"Fondo" focuses on issues of representativeness in theater and the concept of "normality" in medicine, underlining how in both of them the subject of study has been denigrated. In medicine, normality is the basis for comparisons of practice. What is considered normal determines the practice and has implications for the individual, the doctor-patient relationship and health policy. For artists, the capacity and legitimacy of “Representativeness” on the scene is a dilemma in addressing themes that, although they can influence us in a moral and empathic sense, are not legitimate in our personal and/or cultural background. The artistic team is considered as a group of individuals with the right to “tell a story” belonging to someone else in an attempt at representation, which may cause a pejorative effect on the represented. What, then, is the role of these "privileged" with the representation of the Other? In this dynamic of representativeness, how do we build our “place of speech”? What can we do to avoid overshadowing and diminishing the essence of the true protagonists of our project? How is it that, in a current and anomalous health-social situation, old values are maintained in terms of the classification of individuals? The reflection on the (in)capacity for representation on the scene and outside it is increasingly relevant in the current social context, in which the dividing line is sudden and visibly minacious.