeo instalação interativo. Uma armação de madeira preenchida com cerca de 2000 fitas de vento (fitas usadas para visualizar a direção e intensidade do vento) . As fitas são colocadas lado a lado criando franjas que se movimentam a partir de correntes de ar criadas por corpos que passam por perto da obra no espaço expositivo. Nessas fitas é projetado um vídeo com imagens das manifestações de rua que ocorreram no Brasil nos últimos anos. \n  O encontro das imagens com as fitas de vento que se movimentam a partir do deslocamento de ar provocado pelos corpos dos visitantes são a proposta desse projeto.\n\nTrechos de poemas do autor:\nVer é violento\nque golpe aplicar no vento?\n              *\num deus também é o vento\nsó se vê nos seus efeitos\nárvores em pânico\n\n             *\nbate um vento eu movo\nvolta a bater de novo\na me mover eu volto\nsempre em volta deste\nmeu amor ao vento\n           *\n\nsombras derrubam sombras quando a treva está madura sombras o vento leva\nsombra nenhuma dura.\n\n\n\n\nToda Poesia, Paulo Leminski, 2013', NULL, NULL, 'O projeto consiste em uma armação de madeira de 80 X 100 cm com 2000 fitas de papel japonês com 1 cm de largura por 15 cm de comprimento colocadas lado a lado dentro da estrutura de madeira presas em fios de nylon .\nA estrutura pesa em torno de 3 Kg e é presa no teto do espaço expositivo com 4 fios de aço. \nUm projetor digital colocado  um totem de madeira pintado fica a uma  distância de 150 cm da armação . \nA obra ocupa um espaço de  250 cm de profundidade por 150 de largura por 250 de altura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1709, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1500, NULL, '2020-04-29 17:44:20', '2020-08-12 17:48:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20198, 'sPFOppCHsC73Pzee', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:45:04', '2020-04-29 17:45:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20199, 'RixOsUL6hDKjuLmD', 'suspiro', NULL, 'Texto original en portugues:\n\nO que eu queria mesmo era um sopro de ar. Um pouquinho de fôlego, sabe? Porque é difícil prender a respiração por tanto tempo. Chega um momento em que você parece delirar - as formas se distorcem e as cores ficam opacas. \nOu podia ser um sopro de calor, desses que envolvem todo o corpo. E de tão quente eu poderia voar. Isso, um sopro que me levasse. Mas talvez fosse suficiente que me soprassem uma palavra boa - qualquer uma. Uma que eu pudesse levar comigo. Ou melhor, uma frase inteira, dessas que trazem junto toda uma história. Então eu recuperaria o ar, meus pés deixariam o chão e eu seria levada. Levada como uma criança.\n\nEse texto fue producido durante la cuarentena contra el COVID-19.\n\nUn texto lúdico y sensorial\nQue trata de las memorias y de la niñez\nDe las realidades y de las locuras\nDe las claustrofobias y de las libertades\nDe las palavras y de los silencios.\n\nEl texto reflexiona acerca de adónde se van nuestros pensamientos en ese momento que nos encontramos encerrados y aislados.\n\nAdemás, busca llevar atención a nuestros sentidos así que lo que nos pasa dentro ahora con las calles desertas ya es más do que se pasa a fuera.\n\nEl sonido me pareció la manera más fiel para traducir termos como \"aire\", \"aliento\" y \"soplo\", tan abstratos cuanto el virus sars - cov - 2.', NULL, NULL, 'Opción 1 - Una habitación oscura\n\nOpción 2 - Auriculares', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://soundcloud.com/catarina-marques-574016711/suspiro', NULL, NULL, NULL, NULL, NULL, 1797, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1574, NULL, '2020-04-29 17:45:38', '2020-06-23 02:03:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20200, 'C1aJOy6nIcBap5By', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:46:54', '2020-04-29 17:46:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20201, 'uvz6LJjxBkVGDYAk', 'AVATAR-TOUR: sleeping humanity', NULL, 'Sinopse: Avatar-tour: Sleeping humanity es un cortometraje (3 min, B/N), como un intento de una película-ensayo cuyo tema se refiere a las relaciones míticas que los sujetos contemporáneos desarrollan con las representaciones simbólicas de sí mismos y del mundo en las composiciones figurativas hechas posibles por el entorno gráfico de Internet (ciberespacio). \n\nOriginalmente el término avatar proviene del sánscrito, idioma considerado sagrado en la cultura hindú, específicamente una palabra que designa la encarnación de una divinidad en una forma material mundana, configurando los contornos humanos o de seres fantásticos como los dragones; antropológicamente, la historiografía del mito en las diferentes culturas a lo largo del tiempo ofrece un sinfín de ejemplos de fabulosos seres divinos que, en cumplimiento de los designios cósmicos, transitan por la superficie sensible del planeta promoviendo ayudas o sortilegios para la humanidad. \n\nAsí, en un ejercicio de resignificación de figuras difundidas en los medios de comunicación y en las recientes redes telemáticas informativas, Avatar-tour: Sleeping humanity es una ilusión secuencial de cuadros que asume un carácter meta-lingüístico respecto a un tiempo y personas en el contexto histórico del actual proceso de civilización orientado y guiado por un imaginario mediático global hegemónico.', NULL, NULL, 'video en una proporción de 3:2\n\npueden ser mostrados en pantallas de tal proporción a formatos más grandes, sabiendo que una barra negra aparecerá a los lados.\n\nLa propuesta es que el video sea enviado por Internet, sin costo para el artista.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=m9pA35rd7B0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2286, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1981, NULL, '2020-04-29 17:47:12', '2020-06-23 19:29:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20202, 'KpKndNUvr3dhGIR0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:52:21', '2020-04-29 17:52:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20203, 'eUoBUkJm7OudHQk0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:58:12', '2020-04-29 17:58:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20204, 'beAaSQS4y3KojZYa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 17:58:52', '2020-04-29 17:58:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20205, 'QIhzt7DrKav2i3Di', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:05:51', '2020-04-29 18:05:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20206, 'Qzfw0jiXXFKUt2iI', 'Caduca Tradição; Ligeira Tradução', NULL, 'Este projeto curatorial tem como base de pesquisa a alegoria, logo, o projeto acredita na potência de tradução de ideias por meio de outras a fim de pensar os fenômenos políticos-estéticos do agora (memes, podcasts, webart). Propõe-se dispositivos que estão entre o rito do fágico (iconofagia, autofagia/antropofagia cultural) e a gradação dos fenômenos (estriado, sequencial, progressivo), seja nos âmbitos técnicos, metodológicos e poéticos; seja na sistemática da arte (a exposição, o educativo, as obras, os artistas, os espectadores). Desse modo o projeto investe na capacidade do ímpeto alegórico como atitude que se põe do lado da ideia – da imagem, do discurso, do evento - e se manifesta em prol/contra sua (des)valorização revelando-a uma segunda vez, uma terceira, etc. De modo a exercitar percepções diversas para que o espectador esteja/seja emancipado do espaço-tempo onde se encontra e das sensorialidades que o cercam.', 'A exposição, a obra e os seus agentes desempenham um papel central no campo das artes, configurando-se como uma espécie de recorte  que afeta de forma significativa o modo de visualizar a realidade e aquilo que é dominante no senso comum. A noção de dispositivo alegórico, expandido à exposição e à obra de arte, permite ir além da dicotomia técnico-simbólica que permeia parte significativa dos estudos sobre o tema. Dito isso, a proposta segue para que seja mutacional nas linguagens (metáforas, ambiguidades, simbologias), nos procedimentos (apropriações, fotografia, performance), nas plataformas (Instagram, Youtube, salas expositivas físicas e virtuais),  nos debates (política, gênero, tecnologia), entre outros aspectos.  Assim, diante do atual momento pandêmico em que este projeto é escrito, considera-se aqui uma tentativa de compreender a BienalSur enquanto fenômeno complexo, como “um conjunto multilinear”.', NULL, 'O projeto procurou palavras e imagens que se depositam tanto em uma pintura como em um podcast, em seus papéis desenhando campos que apontam para uma emancipação possível das questões periféricas (condição ambiental, visibilidade LGBTQI+, feminicídio, marginalização da população negra, entre outros). O diagrama expositivo é aberto e aponta leituras atentas de uma comunidade interpretativa capaz de abordar um tecido de sensibilidades e discursos que admitem o dissenso como mola da deliberação.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5562, NULL, 787, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4609, NULL, '2020-04-29 18:05:54', '2020-06-30 17:57:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(20207, 'T9261pn8jTPhLo7f', 'Döppelganger', NULL, 'En 1991 el director Krzysztof Kieślowski estrenó \"La doble vida de Verónica\", un film que narraba la historia de dos jóvenes idénticas que vivían vidas similares a miles de kilómetros de distancia. Ninguna de ellas sabía de la existencia de la otra, pero ambas tenían un presentimiento, la sensación de no estar solas en el mundo.\n\nEn la era de la revolución digital y la eclosión del mundo globalizado, personas de diferentes orígenes viven las mismas incertidumbres sociales y económicas. Lo mismo sucede con el arte, artistas que viven en diferentes realidades y geografías investigan en torno a las mismas problemáticas. No es que las temáticas en las obras de arte de hoy sean más universales que antes, sino que existen similitudes en las referencias y acercamientos formales.\n\nLa idea de las múltiples conexiones de la película estaba más cerca del mito del Döppelganger o \"doble andante\" que de la actual interconexión humana en la escala global, pero nos puede ayudar a reflexionar sobre el potencial del arte en el mundo globalizado ¿Puede el arte, a pesar de las distancias y realidades que nos separan, ser capaz de hacernos sentir menos solos?\n\nLa exposición se plantea como un juego de coincidencias entre las obras de Jhouyu HSIEH y Carlos Aires. Al mismo tiempo, los temas representados tampoco son lejanos a las problemáticas que acosan al cono sur y funcionan como un especie de espejo donde reconocer, en la proyección subjetiva del otro, una prolongación de nuestro propio rostro.', 'Carlos Aires (España)\nhttp://carlosaires.com/\nBiografía: https://www.adngaleria.com/es/artistas/carlos-aires/biografia/\nDossier: https://www.adngaleria.com/es/artistas/carlos-aires/documentos/Carlos-Aires-Dossier-de-artista_11813.pdf\n\nJhouyu HSIEH (Taiwán)\nhttps://www.jhouyu.com/\nDossier: https://onedrive.live.com/?authkey=%21AK3EU6URQSmctSc&cid=98A61B69B0E4977C&id=98A61B69B0E4977C%211165&parId=98A61B69B0E4977C%211148&o=OneUp', NULL, 'El espacio no tiene que ser grande ya que la exposición cuenta con sólo 4 obras. El proyecto se adapta a la tipología de la sala pero necesitan luces dirigidas para las obras que van a pared y semi oscuridad para una proyección. \"I want to break free\" 185 x 135 cm va a pared. \"Missing 1000 Rupees\" 17,7 x 7,3 cm a pared o en una vitrina. \"Sweet dreams are made of this\" se aprecia más con una proyección de grandes dimensiones y \"Those realities and scenes\" va en 3 pantallas planas.', NULL, 'curator', NULL, NULL, 'Those realities and scenes: https://www.youtube.com/watch?v=xclNXRLlH9Y Sweet dreams: https://vimeo.com/401674244', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1ynnD3vtNTpnpiFZFLNYNr2USZpEiSQlR?usp=sharing', NULL, NULL, NULL, 1704, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1509, NULL, '2020-04-29 18:06:13', '2020-08-13 22:22:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20208, 'gyyIJnkkXfPZMjgZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:11:13', '2020-04-29 18:11:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20209, 'gw01S4Bb0tXiI8UK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:11:30', '2020-04-29 18:11:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20210, 'y0OlsP7ma9tVNEdI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:15:10', '2020-04-29 18:15:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20211, 'XSIvL0JU07qsLtPx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:22:03', '2020-04-29 18:22:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20212, 'aM44mhF1YzKH5Zzg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:22:28', '2020-04-29 18:22:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20213, 'i9onjcwD4KqQJvVZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:22:48', '2020-04-29 18:22:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20214, 'QeiVEdj2PPocxr9q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:23:04', '2020-04-29 18:23:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20215, 'qSBFipG7oPWQPUz2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:23:32', '2020-04-29 18:23:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20216, 'FDPQCZZs49tX7YPM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:23:52', '2020-04-29 18:23:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20217, 'jLZNDrgO76juQazK', 'SIBYL', NULL, 'SIBYL is Artificial Intelligence that proposes new stories and generates new compositions. SIBYL is trained by techniques of composing by Pynchon, Burroughs, Gibson and Xenakis. The project offers an innovative fusion between four domains: storytelling, games design, experimental music and artificial intelligence. The project creates and tests new methods of generating music, stories and new types of audio-visual performance through interactions with autonomous AI agent. SIBYL is presented as performance and interactive installation that uses recurrent neural networks, reinforcement learning and analog sound-video synthesizers.', NULL, NULL, '5x5x3 meters', NULL, 'artist', NULL, NULL, 'https://vimeo.com/262300910', NULL, 'https://lisek.bandcamp.com/music', NULL, 'http://fundamental.art.pl/SIBYL.html', NULL, NULL, NULL, 1771, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1553, NULL, '2020-04-29 18:33:11', '2020-08-10 21:35:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20218, 'obTp2qD9Rkq8MLfG', 'Arte botánico', NULL, 'Arte botánico – Técnica mixta sobre bastidor entelado. - Descripción resumida del proyecto\n\nLa idea consiste en hacer que hojas que podemos tener a nuestro alcance se integren a nuestra vida y nos acompañen en nuestros ambientes en forma de cuadros.\n\nProceso: \n1- Elijo la o las hojas.\n2- Doy la base acrílica al bastidor o soporte de madera. Usé color manteca + blanco.\n3- Delimito el borde general de la hoja con un lápiz.\n4- Lleno el interior de lo delimitado con lápiz con la mezcla de enduido + acrílico.\n5- Tomo la impresión de la hoja, presionando la misma sobre la mezcla de enduido + acrílico.\n6- Dejo secar por un día.\n7- Retiro la hoja.\n8- Pinto de acuerdo a la textura que quiero darle. Uso colores dorados, cobres y marrones.\n9- Aplico cola vinílica para incluir resina. Pego la resina.\n10- Aplico pegamento multipropósito en diferentes lugares para crear brillo con dorado a la hoja.\n11- Dejo secar y aplico el dorado a la hoja.\n12- Una vez que todo está bien seco, barnizo con barniz brillante para darle el acabado final.\n\nEste proyecto lo he presentado en una Convocatoria para la Cuarentena en el Museo Mar, de Mar del Plata. No me comunicaron resultados aun. \nTambién lo he presentado en CONVOCARTE MGP, dentro del Area de Cultura de la Municipalidad de Gral. Pueyrredon, para poder exponer mis trabajos cuando sea posible en los lugares culturales de la Ciudad. El 25-05-20 se publicarán los resultados.', NULL, NULL, 'Bastidor entelado sobre madera.\nMedida: 90 x 110 cm\nEs posible colgarlo con un clavo que sostenga ese tamaño de bastidor. \nIncorporo alambre en su cara posterior para colgar directamente.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=1-fuGFLPqjQ2nkP0DhvxR0RCNndRXeJ6A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2102, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1841, NULL, '2020-04-29 18:36:50', '2020-06-23 01:50:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20219, 'agwtC8GV5mv6y1J3', 'Códice FMI', NULL, 'Este proyecto surge de la apropiación del Códice Mendoza, un documento de México post colonial de manufactura indígena, hecho para narrarle a Carlos I de España datos sobre el imperio recién conquistado. \n\nLa apropiación y actualización de este documento histórico, es para hacer un registro de una etapa más reciente de la historia de México: el proceso de consolidación del estado neoliberal y sus pormenores, a partir de 1982. El nombre del proyecto hace referencia al FMI (Fondo Monetario Internacional) como una reflexión sobre la nueva colonización en Latinoamérica, impuesta por el FMI a los países a los que les entrega apoyos económicos.\n\nEsta instalación está conformada también por 5 máscaras con audio. Las máscaras rituales son una tradición que simbólicamente da al portador atributos o poderes de ciertos animales sagrados, también se utilizaron para hacer mofa de ciertos estereotipos. En este caso los programas sociales se convirtieron en un disfraz del estado, para aparentar que cuidaban a la población más vulnerable del país, los pobres y los campesinos, cuando en realidad llevaron a este sector a la quiebra. Por ello las mascaras tienen audio de propaganda política, referente a estos programas sociales.', NULL, NULL, '-Espacio o sala de 4 x 4 mts. con mínimo 2 muros disponibles.\n-La obra bidimensional se presenta sobre los muros intervenidos con pintura.\n-Las máscaras con audio se presentan en el centro formando un circulo, con túnicas que tienen el lógo de los programas sociales de cada sexenio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1717, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1507, 5, '2020-04-29 18:37:15', '2020-09-01 20:06:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20220, 'e3Y90nBPdLJJbCZ4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:39:19', '2020-04-29 18:39:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20221, 'AZk0mLk1YO2n1ixH', 'UMBRA', NULL, 'El conjunto de obras  presentado en esta oportunidad nace de la experimentación con luces, sombras y líneas. Experimentación que intenta mostrar  la dimensión relacional que existe entre la obra, el espectador y el espacio, por eso se traduce en un juego dinámico entre estas tres instancias. De manera que cada una de estas categorías, pierde consistencia sin la otra: espectador, espacio y líneas son los tres pilares que hacen UMBRA. \nUmbra remite a la parte más oscura de una sombra. Ese es el origen etimológico de la palabra, y de allí el sentido de la obra. \nCuando se enciende la luz e ilumina las formas abstractas generadas por la unión de una línea con la otra, o se cuela por el dibujo calado en un plano de metal, aparece la sombra. Y esa sombra, en tanto dibujo de oscuridad donde la luz se esconde, es la esencia de la obra.\nEl carácter efímero de las sombras y la necesaria, constitutiva intervención del espectador hacen lo indeterminado de la obra: las líneas fueron soldadas o caladas de una manera particular pero no hay en ellas un mensaje preciso, no se podría predecir el movimiento de su sombra en el espacio que la contenga. \nUMBRA es azar y suspensión: un volumen, un dibujo indefinido, una forma que cambia. \nUMBRA es una luz que se enciende, una que se apaga y ese acuerdo que se da entre el espacio, las distancias y el espectador.', NULL, NULL, 'Dimensiones: 5x5 metros.\nInstalación aérea y de  pared en hierro. Se colgarán con tornillos. \nSe necesitan enchufes, para la adaptación de las obras al espacio.\nUna obra será colgada en una esquina, entre dos paredes desde el techo.  La luz será directa para que la sombra pueda dibujarse en la pared y suelo. Otra colgará en la pared con un foco en diagonal.\nLa última estará colgado entre dos paredes, en ángulo, con otro foco en diagonal aéreo.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/299554502', 'nadia', NULL, NULL, NULL, NULL, NULL, NULL, 1715, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1505, NULL, '2020-04-29 18:41:18', '2020-06-23 02:07:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20222, 'rLVu3dpViFVJomo8', 'musica macabra', NULL, '35 cuadernos de musica intervenidos con dibujos y pinturas relacionadas con la condicion humana de maldad , por ejemplo: en cada uno de ellos que constan de 20 hojas cada uno  , he hecho a personajes ,como mao,estalin,hitler ,reagan ,tatcher ,,pinochet , videla , rojas pinilla ,sangrenegra,bombas atomicas ,incendios o tragedias ,etc,etc,etc.estos cuadernos se instalan sobre el piso ,que previamente se le ha colocado 5 cintas ,a manera de pentagrama , dichas cintas son las mismas que se utilizan para aislar cosas peligrosas (prohibido no pasar ) . estos cuadernos se exhiben tanto cerrados como abiertos y cumplen una funcion a manera de notas musicales ,las cuales pueden ser accequibles al publico para que la gente se documente y forme composiciones musicales al azar  . las dimensiones aproximadamente son de 7 metros de largo por 2 metros de ancho', NULL, NULL, 'un salon que pueda albergar esa dimension ,que sea techado ,ya que la obra es de dimensiones variables pero sugiero una dimension aproximada de 7 x 2 metros', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1713, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1503, NULL, '2020-04-29 18:43:51', '2020-06-23 02:07:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20223, 'pBgTI6mXVeBSWqic', 'La oscuridad es nuestra incapacidad de ver lo que está en frente', NULL, 'Este es un proyecto donde la pintura se extiende al espacio expositivo (cubo blanco) tornándolo el soporte y escenario de un paisaje (Fig. Maqueta I, II, III). En este sentido, la pintura y el paisaje se adaptan a la escala del espacio físico, para traer a debate aquella percepción que tenemos sobre el paisaje como la representación de un recorte de la naturaleza. Es un ejercicio para pensar en nuestras formas de entender y relacionarnos con un lugar a partir de nuestras capacidades e limitaciones, moldeadas por nuestros trazos culturales, religiosos, políticos y fisionómicos.  \nAl mismo tiempo, este espacio donde la pintura se expande, continúa comportándose como soporte expositivo para acoger un grupo de obras. Trabajos creados entorno de los procesos migratorios, conceptualmente enlazados por escenarios nocturnos, muchas veces entendidos como el lugar donde las cosas fuera de la ley acontecen, donde se refugian algunos de nuestros temores y se reducen nuestras capacidades ópticas.', NULL, NULL, 'Sala expositiva con tipología de CUBO BLANCO, con dimensiones mínimas de 4 x 4 x 3 m. El espacio debe ofrecer la posibilidad de intervenir tanto sus paredes como el piso con pintura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3238, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2786, NULL, '2020-04-29 18:44:33', '2020-08-10 21:01:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20224, 'DoFQgXLF8WnRIWmU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 18:56:44', '2020-04-29 18:56:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20225, 'aaTN997oHG8kjqD4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:00:39', '2020-04-29 19:00:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20226, 'xYfOiHMIEFBPaF1r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:08:59', '2020-04-29 19:08:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20227, 'KneVeaWci0OaLKrH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:09:12', '2020-04-29 19:09:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20228, 'SuEoI19RtUMTj4FO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:13:56', '2020-04-29 19:13:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20229, '7FHbO6LO2mt5fyqc', 'Limited Activities', NULL, 'Limited Activities is an experience-based environment consisting of between four and eights Water Drawings video projections on walls and an installation on the floor, in which garbage and construction debris have been swept in circles by brushes attached in the middle. Similar project is shown in a 3-minute video Made in Blue Republic (link below).\nWater Drawings project has been taking place annually in Georgian Bay, on Lake Huron, in Canada. Objects, concepts, responses to current events, dilemmas, riddles and paradoxes of contemporary culture have been depicted with water and brush directly onto the area’s signature rocky shores. Working spontaneously, the images are created without a plan, but the results are often surprisingly poignant, like for example high-rise buildings crowding the pristine shoreline in Waterfront Development, or NASDAQ chart against the iconic windy sky, and gnarled pines of Georgian Bay. \nThe appearance of an image and then its gradual disappearance is a reiteration of Blue Republic’s earlier photographic and installation works in which objects termed Trans Objects were shredded or pulverised, changing their physical constitution, but still retaining their identity. The floor installation, Limited Activities, is an example of such trans-object. Together with the videos they form a compelling whole.\nThis work has not been shown in South America before.', NULL, NULL, 'The suggested work is site specific and we are happy to work with any space and location, but the preferred interior would be at least 500 m2, with high ceilings and surrounded by walls where videos could either be projected or shown on monitors. It could be a contemporary building, or historical, highly detailed one, which would contrast with the simple materials on the floor and the content of videos.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/219277674, https://vimeo.com/180436952, https://vimeo.com/233323850, https://vimeo.com/218867356,  https://vimeo.com/253049839', 'blurepvideo', NULL, NULL, NULL, NULL, NULL, NULL, 4947, NULL, 685, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4161, NULL, '2020-04-29 19:14:05', '2020-07-20 18:16:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20230, 'VuqwayN6T1WBJos8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:14:45', '2020-04-29 19:14:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20231, 'FMbYojxILjPRBOXZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:15:45', '2020-04-29 19:15:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20232, 'ZGooyo4as6z8FJm5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:15:49', '2020-04-29 19:15:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20233, 'SdbEzgWb1SPv9cm6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:17:35', '2020-04-29 19:17:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20234, 'XsxeonOhheFSgFv4', 'Wawkalak', NULL, 'What I would like to propose is an installation that repeats the themes of the WAWKALAK project I made in 2016. It would be comprised of material and visual traces of the original piece, which have become works in their own right. These consist in three main sculptural forms (A Door for Paul Celan, Black Square Icon and Signature Paper) and a set of five large framed silver gelatin prints (Thresholds I-V). The sculptural objects are actual remnants from the performance; the photographs are records of the wallpaintings made during it. The Door and Icon would be set in the centre of a space, the Paper strewn through it, and the Thresholds framed and hung from the walls. WAWKALAK was about borderlands, persecution, political and social violence: the \'current state\' in both its abstract and national significance. At the same time, the installation after the event raises questions about the nature of performativity, of record, and of the way in which an artwork \'happens.\' The effect would be to create an image of a past event, to summon its ghosts, and to allow its remnants to stand in silent testament to themselves.', NULL, NULL, 'This is entirely flexible: found space would be ideal, the presence of an atmosphere which could be channelled through the installation itself.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Yo9cXwqjf7w', NULL, NULL, NULL, 'https://wawkalakworks.tumblr.com/archive', NULL, NULL, NULL, 5450, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4523, NULL, '2020-04-29 19:17:41', '2020-07-29 23:41:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20235, 'rvshsS2UcGsbnDes', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:18:05', '2020-04-29 19:18:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20236, 'QY5qLkpfVV8Gy23B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:18:28', '2020-04-29 19:18:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20237, 'dnPrcDZSIZbeWxaQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:19:03', '2020-04-29 19:19:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20238, 'GLlFjb6VwQMPpHIg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:19:14', '2020-04-29 19:19:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20239, 'bsqWr3TkceyVmHbg', 'L\'Estiu Robat (El verano robado en catalán)', NULL, 'L’Estiu Robat (El Verano Robado) es un proyecto multidisciplinar que explora el concepto de resiliencia en un proceso de duelo y el papel que juega la idea de repetición dentro de esta experiencia. \n\nDespués del shock que nos provoca una pérdida, la vida continua. Este camino de vuelta a la vida pasa inevitablemente por la aceptación de un dolor incontrolable que late, se apodera y revienta desde un lugar muy profundo. Una y otra vez. Esta repetición cambia en cuanto a frecuencia, intensidad y duración; como si fuera un ritual o un mantra, produce un efecto catártico. \n\nL’Estiu Robat habla de esa experiencia de pérdida que, siendo tan íntima y personal, todo el mundo ha vivido. \n\nMás allá de la representación poética y visual de una cosa tan intangible como es el dolor emocional, L’Estiu Robat también quiere servir como inicio de una conversación en la que compartir nuestras experiencias sobre el duelo. \n\nVivimos en una época en la que parece que debamos estar permanentemente felices; sentir dolor nos incomoda y nos avergüenza. Entonces, ¿Cómo podemos naturalizar y acompañar en un proceso de duelo? ¿Cómo podemos vivir el dolor como un proceso necesario de crecimiento personal?', NULL, NULL, 'Espacio cerrado en el que se pueda combinar la proyección de vídeos y colgar la obra gráfica en la pared.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/413520382', 'EstiuRobat2020', NULL, NULL, NULL, NULL, NULL, NULL, 3616, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3091, NULL, '2020-04-29 19:19:43', '2020-07-16 21:56:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20240, 'Xq2wtnVKpjbp1r26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:21:08', '2020-04-29 19:21:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20241, 'cdtMZdIRBUAJVn6n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:22:56', '2020-04-29 19:22:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20242, 'aX431DvtNZWxBmdH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:29:17', '2020-04-29 19:29:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20243, '2jJkoRh1zMJz7l6g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:31:25', '2020-04-29 19:31:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20244, 'VYooWkQu11bcZfbL', 'CURANTENA', NULL, 'CURANTENA 2020\nEs un escape abstracto al encierro mental.\nDonde juego mezclando las artes visuales, utilizo la pintura como material, el dibujo y la fotografía como herramientas en donde en una imagen bidimensional intento generar espacios abstractos. Dando noción de espacios visualmente transitables.\nEs un conjunto de obras que se realizaron esencialmente durante la pandemia del COVID-19. Siendo asmático y con la cuarentena en proceso, me vi totalmente forzado a trabajar dentro de casa. \nCURANTENA resulta de procesos que llevo dando vueltas hace tiempo pero en este preciso momento se me da el tiempo para llevarlo a cabo. Y resulta en parte ser la cura a la presión del encierro entre otras cosas.', NULL, NULL, 'Fotografías Digital Impresión sobre tela montada en madera.\nTamaño final de 150cm ancho x 100cm alto y 10cm de profundidad.', NULL, 'artist', NULL, NULL, 'https://youtu.be/as8dBEicxXE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4106, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3500, NULL, '2020-04-29 19:33:11', '2020-07-03 22:42:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20245, '7m3mN8LmVOk7OIne', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:39:03', '2020-04-29 19:39:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20246, 'JeISIomKlB2jkEWt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:39:07', '2020-04-29 19:39:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20247, 'sYQbop7EF9hp1PMm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:41:46', '2020-04-29 19:41:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20248, 'U6lhTt54xSfPCiJm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:42:06', '2020-04-29 19:42:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20249, 'LisfjcgT8PsPpMZe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:44:15', '2020-04-29 19:44:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20250, 'UX1manVzbgCS7WPt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:45:24', '2020-04-29 19:45:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20251, 'lMUDCSuePrzdr6Km', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:45:29', '2020-04-29 19:45:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20252, 'NWGQhcqAx5poYKrG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:45:44', '2020-04-29 19:45:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20253, 'ZgywdYmf2dnuYlS5', 'SER HUMANO', NULL, 'CONTEXTUALIZANDO A PINTURA E A POESIA:\nA “Ambigüidade de Signos” revelada na obra de Roseli Farias, sua pintura, sua poesia apresentam diversas unidades lingüísticas: \nCrítica social, protesto contra o racismo, contra o preconceito, a injustiça social, a misoginia.\nA indignação fica explícita na força de suas pinceladas marcadas em suas telas com rostos e imagens resgatando a história de dor e sofrimento de uma raça escravizada de forma desumana pela cor da sua pele.\nSua denúncia através de sua arte é um grito de resistência ao racismo e preconceito contemporâneo, mascarado na injustiça social.\nSuas telas realizam uma viagem afetiva na beleza da cultura afro-brasileira (sincretismo religioso, cores, beleza plástica, música, poesia).\n“A poesia é arte e encantamento e passa por diferentes fases, conforme a humanidade evolui.”\nA poeta e artista plástica Roseli Farias procura explorar “mídias auxiliares” em sua exposição; Isto é, além de sua mídia primeira (o livro, por exemplo), a poesia precisa atuar e dialogar com outros “poetas” de outras mídias (o vídeo, a internet, a performance, o teatro, a pintura, o multimídia).', NULL, NULL, 'Galeria para exposição de 30 telas(pinturas) com dimensões variadas e instalação de telão multimídia e sonorização no local da exposição.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Th1f9keB3js&t=11s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1719, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1510, NULL, '2020-04-29 19:49:58', '2020-06-23 02:07:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20254, '9rjv8taCdaseFPwO', 'MUMORA', NULL, 'MUMORA -Museo Móvil de la Randa-, es un proyecto colectivo cuyo objetivo es mostrar un Patrimonio Cultural Inmaterial, el arte textil de la Randa de El Cercado (Monteros, Tucumán).\nLos museos suelen ser aquellos edificios históricos emblemáticos de las ciudades que albergan el patrimonio y las producciones de artistas que han impactado de alguna manera en las distintas escenas. La historiografía del arte también nos ha dado museos imaginarios como el de Malraux o portátiles como el Duchamp, y es en esta genealogía de museos que se inscribe MUMORA: un dispositivo itinerante que permite que un patrimonio tan enraizado, inmerso en un espacio-tiempo, sea interpretado desde otros públicos, ámbitos y geografías. MUMORA presenta la obra Autobiografías Randeras. Cada tejedora desarrolló una Randa que expone las características que considera personales, en la que tejió su vida e historia. Los motivos, aumentos, tamaños de ojos, bordados y formas fueron cuidadosamente elegidos, dando como resultado composiciones que las identifican. De modo que cada pieza funciona como un autorretrato que a la vez condensa la potencia de muchas vidas: abuelas, bisabuelas, vecinas, hermanas y amigas. Cada Randa Autobiográfica está acompañada de un texto tejido por su autora. Estos textos-textiles dan cuenta de historias de vida, de formas de hacer, en definitiva, nos muestran una manera de vivir en comunidad y el valor de un legado que se transmite de generación en generación.', NULL, NULL, '“MUMORA” consiste en una estructura portátil de carácter itinerante que aúna la producción de 25 Randeras. Las Randas tejidas se realizaron a partir de la consigna Autobiografías Randeras. Cada Randera tejió una randa que funciona como un núcleo biográfico. Estas estarán tensadas, del mismo modo que las randeras tensan las mallas para bordarlas en un bastidor, pero en esta ocasión se tensarán en un bastidor común: este gran bastidor común es el MUMORA.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1730, NULL, 203, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1520, 5, '2020-04-29 19:50:07', '2020-08-24 20:05:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20255, 'cFdto7VnevViYvKx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:51:59', '2020-04-29 19:51:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20256, 'dAC2vJ2NdFQJtiDl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 19:57:11', '2020-04-29 19:57:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20257, 'MrIisgH6iTvSel6g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:03:29', '2020-04-29 20:03:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20258, 'Rq3FtDn1NpsTyyD5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:05:06', '2020-04-29 20:05:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20259, 'z7krrnRe9lxVAeAT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:11:18', '2020-04-29 20:11:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20260, 'zovBvGW4PmSlASmg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:14:12', '2020-04-29 20:14:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20261, 'n3qaI9lsycpyh5XY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:18:11', '2020-04-29 20:18:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20262, 'UssH008WW6AhO4Sg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:19:35', '2020-04-29 20:19:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20263, 'alNb5fvmDE7krTIe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:22:01', '2020-04-29 20:22:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20264, 'A8lMjBro6xSMtDxN', 'Maternidad', NULL, 'Maternidad es una serie en desarrollo, de dibujos en grafito y lápices de colores sobre filtros de café, que refleja mi vivencia de estos dos años de aprendizaje; es un registro o testimonio del cambio, el acoplamiento o la extensión del propio cuerpo al volvernos madres. \nEs una serie que nace de un proceso personal muy sentido, pues el día del parto tuve una hemorragia interna, así que este tiempo ha sido un regalo maravilloso en el que he disfrutado minuto a minuto mi nuevo rol, he estado con mi hija, que fue bebé canguro, 24/7 y éstas imágenes son el resultado de algunos de nuestros momentos.', NULL, NULL, 'Es una serie pensada para ser enmarcada y colgada sobre pared blanca, en una sala de galería, por ejemplo. \nCada imagen mide 30x30cm, en una pared de 4mtr de largo se podría distribuir linealmente, en una o dos hileras a 175 cm de alto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3747, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3200, NULL, '2020-04-29 20:27:16', '2020-07-02 02:16:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20265, 'IwWwuqMr9rpctv2P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:28:00', '2020-04-29 20:28:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20266, 'Nq1GpONweCqRCJai', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 20:42:45', '2020-04-29 20:42:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20267, 'upU4d3p7LpHbjLmt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:01:01', '2020-04-29 21:01:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20268, 'VxplA3Wx79iS3H1U', 'Project E.V.A. (extra vehicular activity): Installation Safetysuit & Performance Spacebaby', NULL, 'Projekt E.V.A. (extra vehicular activity) by Melanie Richter\ninstallation Safetysuit and performance Spacebaby\n\nThe project E.V.A. deals with movement, encounter and interaction of people in space in general and in the public space on site of the project\'s realization. Our urge to explore, human need for contact and everyday interactions are basic contents of the project E.V.A. The development in space travel, globalisation and communication in everyday life are cornerstones for the art and interaction of E.V.A.\nWith the installation \'Safetysuit\' I develop artistic protective suits as works of a painting group installatively in space like an anonymous \'protective force\'.\nThe performance and social interaction \'Spacebaby\' in the exhibition and/or in public space invites communication and debate and leads to the \'individualisation of the installation\'. For the forms of communication here, I evaluate new experiences that we are currently having in times of crisis in our private and public lives and in our social environment. \nFor the performance \'Spacebaby\' I make parts of protective clothing to wear. For example face visors and gloves. These are worn by me during the performance and are used for communication and interaction with visitors and passers-by.', NULL, NULL, 'Installation: Indoor room surface of at least 16 x 32 ft, ceiling high about 9 ft.\nDepending on the local conditions, an installation with 10 to 30 works of art of the \'safetysuits\' is created. \nPerformance: temporarily indoor exhibition place, or outdoor on street where people can meet, radius 16 ft min.\nSpace for this can be the exhibition space as well as the public space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://melanierichter.de/safetysuit/', NULL, NULL, NULL, 1728, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1518, NULL, '2020-04-29 21:01:32', '2020-06-23 02:06:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20269, 'jhQEowMZfuDXqgIt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:06:41', '2020-04-29 21:06:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20270, 'zr1dRVcvWlhZdF8P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:09:55', '2020-04-29 21:09:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(20271, 'saFffsCCVnik8xli', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:12:07', '2020-04-29 21:12:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20272, 'istObV1cIymvGTZA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:15:06', '2020-04-29 21:15:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20273, 'Bm5XtoOzt67jg8DR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:18:31', '2020-04-29 21:18:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20274, '7b9oHpWXUBMcsq9G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:18:37', '2020-04-29 21:18:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20275, 'oIxmt6GSzVPbL8GF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:22:01', '2020-04-29 21:22:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20276, 'kvrmeK2eUxOLLEoM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:22:39', '2020-04-29 21:22:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20277, 'yUemVhn9rsRQR2Ul', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:24:57', '2020-04-29 21:24:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20278, 'k9g4iPQR6ZcFrV7f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:26:40', '2020-04-29 21:26:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20279, 'bSDppQSKUVWn6LbJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:29:54', '2020-04-29 21:29:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20280, 'uv3s99OlaqiQfbrl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:32:20', '2020-04-29 21:32:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20281, 'FwTaZ4RhXf9WOaUO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:34:00', '2020-04-29 21:34:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20282, 'Fce2d2Yk9kPcbcdR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:36:01', '2020-04-29 21:36:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20283, '53WBOFGMadKlqMpW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:36:45', '2020-04-29 21:36:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20284, 'o2sD6eZLwTAe2H1F', 'Sharp garments for desperate shamans', NULL, '“Sharp garments for desperate shamans” addresses a series of environmental and behavioral issues, from excessive consumption, large-scale production and consequently the disposal in the same proportion, and its reverberations on environmental issues, to behavioral, establishing a poetic dialogue between intransigence and malleability, by presenting metallic structures that behave like light fabrics. Another contemporary theme that emerges from these wearable objects is the construction of a social identity, very much based on the dynamics of online interaction. What of us is being revealed and what is hidden behind the creation of a persona? And lastly, what is the shamanic and transformative power of wearing a body or face sculpture?\n\nAn article from the newspaper Le Monde on April 4 2020 offers evidence that our ways of life are at the origin of pandemics: human development is disturbing ecosystems, and this series of portraits embody the extravagance of wearing symbols of our contemporary society failings.\n\nI live and work in São Paulo, Brazil.', NULL, NULL, 'Two possibilities: a traditional gallery setting, or a weathered, old building sort of place. The works would appear in contrast with the architecture. The works could appear as only video, only video and photography, or video, photography and objects. Installation possibilities with variable dimensions.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/385365598/4ddcb029aa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3251, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2798, NULL, '2020-04-29 21:37:02', '2020-06-26 20:01:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20285, '550O6lHdTuyh7xuV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:37:40', '2020-04-29 21:37:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20286, 'I62pVbQuE0dwCblD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:39:35', '2020-04-29 21:39:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20287, 'luJUD8x6noqUxj0i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:39:51', '2020-04-29 21:39:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20288, '1CDySb49D38Ev90Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:40:06', '2020-04-29 21:40:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20289, 'sidL5BKIdjPKMoDg', 'A-cercate', NULL, 'A-cercate es un proyecto performance de intervención urbana que pretende provocar la expresión oral en público, interpelando a la comunidad con un instrumento y/o herramienta (micro abierto con atril) que permite la libre expresión, proponiendo la deconstrucción del límite que se da entre orador y espectador, trayendo al espacio público un objeto de concepción y uso reservado. \nEn Uruguay se han generado expresiones artísticas de intervención urbana, fuera de las instituciones habituales para éstas; pero no se ha propuesto la deconstrucción del rol del espectador en el espacio urbano. \nEn A-cercate proponemos un espacio para el espectador como protagonista en la generación del discurso, cualquiera que este sea y su interacción con el objeto (micrófono+atril) provocando la posibilidad de ésta y la deconstrucción de la simbología en su posible socialización. El artista entonces se propone como provocador del espacio a través del objeto en cuestión, convirtiéndose en espectador y/o observador, dejando al libre albedrío la sucesión de los eventos. \nLa visibilidad del proyecto se concretará, luego de la intervención, en la elaboración de un audiovisual para poder difundir el contenido.', NULL, NULL, 'Es una intervención itinerante en diferentes plazas públicas en Montevideo, Uruguay, donde se colocarán atriles con micrófonos, estos estarán sobre un pequeño podio. Los micrófonos estarán abiertos, puestos a disposición y deseo de los transeúntes; todas las imágenes y sonidos resultantes de esta intervención se recogerán para la realización de un audiovisual que compile todos los sucesos en los diferentes espacios. \nSon necesarios:  micrófono, consola de sonido y amplificación.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1738, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1527, NULL, '2020-04-29 21:41:19', '2020-06-23 02:06:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20290, 'imfXRfyq5G8FKcMU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:43:21', '2020-04-29 21:43:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20291, '2cAVY2zbwKIoxS1r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:47:37', '2020-04-29 21:47:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20292, 'cbzsnbGZHUUnqu7c', 'Painting my Quarantine', NULL, 'This project is a serie of paintings representing my emotional journey through the quarantine in March and April 2020, from self isolation to self alienation. All the paintings are made with acrylic paint on paper or canvas, in different sizes going from 70x50 cm to 100x70 cm.', NULL, NULL, 'I suggest a a space of minimum 20 square meter, with adjustable lighting.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1725, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1515, NULL, '2020-04-29 21:48:27', '2020-06-23 17:46:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20293, 'l1saQVqMkzzWMHMk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:48:42', '2020-04-29 21:48:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20294, 'bqTN2dwncIhZuy5b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:50:26', '2020-04-29 21:50:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20295, 'Zp7kAK77w44oMRvc', 'Mi gran querido amigo', NULL, 'Es un dibujo simple a lápices de colores inspirado en la mascota de un amigo (gato) llamado Alex \n\nMe gusta dibujar a grafito y a color, desde muy chico dibujo y tengo muchos dibujos más que hice y me gustaría poder llegar lejos dibujando y así poder tener más materiales para realizar más dibujos', NULL, NULL, 'Es una hoja tamaño 30x22', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1724, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1514, NULL, '2020-04-29 21:53:11', '2020-06-23 17:46:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20296, '0emYZRmfYpKv0l67', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 21:56:19', '2020-04-29 21:56:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20297, 'VPkAYoRoxlgW5RSz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:00:44', '2020-04-29 22:00:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20298, '2T2P9qyAYCeaDpwy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:03:02', '2020-04-29 22:03:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20299, 'GZwiUQvzfpiIulzQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:03:18', '2020-04-29 22:03:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20300, 'QcXxMxomqu74EdHy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:08:26', '2020-04-29 22:08:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20301, 'pysic58SBmFloGTe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:09:30', '2020-04-29 22:09:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20302, 'h9a7sYXiZobRGQBl', 'Desterro', NULL, 'Colonised society is often pictured as being static, timeless, and spaceless. We will use these characteristics to make a determination about the contemporary age and its own centres of power. We will ask, is tech a colonial tool? Colonial relationships are hierarchical, extractive and exploitative. Extraction was initiated to increase the flow of capital within Europe and took the form of stealing directly from the Americas, Asia and Africa. \n\nThe extractive nature of tech colonialism resides in the minerals that need to be mined to make the hardware for products, but also applies to the case of data extraction from the streams of information given by as residents of all countries go online. The uneven consequences of colonialism are felt across the entire system. Our theory of colonialism needs to be amended to account for the complicated territory brought into being in the current moment. The players and forms taken across imperial spaces have changed but we keep doing the same things for centuries across the globe. \n\nIf colonialism is a relationship, rather than a historical period, we can practice decolonial thinking refusing to be included in particular narratives of help, of loss, of diversity, and of erasure. We might narrow the conceptual focus to a particular, solvable problem: our future. The past is here, the floor is paved, let’s learn from it. Via public space interventions we propose visual stimuli to act differently in the future, using elements from our past.', NULL, NULL, 'BRAZIL - RIO DE JANEIRO\nEphemeral Intervention on sidewalks: from Valongo Wharf archeological site to MAM museum\nTemporary Installation: 10 days at public square under MAM pilotis (Museum of Modern Art)\nPublic website with project research + documented artistic actions\n\nTYPOLOGY: public streets + covered museum square \nCHARACTERISTICS: ground level, flat terrain, open air, free of charge, 24/7 access (unpublished project)\nDIMENSIONS: installation: 25m2 / optional walk 3km length (38-39 minutes)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428857735', '123', NULL, NULL, NULL, NULL, NULL, NULL, 3920, NULL, 587, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3750, NULL, '2020-04-29 22:10:16', '2020-08-14 00:48:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20303, 'qJVzN5UTle7joOBo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:11:02', '2020-04-29 22:11:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20304, 'iSGEncCN5f8AeUJ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:14:02', '2020-04-29 22:14:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20305, 'pUJCtx7UCu22g7NO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:14:50', '2020-04-29 22:14:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20306, 'uPKy8tQOAM0RmnVc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:18:14', '2020-04-29 22:18:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20307, 'RF414QG2yS2llUId', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:24:45', '2020-04-29 22:24:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20308, 'y4RuNAni5ml72lKV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:26:59', '2020-04-29 22:26:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20309, 'ExYKoefvyqOkqSUa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:28:03', '2020-04-29 22:28:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20310, 'T14YeuuF4uqxUyqK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:40:09', '2020-04-29 22:40:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20311, 'mdL1kS2XwG6qgQPo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:45:42', '2020-04-29 22:45:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20312, 'hg91R2w8d3ejQC09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:45:43', '2020-04-29 22:45:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20313, '9Gj6Bn0MLN6tgNhb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:49:41', '2020-04-29 22:49:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20314, 'iQ0Cy1sxg27fFu8f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:50:23', '2020-04-29 22:50:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20315, '4BWYPrtxv0kvM9AS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:50:29', '2020-04-29 22:50:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20316, 'uSqgdwTesP8ClEj8', 'Tierra Sin Lugar', NULL, 'Camino en tierra extranjera, a cada día que me levanto, a cada palabra que cambio, a cada niño que nace. \nMe muevo a cada noche soñada,a cada deseo alojado,a cada llegada esperada. \nMe refugio en cada objeto, en cada sabor, en cada olor a piel que exuda recuerdos. \nVoces de una tierra que canta en mí. \nOtras raices. \nY la carne se va. Sabrosa copa bailando en el viento. Canto femenino que evoca el recuerdo de sus restos. Infinitos huecos efímeramente agregados por encantamiento. Materia no densa que se expande sin límites, un contorno mutante que atraviesa los huecos en una tierra sin lugar. \nEste proyecto es parte de la serie titulada Mimicry, que consiste en recolectar hojas caídas de las calles y devolverlas a los árboles en forma de cono. Esta operación se realiza con alfileres y el resultado es una especie de cuerpo nuevo tejido de memoria, esta memoria, que no es solo una figura retórica. Cada hoja, antes de caer, dona sus sales minerales a los árboles, se deja una especie de herencia para que continúen germinando. Esta donación hace que la proteína se desarrolle en la hoja responsable de su secado.\nEl mimetismo habla de la muerte y la vida, de la transformación y la memoria, la creación de nuevas narrativas a partir del poder de un gesto con fuerza del arte.\nTierra sin lugar, agrega cuestiones relacionadas con la desterritorialización y el desplazamiento humano, tanto en el sentido real como en su dimensión subjetiva. \nVea el link del proyecto para descripción formal', NULL, NULL, 'Tierra sin lugar, fue diseñado para instalarse en el MUNTREF - Museo de la Imigración, en Buenos Aires. Sin embargo, es parte de un proyecto más amplio llamado Mimetismo, que trata temas más universales y, por lo tanto, es posible adaptarlo adecuadamente a cualquier espacio, ya sea interno o externo.\nSus dimensiones varían según el espacio, lo que requiere al menos veinticinco metros cúbicos y la instalación se realiza a través de una pantalla industrial fijada al techo o las paredes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/file/d/1deMNQpZN3cGnoeWNbf5QqT_Q3hH0eIDh/view?usp=sharing', NULL, NULL, NULL, 5190, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4322, 5, '2020-04-29 22:51:21', '2020-09-02 16:36:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20317, '7xLI1wKweXU29OeO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:53:22', '2020-04-29 22:53:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20318, 'ZznnTWkoESGn2OPN', 'Todo hombre es bueno a la vista del gran espíritu', NULL, 'Esta pieza visual figurativa hace referencia a los nativos Sioux Americanos y uno de sus más grandes referentes, (Toro sentado) contradictoria y metafóricamente con la imagen del sumo pontífice de la iglesia Católica. \n\nLa composición se representa en un encuadre y plano americano complementados con un primer plano en blanco y negro haciendo analogía al olvido.\n\nSe propone visibilizar a los nativos del planeta mediante imágenes de alto impacto para generar diversas percepciones en el observador. \n\nEn este caso la filosofía de vida de los nativos Americanos contra los dogmas y preceptos de la iglesia católica con sus diversos desarrollos éticos y morales. La historia y el presente, la utopía y la realidad, el derramamiento de sangre y el derroche social, lo que pudo ser y lo que fue, en conclusión, ¨el mundo que no fue y el que nos toco¨.\n\nEn tiempos planos, opacos y confusos apoyados en una cultura light y una era de la información dominante, se hace necesario crear imágenes visuales figurativas con alto contenido integral para generar diversas percepciones que de algún modo motiven al público a pensar y a sentir de una forma más directa.\n\nDebo aclarar que la pieza forma parte de una serie de 10, en el mismo formato, donde se prioriza la imagen de diversos aborígenes de las Americas, buscando su visibilidad y reconocimiento en nuestros días.', NULL, NULL, 'Serie: NATIVOS\n\nTitulo: TODO HOMBRE ES BUENO A LA VISTA DEL GRAN ESPIRITU.\n\nTecnica: OLEO SOBRE LIENZO\n\nFormato: 1,70 m x 1, 00 m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1735, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1524, NULL, '2020-04-29 22:57:10', '2020-06-23 02:06:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20319, 'Rnmr8wVuA9cBXcPq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 22:58:41', '2020-04-29 22:58:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20320, 'YCmQGDcOHaSK0EgA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:00:16', '2020-04-29 23:00:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20321, 'vyEPBFuJWqpDYcu0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:00:53', '2020-04-29 23:00:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20322, 'brdXkdXAXeXjnYLl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:03:31', '2020-04-29 23:03:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20323, 'TchxwYRoChIIHqdX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:04:20', '2020-04-29 23:04:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20324, 'rAiNJloEIoPxcp2A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:06:40', '2020-04-29 23:06:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20325, 'gSBNoLe44NQCRhu5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:07:03', '2020-04-29 23:07:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20326, 'L7or9ltDfaeWoFJn', 'Mitologia Intuitiva Para o Pós-Mundo (Mitología Intuitiva Para el PostMundo)', NULL, 'Antes de que prevaleciera el caos, hay toda una trayectoria de eventos que comienza en el origen de todo: el caos mismo. Esta fuerza inicial y final es lo que genera el mundo y lo que lo destruye. Y luego, créalo de nuevo. Es en la constante constancia de esa energía que no se detiene, sino que cambia, donde se establecen múltiples formas de presencia e insisten en ser y existir. \nEntonces, para estar presente hoy, debes haber existido antes. Si la vida de hoy es posible, fue porque nuestros Antepasados ​​soñaron con su realización. La invención de la creación es también la actualización de la Memoria, la Historia y el mañana que fue ayer, ayer que es hoy y hoy será mañana.\nEl misterio de estos ciclos espirales, del orden de la muerte, del caos de la vida, del cielo de la tierra, de lo profano sagrado, de la manifestación de los elementos, es también el misterio de los pueblos originales, de los cuerpos disidentes, de las manos tradicionales, de las mentes diaspóricas. Son estas fuerzas las que mantienen y protegen la existencia, ya sea al principio o al final del mundo.\nLa serie de foto arte es un invento de la vida. Cuando se sabe que este mundo ha terminado, es hora de crear otro. Realizadas durante el período de aislamiento social, las cartas del Tarot también se usaron como método en este proceso creativo intuitivo. Cada foto arte corresponde a un arquetipo encontrado en los últimos ocho Arcanos Mayores, que comienzan después de la Muerte Arcana.', NULL, NULL, 'Fotos/relación con el Tarot: 1 Lo que brota después de la poda (Temperança); 2 Cuando el espejo de Narciso está roto (El Diablo); 3 Los escombros son de ellos (La Torre); 4 Fertilizante de hojas silvestres (La Estrela); 5 Más allá del espacio en varios brazos (La Luna); 6 El camino después de la encrucijada (El Sol); 7 Ojos cerrados y cuerpo en levitación (El Juicio); 8 Hemos estado aquí antes (El Mundo). Tamaño A3: 1-3/8 (29.7x42 cm) 4-7 (42x29.7cm). \nPoster lambe lambe, papel bond branco, 75g.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6348, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5192, NULL, '2020-04-29 23:08:27', '2020-06-23 01:39:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20327, 'Sd6Zu23QM1YqcXcy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:08:35', '2020-04-29 23:08:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20328, 'MrPmxFDhYbm7uEnV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:08:43', '2020-04-29 23:08:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20329, 'byz34FZdw9Gcze2B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:10:18', '2020-04-29 23:10:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20330, 'giOUL08aWd4tZglh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:10:22', '2020-04-29 23:10:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20331, 'tRNUUShyZRgmi4qS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:13:10', '2020-04-29 23:13:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20332, '77M7SSPqrDKkFxqB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:21:36', '2020-04-29 23:21:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20333, 'BCdUzKGLRi5KpuH2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:24:21', '2020-04-29 23:24:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20334, 'SiqzyppWHLD8susC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:26:08', '2020-04-29 23:26:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20335, '0l3mSb31xRviQEdo', 'PRUEBA', NULL, 'PRUEBA', NULL, NULL, 'PRUEBA', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3454, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2960, 5, '2020-04-29 23:29:11', '2020-09-27 18:28:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20336, 's1opD7u00Cp67U5X', 'Sonia De Saint Juste - Experimental video', NULL, 'With the series of video that I made, I want to try to catch the beauty of youth with non perfect video. My aim was to create a particular atmosphere like a video in the past. I choose to send you the video called \" Ahriman\" because it is the most representativ of my approach. I did the music too.', NULL, NULL, 'There is no particular suggested exhibition. Just a wall to project the film.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1732, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1522, NULL, '2020-04-29 23:29:22', '2020-06-23 02:06:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20337, 'Y5WPHSFYNKc3wTDL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:29:37', '2020-04-29 23:29:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20338, 'Y75yWlh1TK9mX4Ju', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:32:33', '2020-04-29 23:32:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20339, 'vF0Vc4oEEsxn47iG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:34:53', '2020-04-29 23:34:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20340, 'j1try9nthxjWPp5j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:35:58', '2020-04-29 23:35:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20341, 'mlJ6d0BEAt1zLDMe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:39:19', '2020-04-29 23:39:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20342, 'ofacOaVmo8baotbt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:40:25', '2020-04-29 23:40:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20343, 'OVqVLGlMYuTQxzqJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:45:03', '2020-04-29 23:45:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20344, '9r63MVXIc7r0jcIk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:49:22', '2020-04-29 23:49:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20345, 'dyhDQGINYMKHr05o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:50:56', '2020-04-29 23:50:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20346, 'IebXlv7gJEhyVQfo', 'Potato Sculptures', NULL, 'Potato scupltures\nseries of 8 palm sized sculpture (potatoes, salt, watercolour)\n\nPotatoes are tightly connected to agricultural works, escpecially in our home where the whole family took part of the process of growing them in our garden. The rotation of the earth, the digging of the holes and also the planting were the progresses we made together: my parents, my brother and my grandmother. This action, like all of the houseworks are eminently monotone. A repetitive working procedure, a sort of meditatio or a prayer.\nIn the life of the village’s peasantry work and religion was always an organic element of life. In my grandmother’s shelf a lot of religious relic; calendars with pictures of saints, Virgin Mary-figures and crucifixes can be found. Copying these relics into potatoes I try to preserve memories of a life in which work and religion composed an inseparable unity.\nThe conservation of the potato-scupltures implemented with salt. With this phenomenon the moisture - the ’water of life’ - seeps away, while the potato itself shrinks. This process connected to the distortion of our memories. The water’s disappearance from the plant is in parallel with the fading of our emotions when we look at one relic left behind by our ancestors.', NULL, NULL, 'A room (or a space) of at least 4 x 3 m in which 8 pedestals (130 x 15 x 15 cm) can be arranged with the scupltures on the top of them, with some space left between the pedestals. Alternatively, If it is possible it would be nice to have a dark room, where I can put my installation with 8 light-sources lighting the sculptures from above.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.gergobankuti.com/sculptures', NULL, NULL, NULL, 1772, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1554, NULL, '2020-04-29 23:51:33', '2020-07-20 22:25:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20347, 'UTm4Z8meO4UiHZPs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:54:17', '2020-04-29 23:54:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20348, 'otC7hxXQk5FRwgbN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:55:22', '2020-04-29 23:55:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20349, 'VeAg9wbxxErrj1dz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-29 23:59:05', '2020-04-29 23:59:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20350, 'PaUF4ulJCXWw66pO', 'Homoerotismo Brasileño en la Contemporaneidad', NULL, 'Con mucho erotismo, desnudos y hedonismo. Centrado en la belleza libidinosa, además de la percepción visual, el proyecto esta influenciado por las pinturas renacentistas, especialmente las nórdicas e italianas, por las películas de Antonioni, la arquitectura e incluso el sexo virtual, ilustra una narrativa seductora, oscura y misteriosa protagonizada por cuerpos masculinos que exudan belleza en sus formas más variadas.\nLa obra es clásica como barroca. En ambos movimientos vemos la sensualidad de las líneas, la insinuación, el florecimiento y la pretensión en el adorno que impresiona, cautiva, atrapa. Un sentido de magnificencia que es capaz de aplastar almas comunes y sublimar esas almas iluminadas: un abordaje del desnudo erótico brasileño masculino como artístico, un culto directo al cuerpo humano en perfección y alegoría de lo fantástico como una respuesta hacia la represión moral establecida en ciertos círculos sociales y artísticos, que como menciona Foucault consisten en una represión en la sexualidad del sujeto moderno.', NULL, NULL, 'Sugiero un espacio cuadrado o rectangular o en su defecto una pared entera de aproximadamente 6-8 metros de largura para exhibir un total de 6 piezas (medidas variables desde 50 cms hasta 120 cms) representativas de la serie \"Homoerotismo Brasileño en la Contemporaneidad\"', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1737, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1526, 5, '2020-04-30 00:03:39', '2021-02-19 17:26:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20351, 'bzH6CGLe4BA2r0Zf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:06:58', '2020-04-30 00:06:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(20352, 'pvfWCTCyWYYAUYlM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:07:51', '2020-04-30 00:07:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20353, '3UH5sqzxyG3jLhtY', 'IMPOSSIBLE ACTIONS', NULL, 'IMPOSSIBLE ACTIONS is a physical performance for a minimum of 11 people recruited from an open call, trained in a workshop format and invited to create and perform together their own versions of the solo. \n	Each of them goes through a series of 6 mental and physical tasks - extreme slowness, exploration of different body parts as objects, finding a peculiar way of movement, a series impossible actions, erasure of identity, a dance with the tongue - that aim to test and re-imagine the limits of the human body. The seventh and last task allows the performers to abandon the concept, leave the solo work and find the ending of the piece together in improvisation. \n	The piece aims to decolonize the bodies of the performers, free them from the meanings imposed on them and allow them to experience themselves differently. The tasks require concentration, stamina, neutrality without self-expression and treat the body as pure physical machine.\n	The initial 3-day workshop is for maximum of 45 people of which usually 11-15 continue the practice for another 2-3 days. The rehearsal process culminates in an open-end public performance of the piece in a gallery/museum setting.', NULL, NULL, '10x10 metres, wooden floor or dance floor mat', NULL, 'artist', NULL, NULL, 'https://vimeo.com/137120912', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 875, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1601, NULL, '2020-04-30 00:15:06', '2020-08-13 22:50:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20354, 'iy6l3qclNmPjejXy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:20:17', '2020-04-30 00:20:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20355, 'vlMCBfwpn2oqxEmm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:23:12', '2020-04-30 00:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20356, 'RBgdHbzuLTEnp5tD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:27:19', '2020-04-30 00:27:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20357, 'i6pKwH8oBHCOtli2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:30:19', '2020-04-30 00:30:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20358, 'xoVZ2mpWQOepCIMs', 'The Ocean Inside', NULL, 'I have filmed both the beauty of coral reefs and their current demise as a result of the ocean’s changing chemistry. The Ocean Inside is based on my intensely personal experience of witnessing the devastating effects of climate change and other human-made environmental stresses on the coral reefs first-hand, because I grew up in the Caribbean. \n\nOn a large translucent projection veil from polyester voile, 4 meters wide and 2.45 m high, I have hand-printed a linocut pattern with reflecting mica, depicting a network of plankton as the web of life. Handmade patterns intersect and juxtapose the digital projection. Video projected on sheer fabric with a pattern of this quality acquires an animated character through the changing reflections of the mica and unique integration of pattern and projection. \n\nMy video footage presents beauty and degradation in the ocean, human impact on reefs and seashore, melded with images of my art. It serves to heighten awareness of climate change aﬀecting the oceans, generate ecological literacy, reﬂecting on the passage of time, human exceptionalism and connectedness of life. \n\nTo complement the soundtrack of natural recorded soundscapes and sound-effects, I have recorded waves of voices that speak 16 short statements in their native languages : Dutch, English, French, Greek, Japanese, Mandarin, Nahuatl, Papiamentoe, Polish, Russian, Shona, Spanish, Tagalog, Te Reo Mãori and Urdu.\n\nThe video is 15 minutes long and has audio spoken in 15 languages.', NULL, NULL, 'A dark space is paramount.\n\n1.	Video projector and audio speakers\n2.	Dark room or space darkened by black-out fabric, to fit veil of 2.5 high x 4 meters wide. Throw distance from projector to veil approx 3-4 m\n3.	Hanging Requirements: \nThe material is very light and the best way to hang it is stretched between the walls, by\nthreading a steel aircraft-wire is through the top sleeve of the veil and anchoring it to metal hooks on the wall.', NULL, 'artist', NULL, NULL, 'https://youtu.be/TVeF0DT3dG4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1740, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1529, NULL, '2020-04-30 00:30:50', '2020-07-20 22:10:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20359, 'KO4K2CzXJc3k9TYd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:32:23', '2020-04-30 00:32:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20360, 'kDR4TccMxj6hTPKW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:33:43', '2020-04-30 00:33:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20361, 'LSyWnCJL38Dhe4z6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:36:45', '2020-04-30 00:36:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20362, 'O0FO1Yw7lnm76048', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:38:10', '2020-04-30 00:38:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20363, 'nER74kJ2qO72ljmZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:38:12', '2020-04-30 00:38:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20364, 'hPlsxPVdGajD8QHW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:40:07', '2020-04-30 00:40:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20365, 'I6is9ZZ4G82CSdvW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:41:41', '2020-04-30 00:41:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20366, 'cFzoMsKOAWaE3aDo', 'Grotescália', NULL, 'Grotescas é o título de uma série de pinturas, em andamento, com óleo, cera e tela.  A escrita decorrente da produção artística foi pensada a partir da pesquisa sobre a Domus Aurea, palácio romano construído durante o império de Nero, em especial sobre as imagens encontradas durante explorações de suas ruínas, em meados do século XV. Descritas como grotescas essas imagens influenciaram diversos artistas do Renascimento. E continuam a inquietar artistas contemporâneos. Grotesco, do italiano grotta, quer dizer gruta, caverna, tumba. Atelier-caverna, lugar de penumbra, de imersão poética para desvendar e trazer à luz, metáfora e conceito para a minha prática pictórica. Pintura densa, óleo misturado à cera, que permite profundidade e volume, fazendo as figuras se confundirem com o fundo escuro. Matéria pictórica e imagem fundem-se no quadro: imagem-tinta. Pintura essa que, assim como toda pintura, investe na imaginação como linguagem crítica da realidade e da concepção estandardizada do corpo na cultura. 				De viés expressionista, essas pinturas exploram zonas de perturbação dos cânones estabelecidos pela experiência/consciência do belo, este histórico e civilizatório, através de uma inconsciência (linguagem pictórica) bárbara e rude.  O corpo humano idealizado, símbolo de sua integridade, de sua razoabilidade em simbiose com o animal sem história.', NULL, NULL, 'Para a exposição dos trabalhos, recomenda-se um espaço com paredes ou painéis, móveis ou imóveis, no qual as pinturas possam ser incorporadas de maneira a proporcionar o melhor acesso às obras pelo público visitante. Serão melhor exibidas em espaço interior, com boa iluminação e fundo neutro (branco, marfim ou outro tom claro), dado que as pinturas da série tem fundo escuro. Não é necessário um espaço de grandes dimensões, cerca de 4 metros quadrados para expor todo o conjunto de obras', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1jUzkA2E8ya6G9lYV_RBIgbMu25bxq1Yz', NULL, NULL, NULL, 1752, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1538, NULL, '2020-04-30 00:43:47', '2020-06-23 17:46:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20367, 'z0ZYpeuqn8Du3Xed', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:52:44', '2020-04-30 00:52:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20368, 'KKDlFwwgF6bTb098', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:54:42', '2020-04-30 00:54:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20369, 'T06tunJkkC83V1QV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:56:26', '2020-04-30 00:56:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20370, '3FCKzeXXlwUw1eB8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:56:58', '2020-04-30 00:56:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20371, 'qjf8mKiK9hqhzKNo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 00:59:58', '2020-04-30 00:59:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20372, 'wcNHfOcBGdC7ayLO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:02:19', '2020-04-30 01:02:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20373, 'spWz68MynoCR2YmK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:04:44', '2020-04-30 01:04:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20374, 'rboaIMt6x5oHGiCX', 'Laissez-faire', NULL, 'Laissez-faire (literally \"let do\" in French) is a photographic project inspired by the principle proper to economic liberalism, favorable to the non-intervention of the state in the economic system; according to this theory, the selfish action of the individual citizen, in the search for his own well-being, would in fact be sufficient to guarantee the economic prosperity of the whole society. There is a clear trend in the third millennium that conservative politicians and economists have recently chosen the term \'free market capitalism\' to define laissez-faire.\nIt is a photographic journey that tells the story of today\'s society, through the eyes of an investigating target, which reveals hidden worlds where the transgression within discos and the illusory dreams of a society linked to fiction make us want what is often superficial.\nA look that wants to compare the transparency of powers to the images of employees locked up in glass office...where dependence on technology and modern forms of control are the masters.\nIt is a project that narrates artificial paradises, developed through clean, coherent images, illuminated by the neon lights of cities, with consumerist and money-related connotations.\nThese current issues, today more than ever...when the whole society is in the balance, between comfort, conformism, disease and isolation.', NULL, NULL, 'Solo Photographic Exhibition, Chromogenic color print, 24 x 17 inch', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1745, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1532, NULL, '2020-04-30 01:06:50', '2020-06-23 02:05:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20375, 'ABlDhHLsT3zyHDyI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:07:34', '2020-04-30 01:07:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20376, 'ToMfSqf0WrrcUaWs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:07:36', '2020-04-30 01:07:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20377, 'Dl4tp1dAaOdqvfWe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:12:12', '2020-04-30 01:12:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20378, 'UHXVdSGGpd6mvbw2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:13:00', '2020-04-30 01:13:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20379, 'imoGdxElayyvCy19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:22:09', '2020-04-30 01:22:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20380, 'wkNPjt4RAsp7HBbu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:22:48', '2020-04-30 01:22:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20381, '5UU6PshHvQn6t9AR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:29:24', '2020-04-30 01:29:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20382, 'Dq8QCY9KyLekIQz4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:36:06', '2020-04-30 01:36:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20383, 'AJMfQcm7j5kyYf4j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:36:34', '2020-04-30 01:36:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20384, 'QdPmkuUR7jyRV12r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:38:42', '2020-04-30 01:38:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20385, 's5w19fQ84LkFF9KY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:39:43', '2020-04-30 01:39:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20386, 'LR1AsDgXyTLnpLfx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:44:02', '2020-04-30 01:44:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20387, 'mJP9g50zjkJFkejI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:44:30', '2020-04-30 01:44:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20388, 'QqZLXMOYYpjHkuor', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:44:45', '2020-04-30 01:44:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20389, 'nCbouRMKEeMTt4mw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:45:12', '2020-04-30 01:45:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20390, 'DlbfMot2BUjK3Gjb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:45:23', '2020-04-30 01:45:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20391, '9o5TzvC1JxQfzgVe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:50:58', '2020-04-30 01:50:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20392, 'h1K9pxgwhxFlbWAZ', 'Mutants', NULL, 'Installation: Mutants\nMost of the colors in these photographs, printed on vinyl, are both attractive and aposematic. Bright colors such as red, yellow, orange, and black, which can act as warning colors of animals or insects, send an avoidance signal to their predators and natural enemies. Here they are being used to send a message about environmental manipulation. \n \nIn addition to highly saturated colors, the damage is made visible through ink spills, disruptions, and discontinuities of the image.  The green trees represent nature’s ability to regenerate even after considerable damage has happened. It is commonly said that nature always wins in the end, although, we may be excluding our survival as humans.\nVinyl 8 \'x 12\' on the wall and 9 hanging 8’ x 3’ clear film prints, hanging from a wooden structure, dimension variable. \nPA\nEdition 3/3\n2014/17', NULL, NULL, 'It is favorable and necessary to have a large area approximately 12 x 18-20 feet minimal and enough to allow the public to inspect it nearly and walk between the film and the vinyl. It is very pleasing if it is installed in an open space. For the installation, the film prints of Mutants are hung on a wooden structure that hangs from the ceiling, and the vinyl images are attached to the wall.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1751, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1537, NULL, '2020-04-30 01:52:36', '2020-06-23 02:05:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20393, 'NTz1YBoaB9TYGY6y', 'Septiembre', NULL, '“Septiembre” es una aproximación a la idea de Realidad Nacional elaborada a través de la fotografía como registro, la apropiación de diarios, el collage y el montaje.\n\nLa pieza se construye a partir del registro fotográfico aleatorio de banderas encontradas en la Ciudad de México durante el mes de septiembre de 2017, las primeras planas de diferentes diarios nacionales que datan de la misma fecha, y la presencia del objeto bandera descontextualizado del espacio público y re-contextualizado en el espacio de exhibición.\n\nCada mes de septiembre, la bandera conmemora la Independencia de México. Al ser un objeto, su materialidad es susceptible al entorno y al paso del tiempo. Al convertirse en una imagen fotográfica, su significado se torna inestable. La patria se vuelve un objeto vulnerable.\n\nA partir del montaje se genera un juego semiótico que modifica la lectura de los elementos y deja expuesto el significado a una interpretación abierta. De este modo, se plantea a la fotografía como un lenguaje fragmentado, incompleto, que modifica su sentido a través de un nuevo campo de relaciones.', NULL, NULL, 'La pieza se construye con 30 periódicos intervenidos con un mismo ancho aproximado de 28 cm y una altura variable, y una bandera de 55 cm x 83 cm. El montaje de la pieza es sobre una sola mesa de 3 metros x 3 metros, en la cual se colocan en orden cronológico los periódicos, abarcando toda la orilla y permitiendo la libre lectura de los mismos. Al centro se coloca la bandera mexicana. En su defecto, se puede colocar sobre diferentes mesas, abarcando una longitud total de 13 metros lineales.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1749, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1535, NULL, '2020-04-30 01:54:02', '2020-08-13 22:23:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20394, '228vbblQiUPi8jRD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:54:40', '2020-04-30 01:54:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20395, 'I24BbQwTa9Pf7c5D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 01:56:48', '2020-04-30 01:56:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20396, 'OFZOmcQ47g07naAi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:00:56', '2020-04-30 02:00:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20397, 'DJhCqdqCxPF45LDb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:03:00', '2020-04-30 02:03:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20398, 'vH4dQMqeOgDlRy3s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:03:24', '2020-04-30 02:03:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20399, 'uuF1umGby046DXQO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:10:28', '2020-04-30 02:10:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20400, 'Y3ADRwjxnCUX2Vhi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:11:48', '2020-04-30 02:11:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20401, '7HcbWwbuIkoTg49M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:12:53', '2020-04-30 02:12:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20402, 'SuM62PPjiLjIz9oY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:15:32', '2020-04-30 02:15:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20403, 'alGjbK6MDRVxA7rQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:20:24', '2020-04-30 02:20:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20404, 'Vr0Cz4sX3i8hB7bj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:23:33', '2020-04-30 02:23:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20405, '0h5CxLX4yKS3TPwZ', 'La Sombra', NULL, 'Sinopsis descriptiva\nLa Sombra se originó como un entrecruzamiento entre danza flamenca, fotografía, texto escrito y collage. Fue realizado en Cuba para exponerse dentro del marco de la Bienal de Arte de La Habana en 2019.\nConcebido por Mercedes Domenech, arquitecta, artista plástica y fotógrafa española, y Ana Vidal, bailarina y antropóloga franco-argentina; este proyecto explora la posibilidad de dialogo entre los múltiples lenguajes de sus creadoras. La búsqueda, la improvisación y la experimentación fueron los pilares que dieron vida a un personaje que se funde en paisajes de La Habana que no dejan de ser universales: jungla, mar, cementerio y escalera interior.\nEste trabajo es un punto de partida, un espacio en construcción aun inconcluso y que abre las puertas a variados formatos de presentación, ya sea la instalación con proyección y audio, la exposición fotográfica, la performance, el video-arte u otros.\nLa Sombra tiene silueta de mujer y su nacimiento es también fruto de un año de encuentros, debates, investigación y reflexión con el grupo de mujeres de las “veladas feministas” en La Habana, del cual Ana y Mercè son miembros fundadoras y participantes activas desde 2018.', NULL, NULL, 'Formatos posibles:\n\nFotos y texto \nFotos de 40cm x 40cm, en una cantidad de 8 hasta 28. Acompañadas de un texto que le presta la voz.\n\nInstalacion\nProyección de un montaje-collage de fotos. Una voz de fondo habla, relata, nos cuenta quién es ella.\n\nPerformance\nFlamenco como lenguaje musico-corporal, trio percusivo de siluetas-sombra dan vida al personaje con quejios y zapateos. Entre luces, sombras, cuerpos y sonidos estas tres artistas corporizan la asfixia de existir en las sombras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=1_RhqpmOzl_vVL6GybZhVHWUJP1srs4MD', NULL, NULL, NULL, 1755, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1541, NULL, '2020-04-30 02:27:35', '2020-06-23 02:05:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20406, 'mMMhohOtdeILEkOn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:34:07', '2020-04-30 02:34:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20407, 'BgAOhy7ulgfejHbv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:34:23', '2020-04-30 02:34:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20408, 'fqk8BwfqLYgxmoAE', 'Cuando el sol se moja', NULL, 'Lo valioso no se valora, como el aire, la vida... El sol, la naturaleza.. Todo lo que toca nuestras manos o lo que no por ejemplo el amor, sin vida no hay nada, el sol da vida sin sol morimos.\nTodo lo que nos rodea es parte de algo o fue parte de algo en un principio.', NULL, NULL, 'Todos los lugares', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1753, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1539, NULL, '2020-04-30 02:38:09', '2020-07-08 00:26:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20409, 'HeMU3Qmj0l52K6QO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:38:34', '2020-04-30 02:38:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20410, 'ziLSTJujXBNU1Y4a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:42:11', '2020-04-30 02:42:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20411, 'JLKATqbOfsrFZrBq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:42:54', '2020-04-30 02:42:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20412, 'hSsPFyd7tc38G0Iv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:43:45', '2020-04-30 02:43:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20413, 'AfoBDMRLhOmvkjgm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:46:32', '2020-04-30 02:46:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20414, 'Vefbq6URuOxB5KTW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:57:01', '2020-04-30 02:57:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20415, 'wcqpGYsEA62DkTXL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 02:59:27', '2020-04-30 02:59:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20416, 'OThvuwnFH6961L8P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:10:13', '2020-04-30 03:10:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20417, 'PaKO6nJvNRWYkA6M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:11:05', '2020-04-30 03:11:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20418, '4RgvJiV3XoQuW2ct', 'Amor espacial', NULL, 'Escultura , flameante en cianto a color y luces , q envuelven a lps dos enamorados , en 1 beso , hecho de yeso  y luces de color , desde adelante y central , q traspasa la figura y la lleva hacia el espacio posterior , pudiendose ver :anteroposterior y laterales\nEsta en proces , no puedo salir a terminarla ,pero porfa , es muy linda', NULL, NULL, 'Escultura   . horizontal 20x 15 cm \n                     altura.15cm con pedestal incluido65cm\n\ncon lucesde neon \n\n\nen proceso', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1757, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1543, NULL, '2020-04-30 03:13:17', '2020-07-08 01:06:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20419, 'duOVERASKGfoEtni', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:17:46', '2020-04-30 03:17:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20420, '4ACS7280V9iV4NNz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:21:05', '2020-04-30 03:21:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20421, 'ueu7dO2DeTHS6Amp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:25:51', '2020-04-30 03:25:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20422, 'BKGEYzvdJhQwKuwU', 'Death Drive', NULL, 'The project is called Death Drive and is based on Sigmund Freud\'s speculative idea of human death drives. It is freely associated with the Greek tragedy genre, futurism, the bourgeoisie and the Baroque. The title is also a wordplay that refers to Freud\'s theory, as well as the underlying event of the sculptures and screenprints.\n \nThe installation project consists of three sculptures and a floor piece that together form a larger room installation.\n \nTwo of the sculptures are plaster casts of a speedometer and an airbag from the luxury car brand Porsche. The car parts are taken from Porsche\'s who has been involved in a major collision or crash.\n \nI have also integrated a gas and temperature meter into a lavish and expensive gold-plated fireplace clock made of Italian marble and 20 kg bronze.\n \nThe exhibition design and scenography are bourgeois and baroque, on the border of kitsch.\n \nThe exhibition space will during the exhibition period be filled with red gravel and transformed into a tennis court. The walls are painted with blue Plexipave. Both gravel and paint are identical to the one used in several prestigious tennis tournaments called the Grand Slam. White plastic tennis lines are bent, shaped and folded into a floor piece. These lines imitate a car smashing into a wall or driving into infinity. \n \nThe project can be read like a Greek tragedy and a critical commentary on the bourgeoisie.', NULL, NULL, 'The exhibition space I used for the installation was circa 40 square metres.  I can set it up in any type of space as long as its inside and secured. It can also be set up in a larger space than 40 sqm if wished for.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1759, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 1545, 5, '2020-04-30 03:26:24', '2020-09-03 00:29:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20423, 'jo7zT7SY1nBg7r63', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:26:45', '2020-04-30 03:26:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20424, 'h7WOyrkDP7I2HZni', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:27:54', '2020-04-30 03:27:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20425, 'MUetTiSE7afz57Ii', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:30:18', '2020-04-30 03:30:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20426, 'sslIdQTPcQztgJZp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:41:04', '2020-04-30 03:41:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20427, 'XBVmeok6Gat8aGDn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:41:20', '2020-04-30 03:41:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20428, 'w4oyhfiBipUlICkE', 'FLECHA', NULL, 'FLECHA  IS  A  POINTY  OBJECT  SHOT  THROUGH  THE  AIR  IN   HIGH  SPEED  PUNCHING  THE  ANCESTRAL  THROUGH  AN   ACT  OF  CLAIMING  IMPOSSIBLE  BODIES  A  DANCE  TO  BE   PLAYED  IN  MOMENTS  OF  CRISIS  A  CROOKED  KNIFE   CRYING  A  SKIN  MASK    WIND  IN  A  TIME  GAP  FLECHA  IS  AN   EBÓ  TO  MAKE  THE  PRESENT  POSSIBLE. \n\n The  performer  dyes   her  face  red  to  undo  her  face,  erase  identity,  dig  the  skin  out   of  itself  and  turn  into  others,  carving  ancestralities  and   powers  of  a  transmuting  body-­‐entity.  A  dance  that  is  made   by  the  ontology  of  persecuted,  invisible,  spiritual  bodies.      \n\n This  solo   was   coached  by  Teresa  Silva  and  Vera  Mantero.  Premiered in  Teatro  Meridional  in  Lisbon  in   December  2016.  In  August  2017  it   was  presented  in  Brasília,  Brazil,  at  the  Festival  Novadança  and  the  Festival  ¼  de  cena,  where  it   received  the  Innovation  award.  In   December  of 2017 was  presented  at   the   Salão-­‐Residency  Eixo  do  Fora.  In  2018  it   went to  the  ACASAS  festival  in   Salvador-­‐BA,  at  thefestival-­‐MID,  Brasília-­‐DF,  at  the   Vozes  do  Corpo  Festival,  São  Paulo  and   at  the  (Re)union  festival, in   Lisbon.  In  2019  join  the  artistc   Residency  program  INTERFERÊNCIAS,  and at FESTIVAL TODOS in  Lisbon.    ', NULL, NULL, 'Performed prefecially in outside spaces, or galeries. \nPreferencially in a space 7X7 meters or bigger.\nMaximum of public 150 people.\n\nIf performed in a indoor space need lighting adaptations.\n\n•	10 fresnel (led)\n•	4 lâmpadas tubulares\n•	4 P.A. da masrca QSC ou similar,\n•	Respectivos cabos,\n•	Mesa de som de 4 canais.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=vbnp-oiz7mI&t=7s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1821, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1596, NULL, '2020-04-30 03:54:30', '2020-07-20 23:46:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20429, 'ZzNTAIWkeA5hU3yN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 03:58:13', '2020-04-30 03:58:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20430, 'RJd9yi2ZblYh67xy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:07:25', '2020-04-30 04:07:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20431, 'QPmgcxK60CUjC4Dk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:16:20', '2020-04-30 04:16:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(20432, 'sM6pG5ZMPQijnDDB', 'CONEXIÓN VITAL', NULL, 'Conexión Vital son cuatro obras digitales donde cada una está llena de color y formas ovaladas que en contacto producen una sensación de energía y fuerza que nos calma, nos llena, nos nutre y nos anima a conectarnos con nuestro origen.\n\nPara crear Conexión Vital, trabaje en Photoshop, utilice formas más bien ovaladas y redondas, colores primarios que luego fui transformando y mezclando. Impresas en papel libre de ácidos.\n\nEl tamaño de las obras es de: 50 x 70 cm\n\nAbstracta', NULL, NULL, 'Tamaño de la obra impresa aprox. 50 x 70 cm. cada una, sin marco. Impresa en papel libre de ácidos. Uso de soporte convencional.\n(Si el proyecto quedara seleccionado en ese momento se enmarcarían las obras)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1825, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1600, NULL, '2020-04-30 04:16:48', '2020-06-23 02:02:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20433, 'wYVlN8KrQDqj7tpM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:17:24', '2020-04-30 04:17:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20434, 'zlYzFIxt6LcaQryB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:21:37', '2020-04-30 04:21:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20435, 'iWyqWKSb8AJkZ6NC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:21:58', '2020-04-30 04:21:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20436, '7Qg2ebipuNF4DxDW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:24:12', '2020-04-30 04:24:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20437, 'mD6ccVPMFA64xVDx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:35:11', '2020-04-30 04:35:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20438, 'w8gtVDYql8AMrOMC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:35:26', '2020-04-30 04:35:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20439, 'qv3DV41NIWfSVVSt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:38:16', '2020-04-30 04:38:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20440, 'PqfW7YJeGSPIzuST', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:47:05', '2020-04-30 04:47:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20441, '8z8k0VIMg9jQYs54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:58:15', '2020-04-30 04:58:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20442, 'B5cYbWhJi5ZrALyn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:59:38', '2020-04-30 04:59:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20443, 'GDBRgVixJdaV3BvC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 04:59:54', '2020-04-30 04:59:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20444, '5btucl6R96kDOV20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:02:52', '2020-04-30 05:02:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20445, 'JE3cknVekwZQNVMv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:03:36', '2020-04-30 05:03:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20446, 'C5otWOVFMUN2clA0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:04:22', '2020-04-30 05:04:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20447, '1q09JGs5GJEg7Xfg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:06:47', '2020-04-30 05:06:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20448, '3EULt3wNuFUNP5BM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:07:28', '2020-04-30 05:07:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20449, 'SWIfc9aJQVuovDhm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:09:51', '2020-04-30 05:09:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20450, 'A3BIQ8cGjCbOXQlG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:17:49', '2020-04-30 05:17:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20451, 'bSiyO3jhWzTJecES', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:21:23', '2020-04-30 05:21:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20452, 'BKusfnhqljmGOzV7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:21:35', '2020-04-30 05:21:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20453, 'r3lJ6neFWW1GCj9z', 'Rastros sobre restos, no hay nada', NULL, '“Rastros sobre restos, no hay nada” es una obra que busca evocar los rastros de las presencias invisibles que habitan el desierto mexicano. \n\nEl desierto parece ser un lugar vacío, silencioso y deshabitado, un lugar donde acontece nada. Sin embargo, es en realidad un lugar lleno de materia, movimiento, sonido, y acontecimientos; un lugar que toma forma a partir de los rastros y restos de muchas cosas. Particularmente en el desierto de la Comarca Lagunera, al norte de México, hay restos de lo que antiguamente fue el Mar de Tetis, de poblaciones indígenas, de pueblos abandonados, de fósiles de dinosaurios y de huesos humanos producto de las más de 60 mil desapariciones forzadas en el país.\n\n\"Rastros sobre restos, no hay nada\" que surge del registro de la mínima acción de recorrer el desierto rodando una roca y trazando huellas sobre la arena –conformada por restos de conchas pulverizadas de un antiguo mar y posteriormente una antigua laguna–, huellas que quedarán hasta que el tiempo y el viento las desvanezca. \nEl registro de la acción en video permite evocar la presencia de lo aparentemente ausente, la presencia de los rastros del pasado. Al proyectarse el video junto a la piedra utilizada en la acción, se pone en evidencia la tensión entre la presencia y la ausencia, es decir, la desaparición.\n\nLa video-instalación consiste en la reproducción del video en loop sobre muro, junto a una base que sostiene la piedra utilizada en la acción que se proyecta.', NULL, NULL, 'Para la video-instalación se requiere una sala con dimensiones mínimas de 410 x 510 x 290 cm.\n\nEn el interior se ubicará una base blanca de madera con dimensiones de 210 x 210 x 30 cm, sobre la cual se colocará una piedra.\n\nLa base blanca tendrá que estar junto a un muro cuyas dimensiones tendrán que ser de 410 x 290 cm como mínimo. Sobre el muro se proyectará un video en loop con dimensiones de 210 x 119 cm, por lo que es necesario el acceso a un proyector.', NULL, 'artist', NULL, NULL, 'https://youtu.be/ztQycjtNGMY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6219, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5097, NULL, '2020-04-30 05:22:33', '2020-07-22 00:50:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20454, 'c8GwcfzxMyEXurBI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:26:55', '2020-04-30 05:26:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20455, 'NeNq42rJcHzNEmPu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:29:37', '2020-04-30 05:29:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20456, 'XbYdQ5JOyWyYVCZ3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:35:40', '2020-04-30 05:35:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20457, 'HA9vPrYFQThHd4fl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:44:20', '2020-04-30 05:44:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20458, 'qh7qj5aKfDFRVFHi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:50:42', '2020-04-30 05:50:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20459, '5qr3UgrFbHDAYNtm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:52:53', '2020-04-30 05:52:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20460, 'wKx0CIWJBBMKXXi4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:56:47', '2020-04-30 05:56:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20461, 'WI24Arychm58Nn9p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 05:58:05', '2020-04-30 05:58:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20462, '5olarNaMOcwVNpQZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:00:57', '2020-04-30 06:00:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20463, 'KJq3KT2gBIUplRCw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:02:06', '2020-04-30 06:02:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20464, 'Em9N6VpJ5mAm2zTj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:02:55', '2020-04-30 06:02:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20465, 'RTG5Wk1s0yh6XLXB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:06:11', '2020-04-30 06:06:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20466, 'fjshBWYicIy3dN0Z', 'Domesticado', NULL, 'La calle pertenece al hombre, la casa pertenece a la mujer. Así fueron establecidos los roles de género en el teatro social, con una base sexista y patriarcal. El papel de la mujer ha sido repensado y reinventado de una manera muy dinámica para adaptarse a las nuevas necesidades sociales. ¿Pero cuál es el lugar del hombre en esto?\n\nEl ensayo “Domesticado”, producido durante el distanciamiento social causado por la pandemia de Covid-19, presenta preocupaciones sobre este choque entre género, cuerpo y espacio. La serie fotográfica compuesta por 9 fotografías se basa en mi experiencia de soledad en un apartamento, para elaborar una crónica visual de los intentos de adaptar este cuerpo poco domesticado a los límites de los espacios de la casa.\n\nLas fotografías se oponen a la iconografía del cuerpo masculino como fuerte y heroico, presentando las vulnerabilidades, los desprendimientos dentro y fuera de la piel, que se intensifican con todas las incertidumbres de este momento histórico que nos impulsa a mirar hacia adentro, hacia lo privado, hacia lo íntimo, lugar de tantas dudas que despiertan en  el hombre sentimientos que no suele visitar.\n\nPara materializar la idea conceptual del ensayo, las fotografías, impresas en un tamaño de 12x15 cm, fueron colocadas en un álbum antiguo. Las imágenes del ensayo ocupan las páginas deshabitadas, dando un nuevo significado a este artefacto que es tan doméstico y socialmente vinculado al cuidado femenino.', NULL, NULL, 'Dimensiones\nÁlbum de fotos 25x19cm\n\nMaterial necesario para el montaje.\n1 mesa pequeña de madera\n2 sillas\n\nEl álbum será dejado sobre la mesa, para que el visitante pueda sentarse y hojearlo, como si estuviera momentáneamente en una sala de estar, apreciando la intimidad ficticia del personaje sin rostro de las fotografías.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2279, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1974, NULL, '2020-04-30 06:08:46', '2020-08-14 22:32:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20467, '1aMDgvHyswyY05mU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:11:16', '2020-04-30 06:11:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20468, 'PKqeGLjELVOO6Q3x', 'Untitled', NULL, 'I’ll be creating a visual art series of paintings based ancient works of art from different countries in Asia. Many of the paintings are done with similarities even though they were part of different civilizations. I will create a series of paintings exploring each painting in the stylized form of that culture. They’ll be created on Japanese & Indian paper with modern & natural pigments & gold foil. Inserted would be juxtaposition of the old historical timeless art with elements of hidden recent technology. An alternate reality that merges the past & present will be visible the series. The titles are yet to be determined depending on how each work evolves.I want to show the similarities of works & add the infusion of modern elements & themes of globalism & technology. The end product will look like ancient works with hidden elements that cause a viewer to do a double take & imagine an altered reality.\nInspiration:\n1: Arabian/Islamic “Khamsa of Nizami” & “Miraj by Sultan Muhammad” but can have phones instead of birds, oil fields, etc.  \n2: Indian/Hindu 8th century painting “Krishna & Radha in a Pavilion” & Ajanta caves art with contemporary subversion with insertion of social media elements.\n3: Japanese 17th century “Asagao (\"The Bluebell\")” including new technology & cars.\n4: Chinese “The Eight Hosts of Deva, Naga, & Yakshi” but with modern anachronism of robots & computer circuitry, etc.', NULL, NULL, 'Long flowing paper can be attached to any flat wall surface.  Each piece will be connected with thread draping to show the interconnectedness & the synchronicity of thoughts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.deyias.com', NULL, NULL, NULL, 1764, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1549, NULL, '2020-04-30 06:38:34', '2020-06-23 02:04:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20469, 'ji53MqPD5dQTZuVr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:41:52', '2020-04-30 06:41:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20470, 'sfPIlUDnFrKDmlHv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:51:39', '2020-04-30 06:51:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20471, '5gHMPuENWGORCZGZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 06:57:11', '2020-04-30 06:57:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20472, 'QQTFwZmdOr908ovK', 'Timosanilwiah / Nosotros conversamos', NULL, 'Proyecto colaborativo que replantea el sentido de hospitalidad y el compartir tiempo y saberes, desde los terrenos del arte, la amistad, la familia, los afectos y el deseo de conocer otros territorios, lenguas, experiencias y modos de entender el mundo.\nA partir de nuestro regreso a las comunidades de las cuales somos originarios, se desarrollaron diferentes encuentros entre nuestras familias de Ixcacuatitla, Veracruz. San Juan de los Jarros, Edo.de Mex. y Teotitlán del Valle, Oaxaca. En estos encuentros se construyeron momentos de convivencia, diálogo y nuevas temporalidades.\nEn cada una de estas comunidades parte del sustento económico depende del trabajo con diversos materiales; en San Juan, por ejemplo, se trabaja el barro como materia prima para loza; en Teotitlán, se tejen tapetes en telar de pedal y en Ixcacuatitla, se realiza el bordado en punto de cruz para la creación de blusas, manteles y servilletas.\nLa videoinstalación interactiva consta de seis piezas de barro cocido, tres tapetes tejidos en telar de pedal y una trenza tejida y teñida a mano que conecta los distintos elementos. Tres de las piezas de barro contienen un dispositivo electrónico con video y tres con audio en lenguas originarias de cada una de las comunidades; los audios y videos son perceptibles a través de orificios hechos en las contenedores. La instalación busca generar una sensación de intimidad mediante una activación presencial y la interacción del público con sus elementos.', NULL, NULL, 'Área de 49 m2 en una superficie plana \nTres tomas de corriente de 110 V con dos contactos para cada tapete.  Las tomas no pueden estar a más de dos metros de distancia de la pieza.\nDado que la pieza contiene audio ambiental a bajo volúmen, es necesario que no esté cerca de otras piezas sonoras ambiental.\nLa pieza es para espacios cerrados.\nSe sugiere una distancia min. de 1.20m con otras piezas.     \nLa instalación eléctrica queda oculta dentro de la piezas de barro y debajo de los tapetes.', NULL, 'artist', NULL, NULL, 'https://youtu.be/goajRlpmaYU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2964, NULL, 353, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2559, NULL, '2020-04-30 06:59:33', '2020-08-14 16:51:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20473, 'jztNtY931ujqdhXf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 07:00:50', '2020-04-30 07:00:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20474, 'ADa5XhbIS4dP2iFg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 07:16:48', '2020-04-30 07:16:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20475, 'BUGeicYCA00BXATF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 07:20:24', '2020-04-30 07:20:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20476, 'OGmLrCgacujuEIyo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 07:21:56', '2020-04-30 07:21:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20477, 'Fs9gJzWc8RrRM1Om', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 07:28:57', '2020-04-30 07:28:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20478, 'GrbGMHCJLBqOWo8S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 07:54:54', '2020-04-30 07:54:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20479, 'N3f4URXJX6T6bAmF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 08:10:00', '2020-04-30 08:10:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20480, '5oCJRilHFeCTr7GD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 08:10:42', '2020-04-30 08:10:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20481, 'XbPEtoPEn9g4sWzD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 08:21:51', '2020-04-30 08:21:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20482, 'XlvtDAbBwzaAoj4c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 08:31:43', '2020-04-30 08:31:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20483, 'dM1a8Toyhyg7K7o3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 08:31:48', '2020-04-30 08:31:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20484, 'iKey5rbb5K6sfU92', 'INTRO-Egg Xpérience', NULL, 'INTRO-Egg Xpérience \n\nThe after in the future\nThis project takes the form of an initiatory journey, it offers the public a framework favouring a state of meditation, of perception of one\'s substantial identity and therefore of introspection. \nAn intimate, confined and uterine space, where I propose to assist the public in questioning its inner self. The public invests a space of reflection and its posture \"to be thinking and meditating the world\"; Cogito, ergo sum. Thanks to this device, which plunges the audience into the heart of itself, changes in perception are modified, new issues in various fields open up to them.\nThis work questions the mind/body relationship, the \'cocoon\' aspect, like a spinning approach in phase with our own reality, plunging into the heart of his impressions, feeling his perception, confronting his fragility. In this closed atmosphere, imperceptible from the outside, everything is thought out in such a way as to allow us to abandon ourselves. A virtual reality helmet diffuses intra uterine images, they will plunge \'the explorer\' into total immersion by influencing his brain with a new database and promote the state of regressive exploration \'a turnkey experience\' of a programmed rebirth. INTRO-Egg Xperience opens up new perspectives for reflection on the diversity of our life experiences. At the end of the visit, the visitor writes down his impressions, a database is born, a trace of his passage.', NULL, NULL, 'Artist: \"Aïda\" Patricia Schweitzer\nNew project carried out for the Open Call BIENALESUR 2021\nTitle of the work : INTRO-Egg Xpérience \nInstallation, 2020\nwood, polyurethane foam, linen fabric, Virtual Reality Headset\n2,5 m high by 2.5 m wide and 3 m deep (variable dimensions) \nWeight: 80KG (variable)\nActual value of the work: 10000 euros\nThe installation will be carried out on site, it can be installed in situ, the choice of materials can be adapted accordingly\nThanks to the selection committee', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1855, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1629, NULL, '2020-04-30 08:42:55', '2020-07-21 00:06:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20485, 'AdnouNOE131uX1Qy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 08:53:44', '2020-04-30 08:53:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20486, 'VxHjmTcihumrJVHb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 09:03:44', '2020-04-30 09:03:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20487, 'hFn2WAFen6S4YHXl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 09:15:52', '2020-04-30 09:15:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20488, 'Gy3CZOj9trhZqTnJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 09:16:30', '2020-04-30 09:16:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20489, '2I9qRI5mX12pIV7i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 09:38:46', '2020-04-30 09:38:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20490, 'Q7ItqPABLLJeBLh1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 09:38:54', '2020-04-30 09:38:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20491, '5XvL3modNxLBQuyZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 09:51:37', '2020-04-30 09:51:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20492, 'oXEIEPnEHsBIPscb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 09:55:36', '2020-04-30 09:55:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20493, 'l7XIZ1XVdrLmDZQz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 10:10:52', '2020-04-30 10:10:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20494, 'gAFTLMwXdinCAoOY', 'estaesmiplaza', NULL, 'Para nosotras, la ciudad puede ser entendida como un tejido cosido mediante una serie de espacios articuladores que debieran funcionar como activadores sociales urbanos, estando éstos materializados a diferentes escalas. De base, los describiremos como ciertas actuaciones prototipadas permanentes o intermitentes que desencadenan o reactivan programas en entornos urbanos. Estas intervenciones son especialmente interesantes en lugares poco transitados por determinados públicos o no destinados expresamente a ellos, capaces de generar una atracción de aforo infantil que interactúe con los objetos y estrategias prototipadas y fomenten actividades de socialización en espacios de la ciudad que poseen unas dimensiones más amplias que las estandarizadas. Estamos, por tanto, antes acciones víricas del espacio urbano que reivindican lo público para la infancia.\n​\nPretendemos fomentar, a través de esta secuencia de acciones, la utilización del espacio público para los vecinos y la infancia. Esta acción se ha desarrollado en diferentes escenarios del panorama nacional y ha visibilizado espacios disponibles que se cualificaban temporalmente para su uso y disfrute.', NULL, NULL, 'Una plaza al aire libre, la plaza del Reina Sofía, o la de otro espacio disponible. También puede instalarse en un espacio cerrado. Las dimensiones son de 12x15m por 4,5 m de alto.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/324583260', NULL, NULL, NULL, 'https://www.conjuntosempaticos.com/estaesmiplaza01', NULL, NULL, NULL, 1765, NULL, 208, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1550, NULL, '2020-04-30 10:52:10', '2020-07-13 20:21:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20495, 'Cw1gd4dHKgDBMQdD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 11:50:06', '2020-04-30 11:50:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20496, 'gqmY1BhdA93gFfWr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 11:52:48', '2020-04-30 11:52:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20497, 'xwL3zfdBKX7hyFpI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 11:54:13', '2020-04-30 11:54:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20498, 'JZQgrSfaKFU0qJVP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:01:15', '2020-04-30 12:01:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20499, 'utZo2fhPYCtBZzrE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:01:15', '2020-04-30 12:01:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20500, 'PEtJVAr24LXUGaim', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:01:22', '2020-04-30 12:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20501, 'Ed0AVQyDTubhN2MN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:02:45', '2020-04-30 12:02:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20502, 'YtdYbqOkjvrRN4lo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:10:10', '2020-04-30 12:10:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20503, 'rt2XNROhhOue2cUm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:12:09', '2020-04-30 12:12:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20504, 'LwW2KG7iypXOyWXx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:46:27', '2020-04-30 12:46:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20505, 'S8hs71ELtyRhn92k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:54:29', '2020-04-30 12:54:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20506, 'U0WBbhTAlBWPNOpD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 12:59:22', '2020-04-30 12:59:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20507, 'WUTG1wYnZLrQd135', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 13:08:50', '2020-04-30 13:08:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20508, 'lHW49fOLXq5Rdymh', 'SYMBIOSIS', NULL, 'SYMBIOSIS is a mutually beneficial relationship between different organisms.\nWhat techniques can we use to create new forms of embodiment communication between organisms? Exploring the disparity of perception within the real and the virtual, this installation consists of three layers.\nIn the first layer, a body is trapped in a virtual world that the audience cannot perceive. The person disappears under the digital layer of the virtual self of this body, that is ultimately dependent, symbiotically, on the physical body. These bodies swing between oblivion and memory, experiencing an endless fusion between real and virtual. The audience is connected with this symbiotic organism through external tactile stimuli and is being questioned about what experience means to us.\n\nShowing the emotional memory of the body that is lost in virtual worlds, my goal is to make the audience realize that an embodied experience is more intimate than a simple observation of another body that experiences.\n\nThe audience enters a dark room and comes across with their real-time interactive digital imprint that is projected in the wall.\nThe audience can participate in live performance that demands audience interaction.\nThe dancer wears a Wearable Technology costume which triggers vibrations to the audience.\nThe audience can explore the performer’s movements through the embodied objects that are connected with the dancer’s costume and vibrate every time she touches her palms or her feet.', NULL, NULL, 'The installation needs to be hosted in a darken room with dimensions of approximately 700cm x 600cm x 300cm.\n\nSYMBIOSIS consists of an interactive installation and an 8-minute real-time audio-visual participatory performance.\n\nThe interactive spatial design consists of a Kinect V2 camera, a short-throw projector hanging from the ceiling, a plinth or a table (40cm x 40 cm x 100cm), headphones, a screen, audience standpoint, an e-textile costume, a sound system, a Windows laptop and Arduino.', NULL, 'artist', NULL, NULL, 'https://youtu.be/3nAOk2KaXfI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1769, NULL, 210, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1565, NULL, '2020-04-30 13:23:48', '2020-07-20 23:26:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20509, '0Zp98aTljF3cti4M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 13:25:23', '2020-04-30 13:25:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20510, 'wD29EBp7bljy6wmW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 13:26:31', '2020-04-30 13:26:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20511, 'Kujd64q3iQUNPtXU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 13:46:46', '2020-04-30 13:46:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20512, 'uzBpozTcN4L04DLM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 14:08:19', '2020-04-30 14:08:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20513, 'Skf4lfESrlfarDkc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 14:09:30', '2020-04-30 14:09:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20514, '02Bf4dJhexZSNkCy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 14:23:47', '2020-04-30 14:23:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20515, 'k5FLRxZKZvpsHJFl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 14:24:52', '2020-04-30 14:24:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(20516, 'mDOIb9s0RxrHauR1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-04-30 14:25:43', '2020-04-30 14:25:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
