The inspiration for the creation of the works were, in addition to my direct experience of the City, the utopian theories of the architect Oskar Hansen and the theories of Marc Auge regarding "non-places" (places that do not shape identities). 

The project consists of large-format oil paintings, a film collage, sound collage and site-specific drawing. 
The film collage and sound collage will be transformed partly in the context of the exhibition space.

Out of (b)order means beyond borders and orders. Usually what is the most interesting is what is invisible to the eyes, what lies beyond the limits of the first, superficial look. 

If we look at the City from the perspective of the „active negative” (created by  Oskar Hansen) we will get organic forms instead of geometric, literal casts of architectural solids; organic forms resulting from the deformation of the city's architecture through the movement and emotions of its users. 

I am interested in the above-mentioned „deformation” or influence of the modern City on the psyche of its users. 
I am also interested in the tension caused by Human presence. Tension resulting from the inter-penetration of private, intimate space with the public space, and physical space with virtual space. I am interested in both: the network of connections of various emotionalities, as well as in the accumulating emotions, frustrations, and dreams of the single man, both trying to find their place in the structure or beyond.