INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23023, '6bhI05F7DigWc04i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 06:35:55', '2020-05-14 06:35:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23024, 'BtIYH1EnifM4jTDR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 06:42:28', '2020-05-14 06:42:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23025, 'hlPKIlRZ90zAMKE6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 06:55:48', '2020-05-14 06:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23026, 'C209vunGMi5j2N83', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 06:57:11', '2020-05-14 06:57:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23027, 'Y42tdRARSmCtBIdE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 06:58:48', '2020-05-14 06:58:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23028, 'XZqCllucD2zLHpp8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:13:03', '2020-05-14 07:13:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23029, 'HqgnMHXe4oPdUCNU', 'Babilonia II', NULL, 'Este proyecto instalativo, se sustenta sobre el actual trabajo investigativo que llevo acabo, llamado \"hibridación del paisaje\", este es un abordaje a un paisaje que se ha fragmentado, sintetizado y restructurado, dando origen a lo que denomino \"metamorfo\", metáfora del caos primigenio planteado por el taoísmo, del cual surge el orden y finalmente se revelan todas las cosas. \n\nEn \"Babilonia II\",  se condensan las formas urbanas que plagan mi cotidianidad, su pugna con la naturaleza que busca recobrar sus espacios, tiempo, ideas e individuos, conformando un todo que transita entre caos y orden.\nMedidas aprox: 1m*1m*4m, ocupando de piso a techo\npeso total aprox: 30kg\nmateriales: Mármol labrado, acero de uso industrial, metacrilato, nailon, madera, mecanismos varios\n\nla pieza se conforma de tres partes principales: 1- estructura colgante de acrílico 2- columna de mármol labrado, con estructura interna expuesta de acero 3-faro proyector autónomo con motor de autogeneración magnética', NULL, NULL, 'Este proyecto esta pensado para disponerse en un espacio expositivo cerrado, de condiciones reguladas, con iluminación cenital tenue.\nel espacio debe permitir al espectado rodear la pieza, que abarca un espacio de aproximadamente 1m*1m*4m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://photos.app.goo.gl/gz7vHCbgQ9DbfcFB6', NULL, NULL, NULL, 2264, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1961, NULL, '2020-05-14 07:22:18', '2020-07-03 16:18:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23030, 'ao8CYqrTpAfPho7R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:29:57', '2020-05-14 07:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23031, 'sxcIYvfn8tWtZFQj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:43:41', '2020-05-14 07:43:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23032, 'g9s8iGihBxYnwvi6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:44:53', '2020-05-14 07:44:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23033, 'iim7TfVcdv2PjEoT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:48:45', '2020-05-14 07:48:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23034, 'MTJreDvNe77tQtGH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:48:49', '2020-05-14 07:48:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23035, 'kz4hJmN53Ih71IQV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:49:11', '2020-05-14 07:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23036, 'X1eImW89kKe5oYSG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:49:49', '2020-05-14 07:49:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23037, 'fDyJswNafXfsWEEi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:54:58', '2020-05-14 07:54:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23038, 'OAK0TtLWAXJl7JOB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 07:57:07', '2020-05-14 07:57:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23039, 'D46U5lbVjIbSLmYL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 08:10:59', '2020-05-14 08:10:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23040, 'g2P1vpJWuxxTywiU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 08:41:36', '2020-05-14 08:41:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23041, 'I9IYNWsZGZ7da2Xg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 08:48:36', '2020-05-14 08:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23042, 'FrGkUlHcA4iIsxgX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 09:01:01', '2020-05-14 09:01:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23043, 'oFxUbJLj44pKHVZu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 09:03:48', '2020-05-14 09:03:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23044, '8rTOOBTPuX3U0eZI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 09:07:55', '2020-05-14 09:07:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23045, 'CZ3YDlmYSxrIRNur', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 09:19:16', '2020-05-14 09:19:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23046, 'uMN6Wpoo103TYEjR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 09:22:47', '2020-05-14 09:22:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23047, 'pfgM0nyewIxkcJmQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 09:39:21', '2020-05-14 09:39:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23048, 'NWC4T7e1yOE1Y33d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 09:47:13', '2020-05-14 09:47:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23049, 'cIt9otIIzjIaYPSP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 10:01:40', '2020-05-14 10:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23050, 'dg8fFgNC7qRSsOjB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 10:08:39', '2020-05-14 10:08:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23051, '8gWHOSpwzK4CCqaZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 10:29:39', '2020-05-14 10:29:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23052, 'JQRo5tHqUPVoqAHs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 10:42:53', '2020-05-14 10:42:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23053, '2PWl7HlidqIvCPda', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 10:52:51', '2020-05-14 10:52:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23054, 'rHzZpajtkpQu9zel', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 11:00:00', '2020-05-14 11:00:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23055, 'x5Z2YxgAbO7QfUYn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 11:00:02', '2020-05-14 11:00:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23056, 'ImpuiHlkbfJ7CERJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 11:03:04', '2020-05-14 11:03:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23057, 'js7V1ZWN2F8knbPH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 11:48:36', '2020-05-14 11:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23058, 'fm1ErZ8JnetrL4hk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 12:53:20', '2020-05-14 12:53:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23059, 'OWbJZVFvIcuf6fDD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 13:00:24', '2020-05-14 13:00:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23060, '3mfsOv0j8eyA0Fs9', 'Frosty Paintings', NULL, '\"Frosty Paintings\" are exposed to freezing temperatures. Frost leaves its marks on the picture surface. These resemble flowers similar to the ones visible on window panes during heavy winters.\nThe winter of 2006 was blistering cold. At the time, Joanna Janiak and Piotr C. Kowalski were renovating a country house. At -10 °C, the paint was frozen on the wall, creating an abstract pattern like frost on glass. Joanna urged Piotr to replicate these patterns on canvas. The couple had revealed an aesthetic acuity and affinity for engaging nature in the creative process long before. This soft transition between the experience of life and the life of art is the essence of Piotr\'s actions. He has been painting nature, approaching this as a subject, and as a tool. Thus, the location and surroundings, where the picture is being made, have been extremely important. In 2009 Joanna and Piotr took their first painting into the garden to have it freeze over. From that moment on they have continued the process every winter - whenever conditions permit. But the truth is that for a few years there is no frost in their surrounding. Maybe the continuation will never be possible again, because of a global warming.\nPiotr C. Kowalski is an author of paintings realized directly in nature, titled LIVING NATURE - STILL LIFE. He is a professor at the Art University in Poznań. Together with Joanna Janiak, a philosopher, he has been making the series Frosty Paintings. www.piotrckowalski.pl', NULL, NULL, 'Inside. A series of paintings. The smallest is 30x20 cm, the biggest is 200x130 cm. Technique: acrylic on canvas, metal, glass, wooden board. Framed. Part of the series were shown at solo and group exhibitions in Poland. Some of them were never shown before.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://piotrckowalski.pl/index.php?/project/parawany/', NULL, NULL, NULL, 4159, NULL, 531, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3544, NULL, '2020-05-14 14:29:45', '2020-07-24 02:53:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23061, 'XqvdKjNgvyb3o6V1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 14:42:25', '2020-05-14 14:42:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23062, 'FwQ3HU2Fq7VcAgVN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 14:49:41', '2020-05-14 14:49:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23063, '3kBkWTspkavoR42Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 14:58:31', '2020-05-14 14:58:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23064, 'bB2cRAT6xzT0tnjR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 15:15:04', '2020-05-14 15:15:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23065, 'B492UFB7BXn7dJ2N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 15:15:20', '2020-05-14 15:15:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23066, '5KBmlWWmGQUQw5Hn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 15:17:26', '2020-05-14 15:17:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23067, '2Hhfkb2GniZAvUWu', '[inserte un yo]', NULL, 'Título: [inserte un yo]\nAño: 2020\nMedio: vídeo\nDuración: 2’ 15”\nDimensiones: 1920 x 960\n\n“[Inserte un yo]” es una pieza de videoarte que cuestiona la solidez de la identidad virtual mezclando found footage y performance. Este proyecto surge a raíz de una extensa investigación teórica sobre el concepto de identidad y las implicaciones virtuales de la misma.\n\nLa obra defiende que la identidad es una construcción ficticia y cambiante a la que tratamos de dar coherencia y unidad pero que sin embargo, se difumina en una multitud de identidades latentes. \n\nLa reflexión posterior que se pretende plantear con esta pieza se encamina hacia un cambio en la concepción de la individualidad dirigido a derribar la barrera conceptual que nos separa de “los otros” y aceptar la gran similitud existente entre individuos. Todo lo que creemos que somos es algo construido y cambiante que no debe impedirnos el acercamiento al otro. No se trataría aquí de abandonar los intereses individuales en favor de los colectivos, sino más bien de adquirir un concepto del yo como una fracción dentro de millones de fracciones y actuar en consecuencia, lo que significa aceptar la colectividad y homogeneidad como un hecho, sin juzgarlo desde una perspectiva individual.  Es decir, abandonar ese miedo a perderse en la masa y aceptar que somos la masa.', NULL, NULL, 'Para cuestionar una vez más los intentos de autodefinirse, el vídeo será extraído de su medio natural, que es internet, y será introducido en el mundo analógico. Mi propuesta de montaje es presentar los dos vídeos que componen la pieza distribuidos en dos televisiones analógicas de unos 40 x 30 cm (proporción 4:3) colocadas sobre una mesa. El texto se escribirá en un bloque de post-its que se dejará sobre la mesa para que el espectador pueda intervenir pegándolos sobre la instalación.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394648526', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4773, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4022, NULL, '2020-05-14 15:31:12', '2020-07-17 01:01:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23068, '2nuKYF2fEUNXLfxb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 15:43:56', '2020-05-14 15:43:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23069, 'af23IlPTxfVar3Sm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 15:47:33', '2020-05-14 15:47:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23070, 'akKIkLvs2FgtRf7P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 16:11:04', '2020-05-14 16:11:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23071, '9u6nc3tUKvtY1vuq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 16:19:49', '2020-05-14 16:19:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23072, 'j2vaR5b7j2HFgyan', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 16:36:40', '2020-05-14 16:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23073, '3lykFP72hBTTlfQ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 16:45:51', '2020-05-14 16:45:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23074, 'oGNxIAzrjK67Vbhq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 16:48:26', '2020-05-14 16:48:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23075, 'wXodhQCsXS66Ihco', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 17:22:47', '2020-05-14 17:22:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23076, 'OBD8GmCMTlPxjsE1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 17:23:11', '2020-05-14 17:23:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23077, 'ezXnDtO8nwi7jhWa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 17:39:09', '2020-05-14 17:39:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23078, 'vxT1YVL4CSs6vMXX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 17:47:42', '2020-05-14 17:47:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23079, 'mUmS6689IREPbN6Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 17:48:26', '2020-05-14 17:48:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23080, 'BHrbL6kI8LLxI8ex', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 17:49:49', '2020-05-14 17:49:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23081, 'uKJ5vwOfMjaJEcOD', 'Tierras Raras- Quadra Minerale', NULL, 'Partiendo de la guerra y el afecto, profundamente vinculados a la colonización mineral, \nTierras Raras, ha buscado expandir la lectura geopolítica del tema y\nlas problemáticas derivadas de la misma –tecnología, economía y sociedad-\na partir de una publicación, una instalación del proceso creativo e investigativo, \nun políptico pictórico y diversas obras en dibujo, grabado, video y fotografía.\n \nEn 2010, la prensa empezó a hablar sobre la denominada “guerra de las tierras raras”:\n\n- Las tierras raras o lantánidos, han sido extraídas desde finales del siglo XIX.\n- Pertenecen a un importante grupo de la Tabla Periódica de los Elementos,\n   que cumplió 150 años de Historia en 2019.\n- En la década de 1960 empezaron a aplicarse en tecnología puntera. \n- China, Estados Unidos, India y Brasil, son importantes productores de tierras raras.\n\n\nDesde el arte contemporáneo el proyecto plantea dirigir la mirada a estos preciados metales, \nasí como al conjunto de los elementos de la Tabla Periódica, tan comunes \nen nuestro día a día. Visibilizar las problemáticas que conllevan y profundizar en sus\nregistros inmediatos. Rastrear su ubicación original -su contextualización inicial-, \npara sacarlos de la misma y entender los procesos contemporáneos de desarrollo tecnológico\ntan complejos en sus vínculos con una prosperidad a veces contradictoria.', NULL, NULL, 'Nuestro interés es proponer la muestra en la ciudad de Araxá, por pertenecer al estado de Minas Gerais \nque destaca por su minería, y específicamente por su yacimiento de niobio\ny el impacto de este en Brasil y el mundo. El niobio es un elemento de la tabla periódica.\n\n\nA continuación se exponen tres espacios de la ciudad en orden de interés: \n\n- Antigo Banco do Comércio e Indústria de Minas Gerais (Banco Nacional) \n- Museu Histórico de Araxá \n- Estações Ferroviárias de Itaipu e Araxá', NULL, 'artist', NULL, NULL, 'https://vimeo.com/183043069', NULL, NULL, NULL, 'http://www.rosellmeseguer.com/index.php/es/proyectos/tierras-raras.html', NULL, NULL, NULL, 2066, NULL, 237, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1812, NULL, '2020-05-14 17:57:22', '2020-08-12 12:00:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23082, 'kOSkBBfwiaEGzsAt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 17:57:59', '2020-05-14 17:57:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23083, 'XlJqReYOt9V96POh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:02:07', '2020-05-14 18:02:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23084, 'IeWrUtrelkOBJ6sU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:02:54', '2020-05-14 18:02:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23085, 'ird14Px4gzSy6iqk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:08:13', '2020-05-14 18:08:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23086, 'd7Wrug6CgMN3ZyvM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:30:20', '2020-05-14 18:30:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23087, 'OhdyifKQvMGJUk0Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:30:27', '2020-05-14 18:30:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23088, 'hOMpQyjPAimcv0i7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:30:40', '2020-05-14 18:30:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23089, 'XbjfnFDIznFbbqc2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:32:39', '2020-05-14 18:32:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23090, 'j9ARZl8HjDbAwvX4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:38:46', '2020-05-14 18:38:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23091, 'VRApHFWZMTdijJsd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:44:39', '2020-05-14 18:44:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23092, 'vnuNtCPPKTEi91eh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:46:23', '2020-05-14 18:46:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23093, 'HDjv9nItIqoa3OYb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:46:31', '2020-05-14 18:46:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23094, 'GkRkFqIBXNcrHSTB', 'Ficta:Verus', NULL, 'Ficta:verus\nStatement. Descriptivo de la obra\n \nEn esta serie fotográfica, en la cual estoy trabajando hace tres años,  registro el espacio común como un lugar indefinido. Planteo desconocido lo conocido y principalmente tomo como de punto de partida el boicot al registro correcto de las imágenes.\n \nEstoy trabajando con el error y eso me emociona.\nNo definiría esta decisión como un acto de rebeldía, sino más bien como un acto de liberación. Una nueva búsqueda.\nRomper con mi trabajo habitual, donde todo es armado, todo tiene un por qué y una decisión anticipada para un resultado específico.\n \nQuiero jugar con la reacción del espectador y que se confunda. Que lo que cree ver, sea.\n \n¿Registrar algo, implica que lo obtenido sea fiel y real? O puedo registrarlo y encasillarlo en la categoría de registros de ficción. De registros distorsionados. ¿De ser así, seguiría siendo un registro?\n \nElijo puntos de vista poniendo en duda las dimensiones o realidades de tales paisajes. Los colores no se acomodan en la paleta que tengo predeterminada de las cosas, y me pregunto, ¿qué es entonces lo real y qué lo imaginario?\nEn la sorpresa de trabajar con elementos impredecibles y encontrar resultados satisfactorios, comencé a sumar diálogos, reflexiones, notas al pie. Son mezclas de artículos periodísticos y libros, imaginaciones propias. Hay un observador indefinido que se hace presente.\nEn este trabajo me interesa distorsionar la realidad, pero no las imágenes.', NULL, NULL, 'La serie cuenta con una aproximada cantidad de 30 fotos. Las mismas son impresas en papel fine art y montadas sobre marcos o medias esferas de acrílico transparente.\nDependiendo la imágen algunas tienen un tamaño de 16x23cm, enmarcadas en caja con profundidad. Otras tienen tamaño de 60x70cms también enmarcasa en cajas de acrílico y las medias esferas tienen un tamaño de 30/40 cm de diámetro.\nParte de la obra se imprime en papel autoadhesivo para la pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.maiacroizet.com/nontitle-inprocess', NULL, NULL, NULL, 2076, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1819, NULL, '2020-05-14 18:48:06', '2020-08-12 12:02:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23095, 'w2r16f09Dd2QQyCE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:52:42', '2020-05-14 18:52:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23096, 'qyQf38jDogWsX54K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 18:54:12', '2020-05-14 18:54:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23097, 'qyPG8YaEKOfIHEmL', 'PERFORMANIMATION', NULL, 'Sobre PERFORMANIMATION\nLa investigación que guía mi mirada en estos tiempos de confinamiento se refiere a un archivo de imágenes de performance creadas durante la última década. Se trata de volver a visitar las imágenes en las que fui fotografiado , por lo tanto, establecer una forma de \"reactivar\" estas acciones, creando una extensión de imagen que implique el intercambio interno entre algunos medios de construcción estética. El conjunto de imágenes muestra un enfoque que confiere un estado de confluencia entre el arte de acción, la fotografía, la animación y el video. El proceso en cuestión comienza con una acción de performance y su consecuente captura, para su posterior animación y finalización en video. El formato de salida digital mantiene ciertos atributos de un GIF, como una corta duración, así como la evolución en loop. En resumen, Performanimation es un ejercicio híbrido que tiene como objetivo potencializar algunas áreas de la imagen, cuya vocación de movimiento se convierte en un continuo.', NULL, NULL, 'Quiero proyectar el video en gran tamaño y si es posible con dos proyectores alquilados en Buenos Aires. Es una obra para grandes paredes, en la que cada animación alterna entre la imagen paralizada de la fotografía y su desarrollo en la animación. Nota: el enlace del video tiene una pequeña muestra de esta serie de animaciones.', NULL, 'artist', NULL, NULL, 'https://youtu.be/dDxMeguxwYQ', NULL, NULL, NULL, 'https://www.amorexperimental.com.br/p/agora.html', NULL, NULL, NULL, 2079, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1821, NULL, '2020-05-14 18:57:06', '2020-06-23 01:52:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23098, 'Yctj7gVwtPSzQPRA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:06:12', '2020-05-14 19:06:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23099, 'uj3N8dxcQx71QdGB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:09:08', '2020-05-14 19:09:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23100, 'kYRMEYGyVL5QOLWu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:13:30', '2020-05-14 19:13:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23101, '1YdwneRi6eVYgFsn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:14:35', '2020-05-14 19:14:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23102, 'lLTgUtXxNJfL8p1w', 'Flores do Mal', NULL, 'Meu processo de trabalho começou com algumas inquietações partindo de fotos de família que foram deixadas no chão depois de um roubo em minha casa. A residência não estava sendo habitada e depois de longos dias, em meio ao caos do furto e muita chuva nos dias que se passaram, as fotos ficaram molhadas no chão e bastante danificadas em uma só desordem. Com o tempo o mofo e a umidade tomaram conta delas e as imagens originais se perderam.\n\nPercebi que por meio da pintura poderia buscar as imagens perdidas utilizando-me de alguns elementos que ficaram como sensações e eternizar essas memórias afetivas. As formas e as cores simplesmente, trazem muitas possibilidades que transformam um evento interior em algo para o mundo visível e possibilitando compartilhar com os outros a minha volta.\n\nSem cessar ao meu lado o Demônio arde em vão; Nada em torno de mim como um ar vaporoso; Eu degluto-o a sentir que me queima o pulmão (...)/\" - Charles Baudelaire.\n\nTempo de se guardar, compreender e silenciar?\nSE-PA-RAR. Combater o que me aflige no corpo venerável, ataques sutis. IN-QUE-TAR. Perguntas.. no jardim da vida, alguns se vão. D-O-R.\nAs flores, da minha janela aparecem a cada dia e com elas as IN-CER-TE-ZAS da vida.', NULL, NULL, 'Nivia Martins, Vestígios I, 2018, acrílica sobre tela, 29cm X 20cm.\nNivia Martins, Vestígios II, 2018, acrílica sobre tela, 140cm X 160cm.\nNivia Martins, Vestígios III, 2018, acrílica sobre tela, 150cm X 100cm.\nFlores do Mal I (Vestígios), 2020, acrílica sobre tela, 60x60cm.\nFlores do Mal II (Vestígios), 2020, acrílica sobre tela, 58x61cm.\nFlores do Mal III (Vestígios), 2020, acrílica sobre tela, 58x61cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2070, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1814, NULL, '2020-05-14 19:28:49', '2020-06-23 01:52:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23103, 'yed3aZk87v0bRSFH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:29:09', '2020-05-14 19:29:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23104, 'YZN4CbXbphup29lU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:30:08', '2020-05-14 19:30:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23105, '0DUAPxhgvPt5GHfl', 'El Inquilino', NULL, 'Independiente de la posición que cualquier persona, hay un corrimiento de la centralidad dialéctica al género femenino. El conflicto raíz de una sociedad violenta es la incapacidad de aceptar un lugar diferente al que prentendemos.\n\nEl proyecto audiovisual busca la explorar y exponer ese viraje con una narrativa visual que desarrolla una historia que, como en todo proyecto conceptual, es solo una excusa. A través de los ojos de El Inquilino se construye un mundo en donde todos los acontencimientos lo tienen como centro. La muerte de su ex novia fue por su culpa, la ruptura de las mujeres con las que comparte departamento se deben a su ingreso en escena.\n\n¿Qué capacidad tiene una persona de adaptar su entendimiento de la realidad con tal de justificar una centralidad inexistente? El inquilino es, al igual que todos nosotros, un pasajero en tránsito.\n\nFormalmente el resultado son dos cortometrajes. Uno de carácter narrativo donde se aprovecha ese medio para contar la historia de una persona que creía estar en el centro de todo y no era el centro de nada. Otro de características subjetivas, centradas en las tomas atmósfericamente más pertinentes para convertirse en repeticiones (loops) que se alternan emulando el formato GIF de las redes sociales. \n\nEl estadío actual del proyecto es de una preproducción completa, tratamiento estético disponible, guión técnico y narrativo desarrollado. El comienzo del casting y  gestión del equipo técnico están supeditados a la financiaciación.', NULL, NULL, 'Los canales formales de distribución audiovisual pueden funcionar perfectamente para el formato cortometraje.\n\nLas piezas audiovisuales se prestan a un tipo de instalación de otro tipo de circuito. El concepto de falsa centralidad se materializa no solo en la repetición de las imagenes que vemos en las pantallas, tambien en el descubrimiento de uno mismo observándola. La noción de que toda pantalla tambien devuelve el reflejo propio es pertinente al concepto que se explora en la propuesta.', NULL, 'artist', NULL, NULL, 'https://youtu.be/GRyOw7hgb_4', NULL, NULL, NULL, 'https://drive.google.com/file/d/1PTNKtkwBZCZNC__6pK3q__XDOljISNGC/view?usp=sharing', NULL, NULL, NULL, 2661, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2303, NULL, '2020-05-14 19:31:25', '2020-07-21 20:51:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23106, 'w0Fu3OUCfgnIottx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:35:08', '2020-05-14 19:35:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23107, 'okFmC86jEP8lciAW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:36:06', '2020-05-14 19:36:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23108, 'NDPTBwNovJ06UIo9', 'Sobre [.] Vida', NULL, 'As cores são como as pessoas,por mais próximas que sejam uma das outras, e mesmo que tenham o mesmo DNA , apresentam complexidades distintas e únicas. Neste trabalho artístico faço uma analogia entre a identidade humana e a diversidade das cores em suas várias nuances . Meu fascínio pelas cores me remete a um espaço/tempo além do útero materno,entretanto o meu primeiro contato com as cores, que consigo recordar são minhas “manipulações de cores”, em tubos de vidros que ganhava de minha dentista , quando tinha 7 anos.   Faço colagens de fotografias e pinturas em painéis 30x40cm . Para cada um dos diferentes tons pintados utilizo um formato 3x4 cm , numa referência aos padrões requisitados para registro fotográfico como objeto de identidade.', NULL, NULL, '6 painéis técnica mista sobre tela .                                           Dimensão de cada painel: 30x40 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2082, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1823, NULL, '2020-05-14 19:37:24', '2020-06-25 19:03:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23109, 'tIm11s9mxTB9HHg8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 19:50:44', '2020-05-14 19:50:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23110, '7jtMWDlcTXfaq8sv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 20:31:14', '2020-05-14 20:31:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23111, 'iNKSW0dzSltYnG6J', 'Terrestrial Mutations: The Holobiont', NULL, 'Our collaborative work investigates how artistic transformative encounters, wherein underlying, unifying motifs evoke horror and frailty, also speak to common humaneness and solidarities. It is located at multiple intersections related to the Anthropocene and seeks to explore the blending of material and semiotic elements that participate in expanding boundaries between the subject and its environment. \n\nThe helmet. first used by Leblanc in 2018, has strong cultural connotation related to science fiction and technology. The collaborative work for Momenta uses this object as a starting point and is currently being casted in ceramic. Ceramic being an organic material that is both solid yet fragile creates a strong dichotomy supporting how we are contextualizing it as a metaphor of humankind’s blind faith in technology and the ways it has guided its devastating global economic practices.  By transforming the ceramic casting, Provost-Chartrand will be expanding the object’s creative iterative life cycle, changing it into new terrestrial mutations expanding our social and cultural imaginary. \n\nThe new objects will be conflated with elderly bodies draped in clinical clothing and photographed in both fabricated and constructed landscapes. The resulting holobiont will evolve, interact, and create transmogrified ecological units, \nspeculative fabulations where becomings are encouraged and celebrated.', NULL, NULL, 'We would like to showcase our exhibition in a space measuring 20 X 40 feet if possible. We are flexible to inhabit smaller space.\n\nThe only needed equipment would be 5 pedestals if possible. Walls will be occupied by large scaled photographs; \n\nAt this stage of the project we are debating the addition of a projection.\n\n*** please note that the submitted images are examples of previous works; \nAt this point in time, the sculptures are being made and photographs will then be taken.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5168, NULL, 720, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4307, NULL, '2020-05-14 20:33:23', '2020-07-26 02:24:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23112, 'e8r8Q9SX6lBLGCQ0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 20:36:11', '2020-05-14 20:36:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23113, 'Tj2Uc6KWq8gJ22qQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 20:38:01', '2020-05-14 20:38:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23114, 'HEeHHm10Sd00HIXt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 20:54:02', '2020-05-14 20:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23115, 'xWyigO8MAe257XyT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 20:57:50', '2020-05-14 20:57:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23116, 'UtlzyZDl37Q1zQAm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 21:11:03', '2020-05-14 21:11:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23117, 'v5iwYLxUR1C1jfwG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 21:14:08', '2020-05-14 21:14:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23118, '26e9gqnXFKyKqLkd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 21:17:11', '2020-05-14 21:17:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23119, 'zciAZkuGkUl10ZSF', 'whole: why does my heart feell so bad', NULL, 'We seek to investigate the body as a static structure  that is exposed to the degradation of time: it needs to be cared to maintain its qualities. We want to compare it to a building, a molecular structure where all parts are essential for its functioning. Lacking a part, it ends up crumbling.\nMonuments are passive agents that wait for missing pieces to make theme complete. A monument has arrows, entrances and exits that allow a dialogue between the inside and the outside. There is no piece made especially for a building, nor a body. Therefore, we have to mold ourselves to what emerges from the outside. It requires time and preservation, on contrary the monument  will end up collapsing.\nWe intend to create a performance in which our static bodies are tow different monuments displayed in an empty space. It could be a beach, a mountain, a neighborhood, even a museum. \nWe will suggest that  the spectator insert objects into habitable spaces in our bodies. The intention of the act will be at the discretion of those who interact with the body\\ building. This dialogue will serve as a study of intention and judgment. The visitor will have to interact with the work to get to know it. The interaction will give rise to a speech and a projection that will reveal the interior of this building. The object\'s path within this architecture will reveal the secrets of these bodies. What you will find or provoke? Do you want to stay, or do you want to leave? Will you meet other objects?', NULL, NULL, 'We intend to occupy a non-habitable place. A place where there is nothing, so we can be the building occupying that land. The tow bodies will be separated from each other and will be tuned to a screen. That screen will show the course of the objects that go through the bodies, and will reveal the secrets within them. This performance seeks to be a metaphor that illustrates the human relationships with the outside and the repercussions of it.', NULL, 'artist', NULL, NULL, 'https://youtu.be/DUVDKoKSEkU?t=322', NULL, 'https://www.youtube.com/watch?v=o1Xsj9-3Pvo', NULL, NULL, NULL, NULL, NULL, 2074, NULL, 243, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1838, NULL, '2020-05-14 21:19:05', '2020-06-23 01:51:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23120, '44Aj0rRdjPMOkVeZ', 'After, entre umbra y penumbra. Año 2016-2020', NULL, 'Proyecto\nTítulo: After(entre umbra y penumbra) 2016-2020\nVideo + paisaje sonoro. Duración: 2:22 \' \n\nObjetivo: crear una experiencia visual y sensorial, donde el espectador no solo sea testigo de un paisaje espectral, sino  también sienta la incertidumbre y la falta de fronteras que se encuentran embebidas en mi trabajo. Espero de los espectadores un acercamiento a la obra con empatía, así poder relacionarse con las partes profundas y oscuras de ellos mismos.\nConcepto: mi obra se desliza y acciona sobre la percepción del paisaje de la pampa para crear nuevos lugares. Estos nuevos lugares son una construcción mental, y en ellos, los depósitos de tiempo, la memoria y la distancia están embebidos. Al mismo tiempo, me permito investigar el lado oculto y enigmático de estos retratos espectrales del paisaje que son  la incertidumbre y lo inconmensurable.\nEs necesario señalar que el espacio natural me facilita sus instrumentos de viento, de alambre-cuerda y sus silencios, para crear el paisaje sonoro.\nManipulo la naturaleza y la luz como abstracción, para generar un espejo donde el espectador pueda encontrar.\nMe interesa la diferencia entre lo que veo y lo que dispongo, es ahí donde se encuentra embebido el objeto de mi obra.', NULL, NULL, 'Sitio Ajustado.\nRetroproyección en lámina vinílica. \nLa pantalla se colocará en ochava en un vértice del espacio.\nPlanta del espacio: Pentágono regular (figura geométrica relacionada con lo inconmensurable).\nVideo monocanal en proyección continua. Parlantes potenciados para el paisaje sonoro.\nEspacio especialmente diseñado para este fin con dimensiones variables.\nLa retroproyección se integrará al entorno donde se exhibe y generará una relación de proximidad envolvente con los espectadores.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428845529', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4242, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3603, NULL, '2020-05-14 21:22:17', '2020-07-08 00:26:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23121, 'ELLlxsRW5nMkVxX1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 21:23:33', '2020-05-14 21:23:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23122, 'VreZlb1V6kmdabjJ', 'Mulher Semente', NULL, 'My project begins with finding a region in South America where ceramics has a strong role in people\'s lives. Working with help from the local potters we would create together a life-size sculpture of a female figure with a few large holes. This process would take around one month. Once it’s finished, the holes would be used as pots and filled with plants that carry site-specific meaning, like a very popular flower of the area, or maybe a small vegetable garden free from pesticides. My intention is to remind us of our own power of transformation and healing. Thinking about our body as seeds that are always ready to generate new fruits and ideas. I would like through the process to reestablish some contact with the earth like our ancestors had. I imagine one day gathering a impactful landscape with ceramic women made with different tones of clay filled with different plants.', NULL, NULL, 'The live sculpture (ceramics/plants) should be preferably placed  in an outdoor green area, but a small visually clean indoor space can be also considered.\nIf not possible for me to dislocate, due to the global situation we are in, I could ship a ready sculpture in parts to be assembled. \nAnother option is to use the drawings and photographic registrations of the process as the final work (in that case indoors, even just wall-space is needed, or even in an online exhibition).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3135, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2699, NULL, '2020-05-14 21:45:54', '2020-08-04 15:21:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23123, 'PWYvWVFAVUO2ffDA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 21:46:49', '2020-05-14 21:46:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23124, '2HPROuSkG5q9qZHn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 22:00:33', '2020-05-14 22:00:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23125, 'ceUmGIYs9CQuph3n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 22:07:17', '2020-05-14 22:07:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23126, 'ZcitCdMbyQtpoLVJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 22:10:25', '2020-05-14 22:10:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23127, 'SQHRQkhrTEimdY1X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 22:26:01', '2020-05-14 22:26:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23128, 'fVe4VubRSpKBieLg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 22:30:47', '2020-05-14 22:30:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23129, '4I1PSnYbomXJiw69', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 22:38:19', '2020-05-14 22:38:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23130, 'IxdxLZTTC4Gqq1bj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 22:50:41', '2020-05-14 22:50:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23131, '81iGijp2CbWcguCa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:06:04', '2020-05-14 23:06:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23132, '3JtLDE1rcPMlxWkK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:07:08', '2020-05-14 23:07:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23133, 'czJ1SHL3eqtITgs3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:08:09', '2020-05-14 23:08:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23134, 'Tvx9f2kPxnMdoJid', 'Gastrosofía de un Nuevo Mundo / Gastrosofía de um Mundo Novo', NULL, 'La obra discurre sobre los pilares de la soberanía alimentaria y materializa diferentes puntos del Manifiesto Gastrosófico del Sol de Noite, Laboratorio Itinerante de Cocina Creativa, proyecto transdisciplinar de la artista, en el cual desarrolla su tratado estético sobre la Gastrosofía, concepto del cual se apropia, reinterpretándolo y estableciendo una analogía entre los actos de comer/consumir y pensar en el proceso de interiorización del mundo. Así, propone la Gastrosofía como todo lo relacionado al placer, la alegría y las provocaciones del espíritu y de la mente a través de los sentidos, del saborear e olfatear como componentes activos de la experiencia estética, partiendo de la premisa: somos lo que comemos. Se enfoca en el acto político de consumir, en las reflexiones antropológicas, históricas, económicas, sociales, culturales, biológicas, ecológicas y poéticas que se esconden detrás de cada alimento a degustar, deglutir y digerir. \n\nLa instalación es un tótem cuadrangular de 210 cms de altura x 80 cms, construido con cajas de madera de mercado   donde se encuentran en lugar protagónico una serie autoral de platos dibujados a mano, acompañados de objetos propios de cocina y laboratorio, conteniendo semillas, raíces e insumos alimenticios orgánicos nativos de América Latina, etiquetados con palabras relacionadas a la soberanía alimentaria, 4 videos en loop de intervenciones gastrosóficas, el videoarte en loop La Carne No Viene en Bandeja  y plantas comestibles.', NULL, NULL, 'Espacio expositivo amplio de techo alto (2,50 m mínimo) en el MAM Museo de Arte Moderno de São Paulo o en el MAC - USP Museo de Arte Contemporáneo de São Paulo (puede ser la sala de la entrada), de manera que permita la interacción de 360º del público con la obra. Será necesario tener acceso a conexiones eléctricas para las piezas de video y el manejo del audio sin audífonos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ziGNHlRZBPY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4616, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3883, NULL, '2020-05-14 23:10:44', '2020-07-16 01:20:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23135, 'troAndoSwZ0z8N2d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:17:22', '2020-05-14 23:17:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23136, 'zOuFsEUKPaDETIJi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:30:40', '2020-05-14 23:30:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23137, 'CnzdGDUyCSmjMmQW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:33:56', '2020-05-14 23:33:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23138, 'OuYqBlUFuUSdyMz5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:43:26', '2020-05-14 23:43:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23139, 'dts1EyZOCabIkf8D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:46:40', '2020-05-14 23:46:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23140, 'it0v60NZ4zxRWkcE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-14 23:52:04', '2020-05-14 23:52:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23141, 'FY5xuEteIdIMThqZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:01:58', '2020-05-15 00:01:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23142, 'TX1VMcyZLFVFgAT9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:05:52', '2020-05-15 00:05:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23143, 'At25t5KbMXMGCUoT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:05:56', '2020-05-15 00:05:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23144, 'HLYtsYPAn5j0NDc9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:06:40', '2020-05-15 00:06:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23145, '6qIrTtkw1NDbaeky', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:13:06', '2020-05-15 00:13:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23146, 'C3EeidswF7YOIlqk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:31:36', '2020-05-15 00:31:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23147, 'Mfv732QmT9Ed7QRZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:36:27', '2020-05-15 00:36:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23148, 'vuMaxUeCTEsIaxLc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:38:17', '2020-05-15 00:38:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23149, 'oV3gRb6z401EgLlF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 00:38:33', '2020-05-15 00:38:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23150, 'ar1L6KnQMF96Ybqm', 'Banknote houses', NULL, 'Alluding to a ludic house of cards, the composition presents, through its pyramidal geometry, a set that symbolically deals with the political-economic games among the 21 largest world powers. Unstable and of multiple housecards, the complex has, in each unit of its interiors, the emblematic representation in paintings of money banknotes of these cultures that fall into two pieces to provide shelter for their own images.\nThe dynamics of powers happen from top to bottom: as the height advances, more selective become. At the top, a solitary banknotehouse in position, authoritarian in his power, depends on the others to survive at its peak. Thus, the most peripheral, structurally, have to support the whole.\nOn the reverse side of each unit, regular figures inspired by cobogós, typical in Brazilian architecture, are designated in the pieces to establish the relational interactions between the units\' borders, figuring aims and targets.\nAlien to the reasons, the manifested powers are subordinate to the tenuous socioeconomic relations, portrayed in a permanent process, being this process based on report by the Triennal Central Bank Survey, 2019.\nThe cultures presented in spite of demonstrating collaborative relationships are distinguished by orders and hierarchies that conform legitimations of powers exercised to each other; proposing, therefore, reflections to a socially fragile structure, to the point of collapse.', NULL, NULL, 'Oil and acrylic on wooden fiber board.\nApproximate dimensions (group) 292x230x35cm.\nDimensions of each piece 35x50x1cm. Total 63 pieces.\nThe banknote representations will be subverted through painting in the author\'s prints, based on the original models. The fixing of the pieces will be done by means of polyurethane sealant, double-sided tapes and fitting of the pieces. \nAn interior space is required to display the work that contains a height and width bigger than 3 meters.', NULL, 'artist', NULL, NULL, 'https://1drv.ms/u/s!Aog_84Hj2SjkgRUed_HjcbVShKI5?e=D6EuFB', NULL, NULL, NULL, 'https://1drv.ms/u/s!Aog_84Hj2SjkgRSKyF0aLEL1YjgH?e=n0D1x3', NULL, NULL, NULL, 4012, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3418, NULL, '2020-05-15 00:46:13', '2020-07-23 04:02:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23151, '5ddaE36rCFcZbMPx', 'Mujer Ready Made', NULL, 'Signos bien mujercita o las expectativas de tornarse mujer.\n\nLa instalación explora la idea de tornarse mujer dentro del  sistema capitalista colonial patriarcal, y sobre las expectativas y presiones para alcanzar un standard mujer. El sexo/género es una performance que se repite de generación en generación, pues sin esta repetición de actos arbitrarios y signos corporales no tendría validad la noción de género.\nEl hecho de mantener a los cuerpos como binarios y de regular la sexualidad dentro de un marco obligatorio de heterosexualidad reproductiva fue creando una ficción reguladora en la cual la mayoría de las mujeres estamos inmersas y capturadas inconscientemente, es una ficción política viva, que se actualiza y nos habita. El punto de partida de la propuesta es la obra de Paul B. Preciado, para elle las cosas cuanto más cerca del cuerpo están, más radicales y políticas son.\nLa mujer como receptáculo de químicos industriales: estamos en un régimen farmacopornográfico, los productos son vendidos y consumidos como constituyentes de nuestra noción de ser mujer y nos habitan: hormonas, tinturas, maquillaje, cremas, siliconas, botox, sin contar los “avances” en cirugía plástica, siendo las mujeres\nsu público objetivo.\nCuanto más alta es la posición que una mujer ocupa en la sociedad, las exigencias aumentan, ya sea por la forma de embellecerse o por todo lo que es denominado como compostura, virtud (moral y estética), lo que constituye negativamente lo “natural” como dejadez.', NULL, NULL, 'Las piezas del cuerpo de obra \"Mujer Ready Made\" se colocarán sobre el piso, todas las piezas se organizarán sobre una alfombra de silicona rosa creada específicamente para la exhibición.\nEspacio requerido: 3 metros cuadrados.\nSala expositiva con una pared para colgar los dibujos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2077, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1820, NULL, '2020-05-15 01:08:32', '2020-07-12 16:55:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23152, 'LDDj419SKvpXchEL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 01:19:41', '2020-05-15 01:19:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23153, 'Ovs3Ay0IXfiPqKSu', 'INVENTAR OTRA MEMORIA', NULL, 'Este proyecto, inédito y en proceso, es resultado de la deconstrucción y reelaboración metódica de imágenes recolectadas a través de la exploración urbana y la observación, siguiendo el principio de détournement. \nLas obras surgen a partir de la apropiación de afiches publicitarios de mi entorno urbano y su posterior transformación. Distorsiono la forma, significado y uso original del objeto apropiado, produciendo un nuevo sentido y buscando producir un efecto crítico. \nAplicando el concepto de deriva, de Guy Debord, realizo caminatas por la ciudad siguiendo la llamada del momento. En ellas reflexiono sobre las formas del ambiente geográfico y experimento la vida urbana, siguiendo mis emociones y mirando al fenómeno capitalista de la publicidad, de una forma nueva. Tomo fotografias de carteles publicitarios superpuestos y deteriorados, y descubro su poesía.\nLuego de seleccionar lo que encuentro interesante de esa gráfica ya creada, y mediante la manipulación digital del material capturado, realizo videos de corta duración donde esos recortes de realidad captados en la exploración, se convierten en situaciones visuales en movimiento, de mucha velocidad. Con ese material procesado también realizo obras bidimensionales de gran formato impresas en técnicas de serigrafía y offset sobre papel y tela, que  completan la serie. Todo lo apropiado, una vez alterado su significado original, se vuelca  en un nuevo soporte, dinámico (video) o estático (obra gráfica de pared).', NULL, NULL, 'Este proyecto se adapta a un espacio formal de exposiciones, o a uno alternativo (público o virtual). Está abierto a los modos de exhibición que lo criterios curatoriales de la Bienal consideren apropiados. Sugerencia para espacio formal: la obra gráfica sobre tela (serigrafías de 150x100, 150x150 y 200x150cm) exhibida en diálogo con video instalación de la obra digital. Se presentan simulaciones en las imágenes adjuntas.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/user101705227/review/429027965/49397f81f9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4015, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3421, NULL, '2020-05-15 01:37:11', '2020-07-23 18:35:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23154, 'BGsSfnaewCKPGqZD', 'Libro', NULL, 'Mi libro de artista, el cual es un video en donde se observa el mismo, está basado en una continuidad de trabajos anteriores como ¨Recortado para recordar¨. \nEl soporte de mi trabajo es un libro viejo, y al mismo tiene la pared como tal. Trata de un ejemplar único que se puede observar infinita cantidad de veces, y no solo por su registro digital, sino porque está expuesto en un lugar público.\nLa obra es un cómic viejo que leía de chica intervenido con collage, pintura y dibujo.\nEn cada una de sus caras se están plasmados distintos trabajos utilizando diversos estilos que fui desarrollando.\n\nMe dejo inspirar por la mujer del cine americano de los años 50, cuya imagen me impactó desde chica, su sensualidad, elegancia y simpleza.\nPero también la que obtuvimos por la publicidad y el ideal de vida americano que nos venden en el cine y la televisión. \nEn estas la mujer está limitada a dos hechos intrínsecamente relacionados entre ellos: La familia y el hogar.\nLo que es importante destacar, es el cambio de rol de género por la que pasa la mujer durante estos años, respecto a la década anterior en particular.\n\nEn este trabajo como en  \"Recortado para recordar\", tengo como propósito mostrar esa mujer que sigue estando entre nosotros, aquella limitada, de la cual se le espera hacer cosas de ama de casa o esposa.', NULL, NULL, 'Elemento: Proyector de video digital.\nDimensiones: 92 x 52 cm ( proyección )', NULL, 'artist', NULL, NULL, 'https://youtu.be/iLNg4iySU2A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2172, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1894, NULL, '2020-05-15 02:47:15', '2020-06-23 01:48:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23155, 'ZFZ3bQYdfqU08Ptt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 03:04:16', '2020-05-15 03:04:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23156, 'idfXWn5swPeyJK4M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 03:31:22', '2020-05-15 03:31:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23157, 'wY14xOVRKvbcVajf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 03:37:51', '2020-05-15 03:37:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23158, 'A6HxYIV5iHoKGGOr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 03:52:29', '2020-05-15 03:52:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23159, 'r9pCxJDMqIRg2cdy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 04:12:23', '2020-05-15 04:12:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23160, 'Fk5SWqhBhQfHNxrL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 04:27:30', '2020-05-15 04:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23161, 'nQzl6sfK2GFs8xnb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 04:39:04', '2020-05-15 04:39:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23162, 'k32crB79CeiK6aFo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 04:43:31', '2020-05-15 04:43:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23163, 'r4Ru7WcElHXT5g4H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 06:13:32', '2020-05-15 06:13:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23164, 'qLD3iDrllp2Q9XYr', 'Synthetic Force', NULL, '“Synthetic Force” The force is tried to manifest a vibration and spectrum as an audible and visible object – audio visual meditation which includes the maximum and minimum point of views between nebulae and cell divisions that reflect science or sense, scotoma or principle, order and border, super-human and non-humanization. Is there any invisible or subliminal field variant of the system?', NULL, NULL, 'Dark space / room.  Single- channel video, projection or monitor, color, sound; 06min., 06sec.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/390123884', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3875, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3297, NULL, '2020-05-15 06:19:16', '2020-07-02 20:36:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23165, 'ffJ7nnB5ktTKkH8w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 06:21:30', '2020-05-15 06:21:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23166, '3RvkOSO3K6D7P5Mt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 06:27:07', '2020-05-15 06:27:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23167, 'HlWPj1nms2C43qiU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 06:28:40', '2020-05-15 06:28:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23168, 'QNT2D3O8Q3Bvyrp3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 06:40:57', '2020-05-15 06:40:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23169, 'pg4foqzvoqPq1LPS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 06:43:10', '2020-05-15 06:43:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23170, '2iqLHbGEAL9XrLtj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 06:58:57', '2020-05-15 06:58:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23171, '2Wj3tQOyHGGEcGcd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:02:08', '2020-05-15 07:02:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23172, 'aCWKMIPkg2rx4Ynn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:02:33', '2020-05-15 07:02:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23173, 'y6Wt7udvuz7h0zNl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:03:53', '2020-05-15 07:03:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23174, '8Rdw3e4pnnxR2YJs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:10:13', '2020-05-15 07:10:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23175, 'd6PJ7ax3uBrTSZvP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:11:49', '2020-05-15 07:11:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23176, 'SGijBkUSMQ9Nkx81', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:14:49', '2020-05-15 07:14:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23177, 'uUvdooejadKCkmkk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:19:57', '2020-05-15 07:19:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23178, 'p6AseYgcgYthabZu', 'Bio-Security / Bio-Seguridad', NULL, 'Titulo: Bio-Security /Bio-Seguridad\n\nLa serie fotográfica consta de 5 piezas digitales a color. Cada una tiene su propio discurso como lectura individual, en un lenguaje que de primera impresión nos lleva a un contexto violento en una cotidianidad donde la muerte ha sido normalizada. Pero al juntar las 5 piezas podemos ver el uso de La carne como argumento estético y simbólico. Así mismo en la búsqueda de una imagen orgánica, que entrelaza sus limites con el surrealismo y lo documental, sin filtros, sin ediciones, sin maquillaje.\nCuestionar el uso del cuerpo como instrumento principal de la violencia si es importante, pero al mismo tiempo exponer y señalar la normalidad con la que la muerte se ha tomado la vida, en un país donde nuevamente fracasa en un intento de paz y justicia social.', NULL, NULL, 'El montaje de las piezas para exposición seria en una habitación o cuarto oscuro o luz roja (se define en el espacio) por medio de video proyector las piezas son expuestas 5 lugares del espacio escogido para la muestra. Este formato digital está pensado también para exterior o espacio publico que cumpla con los requisitos técnicos de montaje.\nLas obras cuentan con su versión en formato bidimensional en un tamaño mediano aproximado a los 45x60 cm con marco cada pieza.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3153, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2711, NULL, '2020-05-15 07:28:32', '2020-06-26 19:58:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23179, 'z5X1PVoG1Br5rNJP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:31:16', '2020-05-15 07:31:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23180, 'GwDwu9rKoUEwp2Yz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:39:07', '2020-05-15 07:39:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23181, 'F0VtbttwQLYPmdxq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:46:29', '2020-05-15 07:46:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23182, 'r2cfETKCIH5uT18v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 07:59:32', '2020-05-15 07:59:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23183, 'cE96oK2beQyQgDtL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 08:07:01', '2020-05-15 08:07:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23184, 'x9slpjhCVRIAJsM8', 'Arcadia', NULL, 'La actual crisis hace tambalear nuestros modos de vida y el sustento de cada quien. Para los artistas se ven cuestionadas la utilidad, el propósito y la manera de realizar su oficio. Adaptarse es un desafío y una invitación a reinventarse para reencontrar la creatividad, lo esencial e indispensable. \nEn esos momentos de aislamiento obligatorio por la cuarentena nos pareció primordial tejer una red de apoyo y solidaridad que permita continuar con el acto creativo después de éste periodo de encierro y de exploración al interior de si mismo.\nDurante el proceso de escritura denominamos la salida a la luz después de éste periodo de \"incubación\" como \"la eclosión\", una salida a la luz después del encierro. \nEs aquella búsqueda de apoyos e ideales que puedan ayudarnos en este nuevo periodo que comienza, lo que tratamos de encontrar de manera corta y concisa. Aquello a lo que primero podemos echar mano en momentos de dificultad. \nTambién quisimos señalar algunos sectores que guardan y recogen egoístamente las riquezas, profundizando la crisis en vez de ayudar a sobrellevarla.\nLa Arcadia es sinónimo de Utopía, algo que soñamos alcanzar sin nunca llegar a lograrlo, pero que nos hace avanzar e imaginar nuevos rumbos aun cuando todo parece oscurecerse al rededor.\n\nLa técnica de animación utilizada fue el stop motion y la iluminación de cada una de las 1400 fotos fue hecha a mano en tomas de larga exposición. Imágenes que fueron producto del largo tiempo de cuarentena.', NULL, NULL, 'Sencillamente proyectado sobre una pantalla o un muro en un espacio sombrío, con un sistema sonoro, bien sea por amplificación o con varios audífonos.\nPodría ser integrado junto con otros videos y/o fotografías o unicamente y pasar en bucle en la sala de exhibición.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.youtube.com/watch?v=hU9x3HIGWKk', NULL, NULL, NULL, 2085, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1826, NULL, '2020-05-15 08:15:47', '2020-08-12 17:51:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23185, 'yOSCghlZkDlBccHU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 08:19:41', '2020-05-15 08:19:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23186, 'eA8WRQQMUwqWS3z0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 08:24:55', '2020-05-15 08:24:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23187, 'qT670VMEYlmOs3ay', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 08:26:22', '2020-05-15 08:26:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23188, 'ljTSDI4nWrIpNoUQ', 'Tangos a mi manera', NULL, '“Tangos a mi manera”\nCon la exposición de óleos \"Tangos a mi manera\" Américo Arce (1938-2019), intenta ofrecer una visión moderna y surrealista del ambiente del tango. Apartándose de representaciones tradicionales, Arce ofrece al espectador una visión onírica de la cultura tanguera.\nDesde su provincia natal, Mendoza (Argentina), fue atesorando en su imaginación imágenes incorporándolas a sus creaciones pictóricas. Al trasladarse a Buenos Aires, las imágenes fueron afianzándose y adquiriendo formas en su imaginación.\nSegún sus propias palabras, los óleos de “Tangos a mi manera” constituyen un homenaje a la nostalgia: “… He buscado con estas pinturas rendir un homenaje a la nostalgia. Nostalgia de una ciudad, hoy para mí lejana. Nostalgia que, tanto en la música como en el baile está siempre presente…”\nLa exposición estará acompañada con imágenes proyectadas y relacionadas con la historia y estética del tango. En el piso estarán marcados los pasos básicos del baile. El día de la inauguración, unos bailarines interpretarán tangos de distintas épocas.\nAdjuntamos también imágenes de los programas de algunas de las exposiciones realizadas en Baires.', 'Américo Arce - Argentino - Sin Página Web', NULL, 'Sala de 50 metros lineales (paredes y/o tabiques divisores) para colgar cuadros y proyectar imágenes\nAltura del soporte (pared o tabique divisor): 2.20 m.\nUn proyector de imágenes \nUn equipo de sonido para los tangos que interpretarán los bailarines durante la inauguración.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1dQJa0bNuGzSSyXvMOCJsCfjWksyXHd_K?usp=sharing', NULL, NULL, NULL, 2106, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1845, NULL, '2020-05-15 08:41:14', '2020-06-23 17:44:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23189, 'tfAd2PO7Gpe32FRO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 08:41:19', '2020-05-15 08:41:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23190, 'Jab6LNyZPC8mH71O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 08:43:42', '2020-05-15 08:43:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23191, 'WBg7c0P9SCF8ZIBV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 09:00:09', '2020-05-15 09:00:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23192, 'lDLaKVX3XLjksXrT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 09:02:10', '2020-05-15 09:02:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23193, 'PB0eaNRH7OSrknlI', 'Flowing LifeLine/Meditation Visual Music/Artistic Psychotherapy for Immersive Color Motion', NULL, 'This is an audio-visual animation based on my original digital illustration artwork of the creative concept development. I uses visual language elements of different colors, shapes, and lines to describe the interaction between individual differences in human lifeline in the past and present world and the time wheel of the universe.\nFor those suffering from bi-directional affective disorder, depression, and mental disorders, I used the color wheel and electro-acoustic music to integrate the meditation music, in order to alleviate the positive healing effect on their mental health and illness.The advanced scientific research methods that inspired the human medical community should incorporate innovative technologies in the fields of digital art and music. At the same time, it will also awaken the souls of these mental disorders, use the positive aspects of bipolar disorder and depression to bring unlimited creativity and imagination to the creative cultural industry and the music field, and find the value of self. In order to interpret the accessibility of music expression, everyone can feel the potential energy that music brings to us indefinitely. My multi-creation concept provides a new perspective for digital media art and artificial intelligence. It indicates that the future world will be a beautiful feast of Color Symphony .', NULL, NULL, 'Technology and Specifications\nDuration - 00:05:38\nCodec - H.264/AVC\nResolution - 1080P/FHD\nFrame Rate - 30fps\nAspect Ratio - 16:9\nAudio Channel - Stereo\nChange Audio - 44.1kHz/16Bits\nAudio-visual by IPHONE X', NULL, 'artist', NULL, NULL, 'https://vimeo.com/410161356', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2084, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1825, NULL, '2020-05-15 09:06:56', '2020-06-23 01:52:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23194, 'sZfm9RS2r4PMj36c', 'El rugido de los vulnerables.', NULL, 'Mi proyecto tiene origen en la tridimensionalidad y la necesidad actual de fortaleza y alegría pictórica.\nUso el león por que es un animal fuerte pero una especie muy vulnerable que ha perdido su hábitat por los conflictos humanos, siendo su cabeza uno de los símbolos animales más usados por la cultura humana y podemos verlo en la escultura, la pintura, el cine, la literatura y hasta en símbolos patrios.\nQuiero cruzar las líneas entre lo humano, la fortaleza de la naturaleza y nuestra naturaleza destructiva. Y los límites entre lo escultórico y lo pictórico creando una obra expandida.\nMi obra es en madera, escayola, plástico y acrílico.\nSu montaje es en una base de madera blanca con una urna en acrílico transparente. \nY la propuesta consta de 9 obras.', NULL, NULL, 'Son 9 obras cada una de 57 x 57 x 13 centímetros.\nTienen un peso aproximado de 10 kg cada una.\nMi obra es hecha en una técnica donde le doy volumen a la pintura y sobre pongo puntos sobre puntos donde logro crear estalagmitas de pintura y así creo el volumen en la obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2086, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1827, NULL, '2020-05-15 09:09:35', '2020-06-23 01:52:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23195, 'BGtv4sjJLaqtYepd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 09:13:58', '2020-05-15 09:13:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23196, 'eaaMrhZGqUciKyyk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 09:15:27', '2020-05-15 09:15:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23197, 'n9rYRWe3m1S4TtPS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 09:16:41', '2020-05-15 09:16:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23198, 'Jwo9eWuGKLwQXjPA', 'Mujeres del Mundo', NULL, 'El proyecto consta de una serie de retratos femeninos pintados al oleo sobre tela. Los tamaños de las obras son de 30x40, 40x50 y 50x70. El proyecto se centra en la figura femenina y en la diversidad, mostrando las diferentes culturas y la belleza de cada una de ellas, tratando de romper con los estereotipos y cánones de belleza que reinan, basados en el modelo occidental y lo difundido por los medios de comunicación, que tratan de homogeneizarnos y establecer lo que es lindo o apropiado. Siempre desde el respeto, el objetivo es homenajear la belleza y la diversidad cultural.', NULL, NULL, 'El espacio para la exposición puede ser un salón capaz de albergar alrededor de 12 retratos de tamaños que van desde 30x40 hasta 50x70.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.mvart.webs.com o en mi Instagram @plastica.galeria', NULL, NULL, NULL, 2087, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1828, NULL, '2020-05-15 09:31:57', '2020-06-23 01:51:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23199, '8QJzyz5KzUzy8TT6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 10:02:37', '2020-05-15 10:02:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23200, 'oM4Q9bvI4gq3VOns', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 10:24:57', '2020-05-15 10:24:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23201, 'CMvaUVZ6nnzjirWb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 10:27:46', '2020-05-15 10:27:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23202, 'RBDqmK9uaiISjxoW', 'Little Flu', NULL, '“Little Flu” is a project about my isolation during the pandemic of COVID-19. With a digital microscope, I documented my bedroom and the situations around me from March to May –  bugs, my body, the computer screen, surfaces, books, printed images and everything that surrounded me. The microscope camera functions as a metaphor of our present times, an instrument that focus on the details (often forgotten in the daily routine) and represents an obsession for the invisible. It is a search for a tiny thing that we cannot see but is capable of killing us. The process of photographing the details and the invisible of my own reality works as a way of killing time, to protect my community and myself and a way to connect with my inner self.\n\n“Little Flu” is how the international media translated the expression “gripezinha”, the way Brazil’s president calls the virus responsible for the pandemic we are facing.', NULL, NULL, '1 – Rainbow Lungs – 40x60cm \n\n2 – Untitled – Polyptych, 55x30cm \n\n3 – Atlas of the Inert Body – Polyptych, 30x45cm\n \n4 – Liberty Leading the People – 40x60cm \n\n5 – Prevention in Three Acts – 90x45cm \n\n6 – Asymptomatic Surface – 3x3cm \n\nImages from 1 to 5 are printed on cotton paper without frames. Image number 6 is printed on cotton paper with box frames and glass, with passe-partout of 20cm. Picture 6 should be placed as far as possible from the others. See expography image attached.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3695, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3161, NULL, '2020-05-15 10:42:17', '2020-07-02 00:17:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23203, 'lRc3zDqiwnjGgWpg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 10:51:02', '2020-05-15 10:51:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23204, 'YUmDs8AN3WoTPKl6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 11:17:13', '2020-05-15 11:17:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23205, 'Atb90oRvPLH01umR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 11:21:20', '2020-05-15 11:21:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23206, 'j0UeHI9HepWiD9HV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 13:31:23', '2020-05-15 13:31:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23207, '6TKC4wsjRvM1yAvx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 13:33:18', '2020-05-15 13:33:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23208, 'qKHoZBxN2MsRGjTt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 13:59:44', '2020-05-15 13:59:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23209, '2A6jtq5zWDpuw8YW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 14:06:56', '2020-05-15 14:06:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23210, 'JlcWOqxv0xNDod1g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 14:10:39', '2020-05-15 14:10:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23211, 'V8nW08SNEcjt3Plg', '12/21 intermediarias', NULL, 'La propuesta “12/21 Intermediarias” involucra a doce de las mejores artistas contemporáneas de la actualidad, que van a afrontar, a través del arte, una infinidad de conflictos de solución pendiente. Este proyecto pretende, usando el lenguaje del arte como herramienta, no plantear salidas a problemas reales, sino reivindicar el poder de la creatividad como vía de exploración poética y política como posibilidad de intermediación. \n\nDoce artistas mujeres que plantearán a través de nuevas producciones comisionadas trabajos artísticos relacionados con un conflicto planteado. Durante un periodo de tiempo, las artistas tendrán contacto directo con el conflicto, y tras esa etapa investigativa, propondrán una obra de arte que se vincule de forma positiva y propositiva al compromiso de actuación. Los resultados podrán visualizarse a través del humor, la ironía, la metáfora, la acción o la inacción de manera multidisciplinar.\n\nEste proyecto curatorial, cuya sede es a la vez focal (una sede en la que la artista local expondrá los resultados físicos) y desfocal (a su vez, en esa sede, se mostrarán los resultados, de forma virtual -registro audiovisual-, de las otras once creaciones), ofrece un marco para que las creadoras desarrollen sus trabajos de forma libre y bajo la forma expresiva que determinen. Por ello sus trabajos finales no pueden ser descritos a priori; sí la idea genérica.', 'Sandra Cinto (BR) http://www.tanyabonakdargallery.com/artists/sandra-cinto/series-works\nPriscila Monge (CR) https://www.luisadelantadovlc.com/priscilla-monge/\nVoluspa Jarpa (CH) https://galeriapready.cl/artistas/voluspa-jarpa/\nNatalia Iguiñiz (PE) http://www.artisteras.com/artistas-feministas/natalia-iguiniz/\nAna Laura López de la Torre (UY) https://www.coleccioncisneros.org/es/authors/ana-laura-l%C3%B3pez-de-la-torre\nCabello/Carceller (ES) http://www.cabellocarceller.info/\nTania Candiani (MX) https://taniacandiani.com/main/\nBeatriz González (CO) https://www.banrepcultural.org/coleccion-de-arte/artista/beatriz-gonzalez\nRaquel Paiewonsky (RD) https://raquelpaiewonsky.com/\nClaudia Joskowicz (BO) http://joskowicz.com/es/biografia/\nMaría José Argenzio (EC) https://www.scan-arte.com/maria-jose-argenzio-bio\nMarilyn Boror (GUA) https://minombremarilyn.wixsite.com/arte', NULL, 'Este proyecto curatorial, cuya sede es a la vez focal (una sede en la que la artista local expondrá los resultados físicos) y desfocal (a su vez, en esa sede, se mostrarán los resultados, de forma virtual -registro audiovisual-, de las otras once creaciones). \n\nSe proponen com sedes los Centros Culturales de España de cada país en el que cada artista resida, y, en el caso español, otras posibles sedes (MACBA  o Fundación Tápies).', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2789, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2421, NULL, '2020-05-15 14:10:40', '2020-08-14 16:49:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23212, 'EJDFqRqBhN5C5PkA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 14:18:27', '2020-05-15 14:18:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23213, 'uO9URbpsjb9yWESB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 14:19:05', '2020-05-15 14:19:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23214, 'Vj5xDrJEUg2GFEcV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:11:33', '2020-05-15 15:11:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23215, 'r4GUS3N9WUwPRHHJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:16:48', '2020-05-15 15:16:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23216, 'cziVAIl80MG2txnP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:22:31', '2020-05-15 15:22:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23217, 'm6MqOtL3vc2Y1JnD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:30:00', '2020-05-15 15:30:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23218, 'wbg0iFnTIslDRf9p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:30:31', '2020-05-15 15:30:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23219, 'ILnSUwlWFmfCYenE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:32:22', '2020-05-15 15:32:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23220, 'kqnmuZpQj0ov6rZn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:34:44', '2020-05-15 15:34:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23221, 'lSqnm76nmAch7lF5', '\"canto a las tribus amazonicas\"', NULL, 'Quiero proponerles una video intalacion de una accion que he estado madurando desde Portugal, que ha pasando por Hamburgo y finalmente este video viene de Basilea, la farmacia del mundo. el titulo de la accion es: \"cantando los nombres de las tribus amazónicas\", he asociado esta pandemia, enfermedad que parece atacar directamente los pulmones, hasta lograr asfixiarnos con las imágenes de voz, aliento, oxígeno, pensamiento, respiración, sonido, canción ...aire, aria, energía vital, prana, amazonas para ser de nuevo pulmón ...en el canto voy usando diferentes inflexiones de la voz, distintos acentos, como una forma de sintonizar desde el viento como mensajero de un interlocutor que percibe desde lo sensible.\nCantar los nombres de las tribus significa enviar un eco de reconocimiento a ese lugar que nos ha proporcionado la cura de tantas plagas,\nde la malaria (la llamada plaga verde). Del conocimiento de estos curanderos, viene la cura. Es hora de reconocer este enlace, retroalimentar y agradecer a estos pueblos que humildemente nos han mantenido en equilibrio y aún más ahora que el Amazonas está afectado por los incendios forestales y su gente diezmada por un virus que no fabricaron, merecen una tonada, un llamado a sus propias vidas, desde la mencion de sus nombres, esta letania que vengo repitiendo quiere lograr un movimiento helicoidal, expansivo de sentido, de sentimiento..hasta lograr una escucha y un equilibrio.', NULL, NULL, 'Imagino proyectar el video en una sala, que permita la escucha, un cuarto pequeño ..donde la gente pueda sentarse como quiera..y donde tal vez puedan ellos mismos ensayar entonaciones o generar otras vibraciones.\n\nNota: el video enviado es el borrador, el definitivo esta editado con titulo, fecha, creditos etc.', NULL, 'artist', NULL, NULL, 'https://bit.ly/3byGWBP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2089, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1830, NULL, '2020-05-15 15:40:41', '2020-06-23 01:51:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23222, 'R5wsCYtPDEpFLCoW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:52:52', '2020-05-15 15:52:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23223, '6dGeAJv8buELlJqd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 15:54:36', '2020-05-15 15:54:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23224, 'XH4xV3jRUKd1i7vR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:08:22', '2020-05-15 16:08:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23225, 'CFDa7Q4al5xIrsVt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:13:55', '2020-05-15 16:13:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23226, 'b4I6gsHHJlFtz0mS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:14:07', '2020-05-15 16:14:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23227, 'rDFF1vmLKn8A8rZP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:26:34', '2020-05-15 16:26:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23228, 'Xat6Xh01L08IULcq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:32:35', '2020-05-15 16:32:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23229, 'DDnzooEVxAlINSRH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:48:37', '2020-05-15 16:48:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23230, 'RtK9NrnIQaxuVECC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:53:29', '2020-05-15 16:53:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23231, 'Efdta8Wy630YCK7w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 16:56:44', '2020-05-15 16:56:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23232, 'iVBVZoFBIpsA23m9', 'San Antonino', NULL, 'San Antonino es una música compuesta para sonar en el puerto de Mar del Plata. Nos proponemos hacer audible un espacio de 640.000 metros cuadrados, interviniendo el paisaje marino con diversas fuentes sonoras. El proyecto consta de dos ensambles de trompas y silbatos (ubicados en las escolleras sur y norte), dos autos con sirenas (que se mueven a lo largo de la escollera sur), un equipo de sonido ubicado a la altura del “Cristo” de la escollera sur, y cuatro embarcaciones equipadas con sirenas, bocinas, campanas y trompas. \n\nSan Antonino se remonta a las causas que propiciaron la construcción de una identidad local, como \"la peregrinación náutica”, \"la fiesta de los pescadores”, \"el bautismo a las aguas”, y sobre los modos de apropiación y significación del territorio que esos rituales vernáculos promueven.\n\nCon San Antonino queremos decir que en nuestro puerto reside un patrimonio sonoro y social que queremos preservar. Queremos vociferar que las lanchas amarillas son un patrimonio material y que deben ser salvaguardadas. ¿No habrá algo nuestro, latente, que podría también despertarse con esa música-ruido? Profundamente local, esta música tiene en la mira una idea de arte entendido como escultura social, es decir, un arte de acuerdos entre pares, un arte que se nutre de la alegría de generar un proyecto compartido en pos de un beneficio comunitario. Un arte de paz. Un arte social. \n\nSe presentó en 2018 y 2019 a partir de extenuantes esfuerzos personales. Pero seguiremos.', NULL, NULL, 'El proyecto fue pensado para el Puerto de la Ciudad de Mar del Plata. Las mediciones para la partitura y la duración del sonido fueron consideradas en ese espacio. No obstante, llegué a dialogar con con artistas del puerto de Antofagasta (Chile) y parecía también un lugar de características similares.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/334858190', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2669, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2311, NULL, '2020-05-15 17:03:08', '2020-10-05 23:22:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23233, 'wbZ1Qa1WVjMTr3tk', 'Clickers', NULL, 'Clickers is an installation that experiments with our relationship to coincidence. It is an ecosystem comprised of hundreds of individual, independent modules that click in response to light. If a light is shone brightly on a module, it will click more rapidly. In the dark, the sound is sparse. Although each of the units responds almost identically to light intensity, when they are distributed across a space, their individual experience of the light creates a polyrhythmic soundscape. In bright light, this sounds almost like a field of cicadas and in lower lights more like the end of a storm, with drops falling from the eaves. In all lights, the emergent behaviour makes the piece feel alive and watching the development and changes in the system is a dynamic and meditative experience. \nEach module is fitted with a light sensor, LED and an analog oscillator circuit. When light is shone on the sensor, the paper membrane on each unit vibrates to create a soft click and at the same time, the LED flashes on and off. The incoming light intensity dictates the rate of vibration such that the emergent audio and light patterns from the group are a direct response to the environment.', NULL, NULL, 'Ideally, the space should have a very low or no natural lighting, so that the lighting of the installation can be controlled. The installation is modular, which means that it can adapt to a variety of spaces and the modules can be placed either on the ground or on the walls. For best effect, the modules need to be distributed in space of at least 5m long.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394921452', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2293, NULL, 268, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1988, NULL, '2020-05-15 17:32:10', '2020-08-14 22:34:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23234, 'FGtAs7yZvHN39aF5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 17:40:11', '2020-05-15 17:40:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23235, 'oijt59YRNlJd0Xdq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:02:52', '2020-05-15 18:02:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23236, 'tHLLTTK8Qncw354k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:03:22', '2020-05-15 18:03:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23237, 'WI8wx2Teni9fcmr8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:04:08', '2020-05-15 18:04:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23238, 'py7dH2irb4qRQe6d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:10:52', '2020-05-15 18:10:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23239, 'WzOmKoNLMJp7yEJx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:12:07', '2020-05-15 18:12:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23240, 'joRMH9MP5GWsZsmP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:13:29', '2020-05-15 18:13:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23241, 'jwFo18pQd2jvSVkU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:13:50', '2020-05-15 18:13:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23242, '5QC7W7ZsKj4T5FKR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:24:56', '2020-05-15 18:24:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23243, '3pCIxUU6MYPjmQN3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:29:47', '2020-05-15 18:29:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23244, 'MtTer2lAM5FkgAPR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:32:29', '2020-05-15 18:32:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23245, 'dWp76S7uolJaI21f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:38:49', '2020-05-15 18:38:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23246, 'CZIZP2bFDESnEW39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:44:21', '2020-05-15 18:44:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23247, 'gQiBlreA2ySpOITA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:49:44', '2020-05-15 18:49:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23248, 'FabRxAOZAlwZwqHP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:50:15', '2020-05-15 18:50:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23249, '4nOLpYysdgUTl5OI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:50:23', '2020-05-15 18:50:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23250, 'kzaAySv2FjStKMAo', 'Ochenta Balas sobre el Ala', NULL, '“Me pregunto ¿qué significa reconstruir una tragedia? ¿Será volver al fragmento cero de la pesadilla para organizar las esquirlas de aquel dolor? ¿O será volver a contar(se) la historia, amasarla, reinventarla y compartirla hasta disolver el veneno? Ochenta Balas sobre el Ala es una conferencia-espectáculo. En ella, La Plata, ciudad “perfecta” es llevada a la sala de operaciones. Una maqueta del tamaño de un hombre -mi padre- es el escenario donde se narran la Argentina de los años 70’s, con historias íntimas y colectivas. Un narrador acompañado por un mundo visual y sonoro, por una galería de objetos y una pequeña orquesta hace comparte íntimamente con los espectadores este relato de realidades y mitos.\nfue Ochenta Balas sobre el Ala  una obra plástica y audiovisual que constaba de una “maqueta-instalación” y de una filmación- proyección en tiempo real a partir de un dispositivo cinético que recorría la obra. Este primer dispositivo fue premiado en Francia por el Centro de arte Cent Quatre y por la Cité Internationale des Arts a través del Instituto Francés de Francia y de la Argentina. Durante el 2019 desarrollé periodos de residencia en estas dos instituciones emblemáticas de la cultura francesa. Ochenta Balas sobre el Ala entró en una nueva etapa de conformación teatral y performática hasta convertirse en una conferencia espectáculo. Desde entonces se viene presentando en centros de arte, museos, teatros de Francia, Argentina, México y Estados Unidos.', NULL, NULL, 'El espacio expositivo requerido es una sala de al menos 5x5 mts (black box)  que pueda oscurecerse y que cuente con una pared sobre la que proyectar.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=sDT7AzGp0Bc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2092, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1832, NULL, '2020-05-15 18:50:37', '2020-08-14 16:42:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23251, '7WSEMKABPQdJCfcJ', 'RETOÑOS DE AMOR', NULL, 'Mi propuesta esta relacionada con la ecología,    tema que vengo desarrollando y expresando en pintura  desde hace bastante tiempo,    y que en los últimos 10 años lo expreso también en cerámica.\nEsta vez ,    mi proyecto tiene como titulo RETOÑOS DE AMOR    es un poliptico que consta  de cuatro cuadros \ntema ecológico,      pienso que  a pesar de la destrucción y deforestación, que ha venido sufriendo el planeta ,\nprevalecerá la vida , la esperanza , el amor.\nPienso que la función del artista es mostrarle a la sociedad lo que esta viviendo.  reflexiones politicas, conflictos,  despechos , la belleza de la naturaleza , el mar , que me han hecho  sentir una ecologista espiritual.', NULL, NULL, 'Mi propuesta ecológica  RETOÑOS DE AMOR   Poliptico    consta de cuatro cuadros  cada uno mide 80x100 cms\npintados en acrílicos sobre tela  templada en bastidores', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2237, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1943, NULL, '2020-05-15 18:54:17', '2020-06-23 19:28:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23252, 'YnkAmMPSyOhV5h5A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:55:48', '2020-05-15 18:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23253, 'KPxf7BE7OH6TXUvE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:55:57', '2020-05-15 18:55:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23254, 'f1v52U74WnbHYQPd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:56:04', '2020-05-15 18:56:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23255, 'lYItlZN84KZMcArZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 18:58:47', '2020-05-15 18:58:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23256, 'uWpbh5Zm71xgo3nH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:03:37', '2020-05-15 19:03:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23257, 'lZAzwqnmMO3N25qy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:22:03', '2020-05-15 19:22:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23258, 'HtmqVmlXb1A5lE1Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:24:30', '2020-05-15 19:24:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23259, 'UnybBABMTplohsEN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:34:21', '2020-05-15 19:34:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23260, 'MmHFHOhQFfk8OdrU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:35:08', '2020-05-15 19:35:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23261, 'gTUCFJLVYnobIvWd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:38:26', '2020-05-15 19:38:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23262, 'outIG5LqyjfXamJc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:39:50', '2020-05-15 19:39:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23263, 'KZtWTDdpYtkN7AD6', 'EL MUNDO INTERMEDIO / LA CREACIÓN', NULL, 'El mundo intermedio es una recopilación de los mitos indígenas de América y dentro de este proyecto, los mitos de La Creación, espiritualmente, dan respuesta a esa pregunta de la humanidad. De donde venimos?\n\nEn el pensamiento indígena, se narra el origen de los seres, el origen de los nombres, de los astros o de la luz y la sombra, el vacío, el silencio, la muerte, el inicio, el nacimiento, el pensamiento, la palabra.\nDesde el año 2019 dibujo los mitos de creación según las culturas indígenas de América, y para BIENALSUR específicamente haría una selección de los mitos de algunas culturas indígenas de América del Sur.\nDesde los Wayúu de Colombia hasta los Onas de la Tierra del Fuego, desde los Yanomamis de Brasil y Venezuela hasta los Kampopiyapi de Perú, haciendo un recorrido por nuestros 12 países.\nSiento que, sin negar lo de afuera, es el momento de regresar, mirar hacia nuestros orígenes. \nSin reclamar una identidad étnica, desde mi orilla, investigo, recopilo y narro estos mitos de nuestras culturas indígenas de América, como un deber ético y estético. \nEs un trabajo de interpretación y de reconocimiento. Un homenaje. Una forma de sanar esa herida que nos dejó la conquista, en su esfuerzo por negar lo nuestro e imponernos una manera de ser y hacer ajena a nosotros. Aquello ha marcado incluso nuestra manera de hacer arte y de validar  nuestras creaciones.\nEl proyecto consta de 12 dibujos de  70 x 100 cms.', NULL, NULL, 'Al ser dibujo, el proyecto puede adaptarse a una sala en donde haya un muro de 6 metros lineales o ese espacio dividido en diferentes muros. \nSería ideal que fuera un Museo de arquelogía o de historia y que los dibujos pudieran dialogar con los objetos del Museo. Pero de no ser posible, es un proyecto que puede dialogar perfectamente con diferentes obras en cualquier espacio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://luzlizarazo.com/mundointermedio.html', NULL, NULL, NULL, 2096, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1836, NULL, '2020-05-15 19:42:25', '2020-08-12 17:54:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23264, 'J9tDCISqHNbMWsvY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:51:42', '2020-05-15 19:51:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23265, '8QZOZas3IEqShev6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:52:02', '2020-05-15 19:52:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23266, 'md6zzyKQLv2qKoyb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:52:02', '2020-05-15 19:52:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23267, 'RlyP8h8ZXAGTUM3K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 19:52:32', '2020-05-15 19:52:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23268, 'OYwy797svPaR2ULq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:00:39', '2020-05-15 20:00:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23269, 'HQfrnSEdutQTSYDq', 'Expulso', NULL, '¿A donde van aquellas palabras que desean no ser escuchadas? \nVivimos sumergidos en un océano de aire que genera presión sobre nuestros cuerpos. Se necesita sacarse la presión de esto que nos rodea. Generando vacío, podemos generar una disminución de la presión barométrica y así llegar a disminuir la presión real de la que hablamos. Es por esto que sentimos la urgencia de destruir el esqueleto de la comunicación. Eliminar la idea de emisor-medio-receptor.\nHablándole al vacío, damos lugar a la comunicación de lo que entendemos por real y que justamente en el mundo que vivimos está destinado al fracaso. De esta manera, una disminución de la presión da lugar a la poética de las palabras calladas. Una creación hija de decir sin presión. Para eso, disfrutemos de la fertilidad del vacío.\n\nEXPULSO es una instalación interactiva que se compone de una sala de chapa de 1.20mts x 2.40mts x 4mts la cual invita al usuario a entrar a expulsar. Una vez adentro, el usuario atraviesa una cortina hermética e ingresa al sector donde la presión fue disminuida. “¿Qué te genera presión?” pregunta la sala y el ususario debe responder a través de un micrófono que cuelga del techo. Mientras el sonido de las palabras es cancelado por el vacío, la voz transmitida por el micrófono hace reaccionar a una figura virtual modificada por las características mismas del habla del usuario. Cada criatura es única e hija de cada persona.', NULL, NULL, 'Las condiciones lumínicas deben generar, en la medida en lo posible, penumbra para acompañar el clima dentro de la sala. La sala genera un ruido monótono que a pesar de no ser fuerte, es característico. Es por esto que debe ser un lugar sin tanto ruido. \nLa sala contiene en su lado ciego (el lado opuesto a donde entra la gente) una sala de back, donde van todos los dispositivos para que la misma funcione. Se accede por una cortina a esta pero idealmente debería ir contra una pared.', NULL, 'artist', NULL, NULL, 'https://youtu.be/P3cKWjYzS64', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2094, NULL, 242, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1834, NULL, '2020-05-15 20:04:36', '2020-06-23 01:51:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23270, 'EdVKxLPBqAPZNl1O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:05:34', '2020-05-15 20:05:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23271, 'Ow0dHGUmHz8h1cNJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:06:30', '2020-05-15 20:06:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23272, 'mj59eWfm45Bl64db', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:18:45', '2020-05-15 20:18:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23273, 'pVIdxQgiZ9vM3Vmr', 'POROMECHANICS by Catarina Miranda', NULL, 'POROMECHANIC presents a series of video portraits of artists, who are filmed moments after being subjected to states of immersion. This project reflects about the constant and porous movement between imagery vision, body behavior and artistic creation. Seeking to define an axis between the occult interior and a skin contour, in this dynamic dichotomy the Body is seen as a cognitive entity, emitter—receiver of a multi-apparitional flux of visions. The initiative to portray choreographers, through film, after being induced to “dream-like” states, through physical and sound activation, potentiates the idea of accessing the “black boxes” of these visionary bodies, promoting the activation of the parasympathetic nervous system and the appearance of subconscious speeches.\nThe immersive sessions are inspired as a starting point, in multiple processes of becoming SHAMAN, where the initiatory events are widely reported through physical and mental travels and symbolic death, normally implying a descending movement, the dismemberment of the body and a final ascension. This is an ongoing project created by Catarina Miranda and produced by Materiais Diversos (Lisbon). For the first round of portraits we have chosen 7 choreographers who’s imagery dimensions are very present in their own works: Ana Isabel Castro, Ana Rita Teodoro, António Pedro Lopes, Cristina Planas Leitão, Marco da Silva Ferreira, Laura Kirshenbaum, Volmir Cordeiro.', NULL, NULL, 'The installation is composed by 2 video projections (4:3) and a inflatable sculpture with the shape of a whale, a double-headed chimerical and post-atomic body, placed in the vertical, similar to the position in which whales sleep. The ideal space would be a room or darken area of around {15m large X 6m depth X 5,30m high} where 2 projection screens, a inflatable sculpture, as well as 2 video projectors, 1 rotative engine and 1 light projector are hanged at the ceiling or truss.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/423711146', NULL, 'https://soundcloud.com/cobracoralinfo/down-there-improvisation', NULL, NULL, NULL, NULL, NULL, 2734, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2371, NULL, '2020-05-15 20:21:18', '2020-08-14 16:47:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23274, 'EftOdmmsuKt8TOBW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:23:46', '2020-05-15 20:23:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23275, 'YSGZyBtUCuxpQmn3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:26:32', '2020-05-15 20:26:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23276, 'YG2ppcuU6jlWoIJc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:29:26', '2020-05-15 20:29:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23277, '3s8EjDAoyFuowR4M', 'PATAGONIA CULTURAS', NULL, 'Este proyecto se plantea insertar en el mercado tecnológico-comunicacional un medio ágil y atractivo (revista en línea) que recabe las manifestaciones culturales de la Región Patagónica. Promoviendo estas prácticas desde la diversidad rural y citadina de la Patagonia en sus diversos lenguajes y soportes. Un medio tan versátil como para  establecer el diálogo con otras disciplinas afines (Turismo; Microeconomías; Desarrollo Social; Industrias Culturales; estamentos públicos, privados y tercer sector).\n\nSu misión entonces se orientará a fortalecer –en la promoción y difusión- productos y bienes culturales, como a artistas y hacedores de la cultura. Un aporte para el desarrollo humano y el crecimiento económico de sus habitantes. \n\nSi bien las redes ofrecen una prolífera gama de posibilidades de visibilizar las producciones artísticas y culturales, se constituyen en herramientas poco útiles cuando no se optimiza su uso potencial. \nConstituir nudos de sostén para una tender una sólida red de tráfico de información y contenidos culturales, será premisa de la revista en línea PATAGONIA CULTURAS. Nudos donde además sea la experiencia en gestión cultural la que asesore y acompañe la puesta en valor de las expresiones identitarias de quienes habitan la región.\n\nExpandir su área de cobertura receptiva optimizará la difusión de la cultura patagónica; a la vez que dará a conocer sus bienes culturales brindará servicios de interés para sus lectores/as.', NULL, NULL, 'www.patagoniaculturas.com es una web 2.0 basada en joomla , interactiva y responsiva para que pueda verse bien en todos los dispositivos, cuenta con plugins, por ejemplo: share social, google map, texto to speech ( para que personas con dificultades visuales puedan escuchar los artículos ) la pagina fue pensada para que sea estética y funcionalmente distinta a cualquier otras paginas de divulgación o magazine.', NULL, 'artist', NULL, NULL, 'www.patagoniaculturas.com/videopresentacion.mp4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2185, NULL, 254, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1905, NULL, '2020-05-15 20:31:38', '2020-07-01 20:10:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23278, 'NNPHMd7hT8uVi9bb', 'Que tomamos hoy?', NULL, 'Descripción conceptual: la contaminación del mundo consumista en el que vivimos, nos obliga a tomar nuestros propios desperdicios.\nCaracterísticas: todos los materiales utilizados son reciclados. Escupidera revestida con la técnica mosaico con espejo, de la misma sale un caño de plástico transparente que va hacia un embudo también revestido en mosaico con espejo, el cuál se encuentra encastrado a una canilla de bronce antigua, de la que caen cintas de tela a un vaso de vidrio. La base de la escultura y el soporte de la canilla están realizados con maderas de descarte pintadas con acrílico.', NULL, NULL, 'Escultura en Técnica Mixta, dónde se utilizan en la misma obra distintos tipos de materiales y procedimientos y se combinan ambos. Con base para ser apoyada. \nDimensiones: 47 cm. de alto x 45 cm. de largo x 15 cm. de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2284, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1979, NULL, '2020-05-15 20:37:47', '2020-06-23 19:29:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23279, '3dr3P53fRzHFa8zs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:40:28', '2020-05-15 20:40:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23280, 'piCGPhsFnSJBUtfb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:41:33', '2020-05-15 20:41:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23281, 'Vx5j8AwNNVwCXxhJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 20:59:16', '2020-05-15 20:59:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23282, '2XAXk1q4SDAuTzvo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:04:15', '2020-05-15 21:04:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23283, '5I2drGxJ2AsxvcPp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:06:19', '2020-05-15 21:06:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23284, 'Zio8QMez6scRMw8M', 'video collage - triptych pillow', NULL, '\'the comfort you seek\' (3min45), ‘hercules’ (3min15), and ‘shield’(3min09) compose the tryptic of video-collage by Jorge Bascuñan. The videos are inspired by Robin DiAngelo\'s text \'white fragility\'. Sexuality taboos, personal questions of the artist, and appropriation of images together aim to re-shape the symbolic aspects of the research. The metaphors used imply a concern with the political power that covers the social struggles of contemporary society, such as the demands of capitalism, racism, patriarchy, and sexuality. Therefore, visual references to masturbation and penetration contrast with the danger of living in an environment that protects and insulates us from racial stress. We are then encouraged to seek comfort and to pretend there is nothing wrong.', NULL, NULL, '3 different channels (one for each video/audio)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/391868059', 'comfort', NULL, NULL, NULL, NULL, NULL, NULL, 2107, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1846, NULL, '2020-05-15 21:06:30', '2020-07-12 16:59:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23285, 'sEg12uIo00Fovr9s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:12:15', '2020-05-15 21:12:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23286, 'U2kNqvykbFP9KbAz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:12:23', '2020-05-15 21:12:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23287, 'z9alr0bmq7EfaAkW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:13:42', '2020-05-15 21:13:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23288, 't4Azkj2o0pkkDrSK', 'EN SOMBRAS / LAURA ROSSI', NULL, 'La exposición “En sombras\" propone un viaje al mundo que descubre la protagonista del cuento de género fantástico que, bajo el mismo título y junto con su ilustración, dan inicio al recorrido. \nSe presenta entonces una serie, de 16 imágenes fotográficas, que provoca un juego entre realidad y fantasía, para continuar el relato de este viaje que culmina en la obra “Notamientos”, narración-ilustrada, cuyas reflexiones guían hacia un apocalíptico e inexorable final.\nEste espacio invita a la lectura y a la reflexión por medio de lenguajes que se complementan, el escrito y el visual.\n\nCaracteristicas formales:\n2 textos/ cuentos\n1 Ilustración \n16 fotografías\n1 grabado, agua fuerte\n\nDetalle: \n1)	Texto del cuento \"En sombras\" impreso en vinilo mate, montado sobre PVC de 40 x 40cm.\n2)	Ilustración 1 dibujo, de 42cm. x 32cm., técnica grafito, expuesto en marco de madera.\n3),4), 5), 6),7),8),9),10),11),14),15), 16),17) y 18) Imágenes fotográficas, tomas directas, color, impresas en vinilo mate, montadas sobre PVC de 50 x 66,6 cm.\n12)	Imagen fotográfica, toma directa, color, impresa en vinilo mate, montada sobre PVC de 67 x 89 cm.\n13)        Imagen fotográfica, toma directa, color, impresa en vinilo mate, montada sobre PVC de 99 x 66 cm.\n19) Ilustración 1 grabado, 37cm. X 32cm.técnica agua fuerte y agua tinta al azúcar, expuesto en marco de madera.\n20)Texto de la narración “Notamientos” impreso en vinilo mate, montado sobre PVC de 40 x 40cm.', 'Laura Rossi - Argentina\nAutoría, ilustración y fotografía\n\nRocio Pedrosa - Argentina\nDiseño y diagramación\n\nSol Pedrosa - Argentina\nCuraduría', NULL, 'La instalación deberá desarrollarse dentro de un envolvente arquitectónico, en un entorno protegido.\nSerá necesaria la estructura portante  y/o paramentos a partir de los cuales se desarrollará el recorrido expositivo, quedando aún abierto y adaptable al espacio definitivo de montaje.\nSerán necesarios 13,45 mts cuadrados,  mínimo requeridos para la totalidad de la exposición. Máximo 25 mts cuadrados.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5448, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4521, NULL, '2020-05-15 21:14:21', '2020-07-29 23:41:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23289, 'BMXel4bc7xPfURnv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:27:41', '2020-05-15 21:27:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23290, 'qiBoQW6vD7sc1sCL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:28:30', '2020-05-15 21:28:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23291, 'mhBag0ZBM0oT3cQ3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:29:04', '2020-05-15 21:29:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23292, 'AZ7MUJHJXcCKsdLH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:33:15', '2020-05-15 21:33:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23293, '0WH3kGf9GTl85M4G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:33:41', '2020-05-15 21:33:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23294, 'H5ggcrKsKrsk9uHM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:38:43', '2020-05-15 21:38:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23295, 'W9RBJ8EHwNUGq20O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:48:05', '2020-05-15 21:48:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23296, 'WYEp2WTMtLpZPNiE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 21:56:17', '2020-05-15 21:56:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23297, 'K3lbQ4iyIbb9YzNw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 22:07:03', '2020-05-15 22:07:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23298, 'OrgoB4B1bHU4AsRi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 22:10:44', '2020-05-15 22:10:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23299, 'GHznpDek9J4buFMv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 22:26:33', '2020-05-15 22:26:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23300, 'pW5k0y3E7gqq9M2h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 22:38:05', '2020-05-15 22:38:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23301, 'WNotjLpOJKC4vX4e', 'Reflejo diario', NULL, 'Esta acción se realizó en 3 ocasiones, 2 en la ciudad de Nueva York (Itinerant Performance Art Festival y The Immigrant Artist Biennial, 2019) y una en la ciudad de Córdoba (MAC Mercado de Arte Córdoba, 2019). En todas las ocasiones se repitió el mismo procedimiento: ese día compro los diarios de tirada masiva de la ciudad en la que se desarrolla la acción. Ya comenzada la performance, leo el periódico y selecciono las noticias que son discriminativas y opresivas para con las identidades y corporalidades de mujeres, identidades no binarias, minorías sexuales, inmigrantes. Rompo las noticias que legitiman este tipo de pensamiento. Pongo los trozos de papel uno por uno dentro de mi boca y los mastico, absorbiendo la tinta como si pudiera absorber también su significado simbólico. El papel no se degrada, tampoco lo que contiene. Continúo introduciendo noticias en mi boca, una por una, hasta que termino el diario. Apenas puedo cerrar la boca, tengo un gran bolo de noticias en mi boca. Sigo masticando unos instantes, luego retiro el bolo de la boca y lo dejo en el suelo.\nLa acción tiene una duración de 30 minutos pero está supeditada a la cantidad de noticias opresivas que aparezcan ese día en los diarios. En el contexto de la bienal se realizarían en total 5 acciones, una vez por semana, durante un mes. Los bolos de diario se irían acumulando sucesivamente y se mantendrían exhibidos durante la duración de la bienal, junto a una proyección en loop de un video de la performance.', NULL, NULL, 'Para las activaciones se utilizaría una de las salas de exhibición pequeñas del Centro de Arte Contemporáneo de MUNTREF (tamaño aproximado: 7m x 7m). Allí se ubicaría una silla para ser utilizada por la performer en caso de necesitarlo durante la realización de las acciones. Un video en loop de la performance se proyectaría sobre una de las paredes luego de las 5 activaciones. Los bolos de diario irían acumulándose en un espacio determinado de la sala durante la duración de la bienal.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=j21fHXGA_uo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2104, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1843, NULL, '2020-05-15 22:38:06', '2020-08-12 17:56:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23302, '0MLgjzsnbkqiTsRq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 22:56:46', '2020-05-15 22:56:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23303, 'ttTN9f6rtFcduhyF', 'Se llevaron al padre', NULL, 'Alguien revolvió apurado la caja de juegos y gritó “¡Se llevaron al padre!”. Efectivamente, habían robado ese personaje. No me di cuenta. Después, entraron otros y gritaron algo parecido. Esas entrevistas transcurrieron sin ese personaje, con bastante zozobra. Renuncié a la tentación de recuperarlo, reemplazarlo y me llamé a silencio, porque comprendí que sucedía algo trascendental.\nLa caja es un espacio intermedio, no es de nadie y es de cada uno porque es soporte de lo más misterioso e íntimo. Tiene eso, es como el Arte. Proveí un tiempo extra, cuidado y hospitalario, para seguir dibujando, jugando. Basta escucharlos para dar crédito a ese anhelo insoslayable de cuidado, de justa medida, de legalidad genuina y protectora de todas las personas, y sobre todo de la inocencia. Vi propicio desplegar una metáfora de búsqueda del padre en un lugar tan controvertido como mi lugar de trabajo... ¡¿El Estado, los gobiernos?!. Así surgió este desborde en la imagen de un hecho anónimo que conmovió a todos. ', NULL, NULL, 'Pequeño recinto con un video en el centro sobre una columna. Rodeado de paredes durlock con palabras, frases, versos alusivos al video, su contexto y el entorno laboral en el que fue armado (burocracia, inseguridad, feminismo, paternalismo).\nOptativo: Perchero con:\n1- pesados sombreros: - El peso de la burocracia- y \n2- Delantales de larguísimas mangas: -“Usted se arremanga y trabaja las ideas o las arrastra”- .\nPueden ser usados por los visitantes.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428514876', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3426, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2935, NULL, '2020-05-15 23:13:27', '2020-07-01 01:37:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23304, 'LLhDg0BMWLZBnIgf', '#Vivxsnosqueremos #Cuéntalo', NULL, '60 cuadros bordados a mano sobre tela aida en punto de cruz de 32 x 34 cm cada uno.\nSe intercala un texto bordado con una flor. Debajo de cada flor hay un verso bordado del poema Nuevas Reglas compuesto por mí.\nAudio: Poema Nuevas Reglas, leído por la poeta y periodista Ruth Toledano\n\nEl 26 de abril de 2018, la Audiencia Provincial de Pamplona, dictó sentencia sobre la Manada por abuso sexual y no por violación. Miles de mujeres se manifestaron en la calle para expresar en una queja unánime su desacuerdo. \nBajo el hashtag #Cuéntalo, casi 3 millones de mujeres de 60 paises distintos, compartieron en redes sus experiencias de abusos y agresiones sexuales. \n\nEsta pieza recoge 30 de aquellos testimonios, muchos de ellos en segunda voz porque sus protagonistas fueron asesinadas. La mayoría son de mujeres anónimas pero algunos casos son reconocibles por su gran impacto mediático.\n\nIntercalados con los textos, van otros 30 bordados, cada uno de ellos con una flor y un verso del poema Nuevas Reglas.  \nMi intención era crear un Poema coral en el que interviniesen las voces de varias mujeres relevantes en distintos ámbitos de la cultura. Las mujeres anónimas, están representadas en los lemas de la manifestación feminista del 8M.\nEn Nuevas Reglas, intervienen las voces de:\nAngela Davis, Carla Lonzi, Beyoncé, Rebeca Lane, Miss Bolivia, Rebeca Lane y Ali gua gua, Maya Angelou,  Alfonsina Storni...\n\nDa voz y vida al poema, la poetisa, periodista y amiga, Ruth Toledano.', NULL, NULL, 'Por las características de la obra, el espacio idóneo sería una estancia o habitación independiente, con las muros pintandos de negro e iluminada con una luz calida. Tendría además, que disponer de salida de audio. Lo ideal sería propiciar un entorno tranquilo  que propicie  la reflexión. \n\n-Museo Nacional Thyssen-Bornemisza Madrid   \n Dentro del programa Kora, se  presenta una exposición al año  desde una perspectiva de género.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://sandrapaula.es/projects/vivasnosqueremos-cuentalo/', NULL, NULL, NULL, 3432, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2940, NULL, '2020-05-15 23:20:12', '2020-08-15 04:30:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23305, 'kVKtMIzXaElkGTEw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 23:26:38', '2020-05-15 23:26:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23306, '9yuMUYvvbFoxX4i1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 23:30:37', '2020-05-15 23:30:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23307, 'p0XlhXVoXuSAqaaC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 23:34:58', '2020-05-15 23:34:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23308, 'BR0UKROS4CKhBCP2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 23:36:01', '2020-05-15 23:36:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23309, 'nSurNqo6Ue4elIvT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 23:37:45', '2020-05-15 23:37:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23310, 'HOMAIkimkkPNCeLH', 'Arte y Salud, clowns itinerantes por Sudamérica', NULL, 'Qué es el arte? Qué es la salud?\n\nDos payases itinerantes presentan una búsqueda, investigación sobre el arte y la salud cruzando videos, música y... teatro clown. Cosecharon semillas y preguntas en formato de reportajes sobre esas temáticas muy actuales durante dos años de viaje por sudamérica. Una conferencia poco ordinaria para seguir pensando ese mundo en el cual estamos viviendo.', NULL, NULL, 'Centros culturales, salones, teatros. \nUna pantalla y sonido para la proyección de los videos.\nDependiendo del salón, micrófonos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/channel/UCORA9-iaY8l7oPhx2CGwRDA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2099, NULL, 244, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1839, NULL, '2020-05-15 23:40:50', '2020-06-23 01:51:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23311, 'ngtA39Tg5wrYgtIA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-15 23:46:25', '2020-05-15 23:46:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23312, 'hZRgZArbdvI8jJEk', 'Los días en la esquina', NULL, 'Este proyecto surgió desde un impulso, una necesidad. Hoy puedo decir que es un homenaje y un ejercicio de memoria, dedicado a la resistencia de un árbol ubicado en la esquina del departamento donde solía vivir. Es un proyecto sin un comienzo y fin determinado. Al día de hoy, sigo registrando su crecimiento. Comencé esta serie de retratos por simple inquietud, y porque este árbol fue mi querido vecino. Lo pude ver crecer hacia su copa, sus fisuras, manchas, que se modificaban como su follaje y con su respiración latiendo hacia afuera, quebrando el concreto. \n\nLlevo a cabo esta serie desde comienzos de 2018 hasta el día de hoy. Todas las fotografías fueron realizadas íntegramente con una cámara Olympus 35SP, y rollos 35mm Ilford HP5.', NULL, NULL, 'Fotografías encuadradas con marco de madera negro y vidrio. \nTamaño 30x40 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2101, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1840, NULL, '2020-05-15 23:58:33', '2020-06-23 17:44:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23313, 'DADxdqYcA6IWq68x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 00:01:49', '2020-05-16 00:01:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23314, 'siF58VNpBx98tsKI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 00:04:42', '2020-05-16 00:04:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23315, 'JHqh4dVef8QNIqo1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 00:06:03', '2020-05-16 00:06:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23316, '8oRnesuLH8j7X090', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 00:11:09', '2020-05-16 00:11:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
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(23358, 'i6zHWkryXEboPyjD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 04:28:11', '2020-05-16 04:28:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23359, 'ySaGMeB8E35ODG4F', 'Nossa Senhora do Morro (Our Lady of Favela)', NULL, 'Presentación\nEl trabajo es un homenaje a Elza Soares, una cantante negra brasileña que sufrió racismo y discriminación en una sociedad llena de prejuicios. Esta no es una crítica al catolicismo, sino también un discurso político frente al crecimiento en Brasil de las religiones neo-pentecostales y evangélicas, reaccionarias y anacrónicas. Poner un negro; cantante; quien venció la pobreza extrema con dignidad; quien ama sin pensar en las reglas sociales; y quien usa su música para criticar la realidad actual en un lugar considerado sagrado es una forma de expresar la indignación de este artista contra una sociedad llena de “homens de bem\", que se quejan de los programas sociales del gobierno, pero que, durante la actual pandemia de COVID-19, quieren donar a familias necesitadas con un solo deseo: masajear el ego, porque, para ellos, la justicia social es una amenaza.\nProyecto\nEl proyecto es una videoinstalación en la que se proyecta un video con imágenes de \"Nossa Senhora do Morro\" en una pared junto a la imagen adjunta. El video y la imagen se adjuntan a esta propuesta. \nLa sala de exhibición debe estar oscura y el proyector debe colocarse verticalmente, de acuerdo con la propuesta de video. La música en el video debe ser baja. Es muy importante que el video tenga sonido, ya que la música es parte de la crítica social y el homenaje a Elza Soares, además de ayudar al espectador a comprender.\nSugiere que el texto de la presentación se coloque en la identificación del trabajo.', NULL, NULL, 'La sala de exposicion debe ser oscura, al menos 9 m² (3m x 3 m). El área de proyección del video debe ser 2.20m X 1.30m. Junto a la proyección, la imagen de \"Nossa Senhora do Morro\" se colocará a 1,20 m del suelo. Para la ejecución del proyecto, se necesitará una computadora, un proyector y equipo de sonido.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/425664733', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3052, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2632, NULL, '2020-05-16 04:39:28', '2020-07-30 12:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23360, 'mdtcX5sRgAz2VGTZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 04:59:29', '2020-05-16 04:59:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23361, 'CYjDu6D5CiQspkOS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 04:59:58', '2020-05-16 04:59:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23362, 'kxzBuSHAZDfQnK0I', '\"VOLVER A LA TRAMA (Propio por naturaleza)\"', NULL, 'Obra en proceso, consta de 30 Dibujos, trabajados con aguadas y lamina de oro en algunos de ellos. Represento hierbas abortivas, con una visión naturalista y ancestral. \nTomo el hecho de que en Chile es ilegal el aborto, que el misotrol es un bien escaso, que se volvió crítico conseguirlo en tiempos de pandemia y que al no tener esta alternativa o estar a la espera de esta, las mujeres recurrimos a hierbas que nos entrega la Naturaleza, que siempre han estado en el inconsciente colectivo, y son mucho mas fácil de obtener. Solo basta entrar a la web para conocer por ejemplo que las machis (curanderas en la cultura mapuche), ocupaban hierbas para el control de la natalidad y para abortar, por lo que volvemos a mirar la naturaleza y a ocupar este conocimiento ancestral que siempre a estado en nuestra memoria. \nPropongo una suerte de reflexión con respecto a las bases ideológicas que operan en la realidad concreta, pero que no necesariamente nos representan, tomando en cuenta que hoy podemos visualizar diferentes formas de hacer en la realidad, y que el estar polarizados de la Naturaleza en una pandemia como la que vivimos hoy es inoperante y nos vuelve vulnerables. Desde esta reflexión pretendo visibilizar este conocimiento de nuestras culturas milenarias, lo innato que es volcarse hacia nuestra esencia natural psíquica y la posibilidad de retomar ese continuo entre ser humano y naturaleza, reconocernos como Naturaleza y pensándola como un ser que posee inteligencia y psiquis.', NULL, NULL, 'La obra en proceso consta de 30 Dibujos montados sobre muro linealmente en su orientación vertical, la dimensión de cada dibujo es de 24 x 33 cm aproximadamente. El espacio a utilizar será de 9 metros lineales.\nEl montaje de cada dibujo esta pensado de modo individual sobre el muro con dos imanes el la parte superior de cada dibujo, mas pequeños de los usados en las fotografías adjuntas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6010, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4944, NULL, '2020-05-16 05:05:53', '2020-06-24 20:03:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23363, 'Rd7YQ53Pfhs4Ci4e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 05:24:12', '2020-05-16 05:24:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23364, 'bpiWm3eRmW69KRdc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 05:27:37', '2020-05-16 05:27:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23365, '4x4RnxIG6HJkU8i6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 05:35:46', '2020-05-16 05:35:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23366, 'vvpk4i8bufOhSCLt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 05:41:03', '2020-05-16 05:41:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23367, 'oSMGPw0tRBpvcF4y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 05:53:06', '2020-05-16 05:53:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23368, 'yaoLic3ilF2dZ6eo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 05:58:57', '2020-05-16 05:58:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23369, 'GT06ZXATeVcmDtFv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 06:02:08', '2020-05-16 06:02:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23370, 'RMfBt1471qXMgO87', '\"En Falso\"', NULL, 'En falso es un conjunto de una mesa de madera y sus seis sillas. La silla al final de la mesa se clavará \"en falso\" en cima en el borde de la mesa. Proponiendo una caída inminente.\nCuestionando así la figura que se sienta a la cabecera de la mesa. En interiores, en un entorno familiar, el padre/figura dominante. En reuniones, el jefe/dueño del lugar. Poner simbólicamente estas instituciones de dominación en falso. En los registros bíblicos (Lucas 14: 7-11) hablase de protocolos con respecto a los asientos de la mesa, se dice que en aquél momento las personas de alto estatus y prestigio ocupaban los asientos más cercanos a la cabecera de la mesa, donde se sentaba el hombre objeto de los más altos honores. \nSutilmente poner a prueba esta violencia simbólica de todo lo que está implicado, esta hegemonía cultural, el status quo. \nSoy escritora, \'en falso\' me permitiré explorar una técnica diferente para presentar una perspectiva disidente sobre estos conceptos de dominación y de poder relacionados con las figuras masculinas, buscando una disolución utópica. Como el lenguaje es la base del desarrollo cognitivo y se construye a través de interacciones sociales que se establecen con el entorno, este debe ser diferente, con otras explicaciones, revisiones. Si nuestra vida cotidiana está contaminada por modelos obsoletos, que el contacto con una imagen que proponga algo fuera de la normalidad sirva como semilla a punto de germinar para ideas de un futuro diferente, posible y real.', NULL, NULL, 'Dimensiones de la mesa  90cmx150cmx85cm \nDimensiones de las sillas 45cmx57cmx105cm\nMesa de madera / De preferencia de algún lugar que haga venta de productos usados para que tenga marcas de uso\nNecesitaré de ayuda de algun/a carpitero/a para clavar la silla en la cabecera de la mesa.\nExposición en un espacio de galería. Posibilidad de exhibir la obra en un entorno al aire libre. Investigar las reacciones que surgen de un lugar fuera de contexto x las que resultan del espacio \"para el arte\".', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4545, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3820, NULL, '2020-05-16 06:26:20', '2020-07-29 21:13:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23371, 'ZdQe01fcbs8emcpP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 07:54:28', '2020-05-16 07:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23372, '6VA7ZnMJOgquI3lb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 07:55:27', '2020-05-16 07:55:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23373, '1hXiyuJ3RQnRtdJB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 07:59:39', '2020-05-16 07:59:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23374, 'PmAAER5XANhEFi8d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 08:10:18', '2020-05-16 08:10:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23375, 'Q46wgGYK2td0C8f1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 08:15:27', '2020-05-16 08:15:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23376, '3ZF75DzNxIEj8bSI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 08:21:52', '2020-05-16 08:21:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23377, '6UVNAfF336gPkXIP', '48 Fotos, una vista, 48.', NULL, 'El proyecto son 48 fotografías analógicas de una misma vista, un paisaje urbano. Estas 48 fotografías conforman una serie que se redefine en una foto - instalación. \n\nEl proyecto dispara enfrentando conceptos, como si de una investigación empírica se tratara basándose en la experimentación y en la observación se realiza un proceso metódico y en un punto cientificista para aportar algún tipo de evidencia simbólica donde preguntas de indole metafísicas u ontológicas tales como:  ¿Qué es el espacio-tiempo?, \n¿Qué hace real a un objeto?, ¿Qué es un proceso? puedan sugerir dentro de un estimulo visual alguna reflexion.\nSe puede intentar una tipología a partir de la repetición del paisaje: de la materialidad del formato fílmico, de la luz y del tiempo?. El trabajo mantiene la disciplina de seguir una idea hasta el final, de llevarla hasta el limite. \n\nEl trabajo se puede analizase en el contexto del arte conceptual por su rigor, su carácter serial y el grado de abstracción de su concepción artística aunque también la obra se enlaza en la tradición de la fotografía documental y la capacidad de la imagen para reproducir adecuadamente la realidad y para contribuir, en el marco de una sistematización casi científica, a un conocimiento objetivo de sus objetos. \n\nLo claramente visible de la obra-proyecto es su proceso, que no intenta quedar escondido detrás de la obra si no todo lo contrario, el proceso es la obra. Al final de eso se trata (creo) de compartir un proceso.', NULL, NULL, 'El espacio sugerido es dentro de una tipología museísticas, galería, espacio cerrado con una pared blanca de 5 metros x 4. Se adjuntan renders y especificaciones.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, 'Lucas Gallo', NULL, NULL, NULL, NULL, 5782, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4763, NULL, '2020-05-16 08:29:22', '2020-08-10 19:16:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23378, 'eXYt0nZUhH7Wcr7V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 09:25:03', '2020-05-16 09:25:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23379, 'sdfPPYzW5fQCzfWh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 09:38:54', '2020-05-16 09:38:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23380, '2OjbcsNaPCU5Anas', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 10:02:59', '2020-05-16 10:02:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23381, 'R6ozrrnlESKzISqu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 10:16:43', '2020-05-16 10:16:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23382, 'bHDCAJPZbPY4oy5Y', 'La Vida', NULL, 'La curiosa  forma de pensar que se hizo notable en especial debido a  la propagación del nuevo coronavirus en el Japón moderno, está expresada por la pintura que utiliza el marco de shoji.\nHasta ahora, he estado trabajando con lenguajes pictóricos tradicionales que intervienen en las tecnologías digitales como  lenguajes de programación.  En este trabajo, quisiera utilizar el juego de la vida de John Horton Conway (que fallecido a causa del SARS-CoV-2 en 2020)  como motivo. El  juego de la vida es una simulación formada de cuadrículas que tienen dos estados de vida y muerte (la muerte está representada por las cuadrículas blancas  y la vida, por las negros) tiene su destino dividido por el estado de las cuadrículas adyacentes en la parte superior, inferior, izquierda y derecha. La regla original es 1. Si hay exactamente tres cuadrículas vivas adyacentes a una cuadrícula muerta, la cuadrícula muerta revivirá. 2) Una cuadrícula viva seguirá viva si hay dos o tres cuadrículas vivas en la cuadrícula  adyacente. Entonces, bajo el tema de \"mundo humano visto desde un virus\", cambiaré las reglas y realizaré una simulación, luego la dejaré caer en una pintura.', NULL, NULL, 'Alrededor de cuatro marcos de Shoji usado ​​se pegan con papel japonés, y se combinan en una sola obra. El tamaño total será de 350 cm de largo, 350 cm de ancho y 3 cm de espesor, y se instala en la pared como una pintura normal. Esta vez, citaré la imagen universal del juego de la vida y la compondré en blanco y negro. Para el negro, las impresiones con chorro de tinta, pigmentos minerales, etc. se utilizan en diferentes lugares para crear diferencias sutiles diferencias en sus matices.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2660, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2302, NULL, '2020-05-16 10:20:01', '2020-07-21 19:23:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23383, 'MEdDQPSNmIMXrLW3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 10:20:46', '2020-05-16 10:20:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23384, '00NAKb03d05f9vTZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 10:30:53', '2020-05-16 10:30:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23385, 'VfeK3uYqE1hwGgi5', 'Composiciones', NULL, 'La pintura ofrece una superficie basada en la composición de formas sobre el plano que debe ser pensada plásticamente, y un campo donde provocar un acontecimiento: la creación de espacio. Las relaciones que se crean en esta superficie priman sobre lo que representan.\n\nComposiciones es un trabajo de investigación sobre aquellos elementos propios de la pintura; como son el espacio, la composición y la forma. Una serie de variaciones que buscan crear las relaciones entre distintos elementos geométricos y su composición en el espacio, construyendo un catálogo de experiencias compositivas que mantienen los principios de generación formal. Imágenes que hablan de la pintura. La pintura hablando de pintura.\n\nMediante este juego de relaciones entre las figuras integrantes de la composición, podemos observar con claridad los diferentes campos de atracción o repulsión que se pueden producir en relación a la posición espacial que ocupen y a su interrelación entre sí, revelando un juego de magnetismos propio de las virtudes compositivas, formales y espaciales.', NULL, NULL, 'Preferentemente un espacio de paredes blancas, con una iluminación adapta a mi trabajo y con el menor número de esquinas posibles.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2831, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2460, NULL, '2020-05-16 10:32:31', '2020-07-23 14:34:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23386, 'miZcfIIaZASu6nj4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 10:50:04', '2020-05-16 10:50:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23387, 'nOrnJP86vuwqXXdS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 10:55:59', '2020-05-16 10:55:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23388, 'hvJw5PqgK10ur6JW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 11:40:41', '2020-05-16 11:40:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23389, 'dyQP6tJfBnXgnAWi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 12:06:02', '2020-05-16 12:06:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23390, 'P5tLaosYVUrwD8Ox', 'Mi jungla a más de 40 días en cautiverio. 2020 ( serie fotoperformances)', NULL, 'El Fotoperformance de alguna forma u otra,  nos permite congelar la vida en tiempos, espacios,  seres, objetos y acontecimientos  que parecen estar siempre vivos. Las miradas se amplían desde la vivencia femenina y permiten una performatividad consciente en la creación de imágenes  gestadas en momentos íntimos, que van  más allá de una mera representatividad, porque son un acto de completa subjetividad y rencuentro subversivo propio, cuando colocamos al  cuerpo como testigo. Hay artistas que pensamos en el futuro ausente de nuestro cuerpo y creamos obras en el prescindir de nuestra presencia. Surge un hacer distinto,  sabiendo que la ausencia es la evidencia que tendrá un valor simbólico en la historia de un “después”. Yo creo que al covid19, me ha hecho reflexionar mucho sobre lo vulnerable que somos como especie, como cuerpo y sobre cual vulnerable es el planeta tierra en nuestra ausencia del afuera, muere la gente y al mismo tiempo muere el amazonas, los ríos, y se perpetua en genocidio a los pueblos.  Un virus desgraciado que invadió todos los cuerpos, llevándonos a experimentar una muerte solitaria de forma colectiva, sin importar las fronteras y las especies. Hoy busco asociar el bello con la selva, como un espacio de vida y aprendizaje sobre como relacionarnos de forma más próxima con el medio ambiente, y  en este sentido también a como reencontrarnos con nuestro cuerpo en su estado natural, con su instinto salvaje, con la animalidad humana en el encierro y el calor.', NULL, NULL, 'Sugiero el montaje de la serie en una sala amplia, con impresión de imágenes tamaño 16 x 20 ( 11 x 14).  / Tamaño A1 o en su defecto A2. Un Fondo de pared  color Verde floresta  oscuro preferiblemente (si es posible).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2125, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1852, NULL, '2020-05-16 12:28:25', '2020-06-23 01:50:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23391, 'BdXJ71BfqvELWHE2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 13:01:41', '2020-05-16 13:01:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23392, 'HSXR0Ub5IJTnfq3x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 13:10:16', '2020-05-16 13:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23393, 'ZiQtHcVr6yNDV3IR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 13:27:08', '2020-05-16 13:27:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23394, 'zfe1hZcxzYM1vdRR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 13:45:39', '2020-05-16 13:45:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23395, 'hZvFo92JTlZfu4F8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 14:26:49', '2020-05-16 14:26:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23396, 'gJ0MCaxGxgZCldF8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 14:27:34', '2020-05-16 14:27:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23397, 'Rgvi71gwezXcH8VP', 'Wave Hands Like Clouds', NULL, 'In Wave Hands Like Clouds (2020) the viewer is taken on a journey through a set of different situations: a cameraman is trying to capture the greenness of the pool-water, a woman drags a stranded dolphin back into the sea, another installs different objects for an unknown reason, meanwhile a man walks on a treadmill. The characters have in common that they’re all somehow isolated, but none of them have resigned fully. They’re still striving to achieve things, like a happy bird, a sufficient result or a balanced body, while an atmosphere of that something is soon going to happen surrounds them. \n\nThe footage in the video is of different origin and quality, woven together through the rhythm of the clips, the associative connection between them and the use of lounge music in the soundtrack. \n\nThe video will be presented at a solo show at the artist run space Arcway Nightlands Connector in Copenhagen in December 2020. There it is going to be part of an installation where it will be installed as an extension on a round airport sofa bench, with an elm tree in the middle. Inspired by the transfer center at Copenhagen Airport and the neologism “Non-Places” (Non-Lieux) by Marc Augé, which speaks about how super modernity has produced spaces of transience, that are dedicated to function, consumption and personal reflection, in which the individual remains anonymous and lonely.', NULL, NULL, 'Installed on a HD monitor, preferable 65 inches. Sound out in the room. \n\nThe prefered seating option would be a bench in the style of commercial furniture that you typically see in airports, with intergrated pots for plants (see last picture).', NULL, 'artist', NULL, NULL, 'https://vimeo.com/414523163', 'vilje', NULL, NULL, NULL, NULL, NULL, NULL, 3464, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2970, NULL, '2020-05-16 15:39:31', '2020-08-13 18:03:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23398, 'WaNcNr4N9dKryMOk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 16:08:15', '2020-05-16 16:08:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23399, 'kdHkiWkKJIUvY5hR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 16:17:20', '2020-05-16 16:17:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23400, 'BQiJ8yzNdwG3FJar', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 16:39:42', '2020-05-16 16:39:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23401, 'oTZyC41uERZYYlfB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 16:45:57', '2020-05-16 16:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23402, 'vXMXQM8IBb5ojOn7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 16:59:55', '2020-05-16 16:59:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23403, 'VUAvroeYyj7wh4nE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:04:13', '2020-05-16 17:04:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23404, '9JIhLpLxGhRCtbJt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:08:45', '2020-05-16 17:08:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23405, 'oBU8rz81KDmj7C7b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:10:03', '2020-05-16 17:10:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23406, 'NKne1r6mt1jVjr3i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:10:47', '2020-05-16 17:10:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23407, 'oEbOrMJZqyedDPXT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:31:22', '2020-05-16 17:31:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23408, 'ElqjthoCtsuhLI5t', '#100DaysofQuestions', NULL, 'The Instagram project “#100DaysofQuestions” deals with the current problems of the modern generation. It lasted more than nine months (2018-2019) and was Installation consisting of 100 photos printed on acrylic glass in the form of a smartphone, presented.\nFor the project, Instagram became an open platform where participants could express their thoughts and feelings which are normally not expressed because of the fear of an open reaction. Every user of a social network could send me his photo and a question for discussion, to be posted on my Instagram account to be published.\nThe project uses photos of the human body and questions social issues written on the skin. The words are written on different parts of the body are depicted, whereby these are mostly personal stories or problems of people. So the Participants of the project willing to discuss current stereotypes discuss.\nThe project is bilingual and its documentation can be viewed on the Instagram platform.\nhttps://www.instagram.com/explore/tags/100daysofquestions/', NULL, NULL, 'The assumed space must be very well illuminated. The space should be more than 9 meters long, as the project will be located along the wall. The installation consists of parts acrylic glass print 19x9 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/faina.yunusova/', NULL, NULL, NULL, 4977, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4180, NULL, '2020-05-16 17:33:22', '2020-07-15 15:54:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23409, 'OE519ZAnYERzE4NH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:47:04', '2020-05-16 17:47:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23410, '3q8Rypu3YwYZSJay', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:48:29', '2020-05-16 17:48:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23411, 'GYaRXmYjV0fwZ9V8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 17:59:30', '2020-05-16 17:59:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23412, '5CG73zdGdUWDvAeK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 18:04:42', '2020-05-16 18:04:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23413, 'dVImbi4kMdKFpLHS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 18:19:00', '2020-05-16 18:19:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23414, 'ds5JEzxdRtHEdsgX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 18:50:01', '2020-05-16 18:50:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23415, 'htSzopMnnKKQBQxB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 18:51:39', '2020-05-16 18:51:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23416, 'YbpUzFiPX7cjYb4v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 18:54:25', '2020-05-16 18:54:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23417, 'VCk8sUzMnUSMYIz3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 18:59:12', '2020-05-16 18:59:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23418, 'dRa9DfN5tGMvVCKY', 'Las Bodas de Plata. Archivo Abierto de Gráfica Zapatista', NULL, 'La exposición “Las Bodas de Plata” es una selección que busca presentar desde diversas perspectivas, un amplio panorama de lo que hasta la fecha han realizado artistas de la gráfica y la plástica sobre/con el EZLN y el zapatismo. Este recorrido transita asimismo por las diversas etapas atravesadas en estos 25 años de lucha, y nos permite reconocer las vastas miradas, narrativas y estéticas utilizadas.\nLas Bodas de Plata reúne producciones visuales realizadas por más de setenta artistas mexicanos o radicados en México, de tres generaciones distintas cuyas producciones están influidas por el zapatismo y en muchos casos han sido directamente utilizadas por las comunidades zapatistas como imágenes del movimiento. Entre las obras que forman parte de este archivo abierto se incluyen diferentes técnicas y formatos destacando el grabado, la xilografía, la litografía, el dibujo, la pintura, la punta seca, la imprenta, los medios digitales entre muchos otros.\nEste archivo abierto busca establecer cruces, analogías y diferenciaciones estético-políticas de cómo el zapatismo ha sido punto de inspiración para los artistas y a su vez su trabajo gráfico se ha transformado en herramienta de lucha a nivel nacional. \nEs importante mencionar que esté archivo sigue ampliándose con obra de artistas argentinos realizada desde 1994 hasta la actualidad vinculadas a la solidaridad con la lucha zapatista.', 'Acaro, Akisuki, Aler Jaguar, El Gritón, Antonio Ramírez, Antonio Valverde, Aranda, Arnulfo Aquino, ASARO, Beatriz Aurora, Bitreo, Brigada Subversiva, Carlos Colín, Casiopeo, Cesar Evangelista, Checo Valdez, Crater Invertido, Dignidad Rebelde, Domi, Edén Bastida, Edith López, Eduardo Martínez, Eduardo Juárez, Efraín Herrera, El Dante, Elizabeth Barreto, Emory Douglas, Escuela Mártires del 68, Esto no es un libro, Dyg’nojoch, Fran Ilich, Gaby Gabys, Grabiel, Gráfica en Lucha, Gran Om, Isabel Ruiz, Iseo Noyola, Isk, Ivan Franco, Jacobo Martínez, Jana Anna, Jesús Calavera, Jorge Ortiz, Jorge Perez Vega, Josué Vázquez, Juan Caloca, Julio Colombias, Lapiztola, Léon Chávez Texeiro, Leopoldo Praxedis, Mauricio Gómez, Mazatl, Mestizo, Orquidea, Oscar Bachtold, Paulina Domínguez, Pavel Ortega, Polo Castellanos, Pedro Zeuqram, Rama, Raymundo López, Redretro, Ricardo Pelaez, Saúl Kak, Sheila, Sublevarte,Taller Grieta Negra, Taller Leñateros, Vloque, Yesca, Yollotl Alvarado Yutsil Cruz, Zamer.', NULL, 'Espacio amplio y despejado de grandes paredones. (10 x 10 m) mínimo. \nEl montaje será definido por 2 ejes: Horizontalidad y la idea de archivo. La idea de archivo se tornará visible al ser una investigación expandida en el espacio expositivo. Texto, contexto y paratextos completan el recorrido visual. La horizontalidad será reflejada en la igualdad con la que se considerará los elementos a exhibir: tamaños y lugares de impacto dentro de la sala no serán definidos por autoría o valor de obra.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3022, NULL, 359, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2605, NULL, '2020-05-16 18:59:14', '2020-08-14 20:34:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23419, 'poEU4mE5k5vm8Zoe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 19:07:12', '2020-05-16 19:07:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23420, '3rZ7oKvy33JFEvi1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 19:20:51', '2020-05-16 19:20:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23421, 'sWCUf1MJgAhoOCvl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 19:51:26', '2020-05-16 19:51:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23422, 'xfqqal6ghdmqq0OS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 20:01:56', '2020-05-16 20:01:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23423, 'mSU5qeITw9phTaq2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 20:02:19', '2020-05-16 20:02:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23424, '788HWCMlk3YBOXf4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 20:12:10', '2020-05-16 20:12:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23425, 'lICACroepm9piw59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 20:23:18', '2020-05-16 20:23:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23426, '8kuA57wQAE4bGS0N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 20:38:16', '2020-05-16 20:38:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23427, '7uOyGmsTdi8O3BmN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 20:43:41', '2020-05-16 20:43:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23428, 'ZYQJgJP0gTKoOjwE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 20:52:36', '2020-05-16 20:52:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23429, 'vYlq03JcofCxJ4j2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 21:00:45', '2020-05-16 21:00:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23430, 'YiJYQTHtVegKuOoW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 21:03:33', '2020-05-16 21:03:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23431, 'ydMoyqk40rstDIcD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 21:18:52', '2020-05-16 21:18:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23432, 'azEDkN4RRlTpX3pp', 'Los feligreses', NULL, 'En una iglesia vacía colocaré electrodomésticos sobre los bancos Los artefactos serán feligreses atentos al pasillo, esperando que se abra la puerta e ingrese ¿la novia, el sacerdote? Luego al son de un himno religioso abriré las puertas para permitir el ingreso y las personas circularán entre los objetos La interacción activará significados Entre artefactos y ámbito eclesial habrá una fricción devenida convivencia metafórica, un diálogo, tensión, encuentro y un nuevo espacio relacional Ese tercer espacio invitará a pensar: blancos como vestido de novia, esperando en los bancos, confronto los electrodomésticos con el espacio sacro, lo pasajero contra lo hierático Bodas fastuosas y matrimonios breves Regalos realizados online, listas de casamiento en compañías de electrodomésticos a sólo un click En los eventos, la ausencia emocional de la gente ensimismada en sus teléfonos por lo que en esta ceremonia los invitados son reemplazados por objetos No hay oficiante Falta de presencias tutelares Hoy los rituales generan desdén Antes hacían más llevaderos los momentos difíciles de la vida Suavizaban el paso de una etapa a la siguiente La falta de referentes genera una incertidumbre existencial que la sociedad contemporánea padece Busca respuestas frente a interrogantes como la muerte, la existencia de un ser superior Antes las inquietudes se canalizaban en instituciones religiosas, pero éstas perdieron adhesión y creció el anhelo de certezas, de nunca y siempre, de trascendencia', NULL, NULL, 'Una iglesia católica, iluminada y decorada con la tradicional alfombra roja de las ceremonias.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2130, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1857, NULL, '2020-05-16 21:26:32', '2020-06-23 01:50:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23433, 'O9e1j5xDnAtQZLkT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 21:26:40', '2020-05-16 21:26:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23434, 'n72Mk2gE6FTOfBtE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 21:33:23', '2020-05-16 21:33:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23435, 'r2KFhNnmKF4IbSWp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 21:37:34', '2020-05-16 21:37:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23436, 'N1lIQwMu0JS3Tlb0', 'Caligrafía del tango', NULL, 'caligrafía del tango es una experiencia artística que abarca distintos sentidos activando la capacidad de percepción a partir de un mismo estímulo: La música. El tango como danza es además un lenguaje en sí. Del mismo modo en que pintar requiere apertura a un diálogo entre colores y formas, entre el autor y su lienzo, los movimientos del tango como danza que se centran en combinaciones de figuras en constante contacto con el suelo, y con otra persona, actúan como preguntas y respuestas dentro de una situación de diálogo que se manifiesta con todo el cuerpo para luego graficarse en el piso de manera invisible, en este caso registrada con gestos y grafismos y patrones variados dentro de un plano bidimensional .Proponemos un nuevo campo de exploración desde distintas áreas: las artes visuales, la danza, la música y el dominio de la energía y equilibrio por medio de la concentración. Tomando como referencia la caligrafía china y el tai-chi, el fileteado porteño,  la pintura de acción, el expresionismo y el arte abstracto que sigue teniendo sus actores en el arte contemporáneo. Florencia Fraschina, artista visual y bailarina de tango, junto a  Pablo Nievas, bailarín, coreógrafo y maestro de tango; intuímos las relaciones que existen entre la música, la danza y el dibujo, comenzamos a proponer  desde la especialidad de cada uno, experiencias de investigación en las que  descubrimos todo el potencial que tiene esta actividad como medio de expresión artística.', NULL, NULL, 'El espacio ideal sería una sala con piso regular y liso donde podamos ubicar una suerte de tatami de papel de 5x5m (dimensiones variables), para realizar la acción con público. El resultante de la misma podrá ser exhibido en paredes.', NULL, 'artist', NULL, NULL, 'https://youtu.be/YofVGp68FMs  https://youtu.be/9ejiD2KIEjQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2126, NULL, 247, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1853, NULL, '2020-05-16 21:48:30', '2020-06-23 01:50:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23437, 'pbl7vROm1q6jeo4J', 'S/T', NULL, 'Hay ideas centrales en mi práctica desde que comencé a trabajar como artista en los primeros noventa: una de ellas es la influencia de las artes decorativas en el desarrollo del arte abstracto del siglo XX. \nOtras se alinean  con las postulaciones del  pensador alemán Siegfrid Kracauer que analizando el fenómeno de las películas hollywoodwnses en que las bailarinas se fundían en  coreografías en las que no eran mas reconocidas como individuos sino  series rítmicas tendientes a formar una todo como figura, trabó analogías con el sistema capitalista de producción  y estableció una conexión  de orden político-social. Acunó la expresión \"mass ornament\" \"cultura de masas\", en el año 1927.\n“Al final del camino la vida humana en sí misma seguirá los trazos de la ornamentación”, declaró.\n\nMe interesa especialmente la resignificación de nociones como decoro-decoración, orden,  forma-lidad  al desplazarse del campo estético  al  ético  \n\nHoy incorporo nociones vinculadas a la geometría fractal y sus implicaciones físicas y espirituales.\n\nLa obra que estoy proyectando consiste en dos paneles de madera de 244 x 122cm x 18mm pintadas con esmalte para automóviles  en las que se insertan cápsulas de balas percutadas, calibre 22.', NULL, NULL, 'El espacio requerido es de 5 metros lineales de pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2128, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1855, NULL, '2020-05-16 21:49:49', '2020-08-13 16:55:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23438, 'IWCwcZlWRzwDiY0c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 21:52:24', '2020-05-16 21:52:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23439, 'jPhDaE07wYhppzKH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:21:56', '2020-05-16 22:21:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23440, '58ZhAKWnrHit5mSe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:22:26', '2020-05-16 22:22:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23441, 'JO7jvsLTcyFoIYP8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:22:34', '2020-05-16 22:22:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23442, 'dxj9I12iPWziQZ4f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:23:04', '2020-05-16 22:23:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23443, 'yWOZnLVuYcLq4pa8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:23:28', '2020-05-16 22:23:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23444, 'RUsZlvohd0Bn2oRn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:36:50', '2020-05-16 22:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23445, 'MtV5qrJNyP7BD05V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:39:58', '2020-05-16 22:39:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23446, 'MRBzDJYUxdXQHm0q', 'Medula', NULL, '«Toda la vida de la Tierra se resume en mí, y mi corazón es el único que late en este mundo despoblado» Visión de Axel durante la travesía en el océano infraterrenal. “Viaje al centro de la tierra”. Julio Verne.Y si existiera una mujer portadora de la carga, la experiencia y la sabiduría de todas las mujeres del mundo? Una mujer migrante de todos los océanos, de todas las tierras y de sí misma, alguien que haya mutado tantas veces que su edad, anatomía y acaso su sexo, resulten indescifrables. Un ser que haya sido tierra, nido, alimento, un cuerpo que lleve el peso de su historia, de sus emociones; que cargue varias muertes dentro de sí y guarde incrustados restos de fósiles, simbiontes, memorias de mil rituales nupciales, ultrajes, cicatrices y viejos tatuajes de nombres y flores…  Tan foránea como mundana esta Venus danza, se vuelve isla, se camufla y se auto-regenera para sobrevivir en las márgenes del mundo. Para quienes nacimos cerca del mar, por mucho que nos alejemos vivimos atravesados por su energía poderosa. Con frecuencia vuelvo a mi Mar del Plata natal para respirar el aire profundo que me devuelve ese horizonte verdeazulado. El resto del año trabajo embarcada en un viaje espiralado al centro de mi centro. Yo, siendo mujer, comparo mi recorrido entre la vida y la obra con un video que aparece en Youtube donde un pulpo desenrosca un frasco desde su interior, en el fondo del océano, para liberarse y expandir con gracia su gozosa monstruosidad.', NULL, NULL, 'Sala pequeña para armar una instalación que comprende pinturas, objetos y una pantalla para video.', NULL, 'artist', NULL, NULL, 'https://youtu.be/GrS2Ly6JeiY   https://youtu.be/gvseReS1Er4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2127, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1854, NULL, '2020-05-16 22:42:15', '2020-06-26 19:47:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23447, 'NpczuNULflpZwDGd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:51:31', '2020-05-16 22:51:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23448, 'dn7cmuB8k9ce7Enb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 22:51:41', '2020-05-16 22:51:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23449, 'WeTFQcvp8FeZiU0n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 23:06:30', '2020-05-16 23:06:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23450, 'BV3EpfLmBcNPC5Lm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 23:07:30', '2020-05-16 23:07:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23451, '3WhujFAbZ16YypnO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 23:16:34', '2020-05-16 23:16:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23452, 'Tj6nMhsAdv5R4FsC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 23:20:12', '2020-05-16 23:20:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23453, 'rG4aJ1V9rMMN2D7R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 23:23:50', '2020-05-16 23:23:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23454, 'r16Vls5vQTFoCrxx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 23:30:36', '2020-05-16 23:30:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23455, 'oS4GctypCr4QpyzR', '500 jueves _el otro tango', NULL, 'El núcleo de la muestra 500 JUEVES es el archivo fotográfico 2006-2016 de la milonga \"los jueves de Ana Postigo\" enclavada en el barrio de San Telmo. Son circa 70.000 fotos repartidas en 500 noches de tango y abrazos, 10 años de nuestras vidas, y sin duda el archivo mas importante de la Argentina de un fenómeno local cultural y social como la Milonga barrial. \nCon una profusión de imágenes proyectadas a gran tamaño, multiplicidad de lenguajes y capas de contenido, 500 JUEVES cuenta la misma experiencia por extensión, como el idioma castellano, y sumerge al visitante en este universo visual y sonoro que evitando el punto de vista frontal y único, lo rodea, lo abraza, lo abre a sentir antes de pensar. Completan la muestra junto a las imágenes continuas, videos a tamaño real de las pistas en cámara lenta y fotos de autor de detalles y primeros planos de los personajes que la habitan, dando cuenta de la doble dimensión, íntima y social de la Milonga.\nLa muestra es expresamente inabarcable con sensación de infinito (a menos que acampen en la sala)  y nunca dos visitantes tienen una experiencia idéntica. \nIntentamos despertar la curiosidad del porteño por su propia cultura, que le es ajena, y contagiarla al visitante lego, conscientes de la imagen-estereotipo hegemónica del Tango oficial, que nos precede.\n\nLos Jueves de Ana Postigo sita en Cochabamba 444 es un bastión de nuestra cultura local\ny esta vez somos nosotros los indios, los que tomamos las fotos y contamos la historia.', NULL, NULL, '500 JUEVES está hoy montada en la Sala Sívori del Museo Quinquela Martín.\n\nEs super escalable y adaptable a cualquier espacio.\n \nNecesidades \n• de 3a7 cañones de video para proyectar en gran formato las fotografías y los videos en sala/s oscura/s\n• equipo de sonido acorde\n• vitrina para exhibir libros y objetos\n• 20 fotos de autor(detalles)\n• 3 textos y 2 gigantografías\n• pantalla/s TV con auriculares para proyectar videos documentales\n\nEl archivo se reproduce por medio de memorias USB', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2840, NULL, 334, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2466, NULL, '2020-05-16 23:36:24', '2020-06-25 19:31:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23456, 'qAd3bSeSfc0RaaH4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-16 23:49:14', '2020-05-16 23:49:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23457, 'aJpwvvBGda5o7tTr', 'Casa comigo', NULL, 'En portugués, la expresión \"casa comigo\" tiene un doble significado: puede ser una propuesta de matrimonio (cásate conmigo) o la idea de la casa em mis manos. La serie de collages sobre papel se realizó recientemente, bajo el aislamiento social impuesto por la pandemia de Covid-19. Es en el ámbito doméstico donde el género femenino enfrenta la mayor sobrecarga de trabajo no remunerado, con tareas de cuidado y gestión en el hogar. Durante la cuarentena se acentuó esta desigualdad de división de tareas. Hubo un aumento significativo en la entrega de artículos académicos y científicos por parte de los hombres y una disminución en las mujeres. En las redes sociales, varios informes de mujeres con crisis de ansiedad y estrés por acumular tareas como ordenar, limpiar, organizar, cocinar, hacer educación en el hogar con sus hijos y seguir trabajando, sin una red de apoyo como la escuela, los abuelos o los empleados y poco o ningún apoyo o participación de sus parejas, cuando existen.', NULL, NULL, 'Los collages tienen tamaños que van desde 20 x 30 cm a 30 x 45 cm. La idea es colocarlos en una sola pared formando un mosaico con racimos. La instalación de los collages utilizará un espacio aproximado de 1.5 x 1.5 m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5808, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4785, NULL, '2020-05-16 23:56:22', '2020-08-10 19:18:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23458, 'JTQTXXLKIGwA7cSw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 00:11:43', '2020-05-17 00:11:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23459, 'AzA22yP9utghwBcw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 00:40:58', '2020-05-17 00:40:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23460, 'TEMLQqJpijQnSGt9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 00:52:56', '2020-05-17 00:52:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23461, 'ZvUzd57KdStDug7G', 'El Susurro del Jaguar', NULL, 'El susurro del Jaguar, es una serie documental que proyecta visitar diferentes comunidades de las naciones indígenas - algunas en total peligro de extinción como los Esse Ejja o Pacahauaras- ubicadas en distintas regiones de Bolivia (andes, amazonia y chaco) con la finalidad de documentar sus acciones y reacciones frente al COVID-19, enfermedad que ha puesto en emergencia sanitaria a gran parte de países en el mundo.\nTodo esto, en un enfoque y soporte artístico cinematográfico, aprovechando al máximo la belleza natural, la riqueza sonora de la vida silvestre y la música de los pueblos que lo habitan será un viaje épico entre tanta riqueza de lenguajes, música y manifestaciones artísticas emergen elementos de cosmovisiones profundamente vitales para la comprensión de la relación entre el ser humano, la naturaleza y la supervivencia. \nEn este documental queremos escuchar a estos habitantes, identificando elementos que contribuyan a superar los desafíos del mundo actual, saberes ancestrales para el futuro próximo que ayuden a mantener el equilibrio tomado en cuenta los cambios radicales que se viven en la actualidad y que afectan directamente a las naciones indígenas no solamente de Bolivia, sino de Latinoamérica en su conjunto.', NULL, NULL, 'Formato: Serie 		Género: Documental\nCapítulos: 12 			Duración: 25 minutos\nSoporte: Digital 4k NTSC\n\nQueremos lograr un relato construido por 12 capítulos en una primera temporada, estas deberán definir las particulares visiones de 12 de las 36 naciones, Todo esto será realizado con un enfoque artístico cinematográfico con investigación antropológica.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/419965287', 'sj12345', NULL, NULL, 'https://drive.google.com/file/d/1bIthXlvZd7fDiMgHBNAtBgaeIBtkK1hw/view?usp=sharing', 'sin contraseña', NULL, NULL, 2328, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2017, NULL, '2020-05-17 01:52:06', '2020-07-16 21:59:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23462, 'GGTw7WgARf3QrVFD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 02:16:17', '2020-05-17 02:16:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23463, 'f0582ysh8TepbIsQ', 'Encrucijada', NULL, 'Materialidad de la obra: cartulina con recortes de revista. \n\nMedidas del primer cuadro: 29.7 x 42 cm.\nMedidas del segundo cuadro: 27 x 15.60 cm.\nMedidas del tercer cuadro: 10.30 x 14.70 cm.\n\nSoporte: cartulina color negro\n\nDetalles del montaje: \n1. Escala.- cada cuadro colgado en la mitad de cada ambiente - cuarto.\n2. La iluminación.- Luz incandescente blanca.\n3. Color y distanciamiento.- El color de los cuartos deberá ser oscuro y cada obra deberá estar en diferentes ambientes.\n4. Recorrido obligatorio.- Lineal.\n\nConcepto de la propuesta: \nYo cree mi obra con colores que expresen mi sentir. Lo mezclo todo para que no queden marcas y no ser parte de una marca en específico.\n\nMi obra describe lo que yo he vivido. Desde que he intervenido en acciones sociales con mi comunidad, en cualquier lugar me pongo a garabatear y a escribir ideas de lo vivido para finalmente llegar a mi casa y concretar el boceto desde una forma artística.\n\nYo creo lo que creo porque es importante para mi vislumbrar lo que ocurre en mi país Ecuador, en el aspecto social comunitario, y comunicarlo a todo el mundo. Mi vida dice sobre mi obra que para encontrar un equilibrio se necesita nuevas ideas y mi obra dice sobre mi vida que he encontrado esas nuevas ideas en nuevas experiencias. Utilizo el símbolo del ser humano como un ente que puede cambiar el mundo. Las influencias detrás del significado de mi obra es el cambio de mi pensamiento como sujeto social, sin miedo a actuar.', NULL, NULL, 'Diseño de la imagen gráfica:\n1. Tipografía.- Sans Serif.\n2. Colores.- Blanco y diferentes colores de tonalidades oscuras.\n3. El título y el concepto va en la entrada de la exposición, las demás van distribuidas en el centro.\nDistribución de los elementos en el espacio:\n1. Paneles.- Para separar los tres ambientes. \n2. Audiovisuales (proyectores).- \"Apresúrate\" en letras amarillas en la puerta del medio del primer ambiente, \"te atreves\" en letras amarillo claro en las paredes del tercer ambiente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2195, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1908, NULL, '2020-05-17 02:29:06', '2020-06-23 01:47:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23464, '8TnSSUb9s1qz5ooB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 02:40:50', '2020-05-17 02:40:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23465, 'IU1NeZGkeRVG89fa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 02:45:26', '2020-05-17 02:45:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23466, 'QsEaQgAxLg3pc8vC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 02:53:50', '2020-05-17 02:53:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23467, 'X2OkAIlIawTSVskG', 'migrar es un camino ancestral, sobrevivir es un privilegio.', NULL, 'fotografías realizadas  en mi migración /en los performances en lugares estratégicos de abya yala;  usar una túnica roja alegoría de la muerte y la censura, prohibición que por ser mujeres recibimos. feminicidios, genocidios,violaciones,extractivismo, desapariciones por el estado, dictaduras, colonización,amor romántico, extraños, perpetuando nuestro cuerpo/territorio. collage interactivo.\ncolombia ecuador perú chile argentina, bolivia, uruguay, brasil', NULL, NULL, 'Video\nfotografias/collage.\nproyección en tv 21 pulgadas', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ULViaVstGGU - https://www.youtube.com/watch?v=WE1ejXnIRmU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2129, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1856, NULL, '2020-05-17 02:54:23', '2020-06-23 01:50:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23468, 'Gzlf9G7FpttTZWfK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 03:18:15', '2020-05-17 03:18:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23469, 'wP4bNcnnvjwgu69J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 03:20:55', '2020-05-17 03:20:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23470, 'YcHMPfnk24PEfugC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 03:40:10', '2020-05-17 03:40:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23471, 'XaxTLX6r14Pk27U2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 03:50:37', '2020-05-17 03:50:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23472, 'MJlNMD5AB6ZP5Hvf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 03:50:59', '2020-05-17 03:50:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23473, '7yarZsTeQ1jBUEbS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 04:37:32', '2020-05-17 04:37:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23474, 'xnBt9JQdtUIkErtm', 'Fio da Memória', NULL, 'Este trabajo trata sobre el hilo de la memoria que conecta el pasado, el presente y el futuro donde el misterio del universo conecta el espacio-tiempo, el material y el espíritu y dos mujeres. Mi diálogo es con las obras de Hilma de Klint. Sus símbolos reemplazan el significado que reciben y cuestan desde una perspectiva de rescate y transformación. El rescate trata sobre la historia de mujeres borradas de la memoria de quienes han contado la historia hasta ahora. La transformación se produce cuando, conectados por el corazón, en un espacio temporal del alma, rediseñamos la memoria construida en una especie de espiral evolutiva.\n\nHaga uso de una técnica íntimamente femenina y que muchas mujeres fueron víctimas de una mujer en otro bordado o percibidas como el fruto de este largo lugar, pero que en este trabajo, se entrelaza, teje y utiliza nuevas experiencias del mundo contemporáneo y más igualitario.\n\nEn las representaciones, las nociones lineales se deshacen y se abren al universo cíclico, sensible y oculto. En el hilo de la nueva memoria que abandona la imagen, viaja sin tiempo y regresa, se encuentra el encuentro de energías sutiles y femeninas que abren el espacio coronario para intuir la naturaleza, sus misterios y otros caminos.', NULL, NULL, 'Arte textil - técnica de bordado\nTamaño de 20cm x 14cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2439, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2109, NULL, '2020-05-17 04:52:09', '2020-06-23 21:41:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23475, 'l6AQUlU5g0GEkuLb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 04:55:15', '2020-05-17 04:55:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23476, '0SYlE6T8UtfsDb7D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 04:58:40', '2020-05-17 04:58:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23477, 'd47W7lKEC4EPGjxR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 05:06:27', '2020-05-17 05:06:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23478, 'zTLh7QRJaV9nnIN0', 'Sexto Continente', NULL, 'Existe un sexto continente, un espacio oculto y profundo, cercano al corazón de la Tierra.\nLas cavernas fueron las primeras viviendas del hombre y sus paredes los lienzos de sus primeras pinturas, han servido de escondite en todos los tiempos y despertado la curiosidad de exploradores. Hoy en día, en cuevas profundas puede encontrarse una fauna pequeña y prehistórica de insectos que se han extinguido en la superficie y piedras que guardan huellas de los campos magnéticos terrestres a lo largo de la historia: el sexto continente es un mundo lleno de historia, fantasías y señales.\n\nMe interesa el mundo subterráneo por su misterio y parcial invisibilidad. Parto de fotografías de cuevas que encuentro en diferentes archivos físicos y virtuales que, de distintas maneras, forman parte de la memoria del hombre. Me apropio de estas imágenes, fragmentando, editando y reterritorialozándolas: en ciertos casos, de la inmaterialidad digital y dislocada de internet a la caverna del laboratorio fotográfico donde realizo copias por contacto en papel fotosensible. Partiendo de materiales estéticamente muy diversos, el resultado para todos los casos es una imagen de tiempo extraño que crea un conjunto de piezas de apariencia enigmática. Con ellas compongo un relato ficcionalizado. \nEl agujero negro de la cueva funciona como un espacio donde explorar mundos imaginarios y la fotografía como el medio para revelar sombras de imágenes fantasmas.', NULL, NULL, 'El trabajo está compuesto por 10 piezas de  40 cm x 30 cm que se agrupan 6 por un lado y 4 por otro.  De esta manera, el grupo de 6 piezas precisan de 3 m lineales y el grupo de 4 piezas,  2 m.\nPara la artista, la mejor opción es ubicar las obras en una esquina de modo tal de poner el grupo de 6 e una pared y el grupo de 4 en la otra. Otra opción es colgar las 10 piezas una al lado de la otra precisando de aproximadamente 5 m lineales. \nEn ambos casos se requiere pared blanca o negra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, 'Estrella Herrera', 'http://estrellaherrera.com.ar/', NULL, NULL, NULL, 5376, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4464, 5, '2020-05-17 05:19:07', '2020-09-02 19:59:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23479, 'jmi6TubYXvnfcLoZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 05:22:26', '2020-05-17 05:22:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23480, 'bs9LNI3HW7rO0oR1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 05:50:29', '2020-05-17 05:50:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23481, 'Qutsdr6wOXTnKRLm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 05:50:29', '2020-05-17 05:50:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23482, 'SuY22a5WUVSv4HuL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 05:56:11', '2020-05-17 05:56:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23483, 'wlzxPq5dNxsrigN2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 06:43:48', '2020-05-17 06:43:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23484, '1e30xVcRhKBTAYZB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 07:31:59', '2020-05-17 07:31:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23485, 'y815KX7eVhXo8kRj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 07:50:30', '2020-05-17 07:50:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23486, 'SekawktoE5RkyktW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 08:26:26', '2020-05-17 08:26:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23487, 'hRvelA7XEunnRBXr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 09:15:29', '2020-05-17 09:15:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23488, 'JGGF71qbrBhsPGxz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 09:58:55', '2020-05-17 09:58:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23489, 'ypt2m8xUVecdj83q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 09:59:46', '2020-05-17 09:59:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23490, 'BNg8RPaacVJy1IfB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 10:11:22', '2020-05-17 10:11:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23491, 'zO1ym8bBxCA0mEJP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 10:36:04', '2020-05-17 10:36:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23492, 'FBpdnqacnmmgo5XW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 10:49:32', '2020-05-17 10:49:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23493, 'cGUBcg6xZdQqi7jj', 'LITTLE LOVE MACHINE', NULL, 'A magical machine serves as home for a lonely man, opens a secret door to the world of magic, rhythm and love. This morning began with a great misunderstanding and everything went wrong.', NULL, NULL, 'Theater venue,\nStage dimensions: 5m wide X 4m deep X 3m high.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=1GC1fuH89EY6_lLZpeEjtmIAk3cKL2Qam', NULL, NULL, NULL, 2132, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1859, NULL, '2020-05-17 10:49:36', '2020-06-23 01:49:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23494, 'jc8REoVsNNHhjJ8f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 11:04:31', '2020-05-17 11:04:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23495, 'NjMr406xVVscTi3j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 11:36:31', '2020-05-17 11:36:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23496, 'drwOi48TtIoLeifD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 11:47:52', '2020-05-17 11:47:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23497, 'hGBKX6rwTRoy3Lwr', 'swan lifeboat', NULL, 'Black Swan lifeboat\nEvery summer hundreds of inflatable animals descend to the Mediterranean shores, people lose their favorite inflatables, swept away by winds, currents - never to be seen again.\nAt the same time, rubber boats try to cross the sea from south to north as their passengers flee from their collapsing lands. An inflatable black swan represents this unique equation and contradiction.\nA strange combination between a refugee boat and an inflatable animal raises the question of whether we are truly aware of the dramatic immigration crisis, or is it the black animal we prefer to ignore.\n\nBlack Swan is a metaphor used to illustrate the failure of observation-based knowledge. For example, before the discovery of Australia it was clear that the color of the swans was white. One single observation of a black swan in Australia has been able to refute established and long-standing knowledge of the swan\'s white color.\n\nThe concept of the Black Swan is used by philosopher and economist Nasim Taleb to demonstrate our inability to predict the unexpected, prepare and respond to it in time. The Black Swan, according to Taleb, is something that is outside the scope of normal expectations, something that has an extreme impact, and that only after the eruption can it be possible to try and explain explanations of its occurrence.', NULL, NULL, 'the object dimentions are 5/1.8/1.5 Meters\nit requires a space on the floor but can be presented also hanging from the ceiling', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2133, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1860, NULL, '2020-05-17 11:51:06', '2020-06-26 19:54:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23498, 'Wapr4AN0b0RcAKsR', 'Corona Isolation -Ironically, but true', NULL, 'Video Project about my time in Corona Isolation, stay at home ,a nd my Time in future after Corona Isolation', NULL, NULL, 'The one chanal Video can be shown on one Monitor  60 x 50 cm or on Projection 150 y 130 cm .', NULL, 'artist', NULL, NULL, 'https://youtu.be/HvlWyr7KXJI', 'no password', NULL, NULL, NULL, NULL, NULL, NULL, 2801, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2430, NULL, '2020-05-17 12:10:50', '2020-06-24 23:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23499, 'nN89bExVrMjKQ161', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 12:21:15', '2020-05-17 12:21:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23500, 'tv4qomSCDeY0jPWy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 12:30:10', '2020-05-17 12:30:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23501, 'k7hlLtBt6YdZgWWx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 12:30:12', '2020-05-17 12:30:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23502, 'njqRuH6mQLcOt48Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 12:36:47', '2020-05-17 12:36:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23503, 'kfC3PPtYmBWDloXH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 13:01:13', '2020-05-17 13:01:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23504, '1gqzCLaEBQyVEGEM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 13:34:25', '2020-05-17 13:34:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23505, 'sCjYvaQPjiIGgvNV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 14:07:40', '2020-05-17 14:07:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23506, '2Cr00G7pTYE2gwF9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 14:22:55', '2020-05-17 14:22:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23507, 'GI6LJmw2wwI2xCur', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 15:12:03', '2020-05-17 15:12:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23508, 'VPmP6jf9BKKEG4BL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 15:26:26', '2020-05-17 15:26:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23509, '5895cXSfTGP68oTH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 15:36:14', '2020-05-17 15:36:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23510, 'qiXdLhI1dbEzb3AV', 'Habitar el Misterio', NULL, 'Habitar el misterio es un proyecto artístico multidisciplinario que combina conocimiento popular, sabiduría ancestral, arqueo astronomía, permacultura, trabajo de campo y metodologías artísticas contemporáneas.\n\nSe trata de una investigación que vengo realizando desde 2018 que explora los modos de existencia en torno al sitio arqueológico Cueva de las Manos en el noroeste Santa Cruz (Santa Cruz, Argentina). Movido por el enigma que plantean las pinturas rupestres, indago en la inmensidad del paisaje, los pobladores locales y las estrellas en búsqueda de otras formas de habitar este territorio, planteando nuevas hipótesis sobre el sitio arqueológico.\n\nEn marzo 2020 culminé la construcción de una pieza de Land Art que continúa inédita. Esta es la primera manifestación física de la investigación. Se trata de un observatorio de estrellas, inspirado en técnicas de construcción andinas, en medio de la estepa patagónica (en el Parque Nacional Patagonia, Perito Moreno, Santa Cruz). Un espacio de encuentro para observar el cielo patagónico resguardado del viento y el frío, a través de un diseño sintrópico que invita a la conexión con la naturaleza y con uno mismo.\n\nActualmente estoy trabajando en una publicación de la investigación dónde compartiré poesías y dibujos propios, fragmentos de entrevistas con pobladores locales Aoniken y Günün a küna, registro de la obra de Land Art.', NULL, NULL, 'Desarrollé dos propuestas expositivas, de acuerdo a las posibilidades.\n- Exposición en el sitio. Exposición y Viaje a conocer la pieza de Land Art y experiencia entorno a la misma y al paisaje que la circunda (Parque Nacional Patagonia, Santa Cruz). Me interesaría profundizar en esta propuesta.\n- Exposición remota. Instalación mostrando los avances de la investigación que incluirá fotografías, objetos textos y videos. En este caso la propuesta se puede adaptar a cualquier espacio expositivo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3626, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3101, NULL, '2020-05-17 16:02:17', '2020-08-10 21:30:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23511, 'NzIKpkVsDO60wuMd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 16:07:06', '2020-05-17 16:07:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23512, 'AHZ2SmLoDUgbOvI0', 'In Praise of the Present', NULL, 'During your visit, you walk on the metal floor made of the melted guns creating the foundation of peace with your bare feet. In the first space from the entry, you encounter a person constantly brushing latex on the floor. You could walk around, gaze at him or her. When you move to the second space, you find the layers of latex at your knee level hardened on the floor, where you could sit on and look outside, beyond the walls from the past. You walk on another ramp and now enter the last space. You suddenly feel the warmth under your feet as you step onto the floor covered with a thin layer of latex — thin enough to feel the hammered surface of the floor. Here you could lay down on the floor as its temperature is bearable. You listen to the vibrating sounds that resemble your breaths. You let your body rest and put your heavy memories aside — heal the place and your memories of the place through a celebration of the present moment, with a will to generate hopeful memories of the present. \n\nIn Praise of the Present, I present three installations made of accumulated latex layers that visitors could sit and lay down on while wandering the metal floor of Fragmentos with bare feet. Sounds resembling the breath cycle add another layer of sensation to the experience. In this place of memory, you feel the pain and hope of others and its very material presence with your bare skin.', NULL, NULL, 'The project was conceived as a site-specific installation at Fragmentos in Colombia where the metal floor was made of the melted guns as a gesture of establishing peace. However, the sensation and context of the project could be expanded to any charged civic space beyond the space of Fragmentos. Plaza with its own history of conflicts and civic movements would be an example of the space where the project could bring a sense of unfamiliar warmth, embracing memories of the place.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5560, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4607, NULL, '2020-05-17 16:59:11', '2020-08-04 19:57:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23513, 'o3e22EfXbOepkKkC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 17:04:29', '2020-05-17 17:04:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23514, 'iRXgM6H2Z39dfytJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 17:43:00', '2020-05-17 17:43:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23515, 'OxNTSKj4uivFJ4bf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 18:17:52', '2020-05-17 18:17:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23516, 'l8aF1rF3YD9mbjbg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 18:31:29', '2020-05-17 18:31:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23517, 'kQFjyCcdgEnmtSfh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 19:05:33', '2020-05-17 19:05:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23518, 'qfCRNc5S9Zg8gsQM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 19:12:59', '2020-05-17 19:12:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23519, 'BRjdxi8WQCb4NLF4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 19:40:30', '2020-05-17 19:40:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23520, 'Ns4f4oQAlZ9I0q9O', 'De Cruce', NULL, 'A variation on the theme of crucifixion and its multiple representations in art, DE CRUCE offers a contemporary interpretation of the image of suffering. With this installation of impaled tree stumps, Emmanuel Tussore questions the notion of identity. By stubbornly taking root in the land of his origins, one might risk losing himself and getting locked into identity issues. Unlike these tortured stumps emptied of their sap, how to cultivate one\'s roots so they become a single rhizome whose ramifications would nourish the matrix Earth? Here, intimate history and collective memory collide to overturn temporal, geographic and social boundaries.\n\nWood, Steel - Site specific 2020', NULL, NULL, 'DE CRUCE is a site specific installation created in situ. Tree stumps from different wood types are locally collected, then impaled on IPN steel beams used for construction.  The height of each sculpture can vary between 1m to 6m and beyond.  The installation can be exhibited indoors and outdoors, with a preference for the public space.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/419286656/5956c17d1f', NULL, NULL, NULL, 'http://emmanueltussore.com/de-cruce-2/', NULL, NULL, NULL, 2143, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1868, NULL, '2020-05-17 20:14:47', '2020-07-12 17:00:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23521, 'LREtwHpsr6L8O7bE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 20:59:45', '2020-05-17 20:59:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23522, 'roQnycsO0ySf5r4B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 21:07:45', '2020-05-17 21:07:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23523, 'lW4QAPQtlruRmAuK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 21:31:11', '2020-05-17 21:31:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23524, 'jJwbLKZUPwY03Tww', 'Rostros', NULL, 'El Proyecto pictórico \"Rostros\" - antes llamado \"Rostros de Chile\"\nEs un trabajo de interés muy personal que busca colaborar con el cambio de visión de la sociedad contemporánea hacia nuestros orígenes como colectivo social y como individuos - en nuestra relación con la naturaleza, nuestro ambiente y nuestra colectividad.\nCambiar el paradigma neoliberal-postmoderno para revisar como nuestros Antiguos resolvían y colaboraban en la construcción de la sociedad humana y natural.\nConsidero que este cambio en la dirección de nuestro actuar es primordial para posibilitar una mejor relación entre nosotros  (seres humanos) y nuestro ambiente - para volver a estar dentro de este, alejándonos de los modelos judeo-cristianos que han posibilitado el abuso, la depredación y la explotación insensata con fines exclusivamente monetarios y de poder.', NULL, NULL, 'Actualmente esta serie cuenta con 7 piezas de diversos tamaños, desde 40x40 cm hasta 100x140 cm.\nconsiderando toda la muestra se necesitan unos 8 mts. lineales.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/pg/calfukurruf/photos/?tab=album&album_id=400432557352897', NULL, NULL, NULL, 2137, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1864, NULL, '2020-05-17 21:31:51', '2020-06-23 17:44:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23525, 'huZ1hcXQSnvIozFw', '8VIT', NULL, 'Hace muchos años aprendí a tejer crochet y desde entonces se ha vuelto mi principal hobby. Accidentalmente comencé a realizar esta técnica de tejido con hilo de coser 100% poliester recreando figuras y personajes de la cultura de los videojuegos de los años ́´80, más precisamente del popular videojuego Mario Bros. Para lograr formar estas figuras con la estética de 8bits, encontré mi unidad mínima: un cuadrado tejido crochet = un bit. \nEn los últimos años fui perfeccionando la técnica e investigando sobre el correcto enmarcado de las piezas.\nHe terminado mi primera serie sobre el video juego de Mario Bros, que consta de 10 piezas.\nEl presente proyecto se trata de un mural sobre una imagen de la película \"Volver al futuro\" realizado con esta misma técnica de tejido. \nEste mural tendrá 3 mts. de alto x 7 mts. de largo de dimensión.', NULL, NULL, 'Espacio interior o semi-interior en que al menos una de sus paredes internas tenga la dimensión mínima de 4 mts. de altura por 8 mts. de largo. Las dimensiones del lugar deben permitir que la obra se pueda observar a una distancia de 20mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2281, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1976, NULL, '2020-05-17 21:38:24', '2020-06-23 19:29:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23526, 'nHrMBAyT0Zf2yL1i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 21:50:45', '2020-05-17 21:50:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23527, 'JML6rosioiSDgCqi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 21:58:39', '2020-05-17 21:58:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23528, '36HuqZlffBb7kAXA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 22:01:01', '2020-05-17 22:01:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23529, 'CiX0W3xtFWX7BI3J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 22:12:13', '2020-05-17 22:12:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23530, 'LN3hbfz8rL07kohK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 22:32:48', '2020-05-17 22:32:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23531, 'EuR6jzkaNeKqZd6S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 22:33:48', '2020-05-17 22:33:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23532, '9dgpRuhP9zFIVlBN', 'ParadEis', NULL, '„ParadEis“ – film description i\n\n\"ParadEis\" is a short film by the visual artist Sonja Kretz (concept, installation and camera) and the author Severin Perrig (concept and texts), which tells of the artistic genesis of the icebergs in all their prosthetic character.\n\nThe last remaining glaciers have calved somewhere in silence and their Arctic and Antarctic descendants are already sailing on their own. Slowly and quietly they float like ghostly isles, their heart a strongly shining, individual crystal. They are fairy matt white islands of sweetest water, for which humans have so far not found any use. Frozen with cold, they constantly change their shape under the dripping thawing, creating fantastic, grotesque-looking monuments, fogged up like dreamy appearances. You can see whatever you want in them. Some would like to perceive the progression of time or its memory loss, others rape of nature or vice versa love for nature, a sublime symbol and an opportunity at the same time, prostheses for our humanity. Like looking into the future, the icebergs also represent the disparity between their visible and invisible parts. We peek into the diamond ice like into the sky with all its shades of cold neon and indigo blue. And these monosyllabic icebergs sometimes shake with crackling siren singing (music by Steven Parry), which could condense into poetic words (off-screen narrator Severin Perrig).', NULL, NULL, 'There are different possibilities to show the video. Interesting would certainly be in an old factory building,\nwhere the room itself tells a story of a production.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/413723413/6daf1b0e7b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2138, NULL, 249, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1866, NULL, '2020-05-17 22:51:04', '2020-06-23 01:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23533, '7rhWCweFLJRaWbrZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 22:53:08', '2020-05-17 22:53:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23534, '5B3wMTTQxPJB2s6t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:06:19', '2020-05-17 23:06:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23535, 'O4laqaXxNbxmhfHn', 'EYE CONSUME EYE', NULL, '“Eye Consume Eye”, translating to “I Consume I”. Where the objective eye is a metaphor \nto a person’s subjective self. This is a short metaphorical film about Life, Survival, and \nGrowth through Pain and Emotion in the perspective of an eye, where the eye is not seen \njust as an organ of sight, but as a sensitive and vulnerable being in itself. The film is shot \nin the first-person perspective, indicating and urging the idea of the viewer devouring the \neye that’s looking back at them, the eye being a reflection of themselves. And that being \nan act of consuming their and/or ones self-awareness.  \n \n \nNotes: \"EYE CONSUME EYE\" (2019) is a remastered/updated version of the \"EYE CONSUME EYE\" (2018). The 2019 version is an amalgamation of the original 2018 film + additional new scenes that were influenced by one of my earlier video work “1 Paper Cut – Mass Damage” from 2017.', NULL, NULL, 'Original Dimensions - 1920 px x 1080 px\n\nThe preferred size for display could be10 ft wide. \nProjection on a white wall in a dark room.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=MF06IJVzZ5w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2142, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1867, NULL, '2020-05-17 23:08:22', '2020-06-26 22:34:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23536, 'dGbssZ1QQiIg3eoj', 'Senkata', NULL, 'Proyecto: Proyección video \nDuración: 4min17s, digital, color (en bucle)\nAño: 2020\nObra nunca expuesta \n\nEsta videoinstalación titulada \"Senkata\" aborda la Masacre de Senkata que resultó en 10 personas muertas y decenas de heridos en el contexto de una operación militar en la ciudad de El Alto, Bolivia el 19 de noviembre de 2019. La masacre marco el punto más dramático de la actual crisis política en Bolivia.\n\nUsando como marco teórico las nociones de Judith Butler de “vida lloradas y no lloradas” el video propone una reflexión sobre las políticas del duelo de la masacre y, en particular, el discurso deshumanizante de los medios de comunicación y el estado  frente a los fallecimientos y las comunidades dolientes.\n\nEste video hace uso del montaje, privilegiando la colisión de imágenes sobre la linealidad narrativa, para subrayar el carácter complejo de los eventos. El material compilado corresponde a videos que circularon extensamente en las redes sociales durante los instantes y días que siguieron la masacre.', NULL, NULL, 'La videoinstalación esta diseñada par ser proyectada en un espacio oscuro y con parlantes de sonido. Las dimensiones de la proyección son variables. En las imágenes adjuntas se encuentra un modelo posible de la videoinstalación.  \n\nCaracterísticas: \n\n-	Proyección 4min17s en bucle \n-	Espacio dedicado a la videoinstalación oscuro\n-	Parlantes de sonido', NULL, 'artist', NULL, NULL, 'https://vimeo.com/420290984', 'Wiphala', NULL, NULL, NULL, NULL, NULL, NULL, 3913, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3332, NULL, '2020-05-17 23:13:18', '2020-07-22 23:24:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23537, 'I4FDT28pO3S97KiS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:13:18', '2020-05-17 23:13:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23538, 'FtVCyPPiwYGJjzOs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:16:17', '2020-05-17 23:16:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23539, 'wL2FsgiCjQ4ZZGB0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:24:20', '2020-05-17 23:24:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23540, '9ZLKYOnJsmG0HHuJ', 'Los días máquina', NULL, '¿Por qué los días se parecen tanto entre sí? Si el tiempo es un concepto abstracto, ¿cómo saber si un día es el que dice el calendario ¿Es la ciudad una máquina de medición constante? ¿Saben los cuerpos de la urbe que son parte de un sistema? Para responder estas preguntas, observé desde una ventana el andar de los cuerpos sobre una sola calle para ver qué puntos en común y qué diferencias había entre las personas y sus gestos. Luego crucé sus movimientos con un relato escrito para generar un diálogo entre sus poses mecánicas y la ficción. \n\nA través de un monólogo escrito el narrador reflexiona acerca de las alteraciones que tiene por vivir en un día que no es el que se supone que es. En contraposición, la imagen muestra cientos de cuerpos anónimos que viven la cotidianidad de la calle ignorando esta alteración del tiempo. A partir de un choque de sentidos, esta obra cuestiona la desolación de nuestros días, y cómo la urbe es un sistema complejo de acciones y resultados donde los ciudadanos nos convertimos, de alguna manera, en una especie de deambulantes autómatas, piezas urbanas de un sistema de producción y consumo tan complejo que no entendemos a pesar de que habitamos en él.\n\nLos días máquina es una obra audiovisual de 12\' 20\" de duración compuesta por 300 fotografías a manera de stop motion acompañadas por una serie de escritos y el sonido de una lluvia constante que busca expandir y agudizar el movimiento de un día en la ciudad.', NULL, NULL, 'Esta es una pieza de videoarte diseñada para presentarse en una sala aislada y oscura preferiblemente de 2x2m (aproximadamente). Requiere de un proyector que genere una imagen de piso a techo y un sistema de sonido monocanal. Así mismo, como la obra está pensada para redimensionar la percepción del tiempo en el espectador, por la duración de los planos, se recomienda poner sillones cómodos donde el público pueda apreciarla con comodidad.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/330162517', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5069, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4244, NULL, '2020-05-17 23:26:38', '2020-07-26 02:23:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23541, 'VpXybQVU4P4TtALo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:27:33', '2020-05-17 23:27:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23542, 'UEV8y8SOcQLCHRvU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:28:31', '2020-05-17 23:28:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23543, '2nv2gz87nARIHvrU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:29:46', '2020-05-17 23:29:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23544, 'L2S49sDDwtHAtE9Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-17 23:45:36', '2020-05-17 23:45:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(23545, '8qjBGGMcJB7yVmnM', 'Prisma', NULL, 'En medio de un paisaje tranquilo un hombre realiza varias acciones que se suceden en forma cíclica. Se accede a esta escena a través de lo que parece ser un navegador web, con ventanas que se agregan o se eliminan mediante una interfaz tangible que el espectador puede manipular. \n\nLa obra parte de una preocupación por el modo como establecemos una conducta hiperkinética en los distintos contextos en que nos desenvolvemos en la actualidad, ya sea al realizar tareas cotidianas pertenecientes al ámbito de lo privado o tareas propias de un ámbito laboral. Hay una pulsión contemporánea en nuestra relación con el tiempo: nos movemos entre tareas como saltando entre ventanas. Hay una necesidad constante de actuar y de conducirnos en el día a día de manera eficiente, realizando la mayor cantidad de tareas en el menor tiempo posible. En Prisma se presenta dicha condición a partir de una serie de acciones, cuya elección responde a un interés por reunir actividades que normalmente no se asocian con el trabajo sino con el ocio, e incluso, de manera literal, con la contemplación. Es así como se establece visual y performáticamente, una situación aparentemente tranquila, que puede leerse como un intento de un hombre por huir de la velocidad de la ciudad y de abocarse a la contemplación, quien sin embargo termina rigiéndose por el imperativo de la eficiencia y actuando bajo la estrategia del multitasking.', NULL, NULL, 'Pantalla o videoproyeccion.\n\nInterfaz tangible de control.\n\nÁrea de 1m x 1m para ubicar interfaz tangible.\n\nLuminosidad baja.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/330001299', NULL, NULL, NULL, 'https://jaimerodriguezgomez.wordpress.com/2020/05/09/prisma/', NULL, NULL, NULL, 2144, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1869, NULL, '2020-05-18 00:12:05', '2020-07-12 17:00:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23546, 'IMuiSXgcf4Wuz5UO', 'Estrangeiro e a cidade', NULL, 'Adão Iturrusgarai é artista múltiplo e viajante. Consagrado autor de quadrinhos que produz diariamente para jornais e revistas de grande circulação, é também escritor, autor de pinturas e objetos que dialogam com a história da arte moderna e contemporânea. O presente projeto pretende dar voz e visibilidade à parte mínima dessas produções  - que hoje, na totalidade, são milhares - que se caracterizam principalmente por seu caráter político e crítico.\nNo presente projeto, serão trabalhados os diálogos possíveis entre série de pinturas - os Diários de Cores, que o artista produz desde 2016 e que marcam a passagem do tempo e podem ser considerados como processo subterrâneo para suas obras como cartunista - e seus quadrinhos com teor político e comportamental. Ao diálogo será articulado seus escritos que registram seu trânsito por cidades do mundo. Conceitualmente, pretende-se uma inversão: pinturas de dimensões variadas serão mostradas em espaços adaptados para exibição (não necessariamente institucionalizados) e quadrinhos e textos serão projetados em empenas de edifícios no entorno. O que é de leitura individual e íntima ganha o espaço da cidade.', 'ARTISTAS QUE INTEGRAM A PROPOSTA\nNOME Adão\nAPELIDO Iturrusgarai\nNACIONALIDADE brasileiro \nPAG WEB https://iturrusgarai.com/', NULL, 'Espaço adaptado para receber cerca de 30 obras em papel e telas do artista, da série Diarios das Cores. Espaço em torno de 100 m2 (adaptável), em três diferentes cidades: São Paulo, Paris e Nova York. A partir do edifício no qual se localiza a exposição, serão projetadas imagens dos quadrinhos e trechos de seus livros e escritos sobre as cidades em questão. Serão exibidas as pinturas, projetados textos e quadrinhos e a presença pontual do artista para conversas com os públicos interessados.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'Imagens no site do artista:  https://iturrusgarai.com/diario-de-cores/', NULL, NULL, NULL, 4029, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3436, NULL, '2020-05-18 00:38:15', '2020-07-03 19:32:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23547, 'yIMhibk2SNjQY38Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 00:38:51', '2020-05-18 00:38:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23548, 'mGASQSLC92i2hhAw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 00:50:19', '2020-05-18 00:50:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23549, 'm8kL4oZsP60TmRhA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 00:54:15', '2020-05-18 00:54:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23550, 'MiDNQMuNHHiicDJs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 00:55:35', '2020-05-18 00:55:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23551, 'WhsSkWM5YMaSzS9t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 00:56:02', '2020-05-18 00:56:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23552, 'XntxCrX90LJvxVaB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 01:06:45', '2020-05-18 01:06:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23553, 'eRgN1D4ggLLpCztv', 'American Sky', NULL, 'American Sky is a video performance in which Mano Penalva filmed himself  on the edge of Biscayne Bay and Morningside Park in Miami, Florida. In the piece, the artist holds a flag that he has sewn from sections of the flag of the United States of America.  Penalva’s flag, however, is constructed from only the US flag’s navy blue rectangle of stars—a complete night sky for all nations. The artist, struggling to stand erect against the winds and the water’s tides, simultaneously evokes a feeling of being grounded and having lost one’s footing. Penalva’s flag is that of a more inclusive America—one that includes all of the Americas and its many kind of Americans—not just a single nation. American Sky is an urgent invitation to understand America in its entirety.\n\nProject developed during residency at Fountainhead Residency, Miami (2020) in partnership with The55project Foundation which aims to increase the visibility of Brazilian artists outside the national boundaries through constant dialogue and exchange with international organizations.', NULL, NULL, 'The video and audio will be shown in  looping, at the headquarters of the Bienal Sur, in a room at the Museum of Immigration (room at least 3,5 x 4m). The work requires the installation of a projector and speakers.\n\nThe room with the lights off invites the viewer to come across an artist who stares straight ahead while striving to keep the flag suspended.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=kjYGNlVeHYE&feature=emb_title', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2145, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1870, NULL, '2020-05-18 01:07:00', '2020-08-12 17:57:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23554, 'IvtTTWj0zRDUbejp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 01:12:40', '2020-05-18 01:12:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23555, 'k7RW67Lzn6sdnkrH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 01:12:54', '2020-05-18 01:12:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23556, '4sOGEva0Dzh2oZJR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 01:19:26', '2020-05-18 01:19:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23557, 'ezawp3EgdfPFIwth', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 01:44:12', '2020-05-18 01:44:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23558, 'mYmCNIoA3QKQP9JE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 01:51:26', '2020-05-18 01:51:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23559, 'bVtFF6Fq9OZZl6PY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 01:59:33', '2020-05-18 01:59:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23560, 'CWB3iNCAC7x5sokR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 02:01:04', '2020-05-18 02:01:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23561, 'cfny0d8DFq1SZUmC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 02:10:40', '2020-05-18 02:10:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23562, 'iS7WgnbWGCE3f0GF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 02:51:56', '2020-05-18 02:51:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23563, 'fXMewr0nRy5sVWot', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 02:55:17', '2020-05-18 02:55:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23564, 'W2O13XLVYlcFozxr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 03:05:04', '2020-05-18 03:05:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23565, 'KfspbxSYrSYB3YlL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 03:09:17', '2020-05-18 03:09:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23566, 'ouH8ItlVdZDoxReG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 03:15:16', '2020-05-18 03:15:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23567, 'ft94eEq9nwIRek0n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 03:15:53', '2020-05-18 03:15:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23568, 'ztb4FZY1wMDh1MfH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 04:17:03', '2020-05-18 04:17:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23569, 'HkOzHiZW56kRFkwk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 04:35:15', '2020-05-18 04:35:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23570, '7Ant1zIg67urXZ9E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 04:51:16', '2020-05-18 04:51:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23571, 'Qo9K3I9dHCHFpxct', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 05:17:08', '2020-05-18 05:17:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23572, '8VrMIfnZl4Lxxwqn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 05:39:14', '2020-05-18 05:39:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23573, 'p5QDox6ZMliDWDUE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 05:47:22', '2020-05-18 05:47:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23574, '0wbC9VGY4NFsrLVh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 06:03:41', '2020-05-18 06:03:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23575, 'tMHNKo1TMOxCKc3Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 06:35:06', '2020-05-18 06:35:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23576, 'cdlBiShOZFyRdMPS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 06:37:05', '2020-05-18 06:37:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23577, 'aTunKcHMJ63VcY0P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 06:53:20', '2020-05-18 06:53:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23578, '5eY05abNquOamfju', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 07:19:52', '2020-05-18 07:19:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23579, 'PMOdnYLiDNoVSmF6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 07:49:02', '2020-05-18 07:49:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23580, 'Te9cNEvRAhqZUmAc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 08:37:24', '2020-05-18 08:37:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23581, 'jt8sjCzJEuk69NKA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 08:51:39', '2020-05-18 08:51:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23582, 'r89pZ8IsYbrASTeR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 09:05:24', '2020-05-18 09:05:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23583, '7AHHsphSWoobYXCZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 09:34:11', '2020-05-18 09:34:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23584, 'r4G84i5UMNO9Fxvu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 11:04:01', '2020-05-18 11:04:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23585, 'ANfq9fexJ8OaCz46', 'Libro de migrantes', NULL, 'DISCURSOS MIGRATORIOS busca exponer pinturas y dibujos que manifiesten éste concepto en un museo y se pintarán murales como piezas interconectadas, generando un discurso entre la legitimidad del museo y la libertad de la calle.\n\nLos dibujos se construyen dentro de las páginas de un pasaporte, así el soporte mismo habla sobre el concepto de migración, conectando el dibujo con su uso, al ser un documento de identificación cuenta su propia historia cuando los dibujos son el sello en las hojas de este pasaporte, reflexionando sobre el abismo que hay entre la realidad y los derechos humanos, al mismo tiempo será un documento íntimo sobre la separación que existe entre la tierra natal y los nuevos lugares que se dibujan a través del camino emprendido.\n\nLas pinturas están hechas con fuego para generar formas expresivas sobre la madera, manchando sus vetas naturales, para tener congruencia entre el contenido y el proceso de la obra; el soporte es resiliente al material. El fuego se utiliza como un símbolo de resiliencia. Todos los sentimientos que se dejaron en el camino del migrante, las cosas que dificultan su ir y venir, se consumen en el fuego y renace el mismo ser.\n\nLos murales completan el círculo de producción: salir a la calle y convivir con las demás personas, solo así se logra el discurso de éste proyecto, se vuelve prótesis misma del observador al estar realizado en la piel de la ciudad, logran su cometido al interactuar directamente con la vida de los habitantes.', NULL, NULL, 'Sala de museo o galería con 45 mts lineales de pared para exposición y mínimo 3m de altura, con temperatura para conservar la encáustica en buen estado (bajo sombra y sin rayos de sol directos), con la posibilidad de tal vez pintar sus paredes algunos elementos complementarios con vinílica. Con proyector y bocinas.\n\nDos muros para intervenir de al menos 25 m2, de los cuales uno tiene que ser en la calle.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=heT5lbOKBA0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2213, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1921, NULL, '2020-05-18 11:04:19', '2020-08-14 22:29:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23586, '83baDF3NKmkUs6Wq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 11:13:19', '2020-05-18 11:13:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23587, 'u3NzEnyhkrXsnQbC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 11:34:38', '2020-05-18 11:34:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23588, 'nQ7vnBj9M3uUYjet', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 11:36:21', '2020-05-18 11:36:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23589, 'VfA7eG1WKu9cnLGA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 12:07:18', '2020-05-18 12:07:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23590, 'wLa1trI7TQOXdEkI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 12:46:15', '2020-05-18 12:46:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23591, 'OcqbpAIL9rL9Kwtk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 12:51:06', '2020-05-18 12:51:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23592, 'Kh3DOqi8EJVbK426', 'sphaera', NULL, 'Inspired from the most common shape in universe, like a comet landed on earth or the remember how human being is just a grain of sand in the middle of this infinity space, this installation will deeply focus on nature.\n\nPerfectly balanced, the sphere corresponds to the most stable form naturally described. As the synthesis of life, this well-known volume can be observed both from a microscopic (atoms), macroscopic (drop of water), and gigantic (planets/stars) points of view . This universal shape offers a talkative volume standing out with its environment while drawing inspiration from nature itself.\n\nThis site specific installation will be in continuation of my experimental work about ways of volume creation. Here it will be defined only by its filling, a three-dimensional chaotic mesh. Inspired from the random-like or extremely complex organisation and layout of life and nature, this framed inside will propose a focus on matter.\n\nDepending on the site where this installation will take place and mostly the duration of exhibition, a revegetation of this sculpture will propose an a passing of time allegory . Climbing plants will be placed on the base of the sculpture, and will colonise little by little until it disappear, like motaro.contact@gmail.comher earth regaining rights on human building.', NULL, NULL, 'The models below give an idea of the scale. \nCreating from one hundred of 10x10x300cm wood timbers, this model corresponds to a 3 meters diameter sphere. This size is not frozen, it could be easily more. For example, the sphere presented on the attached images was 6 meters diameter.\nThis installation can take place, inside, outside. It could be hang, partially insert in a building, getting out of water... everything is possible, it just depend on the place where it will take place.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2148, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1873, NULL, '2020-05-18 13:04:28', '2020-06-29 19:17:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23593, 'GBSIdaVAKfanZ5tm', 'Nobody Descending a Staircase', NULL, 'Nobody Descending a Staircase is a direct reference to Marcel Duchamp\'s Nude Descending a Staircase, No. 2. While the original work was \"an exercise in solving the problem of motion in painting\", this image tends to understand the idea that we have of a body and of its existence. By his presence and more importantly by his absence, it suggests the immateriality of being, the memory and the brevity of our time.', NULL, NULL, 'Photography\n12,7 cm x 17,78 cm\nVenue: Local Histórico Duchamp', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2522, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2183, NULL, '2020-05-18 13:07:11', '2020-06-24 18:54:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23594, 'S7PjCljBbTOGO3Br', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 13:09:31', '2020-05-18 13:09:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23595, '4KvheXrfcks9CVhs', 'Organic candies Sweet and Sour', NULL, 'Sweet and sour organic candies is the research artwork for a constant involution that Latin America, in particular my origin country Venezuela has in the last 20 years , where I explore, combining the different law text that the government dictates to convinced the population they are in the right way, this artwork is about color, association with terms and concepts regarding  public policies are undone  and let me creating intellectually  the space to re open  other  compositions for a new lecture presented in soft shapes , this original project commenced back in 2013 and continue to be debated and invite to the reflexion of power in our countries. \ntake part of an Installation where I produce body of work with paper, and different elements such different laws to conform a composition in a Installation.', NULL, NULL, 'The suggested space could be an internal space with dimensions approximate about  3,50 cms x 2,00 cms to colocate de different artwork to be displayed .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2149, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1874, NULL, '2020-05-18 13:10:18', '2020-06-23 01:49:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23596, 'PMltiknpqj9vasoQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 13:38:06', '2020-05-18 13:38:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23597, 'OMHw5y4KLO26KSrN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 14:02:44', '2020-05-18 14:02:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23598, 'lwszXMTecdfUUYoO', 'what it tastes like', NULL, 'A series of wall sculptures, consisting of a concrete/cement shell, which will be covered with broken glass before the concrete dries. A safety method applied to wall crowns that is not due to a specific geographical origin, but to a global social one. (I saw it the first time in Bolivia, where i have family)\nAt the same time, the sculptures are intended to remind us of diamond-studded pieces of jewellery, as can be seen in Rapper\'s chains in extreme execution.\nGlitter appeals to the primeval instinct in man, which it reminds of the shimmering of a water surface. Thus two opposing aspects are united in one object: the deterrent, isolating and the naturally attractive.\nIn this framework of tension, forms are to be placed that refer iconographically to paradoxical phenomena that occur in marginalized groups. \nThese include general questions of belonging and the uniting of cultures, but also how marginalized people deal with success, which in turn also illustrates the wearing of jewellery by rappers.\n\nIn the appendix you will find pictures of samples and some sketches of the forms. How large the shards are, which can influence whether more of the repulsive or the attractive, will vary from sculpture to sculpture.', NULL, NULL, 'I don\'t have a specific space in mind, but I would also connect with other artists and exhibit in another city.\nIf thats not possible there are a lot of possibilities to exhibit in Frankfurt.\nFor the presentation i thought of a white cube to counteract the roughness of the sculptures. The sculptures themselves will have measures from 1m x 1m x 0,2m to 1,5m x 1,5m x 0,4m and i thought of an amount of 5 to 7.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3995, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3400, NULL, '2020-05-18 14:08:32', '2020-07-03 19:30:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23599, 'ybAKwD2KnoNXyeZC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 14:29:18', '2020-05-18 14:29:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23600, 'nke1DdxcTys7KmiG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 14:45:18', '2020-05-18 14:45:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23601, 'SzNK3hI6BShATklT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 14:52:33', '2020-05-18 14:52:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23602, 'NMaipXba7gAx432x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 15:28:59', '2020-05-18 15:28:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23603, 'gbUNS1dKREije4e3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 16:33:52', '2020-05-18 16:33:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23604, 'HfNaYSIveD4b0vEY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 16:47:31', '2020-05-18 16:47:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23605, 'i1iYKoX6MMW3rM54', 'Magia e Imagen', NULL, 'MAGIA E IMAGEN es una investigación que explora el ámbito técnico, conceptual y expositivo. Consiste en una instalación con dibujos, pinturas y grabados, en la que se indaga la PROPIA imagen, su función y simbolismo, utilizando como disparador diversas expresiones visuales que nuestros ancestros han creado. La investigación busca explorar las sensaciones y experiencias humanas más primarias, tales como el miedo, la incertidumbre, el erotismo, la muerte, la religiosidad; elementos que nos han atravesado y hemos comunicado desde el inicio de los tiempos hasta la actualidad.\nLa investigación TÉCNICA se desarrolla a partir de los materiales con los que se trabaja. En su mayoría son de propia fabricación, utilizando pigmentos y tintes naturales (tierras, insectos, tubérculos, plantas, frutas), obtenidos gracias a la experimentación personal y el estudio con artesanos de pueblos originarios de México y Perú. El soporte de las obras es en su mayoría papel artesanal, hecho en base a distintas hierbas y plantas.\nEl proyecto busca problematizar la paulatina insensibilización hacia la imagen, en un mundo contemporáneo en el que nos vemos hiper estimulados de imágenes cotidianamente. El objetivo es generar, a través de una técnica expositiva alternativa a la tradicional, una experiencia visual que proponga al público una nueva comunión entre imagen y sujeto, evocando lo visual como un medio fundamentalmente MÁGICO para conectarse con nuestros sentimientos más primarios y profundos.', NULL, NULL, 'El espacio expositivo que se sugiere es una sala oscura en la que se puedan generar pasadizos en los que el público sienta que está dentro de un espacio reducido, íntimo. Las obras se ubicarían en ángulos y planos inclinados, utilizando para las mismas una iluminación tenue, basada en velas y luces de baja intensidad, para generar mayor impacto entre la imagen y el espectador. La sala debería tener al menos 25 mts cuadrados. El espacio se construiría a partir de placas de durlock, MDF o triplay.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3417, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2929, NULL, '2020-05-18 16:48:01', '2020-08-14 12:50:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23606, 'n0fdySu3IZhpfEO4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 16:49:04', '2020-05-18 16:49:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23607, 'jzHnFJLfkzDh3MUp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 16:51:50', '2020-05-18 16:51:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23608, '2KDhHiQqoPnRssQp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 16:58:46', '2020-05-18 16:58:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23609, 'orMyAaYB9x9b9ATo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:01:59', '2020-05-18 17:01:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23610, 'IfACErNJK631R3xS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:05:01', '2020-05-18 17:05:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23611, 'ZTwnB7smrTmvmcWF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:06:57', '2020-05-18 17:06:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23612, 'bZJfwaxsf6NfPS6j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:06:58', '2020-05-18 17:06:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23613, '8UuLqmjU7FnYb4o3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:13:03', '2020-05-18 17:13:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23614, 'PKROpu9tzkweuw6u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:28:39', '2020-05-18 17:28:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23615, 'eZTm0etccKqTOJ2z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:39:15', '2020-05-18 17:39:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23616, 'ttxbsnyOUX5War7C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:48:21', '2020-05-18 17:48:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23617, '2RoqsbBRpdwj87m7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:52:03', '2020-05-18 17:52:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23618, 'Hrkt34cJeogVA7Je', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:57:36', '2020-05-18 17:57:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23619, 'VSEtK6HmYeUfHYo9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 17:59:11', '2020-05-18 17:59:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23620, '9U0tZB9HcevGTSTg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 18:01:18', '2020-05-18 18:01:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23621, '7XaFyIMiOKUO7mmP', 'Europa luminosa', NULL, 'Europa erguida, una Europa en pie, una gran sombra orgullosa que cruza el espacio. \nEl brazo derecho es el mismo que en el Gernika de Picasso ilumina con su candil la escena terrible, al igual que Europa quiso iluminar los caminos del orbe con sus políticas humanitarias y de consenso a fin de evitar nuevos conflictos bélicos en su territorio. Ahora el papel de este territorio de revoluciones ha entrado en crisis pero su altura de miras  sigue siendo incuestionable al igual que su valor como faro del mundo futuro.\nEuropa luminosa esta realizada en dos chapas de aluminio de 1 cm de espesor. Las chapas son recortadas con láser y luego soldadas para dar una altura de 5 m. Se afianza con nervaduras en su parte posterior y se pinta con pintura negra por ambos lados.', NULL, NULL, 'Como quiera que esta escultura dialoga con la gran obra de Picasso sería ideal que fuese expuesta en el mismo museo que el Gernika, en el Museo Nacional Centro de Arte Reina Sofía, que además tiene galerías de altura suficiente como para acoger esta pieza de cinco metros de alto.\nEn cuanto a su colocación lo deseable sería instalarla de tal forma que parezca estar en movimiento, en medio de una zona de tránsito, un pasillo o similar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2154, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1878, NULL, '2020-05-18 18:09:42', '2020-06-23 01:48:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23622, '8tiHG5KklWzw9jqs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 18:56:52', '2020-05-18 18:56:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23623, 'PZRrHZ4QSgTg13RD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:03:14', '2020-05-18 19:03:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23624, 'WbV3cgxcnAM7dkB4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:08:48', '2020-05-18 19:08:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(23625, 'ELu9uAMLWwiOTkkv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-18 19:08:54', '2020-05-18 19:08:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
