Promised Land is about this point of twist between shadow and glare, about our impasses and insurrections, our walls and diasporas, our skies and their falls. How to think about the images (and the image of art, in art) that circulate in the world and flood our days with dizzying speed. What wars are fought between images? Between imaginary? My paintings emerge from images that come to them from the media windows, from lost memories, from suspended dreams, from lurking nightmares, mixed with imagery repertoires from different sources: from images of art to cinema, from comic books to storyboards of films. The acrylic palette, explosive, shiny, alludes to the old signs and urban advertisements, but also to the agitprop posters and banners, raised by the insurrected crowds through the streets of a world that explodes between gestures of power and solitude, between miseries and rebellions.