"People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is animated. Obstacles were everywhere. And they were all interrelated, maintaining a unified reign of poverty."

For “A Long March through unknown places. Performance in a political context. Algeria-Tunisia-Libya”, he opted for a mode of artistic exploration of Northern-African desertic regions, inspired by the work of Abdelhafid Khatib, a member of the Situationist International, and the psychogeographical Theory Of The Derive. 
His installation present photographs from an imaginary 1069 km long walk across Algeria, Tunisia and Libya, emphasizing on the non-documentary nature of his recordings, which are reduced to abstract traces.