Os.sos. (Bones) features a series of hybrid installations transiting between the musical and visual universe. The Morse Code, an international communication system that became obsolete in the 1990s, allowed for decades the transmission of messages and texts from a series of long and short impulses, produced through sounds and/or lights. In 1997, the French navy used this technique for the last time with the following message: “Attention. This is our last cry before eternal silence”. 
This curatorship invites 20 poets of different nationalities to create poems inspired by the curatorial motto. These texts were coded using the Morse code, being stripped of their literary aspect, and metamorphosed into music. In this "deconstruction" process, the resulting music constitutes a rhythmic and timbral "skeleton" for 10 classical contemporary music compositions, created by composers of different nationalities. The recordings of the music works will be used by Eder Santos and Ricardo Siri in the creation of the sound / visual installations. 
Intended to invite the public to penetrate immersive spaces, the curatorial process was built through a dialogue between literature, contemporary music and the visual arts, and aims to investigate the bones (os.sos) which remained hidden in official history, crying in the time/space silence in the South hemisphere. 
The curatorship is unprecedented worldwide.