INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7428, 'ep9puAED5cvkKo6W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 01:43:52', '2020-03-22 01:43:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7429, 'AWgXFBaUDYf3TSrH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 01:49:54', '2020-03-22 01:49:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7430, 'EBDqpEAK6tmdlRy7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 01:51:45', '2020-03-22 01:51:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7431, 'kHydDHXyK3yq3Ra9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 01:53:09', '2020-03-22 01:53:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7432, 'W3rS9YZSSscSPSSw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 01:59:27', '2020-03-22 01:59:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7433, 'lozt4qhjM3910yH8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:10:23', '2020-03-22 02:10:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7434, 'QlgEFPhmbHOdvZG5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:28:28', '2020-03-22 02:28:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7435, 'YvvB6o0hx3h1uXqv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:34:55', '2020-03-22 02:34:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7436, 'nY0Z4gyR8nDbvaKQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:38:14', '2020-03-22 02:38:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7437, 'L0SY1RUiP7zdsaLm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:41:12', '2020-03-22 02:41:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7438, 'EQBR7D5vUYLFJnGB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:43:45', '2020-03-22 02:43:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7439, '62bukBOeAICvc225', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:46:23', '2020-03-22 02:46:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7440, 'LJ2Lq6vge1bTfsZE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 02:54:07', '2020-03-22 02:54:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7441, 'ZXqHAcVkGsxRgwBR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 03:00:36', '2020-03-22 03:00:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7442, '6ggEIyShpugZgQFY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 03:18:20', '2020-03-22 03:18:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7443, 'n5srRansYqwh1ODw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 03:20:38', '2020-03-22 03:20:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7444, 'GR8GQkXFr0Z52yrS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 03:41:12', '2020-03-22 03:41:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7445, '8Wu9rnvHFuy2bFOy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 03:50:43', '2020-03-22 03:50:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7446, 'sY58TTBevy4TwlVO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 03:59:51', '2020-03-22 03:59:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7447, 'zuILEplvsAkTRZVg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 04:08:07', '2020-03-22 04:08:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7448, 'j0a5nC1VWXlfTNhf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 04:10:02', '2020-03-22 04:10:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7449, 'uj6Ct9Yx2C700jnA', '10 años de experimentación en el collage.', NULL, 'Soy un Artista uruguayo, emergente y subterráneo. \nEn éste tiempo en que he venido conviviendo con el collage(pués no hay otro modo de relacionarse con él), descubrí muchas cosas. La gran mayoría forma parte de alguna composición, otras simplemente las fui recogiendo para mutar a otro sentido de la estética y coherencia dentro de las artes visuales.\nMi pretensión sería mostrar todo este trabajo, en su mayoría obras realizadas entre 2017 y 2019. \nY consta de unas 20 piezas  enmarcadas .', NULL, NULL, 'Sala de exposiciones convencional, con iluminación acorde y sobre todo, sin humedad.\n50 metros cuadrados aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 555, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 464, NULL, '2020-03-22 04:24:02', '2020-06-23 02:49:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7450, 'WFm7RrmHXvUOeucd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 04:32:43', '2020-03-22 04:32:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7451, 'HN0HIk9pyH8274A3', '\"El Puente es un Lugar\"', NULL, '“El Puente es un Lugar” según Heidegger*. Es por la presencia misma del puente que surge el sitio. Es una frontera,  a la vez que contiene la posibilidad de circular de un lado a otro, traspasando abismos.  \nUn puente de madera, precario pero entero, hace un recorrido sinuoso, sobre un charco oscuro y viscoso. El abajo se presenta peligroso, no hay un destino a la vista, el puente parece ser el único lugar posible.  \nLleva encima unos escombros “AZUL Klein”. Restos entrópicos que, transfigurados por el color, son objetos mágicos. Los veo como migrantes detenidos en un tiempo incierto. Algo del polvo de ladrillo azul se esparce sobre la madera. La iluminación azul crea un clima metafísico, onírico, irradiando sentidos.\nLa instalación nos deja preguntas. ¿Son fantasmas creados por una humanidad en crisis? ¿Están los escombros, como nosotros, sólo “siendo”? ¿No es acaso la precariedad nuestra condición natural a pesar de nuestros intentos por disfrazarla? \n*Conferencia. “Bauen, Wohnen, Denken”\n\nInstalación compuesta por:\nUn puente de madera de descarte armado en módulos sobre caballetes, de forma curva, largo variable según la sala, entre 6 y 12m. Altura 60cm, ancho 60cm.\nEscombros y polvo de escombros de ladrillo teñidos con tinta azul, dispuestos sobre el puente, tamaños variables.\nUn charco de aceite y agua, oscuro y viscoso, de medidas variables, asentado sobre plástico negro.\nIluminación escenográfica azul en ambiente oscuro.\nSe dejará espacio de recorrido alrededor.', NULL, NULL, 'Implantación de “El puente es un Lugar”: \nSala interior, despojada,  de dimensiones amplias, con posibilidad de oscurecer e iluminar con luz escenográfica, con espacio para recorrido alrededor. Medidas mínimas estimadas: 8mx 5m.\nHay tres ejemplos en las láminas: Sala 1 del Centro Cultural Conti, donde el desarrollo de la instalación es mayor y el largo del puente se duplica; Muntref Inmigrantes y  Marco La Boca, de largo simple. \nMás otras salas posibles que puedan alojar la instalación.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3051, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2631, NULL, '2020-03-22 04:35:32', '2020-07-30 12:55:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7452, 'eHHy5EzTi4doZgSC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 04:51:55', '2020-03-22 04:51:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7453, 'gXZF1GDO4n9T0gC1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 04:53:24', '2020-03-22 04:53:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7454, 'cXEQrHNyPenW8kSz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 05:23:47', '2020-03-22 05:23:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7455, 'L6kWIi3SPJVDRI0m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 05:42:49', '2020-03-22 05:42:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7456, 'coMvo3uTTgdxZ7Tf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 05:54:40', '2020-03-22 05:54:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7457, 'nj1zXzocm6ojDS6n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 06:09:33', '2020-03-22 06:09:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7458, 'ceCBgdnDSFfRz0t0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 06:26:18', '2020-03-22 06:26:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7459, 'sPRJZOv60XK0hPfj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 06:55:15', '2020-03-22 06:55:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7460, 'j0xWJibbciAubszS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 07:14:15', '2020-03-22 07:14:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7461, 'hCeF1idlOimkDAdz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 07:21:24', '2020-03-22 07:21:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7462, '3QryTqsa9SgfNyou', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 07:27:35', '2020-03-22 07:27:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7463, '8oe8QSx9YFlGeq9N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 07:36:51', '2020-03-22 07:36:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7464, 'EBc5lbbLnt5Po7gW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 07:46:38', '2020-03-22 07:46:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7465, 'KMImUN1IYbL6ANnI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:03:12', '2020-03-22 08:03:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7466, 'J2hQBQHsVmLIT6hO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:10:00', '2020-03-22 08:10:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7467, 'TRmhoY4V6dyMpkqe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:12:21', '2020-03-22 08:12:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7468, 'MCBsyYwKHGzQO6b4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:22:15', '2020-03-22 08:22:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7469, 'DrKgkyllEdi0CeyM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:25:15', '2020-03-22 08:25:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7470, 'dDdNn4wj7yDjsxdc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:28:09', '2020-03-22 08:28:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7471, 'tfaRnHqbNTBH19gq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:36:07', '2020-03-22 08:36:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7472, '6Bu3Weh6uhyi1HuH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:37:27', '2020-03-22 08:37:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7473, 'CcqIvoQstHGzGpxW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 08:39:17', '2020-03-22 08:39:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7474, 'U5FCJSTdhnazqsNI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 09:03:39', '2020-03-22 09:03:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7475, 'fHeGiFxbT66ZSIM2', 'CO YVY ORÉ RETAMA', NULL, 'El proyecto CO YVY ORÉ ETAMA [Esta Tierra Es Nuestra en el idioma tupí] es inédito. Una instalación artística totalmente producida por manos indígenas, con 14 postes de cerámica con gráficos indígenas tallados, unidos entre sí por cadenas también producidas en cerámica. La instalación debe rodear el Monumento Glória Inmortal a los Fundadores de São Paulo, ubicado en el Pátio do Colégio, en el centro de São Paulo. Las piezas de cerámica se producirán con porciones de tierra de la región de la entrada de la ciudad de São Paulo, con 6 pueblos indígenas, y ha sido un territorio de disputa entre los indígenas y las empresas constructoras. El lugar de exhibición para este trabajo es el mismo lugar donde los portugueses fundaron la ciudad de São Paulo. Este lugar en la época colonial estuvo habitado por varios pueblos indígenas, que se formaron muertos o tomados como esclavos, y de donde también 5 senderos indígenas, uno de los cuales conectó São Paulo con los Incas en Cuzco [Perú]. El proyecto también planea producir 5 banderas grandes, que se instalarán en la fachada de 4 museos de arte en São Paulo con la pregunta \"... ¿Y dónde están los indios?\" como quien continúa la pregunta formulada por el Coletivo 3 de Fevereiro sobre la presencia de negros en los circuitos artísticos y en todos los nichos de la sociedad brasileña. Aquí, la palabra \"negro\" se reemplaza por \"indígena\", y propone la misma pregunta sobre la presencia casi inexistente de indígenas en espacios culturales.', NULL, NULL, 'Instalación artística y la bandera: Pátio do Colégio - Museu Anchieta | São Paulo - SP - Brazil\n\n5 Banderas: \n-Pátio do Colégio - Museu Anchieta | São Paulo; \n-MASP [Museu de Arte de São Paulo]; \n-MAM SP [Museu de Arte Moderna de São Paulo]; \n-Pinacoteca de São Paulo\n-Centro Cultural São Paulo\n\nPressupuesto total [producción de la obra, montaje y desmontaje]: U$3,000 [dolares americanos] - U$1 = R$5,00 [real brasileiro]', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1870, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1642, NULL, '2020-03-22 09:12:49', '2020-06-18 19:39:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7476, 'S5uxXw87pRvVZrKZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 09:27:44', '2020-03-22 09:27:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7477, '6WvL5sE1CsXQVCsu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 10:26:16', '2020-03-22 10:26:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7478, 'ZFx17o5ZDCrvRtWn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 12:17:54', '2020-03-22 12:17:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7479, 'm5NtenOPdPUZA67J', '“On your high horse” - Emperors, Queens, Kings, Dukes, Prime Ministers, Presidents, Conquerors, Colonisers, Imperialists, Dictators, Founders, Liberators, Politicians, Military Leaders, Gener', NULL, 'Expuesto (Etapa No.1- work in progress), en la National Gallery of Zimbabwe desde el mes de marzo, 2020, “ON YOUR HIGH HORSE”, estaría siendo presentado (Etapa No.2-BIENALSUR 2021), por 24 pinturas de esculturas ecuestres existentes en espacios públicos en el mundo (Graphics-Painting), más un dispositivo informativo (Installation-wooden display). Esta propuesta forma parte de mi proyecto general de investigación Art, Report, una propuesta que intenta desarrollar un arte informativo, investigativo o Agencia Visual de Datos, un archivador visual de una memoria social (Folder), de informaciones salidas de reportes producidos por organizaciones locales e internacionales. ON YOUR HIGH HORSE, es una obra que reproduce el último informe de la organización THE UN REFUGEES AGENCY sobre Global Trends-Force displacement. Estas Graphics-Painting, realizadas con porcentajes de colores (10 países por pintura), con base en las estadísticas del reporte oficial, bajo esta metodología pictórica las imágenes pintadas contienen en cantidades porcentuales el contenido de la obra, esto significa de la imagen se libera de cara al público de esa tradicional representativa y literal, y se muestran a si misma como una estrategia visual discursiva que permite y fuerza al publico a descubrir con su propio recorrido (como una acción social) el verdadero contenido de la obra, haciendo que esta acción haga suya y con mas énfasis una nueva oportunidad de releer la problemática planteada. Su problemática.', NULL, NULL, 'Se requiere de un espacio tradicional, no necesariamente Museos o Galerías de arte, entendamos como tradicional que paredes y espacio en el suelo para desplegar toda la obra, pudiéramos incluir en esta básica descripción Bibliotecas, Universidades, Centro de Investigación, Espacios Gubernamentales tales como Centro Nacional de Estadísticas y otros. La obra en su parte desplegada en la pared (Graphics-Painting) podría tener varias maneras de distribución (ver imágenes).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3901, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3321, 5, '2020-03-22 12:27:17', '2021-02-19 17:23:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7480, '0mfNfBGxQ9TaFIlI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 13:51:28', '2020-03-22 13:51:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7481, '24VqNNijnO8913dm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 14:34:45', '2020-03-22 14:34:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7482, 'mbsHUz17SUrcw7nq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 14:40:30', '2020-03-22 14:40:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7483, 'RTOVSkwtUI8X1Vdv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 16:16:54', '2020-03-22 16:16:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7484, 'UTi5n75E4CMxM0es', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 16:29:52', '2020-03-22 16:29:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7485, 'txe43FGOiR0Y7taP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 16:30:16', '2020-03-22 16:30:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7486, 'atNvoBYVaJEcsPIN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 16:55:17', '2020-03-22 16:55:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7487, 'iTVe8cAtWItbC3nU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 16:55:36', '2020-03-22 16:55:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7488, 'pp20NvohdC3ENUg5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 17:07:24', '2020-03-22 17:07:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7489, 'wIlDKexfWoXOWYE2', 'S-TRIPES', NULL, 'CUADRO / ESCULTURA Se trata de representar este momento icónico por el que atraviesa la humanidad, esta pandemia que nos golpea a todos. Somos lineas en paralelo redescubriendonos nuevamente, saliendo de nuestra estructura y renaciendo de las cenizas.', NULL, NULL, 'Realizado mediante impresión 3d, madera y MDF.  Medidas: 110cm x 25cm x 1600cm. Coloreado mediante pintura Chalk Board roja, esmalte turqueza  y polvo de cobre.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 556, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 465, NULL, '2020-03-22 17:09:06', '2020-06-23 02:49:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7490, 'vdUA9WOvBPSDvIfT', 'SOUL Dessas/Beija eu', NULL, 'SOUL Dessas / Beija eu\n\nSinopse:\nSOUL DESSAS se refere ao meu estado de espírito, ao amor e fascinação pelas curvas, pelos movimentos do corpo. Sou dessas almas que aceita, que acredita, que sabe quem é e escancara aos quatro cantos. É a liberdade e a leveza de se encontrar no próprio corpo, de reconhecer-se no espelho e sentir paz de espírito. \n\nPortfólio de ação: https://drive.google.com/open?id=12LM-IMnrPs3Z-kDgyiaUHP4oY9LR33-y\nPortfólio da artista: https://drive.google.com/open?id=1NEBzn7cNiT-YJePOCvYovJ2SG9jNl38i', NULL, NULL, 'Um espelho de 80cmx150cm é fixado para ficar na altura do rosto. Sobre um suporte são distribuídos os batons. A performer fica nua em frente ao espelho e começa a observar e mexer o corpo. Aos poucos escolhe um batom, passa e beija o espelho, repete aleatoriamente a ação e convidando os espectadores. A pessoa pode se beijar, beijar o espelho, a performer; escrever no espelho ou na performer. A ação se intercala entre a relação da performer consigo mesma e com as pessoas a sua volta.', NULL, 'artist', NULL, NULL, 'https://youtu.be/RDttvfRU0JQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 557, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 466, NULL, '2020-03-22 17:29:54', '2020-06-23 02:49:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7491, 'WoO15SqEzn8DOw63', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 17:31:36', '2020-03-22 17:31:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7492, 'ULA2k2lkcX2CKJeJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 17:59:39', '2020-03-22 17:59:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7493, 'RWg3nAQNnsQ3nKM0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 18:03:36', '2020-03-22 18:03:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7494, 'Gf7H006Sn7nFeyfL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 18:28:45', '2020-03-22 18:28:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7495, 'VAmLeeaekx8Q2W2t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 18:35:33', '2020-03-22 18:35:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7496, 'mFZp7LqwGObG5egM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 18:37:47', '2020-03-22 18:37:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7497, '2LrXPvVd7TlrfYfn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 18:49:27', '2020-03-22 18:49:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7498, '6sCGU6a1uwxjJKYN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 19:23:58', '2020-03-22 19:23:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7499, 'e09Ym7yeYW3Y1zk0', 'N.O.A.rteamérica', NULL, 'N.O.A.RTEAMERICA es un proyecto de investigación y producción en torno a las ferias americanas emplazadas en Noroeste  argentino y países fronterizos. Se compone de obras visuales que buscan reflexionar a cerca de la cultura Chola como cultura de cruces, y el espacio de ferias como espacio Cholo por excelencia. Dicho proyecto se desprende de mi doble condición laboral de artista y feriante. Así es que abordo mis recorridos de andanza por las ferias y también la materialidad que allí se encuentra para el cuerpo de mis obras.\nEn palabras del antropólogo Mauricio Sánchez Patzy, la cultura chola es “... Una cultura mestiza, indígena, hispánica y capitalista a la vez, en la que las formas de organización plástica responden a valores diferentes del “buen gusto” occidental. Se trata de una cultura original aunque contradictoria (…) y si bien incluye elementos indígenas, también es la manifestación de una acumulación histórica de valores estéticos modernos, reivindicaciones políticas y autoafirmaciones étnicas(...) Es el reino de la mezcla cultural, de la coexistencia simbiótica y expresiva de maneras de ver el mundo basadas en la visualidad andina tradicional tanto como en la incorporación de modas y estilos de la iconografía moderna y modernizante, hispánica y anglosajona, capitalista y comercial.( Patzy, Sánchez M.(2013), Aproximaciones a la estética chola).', NULL, NULL, 'La exhibición  está conformada por una instalación de 4 esculturas de ropa prensada de 60cm, 3 piezas cerámicas de 50 cm y 7 de 25 cm, y 5 tapices de plásticos de arpillera. 2 tapices de gran tamaño serán exhibidos en en el espacio público, preferentemente en ferias o mercados, mientras que los demás serán parte de la exhibición.\nComo actividad complementaria, se presentarán conversatorios sobre mercados y territorio, y cruces entre prácticas ancestrales y fenómenos postglobalización.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://cargocollective.com/mariacandelaria', NULL, NULL, NULL, 4437, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3736, 5, '2020-03-22 19:31:50', '2020-09-03 04:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7500, '07QjuspAuAh5fx4C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 19:49:02', '2020-03-22 19:49:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7501, '2oZZdNe3Kr5mcb7j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 20:08:28', '2020-03-22 20:08:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7502, '5egBmgdpKOiQ9JXi', 'Ataque de simpatía', NULL, 'Ataque de simpatía explora el instante de conexión entre personas. Indaga el cruce entre individuo y sociedad, la identidad, la originalidad. El acto y contradicción de ser uno en un todo. Es esa explosión inmediata que puede ir de la sincronía al desencuentro, guiado por un prejuicio que analiza, entre capas, los detalles y los secretos de lo que enfrentamos.\nEste conjunto de hipótesis se representa en el espacio, en el inicio de los inicios, donde los vínculos se atraviesan como eclipses, lo habitual juega con lo singular y las diferencias empatizan.\n\nEl proyecto contiene tres series las constelaciones, el eclipse y Venus y Marte.\nLas constelaciones son fotografías de cielos estrellados y superpuestas por constelaciones, que hablan de la individualidad, de la identidad, enfrenta el hecho de ser uno en un todo, reflexiona sobre la idea de solidaridad: pensar en el otro, en uno, o en todo. Además cuenta con un video que reproduce una imagen con estrellas titilando que representa el acto de conocer al otro, las capas que habitan en una persona y lo que sucede cuando las vamos descubriendo.\nLa segunda serie explora la luna, el sol y el fenómeno del eclipse como acto de entendimiento entre personas. Empatizar con el otro, pese a las diferencias.\nLa tercer serie explora los planetas Venus y Marte. Dos videos enfrentados muestran cada planeta bajo el intento de conocer lo desconocido.  \nAdemás cuenta con la instalación de fotografías de cada planeta y piedras de cada lugar.', NULL, NULL, 'Se sugiere un espacio grande dividido en 3 o un espacio con 3 salas. Tamaños aproximados: 3x3m ó 4x4m para serie 1 y 3; Espacio rectangular: 3x5m para la serie eclipse. Puede estar conectado con la astronomía, con el hombre o con la naturaleza. \nConstelaciones: 6 fotografías (40x60cm) y 4 fotografías de (60x90cm). 1 video 3x2m a la altura del público.\nEclipse: 18 fotografías de 60x60cm. \nVenus y Marte: 2 videos enfrentados de 2x1,5m; 12 fotografías de 30x40cm y piedras en 5 vasos de vidrio.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/399660650', 'constelaciones', NULL, NULL, NULL, NULL, NULL, NULL, 559, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 468, NULL, '2020-03-22 20:16:40', '2020-06-24 16:12:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7503, 'lppsS5i4OGjSVEww', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 20:50:10', '2020-03-22 20:50:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7504, 'S9wIXuXVXg3MqOjP', 'Vestigios Visuales. Santa Olga-Los Aromos', NULL, 'La presentación consiste en exponer serie de  fotografías  obtenidas en la zona de las comunidades Santa Olga y Los Aromos, destruidas por los destructivos incendios del 26 de  enero, año 2017. Donde uno de los objetivos de la propuesta es “articular lecturas desde las imágenes post acontecimiento”. Desde el campo y  mirada del arte, donde asumo el trabajo en terreno conocido como,  Fotografía Tardía. Repaso espacios visuales y practico levantamientos de argumentos reflexivos extraídos in situ. También adjunto entrevistas o conversaciones con personas del lugar examinado. Esta forma de acopio de información es fundamental, paralelo a la actividad fotográfica en terreno, lo cual permite articular acotados ejes de trabajo visual – sensorial. Los atisbos o indagaciones en espacios escogidos, pueden aportan valiosa información y colaboran paralelo a la lectura y construcción de ideas. \nLas imágenes expuestas en Vestigios Visuales, funcionan como un necesario eslabón entre el espectador y el contexto social- urbano revisado durante varios meses del año 2017.', NULL, NULL, 'Para el proyecto “Vestigios Visuales. Santa Olga Los Aromos”, utilicé la fotografía digital, y algunos resultados impresos en papel, Hahnemuhle R.B. 315 g. Formatos 53x80 cm, cada pieza. \n\n\nSe plantea en exposición distribucion de 8 fotografías, pegadas sobre soporte trovicel.\n- 5 fotografías 80x53 cm.\n- 3 fotografías 53x80 cm.\n\nTotal metros lineales para instalación de serie: 750 cm. Se incluye separación entre cada fotografía.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 560, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 469, NULL, '2020-03-22 20:54:25', '2020-08-13 23:35:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7505, 'GEIYUn7dAcFyq2XQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 20:57:18', '2020-03-22 20:57:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7506, 'yNmUJPr45qybsmxy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 21:39:34', '2020-03-22 21:39:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7507, 'nr150CSRAr6rPvmm', 'Cartas ao Medo', NULL, '\"Cartas de medo\" propõe a interação em video de duas atrizes/autoras. \n\nO projeto apresentado parte da parceria da dramaturga, poeta e atriz Carla Kinzo (Menção Honrosa no Prêmio Heleny Guariba com \"A mulher que digita\") e a cineasta e escritora Maria Clara Escobar (diretora de Desterro, Festival de Rotterdam 2020, e de Os dias Com Ele). Juntas fizeram o livro Medo, Medo, Medo, no qual nos aproximamos de uma dimensão do medo na experiência da mulher. Aqui, cartas encenadas, em forma de correspondência, falam do medo, com a intenção de transformá-lo em ferramenta, em potência de forma e co-existência com ele. \n\nPartimos de uma lista inicial de medos:\n\n1. aviões - pousos e decolagem \n2. que o amor não seja pra mim (e nunca venha)\n3. da morte\n4. agora que tenho um filho, de tudo. \n5. ser medíocre \n6. dormir no escuro\n7.dentistas me apavoram \n8. ter dito demais\n\nAs video-cartas são filmadas pelas próprias autoras, e respondem uma à outra de forma randômica. Aos poucos, as cartas que revelam os medos de um ponto de vista solitário vão se transformando em uma conversa. Na medida em que os medos são trazidos à tona, a possibilidade do diálogo vai se estabelecendo. Que mundo podemos construir à partir do diálogo e que possibilidade de não mais solidão, e sim apropriação do que é incerto em forma de adaptação ao mundo real. \"Não sair é até menos arriscado, diz uma delas.\" \"Mas não pode ser pra sempre, não é essa a solução\". \"Mas agora podemos falar\". ', NULL, NULL, 'Dos pantallas grandes del mismo tamaño enseñan los videos. \nLos videos pasan intercalados de tiempo, y funcionan como una conversa.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/405671678', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 954, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 806, NULL, '2020-03-22 21:40:44', '2020-08-14 22:11:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7508, 'S0ZdRyyFQH3UVzxc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 21:46:22', '2020-03-22 21:46:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7509, 'MCS1lMXWle8ySmCM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 21:48:19', '2020-03-22 21:48:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7510, 'cI30BjKlv96MzP5r', 'Factor de protección', NULL, 'Factor de protección es un proyecto recientemente iniciado donde exploro las propiedades materiales, instalativas, pictóricas y simbólicas de un evento que tiene lugar en los pueblos de La Mancha (España): en las puertas principales de las casas, se suele usar una cortina para proteger las puertas de madera del sol. Las telas van de lo folclórico y kitsch, con motivos quijotescos y agrarios, a lo sobrio y minimalista, pasando por patrones ornamentales, florales y geométricos.\nEl trabajo está resultando en obras de diversos formatos: fotografías que documentan el proceso; obras que juegan con las telas de las cortinas y las maneras de recogerlas; piezas pictóricas que re-elaboran los patrones de las telas; y piezas de carácter más escultórico, que indagan sobre los diferentes elementos que surgen a los pies de las cortinas a modo de barricadas.\nEste proyecto supone una continuación de mi investigación en torno lo que hay entre lo doméstico y urbano, desde una perspectiva identitaria y autobiográfica, iniciada con un proyecto donde trabajé con los felpudos del edificio en el que resido en Madrid. En este caso, mi conexión es que crecí en un pequeño pueblo de La Mancha (La Puebla de Almoradiel, Toledo).\nAl igual que los felpudos, estas cortinas son el preámbulo del hogar. Un objeto que moldea identidades, estereotipos regionales y relaciones comunitarias, en este caso en la España vaciada. Todo a través de un juego de protección y ocultación.', NULL, NULL, 'La mayoría de las piezas del proyecto creadas hasta el momento son de carácter bidimensional (fotografía, obra textil y pintura), por lo que necesitan de una pared. Un espacio expositivo al uso (un cubo blanco o similares), podría ser lo ideal. Sin embargo, el proyecto puede ser adaptado a otros espacios menos asépticos.\nTambién me gustaría expandir partes del proyecto hacia algo más instalativo, aportando así una mayor flexibilidad expositiva.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3048, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2629, 5, '2020-03-22 21:52:26', '2020-08-27 22:03:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7511, 'EYrnG53jys2tw9XC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 21:56:32', '2020-03-22 21:56:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7512, 'LdnRgdHUtTF3MwQQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 22:27:40', '2020-03-22 22:27:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7513, 'uUIwgzUPMLTrXoqf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 23:04:25', '2020-03-22 23:04:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7514, 'gN4bIhJxCIGINRbp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 23:04:32', '2020-03-22 23:04:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7515, 'H12YYOrMmpaDYD8H', 'Titans Pop/Art', NULL, 'Un proyecto visual que trastoca parte de la mitología griega y muestra el estatus y la confrontación entre géneros, lleno de una sexualidad figurada mediante artilugios simbólicos que representan características de sus miembros dentro de una sociedad imaginaria, por demás es una compilación de diez imágenes inéditas que parten de la recomposición y creación de una o varias fotografías iniciales procesadas mediante edición digital, para dar como resultado otra imagen final, cada pieza se procesa bajo la superposición de capas y bajo técnicas Mirrors, es decir, se crea una imagen y luego se confrota para dar un resultado integral, las diversas piezas pretenden dejar implícito la existencia de cada Dios o semi - Dios y refuerza el poderío de cada uno de estos según sus títulos.\n\nCada composición gráfica, mide 30 por 7 cmts y 300 DPI de resolución, lo que lo hace un proyecto tentativo para ser mostrado de igual forma en formato audiovisual o impreso, según la disponibilidad de espacios y/o presupuesto económicos.', NULL, NULL, 'Salón oscuro de entre 9 y 12 metros cuadrados, con luz direccionada.\n(Espacio físico)\n\n\nPantalla gigante.\n(Espacio virtual)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 561, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 470, NULL, '2020-03-22 23:05:32', '2020-06-24 15:52:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7516, '8DFCkOyqRob2G51V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 23:49:07', '2020-03-22 23:49:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7517, 'pF2a6GGHTm6xOvn1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-22 23:49:24', '2020-03-22 23:49:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7518, 'yEIj4o9gdiCvuTt3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 00:09:38', '2020-03-23 00:09:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7519, 'JLy34OWdDRqIAvdc', 'COLOMBIA GRITA BAJO TIERRA', NULL, 'COLOMBIA GRITA BAJO TIERRA \n\nGritos que han sido enterrados, catapultados bajo el terror de los asesinos, rociados con las lágrimas de sus familias, mientras el estado silencioso o cómplice, permite que la tierra se siga nutriendo de estos cuerpos. El terror sigue rondando por los campos y selvas, llenándose de poder, silenciando a líderes o simplemente desapareciéndolos.\n\nObra que cuenta un reflejo doloroso que vive el país con un conflicto de años, que se nutre del narcotráfico y otros intereses. En el 2012 dio un respiro, con un atisbo de esperanza que no duro mucho en apagarse. \n\nPor la memoria a las víctimas que ha sufrido este flagelo la obra retrata a 2 grupos: \n-Desaparecidos quienes fueron arrebatados de sus hogares; sus familias a pesar de los años no han dejado de buscar.          \n-Líderes Sociales, Indígenas, Ambientales y todos aquellos quienes han levantado la voz  para proteger una comunidad, un territorio o denunciar un abuso. Ellos  en los últimos meses han sido el blanco de esta violencia.\n\nColombia se divide en 32 departamentos. Los desaparecidos están a  lo largo del país desde hace más de 4 décadas. El fenómeno de la violencia hacia los líderes se ha intensificado en los 2 últimos años, existe departamentos más golpeados que otros, es por esto se escogieron 27 de ellos para retratar este drama.\n\nEsta obra es la continuación a otra llamada Vuelos mutilados, ya expuesta en otros escenarios donde la pluma es la protagonista que representa a cada víctima.', NULL, NULL, 'COLOMBIA GRITA BAJO TIERRA\nObra inédita que se compone de dos series: Desaparecidos y Líderes Sociales, con 27 y 32 piezas cada una. \nEl montaje de la obra está diseñado para el interior en un recinto de exposiciones,  en el que se intervendrán el piso y la pared. El aérea de pared  es de aproximadamente 8 mts cuadrados, la obra puede estar montada en una o dos paredes, según la naturaleza del espacio. Para la instalación del piso es necesario tierra.  \nSegún la  imagen  Montaje-espacio.jpg', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2069, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1813, NULL, '2020-03-23 00:18:27', '2020-07-12 16:55:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7520, 'V4EmCQ7lAd6fEi0q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 00:19:47', '2020-03-23 00:19:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7521, '45yRDaEWXShkkRVE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 00:20:13', '2020-03-23 00:20:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7522, 'lG05qc0rbO2y4jZZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 00:29:33', '2020-03-23 00:29:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7523, 'Hmyo8o38uCw383r7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 00:49:17', '2020-03-23 00:49:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7524, '4hfzNX2nEq4Jxylo', 'La muerte iguala a todos', NULL, '“La muerte iguala a todos” es una pieza efímera, una composición floral congelada en un bloque de hielo sometido al medio en el que se encuentra, en la que se podrá apreciar su mutación. El hielo se agrieta con apariencia de heridas, se encuentran burbujas de aire circundantes a las que las flores no pueden acceder, pues el hielo las separa, la pieza se derrite descubriendo su interior, de modo que nos permite observar la vida cambiante de las flores que se encuentran apresadas, mientras que los pétalos en el deshielo desaparecen, resaltando el gran contraste entre la vida y la muerte, la belleza y la decadencia.\nPrisioneras en el tiempo, cubiertas de hielo, como si se quisiera atrapar algo inexorable o tal vez un intento fallido de inmortalizarlas. \nNo se trata solo de captar el tiempo congelado, sino también los primeros alientos de las flores después del descongelamiento y su posterior muerte. Al poner flores en el hielo, temporalmente dejan de envejecer, parecen eternizarse en el tiempo pero el deshielo es un recordatorio de que toda la belleza se desvanece y nada se congela para siempre.\nEs una búsqueda de un mirar inesperado, un proceso sorpresivo al no poder controlar el proceso evolutivo de la obra, una forma de investigación sobre la futilidad de la existencia que se expresa en la naturaleza expuesta ante un ambiente desfavorable.', NULL, NULL, 'Se trata de una instalación de 3 piezas, formadas cada una por una composición floral congelada en un bloque de hielo de aproximadamente 20cm x 20cm de base y 40cm de altura, con tierra en la base, y sostenidas por 3 pedestales de vidrio transparentes (similares a peceras) de aproximadamente 1mt de altura y 35cm x 35cm. Las bases superiores cuentan con perforaciones que permiten que el desecho de la obra se acumule en el interior. \nAsí, los espectadores podrán apreciar la mutación de la obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 562, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 471, NULL, '2020-03-23 00:58:57', '2020-06-23 15:39:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7525, 'R3ygyE6c5e2PWClq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 01:01:58', '2020-03-23 01:01:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7526, 'B8Zh9cpcNJhoQGfL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 01:05:08', '2020-03-23 01:05:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7527, 'rhihrM9iFlI0spn9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 01:56:09', '2020-03-23 01:56:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7528, 'VuqsmqmVBSuxk30f', 'Argentina', NULL, 'Obra dedicada a mi país (fuerza, vértigo, atracción, energía).', NULL, NULL, 'Arte digital / Fine Art Canvas Print (Impresión sobre lienzo montado en bastidor de pino y barnizado).\nTamaño: Alto 90 cm / Ancho 200 cm\nFecha de realización: 12/2019\nColección: Equilibrio\nAutor (Pseudónimo): Juan Khoury', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 563, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 472, NULL, '2020-03-23 02:15:47', '2020-06-23 02:49:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7529, 'xKyHygpxTq18DQ0r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 02:23:49', '2020-03-23 02:23:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7530, 'BytQXJJvQ9xwdMGK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 02:26:03', '2020-03-23 02:26:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7531, 'EwblnBkKVwSZdOJW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 02:32:11', '2020-03-23 02:32:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7532, 'NBMRKfONBe01NVay', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 02:46:54', '2020-03-23 02:46:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7533, 'F4es5bv6yxyLQlFW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 03:06:41', '2020-03-23 03:06:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7534, 'Vllvpg2gQeD5SbXQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 03:56:19', '2020-03-23 03:56:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7535, 'FL1v5FPiSsQJ2XU2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 04:11:03', '2020-03-23 04:11:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7536, 'LYfqGT9YXZtAnA3z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 04:20:44', '2020-03-23 04:20:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7537, 'UbC0cGMW6lRbbjDz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 04:25:42', '2020-03-23 04:25:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7538, 'ZEDXjZoQV0vr7GG9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 04:36:50', '2020-03-23 04:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7539, 'LWiexI9PyH7EFsRr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 04:57:09', '2020-03-23 04:57:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7540, 'woerJlRQ2J1UAJ3b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 05:12:23', '2020-03-23 05:12:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7541, 'jsGElLSKhLieOmtO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 05:14:46', '2020-03-23 05:14:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7542, 'NyV5XJyJ4Uq5nC3r', 'Idilio de Resistencia', NULL, '“Idilio de resistencia” forma parte de un conjunto de obras compuestas por instalaciones y objetos escultóricos realizados con objetos semi-cubiertos por tierra y vegetación. Son escenas cotidianas conformadas por menaje familiar sobre el que crecen plantas mediante un dispositivo de cultivo led.\nLa naturaleza en su potencia se nos resiste: los árboles que crecen en las esquinas de los techos de las casas, las plantas entre las rendijas de las baldosas, el moho de las paredes, el césped en los baches de las calles, nos presentan verdaderas prácticas de resistencia. En lo adverso, lo imposible, lo inútil, la potencia de cambio y de acción sobre el entorno empodera a la naturaleza sobre el medio humano. Estas plantas en su avance corroen, destrozan, sintetizan lo que absorben.\nEsta obra conforma un espacio atópico, en el que la resiliencia ecológica, se hace presente en la capacidad de absorber las perturbaciones del pasado sin alterar características biológicas.\nLa potencia modificadora, reincidente en el crecimiento del paisaje natural sobre el urbano, la persistencia del deseo y el ánimo de avanzar del paisaje son inspiradores en el acto mismo de resistir.', NULL, NULL, 'Los objetos escultóricos están compuestos por  menaje parcialmente enterrado sobre acrílico transparente\ny cubiertos por cristal soplado. Su base es una estructura  cromada y posee una instalación eléctrica con luz led. La luz debe prenderse 12/14 horas diarias, y las plantas deben regarse dos veces por semana con el estarcidor incluido en el embalaje.   \nLa obra tiene un su embalaje un manual de cuidados y armado detallado. \nPuedo viajar a armar la obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://www.lalimartinezspaggiari.com/idilio-de-resitencia/', NULL, NULL, NULL, 2481, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2144, NULL, '2020-03-23 05:21:34', '2020-08-14 19:19:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7543, 'hWTQopCxwCr8BfmY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 05:24:01', '2020-03-23 05:24:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7544, '7oi6SjzlNtTLbkRj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 05:24:02', '2020-03-23 05:24:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7545, 'tyLwd63ebfcZMoxz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 06:26:54', '2020-03-23 06:26:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7546, 'x8C8qU1P7JtwmraM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 06:26:55', '2020-03-23 06:26:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7547, '78ALObNLxngrveKx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 06:39:45', '2020-03-23 06:39:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7548, 'UFlX09m2Z8lP94K3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 06:58:50', '2020-03-23 06:58:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7549, 'qpVvGnYrC9hRoZNS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 07:10:20', '2020-03-23 07:10:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7550, 'GMHn7c019l6tIb6b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 07:32:16', '2020-03-23 07:32:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7551, 'RMC70eHBnK8J3hur', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 07:32:34', '2020-03-23 07:32:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7552, 'YDH2j8sLnOGvqErp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 07:45:18', '2020-03-23 07:45:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7553, 'pm8CpN962KpWjhK4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 07:57:45', '2020-03-23 07:57:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7554, 'Hzr7apzBXBvi77hK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 08:23:57', '2020-03-23 08:23:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7555, 'O8cO6BAukvp3KNwr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 08:51:12', '2020-03-23 08:51:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7556, '0ubofXzBr1OvyePz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 09:08:19', '2020-03-23 09:08:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7557, 'Hak8IuHzY5oEbdR4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 09:27:09', '2020-03-23 09:27:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7558, 'nfJ8E5dw85UArucc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 09:29:57', '2020-03-23 09:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7559, '0BCacuqWf3PdUKLl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 10:17:14', '2020-03-23 10:17:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7560, 'bCWCSVWmPT1lvZgO', '\"El jardín de las delicias\"', NULL, 'Consta de dos segmentos\nLas piezas pictóricas, constan de dos lienzos de 500 x 250 cm y otro de 350 cm x 250 cm ensamblados. Es una pieza pictórica que se pretende como gran escenario, pintura panorámica. En cada montaje de exhibición del proyecto la pieza crece y se logra ensamblar otro lienzo de medidas variables.  Este elemento del proyecto está pensado en describir, teniendo como motor la obra de El Bosco, un gran paisaje sexual   que se nutre de La botánica y el reino animal local sexualizados para la creación de una gran  narración , contra-expedición. En la primera edición se incluyeron flora y fauna de la costa peruana, en las edición siguientes se busca hacer una complicación de diversidades  locales que alimentaran el imaginario en Latinoamérica.\nLa segunda obra pictórica,  es una síntesis de los contornos de mis labios vaginales que en el centro contiene jugosas frutas derritiéndose. \nHappening, cuenta con aproximadamente 15 personas (entre ellxs parejas y personas de diversos géneros, y diferentes prácticas sexuales), que ofrecen tras una convocatoria abierta, ceder su espacio de intimidad. Dicho happening consiste en la acción de tener sexo y/o masturbarse dentro de  bolsas de látex (con ventilación), dentro de la cual se encontraran desnudos a modo escultura viva; del cual el espectador solo podrá tener acceso a la información de patrones de movimiento, contorsiones, gemidos, silueta, autocomplacencia, confusión, descanso.\n\nRetar el espacio íntimo y el público.', NULL, NULL, 'ESPACIO EXPOSITIVO\n\nTipología\nLa primera edición del \"Jardín de las delicias\" tuvo lugar  en el Museo Amano (Lima- Perú), Museo que cuenta con una gran colección de arte textil y cerámico precolombino, donde uno de sus ejes de la colección son representaciones sexuales  vinculados a los ritos de fertilidad, de sacrificio y de culto a los ancestros. \n\nCaracterísticas\nGalería, Museo, Centro Cultural .\n\nDimensiones\n7 m x 8 m aprox.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3895, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3315, 5, '2020-03-23 14:22:51', '2020-09-03 06:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7561, 'G52Wdu7VWngPeVV1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 15:07:43', '2020-03-23 15:07:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7562, 'qVPKoR0QdZb01Dyc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 16:06:26', '2020-03-23 16:06:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7563, 'KYslMTFxh5BI8Rvs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 16:06:27', '2020-03-23 16:06:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7564, 'razC7Pr5boe3Kylz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 16:15:16', '2020-03-23 16:15:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7565, 'pV0oGuJU5yWVXB4h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 16:16:56', '2020-03-23 16:16:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7566, '0VXK9XHUMuuZZbDN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 17:27:02', '2020-03-23 17:27:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7567, 'BM5BMyCuPcbgXA8n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 17:55:29', '2020-03-23 17:55:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7568, '5HRGfw13WUHcQzi5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 17:58:41', '2020-03-23 17:58:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7569, 'g337R8IP8bAzoB8B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 18:17:11', '2020-03-23 18:17:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7570, 'wDpkVyxHdXt34xUH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 18:22:04', '2020-03-23 18:22:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7571, 'UmbxVXl7z8pa9yGr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 18:22:58', '2020-03-23 18:22:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7572, '1QLGBV6cuaFYaD8c', 'sin titulo', NULL, 'Sin título\nFotografía digital, impresión sobre papel blue back. 90 x 140 cm.\n\nSinopsis\n“un orden o sistema social y económico que deriva del usufructo de la propiedad privada sobre el capital\ncomo herramienta de producción, que se encuentra mayormente constituido por relaciones\nempresariales vinculadas a las actividades de inversión y obtención de beneficios, así como de\nrelaciones laborales tanto autónomas como asalariadas subordinadas a fines mercantiles.”', NULL, NULL, 'Pegada a la pared con cola o engrudo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 566, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 474, NULL, '2020-03-23 19:20:11', '2020-06-24 16:41:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7573, 'WdHQzoSMGWs69n4N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 19:42:13', '2020-03-23 19:42:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7574, 'iH6WTnqT8T9dtacA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 19:49:55', '2020-03-23 19:49:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7575, 'oVE55oqVJNHGzhTk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 19:52:12', '2020-03-23 19:52:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7576, 'PAhcBrHrJz5wxhgZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 19:55:56', '2020-03-23 19:55:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7577, '2g8KXs1tUqbVS46x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:01:58', '2020-03-23 20:01:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7578, 'nou2Lu5haH2Zbf4i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:08:06', '2020-03-23 20:08:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7579, 'xnd237Hg7Ejr746o', 'Proyecto Monumental/ Oficina de Monumentos Consensuados', NULL, '1. Recordar es polemizar. \n¿Es posible pensar una nueva monumentalidad?\nFrente a la Casa Rosada, se encontraba el monumento a Colón. En 2015, reemplazado por otro de Juana Azurduy. El anuncio del desplazamiento trajo aparejado un debate ciudadano: ¿Cómo se decide qué monumento poner, cuándo y dónde? MONUMENTAL recupera este debate aún vigente e inicia un Concurso Público que interpelaba a la comunidad a presentar proyectos de monumentos: si el eje cívico queda hoy vacante, ¿Qué pondría usted ahí? \n8 proyectos fueron invitados a un debate público del cual surgió un ganador: el monumento al contrabandista del artista Lux Lindner. Actualmente, el monumento está siendo presentado ante la legislatura porteña, para su concreción efectiva. Para ello, fue constituída la Oficina de Monumentos Consensuados (OMC), dedicada a recaudar firmas y gestionar los lobbies pertinentes. \n2, LA OFICINA: La OMC, es sede permanente de exposición de los proyectos seleccionados. Cuenta con un MICROCINE, que proyecta el registro del debate y el monumento al Contrabandista con sus bocetos y argumentos. \nEl público es atendido por un representante de la oficina, que da difusión al proyecto de ley. \nLa OMC presentada además una serie de actividades paralelas: La historia como mercancía, Visita sucinta al Monumento al Contrabandista, Nada es más peligroso que una estatua y su aparente inmovilidad, El Exilio de los Monumentos no Deseados y Cómo emplazar tu monumento en la Ciudad.', NULL, NULL, 'La Oficina de Monumentos Consensuados OMC puede emplazarse en un local a la calle en cualquier zona céntrica con afluencia de pasantes. También puede funcionar como oficina móvil en un container o similar rotando en diferentes puntos de la ciudad.\nEn caso de no contar con dichas locaciones, también puede emplazarse en una oficina propia dentro de un museo u otro tipo de institución.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/open?id=1eju_ev5DVL57wSgm0l4zIcik7ETVMducOslzKMjc_6c', NULL, NULL, NULL, 'www.proyectomonumental.org', NULL, NULL, NULL, 596, NULL, 86, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 502, 5, '2020-03-23 20:22:27', '2020-09-01 01:47:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7580, 'KHnEOuEeOJrYETF9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:28:34', '2020-03-23 20:28:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7581, 'TSrOpwwUBecXvGqN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:29:50', '2020-03-23 20:29:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7582, '5R8pNzQCbZtZeRWd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:36:25', '2020-03-23 20:36:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7583, 'KRnR42Iz2TxrclTc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:37:09', '2020-03-23 20:37:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7584, 'q3Nj2cZEBQSP1W0W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:53:52', '2020-03-23 20:53:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7585, 'VISl5yDMEzo6ZHQq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:56:30', '2020-03-23 20:56:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7586, 'ljflDCuPUJo1nG7s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 20:56:32', '2020-03-23 20:56:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7587, 'wicNBLg5GH5oHCEw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 21:11:42', '2020-03-23 21:11:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7588, 'sNUZDEydMV4qnA4Q', 'A cinza das horas I', NULL, 'A cinza das horas I é a primeira elaboração de uma pesquisa que tem por estímulo desencadeador o desejo de traçar uma linha entre dois acontecimentos que completam seus centenários em 2017: a Revolução Russa e a publicação de A cinza das horas, primeiro livro de Manuel Bandeira. Para este primeiro estudo foram eleitas as relações entre o tempo e o espaço no trabalho e o tempo e o espaço fora dele para tramar as porções íntimas e coletivas que compõem a vida e o cotidiano de seis pessoas: Isolete, Jucemar, Carlos, Gabriel, Daniel e Djuly. A cidade de Florianópolis é a sétima  personagem. Seguindo a mesma lógica, teve seus planos realizados a partir de percursos aos locais de trabalho e de pequenas derivas por suas ruas e margens. Todos os planos foram elaborados em colaboração com os personagens que apontavam os momentos mais significativos de seu dia.\n\nA simultaneidade de imagens na projeção busca proporcionar ao observador as possibilidades de criar associações entre os diferentes planos, bem como escolher onde demorar seu olhar e para onde direcionar sua atenção. Com tal objetivo os planos foram compostos com base no conceito de imagem-tempo. Esse dispositivo de filmagem (e também aquele de exibição) considerou duas tendências marcantes das relações contemporâneas, procurando resistir a elas: o empobrecimento da experiência radicalizada pela espetacularização das cidades e  “abandono do mundo pelo homem” (Hannah Arendt).', NULL, NULL, 'Uma sala negra ou escurecida, por onde se possa transitar, com a projeção tomando uma das paredes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.youtube.com/watch?v=EVauBGMDTw4&t=348s', NULL, NULL, NULL, 567, NULL, 76, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 475, 5, '2020-03-23 21:12:26', '2021-02-19 17:24:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7589, 'z30YWRE6RPJpQePY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 21:26:49', '2020-03-23 21:26:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7590, 'FYJNtTCNuguheBo6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 21:35:16', '2020-03-23 21:35:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7591, 't8hxP68zTN932jMm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 22:36:27', '2020-03-23 22:36:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7592, 'XgQZ0BXn5Dr3cWsH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 22:43:25', '2020-03-23 22:43:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7593, 'wR0p6gsZRKL2rqUQ', 'Rio Hamza', NULL, 'Rio Hamza is an installation about absence and imagination.\nThe underground “river” – the Rio Hamza, discovered in Brazil’s Amazon Basin in 2011, is an invisible river. It has no legitimate status as a river, since it is merely an aquifer flowing some 4000m below ground. It is there, and yet not there; it lives as imagery more than geological reality.\nGeological layers and memory layers overlap one another in Rio Hamza. I return to the past and retrieve a painting (Mantra, 1998), bringing it back to the present. The large-scale oil on canvas depicts a waterfall-a vertical counterpart to Rio Hamza’s horizontality-was installed at the altar of the Morumbi Chapel, in Sao Paulo. I (re)inject it into nature, into the very rainforest in which the real-life sign of the signified waterfall steadily gushes.\nExhibiting Mantra repeatedly in this rainforest was by no means accidental: the Amazon is a site of imagination, the stuff of lore and mystery, unfathomed, perhaps even unfathomable.The installation activates the imagination. There will be no Mantra, no rainforest, no waterfall. Everything is suggested, never shown. An immersive experience. This is the final layer of the work: the skin of the participant, the touch that remains on the surface.\nIn addition, Rio Hamza attempts to rekindle the aesthetics of Burle Marx, which was never completely executed. The important element of mobility while experiencing landscape on an enormous scale, extending architecture into nature.', NULL, NULL, 'The suggested space is the Brazilian Museum of Sculpture and Ecology - MuBE, which is located in São Paulo, Brazil.\nThe total area covers 6935.91 m², 3478.80 m² is built up. The semi-underground building is signed by the architect, Paulo Mendes da Rocha, and landscaper Burle Marx. However, the landscaping project was never carried out in its entirely.\nExhibiting Rio Hamza at the MuBE, would create a dialog between the installation and the museum space, its history and construction process.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/383726793', 'Floresta Video Sonora', NULL, NULL, NULL, NULL, NULL, NULL, 1067, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 918, NULL, '2020-03-23 22:46:52', '2020-08-11 21:53:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7594, 'DdyAimY23ClpLMki', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 22:53:47', '2020-03-23 22:53:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7595, 'xg1l3BWNZhJPNXAA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 22:57:58', '2020-03-23 22:57:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7596, 'Vc2UlorWOTlWlZ9w', 'CARNIVORAS DEPREDADORAS HUMANAS', NULL, 'Las carnívoras, son plantas dentadas, hermosas, coloridas, pegajosas, atractivas, olorosas y sobre todo depredadoras, con sus dientes, son capaces de atrapar a su presa, algunas emanan un olor nauseabundo, capaz de adormecer a la criatura más fuerte, la idea es sobrevivir, entendiendo que son parte de un ecosistema, al igual que cualquier especie del planeta, solo uno, con sus dientes devora por placer, “EL HUMANO”. Convirtiéndose  en un voraz destructor de la fuente natural de su propia vida, creyéndose la especie dominante, acelera el proceso de destrucción de la biosfera. ¿IMAGINEMOS QUE LAS CARNÍVORAS, SEAN LO QUE NOSOTROS SOMOS? Ellas serían las devoradoras humanas, pero dudo que destruyan su habitad.\nAnte esta problemática, profundice mi trabajo, dándole importancia a los con materiales en desuso, provenientes en su mayoría del descarte o la basura, convirtiendo los  desechos en obras de arte, es fácil visualizaren mi obra, elementos como: hilos de envoltorios, sogas tenidos con tinturas ecológicas, tallado de  telgopores  de embalaje,  soldaduras de piezas metálicas, entre otros materiales, Aquello que fue arrojado y forma parte de la última fase del sistema capitalista, el desperdicio, vuelve a ingresar a partir de estas obras al circuito del arte, y poder darle un sentido a lo sustentable y cuidar el medio ambiente, TODO SIRVE, NADA SE TIRA, TODO SE TRANSFORMA.', NULL, NULL, 'SALA DE 7 X 5 MT PARA COLOCAR ESCULTURAS EN PEDESTALES Y COLGAR OBJETOS EN PAREDES LA OBRA SE ADAPTA A CUALQUIER ESPACIO', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.youtube.com/watch?v=oueFJuiuy6M', NULL, NULL, NULL, 616, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 519, NULL, '2020-03-23 23:00:40', '2020-06-23 02:46:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7597, 'cQl5XUdyIOldJhVe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 23:14:10', '2020-03-23 23:14:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7598, 'n1g9OS9QpopHw2ju', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 23:30:43', '2020-03-23 23:30:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7599, 'b2qdBXUkL1AQdSpL', 'FINA CAMADA', NULL, 'SINOPSE \n\nE quantas décadas de história podem contem em uma fina camada de poeira?\n\nAtravés de uma conexão direta das artes, o espetáculo de dança contemporânea traz para ao palco, uma forma visual de interface entre a memória dos objetos guardados em um antiquário com a multimídia moderna do olhar do novo século. \nA desenvoltura da poesia coreográfica forja o movimento e cria sequências deste rico material sensorial. Contudo, em nuances de contemporaneidade de processos internos de ressignificação, e mais precisamente, de mobilização de camadas de visibilidade, é exposta claramente por movimento de expressões corporais trazidos pela emoção física dos sentimentos guardados nos objetos das Antiguidades, sebos, colecionismo que faz uma ponte direta entre a história com a arte. \n\nA obra se deixa ser afetada através do tom de surrealismo digital  transformando o museu dos objetos em emoções visuais e afetivas. É uma visita ao passado das memórias trazidas nas peças que trocadas e/ou colecionadas,  que atravessam os séculos e carregam consigo um corpo de emoções, rancores, medos, sofrimentos, alegrias, admiração e tradição   aflorando  o valor sentimental do peso das  verdadeiras preciosidade como testemunhos de uma época que não existe mais. É a história Pessoal de cada objeto que tem valores inestimáveis para aquele que os tem guardados consigo.', NULL, NULL, 'TEATROS \nMUSEUS \nCASAS ABANDONADAS \nESCOLAS', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=X4VV23GnhYk', NULL, 'https://www.youtube.com/watch?v=mwWT6U8DaYg', NULL, NULL, NULL, NULL, NULL, 570, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 477, NULL, '2020-03-23 23:39:10', '2020-06-23 02:48:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7600, 'jqvxRJrvvVjEI0Hr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-23 23:51:19', '2020-03-23 23:51:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7601, 'JYzYvl8mQUVd9baH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 00:25:48', '2020-03-24 00:25:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7602, 'yTIg612aBDNPFZBx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 00:28:41', '2020-03-24 00:28:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7603, 'dZEu4tDFjAvU3fW0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 00:33:21', '2020-03-24 00:33:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7604, 'xQEbOucmD85HYctd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 00:36:08', '2020-03-24 00:36:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7605, 'fJXM9ZrQVGR98BdF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 00:54:52', '2020-03-24 00:54:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7606, 'rd1ecpujLstEKscu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 01:05:07', '2020-03-24 01:05:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7607, 'ZMXYS0jkkEoCAEWN', 'Corporalidades en territorio', NULL, 'Matanza Nómade (MN) es un colectivo integrado por artistas/docentes que desde 2013 viene activando en territorio generando proyectos socio-educativos desde la producción artística con una dinámica itinerante ya que no disponemos de una sede fija en el territorio\nEn este sentido, si existe una característica singular en los modos de producción de MN es la capacidad de trabajar más allá de las condiciones y de habitar cualquier espacio cuando la oportunidad se presenta. \nPor todo ello, para el presente proyecto, y para este momento tan particular, pensamos en cómo producir sobre los “escombros” de una pandemia. Se nos presenta aquí el recuerdo de la Ciudad del Arte realizada por el grupo Escombros que, más allá del contexto y las diferencias históricas que llevaron al grupo a realizar aquella acción, las consecuencias que está dejando la situación actual no deja de ser inquietante. \nLa propuesta es armar un espacio expositivo desmontable que pueda ser instalado y desinstalado, que en su precariedad nos permita el encuentro tan deseado, que estreche los vínculos de estos 325 km2, itinerando con tres acciones en tres puntos de cada uno de los tres cordones de La Matanza. \nComo ya hemos llevado a cabo propuestas conjuntas con anterioridad, contamos con una red contactos con artistas locales que nos permitirá una amplia convocatoria para realizar, en este museo desmontable, talleres, muestras, lectura de poemas, audiciones, conversatorios y performances.', NULL, NULL, 'Proponemos habitar tres espacios verdes de gran arraigo dentro de la comunidad matancera como lo son la Plaza San Martín de San Justo, La Plaza Altos de Laferrere\ny Plaza de González Catán. La elección de estos espacios está vinculada con el hecho de abarcan los tres cordones del conurbano bonaerense y están conectados a través de la Ruta Nacional N° 3, arteria que recorre todo el partido y genera un importante flujo de circulación.', NULL, 'artist', NULL, NULL, 'https://youtu.be/fcbT1QtMJ7I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2790, NULL, 327, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2422, 5, '2020-03-24 01:06:41', '2021-02-12 15:33:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7608, 'TIiT5WI8QDJTRuv9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 01:31:25', '2020-03-24 01:31:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7609, 'qj1aZ5AEzuecRZac', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 01:34:37', '2020-03-24 01:34:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7610, 'ZpaZVHJFOF3W6wcF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 01:49:04', '2020-03-24 01:49:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7611, 'jkovB7DQ7VvIAuvD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 02:02:14', '2020-03-24 02:02:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7612, 'QmivFKljtu3ohim6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 02:06:36', '2020-03-24 02:06:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7613, 'z7PacH9oYo1mDsRo', '“SURREALISTA” EXPOSICIÓN COLECTIVA DE  ARTES VISUALES', NULL, 'La exposición \"Surrealista”  busca dar un tributo a la corriente artística surrealista en el Perú mediante la presentación de trabajos pictóricos y visuales de destacados artistas, así como nuevos valores de diferentes escuela y academias de arte, que inspirados por el estilo Surrealista, rinden homenaje a la los creadores más representativos del estilo a través de sus obras difundiendo al público aspectos, que a partir de su legado motivaron y marcaron la labor de la nueva generación de creadores.\n\nLos expositores se inspiran, reflexionan dando una mirada particular a los elementos característicos visuales y conceptuales que hacen único el estilo Surrealista en el arte contemporáneo peruano. ; rinden homenaje dando a conocer al público la labor de la nueva generación de creadores. 	\nLa exhibición consta de 15 trabajos visuales con las técnicas de pintura, acuarela, ilustración, fotografía, video, diseño, proyección, textil instalación, diseño y escultura.\n\nEn la pared  principal se colocará el texto de presentación  junto con la obra de Miguel Ángel Beltrán continuando con la  ubicación de  las obras de Adriana Quevedo, Anibal Valderrama, Sebastián Koc. Verónica Cerna, Diego Días, Florence Goupil ,Carlos Vásquez y José de la Barra y Judith Vergara García\n	\n\nEn la segunda sala presentará el video arte de Verónica Cerna y  Karem Huamán junto con las instalaciones esculturas de Adriana Iraola', 'Curadores www.artecorpus.net\n\nVerónica Cerna. Perú, www.veronicacerna.com\n\nAdriana Iraola. Perú\n\nAnibal Valderrama. Perú https://www.facebook.com/anibal.valderramafernandez\n\nCarlos Alfredo Vásquez Medina. Perú\n\nJosé Luis de la Barra. Perú\n\nKaren Huamán.Copa de Árbol. Perú\nIlustradora profesional con medios analógicos y digitales  \n\nMiguel Beltrán. Perú\n\nSebastián Koc. Perú\n\nFlorence Goupil . Perú\n\n Judith Vergara García. Perú', NULL, 'La Exposición itinerante se efectuará en la sala de artes visuales de Tierra Baldía  ubicada en el distrito de Miraflores en Lima Perú. Consta de dos ambientes con  las  medidas de 4 m por 5 m. La segunda sala se pintará de negro para dar mayor presencia a los obras en video arte.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/ArteCorpus/videos/1392419524254458/', NULL, NULL, NULL, 574, NULL, 78, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 481, NULL, '2020-03-24 02:13:30', '2020-06-23 02:48:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7614, 'oMij3SOOxUi7aA5s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 02:18:43', '2020-03-24 02:18:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7615, 'Qej5SG1AtNnjdSLG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 03:02:26', '2020-03-24 03:02:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7616, 'TcZKt2O0E5kC0aur', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 03:03:06', '2020-03-24 03:03:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7617, 'dcAdyJ8gc35AawLA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 03:09:16', '2020-03-24 03:09:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7618, 'GHvM7qDL8cKHd3H6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 04:01:22', '2020-03-24 04:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7619, 'd5Ftiftkpim228Pl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 04:05:43', '2020-03-24 04:05:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7620, 'kpM3kcAJzhn49RaV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 05:27:19', '2020-03-24 05:27:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7621, 'PysCYeE5iSBMBN5d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 05:45:51', '2020-03-24 05:45:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7622, 'Cxlk33xGgCL1HOW4', 'DEL CISNE NEGRO', NULL, 'DEL CISNE NEGRO es una metáfora visual y corpórea sobre el impacto de lo altamente improbable conforme al pensamiento de Nassim Taleb desarrollado en su libro “Cisne Negro”. El Jardín Francés del Palacio Errázuriz nos remite a un mundo bello, equilibrado, en el que la mano humana se sirve de la naturaleza acomodándola a su gusto y placer. En este mundo de pacífica plenitud en el que los cisnes blancos llevan una existencia sin disonancias irrumpe el Cisne Negro emergiendo de las aguas de la Fuente de los Cisnes.  El impacto de lo altamente improbable revoluciona  a la comunidad de los cisnes (la bandada blanca) que se dispersa por el jardín y se dirige hacia la llamada “escalera del jardinero” huyendo de la amenaza del cisne negro. Esta escalera, a ras del terreno tiene una salida (hoy cegada) hacia la calle Sánchez de Bustamante, y se convierte en una trampa mortal. Otros cisnes emprenden el vuelo hacia la libertad. La figura de Anna Pavlova con su traje de cisne queda tendida en la escalinata, que conduce al  comedor, como alegoría de la fragilidad humana.\nTanto las figuras del cisne negro como la de los cisnes blancos serán esculturas blandas de materiales mixtos. La figura de Anna Pavlova es un maniquí blando vestido con una recreación del traje diseñado por Bakst. “La Pavlova” podría transformarse en una bailarina que recorra el espacio del jardín “muriendo” en las escalinatas mutando la instalación en una performance a la cual podrían sumarse sonidos y perfumes.', NULL, NULL, 'Jardín Francés (arquetipo de la naturaleza “domesticada” por el hombre)  del Museo Nacional de Arte Decorativo de Argentina. Avenida del Libertador 1902. CABA. Diseñado por Duchene (ca. 1915) su eje central es la Fuente de los Cisnes. La fuente rodeada por parterres en broderie, sus escalinatas, desniveles y simetrías nos hablan de un mundo en equilibrio, ordenado, previsible y amable. Por él caminó Ana Pavlova icónica bailarina de “La muerte del Cisne”. Dimensiones a confirmar (adjunto plano).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 684, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 578, NULL, '2020-03-24 06:00:45', '2020-06-24 16:15:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7623, 'b5pvZj2Eq58psJ8G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 06:43:48', '2020-03-24 06:43:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7624, 'npnWpN42KNhmXUaI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 07:41:35', '2020-03-24 07:41:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7625, '2IukzzWdgKmT21qC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 08:04:03', '2020-03-24 08:04:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7626, 'o2DzzLJpiLx64kMI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 09:37:13', '2020-03-24 09:37:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7627, 'dZBcaMjcKlMJleUF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 11:30:32', '2020-03-24 11:30:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7628, 'KTsach71iS2sB544', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 11:31:42', '2020-03-24 11:31:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7629, 'Ep1XKvi0aKn0XuIR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 11:38:55', '2020-03-24 11:38:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7630, 'zcOMcyuWRkTHjmw5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 12:23:29', '2020-03-24 12:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7631, '20L5uceSXELHptB1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 15:00:51', '2020-03-24 15:00:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7632, 'CgB0NOI4vbybfqE6', 'Kibera Creative Arts', NULL, 'Esta pieza de trabajo vincula a un colectivo de artistas del barrio de Kibera (Nairobi), quienes tienen como objetivo empoderar a la comunidad a través del arte, tanto a nivel económico como social; y además reducir las barreras existentes entre Kibera y el mundo, transformando así los prejuicios existentes hacia este modelo de barrios, de vida y de gente.\n\nEl proyecto explora este asentamiento informal de la periferia de la capital keniana, el más grande de África con 4000 hectáreas de extensión, y la incierta cantidad de más de un millón de habitantes.\nSu origen se remonta cuando el gobierno colonial británico instaló a los soldados nubios, creando en Kibera una reserva militar que combatiría por los distintos territorios de la región y así conseguir la dominación de la actual Kenia.\nSin embargo, los Nubios fueron declarados Inquilinos de la Corona Británica, lo cual significaba que cualquier estructura en Kibera corría el riesgo de ser destruida en favor de un proyecto gubernamental. Este hecho hacía de Kibera un hábitat provisional con ausencia de los recursos mínimos básicos.\n\nLa pluralidad que conviven hoy en día en Kibera, hacen de este asentamiento un lugar de interculturalidad y heterogeneidad musical, actuación, pintura, artesanía o cualquier otra disciplina artística.\n\nEste proyecto explora la memoria y el concepto de espacio, además de documentar la irracionalidad de las colonias y sus consecuencias, siendo el pasado una idea de visión para el futuro.', NULL, NULL, 'Un espacio expositivo diáfano, con un aspecto de habitáculo cerrado puede generar sensaciones de estar entre las paredes de las calles estrechas de Kibera, combinado con detalles de colores cálidos (marrones)\n\nUna dimensión de 80m2, con paredes libres, principalmente el proyecto se basa en fotografías y vídeos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 679, NULL, 94, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 573, NULL, '2020-03-24 15:00:52', '2020-07-09 16:42:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7633, 'giqOk6MNMJzpbq3s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 15:42:55', '2020-03-24 15:42:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7634, 'ZT7WKipL8AY63OXX', 'YENDO', NULL, 'En una primera instancia YENDO puede ser vista como una clásica película de genero road movie cuyo argumento de desarrolla a lo largo de un viaje. En este caso el protagonista atraviesa de norte a sur el continente americano navegando por ciudades, pueblos, barriadas que comparten una particular característica, su denominación.\n\nOtra forma de ver este material es a partir de la apropiación y uso de archivos web con la que el autor crea la narrativa. Imágenes capturadas por google street view, posteos en redes sociales de vecinos de parajes visitados, titulares de periódicos de locales, discursos políticos -en torno a la idea de Progreso- emitidos en el continente americano, entre otros materiales son extraídos de su contexto original para ser reinterpretados, apropiados y resignificados abriendo nuevos espacios para el pensamiento crítico.\n\n\nhttps://www.youtube.com/watch?v=eBA_MY8O3ZI&t=735s\nVideo, color, audio.\n21:29 min\n2020', NULL, NULL, 'Teniendo en cuenta que lenguaje de la obra está estrechamente ligado a lo digital, su contenido fue construido a partir de diferentes plataformas y aplicaciones, sumado a las condiciones actuales de distanciamiento social sugiero que este material sea visibilizado de forma virtual. \n\nGenerar un evento tipo \"estreno\" de la película y difundirla en redes sociales, webs y demás plataformas virtuales con las que cuenta la BIENAL SUR.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=eBA_MY8O3ZI&t=674s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3620, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3095, 5, '2020-03-24 15:49:36', '2020-08-27 06:55:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7635, 'VA5cBOEZY15sHKmT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 16:05:42', '2020-03-24 16:05:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7636, 'elMM7Alai5RjQQlY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 16:18:02', '2020-03-24 16:18:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7637, 'c2lpyK5b24abKqJO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 16:47:05', '2020-03-24 16:47:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7638, 'CKzc6W4PfV5OE9YD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 17:01:46', '2020-03-24 17:01:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7639, '8Es3BONHaSyYezaP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 17:31:50', '2020-03-24 17:31:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7640, 'UHOyDmLPqRaJQJ1t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 18:10:06', '2020-03-24 18:10:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7641, 'Mbbvoa96cXZ8J0Yk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 18:19:35', '2020-03-24 18:19:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7642, 'urAgNVYz7D9ebODu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 18:42:27', '2020-03-24 18:42:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7643, 'uYxKVi4Wq1v0cv4l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:00:48', '2020-03-24 19:00:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7644, 'e1pXRiRSz1ZehYNw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:03:50', '2020-03-24 19:03:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7645, 'K1QEv4itBfnpazi1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:09:14', '2020-03-24 19:09:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7646, 'aNIpxA47RO6EBHd5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:46:23', '2020-03-24 19:46:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7647, 'S7MrrRH9NzKKBjfV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:51:49', '2020-03-24 19:51:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7648, 'xrWPfs97JtROu5ZQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:52:16', '2020-03-24 19:52:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7649, '1zYti9GKmtA3cjBl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:53:46', '2020-03-24 19:53:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7650, 'Y4tC8NMv8a9Eo6Zh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 19:54:23', '2020-03-24 19:54:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7651, 'Wv1dujUnrq0IHmmM', 'El Bar', NULL, 'Cortometraje Experimental y Romance.\nSinopsis:  La soledad y el asombro, nublan el juicio de Don, quien no consigue comprender su romance con una hermosa mujer.\nEs una exploración al caos y desorientación que se siente al perder una pareja.', NULL, NULL, 'Para poder exponer este cortometraje, se sugiere un proyector y un sistema de sonido, sea 2.0 o 5.1.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/344450068', 'Bar2019', NULL, NULL, NULL, NULL, NULL, NULL, 573, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 480, NULL, '2020-03-24 19:55:28', '2020-06-23 02:48:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7652, 'seABt5iylQox0rzz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 20:24:31', '2020-03-24 20:24:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7653, 'Iyp3KLH6Vfra4PkX', 'Video Experiencia Mestizo', NULL, 'Poesía Audio Visual Animada, realizada con el Entorno de Desarrollo Integrado de Software Processing. Usando un número baste bajo de elementos pretende recuperar la idea de mestizaje en la Ciudad Autónma de Buenos Aires. El vino, la chipa, los lugares como Constitución o Retiro, en un lenguaje visual que representa un simple esquema o cuadro sinóptico.  Mientras que el uso  acostumbrado de mapas conceptuales permite organizar y comprender ideas de manera significativa, en la búsqueda de una comunicación clara. Aquí se trata de una máscara que alude a lo claro, para hacer un listado aleatorio, podían estar estas palabras, así como otras, y las jerarquías de los terminos, así como su heterogeneidad implica una puesta en duda de estas categorías. No hay forma de nombrar lo mestizo, no hay forma de representarlo. En este sentido, este video es un fracaso de la representación. Es esta fé en lo inenarrable, lo indefinible la fuerza que impulsa al artista a generar una obra. Para desnaturalizar las representaciones comunes en torno a lo mestizo, lo hibrido, lo mezclado.', NULL, NULL, 'tiene que estar oscuro, y estar proyectado en una pared. Dimensiones variables', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=GL03Y00G1-k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 571, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 478, NULL, '2020-03-24 20:38:07', '2020-06-23 02:48:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7654, '05wKxRxL3bXxTR4I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 20:39:16', '2020-03-24 20:39:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7655, 'QYzUak9efUZXnHpk', 'Altares', NULL, 'Serie \"Altares y Oficios\", es una serie que busca trabajar con la humanización del deseo, en cómo los humanos intencionamos, cargamos de sentido a los objetos, juntandolos, agrupándolos, ordenamos y concentrando nuestras fuerzas y energías de deseo en ellos.\n\nEs una serie, a la vez,  que busca la puesta en valor de las personas que profesan los oficios que recorren, visten y construyen la identidad de nuestro país, haciendo fuerza en lo que ellos hacen, sus manos, sus geografías y sus herramientas.', NULL, NULL, 'Cuento con un estudio en San Telmo (av.Independencia 632) con dos plantas donde se expondrán las piezas en el descanso de la escalera y el primera planta junto con espacios montados de \"Altares\" físicos, para que las personas que visiten, dejen sus deseos e intenciones.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.soyjo.com/pintura', NULL, NULL, NULL, 608, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 513, NULL, '2020-03-24 20:52:18', '2020-06-23 02:47:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7656, '2bEifWBmMf5Fv8tR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 21:10:19', '2020-03-24 21:10:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7657, 'd1O55vkD0qjjAu0b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 22:09:42', '2020-03-24 22:09:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7658, 'gMqQoDR5HvBgucRb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 22:43:35', '2020-03-24 22:43:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7659, 'C4jYRfH46pL3Lqu9', 'Abandoned', NULL, 'In a video performance called Abandoned, the artist aggressively fills her mouth with sugar cubes obsessively uttering the sentence I am abandoned. Like most of her work, this work is characterized by an unpretentious reduced visual performance in which the artist, starting from personal, personal experience, in fact, points to a many of problems that an individual faces within a harsh capitalist society. By engaging in one of the deepest human fears, Sanja Latinovic senses the painful point of a globalist society, unable to grasp the importance of an individual.\nThe video performance was created in 2020 as part of Marina Abramovic\'s Master Class. One of the twelve selected participants was Sanja Latinovic who, on this occasion, realized the work Abandoned.', NULL, NULL, 'Projection if it possible in a separate blank room. \nBlack walls.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/401440780', 'zaboravi12345', NULL, NULL, NULL, NULL, NULL, NULL, 601, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 506, 5, '2020-03-24 22:45:30', '2021-02-12 15:31:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7660, 'uF0AKdMlqW0C3T0X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 22:55:43', '2020-03-24 22:55:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7661, '3mY36hsGZmVznoOT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 23:24:01', '2020-03-24 23:24:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7662, 'mjh0kilC90LPX2ko', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 23:33:57', '2020-03-24 23:33:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7663, '3KfDHDr7WbmLkrUu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 23:35:59', '2020-03-24 23:35:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7664, 'ghM9v0dOd0rf0G3a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-24 23:41:51', '2020-03-24 23:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7665, 'yZgxwSIv39aC3jF7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 00:08:49', '2020-03-25 00:08:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7666, 'Oo9eDyqALKjdkWHE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 00:09:46', '2020-03-25 00:09:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7667, 'wv3HIBqfKZxIfuee', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 00:33:19', '2020-03-25 00:33:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7668, '4p6NktMSGZtZhgwV', 'pensamientos', NULL, 'una introspección al constante devenir de las ideas, una reflexión del tiempo y el espacio bajo el predominio de la figura y la forma', NULL, NULL, 'pared de 500 metros de ancho  metros para montaje fotográfico con iluminación, soporte para colgar obra puede ser riel por suspensión o por soporte en pared', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2562, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2222, NULL, '2020-03-25 00:46:04', '2020-06-24 20:02:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7669, 'ckRBmW24buom99jT', 'Floresta Coberta, desvelando uma poética.', NULL, 'Floresta Coberta, desvelando uma poética é o título do ensaio fotográfico com 12 imagens fotográficas impressas em tecido na dimensão 1m x 1m (aproximadamente) e retrata um fragmento da Floresta Nacional de Caxiuanã, no Arquipélogo do Marajó no Estado do Pará, na Amazônia Brasileira, no Brasil. Esse projeto foi desenvolvido por ocasião de uma residência artística na Floresta Nacional de Caxiuanã, especificamente na Estação Científica Ferreira Penna, uma base  científica do Museu Paraense Emílio Goeldi, onde visitei uma área verde coberta, um trabalho de pesquisa sobre a desertificação do solo amazônico quando da impossibilidade da presença da água, isto é, da ausência de chuva, e, consequentemente, do empobrecimento e da diminuição da umidade da terra, o que leva a inexistência de qualquer organismo vivo, não só das vegetações, bem como de toda uma cadeia alimentar, desde bactérias, formigas, pequenos insetos e outros animais próprios daquele bioma.', NULL, NULL, 'Para a exposição da obra - 12 imagens fotográficas impressas em tecido na dimensão 1m x 1m, essas fotografias serão penduradas e distribuídas pelo espaço. Tal lugar pode ser aberto ou fechado, mas é necessário uma iluminação que favoreça a visualização das fotografias sobre o tecido. O público poderá andar entre essas imagens penduradas e distribuídas pelo lugar e, assim, para sentir um pouco da floresta.  A obra será acompanhada de sons próprios da floresta.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 906, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 762, NULL, '2020-03-25 00:51:32', '2020-07-10 02:42:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7670, 'pyuEx4Zh3x2mauX5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 01:22:24', '2020-03-25 01:22:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7671, 'Q09ZFcOLUk46kqWA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 01:37:04', '2020-03-25 01:37:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7672, 'tk5r2qxqmBXeM112', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 01:40:35', '2020-03-25 01:40:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7673, 'IZAjoHrdplAAzHhL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 01:52:00', '2020-03-25 01:52:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7674, '8TliCtL78Tg92W2E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 02:02:34', '2020-03-25 02:02:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7675, '2dD0apaHGeBbk1Oi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 02:37:15', '2020-03-25 02:37:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7676, 'I0F8h5w1rD0Y45ZY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 03:09:46', '2020-03-25 03:09:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7677, 'tOvxKsaq5ttK7obf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 03:31:37', '2020-03-25 03:31:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7678, 'DhClLEq8MDka8ufZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 03:40:37', '2020-03-25 03:40:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7679, 'nDkBXNs0sc9aKdE9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 03:42:18', '2020-03-25 03:42:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7680, '0LhKObyioCwqLX44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 04:18:52', '2020-03-25 04:18:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7681, '9NkB4TezYHPWhdPD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 05:21:26', '2020-03-25 05:21:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7682, 'rGJfsMD7lnZSyBXj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 05:26:04', '2020-03-25 05:26:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7683, 'UXPaksFMG6YW2l3G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 05:39:52', '2020-03-25 05:39:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7684, '5ZopPxQVp8mP0uxk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 05:46:27', '2020-03-25 05:46:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7685, 'rLymR4t3O8qZK6gU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 06:11:54', '2020-03-25 06:11:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7686, 'C34ANuCdtP2wCbj8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 06:34:15', '2020-03-25 06:34:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7687, '8mBzHtQqDYj30wJW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 06:44:03', '2020-03-25 06:44:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7688, '1AxEGPVHBKQZ37Ro', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 06:52:53', '2020-03-25 06:52:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7689, '8xYQeUMMJLJ1nLdN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 07:22:12', '2020-03-25 07:22:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7690, 'VIpjwS0OuSUeqiJS', 'Una muestra en el desierto', NULL, 'El proyecto consiste en hacer pinturas de colores planos y en gran escala para lo que sería la sala de un museo (3 m x 2 m aprox)  y emplazarlas en paisajes desérticos con el objetivo de configurar una exhibición de obras pictóricas en miles de kilómetros de distancia entre las pinturas que conforman la exposición\nAquellas pinturas “grandes” cambian esta concepción una vez ubicadas en la inmensidad del lugar, y si la separación entre sí es de cientos o miles de kilómetros de distancia se pierde la lógica de un modelo expositivo\nLa propuesta no pretende dar respuestas ni cerrar una idea fija de algo sino que por el contrario intenta formular preguntas acerca de algunas problemáticas del arte contemporáneo. ¿Es importante la masividad en el arte teniendo en cuenta tanto a lo que hace referencia de algo numeroso (grandes cantidades de personas) como así también a la idea de aquello que ostenta una gran masa y por otro lado una importante densidad (LA OBRA)? ¿Es indefectiblemente plana la pintura aún instalada en un espacio real que la circunda o se puede pensar en ella como un objeto escultórico al cambiarla de lugar? ¿Cuáles son los lugares expositivos en el arte contemporáneo? ¿La obra es la pintura (óleo sobre lienzo) o el gesto de montar las pinturas en el desierto, llevando a un rotundo fracaso de ser vista por un otro (el espectador)? ¿Importa la durabilidad de la obra o una pintura puede ser una acción efímera? Etc.', NULL, NULL, 'Uyuni, Potosí, Jujuy, Antofagasta, Rio Negro, Chubut y Puno son algunos de los lugares que me acercaron a esta idea de proyecto. Las imágenes adjuntadas pertenecen a algunos de esos lugares. El proyecto se adapta a distintas maneras siendo posible hacerlo en una o más provincias o países. Lo importante es que los lugares sean de gran expansión de territorio en donde las pinturas se distancien significativamente entre sí. La cantidad de obras depende de la cantidad de lugares a intervenir.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4703, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3957, NULL, '2020-03-25 08:03:38', '2020-07-17 00:29:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7691, '8wrIZioho9UdlYu8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 08:13:04', '2020-03-25 08:13:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7692, 'aDSdLCRxN99YrLXI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 08:13:25', '2020-03-25 08:13:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7693, 'e9peg9rBBtsrRhtd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 08:56:14', '2020-03-25 08:56:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7694, 'pdNc98trUECrCMsG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 09:19:10', '2020-03-25 09:19:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7695, 'GqUdmzy3p9lKXMGd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 09:19:12', '2020-03-25 09:19:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7696, 'Hiq7zgOBohf6iTTl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 09:34:58', '2020-03-25 09:34:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7697, 'bgzpuA4iygciBneJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 09:46:38', '2020-03-25 09:46:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7698, 'fGTyj622askEU6nr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 10:42:26', '2020-03-25 10:42:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7699, '7CUZA7yAOfueHabz', 'Evidencia', NULL, 'Una de las formas reconocidas de maltrato es el verbal, también una de los más habituales a la hora de hablar de violencia contra las mujeres. Sin embargo, el maltrato verbal y, por extensión, el maltrato psicológico, son formas de violencia inmateriales que no dejan marcas visibles en quienes lo padecen. La performance / Instalación \"Evidencia\" propone reconstruir en tiempo real el proceso de daño psicológico y moral que transita una mujer sujeta a la violencia verbal y psicológica. En una primera etapa, se registrarán en audios, testimonios orales de mujeres que han pasado por toda clase de violencia verbal y psicológica. El material se editará en una progresión de casos desde los más leves hasta llegar a los más graves. En un Segundo momento se realizará la performance, donde se reproducirán los audios y la artista vestida con una túnica irá realizando marcas con pintura sobe la prenda interpretando los sentimientos ocasionas por los testimonios. Luego, se despojará de la túnica y la presentará en un maniquí para que actúe de soporte de la “evidencia”. Vestida entonces con un leotardo repetirá el proceso de pintura sobre éste, y luego sobre una malla enteriza. El proceso completo será registrado en video y fotografía. En la tercera etapa se dejará en exhibición tres maniquíes vestidos con las prendas manchadas, junto a las fotos y video del evento, y curaduría pertinente, a manera de \"Evidencia\" de la violencia de género', NULL, NULL, 'Para la performance se recomienda una sala amplia, bien iluminada, blanca en su totalidad; preferentemente sin ventadas y albergar una tarima de1*4*4mts. Debe contar con instalaciones que permitan luego la exhibición de la muestra registro de la performance. \nPara la muestra/instalación se recurrirá idealmente a la misma sala y misma tarima sobre la cual se exhibirán en tres maniquíes las prendas manchas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 586, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 491, NULL, '2020-03-25 15:18:17', '2020-06-24 15:53:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7700, 'NZc5vKIerG1MTSu1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 15:44:01', '2020-03-25 15:44:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7701, 'z0aqGNYKS6Tg1IvB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 15:49:41', '2020-03-25 15:49:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7702, 'VFN1CM3aXuRMYeEV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 15:50:04', '2020-03-25 15:50:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7703, '9z5Z44Y5vuJOhFJX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 16:11:01', '2020-03-25 16:11:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7704, 'oXi8GYjHgWIYePPd', 'EL ABRAZO', NULL, 'El Abrazo ha sido en nuestro proceso creativo el\nacontecimiento que ha permitido hacer vibrar la frágil\nfisionomía de un encuentro sobre otras teatralidades del\ncuerpo en la escena.\nDesde sí mismo y en su propia cualidad, querer y poder\nabrazarnos ha hecho posible ese estado de equilibrio que\nse opone al desvanecimiento de una realidad inundada\nde personajes solitarios intentado relacionarse desde sus\ncomplejas carencias. El abrazo es el intento de danzar esa\ntotalidad armoniosa siempre posible en la expresión\nrecuperada de una mirada y un gesto abriendo fronteras.\nEntre otras fuentes han sido las imágenes del pintor\nestadounidense Edward Hopper el punto de partida de\nesta experiencia siempre en evolución.', NULL, NULL, 'SALA DE TEATRO, CAJA NEGRA, 7 MTS X 7 MTS MINIMO', NULL, 'artist', NULL, NULL, 'https://vimeo.com/385975651', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 581, NULL, 82, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 486, NULL, '2020-03-25 16:24:23', '2020-06-23 02:48:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7705, 'OXficIorPeiytj8Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 16:39:47', '2020-03-25 16:39:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7706, 'vTGcJProRyjifmRy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 17:18:39', '2020-03-25 17:18:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7707, 'ZrVJbm9mOuT0K8Ut', 'Perdida total', NULL, 'Un recuerdo que se desvanece al carecer de funcionalidad, la imposibilidad de contener su objetivo crea una desvinculación con el objeto y da paso a un símbolo de una idea de tiempo intimo y personal, que es resistente al mismo, sin embargo, la evocación melancólica crea una nueva intervención y deteriorada.\n\nEl auto crea un símbolo de modernidad que irónicamente se encuentra muerto en espacio y tiempo convirtiéndose en parte del paisaje común que evoluciona alrededor, dejando una evidencia de lo que alguna vez fue un objeto funcional ahora se encuentra desvinculado de total acción.\n\nSu existencia depende de un presente irrenunciable que es el del abandono, al abstraer su ambiente se convierte estrictamente en un objeto material, ahora es el resultado de múltiples adaptaciones para crear una nueva lectura de conservación, reconstruyendo el apego emocional al tiempo entendiendo.\n\nPerdida total crea un análisis  que  contempla la memoria colectiva la cual denota una construcción de identidad ya que estos objetos a su vez le dan sentido al lugar, los cuales adquieren una carga afectiva desde el orden simbólico.', NULL, NULL, 'Son 8 obras de 58x43cm con una separación de 5 cm cada una a los lados, abajo y arriba, enmarcadas en blanco wash.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/397272826', NULL, NULL, NULL, 'https://andres-millan.com/Perdida-Total', NULL, NULL, NULL, 576, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 483, NULL, '2020-03-25 17:56:47', '2020-06-23 02:48:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7708, 'L91OerPcoLTbDWFl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 18:10:35', '2020-03-25 18:10:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7709, 'ZYQYHaZ0DtW30kWz', 'VACÍO', NULL, 'Proyecto de DANZA. Dueto creado haciendo uso de Q-Motion Dance Technique. Danza y Neurociencia Cognitiva. Este proyecto pretende el entendimiento de la toma de decisiones coreográficas cuando se pretende alcanzar cierto tipo de cualidades y dinámicas del movimiento. Desde el punto de vista dramatúrgico VACÍO nos habla de la resiliencia, o de la capacidad de sobreponernos a la adversidad y encontrarle un sentido. La vida está llena de encuentros, también de pérdidas.  A veces estas pérdidas son insignificantes, como un lápiz o un papel. Pero hay otras que pueden ser importantes como perder la salud o a una persona querida. \nVacío es una obra de 30 minutos sin requerimientos técnicos expecíficos y adaptable a cualquier espacio previo conocimiento de las características de este.', NULL, NULL, 'Vacío es una obra de 30 minutos sin requerimientos técnicos expecíficos y adaptable a cualquier espacio previo conocimiento de las características de este.\nPreferiblemente se solicita un espacio de un mínimo de 8 metros x 10 metros. Suelo de linóleo o madera. Espacio sonorizado. \nIluminación adaptable a los recursos del espacio.', NULL, 'artist', NULL, NULL, 'https://youtu.be/xUMXGCu-pJM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 577, NULL, 81, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 485, NULL, '2020-03-25 18:14:40', '2020-06-23 02:48:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7710, '2ZegvRt8EPWRFgIK', 'El sur, nuestro norte', NULL, 'El sur, nuestro norte se construye como un proyecto que busca vincular prácticas pedagógicas desarrolladas en la región para volver a pensar en una América invertida (Torres García,1943). El proyecto inicia sus acciones con un primer eje conformado por: Perú – Brasil – Argentina. Esto refleja la necesidad latinoamericana de construir discursos de resistencia y la creación de procesos de modificación afectiva y comunitaria para cuestionar la identidad de América del Sur. \n\nLos proyectos invitados se vinculan por utilizar prácticas pedagógicas radicales y experimentales: Escola Da Floresta (Brasil), propuesta artística-pedagógica que no jerarquiza ni separa los campos del arte y de la educación, las acciones sociales e individuales, los procesos y los resultados; Barda del desierto (Argentina), residencia artística que ocupa la Escuela Primaria Nº 135 para adoptar otros hábitos y prácticas con sus diversas actividades que envuelven la producción artística contemporánea y Trama, Arte.Educación (Perú), proyecto que explora las distintas etapas de la educación mediante un constante análisis del aula para re-inventar el sistema de educación tradicional.\n\nEn definitiva, la utopía de una América invertida implica la modificación política, social y afectiva del territorio, así como, solicita estrategias pedagógicas que contribuyan al proceso de unificación. Finalmente,es válido preguntarnos ¿Cómo nuestras prácticas artísticas/pedagógicas contribuyen a la América invertida?', 'Escola da Floresta [Brasil] _ anarcotropicalismo.com/\nFabio Tremonte [Brasil]\n\nTrama Arte.Educación _ facebook.com/trama.arte.educacion/\n\nEduardo Martinez [Perú]\nLucero León [Perú]\nSandra Flores Domínguez [Perú]\n\nBarda del desierto _  bardadeldesierto.org/\n\nAna Cano [España]\nAndres Castaño [Colombia]\nAndressa Crossetti [Brasil]\nArturo Torres Cabrera [Peru]\nCatalina Jaramillo Quijano [Colombia]\nDanielle Spadotto [Brasil]\nElena Olaszek [Brasil]\nGabriela Munguia [Argentina]\nGonzalo Cueto [Chile]\nGustavo Torrezan [Brasil]\nJulia Rossetti [Argentina],\nJulio Tejeda [Argentina]\nMarcel Martins Diogo [Brasil]\nMaría Eugenia Cordero [Argentina]\nMaria Rebecca Ballestra [Italia]\nMarina Mayumi [Brasil]\nMauro Rosas & Fabian Urban [Argentina]\nNicolas Rey [Argentina]\nNina Bacun [Croacia]\nLaura Andreato [Brasil]\nLaura Garduño [Mexico]\nLino Divas [Argentina]\nRafael Machado & Tulio Rosas [Brasil]\nRodrigo Alcon Quintanilha [Argentina/Brasil]\nTomas Bartoletti [Alemania]\nThiago Costa Guedes [Brasil]', NULL, '\"El sur, nuestro norte - Pedagogías desde América del Sur\" es un proyecto expositivo que reúne el trabajo de 30 trabajadores del arte que han formado parte de los proyectos Escola da Floresta, Barda del desierto o Trama Arte.Educación. \nSegún las condiciones de las piezas a presentar el espacio expositivo deberá tener 6 espacios independientes para poder dividir cada proyecto y sus propuestas con la finalidad de conseguir una museografia que respete las características de cada proyecto.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1137, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 983, NULL, '2020-03-25 18:25:47', '2020-08-14 18:44:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7711, '02jUpOUQauGJMpat', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 18:30:15', '2020-03-25 18:30:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7712, 'K0SOEmO5ynLVRwGV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 18:36:15', '2020-03-25 18:36:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7713, 'WbwcVp9xizpREHhG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 19:01:52', '2020-03-25 19:01:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7714, 'cPBDrmwoZfmGld0Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 19:01:54', '2020-03-25 19:01:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7715, 'oEkg8CwdZkNat3nc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 19:20:38', '2020-03-25 19:20:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7716, 'QhyRgDeTdyvRrQKy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 19:56:13', '2020-03-25 19:56:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7717, '7qws3zkJsflGGXqP', 'Flux', NULL, 'The proposal for Bienal Sur is the video installation of the film Flux (2019, video, 25 min, Brazil/Germany) that should be screened in loop.\n\nThe film is a poetic essay tracing the journey of Nathalia and Miki through the Brazilian Amazon Rainforest and their meetings with protagonists from the forest and the river. Combining images of the infinite dimension to stories of people who live in mutual exchange with their environment, the film reflects both on micro and macro view on life within the forest, showing the intertwined ecosystem we are part of.\nThe protagonists tell their unique stories of their lives while working strongly connected to nature. The poet on the boat explains our life emerging from the water, the meteorologist explains the cycle of water and the relation between our life and climate change from a scientific point of view. A student of UFP – Unconventional Food Plants (PANCS in Portuguese) talks about the impact of the food production and consumption in our daily life, that are inseparable from the environment.\nAll the stories circulate around the flow of energy: the cycle of carbon and water. These elements are not only the primary source of life but also regulate the condition of the planet. The environment is a synthesis of all factors including ourselves. The film questions our view of life on this planet in its entity and invites the audience to learn about life in its true form: in flux.', NULL, NULL, 'The video piece can be easily adapted to the conditions and dimensions of the space. We suggest a space where people could be sit to watch it calmly as it has 25 min. We propose to disperse some pieces of wood (trunk) in front of the screen that could be used as little benchs, as we did for the exhibition in Bogotá, Colombia (see images below).', NULL, 'artist', NULL, NULL, 'https://vimeo.com/388830641', 'Amazonia', NULL, NULL, NULL, NULL, NULL, NULL, 4954, NULL, 687, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4166, NULL, '2020-03-25 20:03:44', '2020-08-14 04:30:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7718, 'H7PIaEGcaLuOR2XM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 20:55:47', '2020-03-25 20:55:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7719, 'x06oYwHBOtZFigfM', 'Mortadela de Centauro', NULL, 'En este proyecto tenemos la intención de trabajar tomando como referencia y estudio las obras de arte de la centauromaquia , y la figura del dios hindú , Jáiagriva. Se desarrollará una obra, que desde una mirada contemporánea intentará reflexionar sobre la carga simbólica de estos personajes  en un contexto actual.\n   La obra estará compuesta por  un “cartonero” con cabeza de caballo (Jáiagriva) arriba de su típico carro lleno de residuos acarreado por un centauro. La propuesta estética sugiere un intercambio de roles en el cual se pone en foco  la calidad de vida de aquellas personas que sobreviven de la recolección de basura, insinuando un fino límite entre el sufrimiento animal y el humano. Jugamos a convertir  un cartonero en dios Hindú con la cabeza del caballo que lo está acarreando, y que es también un cartonero devenido en Centauro. Es  una propuesta que retoma,  desde otra perspectiva, aquella lucha mitológica entre la razón (Lapitas)  y el salvajismo (centauro).  \n“Mortadela de Centauro”  hace un guiño a nuestra construcción sociocultural, insistiendo en un mensaje sugestivo sobre cómo el mecanismo sistémico de nuestro mundo actual es más parecido a una picadora de carne que a una matriz organizadora donde creemos que rigen e imperan  valores éticos y morales.', NULL, NULL, 'se desarrollará en un formato de medio relieve con medidas máximas de 4 mts de ancho por 2mts de alto. . El soporte estructural será la elaboración de medio carro en metal y  bases de madera fenólica a la que se ensamblaran  distintos materiales de descarte (madera, metal, plástico, carton) y conformaran las distintas figuras. Se estima un relieve no superior a 0,70cm en la zona del carro.  La obra se dividirá en tres segmentos armables y desarmables facilitando su traslado y ensamblado insitu.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 582, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 487, NULL, '2020-03-25 21:07:28', '2020-06-23 02:47:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7720, 'BzNM4ZUpyKgIjdXF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 21:12:29', '2020-03-25 21:12:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7721, 'mejcx9lSGU2jfu3L', 'Des-humanidade', NULL, 'A partir dessa observação, muito particular, de que a espécie humana evolui, enquanto grupo, muito menos do que as outras espécies, trago o questionamento sobre o instinto ou a inteligência. Costumamos dizer que os animais, de uma forma em geral, seguem seus instintos, daí partem suas atitudes. Mas esse instinto me parece uma inteligência muito maior do que a nossa inteligência, caricatamente conhecida. Penso isso através da observação do comportamento animal, principalmente das minhas cachorras. Os animas parecem ter uma inteligência emocional muito superior à nossa. Provavelmente pela ausência do ego, arrisco dizer. Muitos conflitos, entre os humanos, não existiriam se tivéssemos esse nível de desenvolvimento emocional.\nE é dessa conjunção de fatores, de teorias, que nasce essa nova exposição. Bipolar no seu aspecto plástico e com muitos conceitos a serem repensados. Nesta série trago a temática da evolução humana observada a partir do ponto de vista de que a evolução está sendo invertida, uma vez que as relações humanas estão cada vez mais deterioradas, já que estamos criando hábitos que nos afastam do sentido humano e que nos levam à autodestruição da sociedade, como, por exemplo, a falta de empatia, respeito, consideração e compaixão para com o próximo. E, contrapondo-se a isso, mostro a relação harmônica do mundo animal, onde as espécies se protegem, se acolhem e se respeitam de forma ainda pura e verdadeira.', NULL, NULL, 'Esta exposição tem como intuito causar uma reflexão sobre nossos valores atuais, sobre nossos sentimentos para com o outro, sobre as nossas atitudes para com as outras espécies e também sobre para onde estamos indo com isso tudo, que evolução é essa que estamos vivendo, que preço pagaremos por ela.\nSão oito obras, pintadas em papel 100% algodão, tamanho 23 x 31 cm, gramatura de 200. As obras são pintadas com tinta acrílica e carvão.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 583, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 488, NULL, '2020-03-25 21:52:49', '2020-06-23 02:47:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7722, 'SHnbiVphFQwSCKUE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 21:53:17', '2020-03-25 21:53:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7723, '5X5ObG6UstU8YSkF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 21:56:18', '2020-03-25 21:56:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7724, 'bXKppYhmWqmYn6E4', 'Tapar el Sol con el Dedo', NULL, '\"Realidades sumamente visibles a los ojos de todos, se pueden tapar parcialmente dependiendo del ángulo del que se desee ocultar una realidad, no sin ello que éste extinga su huella totalmente.\"\n\nTapar el Sol con el Dedo es un proyecto plástico-sonoro que explora el concepto de la automatización. Siempre se ha pensado que lo creativo es el arma que la robotización no conquistará, pero, ¿Qué tanto de esto es cierto? Con este proyecto se intenta explorar ese cuestionamiento, creando esculturas cinéticas que pintan de manera automática una superficie. \n\nNos vemos enfrentados a una paradoja que caracteriza nuestra neo-modernidad. Impulsado por la automatización, hemos desarrollado un mundo tecnológico que auguraba grandes beneficios, cuando en realidad ha facilitado inadvertidamente los medios de propagación para una pandemia, poniendo en riesgo a nuestra sociedad y separándonos unos de otros.\n\nInterpretando esta paradoja, y realizado en cuarentena, el 1er prototipo consiste en un sistema de 2 mecanismos. Uno se encarga de llover la pintura y el otro en manipularla. Las gotas caen como resultado de la vibración con la estructura generando un sonido particular. El rodillo se encarga de esparcir la pintura e intervenir el gesto del mecanismo superior. Una parte habla y la otra lo intenta callar. Una acción interpretada por muchos en cuanto a solución de problemas se refiere, que en materias políticas, económicas y sociales, terminan siendo una radiografía de nuestra sociedad.', NULL, NULL, 'Instalación. \n\nSistema de esculturas sonoras/cinéticas que con uno o más motores, pintan de manera automática una determinada superficie.\n\nLa estructura contenedora de los mecanismos será realizada con acero trefilado 1020 acabado con pintura automotriz. Los motores a utilizarse son de 12V. \n\nIdealmente el proyecto abordaría una superficie de aproximadamente 2 x 2 x 2 mts. Por lo tanto se sugiere un espacio que sea recorrible en 360 grados.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/409794825', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5741, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4741, 5, '2020-03-25 21:58:19', '2020-09-01 19:14:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7725, '3jqFXiGoWA96Q7Kg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 22:27:29', '2020-03-25 22:27:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7726, '7qkQUeebRsiGj3ov', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 22:40:03', '2020-03-25 22:40:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7727, '9xoVtBaTpC6xjyts', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:03:58', '2020-03-25 23:03:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7728, 'BWj6FvmSVflaCyDs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:04:28', '2020-03-25 23:04:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7729, 'h5wySNHFtFR4TwcC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:06:05', '2020-03-25 23:06:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7730, 'WEZ8Ee2mUsG45YeI', 'PRUEBA INSCRIPCIÓN 1', NULL, 'prueba', NULL, NULL, 'prueba', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3456, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2962, 5, '2020-03-25 23:08:04', '2020-08-21 22:07:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7731, 'qSQPRoWHJAFtxZMD', 'PRUEBA INSCRIPCIÓN 2', NULL, 'prueba', 'prueba', NULL, 'prueba', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3456, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Muchos comentarios', 'si', 'Muchas necesidades de montaje', NULL, NULL, NULL, NULL, 'Muchas necesidades tecnicas', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2965, 5, '2020-03-25 23:08:09', '2020-08-21 22:07:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7732, 'F1yyeVEiYT09ocrZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:14:28', '2020-03-25 23:14:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7733, 'gX7ZILZy83U2uniB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:18:44', '2020-03-25 23:18:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7734, 'NLoUdgSAcJCZGAVY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:20:20', '2020-03-25 23:20:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7735, 'kG2aK3iUyjY7FFfo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:26:25', '2020-03-25 23:26:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7736, '2iBKeklhtuVFgy7t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:26:31', '2020-03-25 23:26:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7737, 'ThlaQdJgH794CJyJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:31:16', '2020-03-25 23:31:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7738, 'fZzdTj8JbrmOseTx', '( volver a casa ) Capitulo IX: Cuando todos los soles se apaguen', NULL, 'El 7 de septiembre de 2006 en la comunidad de Angahuan ( al norte  de México), Mirna, con una pala, salió al campo, y a tientas empezó a buscar a su hijo. Fue ella quien encontró la primera fosa clandestina.\nAsí nacieron las rastreadoras: madres y familiares de desaparecidos que cargan sus herramientas y salen a buscar.\nTomaron talleres, empezaron a conocer el terreno, a identificar el suelo, las grietas que dejan en la superficie de la tierra los cuerpos enterrados, el olor a nafta que queda cuando un cuerpo es incinerado, empezaron a agruparse, inventaron herramientas, se  organizaron, todas tienen la necesidad de encontrar.\n\nEste proyecto intenta hacer visibles los sitios en donde se han encontrado la mayor cantidad de cuerpos de personas desaparecidas. El modo de hacerlo será excavando fosas similares a las que realizan las rastreadoras.\nSerán 11 fosas posicionadas en 11 lugares específicos, en los cuales se han registrado la mayor cantidad de desaparecidos.\n Cada fosa tendrá la forma de una letra,  formaran la palabra “ VOLVER A CASA”.\n\nPara cada fosa/letra se hara la siguiente acción:\n•	Traslado al lugar especifico.\n•	Contacto con grupos de rastreadoras locales.\n•	Elección del sitio en donde se realizara la acción.\n•	Adquisición de las herramientas necesarias para realizar la excavación.( * )\n•	Realización de la fosa con la forma de la letra correspondiente.\n•	Registro en vídeo del proceso de excavación de cada fosa.\n•	Registro fotográfico de la fosa/letra finalizada.', NULL, NULL, 'La exposición cuenta con las siguientes piezas:\n\n11 fotografías impresas sobre papel y enmarcadas de 170 cm x 140 cm cada una.\n20 herramientas  ( palas, picos, soga, guantes, mazas, picos, etc) revestidas en terciopelo en polvo.\n\nTodo el material deberá estar a la vista dentro de la misma sala.\n\nLa sala debe tener de mínimo 6m x 5m, Con paredes libres.\nLas herramientas se mostraran sobre el piso en el centro de la sala.\nDebe contar con sistema de iluminación estándar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 598, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 503, 5, '2020-03-25 23:43:07', '2021-02-12 15:31:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7739, 'ISaRKktwXhHUXaP7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:46:23', '2020-03-25 23:46:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7740, 'lTXDM8ZOqN5rZnMQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:47:34', '2020-03-25 23:47:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7741, 'm3GzVp3hCrTjiAnH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:50:03', '2020-03-25 23:50:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7742, 'YCeDII3Qgxw3EYSf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-25 23:53:47', '2020-03-25 23:53:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7743, 'jEO0EPxq9I0agh3x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 00:09:10', '2020-03-26 00:09:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7744, '6SyXnNztEgLWEE6w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 00:09:54', '2020-03-26 00:09:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7745, 'DpuIiKzr6VVEKMdQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 00:16:36', '2020-03-26 00:16:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7746, 'iI1qpmhtQP0CXghv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 00:20:37', '2020-03-26 00:20:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7747, 'QeaGQxyxwIcELN7X', '(in)CORPO Manifesto', NULL, '(in)CORPO Manifesto is the name given to the performance and writing, both created by the couple of artists Bruno Novadvorski and Chris, The Red. It is a provocation, in which different artistic languages are mixed in order to bring the connection between sexual energy and art for contemporary debate.\n\nUntil today, society still speaks subtly, even in a biased way and as a taboo, about gender, sex and sexuality. Even with advances in the study of theories and concepts, these still remain closer to the academic field and far from the vast majority of the population.\n\nAs researchers and artists, Bruno and Chris transact between different devices and artistic expressions to bring to the central discussion questions about sexuality and the male nude, taking them out of that forbidden place and placing them in the space of naturalness. In this quest, they use their own bodies as a tool for creating and provoking debate. Thus appearing, the (in)CORPO Manifesto.\n\nIt is understood as manifest, a text of a persuasive and debatable nature that seeks to draw attention to a social, behavioral or political issue or problem. Applied in the field of the arts to often question what has been produced, inside and outside the academy and uses the poetic creativity for its construction. (in)CORPO Manifesto is the point of view of these artists on the thematic issues raised in the previous paragraph. A direct reflection on what sexual practice is and how it presents itself in society.', NULL, NULL, 'The performance is executed by both artists, Bruno and Chris. The artists use their own bodies to print monotypes on paper where the manifesto written by them is printed and fabric. During that, the same manifesto is transmitted by audio in a recording made previously by the artists.\nTime: 30 minutes (minimum).\nMaterials: the materials used are provided by the artists themselves.\nDue to the sexual content, closed space is required for its realization.\nLink: https://bit.ly/DUOCUinCORPOManifesto', NULL, 'artist', NULL, NULL, 'https://vimeo.com/397092352', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2225, NULL, 260, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1933, NULL, '2020-03-26 00:21:57', '2020-06-23 19:28:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7748, 'ZwmYZoGGwB0ybSLi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 00:22:18', '2020-03-26 00:22:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7749, 'RnNRMg7taOsjgCbL', 'REVER//VOLVER', NULL, 'Não é incomum notar que o discurso crítico sobre o presente no Brasil faça constantes referências ao passado, especialmente aos anos 60 e 70, no plano político. Como naqueles anos, o país experimenta um endurecimento político, lançando mão de sentimentos conservadores de parte da população para instituir pautas arcaizantes. No entanto, se naquela altura acreditava-se na existência do progresso e no Brasil como “país do futuro”, hoje os otimismos estão mais baixos. Narrativas apocalípticas nos soam mais próximas. A história não era mesmo linear, afinal. \n\nÉ diante disso que este projeto convida jovens artistas contemporâneos a responderem a trabalhos produzidos nos anos 60 e 70 no Brasil. O que artistas que emergiram no século XXI têm a dizer a respeito de formulações fabricadas há mais de cinquenta anos atrás? Para isso, a seleção de trabalhos históricos teve como critério a diversidade de questões abordadas em suas respectivas gerações e a relevância das obras para a narrativa da arte brasileira. Já os contemporâneos são artistas em franca emergência, cuja produção já vem ganhando atenção no cenário atual.\n\nSão quatro artistas de diferentes regiões do país e diferentes pesquisas: Sallisa Rosa (GO) interpretará Anna Maria Maiolino; Marcela Cantuária (RJ) interpretará Wanda Pimentel; Rafael Bqueer (PA) interpretará Antonio Manuel; Yhuri Cruz (RJ) interpretará Rubem Valentim.', NULL, NULL, 'Espaço expositivo tradicional, capaz de abrigar obras de diversas tipologias, entre vídeo, instalação, pintura e objeto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 863, NULL, 107, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 729, NULL, '2020-03-26 00:51:53', '2020-08-11 21:34:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7750, 'XWHTqIHKEI9tsXGO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 01:03:30', '2020-03-26 01:03:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7751, '8WhnwneDk8Z1eQ2r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 01:20:21', '2020-03-26 01:20:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7752, 'U1hRLz61oARRnwzm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 01:29:12', '2020-03-26 01:29:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7753, 'lDJZa399dPKYeYg6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 01:41:32', '2020-03-26 01:41:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7754, 'xELh4B35fcEJBNZV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 02:00:18', '2020-03-26 02:00:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7755, 'k3fiz7UvQKnR3Ast', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 02:27:40', '2020-03-26 02:27:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7756, 'VWhHfKqrfqdoG28o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 02:27:43', '2020-03-26 02:27:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7757, '26F8HJeK3bE15w1u', 'La mirada salvaje', NULL, 'La mirada salvaje\n\nEsta instalación está compuesta por dibujos que tratan de indagar en pensamientos íntimos, miedos, perturbaciones y principalmente la necesidad de elogiar el placer que genera lo íntimo, de encontrar felicidad en lo indescifrable, lo misterioso o lo que no logro entender.\nCreo que se pueden hacer algunas conexiones entre lo que quiero plantear y conceptos  como la idea de belleza que maneja el filósofo coreano Byung Chul Han¹. También puedo trazar puentes con ideas sobre el acto de dibujar del crítico de arte John Berger en su libro “Sobre el dibujo”². \nEn cualquier caso estos conceptos y lecturas, intercambios de ideas, me estimulan en una conversación silenciosa de la que este trabajo es parte. \n\nEn definitiva La mirada salvaje es un intento -quizá inútil- de pensar un vivir espontáneo que sea imposible de consumir como producto, de comunicar como discurso o dogma.  \nQuiero plantear un espacio habitado por el caos, un lugar ingobernable, imposible de domesticar o de comercializar.\nUn pequeño grito de libertad salvaje, íntimo y privado.\n\n\n¹ “Lo bello es un escondrijo. A la belleza le resulta esencial el ocultamiento (…)” Byung Chul Han, La salvación de lo bello, Ed. Herder.\n² “ El dibujo de un árbol no muestra un árbol sin más, sino un árbol que está siendo contemplado (...) sino que además incluye una gran parte de la experiencia de mirar anterior, de la cual se deriva y a la cual hace referencia.” John Berger, Sobre el Dibujo, Ed. Gustavo Gili.', NULL, NULL, 'La obra:\nInstalación de dibujos a lápiz sobre papel canson 90 gramos, en 18 cuadros de madera y vidrio de 32 x 23 cm cada uno, dispuestos en una línea horizontal y otra vertical que forman una cruz.\nDimensiones aproximadas: 466 cm de largo por 217cm de altura.\n\nEspacio:\nPreferentemente habitación con iluminación tenue que genere un clima \"intimo\"\nLa pared  sobre la cual se monta la obra en lo posible deberá ser pintada de color negro.\n\nOpcional: \nLupa de aumento para observar mejor los dibujos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://cateter.wixsite.com/illustration/la-mirada-salvaje', NULL, NULL, NULL, 587, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 492, NULL, '2020-03-26 02:29:14', '2020-06-24 16:12:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7758, 'jahPQ32jSqvtY2T5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 03:05:42', '2020-03-26 03:05:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7759, '5ZPl315YzOlecn67', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 03:10:55', '2020-03-26 03:10:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7760, 'HvBXWRHMPs2YYh9M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 03:12:07', '2020-03-26 03:12:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7761, 'a6sy6jopy4juz4UV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 03:26:06', '2020-03-26 03:26:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7762, 'PFe51a16YHZ1u823', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 03:33:25', '2020-03-26 03:33:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7763, 'BiFXULQNZDEp1fzp', 'Pneumoconiose', NULL, 'A exposição Pneumoconiose propõe a reflexão acerca da falência física dos espaços culturais brasileiros, representados pelos nove recintos de arte que passaram por um incêndio no Brasil: MAM (1978), Teatro Cultura Artística (2008), Instituto Butantan (2010), Memorial da América Latina (2013), Museu de Ciências Naturais da PUC de Minas Gerais (2013), Centro Cultural Liceu de Artes e Ofícios (2014), Museu da Língua Portuguesa (2015), Cinemateca Brasileira (2016) e Museu Nacional (2018), sugerido que o “apagamento” destes museus, da arte, da cultura e do patrimônio, gradativamente, traz à patologia de seu país a “doença do ignorar” e assim, como numa falência pulmonar, também faz com que uma nação e o seu futuro fiquem sem voz, nem sequer fôlego, diante das cinzas que os cobrem e de um repertório (i) material que se torna pó, propondo neste projeto expositivo registrar tais ocorrências com o propósito de evitar novas falências ao sinal dos primeiros quadros sintomáticos. A exposição idealiza trazer ao espaço que o acolhe, através de impressões lenticulares, instalações e luminoso em neon o salvaguardar da memória dessas instituições que passaram por essas tragédias e o alerta aos novos espaços, dentro e fora do Brasil, tendo este como mantenedor e difusor deste relato. “Um acontecimento vivido é finito, ou pelo menos encerrado na esfera do vivido, ao passo que o acontecimento lembrado é sem limites, porque é apenas uma chave para tudo que veio antes e depois” (Walter Benjamin).', NULL, NULL, 'Para esta exposição é planejada a sua montagem dentro de uma galeria ou museu, tendo em vista que a proposta, justamente, fala sobre o salvaguardar deste espaços fragilizados.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1q122haW0bKrONIxh4qrWqEcV9ih67SWZ/view', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 589, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 494, NULL, '2020-03-26 03:36:16', '2020-06-24 16:13:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7764, 'vy46P20MjXs2ZhVI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 04:26:58', '2020-03-26 04:26:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7765, '59slFjOO8Vvt6iSv', 'Mirando con densa apatía', NULL, 'El proceso del arte digital en busqueda de lo tradicional.\nEste es un primer trabajo que busca representar miradas distintas de cada personaje de la obra.\nLos errores son parte del trabajo ya que es una exploracion de la mente para recrear un cuadro sin referente alguno, solo con el convencimiento exploratorio para crear sobre un lienzo digital disfrutando cada pincelada.', NULL, NULL, '103 cm x 63 cm', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=WwYuxXUvAB4&t=45s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 588, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 493, NULL, '2020-03-26 04:28:30', '2020-06-23 02:47:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7766, 'Tw2fQIkRxwzWk13A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 04:49:14', '2020-03-26 04:49:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7767, '1gVrxluXfz9Ofkhb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 05:27:30', '2020-03-26 05:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7768, 'FSrRujc6R6nX7u6l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 05:51:36', '2020-03-26 05:51:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7769, 'Enip9EvasT6iL505', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 06:04:48', '2020-03-26 06:04:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7770, 'mwvFQkQt7aE7cD1Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 06:57:25', '2020-03-26 06:57:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7771, 'iPwjacVqXAtl4hHz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:11:40', '2020-03-26 07:11:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7772, 'EO0KuWFQ9pMG2V2e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:12:23', '2020-03-26 07:12:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7773, 'Wf6EmTz1ZxPVquYF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:21:43', '2020-03-26 07:21:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7774, 'PWb6Ggn6eNkUcpEv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:40:17', '2020-03-26 07:40:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7775, 'sIoOlDGkgQQ6ZMqS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:40:19', '2020-03-26 07:40:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7776, '2pNERr8AeIhbXTkJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:43:05', '2020-03-26 07:43:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7777, 'nDgp5VkDwLThxVHG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:43:33', '2020-03-26 07:43:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7778, 'WdznDwt2PXB7DtMY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:52:58', '2020-03-26 07:52:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7779, 'aYD7qWnkJhmCdVNJ', 'Dialéctica entre lo visible y lo invisible', NULL, 'MÁSCARAS RITUALES\nAdolfo Colombres en su libro Teoría transcultural del arte, realiza múltiples interpretaciones sobre la utilización de las máscaras rituales en distintas culturas de América, Asia y África. Una de ellas me llamó la atención y es con la cual decido trabajar:\n“Cubrir el rostro es borrar la identidad, pero no como quien juega a no ser nadie durante un tiempo, sino como paso previo a la asunción de otra identidad, por lo común vinculada al orden sagrado” \nEntonces según Colombres en este contexto tiene mayor importancia saber que personaje representa la máscara y no quien la porta. “Al colocarse la máscara, el danzante se transforma en un espíritu, adquiriendo de inmediato cualidades sobrenaturales”\n\nDe manera simultánea, tomo el concepto de casamiento vinculándolo con lo ritual, y a les novies como les enmascarades que participan de él. Adquiriendo distintos roles de género, que se esperan y se acentúan a partir de una boda. \nLas fotos seleccionadas son de 1900 (aprox), en este contexto se podría decir que el matrimonio era un deber, habiendo muchos arreglados y no deseados. También me interesan estéticamente, ya que todas las imágenes seleccionadas, cuentan con una escenografía por detrás, y la postura de les novies también está preparada.\nEntre la actuación de les personajes, la escenografía, y las máscaras se termina generando una escena teatral.', NULL, NULL, 'La obra cuenta de 6 fotografías de 20x40cm \n\nPara su realización utilizaré 6 archivos fotográficos de bodas impresas e intervenidas con arcilla, con un reflector alumbrando en picado para generar sombras nítidas.\nSobre las mismas se realizará un registro fotográfico de manera individual desde un plano cenital.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6007, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4941, NULL, '2020-03-26 07:53:47', '2020-06-24 20:03:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7780, 'O10jDixXgvcouEqh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:57:14', '2020-03-26 07:57:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7781, 'dzAgiynfgphrxWis', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 07:57:58', '2020-03-26 07:57:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7782, 'SJqWPTmL7nw0zAfc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 08:15:46', '2020-03-26 08:15:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7783, '4N1aeNu3or2d10Pz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 09:54:33', '2020-03-26 09:54:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7784, '6J5E1gYjZIGeUE2t', 'Epidemia en germinal. Una elegía global durante la cuarentena.', NULL, '“Epidemia en germinal” es proyecto realizado a partir de la grabación de conversaciones telefónicas con diez de mis amistades —todas ellas relacionadas con el análisis cultural— en diferentes ciudades del mundo durante la cuarentena internacional por la pandemia del coronavirus: Suely Rolnik (Sao Paulo), Nelly Richard (Santiago de Chile), Chantal Mouffe (Londres), Manuel Borja-Villel (Madrid), Cuauhtémoc Medina (México), Franco Berardi Bifo (Bolonia), Roberto Jacoby (Buenos Aires), Ingrid Guardiola (Barcelona), Helena Maleno (Tánger) y Rolf Abderhalden (Bogotá). Las conversaciones dan cuerpo a la extraña composición de aislamiento forzado y sobreabundancia de sociabilidad virtual que se reproduce a gran escala en estas fechas. Están siendo registradas a partir de marzo de 2020.\n\n“Epidemia en germinal” adoptará la forma de una gran elegía colectiva global, tocando aspectos de las transformaciones culturales, sociológicas, psicológicas, económicas que se producen al experimentar nuestra vulnerabilidad y la muerte a escala global. ¿Qué punto de inflexión epocal constituirá esta pandemia que entra en fuerte resonancia con otras crisis globales como la emergencia climática, la violencia de la geopolítica fronteriza o la fragilidad de las instituciones democráticas? La pieza final consistirá en una banda sonora que se escuchará sobre una pantalla de proyección casi todo el tiempo en negro pero salpicada puntualmente de conceptos e imágenes clave evocados durante las conversaciones.', NULL, NULL, '“Epidemia en germinal” requiere para su exposición de una gran sala completamente a oscuras, aislada acústicamente y con un equipamiento tanto de vídeo como de sonido de alta calidad. Estará dotada de asientos aptos para que el público pueda acomodarse a escuchar durante un periodo prolongado.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=grhXymcGUUM', NULL, 'https://www.youtube.com/watch?v=_DiKGkB4n8A', NULL, NULL, NULL, NULL, NULL, 603, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 508, 5, '2020-03-26 14:27:45', '2020-09-03 05:50:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7785, 'bfvWMf1QwbJebXCJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 15:09:28', '2020-03-26 15:09:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7786, 'pUpMx6FBst5TKgKE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 15:12:00', '2020-03-26 15:12:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7787, 'HpsUlAk8RQqZAj33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 15:20:00', '2020-03-26 15:20:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7788, 'thbiwl5hzb9l4v9T', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 15:31:45', '2020-03-26 15:31:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7789, 'vAaPMvGCk4hoLCK2', 'Frag#3', NULL, 'Un proyecto de 4 movimientos: cuerpo, sonido, espacio y el tiempo. La escenografía se adapta a todo tipo de sala. Busca el verdadero significado de lo que esconde el texto, el uso de los espacios abiertos no convencionales, un lenguaje multidisciplinario, predominando el cuerpo fuerza movimiento, invadiendo el espacio cerrando al espectador convirtiéndolo en un coro griego. \nEn tiempo real, un espectáculo inmersivo, transformándo al « espect-actor ». Cada intérprete tiene su espacio en el escenario, video proyectado en los muros como escenografía viva, tres micrófonos para los sonidos in live. Un cuerpo bañado en miel, sinónimo de Dunkin Donut. Un hombre enterrado y vestido con plástico que nace de la tierra. Arcilla color gris liquida para un cuerpo que salta como un pez fuera del agua acompañado de cenizas flotando gracias a dos ventiladores industriales, simbolizando los cuerpos del Holocausto. Pintura roja proyectada como látigos en un cuerpo desnudo, mostrando las cicatrices dejadas por el egoísmo humano o llevar heridas en el ser. Terminando con agua, los intérpretes se lavan a sí mismos al ritmo de \"Magnificat\" de Arvo Part, en torno a un carro de supermercado en llamas, para deshacerse de la suciedad, que se ha convertido en una espiral de consumo, un sentimiento de desesperación de la humanidad, como una reacción a nuestra sociedad. El todo dirigido por la voz de un interprete dando el ritmo de los movimientos físicos de los interpretes.', NULL, NULL, '1./ Características del espacio escénico: Hay dos posibilidades : \n*Un espacio vacío : \ngaraje o gimnasio, balcón, sala grande, jardín abierto, ruina de empresa. \nEn el cual el publico camina libremente\n\nMedidas del espacio: \nMíni : 20mts de largo y ancho. Míni: 1mts de suelo a techo. \n\n*Configuración escenario tradicional: \nEscenario vacío, sin cortinas. \nEn el cual el publico esta sentado en las butacas. \n\nEspacio Escénico  Min15 mts. de largo - 9mts. de fondo Mini: 6 mts. de alto', NULL, 'artist', NULL, NULL, 'https://vimeopro.com/pitouch/frag3', NULL, NULL, NULL, 'http://www.pitouch.fr/frag-3-photos-video.html', NULL, NULL, NULL, 842, NULL, 104, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 708, NULL, '2020-03-26 16:43:52', '2020-06-24 16:21:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7790, 'a9iRe7H9dohhqnLr', 'Antígona ¡Otra vez tengo ganas de pegarle a alguien!', NULL, 'Como una oda al amor, a la vida y la muerte se levanta el grito furioso de Antígona. Sus voces claman la vida\ndespués de la muerte, claman la muerte como nacimiento, en un intento por la paz interior.\n\nGritar un ¡No! Exigir una explicación, perder la razón y encontrarla en los otros, reafirman con pasión la\nlibertad individual, la dignidad humana, la conciencia del libre albedrío y el compromiso personal.\nAntígona, es un grito al amor que se vuelve silencio, amor que duele, que tortura, que no sabe en quienes\nreposa o dónde esta.\nSus presencias recorren en complicidad los márgenes de su existencia, testigos del abismo vecino, se\ntransforman en víctimas de sus victimarios y desdibujan sus propios límites y juegan, juegan.... juegan como\nniños a existir.\n\n\nVuelve su mirada sobre el mito de Antígona de Sófocles y busca con insistencia su actualización en la\nsociedad contemporánea. Con una mirada aguda y furiosa, la obra desata reflexiones sobre los lazos\nfamiliares, los modelos de comportamiento y la banalidad, impuesta por relaciones de poder y sometimiento.\nAntígona es una oda a la vida y a la muerte que también se rebela con el espacio escénico convencional,\nrompiendo la cuarta pared, invitando la participación de la audiencia y movilizando su puesta en espacio a\ntravés del lenguaje interdisciplinar que desafía los limites de la representación y la presencia.', 'Evelyn Biecher /  Francesa - www.pitouch.fr/evelyn-biecher-pitouch.html\nAndres Lopez / Colombiano - www.pitouch.fr\nMarihana Zarate / Mexicana - www.pitouch.fr', NULL, '*Un espacio vacío : \ngaraje o gimnasio, balcón, sala grande, jardín abierto, ruina de empresa. \n\nespacio: \nMín: 20mts de largo y ancho. Mín: 3mts de suelo a techo. \n\n Iluminación\n\n2 Par 64 (1000w) \n3 Estroboscopios. \n1 seguidora\n11 PC Potencia: 1000W\n4 cicloides o quarks de 1000 W\n1 estroboscópicos de 1000W\n1 máquina de humo\nVideo:\n1 Video proyector de con salida audio\n\nSonido:\n3 Micrófonos dinámicos de preferencia sin cables. Con pies\nUna entrada USB o CD\n4 Parlantes', NULL, 'curator', NULL, NULL, 'https://vimeopro.com/pitouch/spectacle', NULL, NULL, NULL, 'http://www.pitouch.fr/photos-video.html', NULL, NULL, NULL, 842, NULL, 105, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 711, NULL, '2020-03-26 16:43:53', '2020-06-24 16:21:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7791, 'IjQpwxkAbzInNpku', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 16:49:06', '2020-03-26 16:49:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7792, 'XSOOXdJUlGJ7UDFP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 17:01:42', '2020-03-26 17:01:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7793, 'NF3fBRRufnAkt2df', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 17:04:43', '2020-03-26 17:04:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7794, 'gjDlpk4M07LDGKwr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 17:17:18', '2020-03-26 17:17:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7795, 'DkmCj1cnRUgEcWeQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 17:19:54', '2020-03-26 17:19:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7796, 'EBvpcEWKGHQ3cEQG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 18:34:01', '2020-03-26 18:34:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7797, 'GCtl1dLVjYTOon8R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 18:41:35', '2020-03-26 18:41:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7798, 'VTl1SJtqbP6IYnFh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 18:41:51', '2020-03-26 18:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7799, 'zyWj8IjfFdx11qm7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 18:51:09', '2020-03-26 18:51:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7800, 'SPCauBNSdUllaOIS', '240 metros más allá', NULL, 'La línea del Ecuador serpentea a través de las regiones más exóticas de la Tierra y representa la mayor concentración de biodiversidad natural, que abarca las selvas amazónicas de Colombia y Brasil, las islas tropicales de Sumatra y Borneo, así como las exuberantes selvas tropicales de Gabón, Congo y Zaire.\n\nCerca de la ciudad de Quito hay cuatro lugares con monumentos que resaltan la mitad del mundo: la “Ciudad Mitad del Mundo”, Calacalí, el cerro Catequilla y la localidad San Luís de Guachalá.\n\nLa “Ciudad Mitad del Mundo” ubicada en la parroquia de San Antonio de Pichincha, es visitada por alrededor de 500.000 turistas cada año; debido a que cuenta con el monumento más grande y representativo, este lugar es uno de los más frecuentados por los viajeros que llegan a nuestro país. \n\nSoy ecuatoriano, desde niño recuerdo las visitas escolares obligadas a la línea equinoccial, estudiar el legado de la Misión Geodésica, que gracias a ellos nuestro país se llama como se llama, que el mundo es achatado en los polos, que en realidad la línea ecuatorial no pasa por donde dicen que pasa, etc, etc…', NULL, NULL, 'La serie consta de diez fotografías realizadas en formato digital. Estas fotografías serán impresas en papel brillante o en superficie pvc brillante. El tamaños será de la imagen será de 80 cm x 80 cm  con vidrio antirreflejo e irán con marcos de colores: dos amarillos, dos verdes, dos azules, dos rojos y dos violetas.\nAdemás se necesita un espacio para el texto introductorio que debe ir en pared.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 590, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 495, NULL, '2020-03-26 18:55:03', '2020-06-23 15:40:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7801, 'DgPS2O1L6vC7Lq82', 'Montar desmontar remontar', NULL, 'Montar desmontar remontar (2017)\n\nMontar desmontar remontar es una acción reflexiva sobre una relación de pareja, a veces despareja, en la que se construyen, reconstruyen o derrumban los vínculos.\nUna relación de amor se forja con el tiempo y es éste, a su vez, el que la fragiliza. La acción es cíclica: montar una estructura, ascender, descender, desmontar... pasado un tiempo: volver a montar, ascender, descender, desmontar.... Los escalones permiten el avance, pero a medida que pasa el tiempo, la estructura se fragiliza, simbolizando la delicadeza de los vínculos. Montamos, desmontamos, remontamos objetos, conceptos, vínculos. La escalera, objeto simbólico, se presenta como un obstáculo y, a la vez, como lo que permite la progresión. Cuando se sube la escalera, se representa el desarrollo de la vida, un movimiento vital que se interrumpe al segundo escalón, cuando se desciende de la estructura. Esta recaída es abrupta, no hay escalón intermedio, la vuelta al suelo y a la materialidad de la tierra simboliza la entrada a un mundo oculto, escondido y secreto. Esta acción se repite hasta volverse ritual. Es metáfora de contradicciones e incita al espectador a formularse preguntas sobre sus propias experiencias, trasladar esta construcción y desconstrucción a otras instancias de la vida, teorías. Este trabajo parte de una reflexión intima y aspira a llegar a una más universal.', NULL, NULL, 'Conjunto de 16 fotografías cuadradas de formato de 50x50cm.\nEstas fotografías están presentadas en 4 filas de 4 fotos y clasificadas por orden cronológico. El conjunto forma un cuadrado de 230x230 cm. Este formato puede adaptarse al espacio expositivo. Las imágenes están enmarcadas al borde por un fino marco de madera. La accion puede rehacerse en publico y dar lugar a nuevas fotografías.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://juliaamarger.com/index.php/monter-surmonter-demonter-remonter-2017/', NULL, NULL, NULL, 957, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 808, NULL, '2020-03-26 19:01:22', '2020-07-10 22:50:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7802, 'UZ6HrZMN98uiKuf3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 19:04:26', '2020-03-26 19:04:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7803, 'AD52oXIAzl3s5LqO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 19:12:05', '2020-03-26 19:12:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7804, 'RKkpfxLTchCgDG9b', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 19:18:04', '2020-03-26 19:18:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7805, 'FtRXzPMIgd19e0qS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 19:18:04', '2020-03-26 19:18:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7806, 'rzbPEF6jEoejsW2W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 19:26:32', '2020-03-26 19:26:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7807, 'SkEu3PDf9xa84GVO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 20:06:10', '2020-03-26 20:06:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7808, 'ytcZvbL1M3NvZBku', 'Projeto expositivo “Portfólio: As flores revelam momentos, Reminiscências e Fotografia ou pintura”, artista Gisele Gobbo', NULL, 'No portfólio existem trabalhos que refletem não somente sobre a representação das flores ou plantas, mas também o \n corpo artístico que transfere o aprendizado sobre o suporte do trabalho. Momentos, lembranças que estão de forma particular e subjetiva, e são demonstrados de maneira não intencional. E há um tempo para se digerir e pensar sobre todos os trabalhos até então produzidos, nos quais residem o pensamento, a aprendizagem, a memória e o corpo. Também há um hibridismo na construção entre os materiais e suportes utilizados na produção dos trabalhos artísticos em que fotografia se mescla com tinta acrílica e aquarela.\nAssim, são apresentadas fotografias de flores onde há intervenções da pintura, e remetem as lembranças da artista, pois em sua casa são cultivadas flores sendo a natureza um lugar de pensamento e reflexão sobre a vida. Também há a questão hibrida das experimentações entre fotografia e pintura, no qual a pintura interfere na fotografia e a ressignifica', NULL, NULL, 'O orçamento seria o transporte das obras , e caso seja selecionado o valor irá depender do local, no qual os trabalhos artísticos serão transportados.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.saatchiart.com/gobbabr', 'portfólio', NULL, NULL, 591, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 496, NULL, '2020-03-26 20:08:35', '2020-06-23 02:47:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7809, 'm43W5ZizL67dPGiX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 20:19:32', '2020-03-26 20:19:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7810, 'csRMZt0zhtE2ZKpe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 20:33:16', '2020-03-26 20:33:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7811, 'ZMCVJ7CcNZoGkVqW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 20:49:14', '2020-03-26 20:49:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7812, 'Aesshlja4ubzGdHU', 'La distancia mínima II', NULL, 'Segunda etapa del proyecto La distancia mínima (2019), premiado con una Beca del FNA. Pensado para crear un diálogo federal, vinculó curadores de Buenos Aires (estudiantes de posgrado de UNTREF) y artistas de Mendoza. El intercambio utilizó plataformas digitales y culminó con una muestra en Mendoza, donde curadores y artistas se reunieron físicamente por primera vez.\nAhora cambia el territorio exhibitivo a Bs.As, repensando las obras en un nuevo contexto. Anteriormente reflexionamos sobre la necesidad del contacto sensible con el otro, aspectos afirmados y evidenciados con el aislamiento obligatorio actual. El nuevo proyecto hace foco en la materialidad y la dicotomía entre lo analógico y digital; las posibilidades y limitaciones de estas dimensiones y el valor que les asignamos. Se expresará bajo la representación de un espacio doméstico donde habitarán las obras de Mariana Barón y Clara Ponce. Las esculturas en pequeña escala de Mariana, estarán montadas sobre proyecciones de objetos domésticos que oficiaran como soportes digitales. En cambio, la obra de Clara Ponce (foto y video performances) se proyectará digitalmente sobre objetos domésticos de presencia material.\nA través de un montaje que invierte y juega con las materialidades, buscamos generar un territorio íntimo donde no sólo se confronte el valor de la virtualidad y el contacto sensible, sino también donde se encuentren la práctica artística y la curatorial, fusionando y cuestionando sus propios límites.', 'Nombre y apellido: Clara Ponce\nNacionalidad: Argentina\nPágina web: https://www.instagram.com/clarap0nce/?hl=es-la\n\nNombre y apellido: Mariana Barón\nNacionalidad: Argentina\nPágina web: https://www.instagram.com/marianabaron2.0/?hl=es-la', NULL, '-Tipología: sala museo/galería.\n\n-Características: se piensa en un espacio de muros limpios, y compuesto por dos ambientes o una sala con posibilidades de división para generar un espacio íntimo. \n\n-Dimensiones: 10 metros cuadrados aproximadamente.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2071, NULL, 238, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1815, NULL, '2020-03-26 20:49:46', '2020-08-14 16:40:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7813, 'fmLuQsN0jcSsVQwM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 20:50:40', '2020-03-26 20:50:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7814, 'dCnd7D5YgaQqNuwh', 'Un Domingo', NULL, 'Como la transmisión de televisión muestra los minutos más importantes y decisivos de la carrera del entrenador José Pékerman. En la era de las transmisiones multicámaras de los espectáculos deportivos se utiliza el material que es transmitido en directo por cámaras secundarias permitiendo crear un relato marginal de lo que ocurre fuera del campo de juego.\n\nRelato marginal de lo que ocurre fuera del campo de juego durante los momentos más importantes de la carrera del director técnico de fútbol José Pékerman.', NULL, NULL, 'Es un corto por lo cual puede ser proyectado en cualquier espacio de cine o para video arte.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/398054669', 'undomingo', NULL, NULL, NULL, NULL, NULL, NULL, 592, NULL, 84, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 497, NULL, '2020-03-26 21:05:37', '2020-06-24 15:54:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7815, 'h7twJ3EN38DN4Bvv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 21:15:14', '2020-03-26 21:15:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7816, 'TgpJHTkNOFbc2VTW', 'CUENTA GANADO', NULL, 'Cuenta ganado es una instalación de sitio específico para el espacio público. Es un cantero, un jardín, un micro paisaje que se transforma paulatinamente el tiempo que dura la exhibición. La pieza está pensada para ubicarse en el ingreso de una de las sedes centrales de la bienal. Este ecosistema vegetal tiene una superficie verde de por lo menos 30 mtrs2 y se modifica a medida que el público lo atraviesa. Para ingresar a la sede hay que, ineludiblemente, abrirse paso a través de la obra, pisar ese pastizal generando un trazo que, con el tiempo, resultará un camino. La transformación de la pieza funciona como instrumento de medición de los visitantes de la sede y, a su vez, como metáfora del impacto global que las actividades humanas han tenido sobre los ecosistemas terrestres.\n\nLa estructura de la pieza es una plataforma de gran tamaño, adaptables en forma y dimensiones según el espacio destinado, con una rampa para el ingreso de discapacitados. El cantero de la plataforma debe poder contener unos 20cm h de tierra para plantar diferentes pastos en toda su superficie y una selección de otras plantas herbáceas en algunos sectores. Las plantas leñosas y de tronco se ubican estratégicamente para permitir la posibilidad de abrirse paso entre diversas opciones. El o los trazos que el público genere para ingresar a la sede son los llamados “caminos del deseo” -término acuñado por G. Bachelard-, en este caso, marcas de la interacción del ser humano con el entorno natural y cultural.', NULL, NULL, 'Exterior. Explanada o ingreso a sede de unos 50m2 como mínimo -si la obra tuviese unos 6m x 5m aproximadamente-. \n\nEs importante que la obra se instale en una sede de gran afluencia de público, sede que funcione como epicentro de la concurrencia general de la bienal. Si una gran cantidad de personas transitan la obra esta podrá transformarse significativamente, pero si la sede fuera de las menos visitadas la obra será registro de eso y su transformación, menos perceptible.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3272, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2814, 5, '2020-03-26 21:49:18', '2020-09-02 04:32:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7817, 'QhwcyXwPmrO2RcDL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 21:58:15', '2020-03-26 21:58:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7818, 'D32MvoHoMaOqs3ec', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 22:32:29', '2020-03-26 22:32:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7819, 'pNDmaFbzLqpYxSV0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 22:33:14', '2020-03-26 22:33:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7820, '2RR9hCBWZXWsI2G5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 22:47:26', '2020-03-26 22:47:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7821, 'N8qdmKWgiE8C6V99', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 22:55:43', '2020-03-26 22:55:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7822, 'DsiCCdPxA2679mwR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 23:27:12', '2020-03-26 23:27:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7823, 'g8l6sNHKB5eOXPYf', 'The Wall and The River', NULL, 'With both the “Wall” and “River” scenes having equal durations (approx. 20 minutes) , they will be exhibited on two screens simultaneously and in a loop, as they are fragments of one love story referencing ancient Greek myths. The first part of the story refers to the legend of “The Maid of Corinth”, which is widely seen as the origin of painting. The woman, just like “Butades of Sicyon”, draws the contours of her soldier lover’s shadow on the wall; therefore immortalizing his image. The next part references the wait of “Penelope from Ithaca” in Homer’s “Odyssey”, in which the woman weaves a cloth, as she waits for the soldier to return. The final part is the meeting of the woman and the now-dead soldier. Herein, at the basis of this encounter lies a motif that was born of primitive mythology. According to numerous beliefs, if one sees a human whose shadow or reflection on water is absent, one sees a dead soul. The soldier eventually returns as a corpse, a body without a soul. As the soldier stands across the woman, he only resembles to have a body. However, this body neither has a shadow to fill in the drawing on the wall, nor a reflection on the water. Yet the woman can create a shadow or a reflection by wrapping the cloth she has woven around his body. This project questions the relationship between the body and its image, by focusing on shadows on the top screen (wall) and reflections on the lower screen (river) where actions produce mirror images of each other.', NULL, NULL, 'The ideal exhibition space for this project which is currently in development, would be a large dark room with a projection and sound system that allows for a two-channel video installation. The two screens will be placed on top of each other (vertical), with ‘the wall’ projected on top and ‘the river’ on the bottom. The screens should be considerably large just as a regular cinema screen would be.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/383571906', 'wallandriver_2020', NULL, NULL, NULL, NULL, NULL, NULL, 931, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 785, NULL, '2020-03-26 23:58:01', '2020-08-11 21:39:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7824, 'fHM3Aqm49pvtsNGZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-26 23:59:18', '2020-03-26 23:59:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7825, 'RCragUatsv22nTWH', 'El Sueño de C.L.', NULL, 'Proyecto de 7 bajo relieves policromados de cera sobre panel.\nEl Sueño de C. L. es un proyectó de exhibición y una serie de bajo relieves policromados / pinturas volumétricas, un juego entre los limites de la representación espacial y la presencia del volumen y lo corpóreo.\nQuiero explorar el genero del paisaje con libertad e invención, serán imágenes más visionarias y simbolistas que descriptivas y naturalistas. ¿Es posible pintar hoy un paisaje propio?, ¿existe o hay que inventarlo? La Pampa será el motivo y fundamento para la fantasía, el humor, el absurdo y la simbolización. Un viaje imaginario a través del sueño de alguien que con la excusa de relatar la guerra y el conflicto pintó paisajes de gran belleza e intensidad: C. L. (Cándido López).\nEl limite entre la la representación y la presentación es otro eje con el que quiero experimentar. Serán obras donde por momentos la profundidad y el espacio serán representados con pintura y simultáneamente en la misma imagen habrá volúmenes reales que saldrán del plano abruptamente generando imágenes mixtas, extrañas y engañosas para el ojo.\nEl paisaje argentino, es una construcción cultural que parece más artificial que genuina, y sin embargo ¿existe? ¿me es propio? O mejor dicho: ¿como puedo apropiármelo y otorgarle nuevos sentidos?', NULL, NULL, 'Es un proyecto para ser exhibido en un espacio interior.\nSon 7 pinturas/esculturas (bajo relieves) de gran formato, por lo tanto debe de haber suficientes metros de pared poder montarlas espaciosamente y al mismo tiempo espacio para poder alejarse de las obras para apreciarlas a distancia.\nIluminación general y puntual simultáneamente.\nEste proyecto u obras de este proyecto podrían también formar parte de una otra exhibición colectiva que este siendo desarrollada por Bienal Sur.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=1js8aqWLFzdkwHZg_k1Rw5-_ZRr0HrFot', NULL, NULL, NULL, 992, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 842, NULL, '2020-03-27 00:06:03', '2020-08-11 17:47:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7826, 'YutjKVNZvyJE4IVV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 00:17:06', '2020-03-27 00:17:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7827, 'GOFPrnQ7i2a6mhQ0', 'Un Domingo', NULL, 'Como la transmisión de televisión muestra los minutos más importantes y decisivos de la carrera del entrenador José Pékerman. En la era de las transmisiones multicámaras de los espectáculos deportivos se utiliza el material que es transmitido en directo por cámaras secundarias permitiendo crear un relato marginal de lo que ocurre fuera del campo de juego.\n\nRelato marginal de lo que ocurre fuera del campo de juego durante los momentos más importantes de la carrera del director técnico de fútbol José Pékerman.', NULL, NULL, 'Al ser un corto puede ser proyectado en cualquier sala de cine o espacio expositivo adaptado para video arte.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/398054669', 'undomingo', NULL, NULL, NULL, NULL, NULL, NULL, 592, NULL, 85, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 498, NULL, '2020-03-27 00:26:39', '2020-06-23 02:47:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7828, 'SEowOK9jj3lhmIOY', 'METATRANCA', NULL, 'METATRANCA es una obra audiovisual de CINEARTE realizada para ser proyectada por igual en cines, salas de proyección, galerías y pantallas ubicadas en espacios públicos. Se conserva la cohesión argumental del filme tradicional pero no para contar una historia per se (aunque se hilvane una) sino con la finalidad de plantear problemas y posturas filosóficas de una manera estética. En Metatranca las imágenes describen la sencillez, la rutina y la desnormalización de la vida en una familia clase media que se encuentra en cuarentena a consecuencia del Coronavirus COVID-19. El material está siendo filmado en este momento. En esta obra se mezclan el cine, la poesía, la filosofía, la música y el arte como una forma de analizar una realidad que ve rota sus coyunturas producto de un acontecimiento global de magnitudes nefastas. La vida pequeña enfrentándose a la muerte masiva mientras se pone en cuestionamiento la existencia misma.', NULL, NULL, 'Cines, salas de proyección, galerías y pantallas ubicadas en espacios públicos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 593, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 499, NULL, '2020-03-27 00:49:15', '2020-06-23 02:47:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7829, 'VLZYEXXjTyMoNrMi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 01:00:19', '2020-03-27 01:00:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7830, 'xmQQGp101TWgd1Di', 'Tatuaje en la pared', NULL, 'S.U.R - sociedad utópica revolucionaria\nA imagem remete ao histórico de resistência e revolucionário da América Latina, como o sonho de uma sociedade unida e igualitária. Este símbolo grava na memória (espaço-tempo) o ideal latinoamericano de ser guia o próprio destino.\nA tatuagem é a forma de escrita sobre a superfície do corpo e no espaço coletivo, a tatuagem sobre muro é a técnica de tornar indelével os sinais sobre a superfície espacial, a parede como limite do ambiente coletivo/privado. \nA técnica consiste em abrir a superfície com uma ponta de metal, manualmente como nas tatuagens tribais, desenhando  com as linhas em baixo-relevo. Em seguida a ferida é cicatrizada, devolvendo a parede suma materialidade com uma mistura de argamassa (cimento) e pigmento, que deixa visível e indelével a marca no corpo coletivo.', NULL, NULL, 'um muro externo ou interno de aproximadamente 3 x 3 m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.taiom.org/tatuagem-sobre-muro', NULL, NULL, NULL, 1090, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 941, NULL, '2020-03-27 01:21:53', '2020-06-23 02:31:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7831, '4GCNyl1R5f0PkSd9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 01:30:34', '2020-03-27 01:30:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7832, 'bjrILNPOGiHYHCE9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 01:31:05', '2020-03-27 01:31:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7833, 'sigxETkzeQFHeFrO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 01:32:41', '2020-03-27 01:32:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7834, 'BkmbmbK7Ysl5zBRL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 02:03:03', '2020-03-27 02:03:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7835, 'ibCXrvGCe1fRHm56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 02:25:59', '2020-03-27 02:25:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7836, '9A4LBHXg6Ga5YgHk', 'Mallanéutica', NULL, 'Mallanéutica es una instalación libre y alegre, creada con mallas de pescar que se cuelgan en espacios de cualquier escala con un lenguaje de colores y formas etéreas y sensuales que abarcan un campo visual de 360° en 3 dimensiones. \n\nLa pandemia ha forzado a replantear todas las formas y estructuras. Es un momento en que el arte debe ir al encuentro del ser humano. Mallanéutica seduce y atrapa en sus grandes redes al ciudadano común y lo saca de la rutina cotidiana. Su carácter etéreo sugiere sensaciones de libertad e invita al espectador a elevar la mirada y el espíritu. \n\nMallanéutica no tiene un sitio determinado para instalarse, su esencia es libre y puede surgir en cualquier espacio, tanto urbano como natural, tanto abierto como cerrado. Sus configuraciones son múltiples, por no decir infinitas. Nacen de mi interpretación de cada espacio, según su espíritu y características. \n\nEn espacios abiertos tomo en cuenta el entorno natural o urbano, la incidencia de la luz solar y su trayectoria, y el impacto de la obra sobre el transeúnte. Aquí la instalación de Mallanéutica es un acto creativo in situ que brota espontáneamente. \n\nEn espacios cerrados se instala una obra concebida en taller, con puntos de anclaje determinados con medidas flexibles. Aquí, la iluminación forma parte fundamental de la obra, ya que le da vida y carácter. En un espacio vacío y oscuro, la obra iluminada flota, generando una atmósfera onírica.', NULL, NULL, 'Opción A: parque o plaza\nÁrboles o estructuras de una altura entre 6 y 12 m para anclarse.\nIncidencia de luz solar y posibilidad de iluminación nocturna.\nActo creativo in situ.\n\nOpción B: espacio urbano abierto\nEstudio previo de la arquitectura y tránsito del lugar para generar la instalación.\nEstudio de la incidencia de la luz solar.\nIluminación nocturna.\n\nOpción C: espacio cerrado\nCámara oscura y estudio de las dimensiones.\nIluminación controlada dimerizable.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=M8oSN_gmQtY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3146, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2705, NULL, '2020-03-27 02:40:26', '2020-08-05 15:14:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7837, 'zPLMF4KWmW9DeQGB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 04:45:05', '2020-03-27 04:45:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7838, '5DO7V28GMCDheVII', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 04:47:52', '2020-03-27 04:47:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7839, 'lmB39ZYldHL19tCv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 05:34:29', '2020-03-27 05:34:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7840, 'gXJGuOMxj5aiZnp8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 07:29:21', '2020-03-27 07:29:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7841, 'KA6M7qHuqLbbP1wj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 07:35:46', '2020-03-27 07:35:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7842, 'E4KfnmgB4FgmfH7q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 07:45:20', '2020-03-27 07:45:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7843, 'mpYAuv6SjIH71nqJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 08:44:12', '2020-03-27 08:44:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7844, 'N1pUeyQ5ADyt0iSy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 08:44:41', '2020-03-27 08:44:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7845, '4m34X9xzqj3HuQpE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 09:12:15', '2020-03-27 09:12:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7846, 'BkqQq9kcmprW2VQN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 14:03:37', '2020-03-27 14:03:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7847, '1uNwwifhw7pLVosB', 'SERÁ LO MISMO. Diálogos entre Enrique Ježik y Fernando Sánchez Castillo', NULL, 'Hoy hace 210 años que Goya inmortalizó \"Los desastres de la guerra\" (1810-1815), una respuesta tremendamente crítica y oscura a los hechos acaecidos durante la Guerra de la Independencia (1808-1814) y que le sirvió para reflexionar sobre los conceptos de violencia, hegemonía, patria, muerte y humanidad. De entre el acervo de grabados que componen esta serie destaca \"Será lo mismo\", donde se aprecia la figura de dos hombres que intentan trasladar un cuerpo dentro de una escena repleta de cadáveres, lo que parece a priori una actividad inútil. Pese a la negatividad que rezuma el epígrafe de la obra, el grabado nos impregna con un regusto final marcado por un pequeño halo de esperanza al descubrir a dos personas que deciden coordinarse sin dejarse avasallar por la tragedia del momento, como si de una coreografía improvisada se tratase.\n\nUtilizando como referente esta pieza y su onomástica, se articula una exposición que supone un diálogo, una conversación entre dos artistas que comprenden que el arte debe aportar una reflexión crítica del mundo que habitamos, buscando despertar a la sociedad de su estado de aturdimiento. \"Será lo mismo\" escruta, a través del empleo del movimiento acompasado, todo un conjunto de cuestiones en el que los dos creadores convergen, como la memoria colectiva,  los conflictos sociopolíticos, la milicia, la manipulación de la información, la represión y, especialmente, los dispositivos que conforman y diseminan los sistemas de representación del poder.', '-Enrique Ježik (Córdoba, Argentina, 1961). www.enriquejezik.com \n-Fernando Sánchez Castillo (Madrid, España, 1970).', NULL, 'Se necesita un espacio expositivo de salas amplias donde poder proyectar los vídeos y ubicar las instalaciones con la distancia suficiente para que puedan ser disfrutados y asimilados por el público. Se proponen tres posibles centros o museos:\n\n-Muntref - Museo de la Inmigración (Argentina).\n-Museo de Arte Moderno de Buenos Aires (Argentina).\n-Espacio de Arte Contemporáneo en Montevideo (Uruguay).', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2380, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2067, NULL, '2020-03-27 14:22:11', '2020-08-13 01:27:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7848, 'BrXDzb2eYUycnzK0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 16:26:04', '2020-03-27 16:26:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7849, 'GJRyH8fFF4OcRynt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 17:04:54', '2020-03-27 17:04:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7850, '6bIbU8LXAzJxaazz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 17:20:28', '2020-03-27 17:20:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7851, 'UCt6wBmXfVekA6lH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 17:22:02', '2020-03-27 17:22:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7852, 'O3xd7Yhu635ecXZU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 18:46:28', '2020-03-27 18:46:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7853, 'kH2eWujcGYpbJVGH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 18:49:24', '2020-03-27 18:49:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7854, 'tJmq221VLqpakmM7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 19:47:57', '2020-03-27 19:47:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7855, 'M7TAToMo9BocGPpc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 20:13:51', '2020-03-27 20:13:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7856, 'Mc8u7ff6luEEXFqK', 'Este Platanal', NULL, 'ESTE PLATANAL. Se vale del nombre del plátano planta herbácea que se cultiva en gran parte del territorio Colombiano, también porque muchos de sus habitantes se refieren a Colombia como platanal o república bananera, en un tono burlesco o peyorativo  por hechos históricos y sociales, como los  genocidios, masacres, desplazamientos forzados, como el de las bananeras por citar unos de estos nefastos episodios.\nEsta obra nace como homenaje a los campesinos a su labor y su lucha atreves del tiempo. \n\"Sembrar, cultivar y labrar la tierra es una acto de resistencia\".\nTambién es una forma de denunciar a un estado de gobierno deprimente y corrupto lleno de muertes, despojos de tierra, abandono y un  sometimiento hacia los campesinos entre ellos los indígenas y afros que por años han sufrido este flagelo. Sometimiento que ha llevado a muchos campesinos a tener que dejar sus cultivos de frutos, vegetales entre otros, para realizar cultivos ilícitos como la coca.\nObra compuesta por Serie de dibujos, pintura e instalación, utilizando el grafito, carboncillo y el pan de oro para realizar representaciones de los campesinos, también recordar la Memoria del conflicto como son las masacres; es en estas piezas donde realizo una propuesta diferente de ver el pudor y cambio los cuerpos humanos por plátanos y la sangre por pan de oro aludiendo a la idea de que la sangre que se derrama en los campos colombianos son un tesoro u oro para quienes perpetran esta acciones perversas y execrables.', NULL, NULL, 'Las piezas van colgadas sobre pared de manera horizontal al igual que el texto, también se utilizara el suelo que esta junto a la pared donde están colgadas las piezas para realizar una instalación sobre el suelo que complementara la obra.  La pared puede tener una medida de 8 metros de dimensión horizontal y una distancia de suelo de 150 cm aproximadamente iniciando desde la pared.\ncabe resaltar que de ser seleccionado me ajustare a el espacio que los organizadores propongan.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5392, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4479, NULL, '2020-03-27 20:43:35', '2020-07-28 17:07:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7857, 'x2yGtO3tlqBPxqIf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 20:44:22', '2020-03-27 20:44:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7858, 'TCYlXnsah0U0ztpY', 'El en Silencio - Cuerpo Endeble', NULL, 'El presente proyecto pretende ir más allá de la representación convencional de la figura humana, con el objetivo de establecer una relación más profunda e íntima con el ser humano como cuerpo que observa, percibe la obra y es representado.\nAquí el cuerpo se convierte en terreno simbólico representando la angustia en un cuerpo inestable que vive un caos y se resiste a caer, luchando por encontrar una estabilidad y por perderse de ese lado agonizante; entonces, parte con el objetivo de Desarrollar un video arte que evidencie la relación que existe entre la práctica ritual, el arte y el cuerpo.  \nademas, se busca otra forma de interpretación de la existencia, de límites y capacidades a través de nuevas prácticas rituales, con las que se acercan a la problemática corporal. Recogiendo el cuerpo olvidado y agotado, para tomarlo como materia y superficie principal de su quehacer creativo, defendiéndolo como origen de nuestra identidad personal, como vehículo de percepción, expresión y de comunicación imprescindible para el ser humano, y nuestra relación con el mundo.', NULL, NULL, 'La obra está compuesta por 7 piezas: 6 fotografías impresas de 60 x 80 centímetros y 1 video arte proyectado con 180 x 200 centímetros. \nOrganizando dos hileras de velas se jugará con la profundidad del espacio para darle un aura, percepción visual de un ritual.\nDesde la vista frontal de la instalación se apreciará el video art, y en las paredes laterales las fotografías. Estás medidas de ubicación de piezas está preparada para un área mínima de cuatro (4) metros de ancho.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 599, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 504, NULL, '2020-03-27 20:57:10', '2020-06-23 02:47:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7859, 'Yr0Xqi33MRVAtSza', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 21:09:39', '2020-03-27 21:09:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7860, 'sI8CojJZvdeYq9CL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 21:12:43', '2020-03-27 21:12:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7861, 'G2c3UkWLdd7RxwGH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 21:24:16', '2020-03-27 21:24:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7862, '0OJKnHQwsx3lK6Ty', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 21:49:24', '2020-03-27 21:49:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7863, 'F8x7ypU3K9z9nMdT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 21:49:32', '2020-03-27 21:49:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7864, '2HDzfaLjGG49t0sj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:00:52', '2020-03-27 22:00:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7865, 'GbnhVF0fXTAl5Fzq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:14:13', '2020-03-27 22:14:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7866, 'umlOcDrJMrlZgL6Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:23:06', '2020-03-27 22:23:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7867, 'mbdmpkEGfHdj5noF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:25:10', '2020-03-27 22:25:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7868, '1YIuEhuWRfB1zt7s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:38:08', '2020-03-27 22:38:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7869, 'WVEHrNdlm3IvWS7f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:39:31', '2020-03-27 22:39:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7870, 'APA4tdyWLA1YEQNX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:51:51', '2020-03-27 22:51:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7871, 'IVlspwlXTVXW87u1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 22:56:17', '2020-03-27 22:56:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7872, 'ef7BNCMXkBsBIeEU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-27 23:07:23', '2020-03-27 23:07:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7873, 'E55vayUKMRPWqYmV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 00:45:13', '2020-03-28 00:45:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7874, 'ypH1psgXrh7cqTrw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 00:46:26', '2020-03-28 00:46:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7875, 'WDLJZUVm56k0GWks', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 00:48:09', '2020-03-28 00:48:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7876, 'jKYVyLhIWMpzqjnD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 00:53:41', '2020-03-28 00:53:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7877, 'UtXo6pFnzby1uZVy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 00:59:52', '2020-03-28 00:59:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7878, 'rLTn5DB1mvEZKoMV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 01:01:10', '2020-03-28 01:01:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7879, '98U1vldtcy4FyQls', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 01:01:51', '2020-03-28 01:01:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7880, 'oQOQlbJGrD2QeYdt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 01:03:05', '2020-03-28 01:03:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7881, '4Wfmqsfp8DQAmS1n', 'Grados', NULL, 'Compuesto por 4 obras (una instalación en el piso, una fotografía, un video y un collage de tela), este proyecto de exposición habla de matices. Con 4 lenguajes plásticos diferentes, explico la sutil diferencia entre cosas, más o menos similares, en contraste. Las obras se unen como sutilezas, revelan etapas que escalan un proceso o un orden clasificatorio. En cierto misterio, hay posiciones, situaciones, estados, superior o inferior; clase, categoría; nivel punto. Los cuerpos en capas, los volúmenes ponderados, varían las escalas de valores, temperatura, medición angular y presión. Grados', NULL, NULL, 'Un espacio con piso libre y paredes  soportan el proyecto Grau.\nTodos los trabajos pressentidos pueden variar en tamaño, pudiendo ajustarse al espacio posible.\nIncluso puede hacer una selección de solo uno de ellos y no el conjunto de obras.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/372286706', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 606, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 511, NULL, '2020-03-28 01:11:52', '2020-06-23 15:41:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7882, 'wvTTr0yS5wRBLUdk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 01:18:31', '2020-03-28 01:18:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7883, 'GkXVWdBVbw0T9NMN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 01:19:44', '2020-03-28 01:19:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7884, 'qYr0syj6Ww98kI2j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 01:21:06', '2020-03-28 01:21:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7885, 'wzcoH6vRO1k1p8BU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 01:56:44', '2020-03-28 01:56:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7886, 'BPtW4GExLaYnbfRl', 'Germen', NULL, 'GERMEN\nIncursiones Experimentales: juegos Audiovisuales entre lo Abstracto y lo Figurativo \n\nGermen se presenta como una pieza de vídeo experimental que crea una atmósfera en la que el juego entre lo abstracto y lo figurativo, lo ruidoso y lo armónico evoca un orden aunque parezca no poseerlo. La implementación del video como instrumento visual para grabar y manipular la imagen junto con la invención de herramientas y estrategias composicionales para crear sonidos hacen de Germen una pieza que busca por medio de la construcción y el montaje audiovisual de formas plurales relacionándose entre si, poner lo múltiple en movimiento, hacer surgir las analogías, las indeterminaciones y las sobredeterminaciones que aparecen mediante la contemplación del material audiovisual que compone la obra.', NULL, NULL, 'FORMATO DE EXHIBICION: PROYECCIÓN EN SALA \nDIMENSIONES: 1920 x 1080\nDURACIÓN: 11:31 MINUTOS', NULL, 'artist', NULL, NULL, 'https://vimeo.com/392075584', 'germen2020', NULL, NULL, 'https://vimeo.com/392014088', NULL, NULL, NULL, 600, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 505, NULL, '2020-03-28 01:59:36', '2020-06-23 15:40:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7887, 'SC1sHVuZHqepQfbv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 02:09:39', '2020-03-28 02:09:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7888, 'crqyxRzlfDKUck1O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 02:30:17', '2020-03-28 02:30:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7889, 'nBm9G1HygLGfqVrT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 02:31:52', '2020-03-28 02:31:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7890, 'nWl6BDZlVbwzsHFx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 02:47:04', '2020-03-28 02:47:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7891, 'aGZdFKlwDYKu5Eyt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 02:49:09', '2020-03-28 02:49:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7892, '0GPXSy5ZTUTBzPFu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 04:19:41', '2020-03-28 04:19:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7893, '1bZIzF1Kvq2wq61t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 05:08:21', '2020-03-28 05:08:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7894, 'pqpsc3HBJ8r7FL3W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 05:27:27', '2020-03-28 05:27:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7895, 'j74who7UAOOjgtWC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 05:28:10', '2020-03-28 05:28:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7896, '1wkNy0WFTl61P57a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 05:28:47', '2020-03-28 05:28:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7897, 'LYie3aOzHRPp9Bf5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 05:56:15', '2020-03-28 05:56:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7898, 'F4jgncCzi99ufK8f', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 06:10:13', '2020-03-28 06:10:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7899, 'N7idJQoL7cU90oDR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 06:25:03', '2020-03-28 06:25:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7900, 'iblJcBeb4YoLkuQv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 06:40:10', '2020-03-28 06:40:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7901, 'gyPD0wcJgn9f1Luh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 07:16:38', '2020-03-28 07:16:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7902, 'RAjHXv4GoB8f6hNU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 07:38:09', '2020-03-28 07:38:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7903, 'HNomgykgLuAWO94t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 08:07:16', '2020-03-28 08:07:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7904, 'o9WCJANEk1SHp898', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 08:14:56', '2020-03-28 08:14:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7905, 'dhD7Gin1ijNWOchi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 09:02:45', '2020-03-28 09:02:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7906, 'q66FyG5ZpRSVlEdb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 10:33:48', '2020-03-28 10:33:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7907, 'jravU8f7Nwrki3c5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 15:01:52', '2020-03-28 15:01:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7908, 'bOFJ8n46iBRNKuDj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 15:13:13', '2020-03-28 15:13:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7909, 'p6bj2LWVom6NoWy6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 16:38:15', '2020-03-28 16:38:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7910, 'TO1jAnfTVeVYsuIk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 16:40:04', '2020-03-28 16:40:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7911, 'Gj2ylM8Org17Nzaj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 17:05:01', '2020-03-28 17:05:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7912, 'mhmQ4zNNgWJHGf2Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 17:06:43', '2020-03-28 17:06:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7913, '42ed53odjanJCNdI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 17:33:11', '2020-03-28 17:33:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7914, 'zb3hSOP1IHQDMnPO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 19:31:49', '2020-03-28 19:31:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7915, 'YVgU8SKKC0oga9FN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 20:09:35', '2020-03-28 20:09:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7916, 'WrxEQOMQ1htf8kYt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 20:20:16', '2020-03-28 20:20:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7917, '9Mg1AltdoHGN9YxD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 20:20:53', '2020-03-28 20:20:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7918, 'HOAPjnWe4sFbxRwO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 20:21:59', '2020-03-28 20:21:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7919, 'cvUBLHnEqfXD3iau', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 20:30:00', '2020-03-28 20:30:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7920, '37IioIFDYrem4Q9F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 20:50:09', '2020-03-28 20:50:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7921, 'Q5ptGGznwtwHvmda', 'Sedimento', NULL, 'Una de las Siete Maravillas de Oregón, las Colinas Pintadas se formaron a partir de antiguas erupciones de los Volcanes en Cascada. Sus estratos vibrantes y multicolores de óxidos de hierro, cenizas, silicatos y otros minerales son un registro de los cambios ambientales en la región durante los últimos 40 millones de años en la historia de la Tierra. Pero los estratos geológicos nunca son un registro completo y continuo. En cambio, están llenos de superposiciones y tiempos perdidos en el registro, indicando períodos de no deposición, meteorización o erosión. Una examinación del paisaje, Sedimento indaga el registro geológico como registro defectuoso, memoria defectuosa donde lo ausente reclama lo imaginario.', NULL, NULL, 'Las imágenes serán impresas en papel fotográfico, enmarcadas, montadas en paredes de una sala interior. El tamaño sugerido de las mismas sería de 1,5 metros x 1 metro. Las fotografías serían acompañadas con arena coloreada (colores similares a los estratos de las fotografías). Aquí referencias: https://jestrachan.blogspot.com/2016/04/photo-sand-exhibition-fitzroy.html; http://www.t293.it/exhibitions/sonia-kacem/; La cantidad de arena variaría según las posibilidades del espacio y presupuesto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 614, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 517, NULL, '2020-03-28 21:12:10', '2020-06-24 15:54:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7922, '2JXOyXzBsf3ODrp2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 21:25:16', '2020-03-28 21:25:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7923, 'pSuk7keJEHT6quCN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 22:52:54', '2020-03-28 22:52:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7924, 'GgNdm35yaqQ146Qw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-28 22:54:59', '2020-03-28 22:54:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7925, 'ylrzngAiwCeP3eta', 'Ciudad Bastarda', NULL, 'Ciudad Bastarda\nEl arte nos posibilita una experiencia con la ciudad.\n\nNos centramos en la ciudad de BA y en el conurbano como una entidad total, ya que la división entre una y otro es solo  \npolíticas e institucional. A los efectos de nuestra mirada es una totalidad. \nEste proyecto, en curso, parte de pensar los bordes como brechas reales o imaginarias que fragmentan la ciudad. Entendemos el  borde como final y principio de algo, como barrera, como umbral, como obstáculo, como lugar que nos detiene o que nos lleva a atravesar  la ciudad en múltiples direcciones, como un lugar de intercambio productivo y también como barrera de exclusión. Diferencias e intersecciones.\nAlgunos de estos bordes son porosos, otros funcionan como trabas físicas, difíciles de traspasar.Otros, imaginarios si bien tienen otra materialidad,tambien son dificiles de traspasar.\nTomamos el concepto de “ciudad bastarda”, en el sentido de superposición y combinación de generaciones, inmigraciones, culturas, lenguas, cuerpos, construcciones. \nNos propusimos hacer determinados recorridos por el AMBA, los que elegimos según un borde que identificamos previamente: vías de tren, río, puentes, para poder observar, caminar, recolectar, fotografiar, dibujar cartografiar. El recorrido atento y la documentación es nuestra herramienta para pensar la ciudad. Este proyecto reconoce su filiación en las caminatas urbanas de Francis Allys o en los trabajos del urbanismo nómada de Francisco Careri.', NULL, NULL, 'Este proyecto lo podemos exponer tanto en un espacio lineal, como el Centro Cultural Paco Urondo, o como en el Salón Manuel Belgrano de la Legislatura de CABA. Este último si bien tiene otra espacialidad se adapta perfectamente a la propuesta. En ambos casos la exposición se arma a partir de un recorrido materializado con los paneles existentes en las salas. En dichos paneles se exhibirá el material recolectado y analizado que consiste en mapas de los recorridos, croquis y fotografías.', NULL, 'artist', NULL, NULL, 'https://youtu.be/281uTjRtZjc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3470, NULL, 428, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2976, NULL, '2020-03-28 22:59:54', '2020-08-13 18:03:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7926, 'QO0gfhwgJyWZgP43', 'Sincronismo', NULL, 'En este proyecto, cuestionamos la abstracción del tiempo y el espacio en función de los entornos preocupantes que nos rodean. La interconectividad y la desconexión; el estar lejos y el estar cerca; el donde estamos es algo que nos preguntamos. Utilizando la técnica del barrel firing construimos dos hornos para la quema de piezas producidas por cada uno de nosotros en dos puntos de America Latina.\nNuestra acción se realizó simultáneamente en Argentina y en Guatemala el jueves 14 de mayo de 2020 a las 4:00 PM. Usamos el mismo proceso y materiales, los cuales fueron registrados a través del video y de la fotografía.\nCreemos que este trabajo es una intersección experimental - poética entre la antropología, lo sagrado y sus rituales, la alquimia y la devoción a la naturaleza. Creamos dos puntos en América Latina. Dos puntos sagrados donde hacemos fuegos. Nos congregamos alrededor del acto de quemar piezas de cerámica y compartimos la magia.\nLa acción se hizo por primera vez el jueves 14 de mayo de 2020 como un acta fundacional. Sin embargo, nuestra accion implica un work in progress porque cada quema tiene varias etapas. \nLa próxima quema la tenemos programada para el 1 de Agosto en homenaje y reverencia a la Madre Tierra.', NULL, NULL, 'Este proyecto ha sido llevado a cabo de modo online: reuniones via Whatsapp, envío de material por correo electrónico, desarrollo de un archivo en las nubes. Las plataformas online nos permitieron estar cerca estando a miles de kilómetros.\nPensamos el desarrollo de una plataforma digital para la exhibición de nuestro trabajo donde quienes tengan acceso a WIFI puedan ver la quema que es la acción central de este trabajo. Instagram sería la red desde la cual vayamos comunicando nuestras acciones.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428879969', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1vdPd6RXkHBOw_6JxiGp8O5PL6bCyHpmC?usp=sharing', NULL, NULL, NULL, 3809, NULL, 481, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3249, NULL, '2020-03-28 23:41:04', '2020-07-20 23:57:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7927, 'EgYYxpyIf5za8WED', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 00:10:54', '2020-03-29 00:10:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7928, 'POqPWgDaG0u19wUw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 00:32:45', '2020-03-29 00:32:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7929, 'RXs8vh8xjDVx7A3o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 00:54:02', '2020-03-29 00:54:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7930, 'z8XGD7Kn1Vur1G8y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 01:01:04', '2020-03-29 01:01:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7931, 'iyG1oJQaUolygaDJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 01:02:17', '2020-03-29 01:02:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7932, '8nLF3uO88MOzY3dI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 01:25:01', '2020-03-29 01:25:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7933, 'JyiEA2wv2znwy2RA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 01:32:23', '2020-03-29 01:32:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7934, 'R9pBnnSPqAiYbwTm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 01:32:23', '2020-03-29 01:32:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7935, 'aZjYf0qx71Uv3z3w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 01:33:00', '2020-03-29 01:33:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7936, 'ziEcGuqaAfnW0NyQ', 'Trapitos al sol', NULL, 'Descripcion conceptual:\nRevisionando el imaginario social sobre la maternidad, como lugar de disenso, aportamos nuevas configuraciones y producciones de sentido que funcionen como catalizadores para movilizar el pensamiento sensible y simbólico y  plantear un escenario de discusión sobre los modelos culturales localmente consagrados que prevalecen en un mundo cambiante. \nLa idea será parir estas reflexiones con humor conceptual, creando un estilo autodenominado “Gore Rosa” con la intención de convocar al lado cómico, o ridículo de las cosas rígidas y como estrategia frente a lo serio. Usaremos el estereotipo estandarizado como disparador, que puede revelarnos la sobreactuación y la exageración de las prácticas maternas.\nCaracteristicas formales:\nEste proyecto está en el marco de la investigación en producción para la tesis de la Licenciatura en Arte y Gestión cultural de la universidad provincial de Córdoba.\nInstalación, compuesta de 35 paños de telas y otros materiales en gama de color rosa, blanco y negro, ilustradas con técnica mixta de aproximadamente 50 x 60 cm cada una, colgadas de a grupos de 5 en cada soga rosa que van de pared a pared, siendo un total de 7 sogas aproximadamente. \nEl total de los elementos simula un tendedero de ropa.', NULL, NULL, 'Necesidades técnicas\nEspacio de 10 mt de largo por 7 de ancho ( medidas estándar, adaptables al espacio expositivo).\nCon posibilidad de pintar paredes con latex rosa.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=1Mwqq0Z53kkV0uVC2LfJdadRkm34MDRbH', NULL, NULL, NULL, 611, NULL, 87, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 515, NULL, '2020-03-29 01:36:04', '2020-06-23 15:41:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7937, 'dryjIKdvLnurRp2t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 02:12:56', '2020-03-29 02:12:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7938, 'w0BAEpCKJreBN7ti', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 02:24:51', '2020-03-29 02:24:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7939, 'VbDYQggA8ACaiST2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 02:50:21', '2020-03-29 02:50:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7940, 'zSuvqHCkoRvXt9PI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 03:09:49', '2020-03-29 03:09:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7941, 'ifXvWedRLsoQ2Hji', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 03:21:02', '2020-03-29 03:21:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7942, '9Jj6B55H4n11onG2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 03:26:02', '2020-03-29 03:26:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7943, 'rAVVikedABpwhVh3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 03:59:01', '2020-03-29 03:59:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7944, 'WVBpc5l1Q1hdF5kM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 04:42:10', '2020-03-29 04:42:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7945, 'JJZX0xiwnADHzC4H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 05:33:58', '2020-03-29 05:33:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7946, '4UHxoxkG0WfezWOk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 06:27:58', '2020-03-29 06:27:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7947, 'SbXJrd25PMaRhA1A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 07:20:57', '2020-03-29 07:20:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7948, 'z44lhtBGxz8NjSar', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 07:44:46', '2020-03-29 07:44:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7949, 'hJd4y8xuZZ8h14ub', 'El Lugar de la Urgencia', NULL, 'En sala se va a montar un muro de lado a lado, sostenido con una estructura removible.\nDesde el primer dia se va a realizar un dibujo en carbón, avanzando diariamente.\nEl patrón de dibujo va a estar determinado por la proyección de imágenes de los cielos en tiempo real, generando variaciones constantes sobre el dibujo. \nEl día en que se termina el dibujo el muro va a colapsar. \nSe van a remover las estructuras que lo sostienen y este caerá, dejando en el piso una acumulación de escombros resquebrajados que se podrá recorrer, percibiendo, o no, rastros del dibujo en cada fragmento.\n\nEste proyecto de carácter duracional, propone explorar lo efímero de los lugares que consideramos hogar y los mecanismos destructivos presentes en un modo de habitar. Una discusión constante entre la tendencia humana de conservar los momentos mientras estos se vuelven más transitorios e irrecuperables.\n\nLas nubes se presentan como un fenómeno natural irrepetible en constante cambio. Exceden cualquier muro o límite humano sobre la tierra. El intento de observarlas y capturarlas es desafiado por esta volatilidad, se evidencia la insistencia de habitar un instante presente de maneras simbólica.\n\nCon el acompañamiento curatorial de Lucía Pittaluga ( Montevideo, UY )  trabajará en torno a los conflictos que surgirán durante este proceso. Inicialmente referidos a los posibles mecanismos de registro, la necesidad de preservación y la idea de control o no control de los diferentes factores propuestos.', NULL, NULL, 'Esta instalación tiene dimensiones que pueden ajustarse, pero la naturaleza del proyecto necesita un espacio de gran altura que permita no solo la instalación y caída del muro sino también la distancia frontal para instalar una proyección sobre el mismo. Idealmente una sala de más de 10 mts de ancho y 5 mts de alto. \nExisten muchísimas variables técnicas que resolver y adaptar en el proceso previo. Relacionadas con la materialidad, el montaje, la seguridad y el registro del proceso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3861, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3283, 5, '2020-03-29 08:25:06', '2020-09-03 05:40:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7950, 'pGac42k98vuPLyTJ', 'Proyecto Habitat', NULL, 'Proyecto Hábitat es una obra que fusiona arte y territorio a partir del concepto de Gentrificación abriendo lugar a la pregunta ¿Cuál es el límite que marca la frontera? ¿Cuánto nos importa el otro?.\nLa imagen fotográfica digital impresa en papel Blueback del barrio de la Paternal, Caba. fue tomada desde el puente San Martin mirando hacia la nueva construcción del levantamiento de las vías del tren San Martin en el año 2019.\nEsta fotografía expandida (es una foto dividida en 3 partes iguales A, B Y C de 1m ancho por 2m de largo cada una) va montada con medio metro de distancia aprox. entre cada panel para generar sensación de profundidad, donde el observador puede recorrer la obra por dentro. A su vez cuenta con un audio de 15 miuntos del paisaje sonoro del barrio para contextualizar la imagen, que puesto en loop se vuelve cíclico, y se suma a la obra una pequeña instalación realizada con los mismos materiales (ladrillo, tierra y cartón) que utilizan las casas de los sectores mas populares del barrio de La Paternal.\nEs así como la obra se vuelve una experiencia que interpela y sumerge al espectador en todos sus sentidos.', NULL, NULL, 'El espacio sugerido para esta obra es una sala en colores neutros de 3m de alto por 4m de ancho por 4m de largo (las medidas pueden ser mayores pero en ningun caso menores) y debe contar con electricidad para luces y enchufes.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/396273767', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1234, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1073, NULL, '2020-03-29 08:39:30', '2020-06-23 02:25:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7951, '9Ctc4aowcm2dxMW1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 08:48:18', '2020-03-29 08:48:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7952, 'jYobGeUYMyYfBJqK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 13:57:37', '2020-03-29 13:57:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7953, 'Luhc15zeB5o5dQGe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 14:45:00', '2020-03-29 14:45:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7954, 'EW29ko9JZkZFfjOq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 16:31:58', '2020-03-29 16:31:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7955, 'lQrnmrWpYudw9eKI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 16:55:18', '2020-03-29 16:55:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7956, '5n4MVOUvKGSQ5XEe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 17:12:50', '2020-03-29 17:12:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7957, 'E0wN2jfZVM8csAcw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 17:14:06', '2020-03-29 17:14:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7958, 'JYfdku3CfqOXO6ol', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 17:30:14', '2020-03-29 17:30:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7959, '7mJqgCyiiHMYgLaW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 17:31:18', '2020-03-29 17:31:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7960, 'XwntmBi7QU1DU8RU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 17:38:34', '2020-03-29 17:38:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(7961, 'VXWrdhQOKKpuolgk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 17:41:42', '2020-03-29 17:41:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7962, '81u7Q9GWv4T5NWlY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 18:12:48', '2020-03-29 18:12:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7963, 'SvarV6Gm6ll1ghp8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 18:16:26', '2020-03-29 18:16:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7964, 'RKFD0cYh18otCm9D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 18:40:41', '2020-03-29 18:40:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7965, '6uoU18q7yO9XBmEk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 18:58:17', '2020-03-29 18:58:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7966, 'ypD2IqSWdXkhyPL1', 'Promenade III', NULL, 'Caminar como política\nSi pretendemos que la experiencia de la arquitectura complete o destruya el sentido de la obra, debemos hacer del error y la incertidumbre un recurso. Y para ello, la mejor forma que encuentro es la tensión que se genera a partir de la perturbación.\n¿Hacia qué nos debe dirigir una proménade architecturale? ¿Se exige alguna clase de contemplación? ¿El placer retiniano tiene lugar, o es alguna clase de altruismo estético? ¿Es la mirada un sentido autosuficiente que justifica el caminar como acción? \nBusco una arquitectura que no intente dar respuestas. \nBusco una arquitectura desligada de la función, donde la catalogación del espacio quede en ridículo y se plantee su experiencia, en tanto transcurrir, como diálogo. \nAsí la tensión es la palabra, el intercambio es lo que queda y la reflexión es un remanente político.\n\nEste proyecto consiste en la construcción de un pabellón arquitectónico transitable y efímero, donde el espectador utiliza el caminar como generador de una experiencia crítica.\nTécnicamente se conforma por una estructura de acero galvanizado autoportante similar a la utilizada en la construcción en seco, revestida en polietileno translúcido.\nLa translucidez de sus paramentos incentiva un “espiar” a la posible salida, haciendo que el  espectador / transeúnte busque algo que no quizás no encuentre.\nEl pasillo es un canal donde ir por ir.\nLa voluntad de caminar es una cuestión política que deja en el espectador decisiones sin fines previstos.', NULL, NULL, 'Prácticamente cualquier espacio es apto para este proyecto, ya que las dimensiones son flexibles. Sin embargo, más se beneficia de un recinto con grandes dimensiones, donde los “pasillos” puedan ser mas largos, y por ende lentos, arduos y densos.\nDurante 2021 estaré en diversos lugares de Europa trabajando en esta y otras obras, pudiendo materializar este proyecto en otros países.\nNota: En caso de hacer este trabajo en España, tengo disponibles los materiales en Madrid de la Promenade II.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=O8oxQwf2dJM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4019, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3425, 5, '2020-03-29 19:00:47', '2020-08-28 19:39:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7967, 'lrTjh0pY3ZUpBPwT', 'Isolation', NULL, 'Isolation is a collaborative video installation inspired by the current global pandemic COVID-19. \nFour artists, wearing pyjamas adopted as the new quarantine fashion, are self-isolating in their home-studios, each located in different parts of the world. \nOn a white wall, the artists mark the passing of time while being constantly monitored by their mobiles.  The mobile was selected as it has become the media of choice, being the principal tool used while under quarantine.  The only concern is that the mobile could be a double-edged sword.  While enabling us to overcome our isolation, it could also undermine our liberty and possibly open the doors to mass surveillance.  \nCould this be the end of freedom as we know it? \nLike the mythological Penelope who self-exiled in her bedchamber and endlessly wove a funeral shroud to deter her enemies, the artists are intertwining the various threads of pain, death, hope and gratitude into a complex composition in response to the quarantine. \nComparing the artists’ experience of self-isolation with their own, visitors are invited to reflect on the passage of time while under quarantine and the ethics of surveillance when it is used to save lives and come to terms with their own experience. \nThe visitor will see a screen showing the whole performance on a loop recorded by mobiles, and therefore revealing the artists were actually drawing together the silhouette of the invisible enemy: the coronavirus.', NULL, NULL, 'Due to the strict rule of quarantine the video installation Isolation needs an empty minimalistic room with a wall suitable for projection/screen. Electricity, a projector/screen and video player/computer will be required. The studio space of each one of the 4 artists, will be one quarter of the projection. A video looping showcasing the performance will remain on the gallery space. At the end of the performance, the four projections together, will uncover the silhouette of a ‘corona virus’.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1232, NULL, 142, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1071, NULL, '2020-03-29 19:25:11', '2020-07-25 01:38:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7968, 'OdLUEuCxnlxaxbB3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 19:34:01', '2020-03-29 19:34:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7969, '7ObCjEwIj3vuIfof', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 20:17:00', '2020-03-29 20:17:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7970, 'EdZQsgLdptwYKOLj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 20:41:51', '2020-03-29 20:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7971, 'xOn04xDN2w4hCc1V', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 21:09:06', '2020-03-29 21:09:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7972, 'HvfPp0ZUUC30BuZK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 21:11:36', '2020-03-29 21:11:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7973, '7eAYoMTUnPiyf9ir', 'Coliseos de gallos. Una arqueología del futuro.', NULL, 'Mirando el pasado con recuerdo e historia, es que nace este proyecto aún en proceso, con la idea de un archivo de documentación ante la posible extinción o derribo de los Coliseos de Gallos en Perú. Pienso este archivo como materia en potencia, como herramienta futura de salvaguarda de la imagen, de las costumbres y de un fragmento de la historia de mi país. La situación económica de Perú va cambiando y las organizaciones en defensa de los animales van conquistando batallas, por lo tanto, estos espacios de memoria y folclore, podrían ser derribados para la construcción de algo más redituable o simplemente caer en manos de la cultura del olvido\n\nAl corriente, esta serie me ha llevado por ciudades de la costa, el centro y una parte del norte de Perú, haciendo toma directa y en digital de un conjunto de coliseos emplazados en diferentes ciudades.', NULL, NULL, 'seria una exposición artística visual  de obras  bidimensionales colgadas  en pared , con un recorrido simple que puede varias en numero de salas.  cada obra tiene 120 cm de ancho x 80 cm de alto, en marco de madera .', NULL, 'artist', NULL, NULL, 'https://www.macidianocespedes.com/coliseo-de-gallos-arqueologa-del-futuro', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1421, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1243, NULL, '2020-03-29 21:48:25', '2020-07-16 22:00:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7974, 'WLrjXWxwtZ2gQxES', 'SUS OJOS ACUSARON AMOR', NULL, 'Siempre quise saber cómo soy desde los ojos de otra persona. ¿Qué es una familia normal? Y pienso, pienso… en romper el cascarón y emplumar. Hacer la diferencia para cuestionar el modelo ideal, para liberar caparazones, para saber perdonar, para frenar y mirar, para encontrarme una vez más y poder avanzar… Crecer es esa misma batalla que nace entre los miedos más fuertes y la propia valentía para superarlos. Crecer es entender la muerte, las distancias y todo tipo de posibilidades. Mientras tanto sus palabras me visten, la nostalgia me habita y el abismo de la vida me desafía. Una vez más, vuelvo a pensar… Ojalá existiera la forma de volver el tiempo atrás y tenerte solo un minuto conmigo para abrazarte como nunca y poder mirar esos ojos que alguna vez acusaron amor', NULL, NULL, 'Teatro chico, con estructura física a una casona o casa familiar. También puede ser una casa, pero se necesitarían equipos de iluminación para iluminar la puesta de la obra.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/338130474', 'ojos2019', NULL, NULL, 'https://www.youtube.com/watch?v=NZJ3P62hOho', NULL, NULL, NULL, 615, NULL, 88, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 518, NULL, '2020-03-29 22:46:12', '2020-06-24 15:55:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7975, 'KocL4RwjbHkqSha8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 23:08:45', '2020-03-29 23:08:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7976, 'EI9jW4wJ52uWLRtG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 23:11:09', '2020-03-29 23:11:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7977, 'B4xwJ27mLsS5JE3c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-29 23:22:49', '2020-03-29 23:22:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7978, 'ozp55te6MDQs2XNr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 00:24:55', '2020-03-30 00:24:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7979, 'uGqxkizA4IsfK5zu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 00:37:58', '2020-03-30 00:37:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7980, 'QkJZERtuK6Ndk2d3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 01:00:41', '2020-03-30 01:00:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7981, '51mdot22Cj6cUNVp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 01:43:16', '2020-03-30 01:43:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7982, 'wVvHcc1ll2g6nxku', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 02:06:19', '2020-03-30 02:06:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7983, 'kxgazJB5g063MW8j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 02:43:35', '2020-03-30 02:43:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7984, 'wW1EWQ2LqSJPlp0h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 02:43:42', '2020-03-30 02:43:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7985, 'qCaIDhl8UXJePng9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 03:06:01', '2020-03-30 03:06:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7986, 'o2lJwPxYZW3fKP2N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 03:41:31', '2020-03-30 03:41:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7987, 'riPLhXXtu6V2fqlr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 03:53:04', '2020-03-30 03:53:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7988, 'oQbYWPVdbVlm9PLZ', 'Ojalá', NULL, 'Un vivo deseo del suceder \nUn ojalá \nUn quiera Dios \nPeticiones inducidas por la fe, no son más que cotidianeidad.\nAscender, elevarse, un deseo del suceder.\nUn despiece del desastre. Gestos que nunca devienen en sí mismos, sino que remiten a lo que ocurrió \na lo que sucederá.\nEl papel, como único testigo de sus pequeños pilares.\nSus escalones no son otra cosa que una reflexión, un atisbar  de  nuestros futuros ojalás.', NULL, NULL, 'El proyecto se presenta como una instalación en una pared de la sala, de aproximadamente 1.8 metros  de ancho por 2 metros  de alto. Está misma, se compone por una gran cantidad de pinturas (acuarelas) de escaleras, en hojas de diferentes tamaños, (hojas blancas), clavadas en la pared con clavos herrumbrados. \nEl espacio expositivo sugerido, es el MUSEO FOLCLORICO DE LA PROVINCIA DE TUCUMÁN.\nAv. 24 de Septiembre 565, T4000 San Miguel de Tucumán, Tucumán', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3314, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3509, NULL, '2020-03-30 03:56:27', '2020-07-03 22:42:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7989, 'XjaeMNBGJYtVGNyz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 04:38:07', '2020-03-30 04:38:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7990, 'ZblRh1nkiMmxW2V5', 'FAUSTO', NULL, 'FAUSTO parte del concepto del mestizaje que históricamente no se ha alejado de las artes, esto se ve reflejado en la elaboración que hubo de retablos coloniales donde las deidades locales se camuflaron entre ritos católicos, o en la realización de pinturas a partir de grabados traídos en carpetas, así como el hallazgo de textos tales como los tratados de pintura de Leonardo da Vinci o Cenino Cellini ejecutados por manos indias.\n\nPlanteó una obra donde se genera una relación visual entre el Fausto de Goethe y la cultura indígena local. Una puesta en escena donde se evidencian las fuertes tradiciones ancestrales permeadas por las migraciones europeas, tema recurrente a lo largo del libro, y que en mi búsqueda personal a través de las culturas autóctonas mesoamericanas, en especial las de la cuenca del amazonas, a las cuales me he venido aproximando he encontrado.\n\nFAUSTO apuesta a este sincretismo cultural que de alguna manera me define.\nCuestiona la incidencia de las migraciones alemanas en nuestra cultura, su legado, como desde mi subjetividad las asimilo, y como movimientos de la arquitectura y el diseño alemán de gran importancia histórica entre ellos la Bauhaus, inconscientemente se ven involucrados en mi trabajo formal como una estética predomínate.\n\nFausto estará compuesto por 32 pinturas hechas con resina esgrafiada y pulida de apariencia minimalista, calculada, industrial y fría, que contendrá el sonido de manera visual.', NULL, NULL, 'Propongo el Goethe-Institut de la cuidad de Lima como el lugar mas acorde para albergar este proyecto. \nSiendo Fausto, la obra más famosa de Goethe, y teniendo en cuenta el papel que cumple el Goethe-Institut, desde hace más de sesenta años en Latinoamérica como interlocutor en la cultura, que mas allá de ejecutar una política exterior se reconoce como promotor cultural; se convierte este espacio en el escenario perfecto para enaltecer y reforzar el sentido de este proyecto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1852, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1626, NULL, '2020-03-30 04:58:30', '2020-07-21 00:03:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7991, 'wqqdWq4qHz9srmOu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 05:08:39', '2020-03-30 05:08:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7992, 'cmaRRZUBsIve0p6M', 'Fenômenos Naturais', NULL, 'Série de desenhos sobre gráficos de fenômenos naturais. Esta pesquisa busca entender tais fenômenos como um campo expandido da gravura, pois estes eventos deixam marcas na terra, modificam sítios. Busca ainda mostrar que o ser humano é incapaz de controlar e encapsular estas forças naturais.', NULL, NULL, 'Parede. Aproximadamente 12 obras, de 21×29cm.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/open?id=0BznNzirmz9k-bkp6alNGVmVXLTA', NULL, NULL, NULL, 618, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 521, NULL, '2020-03-30 05:34:54', '2020-06-24 15:55:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7993, 'fPIOKPlu3FPJf3cE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 05:48:51', '2020-03-30 05:48:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7994, '6SwkAPJEYGUF6XBF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 05:50:48', '2020-03-30 05:50:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7995, 'jhkwGjzuMwrm37M3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 05:56:19', '2020-03-30 05:56:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7996, 'kVj6RtdXBjU39Oek', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 06:17:02', '2020-03-30 06:17:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7997, 'Ejk2zR4gXuFsd22O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 06:24:24', '2020-03-30 06:24:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7998, 'eIniHYhSR8eaC5uL', 'Monólogo', NULL, 'Monólogo Teste', NULL, NULL, 'Espaço Público', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 619, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 522, NULL, '2020-03-30 07:03:43', '2020-06-23 02:46:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(7999, 'CShU4Gkzt2LtL1UD', 'Cárcel de amor', NULL, 'Una casa encerada como signo de pulcritud. La mesa bien puesta y el olor a limpio como símbolos de una conducta adecuada en un modelo donde la mujer posee ciertos deberes asignados por una labor, la de “dueña de casa”. Nos enfrentamos a una escena íntima cargada de lecturas, poniendo en conflicto los significados asociados al hogar, la armonía, el orden y el rol de mujer-esposa-ama de casa. La obra pone en foco su cotidiano más privado, quitándole al quehacer doméstico un velo que no conocíamos y que no sólo revela conductas propias de una soledad diaria, sino también una rebeldía cruda y pura.   \n¿Un momento de locura? ¿Una obsesión compulsiva? ¿Acaso una escena del crimen? ¿El hastío de la rutina, sus formas y órdenes? El olor se transforma en preguntas incómodas que se pegan en la nariz y en la cabeza, destruyendo, a través de la exacerbación, los signos que ya conocemos. El color vibrante de la cera aglutinada, desparramada en coágulos que se presentan como heridas tras una pulsión liberadora, nos empuja a salir del hogar con náuseas.\nCárcel de amor es la instalación de una mesa familiar ensangrentada, en donde aparentemente ha ocurrido un homicidio. \nla mesa llena de símbolos en relación al rol de la casa, que pueden ser leídos para llegar al desarrollo de este femicidio. las sillas de la mesa se presentan con roles, la madre, el padre les hijes, la mesa puesta como para una situación especial, de blanco absoluto que es alimentada por la sangre y vida de la madre.', NULL, NULL, 'Cárcel de amor, debe tener espacio propio, así se logra regular la iluminación y el olor de la cera se condensa en el espacio.\nDIMENSIONES\nMesa: 80 ancho x 160 largo x 80 alto\nTarima: 200 ancho x 280 largo x 10 de alto\nEl espacio expositivo debe ser de al menos 4 metros de ancho x 5 de largo. dejando como mínimo un metro alrededor de la obra para que el espectador pueda recorrerla. \nla iluminación debe ser cenital de cuatro focos que se direccionan desde las cuatro esquinas de la mesa.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://paulalopezdroguett.com/CARCEL-DE-AMOR', NULL, NULL, NULL, 857, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 724, NULL, '2020-03-30 07:24:53', '2020-08-11 21:33:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8000, '7DQT2upJG6laSZEc', 'Corredores', NULL, 'Tengo una inclinación hacia la paridad, una preocupación latente por la duración de la cercanía —o la separación— de dos cuerpos, por lo que está en medio —lo compartido, la interferencia—.\nLa percepción del tiempo está condicionada por la cuenta regresiva —la espera— del inicio o el final de una situación específica. Existen tiempos solitarios, como el tiempo muerto de los estímulos sin respuesta, o el tiempo suspendido de la pausa. También existen tiempos compartidos, como el tiempo múltiple de los montajes paralelos cinematográficos, o el tiempo sucesivo en una conversación —una correspondencia de mensajes—.\nEl problema con el tiempo es la incertidumbre por la duración.\n\nCorredores son dos binoculares que se miran entre ellos.\nLa longitud focal determina la distancia espacial.\nLa distancia desaparece —al ver a través de los binoculares— creando la ilusión de cercanía.', NULL, NULL, 'Una sala donde la instalación pueda extenderse hasta cinco metros, preferiblemente oscura.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2062, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1807, NULL, '2020-03-30 08:12:36', '2020-08-12 11:59:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8001, '55QLeFI8kMplecwE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 08:43:31', '2020-03-30 08:43:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8002, 'f06OxyQQxtKA06Ex', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 08:44:50', '2020-03-30 08:44:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8003, 'u1xz0SOcwrh6Djix', 'La forma que las cosas adoptan en el olvido', NULL, 'Serie de cinco collages hechos de material de archivo impreso, que a partir de pequeños fragmentos de escenas diversas busca explorar los mecanismos de la memoria. Pensando en el papel que ha jugado la fotografía a través del tiempo, son las convenciones de representación las que se usan como vehículo en este proyecto, por el peso que tienen como referentes en tanto a la documentación de la historia. Al tomar estas imágenes pero eliminar detalles demasiado específicos, se imitan los procesos mediante los cuales inconscientemente seleccionamos que recordar y que no, y el espacio negativo abre la puerta a un sentimiento de familiaridad con estos momentos. Se pretende generar una experiencia en la que con pequeñas pistas, el espectador pueda confrontar sus propios recuerdos con la escena representada en la pieza, para así generar un intercambio de significados entre el imaginario personal y colectivo.', NULL, NULL, 'Se instalarán 5 piezas de 8x10 pulgadas, y se requiere un área en una pared de aproximadamente 1.5m a lo ancho por el alto total de esta. Al estar enmarcadas con madera y vidrio, la pared debe ser sujeta a ser perforada para la correcta instalación de taquetes para la instalación de tornillos de 1 pulgada que soporten las piezas desde un caimán. En caso de ser pared de yeso/tablaroca se puede prescindir de los taquetes, pero la medida de los tornillos no varía.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1110, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 960, NULL, '2020-03-30 10:00:08', '2020-06-23 02:30:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8004, 'z0QWsij4xOmNG6Y3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 11:07:54', '2020-03-30 11:07:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8005, 'X9BM12GdFTrHtfgD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 13:12:06', '2020-03-30 13:12:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8006, 'IHFXOs2zBnZFl7VQ', 'An Archeology of the Sun', NULL, 'This work is about the movement, collective, time, landscape, and everything that happened in Tenerife in April 2019.\n\nWe took the sun as a subject to relate one person to another or one subject to another, trying to depict the scene of Tenerife and its unique geography and history with South America, Africa, and Europe.\n\nWe interviewed people we encountered when visiting around the island. We then intertwined the sound recordings from the interview with the pictures and videos taken from us and the materials posted by the public from the website we created(www.archeologyofthesun.com). By using all of these materials, we created five fragmented stories with sounds, and each week we renewed the stories in the exhibition period by using five Rasberry Pis.\n\nEvery day during our stay, we went around Tenerife by car, trying to capture the elements of the sun. The amazing Canarian plantation, the diverse landscape, culture, history, and the mythological Guanches(aboriginal inhabitants of Canary Islands), tourist resort village, golf park, aqua land built for the tourists amazed us by its mirage-like yet vivid experience. We try to present this here and now feeling to the audience whoever visited our exhibition. And last but not least, using the website as a platform to link from Canary Island to the rest of the world.', NULL, NULL, 'This work has been exhibited at Espacio Cultural El Tanque in Spain in 2019.\nWe used 5 projectors, 5 Rasberry Pis, and 5 speakers respectively to present 5 stories that are on our website(www.archeologyofthesun.com). This work prefers a dark and enclosed space for projections and sounds but all restrictions can be discussed. We would also like to keep the stories continued and shared by the public. As a result, a wifi friendly environment would be great for our system to renew the stories.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 643, NULL, 91, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 541, NULL, '2020-03-30 14:17:06', '2020-08-10 22:09:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8007, 'N60NsOo9zrGGbXi8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:38:16', '2020-03-30 14:38:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8008, 'XgOPWmsoO6XtuIwI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:38:21', '2020-03-30 14:38:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8009, 'iea7Bua6ITyuS0h7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:38:34', '2020-03-30 14:38:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8010, 'axhuL9VuDbXWTlw3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:38:45', '2020-03-30 14:38:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8011, 'oTQLLgOTG2ZwDnCW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:38:51', '2020-03-30 14:38:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8012, '1GEL6r7ABI3CTlJv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:38:59', '2020-03-30 14:38:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8013, '4mrmNgo1oj0J34Zl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:39:10', '2020-03-30 14:39:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8014, '9Oq5KzSBSdhjqItJ', 'Shadow Writing (Fábrica Colectiva)', NULL, 'Shadow Writing (Fábrica Colectiva) investiga la historia de la industria, con especial foco en la del textil, de Alcoy, en Alicante. El proyecto explora la ausencia de la historia del arte libertario en las colecciones de los museos de España, la colectivización de las fábricas durante del periodo de 1936 a 1939, y el posterior uso que se ha hecho de los espacios fabriles.', NULL, NULL, 'El espacio ha de der una sala oscura, con buena acústica, un proyector HD, o monitor entre 50\" y 60\", y sonido estereo de buena caldidad.\nDebe estar sin otras piezas con sonido alrededor.\n\n\nL', NULL, 'artist', NULL, NULL, 'https://archive.org/details/swfcfinallow', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 622, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 525, 5, '2020-03-30 14:39:11', '2020-08-20 04:54:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8015, '2vHcUUUl6f7e7frG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:39:18', '2020-03-30 14:39:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8016, '0uWZF9OIWa5bkSTx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:39:19', '2020-03-30 14:39:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8017, 'NCzYAGBAIgZvjTJk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:39:31', '2020-03-30 14:39:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8018, 'TnWDwnMKjI88VYG6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:39:49', '2020-03-30 14:39:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8019, 'gZYZ1WGHSeiaHJql', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:39:53', '2020-03-30 14:39:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8020, 'a5Dg9Pe5xHUsQNEx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:39:56', '2020-03-30 14:39:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8021, 'u2FvZS4hgQiIOjlw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:40:26', '2020-03-30 14:40:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8022, 'mnncmEUpfjkxzK2F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:40:32', '2020-03-30 14:40:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8023, 'tZHH7jKOL1Z1foMP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:40:36', '2020-03-30 14:40:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8024, 'kIap0bypU5Sm400J', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:40:39', '2020-03-30 14:40:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8025, 'A5CmhdeFoUGmxGh9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:40:48', '2020-03-30 14:40:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8026, 'RiidPTVRCdlzg5t0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:41:05', '2020-03-30 14:41:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8027, 'XyKXIOm5wzTBv2Ce', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:41:15', '2020-03-30 14:41:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8028, 'UD3TyX5TuwvLr09S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:41:17', '2020-03-30 14:41:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8029, 'Bri8kfTI5q0op9Cs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:41:24', '2020-03-30 14:41:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8030, 'YWqeGrHjk2i8sJX6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:41:30', '2020-03-30 14:41:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8031, 'cvDQyB3NHLmc6G9z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:41:51', '2020-03-30 14:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8032, 'oT26XHMkZN187BTI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:41:53', '2020-03-30 14:41:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8033, 'eDSJEp4pf4oEGez1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:42:03', '2020-03-30 14:42:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8034, 'JAwFJbzYbb9lT2Ia', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:42:30', '2020-03-30 14:42:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8035, '06gl9BZaOT8dcpLx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:43:01', '2020-03-30 14:43:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8036, 'PGcOq6LD1Wctpfqj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:43:04', '2020-03-30 14:43:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8037, 'RqNyyUJgFtIhlna4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:43:05', '2020-03-30 14:43:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(8038, 'nSo0gr7OakTZWwFV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-03-30 14:43:16', '2020-03-30 14:43:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
