This is a sculpture exhibition consisting of 15 to 20 pieces of reliefs. The theme of this exhibition is "Country Love".

Country Love is a collection of color reliefs centered on the daily life of rural Northeast China. In this series, I use the language of sculpture to depict the "people" and "objects" of contemporary rural China.  Through multiple angles, I present Northeast China’s pastoral culture, especially its new transformations and new social relations resulting from the collision between foreign pop culture and local traditional customs since the 1990s, as well as people’s arising anxiety toward the local and their identity.

These mounted miniature high reliefs use resin and wood as well as acrylic coloring.  Some of the works incorporate LED light projection to enhance dramatic tension and sculptural texture. The black shadow box, mounted like a picture, is not only a method and tool for the presentation of the work, but is also a part of the scene, guiding and limiting the vision of the viewer as if to see the world through the eyes of another, and it is even a symbol of "memory." Also of interest to me is the exploration of perspective in relief—that is, how to use perspective and color to express the sense of infinite depth of space within the compressed confines of a relief.  I spotlight the “people,” focusing on the shaping of each character’s personality and details. Each scene is a stage, and each character has their own audience and world.