The visual and metaphorical unity of Canonatra are created as a set of the multiple, equally important elements that open up a dialog, and analyzing the relationship of two different visual language, focusing on the issues of manipulation and deformation within societal and social themes. Through the motif of a deformed ornament, I make visual commentary of the distorted system of values and cruelty of the tribalized society in which we live. In this work I explore the relationship between tradition and contemporary life, which involves a complex reconsideration of the established canon and values systems, as well as the accelerated changes we are exposed to as a society. Artwork speaks about local context but, at the same time, it is a reflection of global developments and tendencies toward traditional right wing policies that are gaining ground by emphasizing the strength of national identity. With this analytical approach, I force the observer to wonder if this is how "anti-art" is built in order to establish new canons. Inspired by an error made by a machine i.e. modern digital technology, I simulate this principle of error created by modern ethnology in the traditional analogue medium.