INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4776, 'vYcRmbii7qxS34XV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:58:11', '2020-03-03 00:58:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4777, 'HW0EjaEnqqYgorbH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 00:58:21', '2020-03-03 00:58:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4778, 'TOehqmMzzOqAuDEl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:02:49', '2020-03-03 01:02:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4779, 'BuOSrnjm1ydS4dZA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:04:22', '2020-03-03 01:04:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4780, 'g6nJqbmadr38yTTh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:05:17', '2020-03-03 01:05:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4781, 'VfpnQ2UU8PLIBxf6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:06:18', '2020-03-03 01:06:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4782, '2cwS7pEhkTwPJcFT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:09:30', '2020-03-03 01:09:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4783, 'dJ0Bvy1zDZeKxRFq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:09:43', '2020-03-03 01:09:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4784, 'sE8Kafh0tWyTLVth', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:14:07', '2020-03-03 01:14:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4785, 'bkgnk8P6rjKNV3rV', 'PAISAJE FANTASMA', NULL, 'Obra inspirada en la idea del fantasma: desde el estereotipo infantil de sabana blanca y el miedo a la oscuridad hasta la idea adulta del miedo a la muerte (tanatofobia) y a lo desconocido como fantasma colectivo.\n\nLa obra expone un gran paisaje, hecho de una única superficie blanca irregular de 12 x 18 metros. Sujeta a diferentes alturas, las telas crean una geografía blanca, ondulada y flotante que puede ser contemplada desde arriba y transitada por debajo. Sobre la misma, se proyectarán imágenes abstractas y oníricas que se colaran también por los huecos de la superficie, creando un paisaje superior y otro inferior. A la vez, la iluminación de la sala se alternará cada cinco minutos entre la luz de los proyectores y la oscuridad total. \n\nA partir de ideas de algunxs autorxs, que afirman que el exceso de virtualidad, la superficialidad de los vínculos y la irrupción de la tecnología en nuestra vida diaria son analgesias sobre la idea de morir (ya que nos prometen un universo infinito y una trascendencia que lo físico no puede) se creará un universo sonoro y de imágenes proyectadas  en relación al cuerpo físico y virtual, a la trascendencia, la muerte y la idea de infinito.\n\nPerformance: será accionada por quince cuerpos desnudos que modifican la geografía (ocupando los agujeros con partes de sus cuerpos) y crean un paisaje onírico y fantasmal como un limbo poético entre lo tangible y lo intangible, lo físico y lo virtual.', NULL, NULL, 'OPCIÓN 2: Instalación + performance:\n\nEspacio igual o mayor a 15 x 20 metros.\nAltura: 4 o más metros.\nEspacio libre de columnas intermedias.\nPosibilidad de montar y colgar la estructura.\n\nOPCION 2: Solamente performance en espacio público\nAccionada por diez o quince personas que utilizarán la gran superficie como una vestimenta o fantasma colectivo. La idea es reconocer en la ciudad espacios para intervenir, creando paisajes efímeros en la ciudad con esta obra-objeto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 343, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 283, NULL, '2020-03-03 01:14:22', '2020-06-24 16:37:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4786, 'r8IUmulqQMrY1GLT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:17:37', '2020-03-03 01:17:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4787, 'WnXI4gNWJnKQVpZT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:18:37', '2020-03-03 01:18:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4788, 'eEAmkQgGSsGLfDEo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:22:42', '2020-03-03 01:22:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4789, '8QPpbDj7epzprIis', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:25:20', '2020-03-03 01:25:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4790, 'aaJBiAuArXUi40FA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:25:53', '2020-03-03 01:25:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4791, 'L6XrSO5q5p7ICGjb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:28:15', '2020-03-03 01:28:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4792, '6k2m6QH0zxjDwB7L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:28:30', '2020-03-03 01:28:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4793, 'kUhL8afobaxFMzMi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:29:11', '2020-03-03 01:29:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4794, 'NtZgu7Dj7DOByFjL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:29:19', '2020-03-03 01:29:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4795, 'obev7XH49f6FEkb3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:35:16', '2020-03-03 01:35:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4796, 'ZHTndSvx1ypdLWAF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:35:46', '2020-03-03 01:35:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4797, 'gr76Ge2zvSqFhuLv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:37:36', '2020-03-03 01:37:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4798, 'C0qtTFcXXB6FbFEz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:38:26', '2020-03-03 01:38:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4799, 'gYwzlWptil9IALua', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:39:15', '2020-03-03 01:39:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4800, 'o2SDEDZQXlHyEXAh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:40:01', '2020-03-03 01:40:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4801, 'LYXo2Rc1yQOkXOxl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:41:10', '2020-03-03 01:41:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4802, 'xU4zF2MwemUAdkUP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:43:46', '2020-03-03 01:43:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4803, '5prUhnRwoG9vKYrf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:44:25', '2020-03-03 01:44:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4804, 'oA85XgHYxXeyHoID', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:47:34', '2020-03-03 01:47:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4805, 'LXvMDdUzywSfw4oh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:48:05', '2020-03-03 01:48:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4806, '5BcvMFZQ6DzDzbsb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 01:57:42', '2020-03-03 01:57:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4807, 'Y4d8t6XmC1IG8RXt', 'Restituciones', NULL, 'Trabajo fotográfico llamado \"Restituciones\".\nEstá compuesto por más de  cincuenta tacos de madera del piso de la ESMA a los que les transferí imágenes de los pueblos originarios del Archivo del Colectivo GUIAS (Grupo Universitario de Investigación en Antropología Social) del cual soy miembro. También más de cuarenta imágenes que transferí a un libro copiador administrativo y luego escaneé.\nEste ensayo trata de emparentar los dos genocidios ocurridos en Argentina: La mal llamada Conquista del desierto y la última dictadura cívico-militar. Separadas por cien años pero con las mismas características: tortura, desaparición y robo de niños/as.', NULL, NULL, 'Para este proyecto necesito una pared para colgar diez fotografías de 60cm x 40cm  y una vitrina en donde pueda ubicar los  tacos de madera que tiene 10cm de alto por 10cm de largo y 7cm de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 313, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 250, NULL, '2020-03-03 02:01:40', '2020-08-06 23:23:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4808, 'T2NsmMxbuhK5qNrq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:02:19', '2020-03-03 02:02:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4809, 'PCoq4qWlmlzWRsYx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:03:40', '2020-03-03 02:03:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4810, '1sTIQZ8AfBdHn825', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:03:50', '2020-03-03 02:03:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4811, 'I6uUnae3pMsuRHOZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:04:02', '2020-03-03 02:04:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4812, 'CK7trE3CuKUVJiXj', 'Avalancha', NULL, 'Avalancha é um​a instalação​ que cria relações entre as ​múltiplas​ (e sobrepostas) camadas ​da estrutura social ​​(econômica, saúde, política) com o processo de formação geológica​ da terra,​ localizando a água como um elemento que permeia e conecta ​todos esses​ fluxos​.\n\nVídeos de ações performáticas realizadas em Valparaíso, Santiago, Rio e São Paulo em que os artistas caminham com blocos de gelo conectados a hidrofones por rotas que possuem rios subterrâneos são projetados nas paredes do espaço. No centro, uma estrutura armada por um sistema de refrigeração capaz de gerar chuva artificial incide constantemente em uma superfície de areia preta e branca que é transformada de acordo com o tempo de exposição e suas camadas começam a se misturar. Por sua vez, microfones de contato capturam e amplificam o som de cada gota, propondo uma base sonora que intervém no espaço junto com os sons originais do material audiovisual. Cada um desses sons, em paralelo, interfere diretamente na qualidade dos vídeos, que tem suas imagens corroídas e perturbadas até desaparecerem por completo para depois reiniciarem em loop.\n\nNum mundo marcado por uma crise ambiental de proporções colossais, Avalancha reflete sobre a interconexão cíclica da vida e estampa a fragilidade de todas as instâncias das sociedades sul-americanas, onde os problemas não só parecem cair como água, como onde antes mesmo de serem resolvidos, penetram e se incrustam até se perderem pra sempre no fundo do âmago social.', 'Luisa Lemgruber é geógrafa e artista sonora brasileira, baseada no Rio. Sua pesquisa se dá sobre as relações entre natureza e sociedade e as fragilidades das paisagens, desenvolvendo apresentações ao vivo baseadas em sons, narrativas e memórias efêmeras. \n\nhttps://vimeo.com/luisalemgruber\n\nDaniel Reyes León é um artista visual e escritor de Santiago, Chile, que desenvolve trabalhos que falam do território e de suas implicações simbólicas, mostrando uma poética em que interesses se encontram com tópicos tecnológicos, sociais e históricos, ligados por materiais comuns. \n\nhttps://vimeo.com/danielreyesleon', NULL, 'Foyer do Museu de Arte Moderna do Rio de Janeiro (ver desenho expográfico)', NULL, 'curator', NULL, NULL, 'https://vimeo.com/395817917', NULL, 'https://drive.google.com/file/d/1o5sabRfrH8Ik0PNom7B7sA1VdKgY-lye/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, 5383, NULL, 756, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4472, NULL, '2020-03-03 02:04:22', '2020-07-28 17:07:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4813, 'HGmE3BQLwbMwvm8p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:04:48', '2020-03-03 02:04:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4814, 'ZTT7eifzgkOK6KAA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:04:59', '2020-03-03 02:04:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4815, '83nhAL5PqoZrYEwM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:09:27', '2020-03-03 02:09:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4816, 'yl31T4acmF8HrEZH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:10:30', '2020-03-03 02:10:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4817, 'm9FuhxRTuZVIz48v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:13:44', '2020-03-03 02:13:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4818, 'iZqlKtRwFK1Spfmz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:25:50', '2020-03-03 02:25:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4819, 'CvNitojh9RUnaGwa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:34:16', '2020-03-03 02:34:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4820, 'tdXEz2prTBtG50hT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:38:03', '2020-03-03 02:38:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4821, 'ZViVZw4hzPenDZpP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:38:36', '2020-03-03 02:38:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4822, '1MmSvXN6ZtlsCNR8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:39:06', '2020-03-03 02:39:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4823, 'LGD6Sur1h39THjbJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:39:21', '2020-03-03 02:39:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4824, '8jtLKEWPRbjxE2O8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:48:08', '2020-03-03 02:48:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4825, 'wShW06AA6QPRIHcp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 02:53:50', '2020-03-03 02:53:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4826, 'qL7PR6aneLjPSyFK', 'se não puder também dançar, esta não é a minha revolução.', NULL, 'Com esta frase, conceitualmente usada como epígrafe de exposição, proponho a ativação individual ou coletiva de uma dança que pode tanto acontecer em frente à obra para ser fotografada, filmada ou simplesmente vivenciada, bem como para ser meramente assimilada como um estímulo interno libertador e revolucionário, recomendando um modo de estar lúdico, mas que seja uma guerrilha utópica em prol de mundo mais harmônico em que todos corpos possam existir e dançar.\n\nTexto da instrução: O público pode dançar performaticamente dentro da área delimitada no espaço de exposição, propondo uma composição visual ao se movimentar diante do letreiro “se não puder também dançar, esta não é a minha revolução” e, caso alguém faça fotografias para serem postadas em alguma rede social, use, por favor, a hashtag #DançandoNoAparelho.', NULL, NULL, 'A frase poderá estar no idioma - português ou espanhol ou inglês - que a BienalSur preferir e deverá ser montada com o auxílio de projeção, cujas letras são encaixadas em correspondência à imagem projetada. A legenda da obra é: Paulo Aureliano da Mata, \"se não puder também dançar, esta não é a minha revolução.\", 2019. Letreiro confeccionado em MDF 15 mm com recorte especial e pintura automotiva, aprox. 246 x 140 cm; Instrução relacional impressa diretamente em alumínio dibond, 21 x 29,7 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://ciaexcessos.com.br/da-mata/obras/dancar-revolucao/', NULL, NULL, NULL, 314, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 252, NULL, '2020-03-03 02:54:55', '2020-07-24 18:05:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4827, 'PQimcdMpxbtkGjGz', 'Samauma Viva', NULL, 'Samauma Viva:\nSamauma viva é um Artivismo, pela floresta em pé. \nÉ um mergulho no coração da floresta. Uma reflexão sobre o desmatamento, consumo da madeira ilegal inconsciente, ao invés de aproximar, nos afasta de saber de onde vem os móveis das nossas casas.\nA instalação ocupará um espaço de 5x5, é composta por Madeiras e compensados recolhido em caçambas em SP, um televisor, mudas de plantas em vasos reciclados de lixo, esteiras.\nA ideia é criar uma floresta com os restos de madeira que formam árvores e arbustos, usar mudas de plantas misturadas as caixas de som espalhadas com diversos tipo de sons ao mesmo tempo acontecendo, e o visitante poderá deitar para meditar com esses sons, além da  vídeo performance.\nO espaço é divido em 4 partes, como as direções, norte, sul, leste e oeste, e cada lado representa um elemento, segundo as tradições indígenas as quais romina e plínio estudam e têm seus caminhos espirituais entrelaçados.', NULL, NULL, 'Link do Vídeo :https://www.youtube.com/watch?v=5gybIalyKzQ\nRecursos utilizados no espaço:\nEspaço 5x5\n1 tv COM Defeito na tela\n2. Terra\n3 Lona\n5 Compensados madeiras de diversos formatos\n6 Mudas de Plantas (odores)\n7 Esteiras de palha \n8 Caixas de som \n9 Audio\n10 Som especializado nas árvores (caixas de madeira e mudas)', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=5gybIalyKzQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 429, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 362, NULL, '2020-03-03 03:01:12', '2020-06-23 02:55:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4828, 'kTs8tnkjNbLa9sKX', 'INCORRECTOGRAFÍAS', NULL, 'Descripción conceptual:\n“Correcto e incorrecto son palabras tan relativas como la realidad.”\nIncorrectografías es una serie que cuestiona estos dos conceptos a través de un principio que parece obvio: La forma de exhibir un gráfico.\n\nLa serie retrata grupos de seres en conflicto y obliga al espectador a elegir la forma correcta de exhibir la obra, reflejando un poco su propio juicio y definiciones personales.\n\n¿Por qué este lado es el correcto? ¿Por qué el otro es incorrecto?\nLa respuesta es un retrato de nosotros mismos.\n\n_\nCaracterísticas formales:\nSerie de 10 a 15 obras entre pinturas y dibujos.\nCada uno de estos oscilan en dimensiones de entre 100x100 cms.\nTodas las obras estarán montadas en mecanismos mecánicos que girarán 180 grados la obra cada 15 minutos, esto para ofrecer al espectador la otra perspectiva de la obra.', NULL, NULL, 'La serie está diseñada para ser expuesta en un espacio único que permita al espectador visualizar la sincronía del momento en que las obras giran.\n\nEl espacio debe tener dimensiones no menores a 15 metros lineales o 6 metros cuadrados.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://jesusmalaventura.com/2019/05/03/incorrectografias/', NULL, NULL, NULL, 315, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 254, NULL, '2020-03-03 03:07:55', '2020-06-23 02:59:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4829, '3Y310TItJg7rXTJ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 03:09:10', '2020-03-03 03:09:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4830, 'GtQPi20kQcs37NcD', 'As Veias Ainda Abertas da América Latina – Versão “Escola sem Partido”', NULL, 'Em uma ação para câmera, fui tatuado com uma mancha representativa da região continental da América Latina sobre a palma da minha mão esquerda, referindo a escultura “Mão” (1988) de Oscar Niemeyer. Através do políptico fotográfico, menciono as violentas repressões e censuras nas ditaduras militares desta região e o retrocesso atual tão hostil aos grupos sociais não privilegiados.', NULL, NULL, 'A legenda da obra é: Paulo Aureliano da Mata, \"As Veias Ainda Abertas da América Latina – Versão \'Escola sem Partido\'\" (Políptico), 2019. Técnica mista, 45 x 340 cm ao todo. A obra deverá ser fixa diretamente sobre a parede.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 314, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 253, NULL, '2020-03-03 03:10:38', '2020-06-23 15:30:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4831, '09Zq5wEMIiBPD0yr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 03:12:10', '2020-03-03 03:12:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4832, 'mQzG9zMLDDruKBtq', 'Coração Selvagem', NULL, 'A minha visão materializada na pintura fílmica autobiográfica \"Coração Selvagem\" (2013-17) revelou-me como um ser afastado emocionalmente do mundo durante um certo período de tempo de minha vida. Através desse diário visual construído em minha casa a partir de memórias de uma viagem à Turquia, enquanto filmava, procurei traçar o cotidiano diante de mim pela singela experiência em observar a luz do ambiente na tentativa de compreender que vidas se perdem e se cruzam em labirintos formados.', NULL, NULL, 'O vídeo poderá ser projetado ou estar em televisor tubo 3 x 4 polegadas. \nA legenda da obra é: Paulo Aureliano da Mata, \"Coração Selvagem\", 2013-17. Vídeo, 4’50’’. Edição: 5 + 2 P.A. \nA edição 1/5 + 2 P.A. dessa obra pertence ao Museu de Arte Moderna do Rio de Janeiro (Rio de Janeiro, RJ, Brasil). Portanto, a edição 2/5 + 2 P.A. é a edição proposta para exibição na BienalSur.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/236360510', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 314, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 255, NULL, '2020-03-03 03:20:55', '2020-07-13 21:22:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4833, 'LJjIkZKWTCx4lp6t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 03:27:29', '2020-03-03 03:27:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4834, 'yOR0ruDjxiHZuXP2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 03:27:59', '2020-03-03 03:27:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4835, 'EMp5u3j9jVbQvI66', 'Conflictos en silencio. La época de la violencia a través de la obra de Anselmo Carrera.', NULL, 'El proyecto busca profundizar el estudio y reflexión de una serie de obras creadas por el pintor peruano Anselmo Carrera en la segunda mitad de la década de los años 80. Las piezas, gracias al collage y a la serigrafía, muestran segmentos del período de violencia que atravesó el Perú entre 1980 y 1990, ayudando así a reconstruir y mantener la memoria colectiva.\n\nAnselmo Carrera, luego de dos estadías en los talleres de la Corporación Prográfica de Cali (una en 1981 y otra en 1983) aprende la técnica serigráfica y da un cambio a su tradicional trabajo en pintura. Es así que desde 1985 comienza a trabajar en nuevos formatos -de 42 x 30 cm aproximadamente- creando composiciones a partir de recortes de fotografías tomadas de los diarios de Lima.\n\nSi bien la serigrafía implica crear copias seriadas gracias a las mallas o matrices que se usan para su impresión, Carrera prefiere el trabajo en monotipias. Por más que emplea la misma matriz para diversas impresiones, ninguna es igual a la anterior. No sólo varía el color de la tinta empleada, sino que estas impresiones son luego intervenidas con violentas y ágiles pinceladas de acrílico, o les añade algún tipo de papel transparente para obtener efectos visuales distintos. \n\nLas piezas resultan así en trabajos casi abstractos de capas sobre capas de color y texturas, dificultando el reconocimiento de las imágenes empleadas como base, e invitando al espectador a sumergirse en las obras y tratar de hallar las formas.', 'Artista: Anselmo Carrera Rojas\nNacionalidad: Peruano\nWeb: www.anselmocarrera.com', NULL, 'Debido a que las obras son de formatos pequeños y de violentos cromatismos, el espacio debe ser pequeño (6 x 6 m aproximadamente), con un formato de white cube y con tomas de luz para conectar un monitor pequeño (de 20\" aprox.). Se debe contar, además, con una mesa / vitrina para colocar documentos relacionados a las obras, y 2 pedestales.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.anselmocarrera.com/serigrafias', NULL, NULL, NULL, 317, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 257, NULL, '2020-03-03 03:33:23', '2020-06-24 16:04:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4836, 'TzT4LgR8AsBoFHyI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 03:55:23', '2020-03-03 03:55:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4837, 'aho7a2GFNSc13cnX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 03:59:16', '2020-03-03 03:59:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4838, 'QjDNGN9y40kjspda', 'Latino América y el Mundo', NULL, 'Reflexión sobre lo que es obvio pero no lo es en Latino América y el Mundo. Reflejadas en sus modos vida, culturas, cotidianeidad, costumbres, alegrías...La muestra echa por tierra lo marginal y enriqueuce el arte. Además se agrega cierta defensa de Pueblos Nacion.5x', NULL, NULL, '2x5meteos', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 544, NULL, 73, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 457, NULL, '2020-03-03 04:01:14', '2020-06-23 02:49:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4839, '45kQ3EUnJ9FeRT3D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:01:54', '2020-03-03 04:01:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4840, 'KQED8QSh4cHP9h3j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:07:58', '2020-03-03 04:07:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4841, '2lawmBaBSYmSPhVX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:08:14', '2020-03-03 04:08:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4842, '59kZ8zKmsE62LsfH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:11:07', '2020-03-03 04:11:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4843, 'uJO4QHdkGBWFdqp0', 'All my love', NULL, 'Este es un viaje a través de la interpretación simbólica, conformado por la composición de situaciones utópicas y surrealistas de nueva generación, inspirado en el color, el sonidos de las notas  musicales como poesía y la generosidad del papel como lenguaje y medio de expresión.\n\nEsta obra es realizada mediante la técnica del Collage, mezclando recortes hechos a mano con imágenes de diferentes contextos, colores planos y acentuados, planetas y animales, que generan múltiples universos y un paisaje surrealista. Momentos atemporales, ensambles multiculturales y situaciones que solo podrían ser posibles en un universo onírico.', NULL, NULL, 'All my love\n0,30m x 0,35m\nCollage Análogo sobre Lienzo\n2020', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 318, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 258, NULL, '2020-03-03 04:12:55', '2020-06-23 02:59:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4844, 'ZwNgxyDmpg3U8I8n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:13:23', '2020-03-03 04:13:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4845, 'x8orWhruEaxYiVMw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:13:55', '2020-03-03 04:13:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4846, 'YwTIqNKMp11gCygJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:25:23', '2020-03-03 04:25:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4847, 'P54brkbtCSnlVRgs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:27:30', '2020-03-03 04:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4848, 'cnZcISLfDvV2iuWS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:40:08', '2020-03-03 04:40:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4849, 'IoDdKcOSyODx4Skw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:45:45', '2020-03-03 04:45:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4850, 'FCIsmOXSwOyYMpj9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:47:06', '2020-03-03 04:47:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4851, 'gxbuis8UR5l5fEOX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:49:18', '2020-03-03 04:49:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4852, 'tuDUnWtJbJ0jyyoJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:50:55', '2020-03-03 04:50:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4853, 'FwRLKTZvhTxNmDtL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:54:56', '2020-03-03 04:54:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4854, 'kjEcEnpu7WPnPYCf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 04:56:42', '2020-03-03 04:56:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4855, 'PNl2JL6t9mZXLga6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:10:08', '2020-03-03 05:10:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4856, '6CLoXnHwdp7Tbq50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:20:35', '2020-03-03 05:20:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4857, 'eg5CdxWs3VuixXBX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:20:44', '2020-03-03 05:20:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4858, 'JQecPIRgtDA4K9db', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:24:04', '2020-03-03 05:24:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4859, 'WAKeGtaF5vlf8zLZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:24:19', '2020-03-03 05:24:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4860, 'pFM72uzHCzNqC5zj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:28:19', '2020-03-03 05:28:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4861, 'h0iGMB6uqjnnsbFv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:28:38', '2020-03-03 05:28:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4862, 'rAszugdAPLOY5CaY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:28:40', '2020-03-03 05:28:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4863, 'mRMBT4itxz7OKchr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:31:34', '2020-03-03 05:31:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4864, '0YLnIwyisVSH1Zpm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:33:37', '2020-03-03 05:33:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4865, 'jAhkjmg25IXQedYM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:34:52', '2020-03-03 05:34:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4866, 'npza7AmgwHYM2J8L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:35:51', '2020-03-03 05:35:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4867, 'luCVzW327gCsJciP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:42:03', '2020-03-03 05:42:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4868, 'iLjWZldKbmKWmCDp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:42:47', '2020-03-03 05:42:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4869, 'gTJhXaPUseqLAgAT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 05:50:04', '2020-03-03 05:50:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4870, 'OggnCFQVjX5sdUp1', 'CONEXIONES', NULL, 'CONEXIONES\n\n\nEs una obra pensando en el Ser Humano. \nDesde el momento de ser concebido por la conexión del amor, pasando por el vínculo del feto dentro del vientre de su madre, El Ser Humano teje conexiones con todo y todos a su alrededor: la familia, los amigos, la pareja, el trabajo. \nLos sentimientos de amor, alegría, dolor, apego. El lazo con la sociedad, el planeta, la naturaleza y todos sus seres sintientes, son lo que nos define como Seres Humanos. \n\nMi propósito es invitar al espectador a reflexionar sobre la manera en que nos relacionamos con el mundo, con los demás y con Dios, sea cual sea nuestra creencia, filosofía o corriente religiosa. \n\nHemos ido perdiendo nuestra conexión personal, frente a frente con los individuos. La Humanidad se ha tecnificado tanto que la Inteligencia Artificial también pretende ser Inteligencia Emocional, hasta hoy una propiedad exclusiva del Ser Humano. \n\nMi obra tiene a la Mujer/Hombre como principal elemento, con todas sus interacciones: los sentimientos, las debilidades, la trascendencia hacia lo espiritual, el deseo y la búsqueda de la felicidad, son lo que nos permitirá sobrevivir  y superar a la indiferencia de las máquinas. \n\nA pesar de toda la desesperanza, EL SER HUMANO siempre encontrará en la fe, la bondad y el amor, la manera de ser un Ser único y  Total con el Universo.', NULL, NULL, '4 Obras entre 6 y 8 kilos de peso. Para colgar. Para ver por las dos caras. 2 Obras de 2 metros de alto.\n1 Obra para montar sobre 1 pedestal de aprox. 1.20 metros de altura.\nEl resto son cuadros para colocar en pared de los cuales el más grande mide 1.50x1 metro.\nTodas las obras para interior con iluminación que destaque sus partes metálicas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 756, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 640, NULL, '2020-03-03 05:52:59', '2020-06-23 02:41:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4871, 'vJYR21lttYZ7QvA7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 06:05:59', '2020-03-03 06:05:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4872, 'Kz0hQQzpvjrOJguX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 06:09:35', '2020-03-03 06:09:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4873, 'QQPjOaqGYoOI1xtv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 06:10:38', '2020-03-03 06:10:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4874, 'JbrGqfokj3bL4JXl', 'Romeu e Julieta', NULL, 'Em meio ao lixo, tralhas e tudo mais que é descartado pela sociedade, cinco\nmoradores de rua tentam subverter essa situação por meio do universo lúdico,\nno qual, suas figuras grotescas interpretam a si mesmas, utilizando-se de\nobjetos, instalações, assemblagens, música e performance para recontar, a seu\nmodo, o clássico Romeu e Julieta de William Shakespeare, cujo fim trágico é de\nconhecimento de todos, porém, as metáforas dos fatos que antecedem seu\ndesfecho podem ser uma grande surpresa.', NULL, NULL, 'O espetáculo pode ser apresentado em praças, parkes e demais espaços publicos com área cênica de 8 x 6 metros.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=8ID531YpRI4&t=227s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 320, NULL, 50, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 260, NULL, '2020-03-03 06:35:00', '2020-06-23 02:59:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4875, 'zRwVA6HWL8pi1YbV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 06:37:02', '2020-03-03 06:37:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4876, 'bx2GwdmVPCUUD7Mx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 06:41:42', '2020-03-03 06:41:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4877, 'Dzb08Cno3ijipHmx', 'Na Boca do Lixo', NULL, 'Trata-se de um espetáculo de formas animadas, no qual três manipuladores utilizam da técnica de manipulação direta para dar vida aos bonecos. O espetáculo de quinze minutos retrata o drama de um homem que se encontra sozinho, mesmoestando cercado pela multidão que lhe observa e muitas vezes o descarta. Acompanhado apenas de sua mala e de algumas lembranças, se vê vulnerável num mundo repleto de más escolhas. Más escolhas, representada ludicamente por um monstro, o qual tenta, de todas as maneiras, carregá-lo para dentro do lixo, trazendo a imagem da podridão que também nos é oferecida todos os dias. No entanto, ainda ouve-se uma voz de esperança, representada por uma borboleta, que por meio de seu movimento e beleza, afugenta todas as coisas ruins encorajando-o a reconduzir seu destino, e cabe a ele tomar suas decisões.', NULL, NULL, 'Ruas, praças, parques, galerias e demais espaços publicos com área cênica de 4x4 metros.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=h-R88Hu6t2g&t=335s', NULL, 'https://www.youtube.com/watch?v=h-R88Hu6t2g&t=335s', NULL, NULL, NULL, NULL, NULL, 320, NULL, 51, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 261, NULL, '2020-03-03 06:48:38', '2020-06-23 02:59:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4878, 'AzLFdB3kmxiYeyTV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 06:57:02', '2020-03-03 06:57:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4879, '4BjM3IQAfHQPr3k5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 06:58:03', '2020-03-03 06:58:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4888, 'umEq3QjjKxNs8rZw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 08:29:55', '2020-03-03 08:29:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4889, 'Tj4HozH6ZZGg4ABF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 08:41:23', '2020-03-03 08:41:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4890, '4yCZhIVxHYKGYdQL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 08:48:18', '2020-03-03 08:48:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4891, '8npMM8zfZqG4cIJj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:05:09', '2020-03-03 09:05:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4892, 'mGaYuKI6ARxfVhZF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:11:19', '2020-03-03 09:11:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4893, 'ZvCrAaAgF1iSdk5v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:15:18', '2020-03-03 09:15:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4894, 'sc68OVwEsia9rXoz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:16:59', '2020-03-03 09:16:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4895, 'OOs6e0UAhk0gf52v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:17:56', '2020-03-03 09:17:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4896, 'txP57Zs2bBaETmfo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:17:56', '2020-03-03 09:17:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4897, 'FYAhHUIBksMTnD9p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:22:24', '2020-03-03 09:22:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4898, 'XqGINDIwDZ75iCo6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:27:55', '2020-03-03 09:27:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4899, 'XUnRFKSli7BLYuBc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:28:57', '2020-03-03 09:28:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4900, 'VVnnWAlXErnf0sVX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:31:43', '2020-03-03 09:31:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(4902, 'AuEalI1sgzrWEEjm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:33:40', '2020-03-03 09:33:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4903, 'fGYwmCsd7SUwNdcr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:38:13', '2020-03-03 09:38:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4904, 'Hl6rVD9HQoa3x8cD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:40:03', '2020-03-03 09:40:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4905, '08d0HsNbG2718r17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 09:46:51', '2020-03-03 09:46:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4906, 'vsH1vNFcl9iAeoKY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 10:57:12', '2020-03-03 10:57:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4907, 'zqBD5g8S6beQT3A3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 12:21:50', '2020-03-03 12:21:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4908, 'wYeYoupitgts3mDr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 12:22:13', '2020-03-03 12:22:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4909, 'J5LmNu1WwA2GwQVf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 13:41:52', '2020-03-03 13:41:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4910, 'xVpQxOozcFwSZvG9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 13:46:17', '2020-03-03 13:46:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4911, 'vFRZCFjjbUUGyzcO', 'Commercial Crosses', NULL, 'In 2013 I began saving packaging.\nThis collection is like a diary, it is a recording of what I consume.\nIt consists hundreds of packages: food, cosmetics, detergents,\nmedicines, soap, shampoo (from hotels), etc.\nI unfold them and fold the cardboard into the shape of a cross\nby using the existing fold line.\nOn the inside I bring a layer of gold leaf.\nThe installation is site -specific.\nEvery space requires a different way of presenting.\nAKMAR ( my artist name is without surname)', NULL, NULL, 'Space with walls with less glass. Or a space with only glass like a shop or showroom.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 322, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 263, NULL, '2020-03-03 16:28:01', '2020-06-23 02:59:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4912, 'N5frn7RCISPVsifK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 16:34:49', '2020-03-03 16:34:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4913, '4U0iZ8v101ZjifOQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 16:36:21', '2020-03-03 16:36:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4914, 'PeInPDk4g45wFFgx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 17:01:31', '2020-03-03 17:01:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4915, 'fjaCvkNEzIyTVFix', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 17:04:41', '2020-03-03 17:04:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4916, 'xBlyAjyU9eZ285zG', 'Paisagens humanas', NULL, 'De quantas vidas é feita uma cidade? Quantos corpos atravessam o espaço urbano e lhe conferem carne? De nada vale uma cidade de concreto, vigas e aço sem a matéria viva que é a vida. Múltipla, é a multidão que habita o espaço da cidade. Uma potência que, sem rosto, se assume multifacetada. Em cada esquina, muitos encontros. Em cada curva, diferentes direções. Composta por 3 trabalhos que tencionam o limite da fotografia, instalação, escultura e vídeo, \"Paisagens Humanas\", partem dessas reflexões. \"Paisagem I, II e III\" compõem a série \"Vaga\". Partindo de incursões fotográficas, coletei corpos da paisagem da cidade. Subtraindo a identidade desses corpos através da colagem manual, nos restou apenas os contornos dessas vidas anônimas. 3 objetos suspensos. 3 paisagens humanas que instigam nosso olhar a atravessar a densa transparência que preenche o vazio dos corpos que ali se desenham. A imagem fotográfica apenas se insinua como vestígio de mundo que que se abre para ser ocupado. Paisagem I,II,III [2019]. Série Vaga, Fotografia, Resina e Luz.10 x 55 cm (cada). Já em \"Maquete\", fotografia digital e colagem manual se combinam. Nela vemos corpos sem rostos que seguem em direções variadas. Silhuetas e sombras que se confundem a depender de nosso olhar. Maquete, é um trabalho que joga com a escala humana ao medir o espaço pela multiplicidade de corpos que o atravessam. Maquete, 2019. Fotografia e resina. 28 x 28 cm.  Por fim, o vídeo \"Estado reduzido de energia\", 2019, 3’21”.', NULL, NULL, 'Esse trabalho foi exposto em jan/fev de 2020 numa coletiva chamada 10+10. Tal como nessa ocasião, é indicado que os 3 trabalhos permaneçam juntos numa espécie de átrio ou sala com cerca de 4,70 x 4,70 metros. \"Paisagem I, II e III\" – objetos de 10 x 55 cm (cada) suspensos com luz projetada a sua frente com fundo de parede branca. Maquete – objeto de 28 x 28 cm sobre base de metal no centro do espaço. Vídeo em looping– projeção em formato pequeno (54 x54 cm) sobre base branca disposta no chão.', NULL, 'artist', NULL, NULL, 'https://youtu.be/2OpBBQ1tjkY', NULL, NULL, NULL, 'https://drive.google.com/open?id=1E2rFfsQeXql5pX9Z2cfLpZ6--aR6uKAk', NULL, NULL, NULL, 328, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 268, NULL, '2020-03-03 18:13:27', '2020-06-23 02:59:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4917, 'G4tFDpPwvpJ6OuSa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 18:19:59', '2020-03-03 18:19:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4918, 'NU0aRhgik6u5b1OE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 18:21:29', '2020-03-03 18:21:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4919, 'xUQhUXVI66F9TWG1', 'Arte Concreto', NULL, 'Se proyecta un mural abstracto geométrico perteneciente al linaje del arte Concreto. \nEn esta obra se representan formas triangulares cerradas que atraviesan la arquitectura de la fachada en diferentes sentidos. Al mismo tiempo figuran círculos. Estos últimos resultan ser el punto de mayor fuerza del mural, generando tensión y atracción para el ojo.\nInductivamente, las formas (dominantes sobre el fondo) y los colores generan líneas rectas oblicuas (ascendentes y descendentes) que dan la sensación de inestabilidad. \nAsímismo, se generan líneas curvas que dinamizan la composición. \nLas formas presentan variaciones de peso ya que son de diferentes colores y se ubican en distintas zonas del campo visual. \nLa estructura compositiva general es asimétrica.  \nSe utilizan colores desaturados y planos, con valores altos,  luminosidad y claridad simbólica.\nEl vértice del triángulo principal sobresale del plano generando una nueva dimensión.\nLos conceptos fundamentales que se manifiestan en el proyecto son las siguientes leyes de la Gestalt:\n-LEY DE LA TOTALIDAD\n-LEY DE LA ESTRUCTURA\n-LEY DEL CONTRASTE.\n-LEY DE CIERRE.\nPor otra parte se vislumbra la NOCIÓN DE PREGNANCIA.\nDesde otra perspectiva, se pone de manifiesto, el PRINCIPIO DE LA PROXIMIDAD o DE LA CERCANÍA.\nOtro principio que entra en escena es el PRINCIPIO DE MEMORIA o DE LA EXPERIENCIA.\nTambién juega el PRINCIPIO DE SEMEJANZA O SIMILARIDAD.', NULL, NULL, 'El mural se llevaría a cabo en la fachada lateral del edificio Mercado del patio, en Rosario, Santa Fe. Una locación emblemática que recibe una afluencia importante de público.\nLos materiales a utilizar son rodillos, pinceles y extensores.\nLa pintura es látex exterior sobre fachada de concreto.\nEl muro mide 7m de alto x 25m de ancho aproximadamente.\nTambién será necesaria una chapa galvanizada de 3m2 y un herrero para adosar la punta del triángulo que sobresale de la fachada.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1310, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1141, NULL, '2020-03-03 18:31:08', '2020-06-23 02:21:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4920, 'BcWDMFzgGMWdpL81', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 18:43:58', '2020-03-03 18:43:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4921, 'ZIY7aK3SzwFsfxE7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 19:27:15', '2020-03-03 19:27:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4922, 'Ir8qdILPJZqfaCHM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 19:46:07', '2020-03-03 19:46:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4923, 'O2hyD50JwAX322W6', 'ÍNTEGRO, INTEGRO, INTEGRÓ', NULL, 'Este cortometraje forma parte de un proyecto mayor sobre visibilidad afro en Argentina. A través de distintas escenas cotidianas la mirada se detiene en aquello que ha sido invisibilizado y sustraído.  La idea fundamental es ofrecer a las y los espectadores una oportunidad para revisar la forma en que se ha construido el pasado, se naturaliza la exclusión en el presente e imponen valoraciones y expectativas en base al prejuicio y la desvalorización del otro por su color de piel. \n\nEn esta pieza coinciden la mirada estética de Gaby Messina sobre las singularidades que dan forma a la Argentina como comunidad de diferencias, la música original de Gustavo Santaolalla profundizando el tenor de cada escena a partir de una experiencia sonora in crescendo  y la perspectiva filosófico-política sobre los dilemas de la hospitalidad en la actualidad de Ana Paula Penchaszadeh.\nEscrita y dirigida por Gaby Messina (artista visual)\nRealización, coordinación general: Gaby Messina y Ana Paula Penchaszadeh (Politóloga e investigadora del Conicet – Especialidad: Migraciones)\nMúsica Original: Gustavo Santaolalla \nSonorización: Juan Sorrentino (artista sonoro)\n\n\nEn el marco del Censo Nacional 2020 por primera vez en Argentina: El Censo considera que en el hogar hay alguna persona que es o tiene antepasados de origen afrodescendiente o africano. \nEn diciembre de 2014, la Asamblea General de la ONU, en su resolución 68/237, proclamó el Decenio Internacional para los Afrodescendientes (2015-2024).', NULL, NULL, 'Esta obra es la cuarta parte de un proyecto mayor ARGENTINA AFRO: \"Yo, Afro\" https://vimeo.com/242283451 con el apoyo del programa Plataforma Futuro del Ministerio de la Nación.  \"Margarita\" https://vimeo.com/269216333\n\"Poros\" https://vimeo.com/225399580. \"Entre\" collages lenticular https://vimeo.com/389472701 https://vimeo.com/389474048 Mecenazgo Cultual \n\nLa película \"Íntegro, integro, integró\" con una calidad HD tiene una duración de 8:45 min \nSubtitulada al español, inglés y portugués.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/310671322', 'afroargentina', NULL, NULL, NULL, NULL, NULL, NULL, 324, NULL, 52, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 265, 5, '2020-03-03 19:52:42', '2020-09-02 04:11:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4924, 'pnJaXBH9otP6f165', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 19:59:06', '2020-03-03 19:59:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4925, 'TV9gOg0P1L2Arlhu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 19:59:13', '2020-03-03 19:59:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4926, 'zdUhL8TV0jaSUpAd', 'Virtual Personalities', NULL, 'virtual personalities\nis our new performance project, which premiered in December 2019 and is constantly a work in progress. In this project we work with promising young performance artists from Germany, Greece and Portugal in an open rehearsal process, developing a performance that has no fixed texts and actions but develops itself new with every showing. \nIn this project we started with the question how self representation in social media works and how it affects the behavior and the relationships of people.\nOur todays conception of a persons presence has changed almost entirely through new communication media, causing the so called „virtual presence“ to overthrow the physical presence and prevail in terms of a persons self-creation. In Virtual Personalities the social phenomenon of medial self-staging is recreated into an analogue stage-situation in which a group of performer reflect - together with the audience these new communicative possibilities of self-staging and maybe also shed some light on unknown possibilities and absurd and paradox connections. But above all, this game\'s task is to show what these possibilities can do to the protagonists (performer). How do they deal with the ever-changing and diverse possibilities? Are they over-whelmed? Do they become stressed? Will they eventually play against each other? The game starts off as a carousel of possibilities but also appears as a battle field of competition for the best presence.', NULL, NULL, 'Stage min. 8x8 m with light rig or stands and PA', NULL, 'artist', NULL, NULL, 'https://vimeo.com/390720598', 'newmedia', NULL, NULL, NULL, NULL, NULL, NULL, 1166, NULL, 134, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1009, NULL, '2020-03-03 20:07:52', '2020-08-14 22:04:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4927, 'muqItTmywSALGdtQ', 'Amor en Si', NULL, 'Amor en sí es una instalación que consiste en una silla, una gamela y 400 carretes de hilo de costura. Junto a estos tres elementos hay una instrucción que invita al público a un acto: desear. Para ello tienes que sentarte, elegir un deseo y finalmente triturar el carrete en tamaño y tiempo que presupone que es igual a su deseo. Con esta oferta, la intención es que cada uno pueda ponerse en contacto con sí mismo, que se retire mínimamente del mundo de los demás y pueda descansar en sí mismo. Desear es distinto de ordenar. La propuesta es el resultado de la experiencia de seguimiento del proyecto llevada a cabo en la antigua fábrica textil, ahora Fundación Marcos Amaro. En estos escombros todo se renueva, todo cambia; de la época de la revolución industrial a la revolución tecnológica. Pero hay tres cosas indestructibles: deseo, amor y misterio. El deseo del artista: que el arte haga la menor diferencia frente al triunfo de la indiferencia contemporánea. El amor, por otro lado, es superfluo para lo inconciliable... Y el misterio: es el acto en sí de deshacer el carrete. Así que el artista invita al otro a experimentar el deseo, el amor y ¿por qué no el misterio?!', NULL, NULL, 'La instalación ocupa una superficie de aproximadamente 4 metros cuadrados frente a una pared. La instalación consta de: 400 carretes, una silla de madera, una gamela (cuenca de madera, 60 de diámetro) y una tabla de instrucciones montada en la pared. La silla estará a 1,5 metros de la pared. Entre la silla y la pared se expondrán en el suelo los carretes y la gamela. Junto a la obra se adjuntará un mapa detallado de la instalación.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3245, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2793, NULL, '2020-03-03 20:09:12', '2020-08-10 18:30:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4928, 'jiave9hL03gl9ivr', 'Dancing Solar Flowers', NULL, 'Alexandre Dang studied Art as an autodidact after succeeding in two degrees as Engineer. During his training, he developed a strong interest in sustainable development and more precisely in renewable energy which he often uses in his art works.\n\nThe potential of solar energy is tremendous, however, more than 1.3 billion people still do not have access to electricity. The pressing need to address this issue is the driving force of Alexandre Dang’s artistic commitment. As for the \"Dancing Solar Flowers\", each flower moves thanks to a solar-powered engine, and therefore dances as long as there is light. The flowers are set either horizontally as a \"field\" or vertically as a \"vertical garden\". Through this work, Alexandre Dang encourages thoughts on the potentials of renewable energy source. Alexandre Dang believes that flowers embody the beauty of nature. In his work, he tries to give them a playful, a poetic and a funny dimension by giving them a movement of dance thanks to solar energy. The \"Dancing Solar Flowers\" often trigger surprise, and they lead to thinking about the link between art and sciences.\n\nThanks to his art work, Alexandre Dang supports Solar Solidarity International, a nonprofit organisation he co-founded. Its aim is to raise awareness on the potential of renewable sources of energy and to contribute financially to the solar electrification of schools, equipments, infirmeries, medical centers, orphanages and hospitals in developing countries.', NULL, NULL, 'Herewith the spaces we suggest for an exhibition of Dancing Solar Flowers:\n\n-Exhibition on a window visible from outside or glass wall, the flowers are set vertically as a \"vertical garden\".\n\n-Indoor exhibition where there is a presence of light, the flowers are set horizontally as a \"field\".\nFor this sort of exhibition, the Dancing Solar Flowers must be exposed in a bright place.\n\n-It is also possible to hold an exhibition where we combine the different places mentioned above.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/137616196', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 327, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 267, NULL, '2020-03-03 20:29:00', '2020-07-29 23:13:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4929, 'aaO5R6gy7rN7i5jd', 'Lo organico trasciende', NULL, 'Exploro lo orgánico, lo que esta vivo, dentro y fuera de mi ser.\nEntremezcladas insinúo figuras y formas, orgánicas, fluidas, evocan la potencia vital de lo natural.\nMe sumerjo  en este mundo de siluetas y curvas que se chocan,  se entrelazan, se transforman, brotan,  mueren. Vuelven a florecer y se reproducen buscando un lugar en donde existir, sintiendo la necesidad de romper con las estructuras.', NULL, NULL, '200 x 200 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 335, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 275, NULL, '2020-03-03 20:31:02', '2020-06-23 02:59:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4930, 'XLk2DjKNy9izY7Yo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 20:36:10', '2020-03-03 20:36:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4931, 'A49HWQzDe9Dgr1K9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 20:39:12', '2020-03-03 20:39:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4932, 'Wh664YEbe4coA4zQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 20:52:37', '2020-03-03 20:52:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4933, 'pZ0FyRKVM9POAvIb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 20:53:25', '2020-03-03 20:53:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4934, 'B0XwsGgXsZZzm6Ut', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 20:56:08', '2020-03-03 20:56:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4935, 'J27sfVwjU5mmxU9I', '7FF ON¢IDIA', NULL, 'Film, 2017, 08:12, super8 + data+ appropriated footage /16:9\n\nSinopsis:\n\nIn ancient China the skin of the tiger was the representation of “continuous changing”; in Mayan world through the path of Bolom Chon (Jaguar) they could read constellations: the dance of cosmos.\nFluxes are grouped in the film; spotted-jaguar, “7 pancadas”, speckled plants, ounce (oz), “golden spider”. Matter-energy-information varies. Side by side communication, surplus value of code. Commodities, bit coins, mountains of data. 7FF on¢idia: real impossibilia of capital life.', NULL, NULL, 'Un black box, con el film en loop. Dimensiones variadas.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/193107359', 'oncidia_real1', NULL, NULL, NULL, NULL, NULL, NULL, 403, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 336, 5, '2020-03-03 21:15:11', '2020-08-21 22:46:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4936, 'JGUgz7QoYy4Ee3Q0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:16:18', '2020-03-03 21:16:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4937, '2srprBQlHCFmmkCs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:16:30', '2020-03-03 21:16:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4938, 'WtwAYpuUoPqxkSMQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:23:17', '2020-03-03 21:23:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(4939, 'hxcKf1iOsD3dRHx7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:25:49', '2020-03-03 21:25:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4940, 'KhtSZgKseLPrLEhf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:26:52', '2020-03-03 21:26:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4941, '2ssvliiPsoe90Yzk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:26:58', '2020-03-03 21:26:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4942, 'hVMcfhXYvgO4fpHi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:30:32', '2020-03-03 21:30:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4943, 'mgTO6UcPZ7wqjsv9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:31:29', '2020-03-03 21:31:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4944, 'X9fIXy0KTpPmfRl2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:41:46', '2020-03-03 21:41:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4945, 'Hmt2oBcYF9bo67Sc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:51:42', '2020-03-03 21:51:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4946, 'eo5DoYZKmj6uA5fq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:52:53', '2020-03-03 21:52:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4947, 'TTvqOHIQGtDGhmDL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:54:02', '2020-03-03 21:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4948, 'RuJDbE8Ud57QqNE1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:57:45', '2020-03-03 21:57:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4949, 'j0Orgv4TfQLriwDP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:58:31', '2020-03-03 21:58:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4950, 'xpGMuXf8JuxoTlmQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 21:59:10', '2020-03-03 21:59:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4951, 'u88x26HBlqEByET6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 22:03:12', '2020-03-03 22:03:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4952, 'I4xkiPZcgfhZ4E1t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 22:21:24', '2020-03-03 22:21:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4953, '5csVxeNz7E7fRtxY', 'Subversiva', NULL, 'Título: Subversiva\nFecha: 2020\nTécnica: Óleo\nDimensiones: 42cm. X 52 cm.\n\nComentario de la obra:\nLa obra está compuesta de una figura femenina a la izquierda, con elementos urbanos entre mezclados en el fondo y sabanas con texturas, donde se reconocen algunas formas. La coloración es en mayoría cálido.\nEntre la simbología e ideas de belleza de la censura y lo contradictorio en el entorno, si es bueno o es malo, de los temas ya desgastados como el arte urbano y tatuajes si se considera arte o no. \nEstá asociado a lo ilegal porque no es del todo aceptado, aunque hay técnica, estudio de formas, contraste, conocimiento del color, proporción, Expresión artística.\nEn esta pieza plasmo o trato de plasmar la dualidad de estas ramas del arte, con elementos urbanos y tatuajes. En un imaginario de elementos que rodean al personaje que aún no define la censura.', NULL, NULL, 'En un área de 150 cm ancho x 200 cm alto, a una altura de 150 cm centrar la pieza.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2173, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1895, NULL, '2020-03-03 22:31:59', '2020-06-23 01:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4954, 'WCUJ8zFAquOs9Jm0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 22:32:31', '2020-03-03 22:32:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4955, 'dvHAf5Pm8dmEbsXp', '\"La santita y el asteroide binario\", es una obra pictórica que atraviesa conceptos instalados ancestralmente sobre los cuerpos de la gente.', NULL, '\"La santita y el asteroide binario\"\", pone en cuestión, abre  las redes para pensar en múltiples coloridos la diversidad de las cosas que habitualmente se piensan de un modo binario y sin darnos cuenta atraviesan todos nuestros sentidos ...\nLa obra se presenta en módulos de lienzo montados sobre bastidor. Y, algunos objetos de lienzo que se desprenden de la misma. Es acompañada de textos y dibujos que presentan la ideación de la obra, en forma de bocetos y poemas binarios.\nLas medidas varían entre uno y dos metros y medio de base.', NULL, NULL, 'Una sala iluminada.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'facebook vivi klachko', NULL, NULL, NULL, 331, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 271, NULL, '2020-03-03 22:41:07', '2020-06-23 02:59:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4956, 'a0iDoKQdQ1EL0V8B', 'I/I\'/I', NULL, 'Proyecto de arte visual teniendo como protagonista principal a la linea, creando un patrón repetitivo pero fluctuante. Fue realizado a mano sobre papel con tinta negra. Las Líneas verticales y su relación con los árboles del bosque y las hojas, busco  asociar el proyecto  con la idea de vitalidad, fuerza, desafío, permanencia, seguridad, confianza e incluso con la paciencia, también poder asimilarlo con la posibilidad de cambio, de caos pero con sentido para luego comprender ciertos cambios aunque imperceptibles. Es una obra que de lejos se percibe distinta a cuando nos acercamos y eso es lo que quise lograr. El nombre tiene relación con describir dichas partes de las obras ( 1, 1 PRIMA, 1)', NULL, NULL, 'el espacio expositivo sugerido seria sobre pared, ubicado horizontalmente, la medida es 1.77 * 30.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 326, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 266, NULL, '2020-03-03 22:49:51', '2020-06-24 15:47:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4957, '9tNXvSBRfvAGy66k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 22:57:17', '2020-03-03 22:57:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4958, '9qIwnIkavVBZqA0L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:00:45', '2020-03-03 23:00:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4959, 'JipeqoDDNX4jSENs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:16:28', '2020-03-03 23:16:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4960, 'oh8JvGNQKUQb946I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:23:01', '2020-03-03 23:23:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4961, '2yFmue4CcRxaRqtS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:26:27', '2020-03-03 23:26:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4962, 'ZtrQShzHkf5K4Mu6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:26:46', '2020-03-03 23:26:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4963, 'DAYorU4mswNgyFVR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:26:47', '2020-03-03 23:26:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4964, 'RVYawh4T4SSoRLPo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:27:09', '2020-03-03 23:27:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4965, 'k8F9uSpvdMHNTzrf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:37:03', '2020-03-03 23:37:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4966, 'XLEoLkFjeD6t8iOA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:44:52', '2020-03-03 23:44:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4967, 'G5Qv8fE2V6djgCRs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:48:22', '2020-03-03 23:48:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4968, 'chcirzBsXt48ZRkr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-03 23:52:50', '2020-03-03 23:52:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4969, '9Mcopl8Rclfu3WCf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 00:15:12', '2020-03-04 00:15:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4970, 'yfXdH7LXyZumjZtx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 00:19:16', '2020-03-04 00:19:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4971, 'mLuBONHoaj79hsNR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 00:29:49', '2020-03-04 00:29:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4972, 's5rRrmaHCFuVV2Kn', 'tudo que se pode ver ao longe', NULL, '“Tudo que se pode ver ao longe” é um trabalho que tensiona os limites da fotografia e do desenho ao extrair da imagem representacional outras camadas de sentido e visualidades. A partir de duas fotos, realizada nas extremidades opostas da geografia da cidade, uma ao sul e outra ao norte, traço uma linha no limite que separa céu e terra na própria imagem fotográfica. Esta então é deixada de lado, restando apenas duas linhas de horizonte que são grafadas sobre placas de acrílico pequenas e sobrepostas sobre um retroprojetor antigo.  Num encontro entre o céu e a terra, a oposição entre norte e sul perde sentido ao assumir a direção da proximidade. Sob o alcance de nossos olhos, essas linhas aproximam os horizontes até então distantes nos colocando diante do que antes estava longe. O corpo do “espectador” também é convocado a atravessar e ocupar esse espaço por meio da sombra que, do projetor, se desenha junto as linhas projetadas. Tudo que se pode ver ao longe se revela então como um paradoxo de proximidade, um convite a se projetar dentro e para além do que nossos olhos tendem a alcançar. Vale mencionar que este trabalho foi exposto na cidade de Maringá-Pr, em janeiro e fevereiro de 2020, numa coletiva chamada 10 +10. Ficha técnica: Tudo que se pode ver ao longe, 2019. Placa de acrílico e retroprojetor. Dimensões variáveis.', NULL, NULL, 'Este trabalho precisa de uma sala ou um espaço que possibilite uma distância mínima de 3 metros entre o retroprojetor e uma parede branca. Tal distância confere um tamanho suficiente para a imagem projetada assim como possibilita que as pessoas passem na frente da projeção interferindo na imagem. O projetor deverá ser posicionado sobre uma base com cerca de 1,30m a 1,50m de altura. Sobre o retroprojetor estarão dispostas as duas placas de acrílico de modo sobreposto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 338, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 278, NULL, '2020-03-04 00:34:03', '2020-06-23 15:30:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4973, '7dUfznm0KKRxWF9P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 00:50:34', '2020-03-04 00:50:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4974, 'kMPJminbUrmB5tIJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 01:10:08', '2020-03-04 01:10:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4975, '2rRWNP9blPTIYhSV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 01:35:49', '2020-03-04 01:35:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4976, 'sRmJDgzXz9UdOo2Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 01:51:08', '2020-03-04 01:51:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4977, 'biU3YnHQiSgpM7ga', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 01:52:02', '2020-03-04 01:52:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4978, 'TZrhhjHFWbQgTtbB', 'Geometric Landscapes', NULL, 'Todo inició con un ejercicio en un día común y corriente cuando Mauricio Amábilis se observo detenidamente en un espejo por un largo tiempo y empezó a desconocerse de todo lo que le rodeaba y  al ver directamente sus pupilas, se enfrentó a si mismo y se preguntó quién era?, si era real el plano físico en el que se encontraba?.\n\nEl proyecto más reciente de Mauricio Amábilis nos muestra una obra inspirada en la cultura Wixárica con un enfoque que mezcla en arte contemporáneo y el POP Art. La obra representa ventanas abstractas como ventana al alma, como una pantalla de nuestra mente, un portal abstracto “el don de ver” hacia dentro y al mismo tiempo al exterior de uno mismo “un límite no límite”.\n\nDonde la geometría se hace presente en cada una de sus piezas, la naturaleza la reproduce de innumerables formas, y las matemáticas como una expresión magnífica del mundo espiritual. Por otra parte, busca replicar las formas sagradas de las cuales se compone del cosmos. Si nosotros nos adentramos en el mundo espiritual, observaremos que lo largo del tiempo, en diversas culturas y vertientes espirituales se plasmaron fractales y expresiones magníficas que evocan a todas las formas que componen al universo.', NULL, NULL, 'Cuadros de 35x30cm, colección de 100 obras cada una única e irrepetible.  Se sugiere colgar en pared blanca o gris claro sin darle luz directa del sol.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/mauricio.amabilis/', NULL, NULL, NULL, 329, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 269, NULL, '2020-03-04 02:00:24', '2020-06-24 16:05:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4979, 'ZMaDVT3NekfkMgAS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:02:19', '2020-03-04 02:02:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4980, 'q4Ft2bN6I8veCy9J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:11:23', '2020-03-04 02:11:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4981, '0ebcKIGqC1KkOnYw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:21:39', '2020-03-04 02:21:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4982, 'kDkDmEfOIv98P862', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:22:30', '2020-03-04 02:22:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4983, 'BeQxjn5Xiqt58JyE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:23:59', '2020-03-04 02:23:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4984, 'LgOxJnfG5CN5s21m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:29:41', '2020-03-04 02:29:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4985, 'mYFhgbdJMMaHXS7V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:42:49', '2020-03-04 02:42:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4986, 'as5zNbsBBjB4VKaV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:44:17', '2020-03-04 02:44:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4987, 'Nm27Xn72yNKaz35t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:49:01', '2020-03-04 02:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4988, 'KBAifTqVO8QJRG80', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 02:51:41', '2020-03-04 02:51:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4989, 'ytRLNIKLAivn3SXn', '\"Da Tinta ao Pixel\"', NULL, 'Na arte abstrata não há barreiras: ideia, conceito, criação, produção, visão, interpretação, entendimento. Toda a cadeia é livre, para o criador e para o observador.\nDesde muito tempo sou ilustrador, mas caminhos e descaminhos levaram a me encantar pelo abstracionismo e, mais ainda, a me surpreender com as possibilidades e resultados que a pintura abstrata aliada à arte digital proporcionariam!\nComo sempre trabalhei com o formato digital, este foi um caminho natural para mim.\n\nDaí nasceu meu projeto “Da Tinta ao Pixel”, em que após, literalmente, derramar, jogar, expalhar e manipular tinta acrílica sobre a superfície, a imagem resultante é digitalizada e o processo é continuado no meio digital. Neste ponto a imagem é editada, manipulada, desconstruída, recriada. Acontece, então, a transformação real da matéria prima que nasce em seu estado bruto e gera uma peça artística, com inspiração e essência.\n\nA criação deste projeto enriqueceu meus conceitos artísticos e, ao permitir transcender meus próprios limites, me traz enormes possibilidades e grande satisfação!', NULL, NULL, 'Minhas obras são reproduções digitais impressas em canvas ou papel montadas em quadros com ou sem moldura.\nOs formatos são diversos: quadrado, circular, elíptico ou retangular, com dimensões bastante variadas, podendo ir de 50 cm x 50 cm até 1,5 m x 1,5 m em média.\nPara exposições são necessárias apenas paredes preparadas com fixação e iluminação apropriada.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 345, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 285, NULL, '2020-03-04 02:57:05', '2020-06-23 02:58:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4990, 'EbkHgm4CAE28wlxM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:00:08', '2020-03-04 03:00:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4991, 'cOTkstorbq3nvieL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:06:24', '2020-03-04 03:06:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4992, 'Ty7OJHd0JZkCuPTc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:08:31', '2020-03-04 03:08:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4993, 'JYo5szhfwXa5NNaf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:09:52', '2020-03-04 03:09:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4994, 'ojUS86JN23xHiIfu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:10:16', '2020-03-04 03:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4995, 'UksuXiaQkExw4jvh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:10:44', '2020-03-04 03:10:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4996, 'LosCBzrvwQ9LH8xB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:18:48', '2020-03-04 03:18:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4997, '5KpyWw1McVuCn176', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:22:59', '2020-03-04 03:22:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4998, '7kJgpKullrOVOvYo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:23:10', '2020-03-04 03:23:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(4999, 'dK5MtQF4loHuc0Wp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:24:04', '2020-03-04 03:24:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5000, 'mJgVbeDTqAQU6Uyz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:25:00', '2020-03-04 03:25:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5001, 'jpW1NwZZ3ab8f3Qc', 'Hacia el mar #hardworker en #tucumanfriendly', NULL, 'El proyecto a realizar son libros marinos y la proyección de un vídeo de una muda de piel de sirena en el mar. \nLos libros serán una recopilación de organismos del fondo del mar . Dibujados, pintados y grabados en papel. Estarían entre el fanzine y lo objetual. Y serian varias ediciones con diferencias estéticas.  \nEl vídeo mostraría la  muda de una cola de sirena montada  suspendida,  o en el suelo reposando en la arena.  La pieza estará  realizada con caracoles, nácar, cuentas en general, en tonos marrones, tornasol, marfil, blanco, y natural. \n  \nExperimenté diferentes formatos con esta imagen: fotografía, foto- performance, vídeo, maquetas, construcciones escultóricas  de pequeño formato ,  entre  otras. La particularidad de esta sirena es que se mueve en una provincia sin mar.\nSi las sirenas existiesen, jamás podrían sobrevivir sin su mar. \nComo el foco de mi trabajo está orientado a la imposibilidad, el absurdo, la ironía,  me interesó poder experimentar  en un lugar donde  si hay mar, pero en este caso  con la ausencia  de la sirena a través del resto de ella: la muda de su piel. \nSumado a esto, la construcción fantasiosa y narrativa a través del fanzine grabado. \n\nFabrico  “trajes rituales” para modificar la superficie del cuerpo y  llegar a otras formas de estar en el espacio,  habitarlo simbólicamente. Construyo fantasías  reguladoras de vacíos a través de situaciones que permitan desplazarme del supuesto contexto presente.', NULL, NULL, 'Me interesa un espacio preferentemente cerrado o con tres paredes.  Aproximadamente de 4x4 .  Habría elementos (libros fanzines) distribuidos entre la pared y algunos pedestales.  Y la proyección de un vídeo .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 334, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 274, NULL, '2020-03-04 03:31:03', '2020-06-23 02:59:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5002, 'z4S3BpjRfuxzDxp0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:33:18', '2020-03-04 03:33:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5003, 'KZG2IsXy2fEECNjh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:38:13', '2020-03-04 03:38:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5004, 'ROnI0RmOwwfrVnV5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:38:25', '2020-03-04 03:38:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5005, 'kCdRRE7NKhspQVMg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:46:59', '2020-03-04 03:46:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5006, 'GniESBJ8B5SrSnmT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:49:47', '2020-03-04 03:49:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5007, 'riWNVZmxtrCfVTmZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:51:34', '2020-03-04 03:51:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5008, '04U5K41ld9TpK0jN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:52:44', '2020-03-04 03:52:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5009, 'zKRelx9Z1q2FXRdJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 03:58:42', '2020-03-04 03:58:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5010, 'zYzdzgoalbrFYK86', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 04:01:28', '2020-03-04 04:01:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5011, 'AIdGarTkBXH8oN6v', 'MERCADO DE VALORES - Arte con sentido', NULL, '\"Mercado De Valores\" - piezas-objetos realizadas bajo la Téc. del Collage. \nComo soporte utilizo la silueta del Hombre y la Mujer y las intervengo con dif. materiales: nuevos y de descarte; de uso cotidiano y hasta comestibles.\nLas relaciones, los vínculos... inspirados en el amor, los sueños, los logros, el cuidado, el respeto… fueron siempre un tema recurrente a la hora de expresarme. Así lo plasmé mientras me desarrollaba como Dis. de Indumentaria, y luego, continué por el mismo camino cuando me animé a experimentar en otras disciplinas.\nEn tiempos donde cada vez es más común escuchar frases del tipo “se están perdiendo los valores…” decidí “revalorizar” a través del arte conceptos que incentiven el amor, la amistad, la fraternidad… haciendo visible lo que muchas veces resulta indecible. Expresar sentimientos, emociones... cómo somos o cómo nos ven las personas que nos rodean. Voy al rescate de valores humanos que todos poseemos aunque muchas veces los olvidemos.\nAsí surgieron mis 1° piezas, menudas en tamaño (20cm), pero muy poderosas en su significado: Puro Corazón. Buena Semilla. Buena Madera. Sos de Fierro. Vales Oro. Construyendo Vínculos\n\nNota 1: Los valores humanos aquí representados en figuras Masculinas o Femeninas, no distinguen género, y pueden aplicar a cualquiera de ellos.\nNota 2: Las imágenes aquí enviadas son el registro de las primeras tomas realizadas, ya que tiempo después corregí y mejoré detalles en la intervención y materialización de las piezas.', NULL, NULL, 'Estantes', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 333, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 273, NULL, '2020-03-04 04:09:35', '2020-06-24 16:06:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5012, 'CXjOMJqOtNZgQtkS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 04:27:52', '2020-03-04 04:27:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5013, 'TZM7yGhd0eV4d6kZ', 'Cantos de luminaria', NULL, 'Cantos de luminaria es una video instalación realizada luego de una larga investigación en los pueblos del altiplano chileno, particularmente en Surire, Guallatire y Camiña, ubicados en el Norte Grande. Así, la obra nace de un cruce con una cultura al límite de la extinción, en el linde de su desaparición: los pocos sobrevivientes aymaras que quedan en la zona. La lengua madre casi extinta sólo dejó paso a que un pequeño número de personas, reducida a una familia, aún mantenga las tradiciones de un pueblo abandonado que no aguantó los avances del “desarrollo”. Con sus tierras contaminadas y vertientes de agua sucia poco a poco la cultura que se desarrollaba en estos valles altiplánicos fue migrando a la ciudad, a espacios más auspiciosos para la vida. De este modo, ecosistemas enteros, como el del río Lauca, que fue catalogado como Reserva Mundial de la Biosfera por la Unesco en los ochenta, hoy es territorio dedicado a la extracción del mineral Borax. De esta forma, lo que se registra en el video es una acción que le devuelve el cuerpo a un fuego casi extinto, a una luz en el ocaso. Los personajes que lo integran son esa llama que se resiste a desaparecer frente a los embistes de la cultura contemporánea, son personajes incólumes que se aferran a la memoria.\nLa obra consiste en 80 metros de tela, teñida en la laguna roja de Paricota, instalados sobre soportes de fierro que cuelgan desde el cielo de la sala. En el muro continuo, se proyecta el video “Cantos de Luminaria”.', NULL, NULL, 'La obra es adaptable. En su expresión mínima, sólo son necesarios dos muros de 4 metros de largo por 3 de alto. En su expresión máxima, puede ocupar una sala de 200 m2.\nEl video puede ser reproducido por un televisor como ser proyectado sobre el muro.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/399030427', 'luminaria123', NULL, NULL, NULL, NULL, NULL, NULL, 901, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 758, NULL, '2020-03-04 04:30:50', '2020-08-12 11:39:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5014, 'nrNbmdDHG77OkcMx', 'Huellas en las colinas', NULL, 'Características formales: El proyecto consta de una muestra individual, la misma estaria compuesta por: \n\n*Dibujos realizados con gouache y lápices de color sobre papel de algodón libre de acido que irían colgados en las paredes. Cuyas medidas son: 2 dibujos de 80 x 120 cm. y uno de 240 y 100 cm. (medidas sin enmarcar).\n\n*Un objeto / instalación compuesto por una serie de sellos cuyas imágenes remiten a situaciones internas o acciones simbólicas, dispuestos sobre un escritorio con hojas y tintas, para ser utilizados por los visitantes de la muestra,y generar mini obras que podran retirar al finalizar la exposición, hasta tanto estas serían excibidas en un espacio dispuesto para ello dentro de la misma muestra.\n\nDescripcion conceptual:\nMi práctica artística se desprende de mi interés por el mundo mítico o arquetípico y la llevo a cavo como una búsqueda, pero no de tipo formal, sino de sentido.\nMe interesa explorar procesos internos, ver como estos se manifiestan simbólicamente en la imagen, descubriendo a su vez como el hecho mismo de realizar un acto simbólico también impacta y transforma la interioridad de aquel que lo ejecuta, estableciendo así analogías con la alquimia y con el tarot, en un intento quizás, de conciliar opuestos, o de develar aquello que se constela tanto en la interioridad de nuestro ser como en el afuera, pues sin duda hay una conexion entre ambos planos.', NULL, NULL, 'Espacio interno, galería tipo cubo blanco. Las medidas pueden ser variables.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 642, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 540, NULL, '2020-03-04 04:57:05', '2020-06-23 02:46:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5015, 'Mgm0C5Sxf45IGhod', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 05:12:32', '2020-03-04 05:12:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5016, 'oN3V6criHcnZWmNw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 05:32:54', '2020-03-04 05:32:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5017, 'q4ZBhN3lVcfE5MdK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 05:33:39', '2020-03-04 05:33:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5018, 'RzdA5O0TZwRQOS6s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 05:39:29', '2020-03-04 05:39:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5019, 'FQ1M63N5ji6ubrNK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 05:41:53', '2020-03-04 05:41:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(5020, 'FIyWe6n2QYm5yf1u', 'Terram in Aspectu', NULL, 'Los mapas no son solo herramientas para representar territorios sino instrumentos para producirlos. Históricamente, además de ser utilizados como herramientas de navegación, los mapas han definido epistemológicamente al mundo: jerarquías de poder, lo que es accesible y lo que está fuera de alcance, lo que es real y lo que es ficticio.\n\nLa historia ha expuesto muchas representaciones territoriales como erróneas, sin embargo,  todavía hay algunas visualizaciones de datos que prometen ser inmunes a la subjetividad humana. La fotografía satelital aún no se ha ganado nuestra desconfianza. La combinación de una perspectiva divina con imágenes generadas automáticamente crean la ilusión de una documentación neutral y precisa. Sin embargo, no existen datos ni visualizaciones neutrales.\n\n\"Terram in Aspectu\" es una serie de fotografías satelitales (generadas por un algoritmo de aprendizaje automático entrenado en Google Earth) de islas inexistentes que aparecieron en mapas históricos pero que en determinado momento fueron expuestos como no existentes. Como monumentos póstumos a errores científicos, a mentiras geopolíticas y a proyectos de celebridad, la obra reflexiona sobre la concepción, legados, e institución del conocimiento.\n\nLa serie cuenta con 12 imágenes de 30 x 30 cm.', NULL, NULL, 'Pared de galería, 5m de longitud, iluminación.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 605, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 510, NULL, '2020-03-04 05:45:01', '2020-08-11 21:13:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5021, '5IAqj9Ute9esSodh', 'Autonomías', NULL, 'El presente proyecto intenta articular un cruce entre textos e imágenes puestos en circulación en el espacio público. \nSe trata de la circulación en el ámbito público de imágenes “privadas”. \nLa propuesta de realizar afiches y pegarlos en la vía pública, es resultado de indagar sobre modos de circulación de la producción artística que resulten económicos y de fácil factura. \nLas imágenes fueron tratadas en dos instancias. La primera, llamada “toma directa”, fotografiando una escena dada en la “realidad”, y posteriormente, una nueva toma de la imagen, ahora desde la pantalla.\nLa “toma indirecta” está relacionada con los dispositivos que regularmente se usan para la difusión de las representaciones sobre los cuerpos: la pantalla es un medio concreto, existente, y, a la vez, simbólico. Los procesos a los que son sometidos estas fotografías intentan acercarse a los recursos visuales presentes en nuestra tradición cultural reciente sobre la circulación de imágenes de las corporalidades. \nLa obra intenta abordar cuestiones relacionadas con el uso de las fotografías de los cuerpos en plataformas y dispositivos que mediatizan las relaciones vinculares. No pretende ser una crítica a los modos en que se distribuyen las imágenes, sino una simple lectura de la circulación de éstas y una forma de evidenciar la ficción en la que participamos como comunidad.', NULL, NULL, 'La obra debe ser puesta en circulación en una pared o tabique. Se alternarán los módulos de la obra en forma de mosaico, cada módulo mide 21x29,7. El espacio requerido es un mínimo de 200 x 300 cm. Será fijada a la manera de las pegatinas, idealmente con engrudo cocido para asegurar la duración de la obra según los plazos requeridos, es importante que la técnica de adhesión sea igual a las técnicas callejeras, o bien, similares sin diferencias a simple vista', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/picanteluli/', NULL, NULL, NULL, 336, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 276, NULL, '2020-03-04 05:47:37', '2020-06-24 16:35:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5022, '6pUJbHDXXTGxdtKe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 06:04:25', '2020-03-04 06:04:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5023, 'CIed06vtv5nPoshM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 06:08:56', '2020-03-04 06:08:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5024, 'Fxrq6bMVtT1p3yEI', 'Desarraigo. Resonancias de un territorio', NULL, 'Desarraigo. Resonancias de un territorio (2014) es una videoinstalación que propone una mirada reflexiva en torno a cómo la memoria histórica, vinculada al contexto de guerra en Colombia, puede llegar a ser transversal a la historia individual y familiar. El período que se aborda es el conflicto bipartidista, durante los años de 1950-1958, en la vereda Santa Helena y el municipio de Anzoátegui en la región del Tolima. Esta selección temporal y geográfica responde a la intención de relatar las vivencias de mi familia materna en aquella época. A través de la pieza artística – Ancho 4mts, Largo 3mts, Alto 2,30mts– se busca evocar estos territorios por medio de siete esculturas en bejuco –planta muy usada en la zona para la elaboración de objetos artesanales– y siete audios ubicados dentro de estos dispositivos, los cuales corresponden a testimonios recolectados a partir de entrevistas; el piso está totalmente recubierto de tierra. Otro elemento central es un video performance que retoma una práctica habitual en Santa Helena (hacía 1950) donde en las noches un vigía tocaba un cacho de vaca en lo alto de una montaña, con el propósito de anunciar la llegada de actores armados para que los pobladores emprendieran la huida. La gente escapaba cerca del cause del río con el objetivo de esconder las marcas de sus pasos para evitar ser encontrados.', NULL, NULL, '-Espacio blanco que se pueda oscurecer. Dimensiones: Ancho 4mts, Largo 3mts, Alto 2,30mts.\n-Iluminación focal para siete esculturas (seis van suspendidas del techo con armellas.) \n-El piso se recubre totalmente en tierra \n- Se debe contar con un video beam y con soporte.\n-Se requieren siete parlantes portátiles recargables con bluetooth, para ubicarlos al interior de las esculturas en bejuco para reproducir los relatos correspondientes a los testimonios de mi familia.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=98GmE_am7Ig', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3112, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2679, NULL, '2020-03-04 06:14:41', '2020-08-03 14:45:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5025, 'EIHPQccwc2tYpfXZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 06:15:53', '2020-03-04 06:15:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5026, 'zq9WIn3Xe0ndqwys', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 06:31:59', '2020-03-04 06:31:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5027, 'JG49jSSQPyhHdIZj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 06:45:48', '2020-03-04 06:45:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5028, '2u0MTARq9rKf7bDq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 07:12:09', '2020-03-04 07:12:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5029, 'ecvWhfv8ajYyXwOg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 07:31:55', '2020-03-04 07:31:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5030, 'sMfBMyvwPmegQg0X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 07:36:02', '2020-03-04 07:36:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5031, 'XuplIdzNMQHiMVLZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 07:41:58', '2020-03-04 07:41:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5032, 'ozSlQPkHFidPEg9o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 08:01:43', '2020-03-04 08:01:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5033, 'naPH5tznfpnVwyoz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 08:18:19', '2020-03-04 08:18:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5034, 'zyXYXtrFJfSKTkyM', 'Culto Cafe', NULL, 'Es una propuesta de un Ceramista y Barista para producir Tazas para Cafe, Cafeteras, metodos de extracion tradicionales de cafe y platería para café en cerámica-gres con diseño artesanal y enfocado en el  barismo.', NULL, NULL, 'Piezas elaboradas en torno alfarero y modelado a mano, con arcilla-gres, variedad de colores y tecnicas de decoracion primitivas, variedad de modelos y diseños. y utilizando materiales combinados como la madera, el hierro con tecnicas de envejecido y ceramica. ademas de arte pre-colombino.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 337, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 277, NULL, '2020-03-04 08:28:26', '2020-06-24 15:47:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5035, 'WPZQSdiTbUoCgjK8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 08:41:55', '2020-03-04 08:41:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5036, 'JRbRtmWrCIg0pDQ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 08:57:25', '2020-03-04 08:57:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5037, '9U1LzAvTkmBMXMJu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 08:59:02', '2020-03-04 08:59:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5038, '3AwVIU7MriG9ZK4o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 09:04:21', '2020-03-04 09:04:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5039, 'Vw0N07SvhsWC1AT5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 09:04:28', '2020-03-04 09:04:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5040, 'SYBefc8e3JXjhtja', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 09:07:20', '2020-03-04 09:07:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5041, 'L3Ewrtf1SLXirmT0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 09:13:24', '2020-03-04 09:13:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5042, '67Gql3zNGt7pb4YZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 09:46:06', '2020-03-04 09:46:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5043, 'AsYL686lTzjpCg0v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 09:59:59', '2020-03-04 09:59:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5044, 'Jn14sdVcTHb8ZHV5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 10:00:44', '2020-03-04 10:00:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5045, 'oQkeyFxWsMbeqzkn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 10:05:12', '2020-03-04 10:05:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5046, 'I6IgeqhujdgCdgjV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 10:21:30', '2020-03-04 10:21:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5047, 'w9cczeOA5Foqbt2h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 10:29:33', '2020-03-04 10:29:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5048, 'YvIY7hg9pZ1sM5rH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 11:09:16', '2020-03-04 11:09:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5049, 'wEl6rnd5EoZA4Xzs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 11:09:23', '2020-03-04 11:09:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5050, 'rqNX2xlG4gDNbsNs', 'Les Hijes de la vergüenza', NULL, '¿Somos un cuerpo o tenemos un cuerpo? \n\nEste proyecto comienza a partir de auto fotografiarme, buscando formas con mi cuerpo que rocen lo abstracto y experimentar sobre lo “grotesco” de cada forma que podía construir; siempre desde un lugar de auto conocimiento y exploración. A partir de ésto, pude transformar lo que siempre fue un ataque hacia mi cuerpo, en un cuestionamiento al patrón binario -por ende, hegemónico- de los cuerpos. No nos congelamos en el hecho de registrar que nuestro cuerpo no encaja si no re direccionamos esa energía para transformarlo en algo más fuerte y colectivo.\n Con este proyecto busqué hablar de que somos los cuerpos del medio, que no intenta llegar a los extremos de las corporalidades si no, mostrar la propia ampliación corpórea sin límites. Para ésto, elegí herramientas como que no aparezcan rostros, buscando que el espectador empatice directamente con el cuerpo y no con la mirada. Poder generar que cuando une esta enfrente de estas imágenes pueda imaginarse la cantidad de formas posibles que somos.\n Para ésto, una parte fundamental del proyecto fue problematizar la dinámica al momento de realizar las fotos. Poder crear un espacio de respeto y comodidad, dándole importancia al vinculo.\n Por fuera de buscar la sexualizacion del cuerpo para consumo, se convierte en un estudio casi antropomórfico de los cuerpos y sus formas. como no hay límites para nuestra creación, que no los haya para nuestros cuerpos.', NULL, NULL, 'Descripción técnica de la obra \nPapel: Obra recubierto\nSoporte: From board telgopor negro \nTamaño: 70X100 cada imagen \nTécnica: Fotografía en estudio \nCantidad de imágenes: 10\nLas imágenes serian pegadas a la pared con cinta doble faz', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 382, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 316, NULL, '2020-03-04 12:00:53', '2020-06-23 02:57:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5051, 'k8yBKDaPdBlT1z47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 12:02:08', '2020-03-04 12:02:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5052, 'wZGK1c7r2PynaArT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 12:12:16', '2020-03-04 12:12:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5053, '7tEiVgxFf3cqE3EU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 12:32:30', '2020-03-04 12:32:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5054, 'QKsNjSOs8rF0wd0z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 12:36:42', '2020-03-04 12:36:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5055, 'VtJ71cCCxYKPqkFR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 13:20:26', '2020-03-04 13:20:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5056, 'ABm98wrjvbzjDKvy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 16:24:28', '2020-03-04 16:24:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5057, 'pVvSSikuQgCV35MN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 16:32:10', '2020-03-04 16:32:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5058, 'f2fK7PaH52ocP6Vw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 18:11:17', '2020-03-04 18:11:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5059, '5pPQxR82Qnac3Rs9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 18:39:41', '2020-03-04 18:39:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5060, 'w8GbOOLOMvCQTVpR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 18:41:09', '2020-03-04 18:41:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5061, 'VCHbSOK52t9fedrf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 18:58:20', '2020-03-04 18:58:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5062, 'IU89u8nUzfUZMYF3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 19:23:01', '2020-03-04 19:23:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5063, 'eOxQ0n7mgWy7ZH34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 19:23:42', '2020-03-04 19:23:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5064, '8CbBxEuZGCp4sHw8', 'Nuevos retratos', NULL, 'El proyecto “Nuevos retratos” consiste en un atelier abierto donde los visitantes pueden acompañar la pintura que la artista Fava da Silva hará en el lugar. La artista pintará dos cuadros. Dichos cuadros no partirán de telas en blanco, sino que se harán sobre dos copias de pinturas ya existentes. El primer cuadro será pintado por cima de la impresión de la “Mona Lisa” (1506), también conocido como La Gioconda, una de las obras más célebres de Leonardo Da Vinci. El segundo, será sobre la impresión de la pintura “Abdução temporária” (Abducción temporaria), autorretrato de la artista hecho en 2017. \n\nPartiendo de estas dos impresiones, la propuesta de este proyecto es realizar dos nuevos retratos teniendo como base, por un lado, el cuadro que es probablemente uno de los retratos más famosos de la historia del arte y, por el otro, una pintura con el autorretrato de la propia artista. De esta manera, el objetivo es experienciar la tensión de trabajar sobre dos retratos de siglos tan distantes (y todo lo que eso implica: técnicas, materiales, función y concepción del retrato, etcétera), posibilitando la reflexión sobre el concepto de autoría y sus variaciones. En este sentido y a partir de la provocación que genera la lectura de los textos ‘La muerte del autor’ de Roland Barthes (1968) y ‘¿Qué es un autor?’ de Michel Foucault (1969), deseo trabajar el concepto de auto-biografía.', NULL, NULL, 'El espacio expositivo ideal para este proyecto es un atelier-galería grande, con aproximadamente 70 m2 en una sola planta. Por ejemplo: puede ser dentro de una sala de un centro cultural. Dicho espacio no debe tener subdivisiones, debe tener 3 mesas de apoyo y una pileta para lavar materiales de pintura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1255, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1091, NULL, '2020-03-04 19:35:39', '2020-07-17 01:27:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5065, 'bpckJ3Gs8Lc647yL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 19:47:10', '2020-03-04 19:47:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5066, 'JLDfaZLmgcv9dNS0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 20:18:19', '2020-03-04 20:18:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5067, '6aIjB41QD9S9C6ke', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 20:51:42', '2020-03-04 20:51:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5068, 'VcqF2BAc1uHBopGc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 20:52:47', '2020-03-04 20:52:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5069, 'QbhCijgoKH3kEXyy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 20:58:52', '2020-03-04 20:58:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5070, 's8evyFRk1N8v37ML', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:05:28', '2020-03-04 21:05:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5071, 'SQ6bmfpHq0eMA84r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:09:42', '2020-03-04 21:09:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5072, 'xmvz65UBCEPow8Jj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:17:02', '2020-03-04 21:17:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5073, 'BPjZYglEE4kpHvRL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:20:21', '2020-03-04 21:20:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5074, 'VM07Z7M6IGjLT3Mk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:22:44', '2020-03-04 21:22:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5075, 'hUvPIYn9Fv6GdSOa', 'Samora N\'Zinga - Del Afro al Trap', NULL, 'La presentación consiste en el espectáculo de Samora N’zinga que interpreta las canciones de su álbum D.A.A.T, un trabajo híbrido que abarca una mezcla de ritmos modernos y Culturas negras tradicionales, con Afrobeat y Hip Hop como eje principal. Los ritmos, letras y melodías del álbum D.A.A.T de Samora N’zinga son ideas sonoras, que hacernos viajar a través del tiempo, cruzando continentes hasta el punto más distante de la Tierra, eso está dentro de nosotros mismos. El \"cercano\" y el \"lejano\", el \"nuevo\" y el \"viejo\", el \"hombre\" y el \"Femenino\" se reinterpretan a través de la hibridación musical presente en el álbum, que reproduce con estas falsas dicotomías, mezclando idiomas y creando algo nuevo. Afrotrap fue el\nconcepto elegido para nombrar esta obra que cruzó fronteras e inauguró otra página en la historia de la música.\n\nD.A.A.T, es el trabajo más auténtico de Samora N’zinga, el resultado de 400 días de trabajo, un viaje intercontinental y muchas historias; el álbum de 12 pistas tiene contribuciones de 19 artistas de Brasil, Guinea Bissau y Mozambique. Djonga, DJ Spider, Paige y Ana Roberto, una mezcla de batería, trampa, poesía y música electrónica, sazonado con mucho funk y una buena dosis de samba, lleno del sonido único de M’bira, acordes de ukelele y toques ancestrales guiados por la oralidad del pueblo bantú y el forma brasileña de mezclar y hacer arte, sin olvidar nunca de dónde vino.', NULL, NULL, 'Etapa simple con las siguientes especificaciones técnicas (piloto y mapa de escenario) https://drive.google.com/open?id=1ykOIp12VMmbXLaWRfx0nj4BuAsG7NpFF', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=kJ4517PfXAA&feature=youtu.be , https://youtu.be/mUFzzwtDDV0', NULL, 'https://open.spotify.com/album/0vQ5Ee1oxpWL89JlQrCv25', NULL, NULL, NULL, NULL, NULL, 344, NULL, 54, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 284, NULL, '2020-03-04 21:24:54', '2020-06-23 02:58:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5076, 'WOy2sh78z8U1eFXF', 'A noite em Itabirito/MG | La noche en Itabirito/MG', NULL, 'Exposición fotográfica (15f) sobre los paisajes diarios del interior de Minas Gerais/Brasil:\n\nIglesia de Nossa Senhora do Rosário\nFue catalogado por su importancia cultural, tiene una fachada extremadamente simple con un frontón triangular sin torres. Es un lugar muy nostálgico para mí, es el lugar donde los niños juegan hasta el día de hoy a \"atrapar\" y \"esconder y buscar\".\nFotografía Nocturna\nDimensiones: 6000 x 4000 px | 50,8 x 33,87 cm\n\nMorro do Cristo\nUbicada en el punto más alto del municipio a una altitud de 1.179 metros, en Morro do Cruzeiro, la gigantesca estatua del Cristo Redentor tiene 18 metros de largo y es un símbolo cristiano del pueblo Itabiritense. Tiene una hermosa vista panorámica sobre la Serra da Piedade, el Pico do Itacolomi, el Morro do Chapéu y la Serra do Caraça que forman el fenómeno \"Mar de Morros\".\nFotografía Nocturna\nDimensiones: 7500 x 5000 px | 63,5 x 42,33 cm\n\nParroquia de São Sebastião\nUbicada en el centro de Itabirito, posee un diseño más limpio y hermosos vitrales, combinados con una admirable atmósfera de oración. La fotografía muestra la vida cotidiana, con los riesgos de los automóviles y las luces suaves al anochecer.\nFotografía Nocturna\nDimensiones: 6000 x 4000 px | 50,8 x 33,87 cm\n\nBoa Viagem\nVista parcial, el conjunto arquitectónico y paisajístico del barrio de Boa Viagem comprende la Iglesia Madre de Nossa Senhora da Boa Viagem y casas seculares del siglo XVII.\nFotografía Nocturna\nDimensiones: 4,581 x 2,831 px. El | 38,79 x 23,97 cm', NULL, NULL, 'Las fotos tratan de la luminosidad nocturna de una pequeña ciudad brasileña, por lo tanto, conceptualmente son adecuadas para espacios cerrados con puntos de iluminación tenues en las fotos y un entorno de circulación poco iluminado; ambientada con música instrumental de Minas Gerais. Las fotos se fijarán a la pared a la altura de los ojos.\n\n1)\nL=61,20 Cm\nA=42,33 cm\n\n2)\nL=50,8 Cm\nA=33,87 cm\n\n3)\nL=50,8 cm\nA=33,87 cm\n\n4)\nL=45 cm\nA=31,73 cm\n\n5)\nL = 4,581 px\nA = 2,831 px', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 396, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 329, NULL, '2020-03-04 21:30:33', '2020-06-23 15:36:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5077, '6npEmK9TcTTTeCPH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:34:33', '2020-03-04 21:34:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5078, 'GuDs75Dq5b6bjpOl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:44:51', '2020-03-04 21:44:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5079, 'W9UikScrJOkdzjIC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:49:49', '2020-03-04 21:49:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5080, 'UbrG1B8lCXcxLO6O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:50:51', '2020-03-04 21:50:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5081, 'ToozhFZdikjQbjL7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 21:54:30', '2020-03-04 21:54:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5082, 'Ib5JsED3Oysh3GzL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 22:08:36', '2020-03-04 22:08:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5083, 'nkw7N9zXeoqMRJDz', 'SEM NOME / SEM (cem) MORTOS', NULL, 'O que eu quero esquecer, mas o que eu preciso lembrar? \nHá um pote de cobras douradas no fim do arco-íris\nE isso não é uma descoberta\nTem dono\nTem forma \nTem vida \nDe longe vemos\nO sistema imunológico é a cultura\nDoente eu não fico \nSer ciência, ancestralidade ;e ser milenar \nÉ ser de dia / noite \nE ser de noite / dia \nA mãe que me pariu vive do outro lado\nMas já que se muda passado e futuro \nÉ melhor reconfigurar a memória \nSer como Exu, matar o pássaro ontem com a pedra que hoje atirou \nAbrir passagem na cabeça\nUm caminho de chegada de um DEUS poderoso \num DEUS MULHER \nBem PRETO, PRETA \nHá mais força no ventre que na morte \nE nisso vejo uma verdade naturalmente poderosa', NULL, NULL, 'O projeto pode ser exibido em espaço público com o suporte de projeção, uma instalação com TV em espaço público e/ou galeria de arte, no entanto, o que é o mais importante é que o vídeo seja projetado ou exibido com som audível.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1LsIEPEhFpgiyhRRhaNsk-YmJCNjfb9Nu/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 346, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 286, NULL, '2020-03-04 22:22:48', '2020-06-23 02:58:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5084, 'usAOeavPK7jOperJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 22:32:55', '2020-03-04 22:32:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5085, 'f0CxMNbm9wDt2wfm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 22:35:22', '2020-03-04 22:35:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5086, 'X1X7lJGKIkpgsd8T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 22:54:32', '2020-03-04 22:54:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5087, '4lv3FyznStmyjHRF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 23:08:54', '2020-03-04 23:08:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5088, '9EMcDBAOfaa1omp2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 23:11:12', '2020-03-04 23:11:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5089, 'dSRHyBMTYk74tXNe', 'El Paseo de la Fama', NULL, '519.7 billones de pesos cuesta anualmente la violencia a México. \nLa terrible violencia que azota a nuestro país, día tras día: \"estudiantes secuestrados y asesinados\", \"mujeres secuestradas y asesinadas\"... un fiel reflejo de todo aquello que hemos sacrificado y puesto en sacrificio. \nLa perdida de la inocencia y de la vida de todos los jóvenes y personas que no lo consiguieron.\nUn retrato de la soledad y la muerte que nos aguarda a todos nosotros y del peligro que los carteles o el mismo gobierno representan para todos nosotros. \n¡La pasarela de todo aquel que se ha vuelto famoso por su muerte!', NULL, NULL, 'Dimensiones: 50 X 70 cm.\nAño: 2019\nTécnica: Óleo y pintura en aerosol sobre tela. \nPrecio: 2,104,414 Euros\nEl espacio en donde se exhiba debe de ser de color rojo, en una atmósfera de penumbra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 414, NULL, 60, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 347, NULL, '2020-03-04 23:12:39', '2020-06-23 15:36:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5090, 'tHBj1Zx7i5Bwnnqd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-04 23:58:30', '2020-03-04 23:58:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5091, 'xPbLM59cRGfS4bQM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:18:28', '2020-03-05 00:18:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5092, 'nZnyPrqZL764MVXD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:24:53', '2020-03-05 00:24:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5093, 'rvGeE74xfgoEg1ap', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:27:39', '2020-03-05 00:27:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5094, 'OzvRexi4Bz7uXS9P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:35:51', '2020-03-05 00:35:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5095, 'fz56qrMctUYD61FV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:44:24', '2020-03-05 00:44:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5096, '8KOF19BzYBzxOgMW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:48:06', '2020-03-05 00:48:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5097, 'I5SdJ5ebQaZ923VT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:54:05', '2020-03-05 00:54:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5098, 'm0Dqlbfvf1pO4Y1V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:56:10', '2020-03-05 00:56:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5099, 'eqsih3zMBY5sqbqz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 00:56:14', '2020-03-05 00:56:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5100, 'YTuXY9fW1DyuFa8A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 01:18:13', '2020-03-05 01:18:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5101, '19flXOrznNReSNmW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 01:20:57', '2020-03-05 01:20:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(5102, 'uOmOyEmWGn1lkND1', 'BLUE THING', NULL, 'COISAZUL ( BlueThing) is a dance that takes place between people and blue puffs in the most diverse environments: in nature, in the streets, in monuments, in classrooms, in public transport, in social institutions, going to meet living beings for the composition of their inventions of worlds. This work started with the following problematization: Are we the ones that act on objects or are the objects that act on us? CoisAzul is a practical exercise of experiencing this question. The blue puff is an object of sitting that has the characteristic of malleability, lightness, breathing and the ability to interact with the body that is on it, under it, beside it ...\n\nThe idea is to build a new exposition with different islands of visual dance / audiovisual performances\naround a space exploring the art of transform and dialogue with a mutant thing, the blue thing,\nwho can be anything, everything, is a body, changeable, mutable.', NULL, NULL, 'For the expoSITION, the team is joined by a multidisciplinary team of artists from the scene, visuality and sound who invent possible worlds. In it, dance can be experienced by other materials and synesthetic approaches, where images, ambiences, sounds, textures, skins and puffs invite each person to also feel Coisazul.\nA multidisciplinar forms to see dance art by audiovisual experiences.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=01VlxnwPQIg&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 349, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 289, NULL, '2020-03-05 01:51:39', '2020-06-23 15:34:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5103, 'FAQEVrfeh3d5eR8s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 01:53:55', '2020-03-05 01:53:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5104, 'qMPG1yFaJFGGEw2q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 01:59:47', '2020-03-05 01:59:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5105, '3I0fcB4MaAj6cL3L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 01:59:54', '2020-03-05 01:59:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5106, 'Dba6GP1JZDyvchoc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 02:20:24', '2020-03-05 02:20:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5107, 'Tm5A8m7ivSGkOIEs', 'Perguntas do T.', NULL, 'Objetivo: exposição da obra incluindo episódios inéditos. Episódios curtos, com estrutura fixa. O artista faz as mesmas cinco fundamentais perguntas para diversas pessoas de diferentes classes sociais, crenças, culturas, etnias, gêneros, idades e profissões. 160 pessoas responderam às perguntas:\n1. Qual o seu nome?\n2. O que você faz?\n3. Quem é você?\n4. Pergunta surpresa sorteada na hora.\n5. Qual é a coisa mais importante de todas para você? \nPretende-se de forma científica e artística, vislumbrar características importantes sobre a pessoa que responde. E, em longo prazo, sobre a pessoa que pergunta.\nAs expressões faciais, os olhares, a linguagem corporal e as palavras escolhidas, unidas às respostas em si - sinceras ou não -, produzem um retrato completo.\nO conteúdo é o foco central da obra, mas sempre que possível procura-se melhorar as questões técnicas, para que a experiência se torne mais agradável e que se evidencie uma evolução.\nO “Perguntas do T.” é um projeto contínuo, em constante andamento. A ideia é chegar a 365 episódios, ordenados em ordem alfabética, como um livro dividido em verbetes, que são os indivíduos. Já foram gravados 160 verbetes - ainda há 205 por vir. Parte deles será exclusiva para a exposição até seu término. Então todos serão disponibilizados semanalmente no canal do artista.', NULL, NULL, 'No máximo cinco aparelhos de televisão de 40 polegadas - ou dispostos distantes um do outro, para não haver interferência sonora, ou com fones de ouvido disponíveis para o espectador. Cada aparelho exibirá ininterruptamente a sequência de “Perguntas do T.”, e cada aparelho exibirá episódios em ordens diferentes. A transmissão poderá ser feita através de um computador ou pendrive com os arquivos. Caixas de som melhorariam a qualidade do áudio.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/playlist?list=PLBo_fHJSdrvT3vAv33YV5Ad8qgK4pZwpR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 340, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 280, NULL, '2020-03-05 02:28:21', '2020-06-24 16:36:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5108, 'M6BjJbYB8jaTm2Z0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 02:36:22', '2020-03-05 02:36:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5109, 'eP27FMdQ8Lw5ilNK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 02:39:29', '2020-03-05 02:39:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5110, 'v2sAbm8CBmDuAP5D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 02:56:03', '2020-03-05 02:56:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5111, 've8lqGqSZlMc0ZCK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 03:15:10', '2020-03-05 03:15:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5112, 'IO4I34Ud7xLyCf3A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 03:24:07', '2020-03-05 03:24:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5113, '7itVKo8ZWLnZXOiF', 'Bebés.', NULL, 'BEBES, es una reflexión sobre la gestación, paternidad, embarazo, poder , femineidad, masculinidad, consumo.\neste proyecto, presentado en 2 maquetas busca la posibilidad de ser amplificado hasta lograr dimensiones mayores para acceder a la mayor cantidad de personas en espacios públicos.', NULL, NULL, 'Como espacio expositivo se busca la posibilidad de  ser construido en alambre(soporte)  y plastico(figuras), logrando una esfera de entre 1 a 3 metros de diametro,\nEn el caso del matraz, la intención seria abarrotar de bebes de gomaespuma azul algun recipiente de vidrio de las mayores dimensiones posibles.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 341, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 281, NULL, '2020-03-05 03:24:59', '2020-06-23 15:34:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5114, 'gXNUVavZ955I111C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 03:33:56', '2020-03-05 03:33:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5115, '9zyjAGthGE5mataR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 03:50:43', '2020-03-05 03:50:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5116, 'U5WPJK40cINJuUIT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 03:52:53', '2020-03-05 03:52:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5117, 'setQL60cqR9wM2aJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 03:52:59', '2020-03-05 03:52:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(5119, 'YuhYglIPPEEAG2r1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 03:55:27', '2020-03-05 03:55:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5120, 'aKRQwpY3zUuJXkpC', 'Apuntes: IV y V', NULL, 'Apuntes: IV y V, es una instalación de video a dos canales, proyectando dos películas: Notes IV, un sortilegio Moche en la costa norte del Perú; y Notes V, la transición del alma después de la muerte, basada en creencias Chumash de California. Rodadas en 16mm, las hipnóticas películas son filmadas en en el litoral Pacífico, en tierras antiguamente habitadas por estas comunidades nativas.\n\nAmbas películas forman parte de Notes on Connection, un a serie de cinco películas que a través del cine experimental, narrativa personal y mitologías, resaltan la importancia de reivindicar genealogías espirituales ancestrales.  Las películas aluden a mundos paralelos, creando representaciones visuales de la conexión intangible que compartimos con la naturaleza. \n\nEsta exploración nace de la fusión de mi herencia cultural ancestral: nacida en el Perú, descendiente de judíos turcos, emigrada a Estados Unnidos. Se informa también en investigaciones sobre cosmogonías del mundo andino, nativo americano y cabalístico y mitologías en las que existen múltiples realidades en simultáneo, donde los humanos y la naturaleza son un todo integral, perpetuamente entrelazados. \n\nLas creencias ancestrales que mi trabajo resalta están en peligro, ya que ofrecen cambios de perspectiva radicales que podrían potencialmente remediar muchos de los males de la sociedad contemporánea.\n\nNotes IV y V apuntan a esto al iluminar las similitudes y relaciones entre los lugares filmados y sus creencias ancestrales.', NULL, NULL, 'Proyectadas dentro del mismo espacio, éste deberá permitir que la audiencia se desplace de una película la otra. Ambas películas serán proyectadas en pantallas de grandes dimensiones, flotantes, que abarque un espacio grande en donde el cuerpo del lector se vea rodeado por sus imágenes. y con un sistema de sonido envolvente. Un sólo sonido envolvente acompaña a las películas, por momentos complementandose, y entrelazándose.  \nSala dedicada de 10x10 metros aproximadamente.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/383010583', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5955, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4899, 5, '2020-03-05 03:58:29', '2020-09-02 23:34:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(5128, 'FpN40NfnV4u9fNPF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 05:18:34', '2020-03-05 05:18:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5129, '9I7zTxLwAUYf2yQj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 05:42:21', '2020-03-05 05:42:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5130, 'IUgF8cIiq2NYYnn2', 'Aconchego Pictórico', NULL, 'Aconchego Pictórico é uma exposição de pintura que apresenta um conjunto de 7 telas, um projeto intimista de pintura, telas pintadas com tinta spray em um suporte de alumínio, nas dimensões de 125 x 125 cm. Dentro do lar o aconchego é resultado da nossa percepção sensorial do espaço, nada mais aconchegante que o nosso lar ou o que damos o status de lar. Na vida de um artista há um lugar ainda mais acolhedor: o atelier. No caso de Téo, seu lar é um atelier. A casa e o espaço criativo estão sobrepostos. Esta condição onde o espaço de trabalho é o espaço de afeto poderia resultar em desconforto, mas o artista se aproveita da condição cotidiana como ponto de partida para a sua série de trabalhos. A pintura não está imune à vida e ao lugar de criação, pelo contrário, em cada quadro paira uma aura de carga afetiva do lugar. A exposição Aconchego Pictórico é um convite de boas vindas ao íntimo do artista. É retornar - depois de tanto tempo recluso - ao lar cultural. É aconchegar o olhar e descansar seu lar pictórico.', NULL, NULL, 'Uma sala expositiva que comporte as 7 telas com espaçamento de 1,5m entre elas, aproximadamente. Para a apresentação, recomenda-se a instalação de catorze spots de LED direcionais, dois para cada obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3334, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2865, NULL, '2020-03-05 05:54:52', '2020-06-30 17:58:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(5165, 'xNFB9DgfVsOWgeQL', '\"La obsesión por la belleza\", diálogos (Antonio Berni y Paloma Navares)', NULL, 'Esta exposición busca reunir una serie de trabajos representativos de un mundo interior compuesto por lo femenino. El artista Antonio Berni realiza un diálogo con las obras de la artista Paloma Navares. Esta exposición surge a partir de la la serie de 12 serigrafías de Antonio Berni realizadas en 1976 que se integra con el mundo de Paloma Navares. Ella a diferencia de Berni nos muestra una percepción femenina en un mundo digital. La mirada de un hombre y una mujer que se interceptan en el punto de cohesión, llegando a dialogar con una  temática: “la obsesión por la belleza”.\n¿De dónde viene el concepto de la Belleza? Durante nuestra historia, los cánones y los iconos estéticos han ido evolucionando. El arte fue el principal preservador de esos cambios impuestos a la mujer. Plasmándolo en pinturas y esculturas, exhibiendo este problema social en las más importantes museos metropolitanos. Una imagen ideal de la Venus perfecta. Una mera concepción de la perfección femenina. La temática de esta exposición no es ninguna novedad. Las mujeres están sometidas a una opresión por su imagen que desencadena una inquietud para aparentar lo que no son. Actualmente esta obsesión se ha visto incrementada debido a las redes sociales, la televisión y las revistas que potencian y marcan una estética falseada. Paloma Navares plasma en sus obras la construcción del cuerpo con las imágenes femeninas o el retrato como reflejo de la mujer, la metáfora del tiempo, lo social, doméstico y la belleza.', 'Antonio Berni Rosario, argentino (Argentina Buenos Aires, 1905 - 1981 )\n\nfundacionantonioberni.org\nhttps://es.wikipedia.org/wiki/Antonio_Berni\n\n\nPaloma Navares, española (España, Burgos 1947)\n\nhttps://palomanavares.com\nhttps://es.wikipedia.org/wiki/Paloma_Navares', NULL, 'Medidas del espacio expositivo: \nMedidas variables, de 150 m. a 350 m. cuadrados\n\nObras: \nAntonio Berni\nGrabados (12 obras)\nPaloma Navares \nFotografías, objetos e instalaciones (el numero de las fotografías y las medidas de las instalaciones, irán seleccionadas en función al espacio expositivo destinado).\n\nSoportes y gráfica:\nGráfica: carteles, lonas, tríptico y catalogo\nVitrinas: los objetos \nProducción: impresión digital de las fotos (se puede hacer esta opción en lugar de transporte)', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1933, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1702, NULL, '2020-03-05 18:58:38', '2020-08-13 01:23:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(5183, 'sVF3UKNSLkYE2zjZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 22:07:18', '2020-03-05 22:07:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5184, 'BGOlEZLaBsFa3Ju7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 22:08:23', '2020-03-05 22:08:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5185, 'G4O5HdXiSYEsxAXh', 'SEU MALAQUIAS O GIGANTE DO ALTO...FAZ 8TENTA', NULL, 'Nosso projeto tem como objetivo de expor fotografias do Clube, ao longo dos anos em seus espaços e os mais variados ambientes de apresentações do grupo. E se propõe  levar ao público sua manutenção com ações de preservação, e salvaguarda da transmissão e difusão de saberes do seu elemento que rege o grupo...O Frevo, Patrimônio Cultural da Humanidade. Retratando nosso cotidiano nos ciclos carnavalescos e fora dele. Contextualizado todos os elementos vivenciados pelos integrantes do grupo. Desta forma vamos apresentar a nossa história e seus fazedores que espalham alegria, e uma forma acessível de colocar o publico interagindo com a musicalidade e a dança, Frevo!', NULL, NULL, 'o Espaço pode ser público, privado ou Ar livre\nAs dimensões ficam livre para o fácil acesso da população de modo geral', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=w8uKI2QP9F4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 342, NULL, 53, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 282, NULL, '2020-03-05 22:09:59', '2020-06-23 02:59:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(5195, 'VKLEmufrD5EakC1Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-05 23:55:06', '2020-03-05 23:55:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5196, 'yaoW7tAI5TaxFKTx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 00:10:46', '2020-03-06 00:10:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5197, 'dEkySv1kBmZIYm4A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 00:18:28', '2020-03-06 00:18:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(5227, 'i6th3TLI83xv2v2G', 'old school', NULL, 'El hip hop comenzó en los años 70, en las afueras de Nueva York, más específicamente en el Bronx, donde la mayoría de los habitantes eran inmigrantes, negros y latinos. Este movimiento cultural surgió como una forma de reducir / combatir la violencia y el crimen presentes en estas comunidades, que lucharon por sus derechos y por una vida más digna y desigual.\n\nEn ese momento, influenciados por un inmigrante jamaicano, DJ, mejor conocido como Kool Herc, las pandillas comenzaron a ver en la música, la danza, la poesía y la pintura, una forma de manifestar su realidad y contestación, luchando entre sí desde Una forma más consciente y sin sangre.\n\nDesde entonces, el Hip Hop se ha convertido en un movimiento cultural popular, conocido en todo el mundo y que incluso hoy, salva la vida de muchos jóvenes, sacándolos del mundo del crimen y las drogas, convirtiéndolos en ciudadanos del bien, con una mente más abierta. , más politizados y buscando cambiar la realidad de sus comunidades de manera pacífica.\n\nObjetivo general:\n\nPara retratar / exhibir algunos de los principales artistas que iniciaron, experimentaron y marcaron HIP HOP, desde los años 70 hasta los 90, un período de fuerte crecimiento para este movimiento cultural.', NULL, NULL, 'Método:\n\nEn total, se produjeron 12 pantallas, utilizando la técnica de pulverización en la pantalla. Todos son del mismo tamaño (60x80cm), y se mostrarán en caballetes o en las paredes, junto con carpetas se colocarán con la biografía de cada artista, para una mayor conciencia pública.', NULL, 'artist', NULL, NULL, 'http://g1.globo.com/mg/sul-de-minas/jornal-da-eptv/videos/t/edicoes/v/acontece-exposicao-old-school-hip-hop-do-artista-sul-mineiro-diego-style-em-pouso-alegre/6864754/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 351, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 291, NULL, '2020-03-06 03:48:13', '2020-06-23 02:58:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(5232, '2glwlNAu9u2GRfg1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 04:47:13', '2020-03-06 04:47:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5233, '4zBmgj8uGbY1Htdn', 'Perra Plástica', NULL, 'Perra Plástica es una pintura hecha con aerosol sobre el soporte del plástico transparente. Estos graffitis son un berrinche contra todas las reglas que el graffiti se ha inventado para ser considerado arte callejero y  así obtener la legitimidad de  galerías, museos y ferias de arte. \n\nPara la bienal propongo rayar con aerosol, in situ, una variedad de plásticos y que también tengan la posibilidad de ser intervenidos por el público. Estos plásticos se irían mudando a lo largo del tiempo, cambiando así las composiciones y permitiendo nuevas intervenciones de parte del público. Por la naturaleza del material y el movimiento de los plásticos la pintura por sí misma generaría otro tipo de marcas.\n\nLa idea es despojar al graffiti de su carácter serio, de su competitividad, de la supuesta función social/política que debería tener y de la necesidad de una única autoría . Resaltando los valores del desgaste, la multiplicidad, la posibilidad de la movilidad y del encuentro.', NULL, NULL, 'Cualquier lugar en el espacio público que tenga afluencia de público y en el que se puedan colgar varios plásticos. El  original mide 3  por 1.20 metros pero la idea sería unir varios para generar un diálogo entre el público, el espacio y mi propia intervención.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1065, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 916, NULL, '2020-03-06 04:58:05', '2020-06-23 02:32:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(5241, 'jenTQ86DeIR4YSbC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 06:33:24', '2020-03-06 06:33:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5242, 'QO8OStL4EdD7OohI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 06:51:29', '2020-03-06 06:51:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5243, 'C24FWwrOkk9MPLex', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 07:08:41', '2020-03-06 07:08:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5244, 'UiHe2wMo3eB8oEES', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 07:27:13', '2020-03-06 07:27:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5245, '0Dg145mEmhvo385h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 08:14:41', '2020-03-06 08:14:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5246, 'VNz4IVi6o5vxqxdC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 08:40:18', '2020-03-06 08:40:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5247, 'RYr8paybQ2jurFhF', 'Energía+21', NULL, 'Petróleo, electricidad , gas, carbón,piedra,lava,  minerales, agua y sol. Todos estos elementos generadores de energía se alojan en la Patagonia Argentina, que como  una gran usina, un cuerpo vivo ,una gran matriz  transmuta las energías de las naturaleza para dar vida.\nLa energía es la línea y el viaje que supone esta propuesta la abordará en diferentes planos, puntos de partida, tránsito y final, A través de dibujos, pinturas e instalaciones, con herramientas sonoras y lumínicas: El plano, el territorio, el genoma.\n1- Plano- Montaje de gigantografías de imágenes de drones de paisajes patagónicos que incluirán represas, plantas de extracción,parques industriales y eólicos  intervenidas con dibujos y pinturas(sala 1)\n2-Territorio- La línea en el paisaje: indagando en la materialidad de la naturaleza a partir de los que se generan esas energías (sala 2). Intervención de la sala con materiales y puesta que simbolizaran el agua, la montaña, montaje lumínico para el sol, ventiladores para viento.\n3-Genoma- La línea a nivel celular: ¿La energía de nuestro territorio delinea nuestro ADN?¿ Hasta que  punto nuestro ser es   producto del territorio que habitamos? delineando las tramas que pueden ser vistas a través de supermicroscopios, ,la energía primordial de las células y la conciencia (sala 3).Sala oscura iluminada por una lampara central con calados que gira por calor desde la que se proyectarán los dibujos del artista sobre las paredes en continuo movimiento, sonido percusivo.', NULL, NULL, 'La propuesta  ha sido planteada para ocupar 3 espacios o salas de exposición simultáneas, interiores, con acceso a energía eléctrica que a la vez pueden separarse, concretándose la realización de cada una por separado. Una de las salas debe permitir la posibilidad de ser oscurecida. La dimensión de cada espacio no es un requerimiento , ya que la propuesta  puede adaptarse a cualquier espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://zonketrafe.wixsite.com/marianoalvarez/paintings', NULL, NULL, NULL, 1875, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1647, NULL, '2020-03-06 08:44:38', '2020-06-23 01:58:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5248, '5jjBwlcf95i8V2nP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 09:00:44', '2020-03-06 09:00:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5249, 'f9ULa1d31cl9nHoE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 09:20:44', '2020-03-06 09:20:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5250, '4XefLoGlvAUN5LCO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 09:30:27', '2020-03-06 09:30:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5251, 'b9EqBKInK6FGZUnp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 09:44:22', '2020-03-06 09:44:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5252, '1rIbsMZZQo2paRPU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 10:04:15', '2020-03-06 10:04:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5253, 'drtJ2dTUoP0RoYn8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 10:04:59', '2020-03-06 10:04:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5254, 'bRcu0CioGfIVDpxe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 10:14:44', '2020-03-06 10:14:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5255, '3lVkOonSbAwwrj9V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 10:14:45', '2020-03-06 10:14:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5256, 'WSXooHQSFqgPVTSz', 'PATEA CON LAS DOS', NULL, 'Desde la representación social el fútbol esta sexuado y sumergido en el género, teniendo gran participación en la construcción subjetiva y de dominación masculina en contextos populares, como la calle y el barrio. Este deporte se muestra como una distinción de poder y de violencia simbólica para quienes lo imponen y los que se expulsan por no corresponder al molde\nEn este sentido, el balón de fútbol deteriorado es utilizado como una metáfora de un cuerpo frágil, de la otredad que desdibuja la idea de masculinidad preconcebidas socialmente a través de la conexión con otras materialidades y elementos que a nivel cultural sobrepasa los ideales. \nEsta propuesta busca agitar las construcciones normadas, a partir del otro, el clandestino, el que se oculta bajo el tabú y a su vez los que se muestran bajo el doble sentido para permitirse vivir bajo lo “ambiguo”.\n«Patea con las dos» es transitar dentro de los opuestos,  dentro de lo masculino y lo femenino, es la libertad y la autonomía. Esta serie es una muestra de las alteraciones del lenguaje, el sentido de las cosas, los objetos, la corporalidad y las acciones.', NULL, NULL, 'La serie está compuesta por cuatro fotografías enmarcadas  en formatos de 70 cm de ancho por 50 cm de alto (horizontal). En composición simétrica.  Las dimensiones del lugar para la muestra debe ser de 2 mts de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 347, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 287, NULL, '2020-03-06 10:16:41', '2020-06-24 15:48:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5257, 'LilPjWRDbtPTnjms', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 10:32:22', '2020-03-06 10:32:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5258, 'qVkL9Q1igXcQi4iM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 11:50:32', '2020-03-06 11:50:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5259, '7KnQ2rl88C7mGX2U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 13:25:42', '2020-03-06 13:25:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5260, '0jG54GDUBKIUGwV4', 'Nostalgias', NULL, 'Nostalgias es un proyecto que cuestiona los puntos positivos y negativos de este sentimiento y plantea la problemática de su utilización en marketing y política. Se trata de intervenciones efímeras, secuencias de seis afiches pegados unos junto a otros en el espacio público.\nFrecuentemente la nostalgia ha sido percibida como algo negativo ya que muchas veces se la confunde con la melancolía.  No obstante, estudios científicos recientes demuestran que, por el contrario, la activación de los recuerdos nostálgicos permite luchar contra la tristeza y forman una protección contra los sentimientos negativos.  \nSin embargo, es importante denunciar el uso comercial que se le da a la nostalgia ya que ésta nos predispone a pagar más por un objeto que deseamos. Aquello que nos recuerda que todo tiempo pasado fue mejor, tendrá mejor venta.  O como también la nostalgia es utilizada en política.  El caso más claro es el del eslogan de campaña “Make America Great Again” utilizado por el actual presidente de los Estados Unidos, pero también antes de él por Ronald Reagan y para algunos discursos de Bill Clinton, de ahí que la palabra “again” aparezca repetida tres veces.\nEl objetivo es la construcción de nuevos puentes de diálogo a través de imágenes o frases que conocemos todos, pero mostradas desde una perspectiva diferente para crear espacios de pensamiento en la vía pública.', NULL, NULL, 'Series de 6 afiches de formato 50x70cm (vertical) sobre papel afiche de 135 grs mínimo a ser pegados sobre la pared.\nPosibilidad de exponerse tanto al interior como al exterior, pero con una preferencia por lugares abiertos del tipo fachadas o muros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 795, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 664, NULL, '2020-03-06 15:38:51', '2020-06-24 16:19:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5261, 'wXD4LhtFMpYXPUeG', 'Postdigital flipbook', NULL, 'Postdigital flipbook\n2019, video algorítmico, 4m30s, Full HD, sonido estéreo.\n\nUn algoritmo explora Internet indexando imágenes que muestran rostros. Dichas imágenes, que se cuentan por millones, son clasificadas por proximidad de rasgos faciales utilizando una red neuronal.\nDesplegadas una tras otra, las imágenes producen una animación que evoluciona a lo largo del cuadro: personajes anónimos se fusionan con celebridades antiguas y contemporáneas a lo largo de transiciones sorprendentes, y un meta-rostro parece emerger en un nuevo espacio heterogéneo y disruptivo, que no cesa de autogenerarse.\nLa componente visual del \"big data\" se transpone así de manera lúdica en forma de una animación imagen por imagen, evocando los orígenes del dispositivo cinematográfico.\n\nPostdigital flipbook\n2019, algorithmic video, 4m30s, Full HD, stereo sound.\n\nAn algorithm explores the web by indexing images showing faces. These, which account for millions, are classified by proximity of facial features using a neural network.\nDisplayed one after another, found images produce an animation that evolves throughout the frame: anonymous people merge with old and contemporary celebrities along surprising transitions, and a meta-face seems to emerge in a new heterogeneous and disruptive space, which continues self-generating.\nThe visual component of big data is thus transposed in a playful way in the form of an image-by-image animation, mirroring the cinematographic device at its origins.', NULL, NULL, 'Puede presentarse en una pantalla sobre zócalo o colgada a un muro, y también en proyecciones de tamaño variable en función del espacio asociado.\nPuede igualmente formar parte de una selección de obras compartiendo el dispositivo de restitución con otros artistas.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/337076008', 'flipbook', NULL, NULL, NULL, NULL, NULL, NULL, 350, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 290, NULL, '2020-03-06 16:38:49', '2020-06-24 15:48:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5262, 'anAlt28gJyPqfXXw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 16:56:25', '2020-03-06 16:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5263, 'tYNRVtREgNlSbNzy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 17:06:31', '2020-03-06 17:06:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5264, 'yFQIbsdhlYoXgvR3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 17:20:44', '2020-03-06 17:20:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5265, '42jKIi6KPxx9MB1x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 17:58:17', '2020-03-06 17:58:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5266, 'XFnuYpP1Z3tjaubG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 18:36:43', '2020-03-06 18:36:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5267, 'AuuNRFOHgnzu1Bby', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 19:20:06', '2020-03-06 19:20:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5268, 'k2kYPHvjMLLj9so8', 'Imagen en contexto', NULL, 'Hablar de la población carcelaria implica referirse a un universo muy amplio y complejo, por ello las visiones al respecto pueden plantear panoramas incompletos e inexactos. Las formas gráfico-discursivas dominantes, apuntan a la imposibilidad de una reinserción social. La lectura que realizan los medios de comunicación hegemónicos, a partir  de su propia agenda, está cargada de estigmatizaciones que robustecen el rechazo social.\nEste proyecto se propone hacer una lectura y una producción en torno a la población carcelaria desde aspectos que vinculan  imagen y  palabra. La propuesta complementa proyectos de investigación visual que desarrollé con anterioridad, en los que indago a través de la gráfica, el dibujo, el collage y los fotomontajes, la relación entre los imaginarios gráfico discursivos y las representaciones que los medios de comunicación realizan en torno a la vida en el aglomerado urbano del Área Metropolitana de Buenos Aires( AMBA).\nEn este caso realizo la siguiente pregunta: ¿Una cárcel puede ser sede de una Bienal de Arte?. El objetivo es reflexionar sobre el contenido estético de ese territorio y sus imaginarios en relación al llamado mundo exterior.\nPresentaré una instalación gráfica compuesta por dibujos, collages, afiches, fotografías y recortes periodísticos.\nSimultáneamente realizaré un taller de poesía visual y gráfica con los internos. Las imágenes que surjan se sumarán a la instalación, generando una producción artística colectiva y dinámica.', NULL, NULL, 'Galería Pasillo, es un espacio expositivo perteneciente al Centro Universitario San Martín/UNSAM Unidad penal 48, Complejo Penitenciario de José León Suarez, San Martín (Buenos Aires). La oferta educativa está compuesta por las carreras de Sociología y Trabajo Social, dictadas por el IDAES, además de talleres artísticos. Sus estudiantes son mujeres y varones detenidas, junto con agentes del SPB. Tengo excelente relación con quienes coordinan, hemos llevamos a cabo otras propuestas juntos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=mEq9zVi76A0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2856, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2479, NULL, '2020-03-06 19:20:43', '2020-08-14 16:50:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5269, '9t9oV217eyvxhsjF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 19:21:29', '2020-03-06 19:21:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5270, 'e0TUqq3P1Pi55hkc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 19:40:58', '2020-03-06 19:40:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5271, 'yizOOuuBptSEl9kY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 19:41:02', '2020-03-06 19:41:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5272, 'p9Hw1aCKkaVr9WMf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 19:41:46', '2020-03-06 19:41:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5273, 'W25v7U8mLEjEyA7m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 19:52:25', '2020-03-06 19:52:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5274, 'AR0FV6B8ssvy6DoX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 20:15:50', '2020-03-06 20:15:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5275, 'KWVgCGfliY9TSszI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 20:16:44', '2020-03-06 20:16:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5276, 'IKwxXItLxsCbkizo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 20:32:08', '2020-03-06 20:32:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5277, 'mexFFmXpwDU8iudw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 20:49:19', '2020-03-06 20:49:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5278, '6cDIwLYzabDQolsI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 20:54:20', '2020-03-06 20:54:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5279, 'QjAABmuRYEFEQeQn', 'Como colocar ar nas palavras', NULL, 'O caderno 2 se monta como um trabalho da série: Como Colocar ar nas palavras para esta serie proponho um conjunto de 15 telas com 45cm cada, os fios de cobrem se expandem com a pressão do ar criando diálogos e conexões entre as telas. \nOs imagens surgem como escrita criadas em uma serie de cadernos que venho produzindo a dois anos essa escrita elas refletem as experiências e reflexões sobre as multiplicidades dos femininos, a condição geopolítica dos corpos operários, periféricos e vulneráveis, a abstração e a ancestralidade.\nComo colocar ar nas palavras é uma pesquisa que propõe diversas reﬂexões em torno de questões relativas à abstração e suas práticas de liberação em face a crise da representação; aos conﬂitos das normas da linguagem e do corpo além de ampliar o debate geopolítico que envolve memória, economias da precariedade, tecnologias e as relações de poder entre o discurso e a palavra. \nEssa pesquisa se desdobra em um conjunto de obras com diferentes formatos e suportes que variam entre, escultura, gravura, desenho, instalação, textos e objetos.', NULL, NULL, 'Parede com tamanho de 3.60 x 2.50.\n\nobs.: as opções para tipo do projeto não aparecem. Projeto tipo instalação/escultura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=1HUdp0IzWVYElhnWi5PkOkuVZbLWyweLC', 'link: com portfólio e detalhes do trabalho', NULL, NULL, 776, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 653, NULL, '2020-03-06 20:57:59', '2020-07-10 00:56:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(5280, 'TNsm5Y4QhyXxW4jY', 'Pele Queimada', NULL, 'Como projeto para a Bienal Sur apresento 6 obras inéditas produzidas em 2020. São objetos em couro com jogos de significações e discurso a partir de procedimentos formais, aproximando cada objeto de uma imagem específica. \n \nO Couro: Desde que comecei a produzir venho trabalhando com o couro por ser um material que se relaciona com o corpo, a pele, ao mesmo tempo em que é produto de uma das principais atividades econômicas do Brasil, a pecuária, reforçando o passado-presente extrativsta. A partir da minha primeira obra em couro eu busco aproximá-lo da imagem e linguagem litorânea, tão reproduzida no país, forçando assim uma relação entre realidade pecuarista (campo) e imaginário litorâneo (praia).  \n\n\nLista de obras: \n\nSol, 2020. Couro, virola naval, tubo de alumínio, cabo de aço. 167cm x 147cm. \n\nLua, 2020. Couro, tubo de alumínio, cabo de aço. \n190cm x 128cm.\n\nChapéu de palha, 2020. Couro, fio de nylon. \n60cm x 50cm x 55cm. \n\nBúzios (Choker), 2020. Couro, búzios, tubo de alumínio, cabo de aço. 180cm x 105cm. \n\nConstelação (Tamaquaré), 2020. Couro, miçangas, tubo de alumínio, cabo de aço. \n174cm x 148cm. \n\n Eclipse, 2020. Couro, tudo de alumínio, cabo de aço. \n130cm x 128cm. \n ', NULL, NULL, 'A instalação de todas as obras é simples e pode ser feita diretamente na parede ou no teto do espaço expositivo fixando ganchos pequenos. A obra Chapéu de palha, 2020, é a única que precisa de algum apoio horizontal, podendo ser um cubo ou uma prateleira fixa na parede. \nPara as obras é preciso um espaço que comporte instalação no teto (preferencialmente), ou então em paredes. Por serem obras de grande formato é preciso um espaço que comporte com respiro um obra entre 2m x 2m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 391, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 324, NULL, '2020-03-06 21:17:18', '2020-06-24 16:08:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5281, 'iKhXafUST7jOe2ZQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 21:19:32', '2020-03-06 21:19:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5282, 'iBUlmT89vmc5k1Sy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 21:29:32', '2020-03-06 21:29:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5283, 'puYCUzzlzhMNi9b9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 21:38:07', '2020-03-06 21:38:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5284, 'YwBi62qiHKeBvZ6V', 'Castillo de la Inocencia', NULL, 'Castillo de la Inocencia es una historia que cuestiona las narrativas y los mitos que dan forma a nuestra percepción de protección, violencia y verdad en la conciencia colectiva.\n\nUbicado en el Museo de los Niños de Costa Rica, el proyecto utiliza imágenes de archivo y producción original realizada en el museo, entrelazando múltiples capas de la historia del edificio para reflexionar sobre las estrategias utilizadas por las estructuras de poder para construir y controlar la identidad social.\n\nEl complejo que alberga el museo sirvió inicialmente como una prisión de máxima seguridad, sin embargo, debido a administraciones fallidas y la ausencia de reformas penales, la prisión presentó una serie de conflictos como disturbios, incendios, corrupción y sobrecapacidad. A lo largo del Siglo XX, la prisión se convirtió en un entorno inhóspito, hasta que finalmente cerró en 1979.\n\nCatorce años después, el edificio reabrió como un museo para niños: un lugar diseñado como un parque de juegos.\n\nHoy, el museo vive en un estado de nostalgia; objetos imaginativos se utilizan como dispositivos educativos, reproducciones de celdas y una serie de artefactos de la antigua prisión replantean el oscuro pasado del edificio, construyen una versión diseñada de la verdad y adaptan nuestra relación con el poder.\n\nAl confrontar la validez de estas intricadas nociones, los coloridos entornos y réplicas históricas del museo comienzan a revelar sus contradicciones; la fachada comienza a desvanecerse.', NULL, NULL, 'Proyecto documental artístico vinculado a la investigación y el análisis de las condiciones de las imágenes contemporáneas, la revisión histórica y la conceptualización visual de estrategias de poder y control.\n\nEl proyecto se propone en un formato expositivo museístico o de galería, con un montaje en pared.\n\nLa selección de imágenes (el proyecto posee 30 imágenes), la artículación del discurso y la edición se trabajará con el curador para beneficiar el diálogo como punto de encuentro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 353, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 293, NULL, '2020-03-06 22:05:18', '2020-06-24 15:48:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5285, '1jADB64Csr9lMh9R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 22:18:55', '2020-03-06 22:18:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5286, 'nByMBzrOY9LyxCBb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 22:44:12', '2020-03-06 22:44:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5287, 'H051mhvgX90OuAub', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 22:50:03', '2020-03-06 22:50:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5288, 'vp5K5NuHaz3NnZsO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 23:17:19', '2020-03-06 23:17:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5289, 'KjaCEM6h8Qa5Izn7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 23:25:59', '2020-03-06 23:25:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5290, 'hliQ2NOr05qfNvC5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 23:27:41', '2020-03-06 23:27:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5291, 'xyiovFmpBLD4Y8NA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-06 23:49:03', '2020-03-06 23:49:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5292, 'leMpL17GDwOhNRqu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 00:11:44', '2020-03-07 00:11:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5293, 'ct4IcKWtGYZ6VrzF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 00:23:49', '2020-03-07 00:23:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5294, 'cfwWrzFu6jdMeZsj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 00:35:33', '2020-03-07 00:35:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5295, 'qvVXs4w7G1KPvfO7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 01:34:45', '2020-03-07 01:34:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5296, 'XNbR5ReOKB9YCwia', 'Obra Activa', NULL, 'Descripción conceptual\nProyecto Obra Activa trata sobre el juego, una actividad que en principio se considera como propia de niños/as, sin demasiada trascendencia.\nInvestigando entre las teorías escritas acerca del juego, voy a citar una idea del psicólogo y pedagogo Jerome Bruner, la cual sirve de basamento al proyecto.\n\"Jugar no es tan solo una actividad infantil. El juego para el niño y para el adulto es una forma de usar la inteligencia o, mejor dicho, una actitud con respecto al uso de la inteligencia\"\nEn este sentido pienso Obra Activa como una experiencia estímulo para acciones, un espacio para pensar. \nEl objetivo es desarrollar procesos de producción para diseñar piezas con un potencial lúdico, que induzcan a acciones como mover, girar, apretar, acariciar,subir, bajar, apoyar cosas, dibujar,  a pensar en juego. Es una obra para todos, chicos y grandes, familia.\nCaracterísticas formales\nObra Activa está compuesta por piezas cortadas con forma de figura geométrica regular; de un tamaño que permite que una persona la pueda tomar para su instalación, sobre una pared. El proceso de producción se rige por una economía de recursos, se construye a partir de materiales descartados (cartón,maderas, aglomerados, envases plásticos, tetra pack, etc.) , procesos simples y eficaces ( lo que implica una producción seriada), y que garanticen la segura manipulación y durabilidad de las piezas.\nEl tiempo de producción está en relación a la superficie que se destine a la Obra.', NULL, NULL, 'Ubicación de la Obra\nPuede ser un espacio vertical, una pared, o una combinación de espacios, paredes verticales , inclinadas o espacios horizontales. Debe ser protegido de la intemperie, ( lluvia directa) que permita perforar para introducir tacos de fijación ( Fischer); las medidas pueden ser variables y según la altura de montaje es necesario una escalera y una fuente de electricidad cercana. La iluminación es frontal y pareja en toda la superficie. No requiere mantenimiento.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 602, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 507, NULL, '2020-03-07 01:38:46', '2020-06-24 15:54:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5297, 'XdGxOzRCkrHZGpAz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 01:54:57', '2020-03-07 01:54:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5298, 'JU9L2gqKB43Yr8If', 'Resistência', NULL, 'The tattoo was made on the central axis, purposely to cause tension in the spine and the peripheral nervous system.\nClassified as an extension of the central nervous system (CNS), the spinal cord consists of the encephalon and spinal cord. It begins in the lower part of the brainstem and terminates in the lower dorsal part, thus forming the medullary cone.\nA collection of nerves, known as the cauda equina, leaves the lower part of the spinal cord (medullary cone) and serves to provide us sensibility and movement in the legs.\n\n \n\nThe tattoo as done in this region, causes involuntary movements and pain in other parts of the body, where the tattoo is not being done, in addition to dizziness and headaches. The intention is in every action, the tattoo be done within the stroke, until one day, this whole map is painted red.\n\n \n\nThe countries of Latin America walk together, strain together and the red symbolizes blood but also revolution, that after the tattoo, the blood is staked in a white fabric, like a flag.\n\nWe will resist.', NULL, NULL, 'The work is a video-performance, but I am also available to do it (and leave the \"flag\" with the tattoo mark exposed in space)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/233473348', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 354, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 294, NULL, '2020-03-07 02:36:47', '2020-06-23 15:35:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5299, 'OP7INVhCLeIIBTgW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 02:40:30', '2020-03-07 02:40:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5300, '98sEQF8Q0B6EOWFf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 02:48:28', '2020-03-07 02:48:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5301, 'bVhQDCxSdvQp1B8u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 02:55:40', '2020-03-07 02:55:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5302, 'mALjZZrsIygepq9u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 02:59:47', '2020-03-07 02:59:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5303, 'YRAyHTlc7DAQ4woM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 03:06:36', '2020-03-07 03:06:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5304, 'Um1xUB1BC9Uw9tWI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 03:17:31', '2020-03-07 03:17:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5305, 'wrHaTJ8P7j5dXD6x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 03:43:17', '2020-03-07 03:43:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5306, 'gtQgtiZH5GofGCgX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 03:47:35', '2020-03-07 03:47:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5307, 'I3fTvqJQdFJ8D4iw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 03:50:30', '2020-03-07 03:50:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5308, 'M3zSq1v5kFjZ4Ln9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 04:18:20', '2020-03-07 04:18:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5309, 'B931rfhFtv6iyfhA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 04:41:45', '2020-03-07 04:41:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5310, 'y5YkrUtYurm5YxXt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 04:46:15', '2020-03-07 04:46:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5311, 'zTV72lntAL64aaN6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 04:52:58', '2020-03-07 04:52:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5312, 'OOxrb0IZEJdBe4Ho', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 04:58:49', '2020-03-07 04:58:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5313, 'r86sCRKpA9hEvPLU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 05:43:31', '2020-03-07 05:43:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5314, 'h2lJ6vKvxnGUU6UK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 05:51:02', '2020-03-07 05:51:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5315, 'bfBFfvyndSLAzfWi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 06:35:28', '2020-03-07 06:35:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5316, '1vh8dcBBpz45OYS7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 06:35:29', '2020-03-07 06:35:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5317, 'pDp6sPvQjJD2LAAI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 06:40:18', '2020-03-07 06:40:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5318, 'iuWOQfg7XpGZTIpG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 07:48:37', '2020-03-07 07:48:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5319, '4O5cQSJHhcxsCv9A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 08:10:32', '2020-03-07 08:10:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5320, '6wNzJJPqpkx27XLc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 08:38:29', '2020-03-07 08:38:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5321, '9pDzOGPVz59ZTm5P', 'Actos de Resistencia', NULL, 'En pequeños e imperceptibles\nresquicios de nuestra ciudad,\nhabitan estos seres\nque prosperan milagrosamente,\ndemostrando el inagotable poder de la vida.\nBelleza oculta que surge\nen espacios casi invisibles\ndonde la naturaleza recupera su lugar,\nprevaleciendo sobre el concreto gris\ny el metal inerte.\nJardines naturales que crecen\ny se transforman constantemente,\ncomo actos de resistencia\nfrente a la urbanización desmedida\nque cubre nuestra tierra de cemento.\nMicro-paisajes urbanos,\ndiminutos ecosistemas\ncuya existencia anónima\nconstituye una prueba\nde la constante transformación del universo.\n\nExploración visual, arqueología de los “no lugares”.\nEs asombroso y -en alto grado- simbólico el sentido contradictorio de estas relaciones. \nResiliencia, temporalidad, resistencia, simbiosis, muchos conceptos se hacen evidentes\nen estas instalaciones naturales cuya supervivencia nos ofrece una señal de esperanza.\nOposición de texturas: naturales y orgánicas / rígidas e inertes.\nVida y muerte.', NULL, NULL, 'Al ser un proyecto fotográfico, y por las características mismas de la serie, se puede adaptar a diferentes espacios. \nLas dimensiones de las obras son variables y corresponderán al espacio de muestra. \nInicialmente planteo un mínimo de 10 fotografías en formato medio - aproximadamente 70 x 50 cm cada imagen (65 x 85 cm con marco)- para ser expuestas en recinto cerrado en un espacio de 4 x 2 mts. de acuerdo a una propuesta de montaje. \nTambién se podrían exhibir a gran formato en espacio público', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 430, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 363, NULL, '2020-03-07 09:04:50', '2020-08-08 01:29:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5322, 'CyHiRXvgUfb5MPy1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 09:18:52', '2020-03-07 09:18:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5323, 'xYkPbVKiat8GumoD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 09:19:42', '2020-03-07 09:19:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5324, 'fLIWl6kBfEE4lNt5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 09:19:48', '2020-03-07 09:19:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5325, 'zcM1nTwddv16MA5e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 09:41:11', '2020-03-07 09:41:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5326, 'R5nFqjVNKJLeoOVG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 10:05:12', '2020-03-07 10:05:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5327, 'Uzt5ATiMb71vDpp0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 10:34:59', '2020-03-07 10:34:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5328, 'TsBIqfL5SZmw224K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 10:35:01', '2020-03-07 10:35:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5329, 'SBwtzdNRRqOYig7A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 17:20:04', '2020-03-07 17:20:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5330, 'cbuazkzLfW4az3OQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 18:23:27', '2020-03-07 18:23:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5331, 'L8J4vvQUa1nlE5NN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 18:27:30', '2020-03-07 18:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5332, 'wj0iRsZcDMAQBX57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 18:57:31', '2020-03-07 18:57:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5333, 'aXZvrpyTEHCb3Whv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 19:27:48', '2020-03-07 19:27:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5334, 'yaoT5Cm7C27Spx1f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 19:27:50', '2020-03-07 19:27:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5335, 'kFqT2JpJpBsHXzeZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 20:03:09', '2020-03-07 20:03:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5336, 'jYBkGfpaMQsKqFwJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 20:06:02', '2020-03-07 20:06:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5337, 'i3BJOb5ob0J5nn3U', '(non) FINIS', NULL, 'El proyecto consiste en la realización de una breve serie de exposiciones de corta duración, en donde confluyan obras y procesos de trabajo que utilicen distintos lenguajes artísticos de forma simultánea, integrando artistas de la Patagonia sur chilena y argentina. Como tema disparador de la convocatoria, se propone la idea de “límite”, en un intento de discutir la insistencia en delimitar las producciones artísticas de la región en relación al espacio insular, inhóspito y aislado del sur del continente, y abrir la puerta a otros imaginarios contemporáneos. \n\nComo equipo que piensa una curaduría desde Tierra del Fuego, encontramos antecedentes en las ediciones del MAF (Mes del Arte Fueguino, 2011; 2012; 2014), así como \"Naufragio\" expo colectiva de arte austral Chile/Argentina (2018; 2019). Las mismas habilitan el cruce transfronterizo entre producciones artísticas de ambos países, e invitan al mismo tiempo a poner en cuestión imaginarios y lugares comunes sobre esta geografía, cuestionando incluso el trazado político de las fronteras.\n\nCada sede de exposición -en ciudades como Ushuaia, Río Grande, Río Gallegos, Punta Arenas, Puerto Natales- es pensada como espacio de intercambio y formación de públicos desde activaciones específicas como charlas sobre el tema relacionado con la muestra, conversatorios con los artistas, proyecciones, etcétera. La convocatoria y propuesta completa se dará a conocer con anticipación, y se llevará un registro/carpeta del proyecto.', 'Se realizará una invitación-convocatoria a artistas de la Patagonia Sur chilena y argentina bajo el eje/disparador de “límite”.', NULL, 'Los posibles espacios son: MUFUA (Río Grande); Colegio de Arquitectos de TdF (Ushuaia); Fundacruz (Río Gallegos); Casa la Porfía (Punta Arenas) - Chile; Galpón Patagonia Centro Cultural (Puerto Natales) –Chile y una sede en CABA en lugar a designar.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6001, NULL, 872, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4934, NULL, '2020-03-07 20:06:55', '2020-08-14 05:17:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5338, 'c7o0TkhCRQGbY0t8', 'Entorpeciendo el tránsito', NULL, 'Descripción conceptual\nSe trata de ocupar un espacio construyendo una instalación/ambientación a partir de la repetición, entrecruzamiento y ensamblaje de elementos lineales generando modos de circulación diferentes. Entorpecer, haciendo de los centros periferias. Como un estrato rizomático que nos conduzca de relación en relación pero también nos frene, entorpezca. \nUna propuesta que incorpore los cuerpos: la inmersión en una obra que se abra a una multiplicidad de entradas, como un territorio de fronteras abiertas, como una escritura indescifrable a la que se accede desde cualquier signo. “Un texto que no es una fila de palabras”  y que tal vez se pueda leer desde/con la piel.  Un dibujo escrito para ser recorrido.\nCaracterísticas formales\nProponemos materializar esta conceptualización a través de un gran entramado de vigas de madera rectas ensambladas entre sí en diferentes ángulos y posiciones.                                                               \nSe disponen 100 tirantes de álamo  de 2” x 6” x 2,20 m  y 50 de 2” x 2” x 2,20 m de largo ensamblados con tornillos. Los tirantes están cepillados. \nSi las condiciones espaciales son adecuadas, la obra puede acompañarse con un políptico de 110 x 140 compuesto de 28 bocetos realizados en el marco de la conceptualización del proyecto.', NULL, NULL, 'Es una propuesta que puede adaptarse a diferentes espacios tanto cerrados como abiertos. \nEn el caso de las fotos de referencia se trata de la planta superior del MACA, Museo de Arte Contemporáneo de Junín (Provincia de Buenos Aires, Argentina), cuya superficie es de 288 metros cuadrados. Puede considerarse también la posibilidad de expandirse a superficies mayores.  En cualquier caso debería tratarse de una sala grande,  de no menos de 150 metros cuadrados, preferiblemente sin columnas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 365, NULL, 56, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 303, 5, '2020-03-07 20:20:28', '2021-02-12 15:31:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5339, '1C19LwvnyV7jN1c3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 21:11:41', '2020-03-07 21:11:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5340, 'gahiQxnpoz8k0HID', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 21:19:38', '2020-03-07 21:19:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5341, 'cxUShVTYTYh3riXC', 'Chatrooms: Or, How to Set Up for an Online Room', NULL, 'Chatrooms: Or, How to Set Up for an Online Room\n\nVideo (2020)\n\nWe navigate virtual spaces every day. Rooms, meetings, hangouts, groups, stories, posts, email threads, voice notes. A Houseparty. These spaces are being named after physical ones. They are built on an internet connection and maybe a front camera. Flip cameras, apply filters, virtual background, mute, unmute, add other people to the chat.\n\nMoving through these online spaces, a voice that sounds human takes us through the streets, and we surf with it on the internet. As if we are commuting, from home to work. Join meeting. Leave meeting. But I am still sitting in the same room where I sleep. There was a moment in time when we would link up with others online just to pass time. Then, it became a necessity, to make up for our longing for any form of human connection. \n\nIs something troubling you today?\nWhat do you mean by going back to normal?\nYou say you miss seeing people?\nDo you often feel very conversational?\n\nA lecture-performance in three acts about how we used to interact with others through virtual encounters before, during, and after socially-distant times.', NULL, NULL, 'The video work is a multi-channel piece. I prefer to have it projected in a large scale on three walls that envelop a seating area in the middle. The viewers then can be seated somewhere within that space for an immersive experience.  The sound needs to be projected using loudspeakers. The three videos don\'t work at the same time, nor in a regular sequence of 1,2,3 but it\'s possible that they are programmed to work in a certain manner with an overlap between two videos at the same time.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5241, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4361, NULL, '2020-03-07 21:39:19', '2020-07-27 20:48:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5342, '3kuDHacWd1q5c2Ku', 'Awrah عورة - Ways of seeing by John Berger', NULL, 'The project “Awrah عورة” takes the book “Ways of Seeing” by John Berger as a starting point, where the author studies the representation of nude female bodies in paintings (ex: Botticelli, Manet...) and in advertising images. I stumbled upon the book in a private library to find out that all nude paintings, drawings and photographs were censored, and the sensitive body parts were hidden by white stickers when the book was checked by Qatari customs. This act of covering the images distorted the essence of the book as more than 50% of it consists of images\n\nAncient Arab scientists (ex: Avicenna, Arrazi) studied Human body. In fact, how Islam looks at sex and the body is worth mentioning, as according to the exegesis of the VII century Al-Qotbî: \"what God created first in man is his sex\" which means that it is the beginning of creation. Nevertheless, contemporary Arab society still holds a negative perception of the body; \nas there is still a direct connotation between the female body and taboo in the Arab world as it is still thought of as Awrah (nakedness). \n\nThis project is an attempt to address the representation of the nude female body in contemporary Arab societies. I try to question how nudity is perceived and whether the creation of a universal and personal image of the body is possible. All through a research on the female body in art history, and how the act of censorship directed towards a taboo (nudity) triggers more curiosity to unravel what is hidden.', NULL, NULL, '-The project \"Awrah\" is an installation that consists of :\n    .83 prints/drawings from the book \"Ways of Seeing\".(420 x 594 mm/each), presented one next to the other and hanged on the walls.\n    .The censored version of the book \"Ways of Seeing\".\n    .White cotton gloves (to provide a safe, soft barrier between hands and the book during browsing).\n\n-The installation needs:\n   . 4 white walls, each one of it is 15 metres long.\n   . One white pedestal (to display the book and gloves).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3372, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2891, 5, '2020-03-07 22:21:47', '2020-09-02 23:54:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5343, 'a2C8hHt16gu3AJrT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 22:35:49', '2020-03-07 22:35:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5344, '5cwkgPc9BCng53Nt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 23:23:55', '2020-03-07 23:23:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5345, 'dcp3WnUBzMW95Mw0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 23:39:38', '2020-03-07 23:39:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5346, 'AUNZusLaB2uUyH1t', 'All forms of DOMINIKY', NULL, 'DOMINIKY, a being without gender, who defies the forms of patterns, not limited with characteristics, a morning metamorphosis, each day a personality.', NULL, NULL, 'The world of dominiky, an environment characterized by several styles, following the personal style of each painting.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 359, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 297, NULL, '2020-03-07 23:40:31', '2020-06-23 02:58:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5347, 'NSs949VbVk4YZ2tL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-07 23:58:58', '2020-03-07 23:58:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5348, 'zNuNGOiIRLMdepAq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 00:08:07', '2020-03-08 00:08:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5349, 'ZgCHkK4935Qo7buL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 00:22:08', '2020-03-08 00:22:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5350, 'aRbO8e6SI49QoNcU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 00:41:40', '2020-03-08 00:41:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5351, 'SPEKlKu1OnvaapSM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 01:00:27', '2020-03-08 01:00:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5352, 'nrhHbDu5sUYRijl2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 01:00:42', '2020-03-08 01:00:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5353, 'KEjJ5exnwE7LOet7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 01:21:26', '2020-03-08 01:21:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5354, '3oTOVIpz8xpPeGHA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 01:49:17', '2020-03-08 01:49:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(5355, '6g5PrReyL1jb1dXr', 'Aerial Gaia', NULL, 'A CIA GRAVIDADE é um núcleo artístico de pesquisa e criação, criado em janeiro de 2015, cujo objetivo principal é buscar a verticalidade em cena através dos mais diversos dispositivos aéreos, unindo-os à dança, teatro físico e circo contemporâneo para a criação de espetáculos teatrais. , performances e intervenções.\nUtilizando essa mistura de linguagens, as criações do grupo sempre buscam algo nos sonhos, na imagem mais que nas palavras; procura mudar a perspectiva da cena que é vista e opor o virtuosismo e o movimento da força à sensibilidade e leveza do voo. A Cia Gravidade faz a pesquisa de novas possibilidades estéticas e o corpo declara seu grande desafio, colocando corpos e idéias no ar.\nA seleção de locais incomuns para a realização de suas apresentações também é uma forte característica do trabalho do grupo, que já ocorreu em fachadas de edifícios, piscinas, galerias de arte, diversos espaços públicos e teatros convencionais.\n\nAerial Gaia é uma representação da natureza que lida com fertilidade, ciclos e cultivo simbolizados pela Mãe Gaia, na qual nosso show é representado por mulheres dando à luz a um útero fértil na terra e criando uma atmosfera de ascensão à vida.', NULL, NULL, 'Com um conceito site specific, criamos performances de dança vertical usando as árvores do festival como suporte. Buscando unir natureza, criatividade e inovação desenvolvemos um espetáculo inédito que rompe os espaços formais de palco e público, ampliando as possibilidades de expressão e prazer da arte e da natureza.\nLocais sugeridos> Praças, Parques', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=VZCKvCiGViE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 362, NULL, 55, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 300, NULL, '2020-03-08 01:59:52', '2020-06-24 16:07:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5356, 'KWMiF1YDJfUyDsGh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 02:19:00', '2020-03-08 02:19:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5357, 'IChMIDJ39zeILWf7', 'Santo Domingo 1046 / 1066 (07/02/2010  17:54-18:09)', NULL, 'La muestra Santo Domingo 1046 / 1066 fue inicialmente exhibida en Chile en galería Gasco el 2011. Consiste en una pieza de 2 x 10m con la representación en tela de la vista de la ciudad de Santiago en espejo desde la galería. La pieza está hecha con capas de tul negro sostenidos con alfileres sobre tela blanca. La imagen muestra la calle Santo Domingo en el centro de Santiago, el día 7/2/10, entre las 17:54 y las 18:09 de la tarde. Esa fecha y hora no representan ninguna efeméride sino el momento en que se captan las fotografías digitales que dan cuerpo al patrón de corte de la imagen. La pieza es el resultado de la superposición de veladuras de tul negro, alcanzando más de 10 capas para los negros y tan solo 1 en los grises claros. Los alfileres que sostienen las capas no van fijos, por lo que es potencialmente desarmable.  El patron de corte es el medio que vincula las dos dimensiones de la obra: si el medio digital con el que se capta y edita la fotografía remiten a lo tecnológico e instantáneo, el delicado y extenso trabajo manual con el que se produce la pieza, transgreden esa instantaneidad. El tiempo que tomó la realización de la pieza excede con creces el tiempo que intenta captar la imagen de la ciudad, poniendo en tensión la imagen digital y la imagen textil. Por otra parte, la vista de Santiago de Chile que representa la pieza, va caducando conforme pasa el tiempo. Lo que estuvo allí ya no está más, enfatizando en la reflexión temporal que plantea la muestra.', NULL, NULL, 'La exhibición de esta obra requiere un espacio amplio. Un muro despejado y liso de mínimo 2,5 m. de altura por 10 metros de largo y que permita ser vista desde lejos. La pieza mide 2 x 10 metros. Al ser de tela es bastante liviana y puede ser adosada al muro mediante velcro engrapado o con sujeciones rígidas desde el techo. Para mejor visión de la pieza se necesita tener distancia, así las veladuras se constituyen como imagen. Al mirarla desde cerca, se perciben los detalles que la componen.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 447, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 374, NULL, '2020-03-08 02:39:02', '2020-08-11 21:01:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5358, 'mPaygQ9UBPLCZd02', 'Cianotipias del Deseo', NULL, 'El proyecto experimenta la combinación de la fotografía experimental en cianotipos y un encuentro virtual erótico tejido entre las redes del confinamiento 2020.\nLa pérdida de la materialidad del cuerpo a través del encuentro humano no impide la emergencia del deseo que pulsa por expresarse. \nAhora, que no podemos tocarnos, que somos puñados tristes de ceros y unos, chocando ciegos  en viajes de fibra óptica, dejamos esta existencia corpórea para sentir que los ojos que nos observan también nos crean. Nos arman las curvas, nos huelen, nos transpiran. Y reinventan a los lejos este cuerpo de cada uno, lleno de huellas, que desea, goza y respira.\nDos son los procedimientos que definen este proyecto: por un lado el “momento decisivo” donde las dinámicas de la realidad se organizan produciendo composición y descripción visual que rescata la cotidianeidad. Y el otro, la “búsqueda del placer”, representa la práctica del sexo virtual (sexting). La presencia activa de la mirada despejando la distancia entre el fotógrafo y la fotografiada. Los registros no quedarán en el pasado, lograrán actualizarse al presente, en la mirada del espectador que dispone su presencia en la escena. La cámara es despojada de su rol de testigo para sumirse en la dinámica erótica.\nEl relato fuera de cuadro, la técnica cianotipia utilizada, las sombras, el contraste y todo aquello que no aparece en la fotografía pero se intuye en ella es un elemento constitutivo del sentido total de estas imágenes.', NULL, NULL, 'Montada sobre pared. \nCuadros con vidrio\nLonguitud variable (20*30cm-30*45cm-25*38cm)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3201, NULL, 387, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2753, NULL, '2020-03-08 02:41:24', '2020-06-26 19:59:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5359, 'l1fe5JjVO2sKsNZh', 'Cautivas: ejercicios para desarmar un monumento.', NULL, 'Reabrir la pregunta sobre la función del monumento partiendo de un hecho histórico del XIX: la Guerra del Paraguay. Trastocar la memoria local: 5 mujeres correntinas secuestradas por el ejército paraguayo; luego de cuatro años, las mujeres apodadas localmente como “Las cautivas”, a su regreso juran hacer un voto de silencio. \nEl silencio del conflicto se eleva como sagrado; en torno al relato oficial, el aura de verdad y misterio construye mitos. \nLa política del silencio: lo no dicho (re)construye identidad. Lo popular tensiona con lo oculto. \nAño 1940: construcción del monumento en cuestión. Periodo muy álgido de construcción de la identidad nacional, y sugerente el intento de “salvar” figuras de la historia e instalar un monumento en uno de los parques principales de la ciudad. El Estado produce (un) sentido, esta vez a partir del monumento; reiteradas intervenciones “vandálicas” sobre ella son precisas para pensar con dudas, la condensación de la historia en un monumento que nos atraviesa identitariamente. Propaganda fracasada: no hay símbolo político que funcione sin sujeto colectivo que lo apropie.\nA partir de un trabajo instalativo la idea es descomponer la estética pretérita utilizando la copia como metáfora que le arrebata al Estado el estatuto de único narrador de la historia. La copia fractura el sentido de unicidad. Ensayo maneras de invertir la noción tradicional de monumento y jugar entre capas semánticas con los personajes (Mitre, por ejemplo).', NULL, NULL, 'Son dos piezas en total:\n1-Las piezas en cerámica se encuentran encimadas una sobre otras. Consisten en aproximadamente 20 moldes fragmentados de medidas variables (la pieza más grande es de aproximadamente 20 cm. x 10 cm.) \nSe recomienda luz cálida focal. Espacio preferentemente oscuro. \n2- El origami con el billete de dos pesos con el rostro del presidente Mitre va sobre una pared. Luz focal sobre éste.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 610, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 514, NULL, '2020-03-08 03:00:40', '2020-06-23 02:47:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5360, 'hXX0CMflF2p1rTQG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 03:23:29', '2020-03-08 03:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5361, 'h5kXkPnUPc09XiaX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 03:26:51', '2020-03-08 03:26:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5362, 'ZbyDsDm8pBrrCm2s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 03:32:47', '2020-03-08 03:32:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5363, '2GbBgEugszHoExDW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 03:51:19', '2020-03-08 03:51:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5364, '7S9h6C57M18n1vkG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 04:10:16', '2020-03-08 04:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5365, '7blDRbjp7vYtVgfF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 04:41:09', '2020-03-08 04:41:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5366, 'S5g6xXUTfbXSmNTi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 04:47:17', '2020-03-08 04:47:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5367, 'SuUw3qxmXLziHYbj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 04:49:01', '2020-03-08 04:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5368, 'KGeCJ2NmkF5CyuOj', 'Corpus Auri', NULL, 'En este video arte recito un poema de Charles Baudelaire, Letanías de Satán. Al inicio de la primera escena me encuentro desnudo junto a un hombre y una mujer, la primera acción fue lavarme los pies con sangre y luego el resto del cuerpo poco a poco hasta finalizar con mi cuello, dentro de esta acción se consigue recrear el lavatorio de los pies y finalmente la escena del nacimiento de venus de Botticelli. \nLa sangre tiene un valor simbólico y muy ambiguo dentro de esta obra, ya que por un lado simboliza la inmoralidad y los prejuicios del ser humano, sobre un cuerpo que representa la pureza y la libertad con la que todo ser humano nace, pero también aluce a la sangre de cristo y la “purificación” de todo cuerpo pecaminoso. Todo dependiendo con el ojo que lo perciba cada espectador.  No podemos olvidar que la sangre juega también una parte muy importante dentro de la simbología cristiana, ya que simboliza el sacrificio de Jesús, pero también el pecado del ser humano. \nTomé este poema ya que representa una apostasía a una religión que te juzga tan solo por ser humano. El personaje de Satán juega un papel antagónico dentro del imaginario religioso judeo-cristiano, simboliza la desadaptación moral del ser humano, pero dentro del poema Baudelaire lo retrata como aquel que acoge a los miserables, a los que fueron rechazados por la sociedad por no ser aptos según sus creencias.', NULL, NULL, 'Duración del video: 05 minutos con 05 segundos.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/280475297', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 379, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 313, NULL, '2020-03-08 04:51:15', '2020-06-23 15:35:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5369, 'rWYiaQvZUWcc53KB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 04:51:34', '2020-03-08 04:51:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5370, 'VZsueo0RWQ1Ndsvd', 'Kachi Maul', NULL, 'Kachi Maul o Aldea de la Urraca es una instalación multimedia consistente en elementos tecnológicos reproduciendo una serie de cortometrajes, estructuras temporales de bambú en un espacio que asimila un set de filmación, poemas, proyección, e iluminación. \nKachi Maul es una obra site especific que se vuelve una experiencia inmersiva que narra las memorias sobre una aldea que ya no existe. Los filmes son interpretaciones personales de narraciones familiares de mi padre, quién desde hace 50 años que ya no conoce su pueblo natal. Soy hija de inmigrantes sur coreanos: mi padre siempre narra de un lugar que se perdió en planes urbanos y en la búsqueda por la modernización de un Corea aplastado por la guerra y políticas culturales cerradas previas. \nLa obra apela a una búsqueda del hogar que nunca existió para mi, al ser parte de una generación que comparte nacionalidades, pero en sociedades que no aceptan tonos grises culturales. \n\nKachi Maul es una instalación que viaja, como si fuera la aldea nómade, al no existir se puede transportar a lugares e invocar el lugar perdido. En que confío todos tenemos este pequeño lugar al que queremos volver, esta especie de tierra prometida que alguna vez tuvimos y desapareció sin darnos cuenta. \nKachi Maul es mi canto de immigrante de primera generación, por la búsqueda de un lugar que me pertenezca.', NULL, NULL, 'Minimo: 2 x 5 metros, altura hasta 3 metros o bien que se puedan colgar cosas livianas del techo.\nCapacidad de oscurecer el espacio.\n\nPosibilidad de instalar proyección desde techo. \nDisponibilidad de instalación con al menos 4 días de anterioridad. \n\nConexión a electricidad cerca. Seguridad para equipos.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/272147128', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 389, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 323, NULL, '2020-03-08 04:51:45', '2020-06-24 15:49:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5371, 'PoxA9lklkYuS3ZHt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 04:52:11', '2020-03-08 04:52:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5372, 'Y011wnZM3mQ0ejaJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 04:55:43', '2020-03-08 04:55:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5373, 'et3OilNLRmljgTvS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:03:07', '2020-03-08 05:03:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5374, 'z0RISZOSJ8eKoO5k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:19:02', '2020-03-08 05:19:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5375, 'wuXf4TWubBTex2u5', 'Habitar', NULL, 'Mi propuesta plástica parte de los aspectos formales de la escultura que devienen de la compresión del espacio y el habitar. Tomo el concepto de habitar como medio para establecer una relación con el entorno y mi realidad, esa necesidad de querer ocupar, poseer.\n\nEstas estructuras escultóricas pretenden delimitar los espacios para ordenar una nueva forma, otro sentido espacial. Me permitiré indagar sobre la instalación escultórica y el dibujo, partiendo del estudio de las relaciones estructurales del espacio, los cuales trabajaré con cabillas de hierro, para dar forma  a cada elemento que fluye en el espacio.\n\nSe dispondrá a realizar una instalación escultórica, las piezas se incorporaran de manera sutil al espacio, ofreciéndole continuidad a la línea, que se proyectará en cada pieza e intentará penetrar el lugar y generar la sensación de conexión entre cada una de ellas. En cuanto al dibujo, se continuará con  la idea de apropiación del espacio desde un enfoque de soporte.', NULL, NULL, 'Los materiales que se utilizaran en esta propuesta serán cabillas de hierro de diferentes grosores, láminas de metal, pletinas y alambre. La técnica a utilizar será soldadura en hierro y patina.\n\nLa idea de este proyecto es realizar una muestra expositiva, donde se aborde el concepto de habitar a través de los materiales ya descritos, también, que estas obras puedan ser itinerantes y adaptarse a otros espacios expositivos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 363, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 301, NULL, '2020-03-08 05:23:51', '2020-06-23 02:58:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5376, '6aSXaIEJQpx3zsYG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:29:26', '2020-03-08 05:29:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5377, 'Q56etayj2SctCgzh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:29:50', '2020-03-08 05:29:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5378, 'pwK1j4XllJCvt39g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:35:32', '2020-03-08 05:35:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5379, 'k4R93ERyzRzZIYuH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:36:36', '2020-03-08 05:36:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5380, 'Fqos3UPnwt4HHwcX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:39:01', '2020-03-08 05:39:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5381, 'mdWdHLV2D9Z92WpF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:39:21', '2020-03-08 05:39:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5382, 'CdahZAyCRYBPsmIH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:44:16', '2020-03-08 05:44:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5383, '4OCBB7rriA7ckMHy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:45:17', '2020-03-08 05:45:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5384, '23lx6EbLpLMbnDGt', 'La tierra', NULL, 'He escogido como título y tema de este proyecto curatorial La tierra, por ser esta uno de los puntos de reflexión, acción y conflicto que aparentemente subyace en muchos de los procesos sociales, políticos, económicos, culturales y artísticos en América latina y el planeta. De esta manera, este proyecto pretende recoger una gran cantidad de información, obras, reflexiones e investigaciones  que aporten a la discusión, al intercambio de saberes y sentires, en torno al tema. No se descarta la referencia al supuesto poema de Carlos Argentino Daneri del Aleph de Borges como \"aparato\" metodológico y expositivo (la red como un Aleph).\n\nLos desarrollos del tema se compondrán de cuatro ejes: \n\nA.	Luchas sociales, política, economía.\nB.	Identidad, memoria, territorio.\nC.	Medio ambiente, ecología, ciencia.\nD.	Religioso, mitológico, simbólico.\n\nCon estos ejes no se pretende hacer una  taxonomía cerrada con los artistas y obras, sino más bien generar espacios de diálogos, encuentros y discusiones, que los abarquen y aborden.', 'José Horacio Martínez (Colombia), http://modernacontemporanea.com/martinezJoseHoracio.html\nFernando Pareja y Leidy Chávez (Colombia), https://fernandoyleidy.wixsite.com/portafolio\nMiguel Rodríguez Sepúlveda (México)  https://www.miguelrodriguezsepulveda.com/,\nFabio Melecio Palacios (Colombia), http://modernacontemporanea.com/palaciosFabioMelecio.html\nDiego Mendoza Imbachí (Colombia), https://diegomendozaimbachi.wordpress.com/\nJulieth Morales (Colombia), https://www.espacioeldorado.com/julieth-morales\nVanessa Quintero Castañeda (Colombia), https://vanessaquinterocastaneda.wordpress.com\nPaola Andrea Tafur Quijano (Colombia), http://modernacontemporanea.com/tafurPaolaAndrea.html\nSol Toledo (Perú), \nRicardo Atl Laguna (México), \nLorenza Cullet (Colombia-Francia), http://modernacontemporanea.com/culletLorenza.html\nJuan Melo (Colombia), http://modernacontemporanea.com/meloJuan.html', NULL, 'Se piensa la exposición más allá del contenedor (muros) y de su contenido (obras, objetos, eventos), como un espacio para intercambio de saberes, sentidos, experiencias, discursos, lenguas. El medio principal que se propone es una website de acceso libre, donde se alojarán imágenes de obras y vídeos con entrevistas de los artistas participantes  a los artistas. Se harán exhibiciones en espacios físicos a definir, que muestren de manera parcial o total las piezas que conformen el proyecto.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=t8tdqSNZ2ss', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3091, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2661, NULL, '2020-03-08 05:49:08', '2020-08-13 20:51:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5385, 'S7I5GJm4Sfz23gN9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 05:54:17', '2020-03-08 05:54:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5386, 'ziLywXS4TGWdZuEw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 06:45:17', '2020-03-08 06:45:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5387, 'lQnWlvaWTTgYyLzK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 06:58:12', '2020-03-08 06:58:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5388, 'IWpVenhRUqmbhJFV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 07:08:30', '2020-03-08 07:08:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5389, 'J6AdNaOH2AjqbcZK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 08:22:24', '2020-03-08 08:22:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5390, 'DGaAeH7gUNjwTuWH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 08:37:45', '2020-03-08 08:37:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5391, 'YuHZlw0f7krbyhbE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 08:41:16', '2020-03-08 08:41:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5392, 'vjX1rkURbaeb4C8W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 09:01:13', '2020-03-08 09:01:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5393, '42SR3nKGC0jhflGf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 09:05:04', '2020-03-08 09:05:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5394, 'iCMX1b4zYHwLQofR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 09:09:33', '2020-03-08 09:09:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5395, '8RMU6MEzuazzvYvA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 09:34:47', '2020-03-08 09:34:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5396, 'OzY6kpmZuTRe2grA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 10:36:00', '2020-03-08 10:36:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5397, 'DxuQjAR7BnY7KXSy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 10:36:07', '2020-03-08 10:36:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5398, 'rseudeOE89AeXvbi', '\"Electrodomesticados (ahorrar tiempo para no tener tiempo)', NULL, 'Proyecto \"Electrodomesticados (ahorrar tiempo para no tener tiempo)\":\n\nMarco conceptual:\nEn la década de 1930 es cuando se generaliza la electricidad en los domicilios gracias a la baja de las tarifas. Este hecho demanda una mayor tecnificación del hogar, tanto en lo relacionado a los aparatos que se dedican al trabajo doméstico moderno como así también a los vinculados a los medios de comunicación.\nDesde aquella época los rudimentarios aparatos se han ido perfeccionando cada vez más gracias a los avances científicos . Desde la trabajosa tarea de encender una heladera o estufa a kerosene hasta nuestros tiempos de internet, los electrodomésticos han buscado perfeccionarse mas y mas en las funciones de reducir nuestro esfuerzo y como consecuencia aumentar la cantidad de tiempo que ahorramos en la realización de las diferentes tareas. \nPero paradojicamente a este aparente beneficio en la vida cotidiana del individuo contemporáneo, podemos notar que el tiempo es un bien cada vez mas escaso, descansamos menos y tenemos menos tiempo libre.\nDebemos preguntarnos entonces ¿Qué sucede con el tiempo que los aparatos nos ahorran?. ¿Los electrodomésticos, se encuentran realmente a nuestro servicio  o somos nosotros los domesticados?\n\nCaracterísticas formales:\nEl proyecto consiste en realizar una instalación pictórico/gráfica 18 telas intervenidas y clavadas sobre el muro que contienen imágenes transferidas a gran escala de electrodomésticos sacados de ofertas actuales de comercios', NULL, NULL, 'La obra tiene 275cm. de ancho x 165 cm de alto. Su montaje debe realizarse sobre un muro clavando las telas desde sus extremos. Se sugiere una pared interior blanca con buena iluminación. Adunto una Fotografía general de la obra y detalles de acercamiento.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 980, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 830, NULL, '2020-03-08 10:42:01', '2020-07-11 01:55:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5399, 'QNK0xR9coxqDbXwc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 10:43:46', '2020-03-08 10:43:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5400, 'P3CkqMVYHKu08czg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 11:15:22', '2020-03-08 11:15:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5401, 'VtQcjlQjxLFmUZYX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 11:26:04', '2020-03-08 11:26:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5402, '1WwTFVeUkoTCPU21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 12:42:30', '2020-03-08 12:42:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5403, 'F9SPWTeoCzzJSKnf', 'Yi and Huahua\'s House', NULL, '“Yi and Huahua’s House” is a multi-channel video installation. It discloses an old Chinese couple’s uncanny yet familiar mundaneness under their roof, where dwells silence, routines, aging bodies, isolation, dependency, and the accustomed, erratic, and repeated acts of violence. \n\nDuring years of my childhood, I was the observer in my grandparents’ house. I’d watched them lengthily in their secretive states. They rarely moved, though sometimes ambled through spaces in quietness. They joined each other on occasions while spending most of their time in separation.\n\nI conceptualized the installation, attempting to understand the mystery in their relationship; to discover the truths that were hidden under their roles of the caretaker, and the disabled, tempered veteran. I deliberately filmed the scenes in meditative, durational manners, inviting the viewers’ consciousness to stream away and return at its own pace. \n\nRegarding the exhibition, I intend to examine the architecture of the installation, exercising spatial connections to create nuanced experiences. Space will be sectioned with both translucent (curtains) and solid projection materials to question the meanings between the exposed and the obscured, the fragile and the enduring.\n\nMinimal, meaningful objects will be employed to underline the senses of touch and taste and to provoke the audiences’ physical connection to the work through the actions of walking, sitting, standing, eating, or breaking the curtains.', NULL, NULL, 'A darkened interior exhibition space with high ceilings and deep depth is preferred. There will be life-size projections, simple furniture, and curtains dropping from the ceiling.\n\nMoreover, the installation could possibly be staged in separate rooms in one location. Through the transitions from space to space, the viewers could digest and meditate on their lingering thoughts and feelings. \n\nRegarding the dimension, ideally, space is no less than 400 cm height x 600 cm width x 1200 cm depth.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/310193476', 'yuguizhen2019', NULL, NULL, NULL, NULL, NULL, NULL, 664, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 558, 5, '2020-03-08 14:24:55', '2020-08-27 03:09:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5404, 'o0HtW0STaXcxAdcw', 'Si un árbol cae en un Bosque', NULL, 'La instalación toma como problemática central el impacto de la deforestación en la erosión de la cuenca del río Magdalena y el río amazonas en Colombia.  El río Magdalena  experimentó un incremento en las tasas de erosión \ndel 34 % en el periodo 2000-2010,  actualmente este incremento sigue creciendo exponencialmente debido a el manejo que el gobierno de turno le a a dado a esta problemática. En el caso de la Amazonia la situación es mucho peor teniendo en cuenta que sufre las políticas colombianas tanto como brasileñas.  Solo en Colombia en los últimos 4 meses (tomando como referencias junio de 2020) destruyeron 75.000 de bosque. Todo lo anterior generando un impacto significativo sobre nuestro recurso más importante, el agua.  Podría pensarse que el agua disponible para el desarrollo humano se convierte en un recurso no renovable teniendo en cuenta que del 100 % de la totalidad del agua de la tierra solo el 2.5 % es de provecho para el ser humano y este pequeño porcentaje cada vez con más fuerza es impactado por su contaminación y falta de tratamiento, limitando cada vez más su disponibilidad. Colombia es uno de los países con mayor oferta hídrica del mundo, a pesar de esta oferta la mitad de su agua no cumple con condiciones de calidad adecuadas para su utilización y sus fuentes mas importantes carecen de la protección adecuada, debido a que no se piensa especialmente en las capitales del país en la relación entre la deforestación y el agua.', NULL, NULL, 'El espacio está dividido en dos. la primera seccion esta constituida por vegetación de gran tamaño y micrófonos que graban el sonido que ejerce el cuerpo de la gente sobre las plantas  cuando se dirigen a la segunda sección donde se reproduce 60 segundos más tarde el sonido grabado. Permitiendo al público escuchar su propio recorrido sobre la vegetación. Esto se complementa con un letrero en el espacio público en pintura blanca que se carga durante el día y resplandece en la noche.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2616, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2268, NULL, '2020-03-08 17:11:03', '2020-07-21 14:28:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5405, '7jtxFXUImaICnEob', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 17:23:12', '2020-03-08 17:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5406, 'nlg8CN9lcnKRkYqz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 17:23:55', '2020-03-08 17:23:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5407, 'ecxWiFYic9TnrCfF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 18:20:29', '2020-03-08 18:20:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5408, 'N2L7CGOLGaHrywW0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 19:27:46', '2020-03-08 19:27:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5409, 'AuiP401xAhSpnJwg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 20:11:32', '2020-03-08 20:11:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5410, 'gZRpxMBOi1JKb8LU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 20:18:01', '2020-03-08 20:18:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5411, 'ACcfCDIB7IwMAMGv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 20:23:12', '2020-03-08 20:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5412, 'lEo0NgTDBSlLxOJB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 20:31:01', '2020-03-08 20:31:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5413, 'hcUh8ICCXbfCdfwu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 20:31:25', '2020-03-08 20:31:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5414, 'e1k6fjPz5JBy19PU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 20:31:42', '2020-03-08 20:31:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5415, 'YAwovFTyNM7fpQ8R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 21:27:02', '2020-03-08 21:27:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5416, 'tSOxXweKPj3Le40s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 22:23:33', '2020-03-08 22:23:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5417, 'iECpjSxAkvJw9Wkh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 22:27:01', '2020-03-08 22:27:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5418, 'YZgvpgiXxtPGitMv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-08 22:28:15', '2020-03-08 22:28:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(5419, 'ucv1yUZShdDOmKgL', 'Mis rostros', NULL, '8 carteles de obras de mi autoría con técnicas mixtas, de rostros y facetas , descomposición de un cuerpo moderno, expresionismo.', NULL, NULL, '1.20 cm por 90 cm  varían, una chica de 30 cm por 25', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 368, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 304, NULL, '2020-03-08 22:29:06', '2020-06-23 02:58:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
