A building as sculpture. 
Large-scale architectural installations in buildings that are subsequently demolished, are central to my work. Autonomous photo pieces are created on the basis of these installations.
My work is represented by Bruce Silverstein NY.
Destroyed House (2008), Destroyed House Krasnoyarsk, (2009), Destroyed House Piet Mondriaanstraat (2010/2011), Destroyed House Bloemhof (2012), Destroyed House Op Noord (2014), Destroyed House Leiden (2015), Destroyed House Gaza (2017), Destroyed House Rencontres D’Arles (2019) and Destroyed House Kyoto (2020).
In my work the constructive force of building and the force of destruction and decline go hand in hand. An essence of the human condition. A diabolic conflict. Dostoyevski argues that overcoming this polarity is beyond human power.
All my life I have felt great engagement with the excesses in human history. These excesses of violence and their manifestations in the human conditions are fundamental to my work.
In my installations these forces become manifest in monumental constructions. Everything is both standing and tilted.
A transformation of a building (and the waste materials) into a monumental mental experience, generating meaning and beauty. 
Beauty that simultaneously contains pure order and chaos / the horrendous.
The architectural installations can be considered room-filling still lives: still life also translates as ‘still alive’. After a disaster, man gets back on his feet. An everlasting movement.