The exhibition presents ideas of mitigation, adaptation, collective action and togetherness. Also planetary hyper-connectivity, social injustice and violations of indigenous populations rights arguing for the need of a universal approach. Biemann’s film reveals the devastated indigenous populations lands caused by uncontrolled extraction of fossil fuel in Northern Canada and its correlation to the rising sea levels in the Bangladeshi Delta. Jan’s work directly connects the individuals’ everyday actions to global climate change, contemplating empathy and long-term thinking. Balkin’s Archive is a growing collection of items contributed by people living in places in danger of disappearing due to climate change impacts. Orta’s Antarctica World Passport offers a universal citizenship against nations, race, and identities. Almond’s film presents an Antarctic world where temperatures increase and sea levels rising all around the world, affecting land across latitudes and disconnected geographies. MAP Office imagine the limits of human adaptation under increasingly adverse climate conditions, disseminating indigenous knowledge that encourages ecological strategies of coexistence. LABVERDE is a multidisciplinary platform creating new ways of co-existing with the natural environment, speculate on possible futures: biophysical transformation, life extinction and mobility. Modelling Kivalina documents Kivalina’s failed legal action against 24 of the world’s largest oil and gas companies, seeking compensation for the current and future costs of relocating. Forensic Architecture investigated a Mapuche community’s claim that the oil and gas industry has irreversibly damaged their ancestral homeland and eroded their traditional ways of life enforcing displacement. Nazareth’s durational performance of walking from Belo Horizonte to NYC is a narrative of a universal citizen. His materials collected reflect a reciprocal relationship with social and ecological systems.