INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26584, 'Cs3sCj4Pqg3TFEz4', 'Los Cambá', NULL, 'Hay vidas, hechos, imágenes que los libros de historia eligen omitir. Pocos dicen, por ejemplo, que a principios del siglo XIX, cerca del 30 % de la población del Río de la Plata era de origen africano. Pocos dicen, por ejemplo, que en aquellos años de dominio colonial la Iglesia católica promovió la veneración del Rey Mago Baltasar –de tez negra, según la tradición europea– para evangelizar y controlar a los afrodescendientes.\nEn los años posteriores a la conformación de la República, esa población disminuyó abruptamente: muchos fueron reclutados en el ejército argentino y murieron en las guerras de la Independencia (1810 - 1825) y de la Triple Alianza (1864 - 1870). A fines de ese siglo, los afrodescendientes representaban apenas el 1,8 % de la población total del país. Esclavos anónimos, primero; un grupo diezmado, después, su existencia fue invisibilizada –o directamente negada– en los relatos oficiales. \nSin embargo, en un pequeño caserío perteneciente a la familia Perichón, en el Paraje El Batel, en Corrientes, se sigue venerando al Santo Rey Baltasar. Sus promeseros son llamados “cambá” (“negro” en idioma guaraní) tienen la particularidad de disfrazarse y usar máscaras para representar no solo al santo sino también a sus antepasados africanos. Si los ancestros fueron despojados de su identidad, una vez al año los cambá se enmascaran y disuelven su persona para vincularse con ellos.', NULL, NULL, 'Espacio expositivo: 12 metros lineales. \n\nMontado: 1 metro de separación entre obra, colgadas con tornillo y tarugo a 1.75 metros del suelo.\n\nDimensiones de las obras: 73 cm de alto, 49.5 cm de ancho y 4.4 cm de profundidad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3659, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3127, 5, '2020-06-02 03:17:48', '2020-08-30 20:24:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26585, 'eRbxYxS3uCXDvEfr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:18:43', '2020-06-02 03:18:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26586, 'JOdrUmCZMqSGXmxY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:21:54', '2020-06-02 03:21:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26587, 'OA7Bpzx3EkrXMPfj', 'Amalgama', NULL, '¿Qué evocan los objetos? Plantas, libros, perfumes, cuchillos, cigarrillos, anillos, flores, biromes, cuadernos, pinturas, fotos. Cosas, restos, signos de lo que somos y hacemos. Los objetos como potenciales remanentes arqueológicos. La memoria de los objetos, los objetos como memoria.\nDurante el mes de mayo de 2020, en el contexto del confinamiento por la pandemia del coronavirus,  comencé a mandar la siguiente invitación a mis contactos:\n“Queridx X,\nEspero que estés atravesando bien este momento tan particular que estamos viviendo. Te escribo porque quiero invitarte a participar de un proyecto. La idea es que envíes  tu retrato acompañado de tres objetos y  otra foto de los objetos solos. Puede ser cualquier cosa que sientas que habla de vos, que te representa o simplemente algo que quieras mostrar en este momento. Mando las mías a modo ilustrativo. Las fotos van a ser publicadas en el Instagram del proyecto.” \nLa propuesta de exhibición, además de su publicación en Instagram, es en formato de videoinstalación, con dos proyecciones enfrentadas: en una pared los retratos con objetos, en la otra la foto de los objetos solos. \nEl proyecto que se inició de modo virtual debido a la imposibilidad de reunión por el contexto pandémico global, culmina con una segunda invitación: la reunión de todos los participantes en la sala de exhibición, con algunos de sus objetos, para la toma de un retrato grupal.', NULL, NULL, 'La instalación requiere:\n\n- Proyectores (2)\n- Sala con paredes enfrentadas o panelería\n- Espacio suficiente para albergar a todos los participantes en la sala de exhibición o en otro espacio destinado a la acción (tener en cuenta que las imágenes enviadas son sólo un recorte de la totalidad del proyecto, que continúa hasta el día de la fecha).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4650, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3914, NULL, '2020-06-02 03:22:18', '2020-07-31 22:09:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26588, 'i1x3kIMIdGLfUNuA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:23:20', '2020-06-02 03:23:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26589, 'gSx3ZSNFcK9a7HKI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:27:26', '2020-06-02 03:27:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26590, 'xR22ehTz0NEiPonT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:27:30', '2020-06-02 03:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26591, 'x1oHqsV7UluoKUti', 'Rana', NULL, 'El proyecto consiste en la figura de un ave, mas especificamente un Tero, tipico de la provincia de Neuquen, realizado con materiales reciclados. \n\n\"La grandeza de una nación y su progreso moral pueden ser juzgados según la forma en que trata a sus animales\"  Mahatma Gandhi\n\nVivimos en una sociedad que esta destruyendo todas las formas de vida contenidas en la naturaleza, devastando todos sus recursos y provocando la extinción de muchísimas especies. \n\nCon mi obra busco generar conciencia de esta situación, invitando a observar las maravillas del mundo animal. A su vez, complementar mi obra con materiales reciclados, es mi forma de colaborar con el medio ambiente y sentir que estos vuelven a cobrar vida.', NULL, NULL, 'Escultura de pequeño tamaño, medidas 22x27x20 cm, realizada en alambre, malla mosquitera e hilo.\nLa misma puede apoyar sobre un pedestal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2551, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2210, NULL, '2020-06-02 03:30:21', '2020-06-24 18:56:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26592, 'tOkp1KurOZlW8VK7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:34:21', '2020-06-02 03:34:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26593, 'lXI0qW5Q76DcH6Ud', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:35:09', '2020-06-02 03:35:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26594, 'hIyUXjSafPBO7d9t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:36:20', '2020-06-02 03:36:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26595, '5aMsA8143bfLzcMG', 'Reversión', NULL, 'Reversión,\nes una vídeo instalación que muestra los cambios y ciclos en las jerarquías de la naturaleza, que al mismo tiempo hace referencia a los incendios forestales en la selva Amazónica y a la esperanza  de una posible restitución de ella, de la vida después del fuego. La muerte se muestra en el vídeo como una fuente de alimento, los elementos narrativos se mezclan, pieza por pieza, que afortunadamente giran en torno a la estética de la transitoriedad. El silencio que aparentemente acompaña a este viviente Vanitas es un zumbido incansable y perturbador del ciclo que continua. \n\nLa instalación esta hecha de materiales (sacados de una área quemada) e imágenes de la Amazonia, la rama calcinada en espiral que parece emerger del suelo, se abre y se libera simultáneamente a través de sus movimientos cíclicos, como un elemento con vida después de su muerte. Cabe destacar que la rama se parece a una serpiente, no solo por su moviendo sino también por su tamaño y la serpiente como símbolo de deidad indígena en Latinoamérica, que representa para muchas culturas un elemento fructífero, por su relación con las formas del curso del rió amazonas. \n\nAludiendo al igual que el vídeo a la esperanza de la restitución amazónica después del fuego, a la esperanza de la forestación desde el movimiento cíclico y del poder amazónico después de la destrucción.', NULL, NULL, 'Al ser una vídeo-instalación se sugiere un espacio donde pueda haber una proyección de preferencia grande, por la narrativa de los detalles. Exactamente entre el vídeo y el espectador se debe de encontrar las esculturas, ya que estas no son tan grandes, no van a interferir con la proyección ni los espectadores. Las esculturas giratorias (con motor en la base) están construidos con madera o carbón, estas miden aprox. 1 metro de alto.\n\nVideo:\nDuración: 7“ Minutos\nFormato:  Full HD\nAudio: Dolby SR', NULL, 'artist', NULL, NULL, 'https://vimeo.com/345450101', 'Wiederholung', NULL, NULL, NULL, NULL, NULL, NULL, 4905, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4128, NULL, '2020-06-02 03:38:32', '2020-07-02 17:57:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26596, 'Vv6R7dMn4DTzFCBW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:38:36', '2020-06-02 03:38:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26597, 'lPwVyAEe37Ngca10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:41:28', '2020-06-02 03:41:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26598, 'hdOprQ9ugIhEz6JL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:42:15', '2020-06-02 03:42:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26599, 't9Lo8pULy04KbExb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:44:33', '2020-06-02 03:44:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26600, 'PBE57J5zdJustyzl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:45:36', '2020-06-02 03:45:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26601, 'fjoCIKciB0IF6rSl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:46:12', '2020-06-02 03:46:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26602, 'zJjn0E2AqROZdz2K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:46:12', '2020-06-02 03:46:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26603, 'UAaeF32QLA1OCjyF', 'LIMA 2050', NULL, 'LIMA 2050: RELATO DE FICCIÓN QUE NOS MUESTRA A UNA LIMA APOCALÍPTICA, FRAGMENTADA Y SOBREVIVIENTE A TRÁVES  DE 7 PERSONAJES . Un aire difícil de respirar por la polución y mutaciones virales, una clase alta aislada y atrincherada, medidas  estrictas de control de natalidad que evalúan ingresos y capacidad de endeudamiento, traficantes de agua, una  clase media extinta y recursos naturales agotados son algunas cosas que encontramos en esta visión fantástica de la capital del Perú en un futuro cercano. El proceso creativo de este proyecto se inició en febrero del 2019 y tenía previsto ser inaugurado el 16 de abril en una galería en Lima Perú, pero el Covid-19 puso al país en cuarentena y en toque de queda.  La muestra se inauguró contra todo pronostico y uso los edificios de la ciudad como galería. Proyectando las obras y sus historias en 3 distritos en simultáneo en pleno toque de queda. Fue considerada por la prensa local como la primera muestra en inaugurarse en medio de esta pandemia y un vaticinio de lo que estamos viviendo. \n\nLa muestra incluye:\n1) Fotografías en gran formato ( 140x100cm / 2.4X 1.5 cm ). \n2)Video caso del desarrollo del proyecto e inauguración en Lima en medio del toque de queda.\n3)Mapping vía pública en gran escala ( adjunto video referencia).', NULL, NULL, 'Habitación con  muros no menores de 5x3m para albergar 9 obras\nUn espacio para una instalación de video con pantallas.\nUn espacio en la vía pública para poder hacer un mapping de los personajes (en un escenario ideal)', NULL, 'artist', NULL, NULL, 'https://www.instagram.com/tv/B_I1Y68J_nT/', NULL, NULL, NULL, 'https://elcomercio.pe/luces/arte/coronavirus-conoce-la-muestra-fotografa-virtual-que-se-inaugura-en-la-calle-y-en-plena-cuarentena-noticia/?ref=ecr', NULL, NULL, NULL, 2561, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2221, NULL, '2020-06-02 03:46:16', '2020-07-20 18:57:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26604, 'yUUVeoJnOEcuZzZl', 'Recuperarse', NULL, 'conceptual:\nLas fábricas recuperadas* abandonadas por sus dueños y apropiadas por sus trabajadores. Puestas en funcionamiento a partir de la dirección de un grupo colectivo. Un hombre solo ante la determinación más importante de su vida sin preparación previa asumiendo una acción y compromiso colectivo, resume la dignidad humana  que surge de asumir plenamente su propio rol dentro de la sociedad generando una respuesta colectiva creando trabajo comunitario.\nLas personas que las habitan, sus cuerpos y rostros, como un elemento estético singular. Luz y espacio actúan en el recorte fotográfico para destacar en la imagen al sujeto principal, el trabajador, como una abstracción del espacio y del tiempo entre el siglo XX y el siglo XXI. El retrato y la relación del hombre con la materia prima, el producto elaborado, la herramienta de trabajo, se convierten en una necesidad que deviene en díptico indivisible.\nPonerse al frente de toda la cadena de producción cuando antes solo se hacía  una parte y por órdenes superiores. Pensar en asamblea, planificar, y trabajar en vez de elegir la resignación. Asumir el desafío en forma colectiva es la representación más digna de la lucha del hombre contra la injusticia de un sistema que lo expulsa permanentemente.\n\nformales:\nToma directa, fotografía digital. Tomadas entre 2014 y 2018.\n79 imágenes exhibidas en dípticos. Copiadas en forma individual \nMedida: 20 x 30 cm. \nPapel: Enhaced \nMontaje:  sobre pared con imánes.', NULL, NULL, 'Sala cerrada, iluminada. 10 m x 7 m. pared blanca.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4458, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3756, NULL, '2020-06-02 03:47:21', '2020-07-29 20:13:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26605, 'VxiYhPdyUX7MxbRq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:49:57', '2020-06-02 03:49:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26606, 'YY2u6fxDBhTaFCIb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:49:59', '2020-06-02 03:49:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26607, '56r37QJeGmrGII5S', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:52:56', '2020-06-02 03:52:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26608, 'meeHktluPXwkBMb0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:55:18', '2020-06-02 03:55:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26609, '7f0QBmdOXxuicd5X', 'Muerto en Vivo', NULL, 'Muerto en vivo es una obra de teatro que trata de Claudio, un depresivo pandémico que influenciado por Nina se somete a un tratamiento con el nuevo medicamento ´URNI´, creado por Úrsula y Nina, ignorando los planes que ellas tenían  para él. \n\nLa obra tiene tres personajes que tienen realidades muy diferentes. Una jefa de un laboratorio, una asistente y un conejillo de indias. \n\nEn escena se verá como Úrsula quiere conquistar nuevos seguidores con el nuevo medicamento Urni, Nina quiere que Claudio se gane unos pesos porque se quedó sin trabajo, mientras Claudio tanto solo quiere una salida. Bajo una serie de pruebas acerca de la efectividad de Urni, Úrsula, Nina y Claudio conocerán aspectos ignorados de sí mismos.\n\nSu duración es de 15 minutos aproximadamente.', NULL, NULL, 'El objeto de nuestro proyecto es representar una obra de teatro con un escenario dispuesto a la italiana con efectos audiovisuales que fomente una perspectiva crítica/o irónica acerca del abordaje de la salud.\nEscenografía: Habrá una pared verde, una mesa blanca y dos sillas. Además, una cámara gesell, dos góndolas con cajas de medicamentos y una cocina de laboratorio. Sobre una pantalla se proyectan videos.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=htc487CwlT0&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2611, NULL, 311, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2263, NULL, '2020-06-02 03:58:15', '2020-06-24 20:03:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26610, 'd4GgPgwHhMLIwtJ2', 'Espíritu libre', NULL, 'Espíritu libre es una serie de pinturas hechas desde que llegue a Brasil hace 2 años.\nEn ellas la inquietud de plasmar las diversidad natural del entorno , desde la abstracción o desde el dibujo en la  búsqueda de contraste visual y conceptual . siempre en un lengguaje propio .con la intención de plasmar el espíritu mismo da natureza sus elementos y sutiles momentos  en una imagen .algunas veces resulta . \ntrabajo con esmalte sintético al agua', NULL, NULL, 'Para uma posible exposición física seria necesario una galería grande', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, '@priscilitinia', NULL, NULL, NULL, 2555, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2214, NULL, '2020-06-02 03:58:34', '2020-06-24 18:56:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26611, 'uz7Gxh1M6xoq28YJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 03:59:43', '2020-06-02 03:59:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26612, 'YEl2ovZ0cf3OeICu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:00:37', '2020-06-02 04:00:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26613, 'lvkdIdICPpOnp2Ao', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:01:29', '2020-06-02 04:01:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26614, 'yCSjOjcJIbg5h8CH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:01:44', '2020-06-02 04:01:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26615, 'qiCPD5E1ZrNw2LiQ', 'PH', NULL, 'Los juguetes fotografiados tienen alrededor de 25 años que fueron fabricados, representaciones bélicas a lo largo de la historia. Estas estufillas se fabrican con el fin de divertir en base a la imaginación y recreación de una batalla épica de un ejército en contra del otro, sin embargo pareciera un involuntario registro y síntoma de que a lo largo de la humanidad la violencia y el conflicto a sido una constante. Comúnmente se pueden ver en las jugueterías, a diferencia de las figuras de los obreros y el trabajador, en estas figuras se acentúan de la raza negra y blanca, resaltando el privilegio que diferencia históricamente una de la otra, sin embargo ambas mantienen rasgos de inconformidad, una vestida de traje como  oficinista, la otra, con rasgos como quien asiste a una manifestación. Pareciera que somos productos de un conflicto que traspasa la historia.', NULL, NULL, 'Impresiones fotográficas de 10 x 15 pulgadas, montadas directamente sobre pared.\nEl espacio a ocupar es de 4 metros amplitud, las impresiones son colocadas directamente sobre pared sostenidas por diminutos clavos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4589, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3855, NULL, '2020-06-02 04:03:23', '2020-07-15 23:08:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26616, 'Z2tb4rYYDTMZZ6lG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:05:51', '2020-06-02 04:05:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26617, 'aY0UgcC2wJm0VH9r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:06:53', '2020-06-02 04:06:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26618, 'jJN0aAa2Nkp4Mwf7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:12:03', '2020-06-02 04:12:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26619, 'afdAci1UHq7wwJER', 'Bunny Girl', NULL, 'A performance/video movie, 2016\n28 minutes 50 seconds\nDriven by the crises state of our biosphere and social unrest, a Playboy Bunny/animal of the same name traverses sweeping landscapes, layered with found footage of global events. With nature as her co-star, she points to our dystopian present. Using wry humor Bunny Girl ties environmental degradation to the suppression of the feminine, blossoming nonetheless in the face of attack.\n\nBunny Girl\nA performance/video movie, 2016\n28 minutes 50 seconds\nDriven by the crises state of our biosphere and social unrest, a Playboy Bunny/animal of the same name traverses sweeping landscapes, layered with found footage of global events. With nature as her co-star, she points to our dystopian present. Using wry humor Bunny Girl ties environmental degradation to the suppression of the feminine, blossoming nonetheless in the face of attack. \n“Bunny Girl” is the product of a bio-politics in which power is not located in the gaze, as it has been for many feminist performance artists, but in the contingency of the body within an increasingly hostile ecology. The video work suggests a possibility of addressing environmental catastrophe and subjectivity from a non-human-centric starting place. Turning feminist performance in this direction borrows its defiant tone to rethink a fresh binary.\"\n—Anne Leslie Selcer, Hyperallergic, June, 2017', NULL, NULL, 'As large of a flat screen monitor as you can provide, or if you prefer a private screening room with the movie projected. I have versions available for both types of screening.', NULL, 'artist', NULL, NULL, 'http://monetclark.com/bunny-girl/', NULL, NULL, NULL, 'http://monetclark.com/bunny-girl/', NULL, NULL, NULL, 2556, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2215, NULL, '2020-06-02 04:21:56', '2020-07-20 21:38:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26620, 'BJdLWGrxiqvCPQhf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:23:34', '2020-06-02 04:23:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26621, 'A0jEBMyHSFkhzJri', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:28:21', '2020-06-02 04:28:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26622, '6Vble1Otl41RvIng', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:30:13', '2020-06-02 04:30:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26623, 'gtbC6q5pL6c5oXoQ', 'MEMORABILIA', NULL, 'Memorabilia - del Latín \"lo que es digno de ser rememorado\". Parto de una colección de fotos de los años 20, de los Pomeranc, familia de mi abuela Nora que, excepto ella que ya vivía en Brasil, desapareció por el Nazismo. Llevé las fotos a un \"camino de regreso\" a Polonia. El tema es la familia y la memoria, mas busqué ir más allá, en el concepto de fotografía no sólo como el retrato de un referente, sino de poder ser ella, en sí, el referente. Con estas \"fotos errantes\" en mi equipaje, yo quise unir el hilo que se interrumpió entre mi abuela, su patria y su familia. Esas fotos pudieron vivir en su piel el frío de la nieve, el alambre de púas del campo de concentración y las paredes del edificio, aún sólido, de la familia. Con ellas, mis abuelos son repatriados, mis familiares recuperan el derecho de ir y venir a sitios que les han sido prohibidos; ganan también una lápida. En ese viaje de regreso, en tren, ellos  viven una nueva Polonia.La fotografía me permite devolverle un lugar a mi familia. Lugar que tantos siguen perdiendo, casi 100 años después.', NULL, NULL, 'Impression de 10 fotografias  en tela  (1,80 X 2,70 ) y video (De Vuelta, link abajo). Fotos  dipuestas  al lado derecho y esquierdo  de  una vía de trenes, por dónde camina  los visitantes. Memorabilia ha sido expuesto en la Arte Plural Galeria (PE-Brasil) en espacio amplio con fotos inpresas en papel, en tela y en adhesivo sobre vidrio.En los Encontros de Agosto, Centro Cultural Dragão do Mar (CE-Brasil)  10 fotografias inpresas y dispuestas en un muro.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=bAdNOohG6Qo', NULL, NULL, NULL, 'https://www.youtube.com/watch?v=ij5E4rb4YA4', NULL, NULL, NULL, 2557, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2216, NULL, '2020-06-02 04:33:02', '2020-06-24 18:56:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26624, 'gBJ2RfpD1FCSCSXy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:33:22', '2020-06-02 04:33:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26625, 'up0iOUXblZ2cHxOy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:34:06', '2020-06-02 04:34:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26626, 'RcGmFNV73HLwGbqv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:38:28', '2020-06-02 04:38:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26627, 'WLdhO7ED178LVacU', 'EXPO \"CONSTRUCCIÓN ARTÍSTICA\"', NULL, 'Esta propuesta pretende reflotar, valorizar y difundir los oficios artísticos en la construcción y la decoración con una muestra colectiva de los las trabajadores/as más destacados en los diferentes rubros.\nDicha expo contaría con trabajos realizados, en proceso, instalaciones del ámbito laboral, fotografías, planos y dibujos, libros, revistas,  proyecciones, etc. También se contará con la presencia de algunxs de estos/as representantes culturales dando charlas temáticas e interactuando con el público interesado.\nDurante la construcción del proyecto, en el periodo de visitas y convocatorias a los las artistas, se tomará registro fílmico y fotográfico en sus espacios de trabajo, junto con entrevistas que formarán parte de un muy interesante documental a proyectarse y finalizar de rodar en la expo.\n  Hay muchos oficios que son un importante patrimonio cultural que hoy se encuentran en vías de extinción. Otros en cambio están en un fresco estado para su desarrollo. Estos son mensajes importantes que deben llegar al espectador, junto con el estímulo a la experimentación, abrimos las puertas al intercambio de conocimientos generando a la vez nuevos vínculos que nos aporten a todxs. \nEs un idea que vengo proyectando hace tiempo, soy ex estudiante de artes visuales y trabajo como Maestro Mayor de Obras matriculado, como tal incorporo estos cruces de los diferentes oficios en mis obras, lo que me permite crear de manera expandida.', 'La selección de los/las participantes se hará luego de que surja la pre elección. \nLos rubros:\nCARPINTERÍA  ARTÍSTICA, HERRERÍA ARTÍSTICA de FORJA, ALBAÑILERÍA FRENTISTA, ESGRAFIADO SEGOVIANO, YESERÍA de ORNAMENTACIÓN, FILETEADO, CERÁMICA, MARQUETERÍA, EBANISTERÍA, PINTURA MURAL, MOSAIQUISMO, GRAFFITI, ZINGUERÍA / HOJALATERÍA, TORNERÍA, MIMBRERÍA, VIDRIO SOPLADO, TAPICERÍA, ESGRAFIADO VENECIANO,  MAYÓLICAS, CALCÁREOS, ENLOSADOS.\n(Las fotos son algunos de mis trabajos, el video un boceto.)', NULL, 'Este proyecto fue inspirado para realizarse en el multiespacio \"Auditorio Oeste\" (sala de mas de 600 m2) que diseñé y construí hace poco mas de 10 años. Pertenece a mi hermano quien está dispuesto y entusiasmado en colaborar con la propuesta.\nIgualmente puede montarse en cualquier sala, adaptando las diferentes propuestas de acuerdo a las característicos espaciales del lugar.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6305, NULL, 932, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5155, NULL, '2020-06-02 04:39:24', '2020-08-07 00:40:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26628, 'a5jkYsPFeLTvakgF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:40:36', '2020-06-02 04:40:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26629, 'FUzG9bxDFbd3psyh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:42:06', '2020-06-02 04:42:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26630, 'RMNGI1ItLHmhDVJF', 'Especies de la deriva. Capitulo 1: El antidoto al abandono', NULL, '“El Antídoto al Abandono” es un proyecto escénico performático e interdisciplinar  en el que dialogan artistas, artesanos y arquitectos navales. Se abre el diálogo con colaboradores en la investigación de sus memorias, dolores y antídotos, en diferentes espacios de reflexión como  ateliers o espacios virtuales para realizar exploraciones morfológicas, investigaciones creativas  y de los materiales con los que  se creará una obra escultórica para representar y simbolizar la construcción corporal humana y al cuerpo humano que responde,  no solo a los estímulos externos y físicos sino también a aquellos considerados como perceptibles, sensoriales y de las memorias. Cada una de las esculturas representa un aspecto de índole personal que cada colaborador deposita en ellas para simbolizar un dolor y un antídoto.\nDe esta manera se obtendrán 8 piezas que serán el material para crear un Performance único en el Río de la Plata de la ciudad de Buenos Aires, Argentina. Esculturas flotantes por tiempo limitado, cuerpos de hielo pensados para diluirse con su contexto. Atravesados por un eje; Uno de los extremos sostiene al objeto dolor, en el otro extremo su renacer, su antídoto.\nEn un primer instante el cuerpo navegara de forma tal que el objeto dolor permanezca en la superficie, y el objeto antídoto sumergido. Conforme el tiempo pasa, el hielo se disuelve, y en cierto punto, se sumerge el objeto dolor  y emerge el objeto antídoto, enalteciendo ahora nuestro renacer.', NULL, NULL, 'Se propone proyectar sobre territorio liquido el registro audiovisual de todo el proceso creativo, los diálogos con los colaboradores y el performance final de las esculturas.  Este espacio estará en la naturaleza o en su defecto en espacios públicos, para el cual se adaptaran estructuras para su visualización.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2560, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2220, NULL, '2020-06-02 04:45:22', '2020-07-20 16:45:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26631, '5CuMq4h0Dr4EAAOQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:45:53', '2020-06-02 04:45:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26632, 'tLwiDPkcMaF8fF3d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:49:15', '2020-06-02 04:49:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26633, 'ZacbrGWv4jQUD3SR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:49:16', '2020-06-02 04:49:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26634, 'QKurdM6B60Aa4DIt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:50:09', '2020-06-02 04:50:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26635, 'uOGjcpYEbYukND19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:50:47', '2020-06-02 04:50:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26636, 'jT6frNCd0pVWgOaP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:55:50', '2020-06-02 04:55:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26637, 'uLaL0FuXKvmdi5rt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:56:25', '2020-06-02 04:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26638, 'NJB2mgBt13V9UL8H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:56:28', '2020-06-02 04:56:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26639, 'UZKeNypRzWAiyvj2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 04:56:28', '2020-06-02 04:56:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26640, 'Xe5jtuMFu2d1tItZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:05:47', '2020-06-02 05:05:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26641, 'FWVaxxidIjMT1YyF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:08:18', '2020-06-02 05:08:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26642, '269QwM8EYnNsPUgW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:09:42', '2020-06-02 05:09:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26643, 'vnprckSXCLU9411z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:10:16', '2020-06-02 05:10:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26644, 'sDNvJciBkjYS7Cxb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:11:03', '2020-06-02 05:11:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26645, 'CpISIRdWNK77cmlU', 'Choclo', NULL, 'Este trabajo es una serie de volúmenes realizados con técnicas de cesteria utilizando hojas de choclo, estas hojas estan tejidas en el propio tallo de donde provienen. Esta demostración de un oficio tradicional con la hoja de un alimento típico americano  propone una autonomía de materias primas en el arte, romper con una cultura eurocentrica y  la autonomía alimentaria. El choclo utilizado es cultivado en el  territorio donde habita el artista, y algunas de las hojas estan teñidas con tierras de colores del mismo territorio (región de Atacama, Chile).\n La obra consta de  un montaje sobre una pared de 90 volúmenes de distintos tamaños (no mas de 10 x 15 cm) realizados con hojas de choclos utilizando técnicas de cesteria, en 6 filas de 15 volúmenes cada una, con 20 cm de diferencia entre ellas desde su centro, desplegado  en una superficie de 2 metros de alto x 3 metros de largo . algunos volúmenes de hoja de choclo estarían teñidos.', NULL, NULL, 'pared de 3 x 2 metros donde se pueda clavar puntas (donde irian sujetos los volúmenes)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/p/CA5U1_Np-D3/', NULL, NULL, NULL, 2558, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2218, NULL, '2020-06-02 05:11:49', '2020-07-20 16:37:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26646, '0AuS5WBi9UTfgJEV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:15:57', '2020-06-02 05:15:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26647, 'fpe9oTbXPe4OYyxa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:23:57', '2020-06-02 05:23:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26648, 'M3PXdOdtgzndLtRL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:27:47', '2020-06-02 05:27:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26649, 'jqDtdHfGtQtSeEcW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:29:10', '2020-06-02 05:29:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26650, 'mFsQs0nQWykE6K3u', 'Entropia', NULL, 'O trabalho é o resultado de um processo constante de reflexão crítica sobre os limites da fotografia, entendendo-a dentro do contexto mais amplo das imagens em geral. A imagem técnica sempre foi para mim um ponto de partida, de onde surgiram colagens, intervenções físico-quimicas sobre os impressos, re fotografia, manipulação digital, reimpressão, etc. É a busca de uma representação pura, simbólica, que permita ao espectador a liberdade de imergir num imaginário que dispense a narrativa. E também da representação de sua atualidade técnica e estética, pela liberdade criativa constante, com associações explícitas a outras disciplinas como pintura, escultura, arquitetura, cênica, entre outros, integrado-as alegoricamente ao processo criativo. \n\nEntropia é, assim, não um passo a frente, mas uma condução elétrica flúida que vai em direção a matéria, através do registro dramático da produção de interações químicas entre substâncias. Não há alterações de tonalidade, múltipla exposição, ou nenhum tipo de manipulação digital significativa, exceto aprimoramentos sutis de contraste e exposição. A posição e carga da luz, o tempo de exposição e o recipiente fazem parte do processo. A tinta aqui se desprende de seu papel pictórico, a água é seu veículo mas pode representar o ar. Nada está definido, nada é estático, nada é proposto ou objetivamente sugerido.', NULL, NULL, '- Lambe-lambe (técnica de cartaz, outdoor, onde se cola um papel na parede e se aplica cola novamente por cima) \n\n- 2:2x1m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.instagram.com/p/CAwLRnPhcge/?igshid=hy6fkgypsbi5', NULL, NULL, NULL, 2583, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2239, NULL, '2020-06-02 05:44:01', '2020-06-24 20:02:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26651, 'RSpkPmfTamkmWerN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:46:25', '2020-06-02 05:46:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26652, 'ZwsLvKN4hV27ug9z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:46:58', '2020-06-02 05:46:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26653, 'aDBs4uvp3Oqua9KI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:48:07', '2020-06-02 05:48:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26654, 'VFt3HeKeJZFlnRX6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 05:50:43', '2020-06-02 05:50:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26655, '9cvKpE5l0GkuVv1R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:02:49', '2020-06-02 06:02:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26656, 'AMFkqhoarkfxre5D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:03:32', '2020-06-02 06:03:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26657, 'WNnAmQQLC3B3xwJN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:04:35', '2020-06-02 06:04:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26658, 'RCN4Ty4PGcHcZszB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:06:08', '2020-06-02 06:06:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26659, 'OMsixEC7DvjaLxdZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:13:05', '2020-06-02 06:13:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26660, 'uJ9SjljvgupkgaXi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:13:35', '2020-06-02 06:13:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26661, 'fbpWQH8yLrpOSIy4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:13:46', '2020-06-02 06:13:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26662, 'zJAlhHkxGkof3Nxx', 'Invisivel,eu', NULL, 'En este proyecto, propongo una reflexión sobre la fotografía, el cuerpo y el género, yendo más allá de la construcción binaria y delimitada del hombre y la mujer. Además de estas categorías que tienen significados distintos y variables, dicha delimitación se ve cada vez más desafiada, especialmente en los centros urbanos, donde se observan otras formas de ser que van más allá de esos límites binarios, avanzando hacia una fluidez de lo que se entiende como género. .\nPartiendo de la idea de que el género no tiene un significado fijo o una esencia absoluta, construyo este proyecto a través de imágenes fotográficas de cuerpos \"no binarios\", que reflejan cuestiones de identidad, sexualidad, género y orientación sexual a través de la afirmación de su cuerpos. Los sujetos retratados se mueven entre hombres y mujeres, sin identificación o fijación completa en solo uno de ellos. Esta narrativa está formada por imágenes producidas en los últimos dos años. De ahí mi interés en proponer una reflexión sobre el tema, como una forma de llevarlo al contexto artístico y someterlo al debate, ya que generalmente está al margen de las discusiones, envuelto en prejuicios.\n Es una serie con 10 retratos de amigos y personas del entorno que frecuenta y al que pertenezco. Una mezcla de fotografía documental y conceptual, con esta serie pretendo hacer un comentario complejo, tanto personal como político, sobre las construcciones sociales del poder y los problemas que involucran las identidades.', NULL, NULL, '10 retratos ampliados en papel de algodón, Tamaño: 60X85cm\ncon marcos de madera oscura, tamaño: 4x4 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2671, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2313, NULL, '2020-06-02 06:14:40', '2020-07-21 20:24:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26663, 'ZtOsdmdaeIP6NcnA', 'Abducidos [Abduced]', NULL, 'Concepto\nSe trata de una intervención arquitectónica que convoca a los visitantes/transeuntes a construir y deconstruir visualmente, y con su movimiento en el espacio, un Pie Chart (gráfico de torta) de la distribución de la riqueza global (fuente del Credit Suisse Global Wealth). El gráfico sería realizado con data 2020.\nAbducidos investiga la posibilidad de hacer visible y tangible ciertos “puntos ciegos”, interpela la condición de cómo accionamos al tomar posiciones en relación a la desigualdad.\nDescripción \nLa pieza se expande en los distintos planos arquitectónicos (techo, piso, pared) mediante la técnica de la anamorfosis.  Este recurso ofrece percibir la figura del pie chart completa, erecta y perforando la superficie arquitectónica (penetrando piso y/o techo), solo desde un punto de vista específico del espacio. Desde otras perspectivas, la figura nos sorprende con sus cualidades fantasmales, abstractas y huidizas. En este juego óptico y de desplazamiento espacial, en el que el gráfico de distribución de la riqueza se construye y se deconstruye, se consuma el sentido de la pieza. Al espacializar los planos de color, los cuerpos de los visitantes/transeuntes pueden ser percibidos por otros (dibujo) “dentro del pie chart”. En determinas fechas unos performers actuarán de estatuas vivientes, percibiéndose  “abducidos” por los colores del gráfico de torta. Estos performers tendrían trajes de latex pintados con los mismos códigos de color.', NULL, NULL, 'La intervención puede resolverse en interior o exterior, se puede apreciar en los dibujos, distintas opciones: A-Tomando piso, paredes y techo. B-Tomando paredes y piso (dos fotos). C-Tomando paredes y techo y Una propuesta de intervención en un display  (que habría que construir en maderas de obra). Presento el proyecto en dos posibles paletas de color. El material sería pintura para piso de alto tránsito. Las medidas aproximadas en el display (dibujo), también pude ser mayor.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://www.aliciaherrero.org/espaniol/Global_Contentration%20II.html', NULL, NULL, NULL, 4419, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3719, 5, '2020-06-02 06:18:22', '2020-08-30 22:07:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26664, 'EE4QuYglAJeYCnuk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:18:23', '2020-06-02 06:18:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26665, 'CxH3ZwYEYxSlsowC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:20:38', '2020-06-02 06:20:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26666, 'iksLVlTYKuQ8Rtqd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:20:57', '2020-06-02 06:20:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26667, '8YRvbDmv2SrZXquu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:26:43', '2020-06-02 06:26:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26668, 'rsDiFvwiabv11VFi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:27:30', '2020-06-02 06:27:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26669, 'FvvWqGOOZ1p1fu55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:29:13', '2020-06-02 06:29:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26670, 'SnYBMAivc5P7W4PF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:32:49', '2020-06-02 06:32:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26671, 'OEP8eHUOIdYn5XQj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:40:54', '2020-06-02 06:40:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26672, 'jfTnbb3Ndg4tK738', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:42:34', '2020-06-02 06:42:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26673, 'hKPoe1hrBbYmVs1N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:47:03', '2020-06-02 06:47:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26674, 'mZEBQoCFVQrxWaLn', 'ARTE CHAMANICO', NULL, 'Pintura: «El zorzal azul del Bosque. Ave Ayé.\nArte chamanico de la salud mental, física y del alma y de la realización personal para la felicidad en el amor y de los nacimientos con alegría».           El encuentro con los conocimientos de los Maestros investigadores de los Pueblos Originarios de América y de sus prácticas culturales, secretos, miradas, transformaciones, desde mi juventud en el ámbito universitario, despertó en mi la necesidad de indagar en los procesos propios de la alquimia, al encontrar en mi memoria familiar este origen en mi apellido. La transformación de elementos y uso de poder medicinal desde la mirada de control exacta de Europa y sus posteriores sesgos en la conquista del paradigma científico, se quiebran en un tiempo interno donde los colores y las imágenes de la flora y fauna aparecen en mis manos que vuelan junto a las aves. Es en mi cuerpo de mujer mestiza étnica y cultural, en donde se encuentran estos saberes.\n\n\n Trabajo con materiales esenciales y simples, recuperados. Los expongo al aire libre entre la naturaleza y esa es mi galería. El diálogo se prestigio al reconocer las poesías y micro relatos que acompañan las obras y son de mi autoría.                                  \n                                                                                      Otra temática y técnica:  Fotografía con celular. Mirada urbana. Descubro una perfor mance casual presentada por los choferes de un flete que se detuvo en la calle y fue cortada.', NULL, NULL, 'Pintura: Papel S/ estructura liviana de madera recuperada.    Técnica: pastel .                                                      Debido a las características de los materiales el espacio expositivo debe ser interior en galería.                   Fotografía: Imágenes proyectadas en una pared durante el recorrido en la galería.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'artesfumieremar.instagram.com', NULL, NULL, NULL, 2574, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2230, NULL, '2020-06-02 06:47:26', '2020-06-24 20:02:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26675, 'zztYnIr1Psix8Uwh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:50:12', '2020-06-02 06:50:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26676, 'hWW0DqtSMaeaBhyb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:54:06', '2020-06-02 06:54:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26677, 'iRT6KNM9IMoiPu7B', 'Simulacros biológicos', NULL, 'El análisis sistemático de una realidad artificial presenta relaciones simbióticas alteradas que enuncian un conjunto de reflexiones sobre la energía, la alimentación y el hábitat. A partir de un diálogo con Quesnay y Bunge se construye el concepto de “lo vivo” en cuanto potencia esencial que, centrífuga y centrípeta a un tiempo; postula lo habitable como red de relaciones entre las sustancias, el hábitat y los sujetos. Los conceptos de fisiocracia y de ser sustancial se actualizan, y desde ello se reconfigura la idea de un gobierno de la naturaleza; no uno \"sobre\" ella, si no una nueva comprensión de las leyes naturales en cuanto orden venido del entendimiento de lo vivo / sustancial. Desde la paradoja propuesta en una realidad artificial, se cuestionan los modelos de conocimiento venidos de la ciencia y la tecnología.\n\nEl proyecto es una propuesta de escultura e instalación audiovisual que invita al interlocutor a generar un diálogo en torno a las nociones de territorio, frontera y paisaje; propuesto a partir de la interrogante por la “dominanción” humana sobre lo vivo y la posibilidad de superar los conceptos de economía y política que se orienta a tratar de comprender lo habitable como un todo. Situando residuos biológicos ficticios, organismos tecnificados, descripciones de geografías y formas de vida inexistentes; cartografías imposibles y paisajes sonoros, se constituye una realidad artificial que visibiliza otras comprensiones y posibilidades para eso vivo.', NULL, NULL, 'Una sala blanca, techada, de 5 Mt2 de área por 3 Mt lineales de altura con iluminación direccionable blanca o amarilla. Requiere proyector de vídeo, 4 parlantes y dos computadores. El montaje implica trabajo en alturas y se contemplan entre uno y tres días de trabajo en sala de exposición.\nSe sugieren los espacios expositivos del MAMBO, Bogotá, Colombia.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=8fl26nJ9KWI&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2577, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2233, NULL, '2020-06-02 06:54:22', '2020-07-20 22:31:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26678, 'zVDIoRKoUkteJsuB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:55:16', '2020-06-02 06:55:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26679, 'mkir4mhY8JV49XoS', 'Eco Visible, Prototipo para visualizar el sonido', NULL, 'La propuesta consiste en hacer visible el sonido mediante la visualización de datos.  Para ello, construye dispositivos sonoros que interactúan con el espacio y la arquitectura a través de la fricción.  Traduce estos sonidos generados a imagen mediante programación, componiendo atmósferas audiovisuales a partir de estos elementos conjugados. Construyendo imágenes especulativas en la arquitectura donde se interviene. \nTrabajo sobre los conceptos de ruido, eco, espacio, visualización como pretextos y mecanismos para construir imagen, estas tensiones y  cruces se abordan y se consideran desde un eje integral.  Como sucedía en el Renacimiento donde la arquitectura constituía el espacio integrador de las artes vinculadas con la imagen simbólica: pintura, escultura.\nIndago en  los medios  analógicos, electrónicos y digitales para traducir el sonido en imagen.  Esta conversión me interesa  porque me permiten construir  sistemas híbridos que activan varios sentidos en el espectador usando como mediación a la tecnología.\nLa perspectiva que busco en este proyecto es mezclar los elementos sonoros dispuestos en el espacio arquitectónico que permita el surgimiento de una imagen basada en los datos generados por las interfaces electrónicas sonoras. \nEl volumen arquitectónico se convierte en generador de ruidos, ecos que traducen su rendimiento en imágenes sinestésicas, sonidos escondidos en la arquitectura como ecos de una memoria histórica y social en transformación.', NULL, NULL, 'Espacios en transición, lugares que siendo construidos con una determinada función han sido modificados y adaptados a otras necesidades. (Hospitales convertidos en centros culturales, ex terminales de buses adaptados a parques urbanos públicos, ex estaciones de tren abandonadas o en desuso).\nDimensiones aproximadas: pabellones de 50 metros cuadrados como mínimo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6269, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5125, NULL, '2020-06-02 06:55:28', '2020-08-01 00:12:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26680, 'Z561JbxWGRMWOKk0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 06:56:32', '2020-06-02 06:56:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26681, 'aYpPiIK3v7KYYANJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:01:38', '2020-06-02 07:01:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26682, 'uBvdkv6DtU32Iipl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:05:22', '2020-06-02 07:05:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26683, 'NBM2hhrsrL8URbi8', 'Possíveis Fazedores de Futuros 2', NULL, 'O projeto Possíveis Fazedores de Futuros 2 parte do conceito de máscaras de proteção para a construção da obra. As máscaras PFF2 filtram o ar. Assim, o ciclo inspiração – filtragem – expiração – filtragem acontece para que fora não contamine dentro e dentro não contamine fora.\nTomando como referência o molde da máscara de proteção utilizada para a prevenção da Covid 19, pretendemos recontextualizá-la, utiilizando-a como suporte e tela para a representação e projeção de futuros possíveis.\nDe maneira poética, a proposta é a desenvolver de uma instalação feita pela artista, que recriará máscaras a partir do molde, utilizando diferentes materiais como base (fibras naturais) e que serão unidas como um corpo único, amorfo, representando sonhos possíveis do mundo pós pandemia. \nCada máscara será como um camafeu aberto, trazendo dentro de si futuros desejados, oníricos, construídos a partir de técnicas mistas, como fotografia, pintura, colagem, desenho, escritura, cores, apliques e espaços em branco, como respiros de sonhos que virão a ser. Os visitantes, além de ver a instalação, serão convidados a criar os seus próprios futuros em moldes que estarão disponíveis e colocá-los em um painel, para que venham a compor o corpo de criação. Nesse sentido, a obra é viva e cresce à medida que mais pessoas sonham juntas.\nÉ um convite à reflexão do que falamos e projetamos pela nossa respiração, uma de nossas funções vitais que, juntamente com a circulação, nos caracterizam como seres vivos.', NULL, NULL, 'Sala de aproximadamente seis metros quadrados para exposição e uma mesa em que possam ser colocados os moldes em papel e os materiais de escrita e desenho para os visitantes.\n\nCaso não seja possível realizar presencialmente em virtude da pandemia, a obra poderá ser adaptada para o virtual, por meio de uma página web, um perfil de instagram e hashtags para que os visitantes possam baixar os moldes, criar as suas máscaras e publicar fotos dos seus sonhos de futuros possíveis com a hashtag da obra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6040, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4959, NULL, '2020-06-02 07:12:44', '2020-08-11 03:00:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26684, 'SWDR83QoFt0H0Jaj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:14:13', '2020-06-02 07:14:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26685, 'oacCysUa8ytAvh9a', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:16:24', '2020-06-02 07:16:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26686, 'RSTrLfwgkl1TqmVg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:21:01', '2020-06-02 07:21:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26687, 'DBIW72QQcaYTEEfr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:25:46', '2020-06-02 07:25:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26688, 'cwulhrthVdX6gikr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:26:11', '2020-06-02 07:26:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26689, 'g1wA3K0XZrSBevUD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:26:44', '2020-06-02 07:26:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26690, 'xLM27UOcPNFI0Njv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:30:24', '2020-06-02 07:30:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26691, 's0zqmnm4k876NQv0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:31:31', '2020-06-02 07:31:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26692, 'fz9Cs6HnlKGIGyG6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:34:10', '2020-06-02 07:34:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26693, 'HazIEeeDHqkLK0Wq', 'Inventarîum', NULL, 'Reconocer que muchos de nuestros actos están condicionados por el sentido de la vida, es decir también que están condicionados por nuestra muerte.\nToda obra es vida, decidimos actuar por que deseamos estar vivos, deseamos sentir, y mientras crecemos somos más conscientes que pereceremos, vivimos evadiendo la muerte para no caer en un estado estático y desconocido, sea por placer o el trabajo productivo no queremos ser inertes.\n\nLos objetos como elementos comunicadores de la memoria evidencian que somos seres dinámicos, manifiestan nuestra existencia y por medio de estos quienes estén vivos cuando nosotros dejemos de existir, los que aún nos recuerden, con su memoria y su imaginación definirán quienes fuimos, en nuestra ausencia.\n\nLos objetos nos permiten reconstruir las historias de vida de quienes los tuvieron, acercarnos a sus costumbres, comportamientos, hábitos, sus percepciones, también evocar diferentes épocas que aunque fueron comúnes a varias personas fueron vividas de maneras distintas.', NULL, NULL, 'La muestra la componen 12 fotografías de un tamaño de 40 cm x 60 cm cada una', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://javiercalvete.com/f/archives/1', NULL, NULL, NULL, 2568, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2227, NULL, '2020-06-02 07:35:44', '2020-07-20 22:24:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26694, 'm7O9DLuHVF9mryKT', 'Cordón sanitario', NULL, '¿Conoce usted alguna obra o puesta en escena que nos cause tanto terror, como la obra que estamos viviendo actualmente en el mundo? Por primera vez en la historia contemporánea que vemos espacios culturales cerrados a nivel mundial y, con esto, la cruda realidad de una de las mayores crisis económicas y culturales para nuestro sector. Pero también estamos frente a una de las oportunidades más insólitas de reinventarnos acudiendo al mundo digital. \n \n\n\"Cordón sanitario\" \n\n Del hospital de Valparaíso, Carlos Van Buren, escapa una mujer chilena, tras ser avisada de portar el virus covid-19. Se activan los protocolos de búsqueda, al localizar a la mujer, esta se encontraba en su domicilio realizando la cuarentena, específicamente en el interior de su baño. Sin antes mencionar que camino a casa escupió en la cara a una pareja de carabineros.', NULL, NULL, 'Todo ocurre desde el baño de a casa de la actriz.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=n8SuH22fOko', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2569, NULL, 302, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2228, NULL, '2020-06-02 07:36:43', '2020-07-20 22:27:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26695, 'P3ZjNwA9VnvRGqFs', 'TRIPTICOS, O DIPTICOS MURALES EN FACHADAS DE EDIFICIOS DE LA URBE.', NULL, 'SERIE DE PINTURAS MURALES QUE CONFORMARIAN LA SERIE DE RETRATOS.\nLOS RETRATOS PREFERIBLEMENTE DE PERSONAS AUTOCTONAS.\n\nEL SOPORTE DE ESTOS RETRATOS SON FACHADAS DE EDIFICIOS DE LA CIUDAD. PREFERIBLEMENTE UNIDOS.', NULL, NULL, 'ESTA OBRA ES UNA INTERVENCION MURAL. POR LO QUE SE BUSCA IDEALMENTE FACHADAS DE EDIFICIOS, Y OTROS MUROS DEL TAMAÑO. LAS DIMENSIONES PARTES DESDE 800 X 600 MTS, APROX, HASTA 10X20MT, DEPENDIENDO DE LA FACHADA. LO QUE SE PROPONE ES UN PROYECTO MURAL CUYO MOTIVO INCLUSO PODRIA SER ADAPTADO AL LUGAR.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2576, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2232, NULL, '2020-06-02 07:37:39', '2020-07-20 22:29:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26696, 'gi06s4pCF1WBhIq9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:40:40', '2020-06-02 07:40:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26697, 'QByd5HdrgBoRfqHc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:40:45', '2020-06-02 07:40:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26698, 'hPOVRctxMLNDMsjP', 'Proyecciones Feministas/Feminist Projections', NULL, '¬Hace poco entendí que, como mujer en nuestra sociedad, iba a pasar el resto de mi vida protestando. En la última década mi trabajo artístico se centró en recuperar la memoria histórica, pero los acontecimientos sociales y políticos de los últimos tiempos me han llevado a centrarme en el presente. Con las Proyecciones Feministas reclamo el hoy. \n\nPara continuar la conversación originada por los movimientos feministas, busqué fotos de marchas y posters sobre empoderamiento de mujeres y las proyecté en la calle y todo tipo de espacios y luego en los rostros y cuerpos de mujeres creando retratos. Mis sujetos son mujeres en toda su diversidad, de diferentes razas, clases sociales, profesiones e intereses. Todas unidas por los mismos sentimientos: la intolerancia a la epidemia de violencia doméstica y la dedicación al avance de los derechos de la mujer. Estas son mis Proyecciones Feministas. \n\nPara asistir a las marchas me había confeccionado un chaleco con mensajes. Esto me inspiró a crear una serie de chalecos hechos de diferentes materiales, desde lona hasta encaje, reflejando la multiplicidad de mujeres y su cotidianeidad. En estas piezas incluyo mensajes, son una especie de armadura con afirmaciones y declaraciones que las mujeres viven a diario. De la misma manera que nos vestimos con la intención de comunicar una energía, debemos vestirnos mentalmente con un mensaje diario que nos mantenga en el camino de nuestra lucha. Estos son mis Power Vests.', NULL, NULL, 'La instalación de la obra Proyecciones Feministas está compuesta por dos secciones. La primera parte es una composición de fotografías colgadas en la pared de 76x61cm. c/u. para lo que se necesitarían unos 7 metros de ancho.\nLa segunda parte va delante de las composición de fotografías. Es una instalación conformada por esculturas en tela, unos chalecos de 61x47cms c/u, que irán colgados con nylon desde el techo. Para está sección se necesitaría unos 6 metros de profundidad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3444, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2951, NULL, '2020-06-02 07:41:44', '2020-08-14 00:49:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26699, '9CD6P6I15YTDHECi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:44:01', '2020-06-02 07:44:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26700, 'naHi5IgLm16Q7fyI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:45:28', '2020-06-02 07:45:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26701, 'yAuaTPaJ2wRxUNjG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:47:56', '2020-06-02 07:47:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26702, 'EDY3BQISlQnEkQPA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:48:02', '2020-06-02 07:48:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26703, 'yrEURBeJvDF3liqL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:50:45', '2020-06-02 07:50:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26704, 'T6JCnqA0dLPOQP1o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:52:28', '2020-06-02 07:52:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26705, 'ziy39YgYx9jNfbWH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:52:57', '2020-06-02 07:52:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26706, 'FPpo6hSvNaH5hePC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:54:07', '2020-06-02 07:54:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26707, 'germSUnyfOqWJQzH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:55:46', '2020-06-02 07:55:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26708, 'iKuCwvMYUkIWYxSx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 07:57:39', '2020-06-02 07:57:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26709, 'mVwuntcTBJRt0bcg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:00:33', '2020-06-02 08:00:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26710, 'IWdj6wr5uVds9jbh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:03:43', '2020-06-02 08:03:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26711, 'YNq8JYT2DZnqYZOn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:08:49', '2020-06-02 08:08:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26712, 'CdUjQtq07Alfb0ZI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:09:19', '2020-06-02 08:09:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26713, 'UTWHpCADIJHiXElD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:11:13', '2020-06-02 08:11:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26714, 'FZQxrNuYQY8FzOnv', 'Fantasía y cuerpo', NULL, 'Apología a los cuerpos , al ser como “ser” erotico y sensual Sin presentar inhibiciones . No hay rostro en lo erotico ni tampoco en quienes somos por dentro. Movimientos y poses que ofrecemos a solas o en pareja. De eso trata mi proyecto. Estuvo en una galería de mi ciudad : Espacio La sala y pronto estará la serie en una galería de arte corporal y sexual.', NULL, NULL, 'Son fotografías y cada una de ellas presenta sus dimensiones .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2575, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2231, NULL, '2020-06-02 08:12:00', '2020-06-24 20:02:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26715, 'cobt5jlaX5vpU3AS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:13:25', '2020-06-02 08:13:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26716, 'dO26NasbrWh8mH1j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:14:10', '2020-06-02 08:14:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26717, '9xhvsKRoXatIdh7Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:26:33', '2020-06-02 08:26:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26718, 'vkbmMxjCHy3iDsYV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:27:25', '2020-06-02 08:27:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26719, 'B4zZk1MKmx6uuzOo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:34:17', '2020-06-02 08:34:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26720, 'fGOuDRl6DQPOxAM3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:39:55', '2020-06-02 08:39:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26721, '2kLcIPO5LP68J9AJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:40:32', '2020-06-02 08:40:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26722, '7xt7W6fZe7Cy0jVc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:42:37', '2020-06-02 08:42:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26723, '4Ww4GC7AObvz8KGY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:44:47', '2020-06-02 08:44:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26724, 'RwX0zkQ7oxKtDp3n', 'Serie\"FEMINISMO\" Cuentos infantiles', NULL, 'El proyecto nace con la problemática social de violencia de género, acerca de lo que ha realizado investigaciones .\nMis obras representan distintas situaciones de violencia, principalmente femicidios  dando cuenta de situaciones diversas.\nTítulo mis obras metaforicamente toman el nombre de cuentos infantiles tradicionales, generados en la oralidad que dan cuenta de situaciones crueles y cruentas simuladas bajo mantos de olvido y piedad.\nA la luz de diferentes estructuras  sociales, represento tramas gráficas  sobre las cuales emergen distintas  situaciones sociales protagonizadas por mujeres vulneradas/bles.', NULL, NULL, 'Las obras están montadas sobre bastidores  rectangulares,  cuya medida aprox es de 0.80 x 0.60 mts\nEstán preparadas  para ser colgadas, de manera apaisada y tienen, algunas, un sobretrelieve.\nSon realizadas con técnicas mixtas variadas y las considero objetos por la heterogeinedas de los elementos que las componen.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, '@arte.sandrafranzi', NULL, NULL, NULL, 2578, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2234, NULL, '2020-06-02 08:46:53', '2020-06-24 20:05:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26725, 'YHi24IVAx8GSnKw9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:50:18', '2020-06-02 08:50:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26726, 'qJoVVi8QfXvyi5Vj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 08:56:29', '2020-06-02 08:56:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26727, 'po0ZORiSAmCYqhwM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 09:25:45', '2020-06-02 09:25:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26728, 'cZ6vI82HLi3gZKNe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 09:30:12', '2020-06-02 09:30:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26729, 'xrnPUFcnN7uPB3EX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 09:30:52', '2020-06-02 09:30:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26730, 'Hf4KdKcQDrAwFnEl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 09:38:10', '2020-06-02 09:38:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26731, 'ZtSxithIKMXDEtjg', 'Iminência Tragicômica (Tragicomic Imminence)', NULL, 'The project consists on a serie of acrylic paintings wich was based on images of brazillian viral videos on internet. I want to highlight throught my work some obscure aspects present in our culture: a sort of sadistic behaviour about our sense of humor. Once the video images are protrayed into paintings, they reveal a new motionless state for that characters, giving us an oportunity to take a closer look at the portrayed and questioning the way we consume images in our daily life. These paintings also act like an analogic historical register of the internet content from the last two decades. a material existence of a virtual content  in a world of digital information.', NULL, NULL, 'A square room with white walls, 15 x 15 meters approximately . the paintings will be placed side by side', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5925, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4876, NULL, '2020-06-02 09:57:23', '2020-06-25 01:42:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26732, 'wlPOM3HywtW0Xhkm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 09:57:55', '2020-06-02 09:57:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26733, 'iPpWpRt2st5Q85hs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 10:13:09', '2020-06-02 10:13:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26734, 'OIKTNuLWP7Z2AapT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 10:19:18', '2020-06-02 10:19:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26735, '7W2vgNzUTcJBNqWV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 10:21:02', '2020-06-02 10:21:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26736, 'rHGF4Ced91pOcT6F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 10:33:58', '2020-06-02 10:33:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26737, 'do1SeJOfDeDLwqgz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 10:40:33', '2020-06-02 10:40:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26738, '2mQ0DdIHqWHON9Ev', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 10:50:43', '2020-06-02 10:50:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26739, 'OD51K1wZCN53nQfp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 11:13:56', '2020-06-02 11:13:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26740, 'oly2RLetBPl4kOgw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 11:17:24', '2020-06-02 11:17:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26741, 'TGiCAYhu68j5qgGi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 11:29:00', '2020-06-02 11:29:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26742, 'RHGIezjJk8tS3iF0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 11:32:16', '2020-06-02 11:32:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26743, 'bCp0hKb28xTmlM2I', 'End of Auction', NULL, 'A personal view of an auction.', NULL, NULL, 'End of auction,\n160*130 cm\nOil on canvas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2787, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2419, NULL, '2020-06-02 11:35:29', '2020-06-24 23:02:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26744, 'jBY59uRqlqGDssdG', 'Listen to colors - remote edition', NULL, 'Listen to colors _ REMOTE SENSING in SOUNDART. \nIn many ways our eyes and ears are connected when watching and listening. This relationship is being researched in many ways especially during the Quarantaine.\nWe (Dan Mackinlay and me) made a webapp that analyses the Red Green Blue and Illuminosity values of the Webcam.\nSo movement from the webcam and colorchanges are translated into sounds. The Data is being sonified and the Soundart related to the imagery is now born.  So the visual score becomes sonic art.\n\nThis software is working on almost any computer and on any device and is a great way to \"stay at home\" and listen to what is happening around you. By sharing it into the exhibition it becomes a remote sensed composition and a multichoral installation that is changing in realtime according to the imagery that is sonified.', NULL, NULL, 'For a realtime display of the Listen to colors composition, there is a need for a screen with speakers, an internet connection, webcam(s) from the participant(s) and a \"performing time window\". The Timewindow makes shure that during opening and presentation of the work, something is happening in front of the webcam. The happening is arranged by the artist and is based on the local -color and movement- information and will be composed according to the length of the timewindow.', NULL, 'artist', NULL, NULL, 'https://kasparkoenig.com/?item=86&media=2', NULL, NULL, NULL, 'https://kasparkoenig.com/?item=47&media=2', NULL, NULL, NULL, 2579, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2235, NULL, '2020-06-02 11:39:28', '2020-07-20 22:33:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26745, 'xIuLg5s0AyvfckMo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 11:42:35', '2020-06-02 11:42:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26746, '1MSmx0tcr2dI71pS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 11:45:52', '2020-06-02 11:45:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26747, 'eOIvIreJDwRPfqcL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 11:58:26', '2020-06-02 11:58:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26748, 'UEueEazcLgZDOLPY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 12:26:32', '2020-06-02 12:26:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26749, 'wsChtz7Mz4VQHFmi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 12:43:02', '2020-06-02 12:43:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26750, '0lO7pFb0hIWBOQQg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 12:56:29', '2020-06-02 12:56:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26751, '7xfi10qfdaiiVxpl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:03:10', '2020-06-02 13:03:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26752, 'ZXBt58rBfgokdC42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:03:32', '2020-06-02 13:03:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26753, 'sGBo5nXchWXrmn8W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:05:26', '2020-06-02 13:05:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26754, 'DVNAJI1rail3YC1P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:14:39', '2020-06-02 13:14:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26755, 'M7fEQYItIkLNdmcl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:15:31', '2020-06-02 13:15:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26756, '7eusXNC4aXbKRZVM', 'Madame Consuelo', NULL, 'Madame Consuelo es una pieza que reflexiona sobre las historias ocultas y olvidadas durante la dictadura franquista. Mi bisabuela fue Madame de tres burdeles en Valencia en los convulsos años 30, 40 y 50. En 1956, sufrió un ictus después de que la dictadura le expropiara sus negocios por considerarlos inmorales y finalmente acabó postrada en una cama cantando canciones de su juventud, ahora prohibidas por el régimen.\n\nEl trabajo se vertebra en base a la única grabación de voz de mi bisabuela, realizada hace más de 30 años y en la que tenemos acceso a su cotidianidad confinada. Lo que escuchamos es significativo para entender una época y una forma de pensar pero que también reivindica el pasado de mi bisabuela, que vivió toda su juventud fuera de los cánones estipulados para una mujer de aquella época. \n\nEl audio va acompañado de fotografías, un registro del padrón de cuando era pequeña, un vídeo familiar rescatado en el que aparece y los lugares en los que vivió, grabados hoy día con un acercamiento contemplativo y naturalista; solo queda nuestra imaginación para reconstruir lo olvidado.', NULL, NULL, 'Por el carácter íntimo de la pieza debería proyectarse en un televisor antiguo o proyectado en la pared pero con la posibilidad de escucharlo con auriculares, puesto que la intención es la de crear un contexto íntimo con el espectador. Madame Consuelo es una puerta a una cotidianidad.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/416443998', '20MadameConsuelo20', NULL, NULL, NULL, NULL, NULL, NULL, 2580, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2236, NULL, '2020-06-02 13:27:05', '2020-07-20 22:36:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26757, 'mFTQA1mdaPiLK3wB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:29:30', '2020-06-02 13:29:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26758, '60RqImb1mF9ZTs30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:37:47', '2020-06-02 13:37:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26759, 'PmSwlyYhYDXWVgOR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:40:29', '2020-06-02 13:40:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26760, 'suYSpQwdZIFNzCEN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:42:09', '2020-06-02 13:42:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26761, 'elrr43LYpvmGPus2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:44:20', '2020-06-02 13:44:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26762, '1YCUry2V704kQxkJ', 'Biorreactor: Sonido Biogenerativo', NULL, 'Relacionado con el reciente auge de la “biotecnología” en el siglo XXI y la expansión de sus posibilidades en visiones de mundos posibles, se retoman tecnologías antiguas como la fermentación y la cerámica y se pone en diálogo con tecnologías actuales. Se plantea este biorreactor como una un posible objeto cotidiano (biodoméstico) siendo una interpretación de las posibilidades de la biotecnología desde el arte, la artesanía y el diseño.  El sonido nace de la relación de un sistema natural (material orgánica, fermentación) y otro artificial (computación, software-hardware) que se ponen en contacto a través de la tecnología para suscitar una experiencia estética en un devenir musical no determinado, una improvisación entre seres vivos y máquinas.\n\nEste biorreactor produce sonido basado en cambios bioquímicos derivados de un proceso de fermentación en su interior. Para este fin utiliza sensores que determinan la presencia y condensación de cierto tipo de gases, los cambios en el pH y la temperatura en su interior. Las señales de los sensores generan variaciones sonoras electrónicas (oscilaciones) con lo cual se puede escuchar el estado bioquímico de la fermentación. También puede visualizar los distintos datos de los sensores en una pequeña pantalla oled en tiempo real. Usa 4 sensores de gases (alcohol, metano-gas natural, monóxido de carbono e hidrógeno),  un pHmetro y un sensor de temperatura.', NULL, NULL, 'Dimensiones/Size: 32x24x15 cms. \nPedestal.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://librepensante.org/notes/bioreactor-osh/', NULL, 'https://librepensante.org/notes/bioreactor-osh/', NULL, NULL, NULL, 5688, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4694, NULL, '2020-06-02 13:49:34', '2020-06-26 18:06:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26763, 'RIWfquBivDAReq16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 13:55:48', '2020-06-02 13:55:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26764, 'hVTirAUeEqD4hLi2', 'Beautiful: The Exposition (Vol.II)', NULL, 'BEAUTIFUL interrogates the artist’s interpretation of beauty; it sheds light on how the evaluation of beauty in art is critical to our state of value and possibly, survival, whilst giving the chance to re-contemplate its definition, especially from the artist’s –point of view-.\nThis project will bring to bear elements that shape or have shaped the artist’s definition of beauty, ranging from aesthetic compositions to experiential leanings and process, all of which would be succinctly presented through their works (an exhibition by two artists with distinct styles), their words (a documentary film that compiles interviews with select artists) and collector’s intervention (as seen in the display of works from private collections).\n\nIt is a continuation of an art project that first opened in October 2019 in Lagos, Nigeria.\nAs its title implies, it is an exposition, a thorough analysis on a given subject matter; the idea from the inception of the project was for it to be a tour show aggregating diverse views and opinions of artists from different regions on how beauty is relayed in their art. This explains my interest in presenting this project yet again— this time, to collate and display opinions on the subject matter which would be expressed through artistic practices peculiar to South America.\n\nWebsite: www.beautifultheexposition.com', 'A preliminary list of potential artists to work on this project include:\n1. Valeria Nascimento (Brazilian, www.valerianascimento.com)\n2. Sandra Ramos (Cuban, www.sandraramosart.com)\n3. Adrián Villar Rojas (Argentinian, https://en.wikipedia.org/wiki/Adrián_Villar_Rojas)\n4. Allora and Calzadilla (Puerto Ricans, https://en.wikipedia.org/wiki/Allora_%26_Calzadilla)\n5. Jesus Acuna (Mexican, www.jesusacuna.com)\n\nIt is important to note that an online form (Call for Nominations) will be made available for artists to fill from where those to be featured in the documentary will be selected.', NULL, 'An ideal exhibition space will be a well-lit gallery with a sound system and an area that can be converted into a screening room whence the documentary film will be shown. It is important that this space be adequately sized due to the multi-layers of the project which translates to a number of activities around it especially on its opening— which will include the presentation of the works and documentary premiere.', NULL, 'curator', NULL, NULL, 'https://vimeo.com/425108201', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2585, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2241, NULL, '2020-06-02 13:57:58', '2020-07-20 22:47:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26765, 'gLxT5oMxBq0DYQDu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 14:22:54', '2020-06-02 14:22:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26766, 'JpK6H4QvZVmVbIc9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 14:22:55', '2020-06-02 14:22:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26767, 'MFLRgYNbBD33JdEg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 14:28:09', '2020-06-02 14:28:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26768, 'kT3QqcwMV9mk2VBf', 'Schlesischer Busch Watchtower: Auto-Luminograms (1977-2019)', NULL, 'The installation comprises of seven 1:1 scale photographs (45cm x 30cm) taken inside an East German watchtower in Berlin.  The photographs are mounted onto aluminium and floated from the wall. Each photograph is designated and displayed according to its orientation: from east-southeast to north-northwest. The work was created in Berlin, then developed and installed at CheLA in Buenos Aires later in the summer of 2019.\n\nIn Schlesischer Park, Berlin; stands one of the few remaining Watch Towers used during the times of the German Democratic Republic which acted as a lookout and deterrent for those looking to cross the Berlin Wall from the surrounding ‘death strip’.\n\nOn the first floor are a number of small fold-down rectangular ventilation hatches used to aerate the Watchtower guard’s living accommodation. Since the Tower’s completion in 1977, the hatches facing outwards towards the death strip have become sun-bleached, colour-faded and graffiti splattered, creating a series of memorialised auto-landscapes. These auto-luminograms complicate notions of witnessing and representing sites of trauma in the present.', NULL, NULL, 'The work should be installed either along an uninterrupted wall as a set of seven, or arranged into the corner of a space with 3 images and 4 images. The distance between each photograph should be set at 70cm and from the photograph to the floor should measure 85cm. The height of the space should not exceed 3 metres. The total length of the installation with spacing will be 8.5metres. There should be some architectural relationship to ideas of surveillance, memorialisation or borders.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2584, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2240, NULL, '2020-06-02 14:31:23', '2020-07-20 22:40:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26769, '6xIJ8aQV3QdjiKCp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 14:34:05', '2020-06-02 14:34:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26770, '3eWv4u2knphpzw3p', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 14:47:36', '2020-06-02 14:47:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26771, 'MF3QF13lT3BvT2hH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:08:53', '2020-06-02 15:08:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26772, '7yHGsqSQ7rTD9fOn', 'Multiplicador', NULL, 'Inspirada en la obra \"Divisor\" de Lygia Pape, y tras investigar su trayectoria y su obra quise hacer mi propia versión “Multiplicador”.Hacer y mover una gran tela en hombros, pero no ya blanca sino tricolor, amarillo, azul y rojo. Una gran bandera (14 x 9 metros) con 80 orificios para desde adentro llevarla en hombros de voluntarios deben avanzar en un mismo sentido y a un paso similar. Bajo dictadura fue un reto hacer y registrar la acción en Petare, el barrio pobre más grande de América Latina. a pesar de la prohibición del uso de dron, utilicé uno. Finalizada la acción se generó un encuentro espontáneo y entusiasta entre los participantes. Es una performance de arte con un profundo contenido conceptual que recoge mi intención de hacer arte crítico y responsable. Se tejieron valores como la inclusión, responsabilidad, respeto, gallardía, ánimo, coordinación, apertura para recibir sugerencias y de transmitir iniciativas. Multiplicador no es una obra única en un momento y lugar específico. Seguiremos creando a medida que Multiplicador pueda abrirse y moverse con actores voluntarios en cualquier lugar dentro o fuera de Venezuela. De allí su nombre. Por eso Bienalsur sería un espacio ideal para presentar el video de la primera acción (3’45 minutos), y hacer la performance en un espacio abierto. También hice un segundo video de 4 minutos en que se ve cómo se hizo la acción.', NULL, NULL, 'Un monitor de buen tamaño para el video con audio de 3:45 minutos . Puedo poner los dos videos (total menos de 8 minutos) en loop. Un espacio de aproximadamente dos metros cuadrados para poner la bandera doblada. \nUn espacio abierto que puede ser una calle, parque o parking para hacer un día la performance y coordinar el registro de la misma con video o fotografía. Sería una experiencia más según el lugar y/o los que participen.', NULL, 'artist', NULL, NULL, 'carolinavollmer1@gmail.com', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3394, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2909, NULL, '2020-06-02 15:18:40', '2020-08-14 16:25:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26773, 'luYblSfFNwuXXDAJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:20:23', '2020-06-02 15:20:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26774, 'Y0LycArqFRWnOPBt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:33:54', '2020-06-02 15:33:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26775, 'mUzZxjJ9V5Ax6d4B', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:43:32', '2020-06-02 15:43:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26776, 'Itd4R9CpnvRc6UiO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:50:31', '2020-06-02 15:50:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26777, 'o3zDl5gEskk3atcV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:50:50', '2020-06-02 15:50:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26778, 'oWyApEp3H6FgKjYV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:55:36', '2020-06-02 15:55:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26779, 'd8P3iQ8DrdMFcu2Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 15:57:19', '2020-06-02 15:57:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26780, 'O9tNnUAZYPiEVVzS', 'AFROARGENTINA. (Nicolas Janowki en Colaboración con Diafar)', NULL, 'La narrativa dominante desarrollada históricamente por el Estado-nación argentino presenta al país como preponderantemente blanco y de raíces europeas, excluyendo cualquier referencia a lo africano en su construcción identitaria. Diseñada a partir de la idea oposicional entre civilización y barbarie, la reproducción de los mecanismos coloniales ha sido los cimientos para la invisibilización y el blanqueamiento sistemático de la negritud en los 200 años de historia argentina. Tanto es así, que desde los libros y los censos poblacionales se ha ido eliminando gradual y ordenadamente cualquier referencia negra o mestiza que pueda alterar la pretendida composición uniforme de la población.\nAfroargentina es un proyecto transmedial realizado en colaboración con Diafar (Diaspora Africa en Arngentina). Mediante la intervención de video, fotografias, escultura y piezas históricas, el proyecto no pretende visibilizar la afroargentinidad desde la exotización de la otredad. Por el contrario, se propone reflexionar a partir del cuestionamiento del privilegio de la mirada blanca que lo desarrolla, partiendo desde el revisionismo histórico de la construcción nacional y vislumbrando los procesos sistemáticos de aculturación de la afrodescendencia a lo largo de la historia. Conceptos como racismo estructural y de-construcción de la in-existencia de la negritud en el contexto argentino son los puntos de partida, asumiendolos desde un contexto de privilegio de clase-raza y género.', NULL, NULL, 'AfroArgentina tiene la particularidad de poder adaptarse a distintos espacios expositivos incorporando a su vez encuentros de reflexión y laboratorios creativos sobre Identidad y Memoria, con el fin de promover intercambios e interconexión entre distintas personas con múltiples puntos de vista. Por el carácter cultural, educativo y político del proyecto, creemos que el Parque de La Memoria  y Muntref podrían ser espacios que contengan una instalación de estas características.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=5dGmHmvugNQ', NULL, NULL, NULL, 'https://www.africamericanos.net/afroargentina/', NULL, NULL, NULL, 3133, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2697, 5, '2020-06-02 16:04:07', '2021-02-14 22:25:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26781, 'SyDWGpNS98CW9XWM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:05:53', '2020-06-02 16:05:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26782, 'rlcz8JMU1j26qyTE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:06:16', '2020-06-02 16:06:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26783, 'uDKVW9w1WPiH40Ak', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:08:46', '2020-06-02 16:08:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26784, 'xb4B0G9ofd6C0Hhg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:09:07', '2020-06-02 16:09:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26785, 'GiP0GEeG2RR790tv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:10:52', '2020-06-02 16:10:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26786, 'yYqGe61wxw2y0BsU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:17:10', '2020-06-02 16:17:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26787, 'xFQFqRojdnwqSyoF', 'PAVÊ - Performance Art Video Exhibition', NULL, 'Cuando todas las questiones parecen intrínsecas a la crisis del presente y la falta de perspectivas de un futuro, el arte es una herramienta de imaginación crítica de valor inestimable, capaz de dibujar nuevas proyecciones.\n\nDesde que el confinamiento fue impuesto, el número de accesos a sítios de contenido adulto triplicó. Si el distaciamiento social es un de los principales agravantes psicológicos, la pornografía es un recurso que demostra su importancia para públicos cada vez más diversos.\n\nFrente a la necesidad de ejercer la imaginación crítica, PAVÊ – Performance Art Video Exhibition es un ejercício para performar otras posibilidades de vivir en la emergencia. Con curadoría de Maíra Endo y Paula Borghi, invita artistas mujeres a presentaren performances site-specific, mediadas y transmitidas en tiempo real por un sítio de contenido adulto (https://www.cam4.com/). \n\nCon la finalidad de diversificar las visiones sobre la propuesta de la PAVÊ y ofrecer una observación atenta sobre las performances presentadas, cuatro artistas e investigadoras serán invitadas a produciren textos críticos.\n\nPAVÊ es una puente de acceso entre dos mundos: recibe el público del arte dentro del universo de la pornografía, y viceversa. Tomando prestado el nombre de un postre brasileño, PAVÊ es una exposición de artistas en su entendimiento plural y amplio, con formaciones y actuaciones interdisciplinarias, capaces de confrontar y subvertir las logicas y mecanismos de una plataforma pornográfica.', 'Bruna kuri - BR \nCarol Azevedo - BR \nChristiana Moraes - BR \nDani Spadotto - BR\nÉlle  de Bernardini BR \nFabi Faleiros - BR \nIgi Ayedun - BR\nIrma Brown - BR \nJeisiekê de Lundu - BR \nJulha Franz - BR \nJulha Tamagnini - AR \nLuciana Magno - BR \nMavi Veloso - BR \nMaria de Los Vientos - CO \nMarie Carangi - BR \nMô Ventura - BR \nVal Souza - BR \nRenata Alcoba - BR \nCarollina Lauriano - BR\nDiran Castro - BR \nLucia Vilela - BR \nIlze Petroni - AR', NULL, 'PAVÊ se inserta en un contexto multifacético: un templo del placer, un laboratorio del sexo, una casa para el voyeurismo, una comunidad y también un ambiente mercantil. El ruido causado por la convivencia de la performance artística con la erótica es el punto de partida del proyecto. Los registros de las performances, bien como los textos de las observadoras y relatos de las artistas, serán posteriormente publicados en el espacio de arte independiente y virtual HIPOCAMPO (www.hipocampo.art.br).', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/user/maviveloso', NULL, 'https://kupalua.hotglue.me/', NULL, 'https://www.instagram.com/igiayedun/', NULL, NULL, NULL, 4331, NULL, 562, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3658, NULL, '2020-06-02 16:19:05', '2020-07-28 03:37:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26788, 'xYKuq1HBXPl2uyTX', 'Epifanías', NULL, 'Título de la obra: Epifanías.\nTécnica: Scanart\nAño:2020\n\nPor años he trabajado haciendo derivas, divagando por el espacio de mi ciudad sin rumbo alguno y encontrándome con las sorpresas que las casualidades me puedan brindar. Esta herramienta ha sido una moraleja constante en la que el mensaje del vivir el \"eterno presente\" se ha convertido en un estilo de existencia al que ansío llegar, un estado de atención no solo a mi presencia sino al entorno con el que interactúo. Al sufrir una pérdida de un pariente muy amado para mí, las derivas se convirtieron entonces en un encierro para ir hacia el interior no solo de mi ser, sino de aquella persona con la que compartí por más de 30 años, descubrí entonces que el caminar no es solo un acto que se hace en la calle, en el que uno se dirige a un lugar, al ordenar las pertenencias de esa persona encontré otros tipos de viajes a través de las fotografías, encontré álbumes extraños de fotos muy antiguas, las mismas que al manipularlas con un scanner me permitieron convertirlas en una especie de sinfonía visual, sentía que al performar una danza entre mis manos y el aparato de scanner producía una imagen distinta a la que encontraba en las fotos, ese aire de misterio en las texturas me permitía encontrar otros relatos en esas personas desconocidas que podrían ser mi familia.', NULL, NULL, 'Hay dos formas de presentación de mi obra-\nLa primera son en 5 álbumes de fotos con alrededor de 20 fotos cada uno que deben ser colocados sobre módulos.\nLa segunda es proyección de video en loop de las imágenes escaneadas.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=1V162q7FIWY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2730, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2367, NULL, '2020-06-02 16:19:47', '2020-07-22 14:04:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26789, 'nKQSsbd5zAcRZGzw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:21:18', '2020-06-02 16:21:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26790, 'oHR080bKZ1Q3XgHD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:21:26', '2020-06-02 16:21:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26791, 'ExyOdpHICRFYoxh6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:23:29', '2020-06-02 16:23:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26792, 'W79P1QTVro75ldWU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:33:50', '2020-06-02 16:33:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26793, 'ew1BTYniSTvGRB4O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:38:54', '2020-06-02 16:38:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26794, 'BrvJFlemvcKewtbe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:42:21', '2020-06-02 16:42:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26795, 'JTLBpmEUr4ReQbHG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:55:13', '2020-06-02 16:55:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26796, 'VnhwE4W2j2ZLirJz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:56:46', '2020-06-02 16:56:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26797, 'n6a32C25ysXgbniV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:57:27', '2020-06-02 16:57:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26798, 'LlhuDBWJU2RIge1U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 16:59:45', '2020-06-02 16:59:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26799, 'SFieBHwvEc5veMWY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:00:38', '2020-06-02 17:00:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26800, 'GjtSR9evF6HcE67r', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:00:42', '2020-06-02 17:00:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26801, 'NSZZf8HWTgo6fXN7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:05:01', '2020-06-02 17:05:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26802, '2YLCAHMJaY8QFvA5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:09:23', '2020-06-02 17:09:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26803, 'Jt9b0Cqg1wKFjJjq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:14:02', '2020-06-02 17:14:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26804, 'hMnJ0hGSj0XJ6fVu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:15:46', '2020-06-02 17:15:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26805, 'LmTV7A4wna5FVOoZ', 'No Turning Back', NULL, 'The work portrays the discovery of a new world. They say there is no age to discover what is new. The presence of an old man with his backpack on his back, surrounded by mountains, portrays the beginning of a path with no turning back. His arms and face, filled with mountains, prove that the outside already dominates him.\n\nDimension: 50x70cm\n\nTechnique: Acrylic paint and marker pen on canvas.', NULL, NULL, 'Since my work represents the discovery of the unknown, it is important to be among other arts in a foreign museum, backpacking around the world.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2883, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2498, NULL, '2020-06-02 17:18:50', '2020-06-25 19:32:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26806, 'KSW7IJ05LdJab4Vg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:22:27', '2020-06-02 17:22:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26807, 'XFM4haXf5qZ3aDsR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:25:11', '2020-06-02 17:25:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26808, 'MmjngaAIy8Xky84c', 'CUT', NULL, '51 minutos. Castellano. Subtítulos Inglés. Exhibición: archivo digital, 16.9. Stereo. Color y blanco y Negro.\n\nPartiendo de un evento específico, la “pueblada” en las ciudades de Cutral-Có y Plaza Huíncul de la Patagonia Argentina en 1996, esta película investiga la pertinencia de la imagen en movimiento para dar cuenta de una sublevación popular. Afirmando que la capacidad formal del video y la imagen-movimiento, posibilitan la actualización y re-locación de eventos pasados y distantes geográficamente.\n\nDocumentos, archivo, sonidos, voces, locaciones filmadas y escenas filmadas, todos los elementos en el film están organizados por montaje y cortes en el material. sin respetar la logica de pertenencia que pudieran o no tener fuera de la película misma. El trabajo se organiza en fragmentos episódicos que dejan espacios vacíos entre grupos de imágenes\nEsta película se enmarca en un proyecto mas amplio de investigación donde considero que las revueltas de los años 90´ constituyen una secuencia histórica, un ciclo de resistencia popular y anti-neoliberal, que re-sitúa una practica política desafiante, que el terrorismo de Estado había aniquilado en Latinoamérica.\nEl enorme potencial de ruptura de los movimientos sociales, expresa de manera militante los rasgos de auto-organización propios de un ciclo de levantamientos, que en su radicalidad, apuntan a destituir la técnicas comunicacionales, jurídicas y policiales de la dominación autoritaria por vías democráticas.', NULL, NULL, 'La pieza debería contar con un espacio propio, oscuro, sin entrada de luz natural o artificial. De 40 m2 o más y con el mayor aislamiento  acústico posible. \nEste puede ser dentro de un espacio dedicado a exposiciones de arte contemporáneo o nó, siempre que se respeten el mínimo de necesidades espaciales y acústicas que la obra necesita. La imagen de proyección debería no ser menor a los 4 metros de largo. Dependiendo del espacio la pantalla deberá o nó ser construida específicamente.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/442963550', 'CUT_DiegoBruno', NULL, NULL, NULL, NULL, NULL, NULL, 2587, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2243, 5, '2020-06-02 17:37:14', '2020-08-24 14:19:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26809, 'wdwZnX86zIHvoqnN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:41:51', '2020-06-02 17:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26810, 'AVkYAo1MpWz7Tclx', 'Nuestras Raíces', NULL, 'NR es un estudio sobre la problemática de la contaminación plástica y el reciclaje como medio de reutilización. La instalación explora la perdurabilidad de este material cuestionando la forma de vida moderna y la vida del usar y tirar que, propulsada en gran medida por el invento del plástico, es en gran parte la causante de que éste material ahogue hoy nuestros océanos. NR es una invitación a repensar la vida del uso y del desuso, así como un ruego a replantear una convivencia sustentable con el planeta. Compuesta de redes marinas recicladas y provenientes de una planta recicladora en Tierra del Fuego, NR busca atrapar al espectador en un caos y universo plástico, invitándolo a cuestionar el consumo irresponsable como condición para la globalización económica y entendiendo aquél como el resultado de una continua violencia simbólica sobre las personas.\nLa pieza está compuesta de 3 estructuras modulares colgantes por medio de bastidores de hierro. Cada pieza está conformada por esculturas moldeadas a partir de la reutilización del plástico de redes de pesca recicladas y envases de descarte que se encuentran a la deriva abandonadas en nuestras aguas. Las mismas son procesadas, recicladas y tratadas por el artista para la composición y armado de la pieza. El espectador se verá sumergido dentro de esta pieza teniendo que caminar entre redes marinas que cuelgan del techo y ocupan todo el espacio. La pieza irá acompañada de un sonido envolvente (agua).', 'Antonio Lenzi\nArgentino\nhttps://antoniolenzi.com', NULL, 'Espacio Cerrado. Pequeño/mediano. Paredes blancas.\nMedidas a cubrir por la pieza: 385cm (alto) x 131cm (ancho) x 273cm (prof)', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2588, NULL, 304, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2244, NULL, '2020-06-02 17:43:02', '2020-07-21 02:39:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26811, 'rGUC3ToxIjDG2PWx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:45:51', '2020-06-02 17:45:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26812, '2ZHOEUMNjlDnXKhw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:46:21', '2020-06-02 17:46:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26813, 'a2rn5DfBNoIYHf0E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:47:16', '2020-06-02 17:47:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26814, 'BpgqPurCDOe8Hd5Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:50:18', '2020-06-02 17:50:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26815, 'y4btPXd1k9VZ861l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:51:36', '2020-06-02 17:51:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26816, 'OmCuvcpoRNxRCMb4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 17:54:16', '2020-06-02 17:54:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26817, 'uFLLHvhrxRPImnLw', 'Nidos en el pelo', NULL, 'En este proyecto incursiono en temas como la relación con la naturaleza, la construcción de lo íntimo y de lo interno y el misterio como forma de entender el mundo. Utilizo el nido como punto de partida de la existencia y refugio que preserva la intimidad y a la misma naturaleza. La instalación abarca técnicas como escultura, cerámica, fotografía, serigrafía y dibujo, y está pensada para un lugar cerrado, aunque el montaje puede ser redefinido según el espacio.\n\nA 1,5 metros sobre el nivel del piso y en el centro del espacio, colgarán desde el techo unos nidos realizados de diferentes materiales orgánicos—ramas, raíces, hojas, todas cuidadosamente seleccionadas y tejidas. Sobre el piso, debajo de los nidos, habrá piezas de cerámica ubicadas en forma circular concéntrica. \n\nEn las paredes irán más piezas de cerámica que tendrán bases de madera de diferentes tamaños adheridas a la pared. Sobre una pared se ubicará una serie de fotos resultantes de una performance realizada con una modelo en una isla de Tigre en 2019 y que es el origen de esta instalación. Sobre las otras paredes se distribuirán los dibujos y serigrafías.\n\nLa iluminación debe ser puntual sobre lo colgado en las paredes y sobre los nidos habrá una luz cenital azul. El sonido de la instalación será una composición resultante del audio extraído en el proceso de realización de la performance y otros sonidos naturales y artificiales.', NULL, NULL, 'El lugar requerido para la instalación es un espacio/habitación de aproximadamente 5 x 5 metros. Las paredes tienen que poder ser perforadas para la instalación de las bases de las piezas de cerámica. También es necesaria una escalera para poder acceder al techo y colgar los nidos. El peso máximo de cada nido es 5 kg. También es necesaria la posibilidad de ubicar una luz cenital, lámpara led de 30w que irá ubicada sobre los nidos. Para el sonido, algún tipo de reproductor de sonido y parlantes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5393, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4480, NULL, '2020-06-02 17:54:52', '2020-07-28 17:07:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26818, 'mMshQGTKn1N1kYWj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:00:17', '2020-06-02 18:00:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26819, 'FGutIPOjezjI1v9A', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:10:43', '2020-06-02 18:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26820, 'r4bsocETlZKrQrKQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:12:35', '2020-06-02 18:12:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26821, 'BRMDnIAtvlK2MdoO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:14:47', '2020-06-02 18:14:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26822, 'XMjImaVurotrEbPG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:19:00', '2020-06-02 18:19:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26823, 'OyirF9NvJBuR3Gxg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:19:24', '2020-06-02 18:19:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26824, 'rjz4opzpu3sRfxKX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:21:04', '2020-06-02 18:21:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26825, 'xRHBMnWvtLnViNhT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:21:25', '2020-06-02 18:21:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26826, 'ACOJVMJZcVHNw3Lk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:22:39', '2020-06-02 18:22:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26827, '6z59nv5Xdxp4bOTD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:26:10', '2020-06-02 18:26:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26828, 'xmsgCOg1283MGJqD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:31:08', '2020-06-02 18:31:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26829, 'BKZXqvajfzaklSLb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:33:14', '2020-06-02 18:33:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26830, 'ZqyRN2nkNidwBLKl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:33:26', '2020-06-02 18:33:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26831, 'HLNebpqcXN4UyXQj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:33:57', '2020-06-02 18:33:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26832, 'MfL3aZFffaoRZRR1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:36:10', '2020-06-02 18:36:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26833, 'zDCLdctIWY402o61', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:40:34', '2020-06-02 18:40:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26834, 'GcwBDQPvuwdDkoDU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:42:51', '2020-06-02 18:42:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26835, '9jbZN0AOutYKqW5V', 'Territórios Sensíveis', NULL, 'Inserido num campo de diálogo da arte com as questões ambientais, sobretudo, do impacto do Antropoceno e, consequentemente, das mudanças climáticas, nos modos de vida, TERRITÓRIOS SENSÍVEIS é um projeto de pesquisa e criação em artes que reúne artistas, cientistas, ambientalistas e comunidades locais para que juntos possam construir novas formas de imaginar e viver no mundo contemporâneo.  Acreditando que a arte com sua capacidade de sensibilização e sua força micropolítica pode desestabilizar nossos pensamentos e práticas, individuais e coletivas, para e com o que, comumente, chamamos de natureza, gerando, assim, um maior engajamento com o território onde se vive e com a biosfera, propomos como ação para a Bienal Sur,  a realização de uma residência de 4 dias, desdobrando-se em intervenções artísticas e performances em espaço público, bem como a  exposição das criações resultantes na própria comunidade.  A ação será realizada junto com a colônia de pescadores de São Gonçalo - RJ.', NULL, NULL, 'As atividades desta ação social será realizada em espaço público da comunidade de pescadores de São Gonçalo, Rio de  Janeiro.  Localizada às margens da Baía de Guanabara, a comunidade liderada pelo Sr. Pedro ( Pirulito) é uma das principais comunidades pesqueiras da Baía, no entanto, São Gonçalo é um das áreas mais violentas e degradas que cercam a Baía. A proposta é trabalhar em conjunto com a comunidade pesqueira, pescadores e os moradores desta comunidade.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428795131', NULL, 'www.territoriossensiveis.com', NULL, 'https://www.territoriossensiveis.com/colonia-z-10', NULL, NULL, NULL, 3635, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3109, NULL, '2020-06-02 18:43:18', '2020-08-11 22:15:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26836, 'iLg2eiUw6hDVanfP', 'Para qué sirve un poema', NULL, '\"Los días como los conocías no existen más\" anuncia el primer poema elegido para esta serie. Durante la cuarentena obligatoria en Argentina, como artista me vi en la necesidad de volcar en forma de poemas una serie de interrogantes. Esos poemas se grabaron y con herramientas como mí celular grabé diversas escenas dentro de mí casa para darle imagen a la palabra y poder completar el sentido del texto. El futuro incierto de la pospandemia, el abrazo ausente y la introspección en la solitud son los ejes conceptuales de estás producciones.\n Con esta serie de videopoemas planteo generar una atmósfera que contenga al espectador  haciéndolo sentir dentro de un espacio seguro  e íntimo (hogar) y que a través de las imágenes y los textos se proponga explotar ese mundo que se observa desde los balcones, las ventanas y todos los dispositivos que hablan de una intimidad que nos fue transversal a todos y todas durante la cuarentena siendo ésta una medida aplicada a nivel mundial. La intención es producir un dialogo, mientras atravesamos el después de una pandemia, sobre lo que pensamos que sería el futuro, mientras cumplíamos con el confinamiento obligatorio. \n El mundo no va a ser el mismo; cambiaron tanto políticas de salud, cambiaron el interior de nuestros hogares y en las redes afloraron contenidos creativos que hablan justamente de la incertidumbre al futuro y sobre todo la pregunta de cómo mantenernos cerca en estos tiempos.', NULL, NULL, 'Un espacio cerrado y amplio, sin entradas de luz natural, que disponga de sillones para que los espectadores puedan sentarse a escuchar y observar los video poemas que se proyectarian simultáneamente en las paredes. Se escuchará cada videopoema a través de auriculares. Cada proyección tendrá un tamaño de 200 cmde ancho x 120 cm de alto. La idea es que el espectador pueda ver los diferentes videos funcionando en conjunto para que se insterte dentro del espacio intimo', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2591, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2246, NULL, '2020-06-02 18:44:49', '2020-07-21 00:30:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26837, 'Bcv4wU9MTBv8Ecam', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:45:53', '2020-06-02 18:45:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26838, 'PTOVv7BRQBZtm0Kv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:46:30', '2020-06-02 18:46:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26839, 'dDXdJWybw8MEZTLH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:47:54', '2020-06-02 18:47:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26840, 'wXdgsqvBMBxgoIGm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:48:25', '2020-06-02 18:48:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26841, '8VJixKcGP4JI8JU4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:50:07', '2020-06-02 18:50:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26842, 'Xqo4bBkjdo6Syyzg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:50:33', '2020-06-02 18:50:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26843, 'FCZFZotjCGrXjRqW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:50:55', '2020-06-02 18:50:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26844, 'wkFAzuwEvu8St8FJ', 'Los fotomontajes de Athos Bulcão', NULL, 'La Fundación Athos Bulcão, desde su acervo de obras que protege y difunde, propone a la BIENALSUR la exposición de los fotomontajes de este artista brasileño que se hizo conocido por su trabajo de integración del arte en la arquitectura, principalmente por los paneles de azulejos en edificios de Brasilia y de otras ciudades de Brasil y del mundo. \n\nEsos fotomontajes fueron producidos por Athos Bulcão entre 1952 y 1955 y son poco conocidos del gran público. Son 33 imágenes inusitadas en las cuales el artista coquetea con el surrealismo. Su método consistía en buscar y recortar fotos de revistas de la época, pegándolas sobre un paisaje común. \n\nLa escena compuesta era refotografada para una nueva impresión. Con el trabajo de laboratorio fotográfico, se borraban los cortes y distintos colores de los papeles, para crear una unidad de superficie e de tratamiento, que reiteraban el código fotográfico. \n\nEl resultado son imágenes fantásticas. Las dimensiones exactas en las proporciones de los recortes, el equilibrio de la luz y de las tonalidades de las fotografías, hacen con que parezcan reales los montajes en que hipopótamos relajan en el living o cabezas de niños vuelan en Venecia. \n\nEntre el humor y la crítica social, muchas veces reforzada por los títulos de las obras, Athos recompone paisajes e personajes de los centros de poder de la época (Estados Unidos y Europa), en un trabajo sencillo pero, aún, impactante, que debe ser conocido más allá del público brasileño.', 'Athos Bulcão (1918-2008), brasileño, www.fundathos.org.br', NULL, 'Espacio con control de luz y temperatura. Pared para colgar las 33 molduras con los fotomontajes. Cada moldura mide 42 x 49 cm; 25 verticales y 8 horizontales. Se necesitan 18 m lineares de pared. Cada fotomontage tiene, en general, 30 x 24 cm.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.fundathos.org.br/abreGaleria.php?idgal=84', NULL, NULL, NULL, 5719, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4725, NULL, '2020-06-02 18:51:11', '2020-08-10 21:29:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26845, 'XnX1VD0KuyNoYZVG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:51:36', '2020-06-02 18:51:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26846, 'e42phCZL5WHK1b9o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:51:45', '2020-06-02 18:51:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26847, '4vn0c4bAo4d8hDgE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:52:40', '2020-06-02 18:52:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26848, 'zSNNdN8WHv4JGhQ0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 18:55:40', '2020-06-02 18:55:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26849, 'Zh9qSjULMNoew6iE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:00:13', '2020-06-02 19:00:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26850, 'NEgRqWpGz98gKltL', 'Todo sucede adentro', NULL, '“Tiempo…\nPorque no lo tengo\nPorque me sobra\nPorque no acontece\nPorque se repite\nPorque se multiplica y a la vez está detenido”\n\nTiempos Otros, poema escrito por Gabriela Da Ré\n\nLa quietud de las cosas y la luz que cansinamente marca el paso del tiempo, como queriendo recordarnos el equilibrio eterno del universo y nuestro tiempo de existencia. \nLa confusión temporal, el no saber muy bien cuales son los momentos que transitamos, mientras los días apenas pasan. Sucesión de imágenes idénticas que dejaron de ser lo ineludible para hacer habitable el lugar, a ser el lugar mismo.\nAndar los mismos pasos una y otra vez tropezando con los objetivos prioritarios de la rutina. Momento a momento esquivando los enemigos potenciales del equilibrista. \nLa paciencia del juego infinito descubriendo el frío por la ventana. Hastío, insomnio, soledad compartida. \n\nEstas fotografías surgen de la necesidad de atravesar los días en Aislamiento Preventivo y Obligatorio en el contexto de una pandemia mundial. Reflexión acerca de un nuevo estado de las cosas y un devenir distinto del tiempo. \n\nTécnica: Fotografía digital, toma directa. Copias en papel profesional, tamaño mínimo 30x40cm y máximo 70x105cm, enmarcadas con passepartout y vidrio anti réflex.', NULL, NULL, 'Este proyecto se puede materializar tanto en galerías de arte como centros de exposición con el montaje de fotografías copiadas en papel y enmarcadas. Se estima un total de 20 fotos, aproximadamente, y pueden ubicarse en un espacio de mínimo 5x5mts. dependiendo del tamaño de impresión.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/11jtluATJCrQMQyWugR-ayPb7kY7Rw56T?usp=sharing', NULL, NULL, NULL, 4654, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3918, NULL, '2020-06-02 19:02:10', '2020-07-16 19:24:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26851, 'jEqwwHKeMcNAJL1d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:06:09', '2020-06-02 19:06:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26852, '073g6gfcT57PDH2u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:06:30', '2020-06-02 19:06:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26853, '8TGc9Bdh0SILDV0v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:09:00', '2020-06-02 19:09:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26854, 'mssL4luEYU4hsFQu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:09:03', '2020-06-02 19:09:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26855, 'N3xHA5G6ofFzCSVR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:11:41', '2020-06-02 19:11:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26856, 'UYC35IEwXfrcZOoF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:12:49', '2020-06-02 19:12:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26857, 'qKVsMF1sBn7Eow7K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:13:47', '2020-06-02 19:13:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26858, 'ZAUzIqJsVOGnhqBf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:19:49', '2020-06-02 19:19:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26859, 'rRdAPZvLBYpSX5Qh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:21:02', '2020-06-02 19:21:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26860, 'TtFFtYywa6nMUQhs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:24:28', '2020-06-02 19:24:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26861, 'ZlU2BTymVwGsZKgn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:26:03', '2020-06-02 19:26:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26862, 'xLpr95KnJX22O9mr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:31:24', '2020-06-02 19:31:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26863, '4ysyU1AjS0WUo8wT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:32:46', '2020-06-02 19:32:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26864, 'rfsgYDcYQzxMEN1n', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:32:56', '2020-06-02 19:32:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26865, '6HllM7nFGLzwZVhY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:37:15', '2020-06-02 19:37:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26866, 'CRU8gsw8VhIVOtRo', 'o que já éramos', NULL, 'O presente projeto pesquisa  as relações entre o homem e o espaço e como os vestígios do passado se conectam com o que somos no presente. Sublima através da visualidade os rastros de experiências que não deixam rastros usando o próprio objeto de arte como a possibilidade de faze-lo. \nComo recorte utiliza as brincadeiras da infância, comuns a tempos e geografias distintas o que os torna facilmente reconhecíveis.\nUm pião girando, pegadas em amarelinhas, soldadinhos de brinquedo e bolinhas de gude são referências da infância e quase nunca nunca deixam seu rastro no espaço. Os vestígios criados nos fazem lembrar da própria experiência e como muitas vezes escolhemos apagar ou registrar o que estamos vivendo.  Essa oscilação entre registros e apagamentos são partes fundamentais de como construimos a nossa memória individual e coletiva e de como seremos lembrados por nós mesmos e pelos próximos que nos sucederão.', NULL, NULL, 'Como espaço sugerido gostaria de propor duas disposições possíveis. \n1- Espaço expositivo tradicional com dimensões aproximadas de 4 x 4 metros. ( podendo ser maior ou menor adaptando a quantidade de obras no espaço ) \n2- Colocar uma, algumas ou todas as obras propostas em exposição junto ao acervo de museus históricos ou museu de história natural como parte do acervo. \nPreferencia pela opção2.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2713, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2354, NULL, '2020-06-02 19:38:47', '2020-07-22 13:16:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26867, '425RJ8AHq7r0mcOD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:38:52', '2020-06-02 19:38:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26868, 'UKASTH0nkj9liTe9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:41:51', '2020-06-02 19:41:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26869, 'tL7dosXc0p1f7Alv', 'Chaos', NULL, 'This painting series starts off with photography. Using a macro lens, I photograph different parts of the human body. Then using a mathematical formula in a 3D software, I manipulate these photos into an abstraction that does not read as human skin, but that conceptually has a weight that influences the whole series.  I then print the resulting texture on adhesive canvas. This allows me to play collage, to cut, manipulate, and mix with paint. For this painting process, I use my knowledge in Photoshop, working on layers, where I can undo easily, resulting in multilayered surfaces that both reveal and hide the process of their making.\n\nWhile I love the freedom that comes from using photography and digital formats, I am also devoted to printing’s unstated challenge to the dogma of painting. By creating some of the content of my paintings on the computer, I’m in one way rejecting the expressionistic dictate that painting is a direct extension of the body. But then using traditional painting to blur the digital, I am back to the direct body extension towards the canvas.\n\nAs much as the work I am doing with these textures appears to be other-worldly, it is connected to the human body. It is not crucial for the viewer to know this, but it is intrinsic to my understanding while I create them.', NULL, NULL, 'Traditional interior exhibition space for painting\nDimensions:\n8160: 30 x 40 in\nB2A5627: 60 x 80 in\nB2A5631: 46 x 62 in\nB2A5636: 90 x 48 in\nB2A5637: 93 x 43 in\nB2A5640: 20 x 20 in\nB2A5649: 16 x 20 in\nB2A5662: 42 x 48 in\nB2A5664: 42 x 48 in\nDSC09491: 30 x 40 in', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5810, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4787, NULL, '2020-06-02 19:43:30', '2020-08-10 19:18:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26870, 'WQ8mQostogY6Gmlf', 'Terra Plana', NULL, 'TERRA PLANA é um trabalho de desenho, composto por três aquários de vidro parcialmente preenchidos com água. \nPartes do mapa mundi são desenhados com carvão numa folha de papel e mergulhado na água do aquário. Nesse processo o carvão é transferido para água, mas o desenho do mapa se quebra, se perde, formando novos territórios. \nO carvão e o papel que tem a mesma origem vegetal mas em diferentes estados da matéria tem em seu encontro com a água a possibilidade de adquirir uma nova forma, numa tentativa de tridimensionalizar o mapa e a possibilidade de pensar novos territórios.', NULL, NULL, 'O trabalho deve ser instalado em um espaço fechado. Os aquários devem ficar sobre bases brancas com aproximadamente 1 metro de altura. As distâncias entre as bases é variável mas o trabalho foi pensado inicialmente para ser visto com uma distancia de aproximadamente 4 metros entre uma base e outra e de forma que o espectador consiga contornar as bases.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2615, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2267, NULL, '2020-06-02 19:44:20', '2020-06-24 20:03:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26871, 'aUA4btOPee7r1izp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:45:07', '2020-06-02 19:45:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26872, 'nxDldvldUrtC8px6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:47:57', '2020-06-02 19:47:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26873, 'f70tHMs4zxMllHlN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:49:20', '2020-06-02 19:49:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26874, 'j65jiHuygemJcutc', 'HÁBITO o Estética del abandono', NULL, 'Hábito o Estética del abandono.Proyecto de reflexión y producción de obra en torno a problemáticas urgentes y políticas de  la vida cotidiana.\nEn esta ocasión proponemos una instalación site specific que habite el paredón de la única bodega en funcionamiento en la ciudad de Mendoza.Edificio histórico cuyos arcos inspiran la idea de gruta, nicho, ermita.Bautizar como adoratorios estos espacios.\nEstructura la instalación una serie de dibujos sobre azulejos: la secuencia de una silueta humana que se yergue.Reflexionar en torno al vaciamiento espiritual de la ciudad.\n¿qué es lo importante?¿cómo construimos lo importante?¿dónde recordamos lo importante? preguntas/consignas que guían la secuencia pretenden detener la mirada acostumbrada.Repensarnos en lo cotidiano.Esbozar un gesto de veneración pública:ofrendas de nuestro afecto y momentos personales. \nUna obra-proceso que propone habitar nuestro patrimonio desde la contemporáneo.Insertar una variable otra en el modo de apropiación de la calle:objeto cerámico y acontecimiento artístico.Cruces entre anonimato, adoración y expresión-en aparente abandono-\nLa piel como frontera/las fachadas como piel.íntimo/expuesto.propio/colectivo.Construimos ermitas de la urbe como resultado de la convivencia entre el street art, los formatos del arte contemporáneo y la devoción en los santuarios populares. Pretendemos que la instalación opere entre la parsimonia del museo y lo incontrolable de la calle, donde el acto de habitar-se está sucediendo.', NULL, NULL, 'Elegimos la fachada de la Bodega Escorihuela, la única activa en el centro de la ciudad. Considerada patrimonio histórico y  cultural de la provincia. \n\nConjugar el valor histórico y simbólico de este edificio con un formato conceptual-visual de comunicación simbólico artístico contemporáneo,  pone en evidencia la tensión de la convivencia de estos agentes en un mismo hábitat.\nLa cerámica encarna una materialidad particular e insospechada del tiempo y el espacio.\nDimensiones 4m x 50m', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1EOe-isAg0cReaq-0V3XJWHaF2sS3g19G/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5657, NULL, 805, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4681, NULL, '2020-06-02 19:50:19', '2020-08-08 02:35:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26875, 'WEx9TC6qMAhchfIR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:51:04', '2020-06-02 19:51:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26876, 'mEyuDXZks3sFeM8v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:51:18', '2020-06-02 19:51:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26877, 'WIIe1SpLMnjBVcuj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:51:28', '2020-06-02 19:51:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26878, 'VJwEnKuHBtAeYSt7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:52:12', '2020-06-02 19:52:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26879, 'cqMObqVfztjQtlEM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:52:29', '2020-06-02 19:52:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26880, 'i3wLrW3i9Qb6N23u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:59:22', '2020-06-02 19:59:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26881, 'R7b8Fn9AQnbHCJDY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 19:59:52', '2020-06-02 19:59:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26882, 'cQy6OOK5wQnB9jD9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:05:39', '2020-06-02 20:05:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26883, 'txP5lOu2QcdIDhqc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:05:58', '2020-06-02 20:05:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26884, 'b2YdestjJLMocYCG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:06:13', '2020-06-02 20:06:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26885, 'fA0hQ7AfwrWZWgWL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:06:54', '2020-06-02 20:06:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26886, 'et7VJMSXF6m84KFc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:07:50', '2020-06-02 20:07:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26887, 'WcrwDEDVISp35faT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:14:03', '2020-06-02 20:14:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26888, 'ZpgX7xTaoCDbZfrF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:18:35', '2020-06-02 20:18:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26889, 'QDekL71NlrWj6G9o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:18:42', '2020-06-02 20:18:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26890, 'd40Uzd1pHPLzdkrV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:19:13', '2020-06-02 20:19:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26891, 'EmGHbZmHPs5PuYAz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:22:57', '2020-06-02 20:22:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26892, 'BYdLza3EZ3nfjWPt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:23:44', '2020-06-02 20:23:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26893, 'UOHwJR8rPKT5dJbA', '\"El Nacimiento del Pecado\"', NULL, 'Dentro de la tranquilidad del mundo terrenal, dentro del celeste del cielo y verde en las praderas, se levanta ante la mirada de los humanos que la habitan una mujer quien consigo trae un aire cálido, placentero y tranquilo. Los hombres de la tierra se inclinan hacia ella y ante la brillante luz que irradia, ante sus cabellos rojos como las flamas del infierno y su imponente figura. Con completa devoción le ofrecen un animal tierno y libre de culpa, y reciben de tal mujer una sensación de éxtasis plena. De tal manera aceptan la presencia de ésta mujer entre los seres que habitan el manto terrestre y de quien aprenden el placer de pecar.', NULL, NULL, 'TÉCNICA: Óleo sobre lienzo\nDIMENSIONES: 80x60cm\nAÑO: 2020', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2600, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2253, NULL, '2020-06-02 20:24:05', '2020-06-24 20:05:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26894, '0vptbBG3aWEHqwlg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:24:24', '2020-06-02 20:24:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26895, '3eg0pc8mO0P5yInJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:24:45', '2020-06-02 20:24:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26896, 'G7qtrJ4mggmibKk1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:25:15', '2020-06-02 20:25:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26897, 'YXHBD6WCb6Mq5ejp', 'Cansada e teimosa (working title)', NULL, 'This project entails developing of a new exhibition following Canseira, my first solo show developed in 2019 specifically for the space of the Centro Helio Oiticica in Rio (BR), curated by Raphael Fonseca. The new exhibition will gather works related to the ambivalence of resting and working at the same time. The show can be used by the general public as place to relax while it also promotes an awareness to how our free time is captured today. I wish to relate some of the same works in Canseira to another place in South America, working with its specificities to also create new works. A central work in the show is “O dia que aprendi a dizer WORKATION”, four self-portrait videos where I interact with my phone with stock images found by googling the term ‘workation’ (work+vacation). I reconstruct the paradox in the images: working in bed, the hammock, the beach, a terrace. As the camera zooms out, I “fall out of\" the WORKATION model. Other works are the Tired Mobile series, where I use words related to exhaustion to make fragile mobiles that are always moving, and Ribanceira, a safety net and hammock where people can lie down, and feel gravity pull them down to the ground. One piece that I would like to specifically rethink in relation to a new location is \"Aproximações (Cosmococas / Escritórios)\" a series of 5 diptych wall panels juxtaposing installation shots of Brazilian avant-garde artist Hélio Oiticica’s Cosmococas series (1973) with images of contemporary office spaces.', NULL, NULL, 'As the works have variable dimensions, I would be able to work with many different indoor and outdoor spaces and sizes. I would like to find a place that relates to historical references around leisure, rest, and relaxation. Many cities in South America are being exploited under this notion of “flexible labor” coming from the Silicon Valley, and I am eager to research new relations like the one I found between Helio Oiticica and the Google offices in the series “Aproximações\" mentioned above.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/353834797/137191a93a', 'bizarro', NULL, NULL, 'http://sofiacaesar.net/CANSEIRA', NULL, NULL, NULL, 5025, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4214, 5, '2020-06-02 20:26:46', '2020-09-03 01:57:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26898, 'GpxoeiX0jTdtN2JF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:28:14', '2020-06-02 20:28:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26899, 'CEDy002ap4cUoNun', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:28:24', '2020-06-02 20:28:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26900, 'AZHC1DyUieYWwoqJ', 'El Antídoto', NULL, 'El Antídoto es un proyecto fraguado durante la cuarentena ante la actual situación de estado en alarma. \n\nLos sueños surrealistas, las pesadillas, fueron cada vez más frecuentes. Tras experimentar esta catarsis, fui dibujando en una libreta todas estas evocaciones para poder transmitirlas en una imagen. \nEl proyecto sigue actualmente en curso y la intención será poder realizar una exposición con las mejores imágenes resultantes durante este periodo de creación, así como editar un fotolibro poético, resultado de las imágenes y los poema creados. \nAún estamos a la espera de una vacuna que palie los efectos del coronavirus, por este motivo, El Antídoto vislumbra dos conceptos: ese remedio que tanto ansiamos en tiempos de pandemia y la propia cura que sana al artista: el mundo creativo en el que se ve sumido. \nEl proceso creativo se ha llevado a cabo a través de autorretratos en los que interactúo o bien mediante planos detalles de mis manos, o bien mediante planos enteros. El nuevo mundo que habito se va adaptando a mi \nimaginación, potenciándose la distancia con la realidad con el tiempo. El resultado es completamente enigmático, con la finalidad de invitar al espectador a traspasar esa frontera visual de la imagen e introducirse en otra dimensión, donde la poesía visual se hace partícipe de un nuevo concepto.', NULL, NULL, 'Me gustaría meditar las características y dimensiones pero interpreto que son imágenes para apreciarse en un tamaño mínimo 50x70 cm, impresas en papel fine art y enmarcadas con un cristal antireflejo, en marco de color sólido en madera negra.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2617, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2269, NULL, '2020-06-02 20:31:05', '2020-08-12 18:46:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26901, 'L3G2blGrXalzQtVN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:32:22', '2020-06-02 20:32:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26902, 'erlUcYDJMMHbeURs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:32:23', '2020-06-02 20:32:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26903, 'XsUnycGTkOEiYMD3', 'Andrés Guerrero - JOYA (VIDEO-ALBUM)', NULL, 'El nuevo álbum del compositor y creador audiovisual Andrés Guerrero viene en formato videoalbum, para desarrollar la capacidad creativa que contiene el recorrido estético del creador. Son 10 canciones que estarán ambientadas en 10 plataformas o \"estaciones\" diferentes para recibir la información en formato audiovisual como piezas individuales, reconociéndose en un todo final que es el álbum. La experiencia dura aproximadamente 40 minutos, pasando por cada video-canción, en donde cada una acerca el universo que presenta el artista, que es una exposición profunda de la dualidad expresiva de la luz y la oscuridad, que están en una comunicación constante, pasando por momentos explosivos y calmos. La idea de la propuesta es estimular al espectador para que haga una visualización y una escucha atenta de todo lo que surge en el camino de la obra.', NULL, NULL, 'El espacio sugerido para presentar la proyección es un salón con dimensiones de 10 por 10 que contenga 10 diferentes pantallas con acceso a auriculares, que van a estar reproduciendo los video-tracks. Cada \"estación\" tiene una ambientación determinada por el concepto sonoro y visual de cada canción.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=bkrBWmh8EE8', NULL, 'https://www.youtube.com/watch?v=heTrziVjZxY', NULL, NULL, NULL, NULL, NULL, 2605, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2258, NULL, '2020-06-02 20:32:24', '2020-06-24 20:03:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26904, 'G8MUyBllXhXjq2H6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:32:24', '2020-06-02 20:32:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26905, 'XXO2j6htB3cQ1Rw0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:33:31', '2020-06-02 20:33:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26906, 'b5T9BPwqI5k1Cfi1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:35:04', '2020-06-02 20:35:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26907, 'tw9fPcSvIbhNYczj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:39:31', '2020-06-02 20:39:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26908, 'r5BMiMaI8lWa8MM3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:39:33', '2020-06-02 20:39:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26909, 'W3eoRBHiJHd23UXb', 'ENTRE PALABRAS. Poesía visual entrerriana', NULL, 'Con el reconocimiento institucional del Centro de Arte, Investigación y Producción (C.A.I.P.), como espacio en la Fac. de Hum. Artes y Cs. Soc. de U.A.D.E.R., nos propusimos participar con este proyecto curatorial en el marco de la Bienal Sur, dando a conocer una vastísima producción visual y experimental de los artistas de nuestra provincia en el campo de la Poesía Visual.\nHace casi una década, desde la Escuela de Artes de Paraná fomentamos el conocimiento y la práctica de la Poesía Visual, a partir de talleres desarrollados como proyectos de extensión de cátedra recorrimos gran parte de la provincia de Entre Ríos, con gran cantidad de artistas participantes.\nLa propuesta curatorial atiende a difundir obras de los artistas entrerrianos, tomando tres ciudades: La Paz, al norte; Paraná, como capital y centro y Gualeguaychú, hacia el sureste provincial. En cada región desarrollar diferentes ejes de producción:\n1.	Poesía visual gráfica en Sede La Paz incluirá propuestas de Lettering, Caligramas, Poesía tipográfica, Poesía collages y desarrollos experimentales en soportes bidimensionales.\n2.	Palabra, arquitectura y nuevas tecnologías en Sede Paraná mostrará propuestas de poemas cuyo soporte es la arquitectura, con tecnologías de rotulación o ploteado, instalaciones, intervenciones, proyecciones y propuestas interactivas.\n3.	Palabra, cuerpo y acción en Sede Gualeguaychú tendrá como eje la performance, fotoperformance, videoperformance, el tatuaje, la poesía fonética y sonora.', 'Angel Mallarino, Noelia Fríes, Silvia Varela, Carla Botto, Julieta Casals, Diego Arellano, Lucía Aquino Silguero, Maia Emma Sycz,  Sofía Donadío, Gustavo Kozel. A los que se sumarán artistas de otras localidades a partir de un seminario virtual que estamos realizando actualmente, con más de 200 participantes', NULL, '1- Ciudad de La Paz: Casa de la cultura y Museo de Bellas Artes,  Italia 1043, E3190 La Paz, Tel: 03437 42-4635. Tres salas disponibles, cada una 30 a 50 m2. \n2- Ciudad de Gualeguaychú: Alianza Francesa, 25 de Mayo 502, Gualeguaychú. Dispone de una sala con ingreso directo desde la calle, ubicada en zona céntrica y de una superficie aprox 50  m2.\n3- Ciudad de Paraná: Casa de la Cultura de Entre Ríos,  Enrique Carbó 194, Paraná, Tel: 0343 420-7901. Sala Planta baja, aprox 80 m2 en L, más patio.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2607, NULL, 309, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2260, NULL, '2020-06-02 20:40:39', '2020-08-14 16:46:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26910, 'bQCE5LbMb8Cf42Az', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:41:18', '2020-06-02 20:41:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26911, 'j0zaXo0QTs3MBEAR', 'Everyday Brasil', NULL, 'O Everyday Brasil é um projeto de fotografia integrante do Everyday Projects, projeto global que nasceu na África (Everyday Africa) em 2012, com a intenção de desconstruir clichês que são, geralmente, atribuídos ao continente. Desde então, o projeto ganhou importância e visibilidade, e hoje conta com inúmeros perfis similares no Instagram criados por fotógrafos ao redor do planeta. O objetivo é expor o cotidiano das localidades por meio de boas imagens e histórias. O Everyday Brasil pretende oferecer uma visão autêntica da nossa sociedade por meio da fotografia documental, promovendo conhecimento e reflexão sobre nossa cultura e nosso povo, além de evidenciar situações e acontecimentos pontuais importantes. O projeto possui 50 fotógrafos(as) colaboradores por todo o país e é coordenado por Ivana Debértolis e Livia Bitetti. A exposição com 30 fotografias, junto a instalação de 150 imagens coladas nas paredes em papel comum e ambientação sonora criada especialmente para este projeto, tem o objetivo de traçar um panorama da fotografia documental produzida atualmente por fotógrafos(as) em atividade no Brasil. \n\nValor total para execução da exposição: $8975', 'Alguns dos fotógrafos(as) que integrarão a exposição:\n\nAlex Almeida, Amanda Oliveira, Amanda Perobelli, Ana Carolina Fernandes, Ana Caroline de Lima, Ana Mendes, Anderson Souza, André Coelho, Andressa Zumpano, Antonello Veneri, Brenda Alcântara, Bruno Bou Haya, Bruno Kaiuca, Daniel Marenco, Danilo Verpa, Fábio Erdos, Felipe Fittipaldi, Ingrid Barros, Karen Eppinghaus, Leonardo Milano, Leonardo Salomão, Luca Meola, Maíra Erlich, Marco Favero, Melissa Warwick, Melvin Quaresma, Raphael Alves, Renan Benedito, Roberto Lemos, Rodrigo Sena, Tiago Henrique, Tuane Fernandes, Victor Hugo Bigoli, entre outros.\n\n\nInstagram: @everydaybrasil\nSite: www.everydaybrasil.org', NULL, 'Ocupar o espaço com 30 fotografias. Em espaço anexo a sala onde estarão as imagens, que pode ser delimitado por uma divisória, serão coladas 150 fotografias impressas em papel comum. O ambiente contará com uma composição de áudio, produzida pela artista Karen Debértolis a partir das imagens da exposição, criando um diálogo entre as imagens e a ambientação sonora, compondo a experiência do público.\nO espaço físico pode ser um galpão ou uma sala de um centro cultural da cidade que irá sediá-la.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3162, NULL, 379, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2719, NULL, '2020-06-02 20:43:34', '2020-08-07 19:54:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26912, 'l7g2bAYMx3Drtpyd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:50:41', '2020-06-02 20:50:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26913, 'QRfNTtJ6LSSsF3wj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 20:54:54', '2020-06-02 20:54:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26914, '1Eg86jpx5NzcMrGv', 'Proyecto In-Digente Los Tres Tiempos, El arte de la sobrevivencia urbana', NULL, 'Proyecto In-Digente es un proyecto de investigaciòn multidisciplinar educativo que nace en el año 2017. Se presentò la primera vez en el marco de la Bienal de Paris en Guatemala, resultando ganador. Naciò de la experiencia personal de vida y la necesidad de compartir y buscar conocimientos relacionados con la sobrevivencia urbana. In=Preposiciòn \"en\" (dentro de). Prefijo \"sin\". Digente= sufijo (recursos). Indigente significa sin recursos, pero al separar el prefijo \"in\" se lee \"Dentro de los recursos\".  Asì que la primera parte (lo \"invisual\") investiga los recursos creativos que las personas en situacion de calle tienen para sobrevivir y està aplicada a la parte nutritiva y culinaria. Naciò como un proyecto fusiòn de arte culinario, arte conceptual y arte invisual. La segunda parte, se presentò dentro de la teorìa del arte visual y surgieron piezas que se trabajaròn a partir de todo lo que fuì recolectando de los basureros, incluyendo comida, de ahì el taller de cocina de sobrevivencia urbana. El objetivo es resolver a partir de lo que otros tiran  o desperdician. Historias, enunciados, recetas, arte objeto, performance, pintura, son parte de las piezas que se exhibieron en el Museo de Arte Moderno Carlos Mèrida. La intenciòn del proyecto es hacerlo itinerante y enriquecerlo a partir de diferentes actores y contextos como vertederos sanitarios, tiraderos y la calle misma. El proyecto abarca  temas como manejo de desechos, seguridad alimentaria, DDHH, Arte y $.', NULL, NULL, 'Museo Nacional de Arte Moderno. Universidades o espacios educativos. La calle. Para los talleres de sobrevivencia urbana se puede trabajar desde el espacio pùblico. Como la investigaciòn es bastante grande se proponen espacios educativos para hablar de temas sociològicos, antropològicos, econòmicos, seguridad alimentaria. Se tiene pensado que la tercera parte del proyecto aplicar la tecnologìa como el manual de sobrevivencia urbana en formato digital y una App en redes sociales. Crear pàgina of.', NULL, 'artist', NULL, NULL, 'hay videos de la propuesta pero son muy grandes y muchos. El proyecto es muy amplio y tengo mucha informaciòn y la pàgina no me permite enviarla.', NULL, 'Me cuesta mucho subir la informaciòn a la pàgina. Talvez me pueden enviar un mail al cual enviar videos y audios porfavor que èsta documentaciòn no està en las redes. Gracias', NULL, NULL, NULL, NULL, NULL, 5309, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4413, NULL, '2020-06-02 20:56:46', '2020-07-28 02:00:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26915, '7i48jhv3yZAhELwy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:00:54', '2020-06-02 21:00:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26916, 'wjCPQGq5g1pdshAF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:03:52', '2020-06-02 21:03:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26917, '9u9y9GN3a2u4cx3c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:08:06', '2020-06-02 21:08:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26918, 'R3rnjttYeDBT5qhp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:14:41', '2020-06-02 21:14:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26919, 'NbiJci5xRKyasjo9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:23:50', '2020-06-02 21:23:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26920, 'kjWWJ56l4WKtH1gb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:24:15', '2020-06-02 21:24:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26921, 'CtsCnDWrYKum3mC7', '¿Alguien me querrá pagar lo que vale una banana? (mas la tela y la madera)', NULL, 'Hace 6 años encontré un lienzo en la calle, lo guarde, preservando el silencio como un acto de cuidado, divagando en el mundo de las ideas, buscando cuajar algo que vincule de manera simbólica el deseo de expresión en el lienzo que me había dado el destino.\nFrente mi actual situación de desempleo y la necesidad, me ilumino de manera terrenal y como acto de consciencia frente al rechazo mortifico del destino, aflorando al sentido como fuerza vital, mi deseo de expresión se corre a un gesto mundano, corporal, pegar un  caja de fósforos \"industria nacional\", expresándome para demandar un lugar en la dialéctica de la historia del arte occidental, participando en la esfera pública, posicionandome frente a la obra \"Comedian\" (2019) de Maurizio Cattelan, quien dialoga hombre con hombre, primer mundo con primer mundo, busco entrar en esta dialéctica permitiéndome como un acto de rebeldía hablar de economía, situándome desde el lugar invisible de mujer tercermundista, a quienes se nos asigna de manera destinataria la participación en lo privado y como latinoamericanxs en la división de trabajo como fuentes de recursos energéticos. \nMi intención es salir del destino trágico e introducir un sentido irónico, cantándole retruco a la obra que cuestiona el valor de las cosas, preguntando ¿Alguien me querrá pagar lo que vale una banana? sumándole, dado que conozco las reglas del juego, el costó de la tela y la madera...como dice un film de Malle, el resto es sólo especulación del mercado.', NULL, NULL, 'Lienzo (24x30 cm) + Atlas (1x1 mts)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4590, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3856, NULL, '2020-06-02 21:24:57', '2020-07-15 23:08:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26922, 'Cyy2HWGC61llTlO1', '\"Gabo\"', NULL, '\"Gabo Bicor B\" Relief/Relevo\n Carbon Steel, automotive paint and rubber line.\n 97 cm x 92 cm x 15 cm\n 2019\n\n\"Gabo Bicor F\" Relief/Relevo \nCarbon Steel, automotive paint and rubber line.\n92 cm x 95 cm x 12 cm  \n2019\n\n\"Gabo Bicor H\"\n50 cm x 19 cm x 14 cm\n2019 \n\n\"Gabo Bicor H\"\nCarbon Steel, automotive paint and rubber line.\n36 cm x 86 cm x 14 cm \n2019\n\n\"Gabo Bicor V\"\nCarbon Steel, automotive paint and rubber line.\n36 cm x 86 cm x 14 cm\n2019   \n \nMárcio Faria in the series of works \"Gabo\" uses materials that are easy to recognize at first sight, but looking carefully at his works, we find that steel and rubber take on a human sense contrasting with the urban chaos of the São Paulo city where the sculptor dives and reorganizes the ways in which the rubber lines form a path to the playful world.\nTied and stretched to the geometric steel plane, the lines form images that invite us to enter a universe where drawings and new forms appear and disappear, as we move around the work, combined with the colors of the sculptures.\nThe new forms, which appear with each look, give us the feeling that such rigid materials have become like folded and colored sheets of paper by a child.', NULL, NULL, 'Se necesitarán dos paredes blancas de al menos 150 cm de ancho por 200 cm de alto o más para mostrar los relieves. Y dos pedestales blancos para las dos esculturas, uno de 80 cm de alto por 60 cm de ancho por 60 cm de largo y el otro de 80 cm de alto por 50 cm de ancho por 50 cm de largo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2680, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2322, NULL, '2020-06-02 21:25:30', '2020-06-24 20:43:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26923, '0DqH4UK2w4NZuF75', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:26:34', '2020-06-02 21:26:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26924, 'JdjqvoaikvIIUKcK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:27:20', '2020-06-02 21:27:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26925, 'EuLqNqivgbryuO7v', 'Body is a battlefield', NULL, 'In April, 2020 I created a series of collages with the body as central theme. The body as carrier of informations, as mirror of the society, as battlefield. A battle between the healthy\nand infected body, the white and the black body, the normative and queer, the petrified and alive, the discriminated and self-identified body. With sculptures of the Acropolis Museum,\nworks from Jean Michel Basquiat and pictures from Wolfgang Tillmans, I tried to create unique em-bodied compositions. The perfect body of ancient Greece, the discriminated body of Basquiat and the vulnerable body of Tillmans are unified in one composition with all these qualities.', NULL, NULL, 'The collages are all aprox. 25cm x 35cm from paper and can be exhibited on a wall.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2788, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2420, NULL, '2020-06-02 21:27:34', '2020-06-24 23:01:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26926, 'WxLoTcLsCji0gKso', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:30:51', '2020-06-02 21:30:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26927, 'Vg0tAgqPzuvgVZ8v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:35:45', '2020-06-02 21:35:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26928, 'SVdxdyPZJwbVz6PJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 21:53:05', '2020-06-02 21:53:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26929, 'KQk4h3y9YJzf3lUp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:01:40', '2020-06-02 22:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26930, 'dUSMnZRc85vFYUYj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:09:00', '2020-06-02 22:09:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26931, 'AH6DAZG89dSJConG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:11:49', '2020-06-02 22:11:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26932, 'PZyduAF8Yyxc8luC', 'Estrategias para administrar el flujo: condensacion del paisaje invisible', NULL, 'Este es un proyecto que realiza un mapeo del paisaje invisible en nodos urbanos, recolectando información en vivo mediante instrumentos de uso científico, expandiendo la percepción del público. A través de una consola personalizada, estos flujos de información son puestos a disposición de la audiencia, la cual puede intervenir la representación de los datos para producir composiciones sonoras interactivas y envolventes. \n\n\nExaminando variables como la respiración de los árboles, la humedad y actividad biológica del suelo, junto a los sonidos de los insectos en las ramas; intentamos representar la complejidad e interconexión de los agentes y sistemas no-humanos que cohabitan con nosotros en el espacio público. El rol protagónico de la audiencia pone a disposición del humano los elementos naturales, representando el poder que se despliega sobre la naturaleza en la modernidad.\n\n\nLas ramificaciones de la actividad humana sobre el paisaje son extensas, y lo son aún más considerando lo limitada que resulta nuestra percepción de la realidad inmediata. Esta instalación hace evidente procesos que escapan la observación directa, acercándonos a otras formas de vida, mientras se hace transparente el control que ejercemos sobre ellas, convirtiendo el espacio natural en una suerte de orquesta dirigida en vivo. De tal forma, esta instalación evidencia y invita a reconfigurar la relación jerárquica que sostenemos con el mundo que nos rodea.', NULL, NULL, 'Puede operar en cualquier espacio de vegetacion, idealmente algun parque o terreno al aire libre. Habria transito natural de personas para contrastar con el paisaje sonoro de la ciudad. Utilizando 5 tipos de diferentes sensores, colocados en diferentes cantidades (segun el espacio), conectados a un controlador (interactivo) y a equipos de sonido, se magnifica el paisaje invisible. Sensores y equipos se integran a piezas escultoricas, de medidas variables. Requiere electricidad.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4529, NULL, 604, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3804, NULL, '2020-06-02 22:15:30', '2020-09-28 23:13:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/1M6Ksj0aZEL-34PBWYLDlnNYUjxM4f7kw'),
(26933, 'olmGQXsgZiElbJui', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:19:30', '2020-06-02 22:19:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26934, 'ZtlI2IWk3D1xu1m7', 'Identidad salvaje', NULL, 'Mi idea es realizar una cabeza de un Puma usando monedas antiguas de bronce, el Puma es un animal autóctono de mi país, tambien para crear conciencia de que se tiene que preservar nuestra fauna reciclando y apreciando la belleza natural sin tener que extinguirla en el proceso, las medidas que me gustaría hacerla, sería de unos 2 metros de alto, les voy adjuntar imagenes de una que realize de menor tamaño pero donde se puede apreciar el concepto.', NULL, NULL, 'Creo que si el proyecto se concreta estimo que podría hacerce de unos 2 metros de alto por 4 de largo,  me gustaría que fuera completamente de monedas de bronce antiguas pulidas todas soldadas, en los links van a poder ver un prototipo de lo que quiero realizar', NULL, 'artist', NULL, NULL, 'https://www.instagram.com/tv/CA6qPxClvDy/?igshid=w758x7t13xcr', NULL, NULL, NULL, 'https://www.instagram.com/p/CA6r_w6lb7S/?igshid=1bd8bzozhucw1', NULL, NULL, NULL, 2603, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2256, NULL, '2020-06-02 22:23:13', '2020-06-24 20:03:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26935, 'fAOK9D7oAi3S9Tf8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:24:12', '2020-06-02 22:24:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26936, 'qt9tSyfXC1sYtDXS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:25:40', '2020-06-02 22:25:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26937, 'XvaRcZhhCzO0pI9I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:30:33', '2020-06-02 22:30:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26938, 'Z5ky1o01BSjBBqJv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:31:13', '2020-06-02 22:31:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26939, 'EhGJjkucggpZAJ9g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:33:21', '2020-06-02 22:33:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26940, 'HC1OHL8NSlmLnP7C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:34:58', '2020-06-02 22:34:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26941, '7cXdmGuVjna2EquA', 'Cuatro', NULL, 'Partiendo desde la idea de interactividad, debatimos el tópico de que el único elemento físico que siempre tenemos en común es el celular y esta herramienta forma parte de la conectividad tecnológica, y de cómo se ha subvertido el uso normalizado de esta herramienta.\nDentro de la historia del cine se ha mostrado varias formas de plasmar la imagen para la apreciación de lo fílmico hacia el espectador, proyectores de imágenes como el Kinetoscopio , el cual con una tira de película perforada mostraba la ilusión de reproducción de video. El uso de este elemento era personalizado, tal como lo es el celular en pleno sigloXXI. Ahora, es posible que la obra cuatro se vuelva un elemento contenedor de esta intervención individual y a la vez colectiva.  \nEn esta obra se observará una caja fragmentada en cuatro espacios, dentro de cada espacio existirá un panel que impedirá la visión, pero a manera de persiana permitirá a las personas poder levantarla y mientras la sostenga podrá apreciar el video, reproducido en el Smartphone perteneciente a cada miembro del colectivo. La caja se encuentra en el centro del espacio y la altura será de 1 metro suspendida desde la parte superior, siguiendo un poco con la idea de este objeto con autonomía al dar apariencia de estar suspendido de la nada. El contenido de cada video, se basa en la pregunta de ¿Qué herramientas de creación personales aportan al proceso de creación conjunta y cómo la visión personal resuena en las obras de creación colectiva?.', NULL, NULL, 'Esta obra es una caja suspendida que contiene 4 smartphones con una luz direccionada de manera cenital.\nPreferible que sea un lugar oscuro y cerrado para que se pueda apreciar el sonido de los videos.\n\nFicha técnica\nObra: Cuatro\nMedio: videoinstalación\nDimensiones: 60x80 cm (ancho y largo) ; 19 cm (alto)\nAño: 2020', NULL, 'artist', NULL, NULL, 'https://www.instagram.com/p/B9rY3xCpRZl/', NULL, NULL, NULL, 'https://www.instagram.com/ada_colectivo/', NULL, NULL, NULL, 2463, NULL, 312, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2265, NULL, '2020-06-02 22:40:51', '2020-07-21 14:23:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26942, '6OTKA4SQYky6V6am', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:50:36', '2020-06-02 22:50:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26943, '50ybMd5QbCPN5KLZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:52:45', '2020-06-02 22:52:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26944, 'ZFYdgE5rKudMBa5X', 'Choasmotic', NULL, 'Chaosmotic, Felix Guatarri\'s word for an experience of osmosis in an environment of constant change, is the title for my new series of works. The work draws attention to contemporary iconography; capitalist innovation; the culture of universality and how they emerge from and connect to history, race and society. \n\nMy practice poses questions about modes of production and their impact on individual and social consciousness. In this series, two dominant forces writ large, media and commercialism - social media and brands in particular - combine in a cacophony of soundbites, submerging historical roots into ‘cultural homogeneity’.\n\nThe title of the series deliberately brings to mind the current technological and rapid epoch, hinting at the turbulence of the current political landscape, the reinvigoration and/or destruction of established industries and mass-mental health issues that have arisen in the last two decades.        \n\nThe exhibition will consist of two sculptures (not yet produced) a series of 10 paintings and a sound installation synthesis the pace and feeling of contemporary society and the impact of the internet, social media and commercial branding. The viewer will be immersed an overwhelmed by the intensity of the combination of the vibrant and striking painting and sculptures that embody renowned iconography, while the sound installation keeps their heart racing, dopamine pumping around their central nervous system leaving them unable to control their emotions.', NULL, NULL, 'The exhibtion space will need to be at least 700 sqft with space for speakers to be hidden in the corners and in the ceiling. The visual experience will dominate the walls whilst the sculpture take center stage in the middle of the space in dialogue with one another. Speakers will be above them to add to the mania created by the combination of the imagery and sound installation, and act as a focal point for channels sounds.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2606, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2259, NULL, '2020-06-02 22:54:54', '2020-06-24 20:03:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26945, 'IglMGa6sAHRYTn4P', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:57:24', '2020-06-02 22:57:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26946, '2gwm3ZzLCq9jpbKb', 'Taller abierto en la isla Martín García', NULL, 'El Proyecto Martín García, la Escuela Secundaria Cacique Pincén y el Museo histórico de la isla Martín García, convocan a establecer en la isla Martín García un aleph desde donde observar nuestra historia social, económica, política y cultural.\nDurante cuatro encuentros en los meses de septiembre y octubre de 2021 el Museo Histórico de la isla Martín García será un punto de encuentro y reflexión sensible en torno a la urgencia simbólica de esta isla, y las múltiples capas que conviven allí. La isla fue prisión, lazareto, campo de concentración, escuela de marinería, cantera de adoquines. Hoy es una reserva natural e histórica.\nEl ciclo Taller abierto IMG invitará a los visitantes a explorar la isla, a caminar el territorio, a reflexionar y a abordar múltiples narrativas del presente y de la historia en permanente construcción y debate, a partir de charlas, muestras, proyecciones, talleres y acciones participativas.\nCada encuentro del Taller Abierto va a proponer una caminata por un sector de la isla y un tema específico con especialistas involucrados en el PMG, y la Escuela Pincén también será sede de una exposición con las producciones de los Talleres realizados durante los últimos años.\nEn el último encuentro se inaugurará una exposición en el Museo Histórico con el resultado de todas estas acciones.\nMÁS INFORMACIÓN DEL PROYECTO: https://proyectomartingarcia.tumblr.com/', NULL, NULL, '1 #Arenal: Arqueología de la isla. María Isabel Capparelli. # Taller de gráfica en mapas, Antonella Andreoletti\n2 # Crematorio: El campo de concentración. Alexis Papazian. # Taller de escritura de cartas, Sebastián Russo\n3 # Zona intangible: Equipo de Guardaparques como espacio natural OPDS.  # Taller de historieta, Diego Pogonza\n4 # Escuela de grumetes: Restauración de tolvas mineras por Patricio Larrambebere y Martín Guerrero # Taller de stop motion, Verónica Kaplansky y Alfonso Piantini', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=YiloS-njY4o', NULL, NULL, NULL, 'https://proyectomartingarcia.tumblr.com/', NULL, NULL, NULL, 5673, NULL, 809, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4689, 5, '2020-06-02 22:58:11', '2020-09-01 00:58:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26947, '2FLY10D9Rx4BASi2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 22:58:38', '2020-06-02 22:58:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26948, 'KMJsNLXd59PcQjaM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:01:40', '2020-06-02 23:01:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26949, 'eyJdn1yjCXMHTrSZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:01:42', '2020-06-02 23:01:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26950, 'jfvQSbX6Q8dzEQ7N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:01:57', '2020-06-02 23:01:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26951, 'erbZjA4oSflC03wa', 'TRAVESÍA', NULL, 'Es una instalación que articula objetos orgánicos que pone de manifiesto la experiencia de habitar el territorio y evocar realidades rurales y urbanas. El ejercicio creativo indaga sobre saberes ancestrales y contemporáneos desde la acción de alimentar. Así mismo, está propuesta refiere la importancia de generar arte en territorios vivos para el encuentro vital, la reflexión conjunta y la activación de la memoria colectiva por medio de los objetos, los aromas y los sonidos.\nTravesía, se crea con tres piezas; la primera de ellas es Cuna, objeto hecho en canela ubicada casi en el centro, de cara a una pared de la sala, de ella, se desprende la fibra de plátano que se despliega y se sujeta a Hembra-Hambre, dos palabras que se construyen con plantillas de madera (letra por letra) atestada de canela en polvo. Frente a Hembra-Hambre, es decir, en la pared del frente está arquitecturas imposibles, 12 Objetos cotidianos en miniatura entre sillas, mesas, camas, cajones hechos de astillas de canela, sobre 12 cucharones de madera cubiertos de canela y clavos de olor. La vinculación de estos elementos orgánicos exhorta un territorio capaz de construir por medio de sus características un ambiente artificial insinuante y deleznable.', NULL, NULL, 'Cuna,objeto hecha con canela (con estructura inoxidable) Fibra de plátano y guasca.110 x 86 x 120 cm. La fibra de plátano se desenrolla desde la cuna hasta donde inicia la palabra Hembra-hambre. 2 metros de distancia .Hembra-Hambre, letras elaboradas en madera atestada con clavos y canela. Cada letra 100 x 70 cm.Arquitecturas imposibles: 12 Objetos cotidianos en miniatura hechos canela en polvo sobre  cucharones de madera cubiertas por clavos  y canela.  2,0 x 2,0 x 3,0 cm/  59,5  x 15,  x 7 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2612, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2264, NULL, '2020-06-02 23:03:15', '2020-07-21 14:18:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26952, 'KwLEFaoRWmAV5vqH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:05:35', '2020-06-02 23:05:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26953, 'CRucfx06iINgwVhD', 'PROYECTO DIOGENES', NULL, 'PROYECTO DIÓGENES busca producir una sinergia entre el hecho estético, la reflexión sobre los modos de producción escénicos contemporáneos y la biografía de los integrantes del colectivo. El ultimo evento biográfico que traccionó la tercera instalación fue la mudanza de Noemí Rena , madre de una de las directoras, con el consiguiente abandono de la casa familiar y modelo de las instalaciones anteriores grupo. Por primera vez se habilitó (a instancias de evaluar los pasos a tomar para la probable mudanza) que el equipo de trabajo entre físicamente a la casa de Noemí Rena en el año 2018. Ocasión que fue documentada por el fotógrafo Marcos Crapa y por el director cinematográfico Leonardo Petralia quién está realizando, actualmente, un documental sobre toda la experiencia. A nivel conceptual, la inminente desaparición de las cosas acumuladas en la casa, corre el eje del colectivo artístico, desde el trabajo con un “objeto duro” hacia la desmaterialización de aquél y sus posibles resonancias poéticas.\nSi antes fue necesario acumular toneladas de basura, ahora la saturación de imágenes busca una espacialidad alterada donde hacer ingresar a los espectadores. \nLas tres instalaciones persiguen la creación de un microclima, mitad natural, mitad psíquico donde público y performers busquen su espacio vital.\nEn constante mutación, PROYECTO DIÓGENES busca una vez hacer uso de su desmesurada insistencia olfateando resonancias entre confinamiento, hogar y basura.', NULL, NULL, 'Se requiere un espacio en que puedan desplegarse e interrelacionarse las diferentes materialidades superpuestas:\nTrabajamos con la artista multimedial y diseñadora Paula Coton las intervenciones con imágenes; la presencia de los 5 performers dentro de los “trajes-objeto” diseñados por Eugenia Foguel y la diseñadora y artista Laura Valentini un objeto-archivo con todas las fotografías, reflexiones y palabras que el colectivo “acumuló” en estos cinco años de trabajo.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/proyectodiogenes', NULL, NULL, NULL, 'https://proyectodiogenes.hotglue.me/inicio', NULL, NULL, NULL, 4476, NULL, 592, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3770, NULL, '2020-06-02 23:05:37', '2020-08-13 23:10:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26954, 'C9Yc7LYXqSp2vdlO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:06:53', '2020-06-02 23:06:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26955, 'uqy1zxPPGiAVsqV0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:08:28', '2020-06-02 23:08:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26956, 'ESxci6a7KDpszJRc', 'Alma', NULL, 'Alma es un cortometraje de ficción de 17 minutos dirigido por Santiago León Cuéllar y producido por\nMudra Films, rodado con jóvenes no actores en Medellín, Colombia. \n\nSinopsis: Alma acaba de ingresar a una nueva escuela secundaria y su compañero de clase, Víctor, la invita\na una fiesta. La transición de su cuerpo y sus deseos ocultos, llevan a Alma a enfrentar sus miedos internos\ny así dar el primer paso para amarse a sí misma tal como es.\n\nCaracterísticas: 17 minutos / Aspecto 1.85:1 / DCP / Digital 5.1 / Español con subtítulos en inglés y español/Colombia. 2018. Temática: juventud, amor, LGBTI, diversidad.\n\nEstímulos:\n• Proyecto ganador del Fondo para el Desarrollo Cinematográfico, FDC, en la categoría Realización de\nCortometrajes. 2017\n• Ganador del Fondo para el Desarrollo de la Televisión, FONTV, en la categoría Capítulo Unitario de\nFicción. 2017\n\nAlgunos festivales y certámenes:\n• Estreno mundial en el Festival Internacional de Cine de La Habana, sección Los Colores de la\nDiversidad. Cuba, 2018.\n• Concurso Iberoamericano de Cortometrajes Versión Española, SGAE y TVE. España, 2018\n•  Curta Kinoforum - Sao Paulo International Short Film Festival. Premio Mejor corto extranjero “Mariposa de oro”.2019.\n• Festival Internacional de Cortometrajes de Medellín (FICME). Ganador como Mejor corto de la\nsección Infancia y Adolescencia. Colombia, 2019.\n\nAlma ha participado en más de 40 festivales y muestras alrededor del mundo.', NULL, NULL, 'Descripción técnica:\nAspecto 1.85:1 / DCP / Digital 5.1 con posibilidad de proyectar en Blu-ray( mezcla estéreo)\n\nRider técnico:\nVideobeam de mínimo 4000 lumens.\nPantalla de proyección 4x3\nMonitor\nReproductor de Blu ray o sistema para reproducir DCP\nCable HDMI o VGA, para este último cable de audio\nDependiendo del tipo de proyección:  sistema de sonido para mezcla 5.1 y/o consola de sonido para reproducir mezcla estéreo', NULL, 'artist', NULL, NULL, 'https://vimeo.com/253793590', 'Soulsticio2020', NULL, NULL, NULL, NULL, NULL, NULL, 2610, NULL, 310, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2262, NULL, '2020-06-02 23:09:07', '2020-07-21 14:11:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26957, 'wpFG8xffYGfcvZdl', 'Niño Salvaje', NULL, 'Niño Salvaje es una obra audiovisual para código en vivo que explora desde el lenguaje, conexiones transmediales y hacktivismo. Para esto, el proyecto se construye desde la poética del texto “Niño Salvaje”, del psicólogo y músico Argentino Alberto Kuselman. Este fragmento, parte de la musicoterapia andina y popularizado como canto infantil en Sudamérica, es retomado desde el ciberactivismo en el manifiesto de Hack-Back; una guía D.I.Y para robar bancos. En dicho artículo el autor hace referencia a la lucha encapuchada, como parte fundamental de la resistencia contra los sistemas de control. Así, Niño Salvaje se construye desde la emancipación del conocimiento abierto, libre y anónimo.', NULL, NULL, 'Espacio con sistema de Audio (plug-estéreo) y proyección (HDMI-fullHD).\nMesa y silla en caso de hacerlo presencial.\n\nStream?', NULL, 'artist', NULL, NULL, 'https://youtu.be/bZ3Z1M_y7MM', NULL, NULL, NULL, 'http://forero.cl/nino-salvaje/', NULL, NULL, NULL, 3109, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2676, NULL, '2020-06-02 23:09:12', '2020-08-02 16:21:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26958, 'FZMylz8BQ5xteM3C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:15:17', '2020-06-02 23:15:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26959, 'HBAZ9fXvm6I4JyPu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:15:36', '2020-06-02 23:15:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26960, 'CKuf3OdSIitmMJGd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:17:38', '2020-06-02 23:17:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26961, 'wLQOClGioxANMjfL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:18:29', '2020-06-02 23:18:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26962, 'eSryOw9uSb9a2xFS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:18:51', '2020-06-02 23:18:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26963, 'zWUJFr5qbMYiUlJE', 'Wish You Were Here', NULL, 'My work is a reflection of my roots in the tropical vacationland of Florida, a place for which I feel both nostalgic and conflicted. Growing up in southern tourist destinations, I was confronted daily with the extreme contrasts of living in paradise. In my artwork, I am translating the cacophony of tourism through the lens of materiality. By re-configuring commodified objects of the tourism industry, my sculptural works out of metal, glass, stone, and found objects exhibit the relationships that exist between materials and place. While nostalgia for my home state is strong, I often wrestle with the dichotomy of Florida’s identity. I find myself comparing each new place to Florida, no place quite as uniquely beautiful nor as bizarre. I am interested in drawing parallels between the irrational juxtaposition of objects and ideas. This body of work explores the realities and misperceptions we all associate with the tourism, and in doing so, has allowed me to dig deeper into my personal history with a place. This theme is universal as the tourism industry that we know and love has come to a grinding halt in the wake of the COVID-19 crisis. Re-examining the artificiality of place, my work aims to unite viewers in our unified memory and desire for the unknown, the escape, the vacation.', NULL, NULL, 'This show is a combination of sculptural objects and installations. It includes (1) a laser cut fiber piece hanging from the ceiling (approx. 18’ in length) (2) A series of 4 small wall-mounted sound sculptures (3) cast glass lawn chair (4) an installation of thousands of cocktail umbrellas suspended in the gallery space (the nature of this piece is site-responsive to the gallery itself, therefore it may transform in the space of the gallery according to the space dimensions)', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://caseyschachner.com/greetings-from', NULL, NULL, NULL, 2609, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2261, NULL, '2020-06-02 23:25:40', '2020-07-21 14:08:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26964, '9EKRuOBCMVhb3RPl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:27:29', '2020-06-02 23:27:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26965, 'zAqDtAOPHR4dmTE5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:30:50', '2020-06-02 23:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26966, '9lXDcbkS0t0bmhzb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:33:36', '2020-06-02 23:33:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26967, 'djfZpczNYKnHCOn4', 'LINEAR', NULL, 'De acuerdo a las culturas en la pre-historia estás tuvieron en un comienzo un estilo de vida nómada el cuál el éxodo hizo determinante y decisivo su futuro asentamiento. \n\nUso el agua como elemento representativo de vida que fluye como los mismos caminos, a la vez de la manera como son los procesos migratorios y constantes de nuestro planeta que hacen parte en nuestra evolución  en un trabajo exploratorio poético de fotografías y ensayo visual, siendo parte de una serie de migraciones conjunto a mi documental anterior Proximidad Periférica.\n\nProximidad Periférica se exhibió dentro una exposición colectiva llamada “Cartografías de memoria” en el Centro Cultural Casa Bolívar donde junto a otras piezas se mostró diferentes tratamientos de asumir los conceptos actuales sobre cartografía, este proyecto también se da en aras de establecer que su base trata en que el cuerpo escrito y la producción son actos consecuentes de la pieza, siendo la investigación también importante en el desarrollo usando el documental experimental y la video-instalación.\n\nEsta ampliación del documental es un intento en ver los diferentes escenarios de la pieza  y también la sinergia de conocimientos de la misma, siendo un proyecto interdisciplinario donde diferentes puntos del saber puedan ser recogidos en objetivos creativos.', NULL, NULL, 'En mi obra busco espacios donde la contemplación sea el eje de la experiencia por lo tanto, lugares donde el espectador pueda caminar y observar como pasajero son mis objetivos, una pared  (cerca a los dos metros x tres) de un espacio cerrado para fotografía o proyección serían ideales para la inmersión . Busco sencillez en los que la pieza sea fotografía o vídeo puedan sentirse enfocados en ello.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6177, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5064, NULL, '2020-06-02 23:34:50', '2020-07-21 20:53:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26968, 'WY7DPMqj4P1E5AKm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:36:38', '2020-06-02 23:36:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26969, 'h26bqaL3jA6icfWh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:49:11', '2020-06-02 23:49:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26970, 'ASQgqGNmmDXPOsPx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:49:12', '2020-06-02 23:49:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26971, '2zLlqLEhGwlp7o9h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:54:42', '2020-06-02 23:54:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26972, 'ycA0LhAqzuq9Wz3M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-02 23:57:58', '2020-06-02 23:57:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26973, '4w1YW3Gqmh4lieNB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:03:27', '2020-06-03 00:03:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26974, '0hGrCdrF5faUC9HN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:05:43', '2020-06-03 00:05:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26975, 'mqJ2zAUj1IjemqzZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:07:49', '2020-06-03 00:07:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26976, 'DbGEJ78UgFL2bBz5', 'Tem que ser valente, sonhar com os olhos abertos - Hay que ser valiente, soñar con los ojos abiertos', NULL, 'El objetivo que conduce esta propuesta curatorial es evidenciar formas que suscitan cuestiones y reflexiones acerca del paisaje cultural de Brasil, y sus zonas de choque, promovendo interferencias ambientales en el escenario nacional, desde los reales experimentados en las ciudades baianas de Feira de Santana y Salvador, para ampliar la mirada de ese hogar que almacena herencias africanas. Es decir, discutir estudios de caso, sobre las imágenes e imaginários, en/del Brasil, basados en el lastre de los itinerarios de estas poblaciones que reelabora(ra)n modos de ser, estar, ver, agir al largo de Latinoamérica, que ora resuenan histórias de localidades vecinas, como Colombia, Guyana Francesa, Surinam, Venezuela, Bolívia, entre otras más, al tiempo que manifiestas sus especificidades de las realidades vividas. \n\nSon fotografías emolduradas (60cm x 45cm); fotografías en tejido (2,5m x 2m); dibujos de cobre en pantalla (2m x 1m); objetos de madera e hierro (c. 20 cm.); esculturas de hierro (2m x 1m). La mayor parte de las piezas está lista, aunque  necesitará de transportación, así como algunas impresiónes más. Las fotografías y dibujos se van a las paredes, los objetos de madera e hierro sobre una pequeña mesa o estructura similar y las esculturas requieren barras de metalon, rollo de cabo acero y hojas galvanizadas para instalarsen.\n\nEn anexo, en el link de imágenes, sigue el proyecto curatorial.', 'Adriano Machado, brasileño - https://cargocollective.com/adrianomachado | instagram: https://www.instagram.com/machadomad/\n\nRebeca Carapiá, brasileña - instagram: https://www.instagram.com/rebecacarapia/', NULL, 'A princípio, tomamos como referencia una de las salas del Museo de Arte Moderna de Bahia. Pues es un espacio amplio, con más de 4 m. de altura y más de 6 m. de largura. Entonces, nos gustaría algo que resonase en esa dirección, sea en Salvador, São Paulo u otra ciudad con expresiva población afro-descendiente.\n\nLa proyección de espacio sigue en las imágenes.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/file/d/1GOKNpIAaQe8GOlaaOwDVNJczQdKXcqeQ/view?usp=sharing', NULL, NULL, NULL, 5944, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'La obra \"Caderno 1 - Tela 5\" también es parte de la serie Como poner aire en las palabras.', 'si', 'La mayor parte de las obras, pueden ser simplemente, con items adecuados, clavadas en las paredes o en el suelo. Algunos trabajos de Rebeca Carapiá necesitan de pequeños equipos, como barras de metalon, hojas galvanizadas, entre otras cosas descriptas en el presupuesto.', NULL, NULL, NULL, NULL, 'Además de la buena conservación, que sean puestos en espacios proporcionales a sus largas dimensiones. Hay que observarse los materiales diversos: madera, hierro y papel.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4891, 5, '2020-06-03 00:11:06', '2021-02-12 15:42:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26977, 'c6CWX0nHq41qHCq7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:12:01', '2020-06-03 00:12:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26978, 'BlkAOOTGkaKHvNh9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:15:44', '2020-06-03 00:15:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26979, 'Yz52VZJq0QEt3jUr', 'PANDEMIA', NULL, 'PANDEMIA - Instalación.\nEl Coronavirus COVID-19 nos interroga, nos cuestiona y visibiliza el problema de la vulnerabilidad humana. El nivel de pobreza y hambruna imperante en el mundo y como viven y subsisten muchos niños, personas y migrantes. Hipocresía, capitalismo, consumismo, pobreza, tecnología, migración, racismo, violencia, delincuencia, lo estético y moda-fashion; una dicotomía subrayada y en mayusculas de la vida humana en todo sentido.\nActualmente la Pandemia de enfermedad por Coronavirus COVID-19 ha generado globalmente una actitud social de sobrevivencia humana. Una acción de protección humana y social que hace mucho tiempo no se veía.\nVisualizamos la falta de criterio social, político y gubernamental frente a porblemas humanitarios mundiales. Todo es un cocktel totalmente ilógico e irresponsable del medio donde convivimos.\nMostramos lo vulnerable de poblaciones mundiales bajo la linea de pobreza. PANDEMIA se centra en la infancia global, en los menores por debajo de la linea de pobreza, en sus necesidades básicas y la desigualdad social, la vida heterogenia que envuelve al ser humano. Dejamos en evidencia la vulnerabilidad social y económica existente. Las hambrunas y muertes diarias que se dan globalmente en un marco de desapego humano de potencias mundiales.\nLa instalación se realizara previo maquetado y modelado 3D, renderizados y ejecutados en impresion 3D. Estos estarán acompañados de objetos que vinculan los conceptos ya detallados.', NULL, NULL, 'Abierto a criterio de la curaduría de Bienal Sur.\n\nEspacios sugeridos:\nUsina del Arte / Bs. As. / Argentina\ncheLA / Bs. As. / Argentina\nCCE / Montevideo / Uruguay\nEAC / Montevideo / Uruguay\nMNAV / Montevideo / Uruguay\nMAC Lima / Lima / Perú\nMNCARS / Madrid / España\nFundació Es Baluard Museu d’Art Modern i Contemporani de Palma / Palma de Mallorca, Islas Baleares / España\nCentre d’Art Maristany -Espai d’art contemporani. Ajuntament de Sant Cugat / Barcelona / España', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://we.tl/t-tmhSNXmj6Q', NULL, NULL, NULL, 3743, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3196, NULL, '2020-06-03 00:16:38', '2020-07-17 22:33:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26980, 'n3W51rPezcj5HNzq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:19:30', '2020-06-03 00:19:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26981, 'NLy3PLVNljxDTIRH', 'A(R)TIVISTA', NULL, 'Projeto :\nA(R )TIVISTA \nArte , individuação , emancipação , feminismo , transformação social , experiência mágica\n\nEste projeto de arte visual busca estabelecer a arte como meio de ativismo feminista . Pela criação ,  nós mulheres - artistas transcendemos , as dissimuladas limitações que a sociedade patriarcal impõe-nos .Vivenciamos pela criação   experiência de liberdade que nos leva ao encontro da nossa singular expressão.  Nesse sentido , a arte faz-se caminho sólido para a nossa  individuação e consequente emancipação. Logo , investidas do poder de saber quem somos,  habilitamo-nos a interferir  culturalmente na sociedade em que estamos inseridas rumo às  transformações sociais que almejamos. No meu caso em particular , a busca pelo fortalecimento da mulher , para o alcance da equidade social e valorização da “ feminidade” - identidade feminina , refletem - se nas minhas obras. \nA arte dá-nos a oportunidade de materializarmos as nossas  inquietações , desejos , sonhos e percepções ... \nAo firmarmos as nossas  narrativas , olhares , emoções...pela arte , nós mulheres retomamos o território que nos é de direito e de fato. Assumindo dessa forma o  papel de protagonismo na construção coletiva. \nA conquista de cada uma de nós é a conquista de todas nós. \n\n \n\n\n\n\n \n \n ', NULL, NULL, 'As obras que compõem o projeto “ A(R)TIVISTA  , como obras de arte contemporânea têxtil , devem ser expostas em espaço interno , Centro Cultural. \nSuas medidas variam de 60 cm x 60 cm x 18 cm até 293 cm x 119 cm x 31 cm .\nAtravés da Assemblage por entrelaçamentos materiais diversos com identidade própria entrelaçam-se por  fios compondo uma nova identidade, coletiva.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2618, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2270, NULL, '2020-06-03 00:21:34', '2020-06-24 20:03:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26982, 'wiQyvwsoMh7lOoHP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:21:52', '2020-06-03 00:21:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26983, 'ETfiowrR8wLpZBXY', 'Árboles telar.', NULL, 'Planteo la idea de reparación de la natura desde la cultura como concepto fundamentado en la ecosofía de Guattari. Propongo una re-localización de la obra Arboles telar en un lugar de la Bienal que no requiere trasladar sus piezas escultóricas. Éstas se realizan en la distancia en conjunto con el Comité Curatorial: reparar árboles talados desde el arte textil. Significa transformar segmentos de árboles talados en telares. Se reúnen segmentos de árboles o ubican aquellos que después de talados permanecen en la tierra. A estos se adhieren clavos de metal en su superficie y se amarran urdimbres de hilaza que se extienden y sujetan a puntos fijos –cercanos o lejanos– según la arquitectura o lugar donde crear la obra. Re-localizar significa explorar modos de producción que obvia el traslado del artista al lugar final de la obra. Esta decisión es modo de proceder ecosófico esencial para la organización de “nuevas prácticas micro y macro políticas sociales” es “nueva solidaridad” para construir un “nuevo bienestar conjunto”. Significa el experimentar hacia “nuevas prácticas del sí mismo estético en la relación con el otro, con el extranjero, con el extraño”.', NULL, NULL, 'En espacio abierto: localidad para recreación (parques de recreación), espacios público urbano (zona verde de avenidas, calles, entre otras), parques naturales, campus universitarios, entre otros. En este caso los puntos fijos podrán ser ramas de otros árboles que se encuentren alrededor del segmento trabajado. En espacio cerrado: museo de arte, galería de arte, espacio independiente de arte o fundación artística. Esta categoría contempla los espacios artísticos al interior de universidades.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.johnnomesqui.com/arboles-telar', NULL, NULL, NULL, 3090, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2660, NULL, '2020-06-03 00:29:23', '2020-08-14 20:42:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26984, 'a7iryc242MbvPf9G', 'Museums Through Artists', NULL, 'El museo sigue siendo un lugar que certifica la obra, que establece y codifica su lugar dentro de la historia del arte; un sitio con poder sobre ser aceptado o no.  Algunos aceptan ser “elegidos” a formar parte de la colección, otros se lo cuestionan desde un punto de vista más sensible. \nMuseums Through Artists surge en el mes de febrero del 2020 a partir de una convocatoria abierta que realizó la curadora Maylin Pérez Parrado dirigida a artistas en Panamá con el objetivo de dialogar sobre los museos en el país y su relación con la comunidad artística. Al encuentro asistieron aproximadamente treinta artistas de distintas disciplinas y nacionalidades, residentes en Panamá. Debido a la relevancia del tema en el ámbito internacional, se decidió extender la convocatoria a artistas de otros países interesados en participar. \nEl presente proyecto tiene como objetivo reflexionar sobre el rol del museo a partir de la experiencia individual de cada artista participante mediante la creación de una obra de libre formato, técnica o estilo motivada por el museo como objeto de estudio y las conexiones emocionales derivadas. Teniendo en cuenta la débil comunicación entre la comunidad artística de la región, se ha creado una plataforma virtual en Instagram que contiene las obras del proyecto y propicia la promoción del trabajo de los artistas: @museums_through_artists \nSe recibieron obras de distintos formatos como video art, fotografía, collage, animación digital,performance, entre otros.', 'Meryaan Andrade, Panamá, meryandradephotography.mypixieset.com\nFernando Bocanegra, Panamá, www.fernandobocanegra.com\nGiana de Dier, Panamá, @gianadedierstudio\nRomán Flórez, Colombia, @romanflorez\nGiana González, Panamá / Estados Unidos de América, www.gianagonzalez.com \nSusana González-Revilla, Panamá, www.susanagonzalezrevilla.com \nRafael Guillén, Venezuela, www.rafaelguillenfoto.wixsite.com \nJulio Luque, Panamá, @julioernestolv\nMarco Luque, Panamá, www.marcoluqueparigi.bandcamp.com \nBairo Martínez, Colombia, www.bairomartinez.com \nCarlos Miliani, Venezuela, www.carlosmiliani.com \nJairo Romero, Colombia, @jairoomeroarte \nDaniel Silvo, España, @daniel_silvo\nVanessa Orelli,Suiza, www.vanessaorelli.ch', NULL, 'El espacio físico es importante pero no imprescindible para el presente proyecto, debido a que concentra principalmente las obras en una plataforma virtual. De ser expuesto en espacio físico debe contar con lo siguiente: interior, techo,dimensiones entre 30 y 40 m de largo por  4 y 6 m de alto. \nFuente eléctrica e iluminación cálida artificial, climatizado y alarma contra incendios. Paredes de cemento, plywood u otro material constructivo resistente a la humedad y de consistencia sólida.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2839, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Textos y otros elementos en muros: Se colocará el texto curatorial de la exhibición, así como las fichas técnicas o cédulas de las obras y, en caso de que lo requiera, un breve texto sobre obras específicas. También se añadirán logos y otros elementos como el título del proyecto.', 'si', 'Espacio interior, cubierto, ventilado. Accesos, circulaciones y permanencias que permitan el flujo de personas. Pared lisa para soportar obras de hasta 50 kg, con dimensiones entre 40 y 50 m de largo y 4 a 6 me de alto. Iluminación cálida, conexión a internet y alarma.', NULL, NULL, NULL, NULL, '-	Dos Proyectores HD verticales que superen los 3.000 lúmenes con lectores USB y/o reproductor de video digital. \n-	Un Smart TV con acceso a USB y reproducción de video en alta definición o en 4k desde un USB.\n-	Dos sistemas de reproducción de audio: cúpulas acústicas individuales.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2465, 5, '2020-06-03 00:33:23', '2020-09-01 18:35:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26985, 'nZM6Hz4fCUe3VEGY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:34:39', '2020-06-03 00:34:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26986, 'ZW0F9HyWTx25v7KX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:43:16', '2020-06-03 00:43:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26987, '4V5et8rVNB9Jjuff', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:43:38', '2020-06-03 00:43:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(26988, 'WvJtHCJrJsIC2818', 'Momentum-cristalización', NULL, 'Momentum-cristalización pretende generar en el espectador asociaciones vivenciales referidas a nuestra condición humana en relación al entorno creado y la percepción temporal al accionar en condiciones de resistir el presente desde el sujeto y como conjunto.\n\nLa instalación se compone de dos o tres piezas de video-objeto donde la imagen de video en su intangibilidad lumínica hace contrapunto con materialidades extremadamente densas. Pantallas de papel, como pieles, juegan con placas de piedra y elementos constructivos de hierro.\n\nSe ven personas que interactúan con su vestimenta o entre sí. Cada escena es parte de una estructura o configuración arquitectónica independiente, donde se muestran diferentes instancias de la acción performática.\n\nPara la vestimenta se utilizó papel de seda intervenido con diferentes sustancias: barnices, aceites, látex, para obtener distintos tipos de resistencia del material y así manifestar la tensión entre la inevitable rasgadura de las piezas y el deseo de preservarlas intactas \n\nLas prendas son un escudo precario, protección meramente formal o cáscara filosa.\n\nComo contrapunto, en otra imagen un grupo de jóvenes se desplaza por un espacio oscuro y limitado en contacto físico constante. El grupo constituye un organismo subterráneo cuya cohesión y vitalidad es garantía de acción y resistencia.\n\nEquipo: \n2 o 3 proyectores de video 4K o HD,  5000 lumens mínimo, sonido. \nLos videos son 4k, y se encuentran en proceso de edición.', NULL, NULL, 'El espacio deberá contar con la posibilidad de graduar la iluminación, si bien no es necesaria la oscuridad total, la percepción de las imágenes cambia según la dirección y cualidades de la luz entrante.\n\nSe necesita un espacio de una altura y área  aproximadas de 6 mts y de 30 mts2\n\nLa instalación debería contar con un espacio aislado de otras obras porque el diseño de sonido será emvolvente y sutil.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/427400748', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6330, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 5178, 5, '2020-06-03 00:46:42', '2020-08-27 01:06:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26989, 'OHaIMLJI3pjLIXVk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:49:05', '2020-06-03 00:49:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26990, 'maWkpjRfZW8811Ks', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:49:37', '2020-06-03 00:49:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26991, 'iZHMYd7fDDJ8k8Zv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:50:12', '2020-06-03 00:50:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26992, 'yLqU759YFPharA7F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:51:54', '2020-06-03 00:51:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26993, 'TJIwNAdkmhsGw6Ao', 'La memoria en el cuerpo', NULL, 'Experiencia interactiva que se presenta en una instalación transdisciplinaria que combina las artes plásticas, tecnológicas, audiovisuales y performáticas. Desde una atmósfera sugerente se invita al espectador a que elija como recorrer, habitar y experimentar a través de los sentidos distintas constelaciones que proponen experiencias desde las distintas áreas artísticas y del conocimiento. Las relaciones que surgen entre los espacios y los cuerpos permiten atravesar la instalación como acumulación de experiencias físicas vitales. Este proceso de acumulación habilita la generación de la memoria corporal, subjetiva y social produciendo transformaciones inevitables en los sujetos. \nTres conferencias a oscuras sobre construcción de memoria y corporalidad; en la “morfología de la memoria” se expondrán las huellas que revelen el proceso creativo de la instalación; una bitácora audiovisual a disposición de los espectadores; entrevistas grabadas a distintos referentes del arte y la ciencia sobre la memoria; mientras que dos cuerpos permanecen en el tiempo en una única situación corporal de alta exigencia física, que será monitoreada y proyectada en distintos dispositivos de imagen y sonido para visibilizar la transformación que experimentan. \nLa acumulación/memoria en los cuerpos convive con la acumulación de estímulos tecnológicos/digitales que invitarán al espectador a elegir y por lo tanto descartar desde que lugar decide espectar y construir memoria.', NULL, NULL, 'El espacio ideal debería contar con unas dimensiones mínimas de entre 20 y 24 m2. El proyecto se adapta tanto a un espacio neutral de tipo expositivo blanco, en colores claros o negro; como a espacios de tipo industrial o galpón. Debe sin embargo ser un espacio amplio y despejado que permita la libre circulación del espectador por las diferentes constelaciones delimitadas por la instalación. Un espacio que ya cuente con diferentes compartimentaciones sería también de gran utilidad (tipo CETC).', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1KInc6jEtMeI_-ZjkraFXE0YAmohDBcR8/view?usp=sharing', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5648, NULL, 804, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4674, NULL, '2020-06-03 00:53:31', '2020-08-06 17:59:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26994, 'nQIQJ72eEFfnteIp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:53:35', '2020-06-03 00:53:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26995, '5CDIQ8GbRnuL57LB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:55:59', '2020-06-03 00:55:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26996, '2j12j44vbkipDAbI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:56:25', '2020-06-03 00:56:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26997, 'y1EJEV725wIDPZvg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:57:47', '2020-06-03 00:57:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26998, 'JEE2yQJtvmh5zd2W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:58:26', '2020-06-03 00:58:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(26999, 'LhZZhfHRhnJthTKP', 'Paisajes Remendados', NULL, 'Es una obra que mantiene un dialogo entre la memoria y el paisaje; el bordado y tejido con la pintura, permitiéndome hablar de un mundo interior y uno exterior; Por un lado la reconstrucción de la memoria y una investigación de  técnicas y materiales adquiridos desde la infancia, como herencia de una madre y abuela costureras, y toda una familia de origen campesino,  diferentes aprendizajes con los que crecí, con paisajes que han trascendido épocas y ahora presentan problemas ambientales, sociales y culturales. Los paisajes  son extraídos de los lugares donde mi familia trabaja el campo. me interesa plasmar cómo el afecto por la tierra, define la producción del campo; determina el valor del campesinado y proyecta la conflictividad del espacio. Considero al campesino caucano como símbolo de resistencia frente a las condiciones contrastantes que se debaten entre economías y espacios sociales lícitos e ilícitos. Quiero ahondar en una crianza enfocada en labores femeninas como tejido, bordado, costura y la importancia de remendar. Remendar es corregir, reforzar, es curar los descosidos y re componer “heridas textiles” de difícil reparación para así darle un aliento más de vida a lo que reparamos, de la misma manera que las mujeres nos re construimos y curamos nuestras heridas y las  de los demás,  ahora curamos el paisaje también, como  una manera de remendar paisajes dañados por el abuso de la tierra, los cultivos ilícitos, los monocultivos, la minería entre otros daños.', NULL, NULL, 'Paisajes remendados es una obra que consta de 7 piezas, donde se mezclan técnicas pictóricas como óleo, acrílicos y tintas con técnicas de tejido, bordado y zurcido. dimensiones: obra1: 20x51cm. obra2:35x55cm. obra3:35x55cm. obra4:23x39cm .obra5:23x39cm. obra6:40x31cm. obra7:33x45cm. van dispuestas sobre la pared, las obras 2,3,4,5 y 6 van apartadas de la pared con una piezas de acrílico transparente para apreciar mejor los vacíos de las obras, las lanas, velo e hilos que de ellas se suspenden.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1Vjz-smZTiYNS1-_09u_Y3kPWMRrHAkpB?usp=sharing', NULL, NULL, NULL, 2642, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2286, NULL, '2020-06-03 00:59:10', '2020-06-24 20:05:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27000, 'z7dvJNz8r4LxoTla', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 00:59:49', '2020-06-03 00:59:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27001, '71TuCIeNEymEhWby', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:00:45', '2020-06-03 01:00:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27002, 'FMPYLJF8zQs4bKek', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:04:29', '2020-06-03 01:04:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27003, 'gcYRngj3sdVx0HKZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:05:15', '2020-06-03 01:05:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27004, 'YVHQyWnDwEZFE5V4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:06:46', '2020-06-03 01:06:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27005, 'Gi1zemuVCoDbopNa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:11:08', '2020-06-03 01:11:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27006, 'GNcNJBBYfKp4DI30', 'iniciación a la metalisteria enfocado en los conocimientos básicos para el uso y manejo de herramientas', NULL, 'El presente proyecto se basa fundamentalmente en iniciar en los conocimientos básicos de la metalisteria a niños, jóvenes y adultos en condiciones vulnerables para que sea un trabajo independiente, siendo una alternativa económica sustentable, mediante el uso y manejo de herramientas  necesarias, como la reutilizacion y recuperación de elementos en el entorno social con el que se relacionan diariamente.', NULL, NULL, 'los espacios sugeridos para la implementacion del proyecto son muy diversos, ya que pueden ser espacios abiertos y espacios cerrados, sin una dimensión establecida, pero con características necesarias para el asesoramiento individual y colectivo, como mesas y sillas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2619, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2271, NULL, '2020-06-03 01:11:12', '2020-06-24 20:05:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27007, 'sypD11M2CWgfv3Pq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:14:55', '2020-06-03 01:14:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27008, 'omSuAtLsUxlLRdjm', 'Nome Próprio', NULL, 'O projeto consiste na exposição das 13 obras da coleção NOME PRÓPRIO, produzidas pelo artista Alejandro Ruiz, com a temática de retratos de mulheres negras. As dimensões médias das telas são de 200 x 150 cm, realizadas em técnica de tinta acrílica, a proposta artística está inspirada no movimento de Muralismo da América Latina, com representatividades monumentais. As telas são acompanhadas de legenda e de depoimentos das mulheres negras retratadas, que são oriundas de diferentes cidades do Rio Grande do Sul, Uruguai e México, pois a cada cidade é produzida uma nova tela, passando a ser exposta no próximo local, ampliando a coleção e evidenciando agentes da comunidade negra local.\nNOME PRÓPRIO instiga o público a refletir, a partir da ilustração das vivências plurais dessas mulheres em telas que se detém ao olhar das mesmas, imprimindo caráter original, trazendo a tona discussões latentes no campo social e artístico, possuindo vital importância na luta contra o racismo.', NULL, NULL, 'Para exposição desta coleção é necessário que o espaço seja fechado, galeria ou salão. Pode usar como suporte  as paredes do espaço ou totens.Também podem ser suspensas com cabos de aço, sendo coberta com material escuro o bastidor. Não é obrigatório o uso integral da coleção.\nA exposição pode conter depoimentos das modelos das telas, escrito, áudio ou em vídeo. Conforme a escolha, ainda seria necessários suportes técnicos (telas, caixas de som ou fone de ouvidos), para o uso na exposição.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3250, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2797, NULL, '2020-06-03 01:20:26', '2020-06-26 22:52:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27009, 'lFvDA2GMvgCqkhoE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:22:33', '2020-06-03 01:22:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27010, 'a1PNhgEx7k21Kcmm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:23:50', '2020-06-03 01:23:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27011, 'VodmcGchMRsejD3l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:24:04', '2020-06-03 01:24:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27012, 'A4nWBkskiycntE4I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:24:59', '2020-06-03 01:24:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27013, 's1ucB5nlmAGfNBIK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:26:56', '2020-06-03 01:26:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27014, 'Jop2aX5CrvIGzvJQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:27:32', '2020-06-03 01:27:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27015, '995dR62gbpCbNlGM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:42:20', '2020-06-03 01:42:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27016, 'uUzQXCKznoZMOqgc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:42:54', '2020-06-03 01:42:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27017, 'taNnlWB2sFP8aDQ6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:49:32', '2020-06-03 01:49:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27018, 'iUb1KxgNcFoCLSWd', 'Pornographic Brains', NULL, 'Quise tratar el condicionamiento que produce la industria pornográfica en nuestra identidad sexual. Cómo nos ha influenciado en nuestro deseos, fantasias, formas de relacionarnos, la naturalización de ciertas prácticas, etc.\nSe trata de una instalación escultórica formada por un saco de boxeo de polipiel con 5 partes del cuerpo humano en silicona que salen del saco. Unos guantes de boxeo de bronce, y 25 cerebros de porcelana que llevan una boca de mordaza todos.', NULL, NULL, 'El saco cuelga de una cadena del techo, empezando este a 1,90cms de altura. La circunferencia de los cerebros es de 2,5mtrs.\nDebido al confinamiento no he podido hacer aún todo el empaquetado de la obra así que no sé aún el peso y dimensiones para poder enviar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2620, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2272, NULL, '2020-06-03 01:49:49', '2020-07-21 14:35:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27019, 'gHyPoZrp8Ul5C0Op', 'The Great Filter', NULL, 'The Great Filter is a work about mortality and impermanence. To illustrate this grand theme, I aim to create a model of a city in the process of decaying, constructed out thousands of “structures” moulded in sand. The collapsing forms are reminiscent of houses being reclaimed by the desert. The work has a striking fragility, yet also a sense of eternity that makes it strangely compelling. \n\nInspired by the work of research centre’s such as Future of Humanity Institute (Oxford University) I have devoted my attention to existential threats and global catastrophic risk. These topics may at first seem to belong in the field of science fiction, but revile themselves to be of utmost relevance in our contemporary world. The risks caused by pandemics in the 21 century is certainly something everyone can relate to.\n\nI have borrowed the term The Great Filter from the economist and philosopher Robin Hanson, who describes the limits of a society’s evolution as the existence of ‘the great filter’. Hanson described the probability – or improbability – of the development of intelligent life as a curve with a natural end. Is the evolution of intelligent life infinite? Why have more traces of life in the universe not been found? This is a paradox in which intelligent life can be seen to cause its own destruction. If we turn our inability to reach a collective, global consensus on a sustainable future, everything would seem to point that way.', NULL, NULL, 'Having previously exhibited a version (The Great Filter, Kunstmuseum Brandts 2019-2020)  of this site-specific work I have a clear vision of how best to present it. The exhibition space requires natural light, possibly from above. Optimally this is the only source of light. One large space, with no intruding walls. The desirable minimal dimensions of the work is 10 x 20 meters, and would need to be accessed from all sides. Floors need to be solid as the weight is considerable.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/user2078127/review/425320635/eece847564', 'greatfilter', NULL, NULL, NULL, NULL, NULL, NULL, 2635, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2279, 5, '2020-06-03 01:51:44', '2020-08-31 07:36:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27020, 'VQKOMGRCfDw7hP64', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:54:52', '2020-06-03 01:54:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27021, 'ai5LwyLXV8Zo5yJw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:57:04', '2020-06-03 01:57:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27022, 'QrGp8UYVFmnyUAV2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:57:10', '2020-06-03 01:57:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27023, 'lCYSsCZlyHxX8bt0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:58:20', '2020-06-03 01:58:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27024, 'pgEi14ZKJVcghpZb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 01:59:18', '2020-06-03 01:59:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27025, 'X1OctJ0o7xjlgCcv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:01:01', '2020-06-03 02:01:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27026, 'q39RV9mnMYwwwgPa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:01:08', '2020-06-03 02:01:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27027, '4hfmzw9pwCZZkwwH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:01:09', '2020-06-03 02:01:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27028, 'M4SXfLXj5dFCM4qL', 'SEM TITULO - FOTOGRAFIA', NULL, 'A inspiração veio justamente desse contato com nós mesmos nesses tempos de pandemia, onde além do auto cuidado que tem nos feito bem (ou deveria) existe o isolamento , existe o abismo entre os corpos.. o afeto virou ficou virtual e o abraço não pode existir como era antes (ou deveria ). A personagem imobilizada pela obsessão de segurança e higiene , vedada e tolhida do toque , até do mais simples... ela dispara num mergulho imaginário e magnético do que seria ela\nCom outro, com outra, mas também pode ser um mergulho com ela própria (ou deveria)!\nOs toques se fazem tímidos e cautelosos, o desejo de corpos se ardem e se atraem !!!  E no frisson desse momento, vislumbra-se o fim do sozinho consigo mesmo.... se livra das amarras e das obrigações ... se abre e grita!! Ahhhhhhhh ....... se faz silêncio, tudo está no olhar agora, como estava a muito tempo , ou deveria!!!', NULL, NULL, 'FOTOGRAFIA DIGITAL, NAO MANIPULADO EM PHOTOSHOP, UTILIZANDO CAMERA NIKON D300, LENTE 50 MM', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2621, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2273, NULL, '2020-06-03 02:03:22', '2020-06-24 20:03:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27029, 'TCqrRsn2h2MVyngV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:04:01', '2020-06-03 02:04:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27030, 'AGYNplN8KVGwA4DZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:08:41', '2020-06-03 02:08:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27031, 'VMNTJuwo8ZBiCTqJ', '¿¿¿LUMEN???', NULL, 'Es una travesía dialógica, luminosa y afectiva en constante agitación entre lo público y lo íntimo. Un diálogo utópico sin horizontes precisos.\nA partir de intervenciones lumínicas en diversos espacios públicos urbanos revelaremos preguntas  que se irán descubriendo  azarosamente.\nEstos mensajes serán visibles o secretos, monumentales o imperceptibles. Su esencia será la luz que los hará visibles. De la cartografía interpelativa inicial se irán desplegando nuevos recorridos rizomáticos y reflexivos a partir del aporte de lxs transeúntes.Desde Instagram anticiparemos el proyecto dando pistas elusivamente. Compartiremos las respuestas hacia el final de la Bienal.\nQueremos: conocer, manifestar, tejer, unir, sorprender, intrigar, sacudir, interpelar, desafiar, marcar, señalar, asombrar, incluir, desnaturalizar, deslumbrar, amar, influir, apasionar, alentar, divertir, romper, crear, emocionar, revelar, accionar, ironizar, nombrar, concebir, gratificar, glorificar, suscribir, sentir, contar, reconocer, inferir, discutir, desacralizar, humanizar, apelar, aumentar, capturar, abrir, expandir, pensar, interrogar, deshacer, construir, intuir, identificar, empatizar, encontrar, apreciar, iluminar, liberar, sanar, independizar, suspender, erotizar, gustar, soñar, subrayar, insinuar, encantar, presentar, ayudar, amplificar, sensibilizar, ampliar, compartir, alegrar, dar, legar, conmover \ny mucho más.\nHemos trabajado juntas desde 2015 en proyectos colaborativos.', NULL, NULL, 'Intervenciones urbanas  de preguntas retóricas mediante carteles luminosos, proyecciones, ploteos, etc., en diversos espacios públicos de  distintas escalas, que irán de lo monumental a lo casi imperceptible.\nInstagram será el espacio de difusión y  diálogo con potenciales  interlocutores, donde subiremos como motivación ,  huellas de  registros elusivos de todas las intervenciones. Las devoluciones se compartirían  al promediar la Bienal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4470, NULL, 591, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3765, 5, '2020-06-03 02:12:40', '2020-09-02 10:23:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27032, 'hHf2q0asUvLBcOTw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:15:46', '2020-06-03 02:15:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27033, 'eAMx5DzBdgI8tMeJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:16:47', '2020-06-03 02:16:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27034, 'IH9uevi0PdSsaD64', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:17:22', '2020-06-03 02:17:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27035, 'HgKXsit4aeKQlD0h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:21:27', '2020-06-03 02:21:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27036, 's748UO1u1lteFyJj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:24:52', '2020-06-03 02:24:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27037, 'nsmA4nkKS91JKVuB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:26:22', '2020-06-03 02:26:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27038, 'zaowvtu5xXvFe2nj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:28:42', '2020-06-03 02:28:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27039, '4qSId76OtgX1aJh8', 'ESTÉTICA DO FRIO.', NULL, 'Minha obra é um espelho da região onde eu vivo. Moro no Rio Grande do Sul, extremo do sul do Brasil. Minha inspiração vem exatamente deste espaço terra entre o Uruguai, Argentina e Brasil. Um lugar onde o inverno é intenso e as cores são mais sóbrias e melancólicas. Uso muito arame e luz para traduzir a frieza local contrastada com o quente do fogo sempre presente por aqui. Meu foco passa sempre em reproduzir a variação de plantas nativas e galhos secos porém com uma releitura expressada com o arame recozido e, as vezes, enferrujado.  \n\nEssa minha busca veio através de uma falta de identidade estética da região. Como o Rio Grande do Sul faz parte do Brasil a estética atrelada a nós é uma estética tropical, quente, alegre. Porém, essa não é a realidade do sul do país onde o inverno é rigoroso e a paisagem é totalmente diferente do resto do Brasil. Ou seja, é uma busca de identidade própria para uma região que perdeu a sua cara.', NULL, NULL, 'Projeto BAIØ\n\nMinhas peças são algo entre quadros e esculturas. Uso o elemento luz não com o objetivo de se validar com um objeto de luminária mas sim para iluminar alguns elementos trazendo um jogo de luz, sombra e volume para as diferentes texturas que eu trabalho. O arame e o ferro são meus materiais principais. Torcendo o arame busco criar formas que lembrar galhos secos e plantas nativas do Rio Grande do Sul.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2654, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2296, NULL, '2020-06-03 02:29:07', '2020-07-21 15:53:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27040, '1dI5MUfU0ehnOCpY', 'Manchete, 1972. Série: Brinquedos Neoconcretos', NULL, 'O trabalho faz parte de uma série intitulada Brinquedos Neoconcretos, iniciada em 2019. Nesta série, brinquedos não funcionam ou são potencialmente letais. \nCom as restrições impostas no contexto de quarentena, e diante do quadro político enfrentado no Brasil, dou continuidade à série trabalhando com um antigo número da Revista Manchete, de 1972, uma revista muito popular no Brasil dos anos 1960/1970. Esse exemplar passa a ser objeto de trabalho.\nNa série fográfica sobreponho, com ironia, brinquedos sobre a capa e páginas da revista, com manchete sobre a abertura da Rodovia Transamazônica, símbolo do chamado milagre brasileiro, uma propaganda do regime militar da época, que tinha, na odisséia de abrir estradas cortando o país, a intenção ufanista de um país do futuro. O slogan da época, dadas as dimensões continentais do Brasil, era: “integrar para não entregar”. Assim, dois momentos do Brasil são denunciados: um país cujo “milagre” não deu certo e uma certa violência nos brinquedos sobrepostos, que ilustram o momento atual, em que o fantasma da ditadura volta a assustar, bem como a devastação da Amazônia. \nA série toca, em parte, na questão da memória, tendo em vista que eu tinha 8 anos em 1972.', NULL, NULL, 'Fotografias impressas em fine art, pigmento mineral em papel Canson Marte 385gsm 100% algodão. \nDimensões: 90x120cm aproximadamente.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4147, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3533, NULL, '2020-06-03 02:32:11', '2020-07-03 22:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27041, '6hUyr1hTnzPFhPL9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:32:27', '2020-06-03 02:32:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27042, 'RGpfhRLBuOW38FAi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:33:18', '2020-06-03 02:33:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27043, 'nrW6DiZdVTKc88ZW', 'Paisajes interiores. Exploración de soportes gráficos y audiovisuales para una cartografía del yo', NULL, 'La propuesta se basa en un proyecto curatorial previo (“LIBROS DE ARTISTA. Ediciones expandidas”, 2018) surgido con la inquietud de explorar el género del bookwork como dispositivo que se expande al espacio en formato instalativo y abandona la página como límite espacial. Este nuevo proyecto aborda una serie de obras que indagan en el autorretrato como género ensayístico y toman el formato del libro de artista expandido al espacio en instalaciones objetuales, audiovisuales y multimedia. Este proceso de cartografiar el yo a partir de la fotografía, el video, los archivos, las imágenes y las palabras convierten episodios íntimos –paisajes interiores- en una experiencia colectiva en la sala de arte. En algunos casos, el paisaje urbano funciona como un locus, disparador de memorias personales, urbanas, poéticas. En otros, el ambiente doméstico -la casa- y los archivos privados son reimaginados para una nueva poética del espacio. En otros trabajos, se exploran relatos performáticos para una retórica de la fragilidad humana, que atraviesa todos los cuerpos. De esta manera, el soporte gráfico y audiovisual expandido en la instalación se transforma en un espacio para el montaje de archivos donde se re-diseña el “yo” hacia un nosotros. Se trata de la manipulación de imágenes, textos y materialidades que se activan por el proceso del montaje y el desarrollo de diferentes estrategias materiales que generan un arte de la memoria en la sala de arte.', 'Antonelia Adosi, argentina. Página web: https://www.behance.net/AntoneliaAd\nCrista Bernasconi, argentina. Página web: https://www.instagram.com/yosoycrista/\nNicolas Grandi, argentino; Lata Mani, india. Página Web: https://www.thepoeticsoffragility.com/\nDamian Sena, argentino. Página Web: https://www.behance.net/DamianSena\nDaniela Potente, argentina. Página web: https://www.instagram.com/dani.potente/\nNatalia Ramadori y Flores, argentina. Página web: https://www.behance.net/natiramadori', NULL, 'Se sugiere la sala J o C del Centro Cultural Recoleta. Creo que el CCR es un espacio idóneo para una exposición colectiva como la que proponemos que entrecruza arte, diseño, y audiovisual con obras de artistas jóvenes. La Sala J o C es un espacio tipo cubo blanco de proporción rectangular con dos áreas unidas por tres aperturas. Un área es de 20x3 m. y la segunda de 20x6 m. Se propone distribuir las 6 obras en relación a las propuestas narrativas e instalativas generando diálogos entre ellas.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3783, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3228, NULL, '2020-06-03 02:36:30', '2020-07-20 21:38:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27044, 'kfLY7ZMvsWwvKu24', 'Habitos', NULL, '¨Hábito¨ es un pequeño recorrido por momentos efímeros de un pasado inmediato.\nEl consumo  y el registro de imágenes en vertical nos lleva a reflexionar sobre nuevas formas de la construcción del audiovisual.  ¿Hasta dónde podemos tensionar la realidad interferida por la tecnología? ¿Se rompió la hegemonía del encuadre horizontal? ¿Qué registramos en nuestro cotidiano mediado por un dispositivos? ¿Cuánto hay de necesidad, de deseo, inercia o habito costumbrista?\n\nDURACION 3:16MIN. RATIO 9:16. FORMATO: VIDEO.', NULL, NULL, 'Un Televisor led con configuración  vertical y auriculares o parlantes para el sonido .', NULL, 'artist', NULL, NULL, 'https://vimeo.com/422510432', 'festi2021', NULL, NULL, NULL, 'festi2021', NULL, NULL, 2631, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2275, NULL, '2020-06-03 02:37:18', '2020-07-21 14:43:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27045, '2fy5DcCZjWNy7sL2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:40:28', '2020-06-03 02:40:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27046, 'IY4kodGNIbkxgHV7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:44:55', '2020-06-03 02:44:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27047, 'vYFnCbn3zvmtVwu8', '2018', NULL, 'En 2018 salí a la calle. Quería visitar un género tradicional, la fotografía de calle. Pensaba en  algunos fotógrafes norteamericanes que en los años 60´ dieron cuenta de una manera muy particular de la convulsa década, un trabajo que cristalizó en la muestra “New Document” en el Moma. También tenía en mente a los japoneses que en la misma década salieron a la calle con sus cámaras buscando en la fotografía un medio que les permitiera dar cuenta de “tiempos terribles”.\n\nMe pregunté, al iniciar el proyecto, cómo yo podría a través de la fotografía dar cuenta de una coyuntura histórica y social. También había una pregunta sobre el lenguaje, el lenguaje fotográfico, el medio en sí mismo, sobre su historia y los diálogos posibles.  \n\nSucedió en el proceso que por un descuido el flash quedó fuera del tiempo de sincronización. Esto hace que la luz solo alcance una porción de la toma quedando el resto en penumbras. En las imágenes resultantes encontré un registro más acorde a las condiciones de la experiencia urbana y en la falla un vínculo con la historia del medio.', NULL, NULL, 'Un cuarto oscuro con dos superficies de 3x5 m para proyectar. \nAdjunto alguna de la imágenes a ser proyectadas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4864, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4098, NULL, '2020-06-03 02:55:01', '2020-07-02 02:12:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27048, '6pcwEaoF8Vf2r0mo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:56:02', '2020-06-03 02:56:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27049, 'GjNncVIm6rCVPHXe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 02:56:56', '2020-06-03 02:56:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27050, '3CZafMBXWBrvavhT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:01:27', '2020-06-03 03:01:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27051, 'xJqNtWupSVwWp6pI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:03:54', '2020-06-03 03:03:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27052, 'W9ph5fvHNiHNLHTp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:04:50', '2020-06-03 03:04:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27053, 'XSm5VXRv9TyVhPJK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:07:30', '2020-06-03 03:07:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(27054, 'T3RpQ0d1VxzJKZ6Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:08:31', '2020-06-03 03:08:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27055, '5t5vOc0FmyRF8Vjt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:08:40', '2020-06-03 03:08:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27056, 'KXIw7jLtw3Z5l2ES', 'Narcísifo', NULL, 'La incorporación a la vida cotidiana de dispositivos de captura, divulgación y visualización de imágenes, ha producido modificaciones en la percepción de sí mismo y del entorno. A partir de esta premisa se constituye esta propuesta que comprende el desarrollo de una acción (obra efímera) y un video (registro de la acción), mediante los cuales se pretende cuestionar la relación que tenemos con nosotros mismos, con los espacios que habitamos y con los demás, en un contexto en el que nos hemos convertido en productores y consumidores de nuestra propia imagen. \nLa acción que tendrá duración de una jornada (desde el amanecer hasta la puesta de sol) consiste en un recorrido por las calles de la ciudad, empujando un carrito de supermercado dentro del cual habrá una piedra de tamaño grande (elaborada con cartón piedra) que sostendrá una pantalla (dispositivo digital tipo Tablet). Mientras camino por la ciudad empujando el carrito únicamente estaré, como Narciso, contemplando mi imagen captada en tiempo real en la pantalla del dispositivo, sin observar lo que hay a mi alrededor. \nEsta acción será registrada en video y posteriormente editada, dando origen a una pieza audiovisual que, a la vez, propone un juego de espejos entre los dispositivos de captura, visualización y exhibición con los que producimos y consumimos imágenes, proceso que, al igual que la tarea de Sísifo, parece no tener fin.', NULL, NULL, 'La acción deberá desarrollarse en un entorno urbano, en donde la producción y el consumo son más exacerbados. Se busca que el recorrido abarque diversos sectores de la ciudad: residencial, comercial, administrativo, recreativo. El video podrá ser proyectado en espacios convencionales de exposición (galerías, museos, centros culturales), siendo reproducido en bucle, lo que acentuará la percepción de que la tarea de producción y consumo de la imagen de sí es un proceso interminable.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3045, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2626, NULL, '2020-06-03 03:10:45', '2020-07-29 21:25:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27057, 'bcU1LFwtsNgeyUKy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:13:27', '2020-06-03 03:13:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27058, 'xI9cuMausYc0VWd0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:14:05', '2020-06-03 03:14:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27059, 'Sw7BimVZweFw7QXe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:18:24', '2020-06-03 03:18:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27060, 'hLcycvpPSpDDMLWX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:20:25', '2020-06-03 03:20:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27061, 'jX4xNlnODiNrjjlB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:23:46', '2020-06-03 03:23:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27062, 'Xp2c6UuX4aK7MxXg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:27:06', '2020-06-03 03:27:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27063, '8C1o86q3zy71N8ql', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:36:09', '2020-06-03 03:36:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27064, 'vmfqKrQ1D05Auj0A', 'Desde el Silencio', NULL, '(…)Cuando el espacio es entendido como tierra, el artista se da al juego de imaginar relaciones entre las cosas que responden al orden de sus secretos, aparecen entonces el sssisseo de la serpiente pitón, protectora de Gea (tierra),  y la sibila, mujer que puede ver en el futuro; aunque se advierta pronto que el futuro de la sibila en el video ya no es el mismo que se revelaba en la caverna del oráculo de Delfos, mandatado como destino por los dioses, sino otro que en manos de los hombres se presenta no solo incierto sino en ocasiones improbable. Una mujer sola entre las rocas que hace sonar a manera de cuerno de la abundancia una pistola de gasolina, es la imagen que se nos ofrece como medio para ver en el futuro desde un entendimiento del tiempo antiguo de la tierra que viene de lo profundo, por ejemplo, de los minerales y yacimientos subterráneos. Pero también, como hemos dicho, es la imagen ante la cual nos ubicamos para reconocer un territorio ampliamente explotado y poner en duda el deseo y nuestra capacidad de adivinar lo que traerá el sonido de este cuerno.\n\nLo que la mujer hace sonar quiere venir desde el silencio, poniendo en evidencia todos los soplos que nos hacen estar vivos y movernos. El video, como la tierra, es un montaje de capas sedimentadas donde es posible la vida. A veces tiembla.\n\n\n                                                                                    Danaela Gómez Arguelles (curadora en residencia Flora ars natura 2019)', NULL, NULL, 'Una caja negra de 5x 5 metros.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=gUuTKRww19M&list=UU6jiaynEuxnwd4dtvQJh4fA&index=1', NULL, 'https://vimeo.com/345397506', 'silence', NULL, NULL, NULL, NULL, 2672, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2314, NULL, '2020-06-03 03:37:03', '2020-07-21 20:24:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27065, 'KOnvgzAt79qSm490', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:37:59', '2020-06-03 03:37:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27066, 'C1ZcdDeX97pmRtVK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:41:01', '2020-06-03 03:41:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27067, 'OYRx1yjN0yRU4wQL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:44:25', '2020-06-03 03:44:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27068, 'SVgH9E8jgicX4NSh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:47:20', '2020-06-03 03:47:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27069, 'vcLLVIvXvlFclV3f', 'Despabilar', NULL, 'Despabilar da cuenta de un instante en la vida. Suele ser ese momento entre el despertar de un sueño profundo y comenzar un nuevo dia. En este caso, es ese punto en que las ideas se aclaran, la mente se ordena y logramos sacudir los pesares. Por tiempo indeterminado podemos llevar esa cubierta hasta que en cierta ocasión tomamos la decisión de quitarnosla. Despabilar para no callarnos más.\nLa obra está constituida por telas recuperadas intervenidas con diferentes técnicas ( impresión botánica, impresión de herrumbre, bordado a mano), hilos de bordar, vellón a modo de relleno.', NULL, NULL, 'Se trata de un telar que cuelga de una soga a modo de tendal de ropa (con sus broches). No cuenta con soporte rígido para ser montado, por lo tanto requeriría ser colgada de las puntas de la soga para que su propio peso genere la idea de \"tendida\".\nTextil Ancho: 1,38 cm Alto: 1,15 cm Profundidad: 0,6 cm Peso: 520 gr.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2634, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2278, NULL, '2020-06-03 03:47:34', '2020-06-24 20:05:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27070, 'TLGEBIdMYLJ7MOnC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:50:38', '2020-06-03 03:50:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27071, 'N5OcZHZXWfebNHL0', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:54:29', '2020-06-03 03:54:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27072, '0qnNonU7NVsZX7Cm', 'Proyecto\" Tomy arte para todos\"', NULL, 'El proyecto :   Tomy es un proyecto de Arte Inclusivo. Que será realizado en la escuela especial El sendero de Fransisco con jóvenes con distintas discapacidades y el la asociación Down is up con jóvenes con síndrome de down.La propuesta tiene entre sus objetivos compartir un proceso de exploración y experimentación artística, en un formato de taller-laboratorio, valorar los aspectos artísticos, estéticos, conceptuales y culturales de la producción visual realizada por personas con discapacidad . Las producciones visuales serán presentadas luego en una exposición colectiva.', NULL, NULL, 'Museos o centros culturales  la idea es que  las producciones artísticas realizadas por las personas con discapacidad  puedan ser vizibilizadas en una muestra colectiva', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2636, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2280, NULL, '2020-06-03 03:55:41', '2020-06-24 20:05:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27073, 'k6LOOzdnO0l3Ozf5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:56:14', '2020-06-03 03:56:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27074, 'uXIhMeYTt2GfgMVI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:57:21', '2020-06-03 03:57:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27075, 'erMkUqYYUT5P1a3j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 03:58:45', '2020-06-03 03:58:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27076, '0BE4Wo7dUzMQUmzR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:04:03', '2020-06-03 04:04:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27077, 'xTGOHxiXIx7dounM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:05:32', '2020-06-03 04:05:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27078, 'DaYcURWv7Ct41Sij', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:07:04', '2020-06-03 04:07:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27079, 'RezVOWbHqANJlMqJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:09:58', '2020-06-03 04:09:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27080, 'hEY88kzVISXOekar', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:10:50', '2020-06-03 04:10:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27081, 'ZokNLy2qkdxVnMKZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:15:00', '2020-06-03 04:15:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27082, 'MtLtDBVtwsuCnneo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:17:02', '2020-06-03 04:17:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27083, 'nU83wC5bkjLJBxUR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:26:52', '2020-06-03 04:26:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27084, 'pwXUio8xz75YmOPg', 'DEFAULT / LO PREDETERMINADO Y LA CAÍDA', NULL, 'Serie “DEFAULT - Lo predeterminado y la caída” // Obra audiovisual: “Plástico”.\n\nEste cuerpo de obra pretende hablar acerca de la inercia con la que caemos a sistemas de órdenes estipulados que nos entretejen psíquica y socialmente en amplias redes de “maneras” de existir. En estos tejidos caemos cotidianamente; es más, somos ese tejido, lo constituimos y a su vez nos hundimos en él.\n\nLos discursos no solo describen el cuerpo sino que también formulan y constituyen sus realidades materiales a través de discursos y prácticas culturales y sociopolíticas significativas e históricamente mutables que describen e inscriben el cuerpo y la identidad.\n \nEn el mirar se fabrican cuerpos, deseos. El desafío es entonces dejar expuestos estos lugares represores para dar lugar a la construcción de nuevas maneras de pensarnos, una transformación individual y colectiva, de acción y reflexión.\n\nCon estas bases, mi interés reside en intentar generar puntos de fuga a través de la figuración de cuerpes como soportes. Quizá, a través de la reapropiación del propio cuerpo y el propio deseo, podamos construir nuevas redes y nuevas maneras de ser vinculadxs y vinculantes.', NULL, NULL, 'Sala con división para proyección de videoarte y parlantes; disponibilidad de paredes grandes para 6 (seis) pinturas de gran formato (1,50 por 1.80mts). \n\nLienzos sin montar.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=VMRTi-BGmAc&t=65s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2808, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2437, NULL, '2020-06-03 04:26:52', '2020-06-24 23:02:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27085, 'uvOI2xYWZqjRFxTF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:28:14', '2020-06-03 04:28:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27086, 'LPiCBT8kdOOrmAMR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:28:42', '2020-06-03 04:28:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27087, '2jXsOfzs8zNMq97g', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:31:05', '2020-06-03 04:31:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27088, 'zyfoa2aOERfzmhsS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:34:39', '2020-06-03 04:34:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27089, 'a40UcnvHqMzkQnEJ', 'Fragmentos', NULL, 'Todas somos una , las de ayer, las de hoy y la de mañana. Habitamos diferentes historias en un tiempo que se repite, en su historia de hace 100 años y en la mía. Me siento hermana de ella y enemiga del tiempo, que avanza, ambas esclavas de él que nos particiona, que nos corre, que nos obliga a ser de la misma forma. Cada pedacito nuestro está obligado a ser explotado al máximo, somos tomadas como objetos que deben ser perfeccionados todo el tiempo, a las de ayer y a las de hoy. El otro con su mirada normativa nos exige que seamos otras, nos condiciona y nosotras a veces o casi siempre caemos en esa condición. Se nos separa la cabeza del cuerpo. El tiempo avanza y nos lleva consigo repitiendo las mismas historias, y en él y en sus fragmentos, estamos nosotras, también fragmentadas.\nSerá un cilindro conformado en su interior por fragmentos de fotos de mujeres antiguas. Estarán cortadas en tiras de diferente ancho e intercaladas. Ubicado horizontal en relación al suelo y el techo sostenido por tanzas y a una altura promedio de la cabeza. Girará continuamente y el espectador tendrá que detenerlo para observar los fragmentos. Estas fotos a su vez tendrán intercaladas tiras de espejos, en las que el habitante de la obra también puede observarse al detener el cilindro, apareciendo así su propio fragmento. La obra también contará con el sonido de un reloj, que se irá acelerando y desacelerando. Por fuera tendrá la frase “Cuántas soledades son una soledad ? ”', NULL, NULL, 'La obra envolverá al espectador, el cilindro lo encerrará en un espacio donde no tendrá mucha posibilidad de movimiento, más que de sus manos o de su cabeza. La idea es que de esta forma el habitante de la obra se sienta paralizado y oprimido por este espacio circular, pero también firme y determinado y que a su vez se dedique a observar y mover este cilindro para tal fin. Tomando como este cilindro como un planeta dentro de una galaxia es que debería estar en el centro de un espacio amplio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2637, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2281, NULL, '2020-06-03 04:39:02', '2020-07-21 14:56:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27090, 'bd3Kvu1jZKHuPUTA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:42:26', '2020-06-03 04:42:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27091, 'IUjTIhheTrbT82WI', 'Horizonte de Sucesos', NULL, 'La obra alude de forma simbólica al concepto teórico del mismo nombre, apropiándose de la relatividad, la gravedad y el magnetismo al que este se refiere para discursar formal y conceptualmente sobre aspectos físicos de la pieza y cuestiones de índole social.\nLos objetos se integran entre sí; cada uno como un universo independiente, dialoga sobre problemáticas actuales, al tiempo que convergen dentro de una misma estructura. Anaya con su elemento \"Tótem\" simboliza y conmemora los antepasados, utilizando elementos de la vida cotidiana, sacándolos de su contexto y dándoles un carácter espiritual y cultural. Caviedes con su \"Holograma\" enfatiza el devenir del ser humano y su disyuntiva entre un mundo real y virtual. Mejía hace eco de la veneración casi religiosa a la élite política latinoamericana a través de una figura humanoide y grotesca de resina. Pérez representa de forma lúdica la complejidad del individuo y su capacidad de camuflar e ignorar los problemas. Ros con su obra “PYE”, basada en el juego Pac Man, presenta un personaje con un apetito insaciable, un símbolo de nuestra sociedad de consumo. Este cuerpo compuesto es un grabado en madera ensamblado en un icono tridimensional. Torres, en su obra “Data Center #16”, explora las relaciones entre el color, nuestra vida cotidiana inmediata y los efectos de la evolución tecnológica. Bouquet, por su parte, instala la luz led con juegos de color y sombra en permanente cambio que mantiene la obra en un estado latente.', NULL, NULL, 'Horizonte de Sucesos es una escultura monumental cinética, sonora, con medidas de aprox. 4 x 5 x 5 metros, compuesta de piezas realizadas por 7 artistas del Colectivo ArteLatAm. Desde una misma estructura se conectan las 7 piezas suspendidas desde el techo por medio de vigas de metal. Esta obra es de técnica mixta y está diseñada para mostrarse en interior, preferentemente en un espacio amplio y alto, que permita que el público pueda recorrer e interactuar con la pieza por sus alrededores.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5928, NULL, 857, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4881, NULL, '2020-06-03 04:44:05', '2020-08-10 20:58:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27092, 'UURxHuHypcoy0rtq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:45:21', '2020-06-03 04:45:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27093, 'vhrqxl5SlSAZJJpt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:50:06', '2020-06-03 04:50:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27094, 'E7PMr1KECkDTWkCW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:54:07', '2020-06-03 04:54:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27095, 'ONj0iLm2FbX4ouBK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:54:34', '2020-06-03 04:54:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27096, 'pynh8bketZWgnGW2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 04:56:30', '2020-06-03 04:56:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27097, 'yaaexPdTF18JPPCQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:05:38', '2020-06-03 05:05:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27098, 'FssRcVJbvGm770Te', 'MURASAKI. EL SUEÑO DE LAS CATTLEYAS', NULL, '\"Murasaki. El sueño de las Cattleyas\" es una pieza multidisciplinar en solo, en la que se articulan las técnicas de circo, la danza butoh, la proyección audiovisual, el video-arte y la fotografía con una estética de inspiración japonesa. La pieza puede ser descompuesta y presentada como: propuesta performativa o exposición fotográfica o video-arte. \n​\n\nMurasaki, palabra japonesa que significa violeta y Cattleya, especie de orquídea típica de Colombia, son las protagonistas de ésta creación. La obra transita por el sueño de las orquídeas, lugar donde nace Murasaki, una cattleya violeta y rojiza que vive un ciclo entero de nacimiento a muerte durante las 4 estaciones del año, mutando de una esencia a otra en su desarrollo. Murasaki es mujer, demoniza, diosa, flor, grulla, nieve. Son las fases irrefutables de vida y muerte de la naturaleza. Es cíclica, ancestral, en ella no rigen los parámetros de la racionalidad y lógica ordinaria, no respeta estética o definición; ella es contradicción.\n\n​Murasaki es un viaje onírico y floral hacia lo profundo del inconsciente colectivo de donde emergen los arquetipos de lo femenino, la vida, la muerte y su expresión metafórica a través de la efímera vida de las flores. También es símbolo de lo que hay más allá de los ciclos. Es la transición de la forma hacia la esencia, la liberación de la rueda del Samsara.', NULL, NULL, 'Como Murasaki es una pieza que puede ser descompuesta y presentada según 3 formatos se propone lo siguiente:\n\n- Pieza como performance escénico: 30 minutos en una sala de teatro o espacio escénico con iluminación (de ser posible) y un punto de anclaje aéreo para realizar acrobacia aérea (imprescindible). https://www.dospuntoscirco.com/murasaki\n\n- Exposición de video-arte de 2.11 minutos: en galería que se disponga \n\n- Exposición fotográfica: en galería que se disponga', NULL, 'artist', NULL, NULL, 'https://vimeo.com/277219552', NULL, NULL, NULL, 'https://www.dospuntoscirco.com/murasaki', NULL, NULL, NULL, 3199, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2751, NULL, '2020-06-03 05:08:54', '2020-06-26 19:59:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27099, 'clOAOfWIwJuSEwbO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:09:29', '2020-06-03 05:09:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27100, '35BQhXDKRh8ahQju', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:15:26', '2020-06-03 05:15:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27101, 'oQMj1aSjRc3WZ0QR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:15:41', '2020-06-03 05:15:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27102, 'xKhivVoqkTVzEduG', 'El Verdadero Rostro de Túpac Amaru II', NULL, 'El proyecto recopila una selección de rostros abarcando diversas representaciones del prócer peruano Jose Gabriel Condorcanqui (Túpac Amaru II) a través de la historia, recibiendo un tratamiento de diagramado y alto contraste similar, respetando la fidelidad al lenguaje de la representación original de la cual es extraída, pero adaptándolo al formato iconográfico oficial de Jesús Ruiz Durand, creado durante el gobierno del presidente Juan Velasco Alvarado. Además se usará transiciones de face morphing entre cada uno de los rostros.', NULL, NULL, 'Las medidas son variables, pero se buscaría idealmente un espacio oscuro, con disponibilidad para colocar proyectores.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1a2opJUDOYale6wVb9ZvlBHxSJEsNK9hV/view?usp=sharing', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1XnFtMZkXhPT_eXmzdR3hkED9OYJ1Gtd3?usp=sharing', NULL, NULL, NULL, 2646, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2290, NULL, '2020-06-03 05:15:46', '2020-07-21 15:22:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27103, 'PY8t03awMmu9kncv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:20:24', '2020-06-03 05:20:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27104, 'EPoYVPq9Zxpjb20R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:21:42', '2020-06-03 05:21:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27105, 'PVdV45csLKGPG88N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:21:59', '2020-06-03 05:21:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27106, 'wGuRYPAqo7q4Yqvr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:22:33', '2020-06-03 05:22:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27107, 'sQrqOrSXnlC0VpTk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:30:06', '2020-06-03 05:30:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27108, 'XshcxwI4Sa3yP26N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:40:49', '2020-06-03 05:40:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27109, '7wb3rFesbMJTEB6Z', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:41:17', '2020-06-03 05:41:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27110, '6ZR4Hvr7LpRU039Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:42:35', '2020-06-03 05:42:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27111, 'T6Jml0Pb68hBPeeQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:43:51', '2020-06-03 05:43:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27112, 'G8hOI9zOivMUgbZ9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:46:48', '2020-06-03 05:46:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27113, 'E3n8tYORFdg36bJz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:48:06', '2020-06-03 05:48:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27114, 'baW3IPURZjrNeX9m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:48:27', '2020-06-03 05:48:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27115, 'nJU3eF8GqMT9yRZA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:50:18', '2020-06-03 05:50:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27116, 'heP0nT2xkAbO3nAI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:52:32', '2020-06-03 05:52:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27117, 'XE4m3dmV3t89qA6G', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 05:58:28', '2020-06-03 05:58:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27118, 'Rvq1pks9dLD41Qwr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:01:11', '2020-06-03 06:01:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27119, 'cOvfv5FvuTeE7C5R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:06:54', '2020-06-03 06:06:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27120, 'IZ48oLTyS8IYOdmz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:23:44', '2020-06-03 06:23:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27121, 'JkvtfUnyFnJ7fdWs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:25:14', '2020-06-03 06:25:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27122, 'ePVhDIZ030rAgMvy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:25:15', '2020-06-03 06:25:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27123, 'pAepKHEneCU6ezvX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:32:26', '2020-06-03 06:32:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27124, 'EfygpfbTsKPj2UeF', 'Ficción Monumental', NULL, 'Construí un busto autorretrato con tecnología 3D que funciona como monumento itinerante para ser emplazado de manera efímera en el espacio público. Para la fabricación de la escultura realicé un proceso de escaneo 3D, esculpido digital e impresión 3D. Un monumento contemporáneo que cruza temporalidades: el retrato escultórico clásico y el autorretrato actual en un contexto de narcisismo digital. La tensión temporal está condensada en su materialidad: plástico ecológico y piedra, el material noble utilizado para los soportes de bustos. \nLa obra se coloca junto a otros monumentos de la ciudad. La acción se registrada audiovisualmente y el resultado son videos que toman herramientas propias del lenguaje cinematográfico: entre la video performance y el registro documental. \nEl monumento fue emplazado en Costanera Sur, cercana a la Fuente de las Nereidas (obra de Lola Mora, mujer pionera en ocupar el espacio público hegemónicamente masculino), en el Museo de Calcos Ernesto de la Cárcova, en el Jardín de los Poetas y en el MOA, donde restauran los monumentos de la ciudad.\nEl proyecto pretende continuar ampliando su recorrido de manera federal. La ciudad de interés es  Resistencia (Chaco), Capital Nacional de las Esculturas según el Congreso de la Nación y Capital Mercosur de las Esculturas por el Parlamento del Mercosur. La idea es realizar y registrar una nueva serie de emplazamientos para abrir el diálogo de las inscripciones poéticas en el espacio público argentino.', NULL, NULL, 'Se exhibe en distintos formatos y locaciones, de manera itinerante, igual que el monumento. Es importante la adaptación a cada espacio específico haciendo uso de la video instalación. El busto sólo se muestra en espacios públicos y deja ver sus marcas de desgaste, resultado del trajín. Como la acción será realizada en Resistencia, sería interesante que el proyecto se exhiba en museos de la ciudad chaqueña, o en simultáneo  en Resistencia y en CABA, trazando un paralelismo del  espacio público.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/352102480', 'ficcionmonumental', NULL, NULL, NULL, NULL, NULL, NULL, 5331, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4424, NULL, '2020-06-03 06:34:06', '2020-07-28 03:39:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27125, 'JUYrBVJgNfsbcw30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:36:21', '2020-06-03 06:36:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27126, 'udGXH1hdXERhc6Ag', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:37:02', '2020-06-03 06:37:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27127, 'TdsQdVfQHrLFt6lc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:37:19', '2020-06-03 06:37:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27128, 's45hFIRXsZzGzKEI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:40:46', '2020-06-03 06:40:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27129, 'sv62ZuQdRQuvXOez', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:41:05', '2020-06-03 06:41:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27130, 'HYcNL2JGLPcR7um2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:41:49', '2020-06-03 06:41:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27131, 'nuXAmkZATrZmf1aX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:51:40', '2020-06-03 06:51:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(27132, 'vdfoc7ht1NbMw537', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-03 06:51:42', '2020-06-03 06:51:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
