Facing the new pandemic that scourges the life of humankind, confinement has definitely been a crossing process. Mainly from moods and sensations. Moreover, from the beginning, there is no way to deny the various modifications, adaptations and even mutations that follows and overturn the various plans outlined for any perspectives. Alike the works from this project. Executed in 2016, a time, now, quite distant from our current situation, however, fitting into this narrative for being a proclaimed seclusion - aiming only at the diligence of an existential immersion in a self-taught artistic production. Injected from a primarily dreamlike universe, the paintings show an ambivalence of states of mind and alternating moods that coexist within a range laden with stories and personal experiences, but which extends through symbolisms that contemplate a common sense. Thus, the observer is engaged in a participation that is not only passive. Presenting these paints in a space frontal to broken mirrors where it is possible to register them under different propositions, the spectator becomes a performance at the creative ground. Again highlighting the paradoxical complexity of action and reaction and its relations with Gestalt, then the mutuality focuses on the aspects that value the conversions to new products, as photography. Encompassing sensory aesthetics with a dynamically and particular format for a space of common and diverse content – from the real to the virtual world.