INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26018, 'ZOHCF3sPgTP3X5ll', 'Peligro de Derrumbe', NULL, '“Peligro de derrumbe” busca concientizar sobre el urgente problema ambiental al que nos enfrentamos y que parece ser desoído por todos. Vamos a centrarnos en la cantidad de residuos que generamos y de la que no tenemos noción. Queremos desnudar la falacia del reciclaje, un opio tranquilizador bajo el que creemos colaborar con el medioambiente. Nuestros deshechos no desaparecen; el 96% de ellos termina en océanos, como relleno sanitario, o en el aire. El reciclaje es la última opción, no la primera. Necesitamos discutir el problema de raíz: ¿cómo parar este nivel de consumo desenfrenado? Por este camino, nos conducimos al derrumbe del planeta y de las vidas que lo habitan.\n\nLa instalación:\nSe plantea como una enorme montaña de basura, conformada mayormente por plásticos de un solo uso y ubicada en un espacio público de gran circulación (por ej. calle Florida). El objetivo es generar un impacto mostrando el volumen descomunal de residuos por hogar. Queremos poner el problema en el centro, volverlo ineludible. \nPor eso, a lo largo del camino que el peatón recorra hasta la montaña, habrá carteles “de tránsito” con información sobre la problemática de los residuos.  El último llevará el título del proyecto. \nDurante la exposición, una actriz estará sentada en la cima comiendo y desechando envoltorios que engordarán la montaña que la sostiene.  “Del plástico venimos y hacia el plástico vamos” es la premisa que arrastramos desde el SXX y que este trabajo busca desarticular.', NULL, NULL, 'Reuniremos 640 bolsas de 52x60cm de residuos plásticos con  la colaboración de 64 familias que durante 3 meses nos entreguen sus residuos reciclables. El cálculo parte de que una familia de 2 personas genera 25 lt de basura reciclable por semana aproximadamente.\n\nLa montaña-basural tendrá una dimensión de 4x4x4 metros. De ser necesario, la última capa de plásticos se sujetará (por ejemplo, con hilo de tanza) para evitar que se separen de la estructura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3955, NULL, 502, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3369, NULL, '2020-05-31 23:01:07', '2020-07-03 04:30:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26019, '4eCbzxXwpF1rjWq4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:03:52', '2020-05-31 23:03:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26020, 'trVqYMX0WCH1iWjb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:04:04', '2020-05-31 23:04:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26021, 'JsQc6mWOpMB3t6LD', 'Sin título', NULL, 'Esta obra es simple pero compleja.\nUna instalación al aire libre, invisible a los ojos, que invita a recostarse sobre el suelo y sentir un ritmo que emana de la tierra, una suerte de calmo latido. Una experiencia sensorial que comienza con la vista, sigue con el oído, el tacto y finalmente todo el ser.\nUna primera obra ya fue construida en el corazón de la Cuna de la Humanidad (UNESCO), en NIROX Sculpture Park, Sudáfrica, 2019 (Power of Site).\nEn el marco de BIENALSUR propongo construir nuevas obras (idealmente cinco) en zonas del mundo que dialoguen específicamente con la fundacional y den lugar a una vibración simultánea que aúne y a la vez atraviese fronteras, culturas y credos. \nEn este momento del mundo en el que crece la discriminación y la xenofobia, la obra  despierta sentimientos atávicos de un origen común.', NULL, NULL, 'Parque público, Jardín de un Museo, Parque de Escultura, lugar remoto pero accesible.\nJapón, India, Grecia, Medio oriente, Brasil: junto a la Cuna de la Humanidad (donde está emplazada la primera) son las zonas que considero de particular interés para generar este diálogo.\n\nDimensiones variables (ad hoc). Ref: La construida en Sudáfrica es de 7 m de diámetro x 1 metro prof.  \nHormigón, hierro, equipos de sonido, tierra.\n\nLa obra está alimentada por paneles solares, por lo tanto es autónoma.', NULL, 'artist', NULL, NULL, NULL, NULL, 'El audio requiere de auriculares dada su baja frecuencia.', NULL, NULL, NULL, NULL, NULL, 5766, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4751, NULL, '2020-05-31 23:05:22', '2020-08-10 19:16:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26022, 'NQG5AS8ShYNg1jmO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:07:56', '2020-05-31 23:07:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26023, 'RtJ02WVFwKWD3G4B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:14:08', '2020-05-31 23:14:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26024, 'Nwkb5As2CiFUUh3a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:16:16', '2020-05-31 23:16:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26025, 'y2aP8BTNhjom8keu', 'Estudio imaginario sobre seres posibles', NULL, 'La diversidad de plásticos que se pueden adquirir en negocios como ferreterías y cotillones a muy bajo costo, o recolectar de la calle, es tan inabarcable como la multiplicidad de formas y colores que poseen las estructuras coralinas. Intrincados y diversos, los arrecifes de coral interactúan entre sí y con su entorno, generando un ecosistema mágico y misterioso.El plástico ya es parte de nuestros océanos.Me interesa generar una barrera de coral que irrumpa en la sala, que sea preciso sumergirse y navegarla con nuestros cuerpos de pie, inclinados, en cuclillas o sentados. Generando un espacio íntimo entre obra y público; que a la vez es una relación individual y colectiva con otros/as participantes, donde se encuentran miradas y momentos de reflexión. El sonido que acompaña la instalación,permite activar otros sentidos para llevarnos a las profundidades de un espacio que podemos sentir lejano, pero es parte fundamental de nuestra Tierra. La obra, busca aprehender un mundo que tiende a escurrirse hacia lo inconcebible, sin eludir las grandes cuestiones ambientales que anuncian una Nueva Ecología.Instalación de objetos:100x150x500cm 60 piezas:Material industrial:polietileno, polipropileno, PVC, poliuretano expandido, silicona, yeso y cemento. Material orgánico: caracoles, frutos árboles, ramas palmeras,arena. Material tecnológico: leds, cables, motores, Arduino. Dibujos: Dimensiones varias. Acuarela, grafito, estilógrafo. 13 piezas.', NULL, NULL, 'El espacio sugerido para el montaje de esta obra, debería ser una sala que permita una iluminación tenue, para poder generar un clima de inmersión. El espacio debe permitir la circulación plena por la obra. Debe contar con conexiones eléctricas cercanas a la obra. El montaje de los dibujos se sugiere en la misma sala con iluminación focalizada. \nMe parece muy interesante que la obra pueda ser exhibida en el Centro de Arte y Naturaleza de la Univesidad de Tres de Febrero.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=99C0d4XHenk&t=8s', NULL, NULL, NULL, 'https://laurazing.wixsite.com/artista/2018-2019    https://laurazing.wixsite.com/artista/2019', NULL, NULL, NULL, 2594, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2249, NULL, '2020-05-31 23:16:28', '2020-07-21 13:25:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26026, 'lK38EeRjxepPDF4M', 'Hablar sin una voz: ¿se escucha?', NULL, 'Este proyecto busca reflexionar sobre cómo las personas nos subjetivamos a partir del lenguaje, el cual carga un valor que establece jerarquías. Cada palabra está cargada de poder, de preconceptos, tiene una historia de uso y de connotación propia y social. El lenguaje abre mundos y lo que enuncia existe, mientras que lo que queda por fuera no es enunciado y, por ende,no existe. Solemos ser poco conscientes de esta fuerza creadora y a su vez delimitadora que posee el lenguaje con respecto al mundo.\nA partir de esto, el objetivo de la muestra es visibilizar el papel que tiene el lenguaje a la hora de construir identidades. Por ejemplo, la identidad en relación a la nacionalidad y la sexualidad.\nNos interesa señalar la existencia de una matriz heteronormativa que produce y reproduce cuerpos y relaciones. Y,a su vez, dar cuenta de la jerarquía que establecen los conceptos de (por ejemplo) centro y periferia a la hora de pensar el territorio.\nLos agenciamientos sociales se dan necesariamente en lo colectivo y a través del lenguaje: si nos formamos a partir de patrones que repetimos, es sólo la transformación de éstos lo que genera un cambio. Por esta razón la pregunta que nos orienta es: ¿de qué modo despertar la conciencia de otrxs?\nEn una primera instancia, se buscará incomodar e interpelar al público con material periodístico intervenido. Y, en una segunda instancia, mediante un video, se buscará profundizar en estas problemáticas resignificando lo recientemente experimentado.', NULL, NULL, 'En la primera instancia, se trabajará con material de archivo que refleje el rol del lenguaje como constructor de la identidad. Las palabras que aluden a ella serán intercambiadas por otras de la misma categoría pero con otra connotación, historia, valor. Por un lado, el público verá las noticias alteradas y, por el otro, las noticias originales: ¿cómo reaccionará ante una y otra? En la segunda, habrá un video que será un compilado de entrevistas, documentales y testimonios referidos al tema.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2475, NULL, 288, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2138, NULL, '2020-05-31 23:23:51', '2020-07-19 14:28:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26027, 'sayPsidwWpasA2yO', 'El silencio ensordece', NULL, 'Pasamos por un espectrograma una serie imágenes que documentan diferentes represiones policiales tanto en Argentina, como en diferentes países de latinoamérica. Luego las volcamos a un programa de edición de sonido para averiguar cómo se escuchan.  \n¿Es posible traducir en palabras la frialdad de una imagen que nos devela la represión de un pueblo?  ¿Cómo escuchar más allá de las limitaciones de las descripciones y las categorías? ¿Cómo suenan esas imágenes?', NULL, NULL, 'Este video no requiere de ningún dispositivo especial para su proyección.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/374899663', 'laresistencia', NULL, NULL, NULL, NULL, NULL, NULL, 2474, NULL, 287, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2137, NULL, '2020-05-31 23:25:20', '2020-07-19 14:21:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26028, 'awNghXxGCh2HM4rw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:28:35', '2020-05-31 23:28:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26029, 'GjmPtFTCTFarq40K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:29:02', '2020-05-31 23:29:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26030, 'bnWWpRyYmCfHtUeX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:32:10', '2020-05-31 23:32:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26031, 'fWTCRAI4zhkUtsrX', 'hábitat, invisibles', NULL, 'Se trata de un objeto escultórico trabajado con materiales de descarte como el cartón corrugado, que visibiliza a los invisibles, a aquellos residentes de los barrios mas vulnerables, de aquellos integrantes de nuestra sociedad que nadie quiere ver, en definitiva, de aquella parte nuestra que no nos gusta, aquella parte nuestra que le da la espalda a los que nos necesitan. La obra habla por un lado de la pobreza, pero también de la oportunidad, de la escasez de recursos pero también de la indómita fuerza que nos lleva a superarnos, en definitiva, habla de la resiliencia.', NULL, NULL, 'Objeto escultórico realizado en cartón corrugado\nmedidas: 25 x 25 x 60 cm\nel objeto escultórico lleva un sensor de proximidad que al estar en presencia de un observador se activa y emite un sonido a la vez que se encienden luces.\nutiliza corriente eléctrica, es decir que debe ser enchufado a la red eléctrica (bajo consumo)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2480, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2143, NULL, '2020-05-31 23:34:37', '2020-06-24 02:01:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26032, 'wPLG2hCPvNp0N5hD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:38:49', '2020-05-31 23:38:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26033, 'cUrbTg1008ohhVII', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:42:28', '2020-05-31 23:42:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26034, 'wzU90w8J07a6McF1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:49:57', '2020-05-31 23:49:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26035, 'roPTCPLo6fn9fQeY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:50:37', '2020-05-31 23:50:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26036, 'IIpD9AFoN5ispm3x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:51:29', '2020-05-31 23:51:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26037, '92R4ia1shKofYk93', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:51:33', '2020-05-31 23:51:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26038, 'qk7h6rNndoZiFefQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:51:34', '2020-05-31 23:51:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26039, 'dWnl9Dh0ceCl4rDt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:51:56', '2020-05-31 23:51:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26040, 'Z6YxHDbpQ3JmyQVZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:53:51', '2020-05-31 23:53:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26041, '36qWsoaIA2zMP5WD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-05-31 23:56:22', '2020-05-31 23:56:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26042, '3yUyCBavPIPCbxLZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:05:13', '2020-06-01 00:05:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26043, 'SLumLfSqRmpgoCmu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:06:53', '2020-06-01 00:06:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26044, 'p3n9dB8KqN7kArjp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:10:35', '2020-06-01 00:10:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26045, 'LCOqTtfeHQbyy7JN', 'Omnisigno ( evolución de la escritura).', NULL, 'Omnisigno  es un proyecto expositivo que intenta por medio de ésta técnica mixta, compuesta por signos de escritura pictograficos, y utilizando como lienzo prensa escrita contemporánea, el contraste y a su vez la evolución de la escritura a través de 5000 años.\nLa humanidad, ha desarrollado algo tan cotidiano como escribir, sin percatarse que todos los tipos de escritura comparten un mismo origen, y que a su vez ésta evolución está precedida por signos, los cuales fueron sufriendo transformaciones que derivaron, en lo que en la actualidad son los tipos de escritura más comunes.\nEn el mundo hay alrededor de 6000 lenguas en uso, algunas usadas por millones de personas y otras por unas pocas. \nEsperamos que ésta muestra, cumpla con el objetivo de ser una exposición pictórica, y que además permita comprender el maravilloso proceso, y largo recorrido que comenzó con un dibujo que sufrió las pertinentes transformaciones para hoy ser una letra.', NULL, NULL, 'Sala en espacio cultural  con capacidad para 15 o 20 obras sobre pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2483, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2146, NULL, '2020-06-01 00:12:33', '2020-06-24 02:01:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26046, 'ljXMhSQXOPgUn2do', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:15:51', '2020-06-01 00:15:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26047, 'ye9tesIldT6V6ziA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:15:52', '2020-06-01 00:15:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26048, 'hG8jqsEpZ8DyDdX5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:18:48', '2020-06-01 00:18:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26049, '40Iwvu05fCoeDjqz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:18:52', '2020-06-01 00:18:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26050, 'zdtXTYMQGQzwd7BO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:25:12', '2020-06-01 00:25:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26051, 'DmIJyMQXeOeNCpD1', 'El eclipse', NULL, 'Un cortometraje filmado durante la cuarentena que reflexiona sobre esta y homenajea / dialoga con el final de la película de Antonioni del mismo nombre.\nComo dice Antonioni en su \"Prólogo a seis guiones\": \"Un silencio distinto de todos los demás silencios. Luz térrea, diferente de todas las demás luces. Y después, la oscuridad. Inmovilidad total.Todo lo que consigo llegar a pensar es que durante el eclipse probablemente se detengan también los sentimientos.\"', NULL, NULL, 'Cualquier espacio más o menos oscuro con una pared blanca sobre la que se pueda proyectar.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=dEj0Q984JFQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2482, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2145, NULL, '2020-06-01 00:28:41', '2020-07-19 14:45:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26052, 's3uy6M6QwhOZ5xXZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:31:59', '2020-06-01 00:31:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26053, 'FC4K00O7spQpjJpa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:36:00', '2020-06-01 00:36:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26054, '1CCEtKDmaFY8rvrN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:36:47', '2020-06-01 00:36:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26055, 'v8HMqg8Sr8jpyHnb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:41:30', '2020-06-01 00:41:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26056, 'sZ8vMiK4prHuVnM5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:45:14', '2020-06-01 00:45:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26057, 'qWmNr7uLJAGt0eIr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:48:56', '2020-06-01 00:48:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26058, 'lqVa6wxwSwTbRTDY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:49:11', '2020-06-01 00:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26059, 'p2eZkLdIbyKaATAN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:49:13', '2020-06-01 00:49:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26060, 'p82U5fFOkZON3kRp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:51:53', '2020-06-01 00:51:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26061, 'fELc6ebSVclZZ1mB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:53:11', '2020-06-01 00:53:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26062, 'Iltk7LOQz5SVrLFN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:53:43', '2020-06-01 00:53:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26063, 'ExV8SLVMmgXG347b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:54:28', '2020-06-01 00:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26064, 'RnUVCmSoN5U4Gjju', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:54:28', '2020-06-01 00:54:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26065, 'dh5ENv14oY7jv1tS', 'Painting and sculptures', NULL, 'I combine various materials together (mainly plastic and industrial in nature) to create sculptural and painterly forms. In my art practice, I am questioning the notions of art-making, and exploring the human condition. \n\nHow do you develop an aesthetic to represent empathy and compassion? The presence of the hand is important, surface exploration, low-tech, and human. The ability to layer, and hide with a thin coat of material, or a veil. To listen to the piece as I am creating it. Since 2018 I have been exploring these themes through the pattern of camouflage, which is connected to the ideas of blending in, just below the surface, a layer to hide behind, \"skin-deep\", flattening the plain and being still. \n\nThe camouflage also opens up a parallel questioning that I am interested in, around the evolution of patterns and uniforms, clothing that is sewn by hand by someone, labor, and of course: nationality, military, and service to one\'s country.', NULL, NULL, 'Indoors, protected from the environment. I am open to placement.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.neelamkler.com/2019', NULL, NULL, NULL, 6320, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5171, NULL, '2020-06-01 00:54:51', '2020-08-08 02:45:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26066, 'DhBece88Wqv4oBk2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:58:13', '2020-06-01 00:58:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26067, 'XYEXi2OKrhGOiw4R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:58:29', '2020-06-01 00:58:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26068, 'nUsrwmHBd2UQNPeu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 00:59:05', '2020-06-01 00:59:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26069, 'Qh28wBvrkuWe1JF2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:01:18', '2020-06-01 01:01:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26070, 'knBgZlcuTsdZCH2p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:01:30', '2020-06-01 01:01:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26071, 'yZa8vztjDVuzWdFO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:02:09', '2020-06-01 01:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26072, 'J8Bt6D7ydTjMUBCg', 'Constructivismo industrial', NULL, 'El Constructivismo Industrial es un proyecto basado en la investigación y experimentación con materiales industriales de orden secundario, aquellos que son en cierta forma auxiliares, soporte o que complementan a aquellos que son los reales utilitarios. De todas formas ellos aplican directa o indirectamente en otros casos asistiendo en obras escultóricas o bajorrelieves.\nEl objetivo es llegar  al espectador no sólo con obras de valor estético, sino que pueda reflexionar sobre estos materiales y de modo ambiguo sobre nosotros mismos quienes muchos desde el anonimato cumplen con funciones esenciales para toda la sociedad ( En  momentos tan singulares como estos por la Pandemia Personas del área de la salud, científicos y aquellos que de una u otra manera  han sumado para colaborar con las personas en situaciones desventajosas).', NULL, NULL, 'El espacio sugerido debe incluir una sala para colgar bajorrelieve y esculturas de mediano y gran porte.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'Instagram maragescultor', NULL, NULL, NULL, 2864, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2486, NULL, '2020-06-01 01:02:11', '2020-07-23 17:47:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26073, 'MEBnpNJ4gD3m6CmY', 'Canciones al viento', NULL, 'Canciones al viento es una obra fotográfica sonora con movimiento visual, que recrea el clima salteño. Es la culminación de la vida de un Hombre que ha subido el Cerro a pie, a tomar un descanso en las alturas y cantar a la vista de todos, mirándolo todo. Un encuentro natural envuelto en música. \nCanciones al viento es una invitación a tomar un descanso en nuestras vidas para poder contemplar lo que está delante nuestro. Nos hace soñar, nos permite ser libres por un momento, y descubrir que la música de la naturaleza está presente en nosotros, que somos todas las voces de nuestra alma y necesitamos cantar para sanar nuestro cuerpo, que allí, en la altura; la música nos acerca un poco más al cielo.  \n\nLa técnica de la obra presentada es Fotografía con Impresión Lenticular, efecto Flip. Esta tecnología permite visualizar en un formato plano 2D, una imagen en movimiento. Para lograr el efecto de profundidad y movimiento se utilizan láminas lenticulares de plástico transparente como soporte y se emplea sistemas de impresión offset. El efecto de movimiento y profundidad se consigue componiendo dos o más imágenes secuenciales. A través de esta técnica, Canciones al viento, logra conformar una obra audiovisual de experimentación y participación con el visitante.', NULL, NULL, 'La obra será montada sobre base rígida de MDF de 5mm con perfiles tipo J para tensar a riel amurado del techo. Por detrás, se instalará un sistema de audio de dos parlantes que reproducirán el clima sonoro de la imagen. El sonido se activara a través de un sensor de movimiento que detectará a los visitantes frente a la obra, instalado por encima de la obra. \nAlto: 70cm, Ancho: 1mts, Profundidad: 5-10cm máximo. Peso total de la obra instalada: 5kg aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2492, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2154, NULL, '2020-06-01 01:07:19', '2020-06-24 02:01:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26074, '1wvDVOJ19NsgAZxN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:08:31', '2020-06-01 01:08:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26075, 'X7K46G42bYbUITac', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:08:49', '2020-06-01 01:08:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26076, 'gBltWyBVi1E3icPr', 'Super M', NULL, 'Las pulsiones de un primer ejercicio de registro fílmico se focalizan en las miles de mujeres que claman por el derecho al aborto frente al Congreso. Las voces se materializan en el soporte, en cada grano de los fotogramas y emerge de las imágenes ese movimiento que inunda las calles al grito del empoderamiento.', NULL, NULL, 'Espacio expositivo  sobre una pantalla o tela blanca.', NULL, 'artist', NULL, NULL, 'https://youtu.be/lW9DxnO3fhU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4347, NULL, 566, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3671, 5, '2020-06-01 01:12:27', '2020-09-02 02:33:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26077, 'SKU2qB59ajidDnU0', 'Paisajes Habitables', NULL, '\"La tierra es un terreno, una entidad física. El paisaje es una construcción cultural. El terreno se convierte en paisaje cuando las personas proyectan sus esperanzas, deseos y recuerdos sobre él \". \nUna ecotopía que tiene como protagonista a la fauna andina se presenta a través de bosquejos y elementos arquitectónicos adaptados a la especie. Nociones de confinamiento, comunidad y adaptabilidad son invocadas para meditar sobre los derechos de los animales y la conservación de las especies. “Desde un hábitat rural al sur del Ecuador imagino escenarios que integran los elementos que me rodean.”\n \nEl proyecto está planteado para pensar en futuros posibles; contiene dos bosquejos de viviendas ideadas para el confinamiento de llamingos que se complementan con un prototipo en MDF y una representación en mayor detalle de un paisaje que integra los elementos estudiados.', NULL, NULL, 'Se sugiere un espacio (pared) con 3 metros  de largo  para poder instalar  las obras. La altura a la cual deben ser ubicadas es de 1.5 metros desde el piso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5016, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4207, NULL, '2020-06-01 01:15:08', '2020-07-02 23:22:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26078, 'wMLJDvNZD6fYG9fQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:15:16', '2020-06-01 01:15:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26079, 'AYtnIZPan6DdIEfN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:18:23', '2020-06-01 01:18:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26080, 'GIpGL7VSZoBrkdsV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:21:43', '2020-06-01 01:21:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26081, 'mAxWxLGPr9xn3CcR', 'El aljibe del ser', NULL, 'Es realmente importante reconocer los destellos y rezagos del mundo onírico y la explosión de emociones, que nos hablan de diversas formas en la que se halla y construye la identidad, por ende al entrar en el proceso catártico ligado a la contemplación, se despliegan reveladoras capas del sentir, mostrando la vulnerabilidad del ser y su morfo.\nEn su esencia está un individuo con cuatro senos, que muestran el morbo y la exploración sobre el cuerpo, este contiene seis brazos que van en direcciones distintas, palpando el mundo, sintiendo texturas y resignificación la realidad a partir del reconocimiento de lo externo e interno; este ser tiene un antifaz con varios ojos, por la diversa percepción adquirida por un colectivo, definiendo la moral a partir de la experiencia y construyendo la identidad a partir del visual; hay un barrote azul que viene de izquierda a derecha y este es la fiel imagen del pensamiento temporal, de los acontecimientos significativos, que en un momento fueron ficha clave para la vista sobre sí mismo y sentir los contrastes sociales; el mundo psicodélico se visualiza por el cuadro blanco alternado con el negro, es un estímulo clave para abrir las puertas con llave, acaparadas por barreras de nuestro sentir que se resiente.', NULL, NULL, 'Es una pintura de dimensiones 60x70cm hecha con acrílico sobre lienzo, se visualizan los colores fríos determinando el arraigo, la inmadurez, el frío existencial: mirado, azul, verde; está el color rojo revelador de la pasión y la mente intelectual; el amarillo y sus acompañantes simbolizan el hogar, el territorio de mi nacimiento y mi muerte, también está el negro y el blanco que se posicionan en imagen abstracta figurando la psicodelia y su poder de cura emocional y racional.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6075, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4982, NULL, '2020-06-01 01:23:34', '2020-06-24 20:05:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26082, 'NBvrkQd8VP7PmSGA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:28:07', '2020-06-01 01:28:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26083, 'fCFYCARpKehYOQLn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:29:46', '2020-06-01 01:29:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26084, 'I4v35N4YdmTKBqoI', 'el baño', NULL, 'El proyecto surge en el marco de la cuarentena nacional y obligatoria por el covid-19. Poniendo en relación, la cámara, la planitud de la imagen y el cuerpo en movimiento, estructuro pautas de exigencia de visibilidad y me pregunto, qué hago con mi temblor, qué queda afuera, dónde queda lo invisible. Busco una mirada oblicua, escapando al plano chato y frontal primero de la cámara y la ubico “apuntando” a un espejo. Marco entonces con cinta por todo el espacio los planos de visibilidad e invisibilidad tanto de la entrada o salida a la cámara como al espejo. Establezco una relación muy fuerte entre el espacio y el movimiento.\nEl trabajo puede presentarse mediado (como transmisión en vivo) o como acción que se pueda ver por todas partes además  de una pantalla grande.', NULL, NULL, 'Si se presenta como Acción el espacio no tiene ninguna característica en especial y si continuamos en cuarentena y puedo presentar una transmisión en vivo el espacio sugerido es un espacio reducido de 2 x 2 mts.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429406987', 'el baño2020', NULL, NULL, NULL, NULL, NULL, NULL, 5561, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4608, NULL, '2020-06-01 01:30:51', '2020-08-04 19:58:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26085, 'CeOZ1C8jmgRMtzO6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:31:53', '2020-06-01 01:31:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26086, 'melvvKcw3lqRUExX', 'Inópia', NULL, '\" inópia \"\nInópia: carência, escassez, insuficiência, míngua, penúria, pobreza, privação.\n\nDos meus 6 até os 16 anos fui catador de material do lixo reciclável, para ajudar no sustento da minha família adotiva.\nA minha primeira oportunidade de trabalho formal, surgiu aos 17 anos em uma estamparia, comecei como impressor e graças a uma certa habilidade em desenhar, passei a ser o arte finalista da empresa.\nEsse projeto é a forma lúdica de representar as pessoas em situação de vulnerabilidade e ou indigência, rua ou abandono social. \nAlguns dos desenhos \"Gravuras\" dessa série foram doados para o projeto de Benfeitoria da ONG MÃOS QUE PLANTAM em parceria com o INSTITUTO LIXO ZERO BRASIL, que contam com apoio de centenas de pessoas e outras organizações que assistem catadores de materiais recicláveis e à população em situação de vulnerabilidade social neste momento de pandemia e crise econômica.\nOs trabalhos aqui apresentados são Gravuras em serigrafia inéditas.', NULL, NULL, 'São gravuras no formato 40x50 papel A2.\nPresos na parede diretamente por binder clips ou similares.\nA Não ser que haja a obrigatoriedade de molduras , por exigencia da Bienal.\n\nProponho 6 Gravuras com desenhos diferentes, ou deixo a escolha para a curadoria do evento sobre qual obra expor.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://docs.google.com/document/d/1NsUONfcWdRptlusqFvXuN-xL9nUxWg1nVtTKGSSz9c0/edit?usp=sharing', NULL, NULL, NULL, 2491, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2153, NULL, '2020-06-01 01:35:51', '2020-06-24 02:01:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26087, 'l6EuUC7RrSGTVNmn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:37:47', '2020-06-01 01:37:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26088, 'KQUIMdu1n9QBUtKO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:38:16', '2020-06-01 01:38:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26089, '3ZILBgJXOU1cQKa7', 'O idiota: please come to Brazil', NULL, 'El trabajo es una sátira sobre la situación actual en Brasil.', NULL, NULL, '5 imágenes fotográficas y un video', NULL, 'artist', NULL, NULL, 'https://vimeo.com/402344062', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2488, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2150, NULL, '2020-06-01 01:39:48', '2020-06-24 02:00:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26090, '6IkzOT6qBHsB3NVq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:43:30', '2020-06-01 01:43:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26091, 'tx8AChtWcg6UuDVG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:43:39', '2020-06-01 01:43:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26092, 'ByU33WSBMqVHFIqh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:43:40', '2020-06-01 01:43:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26093, 'Jc10SiIZoFy5ziR6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:45:37', '2020-06-01 01:45:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26094, 'DKLLE5i1eAFMPwM7', 'Pele', NULL, 'Pele\nIntrodução \nPara entendermos esse trabalho, precisamos antes definir pelo menos\nrasamente o que é um corpo.\nO Corpo, tal como a vida, está em constante mutação. As aparências\nfísicas demonstram de modo exemplar esta tendência:\nelas nunca estão prontas, embora jamais estejam no\nrascunho. (Sant’Anna, 2000).\n“PELE’’, tem o intuito de retratar diferentes tipos\nde mulheres brasileiras da minha região, mostrando um pouco de suas essências, suas\nmarcas. Mostrando as diferenças corporais e como isso é importante, para nossa sociedade,\njá que desde novas somos impostas a seguirmos padrões de beleza.\nNeste projeto trabalhamos o corpo nu da mulher, que assusta diante da nudez, é o grito de\nliberdade, a consciência dela em si mesma, do desvelamento que ela propõe para o olhar do\noutro, em não negar o seu próprio corpo, a sua história marcada, aceitação incondicional de\nsuas formas e nelas fazerem todo sentido.\nVenho construindo desde 2018, inicialmente ele foi meu TCC da faculdade, mas venho\nmodificando-o. Mas selecionarei somente algumas das fotografias, porque na verdade a\n“PELE” tem mais de 50 fotografias.', NULL, NULL, 'Fotografia, papel offset ou couchê, moldura em mdf preto com vidro, tamanho A1 (594 x 841mm )', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2489, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2151, NULL, '2020-06-01 01:49:56', '2020-06-24 02:01:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26095, 'oROm51ckxveyELOC', 'valor versus dinero', NULL, '“Cuando tú compras algo con dinero, no estás pagando con dinero, estás pagando con el tiempo de tu vida que tuviste que gastar para obtener ese dinero”Pepe Mujica, cuando comencé a realizar esta obra, me enfoque en esta frase del gran Pepe, que nos hace reflexionar sobre el concepto directo del dinero, es así que realicé una serie de grabados con diversas palabras que llamaban a una reflexión personal e interna, cada grabado tenía un tiraje de 7 copias y se exhibió a manera de instalación,así que las estampas podían verse de ambos lados, como basura de un lado y grabados del otro.  por otro lado en la técnica que era completamente alternativa, sobre papeles de cartones de cajas de cereales las estampas y sobre cajas de cartón tetrapack las matrices. \nPara esta ocasión deseo que la gente sea la que participe haciendo un billete a partir de la imagen de su rostro, y poniendo un numero y una palabra como valor, trabajar la estética relacional y construir la obra con la gente, haciendo ademas así u repaso por la historia del arte del grabado compartiendo una experiencia y reciclando.\n \"Los billetes son el material de cambio utilizados para la circulación de la economía capitalista.En la obra, la artista diseña billetes que, en vez de mantener el orden estoico-histórico tradicional, involucran proyecciones emocionales y de un carácter humano; y, con esto, critíca la deshumanización y hermetismo del sistema económico actual.\" D.Rada', NULL, NULL, 'Podría ser expuesta en un muro o al aire libre colgándola con alambres, esta obra se expuso en la Alianza Francesa de La ciudad de La paz y funcionó muy bien sin embargo se puede construir un par de pedestales que la sostengan, ya que me gustaría elaborar las matrices y el proceso de grabado en un plaza o espacio publico.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2544, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2204, NULL, '2020-06-01 01:50:40', '2020-07-20 15:07:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26096, 'JU6fiL8M942W1kgc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 01:52:19', '2020-06-01 01:52:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26097, 'jKD0yHJyeiwWnTQA', 'Espacios: N2 Fisiología', NULL, 'Fisiología fue pensada en una primera instancia como videoinstalación o instalación sonora multifuente con video pero replanteada y devenida en un espacio virtual. \nEn su formato físico consiste en 5 parlantes que reproducen un programa enlatado de la VOA, locución con la charla de W. Penfield “Los fundamentos fisiológicos del pensamiento” del Simposio Control del Pensamiento, 1961. A esta se le sumó un fondo musical compuesto especialmente: un piano, un oscilador de audio y otros procesos digitales conforman una banda sonora independiente, de carácter propio, que se entrelaza a la voz, con la sonoridad particular del registro en cinta magnética de la emisión de broadcasting. \nUn televisor donde se reproduce el video, performance híbrida que recrea el momento de la locución, la charla del neurólogo y otros materiales visuales que se disparan del contenido de la narración y lo musical. \nNo es una obra limpia. Sus bordes no son redondeados. Son fragmentos partidos y juntados. Una ópera de un barroco perdido o imposible. Casi la totalidad de su material es descarte que se acumula. \nEn tiempos donde los lugares de montado y representación de obras artísticas se encuentran cerrados, Fisiología muta a ser un espacio virtual donde todos estos eventos suceden. Se dibujó el espacio de la instalación como un escenario vacío, donde en loop se repite la obra sin intervención humana. \nUna distancia de alto contraste entre el material de archivo como descarte y lo impalpable de lo virtual', NULL, NULL, 'Su versión original necesita un espacio rectangular aproximado de 6x4 donde se emplazan los 5 parlantes, un televisor y el sistema de reproducción para ser recorrida por el espectador. Pero se plantea ahora como una obra virtual, alojada en un servidor el espectador entra a un portal donde están los distintos elementos que conforman la obra: el espacio puede ser recorrido, ver el video en este marco y escuchar el audio como si se estuviese ahí.\nTambién es apta para realidad virtual.', NULL, 'artist', NULL, NULL, 'https://youtu.be/2amW1Q09Wek', NULL, 'https://drive.google.com/file/d/1_MhIH5WzfMXUpl8RgVdfo2d6VWuB9lCP/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, 3633, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3107, NULL, '2020-06-01 01:59:49', '2020-07-17 01:01:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26098, 'bT81wHughcVUN7Jn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:00:02', '2020-06-01 02:00:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26099, 'PQhahm2pEcBDDoHj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:01:38', '2020-06-01 02:01:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26100, '4Ga6vCKElUTEyIII', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:08:55', '2020-06-01 02:08:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26101, 'zCvTQiWiXDsN7U0K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:10:50', '2020-06-01 02:10:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26102, 'vSbScnF92yWUTupP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:11:05', '2020-06-01 02:11:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26103, 'xVZvVZCxIQSDnW31', 'Que Queda.', NULL, 'Características:  7 tejidos industriales en nylon e hilo acrílico de 75 x 400cm c/u. Dimensión total 4.5 m alto x 3. 7 m ancho x 1.5 m de profundidad (aprox.) \n\nLos tejidos se presentan como 7 etiquetas de prendas ampliadas, con en el logotipo de la marca Quechua de la multinacional Decathlon parcialmente destejido, dejando solo visible la palabra QUE.\n\nConcepto: ¿Qué elementos intervienen en la construcción de nuestra identidad colectiva en un mundo capitalista globalizado? ¿el lenguaje compartido? ¿nuestros hábitos de consumo? ¿De qué está hecho el tejido que nos une como sociedad? Y ¿Qué queda al transformarse el significado original de una palabra? \n\nEn la marca Quechua, Decathlon descontextualiza el significado original de la palabra y mediante una aguda estrategia de expansión multinacional, aspira a transformar su marca en un símbolo cultural unificador.  En profundo contraste, la lengua Quechua ha sido declara por la UNESCO en peligro de extinción. Los Quechua hablantes sufren discriminación y exclusión lingüística que se expande a otras esferas de la vida.\n\nAsí, globalmente, la palabra Quechua adquiere un nuevo significado instaurado por una marca transnacional que se propaga con mayor efectividad que el significado de Quechua milenario. En un mundo consumista, irónicamente, el sentimiento de identidad compartida, mediado por la palabra “Quechua”, parece expandirse globalmente no por la propagación de un lenguaje y cultura ancestral, si no mediante un producto.', NULL, NULL, 'La obra cuelga de una estructura ligera de metal o madera que puede variar de acuerdo a los requerimientos y altura del espacio. Las distancias y altura de entre los textiles también pueden variar de acuerdo al espacio expositivo. Debido a las referencias culturales y al idioma Quechua, idealmente la obra seria expuesta en Perú o en Bolivia. Sugiero el MAC en Lima.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3126, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2689, NULL, '2020-06-01 02:12:11', '2020-08-04 13:35:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26104, 'dP6RtK2wwqV9twoy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:13:45', '2020-06-01 02:13:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26105, 'MO6bSQlgHtXaO8L8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:15:41', '2020-06-01 02:15:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26106, '2RDQywlb8lwFZyCw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:16:23', '2020-06-01 02:16:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26107, 'm48fZrVd6bg6rqzb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:17:21', '2020-06-01 02:17:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26108, '8IANDWLSUPLoeQNS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:23:04', '2020-06-01 02:23:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26109, 'HurZiEYhmaeJAaP8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:25:49', '2020-06-01 02:25:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26110, 'iziZEjQgvG8xxoaf', 'CRUZAR EN ROJO', NULL, 'Cruzar en rojo surge de un encuentro entre dos artistas, donde partiendo del obrar de cada uno y de la identidad que esto significa, surge una producción nueva realizada en conjunto. La potencia de este trabajo radica en la densidad del obrar de cada artista, que se conjugan en un paralelismo entre ambas producciones. Hay un entramado de situaciones íntimas en cada obrar existencial que irrumpe en el cotidiano para dar fe de que esto es, existe. Ese dar fe es nombrar aquello que habita el espacio interior y que quizás preferiría quedarse allí para siempre, como la muerte, el vacío, la incertidumbre, los gestos inútiles.\n\nCruzar en Rojo presenta una producción de una película que nunca fue, un trabajo de idea, montaje y producción cinematográfica que no llega a su realización. \n\nLa exposición se presenta en varias piezas que son parte del trabajo de producción, videos, fotografía publicitaria, afiche \npublicitario, catálogo, objeto protagonista de la película, textos, y entrevistas.\nAquí los artistas proponen un sitio de encuentro donde el color rojo es el protagonista, es donde el yo y el modo de obrar de cada uno atraviesa espacios de incertidumbre, quiebre, desencantos y dolor, pero que al unísono forman una melodía perfecta...\nEsta producción incluye, dos videos, una imagen fotográfica, textos de los artistas, catálogo, afiche publicitario, objeto en caja de acrílico, video entrevistas, texto sobre obra por escrito por el artista Fabhio Di Camozzi.', NULL, NULL, 'Espacio expositivo: Sala de un Espacio cultural. \nPiezas y dimensiones: \n1. Fotografía impresa método Lambda de 1,50 m x 1,50 m.\n2. Dos videos en pantalla de 60” cada uno. Con una duración de 01:24 y 01:11 minutos en proyección loop.\n3. Dos textos de los artistas impresos.\n4. Una caja de acrílico con objeto Camisón, sobre base (tarima blanca). \n5. Catálogo.\n6. Afiches publicitarios (en cantidad) tamaño A3.\n7. Afiche vía pública\n7. Texto sobre la obra por Fabhio Di Camozzi en pared.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/219156256  https://vimeo.com/219157404  https://vimeo.com/216785568', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4293, NULL, 558, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3643, NULL, '2020-06-01 02:30:21', '2020-07-08 00:27:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26111, 'x3Kx82icjnqj4gYS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:31:25', '2020-06-01 02:31:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26112, 'DJYGWJxuocg87BMe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:37:53', '2020-06-01 02:37:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26113, 'GfGCuwGMBUL85mbD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:41:56', '2020-06-01 02:41:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26114, 'zX1LOhYeWXsd7H8G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:43:06', '2020-06-01 02:43:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26115, 'QYHmkRGj4GFXuYtu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:45:39', '2020-06-01 02:45:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26116, 'pvcDDuBbdXjXqlNk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:45:57', '2020-06-01 02:45:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26117, 'rp3zNGG2J2nZaPmj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:48:30', '2020-06-01 02:48:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26118, 'F9yjUcs0BIPiyywU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:49:15', '2020-06-01 02:49:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26119, 'rIJO4vIDA85KMPFJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:49:27', '2020-06-01 02:49:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26120, 'GLEPShfUiBdR9y8q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:54:45', '2020-06-01 02:54:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26121, 'DQvke0WzrfKg2csw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:57:08', '2020-06-01 02:57:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26122, 'LCRGuh7d1rkHKTc1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:57:40', '2020-06-01 02:57:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26123, 'ltQmKtj8Aawpq6we', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:57:43', '2020-06-01 02:57:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26124, 'seK82dvCMqL3huYz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 02:59:11', '2020-06-01 02:59:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26125, 'c95NEZIPTs6fwlRS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:00:29', '2020-06-01 03:00:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26126, 'eYA0aXqqD02iLZLQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:07:29', '2020-06-01 03:07:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26127, 'VskDDDCbl3r1OuXG', 'Industria Nacional', NULL, 'El oficio cerámico  se construye entre variables íntimamente ligadas entre si: las ideas, de a acuerdo a la poética personal que está ligada a nuestro mundo interior, las técnicas o construcción, las herramientas, los métodos de construcción para poder representarlas y el material refractario: las pastas y sus fórmulas específicas para cada caso, asi como los esmaltes, los óxidos y los tratamientos de superficies.  \nHay un modo propio en la construcción de la imágen que tiene tanta fuerza como el mensaje que  quiere dar.\nLa cerámica transmite amorosidad e historia, nos habla de grupos sociales que recogieron tierra, modelaron formas a partir de sus creencias y las quemaron venciendo todo tipo de adversidades para lograr el objeto y dejaron documento de su tiempo.\nEl proyecto intenta mostrar la creación de las villas como una manifestación paradigmática de la marginalidad y la exclusión social. Vinculando la apropiación del espacio urbano y la devastación de la INDUSTRIA NACIONAL del país, con un símbolo que une este tipo de moradas, como es,  el ladrillo que las levanta. . En este caso  pretendo hacer una analogía entre el material y la realidad de barrios vulnerados desde hace aproximadamente un siglo, situación que se vió fuertemente incrementada y doblemente afectada por esta crisis sanitaria mundial \nUna situación que se repite, por años, a lo largo y a lo ancho de toda Latinoamerica en mayor o menor medida\n“La imagen quema: arde en llamas y nos consume.”', NULL, NULL, 'Propongo una obra realizada en pastas diversas (1020°/ 1060° 1245°), impresa, en sectores esmaltada e intervenida, trabajando la superficie del barro en crudo de acuerdo al boceto.  Llevando al extremo parte de la materia a fin de forzar los procesos de cocción de determinada pasta. Será montada sobre barro en estado de humedad.\nEs la materia que atraviesa todas las clases sociales y con esto las necesidades de cada estrato social y de forma similar a lo largo de toda Latinoamérica', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4885, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4109, NULL, '2020-06-01 03:07:47', '2020-07-02 02:10:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26128, 'CvhsLoPhueE7sIkt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:13:51', '2020-06-01 03:13:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26129, 'HnRUz74a8WOpl5oQ', 'Raíces de Poder', NULL, 'Cuenca es una ciudad fundamentalmente andina. Construida al Sur de Ecuador fue un importante centro político y militar en el mundo precolombino. Durante la colonia se convirtió en una de las sociedades más conservadoras y religiosas del país. Al igual que en muchas ciudades sudamericanas las iglesias han sido edificadas sobre las ruinas de importantes construcciones prehispánicas y pre incaicas, fundamentalmente Cañaris. \n\nA pesar de estar Plagada de sincretismos simbólicos, superposición de tradiciones y una insistente actividad religiosa en esta región prevalece el uso de varias plantas de poder como el Sampedro. \n\nEl cactus de Sampedro es una importante planta dentro de la cosmovisión andina. Es consumida en en rituales orientados a la búsqueda interna y el encuentro con uno mismo. Algunos lo llaman el abuelo y otros simplemente medicina. \n\nOtro uso del Sampedro es el de proteger el hogar. Se suele sembrar al frente de las casas para cuidarla. Este conocimiento no está generalizado.\n\nLa propuesta plástica consiste en una serie esculturas de cemento-yeso generadas a partir del escaneo diversos ejemplares encontrados en el espacio público de Cuenca acompañada del audio de entrevistas realizadas a las personas que los han plantado, cuidado y otorgado un propósito.', NULL, NULL, 'Se exponen 9 escultura de cemento-yeso de 7cm x 7cm x 21cm sobre soporte ubicado a 95cm de suelo (polígono ortogonal) y con iluminación individual para cada pieza o con una superficie luminosa del mismo área de la superficie de soporte. Cada escultura llevará una cédula con las información sobre la planta. Coordenadas de ubicación, responsable, edad, tamaño, etc.\n\nInstalación de sonido con varios audífonos (por lo menos 4) en los que se pueda escuchar los relatos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2552, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2211, NULL, '2020-06-01 03:18:13', '2020-07-20 18:18:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26130, 'TwzpVrdTeXKxwLOF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:18:16', '2020-06-01 03:18:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26131, 'FKwDt2juVNlxkBcQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:19:01', '2020-06-01 03:19:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26132, 'CDNpyCzxIaZWs4iM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:19:11', '2020-06-01 03:19:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26133, '2JsCQqKJVhU0Yo4e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:28:15', '2020-06-01 03:28:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26134, 'PzdFTkZwifn6jBtZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:39:42', '2020-06-01 03:39:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26135, '73z35rAnwHyt3hiK', 'Entre conejos y un mago', NULL, 'Mi trabajo reflexiona sobre el objeto cotidiano elevado a la categoría de arte, que vincula al\nespectador a diversos conceptos, desde la experiencia personal de quien lo observa. Lo común se\nhace extraño de acuerdo a los ojos que lo miren, creando diversas imágenes mentales que nutren\nla obra, haciéndola dinámica ante la mirada a la sencillez formal de la obra, dando paso a una\nexploración en la memoria.', NULL, NULL, 'Dimensiones variables.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2496, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2158, NULL, '2020-06-01 03:47:58', '2020-06-24 02:01:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26136, 'w0sUZTbT1XXBsgAS', 'The System', NULL, 'A uterus dragon hovers above the king, the heart. The heart sits atop its hip and bone throne while holding a royal staff tipped by a rather small brain while the base is formed by reduced hairy testicles. It is social commentary that begs the viewer to ponder about the interaction of all this organs and the role they play in human behavior. Perhaps a reflection of roles we as society tend to assign to otherwise anthropomorphized parts of a whole.', NULL, NULL, 'The painting, acrylic, ink and gold leaf on canvas is 36 x 48 inches. It is to be hang on any wall, well lit.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2495, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2157, NULL, '2020-06-01 03:48:14', '2020-07-19 20:25:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26137, 'tc9f8MLty60FYtcD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:49:01', '2020-06-01 03:49:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26138, 'Zbh7WiRSXqdTVXX8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:49:52', '2020-06-01 03:49:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26139, 'jJTnZfxDSY15RIH7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:52:07', '2020-06-01 03:52:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26140, 'l0foWxYvC45KGWGS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:53:56', '2020-06-01 03:53:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26141, 'NvBOzD0GExYSelFk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 03:56:21', '2020-06-01 03:56:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
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(26143, 'CxDmaYfpVV1DBFk7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:00:16', '2020-06-01 04:00:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26144, 'R3SKEDda6hZBDHeW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:02:27', '2020-06-01 04:02:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26145, 'OTlQRDxmVEqltFja', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:06:45', '2020-06-01 04:06:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26146, 'RsoH53XGzCmKddtF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:18:59', '2020-06-01 04:18:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26147, 'tBRPP71Rxke8X96O', 'Vecino Vecino', NULL, '‘Vecino Vecino\' is a video artwork looking at the current protest movements in Chile in relation to prior resistance movements during the end of the Pinochet dictatorship. It links historical events to the present day to explore the role that generational based storytelling and secondary historical sources play in positioning our identity within history and time. From my position as an Australian-Chilean artist, \'Vecino Vecino\' stitches together multiple historical moments and viewpoints to highlight the gap between generations caused by political violence. The work questions how we delineate fact from fiction when forming knowledge through familial stories and secondary sources such as news, social media, and pop culture. This project builds on my recent video, installation, and online-based practice exploring intergenerational memory and embodied perspectives on history. ‘Vecino Vecino’ is an investigation across Chile, France, and Mexico in my search for information about a 1986 TV documentary about the MAPU-Lautaro, a Chilean resistance group that my father was a member of, who fought against the Pinochet regime. This narrative is woven with the start of the current crisis in Chile in 2019, incorporated in the project through social media screen recordings and messages from my brother living in Santiago and part of a generation still fighting for basic rights and suffering violations of the state. The video is currently in post-production. It will be approx 40mins long.', NULL, NULL, 'I would like for this to be presented both in Australia and in Chile. This could take the form of a screening, however ideally it would be presented in a gallery installation alongside additional digital prints, photographs, and ephemera associated with the video. Given the nature of this project in discussing connections to culture and global events via journalism and social media I am also interested in how this project could be developed to be presented online, or to include online elements.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/424700083', 'sur', NULL, NULL, NULL, NULL, NULL, NULL, 2505, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2166, NULL, '2020-06-01 04:21:11', '2020-08-14 16:44:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26148, '61NU85bL9AuH1I2D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:22:12', '2020-06-01 04:22:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26149, 'r4foFUdhbjLbMqTL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:24:14', '2020-06-01 04:24:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26150, 'T8IwyyUH3ruTw3nK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:24:17', '2020-06-01 04:24:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26151, 'ZryewGwCyEmD40xU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:35:34', '2020-06-01 04:35:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26152, 'wjhoMuEjxMNLsxdB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:40:58', '2020-06-01 04:40:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26153, 'g4SMVSu2WHG3PNAL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:45:09', '2020-06-01 04:45:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26154, 'C6F0nRJai1aCJw9o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:45:09', '2020-06-01 04:45:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26155, 'LEVMgFhPPR4tej0v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:47:07', '2020-06-01 04:47:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26156, 'NZIEukBGk6KVYnGZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:49:45', '2020-06-01 04:49:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26157, 'eUIX4VqYFgw8zjAd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:49:47', '2020-06-01 04:49:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26158, 'TBFyqqVHiJ5cRLxU', 'El Cuerpo interior, Desgaste y oxidacion de la naturaleza', NULL, 'Es una visión introspectiva, que motivado por la auto observación en el trayecto de los más recientes años, he podido analizar el proceso de deterioro que se va dando en el interior del cuerpo de una manera callada y silenciosa, hasta manifestarse exteriormente. Esto me ha llevado a la necesidad de trabajar en un estado de alerta y conciencia nuevo para mí, confrontando como se va desgastando la memoria y el cuerpo físico. Es mi más reciente propuesta de trabajo plástico, en el cual se manifiesta el proceso de oxidación del cerebro, el aparato óseo y disminución de la capacidad de retentiva. Decidí expresarlo en el desarrollo artístico, hacer un recorrido a través del estado mental, físico y metafórico a partir de mi obra. Representando en las diferentes piezas el cuerpo interior diseccionado y expuesta su condición de desgaste y oxidación, tomado de estudios radiográficos, resonancias magnéticas y/o tomografías y estados emocionales, como la depresión y ansiedad.\n   Esto representado en una instalación al muro compuesta por 30 paneles con imágenes radiográficas impresas sobre laminas de metal oxidado y pintura acrílica sobre madera en diversos formatos. (Adjunto maqueta) con posibilidades de reinterpretación museística. Otra lectura curatorial visual.', NULL, NULL, 'Las dimensiones son  dos muros de 800cm  x 280cm alto cada uno.  Podría ser en el Museo de Arte Carrillo Gil, ocupando una de sus salas o bien la Sala de Arte Público Siqueiros ambos en la Ciudad de México, y podria itinerarse a un espacio cultural de la ciudad de Xalapa, Veracruz, y el Instituto Cabañas en la Ciudad de Guadalajara, Jalisco. En México. y queda abierta la posibilidad de presentarla fuera de México.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2498, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2160, NULL, '2020-06-01 04:50:31', '2020-07-19 20:37:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26159, 'j0cwnDBWOIvPeiHh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:55:49', '2020-06-01 04:55:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26160, 'mT4RdF447lWJQ8Os', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:56:54', '2020-06-01 04:56:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26161, 'CsDbA6iqVQSwADp2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 04:57:13', '2020-06-01 04:57:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26162, '73lGT8mydMlpm9B2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:00:17', '2020-06-01 05:00:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26163, '2ryhnOk5J76LoR71', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:06:10', '2020-06-01 05:06:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26164, 'HnkWzmc0X6koIurC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:06:53', '2020-06-01 05:06:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26165, 'IdMHSZOWbnP7RJMZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:06:58', '2020-06-01 05:06:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26166, '4xCA6QphANmpQY6a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:16:17', '2020-06-01 05:16:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26167, '2zFM5HC2jlU7h7m2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:19:18', '2020-06-01 05:19:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26168, 'xKzjwxXl4Pzv1Hch', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:19:42', '2020-06-01 05:19:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26169, 'ZFNhLJ1u16S6p5NL', 'Arcanos', NULL, 'La elección de las imágenes inconscientes que aparecen en la escena, no se realiza con ensayos previos, se basan en una serie de palabras que se asocian a objetos y planos corporales que acentúan una acción leve, moderada. Se disponen por primera vez cuando se registra la acción, que ocurre una sola vez detrás de la cámara que disparo yo misma con un control a distancia. En ese momento se empieza una performance, que tiene como base una imagen inconsciente y tiene un tiempo con los objetos que están dispuestos para cada escena. Las “Imágenes-Arcanos”, hablan de la sexualidad entendida por una mujer. Las palabras imagen-inconsciente-objeto, es lo que define la acción, en el modo en que “Ya no sentimos una acción en las derivaciones gramaticales, en las deducciones y en las inducciones. Los propios verbos se endurecen como si fueran sustantivos. Sólo las imágenes pueden volver a poner en movimientos los verbos.” (Bachelard,G. 2010 , p. 145) Al principio está la imagen, y su potencia prepara la acción. La performance la da el contacto y la relación que tengo con la persona con la que hago la fotografía, han sido ex amantes o amiga/os (para esta ocasión elegí tres imágenes: Theophile, Luisa y yo) , y parte de pequeños gestos, hierogamias, matrimonios sagrados que acontecen en el momento de la imagen y desaparecen en ella y en mi vida, pues las personas que están se han alejado, no queda sino la imagen con la carga simbólica de los objetos.', NULL, NULL, 'El espacio para la proyección de las tres imágenes sería uno neutro, oscuro, a través de tres proyectores. Son imágenes estáticas, que se proyectarían en dimensión escala natural.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4573, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3845, NULL, '2020-06-01 05:23:21', '2020-07-15 16:57:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26170, 'e0UCmdN9z3igsprG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:26:02', '2020-06-01 05:26:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26171, 'Z0JLNPalur6nzIdB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:27:59', '2020-06-01 05:27:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26172, 'ariI4sSvIZuy3FeD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:39:12', '2020-06-01 05:39:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26173, 'fqHwzXopwvmQ4OA3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:41:06', '2020-06-01 05:41:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26174, 'tSHVjsA5Hel5OhAt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:42:08', '2020-06-01 05:42:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26175, 'uDEeu7UMgsVBuh8X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:43:47', '2020-06-01 05:43:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26176, '637cgWBKJGZqoyK3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:44:37', '2020-06-01 05:44:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26177, 'J7ZwdEP6OdzSS85d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:52:16', '2020-06-01 05:52:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26178, '70FrNXW4CyA5tJEq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:52:19', '2020-06-01 05:52:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26179, 'XqBSHQZSzNu3g2lI', 'Haptics', NULL, 'Haptics es una instalación fotográfica con un audio que reproduce un texto literario.\n\nHáptica es la ciencia del tacto, al igual que la acústica es a la audición o la óptica a\nla vista; estudia la información sensorial de la piel, y en psicología significa \"tocar\ncomo una forma de comunicación\". La fotografía y en general buena parte de las diferentes disciplinas artísticas, acceden a un estado casi sinestésico respecto a la realidad tangible, en este caso, me interesaba pensar, por tratarse de fotografía y en fragmentos de piel, en la posibilidad de ‘tocar con los ojos’. Así, la instalación fotográfica es de imágenes que tratan sobre la piel y detalles de diferentes tipos: heridas, vellos, venas, lunares, marcas, fantasmas y también cómo cambia con la forma y el tipo de luz que recibe. Puede leerse como una reivindicación de la piel y los diversos aspectos que tiene, pero más allá, me interesa abordar la dimensión táctil como forma de comunicación entre las personas, cómo a través de la piel se generan y refuerzan los vínculos humanos y la piel es un territorio lleno de accidentes afortunados: montañas, bosques, desiertos, lava y ríos. El audio reproduce textos literarios y ensayos cortos sobre la piel.', NULL, NULL, 'Esta instalación está pensada para ser llevada a cabo en interiores, la pared en donde esté ubicada debe permitir montar las fotos que ocupan aproximadamente 1,5 mts x 1,5  mts y la altura del espacio preferiblemente debe sobrepasar los 5 mts de alto. El audio se puede ubicar al lado en audífonos o preferiblemente en una silla en frente de las fotos. La iluminación debe apuntar hacia las fotografías. Son 36 Imágenes, cada una mide 24 cm x 24cm y entre cada una puede haber una separación de 2 cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2565, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2225, NULL, '2020-06-01 05:52:29', '2020-06-24 20:02:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26180, 'Zhw2vY05SnTpeONJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:53:52', '2020-06-01 05:53:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26181, 'CtBsMcYd47UyFgAA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 05:57:38', '2020-06-01 05:57:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26182, 'YM7QelpOadM6etTz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:05:13', '2020-06-01 06:05:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26183, 'ZywmEdl4P0Nizivb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:20:13', '2020-06-01 06:20:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26184, 'qF0y6yr8n2CBQCMM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:27:57', '2020-06-01 06:27:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26185, 'X6OH834FHXiPZ8dz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:29:41', '2020-06-01 06:29:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26186, 'c1lj3CYCdhDJ7GQK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:30:54', '2020-06-01 06:30:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26187, 'RH5rsnCUtMGtFwey', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:32:18', '2020-06-01 06:32:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26188, '6WqSnEJy3JiOeSe7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:33:49', '2020-06-01 06:33:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26189, 'HJABwksi3gzJejX1', 'Territorio', NULL, 'Este proyecto consistió en trabajar con el propio cuerpo como medio y material  artístico sumado al empleo de tierra de hoja sobre un fondo blanco. \n\nEs una acción progresiva que comienza con el cuerpo encogido al máximo y que, a medida que se va estirando o abriendo, va dejando una marca cada vez más grande en su entorno. La materialidad de la tierra a simple vista es ambigua, desde lejos y a simple vista solo notamos que es una mancha, y eso es lo esencial; su forma. El cuerpo de las fotografías es uno de color uniforme negro con excepción de las manos, donde se descubre la piel. Es este contraste de negro sobre blanco lo que unifica el cuerpo con aquello que está manipulando: la tierra. \n\n\"Territorio\" es una exploración de los límites del cuerpo propio en el espacio. La mancha es el resultado de la extensión de los brazos y torso sobre una superficie, es el límite al que llega esta extensión la que queda manifiesta matéricamente. \n\n\"Territorio\" es una serie fotográfica compuesta por nueve fotografías digitales en blanco y negro. Las dimensiones de impresión son variables.', NULL, NULL, 'Se sugiere que las dimensiones de cada fotografía impresa sea de 40 x 50 cm\n\nSe adjunta  una propuesta de montaje para la serie en las imágenes. \"Territorio\" tiene un carácter cíclico, como un flujo, de expansión. La acción y su repetición evocan lo ritual, son estos aspectos los que intento destacar por medio del montaje de esta serie.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2499, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2161, NULL, '2020-06-01 06:34:37', '2020-06-24 02:02:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26190, 'nfPmxFNGEiiKqZJS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:35:27', '2020-06-01 06:35:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26191, 'yaGQYDRglwIXvmO2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:37:27', '2020-06-01 06:37:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26192, '2aomIOTsvjrfCmVn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:41:01', '2020-06-01 06:41:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26193, 'rJ9WbnGmvQapAUv9', '\"Metatrafico\" de la serie \"entre precios y valores\"', NULL, 'Metatrafico es un término acuñado (compuesto del prefijo Meta que significa \"más allá\", e indica la idea de una abstracción detrás de otro concepto, y Tráfico: Paso de vehículos, personas o mercancías por un lugar), resultado de un proceso de exploración y búsqueda de herramientas formales y argumentativas basadas  en las noticias que registran el hallazgo de cabezas humanas en diferentes lugares de la frontera colombo-venezolana, consecuencia del uso del terror como instrumento de dominio territorial y consolidación de fronteras invisibles que evidencian la lucha por control del tráfico de divisas, productos, armas, sustancias y servicios. \nPor consiguiente, la obra busca evidenciar el dramatismo y fragilidad de un sistema que resulta del colapso financiero, es por ello que “Metatrafico” define la “marca” del producto de la muerte, complementándose a su vez con el término “Crash” que significa “quiebra financiera”. Por tanto, el uso del cráneo como símbolo de muerte, sintetiza cada historia en particular, las cuales en su conjunto van agrupando los componentes de una obra más  amplia que se sigue alimentando de la realidad y los aconteceres cotidianos del intercambio de elementos de valor comercial por alimentos y medicina, que se repiten ahora a nivel global a causa de la pandemia producida por el coronavirus.', NULL, NULL, 'Se sugiere para la exposición de la obra tridimensional un recinto cerrado y cubierto que permita al espectador su abordaje desde sus cuatro caras y en lo posible una relación directa con la obra bidimensional. Por su carácter de temporal el montaje debe manejar un lenguaje que evoque  al apilamiento de las cajas de cualquier producto de consumo masivo, es decir sobre una estiva de madera acoplando las cajas hasta formar un cubo localizando la caja abierta en la parte superior.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4744, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3999, 5, '2020-06-01 06:44:34', '2020-09-02 08:21:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26194, 'dOr8IGU6fWKOTf9G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:45:56', '2020-06-01 06:45:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26195, 'zgH4nJH5s2pXRUpY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:57:53', '2020-06-01 06:57:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26196, 'Ckg23k40FUG8ZG5s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:58:16', '2020-06-01 06:58:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26197, 'p2dn3GyW5mTEBJaL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:58:29', '2020-06-01 06:58:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26198, 'JsQhXaF1IJjryX7D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 06:59:00', '2020-06-01 06:59:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26199, 'OExNylYtJMyBiVbA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:00:14', '2020-06-01 07:00:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26200, 'bJmmjUFMGrUqiloo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:01:46', '2020-06-01 07:01:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26201, 'GQg9JN1oT1D0m6kT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:14:32', '2020-06-01 07:14:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26202, 'cV07NAVPJyY81wRQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:14:43', '2020-06-01 07:14:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26203, 'Qnb9FBzDcFQSycTH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:26:11', '2020-06-01 07:26:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26204, 'rBn5u25Cqwv7azvE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:29:00', '2020-06-01 07:29:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26205, 'ZYcsE4TZUQDG5tuU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:29:29', '2020-06-01 07:29:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26206, 'q1R9tcbh7csXCami', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:32:29', '2020-06-01 07:32:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26207, 'LFsA02bkzAeAzg2k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:41:36', '2020-06-01 07:41:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26208, 'kADVHSitQ8Rewrj6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:42:50', '2020-06-01 07:42:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26209, 'WpWjD10dHVySFuTa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:44:35', '2020-06-01 07:44:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26210, 'pB9y3gqKCEzdmghk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 07:59:09', '2020-06-01 07:59:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26211, 'fXFEDJSn48bBmIrW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:04:09', '2020-06-01 08:04:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26212, 's9l8LEyc3Uekrgat', 'Caxixis', NULL, 'Caxixi - instrumento de origem africana.\nEscultura sonora interativa que opera no limite do papel do público entre espectador e performer. Ritmos com métrica aleatória e alturas variadas devido aos tamanhos dos caxixis. Cada escultura caracteriza-se por um som particular com ritmo próprio. A combinação das diversas esculturas sonoras em determinados espaços e operadas pelo público de forma aleatória resultam em um ambiente sonoro e visual pulsante.\nCada escultura compõe-se de uma barra de ferro redonda de 1,5m e de 1/2 Pol., base de madeira em forma de caixa aberta nas laterais, haste de barra rosqueada (40cm), caxixi, dispositivo de madeira para encaixe na barra redonda. \nA quantidade de unidades dependerá do tamanho do espaço.', NULL, NULL, 'Necessita de espaço interno devido à utilização de materiais como caxixis e madeiras.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2518, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2179, NULL, '2020-06-01 08:07:50', '2020-07-19 21:43:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26213, 'vLvqXaO2Jro9x7d5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:14:55', '2020-06-01 08:14:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26214, 'rdNRFMKBgWbryvd2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:20:22', '2020-06-01 08:20:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26215, 'FfsVhmJFrVnV475e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:23:27', '2020-06-01 08:23:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26216, '4Xkw9uBmLdvBoIaB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:25:01', '2020-06-01 08:25:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26217, '1gvufvrlZmMk4egO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:25:50', '2020-06-01 08:25:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26218, 'rjpk2aICjy0tce9H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:29:55', '2020-06-01 08:29:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26219, 'InvgC8htVNp5i1w0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:44:12', '2020-06-01 08:44:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26220, 'bNhWBLZKSzHs0OJd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:44:31', '2020-06-01 08:44:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26221, 'JZYHlrPPp7rr1wJ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:46:18', '2020-06-01 08:46:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26222, 'nqyGHZzEZArrp6ne', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 08:57:58', '2020-06-01 08:57:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26223, '62gmKIfAHv9yVUQr', 'EMBUTES, bajando cuadros subiendo otros', NULL, 'La obra es una performace que cuenta con varias acciones.La exposicion comienza con una mesa y una caja cerrada,les espectadores pueden mirar la caja. Luego en un tiempo espera,voy hacia la caja , saco objetos que son recuerdos mientras los miro con asombro y enmarco un brazalete. La performace finaliza cuando clavo un clavo en la pared y cuelgo el cuadro.\nLa obra hace referencia a una situación que se dio en 2009 donde encontré un embute en el sillon de mi casa de Olavarría, en el mismo había papeles de mi abuelo colectivero Juan Maria Tellez y un brazalete de la juventud peronista de Juan Mario Tellez. Mi madre al verlo me dijo que iba a ir a un museo y lo escondió.Tardó 10 años para devolverme el brazalete.\nJuan Mario Tellez fue un militante de la juventud peronista del pueblo,organización de los años 70, que luchaba por un mundo mejor.Por esta razón fue perseguido por reiteradas dictaduras argentinas.Al volver la democrasia el se quita la vida tras morir mi abuelo (Juan Maria Tellez) ,ver sus sueños acabados y sus compañeros desaparecidos. Subiendo cuadros es para hacerle homenaje a todos los que construyeron y soñaron un mundo mejor. Desde lo no dicho, desde lo oculto, desde los recuerdos, desde lo guardado, desde el dolor, reconstruimos la memoria por que los extrañamos y la transformamos en abrazos , reuniones y vínculos de afecto.\nLa jueventud tiene la obligacion de construir memoria,bajar cuadros y subir otros.', NULL, NULL, 'Espacio de 1 metro por un 1 metro por 2  de alto contra un pared o soporte.\nMateriales : meza ,caja, objetos,clavo,martillo,cuadro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2890, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2502, NULL, '2020-06-01 09:01:39', '2020-06-25 21:19:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26224, 'bOAKKabLeYKP6qdC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:01:54', '2020-06-01 09:01:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26225, 's3B1qUM0B5oSCb9z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:02:49', '2020-06-01 09:02:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26226, 'llP5uLf2gsyNxb1O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:13:25', '2020-06-01 09:13:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26227, 'mwMx1yReAkS5AhF1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:13:31', '2020-06-01 09:13:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26228, 'Nb6cPWrH8uDZnplO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:14:34', '2020-06-01 09:14:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26229, 'EgHfPoCVaZmOrNO3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:37:50', '2020-06-01 09:37:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26230, 'Da5vuDgvQywYHKqU', 'Cuando el recuerdo se convierte en polvo', NULL, 'La fotografía es un acto de expresión y, por ende, de manipulación. Es un proceso mediante el cual deconstruir realidades, subvertir formas y proyectar micro-relatos continentes de un discurso mayor.\nEsta serie reúne más de un centenar de fotocollages de pequeño y mediano formato hechos a mano. Es una suerte de investigación acerca de esa conexión que existe entre un pasado que desconozco, pero que aún permanece vívido en las fotografías, y el presente que me permite jugar con esa memoria para que no deje de existir. Las microhistorias que me invento surgen de instantáneas desechadas, sin valor ya para sus propietarios. En un inicio las compraba a sus propios familiares, pero eventualmente me viene obligado a acudir a anticuarios de La Habana. Muchas de las imágenes obtenidas representan a personajes totalmente desconocidos; la mayoría de las fotos carecen de valores artísticos trascendentales; pero son desencajados documentos de época, recuerdos familiares. Surgen de esta manera situaciones diversas con estéticas variadas; representaciones que se tornan figurativas o surrealistas. \nLa técnica del collage me permite desarticular un hecho para crear otro. Los escenarios recreados se  sustentan sobre temas complejos de la historia cubana en su mayoría que reactivados a partir de las recomposiciones matizan o subrayan determinadas coyunturas nacionales. Dispongo así personajes, paisajes y objetos en escenarios que resultan una mezcla de imágenes disímiles, de geografías lejanas.', NULL, NULL, 'Los collages pueden exhibirse en espacios galeristicos o alternativos. Se montarán cada uno en un marco de  color madera o color negro y en un diagrama color hueso, pegado ligeramente con un doble adhesivo o un adhesivo en forma cilíndrica. Habrá una separación de 8cm por todos sus lados entre el collage y el marco.\nDimensiones:\n001 15,7x12,5cm / 002 13,4x13,3cm / 003 11,1x17,8cm / 004 13x14,9cm / 005 9,5x14,4cm / 006 14,3x18cn / 007 12,5x17,1cm / 008 9x12,9cm / 009 11,7x10,7cm / 010 12,7x20,3cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2721, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2361, NULL, '2020-06-01 09:46:02', '2020-07-22 13:54:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26231, '8xBJushOc9sgDZh8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:52:14', '2020-06-01 09:52:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26232, 'd5gnGMwa0qcKeTUJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:55:39', '2020-06-01 09:55:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26233, 'Ld1srHi8dyH81jdr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 09:56:23', '2020-06-01 09:56:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26234, 'wjLq9Vn4zILkh1tb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 10:07:09', '2020-06-01 10:07:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26235, 'mHsmzbNu8P8o9FLw', 'Bendito lunes', NULL, 'Era lunes, 6 y media de la mañana, iba tarde para la universidad, tenía parcial de cálculo integral y no podía faltar, así que por motivos de movilidad, decidí irme en bicicleta, al llegar me  preguntó el portero de la universidad: -¿Joven, usted para dónde va?, -Para un examen final en el bloque 3, le dije, y sonriendo me respondió: -Hoy es lunes festivo.', NULL, NULL, 'Fotografía digital a color.\nDimensiones: 1200x800 px (45x30 cm)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2504, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2165, NULL, '2020-06-01 10:35:43', '2020-06-24 02:02:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26236, 'FN043352VDV3vljh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 10:40:42', '2020-06-01 10:40:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26237, 'GQ7rHdbtZntZi79D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 10:42:48', '2020-06-01 10:42:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26238, 'kav8dSEJ98RPKT3P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 10:46:19', '2020-06-01 10:46:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26239, '3sOnU87xKSGgEPq6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 10:50:43', '2020-06-01 10:50:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26240, 'Hx0Us1ECm1t84AcV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 10:55:41', '2020-06-01 10:55:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26241, '9R9Sqlrhw0AfK4H1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 10:55:41', '2020-06-01 10:55:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26242, '4QDFGlgZYCuE6dGQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 11:01:58', '2020-06-01 11:01:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26243, 'Xtyn9hzl6pvNn1OH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 12:12:37', '2020-06-01 12:12:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26244, 'c1rc7yMoTCYQqfg0', 'Gráfica de la distancia', NULL, 'A partir de experimentaciones realizadas por los postulantes, en relación a un ícono presente en las culturas precolombinas que tiene la forma de escalón en tres niveles, se ha desarrollado un método de interpretación de éste, consituyéndose un pequeño pero interesante repositorio de gramática visual del sonido. A partir de estos parámetros entre forma y sonido, se busca leer como suerte de partitura gráfica, los escalones que se dibujan entre las casas de una misma calle, e interpretar estas partituras con un instrumento musical de origen andino precolombino llamado ocarina. La composición musical, lograda después de recorrer calles sin obedecer a un plan, sino a un diálogo de formas que sucede al encuentro musical, será grabada, así como el recorrido. El audio, ya limpio o vuelto a hacer en condiciones adecuadas, será editado junto al video. Teniendo este producto, se habrá de sobreponer con cierta transparencia, una lectura de rango melódico y espectograma, desarrollado en el programa \nSonic Visualizer. Este ejercicio visual, sonoro y simbólico, tiene la finalidad de dar voz a lo andino ancestral en el Sur de América como una existencia no siempre evidente, y usar las formas de las viviendas, como metáfora de que lo ancestral habita el presente.', NULL, NULL, 'Este producto debiera exhibirse sobre paredes de viviendas, en un espacio abierto, de forma itinerante, con un equipo de sonido y proyector, que permita conectar, al transeúnte, con una ciudad redibujada a través de la música.', NULL, 'artist', NULL, NULL, 'https://youtu.be/ARZxmD99KNY', NULL, NULL, NULL, 'https://cecidepapel.wixsite.com/escalon', NULL, NULL, NULL, 3341, NULL, 406, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2871, NULL, '2020-06-01 12:41:51', '2020-07-17 23:53:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26245, 'TPrnkOq6T7lLpSjT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:11:03', '2020-06-01 13:11:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26246, '7WR9ty8UKLnik8BA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:14:49', '2020-06-01 13:14:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26247, '3LwLI9uFT3WmaJTb', 'Patio de la Casa', NULL, 'Existe un fuerte vínculo de los árboles nativos con la visión cultural y medicinal de diversas comunidades indígenas de Sudamérica. En el presente esta sintonía de los árboles y el ser humano es escasamente recordada en los Palacios de Gobierno de los países conquistadores.\n\nHabitantes decorativos en los centros institucionales de ciudades como Buenos Aires, Santiago o Caracas, los “Árboles del Poder” son los árboles que habitan en forma ordenada y segura los patios de  Palacios de Gobierno en Sudamérica. Son “El patio de la casa” de la nación.\n\nEl proyecto pone en discusión el modo en como los árboles son parte de un “espacio colonial-ornamental” que convive con el poder sin un vinculo con la historia y cultura de su territorio. Se busca replantear, por medio  de una instalación al externo estos espacios transportando el “Patio de la Casa” a un lugar más publico y accesible, donde los visitantes puedan participar de un bosque imaginario.\n\n¿Cuán importante es el papel de los gobiernos en la decisión  de preservar la vida en comunidad de los arboles?\nLa yuxtaposición entre naturaleza milenaria y cultura es algo que usualmente olvidamos y sería el  momento de incorporarlas como base fundamental para nuevas políticas sociales, educativas y culturales.\n\n¿Deberíamos replantearnos la imagen del patio de la casa?¿ Cómo deberían ser modificados estos espacios si tenemos un compromiso en salvaguardar, por ejemplo, los bosques del sur del mundo?', NULL, NULL, 'En los Bosques de Palermo, Una Instalación perimetral de andamios modulares  permite crear un patio  de dimensiones 30 x 15 metros que  alberga uno o dos árboles del Parque. La  fachada interna de la estructura viene cubierta con lienzos de PVC semi transparente con 4 imágenes que  reproducen fotografías de las fachadas internas del “Patio de las Palmeras” de la Casa Rosada convertida en un jardín del sur con plantas y árboles nativos de Sudamérica que se regalan a los visitantes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4077, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3472, 5, '2020-06-01 13:18:21', '2020-09-03 00:42:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26248, 'vdmHG3nx2Hl7ReGz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:20:31', '2020-06-01 13:20:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26249, 'jS068zJ1a9TuTidq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:22:38', '2020-06-01 13:22:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26250, 'bYDkmZWAGlOYYfSP', 'Five bikes idea', NULL, 'Five bikes idea.\nThe installation questions on daily objects, put a distance on familiar known figures, familiar forms, causing confusion through the unusual material that deforms and re-forms them. These five objects are no longer bikes but clues, memories, rough ideas of a malleable memory. \n\nThe five bike sculptures are made with white soft plastic and their holding structures are made with black steel.', NULL, NULL, 'The art installation can be exhibited inside or outside : the soft plastic and steel are very durable and weather-resistant. \nThe support can be  putted on a flat ground or pegged into the ground.\n\n \nThese sculptures and their structures are positioned in a cricular arc within 1.5 meter of one another.\n\nEach sculpture and its structure measures approximately the size af a real bike : 150 ( in height) x 85 cm (in width)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2506, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2167, NULL, '2020-06-01 13:23:08', '2020-07-19 21:04:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26251, 'T5VqJzvxPDh9AeeB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:25:48', '2020-06-01 13:25:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26252, 'bXIdEhVHP9nMFqNt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:32:54', '2020-06-01 13:32:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26253, 'jWNJd0766vwuPY2K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:33:03', '2020-06-01 13:33:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26254, 'rQbnaJbHGWS1QDZZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:50:59', '2020-06-01 13:50:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26255, 'wbsZqBMyYlONAL03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:52:04', '2020-06-01 13:52:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26256, 'Rtax9FwsgNwo4lkT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:52:40', '2020-06-01 13:52:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26257, 'dzv0RaNABMl12fgH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:58:29', '2020-06-01 13:58:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26258, 'EhAVkUT1GuouVkJF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 13:58:47', '2020-06-01 13:58:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26259, 'NCqm4TqkgQGArbre', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:01:01', '2020-06-01 14:01:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26260, 'ECYkS9LHQDDCApvn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:10:50', '2020-06-01 14:10:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26261, 'ZxaRuyjnLHa74bRX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:19:50', '2020-06-01 14:19:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26262, '7KVkjSAHqHCLfrAi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:19:53', '2020-06-01 14:19:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26263, 'H88UDn5z6aMJe5Fx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:25:16', '2020-06-01 14:25:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26264, 'sHf13gxvMPrnmRvG', '\"Geometría Popular\" de Dagoberto Rodríguez', NULL, 'El vídeo transcurre por tres fases de agrupamiento humano que describen un esquema narrativo de enfado, paz y sumisión.\n\nEl cuadrado es una formación igualitaria que, paradójicamente, genera conflictos. En la simbología representa la tierra en contraposición al cielo. En este punto, la obra contiene claras referencias a Cuba: el plano en blanco y negro de las personas golpeándose y discutiendo hace referencia a una de las películas clásicas del cine cubano: ‘Memorias del subdesarrollo’. Añade el artista, “La formación en cuadro recuerda una sociedad organizada verticalmente, donde nadie escapa de los limites impuestos”.\nEl triángulo es la formación estable, la figura primogénita. El conflicto queda resuelto con la división del cuadrado y la formación de dos triángulos. “Son también dos islas de pensamiento opuesto con una frontera”, explica Dagoberto. Desde aquí llega la paz y con ella el silencio. La discusión queda mediada por la negociación desde ambos lados.\nEl círculo es un punto extendido y sus propiedades son comunes a éste: perfección, igualdad, ausencia de división o de distinción. Se considera en su totalidad indivisible, sin comienzo ni fin y sin variación alguna. Es una metáfora de la eternidad, la perfección, el infinito y lo inasible. Espontáneamente en la pieza, y a través de los negociadores o implementadores de la Paz, se forma un círculo. “El círculo es un nuevo orden donde todos están alineados, como en una célula”, comenta el artista.', NULL, NULL, 'Características de la obra:\n\"Geometría Popular\" de Dagoberto Rodríguez\nServidor de video de un canal\nDuración: 00:04:52', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2524, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2185, 5, '2020-06-01 14:29:31', '2020-09-02 17:31:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26265, 'IPA7RucnMCfT8goE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:31:54', '2020-06-01 14:31:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26266, 'cDXbh3vXKvoORCg9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:35:47', '2020-06-01 14:35:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26267, 'tSqhmNt4EaNMEEDY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:40:54', '2020-06-01 14:40:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26268, 'MSekz8ObteTnXdF2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 14:52:26', '2020-06-01 14:52:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26269, 'Y0DGPXKNVgLxWARK', 'Call To Arms', NULL, 'In light of ongoing violence by governments and police forces around the world against civilians, including recent global BLM protests, we would like to make use of both the iconic uniforms and the characterizing body language of riot police officers as a means of contemplation. By presenting them in different surroundings than their usual representation, we seek to allow the audience, who may not be the occasional demonstration attendees, to feel the frightening sense of power they arouse in a close encounter. With the use of optical illusion, choreography, and sound design, we intend to enhance this experience and, within a 15 minutes time-frame, to guide the audience through an extreme range of contradicting emotions.\nWe would like to build a hexagonal shaped room, with its sides covered by mirror panels, creating an infinity mirror room. Inside, there will be five-six performers dressed in riot police uniform, who will be moving in choreographed unison, and whose reflection in the infinity mirrors will assemble an endless army that surrounds the audience. The sound work, video projection, and motion of the performers will increasingly evolve, slowly building tension until finally peaking to a climax. At this pinnacle point, they will suddenly throw themselves into each other\'s arms and transpose into dancing a romantic waltz or slow dance, as the sound shifts into playing a familiar romantic song.', NULL, NULL, 'Any standard space of seven square meters or more, available for constructing internal free-standing wooden walls, and has easy access to a power supply.\n\n6 mirror wall panels\nBasic sound system \nBasic lighting fixtures \nStandard HD video projector\n5 or 6 full body riot-police uniforms + helmets + shields\n\n*Dimensions and materials are adjustable according to space and budget.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://go.aws/2UH80ZX', NULL, NULL, NULL, 3598, NULL, 445, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3078, NULL, '2020-06-01 14:52:29', '2020-07-16 02:44:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26270, 'HID3dp9IfmgMdu4H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:11:26', '2020-06-01 15:11:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26271, 'nL4Rk49jnnpXXxUT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:13:46', '2020-06-01 15:13:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26272, '2jOZ9U0zIHLfF24W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:16:34', '2020-06-01 15:16:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26273, '2dn8Nx9vynXlXEzH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:17:54', '2020-06-01 15:17:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26274, 'GeIh6raeiFmt6PLF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:17:57', '2020-06-01 15:17:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26275, 'w1eSLlIFAkJqxBx4', 'nuevas formas de afecto e sensibilidad', NULL, 'Como respuesta a temas sobre género y su reflejo en nuestras\nconvivencias políticas, desarrollo trabajos sensoriales para ampliar\nla sensibilidad del cuerpo y su capacidad de escucha. A través de\nbandas elásticas conectadas a la ropa, dos o más participantes se\nunen, con los ojos vendados, y son invitados a explorar, a sentir sus\nconexiones y todas las posibilidades sensoriales que la ropa puede\nproporcionar.\nLa intención es comprender que las limitaciones físicas pueden ser\ntambién oportunidades, nuevas posibilidades. Un experimento\nsensorial con el objetivo de investigar la senso-corporalidad entre\nespectadores activos, desarrollando a partir de la subjetividad\nafectiva de la ropa una interlocución entre el cuerpo y el lenguaje.', NULL, NULL, '‘Nuevas formas de afecto y sensibilidad’ es experimentación sensorial, una investigación de los sentidos conducida por los espectadores activos en una exposición.\n\nDe esta manera, el proyecto explora la capacidad de escucha del cuerpo. Incita a la comprensión y la concepción sensitiva de nuestras actitudes y movimientos en el tiempo y el espacio.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/364324193', NULL, NULL, NULL, 'https://vimeo.com/392088802', NULL, NULL, NULL, 2508, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2169, NULL, '2020-06-01 15:19:31', '2020-07-19 21:11:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26276, 'oILddpm0onZTzAZl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:21:23', '2020-06-01 15:21:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26277, 'm2RV3E8wJhQonmHG', 'INFRAESTRUCTURA ANIMAL: CUATRO ESCENAS EFÍMERAS DEL PAISAJE RURAL', NULL, 'INFRAESTRUCTURA ANIMAL: CUATRO ESCENAS EFÍMERAS DEL PAISAJE RURAL es una videoinstalación que propone visualizar la huella animal como un factor fundamental para la configuración del paisaje rural y lo que se entiende por naturaleza en los relatos de la cultura. La obra se basa en el registro audiovisual de cuatro piezas de infraestructura típicas de la producción lechera en la provincia de Buenos Aires condensadas bajo los nombres ESTACA CORREDERA Y ROLLO, SOMBRAS PARA HACIENDAS FIJAS, PARCELAS DIARIAS ROTATIVAS y CORRAL DE ESPERA. A partir del registro de estos mecanismos antes, durante y después de que la vaca lechera pasa por ellos y los activa, rastreamos cómo el animal interviene en el lenguaje más amplio de las labores rurales y descentra la perspectiva antropocéntrica sobre el campo. Esta investigación visual estará acompañada por un texto poético como ‘voz en off’. El foco de nuestra indagación es ‘el trazo animal’, que siguiendo al teórico Jacques Derrida, entendemos como la huella—una grafía primitiva—que el animal deja tras de sí. En particular, interrogamos el modo en que los animales son co-creadores del espacio rural y de su estética, modificando el paisaje a partir de sus acciones. El objetivo principal de esta video instalación es contribuir al desarrollo de nuevos acercamientos metodológicos a la cuestión del animal en Latinoamérica y el Sur Global desde un punto de vista ecológico.', NULL, NULL, 'Esta videoinstalación es para el espacio Museo Argentino de Ciencias Naturales Bernardino Rivadavia en CABA. La obra incorpora 4 pantallas de led 50\" con pie metálico, sonido PA y 4 soportes para fotografías 1x2m. Estas imágenes pueden ser aplicadas directamente sobre pared. En caso de ser preseleccionados se acordará junto al equipo curatorial de la Bienal del Sur y del museo cuál es la mejor locación en base a cuestiones técnicas y  conceptuales respecto a la colección de la institución.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3437, NULL, 418, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2945, 5, '2020-06-01 15:23:12', '2020-09-02 01:55:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26278, 'aWYgaZVw4L2WfHSM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:33:01', '2020-06-01 15:33:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26279, 'O4zRUUd9i00hOjuJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:34:46', '2020-06-01 15:34:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26280, '7oiuPT6yeiCdpXKO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:34:47', '2020-06-01 15:34:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26281, 'Twai7hCEL7qjHkaS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:38:02', '2020-06-01 15:38:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26282, 'zO5vd7f89PCcQHgc', 'How Many More?', NULL, 'An audio-visual work that takes its inspiration from statistics relating to the almost daily mass shootings in the United States of America.  When complete, the artwork will incorporate the entire mass shooting index for the year 2019. \n\nThe composition will be scored for trombone, piano, electronics and projected text, and will probably work easiest as a \'video\' piece, with the screen displaying the text whilst the recorded audio is presented.\n\nAs there is no standard definition of what a mass shooting is, my proposed artwork defines this this as an incident where at least four people are shot.  The piece begins, and the events of the year unfold....  The trombone plays one note for every person killed, and the piano for every person wounded.  The first piano note for each displayed slide also corresponds to the latitude of the location of the shooting.  The electronics carry the \'memory\' of the fatally shot and come to the fore on the days when there are no displayed incidents.  As the piece develops the electronics take on a more prominent role as the killings accumulate. \n\nInitially this proposed work will exist in the form of an integrated audio-video piece as described above.  Interested visitors will be also able to request a score of the piece with the idea that the music could be adapted for any instrument combination, to encourage further performance possibilities.', NULL, NULL, 'Any gallery space; the internet; and, eventually, performance spaces chosen by the general public who would like to arrange their own performance.\n\nTo \'test\' the concept of this proposal, I have created what I presume will be the beginning of the artwork (using data for the first month of 2019).  A link for this is below.  It is OK to only listen to the first minute!', NULL, 'artist', NULL, NULL, 'http://alturl.com/ubo3q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2509, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2170, NULL, '2020-06-01 15:47:13', '2020-08-12 18:32:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26283, 'YnWBfed7JnXscvmF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 15:56:29', '2020-06-01 15:56:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26284, '5fzBFvmVRNseSmg6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:01:31', '2020-06-01 16:01:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26285, 'naGBFWZZ7K1DBDn9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:01:38', '2020-06-01 16:01:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26286, 'qT5qZzzH6FZC7ZUh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:01:52', '2020-06-01 16:01:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26287, 'HvQ1C5efbAqxER1H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:05:35', '2020-06-01 16:05:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26288, '27LHW687RgPVNTiv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:13:57', '2020-06-01 16:13:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26289, 'PwrTgp45ITe5JI2l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:15:11', '2020-06-01 16:15:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26290, 'ka2IrORd5ZymQ72c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:17:52', '2020-06-01 16:17:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26291, 'cnXQo3tUCuTnVpgb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:18:50', '2020-06-01 16:18:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26292, 'BEBDNO2DiZap9zVw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:20:12', '2020-06-01 16:20:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26293, 'uROskgxn203dyLQR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:22:46', '2020-06-01 16:22:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26294, 'Fs6BgRDz5hEbo04R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:22:55', '2020-06-01 16:22:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26295, 'CYwlOUaRXx6O8s8A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:26:20', '2020-06-01 16:26:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26296, '1gN21E5WXJMLkSCn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:29:10', '2020-06-01 16:29:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26297, 'g0Yp6y7vZCVQQjbQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:31:48', '2020-06-01 16:31:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26298, 'oogjb5VuerPs9KyU', 'Ancestras', NULL, 'Pensar el imaginario de ser mujer en América Latina es un proceso de reconstrucción, de analizar la memoria cargándola de sentido para el presente. No es lo mismo reconocerse como las nietas de las brujas asesinadas como tributo a una modernidad que quería excluirlas, como ocurrió con el feminismo europeo, que reconocerse en la masacre de nuestras ancestras, la conversión de su cuerpo en el instrumento para la sujeción y reproducción de individuos contrarios a su cultura.\nCon este proyecto en proceso, pinto a mujeres originarias de Latinoamérica que resisten en la actualidad, ya que es la forma de conectarme con una historia negada  que las mostró como occidentales en vez de originarias, blancas en vez de negras, oprimidas y no miembros de una cultura de la resistencia.\nParto de imágenes que surgen en la investigación, mujeres en lucha y el cuerpo como resistencia, donde aparece un paisaje sutil de su territorio, pero irrumpe un contexto muy complejo como la violencia estatal, policial, etc, pero representadas por plantas y árboles invasores de la zona traídos de Europa en la época del colonialismo o representada por el desmonte como el caso de la Mujer de Xingú.\n Por ahora hay tres obras\n1-Mujer Do Xingu , Amazonas -Brasil: Óleo sobre lienzo de 50 x 40 cm.\n2-Mujer Mapuche, Patagonia nocturna:Óleo sobre lienzo - 80 x 70 cm\n3- Feminismo que baja de la montaña al Río de la Plata: óleo sobre lienzo 100 x 100 cm. \n(Adjunto imágenes de as tres obras hasta ahora y detalles.)', NULL, NULL, 'Se propone una sala cerrada e iluminada para una muestra de nueve obras de óleo sobre lienzo. El trabajo está en proceso y puede ser que también se incluyan otros materiales pero siempre pintados con óleos. Hasta ahora el proyeto seguro incluye:\n1-Mujer Do Xingu: 50 x 40\n2-Mujer Mapuche: 80 x 70\n3-óleo sobre lienzo100 x 100 \n4-Mujer QOM óleo sobre lienzo 120 x 90 \n5- Mujeres Zapatistas:150 x 100\n6-Mujer Guaraní: 120 x 100\n7-Mujer Aymara: 80 x 90\n8- Mujer Nahua: 80 x 90\n9- Mujer Nukak:  80 x 90', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4908, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4131, NULL, '2020-06-01 16:32:52', '2020-07-02 17:57:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26299, 'GJKttbQpmQchEt5W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:32:52', '2020-06-01 16:32:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26300, 'ZeadWAWpATL46BIU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:34:27', '2020-06-01 16:34:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26301, 'eFC0jKASQbQJjHNX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:35:14', '2020-06-01 16:35:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26302, 'xOpbZbw7alQm3VkB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:35:22', '2020-06-01 16:35:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26303, 'IzfI3ITExX2jl7Qx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:39:06', '2020-06-01 16:39:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26304, 'AQJOWspZAgHfz53r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:40:34', '2020-06-01 16:40:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26305, 'G0bVRGrun34qovC4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:42:52', '2020-06-01 16:42:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26306, 'zROVWuzWiIH1N6SI', 'TESIS SOBRE EL PAISAJE', NULL, 'La naturaleza desata en mí una experiencia artística, que remite, en palabras de Hans-Georg Gadamer, a un tipo de experiencia extra-metódica de verdad…y en ésta, se produce un encuentro entre el mundo originario de la obra, ( la obra es la naturaleza en su devenir acuoso) y el mundo del intérprete, (mi presencia . La naturaleza se vuelve emoción y ésta deviene en una verdad. \n\nAparece así un espacio metafísico, porque hay una profunda interrelación entre esa experiencia estética y lo filosófico, que siguiendo a Gadamer, me obliga a pensar, que más allá del mundo onírico, la experiencia artística que vivo es una vivencia ‘del’ y ‘en’ el mundo, en definitiva es ‘otra verdad’. Es ahí donde el concepto de impermanencia aflora, todo es un devenir. (GADAMER, HANS-GEORG (2002): La actualidad de lo bello, Paidos, Barcelona.) \n\nPor otro lado, las tabletas cerámicas que se presentan, remiten al origen mismo de la palabra griega ‘symbolon’, equivalente al ‘tessera hospitalis’ de los romanos. (tablillas cerámicas o de madera con inscripciones que se usaban como recuerdo de un encuentro) \nDe la misma forma, la naturaleza engendra un movimiento de agua, movimiento que se traslada a la operación de amasado de la arcilla húmeda y cada fragmento vegetal inscripto en cada tablilla, vuelve a la obra que lo engendró, no es su mimesis, vuelve como símbolo de la naturaleza nacida del agua danzante y musical. Las tablillas cerámicas nos traen a la presencia el movimiento del agua y de la vida.', NULL, NULL, 'Se requiere un espacio donde proyectar sobre pared el video . emplazar sobre polvo de ladrillo aproximadamente 60 placas de ceramica de tamaño variable (desde 15  cm x 20 cm hasta 30 cm x 10 cm)', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=brlVzihcrOg&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3283, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2823, NULL, '2020-06-01 16:47:21', '2020-08-13 18:04:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26307, 'HDPeNendCLVmvdT0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 16:53:34', '2020-06-01 16:53:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26308, '51LBfBfpZAjN22Pu', 'One More dance', NULL, 'Video installation on 4 monitors placed online.\nThe installation is composed of 4 films of the same duration. It represents a “Dance of Death” - a procession of skeletons and human characters moving from left to right while dancing. Each film has a different scenography. The 4 films are designed in such a way that the characters move in real time from one space/one monitor to another (a character leaves one monitor to enter the next, etc). \nThe 4 films are made in stop-motion technique, in a deliberately handcrafted style, favouring DIY. Made in a very contrasted black and white, it has no sound to accentuate its strange and solemn character.\nThis installation is part of the artist\'s extensive work around the Dance of Death and representations of death in Western culture. This work, which began following a stay in Haiti in December 2017, explores our condition as mortals through different media, weaving links between eras and cultures, while very often using humour or derision.', NULL, NULL, 'The installation should be on 4 videomonitors put on a line on a wall. It has no sound. \nThe 4 monitors should be synchronized.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/432101738', 'soso2020', NULL, NULL, NULL, NULL, NULL, NULL, 4852, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4084, 5, '2020-06-01 16:59:55', '2020-08-20 17:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26309, 'Vs7N4Oxn3OrJnq2b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:01:23', '2020-06-01 17:01:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26310, 'zSsghbTsu3sraoRb', '1107 Plaza san Martin', NULL, 'Mi parte de trabajo en este proyecto con Degremont sera  una breve publicación con imágenes y textos poéticos curatoriales.\nSe trata de plasmar el décalage del tiempo transcurrido entre la infancia y el retorno a la Argentina, que es además el desfasaje entre las lenguas –el español y el francés- y el espacial. La búsqueda del hogar que se ha perdido es el hilo que unifica las dos series a mostrar. Por un lado, las postales compradas en e-bay a partir de las cuales Dégremont intenta reconstruir la vivienda original, o más bien reubicar el departamento que compartiera con su familia, sito en Plaza San Martín. La elección de las postales trae implicada una carga visual –los ángulos distintos, la diferencia de colores y de matices- y una deriva generada a partir de las escrituras al dorso: los autores y los destinatarios, que arman una red irrecuperable de vínculos referenciables, vagamente o no, en la misma mítica plaza porteña. Como explica la propia Dégremont: \n« Partant du postulat que le cadre, l’environnement  où l’on a vécu enfant est prégnant dans la construction d’une identité. Mon interrogation première est : où vivais-je à Buenos Aires ? Des photos que j’ai de moi bébé sur un balcon à Buenos-Aires comme image de départ.\nL’immeuble en briques des années 40/50. Les grues du port au fond, et les clochers d’une église à droite. J’ai acheté toute sorte de cartes postales, j’ai enfin vu sur l’une d’entre elles l’église en question. C\'est au  1107 de la plaza San Martin »', NULL, NULL, 'El HOTEL DE LOS IMMIGRANTES como espacio de exhibición estaría en relación directa con el trabajo propuesto.\nLa obra principal \"1107 Plaza san Martín\" requiere una sala cerrada de 10 metros por 10 metros  , 4 paredes blancas, para lograr una ejecución exitosa.\nUna mesa con vitrina en el centro de la sala para presentar la publicacion , libro/objeto d\'artista con fotos, imàgenes y textos poéticos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2510, NULL, 293, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2174, NULL, '2020-06-01 17:06:03', '2020-06-24 02:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26311, 'lj7UpgilLwa5NNXC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:07:08', '2020-06-01 17:07:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26312, 'OULsMt3g7iY4EbaR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:07:37', '2020-06-01 17:07:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26313, 'QpUMKoa5cB5LGrCP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:08:14', '2020-06-01 17:08:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26314, 'LzmMF2eOFdy2JAvw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:08:25', '2020-06-01 17:08:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26315, 'C36glYhXeuheBykw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:08:32', '2020-06-01 17:08:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26316, 'odS2kjyv6Kibeakm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:09:22', '2020-06-01 17:09:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26317, 'I5VXTJoMBWdWso00', 'Ejercicios de Estilo', NULL, 'Ejercicios de Estilo es obra de sitio específico para BsAs. La referencia son las esculturas de iconos pop argentinos repartidas en la ciudad. Abordan áreas distintas pero las une un concepto: el espectáculo (de Borges al paseo de la historieta).La obra consiste en instalar tres esculturas figurativas (escala 1x1, telgopor, masa de modelar y óleo) en nueve puntos de San Telmo y Monserrat. \n\nPersonajes \nUn policía federal sacando una selfie (cacho de pizza en una mano).\n\nMujer china, joven, se encuentra de pie.\n\nJoven de villa, cita a Juanito Laguna de Berni, la referencia está dada por la pose, los elementos que contiene y la vestimenta. Rescato dos aspectos de la cita: guiño al arte argentino pero el personaje es universal. \n\nEtapas\nIntervención: cada personaje es instalado en tres espacios de tránsito, 9 fotos.\n\nExhibición: tanto de las fotos como de las esculturas en Galería Pabellón 4.\n\nLa operación es escultórica pues ejecuta la noción de habitar desde la apropiación de imaginarios colectivos, el camuflaje y la mimesis. Se acopla a un contexto  generando un ruido.\n\nBusca la paradoja y el absurdo: los protagonistas son parte del paisaje, anónimos, intrascendentes.\n\nLa imagen es política en tanto se consume. Se instala como elemento identitario constructor de territorio. La obra pretende interrogar lo habitual con los códigos del espectáculo, desde lo banal, lo común, endótico e invisible.\n\nEs una cita a Raymond Queneau y las 99 formas de mirar una situación fútil', NULL, NULL, 'Considerando que la primera etapa es la intervención urbana de carácter efímero, obteniendo el registro fotográfico que será expuesto junto a las piezas escultóricas:\n\nEl lugar tentativo de exhibición es la Galería Pabellón 4 en Villa Crespo, BsAs. Es un lugar enfocado al arte contemporáneo, ideal para el montaje: es reducido, neutro y posee códigos de barrio producto del entorno. Tiene 40 mts cuadrados.\n\nSin embargo la propuesta está abierta al lugar que la organización estime conveniente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3439, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2946, NULL, '2020-06-01 17:11:48', '2020-07-01 01:37:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26318, '5781cwUbMOVvU06P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:12:58', '2020-06-01 17:12:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26319, 'jva8XyDhzDMMG6xY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:12:58', '2020-06-01 17:12:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26320, 'zMFEUrFVhGv0The0', 'The Others', NULL, 'We are all surrounded by other people. The people we don\'t know are usually neutral to us, but there are other categories around us such as our relatives or friends, who react to our moments and influence the situation. However, these reactions vary depending on their own personalities as well as the situation itself. This painting wants to represent a moment of difficulty and the different reactions of the others to that.', NULL, NULL, 'The Others.\n120*120 cm. Acrylic on canvas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2514, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2176, NULL, '2020-06-01 17:15:21', '2020-06-24 02:02:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26321, '3fsfMjphM6eoselA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:23:03', '2020-06-01 17:23:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26322, 'qk9CzyC0GAkPaFFu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:24:34', '2020-06-01 17:24:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26323, '3uWRnQMCe6bYNg7u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:24:47', '2020-06-01 17:24:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26324, 'W8GadOIAaXeOJSYB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:25:22', '2020-06-01 17:25:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26325, 'TQo0wewZyPO0LAbA', 'Prácticas gráficas colectivas', NULL, 'El proyecto es una acción de creación gráfica colectiva. Mediante técnicas de impresión inexactas implementadas a través de serigrafía y stencil se busca un aprendizaje técnico colectivo y a la vez la activación de las autonomías expresivas de cada integrante. La acción se transformará según el territorio donde se sitúe, así se resignificarán empíricamente conceptos como autonomía, colaboración, justicia, emoción, libertad, expresión, respeto, represión, caos, orden, lo lindo, lo feo, etc.y lo que cada une vaya trayendo para comenzar expandir nuestros gustos o juicios ético/estéticos.\n\nCaracteristicas formales:\nGráfica, performance y acción social.\nEsta investigación tiene un nombre de fantasía: No existen patrones (noexistenptrns.cl) alude la liberación de la matriz impresora a la hora de componer y a la de posibilitar nuevas maneras de relacionarnos, sin un patrón de comportamiento hegemónico. Liberar la experiencia creativa de la opresión expresiva y estética. Este cuerpo de creación es una experimento público y libre, su performatividad sigue de cerca la teoría del caos y su devenir en orden. Lo impredecible de cada acción revela plásticamente la mezcla de esencias y singularidad de saberes. \nTiene dos dimensiones de aplicación, espacio serigrafico y espacio stencil, cada uno en lugares geográficos diferentes considerando acción social y visibilidad; ej, se construye un espacio en un barrio socialmente vulnerable y se constrye otro en una galería pública.', NULL, NULL, 'El espacio expositivo sugerido es el espacio para construir el taller donde se realizarán acciones de creación e impresión colectiva. Un área de 3 x 3 mts es suficiente para instalar mesones y sillas, sitios de exposicion y estudio. Mi criterio de trabajo tiene mucho de diseño situado, construir con lo que hay.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5856, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4821, NULL, '2020-06-01 17:31:57', '2020-08-10 20:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26326, '2EN8hON3MJP4RhPT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:34:10', '2020-06-01 17:34:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26327, 'lnd1ojHPIj1P8fgu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:36:40', '2020-06-01 17:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26328, 'aBrJTl7BJqSOBETY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:37:01', '2020-06-01 17:37:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26329, 'i1orxMOVCLQjPxAv', 'High Visibility Men (', NULL, 'High Visibility Men (Performance Documentation) is an act appropriating the work of technicians, who were setting up and dismantling the installation One, Two, Three Swing! at Tate Modern in London between September 2017 and April 2018. The video shows the working days of figures, who, in the art system, are usually ‘invisible’: the art-handlers. \nThis is an unauthorised project, aiming to appropriate all the setting up and dismantling phases of the Hyundai Commission scheduling, turning them into a performance documentation.\nThrough readymade, appropriation and artistic documentation practices, the project attempts to define a form of un-theatricalised action, in which the acts of the filmed subjects, the ‘performers’, had no pre-set directions. The result is the documentation of a found, captured, post-produced situation. This project is based on a personal, theoretical study, through which the abovementioned art practices have been reread. The Duchampian readymade concept is not applied to objects, but to actions (‘already-made’ actions). The appropriation is understood as an appropriation of a situation. Via Boris Groys’s theory of ‘Art in the Age of Biopolitics’, the documentation is used as an artwork itself.\n\nThe amateurish aesthetic of the video emphasises its illegal aspect, and the slowness of the scenes is intended to report to the public, as much as possible, the found reality.\nHigh Visibility Men (Performance Documentation) is a 45’, full HD video.', NULL, NULL, 'We would like to project the video on the wall and let it run in a loop. The projection must be at least 2 metres wide. \nMaterials needed: \n–projector\n–speakers\n–bench/seat. \nThis technical information can be modified according to your needs.\n\nVideo Link: link:https://drive.google.com/file/d/107GANEjO_sxuEXKovmtTL41CmW8qgu7O/view?usp=sharing', NULL, 'artist', NULL, NULL, 'link:https://drive.google.com/file/d/107GANEjO_sxuEXKovmtTL41CmW8qgu7O/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2513, NULL, 374, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2696, NULL, '2020-06-01 17:40:03', '2020-08-04 14:58:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26330, 'whgDwMVqJlmScXXz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:41:02', '2020-06-01 17:41:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26331, '7keDDZQUIRdAnSPr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:41:34', '2020-06-01 17:41:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26332, 'uz2yD0eUwMxIiUlx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:41:49', '2020-06-01 17:41:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26333, '5xBiTBvHtM62WZz2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:45:43', '2020-06-01 17:45:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26334, 'JkIK4iufdQSBxCYK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:48:58', '2020-06-01 17:48:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26335, 'W0TMSzuToCI6cuPw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:49:26', '2020-06-01 17:49:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26336, 'cBiqpGfKKgvpqKIJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:50:35', '2020-06-01 17:50:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26337, 'dim1EbFewhBM1TMG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:50:46', '2020-06-01 17:50:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26338, 'TOJnC1cdd5rIXN7w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:51:31', '2020-06-01 17:51:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26339, 'lxmSUAOM7U7UQt27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:52:22', '2020-06-01 17:52:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26340, 'bOgwLf1BIx5IJe3c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:54:02', '2020-06-01 17:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26341, '6INM3RqPNIyYeJAB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:54:24', '2020-06-01 17:54:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26342, 'N1Gb41yUpIDfAoLM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 17:55:18', '2020-06-01 17:55:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26343, 'i4T2vlD21e6RWHQR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:04:08', '2020-06-01 18:04:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26344, 'CdPaNqDwcmytfdCa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:04:58', '2020-06-01 18:04:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26345, 'gq9hewSobcbzClMG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:07:29', '2020-06-01 18:07:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26346, 'sltvJhYWHmsHAMVH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:07:43', '2020-06-01 18:07:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26347, 'StNLWuDonlAQa2XN', 'Choreographies of Instability: I am not enough', NULL, 'Choreographies of Instability es el nombre bajo el cual se agrupan un conjunto de piezas que, a partir de breves y sutiles gestos corporales, buscan construir una suerte de danza indeterminada que se desarrolla, precisamente, a partir del concepto de límite. En este sentido, estas \"coreografías\" tienen como objetivo poner de manifiesto la presión a la que nos sometemos en pos de una determinada productividad que medirá, no sólo nuestra validez como sujeto productivo sino, principalmente, nuestra insuficiencia como tales. Es así como, la video performance presentada para Bienal Sur, es una obra inédita que, a partir del simple gesto de intentar mantener el equilibrio, busca mostrar el carácter absurdo que se desprende de la forma de articular y así, coreografiar, nuestras acciones a favor de conceptos en esencia abstractos, tales como efectividad, ideoneidad, precisión, entre otros. La inevitable frustración que de estos procesos resulta se expresa de forma explícita en el audio, una especie de pieza sonora que usando la conjugación como forma narrativa, da razón de la histeria que, producto de la imposibilidad e insatisfacción, crece a lo largo del video.', NULL, NULL, 'Pared blanca donde proyectar el video, habitación totalmente oscura, altavoces.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=6hz41Fb6u-c&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3843, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3269, NULL, '2020-06-01 18:11:34', '2020-07-20 23:57:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26348, 'PO4pYfxEw3VHm7oI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:11:45', '2020-06-01 18:11:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26349, 'Z5LaDxUx7KfjSBxA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:11:57', '2020-06-01 18:11:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26350, 'JNXzCrjsBv7BC9n9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:13:33', '2020-06-01 18:13:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26351, 'D5LiMpadrBODBe5V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:15:46', '2020-06-01 18:15:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26352, 'LsiB9XCr6g3nNiU3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:17:52', '2020-06-01 18:17:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26353, 'hFk2m6nFHYkl0LR3', 'Escenarios en convivencia', NULL, 'Esta propuesta dibuja escenarios donde el lenguaje visual de la arquitectura y del diseño funcional manipulan el sentido de nuestros espacios domésticos y su cotidiano mobiliario. Los escenarios se constituyen con una serie de piezas a las que denomino “entidades formales” que circundan la ambigüedad, versatilidad y la funcionalidad del objeto. No buscan generar objetos autónomos ajenos a su contexto, sino que encuentran su manera definitiva en la tensión y relación entre ambos. Es una experiencia de inmersión o bien de tropiezos con espacios donde recientemente alguna forma de actividad cotidiana tuvo lugar, la tendrá, o sucede y trasciende su temporalidad. \nRecordando tantas utopías –Bauhaus entre ellas-relacionadas con la abstracción y la geometría a comienzos del siglo XX  y como ellas venían asociadas a grandes proyectos revolucionarios, o a la idea de crear ‘nuevas realidades’ como el caso de Malevich, en su aventura de la abstracción pura, esta propuesta persigue esta búsqueda de nuevas realidades, creando situaciones que ponen en primer plano el legado duradero del minimalismo al mismo tiempo que evocan aspectos formales de la arquitectura y el diseño en combinación y contraste con diversas formas y materialidades. \nEsta escena desorganizada del minimalismo modernista persigue reflexionar acerca de la versatilidad y el orden aparente de determinadas estructuras formales, el potencial de sus interpretaciones junto a su proyección ilusoria e imaginaria en el espacio.', NULL, NULL, 'El o los escenarios deberían ser emplazados en Argentina o en cualquier otro país, en amplios espacios para poder ser vivenciados con distancias convenientes de observación e inmersión en los mismos. Pueden ser tanto áreas exteriores como interiores, salas,patios secos, halls, etc. de 60 a 200 metros cuadrados aproximadamente, dependiendo de la posibilidad de generar uno a varios escenarios y/o grupos escultóricos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2858, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2481, 5, '2020-06-01 18:39:15', '2020-09-02 16:35:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26354, 'JCslY6BUhpnI8QQI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:41:13', '2020-06-01 18:41:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26355, 'pGTbytHJlTCU0Xa1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:43:43', '2020-06-01 18:43:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26356, 'aucgaFkqQN018m9x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:47:32', '2020-06-01 18:47:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26357, 'AX6PfivFHHxFypim', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:47:42', '2020-06-01 18:47:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26358, 'wN6I2Q1ahXPSY5Kx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:50:55', '2020-06-01 18:50:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26359, 'gf117PXn7bHBth0y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:52:36', '2020-06-01 18:52:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26360, 'vNjC8HJVOE4irfMj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:53:37', '2020-06-01 18:53:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26361, 'FwR1wAWph009k4Es', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:55:48', '2020-06-01 18:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26362, 'TpK9XlJ6QAnHIdwf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 18:59:53', '2020-06-01 18:59:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26363, '2WNCQcvLgw1yiv7G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:02:39', '2020-06-01 19:02:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26364, 'ancF1vwOiIiuECDG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:13:40', '2020-06-01 19:13:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26365, 'RI32z7ItgIehDhdj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:17:04', '2020-06-01 19:17:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26366, 'aI3tPYLU5PkEtYE7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:24:16', '2020-06-01 19:24:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26367, 'wreXi67ljyJ036rt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:26:02', '2020-06-01 19:26:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26368, 'rCJufArDKYCHVyFh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:27:29', '2020-06-01 19:27:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26369, 'piTDhHOCFgvxtT1Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:28:15', '2020-06-01 19:28:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26370, 'DUW9mOIeUUiOLCyp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:28:38', '2020-06-01 19:28:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26371, 'IueRIYLuZ6aDbi8z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:28:53', '2020-06-01 19:28:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26372, 'fcyOfkZlRWCfdKuz', 'TORDO', NULL, 'Tordo es acción escénica que vincula danza, pintura y sonido en tiempo real poniendo el foco en situar al publico en un espacio inestable a nivel sensorial buscando así, la concepción de la pieza artística desde una construcción neuronal incomoda. Ubicamos al espectador en un espacio donde la percepción por momentos es visual y en otros, solo auditiva. Invitamos a la introspección, a la exploración del ser interior desconocido a visualizarlo, a deconstruirlo y es que, desde este concepto se genero toda la pieza.\n Hemos tenido muy presente en el proceso compositivo el ser humanx y su necesidad de habitar el afuera, el espacio tridimencional ignorando las otras posibles dimensiones las cuales, podemos habitar desde dentro por medio de la introspección mental, viajar así hacia cualquier lugar quitándonos la concepción impuesta de espacio y tiempo. Buscar lo no tangible para detener ese tiempo y entrar en un túnel que nos conecte con la totalidad del ser.', NULL, NULL, 'Equipo:9 performers\nAriadna: danza \nFlavio: Sonido\nConstanza: Pintura\nensamble: sonorización \nExtensión: de 9 a 15 minutos, \nDimensión del espacio: 10 metros cuadrados aprox. \nLa tonalidad de la pieza viaja por distintas gamas de azul trabajados con instalación eléctrica tenue, situada por todo el espacio la cual, converge con la paleta flúor que utiliza la artista plástica en los momentos donde interviene los cuerpos del resto de lxs performers.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2595, NULL, 306, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2250, NULL, '2020-06-01 19:30:24', '2020-07-21 13:25:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26373, 'RiyLF7r3S4QqaWKn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:32:26', '2020-06-01 19:32:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26374, 'O7YITXuO9Y8afaT7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:37:56', '2020-06-01 19:37:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26375, 'yfh6kYmcxGDgU1nL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:39:46', '2020-06-01 19:39:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26376, 'MdHrsBKBdI3fYCGT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:41:42', '2020-06-01 19:41:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26377, 'NijE7Aj3jdHrei7j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:45:46', '2020-06-01 19:45:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26378, 'An6U48tREQomnzga', 'La araña (mediaciones biográficas)', NULL, 'Es una puesta en montaje sobre origen y destino, en una línea de tiempo tan desdibujada como lo disciplinar en el quehacer de cada una de estas artistas. Las artes vivas como recurso de activación habilitan la muestra como un dispositivo que construye experiencia, desde instancias que develan algo esencial. Toma la imagen como materia viva, como portal que potencia una otra imagen desde la memoria singular.\nModos de obrar en tomas de posición donde la autoría cede, se evidencia lo rizomático del tejido (social), el peso de lo autobiográfico en la fragilidad de los discursos hegemónicos, y se abre el código de la propiocepción.\nEl silencio, la palabra, la lejanía, el presente del cuerpo aunque el cuerpo no esté presente, los sonidos y su falta, la insistencia y la ficción como un posible, juegan una puesta en escena mancomunada, desde versiones expositivas de obras y obrares elegidos. \nXimena activa su archivo y el espacio a partir de su presencia inicial con una performance, mientras Nia dispone materialidades accionando memoria con climas y atemporalidad. Paz propone el juego de agotar lo racional. Paula nos enfrenta a su imagen y su voz enuncia, envuelve y ambienta el trance del acercamiento a su presencia.', 'Nia Diedla (Franco-chilena)\nhttp://www.niadiedla.com/\n\nPaula Baeza Pailamilla (Mapuche)\nhttps://paulabaezap.wixsite.com/-paulamilla\n\nPaz Marin (Chilena)\nhttps://cargocollective.com/alfonsinaconfusiva/Libro\n\nXimena Pereyra (Argentina)\nhttps://issuu.com/ximenapereyra84/docs/perfo_lejos_lejos__lejos', NULL, 'Un espacio con 4 segmentos separados, que permitan un recorrido que una las obras. Todas las salas deben poder aislarse sonora y lumínicamente, 2 de ellas de dimensiones más pequeñas y 2 más alargadas, una de cada una debe poder oscurecerse en su totalidad. Se prefiere un espacio expositivo como el Macro (Rosario) o uno que permita una iluminación natural o teatral climática, y se valoran espacios cercanos un río o árboles, o a un horizonte y donde se precise de una caminata larga para llegar.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/320428592', NULL, 'https://soundcloud.com/romina-resuche/audio-paulapailamilla6', NULL, NULL, NULL, NULL, NULL, 2566, NULL, 301, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2226, NULL, '2020-06-01 19:56:57', '2020-08-14 16:45:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26379, 'GmToRKqEnPYs7q4R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:57:07', '2020-06-01 19:57:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26380, 'BiNHF7OAjMXZW4zY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:57:17', '2020-06-01 19:57:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26381, 'ugUIRP9fxpx8Jfv6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 19:58:01', '2020-06-01 19:58:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26382, 'x6huB0ErGQpq7DAw', 'Traces', NULL, 'In these four video artworks, the photographic trace, lost with the film, is reinvented to show everyday life under a new aspect.\nThese videos aim to free themselves from the immediacy of reality by adding the near past to the present moment,\nthus highlighting the cause-and-effect relationships that govern the world.\n\n\"Traces:Birds\"\nhttp://franetjim.free.fr/traces-birds.html\nNovember in Marseille, starlings gather on a crane before their big departure to Africa.\nWill their freedom of movement forever remain a distant dream for humanity?\nLength : 1mn - Quicktime file - 1920*1080 - 2018\n\n\"Traces:Lights\"\nhttp://franetjim.free.fr/traces-lights.html\nAudiovisual experimentation from a video filmed by car, by night in Beijing.\nUncontrolled movements of the camera are used to give a new reality to the lights of the night.\nThe music is generated by the variations of the total brightness on the screen.\nLength: 3mn18s - Quicktime file - 1920*1080 - 2019\n\n\"Traces:Trees#5\"\nhttp://franetjim.free.fr/traces-trees.html\nFifth in a series of works that focuses on the audiovisual aesthetics of the dialogue between wind and trees.\nThe photographic trace, recreated in these contemplative videos, reveals patterns of impressionist inspiration.\nLength : 4mn14s - Quicktime file, 1920*1080 - 2019\n\n\"Traces:Waves\" :\nhttp://franetjim.free.fr/traces-waves.html\nShot in Marseille, this video is an analytical study of the waves breaking on rocks.\nLength : 4mn46s - Quicktime file - 1920*1080 - 2018', NULL, NULL, 'The 4 videos can be either be screened on 4 different screens or the one after the other.\nIn case you like another video from the \"Traces:Trees\" series, feel free to include it.', NULL, 'artist', NULL, NULL, 'Please use the links in the synthesis of project.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2526, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2187, NULL, '2020-06-01 20:01:49', '2020-08-12 18:34:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26383, 'L4TwEUvLcZcWl3S2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:04:25', '2020-06-01 20:04:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26384, 'E6Hoa1c4WmD6WDDM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:05:15', '2020-06-01 20:05:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26385, 'HZdzStfdqKFF5zPY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:06:03', '2020-06-01 20:06:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26386, 'E2ZKXxcu2h7AwPWX', 'Catadores', NULL, 'propuesta de los artistas Daniel Moreira y Leandro Gabriel, quienes desentrañan y amalgaman el proceso de creación fotográfica, escultórica y cinematográfica.\nEn la obra Catadores, los artistas articulan lenguaje y diferentes soportes para traducir una mirada al hombre que pasa, coleccionista y transformador de los restos del paisaje urbano.\nEl trabajo consiste en:\nUna escultura de hierro, un video y un conjunto de 12 fotografías. y un conjunto de 12 fotografías.', NULL, NULL, 'Espacio mínimo de 140 m2.\naltura mínima de 4 metros\n\n* propuesta de espacio para ser discutido con la curaduría de la Bienal.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/221635109   /    https://vimeo.com/250155275', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5529, NULL, 781, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4590, NULL, '2020-06-01 20:06:54', '2020-08-03 18:21:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26387, '3APDJtLHRZBwdGcg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:07:50', '2020-06-01 20:07:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26388, 'ZeeSMQ1hdLGGcLbf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:10:43', '2020-06-01 20:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26389, 'Ck4Tp1pkRH7an7Us', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:11:27', '2020-06-01 20:11:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26390, 'YgklUseGCzQaLd9y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:12:02', '2020-06-01 20:12:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26391, 'a5te7C9GwTEWJdbp', 'Sin título. Serie Señales de humo para otros mundos', NULL, 'La señalización con humo es una forma de comunicación originaria utilizada para transmitir rápidamente un mensaje venciendo la distancia. Dependiendo de su código, el mensaje se leerá como pedido de auxilio o indicación geográfica. En Señales de humo para otros mundos Patricia Viel acciona bengalas en paisajes patagónicos que remiten al vacío. La coloración de estas señales no es arbitraria, es la más indicada para que la intención comunicacional sea eficiente, por su contraste con el paisaje circundante.\nEn esta propuesta en simultaneidad, se plantea el desarrollo de una exposición multisporte en Quito, que se complementa con acciones en simultáneo que serán realizadas en PATAGONIA ARGENTINA, para ECUADOR   y COLOMBIA, y que luego se insertarán en la exhibición.\nPor primera vez, y luego de más de 4 años en las que “Señales de humo” no identificaba a receptor alguno, aparecen destinatarios en triangulación, para quienes esas señales son dirigidas específicamente. \nEl acto performático de enviar señales de humo en la era digital le permite a la artista ubicarse en un tiempo y un espacio, hablar de las distancias y de un estado de alerta o emergencia. la expansión del humo, su orientación, su concentración o difuminación son instancias clave de un acontecimiento que interroga sobre las relaciones entre paisaje y sujeto, entre naturaleza y artificio, entre la posibilidad o imposibilidad de comunicarnos. Y sin embargo, lo que persiste es el gesto, la potencialidad del encuentro', NULL, NULL, '-Sala expositiva Project Room de Arte Actual. Flacso Ecuador. Quito, Ecuador. Sala abierta a nuevas tendencias, formas de expresión, y preocupaciones sociales conceptuales y estéticas del arte contemporáneo nacional e internacional, tanto de artistas emergentes como con trayectoria. Largo 15 m, ancho 6 m, altura 3 m. 21 m2 \n\n-Acción performática en simultáneo con exposición en Quito, en Patagonia argentina y Colombia', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5451, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4524, NULL, '2020-06-01 20:12:06', '2020-08-14 04:50:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26392, 'CICOdwSeNduUlaWU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:12:38', '2020-06-01 20:12:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26393, 'ObRnstsMEuXvqfQs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:13:31', '2020-06-01 20:13:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26394, 'QeLb4jUMa6qcSWtz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:13:54', '2020-06-01 20:13:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26395, '2mdlVM1LFIKyJJ0i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:13:55', '2020-06-01 20:13:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26396, 'm9a5U3sLSUkvuhkJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:15:39', '2020-06-01 20:15:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26397, 'b9coOMsiNE81A4Vt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:16:23', '2020-06-01 20:16:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26398, 'X3VGkzWysjgqxs5o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:16:28', '2020-06-01 20:16:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26399, 'EJo8O6OXAByj1Z0d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:19:17', '2020-06-01 20:19:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26400, 'i3yJWJDv5yfpHHHC', 'Do-Redo-Undo and (un)Doing', NULL, 'In my practice, actions such as drawing, dancing, weaving, photographing are mediation for conscious relationship between me, myself and my context. Structured by repetition, my practice reformulates the experience of everyday life: instead of an idea of monotony (of tasks), the repetitive has an aesthetic role of poetic virtue (poiese). A creative function that I use as methodology to induce new organizations.\n\nThe sculptures that I propose, emerge from the action of knitting. Action that I use to generate a delay/permanence time — which contradicts the urgency of contemporary times —, and a relational space, where virtual interlacing are made with different knitting generations (mostly in the female field).\nTherefore, this works should not be perceived as closed forms, showing perfection or virtuosity technique (knitting), but as sensitive forms of a lived experience organized in tactile and kinesthetic impulses, in dynamics established between interiority and exteriority, present and memory.', NULL, NULL, 'As geographies, these sculptures are organized by relationships that I inscribe by knitting at the studio/home searching for a global sense of place. When exposed, and depending on each person\'s experience related to knitting or wool, they will be a new relational space, and others trajectories will appear. As locations, the work should be hung from the ceiling and displayed in a space where people can circulate among them.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2738, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2376, NULL, '2020-06-01 20:22:48', '2020-06-24 21:43:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26401, 'WMCBdB78KboJwS4H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:25:50', '2020-06-01 20:25:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26402, 'PJ3fny8027diJluC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:27:33', '2020-06-01 20:27:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26403, 'QJbJ6z9ygA760jO3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:28:10', '2020-06-01 20:28:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26404, 'xebgD0CudWh5CFjm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:29:26', '2020-06-01 20:29:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26405, 'aSQsbfy168boSr8B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:32:47', '2020-06-01 20:32:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26406, 'TpsWSsOwsKvaRsbB', 'LUZ ANDINA', NULL, 'La cestería a sido un motor político y económico para las comunidades Andinas. La identidad y  calidad de nuestras artesanías se pierde con el paso del tiempo y la migración del campo a la cuidad. La industria moderna esta remplazando materiales tradicionales por materiales sintéticos de baja calidad. El proyecto buscar rescatar estas técnicas de una manera transparente empoderando a las artesanas a buscar fuentes alternativas de trabajo digno. Destacando su trabajo por sus materiales, calidad e identidad del producto.Creando artesanía fina enfocada al campo de la iluminación. Presentando productos que combinan un aire industrial y artesanal a su misma vez. Luminarias que cuenten nuestra historia. LUZ ANDINA; utiliza el diseño como una herramienta importante para lograr un producto real y replicar la misma experiencia en diferentes países.Con una perspectiva ética y un enfoque sostenible de crear una piezas únicas reproducibles a mayor escala y un impacto positivo al medio ambiente', NULL, NULL, 'Crear un espacio en el cual por medio \nde la iluminación se explore la cestería desde\nuna perspectiva tanto contemporánea \ncomo abstracta.La cestería a sido un motor de desarrollo\n económico como político dentro de las comunidades ancestrales. \nQueremos llevar al espectador a interactuar con nuestra raíces indígenas\n por medio de diferentes tejidos, texturas y colores. En los cuales el diseño\nde iluminación sera fundamental para crear un experiencia emocional.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/356704232', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4265, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3619, NULL, '2020-06-01 20:32:53', '2020-07-08 00:27:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26407, 'xJiXE9mKSBMVYJ5R', 'Revisiones incontinuas. Propuesta de videoarte', NULL, 'Serie de video arte, 6 piezas audiovisuales experimentales cortas de tipo video-ensayo, en los que el autor integra la conceptualización teórica para videoarte con la reflexión crítica sobre el consumo televisivo y los discursos de los medios dueños de la emisión. Al tiempo que se explora la imagen auto referenciada y la abstracción visual de la relación vida-arte.\n\nDe carácter introspectivo y auto reflexivo, una obra visual y conceptual de interpretaciones existenciales y abstractas sobre temas recurrentes en la modernidad, que involucran las concepciones de las personas sobre los medios de información a través del tiempo, y particularmente en la historia del videoarte como medio de creación.\n\nCada obra de la serie será concebida dentro de 3 elementos que se interrelacionaran en el desarrollo de la propuesta.\n\nTema general: Consumo activo y crítico de los contenidos emitidos por los medios televisivos. \nSub Temas:\nLa imagen televisiva: representación e identificación.\nImagen Engaño. Televisor como aparato de difusión de propaganda, los medios de comunicación para el control de masas.\nEl papel crítico del ciudadano frente la información que recibe por medio de la tv.\nLa libertad de movimiento en un mundo inmóvil. O todo se mueve y yo estoy quieto.\nLa espectacularidad del montaje, la pirotecnia de lo que brilla hasta que enceguece.\nLas narrativas vivas y a tiempo real. La línea de tiempo alterada.\nLa vida como un loop donde empiezas, recorres y terminas en el principio.', NULL, NULL, 'Por las características de esta propuesta, su presentación final puede ser adaptada a diversos espacios: una sala con proyecciones en sus paredes frontales y laterales; un espacio con pantallas distribuidas cada una mostrando un video de la serie; una sala de cine donde se pasan todos los videos uno tras otro y con horarios para el publico; una sala pequeña con un dispositivo que contiene todos los videos.', NULL, 'artist', NULL, NULL, 'https://youtu.be/jiCnrEO6cVo', NULL, NULL, NULL, 'https://drive.google.com/file/d/17RX1v6gfqgviDZC_EBqrflh9DOUNcWyl/view?usp=sharing', NULL, NULL, NULL, 5410, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4491, NULL, '2020-06-01 20:36:01', '2020-07-29 17:09:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26408, 'aTsgToKNA1ZgPgM1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:37:38', '2020-06-01 20:37:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26409, 'z5k83t8z8NEHgEdP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:38:29', '2020-06-01 20:38:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26410, 'ZJktzyAxjFGdxSu6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:47:05', '2020-06-01 20:47:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26411, 'j1YdMcDFMAmRCD9k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:48:21', '2020-06-01 20:48:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26412, 'o9bE3FWdcBOIzcw4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:48:29', '2020-06-01 20:48:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26413, '2vQMKRoM06KAAFXL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:49:02', '2020-06-01 20:49:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26414, 'XC87Z5jX5CDzmFPY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:49:20', '2020-06-01 20:49:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26415, '8aBwmBvxjqO0m4vG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:49:36', '2020-06-01 20:49:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26416, '8lvCzPo17ZXUcJeb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:51:39', '2020-06-01 20:51:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26417, 'xidhBilB7fw7vHT3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:55:01', '2020-06-01 20:55:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26418, '5do7xPjL3X77NmlP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:57:29', '2020-06-01 20:57:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26419, 'hRW7E9WyvrKKXXMT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 20:58:44', '2020-06-01 20:58:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26420, 'hfxhwEUw4YXHMwED', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:02:40', '2020-06-01 21:02:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26421, 'eQES2ZWQ5ugpiQ3p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:03:47', '2020-06-01 21:03:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26422, 'OhXbwenwdVl9ue2J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:09:18', '2020-06-01 21:09:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26423, 'OYCvq9Muet1m2rpN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:14:00', '2020-06-01 21:14:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26424, '8zCGcPva24sGxYZK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:16:11', '2020-06-01 21:16:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26425, '3SGvYNW8U7eu0DuM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:16:46', '2020-06-01 21:16:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26426, 'yNYIlim9eBQoGSpn', 'Líneas de ruta', NULL, 'Mi trabajo estudia data digital en forma de mapas y diagramas expresados sobre superficies textiles. En este caso cuando hablo de  data, parto de  la definición Neff y Nafus, que la entiende como un transductor, algo capaz de preservar ciertas cosas y no otras según con el observador, como aquello que guarda el potencial de desencadenar una narración personal. \n\nParticularmente para este proyecto me interesó analizar data digital creada por comunidades de Venezolanos en Facebook y qué historias pueden contarnos sus rastros. La data recogida fue compilada manualmente en bases de datos. Este proceso, requirió la organización, síntesis y correlación de\ninformación sin procesos automatizados,  lo que me permitió organizar y dar sentido a una\nexperiencia digital particular y explorar la relación entre lugares digitales y físicos.\n\nLa base de datos generada de este proceso de recolección de data se convirtió a una tabla que denotaba los posibles destinos los usuarios en el horizonte de la diáspora venezolana hacia el sur del continente. Esta tabla  fue trasladada al tejido utilizando la técnica conocida como Ikat, que permite preservar áreas del tejido durante el teñido a través de nudos. En este caso cada nudo representa una ciudad entre Cúcuta y Lima. Se realizaron 24 textiles, cada uno basado en un grupo de venezolanos en Facebook.', NULL, NULL, 'Se propone un nuevo montaje de esta obra, esta vez sin los dispositivos de madera. Para ello se requiere una pared de al menos 2m de largo. En esta pared se colocaran las telas como pañuelos, colgados de un clavo u otro dispositivo de montaje similar', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://anamosquera.com.ve/2020/03/21/lineas-de-ruta/', NULL, NULL, NULL, 2530, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2191, 5, '2020-06-01 21:17:14', '2020-08-31 19:25:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26427, '0ckssIM7VbtaiM4r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:17:53', '2020-06-01 21:17:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26428, 'wLuEt0IgNSCU8SOA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:17:54', '2020-06-01 21:17:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26429, '5zFXvv4RzO0KbHS4', '\"expressionless\"', NULL, 'Las pinturas representan una trilogía en la cual, irónicamente, la falta de rasgos en los personajes permite que se expresen de una manera menos superficial \n\nFlight\n2020\nAcrílico sobre lienzo\n60x50\n\nPlaying the Dulcimer\n2020\nAcrílico sobre lienzo\n50x60\n\nCee Tallis\n2020\nAcrílico sobre lienzo\n80x60cm', NULL, NULL, 'Tres soportes para tres lienzos cuyas medidas son: 60x50, 50x60 y 80x60cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://photos.app.goo.gl/Ja5mazJxH15zcdCWA', NULL, NULL, NULL, 2528, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2189, NULL, '2020-06-01 21:18:08', '2020-06-24 18:54:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26430, 'po8Z2JQ1ZDJ7vxn7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:24:27', '2020-06-01 21:24:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26431, '7S0wjdfx4PNPd2kE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:24:51', '2020-06-01 21:24:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26432, 'Wj8Ca3nenlKTYksT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:26:40', '2020-06-01 21:26:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26433, 'u586YumDFKwRqSmu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:26:47', '2020-06-01 21:26:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26434, 'lixkvoNitlxfyLR7', 'Óptico/Panóptico (Entre pantallas, cuerpos y algoritmos)', NULL, 'En esta ocasión proponemos Óptico/Panóptico un diálogo entre danza, video, espacio, acción viva y  público; que conjuga investigación, creación, prácticas para artistas emergentes y producción de obra. Inspirado en el universo de Cuerpo utópico y Espacios heterotópicos de Foucault, el proyecto se materializa en una contundente videoinstalación compuesta por un conjunto de films de danza que se proyectan en loop. De carácter envolvente y de gran formato las imágenes remiten a códigos visuales asociados con la propaganda, lo testimonial, la seguridad, el control, la geolocalización y las nuevas maneras de ser, observar e interactuar. A través de una serie de activaciones performáticas que irrumpen e interactúan con la instalación componemos formatos híbridos que nos acercan al mundo de la información, a las fake news, al relato original y al distorsionado. La multifocalidad como forma de lenguaje abre interrogantes acerca de la imagen mediatizada del cuerpo y nos introduce en la urgente necesidad de confirmar nuestra presencia en el mundo. Concreta y viva la danza se expande y atraviesa nuestro proyecto utilizando el video, la instalación, la performance, las nuevas tecnologías y el acceso a redes.', NULL, NULL, 'En sinergia con lo enunciado las imágenes audiovisuales y la performance interactúan en un espacio de carácter neutro y museal. Cada una de las piezas audiovisuales proyectadas a gran escala sobre los muros blancos hacen las veces de pantallas y generan un tríptico visual envolvente. El objetivo es proponer un escenario de diálogo entre la arquitectura continente, la obra y los espectadores. Un montaje site/specific adaptable a diferentes cubos/blancos.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/1CUAl1b-Cnh8obba-sz5Ybim5tAtN14Xc?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2599, NULL, 307, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2252, 5, '2020-06-01 21:32:41', '2020-09-02 00:17:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26435, 'qfht5KV3KMeXNdMf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:32:45', '2020-06-01 21:32:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26436, 'e8ydqQ3VVEMmjam6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:35:23', '2020-06-01 21:35:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26437, 'fDU8xO3c7rF9POUt', 'Las cosas no caen del cielo', NULL, 'Proyecto gráfico que hace interpretaciones de imágenes encontradas en internet en las que se ven fenómenos y situaciones extraordinarias de encuentros con objetos que caen del cielo. En específico, objetos no reconocibles en su totalidad que han aterrizado en distintos tipos de zonas: rurales, campestres o urbanas, cuya naturaleza parece ser artificial ó natural.\nMeteoros, meteoritos y basura espacial son una metáfora de las diversas formas de aproximación que tenemos como especie ante lo desconocido y que como sociedad determinamos a partir de diferentes tipos de códigos y valores: militares, civiles, científicos, religiosos o rituales. \n\nLa obra da foco a varias historias, para utilizarlas como ejemplos de los diálogos entre objetos-sujetos y el contexto en donde se sitúan, en una operación de reconocimiento tanto en la convivencia, fricción o choque ante lo que cotidianamente se presenta como ajeno. \nEn las imágenes se hace más énfasis en la descripción del objeto que en los personajes, de forma que lo que conocemos se desvaneciera y lo desconocido es lo que adquiere más definición formal debido a la inquietud de su situación indefinida.\nLos dibujos son instrumentos que muestran fenómenos lumínicos y situaciones transitorias en las que un elemento extraño (por ej. inmigrantes, desplazados, miembros de una minoría, etc.) puede adaptarse al entorno, o ser rechazado con total brutalidad como respuesta ante su presencia por erigirse desde la diferencia como la otredad.', NULL, NULL, 'Esta propuesta es parte del proyecto Las cosas caen del cielo (que no siempre), recipiente del estímulo gubernamental mexicano Sistema nacional de creadores. De ser preseleccionada para participar, planteo hacer una revisión del proyecto para determinar el espacio expositivo ideal. De considerarse solamente la obra registrada, necesito un espacio interior. El montaje funciona tanto en la disposición de piezas en una pared de 3 X 15 mt. aprox., como dentro de una habitación de 4 X 4 mts.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3744, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3197, 5, '2020-06-01 21:40:33', '2020-08-28 18:18:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26438, 'ncvQCbVthLJuYirI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:43:09', '2020-06-01 21:43:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26439, 'uzdqBf0eZIDuKwiP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:43:58', '2020-06-01 21:43:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26440, 'wkeiDaiRBGUw0AAK', 'Covid19', NULL, 'El florecimiento de los seres vivos tras la pandemia', NULL, NULL, 'Cuarto vacio. Fondo blanco instalación de video proyectada en pantalla y sobre pared.', NULL, 'artist', NULL, NULL, 'https://youtu.be/LWj_zye9HWY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2529, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2190, NULL, '2020-06-01 21:46:32', '2020-06-24 18:54:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26441, 'cyJSUNHfVz5wg2Yr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:52:08', '2020-06-01 21:52:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26442, 'zTE3do3EXMW0AACM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:52:49', '2020-06-01 21:52:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26443, 'K1eWvaJ1wzqCSiTv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:53:28', '2020-06-01 21:53:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26444, 'AAs9G2pXixtsbU3o', 'Mar de Recuerdos', NULL, 'Caíque Costa vive en Salvador, una ciudad costera cuya cultura, muy extendida en todo el mundo, está influenciada por la presencia del mar en el paisaje urbano. Sin embargo, se alejó del mar cuando se acercaba a la edad adulta y notó que las personas a su alrededor se comportaban de manera similar. Entonces, el artista decidió rescatar los recuerdos de su infancia, cuando el mar no era solo un paisaje pasajero visto a través de la ventanilla de un automóvil o una mera distracción de descanso semanal; El mar era un compañero. El trazado deforme de la luz, con un matiz pictórico impresionista, acerca la fotografía a la pintura. Estas son imágenes que se refieren a nuestros recuerdos más profundos, así como a un futuro incierto, ambos llenos de brechas. Van más allá de los registros de la belleza de los paisajes marinos; rompen los paradigmas de la fotografía al usar imágenes del ahora para representar recuerdos.\n\nLas fotografías de este ensayo muestran escenas comunes observadas, pero no siempre vividas, en la frenética vida cotidiana urbana de las grandes ciudades costeras. Lo que está al alcance, pero escapa, no se siente porque no está registrado en su integridad. Las imágenes son borrosas, al igual que nuestros recuerdos más lejanos. Son una invitación a mirar el mundo que tenemos en nosotros, a sumergirnos en el mar de recuerdos que nos constituye, y a experimentarlo de nuevo. En un mundo lleno de imágenes, es urgente romper la superficie para reconstruir nuestra esencia.', NULL, NULL, 'El espacio expositivo debe ser plano. Las obras pueden fijarse directamente a la pared o pueden suspenderse, colgando de una estructura en el techo del espacio.\n\nSe recomienda que las fotografías tengan un tamaño de 73 x 110 y / o 60 x 90 cm. Se imprimirán en Canvas Fine Art, en el marco tipo caja, sin vidrio.', NULL, 'artist', NULL, NULL, 'https://youtu.be/XZ9YL1aL-fg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2531, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2192, NULL, '2020-06-01 21:53:49', '2020-06-24 18:54:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26445, 'DlRmFvLRiviG8e2V', 'KOUROS', NULL, 'Urban Intervention in a Public Space.\nArtist: Aaron Nachtailer (Argentina)\nCurator: Silvia Bettoli (Italy)\nA giant upside down tree, in front of a white canvas. \nLike a frame, in the middle of the city, an inverted tree, its roots in the air, its crown not visible, buried in a green hill: it amazes and invites to find answers. \nThe artist emphasizes the idea of a necessary change, subverting the established rules. \nA tree that tends towards an absolute mental image, a tree not intended as a figurative sign but as an instrument of ritual practice. \nNature, culture and human being are connected and indivisible entities.\nA vision of reality, according to which, there is a symbolic correspondence between natural elements and spiritual truths; nature is a repertoire of moral teachings. Nature offers man the possibility not only of freedom and aesthetic beauty, but also of recollection: man finds himself.\nThe work has a double usability, on one side: it is visible at a certain distance, even passing by car;\non the other side: it will be possible to climb a ladder on the back, hidden by the white canvas and have a different point of view of the city, on the tree, and on ourselves, on what we really want. \nFrom this observation point you can witness the rebirth of a plant inside the roots of the tree.', 'AARON NACHTAILER - ARGENTINA\nwww.aaronnachtailer.com', NULL, 'A public space that can guarantee the double usability of the artwork.\n1. A vision from a certain distance, even by car.\n2. The possibility of accessing and climbing the stairs.\nOverlooking an Avenue, with the possibility of greenery around and the height of the surrounding buildings max. 20 meters\nPossible spaces\n1. Plaza San Martin\n2. Bosques de Palermo Avenida Sarmiento / Avenida Libertador\n3. Facultad de Derecho, Av Figueroa Alcorta', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5188, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'si', 'A COMPANY SPECIALIZED IN BUILDING, TO PROVIDE THE SCAFFOLDING AND CAN BE ABLE TO GUARANTEE THE STABILITY OF THE TREE AT THE SCAFFOLDING\nA GARDNER', NULL, NULL, NULL, NULL, 'AN ECO-SUSTAINABLE INSTALLATION.\nWHAT IS  NEEDED:\n A TREE REVEALED WITH ALL THE ROOTS\n20 CUBIC METERS OF EARTH THAT CAN BE USED AND RETURN, WITHOUT DISPOSING OF IT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4319, 5, '2020-06-01 21:55:03', '2020-09-02 22:59:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26446, 'XB4vLuTzfTuKS0MH', 'En la casa, el exilio.', NULL, 'En la casa, el exilio es un instalación que representa los muros devastados de lo que un día fue una casa. Narra la historia de todas aquellas casas abandonadas producto del desplazamiento forzado por la guerra en Colombia. \n\nPoner la casa a rodar: \n\n1. Seleccionaremos una serie de municipios de los departamentos de Antioquia, Boyacá y Santander, lugares que han sido profundamente marcados por la historia del desplazamiento.\n2. La casa, meses antes de la exhibición oficial comenzará a trasladarse a través de los municipios previamente seleccionados, en donde la pieza será montada y desmontada entre parajes o comunidades. \n3. Se realizarán registros fotográficos, de video y otros, en los lugares en los que la obra/casa se detenga durante su recorrido. Serán esos registros los que den cuenta de su trayecto. \n\nAl finalizar el recorrido se realizarán dos álbumes fotográficos, con una doble intencionalidad, la primera es netamente semiótica y narrativa, reconstruir el relato del transito de la obra a partir de las fotografías; la segunda es conceptual, un álbum fotográfico como objeto desplazable, pero aún así vulnerable ante el abandono. También se realizarán una serie de videos en donde se recopilen los testimonios de aquellos quienes interactuaron con la pieza para ser presentados en la exposición y el último elemento que conformaría la muestra es una impresión laminada de un piso en mosaico que se ubicará en un espacio destinado para mostrar la casa, que nunca llegará.', NULL, NULL, 'La exhibición estaría conformada por cuatro piezas: Una impresión laminada (suelo en mosaico), de 7 x 10 mts aproximadamente, con iluminación en cenital que exalte la alusión al espacio de la casa. Dos álbumes fotográficos de 40 cm x 50 cm cerrados y 80 cm x 50 cm abiertos, dispuestos cada uno sobre un atril; y finalmente tres videos testimoniales del transito de la obra. Sugiero un espacio/sala  de 13 x 10 mts aproximadamente, con una acustica acogedora para garantizar la inmersión del público.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=19OLkJZ70Js&feature=youtu.be', NULL, NULL, NULL, 'https://www.dropbox.com/sh/6jxvr831lrpyg9z/AAArZJdlIkvMW0njvi52ywLaa?dl=0', NULL, NULL, NULL, 4146, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3532, 5, '2020-06-01 21:55:08', '2020-09-01 07:13:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26447, 'KQ2Vk0tU3xYT3mLx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 21:59:19', '2020-06-01 21:59:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26448, 'VoUNYM1XEg0aImp9', 'Despertar', NULL, 'installation and painting Project Despertar. It is also a plausible explanation for the process of composition of “Desfechar para espertar”, “Ensaio sobre a curva” and the series “Paquerinhas”. The poetic research of Bas Jan Ader, Dutch artist that masterfully investigated the boundaries of his body in relationship to the world, may suggest what I consider a vital mark on João Trevisan’s works.  Pendulating on the end of a tree branch, tumbling down a river, collapsing on a bridge, falling and falling, the object provoking its own fall and allowing itself to fall, Bas Jan Ader may reveal to us that João Trevisan’s interests regarding the positioning of his installations and objects do not merely consider the visual impact of the pieces. However meager or monumental, each object reveals to the retina its own weight. \n“Those pieces of wood assume the characteristics of bodies”, the artist states about the installation that inaugurates the show. The material used is collected after being abandoned along the railways, where Trevisan goes on walks. His interest in the material results from an inaugural encounter with the used structures from the railway tracks - already derailed and dislocated. In “Desfechar para Espertar”, the articulated bodies are presented as static. For this, a position is chosen, among another 8 possible positions, to maintain the body immobile, a form that is repeated in the 4 bodies that occupy a space of 7m consecutively.', NULL, NULL, 'the exhibition space is 18 square meters for installation and for the installation painting it will be approximately 4 meters of walls that served to create a specific composition for the space.\nthe installation desfeschar para espertar will be placed in this 18 square meter space.\nthe installation is made of wood and iron. The wood was collected from the railroad.\nThe painting is oil on canvas, different sizes', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2535, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2196, NULL, '2020-06-01 21:59:23', '2020-08-12 18:34:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26449, 'afxO8tAcGsR1PxhM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:01:33', '2020-06-01 22:01:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26450, '3BeotJqKBcot6iol', 'Impactos del neofascismo en Brasil', NULL, 'Representaciones gráficas y abstracciones del avance del fascículo mneo en Brasil y su impacto en los derechos humanos, especialmente en personas de ascendencia africana, pueblos indígenas y trabajadores.', NULL, NULL, 'murales, encimeras o caballetes en un espacio de 20 m2', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1FO-iWQJEUsV_wGLO_dCn4dbN80ysO_-2?usp=sharing', NULL, NULL, NULL, 2532, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2193, NULL, '2020-06-01 22:01:51', '2020-06-24 18:55:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26451, 'hMx1PDCNbXLWUlki', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:06:25', '2020-06-01 22:06:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26452, 'OM6obISJSeOxzawe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:13:19', '2020-06-01 22:13:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26453, 'OkZlYE64fass6vH7', 'How to rebuild hopes', NULL, 'En Septiembre de 2017 un sismo sacudió la Ciudad de México dejando daños profundos. El edificio de departamentos frente a mi estudio quedó seriamente maltrecho. Ahora, después de casi 3 años las autoridades lo reparan. Los polines y ladrillos que componen esta escultura provienen de esta reconstrucción. Por un lado, mientras la función del polín es apuntalar y dar apoyo a partes de la estructura arquitectónica para evitar derrumbes, los ladrillos fungen como elementos que en conjunto levantan muros de protección y delimitan espacios dentro de un todo; al ser envueltos en fieltro, estos elementos pierden sus condiciones matéricas naturales y son despojados de sus funciones originales, se vuelen inservibles, inútiles. Pero en esa inutilidad constructiva se gesta un sentido simbólico, un carácter otro de dimensiones mayores. Esta escultura se convierte entonces en una metonimia espacial.', NULL, NULL, 'No requiere de condiciones especiales.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2664, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2306, NULL, '2020-06-01 22:22:39', '2020-06-24 20:42:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26454, 'wH00qyJxDxiCdMXT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:30:58', '2020-06-01 22:30:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26455, 'ix2ZiX8hVY7RF42g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:32:23', '2020-06-01 22:32:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26456, 'Ucm3Fi5Fo2kYQwTE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:35:02', '2020-06-01 22:35:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26457, 'l1G2MtPv2oqHDvIE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:36:50', '2020-06-01 22:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26458, 'uirc67cy7ANjIhKg', 'CS/HILE Atmoterrorismo, humo y terror en Chile.', NULL, 'La imagen del mapa de Chile hecho de humo, es la figuración de un país obligado a tragar gas corrosivo en respuesta a sus demandas de justicia. El terrorismo de Estado, entonces, se expande por la atmósfera y, en ese sentido, se inscribe en la tradición que el filósofo Peter Sloterdijk ha llamado atmoterrorismo, es decir, un terrorismo atmosférico que usa el aire como medio de diseminación. Este autor ha señalado que el origen de este tipo específico de terrorismo comenzó el 22 de abril de 1915, cuando los alemanes, ayudados por el viento, derramaron sobre las trincheras francesas 5.700 botellas de gas mostaza. Para Sloterdijk este evento es el punto de inflexión de una genealogía del uso del terror a través del medio ambiente. Encontrarse atrapado en un espacio cercado por gas tóxico, sin poder respirar y sin poder ver hacia dónde escapar, es sin duda una de las experiencias más aterradoras que se puedan imaginar. Así, el atmoterrosimo no ataca directamente el cuerpo del enemigo, sino que lo priva de sus medios vitales como el aire para transformar la respiración misma en un acto de lento suicido. Gabriel Tagle ha recolectado las granadas de gas lacrimógeno desde donde emana el gas tóxico y las ha transformado en un objeto estético. Las ha cromado y embellecido, para exhibirlas revestidas de un nuevo valor simbólico que remite al gasto desmesurado de recursos en herramientas y máquinas de terror utilizadas por el estado de Chile contra su población.', NULL, NULL, 'La presente obra ha realizado en dos formatos el año 2020 para dos galerías distintas que a continuación  se especifican: \n\n1.- Caja de Luz con placa pre-programada acompañada de 4 objetos. Impresión en Backlit con terminación satinada.\nDimensión 183cm x 65cm\n\n2.- Cajón objetual con luz stand alone con baterías AAA. Impresión interior en papel foptográfico satinada. \nDimensión 50cm x 15cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6048, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4966, NULL, '2020-06-01 22:36:53', '2020-06-24 20:04:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26459, '9yqgw7Dqd8AhCOzy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:42:51', '2020-06-01 22:42:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26460, 'L72Wa9IISr60AgIv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:47:31', '2020-06-01 22:47:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26461, 'dWpo7egcok2UwDuv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 22:49:04', '2020-06-01 22:49:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26462, 'wXuzirYtYNRyKBVG', 'HILO A CONTAR', NULL, 'Un solo hilo, con varios segmentos de cuentas de vidrio, plástico y madera sobre nylon, permite la creación de líneas que dibujan superficies y espacios tridimensionales. Un carrete forrado con satén y terciopelo verde permite el transporte de este hilo que es de unos cuarenta metros. La variedad de cuentas produce líneas cuyas múltiples composiciones posibles tienen diferentes colores, texturas y formas. La cuenta con un agujero para el paso de un hilo se encuentra desde el Paleolítico. Se puede suponer que fue desde una pequeña cuenta que se originó la rueda e y, toda la contabilidad que rodea nuestras vidas, parte de los conjuntos de cuentas organizadas en un ábaco. Contar es sumar unas cosas con otras para obtener un determinado resultado, enumerar, determinar su cantidad. Contar es considerar algo de la manera que le corresponde, es decir un acontecimiento. Contar es dar valor,  importancia. Contar con alguien es tener presente. Las cuentas juegan con la amplitud de lo que viene a ser \"contar\",  tanto los segmentos y las cuentitas de collares como compartir experiencias. Objetos como terceros, japamalas, el islámico tasbeeh, preguntan qué es una oración, un rosario, un recuento de perdones, casi un recuento de artículos, como cuentas por pagar y fallas a contar. Contar es considerar o tener presente a una persona o una cosa para algún fin. Contar, de hecho,  es ‘tener’, ‘haber’,  ‘existir’.', NULL, NULL, 'El hilo puede exponerse enrollado en su carrete o instalarse directamente en el piso y/o superficies verticales, en este caso uniéndose con pequeños ganchos. La instalación puede ocupar una sola superficie, creando un diseño bidimensional o trazando un espacio tridimensional que cruza líneas. Aunque el objeto dialoga con cualquier ubicación, sus diversos colores y brillo requieren fondos blancos o claros para disfrutar plenamente de las múltiples posibilidades de composición de sus cuentas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.paolazordan.xyz/contas', NULL, NULL, NULL, 5479, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4546, NULL, '2020-06-01 22:50:38', '2020-08-03 18:18:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26463, 'SEtWROe9BvmNIisO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:01:55', '2020-06-01 23:01:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26464, 'pdVUYoopTvGcw4WM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:03:44', '2020-06-01 23:03:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26465, 'TK6wVqh4tLswwYba', 'El polvo del aire', NULL, 'El video que aquí presento proviene de un archivo audiovisual sobre el patrimonio cultural histórico material/inmaterial que he venido desarrollando a lo largo de tres años de viajar por el estado de Chihuahua, México. La secuencia que propongo para la Bienal Sur 2020, cuenta la historia de dos lugares entrelazados por un hilo: las evidencias materiales/inmateriales del periodo colonial y sus vínculos con el presente. \n\nEl video lo dividí en tres secciones. La primera es una narrativa sobre un personaje del pasado, el capitán Juan Fernández de Retana y un habitante actual que lleva el mismo nombre. La segunda parte, es la historia del exterminio de los indígenas conchos y tobosos, junto a la imagen de la Virgen de Guadalupe que trajeron los españoles, imagen a la que dedicaron sus batallas. La tercera parte, es el testimonio sin palabras de tres familias descendientes de hacendados, revolucionarios y pequeños agricultores. Personas que conservan viejas rencillas desde el siglo xix sobre propiedades, y usos agrícolas, que fueron adjudicadas en la Colonia. \n\nCon el video, adjunto una serie de imágenes de stills y el texto que escribí para cada sección de la pieza.', NULL, NULL, 'El video, como las imágenes que lo acompañan, quedan a disposición del diseño curatorial de la Bienal Sur 2020. El formato del video permite que sea proyectado, o visualizado en cualquier dispositivo disponible: proyector, pantalla, etc. Las imágenes pueden ubicarse impresas, o mediante código QR, o, cualquier otro medio que permita la lectura del texto.', NULL, 'artist', NULL, NULL, 'https://youtu.be/Y9MYZyCmm-Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2957, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2553, NULL, '2020-06-01 23:04:23', '2020-07-25 11:15:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26466, '9Mqy3zXmiVFKTl6T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:04:36', '2020-06-01 23:04:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26467, 'JBFs0AdTlo2CY8Sf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:04:54', '2020-06-01 23:04:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26468, 'cZonpnU8qqnQlj7R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:05:18', '2020-06-01 23:05:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26469, 'MOUiKZM2v6DWuDON', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:05:54', '2020-06-01 23:05:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26470, 'o5wJFdraBsjnyocN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:07:43', '2020-06-01 23:07:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26471, 'dkWj7TtgZWks1jwR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:12:24', '2020-06-01 23:12:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26472, 'BIoWTaiBVTMhYOb7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:17:25', '2020-06-01 23:17:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26473, 'eQ4U34jH65YNiebg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:17:32', '2020-06-01 23:17:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26474, 'rwPiextItlkeCmFk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:17:48', '2020-06-01 23:17:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26475, 'gk3YmWVngS4ZYzSQ', 'Sincronia', NULL, 'O projeto que apresento para a Bienal Del Sur é baseado num trabalho que venho desenvolvendo fazem dois anos. Pinturas de partes de corpos humanos, em posturas que envolvem mãos, pés, braços, coxas. Recortes específicos, gestos como uma linguagem especial do corpo(fot 01). \nE também é baseado num trabalho que realizei em 1996, chamado “migração” para o Arte Construtora*, no qual eu instalei peças de cimento com formas de montanha e cabeças de bichos, sob o rio Guaíba, nas margens da ilha da pólvora, para compor com o skyline da cidade de Porto Alegre ao fundo(fot 02).\n A partir disso, proponho uma paisagem composta com esculturas de cimento de membros humanos com acabamento naturalista. Terá uma quantidade de braços e pernas dispostas para fora de um lago como garças em repouso. Essas esculturas serão modeladas em concreto, de tamanho e volumes naturais, com uma estrutura em ferro para fixação na terra, no fundo do lago.\nVamos visualizar o ser humano “voltando” à natureza, como as garças, respeitando e dialogando com a terra. Esse projeto será chamado de SINCRONIA. Uma ação necessária no momento que estamos vivendo.\n*Arte Construtora é um projeto que se desloca no tempo e nas cidades. Já esteve no Solar dos Câmara em Porto Alegre(1992), no Solar Granjean de Montigny, no Rio de Janeiro e no Parque Modernista em São Paulo(1994).', NULL, NULL, 'Para o Projeto Sincronias será necessário um lago ou espelho d’água com uma profundidade de no máx. 1 metro , e cerca de 10 metros quadrados para instalação de todas esculturas. Um lago sem correnteza para fixação das peças, podendo ter variações de profundidade. A visualização do conjunto de esculturas que formara o projeto Sincronias poderá ser feita de diversos ângulos e variações de distancia', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4548, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3823, NULL, '2020-06-01 23:20:39', '2020-07-15 16:56:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26476, '5Gf4xmAtPZaEn152', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:23:53', '2020-06-01 23:23:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26477, 'xKA9CEMxYzaDySBr', 'Implorando teu Olhar: Série Vale de Lágrimas', NULL, 'Um desafio; lidar com as manequins da fotógrafa Ana Viegas. Por meses a fio, a artista fotografou vitrines e o calçadão do centro da Ilha de Santa Catarina (Florianópolis-SC- Brasil). O comércio da cidade, é ainda, concentrado no centro da cidade e, é ali, que se encontram as manecas. O olhar, o deslocamento da artista se dá pela sazonalidade, são as datas comemorativas que transvestem e vestem as manecas: dia das mães, dia dos namorados, dia dos pais, carnaval. No entanto as manecas choram.A artista trabalha no sentido de agrupá-las, como todo artista, ela nos trás uma nova significação para o objeto, deslocando seu sentido. As/os manequins nos mostram nossos desejos de consumo, uma novidade que já nasce caduca. Aqui não há exaltação da modernidade, mas a exposição de sua fantasmagoria mais crua, porque as manecas são imagens de nós mesmos, há um duplo deslocamento.Há um fetiche da perfeição, há uma degradação do objeto e de sua materialidade. Seus olhares nos clamam e a artista não nos poupa, somos pobres de espíritos, como um coletivo sonâmbulo , multiplicamos desejos ocos. Não por acaso, Walter Benjamin associou a moda com a morte,  na próxima estação, o de hoje não nos serve mais; a característica da modernidade é a busca do novo, da ideia de progresso; mas, nos deparamos agora com nossa limitação de carne, osso e proteína. (Mariana Corale)', 'Vale a pena ainda replicar tantas imagens caducas? \n  A arte nos desloca ... O consumo sazonal está plantado numa fantasmagoria, por isso de difícil acesso. A fantasmagoria, anunciada por Marx e Benjamin sustenta as vitrines e esta humanidade que não  vive em reflexo, em crítica, mas impulsionada por um desejo que nunca sacia, algo que está além, e que muda de estação em estação, como os ovos de chocolate, na quarta feira de cinzas. \n A exposição Implorando teu olhar, não traz respostas fáceis. As manequins são estranhas e comunicam-se no coletivo, em blocos. Por seu formato humano exercem também um sentido de identificação. São manipuláveis e manipulam, são altamente emotivas. As manecas de Ana são a crítica da cultura. Em um mundo pós-catátrofe, são as manecas que vivem a plenitude, por seu caráter durável, descascam, mas se preservam do contágio e de quem tem, ainda, carne e o osso.  (Mariana Corale)', NULL, 'Será necessário uma sala de com o mínimo 3 paredes  para a instalação das fotografias. Seriam 3 paredes de no mínimo 3 metros para a instalação de cinco fotos com 60 cm de largura  e duas fotos com 100 cm. Sugerimos de preferência fundo branco. \n\n** Devido a pandemia podemos realizar a exposição Implorando de Olhar: Série Vale de Lágrimas em um ambiente virtual.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3073, NULL, 365, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2645, NULL, '2020-06-01 23:25:01', '2020-06-26 16:21:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26478, 'FOW3TUJK4SMxAOVH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:25:48', '2020-06-01 23:25:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26479, 'MYOhKPpmGxKU08jc', 'TODO ES UNA FACHADA', NULL, 'Los Cholets son el principal símbolo de la cultura Aymara contemporánea que surge en la ciudad del Alto, La Paz-Bolivia, como producto de la población migrante del campo en los años 90’s. La cosmovisión y el colorido de los tejidos andinos están plasmados en estos edificios mediante la simbología ancestral de la cultura Tiwanakota y Aymara.\nEsta arquitectura Neoandina es parte del futurismo indígena que hace frente de alguna forma a la extinción de nuestras culturas ancestrales y surge como bandera de las clase media-alta de población alteña, quienes en su mayoría se dedican al comercio informal.\nDESCRIPCIÓN DE LA OBRA\nHasta el año 2010 la cifra de migrantes Bolivianos en Argentina era de 345.000 hab. Todos ellos en busca de oportunidades laborales y educativas ya sea en el área de frutihortícola, textil (la más precarizada), construcción o para ir a la universidad o ejercer su profesión.\nLa obra invita a visibilizar a una cultura extranjera que hace parte del cotidiano, a la vez invierte los roles y cubre con otra piel a una cultura hegemónica.\nEl proyecto pretende que el espectador visualice una fachada con características de arquitectura Neoandina que rememoren la apariencia de un Cholet sobre un edificio de características arquitectónicas Europeas, tan comunes y tradicionales que hace parte del paisaje citadino Bonaerense. A modo de bandera con la ayuda de una cooperativa textil de compatriotas Bolivianos se costurará esta fachada.', NULL, NULL, 'Un inmueble residencial de no más de dos plantas, de características arquitectónicas europeas (Neo clásico, rococó, art noveau , art decó).La confección de la fachada, será ejecutada por una cooperativa textil de Bolivianos\n ( Cooperativa textil “Juana Villca”)\n\nMATERIALES\n•	Telas vistosas y llamativas, idealmente las que se usan para confeccionar polleras de “Cholitas”\n•	Agua e hilo \n\nTAMAÑO\nDimensiones aproximadas de acuerdo a inmueble que se vaya a cubrir: 6 m x 10m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2779, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2411, NULL, '2020-06-01 23:26:49', '2020-08-14 16:49:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26480, 'k6bKuQyyj51ysgi9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:28:22', '2020-06-01 23:28:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26481, 'jfK6Sazl0FNnkZKT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:30:41', '2020-06-01 23:30:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26482, 'EIr6mvld78e7t9Ny', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:30:45', '2020-06-01 23:30:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26483, 'KFnVsUa7gdwKiFu5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:31:00', '2020-06-01 23:31:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26484, '9PW9wQHXaT0Q0xsj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:31:30', '2020-06-01 23:31:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26485, 'BqGLzfpld0coBDwb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:31:56', '2020-06-01 23:31:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26486, 'EvL1gnhNKrTZw2VO', 'NEOCOLONIAL II', NULL, '“El avance de la militarización de la frontera  coincide con una inédita expansión en la producción azucarera mundial  ( ... ) En particular, la industria azucarera en nuestro país, en sus momentos de esplendor, se caracterizó por el reclutamiento de mano de obra prisionera, distribuida directamente desde la «frontera con el indio» o desde los campos de concentración de Martín García y otros, para su utilización servil”   ( Lenton, 2017) \n\nTrabajo en esta instalación con azúcar y melaza. Con estos materiales serigrafío imágenes en tejuelas de chapa negra, que sometidas a la acción del calor se carbonizan.\n\nReplico ornamentos característicos de las arquitecturas coloniales,  azulejos decorados  que ambientaban patios y jardines de época.\n\nUtilizo en la instalación, la imagen de los azulejos emplazados en el patio de un edificio icónico del estilo neocolonial, la casa Larreta  Anchorena (1916). \n\nAcompaña el mural un friso. Este friso configura una línea negra, larga y fina, extendida en el recorrido de la sala. Serigrafío en él, con la misma materialidad,  un texto del diario La Razón, del 12/11/1878. La publicación cuenta la entrega de indígenas prisioneros a industriales tucumanos.\n \nEvoco ese mundo colonial a través de citas al repertorio ornamental de la arquitectura neocolonial,  estilo que intenta una definición identitaria de la argentinidad.', NULL, NULL, 'La instalación consta  de un mural y un friso\n\nEl mural está compuesto por 80 piezas de 20 cm por 20 cm, que configuran aproximadamente 3 metros cuadrados. La disposición definitiva de las piezas dependerá del espacio expositivo, pero siempre constituirán un rectángulo. \nEl friso estará formado por listones de 7 cm de alto, que unidos, tendrán una longitud de  6 metros\n\nSon geometrías negras que dialogan en el espacio\n\nSugiero  para la instalación un espacio de exhibición que la contextualice', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3462, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2968, 5, '2020-06-01 23:37:28', '2020-09-15 16:21:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26487, 'pmW7fOKrP5hQtEFF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:39:46', '2020-06-01 23:39:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26488, 'mClptq6qv7rv54Xy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:45:06', '2020-06-01 23:45:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26489, 'NmPUb57XHTy37KxM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:45:11', '2020-06-01 23:45:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26490, '7QwgQedIst08bSU5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:45:44', '2020-06-01 23:45:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26491, 'FEZtWpzT4jwoMjhj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:45:51', '2020-06-01 23:45:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26492, 'GbWaqq4smtv4A4kq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-01 23:52:08', '2020-06-01 23:52:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26493, 'xRGDSuHbhcssmqmv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:00:47', '2020-06-02 00:00:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26494, 'vCo9VZBHHFrT9Aav', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:01:50', '2020-06-02 00:01:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26495, 'UBgCtqSzWqG7yzso', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:07:39', '2020-06-02 00:07:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26496, '3OIBBa3o22HRLPaW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:07:54', '2020-06-02 00:07:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26497, 'j6lFJRpZOFmrJUtg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:12:23', '2020-06-02 00:12:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26498, 'gE2YHtJZ833IH6aI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:13:06', '2020-06-02 00:13:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26499, 'RCHMcGT7AoSjFPxB', 'Inminencia', NULL, 'A lo largo del proceso creativo de todo el proyecto BichoCanasto, que llevamos adelante desde el año 2015,  trabajamos con elementos del paisaje de nuestra infancia, creando un propio lenguaje. De allì tomamos como referencia  el bicho canasto, asociándolo  a situaciones que atravesamos cotidianamente los seres humanos. \nEn esta  obra  el sonido de la respiración es protagonista, realizado con mezclas de grabaciones y sincronizado con el movimiento de la imagen,creando una atmósfera que despliega el sentido de la “Inminencia”.\nInminencia.Lo que puja,late.Inaplazable.\nLa imagen en primer plano de un Bicho canasto con un movimiento enigmático y la respiración humana junto a sonidos urbanos increscendo. El acontecimiento final no llega en la imagen, el espectador es enceguecido con un disparo de luz apelando a su propia conmoción se incorpora a la obra.\nSe despliega un relato ambiguo que pone la tensión en el preludio de lo que va a acontecer.\nInstante de lo que aún no es….', NULL, NULL, 'Inminencia es una videoinstalacion, por lo tanto los requerimientos son: 1 proyector y soporte, sistema de sonido y soporte, 2 reflectores led con trípode, notebook. Está pensada para ser montada en espacio de 3 x 3 metros, pero es adaptable a espacios variables. Para su correcto desarrollo, requiere ser montada en un espacio individual, ya que el sonido es muy sutil y  el efecto de luz muy invasivo, pudiendo contaminar otras obras.', NULL, 'artist', NULL, NULL, 'https://youtu.be/e6zbcYGfhAM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4303, NULL, 560, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3651, NULL, '2020-06-02 00:16:23', '2020-07-08 00:28:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26500, 'x7TRuDOJoglm1HgJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:17:47', '2020-06-02 00:17:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26501, 'N63ZuwqzijPpHxkL', 'Derrotar al Movimiento', NULL, 'El silencio de la carne nutre el suelo y el suelo .\nLos cuerpos enterrados de los detenidos desaparecidos durante la dictadura militar en Uruguay aparecen lentamente en algún rincón perdido de los predios ocupados por bases militares. El silencio del ejército sobre el paradero de éstos cuerpos pone en evidencia un aparato que sigue funcionando bajo la misma lógica. Derrotar al movimiento explora el lugar de la memoria y el olvido en las familias que intenan continuar con la búsqueda de sus familiares a pesar de todo. La presencia sigue en cada pared, en el aire y vuelve cada tanto para reclamar memoria.  \n\nEl cuerpo derrotado yace en el suelo una vez más. Ahora, las alturas y lo más profundo del suelo estan a milímetros de distancia. Las plegarias y susurros se esfuman en el silencio familiar. La culpa y el perdón alimentan al olvido que lentamente lo devora todo.\n\nDerrotar al movimiento es un cortometraje sobre la memoria y el lugar de ésta en los vínculos entre las personas.', NULL, NULL, 'Nos interesa proyectar el cortometraje en el suelo. En el mismo debe realizarse un desnivel mínimo de 1,5 m. La idea es que la genet observe el \"pozo\" y vea proyectada la película allí.  El piso debe tener una capa de tierra con desniveles y una capa de ancha de cal. La proporcion debe ser 16:9 y las dimensiones mínimas serían 10x6,5 m.', NULL, 'artist', NULL, NULL, 'https://youtu.be/rDjWkfQGlY0', 'Al video se puede acceder únicamente a través del link', NULL, NULL, NULL, NULL, NULL, NULL, 2537, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2198, NULL, '2020-06-02 00:22:09', '2020-09-17 17:43:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1-Fe7mFx8raYq2gmfMXLQjfdncZ6I4Lfq?usp=sharing'),
(26502, '28wUXHEfeUBAVdUy', 'Dónde están', NULL, 'DONDE ESTAN;  es una propuesta de producción y re edición de un cuerpo de obra visual y su posterior montaje en formato instalación. \nLa propuesta utiliza 10 piezas entre técnicas gráficas, video e instalación lumínica, dispuestas como un relato visual construido por el autor desde la carencia  lineal de referentes concretos, la censura, el ocultamiento y la desaparición.', NULL, NULL, 'Centro de detención, tortura y desaparición de personas Fuerte El Morro de Talcahuano. Las instalaciones se componen de dos volúmenes en el recinto principal, se identifican las salas administrativas, un subterráneo utilizado como celda, el patio de formación y dos salas utilizadas para detener a hombres y mujeres. El otro volumen está bajo tierra, se ubica en la parte más elevada de la loma y tiene tres accesos. El fuerte está en desuso y fue declarado sitio de memoria el 2017 por el CMN Chile', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=bKCVsBAOrvY&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2554, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2213, NULL, '2020-06-02 00:26:04', '2020-07-20 16:15:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26503, 'DwQUM3L60NuUQgoo', 'Enfrascados a la deriva', NULL, 'Intervención urbana en el espacio público\n\nEnfrascados a la deriva\n \nUn mensaje inquietante que llegue al ser íntimo de cada uno.\nPoner en acción un cruce de realidades que conviven, conjugando nuestras existencias enfrascadas, con la posibilidad de mirar y elegir. \nEl proyecto involucra haikus: poemas de diecisiete sílabas (métrica específica), en la imagen de dos frascos a la deriva en el mar como vehículo.Uno de ellos contiene un haiku. El otro, vacío, denota la idea de nosotros mismos encerrados en nuestra cotidianidad y a la deriva.\n\ndejando huella                                             \nque avanza en lo profundo                         \nel mundo se va  \n \npor un instante\nla vida se detiene                                        \ncuestionándonos    \n \nson enfrascados\nen viaje misterioso\nnuestros anhelos          \n\nApelando a una distribución horizontal de la poesía, ya que en ella está la esencia de la creatividad,  una conexión directa entre el sentimiento y la palabra.                       \nLas imágenes seran expuestas en carteleras ubicadas en espacios públicos, donde las personas estén en contacto directo con ellas.  \nProyección de videos sobre las medianeras en la ciudad,con las mismas imágenes. \nCódigo QR: para leer desde un celular, incluido en la imagen expuesta, con explicación de la intervención.\nRedes sociales:@enfrascados a la deriva.\nUn mensaje para el testigo que comparte este no-lugar, encontrando un instante donde abrir la puerta a lo diferente.', NULL, NULL, 'En espacios de la vía pública:\n\nPara exponer en carteleras de paradas de colectivos, estaciones de subte y porta carteles ubicados en avenidas. \nCon la imagen de dos frascos, uno vacio y el otro con el texto de un haiku, en grafica impresa de medidas variables.\n\nVideo proyectado en streaming con la imagen de los frascos en el mar, sobre medianeras de edificios. \n\nEn locaciones a designar ubicadas en las inmediaciones de las muestras que se desarrollarán en la bienal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3575, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3055, NULL, '2020-06-02 00:29:43', '2020-07-01 20:13:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26504, 'g33L47VtM3AfcF4E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:37:24', '2020-06-02 00:37:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26505, 'ndzsotXyYTUExk0u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:37:25', '2020-06-02 00:37:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26506, 'k0SLAVlmsvgIZwVl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:39:37', '2020-06-02 00:39:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26507, 'vggceUNvU3BxzJxG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:39:57', '2020-06-02 00:39:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26508, '84tMFzgDDed4D4p1', 'Sobre el otro', NULL, 'Un espacio ,cuatro pantallas , un quinteto de músicos( cello, flauta, clarinete viola, percusión) > se suceden imágenes y dichos  procesadas sobre  textos que preguntan sobre la soledad , la distancia, el silencio el cuerpo y el amor', NULL, NULL, 'Una sala , un cuarto  de dimensiones razonables, 10X10  mts2 mas o menos \nSe puede realizarla performance  tanto con músicos y VJ en vivo  o con musica y videos  grabados\nTiene una duración de 25 minutos', NULL, 'artist', NULL, NULL, 'https://vimeo.com/386326325', NULL, 'https://321musica.bandcamp.com/album/musicas-perdidas', NULL, 'https://drive.google.com/file/d/13vZY7Lvf9O7jDhb3hIkcbY4WA32bK6zB/view?usp=sharing', NULL, NULL, NULL, 2541, NULL, 296, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2201, NULL, '2020-06-02 00:40:06', '2020-08-14 16:45:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26509, 'NEta03Tt6xLleJ1l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:41:13', '2020-06-02 00:41:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26510, 'nqOanog9JfpfoQAb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:51:52', '2020-06-02 00:51:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26511, 'jJ8V7b3O3LadpLJA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:51:55', '2020-06-02 00:51:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26512, 'PqTOI98Zb6tOLQ7c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:55:26', '2020-06-02 00:55:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26513, 'xk1yXsZ1UmI7IRPK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:57:18', '2020-06-02 00:57:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26514, 'fBW6gFKv46lHPNgO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 00:58:20', '2020-06-02 00:58:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26515, 'I1Zkh1PTqjq4pSmS', 'Tótem y materia orgánica del apocalipsis', NULL, 'Este proyecto se enfoca a deshacer materiales que desechamos por conveniencia pero que no se vuelven a integrar al medio ambiente como la ropa producto de las empresas textiles que anualmente tiran millones de contaminantes al ambiente , también se estima que alrededor del mundo se tiran 29 millones de toneladas de ropa que no se puede reciclar y que está contribuyendo a la isla de basura del plástico en el océano Pacífico y en otras latitudes. Estas piezas simbolizan una especie de tótem, criatura emergida de todas esas acumulaciones de \"basura\", también integré unos troncos de unos árboles que podé, no fueron talados esos árboles, sólo podados para su pronta regeneración, todo en conjunto forma un ritual tributo a la madre tierra que tanto ha olvidado la humanidad ( de ella come, respira, vive y considero que no se le ha dado el respeto necesario).', NULL, NULL, 'Suspendido desde el techo.Traen unos estambre para poder sujetarlo con hilos nylon al techo, dos o tres en su caso a la altura de la vista. Consta de dos piezas,ambas suspendidas del techo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2550, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2209, NULL, '2020-06-02 00:58:40', '2020-06-24 18:55:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26516, 'hZHilpjQ4SwP5jtM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:02:52', '2020-06-02 01:02:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26517, 'dQk1O1bEimr7If19', 'Goddesses of Olympus', NULL, 'A lo  lo largo de la historia la mujer ha sido excluida por el hombre en infinidad de ámbitos y uno más es el deporte moderno, el cual está basado  en las diferencias presumiblemente bilógicas derivadas del binarismo hombre-mujer. Por lo tanto, el cuerpo se convierte en un conjunto de límites tanto individuales como sociales que permanecen y adquieren significado políticamente .\nEn el deporte olímpico, la verificación de género ha sido y continúa siendo muy problemática porque no existe un sólo indicador fisiológico o biológico que permita una categorización simple de las personas como masculino o femenino. \nLas recurrentes persecuciones contra supuestas mujeres defraudadoras nos alertan del carácter discriminatorio de la regulación deportiva. De este modo se pone bajo sospecha a las mujeres que no se ajustan al modelo hegemónico de feminidad, sino porque, , establecen reglamentos que invaden la intimidad identitaria de cuantos sujetos no se ajustan a los estereotipos bipolares del género establecidos como las atletas intersexuales que en última instancia, quedan desasistidas y sin categoría deportiva en la que desempeñar la profesión del deporte. \nA través de la apropiación de videos de medios de comunicación o películas. Esta pieza titulada Goddesses of Olympus realiza un breve una revisión histórica, desde las Olimpiadas de Berlín de 1936 hasta las de Río de Janeiro de 2016, de algunos casos de verificación de género.', NULL, NULL, 'Proyección estándar o reproducción en TV', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1_jKJFzUxVsmEQMzd8MQXDvPZuwM5OnqZ/view?usp=sharing', NULL, NULL, NULL, 'https://drive.google.com/file/d/1Jt0jTLmZllem_SV-TxDfRENtSeN8NrMi/view?usp=sharing', NULL, NULL, NULL, 2540, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2200, NULL, '2020-06-02 01:03:27', '2020-08-14 16:45:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26518, 'GujuDDRD0aOuLVYp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:05:36', '2020-06-02 01:05:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26519, 'aBS5seyuuNMiNh8Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:06:12', '2020-06-02 01:06:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26520, 'TSMiKPEB1dqcruhf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:18:44', '2020-06-02 01:18:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26521, 'zRsEMSzG1Xzbe8LN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:21:06', '2020-06-02 01:21:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26522, 'UHxRbVIz638i8RF3', 'Huellas Buenos Aires París', NULL, 'Síntesis del proyecto “Huellas Buenos Aires París”\n\nLas huellas de nuestros pasos quedan impregnadas de nuestros pasos, de nuestras fantasías (fantasmes) de nuestras actitudes y quizás de nuestros pensamientos . La vereda es uno de los elementos colectivos más importantes de los espacios urbanizados y cada una tiene huellas diferentes debido a las diferentes funciones de los estilos de vida y de las singulares visiones colectivas .\nDesde hace muchos años busco huellas sobre las veredas (street art). En el realismo de estas todo tipo de símbolos y metáforas están grabadas en todas las veredas del mundo.\nMi primer paso es tomar fotos con mi teléfono móvil o mi cámara para controlar la visión inmediata que me refleja una inspiración efímera o bosquejos sobre mi libreta de viaje para luego realizar una interpretación pictórica (dibujos y pinturas) y poética.\nMi proyecto consistiría en apegar la visión realista de una huella con una foto tratado fine art y los dibujos o pinturas que adhieren a la interpretación de esas imágenes.', NULL, NULL, 'Las pinturas están realizadas sobre tela (50 % lino, 50 % algodón) y papel (220 grs.). Utilizo en estas pinturas una técnica de materiales mixta: carbonilla, tiza, pinturas acrílicas y óleos, de manera de obtener texturas visuales.\nEl proyecto estaría compuesto de ocho pinturas, cuatro sobre telas, de la cual una mide 225 cm x 185 cm en realización y cuatro sobre papel, con sus ocho fotos correspondientes de una medida única, las cuales se determinarán a posteriori.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3446, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2953, NULL, '2020-06-02 01:25:32', '2020-07-01 01:37:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26523, 'SExGTtxJSoQxOAc2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:46:08', '2020-06-02 01:46:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26524, 'LhfLYHKQOKOfWsp7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:48:31', '2020-06-02 01:48:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26525, 'p3t3FUNbXaLTQwdo', 'Mermaid\'s Tail', NULL, 'Year 2020 is marked by a global pandemic and great social injustice around the globe.  All material things are being questioned and the feeling is that we must absolutely overcome all our political, racial and gender differences and come closer to our planet and nature. Therefore the original performances BelgradeMermaid and Mermaid\'s Tale will change its narrative and become a non solitary endeavor but a mass arrangement of bodies in the main public square and on the main public beach in Buenos Aires. All performers, of all genders and of all age groups, will lie close to one another on the ground, scattered as if a wave just brought them on, their ankles tied together as if a tail of a mermaid. Mermaid is not about female issues only any more, it is about the world we live in right here and right now and about a long to do list that we need to go through and get things done in order to save the humanity. \n\nThe action will last several hours, it will involve numerous performers, between 40 and 70 depending on the location, and will be recorded with VR (360) cameras. After the performance, the video will be available to the audience through VR headsets at the same location where the action took place. Through such documentation the performance will continue existing almost like in a parallel reality. The audience will be able to experience the piece at the very same spot long after the performers are gone.', NULL, NULL, 'Main public square and main public beach.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/390542405', NULL, NULL, NULL, 'http://www.m-art-a.net/portfolio/belgrademermaid', NULL, NULL, NULL, 2674, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2317, NULL, '2020-06-02 01:53:50', '2020-07-21 20:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26526, 'LhGhJlvM0ca2TEsC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:54:06', '2020-06-02 01:54:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26527, 'OJb0EflzYtSIWUiq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:55:20', '2020-06-02 01:55:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26528, '2142bwEA0d7suKJa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:55:33', '2020-06-02 01:55:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26529, 'g8rp36K7BMTqq2lO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:55:41', '2020-06-02 01:55:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26530, 'ZTlDxfoeoaICq0PR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:55:58', '2020-06-02 01:55:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26531, 'AYcecsHMUO4ABAkk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:56:28', '2020-06-02 01:56:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26532, 'PtAoOluN82T34XUJ', 'Mis vecinas', NULL, 'las imágenes que vemos en esta obra nos muestran a unos seres que mas de esta tierra parecen de otro mundo, las gallinas son mis compañeras en esta cuarentena que vivimos a raíz de la Covid -19.\nComo fotógrafo y creativo en busca de novedades al ver pasar mis vecinas ( las gallinas9 me interese mucho en su figura y belleza la cual me llamo la atención y como fotógrafo tenia que registrar la belleza o sensación o curiosidad que me daban.', NULL, NULL, 'Fotografías', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2542, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2202, NULL, '2020-06-02 01:56:46', '2020-06-24 18:55:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26533, 'Hl9nuhGLY9WuOsu2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:56:56', '2020-06-02 01:56:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26534, 'D2MCLlEaLODPWJaC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:57:34', '2020-06-02 01:57:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26535, 'TwRoKKfAcPlGznFY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:58:39', '2020-06-02 01:58:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26536, 'MHXwjJrZUtH2Ytlo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 01:59:36', '2020-06-02 01:59:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26537, 'cFl3CqpF8fehOIoE', '(Des) tejiendo Miradas', NULL, '“(Des)tejiendo miradas sobre los sujetos en proceso de reconciliación en Colombia” bajo el contexto del acuerdo de paz en Colombia a partir de 2016. Este proyecto se ha desarrollado en tres localidades rurales: vereda San José de León en Mutatá, Llano Grande en Dabeiba, y Anori. En las cuales se ha hecho un acercamiento desde la narrativa biográfica, las practica narrativas y las narrativas textiles como medio artístico, para entender las subjetividades que emergen de las trayectorias vitales de personas que hicieron parte de las FARC- EP y su correlato con familiares, vecinos y ciudadanos del departamento de Antioquia . En el proceso han participado excombatientes de las FARC-EP, sus familiares y\nmiembros de las comunidades vecinas, con quienes hemos explorado subjetividades hegemónicas, alternas, preferidas y\nsilenciadas desde las distintas voces. Allí sobresalen temas relacionados con la familia, la emocionalidad y la afectividad, la construcción de lugares y territorios, entre otros, además de emerger el sentido de construcción de paz y reconciliación desde los territorios. El arte textil como medio creativo para narrar la paz en los territorios.', NULL, NULL, 'Cubo blanco, 100 bordados enmarcados de manera tradicional. En forma de libros. Instalación en sala expositiva', NULL, 'artist', NULL, NULL, 'https://doi.org/10.1080/13698249.2020.1755161.   https://www.youtube.com/watch?v=1fYIycyJgPU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2887, NULL, 342, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2501, NULL, '2020-06-02 01:59:47', '2020-07-24 13:51:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26538, 'JU2edLTAjpdkL3M0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:00:07', '2020-06-02 02:00:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26539, 'IYCIEQLKhuHd7vyH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:00:11', '2020-06-02 02:00:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26540, 'yCLnUI0dIzQj1MA8', 'Displaced', NULL, 'Displaced, es una instalación robótica sobre los desplazamientos vinculados a los desastres climáticos, a las migraciones forzadas, los destinos inciertos y la incertidumbre.  Desde 2009, se estima que una persona por segundo es obligada a abandonar su hábitat por fenómenos naturales causados por el cambio climático: inundaciones, sequías, terremotos, tsunamis, desmontes, minería y contaminación de recursos hídricos.\n\n​La obra, es un robot bípedo con morfología y comportamiento inspirado en un pájaro,  realizado con piel de biomateriales. Su caminar es forzado, difícil,  pero constante.  Se desplaza en territorios nuevos conociéndolos y absorbiendo sus características, dejando atrás su historia y rutina y  debiéndose adaptar a los nuevos cambios para sobrevivir.  El organismo evita amenazas, y por lo tanto en su caminar se distancia de los humanos que lo llevaron  a la reterritorialización.\nEl proyecto fue realizado mediante la construcción de una estructura de piezas impresas en 3d en PLA, servomotores,  arduino, componentes electrónicos,etc. Fue revestido en bioplásticos realizados con yerba mate, remolacha, porotos y pelo humano.', NULL, NULL, 'El montaje es variable acorde al espacio, a la infraestructura y al personal del lugar.  Puede ser montado en una base con proyección lateral de video de la obra en funcionamiento, como asimismo puede ser montado en una base grande que\nle permita desplazarse. El dispositivo robótico funciona con batería de litio con autonomía de 40 minutos. Si el espacio de caminata es restringido, puede colocarse alimentación continua de 12vlts desde el techo.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=5HU-saKPJjE', NULL, NULL, NULL, 'https://www.analauracantera.com.ar/displaced', NULL, NULL, NULL, 2545, NULL, 297, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2205, NULL, '2020-06-02 02:00:15', '2020-08-12 18:36:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26541, 'P4EqiikOki0jCwiO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:00:29', '2020-06-02 02:00:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26542, 'hhdm5A41ZDJMaN6J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:01:22', '2020-06-02 02:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26543, 'zyomQNmPqUGyc7xE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:02:50', '2020-06-02 02:02:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26544, 'UyMNVYTklwrMBDe4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:03:36', '2020-06-02 02:03:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26545, 'LMUmvfbxVSnU52UI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:03:39', '2020-06-02 02:03:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26546, 'fE2FYshZTXuabHtW', 'Transitar sin certezas', NULL, 'Me interesa la belleza presente en lo imperfecto, frágil y efímero, lo deteriorado.\nDescubrir lo intrascendente con la finalidad de que trascienda. \nMe inquieta el paso del tiempo y el poder de los factores naturales, que transforman y destruyen.\nConcentro mi atención sobre materiales de construcción abandonados, situándome en la decadencia urbana y haciendo visible lo que suele escapar a la atención general. Me pregunto cuándo un material deja de ser útil, o porqué, o si alguna vez fue útil. \n¿Si los materiales que usamos para construir las ciudades dejan de servir, la forma en que vivimos deja de servir? ¿O simplemente es que estamos equivocados en querer perdurar, y construir a partir de esa premisa?\n\n\nCaracterísticas formales\nInstalación compuesta por 4 obras. 2 colgadas en pared y 2 colgadas suspendidas en el espacio para ser recorridas.\nMaterialidad: Pintura, tinta y fibron sobre membrana.\nMedidas.\nObra 1- 92 x 122 cm\nObra 2- 180 x 110 cm\nObra 3- 190 x 130 cm \nObra 4- 200 x 78 cm', NULL, NULL, 'Obra 1-92x122cm (suspendida)\nObra 2-180x110cm (suspendida)\nObra 3-190x130cm (pared)\nObra 4-200x78cm (pared)\nLas obras deberán montarse en un espacio de aprox 3m(an) x 4m(al) x 5m(prof) \nObra 3 y 4 en la misma pared a una distancia de 50 cm aprox una de otra y a 70 cm aprox del piso.\nObra 1 y 2 suspendidas por delante de obra 3 y 4; obra 2 a 2,5m por delante y 70 cm del piso, obra 1 a 4,6m por delante y 1,4m del piso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5428, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4507, NULL, '2020-06-02 02:03:43', '2020-07-29 17:10:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26547, 'DvQuTV9KQ6kiMpbX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:04:42', '2020-06-02 02:04:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26548, 'wF6tKg7myj7RgI8R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:05:24', '2020-06-02 02:05:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26549, 'P4jbXPns8Oh8eId7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:05:28', '2020-06-02 02:05:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26550, 'o5HbZQTqItVhblOu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:06:22', '2020-06-02 02:06:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26551, 'aZfdX8KmSBbLCWCH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:07:53', '2020-06-02 02:07:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26552, 'SJcMObJwX2km3IUa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:07:53', '2020-06-02 02:07:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26553, 'dYKKNN3qmsxurWxn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:09:29', '2020-06-02 02:09:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26554, 'k96mGKgEA9bbBzYo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:09:38', '2020-06-02 02:09:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26555, '0N6O1tnRu4nTOFQI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:10:22', '2020-06-02 02:10:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26556, '4oGVY6QXCHj4tbWY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:11:05', '2020-06-02 02:11:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26557, 'xLgXuthZBVJp3qhN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:12:24', '2020-06-02 02:12:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26558, 'NAIejQP09keNKvCj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:13:17', '2020-06-02 02:13:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26559, 'YUz8n5KAX3a7VqNP', 'Viuda Negra (provisional)', NULL, 'Viuda negra es un documental que quiere mostrar cómo ha cambiado la conducta alimentaria en Bolivia. Un país productor de alimentos nutritivos, orgánicos y de calidad. Aceptando esa ola llamada globalización, Moda, Política y prácticas alimentarias. explorando la influencia de las industrias de comida no saludable, la forma en que se incita a la mala nutrición para su propio beneficio. Quitando mercado a los productores agrícolas independientes. Comprobar los efectos que tiene este estilo de vida en la salud física y psicológica. La creciente propagación de enfermedades cardiovasculares, diabetes y obesidad. Para finalmente fomentar a la población rescatar la comida tradicional, promocionar a los pequeños y medianos productores de alimentos a no abandonar las tierras. Por que si el campo no produce la ciudad no come y si la ciudad no compra el campo muere. El problema nos es de un País, se está comiendo el mundo. ', NULL, NULL, 'Alejandro Loayza, junto a un equipo de cineastas, especialistas en salud, nutrición y agricultura, todos comprometidos con el tema, se proponen la recopilación de información y documentación suficiente para mostrarle al espectador, como ha cambiado la conducta alimentaria en Bolivia. Pero cualquier persona que vea la obra podrá identificarse e inspirarse con lo que exponemos. Desde nuestro país abordamos los dos temas más importantes para el ser humano. Salud y Economía. ', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2548, NULL, 299, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2208, NULL, '2020-06-02 02:14:11', '2020-07-20 18:18:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26560, 'bqbMS0Q06uVHgvA9', 'Las traiciones', NULL, 'Este proyecto consiste en la realización de una réplica a escala de un espacio arquitectónico determinado, usando montantes y soleras de metal galvanizado. Posteriormente se instala la misma en relación con original, de maneta tal que la superposición de infraestructuras entorpezca o habilite nuevas formas de transitar y habitar el espacio. Se trabajará a partir de planos originales y las intersecciones entre el real y la copia serán entabladas como posibles desfasajes de una estructura interna, lo que materialmente implica un trabajo de reconocimiento y exploración del espacio expositivo, cuyo manejo puede llegar a ser exhaustivo. Es imposible pensar la arquitectura como un objeto, pero una copia podría actuar como punto medio entre el espacio arquitectónico y el objeto.\n“Las traiciones” apunta a tensionar las ideas entorno al espacio arquitectónico como sitio despojado de carga opresiva, proponiendo otras formas de experimentarlo partiendo desde sí mismo como matriz. Si los lugares que transitamos tienen la facultad de condicionar las relaciones entre las personas y al interior de sus entramados sociales, resulta importante sugerir otros planteos que desbaraten las configuraciones preestablecidas y que habiliten nuevas preguntas. Cuestionar al espacio es cuestionar a la historia, al presente y al futuro.', NULL, NULL, 'Esta propuesta puede proyectarse en cualquier espacio arquitectónico, dado a que se entabla como un método para procurar una experiencia otra del espacio. Así mismo, la propuesta puede funcionar en distintos lugares de forma sincronizada. Las dimensiones de la/s sala/s seleccionadas serán el punto central del cálculo del presupuesto y desarrollo del plan de acción. En este caso, se adjuntan como ejemplo una serie de bocetos realizados a partir del plano de sala 3 del MPBAFR (San Juan, Arg.)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4140, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3527, NULL, '2020-06-02 02:15:10', '2020-08-11 22:30:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26561, '7kg57jIgqoYLCZie', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:16:41', '2020-06-02 02:16:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26562, 'gRZt8CEjB4DBFDvI', 'CHIMBACALLE PATENT', NULL, 'El proyecto Patent es un proceso de investigación, inserción y exposición que tiene diversas particularidades según el sitio determinado, se trata de una itinerancia que la planteamos realizar en tres lugares de Latinoamérica, el primero se denominó Moravia Patent realizado para el Encuentro Internacional MDE11 en la ciudad de Medellín, Comuna 4 Moravia-El Morro, (2011), la segunda experiencia se la denominó La Habana Patent desarrollado para la XI Bienal de la Habana (2012), estamos interesados en trabajar la tercera y última parte del proyecto en el sector de Chimbacalle, sur de la ciudad e Quito, barrio deprimido pero que goza de una gran tradición y memoria cultural, así, a través de herramientas como el diálogo y la cartografía, se va a  identificar y recopilar una muestra de iniciativas creativas llevadas a cabo por habitantes del sector que les ha permitido sobrevivir y desarrollar talentos en lo relacionado a la creación popular. \nLa exposición final y publicación a manera de manual de usuario busca ser el medio a través del cual se pueda compartir y poner a circular de una manera sencilla y versátil diferentes tipos de conocimientos y estrategias de aprendizaje con iniciativas que transforman la comunidad.\nInfo:\nhttps://issuu.com/catalogo_moravia_patent/docs/catalogo_moravia_patent_2011\nhttp://arteurbanosur.blogspot.com/2012/05/habanapatent-el-rigor-la-destreza-la.html\nhttp://www.elcomercio.com/tendencias/cultura/arte-de-tranvia-cero-incidio.html', NULL, NULL, 'El proyecto Chimbacalle Patent se lo realiza in situ en el barrio de Chimbacalle en el sur de la ciudad de Quito. El proceso en preproduccion toma alrededor de tres semanas, la presentación se la genera en el lugar mostrando las fotografías e infogramas en el mismo sitio de la intervención, fachadas de casas, portales, tiendas del barrio. Finalmente se piensa en la posproducción con la edición de un impreso recopilatorio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2553, NULL, 300, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2212, NULL, '2020-06-02 02:16:50', '2020-07-20 16:14:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26563, 'k4lN063cY8GmVadJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:19:59', '2020-06-02 02:19:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26564, 'mhmsyHwaBvrWfpip', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:25:40', '2020-06-02 02:25:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26565, 'AM3cqTVQhouHr2E6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:26:16', '2020-06-02 02:26:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26566, 'TRRETt4aOdxI1k3j', 'LA PALABRA DEL AGUA - LIBRO DE ARTISTA COLECTIVO', NULL, 'QUÉ ES?\nLIBRO DE ARTISTA – COMUNIDAD - AGUA -ARTE- SOCIEDAD - MEDIOAMBIENTE - DIÁLOGO - INVESTIGACIÓN\n\n“La palabra del agua” es una práctica artística contemporánea que busca instalar el diálogo en la sociedad para repensar el AGUA. Propicia la participación de todos los actores de la misma para generar un espacio de pensamiento colectivo sobre el AGUA. Reivindica los diferentes puntos de vista sobre este tema vital: ¡todos podemos hablar del agua!\nPropone a las artes visuales como herramienta de diálogo para hablar de un tema urgente del medio-ambiente que es el cuidado de un recurso natural no renovable.\nNo se puede pensar un futuro posible sin incluir el cuidado del agua, elemento vital, sin pensarnos a nosotros mismos. Somos agua.\n\nQUÉ PROPONE? \nPropuesta doble: \n1.CONSTRUCCIÓN de una OBRA DE ARTE COLECTIVA que tiene forma de LIBRO.\nCada participante crea y vuelca sus imágenes sobre una hoja de papel, que posteriormente formará parte de un gran libro colectivo sobre el AGUA.\n2.INSTALACIÓN de libros de artista colectivos de gran volumen, realizados en otras ediciones y donde ya han participado más de 1000 personas.\nCÓMO FUNCIONA? \nSe convoca a la CONSTRUCCIÓN en vivo de un nuevo libro. Cada participante propone su mirada sobre el AGUA pintando, dibujando, escribiendo, etc. sobre una hoja que formará parte del próximo libro colectivo. Para todas las edades. Paralelamente una INSTALACIÓN de libros de artista desplegados en el suelo, dando sensación visual de AGUA.', NULL, NULL, 'Amplio, vacío, cerrado. Mín. 60-máx. 120 m2.\n\nEspacio donde se despliegan, a modo de INSTALACIÓN voluminosos libros de artista sobre el suelo.\nLa CONSTRUCCIÓN se realiza en mesas y sillas (para 20 personas aprox.) donde se disponen diferentes materiales: hojas, acuarelas, temperas, lápices, tijeras, pegamento, hilos, crayones, etc.\nINSTALACIÓN Y CONSTRUCCIÓN comparten espacio, ambas actividades se retroalimentan: diálogo colectivo sobre el AGUA.\nRepensar y accionar sobre nuestro futuro.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.lapalabradelagua.com.ar', NULL, NULL, NULL, 3118, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2683, NULL, '2020-06-02 02:27:23', '2020-08-03 14:55:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26567, 'fFkOM3dBrtqqVji3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:28:44', '2020-06-02 02:28:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26568, '3K7rK61qmubgXW6Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:29:42', '2020-06-02 02:29:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26569, 'Pt7IIXYqsawY1FXe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:36:29', '2020-06-02 02:36:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26570, 't9EFKnC4I6K7cbB7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:36:53', '2020-06-02 02:36:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26571, 'R8vIQKpIvTAAu4i1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:38:29', '2020-06-02 02:38:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26572, 'ghuOehRf2zXr1IWf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:39:02', '2020-06-02 02:39:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26573, 'ifrOPgx54Hj3WLEB', '#LandscapeBot', NULL, 'Robot informático que genera pinturas postdigitales para internet de paisajes, cuya salida final es Twitter. Estos paisajes se crean a partir de una base de datos de pinturas de libre acceso de colecciones de los museos MET (Museo Metropolitano de Nueva York), el Instituto de Arte de Chicago y el Museo del Prado. Lo que el Twitterbot realiza es, a partir de la base de datos de pinturas, identifica los diferentes elementos que conforman el paisaje como: cielo, vegetación, terreno y nubes.\n\nA partir de esta identificación, clasificación y separación de elementos, #LandscapeBot los combina  por medio de algoritmos de “computer vision” para conjugarse con el color y las formas previamente identificados por medio de la comparación de pixeles y mezcla con un paisajes virtual de montañas y cielos que es modelado 100 % digitalmente por medio de algoritmos programados en GLSL y Processing. Una vez que la imagen final es creada, se comparte en Twitterjunto con un texto que el robot selecciona de una base de datos de artículos, libros y entradas de Wikipedia que hablan sobre Geografía, Geomorfología, territorio, paisaje, lugares, arte y pintura. El bot está desarrollado en el lenguaje y plataforma de programación Python y Java.', NULL, NULL, 'Para su presentación en un espacio expositivo, se propone una instalación multipantalla que muestre en tiempo real el proceso que desarrolla el bot.\n\nOpción 1.\nProyector \nComputadora portátil con sistema operativo Windows \nConexión a internet\nEl espacio de exhibición debe de contar con muy poca o nula ilumincación y una superficie de proyección de 4 x 3 metros.\n\nOpción 2\nPantalla led con entrada HDMI de 40 \" mínimo\nComputadora portátil con sistema operativo Windows \nConexión a internet', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=7ZrRUbAkN6w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2972, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2564, NULL, '2020-06-02 02:45:05', '2020-08-14 16:51:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26574, 'z0TSqUWtLYmDEAEK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:54:42', '2020-06-02 02:54:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26575, 'kr6XsxVDlt1lsnnU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 02:58:17', '2020-06-02 02:58:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26576, 'DZjkRJExRQtHv6iU', 'Diagrama de tiempo o yo soy la medida', NULL, 'La obra propuesta es Primer Premio de la V Bienal de Artes Plásticas y Visuales de la Fundación Gilberto Alzate Avendaño. Fue creada y realizada por única vez en 2018, para uno de los espacios de la casa colonial de esta fundación. \n\nEn el trabajo la acción de medición del cuerpo de la artista sobre muros, columnas y piso, junto al registro escrito que se va elaborando día tras día respecto a la percepción de cambios relativos a la luz y a los sonidos del lugar, por ejemplo, se tejen con un audio poético que rememora los cuerpos de las mujeres que lo habitaron en el pasado: indígenas, mestizas, negras esclavizadas y españolas. \n\nEn el mismo cuaderno de registro diario, y desde un enfoque interseccional, se consignan fragmentos de la investigación realizada por la artista sobre la experiencia de las distintas mujeres que habitaron la ciudad de Santa Fe, hoy día Bogotá, en tiempos de la colonia. \n\nLa obra permite recordar a esas mujeres del pasado, nuestras ancestras, mediante un gesto afectivo y reflexivo, reconociendo lo que aun compartimos con ellas, así como nuestras las diferencias. \n\nSe proponen aquí los mismos tres elementos, pero actualizados para el espacio donde ocurra el evento: \n\n-	Una performance de larga duración, realizada durante tres días, cuatro horas cada día. \n-	Un cuaderno de trabajo diario, con las investigaciones que se realicen sobre las mujeres que podrían haber habitado el espacio y la ciudad que designe la Bienal.\n-	El audio original de la obra.', NULL, NULL, '- Edificación colonial en cualquier ciudad de Latinoamérica, preferiblemente susceptible de investigación a distancia a través de sus archivos u otras fuentes de pesquiza.\n- El espacio o sala designada para la performance debe ser suceptible de intervenir en muros y pisos con cinta adhesiva, material a través del cual se hacen las mediciones del cuerpo de la artista.\n- Dimensiones mínimas de 10 mts de lado, y 3 mts de altura.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=d_hY3sGslF8&feature=emb_logo', NULL, 'https://soundcloud.com/zoitsa-n/diagrama-de-tiempo-o-yo-soy-la-medida', NULL, 'https://www.zoitsanoriega.com/diagramat', NULL, NULL, NULL, 2668, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2310, NULL, '2020-06-02 03:01:52', '2020-08-14 20:16:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26577, '1dM9LgKdJrpb7rXy', 'al aire, libre', NULL, 'al aire, libre es un proyecto de arte público que ocurrió mayoritariamente durante el 16-17 de Mayo de 2020. Consistió en una exposición efímera en Chile de obras físicas que estuvieran conectadas bajo el espíritu del proyecto aunque alejadas una de la otra, en el contexto de la cuarentena. Una exposición diluida, pero que conectó al territorio chileno. Que, además, incluyó una serie de entrevistas a los participantes que cuentan sus impresiones y experiencias. Lo que propongo es exponer el video registro de todas las acciones y obras (registradas por los artistas) creado por el cineasta Felipe Rios Fuentes.', 'Felipe Rios Fuentes (Chile - http://cinechile.cl/persona/felipe-rios-ii/) AUTOR DEL VIDEO \nHay más de 70 artistas y colectivos. Entre ellos: Raúl Zurita, Paz Errázuriz, Voluspa Jarpa, Javier Toro Blum, Mil M2, Benjamin Ossa, Norton Maza, entre otros.', NULL, 'El tipo de espacio es relativo pero se aconseja espacio propio para proyección de películas', NULL, 'curator', NULL, NULL, 'https://www.instagram.com/p/CA50tepl4Im/', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2068, NULL, 298, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2207, NULL, '2020-06-02 03:02:20', '2020-08-12 18:37:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26578, '2huMDUiChVCrgyo8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:04:27', '2020-06-02 03:04:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26579, 'CgcLCXVaMaKnOXxc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:13:45', '2020-06-02 03:13:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26580, 'B6PuAFahz4x0QqOr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:14:18', '2020-06-02 03:14:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26581, 'WuCnNMzj9znHnbIZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:16:35', '2020-06-02 03:16:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26582, 'ppvuFBO2jQvhVbZd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:17:31', '2020-06-02 03:17:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26583, 'qWmzHFHOoqTYs6lb', 'MIRADAS', NULL, 'Existimos reflejados en el silencio siendo. \nDe manera que poder ser quien no mostramos es estar vivo. \nLa obra muestra ésta cuestión y a modo de díptico vemos en ella por un lado dos mitades dando forma a una misma persona y por otro su mirada nos anuncia que estamos aquí. De alguna manera la pigmentación en azules y violetas, azarosa por momentos nos habla de lo profundo, de lo que no podemos controlar.  \nMiradas está inspirado en las miles de miradas que viajan en soledad todo el tiempo.', NULL, NULL, 'Díptico\nPigmentos sobre papel\n150mts x 120mts', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2547, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2206, NULL, '2020-06-02 03:17:40', '2020-06-24 18:55:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
