In Furrious the artists Otto Krause and Milan Loviška employ the artistic processes of furrification and plushification. In reference to the practice of fursuiting in faux fur and plush undertaken by members of a subculture called the Furry Fandom, they constitute their own disarming aesthetic plushyverse of everything childish. Endowing spatial and material entities with features that evoke certain squeezability and a large dose of innocence they play with the boundaries of human and creature in a notably artificial and abstract way. Amidst the current political climate that tends to trivialize serious matters with simplified and alternative political messages they also point to the reduction of psychological defence mechanisms and the increase of susceptibility when exposed to cuteness. Their hybrid plushophilia is as much a subversive act of creative involution as it is a reminder of the seductive power of cute imagery in the ever-frightening political propaganda. The project deals with the socio-political issues and present-day cultural phenomena relevant to the audiences worldwide. The visual aspect finds its roots in the media of comics and animated films, both in America and in Japan, exploring the contemporary western aesthetic category of cute and the Japanese concept of kawaii. Besides the two performers, it also invites audience to engage in sensorial interactions with the materiality of faux fur and social interactions via a twitter feed during the performance.