INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1508, 'ZgywdYmf2dnuYlS5', '{\"uid\":\"ZgywdYmf2dnuYlS5\",\"type\":\"artist\",\"tags\":[\"painting\",\"videoinstallation\",\"action\",\"video\",\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"SER HUMANO\",\"summary\":\"CONTEXTUALIZANDO A PINTURA E A POESIA:\\nA \\u201cAmbig\\u00fcidade de Signos\\u201d revelada na obra de Roseli Farias, sua pintura, sua poesia apresentam diversas unidades ling\\u00fc\\u00edsticas: \\nCr\\u00edtica social, protesto contra o racismo, contra o preconceito, a injusti\\u00e7a social, a misoginia.\\nA indigna\\u00e7\\u00e3o fica expl\\u00edcita na for\\u00e7a de suas pinceladas marcadas em suas telas com rostos e imagens resgatando a hist\\u00f3ria de dor e sofrimento de uma ra\\u00e7a escravizada de forma desumana pela cor da sua pele.\\nSua den\\u00fancia atrav\\u00e9s de sua arte \\u00e9 um grito de resist\\u00eancia ao racismo e preconceito contempor\\u00e2neo, mascarado na injusti\\u00e7a social.\\nSuas telas realizam uma viagem afetiva na beleza da cultura afro-brasileira (sincretismo religioso, cores, beleza pl\\u00e1stica, m\\u00fasica, poesia).\\n\\u201cA poesia \\u00e9 arte e encantamento e passa por diferentes fases, conforme a humanidade evolui.\\u201d\\nA poeta e artista pl\\u00e1stica Roseli Farias procura explorar \\u201cm\\u00eddias auxiliares\\u201d em sua exposi\\u00e7\\u00e3o; Isto \\u00e9, al\\u00e9m de sua m\\u00eddia primeira (o livro, por exemplo), a poesia precisa atuar e dialogar com outros \\u201cpoetas\\u201d de outras m\\u00eddias (o v\\u00eddeo, a internet, a performance, o teatro, a pintura, o multim\\u00eddia).\",\"space\":\"Galeria para exposi\\u00e7\\u00e3o de 30 telas(pinturas) com dimens\\u00f5es variadas e instala\\u00e7\\u00e3o de tel\\u00e3o multim\\u00eddia e sonoriza\\u00e7\\u00e3o no local da exposi\\u00e7\\u00e3o.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=Th1f9keB3js&t=11s\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Roseli\",\"surname\":\"Farias\",\"email\":\"roseli.farias@gmail.coml\",\"dni_type\":\"Otro\",\"dni\":\"RG. 1.460.272 - SSP-08.08.2014\",\"address\":\"Rua Doval da Silva 180, apto. 405\",\"city\":\"S\\u00e3o Jos\\u00e9\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1960-02-17T03:00:00.000Z\",\"birthdate_2\":\"1960-02-17T03:00:00.000Z\",\"telephone\":\"+55 48 9 9943-9155\",\"web\":\"https:\\/\\/www.facebook.com\\/roseli.artistaplastica\"}', '2020-04-29 20:55:31', '2020-04-29 20:55:31'),
(1509, 'snfDpd3gIUHDeqUz', '{\"uid\":\"snfDpd3gIUHDeqUz\",\"type\":\"artist\",\"tags\":[\"performance\",\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"ISO-LAMENTO\",\"summary\":\"A fotoperformance ISO-LAMENTO \\u00e9 um trabalho desenvolvido durante o per\\u00edodo de pandemia do COVID-19, nela o artista se isola com uma fita zebrada, presente em cen\\u00e1rios de isolamento em todo o mundo, uma reflex\\u00e3o para ficarmos em casa e um sinal de alerta para o perigo que nos cerca.\\n\\nA palavra ISO-LAMENTO tr\\u00e1s um jun\\u00e7\\u00e3o entre \\\"ISO\\\" (no sentido de velocidade e sensibilidade da luz)  e \\\"LAMENTO\\\"( lamentar-se pelas mortes e pelo isolamento do mundo).\",\"space\":\"T\\u00e9cnica: Fotoperformance \\/ Fotografia\\nAno: 2020\\nArtista: Filipe Alves\\nDimens\\u00f5es: 90x60cm\\n\\n\\nImpressa em adesivo vinil, fixado em superf\\u00edcie de PVC\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Filipe\",\"surname\":\"Alves\",\"email\":\"filipinhofcgalves69@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"2019\",\"address\":\"Rua 14 de Abril\",\"city\":\"Nova Olinda\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1998-01-12T02:00:00.000Z\",\"birthdate_2\":\"1998-01-12T02:00:00.000Z\",\"telephone\":\"88999933143\",\"web\":\"8835461390\"}', '2020-04-29 21:05:43', '2020-04-29 21:05:43'),
(1510, 'GNR7jibh7FSde67m', '{\"uid\":\"GNR7jibh7FSde67m\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Opulencia en mi sangre\",\"summary\":\"En 2019 se cumplieron 500 a\\u00f1os de la llegada de Hern\\u00e1n Cort\\u00e9s a las costas de Veracruz. A partir de ese momento hist\\u00f3rico se construyeron conceptos  como mestizo, negro, indio o jarocho que hasta este siglo XXI  contin\\u00faan permeando nuestras nociones de identidad mexicana.\\nPor este motivo me interesa construir una serie de microrelatos visuales que pongan en perspectiva nociones y cuestionamientos sobre el origen afro-mestizo a partir de una iconograf\\u00eda basada en im\\u00e1genes hist\\u00f3ricas que representan el mestizaje en M\\u00e9xico y la manera de relacionarme con ellas a trav\\u00e9s de la historia y la experimentaci\\u00f3n art\\u00edstica.\\nLa pieza conjuga por un lado la  resignificaci\\u00f3n est\\u00e9tica de un textil alforzado que se realiza artesanalmente en P\\u00e1nuco bajo la met\\u00e1fora de una herida o cicatriz, as\\u00ed como los hallazgos que surgieron de la apropiaci\\u00f3n de un conjunto de estampas tomadas de la carpeta gr\\u00e1fica de Claudio Linati publicada en 1828: Trajes civiles, militares y religiosos de M\\u00e9xico; que al yuxtaponerlas e imprimirlas sobre manta, seda y guip\\u00fa me permiti\\u00f3 vincular el textil con el sincretismo cultural derivado del mestizaje. \\n\\n\\nAutor: Luis Enrique P\\u00e9rez\\nT\\u00edtulo: Opulencia en mi sangre\\nMedidas 110 x 320 x 3 cm\\nT\\u00e9cnica: Reproducciones* en inyecci\\u00f3n de tinta sobre manta, seda, guip\\u00fa y textiles alforzados.\\nPeso: 50 kg\\n\\n*Litograf\\u00eda N\\u00ba 12 y N\\u00ba 30 de Claudio Linati. \\u201cTrajes civiles, militares y religiosos de M\\u00e9xico\\u201d (1828).\\nNota al pie en \\u201cPiel negra, mascaras blancas\\u201d (1952) de Frantz Fanon.\",\"space\":\"Se requiere un espacio de 4 m x 2 m. La pieza requiere una base hecha exprofeso, la cual tiene 50 cm de altura, 9 cm de ancho y 3 m de largo.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Luis Enrique\",\"surname\":\"P\\u00e9rez\",\"email\":\"lepp84@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"G24119629\",\"address\":\"Carranza 63, Col. Pav\\u00f3n, CP 93996\",\"city\":\"P\\u00e1nuco\",\"nacionality\":\"Mexicano\",\"country_id\":\"145\",\"birthdate\":\"1984-11-23T06:00:00.000Z\",\"birthdate_2\":\"1984-11-23T06:00:00.000Z\",\"telephone\":\"846 104 5961\",\"web\":\"luisenri_pp\"}', '2020-04-29 21:12:00', '2020-04-29 21:12:00'),
(1511, '2Iv3FgZdj2RehYID', '{\"uid\":\"2Iv3FgZdj2RehYID\",\"type\":\"curator\",\"tags\":[],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Treatise\",\"summary\":\"Treatise es un ejercicio de desposeimiento del lenguaje, del poder del sonido y su afectaci\\u00f3n y manifestaci\\u00f3n en fen\\u00f3menos naturales, rituales, cuerpos y materia. Privar al lenguaje de sus cualidades m\\u00e1s complejas para transformarlo en un puro sonido, movimiento o experiencia. Treatise re\\u00fane un conjunto de obras que retoma formas alternativas de lenguaje privilegiando el uso del sonido y las capacidades del cuerpo como materiales que van m\\u00e1s all\\u00e1 de su uso normativo.\\n\\nTreatise toma su t\\u00edtulo de la obra hom\\u00f3nima del compositor Cornelius Cardew escrita en los a\\u00f1os 60; una composici\\u00f3n abierta que buscaba desafiar los l\\u00edmites de la comprensi\\u00f3n del lenguaje e incluir la complejidad del entorno a trav\\u00e9s de un c\\u00f3digo abierto de lo performativo, lo auditivo y lo visual. Es as\\u00ed que el \\\"tratado\\\" de Cardew cuestiona el Tractatus original de Wittgenstein, acogiendo las posibilidades de interpretaci\\u00f3n y comprensi\\u00f3n de un mismo c\\u00f3digo, desafiando las proposiciones b\\u00e1sicas de aqu\\u00e9l de Wittgenstein tales como \\\"Aquello de lo que no podemos hablar debemos de dejarlo en silencio\\\". \\n\\nPiezas:\\nTania Candiani, The Sonorous Object, 2019 \\nIrene Dubrovsky, COELESTIS MAP \\nArturo Hern\\u00e1ndez Alc\\u00e1zar, Sonidos del desastre, 2017 (Contemplar orquesta de vientos con 12 m\\u00fasicos)\\nLorena Mal, R\\u00e9plica: Libro de coro s\\u00edsmico y composici\\u00f3n para 16 voces (2017-1845), 2017 (Contemplar coro con 16 voces)\\nBa\\u0301rbara Palomino Ruiz, Cross Patterns, 2017 \\nLuci\\u0301a Simo\\u0301n Medina, G.F.B.R.L.W.W.V.H.C.W.M.J.L.A.M.B., 2015\",\"space\":\"Debido al tipo de obras, se necesita un espacio que, por un lado, cuente con una buena ac\\u00fastica, pero que tambi\\u00e9n permita cierto rebote para que exista cierta contaminaci\\u00f3n entre las obras como \\\"Cross Patterns\\\" de B\\u00e1rbara Palomino, \\\"R\\u00e9plica\\\" de Lorena Mal. Ser\\u00edan ideal reutilizar un espacio en desuso (ej. una f\\u00e1brica) con diversos corredores para as\\u00ed poder jugar con la percepci\\u00f3n sonora gracias a la ac\\u00fastica que este tipo de naves poseen. Dimensiones ideales ser\\u00edan de 100 a 150 m2.\",\"artists_proposal\":\"Tania Candiani (Mexicana) - https:\\/\\/taniacandiani.com\\/\\nIrene Dubrovsky (Argentina) - http:\\/\\/irenedubrovsky.com\\/\\nArturo Herna\\u0301ndez Alca\\u0301zar (Mexicano) - https:\\/\\/www.arturohernandezalcazar.com\\/\\nLorena Mal (Mexicana) - http:\\/\\/www.lorenamal.com\\/\\nBa\\u0301rbara Palomino Rui\\u0301z (Chilena) - http:\\/\\/barbarapalomino.com\\/\\nLuci\\u0301a Simo\\u0301n Medina (Espa\\u00f1ola) - http:\\/\\/www.luciasimonmedina.net\\/\",\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/139030048\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Lorena\",\"surname\":\"Moreno Vera\",\"email\":\"loreena.mv@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"G36567371\",\"address\":\"Sieveringer Stra\\u00dfe 195\\/3\",\"city\":\"Viena\",\"nacionality\":\"Mexicana\",\"country_id\":\"16\",\"birthdate\":\"1986-08-02T22:00:00.000Z\",\"birthdate_2\":\"1986-08-02T22:00:00.000Z\",\"telephone\":\"+436706079817\",\"web\":null}', '2020-04-29 21:45:59', '2020-04-29 21:45:59'),
(1512, 'Zp7kAK77w44oMRvc', '{\"uid\":\"Zp7kAK77w44oMRvc\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Mi gran querido amigo\",\"summary\":\"Es un dibujo simple a l\\u00e1pices de colores inspirado en la mascota de un amigo (gato) llamado Alex \\n\\nMe gusta dibujar a grafito y a color, desde muy chico dibujo y tengo muchos dibujos m\\u00e1s que hice y me gustar\\u00eda poder llegar lejos dibujando y as\\u00ed poder tener m\\u00e1s materiales para realizar m\\u00e1s dibujos\",\"space\":\"Es una hoja tama\\u00f1o 30x22\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Fabricio\",\"surname\":\"Faccioli\",\"email\":\"Fvfaccioli@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"46216510\",\"address\":\"Pasaje Casablanca 1273\",\"city\":\"Rosario\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"2004-10-10T03:00:00.000Z\",\"birthdate_2\":\"2004-10-10T03:00:00.000Z\",\"telephone\":\"+5493413266949\",\"web\":\"Fabriffaccioli (Instagram)\"}', '2020-04-29 22:09:23', '2020-04-29 22:09:23'),
(1513, 'cbzsnbGZHUUnqu7c', '{\"uid\":\"cbzsnbGZHUUnqu7c\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Painting my Quarantine\",\"summary\":\"This project is a serie of paintings representing my emotional journey through the quarantine in March and April 2020, from self isolation to self alienation. All the paintings are made with acrylic paint on paper or canvas, in different sizes going from 70x50 cm to 100x70 cm.\",\"space\":\"I suggest a a space of minimum 20 square meter, with adjustable lighting.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Alice\",\"surname\":\"Faucher\",\"email\":\"alice.faucher@hotmail.fr\",\"dni_type\":\"Other\",\"dni\":\"92\",\"address\":\"Karl-Marx-Strasse 277\",\"city\":\"Berlin\",\"nacionality\":\"French\",\"country_id\":\"61\",\"birthdate\":\"1992-10-06T23:00:00.000Z\",\"birthdate_2\":\"1992-10-06T23:00:00.000Z\",\"telephone\":\"0033663959144\",\"web\":\"https:\\/\\/www.instagram.com\\/alice.nonsense\\/?hl=fr\"}', '2020-04-29 22:37:09', '2020-04-29 22:37:09'),
(1514, 'JU4QlmTF1vnH2AeE', '{\"uid\":\"JU4QlmTF1vnH2AeE\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"AGUA, TIERRA, FUEGO Y V\\u00cdENTO\",\"summary\":\"\\\"Agua, Tierra, Fuego y V\\u00edento\\\" es un proyecto narrativo fotogr\\u00e1fico sobre un viaje. Durante treinta d\\u00edas, mi familia y yo viajamos en autom\\u00f3vil por tres pa\\u00edses de Am\\u00e9rica Latina. M\\u00e1s de 10,000 kil\\u00f3metros recorridos. El nombre del proyecto est\\u00e1 inspirado en una canci\\u00f3n de una cantante latinoamericana, \\\"Mercedes Sosa\\\". La canci\\u00f3n habla sobre \\\"amor por la tierra\\\", sobre c\\u00f3mo cultivar el afecto, el afecto por las personas y su tierra natal. La m\\u00fasica llena el viaje todo el tiempo y caracteriza el sentimiento y el ritmo entre cada fotograf\\u00eda.\\nToda la narrativa se construy\\u00f3 en dos formatos de captura de im\\u00e1genes: anal\\u00f3gica y digital.\\nUtilic\\u00e9 la pel\\u00edcula anal\\u00f3gica (120mm) para demostrar la magnitud de los paisajes que deslumbramos durante el viaje y la digital para contribuir a la vida cotidiana de la narraci\\u00f3n.\",\"space\":\"Para la exposici\\u00f3n de la obra sugiero una pared blanca con luces dispuestas en cada fotograf\\u00eda.  Las im\\u00e1genes deben tener un formato como A1 e A0. Las fotograf\\u00edas anal\\u00f3gicas podr\\u00edan ser de mayor tama\\u00f1o para ejemplificar la inmensidad de cada paisaje.\\nLa idea de la exposici\\u00f3n es crear un gui\\u00f3n. Un gui\\u00f3n como si fuera el viaje. Presentaci\\u00f3n de las fotograf\\u00edas como gu\\u00eda de viaje. Repase todo el escenario de la exposici\\u00f3n y haga que el espectador se sienta como si estuviera dentro del viaje.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Nicolas\",\"surname\":\"Tapia\",\"email\":\"nicolasricarditapia@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"7102683963\",\"address\":\"Rua Casemiro de Abreu, 1655, ap: 1602\",\"city\":\"Porto Alegre\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1994-11-30T02:00:00.000Z\",\"birthdate_2\":\"1994-11-30T02:00:00.000Z\",\"telephone\":\"+5551997586849\",\"web\":\"@onicolastapia\"}', '2020-04-29 22:42:38', '2020-04-29 22:42:38'),
(1515, 'Wv17WXU8CMY5NuDI', '{\"uid\":\"Wv17WXU8CMY5NuDI\",\"type\":\"artist\",\"tags\":[\"action\",\"sculpture\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Seres y dioses permanentemente solidificados como rocas\",\"summary\":\"La primera parte de la pieza la present\\u00e9 en enero de este a\\u00f1o en Seminario 12 en la Ciudad de M\\u00e9xico en el marco de \\u201cAd Hoc\\u201d curada por Catalina Urtubey. La pieza surge de una investigaci\\u00f3n que comenc\\u00e9 en 2019 a ra\\u00edz de una expedici\\u00f3n de glaciolog\\u00eda y arqueolog\\u00eda de monta\\u00f1a. La pieza se centra en una serie de excavaciones realizadas entre 1965 y 1973 a las faldas del cerro de Tlapacoya, ubicado al frente de los volcanes Iztaccihuatl y Popocat\\u00e9petl, dentro de lo que era el Lago de Chalco, en el valle de M\\u00e9xico. En ellas encontraron varios \\u201chogares\\u201d primitivos de aproximadamente 24,000 a\\u00f1os, la investigaci\\u00f3n se descart\\u00f3, descartando as\\u00ed una veta sobre el poblamiento de Am\\u00e9rica contraria a la establecida. \\n\\nLa pieza fue una acci\\u00f3n\\/lectura cr\\u00edtica y especulativa entorno al paisaje, la espiritualidad de esos probables habitantes y el poder que representa la Historia para los discursos hegem\\u00f3nicos. Para el texto me bas\\u00e9 en papers cient\\u00edficos de vulcanolog\\u00eda, arqueolog\\u00eda y geolog\\u00eda de los mitos (im\\u00e1genes anexas). La propuesta para la Bienal consiste en una ampliaci\\u00f3n de esta investigaci\\u00f3n que incluya los diferentes casos en Am\\u00e9rica Latina, hay hallazgos similares en Chile, Brasil y otros puntos de M\\u00e9xico, con el mismo destino que Tlapacoya. Propongo esculturas basadas en la original, una por cada caso, que ayuden a representar po\\u00e9ticamente cada espacio y cada historia en torno a \\u00e9l, as\\u00ed como un texto que contenga una visi\\u00f3n completa en torno a Latino Am\\u00e9rica.\",\"space\":\"Sugiero un espacio cerrado de 5 o 6 m3 aproximadamente para cuatro esculturas, cada escultura medir\\u00eda entre 90 x 90 x 40 cm y 45 x 45 x 40 cm aprox, las esculturas son de una mezcla de agua, pegamento, diferentes tierras, ceniza y arena cernida, en el interior de los cuadrantes arqueol\\u00f3gicos de cada escultura van colocadas piezas de obsidiana, madera y cer\\u00e1mica. Adjunto el ejemplo de la escultura original que se excav\\u00f3 para la acci\\u00f3n en vivo y esquemas de probables esculturas a desarrollar.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"TANIA XIMENA\",\"surname\":\"RUIZ\",\"email\":\"taniaximenars@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"G33974767\",\"address\":\"Certificados 43\",\"city\":\"Ciudad de M\\u00e9xico\",\"nacionality\":\"Mexicana\",\"country_id\":\"145\",\"birthdate\":\"1985-10-15T06:00:00.000Z\",\"birthdate_2\":\"1985-10-15T06:00:00.000Z\",\"telephone\":\"+5215522184522\",\"web\":\"www.taniaximena.com \\/ @taniaximena\"}', '2020-04-29 22:55:37', '2020-04-29 22:55:37'),
(1516, 'VxplA3Wx79iS3H1U', '{\"uid\":\"VxplA3Wx79iS3H1U\",\"type\":\"artist\",\"tags\":[\"graphic\",\"painting\",\"social-action\",\"performance\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Project E.V.A. (extra vehicular activity): Installation Safetysuit & Performance Spacebaby\",\"summary\":\"Projekt E.V.A. (extra vehicular activity) by Melanie Richter\\ninstallation Safetysuit and performance Spacebaby\\n\\nThe project E.V.A. deals with movement, encounter and interaction of people in space in general and in the public space on site of the project\'s realization. Our urge to explore, human need for contact and everyday interactions are basic contents of the project E.V.A. The development in space travel, globalisation and communication in everyday life are cornerstones for the art and interaction of E.V.A.\\nWith the installation \'Safetysuit\' I develop artistic protective suits as works of a painting group installatively in space like an anonymous \'protective force\'.\\nThe performance and social interaction \'Spacebaby\' in the exhibition and\\/or in public space invites communication and debate and leads to the \'individualisation of the installation\'. For the forms of communication here, I evaluate new experiences that we are currently having in times of crisis in our private and public lives and in our social environment. \\nFor the performance \'Spacebaby\' I make parts of protective clothing to wear. For example face visors and gloves. These are worn by me during the performance and are used for communication and interaction with visitors and passers-by.\",\"space\":\"Installation: Indoor room surface of at least 16 x 32 ft, ceiling high about 9 ft.\\nDepending on the local conditions, an installation with 10 to 30 works of art of the \'safetysuits\' is created. \\nPerformance: temporarily indoor exhibition place, or outdoor on street where people can meet, radius 16 ft min.\\nSpace for this can be the exhibition space as well as the public space.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"http:\\/\\/melanierichter.de\\/safetysuit\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Melanie\",\"surname\":\"Richter\",\"email\":\"melanierichter@me.com\",\"dni_type\":\"DNI\",\"dni\":\"L80FG02P2\",\"address\":\"Schorlemerstr. 32\",\"city\":\"40545 D\\u00fcsseldorf\",\"nacionality\":\"german\",\"country_id\":\"61\",\"birthdate\":\"1964-03-23T23:00:00.000Z\",\"birthdate_2\":\"1964-03-23T23:00:00.000Z\",\"telephone\":\"+49 170 8118735\",\"web\":\"www.melanierichter.de\"}', '2020-04-29 22:59:37', '2020-04-29 22:59:37'),
(1517, 'evuCZqZqF6KkY3nl', '{\"uid\":\"evuCZqZqF6KkY3nl\",\"type\":\"artist\",\"tags\":[\"graphic\",\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Personas.\",\"summary\":\"La obra est\\u00e1 compuesta por 20 collages hechos \\u00edntegramente en papel obra 118 g\\/m2 de 17 por 12,5 cm cada uno. \\nLos mismos fueron agrupados de a dos casi al azar para ser presentados. S\\u00f3lo se tuvo en cuenta el juego intuitivo entre los colores sin demasiada elucubraci\\u00f3n. \\nEl papel est\\u00e1 coloreado en masa. Se utilizaron los ocho colores incluidos gen\\u00e9ricamente en el block de dibujo que me regalaron para mi \\u00faltimo cumplea\\u00f1os.\\n\\nNos toc\\u00f3 atravesar muchos d\\u00edas de aislamiento por un virus, algo impensado. Encontr\\u00e9 paz en la creaci\\u00f3n manual. \\nPoder elegir formas y colores es una fiel maniobra para sentir la libertad de alguna manera.\\n\\nLa cuarentena me hizo pensar muchas cosas. Cada persona en su entorno, con la vida que lleva, sus espacios, sus v\\u00ednculos, sus elecciones (o no): eso es lo que cuento en mis collages.\\nSin darme cuenta utilic\\u00e9 formas simples para graficar la complejidad de los v\\u00ednculos y las relaciones de cada collage.\\n\\nY vos, \\u00bfqu\\u00e9 ves? \\u00bfqu\\u00e9 sent\\u00eds? \\u00bfte sugiere algo?\\n\\nGracias por la oportunidad.\",\"space\":\"Una pared blanca de 1m por 1,5 m es suficiente para hacer una linda puesta, pero estoy abierta a nuevas ideas.\\nAdem\\u00e1s adjunto un video con la secuencia de collages y una canci\\u00f3n de fondo de mi autor\\u00eda, que puede llegar a funcionar bien. Al final aparece un texto que intenta describir la situaci\\u00f3n seg\\u00fan mi punto de vista e intenta cuestionar la realidad. Tal vez podr\\u00eda proyectarse el video en otra pared blanca del recinto en el caso de que los collages tengan el placer de ser expuestos.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/open.spotify.com\\/track\\/0bsPuFJBSqDSsHY2oRsbT5?si=8cXUIi0zRY6FmsnVAzQBwA\",\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Mar\\u00eda Victoria\",\"surname\":\"Beverati\",\"email\":\"vickybeverati@hotmail.com\",\"dni_type\":\"DNI\",\"dni\":\"29752818\",\"address\":\"Murillo 677. 5to c\",\"city\":\"CABA\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1982-08-30T03:00:00.000Z\",\"birthdate_2\":\"1982-08-30T03:00:00.000Z\",\"telephone\":\"1559519994\",\"web\":\"@vic_insomnia\"}', '2020-04-29 23:11:07', '2020-04-29 23:11:07'),
(1518, '9rjv8taCdaseFPwO', '{\"uid\":\"9rjv8taCdaseFPwO\",\"type\":\"artist\",\"tags\":[\"social-action\"],\"group\":\"yes\",\"group_name\":null,\"project_title\":\"MUMORA\",\"summary\":\"MUMORA -Museo M\\u00f3vil de la Randa-, es un proyecto colectivo cuyo objetivo es mostrar un Patrimonio Cultural Inmaterial, el arte textil de la Randa de El Cercado (Monteros, Tucum\\u00e1n).\\nLos museos suelen ser aquellos edificios hist\\u00f3ricos emblem\\u00e1ticos de las ciudades que albergan el patrimonio y las producciones de artistas que han impactado de alguna manera en las distintas escenas. La historiograf\\u00eda del arte tambi\\u00e9n nos ha dado museos imaginarios como el de Malraux o port\\u00e1tiles como el Duchamp, y es en esta genealog\\u00eda de museos que se inscribe MUMORA: un dispositivo itinerante que permite que un patrimonio tan enraizado, inmerso en un espacio-tiempo, sea interpretado desde otros p\\u00fablicos, \\u00e1mbitos y geograf\\u00edas. MUMORA presenta la obra Autobiograf\\u00edas Randeras. Cada tejedora desarroll\\u00f3 una Randa que expone las caracter\\u00edsticas que considera personales, en la que teji\\u00f3 su vida e historia. Los motivos, aumentos, tama\\u00f1os de ojos, bordados y formas fueron cuidadosamente elegidos, dando como resultado composiciones que las identifican. De modo que cada pieza funciona como un autorretrato que a la vez condensa la potencia de muchas vidas: abuelas, bisabuelas, vecinas, hermanas y amigas. Cada Randa Autobiogr\\u00e1fica est\\u00e1 acompa\\u00f1ada de un texto tejido por su autora. Estos textos-textiles dan cuenta de historias de vida, de formas de hacer, en definitiva, nos muestran una manera de vivir en comunidad y el valor de un legado que se transmite de generaci\\u00f3n en generaci\\u00f3n.\",\"space\":\"\\u201cMUMORA\\u201d consiste en una estructura port\\u00e1til de car\\u00e1cter itinerante que a\\u00fana la producci\\u00f3n de 25 Randeras. Las Randas tejidas se realizaron a partir de la consigna Autobiograf\\u00edas Randeras. Cada Randera teji\\u00f3 una randa que funciona como un n\\u00facleo biogr\\u00e1fico. Estas estar\\u00e1n tensadas, del mismo modo que las randeras tensan las mallas para bordarlas en un bastidor, pero en esta ocasi\\u00f3n se tensar\\u00e1n en un bastidor com\\u00fan: este gran bastidor com\\u00fan es el MUMORA.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Claudia\",\"surname\":\"Aybar\",\"email\":\"mizrahiale@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"21165779\",\"address\":\"el cercado\",\"city\":\"monteros\",\"nacionality\":\"argentina\",\"country_id\":\"9\",\"birthdate\":\"1969-11-25T03:00:00.000Z\",\"birthdate_2\":\"1969-11-25T03:00:00.000Z\",\"telephone\":\"3863590483\",\"web\":null},{\"names\":\"Lucila\",\"surname\":\"Galindez\",\"email\":\"lucilagal78@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"26966212\",\"address\":\"Pje. F\\u00e9lix Fr\\u00edas 459 U. 3\",\"city\":\"San Miguel de Tucum\\u00e1n\",\"nacionality\":\"argentina\",\"country_id\":\"9\",\"birthdate\":\"1978-11-09T03:00:00.000Z\",\"birthdate_2\":\"1978-11-09T03:00:00.000Z\",\"telephone\":\"381 4428513\",\"web\":null}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Alejandra\",\"surname\":\"Mizrahi\",\"email\":\"mizrahiale@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"29060359\",\"address\":\"24 de septiembre 171, 6A\",\"city\":\"San Miguel de Tucum\\u00e1n\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1981-09-21T03:00:00.000Z\",\"birthdate_2\":\"1981-09-21T03:00:00.000Z\",\"telephone\":\"381154181900\",\"web\":\"http:\\/\\/alejandramizrahi.com\\/\"}', '2020-04-29 23:22:23', '2020-04-29 23:22:23'),
(1519, 'bxhvGAUhTH0AVlxW', '{\"uid\":\"bxhvGAUhTH0AVlxW\",\"type\":\"artist\",\"tags\":[\"instalation\",\"action\"],\"group\":\"yes\",\"group_name\":\"Paul Pozozza Museum:  Marcel Hardung, Julia Lohmann, G\\u00fcnter Thorn, Marcus Kaiser, Hiroku Inoue, Rainer Komers\",\"project_title\":\"International Artist Habitat\",\"summary\":\"International Artist Habitat\\n\\nThe \\u201eimmigrant artists shelter\\u201c - habitat is a structure developed from the two images of a puppet house and a cloister cells. \\n\\nIt is another model for a new living museum and as such following the general idea of the Paul Pozozza Museum that the artists work in situ instead of just sending their artwork to museums. \\n\\nThe public can participate by just watching the artistic process or also being involved in it themthelves.\\n\\nFor example:\\nMarcus Kaiser, the composer, can bring up a sound \\u2013 composition in a landscape garden and public chorus,\\nhttp:\\/\\/marcus-kaiser.net\\/marcus-kaiser.html\\nhttp:\\/\\/www.opernfraktal.de\\/\\n\\n\\nG\\u00fcnter Thorn, sculptor and musician, show the transparency of material glass in physical static optic phenomena\\nhttp:\\/\\/www.guenter-thorn.de\\/\\n\\nMarcel Hardung, sculptor,  follows the principle of rotation and connections of ceremonies within 5000 years of the folks around the globe with reference to Aby Warburgs Ethnology.\\nwww.marcelhardung.com\\n\\nJulia Lohmann, painter-sculptor, shows how to use color as a tool for diverse perceptions of the world and movement in space. \\nhttps:\\/\\/julialohmann.com\\n\\nThe project can be enlarged by 4 more international artists up tp 8 artists.\\n\\nArt Curators of Paul Pozozza Museum during all the years are the art historian Dr. Stephan von Wiese, former Director of 20 century art of the Museum Kunstpalast D\\u00fcsseldorf and the publisher of the Pozozza Studies, Dr. Marcus Mueller.\",\"space\":\"Concerning the space there are two possibilities. We can find an existing empty traditional house in which the installation can be developed and be open to the public,\\n\\nor\\nthe cells for the artists can be build up\\ninside an institute\\/ exhibition hall, transparent and visible for the public.\\n\\nThe material is a steel construction like a scaffold covered with plywood.\\nWe  calculate 20 squaremeters per artist, 4-8 artists means 160 \\u2013 200 squaremeters.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Marcel\",\"surname\":\"Hardung\",\"email\":\"julialohmann@gmx.net\",\"dni_type\":\"Other\",\"dni\":\"L 6 W L 7 5 Y X 2 9\",\"address\":\"Hoffeldstr. 42  D 40235 D\\u00fcsseldorf Germany\",\"city\":\"Duesseldorf\",\"nacionality\":\"German     Germany\",\"country_id\":\"61\",\"birthdate\":\"1958-08-29T22:00:00.000Z\",\"birthdate_2\":\"1958-08-29T22:00:00.000Z\",\"telephone\":\"0049211 685780\",\"web\":\"www.marcelhardung.com\"},{\"names\":\"Julia\",\"surname\":\"Lohmann\",\"email\":\"julialohmann@gmx.net\",\"dni_type\":\"Other\",\"dni\":\"L 6 W L 7 5 Y X 2 9\",\"address\":\"Hoffeldstr. 42  D 40235 D\\u00fcsseldorf Germany\",\"city\":\"Duesseldorf\",\"nacionality\":\"German\",\"country_id\":\"61\",\"birthdate\":\"1951-11-21T23:00:00.000Z\",\"birthdate_2\":\"1951-11-21T23:00:00.000Z\",\"telephone\":\"0049 211 6913308\",\"web\":\"www.julialohmann.com\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.julialohmann.com\\/habitat\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Marcel  and Julia\",\"surname\":\"Hardung and Lohmann\",\"email\":\"julialohmann@gmx.net\",\"dni_type\":\"Other\",\"dni\":\"L 6 W L 7 5 Y X 2 9 and L 8 0 G H H 4 J 7\",\"address\":\"Hoffeldstr. 42 D 40235 Duesseldorf  Germany\",\"city\":\"Duesseldorf\",\"nacionality\":\"German     Germany\",\"country_id\":\"61\",\"birthdate\":\"1951-11-21T23:00:00.000Z\",\"birthdate_2\":\"1951-11-21T23:00:00.000Z\",\"telephone\":\"0049211 6913308\",\"web\":\"www.marcelhardung.com; https:\\/\\/julialohmann.com\\/; http:\\/\\/www.guenter-thorn.de\\/; http:\\/\\/marcus-kaiser.net\\/marcus-kaiser.html; http:\\/\\/www.opernfraktal.de\\/; http:\\/\\/www.poetenladen.de\\/rainer-komers.htm; http:\\/\\/www.sela5.de\\/hiroko-inoue-neue-fotoarbeiten\\/; https:\\/\\/de.wikipedia.org\\/wiki\\/Paul_Pozozza_Museum; www.paulpozozzamuseum.de\"}', '2020-04-29 23:29:18', '2020-04-29 23:29:18'),
(1520, 's1opD7u00Cp67U5X', '{\"uid\":\"s1opD7u00Cp67U5X\",\"type\":\"artist\",\"tags\":[\"video\",\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Sonia De Saint Juste - Experimental video\",\"summary\":\"With the series of video that I made, I want to try to catch the beauty of youth with non perfect video. My aim was to create a particular atmosphere like a video in the past. I choose to send you the video called \\\" Ahriman\\\" because it is the most representativ of my approach. I did the music too.\",\"space\":\"There is no particular suggested exhibition. Just a wall to project the film.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Servy\",\"surname\":\"Sonia\",\"email\":\"soniaservcontact@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"150621200122\",\"address\":\"Rue du Chablais 8A\",\"city\":\"Muraz\",\"nacionality\":\"French\",\"country_id\":\"43\",\"birthdate\":\"1990-03-23T23:00:00.000Z\",\"birthdate_2\":\"1990-03-23T23:00:00.000Z\",\"telephone\":\"+410793405605\",\"web\":\"https:\\/\\/soniaservcontact.wixsite.com\\/artvideo\"}', '2020-04-29 23:41:05', '2020-04-29 23:41:05'),
(1521, 'HA4gfOQ9tke8fvBL', '{\"uid\":\"HA4gfOQ9tke8fvBL\",\"type\":\"artist\",\"tags\":[\"action\"],\"group\":\"yes\",\"group_name\":null,\"project_title\":\"V Rep\\u00fablica de la Boca\",\"summary\":\"Este proyecto propone retomar de manera ficticia el m\\u00edtico movimiento separatista iniciado en el barrio de La Boca a fines del 1800, en el cual un grupo de genoveses inici\\u00f3 una rebeli\\u00f3n para reclamar la autonom\\u00eda administrativa de La Boca. De este movimiento (en el cual, seg\\u00fan la leyenda, se iz\\u00f3 la bandera genovesa al lado del Riachuelo, se escribi\\u00f3 una carta al Rey de Italia para notificarlo de la decisi\\u00f3n, e incluso Julio A. Roca fue en persona al barrio para arreglar el conflicto y abortar la idea de independizarse) hay nulos documentos de archivo, pero la transmisi\\u00f3n oral de la historia fue raz\\u00f3n suficiente para que la Rep\\u00fablica de la Boca fuera organizada tres veces m\\u00e1s en los a\\u00f1os 1907, 1923 y 1986.  Cada una de ellas tuvo un fuerte prop\\u00f3sito cultural, agrupando a las personalidades del barrio en tertulias y festejos, y designando puestos ficticios de car\\u00e1cter aristocr\\u00e1tico, tales como presidentes, ministros y  embajadores. \\nProponemos la organizaci\\u00f3n de una V Rep\\u00fablica de la Boca, como un evento que conglomere a distintas personalidades boquenses y facilite una conversaci\\u00f3n entre ellas para imaginar el barrio como un estado independiente. Se elaborar\\u00e1 un acta ficticia de independencia y se realizar\\u00e1 una ceremonia de designaci\\u00f3n de puestos para cada unx de los vecinxs convocadxs. Se realizar\\u00e1 una exposici\\u00f3n visual con ciudadanxs locales (con obras de su autor\\u00eda o colecciones- por ej: los cuadros de alg\\u00fan bodeg\\u00f3n), m\\u00fasica en vivo, danza, lectura de textos, y comida.\",\"space\":\"Pensamos en un espacio cerrado amplio donde podamos conglomerar numerosas obras visuales, bi y tridimensionales, disponer sillas para una conversaci\\u00f3n con por lo menos 10 participantes y para el p\\u00fablico, e incluir alguna performance de danza o m\\u00fasica. Pensamos en el espacio Munar, por su ubicaci\\u00f3n en La Boca, por la subdivisi\\u00f3n de las salas (que facilitar\\u00edan la disposici\\u00f3n de cada actividad del evento) y la posibilidad de utilizar el patio y su parrilla para proporcionar comida y bebida.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Gonzalo\",\"surname\":\"Duro\",\"email\":\"gonzalodurop@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"32696259\",\"address\":\"Bola\\u00f1os 63\",\"city\":\"CABA\",\"nacionality\":\"Argentino\",\"country_id\":\"9\",\"birthdate\":\"1986-11-29T03:00:00.000Z\",\"birthdate_2\":\"1986-11-29T03:00:00.000Z\",\"telephone\":\"1158318589\",\"web\":\"https:\\/\\/www.instagram.com\\/gonesponja\\/\"}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Carolina\",\"surname\":\"Bencardino\",\"email\":\"carriepuzzle@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"37969195\",\"address\":\"Bola\\u00f1os 63\",\"city\":\"CABA\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1993-11-17T03:00:00.000Z\",\"birthdate_2\":\"1993-11-17T03:00:00.000Z\",\"telephone\":\"1157080647\",\"web\":\"https:\\/\\/instagram.com\\/carriepuzzle\"}', '2020-04-29 23:51:30', '2020-04-29 23:51:30'),
(1522, 'ZznnTWkoESGn2OPN', '{\"uid\":\"ZznnTWkoESGn2OPN\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Todo hombre es bueno a la vista del gran esp\\u00edritu\",\"summary\":\"Esta pieza visual figurativa hace referencia a los nativos Sioux Americanos y uno de sus m\\u00e1s grandes referentes, (Toro sentado) contradictoria y metaf\\u00f3ricamente con la imagen del sumo pont\\u00edfice de la iglesia Cat\\u00f3lica. \\n\\nLa composici\\u00f3n se representa en un encuadre y plano americano complementados con un primer plano en blanco y negro haciendo analog\\u00eda al olvido.\\n\\nSe propone visibilizar a los nativos del planeta mediante im\\u00e1genes de alto impacto para generar diversas percepciones en el observador. \\n\\nEn este caso la filosof\\u00eda de vida de los nativos Americanos contra los dogmas y preceptos de la iglesia cat\\u00f3lica con sus diversos desarrollos \\u00e9ticos y morales. La historia y el presente, la utop\\u00eda y la realidad, el derramamiento de sangre y el derroche social, lo que pudo ser y lo que fue, en conclusi\\u00f3n, \\u00a8el mundo que no fue y el que nos toco\\u00a8.\\n\\nEn tiempos planos, opacos y confusos apoyados en una cultura light y una era de la informaci\\u00f3n dominante, se hace necesario crear im\\u00e1genes visuales figurativas con alto contenido integral para generar diversas percepciones que de alg\\u00fan modo motiven al p\\u00fablico a pensar y a sentir de una forma m\\u00e1s directa.\\n\\nDebo aclarar que la pieza forma parte de una serie de 10, en el mismo formato, donde se prioriza la imagen de diversos abor\\u00edgenes de las Americas, buscando su visibilidad y reconocimiento en nuestros d\\u00edas.\",\"space\":\"Serie: NATIVOS\\n\\nTitulo: TODO HOMBRE ES BUENO A LA VISTA DEL GRAN ESPIRITU.\\n\\nTecnica: OLEO SOBRE LIENZO\\n\\nFormato: 1,70 m x 1, 00 m\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Mauricio\",\"surname\":\"Gutierrez Diaz\",\"email\":\"mauricioguti75@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"86047992\",\"address\":\"calle 15 numero 47 _ 15 casa 59 conjunto hacienda el trapiche 2\",\"city\":\"villavicencio\",\"nacionality\":\"colombiano\",\"country_id\":\"51\",\"birthdate\":\"1975-08-24T05:00:00.000Z\",\"birthdate_2\":\"1975-08-24T05:00:00.000Z\",\"telephone\":\"3103412128\",\"web\":\"instagram @maoguti7\"}', '2020-04-30 00:22:22', '2020-04-30 00:22:22'),
(1523, 'b8ynTcutWaRrLYIA', '{\"uid\":\"b8ynTcutWaRrLYIA\",\"type\":\"artist\",\"tags\":[\"photography\",\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Desencuentros\",\"summary\":\"El proyecto \\\"Desencontros\\\" se comunica con los espectadores sobre sus sentimientos y sensaciones. Su objetivo es poner en perspectiva las conexiones que buscan en su vida, los espacios que intentan llenar y aquellos que inevitablemente permanecer\\u00e1n vac\\u00edos. En el momento casi dist\\u00f3pico en que vivimos, el deseo de estar en contacto con el mundo externo es universal y, al mismo tiempo, individual, profundamente \\u00edntimo: una verdadera paradoja. En el trabajo del n. 1 el cristal roto, casi imperceptible, que a\\u00fan no se ha deshecho en su totalidad, y las ra\\u00edces de los manglares de la costa de Sao Paulo (obras n. 2 y 3), que, f\\u00edsicamente, son muy similares a nuestras venas, se sobreponen con los edificios ic\\u00f3nicos de la ciudad, como el Copan, y representan el deseo de fijarnos en algo que es fugaz, casi desapareciendo, perdiendo su color. Los caminos que trazamos est\\u00e1n en des(encuentro) con aquellos que el agua traza en el suelo, \\nhasta el momento en que el r\\u00edo se encuentra con el mar. Los colores utilizados, predominantemente rojo y dorado, caracterizan la sangre y la luz, la belleza y la dureza que existe al vivir en la tierra. \\nLas tres obras buscan mostrar el movimiento, el cambio, la inconstancia y las oposiciones que trae la vida. Mezclando varias t\\u00e9cnicas, es creada la sensaci\\u00f3n de im\\u00e1genes que est\\u00e1n en construcci\\u00f3n, en dualidades de luz y sombra, lleno y vac\\u00edo, ligero y pesado, naturaleza y ciudad, org\\u00e1nico y concreto, aislamiento y conectividad.\",\"space\":\"Tres pantallas de 1.20 x 1m x 3 cm, que contienen impresiones de fotograf\\u00edas sobrepuestas e intervenciones en pintura acr\\u00edlica, aceite, varios tipos de bol\\u00edgrafo y pan de oro. La idea es que las fotograf\\u00edas est\\u00e9n una al lado de la otra, a una distancia de 15 cm entre cada una, con el centro a 40 cm del suelo. La iluminaci\\u00f3n puede ser directa, desde arriba o indirecta, desde el medio del ambiente y las obras clavadas en la pared. Las obras no tienen un orden espec\\u00edfico de montaje.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Luisa\",\"surname\":\"Marujo Ibrahim\",\"email\":\"luisa.ibrahim@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"38.409.566-5\",\"address\":\"Rua Paulist\\u00e2nia, 215, apto. 212\",\"city\":\"Sao Paulo\",\"nacionality\":\"Brasil\",\"country_id\":\"34\",\"birthdate\":\"1992-07-26T03:00:00.000Z\",\"birthdate_2\":\"1992-07-26T03:00:00.000Z\",\"telephone\":\"+5511970281033\",\"web\":\"https:\\/\\/luisamarujo.myportfolio.com\\/\"}', '2020-04-30 00:33:33', '2020-04-30 00:33:33'),
(1524, 'PaUF4ulJCXWw66pO', '{\"uid\":\"PaUF4ulJCXWw66pO\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Homoerotismo Brasile\\u00f1o en la Contemporaneidad\",\"summary\":\"Con mucho erotismo, desnudos y hedonismo. Centrado en la belleza libidinosa, adem\\u00e1s de la percepci\\u00f3n visual, el proyecto esta influenciado por las pinturas renacentistas, especialmente las n\\u00f3rdicas e italianas, por las pel\\u00edculas de Antonioni, la arquitectura e incluso el sexo virtual, ilustra una narrativa seductora, oscura y misteriosa protagonizada por cuerpos masculinos que exudan belleza en sus formas m\\u00e1s variadas.\\nLa obra es cl\\u00e1sica como barroca. En ambos movimientos vemos la sensualidad de las l\\u00edneas, la insinuaci\\u00f3n, el florecimiento y la pretensi\\u00f3n en el adorno que impresiona, cautiva, atrapa. Un sentido de magnificencia que es capaz de aplastar almas comunes y sublimar esas almas iluminadas: un abordaje del desnudo er\\u00f3tico brasile\\u00f1o masculino como art\\u00edstico, un culto directo al cuerpo humano en perfecci\\u00f3n y alegor\\u00eda de lo fant\\u00e1stico como una respuesta hacia la represi\\u00f3n moral establecida en ciertos c\\u00edrculos sociales y art\\u00edsticos, que como menciona Foucault consisten en una represi\\u00f3n en la sexualidad del sujeto moderno.\",\"space\":\"Sugiero un espacio cuadrado o rectangular o en su defecto una pared entera de aproximadamente 6-8 metros de largura para exhibir un total de 6 piezas (medidas variables desde 50 cms hasta 120 cms) representativas de la serie \\\"Homoerotismo Brasile\\u00f1o en la Contemporaneidad\\\"\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Alberto\",\"surname\":\"Escobar\",\"email\":\"escobar_pintor@hotmail.com\",\"dni_type\":\"Otro\",\"dni\":\"B04279667\",\"address\":\"Av. Adhemar de Barros, 447\",\"city\":\"Salvador de Bah\\u00eda\",\"nacionality\":\"Salvadore\\u00f1o\",\"country_id\":\"34\",\"birthdate\":\"1990-01-22T02:00:00.000Z\",\"birthdate_2\":\"1990-01-22T02:00:00.000Z\",\"telephone\":\"+5571982725610\",\"web\":\"www.artescobar.com\"}', '2020-04-30 00:34:22', '2020-04-30 00:34:22'),
(1525, 'sidL5BKIdjPKMoDg', '{\"uid\":\"sidL5BKIdjPKMoDg\",\"type\":\"artist\",\"tags\":[\"social-action\",\"performance\",\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"A-cercate\",\"summary\":\"A-cercate es un proyecto performance de intervenci\\u00f3n urbana que pretende provocar la expresi\\u00f3n oral en p\\u00fablico, interpelando a la comunidad con un instrumento y\\/o herramienta (micro abierto con atril) que permite la libre expresi\\u00f3n, proponiendo la deconstrucci\\u00f3n del l\\u00edmite que se da entre orador y espectador, trayendo al espacio p\\u00fablico un objeto de concepci\\u00f3n y uso reservado. \\nEn Uruguay se han generado expresiones art\\u00edsticas de intervenci\\u00f3n urbana, fuera de las instituciones habituales para \\u00e9stas; pero no se ha propuesto la deconstrucci\\u00f3n del rol del espectador en el espacio urbano. \\nEn A-cercate proponemos un espacio para el espectador como protagonista en la generaci\\u00f3n del discurso, cualquiera que este sea y su interacci\\u00f3n con el objeto (micr\\u00f3fono+atril) provocando la posibilidad de \\u00e9sta y la deconstrucci\\u00f3n de la simbolog\\u00eda en su posible socializaci\\u00f3n. El artista entonces se propone como provocador del espacio a trav\\u00e9s del objeto en cuesti\\u00f3n, convirti\\u00e9ndose en espectador y\\/o observador, dejando al libre albedr\\u00edo la sucesi\\u00f3n de los eventos. \\nLa visibilidad del proyecto se concretar\\u00e1, luego de la intervenci\\u00f3n, en la elaboraci\\u00f3n de un audiovisual para poder difundir el contenido.\",\"space\":\"Es una intervenci\\u00f3n itinerante en diferentes plazas p\\u00fablicas en Montevideo, Uruguay, donde se colocar\\u00e1n atriles con micr\\u00f3fonos, estos estar\\u00e1n sobre un peque\\u00f1o podio. Los micr\\u00f3fonos estar\\u00e1n abiertos, puestos a disposici\\u00f3n y deseo de los transe\\u00fantes; todas las im\\u00e1genes y sonidos resultantes de esta intervenci\\u00f3n se recoger\\u00e1n para la realizaci\\u00f3n de un audiovisual que compile todos los sucesos en los diferentes espacios. \\nSon necesarios:  micr\\u00f3fono, consola de sonido y amplificaci\\u00f3n.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Marcos\",\"surname\":\"Burgos Ezavin\",\"email\":\"ezavan.art@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"59780875\",\"address\":\"Dr. Herm\\u00f3genes Alvarez 3246, 002\",\"city\":\"Montevideo\",\"nacionality\":\"Uruguayo - Cubano\",\"country_id\":\"235\",\"birthdate\":\"1978-11-14T03:00:00.000Z\",\"birthdate_2\":\"1978-11-14T03:00:00.000Z\",\"telephone\":\"+(598) 97015005\",\"web\":\"@ezavanart\"}', '2020-04-30 00:57:48', '2020-04-30 00:57:48');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1526, '7l6Uab1ImMYJMexO', '{\"uid\":\"7l6Uab1ImMYJMexO\",\"type\":\"artist\",\"tags\":[\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"El chapuz\\u00f3n\",\"summary\":\"O dia est\\u00e1 ensolarado, o desejo de um mergulho \\u00e9 trocado por uma experi\\u00eancia frente \\u00e0s telas, em muitos casos, como \\u00fanica op\\u00e7\\u00e3o. Nos voltamos cada vez mais para nossos dispositivos luminosos em busca de prazer, satisfa\\u00e7\\u00e3o e contato (agora mais do que nunca em estado de pandemia) e desta forma experimentamos o mundo atrav\\u00e9s da sua representa\\u00e7\\u00e3o. El chapuz\\u00f3n (inspirado na obra The bigger splash de David Hockney) prop\\u00f5e uma submers\\u00e3o no virtual e na encena\\u00e7\\u00e3o do mundo a partir do imagin\\u00e1rio de uma piscina.  Ser\\u00e1 a nossa rela\\u00e7\\u00e3o quando mediada por ecr\\u00e3s uma experi\\u00eancia rebaixada (ou elevada) do quotidiano? Ali, tudo \\u00e9 alcan\\u00e7\\u00e1vel. O virtual, assim como um mergulho, nos seduz, e mesmo reconhecendo seus artif\\u00edcios, nos afogamos em uma fascina\\u00e7\\u00e3o primordial, em uma imers\\u00e3o da mente no simulado latente do ciberespa\\u00e7o.\",\"space\":\"El chapuz\\u00f3n \\u00e9 uma instala\\u00e7\\u00e3o que necessita uma \\u00e1rea aproximada de 4 x 3m. A pintura azul na parede possui 3.73 x 2.10 m (propor\\u00e7\\u00e3o 16:9).\\nO p\\u00fablico n\\u00e3o dever\\u00e1 subir no trampolim (base de concreto e t\\u00e1bua de madeira), este tem um total de 2.14 m e est\\u00e1 a 60cm da parede. A t\\u00e1bua possui uma espessura de 2cm. \\n\\n\\u00c9 necess\\u00e1rio ilumina\\u00e7\\u00e3o padr\\u00e3o de espa\\u00e7os expositivos e um refletor elipsoidal para a ilumina\\u00e7\\u00e3o recortada do ret\\u00e2ngulo azul.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Mari\",\"surname\":\"Nagem\",\"email\":\"oemaildamari@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"13.113.899\",\"address\":\"Rua Antonio Bicudo 238, Apt 2\",\"city\":\"S\\u00e3o Paulo\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1984-07-21T03:00:00.000Z\",\"birthdate_2\":\"1984-07-21T03:00:00.000Z\",\"telephone\":\"+55 11 96832 6286\",\"web\":null}', '2020-04-30 01:17:57', '2020-04-30 01:17:57'),
(1527, 'xoVZ2mpWQOepCIMs', '{\"uid\":\"xoVZ2mpWQOepCIMs\",\"type\":\"artist\",\"tags\":[\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"The Ocean Inside\",\"summary\":\"I have filmed both the beauty of coral reefs and their current demise as a result of the ocean\\u2019s changing chemistry. The Ocean Inside is based on my intensely personal experience of witnessing the devastating effects of climate change and other human-made environmental stresses on the coral reefs first-hand, because I grew up in the Caribbean. \\n\\nOn a large translucent projection veil from polyester voile, 4 meters wide and 2.45 m high, I have hand-printed a linocut pattern with reflecting mica, depicting a network of plankton as the web of life. Handmade patterns intersect and juxtapose the digital projection. Video projected on sheer fabric with a pattern of this quality acquires an animated character through the changing reflections of the mica and unique integration of pattern and projection. \\n\\nMy video footage presents beauty and degradation in the ocean, human impact on reefs and seashore, melded with images of my art. It serves to heighten awareness of climate change a\\ufb00ecting the oceans, generate ecological literacy, re\\ufb02ecting on the passage of time, human exceptionalism and connectedness of life. \\n\\nTo complement the soundtrack of natural recorded soundscapes and sound-effects, I have recorded waves of voices that speak 16 short statements in their native languages : Dutch, English, French, Greek, Japanese, Mandarin, Nahuatl, Papiamentoe, Polish, Russian, Shona, Spanish, Tagalog, Te Reo M\\u00e3ori and Urdu.\\n\\nThe video is 15 minutes long and has audio spoken in 15 languages.\",\"space\":\"A dark space is paramount.\\n\\n1.\\tVideo projector and audio speakers\\n2.\\tDark room or space darkened by black-out fabric, to fit veil of 2.5 high x 4 meters wide. Throw distance from projector to veil approx 3-4 m\\n3.\\tHanging Requirements: \\nThe material is very light and the best way to hang it is stretched between the walls, by\\nthreading a steel aircraft-wire is through the top sleeve of the veil and anchoring it to metal hooks on the wall.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/TVeF0DT3dG4\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Eveline Wilhelmina\",\"surname\":\"Kolijn\",\"email\":\"evelinekolijn@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"148611-205\",\"address\":\"508 Bearspaw village Ridge\",\"city\":\"Calgary\",\"nacionality\":\"Canadian\",\"country_id\":\"41\",\"birthdate\":\"1962-04-23T06:00:00.000Z\",\"birthdate_2\":\"1962-04-23T06:00:00.000Z\",\"telephone\":\"+1 4036810932\",\"web\":\"www.evelinekolijn.com\"}', '2020-04-30 01:29:03', '2020-04-30 01:29:03'),
(1528, 'nTRARse2i0sw7Ugn', '{\"uid\":\"nTRARse2i0sw7Ugn\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":\"Teresa Berlinck. Colabora\\u00e7\\u00e3o: C\\u00e9lia Cymbalista\",\"project_title\":\"Ephemeroptera\",\"summary\":\"A brevidade da exist\\u00eancia inspira esta instala\\u00e7\\u00e3o em que milhares de pe\\u00e7as de cer\\u00e2mica repousam no piso, representando efemer\\u00f3pteros mortos. As pe\\u00e7as formam um c\\u00edrculo de cerca de cinco metros de di\\u00e2metro em torno de uma l\\u00e2mpada que desce do teto no ambiente em penumbra.\\n\\nOs efemer\\u00f3pteros (Ephemeroptera) s\\u00e3o uma ordem de insetos que quando ninfas s\\u00e3o aqu\\u00e1ticas e quando adultas emergem da \\u00e1gua, desenvolvem asas e voam em enxames para acasalar, colocar ovos e morrer, em menos de 24 horas. O nome Ephemeroptera deriva do grego ephemeros, significa \\u201cdura\\u00e7\\u00e3o de um dia\\u201d.\\n\\nCom ideia original de 2006, em 2018 procurei C\\u00e9lia Cymbalista, ceramista a quem pedi ajuda para executar o trabalho. A partir de ent\\u00e3o a produ\\u00e7\\u00e3o se transformou em parceria. Al\\u00e9m disso, para contaminar o trabalho com a energia de muita gente, convidamos dezenas de pessoas para colaborar no processo de modelagem. \\n\\nA produ\\u00e7\\u00e3o e reflex\\u00e3o compartilhadas compensam o que pode faltar na pr\\u00e1tica individual e o fazer coletivo atenua a ideia de autoria em favor da no\\u00e7\\u00e3o de coletividade. Ephemeroptera \\u00e9 uma experi\\u00eancia de coopera\\u00e7\\u00e3o em prol da ideia de representar os ciclos da vida que pertencem a todos e a cada um de n\\u00f3s.\",\"space\":\"A instala\\u00e7\\u00e3o \\u00e9 constitu\\u00edda de aproximadamente nove mil pe\\u00e7as de cer\\u00e2mica em um c\\u00edrculo de aproximadamente 460cm de di\\u00e2metro em torno de uma l\\u00e2mpada que desce do teto, no centro da sala. Ao redor do c\\u00edrculo \\u00e9 necess\\u00e1rio \\u00e1rea para circula\\u00e7\\u00e3o do p\\u00fablico. \\nSala sem ilumina\\u00e7\\u00e3o natural, o trabalho fica na penumbra.\\nPe\\u00e7as medem m\\u00e9dia 4cm (alt) x 5cm (prof) x 4cm (larg), cada. Em diferentes argilas, as cores das pe\\u00e7as variam: branco, marrom, preto,  terracota e dourado, misturadas no c\\u00edrculo do piso.\",\"artists_proposal\":null,\"members\":[{\"names\":\"C\\u00e9lia\",\"surname\":\"Cymbalista\",\"email\":\"celia.cymbalista@uol.com.br\",\"dni_type\":\"Otro\",\"dni\":\"Passaporte FP896725\",\"address\":\"Rua Marizeiro, 668 - Copacabana - CEP 04928000\",\"city\":\"S\\u00e3o Paulo, SP\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1943-06-10T03:00:00.000Z\",\"birthdate_2\":\"1943-06-10T03:00:00.000Z\",\"telephone\":\"511999320655\",\"web\":null}],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Teresa\",\"surname\":\"Berlinck\",\"email\":\"teresaberlinck@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"Passaporte FY341378\",\"address\":\"Alameda Barros, 283, ap 161 - CEP 01232001\",\"city\":\"S\\u00e3o Paulo, SP\",\"nacionality\":\"brasileira - Brasil\",\"country_id\":\"34\",\"birthdate\":\"1962-10-17T03:00:00.000Z\",\"birthdate_2\":\"1962-10-17T03:00:00.000Z\",\"telephone\":\"5511966364106\",\"web\":\"www.teresaberlinck.com.br Instagram teresaberlinck\"}', '2020-04-30 01:35:41', '2020-04-30 01:35:41'),
(1529, 'MmVCltNLR927bblt', '{\"uid\":\"MmVCltNLR927bblt\",\"type\":\"artist\",\"tags\":[\"videoinstallation\"],\"group\":\"yes\",\"group_name\":\"NaGaraca\",\"project_title\":\"V\\u00eddeo-Cartas : Na Garaca\",\"summary\":\"La instalaci\\u00f3n de video \\u201cCorrespondencia cinematogr\\u00e1fica entre GG y MW\\u201d es estructurada en base a las video cartas intercambiadas durante 18 meses entre dos artistas brasile\\u00f1os. Despu\\u00e9s de la migraci\\u00f3n de uno de los artistas al noreste del Brasil, este intercambio de im\\u00e1genes y sonidos surgi\\u00f3 como una posibilidad de comunicaci\\u00f3n entre los amigos G.G. en Recife, PE, y M.W. en S\\u00e3o Paulo, SP.\\nEl intercambio de video cartas se revel\\u00f3 como un espacio para el juego de intercambiar recuerdos, afectos, im\\u00e1genes cotidianas y pensamientos en im\\u00e1genes, difuminando los l\\u00edmites entre imagen y palabra. As\\u00ed, se construy\\u00f3 una unidad formal org\\u00e1nicamente, una unidad particular para los corresponsales (el Ser y el Otro). Por lo tanto, en detrimento del car\\u00e1cter expositivo, inmediato y publicitario de las im\\u00e1genes que inundan la vida cotidiana, esta correspondencia de im\\u00e1genes busca volver a conectar (o reinventar) la relaci\\u00f3n en la que el Otro que recibe (el receptor) est\\u00e1 presente en el Yo que escribe (el remitente).\\nA trav\\u00e9s de la proyecci\\u00f3n mapeada, la instalaci\\u00f3n de video presenta un panel de constelaci\\u00f3n en el que las video-cartas se relacionan con sus fragmentos de im\\u00e1genes y textos de reflexi\\u00f3n. Estas articulaciones tienen como objetivo acercar la experiencia est\\u00e9tica de la correspondencia cinematogr\\u00e1fica a los expectantes, promover una posibilidad de di\\u00e1logo, un espacio de juego e intercambios afectivos y sus poderes, planteando indagaciones sobre la comunicaci\\u00f3n contempor\\u00e1nea.\",\"space\":\"Proyecci\\u00f3n mapeada sobre un soporte de 2 metros de alto por 3 metros de ancho ubicado en un espacio oscuro interno o externo con salida de sonido est\\u00e9reo. Proyector de 3000 ansilumens y altavoz bluetooth amplificado conectado a la computadora con software de proyecci\\u00f3n mapeada. La instalaci\\u00f3n tiene la caracter\\u00edstica de un tablero, y las im\\u00e1genes y textos se proyectan en papeles fijados en el tablero. Su duraci\\u00f3n m\\u00ednima es de tres horas y m\\u00e1xima indefinida.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Mathaus\",\"surname\":\"Woerle\",\"email\":\"mathaus.woerle@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"38893072-X\",\"address\":\"Direcci\\u00f3nRua Marte, 148 - Casa 2 - Novo E\",\"city\":\"Embu\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1991-11-29T03:00:00.000Z\",\"birthdate_2\":\"1991-11-29T03:00:00.000Z\",\"telephone\":\"55 11 944544973\",\"web\":\"Instagram: @na.garaca\"},{\"names\":\"Gabriel\",\"surname\":\"Godoy\",\"email\":\"desinvencal@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"347367921-8\",\"address\":\"Rua Vincente Pinzon, 228 C - Encruzilhada\",\"city\":\"Recife\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1992-03-23T03:00:00.000Z\",\"birthdate_2\":\"1992-03-23T03:00:00.000Z\",\"telephone\":\"55 81 971112627\",\"web\":\"https:\\/\\/desinvencao.wixsite.com\\/website\"}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=uQqsyNoqQfI&list=PLLFi_QSIwM-qI7htBakcDO6CBSUS7eEri\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Gabriel\",\"surname\":\"Godoy\",\"email\":\"desinvencao@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"347367921-8\",\"address\":\"Rua Vincente Pinzon, 228 C - Encruzilhada\",\"city\":\"Recife\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1992-03-23T03:00:00.000Z\",\"birthdate_2\":\"1992-03-23T03:00:00.000Z\",\"telephone\":\"55 81 971112627\",\"web\":\"https:\\/\\/www.facebook.com\\/nagaraca\\/\"}', '2020-04-30 02:04:02', '2020-04-30 02:04:02'),
(1530, 'rboaIMt6x5oHGiCX', '{\"uid\":\"rboaIMt6x5oHGiCX\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Laissez-faire\",\"summary\":\"Laissez-faire (literally \\\"let do\\\" in French) is a photographic project inspired by the principle proper to economic liberalism, favorable to the non-intervention of the state in the economic system; according to this theory, the selfish action of the individual citizen, in the search for his own well-being, would in fact be sufficient to guarantee the economic prosperity of the whole society. There is a clear trend in the third millennium that conservative politicians and economists have recently chosen the term \'free market capitalism\' to define laissez-faire.\\nIt is a photographic journey that tells the story of today\'s society, through the eyes of an investigating target, which reveals hidden worlds where the transgression within discos and the illusory dreams of a society linked to fiction make us want what is often superficial.\\nA look that wants to compare the transparency of powers to the images of employees locked up in glass office...where dependence on technology and modern forms of control are the masters.\\nIt is a project that narrates artificial paradises, developed through clean, coherent images, illuminated by the neon lights of cities, with consumerist and money-related connotations.\\nThese current issues, today more than ever...when the whole society is in the balance, between comfort, conformism, disease and isolation.\",\"space\":\"Solo Photographic Exhibition, Chromogenic color print, 24 x 17 inch\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Cristiano\",\"surname\":\"Volk\",\"email\":\"info@cristianovolk.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"YA7586010\",\"address\":\"via Reggio Emilia 45\",\"city\":\"Staranzano\",\"nacionality\":\"Italian\",\"country_id\":\"113\",\"birthdate\":\"1987-11-19T23:00:00.000Z\",\"birthdate_2\":\"1987-11-19T23:00:00.000Z\",\"telephone\":\"+393405792711\",\"web\":\"https:\\/\\/www.cristianovolk.com\\/\"}', '2020-04-30 02:19:55', '2020-04-30 02:19:55'),
(1531, '8cVcFzrJO9QtkHr8', '{\"uid\":\"8cVcFzrJO9QtkHr8\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"yes\",\"group_name\":null,\"project_title\":\"Phoebe\'s Playground\",\"summary\":\"\\u201cPhoebe\\u2019s playground\\u201d is a multi-sensory virtual reality and spatial installation about nature\'s relationship to the moon. It invites the viewers to explore the powers of nature in a journey inspired by \\u201clunar gardening\\u201d and set in a Japanese Zen garden.\\n\\nFrom outside the viewer can step barefoot sensing the simplicity of natural materials: sand, rocks, tree stump, and minimalist light that represents the moon and is animated along with the moon cycles. Yet once the viewer enters the virtual reality experience the moon and garden become \\u201calive\\u201d through a physics simulation that visualises the gravitational pull among the moon and earth, the moisture under the viewers feet, and eventually the tree stump having its tissues grow into a beautiful black pine tree. \\n\\nThe virtual narrative is 1:1 connected with the physical installation, with the outside light following the inside moon cycle. Also there are heat and fan sensors installed inside the garden elements that get activated while the virtual moisture increases and the virtual plant grows.\\n\\nA playground of dualities, chaos and order, light and dark, ruled by Phoebe the Goddess  of the Moon.\",\"space\":\"\\u201cPhoebe\\u2019s playground\\u201d is composed by a physical installation of a minimalistic square \\u201cgarden\\u201d 3*3 , covered with sand. Two rocks and one tree stump (70*70 cm) are placed on the sand. The installation requires a wall in one of its sides to place the light source (moon) \\nArduino sensors will be incorporated in the rocks (heat pad sensors) and stump (a fan).\\nThere will also be 2 required headsets.\\nA small extra space for storing backup materials for the sensors and charging will be required.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Thomas\",\"surname\":\"O\'Reilly\",\"email\":\"thomas.r.oreilly@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"507396345\",\"address\":\"31 Edith Rd, Oxford, OX14QB\",\"city\":\"Oxford\",\"nacionality\":\"British\",\"country_id\":\"81\",\"birthdate\":\"1991-05-07T23:00:00.000Z\",\"birthdate_2\":\"1991-05-07T23:00:00.000Z\",\"telephone\":\"+447913760727\",\"web\":\"https:\\/\\/www.instagram.com\\/_toreilly\\/\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Despoina\",\"surname\":\"Zachariadou\",\"email\":\"zacha.despoina@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"AM1466244\",\"address\":\"8 Kedleston Walk\",\"city\":\"London\",\"nacionality\":\"Greek\",\"country_id\":\"81\",\"birthdate\":\"1992-05-21T23:00:00.000Z\",\"birthdate_2\":\"1992-05-21T23:00:00.000Z\",\"telephone\":\"+447849358462\",\"web\":\"https:\\/\\/dzachariadou0420171.myportfolio.com\\/\"}', '2020-04-30 02:29:29', '2020-04-30 02:29:29'),
(1532, 'JKkDegfDb8Vgs5Om', '{\"uid\":\"JKkDegfDb8Vgs5Om\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"The lake under the sea\",\"summary\":\"Through history the element of water has often been associated with the unconscious .Both Yung and Freud seem to have portrayed the ocean as the planetary subconscious.We travel and float on the surface of waters but underneath there is unbelievable depths full of mysteries. No one can tell where the the surface ends and where the deep waters begin because there is no defined line between them.The sea stands there in it\\u2019s darkness , far away from the crazy lights of our civil world. It\\u2019s a place other that exists in parallel with us and in it\\u2019s own time. I have always been fascinated by the sea and the feeling you get underwater , a feeling so strong and unique but one that is not easy to describe. An answer to this I found in Michel Foucault \\u2018s essays about the heterotopias which means \\u2018\\u2019 other place \\u2018\\u2019 and describes the sea as such.In this project I use a scene from Blue Planet 2 \\/ The Deep documentary series.The scene I am referencing is the one in the link below : \\nhttps:\\/\\/www.youtube.com\\/watch?v=ZwuVpNYrKPY \\nWith this artwork I do my own analysis of the documentary scene and I recreate it in the form of an installation.It is a room filled with black soil.In the middle there is a lake.From the soil small black fingers emerge mimicking the sea worms.Over the lake there is a sculpture hanging from the ceiling.It is a hybrid that explores the human-nature dipole and with it I aim to place us as humans over that reflecting lake in the bottom of the sea.\",\"space\":\"This project could be realised in any big empty room.The dimensions of the piece can be modifiend according to the exact space given.I have imagined this installation in a space in Athens called  TAVROS . You Can find out more about the space here : https:\\/\\/tavros.space\\/about\\/\\nIt is a medium sized non-profit space, that opened in October 2019 exploring notions of democracy, equality and ecology.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/387429720\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Melina\",\"surname\":\"Fakitsa Mosland\",\"email\":\"melina26052@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"AH 581264\",\"address\":\"Archimidous 3-5  \\/ 11635\",\"city\":\"Athens\",\"nacionality\":\"Greek-Norwegian\",\"country_id\":\"91\",\"birthdate\":\"1995-05-25T21:00:00.000Z\",\"birthdate_2\":\"1995-05-25T21:00:00.000Z\",\"telephone\":\"+30 6955703829\",\"web\":\"https:\\/\\/melinamosland.wixsite.com\\/mysite\"}', '2020-04-30 02:31:52', '2020-04-30 02:31:52'),
(1533, 'NTz1YBoaB9TYGY6y', '{\"uid\":\"NTz1YBoaB9TYGY6y\",\"type\":\"artist\",\"tags\":[\"instalation\",\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Septiembre\",\"summary\":\"\\u201cSeptiembre\\u201d es una aproximaci\\u00f3n a la idea de Realidad Nacional elaborada a trav\\u00e9s de la fotograf\\u00eda como registro, la apropiaci\\u00f3n de diarios, el collage y el montaje.\\n\\nLa pieza se construye a partir del registro fotogr\\u00e1fico aleatorio de banderas encontradas en la Ciudad de M\\u00e9xico durante el mes de septiembre de 2017, las primeras planas de diferentes diarios nacionales que datan de la misma fecha, y la presencia del objeto bandera descontextualizado del espacio p\\u00fablico y re-contextualizado en el espacio de exhibici\\u00f3n.\\n\\nCada mes de septiembre, la bandera conmemora la Independencia de M\\u00e9xico. Al ser un objeto, su materialidad es susceptible al entorno y al paso del tiempo. Al convertirse en una imagen fotogr\\u00e1fica, su significado se torna inestable. La patria se vuelve un objeto vulnerable.\\n\\nA partir del montaje se genera un juego semi\\u00f3tico que modifica la lectura de los elementos y deja expuesto el significado a una interpretaci\\u00f3n abierta. De este modo, se plantea a la fotograf\\u00eda como un lenguaje fragmentado, incompleto, que modifica su sentido a trav\\u00e9s de un nuevo campo de relaciones.\",\"space\":\"La pieza se construye con 30 peri\\u00f3dicos intervenidos con un mismo ancho aproximado de 28 cm y una altura variable, y una bandera de 55 cm x 83 cm. El montaje de la pieza es sobre una sola mesa de 3 metros x 3 metros, en la cual se colocan en orden cronol\\u00f3gico los peri\\u00f3dicos, abarcando toda la orilla y permitiendo la libre lectura de los mismos. Al centro se coloca la bandera mexicana. En su defecto, se puede colocar sobre diferentes mesas, abarcando una longitud total de 13 metros lineales.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Elizabeth\",\"surname\":\"Vinck\",\"email\":\"elyvinck@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"G27472941\",\"address\":\"Fray Diego de Altamirano 29\",\"city\":\"Ciudad de M\\u00e9xico\",\"nacionality\":\"Mexicana\",\"country_id\":\"145\",\"birthdate\":\"1982-08-31T06:00:00.000Z\",\"birthdate_2\":\"1982-08-31T06:00:00.000Z\",\"telephone\":\"015215520716670\",\"web\":\"http:\\/\\/elizabethvinck.blogspot.com\\/\"}', '2020-04-30 02:38:44', '2020-04-30 02:38:44'),
(1534, '6oiGRTbwoekhfFgV', '{\"uid\":\"6oiGRTbwoekhfFgV\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Proyecciones\",\"summary\":\"Presento 7 lienzos de los cuales 3 al \\u00f3leo y 4 acrilicos, de la serie titulada \\\"Proyecciones\\\" que hasta el momento incluye 22 cuadros. La comence a pintar en 2017 y sigo ampliandola. \\n    Son representaciones de ideas que existen en mi subconsciente y que llegan a expresarse durante el proceso creativo pasando -mediante una proyecci\\u00f3n-de la esfera del subconsciente a la esfera de la conciencia. Me fascina con que fuerza y peculiaridad la forma y el color  impactan el cuerpo y la psique del hombre; la forma y el color, que para mi tienen un significado simbolico. Me interesa dotar los colores con significados y universales relacionados con toda la existencia y la estructura biopsiquica humana. \\n    Para mi, la creaci\\u00f3n artistica es una expresi\\u00f3n de sentimientos, emociones, una externalizaci\\u00f3n de estados mentales, experiencias reales e intenciones. Es una forma de expresar aquello que es dificil de decir con palabras. Recuerdos, sue\\u0144os, relaciones interpersonales...todo lo proyecto en esa pantalla que es el lienzo. \\n    Mediante la contemplaci\\u00f3n, el espectador puede recrear en su interior la experiencia emocional contenida en la obra. Propongo que la imagen sea interpretada y leida como una creacion ambigua, imprecisa e indeterminada. Para el espectador puede ser la realidad con la que se identifica, a veces puede ver en ella a su opuesto y otras a su complemento.\",\"space\":\"Interior, exposici\\u00f3n, espacio publico. \\n Proyecci\\u00f3n 4 - lienzo acrylico, 80x100, 2017\\nProyecci\\u00f3n 5 - lienzo acrylico, 100x80, 2017\\nProyecci\\u00f3n 11 - lienzo acrylico, 100x80, 2018\\nProyecci\\u00f3n 13 - lienzo acrylico, 100x80, 2018\\nProyecci\\u00f3n 16 diptico - lienzo al \\u00f3leo, 100x160, 2019\\nProyecci\\u00f3n 20 diptico - lienzo al \\u00f3leo, 100x160, 2019\\nProyecci\\u00f3n 22 diptic\\u00f3 - lienzo al \\u00f3leo, 125x200, 2019\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Karolina\",\"surname\":\"Urba\\u0144ska\",\"email\":\"kurbanska@wp.pl\",\"dni_type\":\"DNI\",\"dni\":\"AYH364273\",\"address\":\"02-807 Varsovia  ul.Bociania 24\",\"city\":\"Varsovia\",\"nacionality\":\"polaca\",\"country_id\":\"182\",\"birthdate\":\"1980-03-19T23:00:00.000Z\",\"birthdate_2\":\"1980-03-19T23:00:00.000Z\",\"telephone\":\"500310302\",\"web\":null}', '2020-04-30 02:42:44', '2020-04-30 02:42:44'),
(1535, 'h1K9pxgwhxFlbWAZ', '{\"uid\":\"h1K9pxgwhxFlbWAZ\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Mutants\",\"summary\":\"Installation: Mutants\\nMost of the colors in these photographs, printed on vinyl, are both attractive and aposematic. Bright colors such as red, yellow, orange, and black, which can act as warning colors of animals or insects, send an avoidance signal to their predators and natural enemies. Here they are being used to send a message about environmental manipulation. \\n \\nIn addition to highly saturated colors, the damage is made visible through ink spills, disruptions, and discontinuities of the image.  The green trees represent nature\\u2019s ability to regenerate even after considerable damage has happened. It is commonly said that nature always wins in the end, although, we may be excluding our survival as humans.\\nVinyl 8 \'x 12\' on the wall and 9 hanging 8\\u2019 x 3\\u2019 clear film prints, hanging from a wooden structure, dimension variable. \\nPA\\nEdition 3\\/3\\n2014\\/17\",\"space\":\"It is favorable and necessary to have a large area approximately 12 x 18-20 feet minimal and enough to allow the public to inspect it nearly and walk between the film and the vinyl. It is very pleasing if it is installed in an open space. For the installation, the film prints of Mutants are hung on a wooden structure that hangs from the ceiling, and the vinyl images are attached to the wall.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"ISABEL\",\"surname\":\"GOUVEIA\",\"email\":\"belccg@yahoo.com.br\",\"dni_type\":\"PASAPORTE\",\"dni\":\"YC587679\",\"address\":\"227 Cornell drive\",\"city\":\"Lake Worth\",\"nacionality\":\"Brazilian\\/American\",\"country_id\":\"236\",\"birthdate\":\"1956-08-09T04:00:00.000Z\",\"birthdate_2\":\"1956-08-09T04:00:00.000Z\",\"telephone\":\"1.561.577.5329\",\"web\":\"isabelgouveia.com  @belgoyveia\"}', '2020-04-30 02:45:02', '2020-04-30 02:45:02'),
(1536, 'cFzoMsKOAWaE3aDo', '{\"uid\":\"cFzoMsKOAWaE3aDo\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Grotesc\\u00e1lia\",\"summary\":\"Grotescas \\u00e9 o t\\u00edtulo de uma s\\u00e9rie de pinturas, em andamento, com \\u00f3leo, cera e tela.  A escrita decorrente da produ\\u00e7\\u00e3o art\\u00edstica foi pensada a partir da pesquisa sobre a Domus Aurea, pal\\u00e1cio romano constru\\u00eddo durante o imp\\u00e9rio de Nero, em especial sobre as imagens encontradas durante explora\\u00e7\\u00f5es de suas ru\\u00ednas, em meados do s\\u00e9culo XV. Descritas como grotescas essas imagens influenciaram diversos artistas do Renascimento. E continuam a inquietar artistas contempor\\u00e2neos. Grotesco, do italiano grotta, quer dizer gruta, caverna, tumba. Atelier-caverna, lugar de penumbra, de imers\\u00e3o po\\u00e9tica para desvendar e trazer \\u00e0 luz, met\\u00e1fora e conceito para a minha pr\\u00e1tica pict\\u00f3rica. Pintura densa, \\u00f3leo misturado \\u00e0 cera, que permite profundidade e volume, fazendo as figuras se confundirem com o fundo escuro. Mat\\u00e9ria pict\\u00f3rica e imagem fundem-se no quadro: imagem-tinta. Pintura essa que, assim como toda pintura, investe na imagina\\u00e7\\u00e3o como linguagem cr\\u00edtica da realidade e da concep\\u00e7\\u00e3o estandardizada do corpo na cultura. \\t\\t\\t\\tDe vi\\u00e9s expressionista, essas pinturas exploram zonas de perturba\\u00e7\\u00e3o dos c\\u00e2nones estabelecidos pela experi\\u00eancia\\/consci\\u00eancia do belo, este hist\\u00f3rico e civilizat\\u00f3rio, atrav\\u00e9s de uma inconsci\\u00eancia (linguagem pict\\u00f3rica) b\\u00e1rbara e rude.  O corpo humano idealizado, s\\u00edmbolo de sua integridade, de sua razoabilidade em simbiose com o animal sem hist\\u00f3ria.\",\"space\":\"Para a exposi\\u00e7\\u00e3o dos trabalhos, recomenda-se um espa\\u00e7o com paredes ou pain\\u00e9is, m\\u00f3veis ou im\\u00f3veis, no qual as pinturas possam ser incorporadas de maneira a proporcionar o melhor acesso \\u00e0s obras pelo p\\u00fablico visitante. Ser\\u00e3o melhor exibidas em espa\\u00e7o interior, com boa ilumina\\u00e7\\u00e3o e fundo neutro (branco, marfim ou outro tom claro), dado que as pinturas da s\\u00e9rie tem fundo escuro. N\\u00e3o \\u00e9 necess\\u00e1rio um espa\\u00e7o de grandes dimens\\u00f5es, cerca de 4 metros quadrados para expor todo o conjunto de obras\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/drive.google.com\\/drive\\/folders\\/1jUzkA2E8ya6G9lYV_RBIgbMu25bxq1Yz\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Rafael Evangelista de\",\"surname\":\"Sousa\",\"email\":\"rafaelbarbasousa@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"013926911\",\"address\":\"Rua David Canabarro, 536-1\",\"city\":\"Pelotas\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1985-11-27T02:00:00.000Z\",\"birthdate_2\":\"1985-11-27T02:00:00.000Z\",\"telephone\":\"55 53 997006215\",\"web\":\"https:\\/\\/www.instagram.com\\/outro.rafael.ze\\/\"}', '2020-04-30 02:48:10', '2020-04-30 02:48:10'),
(1537, 'fqk8BwfqLYgxmoAE', '{\"uid\":\"fqk8BwfqLYgxmoAE\",\"type\":\"artist\",\"tags\":[\"photography\",\"graphic\",\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Cuando el sol se moja\",\"summary\":\"Lo valioso no se valora, como el aire, la vida... El sol, la naturaleza.. Todo lo que toca nuestras manos o lo que no por ejemplo el amor, sin vida no hay nada, el sol da vida sin sol morimos.\\nTodo lo que nos rodea es parte de algo o fue parte de algo en un principio.\",\"space\":\"Todos los lugares\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Lorena Julia\",\"surname\":\"Anzoleaga Aquino\",\"email\":\"lanzoleagaa@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"6153611\",\"address\":\"Miraflores \\u00c1lvarez Plata 1126\",\"city\":\"La Paz\",\"nacionality\":\"Boliviana\",\"country_id\":\"32\",\"birthdate\":\"1990-06-16T04:00:00.000Z\",\"birthdate_2\":\"1990-06-16T04:00:00.000Z\",\"telephone\":\"591 60698066\",\"web\":\"Facebook: Lore Anzoleaga Aquino\"}', '2020-04-30 02:49:07', '2020-04-30 02:49:07'),
(1538, 'gt5WCI8ul1n0KSdO', '{\"uid\":\"gt5WCI8ul1n0KSdO\",\"type\":\"artist\",\"tags\":[\"instalation\",\"sculpture\",\"videoinstallation\",\"photography\",\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Residue Resides\",\"summary\":\"Residue Resides is an exhibition that comprises works developed through an approach to the biggest environmental disaster ever registered in Brazilian history. In November 2015 a catastrophic failure with an ore tailings dam launched approximately 50 million cubic meters of contaminated mud into nature. The brown mudflows destroyed 700 Km of rivers in its way reaching the Atlantic ocean 17 days later, after destroying a whole countryside village and affecting the water supply of thirty large cities with a total environment impact that is still unclear.\\n\\nOne year after the disaster I could visit the affected area and collect that spilled material and incorporate it into my artistic process. A series of artistic works over different supports were produced, including a series of ceramic works, a set of photography works, video installations, and electromechanical objects. The approach explores, at the same time, the limits of the support and the substance for the artistic work, and was guided by the notions of an \\u201cinvented archeology\\u201d, proposing to produce a memory for what was lost in the disaster hidden by the mud. \\n\\nIncorporating the residue to my work is an attempt to transfigure the destructive potentialities of an environmental disasters product into creative ones, evoking art as a mechanism capable of thinking beyond the environmental crisis of our current times and produce broader reflections about a misguided idea of \'nature\' as something separate from the human.\",\"space\":\"This exhibition can be adapted to most gallery art spaces and\\/or cultural display facilities. The only imperative requirement for the space is a wall able to hold 03 large drawings and a large scale video-projection. More technical information about these and the other works follow in the PDF dossier in the link.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/297177296\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/drive.google.com\\/open?id=1wxczc2Oi4ME35dEXuJQbz1ZzxB9jc5j4\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Felipe\",\"surname\":\"de \\u00c1vila Franco\",\"email\":\"felixav@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"YE091072 (PASSPORT)\",\"address\":\"Portimopolku 4A-5\",\"city\":\"Helsinki\",\"nacionality\":\"Brazilian\",\"country_id\":\"74\",\"birthdate\":\"1982-11-18T22:00:00.000Z\",\"birthdate_2\":\"1982-11-18T22:00:00.000Z\",\"telephone\":\"+358451957182\",\"web\":\"www.felipedeavila.com\"}', '2020-04-30 02:59:07', '2020-04-30 02:59:07'),
(1539, '0h5CxLX4yKS3TPwZ', '{\"uid\":\"0h5CxLX4yKS3TPwZ\",\"type\":\"artist\",\"tags\":[\"photography\",\"videoinstallation\",\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"La Sombra\",\"summary\":\"Sinopsis descriptiva\\nLa Sombra se origin\\u00f3 como un entrecruzamiento entre danza flamenca, fotograf\\u00eda, texto escrito y collage. Fue realizado en Cuba para exponerse dentro del marco de la Bienal de Arte de La Habana en 2019.\\nConcebido por Mercedes Domenech, arquitecta, artista pl\\u00e1stica y fot\\u00f3grafa espa\\u00f1ola, y Ana Vidal, bailarina y antrop\\u00f3loga franco-argentina; este proyecto explora la posibilidad de dialogo entre los m\\u00faltiples lenguajes de sus creadoras. La b\\u00fasqueda, la improvisaci\\u00f3n y la experimentaci\\u00f3n fueron los pilares que dieron vida a un personaje que se funde en paisajes de La Habana que no dejan de ser universales: jungla, mar, cementerio y escalera interior.\\nEste trabajo es un punto de partida, un espacio en construcci\\u00f3n aun inconcluso y que abre las puertas a variados formatos de presentaci\\u00f3n, ya sea la instalaci\\u00f3n con proyecci\\u00f3n y audio, la exposici\\u00f3n fotogr\\u00e1fica, la performance, el video-arte u otros.\\nLa Sombra tiene silueta de mujer y su nacimiento es tambi\\u00e9n fruto de un a\\u00f1o de encuentros, debates, investigaci\\u00f3n y reflexi\\u00f3n con el grupo de mujeres de las \\u201cveladas feministas\\u201d en La Habana, del cual Ana y Merc\\u00e8 son miembros fundadoras y participantes activas desde 2018.\",\"space\":\"Formatos posibles:\\n\\nFotos y texto \\nFotos de 40cm x 40cm, en una cantidad de 8 hasta 28. Acompa\\u00f1adas de un texto que le presta la voz.\\n\\nInstalacion\\nProyecci\\u00f3n de un montaje-collage de fotos. Una voz de fondo habla, relata, nos cuenta qui\\u00e9n es ella.\\n\\nPerformance\\nFlamenco como lenguaje musico-corporal, trio percusivo de siluetas-sombra dan vida al personaje con quejios y zapateos. Entre luces, sombras, cuerpos y sonidos estas tres artistas corporizan la asfixia de existir en las sombras.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/drive.google.com\\/open?id=1_RhqpmOzl_vVL6GybZhVHWUJP1srs4MD\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Ana\",\"surname\":\"Vidal\",\"email\":\"anitavidalestrade@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"22825205\",\"address\":\"Manuela Ca\\u00f1as 2940\",\"city\":\"Santiago de Chile\",\"nacionality\":\"Francesa y Argentina\",\"country_id\":\"44\",\"birthdate\":\"1972-07-18T04:00:00.000Z\",\"birthdate_2\":\"1972-07-18T04:00:00.000Z\",\"telephone\":\"+56 9 4268 0099\",\"web\":null}', '2020-04-30 03:10:22', '2020-04-30 03:10:22'),
(1540, '2LnXqPVes1OBA6r2', '{\"uid\":\"2LnXqPVes1OBA6r2\",\"type\":\"curator\",\"tags\":[],\"group\":\"no\",\"group_name\":null,\"project_title\":\"The Divine Anomaly\",\"summary\":\"\\u2018The Divine Anomaly\\u2019 aims to inquire into emerging aesthetic formation based on computer algorithms, machine learning and artificial intelligence (AI) \\u2013 both promised a long time ago as a remedy of our shortfalls \\u2013, and more specifically the aesthetics of their falls, of what is considered as an error. As a helpless accident, the algorithms\\u2019 error could only bring forward its essence, but also could reveal itself as an extra-ordinary, thus an anomaly which has its own potential of emergence and of creation.\\nTo be such an anomaly, the algorithms\\u2019 error should reveal itself as a detail, strongly insistent within the \\u2018great unity\\u2019, becoming therefore a factor of its disorder and disequilibrium. Both Egor Kraft\\u2019s \\u2018Content Aware Studies Series\\u2019 and Quayola\\u2019s \\u2018Unfinished Sculptures\\u2019 revisit artefacts based on the Hellenic ideal of divine beauty that excludes body hair, veins, fine lines; however, by algorithmizing already existing classical sculptures, an accidental transfiguration appears that both artists take as a creation instrument for the appearance of new aesthetic qualities.\\nOn the other hand, Gr\\u00e9gory Chatonsky\\u2019s artworks \\u2018Deep Body\\u2019 and \\u2018Organism\\u2019 use computer algorithms in order to create new models of organisms and of the human body.\\n\\u2018The Divine Anomaly\\u2019 address new conditions that emerge from the entanglement of the physical \\u2013 cultural art heritage for some, the human body and living organisms for others \\u2013 and the virtual \\u2013 3D scanning, AI, etc.\",\"space\":\"The ideal exhibition venue would be at a museum that has collection of sculptures of the Roman and Hellenic ages, or even Baroque or Neoclassicism, in order to bring face to face contemporary sculptures and ancient artefacts that the former revisits by the use of emerging digital technologies such as AI.\\nIf this exhibition could be hold in Toulouse, France, the ideal exhibition venue would be the Mus\\u00e9e des Augustins de Toulouse or the Mus\\u00e9e Saint-Raymond which both conserve such a collection.\",\"artists_proposal\":\"\\u2022 Egor Kraft \\/ Russia-Germany \\/ http:\\/\\/egorkraft.com\\/\\n\\u2022 Gr\\u00e9gory Chatonsky \\/ France \\/ http:\\/\\/chatonsky.net\\/\\n\\u2022 Quayola \\/ Italy-United Kingdom \\/ https:\\/\\/quayola.com\\/\\n\\u2022 I would like to invite students in digital arts to create one artwork for this exhibition\",\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Antoniy\",\"surname\":\"Valchev\",\"email\":\"anthoniy@antval.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"385402197\",\"address\":\"54 port Saint Sauveur, BP 39\",\"city\":\"Toulouse\",\"nacionality\":\"Bulgarian\",\"country_id\":\"77\",\"birthdate\":\"1992-07-26T22:00:00.000Z\",\"birthdate_2\":\"1992-07-26T22:00:00.000Z\",\"telephone\":\"0033685930415\",\"web\":\"www.antval.com\"}', '2020-04-30 03:30:24', '2020-04-30 03:30:24'),
(1541, '4RgvJiV3XoQuW2ct', '{\"uid\":\"4RgvJiV3XoQuW2ct\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Amor espacial\",\"summary\":\"Escultura , flameante en cianto a color y luces , q envuelven a lps dos enamorados , en 1 beso , hecho de yeso  y luces de color , desde adelante y central , q traspasa la figura y la lleva hacia el espacio posterior , pudiendose ver :anteroposterior y laterales\\nEsta en proces , no puedo salir a terminarla ,pero porfa , es muy linda\",\"space\":\"Escultura   . horizontal 20x 15 cm \\n                     altura.15cm con pedestal incluido65cm\\n\\ncon lucesde neon \\n\\n\\nen proceso\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Susana Mercedes Magdalena\",\"surname\":\"crowe\",\"email\":\"susicrowe@yahoo.com.ar\",\"dni_type\":\"DNI\",\"dni\":\"10872348\",\"address\":\"general lopez 1108\",\"city\":\"Buenos aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1953-05-05T03:00:00.000Z\",\"birthdate_2\":\"1953-05-05T03:00:00.000Z\",\"telephone\":\"48420713  1167599453\",\"web\":null}', '2020-04-30 03:59:39', '2020-04-30 03:59:39'),
(1542, 'b6t83yGmRdWrIe9u', '{\"uid\":\"b6t83yGmRdWrIe9u\",\"type\":\"artist\",\"tags\":[\"performance\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"TOPOGRAF\\u00cdAS EVENTUALES. DESHIELO, EROSI\\u00d3N, PASAJE\",\"summary\":\"En medio de esta terrible pandemia, ante un futuro incierto y poco alentador, detenidos como cuerpo social frente el paisaje de un modelo que se resquebraja, encerrados en una temporalidad distinta, abstra\\u00eddos frente a nuestras pantallas desde una cabeza individual acelerada y un cuerpo pasivo, privado de contacto, con un rango de movilidad disminuida; me pregunto hacia donde vamos como humanidad y si en ese futuro incierto el arte que involucra al cuerpo seguir\\u00e1 teniendo espacio. Ante esto, me es m\\u00e1s que nunca importante proyectar hacia un futuro que promueva la reuni\\u00f3n presencial, el estar juntos como un evento generador de est\\u00edmulos, empat\\u00eda, y di\\u00e1logo. Resaltar la improvisaci\\u00f3n, lo inesperado y afortunado del encuentro como momento \\u00fanico e irrepetible. Apelar a la presencia f\\u00edsica como postura cr\\u00edtica, al cuerpo como protesta. El aceptar la incertidumbre como fuente generadora de pensamiento, de ingenio, de adaptaci\\u00f3n. Propongo una acci\\u00f3n dibuj\\u00edstica que permanece como instalaci\\u00f3n y tiene el objetivo de trabajar con la comunidad art\\u00edstica del lugar. Consiste en 4 acciones dibuj\\u00edsticas desplegadas en cuatro plataformas organizadas en la sala de exposici\\u00f3n, las cuales ser\\u00e1n ejecutadas por 8 participantes y una\\/un baterista de la comunidad. Estas acciones se realizar\\u00e1n durante el evento inaugural de la exposici\\u00f3n. Posteriormente el vestigio de estas acciones se convertir\\u00e1 en la instalaci\\u00f3n que permanecer\\u00e1 expuesta en la sala, como topograf\\u00eda de un paisaje desolado.\",\"space\":\"Sugiero la sala de exposiciones del Centro Cultural Matucana 100 en Santiago de Chile de 770m2 y una altura de 8m. Tambi\\u00e9n sugiero la sala de exposici\\u00f3n de Parque Centro Cultural de Valpara\\u00edso de 462 m2. y una altura de 5.07m. Considero que mi trabajo en estos dos espacios dialoga con las posturas interdisciplinarias que representan. Me interesa trabajar con la comunidad art\\u00edstica de un pa\\u00eds que devel\\u00f3 la crisis del modelo econ\\u00f3mico neoliberal incluyendo a la performatividad de manera masiva.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.galiaeibenschutz.art\\/capasdememoria\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Galia\",\"surname\":\"Eibenschutz\",\"email\":\"galia.chutz@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"G20863482\",\"address\":\"Cincinnati 84. Colonia Nochebuena\",\"city\":\"Ciudad de M\\u00e9xico\",\"nacionality\":\"mexicana\",\"country_id\":\"145\",\"birthdate\":\"1970-11-11T06:00:00.000Z\",\"birthdate_2\":\"1970-11-11T06:00:00.000Z\",\"telephone\":\"525532011115\",\"web\":\"galiaeibenschutz.art\"}', '2020-04-30 04:24:57', '2020-04-30 04:24:57');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1543, 'BKGEYzvdJhQwKuwU', '{\"uid\":\"BKGEYzvdJhQwKuwU\",\"type\":\"artist\",\"tags\":[\"sculpture\",\"instalation\",\"graphic\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Death Drive\",\"summary\":\"The project is called Death Drive and is based on Sigmund Freud\'s speculative idea of human death drives. It is freely associated with the Greek tragedy genre, futurism, the bourgeoisie and the Baroque. The title is also a wordplay that refers to Freud\'s theory, as well as the underlying event of the sculptures and screenprints.\\n \\nThe installation project consists of three sculptures and a floor piece that together form a larger room installation.\\n \\nTwo of the sculptures are plaster casts of a speedometer and an airbag from the luxury car brand Porsche. The car parts are taken from Porsche\'s who has been involved in a major collision or crash.\\n \\nI have also integrated a gas and temperature meter into a lavish and expensive gold-plated fireplace clock made of Italian marble and 20 kg bronze.\\n \\nThe exhibition design and scenography are bourgeois and baroque, on the border of kitsch.\\n \\nThe exhibition space will during the exhibition period be filled with red gravel and transformed into a tennis court. The walls are painted with blue Plexipave. Both gravel and paint are identical to the one used in several prestigious tennis tournaments called the Grand Slam. White plastic tennis lines are bent, shaped and folded into a floor piece. These lines imitate a car smashing into a wall or driving into infinity. \\n \\nThe project can be read like a Greek tragedy and a critical commentary on the bourgeoisie.\",\"space\":\"The exhibition space I used for the installation was circa 40 square metres.  I can set it up in any type of space as long as its inside and secured. It can also be set up in a larger space than 40 sqm if wished for.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Emil\",\"surname\":\"Finnerud\",\"email\":\"emilfinnerud@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"21108337599\",\"address\":\"Henrik Ibsens gate 28\",\"city\":\"Oslo\",\"nacionality\":\"Norwegian\",\"country_id\":\"170\",\"birthdate\":\"1983-10-20T23:00:00.000Z\",\"birthdate_2\":\"1983-10-20T23:00:00.000Z\",\"telephone\":\"004793607672\",\"web\":\"https:\\/\\/www.instagram.com\\/emilfinnerud\\/\"}', '2020-04-30 04:32:22', '2020-04-30 04:32:22'),
(1544, 'lICAAQDF0SLQxS08', '{\"uid\":\"lICAAQDF0SLQxS08\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"PRETA\",\"summary\":\"This series is about the process of recognizing and learning to value one\'s own blackness and ancestral roots,\\nthe perception of everyday racism, the discovery of new possibilities to love and be loved, the experiences and feelings of Black people who are often not seen, heard or spoken. My focus of study is the African Diaspora, Afro-Brazilian art, African philosophy and the experience of Black LGBT people.\",\"space\":\"The first one is \\\"We learn to be strong very early\\\" which is a diptych of 2 screens size 27x35cm (acrylic paint and posca pen.) The second one is  \\\"Blackness\\\" (acrylic paint and pen put on canvas 40x50cm.)  The third \\\"Afroafeto\\\" (acrylic paint, spray and posca pen on canvas 50x70cm.) And the last one is \\\"God is a black woman\\\" (paint acrylic, spray and posca pen on canvas 60x60cm). All five need only a maximum wall of 2 meters and a half, to be placed at a distance of 40 cm from each other.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Gabriela\",\"surname\":\"Dias\",\"email\":\"gab99dias@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"3.086.016\",\"address\":\"Rua oito de dezembro, 218 Edif\\u00edcio Nunes de Souza Apartamento 201\",\"city\":\"Salvador\",\"nacionality\":\"Brazilian\",\"country_id\":\"34\",\"birthdate\":\"1999-04-21T03:00:00.000Z\",\"birthdate_2\":\"1999-04-21T03:00:00.000Z\",\"telephone\":\"+5561982608348\",\"web\":\"https:\\/\\/www.behance.net\\/gabrieladias1\"}', '2020-04-30 06:19:00', '2020-04-30 06:19:00'),
(1545, 'A1r1ts8j5OR8hY9B', '{\"uid\":\"A1r1ts8j5OR8hY9B\",\"type\":\"artist\",\"tags\":[\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Imbricar\",\"summary\":\"Imbricar es un v\\u00eddeo mono canal que a trav\\u00e9s de la superposici\\u00f3n de elementos, crea juegos entre la imagen, la palabra y el sonido. Integrando aspectos que pareciesen contradictorios, pero que se enmarcan en una atm\\u00f3sfera  de sensaciones, y la relaci\\u00f3n con el otro. Articulando en una conversaci\\u00f3n intima eso que no puede traducirse simplemente en palabras, y requiere del gesto para reflexionar sobre la proximidad y el contacto.\",\"space\":\"Dado su car\\u00e1cter mono canal, el v\\u00eddeo podr\\u00eda ser expuesto en una plataforma digital o un espacio alternativo o cultural. Si el montaje de este se da en un espacio f\\u00edsico, podr\\u00eda emitirse en un lugar con poca luz, desde una pantalla de televisor de 21\\u00a8 y cuyo sonido se escuche por medio de auriculares.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/drive.google.com\\/drive\\/folders\\/1qZrbTQwO5e5XC8swtIoR98lh0bRZ0rJq?usp=sharing\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Alejandra\",\"surname\":\"Capera\",\"email\":\"alcaperaa@unal.edu.co\",\"dni_type\":\"PASAPORTE\",\"dni\":\"AM873964\",\"address\":\"Carrera 77 T No. 48 - 11sur\",\"city\":\"Bogot\\u00e1\",\"nacionality\":\"Colombiana\",\"country_id\":\"51\",\"birthdate\":\"1990-11-02T05:00:00.000Z\",\"birthdate_2\":\"1990-11-02T05:00:00.000Z\",\"telephone\":\"+00573134679081\",\"web\":null}', '2020-04-30 09:36:05', '2020-04-30 09:36:05'),
(1546, 'gkOkEsSMAUTKXNhN', '{\"uid\":\"gkOkEsSMAUTKXNhN\",\"type\":\"artist\",\"tags\":[\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"I did not invite you into my body\",\"summary\":\"The video \\u201cI did not invite you into my body\\u201d arises out of my personal experience with a sexual assault in my childhood. The perpetrator was my older brother. I never told anyone.\\n\\nThe video is constructed by a narrative of the incident made in textual monotypes, written as if they had been written by a child victim, assembled to a sound recording of breaths, body movements, supressed anxiety, the whole constituting a mental landscape that emphasises feelings of alienation and dissociation.\\n\\nI did not invite you into my body, video, B\\/W, sound, 4:44 min. 2018\\nLink: https:\\/\\/vimeo.com\\/348019777\\n\\nMy artistic practice originates from 1970s feminist body art with Hannah Wilke and Jo Spence as the most important references. It was the encounter with the early feminist art that I learned that any experience can be transformed into an artistic manifesto. It was also feminist theory, which led me to analyse power relations, both socially and in the private sphere.\\n\\nI am researching assaults in various contexts, violence, trauma, dehumanisation and the annihilation of the self. The complex relationship between the individual and collective trauma, as well as the communicative breakdown between traumatised and the outside world is my concern.\",\"space\":\"The video can be shown either projected on the wall or shown at a screen. The image can be small or large depending on the rooms. The important thing is that people can hear he sound clearly. So if its\' shown in a room with other works, it is probably best with headphones. If it\'s shown in its own room it would be great to have the sound in the room.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Peter\",\"surname\":\"Brandt\",\"email\":\"peter@peter-brandt.com\",\"dni_type\":\"Other\",\"dni\":\"170466-1467\",\"address\":\"J.E. Ohlsensgade 9, 4.tv.\",\"city\":\"Copenhagen\",\"nacionality\":\"Danish\",\"country_id\":\"64\",\"birthdate\":\"1966-04-16T22:00:00.000Z\",\"birthdate_2\":\"1966-04-16T22:00:00.000Z\",\"telephone\":\"0045-30309474\",\"web\":\"www.peter-brandt.com\"}', '2020-04-30 10:56:26', '2020-04-30 10:56:26'),
(1547, 'PKqeGLjELVOO6Q3x', '{\"uid\":\"PKqeGLjELVOO6Q3x\",\"type\":\"artist\",\"tags\":[\"painting\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Untitled\",\"summary\":\"I\\u2019ll be creating a visual art series of paintings based ancient works of art from different countries in Asia. Many of the paintings are done with similarities even though they were part of different civilizations. I will create a series of paintings exploring each painting in the stylized form of that culture. They\\u2019ll be created on Japanese & Indian paper with modern & natural pigments & gold foil. Inserted would be juxtaposition of the old historical timeless art with elements of hidden recent technology. An alternate reality that merges the past & present will be visible the series. The titles are yet to be determined depending on how each work evolves.I want to show the similarities of works & add the infusion of modern elements & themes of globalism & technology. The end product will look like ancient works with hidden elements that cause a viewer to do a double take & imagine an altered reality.\\nInspiration:\\n1: Arabian\\/Islamic \\u201cKhamsa of Nizami\\u201d & \\u201cMiraj by Sultan Muhammad\\u201d but can have phones instead of birds, oil fields, etc.  \\n2: Indian\\/Hindu 8th century painting \\u201cKrishna & Radha in a Pavilion\\u201d & Ajanta caves art with contemporary subversion with insertion of social media elements.\\n3: Japanese 17th century \\u201cAsagao (\\\"The Bluebell\\\")\\u201d including new technology & cars.\\n4: Chinese \\u201cThe Eight Hosts of Deva, Naga, & Yakshi\\u201d but with modern anachronism of robots & computer circuitry, etc.\",\"space\":\"Long flowing paper can be attached to any flat wall surface.  Each piece will be connected with thread draping to show the interconnectedness & the synchronicity of thoughts.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.deyias.com\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"F. DEYIAS\",\"surname\":\"DEYIAS\",\"email\":\"gbssbi2610@icloud.com\",\"dni_type\":\"Other\",\"dni\":\"0451\",\"address\":\"159 Frank Church ROAD\",\"city\":\"OCILLA\",\"nacionality\":\"US\",\"country_id\":\"236\",\"birthdate\":\"2001-01-01T05:00:00.000Z\",\"birthdate_2\":\"2001-01-01T05:00:00.000Z\",\"telephone\":\"2294683373\",\"web\":\"https:\\/\\/www.deyias.com\"}', '2020-04-30 11:05:42', '2020-04-30 11:05:42'),
(1548, 'gAFTLMwXdinCAoOY', '{\"uid\":\"gAFTLMwXdinCAoOY\",\"type\":\"artist\",\"tags\":[\"instalation\",\"public-space\",\"social-action\"],\"group\":\"yes\",\"group_name\":\"Conjuntos Emp\\u00e1ticos\",\"project_title\":\"estaesmiplaza\",\"summary\":\"Para nosotras, la ciudad puede ser entendida como un tejido cosido mediante una serie de espacios articuladores que debieran funcionar como activadores sociales urbanos, estando \\u00e9stos materializados a diferentes escalas. De base, los describiremos como ciertas actuaciones prototipadas permanentes o intermitentes que desencadenan o reactivan programas en entornos urbanos. Estas intervenciones son especialmente interesantes en lugares poco transitados por determinados p\\u00fablicos o no destinados expresamente a ellos, capaces de generar una atracci\\u00f3n de aforo infantil que interact\\u00fae con los objetos y estrategias prototipadas y fomenten actividades de socializaci\\u00f3n en espacios de la ciudad que poseen unas dimensiones m\\u00e1s amplias que las estandarizadas. Estamos, por tanto, antes acciones v\\u00edricas del espacio urbano que reivindican lo p\\u00fablico para la infancia.\\n\\u200b\\nPretendemos fomentar, a trav\\u00e9s de esta secuencia de acciones, la utilizaci\\u00f3n del espacio p\\u00fablico para los vecinos y la infancia. Esta acci\\u00f3n se ha desarrollado en diferentes escenarios del panorama nacional y ha visibilizado espacios disponibles que se cualificaban temporalmente para su uso y disfrute.\",\"space\":\"Una plaza al aire libre, la plaza del Reina Sof\\u00eda, o la de otro espacio disponible. Tambi\\u00e9n puede instalarse en un espacio cerrado. Las dimensiones son de 12x15m por 4,5 m de alto.\",\"artists_proposal\":null,\"members\":[{\"names\":\"S\\u00e1lvora\",\"surname\":\"Feliz Ricoy\",\"email\":\"salvorafeliz@conjuntosempaticos.com\",\"dni_type\":\"DNI\",\"dni\":\"34996944Y\",\"address\":\"Calle Menorca 6\",\"city\":\"Madrid\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"71\",\"birthdate\":\"1986-01-21T23:00:00.000Z\",\"birthdate_2\":\"1986-01-21T23:00:00.000Z\",\"telephone\":\"0034636192021\",\"web\":\"https:\\/\\/www.conjuntosempaticos.com\\/\"},{\"names\":\"Marta\",\"surname\":\"Benito Ortiz\",\"email\":\"martabenito@conjuntosempaticos.com\",\"dni_type\":\"DNI\",\"dni\":\"51501981J\",\"address\":\"Calle San Felipe Neri 2\",\"city\":\"Madrid\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"71\",\"birthdate\":\"1993-04-27T22:00:00.000Z\",\"birthdate_2\":\"1993-04-27T22:00:00.000Z\",\"telephone\":\"0034649046750\",\"web\":\"https:\\/\\/www.conjuntosempaticos.com\\/\"},{\"names\":\"Tom\\u00e1s\",\"surname\":\"Pineda P\\u00e9rez\",\"email\":\"tomaspineda@conjuntosempaticos.com\",\"dni_type\":\"DNI\",\"dni\":\"80084601G\",\"address\":\"Calle Menorca 6\",\"city\":\"Madrid\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"71\",\"birthdate\":\"1983-03-14T23:00:00.000Z\",\"birthdate_2\":\"1983-03-14T23:00:00.000Z\",\"telephone\":\"0034679876629\",\"web\":\"https:\\/\\/www.conjuntosempaticos.com\\/\"}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/324583260\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.conjuntosempaticos.com\\/estaesmiplaza01\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"S\\u00e1lvora\",\"surname\":\"Feliz Ricoy\",\"email\":\"info@conjuntosempaticos.com\",\"dni_type\":\"DNI\",\"dni\":\"34996944Y\",\"address\":\"Calle Valle del Silencio 22\",\"city\":\"Madrid\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"71\",\"birthdate\":\"1986-01-21T23:00:00.000Z\",\"birthdate_2\":\"1986-01-21T23:00:00.000Z\",\"telephone\":\"0034636192021\",\"web\":\"https:\\/\\/www.conjuntosempaticos.com\\/\"}', '2020-04-30 11:22:16', '2020-04-30 11:22:16'),
(1549, 'GGOgOcu8RLzvwZsy', '{\"uid\":\"GGOgOcu8RLzvwZsy\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"TIRESIAS\",\"summary\":\"Robots are designed to play a significant role in everyday life as technological cohabitants. \\nPeople tend to attribute human characteristic to the robots and face them as living organisms. \\nBased on the ideas of cyborg and animism, we don\\u2019t understand robots as mere tools, but as creative entities, capable of expanding the role they are given by their human creators. \\n\\nTIRESIAS is a non-anthropomorphic entity that moves naturally trying to develop an equal dynamic partnership with the human co-performer. The work is based on the blind prophet Tiresias, who creates his own identities, escaping the distinctions of man and woman. Tiresias is a blind figure from the Greek mythology, who can \\u2018see\\u2019 into oneself and find self-knowledge. TIRESIAS explores the ways in which we can avoid dualities of human and non-human entities and find new interesting relationships between different actors.\\n\\nThis installation speaks from the side of a tentacular machine. Tentacular beings explore the world and their self through touch. But the palm has not the means of covering the whole of the truth. The sensory perceptions can lead to misinterpretations, as there are various aspects of truth and limited sensory experience. \\n\\nTIRESIAS is a self-actualising machine that tries to understand the properties of itself. The knowledge that TIRESIAS infers is reflected in the environment in the form of sound-waves as an approach to materialise the machines\\u2019 perception about itself.\",\"space\":\"The installation consists of a supporting structure, in which are attached the electronics and a flexible tentacular construction. \\n\\nThe size of the installation is 40cmx200cmx40cm and the weight is estimated about 15kg. \\n\\nThe installation is to be rigged from a flybar\\/fix bar\\/truss, using a projector ceiling mount, making it very stable. \\n\\nThe audience can interact with TIRESIAS anytime in close distance, and they can watch some scheduled performances, in which TIRESIAS performs with a dancer.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/ysmOKczMoIM\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Eleni\",\"surname\":\"Xynogala\",\"email\":\"elen.xynogala@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"AP0742947\",\"address\":\"Viotias 6\",\"city\":\"Athens\",\"nacionality\":\"Greek\",\"country_id\":\"91\",\"birthdate\":\"1993-03-31T21:00:00.000Z\",\"birthdate_2\":\"1993-03-31T21:00:00.000Z\",\"telephone\":\"+306987584981\",\"web\":\"http:\\/\\/www.elenxyn.com\\/\"}', '2020-04-30 13:23:37', '2020-04-30 13:23:37'),
(1550, 'UDA4MhuCvfCRV2As', '{\"uid\":\"UDA4MhuCvfCRV2As\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Lockdown\",\"summary\":\"The personal ongoing photography project titled Lockdown are create in time of coronavirus (COVID-19) outbreak in my homeland Malaysia since implemented movement control order (MCO) by goverment to stay at home on 18 March 2020.The black and white series images reflect the cityscape in moment of silence and emptiness during COVID-19 lockdown period throughout Kuala Lumpur, the city where i living and working.\",\"space\":\"The Lockdown series will showing in glass frame with each print size around 36 inch x 24 inch on the wall.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Tan\",\"surname\":\"Chee Hon\",\"email\":\"tancheehon@hotmail.com\",\"dni_type\":\"Other\",\"dni\":\"750211016129\",\"address\":\"85B,Flat Tiong Nam,Jalan Tiong Nam,50350 Kuala Lumpur Malaysia\",\"city\":\"Kuala Lumpur\",\"nacionality\":\"Malaysia\",\"country_id\":\"160\",\"birthdate\":\"1975-11-01T16:00:00.000Z\",\"birthdate_2\":\"1975-11-01T16:00:00.000Z\",\"telephone\":\"60129743411\",\"web\":\"http:\\/\\/cheehontan.blogspot.com\"}', '2020-04-30 13:45:44', '2020-04-30 13:45:44'),
(1551, 'jLZNDrgO76juQazK', '{\"uid\":\"jLZNDrgO76juQazK\",\"type\":\"artist\",\"tags\":[\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"SIBYL\",\"summary\":\"SIBYL is Artificial Intelligence that proposes new stories and generates new compositions. SIBYL is trained by techniques of composing by Pynchon, Burroughs, Gibson and Xenakis. The project offers an innovative fusion between four domains: storytelling, games design, experimental music and artificial intelligence. The project creates and tests new methods of generating music, stories and new types of audio-visual performance through interactions with autonomous AI agent. SIBYL is presented as performance and interactive installation that uses recurrent neural networks, reinforcement learning and analog sound-video synthesizers.\",\"space\":\"5x5x3 meters\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/262300910\",\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/lisek.bandcamp.com\\/music\",\"images_link_password\":null,\"images_link\":\"http:\\/\\/fundamental.art.pl\\/SIBYL.html\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Robert B.\",\"surname\":\"Lisek\",\"email\":\"robertblisek@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"988342608-678-57\",\"address\":\"Bulwar Ikara 18\\/5\",\"city\":\"Wroclaw\",\"nacionality\":\"Polish\",\"country_id\":\"182\",\"birthdate\":\"1976-10-30T23:00:00.000Z\",\"birthdate_2\":\"1976-10-30T23:00:00.000Z\",\"telephone\":\"0048500359251\",\"web\":null}', '2020-04-30 14:19:47', '2020-04-30 14:19:47'),
(1552, 'IebXlv7gJEhyVQfo', '{\"uid\":\"IebXlv7gJEhyVQfo\",\"type\":\"artist\",\"tags\":[\"instalation\",\"sculpture\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Potato Sculptures\",\"summary\":\"Potato scupltures\\nseries of 8 palm sized sculpture (potatoes, salt, watercolour)\\n\\nPotatoes are tightly connected to agricultural works, escpecially in our home where the whole family took part of the process of growing them in our garden. The rotation of the earth, the digging of the holes and also the planting were the progresses we made together: my parents, my brother and my grandmother. This action, like all of the houseworks are eminently monotone. A repetitive working procedure, a sort of meditatio or a prayer.\\nIn the life of the village\\u2019s peasantry work and religion was always an organic element of life. In my grandmother\\u2019s shelf a lot of religious relic; calendars with pictures of saints, Virgin Mary-figures and crucifixes can be found. Copying these relics into potatoes I try to preserve memories of a life in which work and religion composed an inseparable unity.\\nThe conservation of the potato-scupltures implemented with salt. With this phenomenon the moisture - the \\u2019water of life\\u2019 - seeps away, while the potato itself shrinks. This process connected to the distortion of our memories. The water\\u2019s disappearance from the plant is in parallel with the fading of our emotions when we look at one relic left behind by our ancestors.\",\"space\":\"A room (or a space) of at least 4 x 3 m in which 8 pedestals (130 x 15 x 15 cm) can be arranged with the scupltures on the top of them, with some space left between the pedestals. Alternatively, If it is possible it would be nice to have a dark room, where I can put my installation with 8 light-sources lighting the sculptures from above.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.gergobankuti.com\\/sculptures\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Gerg\\u0151\",\"surname\":\"B\\u00e1nk\\u00fati\",\"email\":\"hippista@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"649165EE\",\"address\":\"Kossuth Lajos \\u00fat 8.\",\"city\":\"Vizsl\\u00e1s\",\"nacionality\":\"Hungarian\",\"country_id\":\"103\",\"birthdate\":\"1991-07-12T22:00:00.000Z\",\"birthdate_2\":\"1991-07-12T22:00:00.000Z\",\"telephone\":\"+36302400197\",\"web\":\"https:\\/\\/www.gergobankuti.com\\/\"}', '2020-04-30 14:58:00', '2020-04-30 14:58:00'),
(1553, 'aPZEESA3qt9POKem', '{\"uid\":\"aPZEESA3qt9POKem\",\"type\":\"curator\",\"tags\":[],\"group\":\"no\",\"group_name\":null,\"project_title\":\"\\u2018Luminescence ~ Emission of Light\\u2019\",\"summary\":\"Shailan Parker is a versatile photographer from New Delhi with over thirty years of experience in varied photography disciplines. He has trained in Visual Communication at the National Institute of Design in India and brings a keen understanding of design concepts and digital technology to his work.\\n \\nHis spontaneous expression results in conscious and remarkable abstract imagery of nature. These alluring works are a balance of skill, technique and art.\\n \\n\\u2018Luminescence ~ Emission of Light\\u2019 is a lucid pool of light in the hands of the photographer.\\n \\nThe vision of the artist is directed to seek and illuminate objects that the mind\\u2019s eye has been interacting with. Inspiration is drawn from various sources especially when the light revolves and the story evolves.\\n \\n\\u201cThis series is a tactile exploration of the natural. The artist\\u2019s photographic expression as fine art is a visual narrative of his journey with light.\\u201d shares the curator Jalpa H Vithalani.\\n \\nIt is an amalgamation of Shailan\\u2019s personal expression and experience which he has accumulated over the years. The collection promises of aesthetically beautiful and organic images with the use of his expertise to abstract art from nature in his exploration with light.\\n\\nCosmic Heart Gallery is an art space with a difference in Mumbai, whose underlying vision is to create a \'World without Borders\' which focuses on the exchange of art and culture.\",\"space\":\"Exhibition Name : Luminescence - Emission of Light\\n\\nPrinted on: Canson BFK Rives Printed - using Epson Ultra Chrome HDX Pigment Ink, Canson Arches Aquarelle Rag Printed using Epson Ultra Chrome HDX Pigment Ink & Canson Rag Photographique Printed using Epson Ultra Chrome HDX Pigment Ink\\n\\nSizes of Artwork: 36\\u201d x 52\\u201d & 36\\u201d x 24\\u201d\",\"artists_proposal\":\"Artist Shailan Parker\\nNationality: Indian\\nWebpage: http:\\/\\/cosmicheartgallery.info\\/artists\\/SPC\\/shailan%20parkers.html\",\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"http:\\/\\/cosmicheartgallery.info\\/artists\\/SPC\\/shailan%20parkers.html\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Jalpa\",\"surname\":\"Vithalani\",\"email\":\"art@cosmicheartgallery.info\",\"dni_type\":\"PASAPORTE\",\"dni\":\"Z2862788\",\"address\":\"52, Everest Apartments, Mount Pleasant Road, Malabar Hill Mumbai,\",\"city\":\"Mumbai\",\"nacionality\":\"Indian\",\"country_id\":\"106\",\"birthdate\":\"1973-04-24T18:30:00.000Z\",\"birthdate_2\":\"1973-04-24T18:30:00.000Z\",\"telephone\":\"+91 9821097993\",\"web\":\"www.cosmicheartgallery.info\"}', '2020-04-30 15:03:54', '2020-04-30 15:03:54'),
(1554, 'E64AF1fjJrKhoDmK', '{\"uid\":\"E64AF1fjJrKhoDmK\",\"type\":\"artist\",\"tags\":[\"painting\",\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Criaturas de la Basura\",\"summary\":\"Defino esta serie como \\\"Criaturas de la Basura\\\". Me interesa resignificar el arte por medio del reciclaje y ponderar la recolecci\\u00f3n como una actividad vital para generar un mundo m\\u00e1s reutilizable y ecol\\u00f3gico. \\n\\nA partir de superficies y materiales captados en la v\\u00eda p\\u00fablica surgen mis obras. El ritual de la recolecci\\u00f3n, la incertidumbre como motor y forma expresiva. Hurgar y encontrar para reciclar y crear. Utilizo pintura acr\\u00edlica, al \\u00f3leo y marcadores permanentes, la t\\u00e9cnica que prevalece es el collage.\\n\\nTodos los lienzos que pinto por raz\\u00f3n desconocida fueron desechados, cargan con firma, a\\u00f1o y t\\u00e9cnica. Las \\\"nuevas pinturas\\\" contienen algo del original generando as\\u00ed una sinergia entre ambas.\\n\\nLa muestra que planteo por un lado expone la obra \\\"nueva\\\" (mi creaci\\u00f3n) acompa\\u00f1ada de la fotograf\\u00eda de la obra recolectada (original y ahora obra \\\"vieja\\\"). Ponderar la idea de \\\"arte reutilizado\\\" y el concepto de recolecci\\u00f3n, fusi\\u00f3n y nueva obra.\",\"space\":\"Mi deseo es poder mostrar el proyecto \\\"Criaturas de la Basura\\\" en alg\\u00fan \\u201cKM\\u201d seleccionado para la BIENALSUR en la ciudad de Barcelona o en cualquier espacio alternativo dispuesto, la muestra no tiene exigencias ni t\\u00e9cnicas ni espaciales ya que ning\\u00fan cuadro mide m\\u00e1s de 80 x 60.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Damian\",\"surname\":\"Sansone\",\"email\":\"damiansansone@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"D136930\",\"address\":\"Sant eusebi 7\",\"city\":\"Barcelona\",\"nacionality\":\"Uruguaya\",\"country_id\":\"71\",\"birthdate\":\"1984-12-11T23:00:00.000Z\",\"birthdate_2\":\"1984-12-11T23:00:00.000Z\",\"telephone\":\"+34691370421\",\"web\":\"www.lerulerufilms.com\"}', '2020-04-30 15:14:29', '2020-04-30 15:14:29'),
(1555, '2qY9txGW3meSgCgk', '{\"uid\":\"2qY9txGW3meSgCgk\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Devocionario\",\"summary\":\"Devocionario es un proyecto documental sobre lugares, pr\\u00e1cticas y construcciones de la religiosidad popular. Una investigaci\\u00f3n sobre las canonizaciones espont\\u00e1neas de santos ap\\u00f3crifos y el culto de unos emplazamientos consensuados como sagrados de manera colectiva. Un cat\\u00e1logo de ofrendas y arquitecturas disidentes para una religiosidad mestiza contempor\\u00e1nea.\\nEn Latinoam\\u00e9rica, luego de la colonizaci\\u00f3n europea, se comenz\\u00f3 a generar un sincretismo religioso producto del mestizaje de las diferentes culturas que se unieron en estas regiones. En Argentina, este hecho se produjo con especial fuerza en zonas aisladas y marginadas del noroeste del pa\\u00eds.\\nEstos cultos giran en torno a personas reales que vivieron en esas regiones y que por una serie de circunstancias relacionadas con su vida o su muerte son elevados a la categor\\u00eda de santos. Estos cultos se manifiestan de una manera similar a la Cristiana: rezando, tocando y besando las im\\u00e1genes, peregrinando hasta el lugar donde est\\u00e1n enterrados sus restos, encendiendo velas, ofreciendo flores y exvotos o cumpliendo promesas. \\nEl santuario profano es el testigo visual m\\u00e1s complejo y poli\\u00e9drico de esta religiosidad improvisada y espont\\u00e1nea. Es una arquitectura hecha por donaci\\u00f3n generosa, construida en materiales reaprovechados y constituyen una tipolog\\u00eda que poco tienen que ver con la geometr\\u00eda sacra o la monumentalidad estandarizada.\",\"space\":\"Exposici\\u00f3n sobre pared, alrededor de entre 20 - 40 metros lineales de pared. \\nSe combinar\\u00e1n vinilos pegados en la pared en gran formato y copias en diversos formatos, tambi\\u00e9n se acompa\\u00f1ar\\u00e1 de un peque\\u00f1o altar con las figuras de estas devociones.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Fernando\",\"surname\":\"Maselli\",\"email\":\"maselli.fernando@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"05295094B\",\"address\":\"Calle Belmonte de Tajo 72, bajo\",\"city\":\"Madrid\",\"nacionality\":\"Argentino\",\"country_id\":\"71\",\"birthdate\":\"1978-07-30T22:00:00.000Z\",\"birthdate_2\":\"1978-07-30T22:00:00.000Z\",\"telephone\":\"+34651536649\",\"web\":\"www.fernandomaselli.com\"}', '2020-04-30 15:15:27', '2020-04-30 15:15:27'),
(1556, 'yKOcg7WwKe6LoJfm', '{\"uid\":\"yKOcg7WwKe6LoJfm\",\"type\":\"curator\",\"tags\":[],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Flowing Water\",\"summary\":\"1.\\nWater is one of the elements of life that has always held me in fascination!             \\nThe ebb and flow of water is symbolic of the ebb and flow of life!             \\nWater will find its own course, and there are moments of peacefulness and moments of rush, hustle and bustle! From the still pond to the rapids and the cascading waterfall!           \\nThe crystal stream, the bubbling brook, the carving of landscape, and the unknown depths, an element of wonder!                Water!\\nThe movement of the waves is for me the epitome of strength and subtlety. I integrate with the flowing water. \\nPerformance WOMEN`S RIGHTS We need to demand them constantly so that they do not evaporate like water on the heated ground. Video is the documentation of my performance.\",\"space\":\"I suggest a surface with lots of light. To show all paintings you need a wall about 3 meters long.\\nVideo is the documentation of my performance. It can be shown together with paintings. It can be also exposed individually.\\n\\n\\nI would like to perform the RIGHT OF WOMEN performance. To this end, I need an open space of 10 x 2 m and a hard surface (e.g. Asphalt, flagstones), a floor mop, and a bucket of water.\",\"artists_proposal\":\"VIDEO: Lukasz Mozolewski, Polish, facebook: Amigo Film Foto\",\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/2ul9PG3pX3Y\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Bozena\",\"surname\":\"Mozolewska\",\"email\":\"mozolewska.bozena@wp.pl\",\"dni_type\":\"DNI\",\"dni\":\"DAC 830330\",\"address\":\"ul. Partyzantow 1\\/7\",\"city\":\"Szczecin\",\"nacionality\":\"Polish\",\"country_id\":\"182\",\"birthdate\":\"1957-10-04T23:00:00.000Z\",\"birthdate_2\":\"1957-10-04T23:00:00.000Z\",\"telephone\":\"+48 788801391\",\"web\":\"www.mozolewska.art\\/instagram:mozolewskabozena\"}', '2020-04-30 16:04:01', '2020-04-30 16:04:01'),
(1557, 'VD4zUwS84IWBEHbN', '{\"uid\":\"VD4zUwS84IWBEHbN\",\"type\":\"artist\",\"tags\":[\"social-action\"],\"group\":\"yes\",\"group_name\":null,\"project_title\":\"How much did you pay?\",\"summary\":\"We intend to work with bank bills in this project. Since these bills are thermal papers, information on them disappears after a while; by re-typing the information on bills and retrieving them, we decided to archive them as daily human consumptions. These papers are made for short-term human consumption, which are important for a short time and then discarded. We intend to produce artwork from consumption, and make a call for these bills, then ask those who are interested in collaborating to save the day\'s receipts for us. We will retrieve their daily mortality data. Finally, will provide an installation of the archives and videos that will be provided during the project.\",\"space\":\"We need a space at list in 20 Square meters\",\"artists_proposal\":null,\"members\":[{\"names\":\"Lena\",\"surname\":\"Yekta\",\"email\":\"lenayekta@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"N50088752\",\"address\":\"No. 99,Mostafa Khomeini Alley,12 meters of Salman street, Mahdieh Street,Hamedan, Iran.\",\"city\":\"Hamedan\",\"nacionality\":\"Iranian\",\"country_id\":\"109\",\"birthdate\":\"1989-10-03T20:30:00.000Z\",\"birthdate_2\":\"1989-10-03T20:30:00.000Z\",\"telephone\":\"+989216605098\",\"web\":\"https:\\/\\/jahanbakhshlena.com\\/\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=ZUP89ptGfIU\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Jahanbakhsh\",\"surname\":\"Amirbeygi\",\"email\":\"jahanbakhshamirbeygi@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"N50067570\",\"address\":\"No. 99,Mostafa Khomeini Alley,12 meters of Salman street, Mahdieh Street,Hamedan, Iran.\",\"city\":\"Hamadan\",\"nacionality\":\"Iranian\",\"country_id\":\"109\",\"birthdate\":\"1992-12-29T20:30:00.000Z\",\"birthdate_2\":\"1992-12-29T20:30:00.000Z\",\"telephone\":\"+989216605098\",\"web\":\"https:\\/\\/jahanbakhshlena.com\\/\"}', '2020-04-30 16:23:31', '2020-04-30 16:23:31'),
(1558, 'idbKZrSSjeo0znvq', '{\"uid\":\"idbKZrSSjeo0znvq\",\"type\":\"artist\",\"tags\":[\"instalation\",\"social-action\",\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"What happens to me?\",\"summary\":\"Iron makes up 32.1 percent of the earth, in this collection we refer to the erosion of the earth and its rust. The hair seen in this collection is collected by a 5cm adhesive from the surface and then the same adhesives are attached to the paper. We intend to illustrate the interaction between man and his environment.\\n2020 \\u2014Paper, Rust, typewriter, Glue\\nThis collection contains 32 works\",\"space\":\"This project is kind of project Art and I need a gallery space about 12 Square meters  to install it.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Lena\",\"surname\":\"Yekta\",\"email\":\"lenayekta@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"N50088752\",\"address\":\"No. 99,Mostafa Khomeini Alley,12 meters of Salman street, Mahdieh Street,Hamedan, Iran\",\"city\":\"Hamedan\",\"nacionality\":\"Iranian\",\"country_id\":\"109\",\"birthdate\":\"1989-04-10T20:30:00.000Z\",\"birthdate_2\":\"1989-04-10T20:30:00.000Z\",\"telephone\":\"+9216605098\",\"web\":\"https:\\/\\/jahanbakhshlena.com\\/\"}', '2020-04-30 16:48:50', '2020-04-30 16:48:50'),
(1559, '7ohjOgMBDZm3sPw7', '{\"uid\":\"7ohjOgMBDZm3sPw7\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Mar de Fuego\",\"summary\":\"Titulo: Mar de Fuego\\nMedidas: 80 x 80\\nDescripci\\u00f3n: Acr\\u00edlico abstracto sobre bastidor entelado con esp\\u00e1tula.\",\"space\":\"Panel para colgar una obra de 80 x 80, en lo posible con iluminaci\\u00f3n\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"karina.muniz.art\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Karina\",\"surname\":\"Mu\\u00f1iz\",\"email\":\"karymuniz2@yahoo.com.ar\",\"dni_type\":\"DNI\",\"dni\":\"21523157\",\"address\":\"Yanquetruz Mzna. 140 Parc.23- Bosque Peralta Ramos\",\"city\":\"Mar del Plata\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1970-04-03T03:00:00.000Z\",\"birthdate_2\":\"1970-04-03T03:00:00.000Z\",\"telephone\":\"0223 15 304 4840\",\"web\":\"karina.muniz.art ( Instagram )\"}', '2020-04-30 17:04:40', '2020-04-30 17:04:40'),
(1560, 'w4zhACZLgaWWoLfd', '{\"uid\":\"w4zhACZLgaWWoLfd\",\"type\":\"artist\",\"tags\":[\"sculpture\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Whatever it is\\u2026\",\"summary\":\"I made this collection with [Hair, Candle, Thermal paper, Wood, Rusted Iron, Glass]. Thermal paper is a special fine paper that is coated with a material formulated to change color when exposed to heat. I used the iron and the candle to draw on these papers. Also Each work contains a piece of paper that the text of which is written by a typewriter from the 1960s. The most obvious thing about my works is the use of unused objects, and I like to produce artistic content from consumed objects. Hair is a sign of man that is constantly changed and influenced by internal and external factors and its a material that has allowed me to express my thoughts. And of course the most important thing for me is the process of creating my work, which is very difficult to explain.\",\"space\":\"I need a gallery space : 30 Square meters\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Jahabakhsh\",\"surname\":\"Amirbeygi\",\"email\":\"jahanbakhshlena@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"N50088752\",\"address\":\"No. 99,Mostafa Khomeini Alley,12 meters of Salman street, Mahdieh Street,Hamedan, Iran.\",\"city\":\"Tehran\",\"nacionality\":\"Hamadan\",\"country_id\":\"109\",\"birthdate\":\"1992-12-29T20:30:00.000Z\",\"birthdate_2\":\"1992-12-29T20:30:00.000Z\",\"telephone\":\"+989190415876\",\"web\":\"https:\\/\\/jahanbakhshlena.com\\/\"}', '2020-04-30 17:05:29', '2020-04-30 17:05:29'),
(1561, 'MFO40fAnqnCSasoT', '{\"uid\":\"MFO40fAnqnCSasoT\",\"type\":\"artist\",\"tags\":[\"videoinstallation\",\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Still Life\",\"summary\":\"Still Life VR artwork by Chiara Passa 2019-ongoing.\\n\\u201cStill life\\u201d analyses the processes of the nature by investigating the relation with it and what is represented in art nowadays as still life. The VR artwork puts in question what is really dead in nature and what is still alive in history of art, by speculating on landscapes, paintings and objects, and so creating through the virtual reality an object-oriented space formed by a vibrant still-life environment designed all around the spectators. The spectators wearing the vr headset (oculus rift and oculus quest) can discover hidden senses, interacting with wired objects and new spaces of perception. In fact, when touched, the still life transforms through homeomorphism, unfolding into other objects and meanings. \\u201cStill life\\u201d is an experimental project, which challenges physical place to render it vibrant and participatory. It is through audience experience that \\u201cStill life\\u201d addresses us to the paradox of the modern space-time condition, even more diluted between physical and liquid space. My \\u201cStill life\\u201d by investigating and analysing the ancient and fervid European Still Life art-practice, wants to keep alive its tradition across the magical ontology of the vr vision. In \\u201cStill life\\u201d I designed each piece to behave and move beyond its own functionality, according also to the Object Oriented Ontology philosophy.\\n\\nDownload PDF http:\\/\\/www.chiarapassa.it\\/StillLife-ChiaraPassa.pdf\",\"space\":\"The space would have been organized like a 3D tangible still-life painting. In fact, it is possible to move and throw things. Other objects are animated, yet others are generative by emitting particle systems. Still Life is structured as a walk\\nthrough the idea of a labyrinth in which the spectator, to see everything, has to do certain paths rather than others that are impervious, it is a Dantesque experience in some ways, that is based on the choice of paths during the walk.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=4zBCo2VYM4o\",\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/www.youtube.com\\/watch?v=oghnMPrMTds\",\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"chiara\",\"surname\":\"passa\",\"email\":\"chiarapassa@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"00000000000A\",\"address\":\"rome\",\"city\":\"rome\",\"nacionality\":\"italian\",\"country_id\":\"113\",\"birthdate\":\"1973-04-29T23:00:00.000Z\",\"birthdate_2\":\"1973-04-29T23:00:00.000Z\",\"telephone\":\"0039000000000\",\"web\":\"http:\\/\\/www.chiarapassa.it\\/\"}', '2020-04-30 17:07:53', '2020-04-30 17:07:53'),
(1562, 'xYVsz2N7086uUYaH', '{\"uid\":\"xYVsz2N7086uUYaH\",\"type\":\"artist\",\"tags\":[\"painting\",\"performance\",\"video\",\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"I AM\",\"summary\":\"Mi trabajo tiene una relaci\\u00f3n con la existencia, influye en la esencia donde descubro de manera independiente a como proyectar mi expresi\\u00f3n fuera de otros conceptos. el an\\u00e1lisis de la libertad empezando desde un profundo sentimiento, las emociones como significado de la vida. Yo y las experiencias afectivas, agresivas, miedos y decepciones\\u2026 con mis emociones y pensamientos morales, son insuficientes para entender mi existencia humana, para mi es necesario sentirme libre. Respondo a la esencia, lo m\\u00e1s importante para mi es el hecho de ser un ser consciente que act\\u00fao a la existencia, en lugar de ser aceptado por roles, apariencias y definiciones que me cataloguen. Donde nadie pueda definir de manera objetiva mi manera de sentir lo que yo vivo.\",\"space\":\"100m2\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/player.vimeo.com\\/video\\/393478038\",\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/soundcloud.com\\/ensignia\\/fire-temple\",\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.instagram.com\\/lipka_riley\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"lipka\",\"surname\":\"riley\",\"email\":\"lipka.riley@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"48084247C\",\"address\":\"calle marques de barbera 13\",\"city\":\"barcelona\",\"nacionality\":\"francesa\",\"country_id\":\"71\",\"birthdate\":\"1992-02-28T23:00:00.000Z\",\"birthdate_2\":\"1992-02-28T23:00:00.000Z\",\"telephone\":\"638248911\",\"web\":\"lipkariley.wixsite.com\\/lipry\"}', '2020-04-30 17:12:52', '2020-04-30 17:12:52');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1563, 'lHW49fOLXq5Rdymh', '{\"uid\":\"lHW49fOLXq5Rdymh\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"yes\",\"group_name\":null,\"project_title\":\"SYMBIOSIS\",\"summary\":\"SYMBIOSIS is a mutually beneficial relationship between different organisms.\\nWhat techniques can we use to create new forms of embodiment communication between organisms? Exploring the disparity of perception within the real and the virtual, this installation consists of three layers.\\nIn the first layer, a body is trapped in a virtual world that the audience cannot perceive. The person disappears under the digital layer of the virtual self of this body, that is ultimately dependent, symbiotically, on the physical body. These bodies swing between oblivion and memory, experiencing an endless fusion between real and virtual. The audience is connected with this symbiotic organism through external tactile stimuli and is being questioned about what experience means to us.\\n\\nShowing the emotional memory of the body that is lost in virtual worlds, my goal is to make the audience realize that an embodied experience is more intimate than a simple observation of another body that experiences.\\n\\nThe audience enters a dark room and comes across with their real-time interactive digital imprint that is projected in the wall.\\nThe audience can participate in live performance that demands audience interaction.\\nThe dancer wears a Wearable Technology costume which triggers vibrations to the audience.\\nThe audience can explore the performer\\u2019s movements through the embodied objects that are connected with the dancer\\u2019s costume and vibrate every time she touches her palms or her feet.\",\"space\":\"The installation needs to be hosted in a darken room with dimensions of approximately 700cm x 600cm x 300cm.\\n\\nSYMBIOSIS consists of an interactive installation and an 8-minute real-time audio-visual participatory performance.\\n\\nThe interactive spatial design consists of a Kinect V2 camera, a short-throw projector hanging from the ceiling, a plinth or a table (40cm x 40 cm x 100cm), headphones, a screen, audience standpoint, an e-textile costume, a sound system, a Windows laptop and Arduino.\",\"artists_proposal\":null,\"members\":[{\"names\":\"MYROSLAVA\",\"surname\":\"KUTS\",\"email\":\"myroslava.kuts@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"FT548035\",\"address\":\"18 Place de la Republique\",\"city\":\"Arles\",\"nacionality\":\"Ukrainian\",\"country_id\":\"77\",\"birthdate\":\"1992-06-27T21:00:00.000Z\",\"birthdate_2\":\"1992-06-27T21:00:00.000Z\",\"telephone\":\"+33749072628\",\"web\":\"https:\\/\\/myroslava.me\\/\"},{\"names\":\"Zoi\",\"surname\":\"Mastrotheodorou\",\"email\":\"life_28@windowslive.com\",\"dni_type\":\"Other\",\"dni\":\"AH 082899\",\"address\":\"Ippokratous 125\",\"city\":\"Athens\",\"nacionality\":\"Greek\",\"country_id\":\"91\",\"birthdate\":\"1993-11-27T22:00:00.000Z\",\"birthdate_2\":\"1993-11-27T22:00:00.000Z\",\"telephone\":\"+306975588196\",\"web\":\"https:\\/\\/www.instagram.com\\/zoi.mast\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/3nAOk2KaXfI\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Eleni\",\"surname\":\"Xynogala\",\"email\":\"elen.xynogala@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"AP0742947\",\"address\":\"VIOTIAS 6\",\"city\":\"ATHENS\",\"nacionality\":\"GREEK\",\"country_id\":\"91\",\"birthdate\":\"1993-03-31T21:00:00.000Z\",\"birthdate_2\":\"1993-03-31T21:00:00.000Z\",\"telephone\":\"+306987584981\",\"web\":\"http:\\/\\/www.elenxyn.com\\/\"}', '2020-04-30 17:58:04', '2020-04-30 17:58:04'),
(1564, 'L9NAbRdorpDctzHe', '{\"uid\":\"L9NAbRdorpDctzHe\",\"type\":\"artist\",\"tags\":[\"instalation\",\"videoinstallation\",\"photography\"],\"group\":\"yes\",\"group_name\":null,\"project_title\":\"Uterus Machina\",\"summary\":\"Uterus Machina (work in progress) is an installation consisted of video (with sound design) and photographs. All the audiovisual media will be experienced as a solid experience. \\nOur goal is to create an environment that mimics the womb in which the viewer will revive the experience of prenatal existence. The installation depicts 3 female figures that symbolize the matrices, with the features of their face and body covered with reconstructed objects. More over some of the screenings will depict handmade micro- environments  (organic scultpures) of an uterus. Please watch the audiovisual material below.\",\"space\":\"A dark space in black walls ideally. 3 video projections, through a projector (3 x1.8 m) will depict the 3 female figures. 3 projections, through screens (40 inch) and six photos (60 x 82 cm) in which the handmade micro-environments of the uterus will be depicted. A general sound environment will accompany the installation. But there will be also headphones so the viewer can connect further with each screen or projection. The installation will have a circular setting to embrace the viewer.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Aris\",\"surname\":\"Paizanos Mavrakis\",\"email\":\"arisasfa@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"AO039540\",\"address\":\"Praxitelous 66 st.\",\"city\":\"Athens\",\"nacionality\":\"Greek\",\"country_id\":\"91\",\"birthdate\":\"1984-01-06T22:00:00.000Z\",\"birthdate_2\":\"1984-01-06T22:00:00.000Z\",\"telephone\":\"+30 6945047116\",\"web\":\"https:\\/\\/vimeo.com\\/user61264921\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":\"123\",\"video_link\":\"https:\\/\\/vimeo.com\\/404707320\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Catherine\",\"surname\":\"Chatzidimitriou\",\"email\":\"xdimitriou.k@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"T170878\",\"address\":\"23A Nikis St. Aigaleo\",\"city\":\"Athens\",\"nacionality\":\"Greek\",\"country_id\":\"91\",\"birthdate\":\"1985-06-10T21:00:00.000Z\",\"birthdate_2\":\"1985-06-10T21:00:00.000Z\",\"telephone\":\"6940085023\",\"web\":\"https:\\/\\/www.instagram.com\\/catherine_chatzidimitriou\\/\"}', '2020-04-30 18:28:46', '2020-04-30 18:28:46'),
(1565, '6zxVz0y1wipzf8Yo', '{\"uid\":\"6zxVz0y1wipzf8Yo\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Collapsing, now\",\"summary\":\"The current situation and the situation in which everyday life has collapsed are expressed using a reversing \'ink\'.\\n\\nAnd on top of that, it was expressed as if it had been a lie to grow in the soil like a \'plastic tree\'.\\n\\n Much has changed since the virus earlier this year.\\n\\nI expressed \'I\' living in it.\\n\\nThis work was expressed using traditional oriental techniques and consists of wooden panels below.\\n\\n Work process attaches \\uc7a5\\uc9c03\\ud569\\uc9c0 3-ply oriental paper(jangji 3hab) to panel using flour glue.\\n\\n I works mainly with oriental pigments such as \\u2018Bunchae\\u2019, \\u2018agyo\\u2019, and \\u2018meog\\u2019.\\n In order to express a deeper color, I am working with <Jangji 3 lamination>.\\n I use Korean traditional techniques to guide me through the process.\\n I am working on expressing the flow and depth of time felt in the process of traditional techniques.\\n\\nUsing traditional materials and processes means my identity.\",\"space\":\"Size 91 cm x 117 cm\\n\\nPaper is stuck on the wood panel.\\n\\nThe form of the exhibition exists as a painting that can be hung on the wall.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=TR0lFc0J6hE&t=2s\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"yoojin\",\"surname\":\"kim\",\"email\":\"eet0003@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"M38070087\",\"address\":\"12, Yuldo-ro 77beon-gil, Seo-gu, Incheon, 22782, Rep. of KOREA\",\"city\":\"Incheon\",\"nacionality\":\"Rep. KOREA\",\"country_id\":\"124\",\"birthdate\":\"1996-09-16T15:00:00.000Z\",\"birthdate_2\":\"1996-09-16T15:00:00.000Z\",\"telephone\":\"+82 10 6572 3253\",\"web\":\"https:\\/\\/www.instagram.com\\/kimyoujin_blue\"}', '2020-04-30 19:04:03', '2020-04-30 19:04:03'),
(1566, 'XfGRLI7yrl1smmYz', '{\"uid\":\"XfGRLI7yrl1smmYz\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Beautiful souls\",\"summary\":\"\\\"Beautiful Spirits \\\"\\nThe exhibition includes a group of ten paintings, In the paintings I\\nwanted to show off the beautiful souls of the simple classic Egyptian\\ncharacter, indirectly. In some paintings, I wanted to express a specific\\nissue, in some paintings i showed the simplicity of Egyptian features,\\n.and in  the rest I highlighted some of the situations of Egyptian daily life\\nI used oil paints on canvas or paper in three artworks , while others are\\n.created in ink and gouache on paper\",\"space\":\"For the preferred space of the gallery : the exhibition may be modified according to\\n.space, I\'m open to suggestions\\nThe exhibition includes a group of ten paintings varied in sizes between\\n38 inches as a maximum height and 30 inches as a maximum width , and\\n10 inches as a minimum height and 11 inches as a minimum width .\\nfor the installation of the panels, it will be a very simple process. The\\npanels have special tires and are equipped to hang on the wall with a\\nnail or other.\\nHere\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Sarah\",\"surname\":\"Hussein\",\"email\":\"sarahhusseinc@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"A24215746\",\"address\":\"Zarqa Center St. station , Damietta Governorate, Egypt., Zarqa Post Office , Damietta Governorate, Egypt.\",\"city\":\"Zarqa\",\"nacionality\":\"Egyptian\",\"country_id\":\"68\",\"birthdate\":\"1993-07-31T21:00:00.000Z\",\"birthdate_2\":\"1993-07-31T21:00:00.000Z\",\"telephone\":\"01098518271\",\"web\":\"https:\\/\\/www.facebook.com\\/sara.hssien\"}', '2020-04-30 19:32:55', '2020-04-30 19:32:55'),
(1567, 'xgA7mRfVDEBrxhrC', '{\"uid\":\"xgA7mRfVDEBrxhrC\",\"type\":\"artist\",\"tags\":[\"instalation\",\"sculpture\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"The last surviving female Southern White Rhinoceros\",\"summary\":\"\'The last surviving female Southern White Rhinoceros\' takes as a point of departure the human attempt to control everything in our world \\u2013 be it Flora or Fauna \\u2013 in an absolute and destructive manner. The sculptural and sound installation consists of a large wooden crate with the dimensions of 2x2x4 meters, completely sealed except for one small peeping hole. From inside the crate, some deep sound of slow and heavy breathing is heard, disappearing at times and coming back, accompanied by painful, quiet moans. Having only one small hole through which one person at a time can look into the crate, a line of people waiting for their turn is part of the installation, and when one finally gets to look through the peeing hole, not much can be seen - the minimal light installed in the crate allows the peeping person to notice an abstract dark shape, a \\u201cthing\\u201d, whose face and legs \\u2013 if it has any at all \\u2013 cannot be seen. Being the last one of its kind, the value of the caged animal \\u2013 whether actually seen by the public or not \\u2013 is indisputable. Acting within a Western colonial tradition of exhibiting and presenting objects, artworks, animals and human beings in Palaces, Natural History Museums and major exhibition venues for the pleasure of Western bourgeoisie, the work places the public in the position of oppressors, confronting them with their personal role within existing power structures and systems, and addressing questions regarding dominance, pleasure and objectification.\",\"space\":\"To create a convincing, awe-striking effect of the work and establish the right relations between the work itself and the space in which it is presented, the installation (which spreads together with its surroundings on about 10 square metres) should be installed in the middle of a clean, at least 50 square meter space, leaving enough room for a long line of people waiting to look through the peeping whole, as well as walking around the work and observing it as a whole from various distances.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Itamar\",\"surname\":\"Gov\",\"email\":\"itamargov@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"201207669\",\"address\":\"Fuldastr. 40\",\"city\":\"Berlin\",\"nacionality\":\"Israel\",\"country_id\":\"61\",\"birthdate\":\"1989-02-26T23:00:00.000Z\",\"birthdate_2\":\"1989-02-26T23:00:00.000Z\",\"telephone\":\"00491785574244\",\"web\":\"www.itamargov.com\"}', '2020-04-30 19:48:28', '2020-04-30 19:48:28'),
(1568, 'iFZAOZtsofoqxu6x', '{\"uid\":\"iFZAOZtsofoqxu6x\",\"type\":\"artist\",\"tags\":[\"sculpture\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"They Promised Us Flying Cars, But All We\'ve Got Are Solar Powered Parking Meters\",\"summary\":\"Recyclable rockets, new types of space telescopes in search of Earth-like planets and stations on Mars - utopias of a new generation of space enthusiasts have been in the media since the beginning of the 21st century. It almost seems that against the background of climate change and growing inequality, people are already looking for alternative habitats, a restart of our civilisation. \\nAt the same time, there are more and more critics who question the enormous costs of space travel and weigh them against necessary earthly development programmes. This criticism is not new and was already a topic of discussion in the USA in the late 1960s when, for example, Ralph Abernathy, civil rights leader and ally of Martin Luther King, led protests against the moon landing in 1969.\\nMy art is generally about science and science fiction. My project remains on those traces and was developed against the background of criticism of space travel. I live in Marseille, a city with extreme poverty on the one hand and wealth and beauty on the other. The proximity of the two, sometimes only a few meters away from each other, is startling. My project depicts an icon of progress and utopias: the space suit, as a symbol that can be found everywhere in popular culture today - in literature, in cinema and in advertising. The work itself consists of three space suits inspired by this symbol. All materials are exclusively found remnants of urban life - old mattresses, soiled fabric and civilisational waste.\",\"space\":\"There are 3 different space suits, 1 is finished, 1 is in progress and a third one is planned to be finished by the end of 2020. Dimensions of each are approximately 60 x 60 x 200 cm. All three are light weight (15 kg each, mostly foam rubber and fabric) and will be presented standing, with help of flat parasol bases and hidden supports at the inside of the suits. They are easy to install. The suits are not waterproof and should be presented indoors.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Stefan\",\"surname\":\"Eichhorn\",\"email\":\"post@stefaneichhorn.de\",\"dni_type\":\"CI\",\"dni\":\"L4V2M59Z2\",\"address\":\"110 Boulevard National\",\"city\":\"Marseille\",\"nacionality\":\"German\",\"country_id\":\"77\",\"birthdate\":\"1980-04-21T22:00:00.000Z\",\"birthdate_2\":\"1980-04-21T22:00:00.000Z\",\"telephone\":\"+33698337182\",\"web\":\"www.stefaneichhorn.de\"}', '2020-04-30 19:50:57', '2020-04-30 19:50:57'),
(1569, 'Yjh8RpQBs3biIjWZ', '{\"uid\":\"Yjh8RpQBs3biIjWZ\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"yes\",\"group_name\":\"Al Margen\",\"project_title\":\"REC: Cuerpo, Archivo, Memoria\",\"summary\":\"REC, Cuerpo Archivo Memoria es una obra interdiciplinaria que combina mapping, instalaci\\u00f3n sonora y danza contemporanea, que usa al cassette y la memoria registrada en este objeto como eje dramat\\u00fargico y de acci\\u00f3n, generando una Instalaci\\u00f3n que puede ser recorrida e intervenida por el espectador, donde el rescate de la memoria personal busca reconstruir una memoria colectiva.\\n\\nEl cassette aparece como s\\u00edmbolo y producto de una \\u00e9poca que funcion\\u00f3 como registro de nuestra m\\u00fasica personal, que guard\\u00f3 extractos de nuestra historia \\u00edntima, que encierran im\\u00e1genes, emociones y registros de un periodo de nuestras vidas.\\n\\nEl casesette cumple as\\u00ed un rol de archivo est\\u00e9tico, un dispositivo que registra 3 d\\u00e9cadas de historia y trabaja sobre un patrimonio inmaterial que rescata un modo est\\u00e9tico espec\\u00edfico para comprender la realidad desde las coordenadas de un momento social y cultural anal\\u00f3gico. \\n\\nLa obra recopila la memoria personal de diversas personas desde diferentes lugares y edades. Estos relatos se aunan y reconstruyen en 4 unipersonales que se mezclan, transforman y ficcionan con las historias personales de cada performer para as\\u00ed construir un relato corporal que nos hace recordar en comunidad compartiendo un espacio en com\\u00fan en el cual se despliegan en el piso alrededor de 2000 cassetes que son manipulados por los performers interviniendo el paisaje escenografico y en contacto directo con el espectador, mientras los mappings intervienen los muros de este\",\"space\":\"Espacio m\\u00ednimo de 6x9 metros con capacidad de oscurecerse , donde los espectadores y los performers est\\u00e1n dentro del mismo espacio y al mismo nivel conviviendo. No se necesitan sillas, ni escenario, solo un espacio contenedor . La obra esta creada para adaptarse a cualquier caracter\\u00edstica espacial que se disponga.\",\"artists_proposal\":null,\"members\":[{\"names\":\"cesar\",\"surname\":\"cisternas\",\"email\":\"csr_cisternas@yahoo.es\",\"dni_type\":\"DNI\",\"dni\":\"10897925-9\",\"address\":\"parque bustamante 222\",\"city\":\"santiago\",\"nacionality\":\"chilena\",\"country_id\":\"44\",\"birthdate\":\"1982-09-12T22:00:00.000Z\",\"birthdate_2\":\"1982-09-12T22:00:00.000Z\",\"telephone\":\"56987274456\",\"web\":null},{\"names\":\"Vima\",\"surname\":\"Gonzalez\",\"email\":\"vilmagonzaleziturriaga@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"15335980-6\",\"address\":\"nueva costanera 700\",\"city\":\"Santiago\",\"nacionality\":\"Chilena\",\"country_id\":\"44\",\"birthdate\":\"1980-04-04T23:00:00.000Z\",\"birthdate_2\":\"1980-04-04T23:00:00.000Z\",\"telephone\":\"56976969356\",\"web\":null},{\"names\":\"Fernanda\",\"surname\":\"Gonzalez\",\"email\":\"fernandagonzalez@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"14123476-5\",\"address\":\"Los alerces 56\",\"city\":\"Santiago\",\"nacionality\":\"Chilena\",\"country_id\":\"44\",\"birthdate\":\"1980-10-11T23:00:00.000Z\",\"birthdate_2\":\"1980-10-11T23:00:00.000Z\",\"telephone\":\"56995773741\",\"web\":null},{\"names\":\"Oscar\",\"surname\":\"Carmona\",\"email\":\"oscarcarmona@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"12022570-7\",\"address\":\"Eliodoro Ya\\u00f1ez 332\",\"city\":\"Santiago\",\"nacionality\":\"Chilena\",\"country_id\":\"44\",\"birthdate\":\"1975-06-11T23:00:00.000Z\",\"birthdate_2\":\"1975-06-11T23:00:00.000Z\",\"telephone\":\"56987331097\",\"web\":null}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/340151731\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/drive.google.com\\/open?id=1FbMClHMZymPP2pieHRKKO4FubbaKTcXN\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Hugo\",\"surname\":\"Pe\\u00f1a\",\"email\":\"c.almargen@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"P15356746\",\"address\":\"Almirante barroso 222\",\"city\":\"santiago\",\"nacionality\":\"Chilena\",\"country_id\":\"44\",\"birthdate\":\"1972-12-12T23:00:00.000Z\",\"birthdate_2\":\"1972-12-12T23:00:00.000Z\",\"telephone\":\"+4915217295651\",\"web\":null}', '2020-04-30 19:51:07', '2020-04-30 19:51:07'),
(1570, 'ZyHTUTFhQ7qyKBUk', '{\"uid\":\"ZyHTUTFhQ7qyKBUk\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Cities in the Universe\",\"summary\":\"Cities have always were been the beacons of light since the dawn of human civilization. Although at first even without bow or fire they sparked the ideas that through their expansion influenced people in their envirovment. Cities are dynamic entities and by looking on the changes that are happening in their structure, architecture and society we can learnt the history of the world. Through my paintings I would like to present portraits of the different cities around the globe in vision far from presented in the postcards. By creating works of high artistic quality using various techniques including oil paintings, acryles and collages on cardboard I would like to show different faces of modern and historical cities that influenced the history of the world. As the world is in constant change it will be impossible not to include the impact of the most recent events like the global struggle with pandemics and how it influence the relations between states, nations and societies. History shows that cities are the focal point of the global changes and by observing events that shape them we can broaden our view on human civilization. The topic of the cities is not new for me as it already inspired me in the past. Most notably, in one of my paintings I have combined elements of two cities I have lived in and that inspired me: New York - symbolized by twin towers (still standing during my time in the city) and Lublin \\u2013 my home town, with my family house and my mother.\",\"space\":\"If it were possible: first version 30 m2           5 m x 6 m\\n                                second version 40 m2       5 m  x 8 m,   it could consist of two room\\n\\n\\nMounting system for hanging pictures on the walls and if possible a system for hanging pictures in the middle of the room.\\n   Roll Up and plates next to the pictures. Standard lighting\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"ANDRZEJ\",\"surname\":\"SOCHA\",\"email\":\"andrzej.socha@wena.net.pl\",\"dni_type\":\"Other\",\"dni\":\"Passport  Republic of Poland   EB 0809318\",\"address\":\"80 - 172 Gda\\u0144sk , street Morenowa 11 ,Poland\",\"city\":\"GDA\\u0143SK\",\"nacionality\":\"POLISH\",\"country_id\":\"182\",\"birthdate\":\"1950-11-01T23:00:00.000Z\",\"birthdate_2\":\"1950-11-01T23:00:00.000Z\",\"telephone\":\"+48 603 121 324\",\"web\":\"www.andrzejsocha.pl\"}', '2020-04-30 19:54:12', '2020-04-30 19:54:12'),
(1571, 'ECtgCSPLH8RRwoQB', '{\"uid\":\"ECtgCSPLH8RRwoQB\",\"type\":\"artist\",\"tags\":[\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Ungo\\/Spaceship\",\"summary\":\"Rehema Chachage\\nUntitled: Ungo\\/Spaceship\\nAn installation featuring two wooden sculptures, cloves, video, sound, text and sisal rope\\n\\nThis is a multi-sensory installation which explores history, belonging, and all which transcend physical inheritance. It uses cultural objects to open a gateway to what did or might have happened in the distant past, but intimately connected to my present reality and sense of self. It features two wooden sculptures that take the shape of the \'ungo\'.  On them, two projections appear-a video on one, and text on the other. The video features a figure playing \\u2018mdako\\u2019-a children\\u2019s game of throwing and catching pebbles, but in this case, what are thrown and caught are cowry shells. And, the text projection reads: \\u201c1. Peta pepeta via vyaiva, ungo navunja; 2. Peta pepea paa angani, mbingu ya saba\\u201d, a hard to translate text\\/proverbs, but speaks in general of escape\\/flight to cloud nine. A sound surrounds the installation, in it we hear a rather known (in Tanzania) childhood chant titled \\u2018Watoto wangu eeh\\u2026 (to my children)\\u2019\\n\\nWatoto wangu eeh..\\nMimi mama yenu,\\nSina nguvu tena,\\nZa kuua simba,\\nSimba ni mkali,\\nAliua baba,\\nAkaua mama,\\nAkaua kaka,\\nAkaua dada,\\nSasa kimbieni\\u2026\\n[To my children\\u2026\\nThis is your mother,\\nI no longer have the strength,\\nTo fight\\/kill the lion,\\nThe lion is stong(er),\\nIt killed (my) father,\\nThen it killed (my) mother,\\nThen it killed (my) brother\\nThen it killed (my) sister,\\nNow run\\u2026]\",\"space\":\"This installation requires a dark (painted black, also poorly lit) and intimate space of at least 6 x 4 square meters. \\nThere is need for enough space for the viewers to walk around the installation, as well as have some interactions with every aspect of the installation (since it is a multi-sensory installation, it is important that each of the senses - touch, smell, taste, visual, and audio-are activated through one\'s experience with the installation)\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/V9pPZ1wMoe4\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Rehema\",\"surname\":\"Chachage\",\"email\":\"rehemacha@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"TAE162179\",\"address\":\"Hormayrgasse 51\\/15, 1170 Vienna\",\"city\":\"Vienna\",\"nacionality\":\"Tanzania\",\"country_id\":\"16\",\"birthdate\":\"1987-02-25T23:00:00.000Z\",\"birthdate_2\":\"1987-02-25T23:00:00.000Z\",\"telephone\":\"068120882057\",\"web\":\"www.rehemachachage.com\"}', '2020-04-30 19:56:45', '2020-04-30 19:56:45'),
(1572, 'RixOsUL6hDKjuLmD', '{\"uid\":\"RixOsUL6hDKjuLmD\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"suspiro\",\"summary\":\"Texto original en portugues:\\n\\nO que eu queria mesmo era um sopro de ar. Um pouquinho de f\\u00f4lego, sabe? Porque \\u00e9 dif\\u00edcil prender a respira\\u00e7\\u00e3o por tanto tempo. Chega um momento em que voc\\u00ea parece delirar - as formas se distorcem e as cores ficam opacas. \\nOu podia ser um sopro de calor, desses que envolvem todo o corpo. E de t\\u00e3o quente eu poderia voar. Isso, um sopro que me levasse. Mas talvez fosse suficiente que me soprassem uma palavra boa - qualquer uma. Uma que eu pudesse levar comigo. Ou melhor, uma frase inteira, dessas que trazem junto toda uma hist\\u00f3ria. Ent\\u00e3o eu recuperaria o ar, meus p\\u00e9s deixariam o ch\\u00e3o e eu seria levada. Levada como uma crian\\u00e7a.\\n\\nEse texto fue producido durante la cuarentena contra el COVID-19.\\n\\nUn texto l\\u00fadico y sensorial\\nQue trata de las memorias y de la ni\\u00f1ez\\nDe las realidades y de las locuras\\nDe las claustrofobias y de las libertades\\nDe las palavras y de los silencios.\\n\\nEl texto reflexiona acerca de ad\\u00f3nde se van nuestros pensamientos en ese momento que nos encontramos encerrados y aislados.\\n\\nAdem\\u00e1s, busca llevar atenci\\u00f3n a nuestros sentidos as\\u00ed que lo que nos pasa dentro ahora con las calles desertas ya es m\\u00e1s do que se pasa a fuera.\\n\\nEl sonido me pareci\\u00f3 la manera m\\u00e1s fiel para traducir termos como \\\"aire\\\", \\\"aliento\\\" y \\\"soplo\\\", tan abstratos cuanto el virus sars - cov - 2.\",\"space\":\"Opci\\u00f3n 1 - Una habitaci\\u00f3n oscura\\n\\nOpci\\u00f3n 2 - Auriculares\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/soundcloud.com\\/catarina-marques-574016711\\/suspiro\",\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Catarina\",\"surname\":\"Marques\",\"email\":\"catarinamqs@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"20.883.639-5\",\"address\":\"Av Rainha Elisabeth da B\\u00e9lgica, 729 apt 303\",\"city\":\"Rio de Janeiro\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1985-04-02T03:00:00.000Z\",\"birthdate_2\":\"1985-04-02T03:00:00.000Z\",\"telephone\":\"+5521987462980\",\"web\":\"www.labossa.com.br\"}', '2020-04-30 20:48:18', '2020-04-30 20:48:18'),
(1573, 'PpbVUfGbeNkQramx', '{\"uid\":\"PpbVUfGbeNkQramx\",\"type\":\"artist\",\"tags\":[\"instalation\",\"social-action\",\"sculpture\",\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"hospitalidad\",\"summary\":\"El concepto de ofrecer un vaso de agua: a un hue\\u0301sped, a un viajero, a un desconocido, es uno de los si\\u0301mbolos de hospitalidad mas antiguo del mundo.\\n\\nLa primera fase: pedir en las casas del barrio o pueblo un vaso de agua. En caso que las personas me inviten a un vaso de agua, pedir\\u00e8 el mismo vaso que sera\\u0301 un elemento de nuestra pieza.\\n\\nInstalacio\\u0301n:\\nUna vez coleccionados todos los vasos, la idea es de instalarlos conjuntamente, pegando los vasos entre si\\u0301, formando torres, como totems luminosos, creando un monumento a la hospitalidad del lugar.\\n\\nLa medidas de nuestra pieza sera\\u0301 proporcional a cuanto sera\\u0301 abierta y hospitalaria la gente.\\nLa pieza quiere representar la fragilidad del concepto de hospitalidad y los vasos instalados como totems quieren ser como un trofeo a este arcaico concepto.\",\"space\":\"una ventana bien visible ...o un marco de una ventana o una peana libre...mirar las imagines de alegado de trabajo similares, l idea es de aprovechar un sitio propuesto dal contesto sin materiales nuevos.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=s57_wGdTEdU\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Federico\",\"surname\":\"Tosco\",\"email\":\"iamyomuto@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"y1753414t\",\"address\":\"passatge de sant benet 6\",\"city\":\"barcelona\",\"nacionality\":\"italiana\",\"country_id\":\"71\",\"birthdate\":\"1983-12-01T23:00:00.000Z\",\"birthdate_2\":\"1983-12-01T23:00:00.000Z\",\"telephone\":\"633780524\",\"web\":\"yomuto.com  ig:@yomutoatelier\"}', '2020-04-30 21:02:02', '2020-04-30 21:02:02'),
(1574, 'qTYmHMZ5hkkW3KsH', '{\"uid\":\"qTYmHMZ5hkkW3KsH\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"EUROPA: PASAJES DE INVIERNO\",\"summary\":\"El proyecto que presento \\u201cEuropa: Pasajes de invierno\\u201d fue realizado en el a\\u00f1o 2015 en \\u201cAbierto x Obras\\u201d de Matadero Madrid.\\nEL PROYECTO\\nEn 1940 mor\\u00eda Walter Benjam\\u00edn, dejando inacabado su gran proyecto \\u201cEl Libro de los Pasajes, en el que mostraba sus reflexiones, cuestionando el desarrollo de la historia hasta ese momento. Una historia, que a su modo de ver, no hab\\u00eda cumplido las expectativas de liberaci\\u00f3n humana, y que en sus ruinas mostraba la imposibilidad de alcanzar sus metas \\u00faltimas.\\n\\u201cEuropa: Pasajes de invierno\\u201d, es una instalaci\\u00f3n que tiene el aspecto de un gran barrac\\u00f3n, construido con viejas puertas de madera, de cuyo tejado cae agua continuamente, y en el que se proyectan tres videos realizados con viejas fotograf\\u00edas encontradas en rastros de viejo. Este barrac\\u00f3n bien podr\\u00eda ser uno de los que acogen  a los inmigrantes, o refugiados que huyen de las guerras y persecuciones que sufren en sus pa\\u00edses, o cualquier campo de concentraci\\u00f3n; o un barrac\\u00f3n que, tal vez un d\\u00eda, nosotros mismos habitemos. El barrac\\u00f3n tiene forma de una gran silla en referencia a uno de los elementos imprescindibles del habitar. \\nCreo que las circunstancias actuales, que de forma global nos afectan a todos, y el confinamiento al que gran parte de los pa\\u00edses est\\u00e1n sometidos en este momento hacen que el mensaje de este proyecto siga teniendo todo el sentido que cuando fue realizado por primera vez.\",\"space\":\"Las medidas de esta instalaci\\u00f3n son 17 x 10 metros, y el espacio id\\u00f3neo para su realizaci\\u00f3n ser\\u00eda algo de las caracter\\u00edsticas de \\\"Abierto x Obras\\\" de Matadero Madrid, Tabacalera Promoci\\u00f3n del Arte de Madrid, o cualquier otro espacio de una tipolog\\u00eda similar. Las medidas y formato de la instalaci\\u00f3n se podr\\u00edan adaptar al espacio en cuesti\\u00f3n.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Florentino\",\"surname\":\"D\\u00edaz\",\"email\":\"diazflorentino@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"51976680S\",\"address\":\"Calle Ram\\u00f3n G\\u00f3mez de la Serna, 119\",\"city\":\"Madrid\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"71\",\"birthdate\":\"1954-11-26T23:00:00.000Z\",\"birthdate_2\":\"1954-11-26T23:00:00.000Z\",\"telephone\":\"+34 629 711 622\",\"web\":\"Instagram\"}', '2020-04-30 21:31:19', '2020-04-30 21:31:19'),
(1575, 'YxgnLLJxUpVg5Uq9', '{\"uid\":\"YxgnLLJxUpVg5Uq9\",\"type\":\"artist\",\"tags\":[\"sculpture\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"AWAKE\",\"summary\":\"This piece is a call to action to wake up as a society dulled by consumerism and indifference. In a moment when we are growing roots in the sofa of our homes when scrolling down, we never had as much inspiration under our thumbs. Instead of just \\u2018infoxicating\\u2019 our minds, let\\u2019s learn from it, twist it, undermine it, subvert it, and create together across the distance. It\\u2019s time to watch, not to see.\",\"space\":\"The proposal includes two spaces for two correlative exhibition forms:\\n\\n- A space of at least 3 x 2 m to exhibit three peanas of different hights and wides. Ideally a composition of 5 pieces will be displayed over it as a still life. Guests will be able to walk around.\\n\\n- A small room of about 4 - 6 m2 (estimated) and power connection. We would fill it with real popcorns and visitors will be able to get immersed into them becoming part of the artwork.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/drive.google.com\\/open?id=1zQ6vP-pO1nnTsTv5Nfo25Kg5-il0MN3a\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Nicole\",\"surname\":\"Vindel\",\"email\":\"nicole@random-happiness.com\",\"dni_type\":\"DNI\",\"dni\":\"40374052J\",\"address\":\"c\\/ Zamora 105 6o 4a\",\"city\":\"Barcelona\",\"nacionality\":\"Spain\",\"country_id\":\"71\",\"birthdate\":\"1992-03-01T23:00:00.000Z\",\"birthdate_2\":\"1992-03-01T23:00:00.000Z\",\"telephone\":\"680254353\",\"web\":\"nicolevindel.com \\/ @nicolevindel\"}', '2020-04-30 21:49:05', '2020-04-30 21:49:05'),
(1576, 'oaIAA2Y0Fuekc6MH', '{\"uid\":\"oaIAA2Y0Fuekc6MH\",\"type\":\"artist\",\"tags\":[\"object\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Cuidado, cont\\u00e9m ironia\",\"summary\":\"Cuidado Cont\\u00e9m ironia \\u00e9 uma obra experimental autoral. \\nA cria\\u00e7\\u00e3o surgiu a partir de outra obra que consiste em um folheto extremamente ir\\u00f4nico. Ao apresent\\u00e1-lo, muitas pessoas alertaram que era necess\\u00e1rio avisar o conte\\u00fado ir\\u00f4nico. Sem entender como o governo, a m\\u00eddia, a arte conceitual s\\u00e3o ir\\u00f4nicos e n\\u00e3o precisam avisar, por que a arte precisa ser anunciada como ir\\u00f4nica? O p\\u00fablico n\\u00e3o tem a capacidade de perceber a figura de linguagem presente? \\nPortanto o carimbo \\u00e9 um convite, para que marquemos o que nos \\u00e9 ir\\u00f4nico pessoalmente e como sociedade. O que da ironia \\u00e9 verdade? Por que ela afirma com repudia? \\nA obra \\u00e9 composta por gestos: olhar, ler, selecionar, marcar e expor. H\\u00e1 3 objetos, uma cesta, o carimbo e um quadro para expor. O interlocutor dever\\u00e1 selecionar um material pr\\u00f3prio ou da cesta, carimb\\u00e1-lo com sua ironia e expor no quadro. \\nDessa maneira a galeria poder\\u00e1 questionar internamente, o que \\u00e9 negado e expor, como verdade ou ironia ou at\\u00e9 uma verdade ir\\u00f4nica.\",\"space\":\"O projeto materialmente consiste em um carimbo de 6cm \\\"Cuidado, cont\\u00e9m ironia\\\", uma base tinteiro de 10 cm e tachinhas, tais itens estar\\u00e3o em cima de um totem. \\u00c1 esquerda do totem uma cesta de revistas com  materiais pra serem ironizados pelo p\\u00fablico, como jornais, folhetos, prints de twitter. A direita, um quadro de 60X40cm onde poderemos fixar o material carimbado. Na parede onde encontra-se a instala\\u00e7\\u00e3o haver\\u00e1 escrito \\\"Marque aqui a sua ironia\\\". Espa\\u00e7o necess\\u00e1rio: um totem e grafia na parede.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Rebeca\",\"surname\":\"Tolmasquim\",\"email\":\"rebecatmsq@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"26.946.153-9\",\"address\":\"Rua Machado de Assis, 5\",\"city\":\"Rio de Janeiro\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1998-07-09T03:00:00.000Z\",\"birthdate_2\":\"1998-07-09T03:00:00.000Z\",\"telephone\":\"+5521 998599992\",\"web\":\"+5521 22653584\"}', '2020-04-30 21:52:20', '2020-04-30 21:52:20'),
(1577, 'uQxPLdXCxPBdOv4M', '{\"uid\":\"uQxPLdXCxPBdOv4M\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"DE PIEL A PIEL.: LA METAMORFOSIS DEL MIEDO.: Mitos y sombras.\",\"summary\":\"-El tema del encierro, la enfermedad y la pesadilla como emociones recurrentes, donde la l\\u00f3gica se  pierde  nacen otras m\\u00e1scaras, otras versiones  insospechadas....\\n\\nDE PIEL A PIEL.: LA METAMORFOSIS DEL MIEDO.\\n\\nQuien ha superado el miedo puede creerse inmortal; quien no lo conoce, lo es. Es probable que en el para\\u00edso las criaturas desaparezcan tambi\\u00e9n, pero no conociendo el miedo de morir, no moriir\\u00e1n  nunca. El miedo es una muerte de cada instante\\nEl proyecto comprende cuatro escenas en acuarela : cuatro versiones, cuatro momentos  de multiples m\\u00e1scaras  humanas en proceso de transformaci\\u00f3n pand\\u00e9mica.\\n\\nMITOS Y SOMBRAS:  rostros y m\\u00e1scaras del miedo y la noche. (video)\\n\\n Por qu\\u00e9 es tan triste madrugar? La hora\\nnos despoja de un don inconcebible,\\ntan \\u00edntimo que s\\u00f3lo es traducible\\nen un sopor que la vigilia dora\\n\\nde sue\\u00f1os, que bien pueden ser reflejos\\ntruncos de los tesoros de la sombra,\\nde un orbe intemporal que no se nombra\\n\\ny que el d\\u00eda deforma en sus espejos.\\n\\u00bfQui\\u00e9n ser\\u00e1s esta noche en el oscuro\\nsue\\u00f1o, del otro lado de su muro?\\nJorge Luis Borges.\\n\\nEL ROSTRO Y LAS MASCARAS: \\\"Aprender\\u00e1s a tus expensas que a lo largo del camino encontrar\\u00e1s muchas m\\u00e1scaras y pocos rostros\\\" Luigi Pirandello (Uno, ninguno y cien mil)\",\"space\":\"La muestra corresponde a :\\n\\nComo soporte de las obras:\\nDos paneles en acrilico de 80x 110 cmts. cada uno , dentro son expuestos , por cada panel dos pinturas en acuarela de 39x 56 cmts. cada una, (dos trabajos por cada panel)\\n\\nUn video MITOS Y SOMBRAS: (durac. 1,04 min) im\\u00e1genes de m\\u00e1scaras en pintura acr\\u00edlica.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=RtmdC3V-K_k\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"An\\u00edbal Gast\\u00f3n\",\"surname\":\"Troiano\",\"email\":\"gastontroiano@virgilio.it\",\"dni_type\":\"DNI\",\"dni\":\"11159986\",\"address\":\"Pacheco de Melo 2745 - 9  depto.  A\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1954-06-28T03:00:00.000Z\",\"birthdate_2\":\"1954-06-28T03:00:00.000Z\",\"telephone\":\"0054 9 1161818039 -35344283\",\"web\":\"facebook\"}', '2020-04-30 22:06:08', '2020-04-30 22:06:08'),
(1578, '8tc9lAxRTwv1uq6f', '{\"uid\":\"8tc9lAxRTwv1uq6f\",\"type\":\"artist\",\"tags\":[\"instalation\",\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"MEMORY\",\"summary\":\"\\u201cLa  lluvia, fin\\u00edsima, se infiltraba apenas entre el follaje. La tierra, en el bosque de eucaliptos, no estaba h\\u00fameda. Hubiera dicho que los rayos de sol apresados en un colch\\u00f3n de hojas secas manten\\u00edan un calor y un olor m\\u00e1s intensos en medio de la lluvia. Me sent\\u00e9 al pie de un \\u00e1rbol, desde donde se divisaba la entrada de la casa. Melanc\\u00f3licamente pensaba en todo lo agradable y desagradable de mi estad\\u00eda\\u201d [Silvina Ocampo. El Impostor, p.117]\\n\\nA partir del cuento seleccionado de la distinguida escritora argentina Silvina Ocampo, propongo una serie de obras concebidas como una unidad, como un aut\\u00e9ntico dispositivo est\\u00e9tico dispuesto para que el acontecimiento ocurra desde la ambig\\u00fcedad interpretativa.\\n\\nLos viajes aludidos por Silvina Ocampo se conforman por recuerdos, por vivencias. A trav\\u00e9s del tiempo, y de sensaciones, recogemos diversos puntos de inflexi\\u00f3n para establecer relaciones varias que nos ubiquen en un trayecto. No anclamos esos recuerdos en un proceso arqueol\\u00f3gico, sino cartogr\\u00e1fico; hodol\\u00f3gico \\u2013 exactamente- ya que las vivencias se presentan transitables. Laberinto no cristalizado de im\\u00e1genes, sino rizom\\u00e1tico, como una red textual de m\\u00faltiples entradas y salidas, como un trazado cartogr\\u00e1fico, como un mapa, con el objetivo de que las personas puedan transitar diversos recorridos posibles, como una experiencia tanto tem\\u00e1tica como discursiva.\\n\\nDimensi\\u00f3n total:145 x 195 cm. Compuesta por 15 obras de 22x22 cm cada una. T\\u00e9cnica: Papel Canon.  Fecha: 2019\",\"space\":\"La obra estar\\u00e1 presentada sobre una pared blanca que deber\\u00eda tener una dimensi\\u00f3n aproximada de 345x395 cm (estimando 100 cm por cada lado)\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.claudiaguerriniart.com\\/memory\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Claudia\",\"surname\":\"Guerrini\",\"email\":\"arte@claudiaguerriniart.com\",\"dni_type\":\"DNI\",\"dni\":\"16.732.064\",\"address\":\"Domingo de Acassuso 2603, Olivos\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1964-04-15T04:00:00.000Z\",\"birthdate_2\":\"1964-04-15T04:00:00.000Z\",\"telephone\":\"1558849680\",\"web\":\"www.claudiaguerriniart.com\"}', '2020-04-30 22:28:51', '2020-04-30 22:28:51'),
(1579, 'U6l2X7OEA4DzgKkk', '{\"uid\":\"U6l2X7OEA4DzgKkk\",\"type\":\"artist\",\"tags\":[\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Pedra molhada no c\\u00e9u\",\"summary\":\"This video is part of my Final Graduation Project, presented on June 2019, at the Faculdade de Arquitetura e Urbanismo da Universidade de S\\u00e3o Paulo. My will is to consider space with interest on people. A much recognized brazilian cartoonist, Mill\\u00f4r Fernandes, has brought, in one of his drawings, the discussion that is so essential in the work presented here: on a squared paper sheet, Mill\\u00f4r creates the typical modern building facade, so characteristic for its monotonous glass frame. On the top, and almost imperceptible, if it weren\'t for the speech balloons that read \\u201cI wash and you dry\\u201d, two workers in the task, as necessary as inglorious, to clean that facade. Are we considering architecture from the perspective of its daily life? The scenario is the Museu Brasileiro da Escultura e Ecologia (MuBE), a space vividly present in the set of images in which we identify the well successful S\\u00e3o Paulo\'s modern architecture. However, which are the conflicts workers face every day?\\nHaving been working at MuBE for almost three years, I noticed my privilege of having the chance to experience, every day, a space that is not usually unfolded to the ones that often know MuBE only by the famous photographs taken by architecture photographer Nelson Kon. I decided to film MuBE under another perspective, which, for me, reveals itself as much more valuable because it can bring to the surface the discussion about architecture images and how they can go far beyond the mere documentary record.\",\"space\":\"This work has been presented previously at the XII Bienal Internacional de Arquitetura de S\\u00e3o Paulo (Sep - Dec 2019). It consists on a Full HD video file, 1920 x 1080 format. Only a screen or free white surface would be necessary to its presentation, since the size of the projection does not substantially alter the proposal of the work.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/drive.google.com\\/open?id=15L0e-Hpmu9GuXz_uXLS-hlnbzJZ7KqfY\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Luisa\",\"surname\":\"Carvalho Zucchi\",\"email\":\"lczucchi@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"37.981.713-5\",\"address\":\"Rua Araguari, 409\\/31\",\"city\":\"S\\u00e3o Paulo\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1990-09-01T03:00:00.000Z\",\"birthdate_2\":\"1990-09-01T03:00:00.000Z\",\"telephone\":\"+55 11 99291 9658\",\"web\":\"@luzucchi\"}', '2020-04-30 22:44:36', '2020-04-30 22:44:36');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1580, 'MsOkkO4iBBzlKb7D', '{\"uid\":\"MsOkkO4iBBzlKb7D\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Archaeophytes\",\"summary\":\"FR - Archeophytes est un projet de peinture. Les archaeophytes sont en botanique des plantes introduites avant la colonisation des Ameriques par Christophe Colomb. Sur le modele de la peinture Hedera Helix que j ai produite a partir du motif antique de lierre Hedera Helix present sur le fond d une coupe kylix grecque du iveme siecle avant JC. cf images en piece jointe, je souhaite realiser une peinture de grand format inspiree de motifs anciens de plantes archeophytes propres au pays ou la peinture serait exposee.\\nCe projet de peinture s interesse a confronter des formes tres anciennes de representation du vivant issues de l imagerie scientifique a une technique numerique. Il y a un an et demi j ai entame un projet de collaboration avec un r\\u00e9seau neuronal artificiel entra\\u00een\\u00e9 \\u00e0 l\\u2019extraction de style \\u00e0 partir d\\u2019images de mes peintures. Le syst\\u00e8me analyse ces images pour en cr\\u00e9er de nouvelles \\u00e0 partir desquelles j\\u2019en tire des id\\u00e9es de composition. \\n\\nJ ai redige ce projet en francais mais je parle egalement anglais et l espagnol est ma langue maternelle.\",\"space\":\"Dans la salle d un musee d histoire naturelle ou d archeologie.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Marine\",\"surname\":\"Douet\",\"email\":\"marine.douet@lilo.org\",\"dni_type\":\"Autre\",\"dni\":\"18EH46333\",\"address\":\"13 rue des Dominicaines, 13001\",\"city\":\"Marseille\",\"nacionality\":\"French\",\"country_id\":\"77\",\"birthdate\":\"1984-07-22T22:00:00.000Z\",\"birthdate_2\":\"1984-07-22T22:00:00.000Z\",\"telephone\":\"0649393755\",\"web\":null}', '2020-04-30 22:44:45', '2020-04-30 22:44:45'),
(1581, 'Srk9ECa6gZ3pMv2M', '{\"uid\":\"Srk9ECa6gZ3pMv2M\",\"type\":\"artist\",\"tags\":[\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"O IDIOMA DISTRIBUI PODER\",\"summary\":\"O trabalho \\u00e9 um outdoor.\\n\\nO projeto tem como ponto de partida o poema  \\u201cQueimar papel em vez de crian\\u00e7as\\u201d de Adrien Rich, citado no ensaio \\u201cA L\\u00edngua\\\" por Bell Hooks. \\u201cEsta \\u00e9 a l\\u00edngua do opressor, mas preciso dela para falar com voc\\u00ea\\u201d, diz o poema. Nesse ensaio, Hooks traz o poema para nos ajudar a refletir sobre a presen\\u00e7a de determinada l\\u00edngua em um territ\\u00f3rio y as rela\\u00e7\\u00f5es de domina\\u00e7\\u00e3o, viol\\u00eancia e poder que esta pode exercer sobre o mesmo e os povos que nele vivem.\\n\\nO trabalho busca apontar n\\u00e3o somente para o protagonismo de uma l\\u00edngua colonizadora em determinado territorio, mas tamb\\u00e9m apontar para a aus\\u00eancia ou nega\\u00e7\\u00e3o de tantas outras l\\u00ednguas, em diferentes conxtextos. A ausencia ou presen\\u00e7a m\\u00ednima de l\\u00ednguas nativas en um territ\\u00f3rio reflete um mundo hegem\\u00f4nico e negacionista acerca de outros conhecimentos e modos de vida, que sempre estiveram presentes.  \\n\\nAs l\\u00ednguas e o texto do outdoor ir\\u00e1 variar segundo territ\\u00f3rio e local o qual o trabalho suceder\\u00e1 (imagens em anexo).\",\"space\":\"Outdoor em espa\\u00e7o p\\u00fablico (dimens\\u00f5es vari\\u00e1veis)\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Isabella\",\"surname\":\"Beneduci\",\"email\":\"beassad@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"395509713\",\"address\":\"Rua Guanh\\u00e3es, 286\",\"city\":\"Belo Horizonte\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1992-10-03T03:00:00.000Z\",\"birthdate_2\":\"1992-10-03T03:00:00.000Z\",\"telephone\":\"+55 11 976727310\",\"web\":null}', '2020-04-30 23:15:12', '2020-04-30 23:15:12'),
(1582, 'C74YCGres17Bca10', '{\"uid\":\"C74YCGres17Bca10\",\"type\":\"artist\",\"tags\":[\"sculpture\",\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"hoy cuarenta d\\u00edas\",\"summary\":\"Como nos sentimos en estas cuarentenas , expresi\\u00f3n (1)escultura en metal \\/pl\\u00e1stico,(3) pintura oleo \\/mixto . Mi concepto rompe con paradigmas de mi antigua obra, hoy todo a madurado para reeinventarme en mi vida personal y tambien como artista.  Orlando Gutierrez T --- O.GutierreZ.\",\"space\":\"LA ESCULTURA  130 X 90 X 90 SE PARA SOBRE DOS PUNTOS-- PINTURA SERIE  HOY CUARENTA DIAS (01) 40 X 70\\n(02) 170 X 100  (03) 160 X 90 - MEDIDAS EN CENT\\u00cdMETROS EN BASTIDOR SIN MOLDURA.NOTA  LAS OBRAS 2 Y 3 TIENE DIMENSION FRONTAL DE 50 CMS. EN LAS FOTOS NO LA TIENEN POR QUE UBICA AL SER INSTALADA. \\nPUEDO ENVIAR LUEGO FOTOS Y VIDEO NO LAS TENGO EN ESTE MOMENTO EN ESTE LUGAR , UDS, ENTIENDEN ESTOY EN UN LUGAR FUERA DEL TALLER. EN CUARENTENA. MIL GRACIAS, Orlando Gutierrez. O.GutierreZ.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Orlando\",\"surname\":\"Gutierrez Triana\",\"email\":\"og3291178@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"11299502\",\"address\":\"Calle 17 #13 Este 48 Torre 3 Apto 503 La Estancia\",\"city\":\"Mosquera\",\"nacionality\":\"Colombiana\",\"country_id\":\"51\",\"birthdate\":\"1958-05-03T05:00:00.000Z\",\"birthdate_2\":\"1958-05-03T05:00:00.000Z\",\"telephone\":\"3013382103   3104065927\",\"web\":\"og3291178@gmail.com\"}', '2020-04-30 23:21:06', '2020-04-30 23:21:06'),
(1583, 'vjH19LNQSjeRQS7d', '{\"uid\":\"vjH19LNQSjeRQS7d\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"yes\",\"group_name\":\"Random Happiness\",\"project_title\":\"Pleasure: The future of food\",\"summary\":\"The increased use of technology in our daily lives has made us more efficient and productive. Along the way, however, it has rendered our personal and collective memory weak and narrow. We have become accustomed to receiving easy, real- time responses to everything. An escape from effort. Our memory and concentration have grown highly dependent. We are becoming shallow: emotionally involved with an attack in Paris, the death of a legendary musician or debate about the refugee crisis when they are trending topics.\\n\\nOur loyalties are fleeting. We would like to think that the ability to get excited (or emotional) and the collective memory are still related to the collective judgment.\\n\\nWe would like to think that we are still able to focus as a single entity (or thinker) with a collective judgment. We are free to give life to issues that are really important. We are free to feed the themes we wish to be fed. \\n\\n#Believeinyourfeed is a interactive installation that connects plants to twitter. A real time visual representation of a hashtag life. In this particular case related to #DonaldTrump and #WelcomeRefugees. The artwork was first exhibited into Unread Messages exhibition in 2016, curated by Six:Thirty.\",\"space\":\"The artwork can be adapted to the space. Preferably a long space will allow us to distribute plants every each other 1,2m in tracks of 3 plants. The possible number of unities are: 1, 3, 5, 7, 9, 12, 15, 20...\\n\\nThe space shall count with power source to feed the installation, constant wifi connection and at least 3m width. Natural light will be appreciated. \\n\\nAlternative distributions in circle or two rows can be also considered.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Nicole\",\"surname\":\"Vindel\",\"email\":\"nicole@random-happiness.com\",\"dni_type\":\"DNI\",\"dni\":\"40374052J\",\"address\":\"c\\/ Zamora 105 6o 4a 08018\",\"city\":\"Barcelon\",\"nacionality\":\"Spain\",\"country_id\":\"71\",\"birthdate\":\"1992-03-01T23:00:00.000Z\",\"birthdate_2\":\"1992-03-01T23:00:00.000Z\",\"telephone\":\"680254353\",\"web\":\"@nicolevindel\"},{\"names\":\"Carlos\",\"surname\":\"Navarro\",\"email\":\"carlos@random-happiness.com\",\"dni_type\":\"DNI\",\"dni\":\"75156682L\",\"address\":\"c\\/Calle Garcilaso 3, 1o 1a 28010\",\"city\":\"Madri\",\"nacionality\":\"Spain\",\"country_id\":\"71\",\"birthdate\":\"1984-05-17T22:00:00.000Z\",\"birthdate_2\":\"1984-05-17T22:00:00.000Z\",\"telephone\":\"+34667361614\",\"web\":\"@carlosjnavarro\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/drive.google.com\\/open?id=1ruA1-vkNtseBN_zz_-J-1ImNVOS9ZA35\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/drive.google.com\\/drive\\/folders\\/1MntuDlHETQXU4S0uKumQisT0nIXvhQXX?usp=sharing\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Gast\\u00f3n\",\"surname\":\"Lisak\",\"email\":\"gaston@random-happiness.com\",\"dni_type\":\"DNI\",\"dni\":\"38842172W\",\"address\":\"c\\/Zamora 105 6o 4a 08018\",\"city\":\"Barcelona\",\"nacionality\":\"Spain\",\"country_id\":\"71\",\"birthdate\":\"1989-08-26T22:00:00.000Z\",\"birthdate_2\":\"1989-08-26T22:00:00.000Z\",\"telephone\":\"622131515\",\"web\":\"random-happiness.com \\/ @randomhappinessofficial\"}', '2020-04-30 23:40:19', '2020-04-30 23:40:19'),
(1584, 'vjH19LNQSjeRQS7d', '{\"uid\":\"vjH19LNQSjeRQS7d\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"yes\",\"group_name\":\"Random Happiness\",\"project_title\":\"Pleasure: The future of food\",\"summary\":\"The increased use of technology in our daily lives has made us more efficient and productive. Along the way, however, it has rendered our personal and collective memory weak and narrow. We have become accustomed to receiving easy, real- time responses to everything. An escape from effort. Our memory and concentration have grown highly dependent. We are becoming shallow: emotionally involved with an attack in Paris, the death of a legendary musician or debate about the refugee crisis when they are trending topics.\\n\\nOur loyalties are fleeting. We would like to think that the ability to get excited (or emotional) and the collective memory are still related to the collective judgment.\\n\\nWe would like to think that we are still able to focus as a single entity (or thinker) with a collective judgment. We are free to give life to issues that are really important. We are free to feed the themes we wish to be fed. \\n\\n#Believeinyourfeed is a interactive installation that connects plants to twitter. A real time visual representation of a hashtag life. In this particular case related to #DonaldTrump and #WelcomeRefugees. The artwork was first exhibited into Unread Messages exhibition in 2016, curated by Six:Thirty.\",\"space\":\"The artwork can be adapted to the space. Preferably a long space will allow us to distribute plants every each other 1,2m in tracks of 3 plants. The possible number of unities are: 1, 3, 5, 7, 9, 12, 15, 20...\\n\\nThe space shall count with power source to feed the installation, constant wifi connection and at least 3m width. Natural light will be appreciated. \\n\\nAlternative distributions in circle or two rows can be also considered.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Nicole\",\"surname\":\"Vindel\",\"email\":\"nicole@random-happiness.com\",\"dni_type\":\"DNI\",\"dni\":\"40374052J\",\"address\":\"c\\/ Zamora 105 6o 4a 08018\",\"city\":\"Barcelon\",\"nacionality\":\"Spain\",\"country_id\":\"71\",\"birthdate\":\"1992-03-01T23:00:00.000Z\",\"birthdate_2\":\"1992-03-01T23:00:00.000Z\",\"telephone\":\"680254353\",\"web\":\"@nicolevindel\"},{\"names\":\"Carlos\",\"surname\":\"Navarro\",\"email\":\"carlos@random-happiness.com\",\"dni_type\":\"DNI\",\"dni\":\"75156682L\",\"address\":\"c\\/Calle Garcilaso 3, 1o 1a 28010\",\"city\":\"Madri\",\"nacionality\":\"Spain\",\"country_id\":\"71\",\"birthdate\":\"1984-05-17T22:00:00.000Z\",\"birthdate_2\":\"1984-05-17T22:00:00.000Z\",\"telephone\":\"+34667361614\",\"web\":\"@carlosjnavarro\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/drive.google.com\\/open?id=1ruA1-vkNtseBN_zz_-J-1ImNVOS9ZA35\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/drive.google.com\\/drive\\/folders\\/1MntuDlHETQXU4S0uKumQisT0nIXvhQXX?usp=sharing\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Gast\\u00f3n\",\"surname\":\"Lisak\",\"email\":\"gaston@random-happiness.com\",\"dni_type\":\"DNI\",\"dni\":\"38842172W\",\"address\":\"c\\/Zamora 105 6o 4a 08018\",\"city\":\"Barcelona\",\"nacionality\":\"Spain\",\"country_id\":\"71\",\"birthdate\":\"1989-08-26T22:00:00.000Z\",\"birthdate_2\":\"1989-08-26T22:00:00.000Z\",\"telephone\":\"622131515\",\"web\":\"random-happiness.com \\/ @randomhappinessofficial\"}', '2020-04-30 23:40:19', '2020-04-30 23:40:19'),
(1585, 'Yb71GxBhrtkZzcga', '{\"uid\":\"Yb71GxBhrtkZzcga\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"yes\",\"group_name\":\"Weaving Realities\",\"project_title\":\"Weaving Realities\",\"summary\":\"Weaving Realities is an artist collective who organizes public performances and workshops around the concept of  \\\"sentipensar\\\" thinking through feeling and the concept of \\\"practical decolonization\\\" which aims to re-educate ourselves into living in harmony with each other and with nature. The collective consists of Yuchen Li and Aldo Esparza Ramos, who are based in the city of Amsterdam.\\n\\nOur project intends to interweave different alternative ways of relating to the world other than exploitation, appropriation or consumption, by using art as a platform. Our connection to mother Earth is reflected profoundly in food. We use the kitchen as a space to question and rethink our involvement with the entire food production chain, from the land, the producers to our dinner table. Cooking then becomes a form of resistance in which we revive ancestral knowledges while being conscious about our own relations to the land and the people.\\n\\nWeaving Realities has collaborated with various art institutions and academic institutions in the Netherlands and abroad, such as Rijksakademie, CBK Zuidoost, Nieuw Dakota, Goleb in Amsterdam, University College Roosevelt in Middelburg, International Institute of Social Studies in The Hague, OtherWise from Wageningen University, The Decolonial Summer School in Middelburg,  The Post-Development Conference organised by Kassel University in Germany and Editorial Collectivo Retos in Mexico.\",\"space\":\"Our project is participatory performance, in which artists work with audience in a (semi)public space. In order for all audience being able to participate in the process, the number of audience is usually up to 35 people. \\n\\nIn terms of the space, we would like to have an open space on the ground floor that\'s easily accessible for participants with 1.5 m distance.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Aldo Espaza\",\"surname\":\"Ramos\",\"email\":\"aldoeramos@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"NV5K4D295\",\"address\":\"Rijksakademie, Sarphatistraat 470\",\"city\":\"Amsteram\",\"nacionality\":\"Mexican \\/ Dutch\",\"country_id\":\"169\",\"birthdate\":\"1986-07-13T22:00:00.000Z\",\"birthdate_2\":\"1986-07-13T22:00:00.000Z\",\"telephone\":\"+31\",\"web\":\"https:\\/\\/www.rijksakademie.nl\\/NL\\/resident\\/aldo-esparza-ramos\"}],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Yuchen\",\"surname\":\"Li\",\"email\":\"weaving.realities@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"E93215375\",\"address\":\"7-1 Dapperstraat\",\"city\":\"Amsterdam\",\"nacionality\":\"Chinese\",\"country_id\":\"169\",\"birthdate\":\"1991-05-08T22:00:00.000Z\",\"birthdate_2\":\"1991-05-08T22:00:00.000Z\",\"telephone\":\"+31 645717095\",\"web\":\"https:\\/\\/www.studioliyuchen.com\"}', '2020-04-30 23:43:16', '2020-04-30 23:43:16'),
(1586, '0RUfh6LfCQjAsjZS', '{\"uid\":\"0RUfh6LfCQjAsjZS\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"ON\",\"summary\":\"Fotograf\\u00eda monocrom\\u00e1tica, descripci\\u00f3n de la luz y contrastes en formas y patrones, son parte de este proyecto que comenc\\u00e9 el 2109, inspirado en la obra de Oscar Niemeyer ( arquitecto brasile\\u00f1o ) donde la simpleza de sus lineas componen perspectiva, cin\\u00e9tica y movimiento. ON es una serie con la dualidad material enfocada por la luz, la sombra, las formas, el d\\u00eda, la noche, el cielo y lo urbano, y se mezcla con la mirada metaf\\u00f3rica de mi estado de animo.\",\"space\":\"mis fotograf\\u00edas son en formatos peque\\u00f1os y medianos ( de 30 cm2 hasta 90 x 60 cm ) uso papeles de algod\\u00f3n con texturas granulares e imprimo en tintas con pigmentos naturales o de carbon. Son fotograf\\u00edas modernas y llamativas por sus contrastes y formas hacen que el publico siga sus lineas y descifre su cin\\u00e9tica. ( web en construcci\\u00f3n ) algunos ejemplos los adjunto mas abajo...\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Denis Fabian\",\"surname\":\"Hidalgo\",\"email\":\"contactodenis@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"109361070\",\"address\":\"Jose Satyro 650 depto 101\",\"city\":\"Belo Horizonte\",\"nacionality\":\"Chileno\",\"country_id\":\"34\",\"birthdate\":\"1975-11-15T03:00:00.000Z\",\"birthdate_2\":\"1975-11-15T03:00:00.000Z\",\"telephone\":\"+56995374854\",\"web\":\"@denis.hidalgo\"}', '2020-05-01 00:46:16', '2020-05-01 00:46:16'),
(1587, 'VVci3pV7JztQrVdS', '{\"uid\":\"VVci3pV7JztQrVdS\",\"type\":\"artist\",\"tags\":[\"photography\",\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Venus Is Rising\",\"summary\":\"El proyecto Venus Is Rising, se compone de cinco videocreaciones y doce fotograf\\u00edas que retratan un personaje ficticio que se embarca en un viaje de tipo road trip por Norte Am\\u00e9rica. Una atm\\u00f3sfera opresiva en entornos de aspecto aparentemente id\\u00edlico en habitaciones de motel con tem\\u00e1tica \\u201cluna de miel\\u201d. En \\u00e9l, la protagonista porta una m\\u00e1scara de belleza asi\\u00e1tica que recuerda a una m\\u00e1scara de gas. Existe una doble lectura relativa al contagio pand\\u00e9mico y la obsesi\\u00f3n por la belleza, la cual se ha instalado como una verdadera plaga. Venus, la diosa de la belleza, el amor y creatividad, est\\u00e1 de capa ca\\u00edda. \\n\\n El ritual, aparece asociado a esas rutinas de belleza, planteando la dicotom\\u00eda entre quienes critican las pr\\u00e1cticas represivas del cuerpo vs. la libertad que se concede a la mujer de llevarlas a cabo o no.Este uso de aparatos de belleza de aspecto casi s\\u00e1dicos, es sustituido por m\\u00e1scaras ceremoniales en la tercera pieza videogr\\u00e1fica, las cuales remiten a culturas de origen pagano, y son una llamada a la conexi\\u00f3n con la verdadera esencia femenina. Siendo tradicionalmente asociado la figura animal con lo demoniaco, lo salvaje, las pulsaciones sexuales, se cuestiona el esfuerzo por mantener oculta esta naturaleza luciferina bajo una apariencia pulida y cuidada, en pos de encajar en el contrato social.\",\"space\":\"Para las videocreaciones sugiero cinco cub\\u00edculos oscuros donde proyectar las videocreaciones de aproximadamente siete metros cuadrados cada uno. En caso de no disponer de todo el espacio, un s\\u00f3lo cub\\u00edculo donde proyectar las cinco piezas en orden ser\\u00eda v\\u00e1lido tambi\\u00e9n. Por otro lado, una pared blanca de 3x2m ser\\u00eda suficiente para exponer doce fotograf\\u00edas de 29 x 42 cm cada una.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"http:\\/\\/www.pinealfunfactory.com\\/COVEN\\/\",\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/eclecticreactionsrecords.bandcamp.com\\/track\\/shanghainese-trick\",\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Saray\",\"surname\":\"Blades\",\"email\":\"sarayblades@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"30692946K\",\"address\":\"Plaza Oztaran 1, 3\\u00baB , C.P 20160\",\"city\":\"Lasarte-Oria\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"71\",\"birthdate\":\"1984-11-25T23:00:00.000Z\",\"birthdate_2\":\"1984-11-25T23:00:00.000Z\",\"telephone\":\"+34 682 081 734\",\"web\":\"www.pinealfunfactory.com\"}', '2020-05-01 01:24:56', '2020-05-01 01:24:56'),
(1588, 'kqZSEAg0kuq9mD6H', '{\"uid\":\"kqZSEAg0kuq9mD6H\",\"type\":\"artist\",\"tags\":[\"video\",\"painting\",\"graphic\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"In her paintings she creates a dimension of our synthetic personality in a new, enigmatic space. She is original in shaping he reality - the transformation activity itself is for her the tasting of new perception and feel every day. She often constructs her paintings and spatial objects as if in three dimensions. Even when they are painted flat, she creates them in a illusive manner. The synesthesia of her works is difficult to imitate, and the sequences of abstract compositions are characterized by precision, or even meticulousness of the presented scenes, spaces or their mysterious objects. She refers to color field painting - one of the major, beside action painting, trends of the global art within the framework of abstract expressionism, of which she is the representative.\",\"summary\":\"In her paintings she creates a dimension of our synthetic personality in a new, enigmatic space. She is original in shaping he reality - the transformation activity itself is for her the tasting of new perception and feel every day. She often constructs her paintings and spatial objects as if in three dimensions. Even when they are painted flat, she creates them in a illusive manner. The uniqueness of her works lies in their unpredictability, thus it is difficult to assess them in a traditional manner, yet they fascinate you with a riddle. The synesthesia of her works is difficult to imitate, and the sequences of abstract compositions are characterized by precision, or even meticulousness of the presented scenes, spaces or their mysterious objects. She refers to color field painting - one of the major, beside action painting, trends of the global art within the framework of abstract expressionism, of which she is the representative. A separate artistic field of hers are computer-painted and canvas-fixed graphics.\",\"space\":\"Large walls for displaying graphics and images, as well as a video screen\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":\"CREATIVE ANATOMY\",\"video_link\":\"CREATIVE ANATOMY, MPEG -4 art. Alina DOrada-Krawczyk\",\"audio_link_password\":\"QWER678asd\",\"audio_link\":\"http:\\/\\/artdorada.com\\/ http:\\/\\/salonsztuki.eu\\/                  Facebook.artinterference.  https:\\/\\/www.facebook.com\\/alina.doradakrawczyk\",\"images_link_password\":\"1.INTIMACY:  2.CONSTANTLY\",\"images_link\":\":ESENCJONALNIE grafika 80 x 120  Alina DOrada-Krawczyk ; INTIMACY  oil 100 x 140 art. Alina Dorada-Krawczyk;  CONSTANTLY graphic & acrylic 80 x 100 art. Alina Dorada-Krawczyk.jpg\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"ALINA\",\"surname\":\"DORADA-KRAWCZYK\",\"email\":\"artadorada@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"EA 7924400\",\"address\":\"ul. \\u017belazna 9;   05-804 Pruszk\\u00f3w   k\\/ Warszawy\",\"city\":\"Pruszk\\u00f3w   k\\/ Warszawy\",\"nacionality\":\"Polish\",\"country_id\":\"182\",\"birthdate\":\"1952-04-14T23:00:00.000Z\",\"birthdate_2\":\"1952-04-14T23:00:00.000Z\",\"telephone\":\"+ 48 (22) 664 713 813\",\"web\":\"https:\\/\\/www.facebook.com\\/alina.doradakrawczyk\"}', '2020-05-01 01:54:21', '2020-05-01 01:54:21'),
(1589, 'UUdKbXbXue1bmxzS', '{\"uid\":\"UUdKbXbXue1bmxzS\",\"type\":\"curator\",\"tags\":[],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Completamente Incompletas\",\"summary\":\"El proyecto expositivo se compone de una serie de obras de la pintora espa\\u00f1ola Elvira Martos y se fundamenta en el convencimiento de que sus retratos son la plataforma ideal para poder reflexionar sobre las diferentes problem\\u00e1ticas o normativas que afectan a las mujeres no s\\u00f3lo de forma individualizada dentro de una sociedad concreta, sino contraponi\\u00e9ndolas a nivel global.\\n\\nLa obra de Elvira Martos toma a la mujer como eje central de su universo creativo. Y se compone de un conjunto de retratos de personajes femeninos de distintas partes del mundo, que nos sumergen en sus realidades \\u00fanicas y diferentes. Pero todas ellas, con un mismo factor com\\u00fan:  siguen pautas preconcebidas de \\u201cfeminidad\\u201d.  Las protagonistas que encontramos en las pinturas que hemos seleccionado se encuentran inmersas y enmarcadas en sus rutinas. Y es a trav\\u00e9s de esta cotidianeidad, que la pintora consigue crear un nexo de uni\\u00f3n por el cual nos sentimos reflejados e identificados en vidas que nos resultan totalmente ajenas.\\n\\nBetty Friedan en el a\\u00f1o 1963, presenta lo que ella misma denomin\\u00f3 como \\u201cel problema que no tiene nombre\\u201d, utilizado para designar el vac\\u00edo y la frustraci\\u00f3n de todas las mujeres reducidas a cumplir con el mito de lo femenino, limitado fundamentalmente a la funci\\u00f3n reproductiva y las obligaciones dom\\u00e9sticas. \\nCompletamente incompletas habla de la agon\\u00eda existencial de sentirse incompleta en la b\\u00fasqueda constante de unos ideales establecidos por el sistema o incluso a pesar de reunirlos.\",\"space\":\"El espacio ser\\u00e1 apto para la presentaci\\u00f3n de obras pict\\u00f3ricas, siendo de especial importancia unas condiciones lum\\u00ednicas adecuadas.  As\\u00ed como que garantice la seguridad y la accesibilidad del p\\u00fablico.\\nEl proyecto se compone de un conjunto variable de 15 a 24 obras bidimensionales donde gracias a su diversidad, es f\\u00e1cilmente adaptable a diferentes espacios. Debido a las posibles incidencias con respeto al Covid-19, remarco la voluntad de adecuar la muestra a cualquier posible nuevo escenario\",\"artists_proposal\":\"Elvira Martos (Sevilla, Espa\\u00f1a, 1989), espa\\u00f1ola.\\n\\nwww.elviramartos.com\\nwww.instagram.com\\/elviramartos\",\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Lucrecia\",\"surname\":\"Mor\\u00f3n S\\u00e1nchez\",\"email\":\"lucrecia.moron@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"489920404N\",\"address\":\"Via della Stazione di San Pietro 53, 00165 Roma, Italia\",\"city\":\"Roma, Italia\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"113\",\"birthdate\":\"1991-03-08T23:00:00.000Z\",\"birthdate_2\":\"1991-03-08T23:00:00.000Z\",\"telephone\":\"3892047008\",\"web\":\"www.elviramartos.com\"}', '2020-05-01 01:57:15', '2020-05-01 01:57:15'),
(1590, 'Bn4FJRIb8lNNpFlA', '{\"uid\":\"Bn4FJRIb8lNNpFlA\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"A reflex\\u00e3o de Janus\",\"summary\":\"\\\"A reflex\\u00e3o de  Janus\\\". Um projeto sobre o Coronavirus e sua transforma\\u00e7\\u00e3o:\\nMinha produ\\u00e7\\u00e3o de artes, nesse confinamento, transformou minha casa num territorio de atelier para documentar visualmente esse acontecimento do Coronavirus; vivenciando a Pandemia, e suas quest\\u00f5es de mundo e do isolamento com causas de angustias, medos e solid\\u00e3o.\\nO trabalho que envio faz parte desse processo. O T\\u00edtulo \\u201eJanus Reflete\\u201c se basea na mitologia Romana do sec. Vlll a.c.no qual o Deus Janus \\u00e9 representado por um rosto de duas faces. Uma voltada para frente e outra para tr\\u00e1s, sugerindo escolhas e decis\\u00f5es entre passado e futuro num balan\\u00e7o de acontecimentos onde pode_se mudar os cursos da vida. Minha pesquisa de arte \\u00e9 tamb\\u00e9m pela forma atrav\\u00e9s de uma pintura num campo expandido para escultura em colagem de fragmentos espressando o caos ou organiza\\u00e7\\u00e3o do mundo\",\"space\":\"Nesse projeto mostro 3 trabalhos .\\nPreciso de uma parede de no m\\u00ednimo 4 metros de altura ou mais  \\nNuma largura de 9 metros ( 3 metros para cada trabalho ) \\nNuma profundidade do espa\\u00e7o  que de para contemplar a obra de 6 metros no m\\u00ednimo.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"6 trabalhos enviados\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"sandra\",\"surname\":\"sartori de figueiredo\",\"email\":\"sandrasartori.br@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"82033994791\",\"address\":\"Rua Gustavo Sampaio 194\\/1206\",\"city\":\"rio de Janeiro\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1963-02-14T02:00:00.000Z\",\"birthdate_2\":\"1963-02-14T02:00:00.000Z\",\"telephone\":\"0055-21-988651558\",\"web\":null}', '2020-05-01 05:49:39', '2020-05-01 05:49:39'),
(1591, 'Bn4FJRIb8lNNpFlA', '{\"uid\":\"Bn4FJRIb8lNNpFlA\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"A reflex\\u00e3o de Janus\",\"summary\":\"\\\"A reflex\\u00e3o de  Janus\\\". Um projeto sobre o Coronavirus e sua transforma\\u00e7\\u00e3o:\\nMinha produ\\u00e7\\u00e3o de artes, nesse confinamento, transformou minha casa num territorio de atelier para documentar visualmente esse acontecimento do Coronavirus; vivenciando a Pandemia, e suas quest\\u00f5es de mundo e do isolamento com causas de angustias, medos e solid\\u00e3o.\\nO trabalho que envio faz parte desse processo. O T\\u00edtulo \\u201eJanus Reflete\\u201c se basea na mitologia Romana do sec. Vlll a.c.no qual o Deus Janus \\u00e9 representado por um rosto de duas faces. Uma voltada para frente e outra para tr\\u00e1s, sugerindo escolhas e decis\\u00f5es entre passado e futuro num balan\\u00e7o de acontecimentos onde pode_se mudar os cursos da vida. Minha pesquisa de arte \\u00e9 tamb\\u00e9m pela forma atrav\\u00e9s de uma pintura num campo expandido para escultura em colagem de fragmentos espressando o caos ou organiza\\u00e7\\u00e3o do mundo\",\"space\":\"Nesse projeto mostro 3 trabalhos .\\nPreciso de uma parede de no m\\u00ednimo 4 metros de altura ou mais  \\nNuma largura de 9 metros ( 3 metros para cada trabalho ) \\nNuma profundidade do espa\\u00e7o  que de para contemplar a obra de 6 metros no m\\u00ednimo.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"6 trabalhos enviados\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"sandra\",\"surname\":\"sartori de figueiredo\",\"email\":\"sandrasartori.br@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"82033994791\",\"address\":\"Rua Gustavo Sampaio 194\\/1206\",\"city\":\"rio de Janeiro\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1963-02-14T02:00:00.000Z\",\"birthdate_2\":\"1963-02-14T02:00:00.000Z\",\"telephone\":\"0055-21-988651558\",\"web\":null}', '2020-05-01 05:49:39', '2020-05-01 05:49:39'),
(1592, 'vAFdorJid09KyVX5', '{\"uid\":\"vAFdorJid09KyVX5\",\"type\":\"artist\",\"tags\":[\"painting\",\"sculpture\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Erosiones\",\"summary\":\"EROSIONES\\n\\n Este proyecto se compone de 10 obras de chico a mediano formato, partiendo de la pintura, escultura e instalaci\\u00f3n, que abordan la destrucci\\u00f3n de los ecosistemas por el error humano, el territorio, lo colectivo, la contaminacio\\u0301n del agua, la falta de planeacio\\u0301n urbana, la devastacio\\u0301n y la transformacio\\u0301n del paisaje. Considero importante las ideas sobre el origen y la naturaleza de las cosas, el derrumbe y lo orga\\u0301nico.\\nLa producci\\u00f3n de este proyecto fue beneficiada en el 2019 por la Secretar\\u00eda de Cultura de M\\u00e9xico, en el programa de Est\\u00edmulo a la Creaci\\u00f3n y Desarrollo Art\\u00edstico del estado de Jalisco en la categor\\u00eda de J\\u00f3venes Creadores. Una obra fue expuesta en la segunda Bienal de Arte Contempor\\u00e1neo de Lagos, Nigeria (2019). \\n\\nLa exposici\\u00f3n de las obras estaba planeada para el 2020 en Guadalajara, M\\u00e9xico; por consecuencia de COVID-19 no pudo ser realizada por este a\\u00f1o.\",\"space\":\"Espacio cerrado, muros blancos con una dimensi\\u00f3n de 60m\\u00b2 aproximadamente.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Raquel\",\"surname\":\"Barrios\",\"email\":\"hello@raquelbarrios.art\",\"dni_type\":\"DNI\",\"dni\":\"G33954260\",\"address\":\"Patagonia 1083 dpto 1 Colonia Prados Providencia c.p 44670\",\"city\":\"Guadalajara\",\"nacionality\":\"Mexicana\",\"country_id\":\"145\",\"birthdate\":\"1988-12-09T06:00:00.000Z\",\"birthdate_2\":\"1988-12-09T06:00:00.000Z\",\"telephone\":\"523315363672\",\"web\":\"www.raquelbarrios.art \\/ IG:raquelbarriosarenas\"}', '2020-05-01 06:42:09', '2020-05-01 06:42:09'),
(1593, 'Icf2w8uXqOWjZ0NT', '{\"uid\":\"Icf2w8uXqOWjZ0NT\",\"type\":\"artist\",\"tags\":[\"video\",\"public-space\",\"performance\",\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Landscape Painting\",\"summary\":\"No landscape is ever neutral. Every landscape has multiple layers of history, interpretation, and\\nimportance. From its folklore to its geology, every plot of land has told many stories. My project is about\\nunearthing the social and political contexts embedded in the landscape and reinterpreting the landscape to\\nmake the invisible visible. Through this process, I continuously ask these questions: Who has the\\nauthority to reshape a landscape? Who are the people affected by those changes?\\n\\nLandscape Painting is a project composed of research, performance, and a video about the Young-Heung\\nIsland in Incheon, South Korea. The project focuses on my father\\u2019s stories about the loss of the clean\\nseawater and tidelands on this island to industrial development and tourism.\\n\\nI interviewed my father, who was born and raised on the island, to learn how the landscape lost its\\noriginal features. The construction of a new tide embankment, power plant, and bridge to the mainland\\nhad a devastating impact on the locals\\u2019 livelihoods.\\n\\nBased on my father\\u2019s memories, I painted a scene of the sea with the original natural scenery\\nsuperimposed on an image of the new constructions. With this painting, I am unearthing a remembered\\nlandscape, challenging the appropriateness of the new construction in the local community.\",\"space\":\"Title: <Landscape Painting: How to Recover the Missing Scenery> \\nYear: 2019\\nPlace: Young-Heung Island, Incheon, South Korea \\nMedium: Video \\nVideo: HD Single channel video (31:40min): https:\\/\\/vimeo.com\\/302658831\\nVideo excerpt (3:00min): https:\\/\\/vimeo.com\\/369804790 (pw:original)\\n\\nSpace for projection: minimum size of wall: approx. 8x2m, floor: appox.8x10m\\nProjector: 1 (5000 Ansi) \\nSound amplifier: 1\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":\"original\",\"video_link\":\"https:\\/\\/vimeo.com\\/413832940\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Sujin\",\"surname\":\"Lim\",\"email\":\"sujinlim1@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"iliqee19\",\"address\":\"Mokdong Jungangro 7gil 32 101-602\",\"city\":\"Seoul\",\"nacionality\":\"South Korea\",\"country_id\":\"124\",\"birthdate\":\"1979-05-01T04:00:00.000Z\",\"birthdate_2\":\"1979-05-01T04:00:00.000Z\",\"telephone\":\"+1 315 552 7247\",\"web\":\"http:\\/\\/sujinlim.com\"}', '2020-05-01 06:59:02', '2020-05-01 06:59:02'),
(1594, 'w4oyhfiBipUlICkE', '{\"uid\":\"w4oyhfiBipUlICkE\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"FLECHA\",\"summary\":\"FLECHA \\u00a0IS \\u00a0A \\u00a0POINTY \\u00a0OBJECT \\u00a0SHOT \\u00a0THROUGH \\u00a0THE \\u00a0AIR \\u00a0IN \\u00a0 HIGH \\u00a0SPEED \\u00a0PUNCHING \\u00a0THE \\u00a0ANCESTRAL \\u00a0THROUGH \\u00a0AN \\u00a0 ACT \\u00a0OF \\u00a0CLAIMING \\u00a0IMPOSSIBLE \\u00a0BODIES \\u00a0A \\u00a0DANCE \\u00a0TO \\u00a0BE \\u00a0 PLAYED \\u00a0IN \\u00a0MOMENTS \\u00a0OF \\u00a0CRISIS \\u00a0A \\u00a0CROOKED \\u00a0KNIFE \\u00a0 CRYING \\u00a0A \\u00a0SKIN \\u00a0MASK \\u00a0 \\u00a0WIND \\u00a0IN \\u00a0A \\u00a0TIME \\u00a0GAP \\u00a0FLECHA \\u00a0IS \\u00a0AN \\u00a0 EB\\u00d3 \\u00a0TO \\u00a0MAKE \\u00a0THE \\u00a0PRESENT \\u00a0POSSIBLE. \\n\\n\\u00a0The \\u00a0performer \\u00a0dyes \\u00a0 her \\u00a0face \\u00a0red \\u00a0to \\u00a0undo \\u00a0her \\u00a0face, \\u00a0erase \\u00a0identity, \\u00a0dig \\u00a0the \\u00a0skin \\u00a0out \\u00a0 of \\u00a0itself \\u00a0and \\u00a0turn \\u00a0into \\u00a0others, \\u00a0carving \\u00a0ancestralities \\u00a0and \\u00a0 powers \\u00a0of \\u00a0a \\u00a0transmuting \\u00a0body-\\u00ad\\u2010entity. \\u00a0A \\u00a0dance \\u00a0that \\u00a0is \\u00a0made \\u00a0 by \\u00a0the \\u00a0ontology \\u00a0of \\u00a0persecuted, \\u00a0invisible, \\u00a0spiritual \\u00a0bodies. \\u00a0 \\u00a0 \\u00a0\\n\\n This \\u00a0solo  \\u00a0was \\u00a0 coached \\u00a0by \\u00a0Teresa \\u00a0Silva \\u00a0and \\u00a0Vera \\u00a0Mantero. \\u00a0Premiered in \\u00a0Teatro \\u00a0Meridional \\u00a0in \\u00a0Lisbon \\u00a0in \\u00a0 December \\u00a02016. \\u00a0In \\u00a0August \\u00a02017 \\u00a0it \\u00a0 was \\u00a0presented \\u00a0in \\u00a0Bras\\u00edlia, \\u00a0Brazil, \\u00a0at \\u00a0the\\u00a0 Festival \\u00a0Novadan\\u00e7a \\u00a0and \\u00a0the \\u00a0Festival \\u00a0\\u00bc \\u00a0de \\u00a0cena, \\u00a0where \\u00a0it \\u00a0 received \\u00a0the \\u00a0Innovation \\u00a0award. \\u00a0In \\u00a0 December \\u00a0of 2017 was \\u00a0presented \\u00a0at  \\u00a0the \\u00a0 Sal\\u00e3o-\\u00ad\\u2010Residency \\u00a0Eixo \\u00a0do \\u00a0Fora. \\u00a0In \\u00a02018 \\u00a0it \\u00a0 went to \\u00a0the \\u00a0ACASAS \\u00a0festival \\u00a0in \\u00a0 Salvador-\\u00ad\\u2010BA, \\u00a0at \\u00a0thefestival-\\u00ad\\u2010MID, \\u00a0Bras\\u00edlia-\\u00ad\\u2010DF, \\u00a0at \\u00a0the \\u00a0 Vozes \\u00a0do \\u00a0Corpo \\u00a0Festival, \\u00a0S\\u00e3o \\u00a0Paulo \\u00a0and \\u00a0 at \\u00a0the \\u00a0(Re)union \\u00a0festival, in \\u00a0 Lisbon. \\u00a0In \\u00a02019 \\u00a0join \\u00a0the \\u00a0artistc \\u00a0 Residency \\u00a0program \\u00a0INTERFER\\u00caNCIAS,  and at FESTIVAL TODOS\\u00a0in \\u00a0Lisbon. \\u00a0 \\u00a0\",\"space\":\"Performed prefecially in outside spaces, or galeries. \\nPreferencially in a space 7X7 meters or bigger.\\nMaximum of public 150 people.\\n\\nIf performed in a indoor space need lighting adaptations.\\n\\n\\u2022\\t10 fresnel (led)\\n\\u2022\\t4 l\\u00e2mpadas tubulares\\n\\u2022\\t4 P.A. da masrca QSC ou similar,\\n\\u2022\\tRespectivos cabos,\\n\\u2022\\tMesa de som de 4 canais.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=vbnp-oiz7mI&t=7s\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"LUARA\",\"surname\":\"LEARTH\",\"email\":\"luaralearth@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"FY155004\",\"address\":\"RUE D\\u00b4\\u00c9COLE DE PHARMACIE 14, APPT 09\",\"city\":\"MONTPELLIER\",\"nacionality\":\"BRAZILIAN\",\"country_id\":\"77\",\"birthdate\":\"1990-09-30T23:00:00.000Z\",\"birthdate_2\":\"1990-09-30T23:00:00.000Z\",\"telephone\":\"+351 912257418\",\"web\":\"@RAIORAIORAIORAIO https:\\/\\/luaralearth.wixsite.com\\/luaralearthmoreira\"}', '2020-05-02 21:05:00', '2020-05-02 21:05:00'),
(1595, 'n0jlprhayf6Eeo8n', '{\"uid\":\"n0jlprhayf6Eeo8n\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Vejez Abandonada\",\"summary\":\"[\\u2026] La inmensa mayor\\u00eda de hombres acoge la vejez con tristeza o con rebeld\\u00eda. Inspira m\\u00e1s repugnancia que la misma muerte. Simone de Beauvoir, La vejez.\\nAlejandrina Hern\\u00e1ndez (90 a\\u00f1os) y Monico Rincones (1935-2019) Caracas \\u2013 Venezuela\\nA\\u00fan recuerdo el olor a familia que emerg\\u00eda de su puerta al medio d\\u00eda, ese olor c\\u00e1lido que invitaba a hurgar en  la infancia donde mam\\u00e1 preparaba los mejores platos para almorzar todos juntos alrededor de la mesa, ese olor, con el pasar del tiempo se convirti\\u00f3 en pestilencia. \\nAlejandrina sufri\\u00f3 un accidente cerebrovascular en el a\\u00f1o 2013 y en 2015 otro, desde entonces no sale de casa, sus memorias quedaron guardadas y con ellas las esperanzas de una vejez dignificada; Monico reten\\u00eda l\\u00edquidos producto de  una afecci\\u00f3n en el coraz\\u00f3n no controlada; un \\u00faltimo respiro lo dio en su cama, y con \\u00e9l el adi\\u00f3s a quien hoy tiene la mirada vaga. \\nEl sustento de la familia se ha ido, Leonardo cuida a su madre y en ocasiones se alterna con Arelys, ninguno tiene una fuente de ingresos, ya que est\\u00e1n desempleados, Alejandrina cobra una pensi\\u00f3n por Bs. 150.000,00 equivalente a USD$ 2,45 seg\\u00fan la tasa oficial del Banco Central de Venezuela, Alejandrina carece de capacidades para  satisfacer sus necesidades b\\u00e1sicas.\",\"space\":\"Salas de exposiciones.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/prodavinci.com\\/galeria\\/vejez-abandonada-segundo-premio-de-la-bienal-de-fotografia-documental-wil-riera\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Yadira del Carmen\",\"surname\":\"Perez Garcia\",\"email\":\"comenzarde0@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"13463109\",\"address\":\"Av El Rosario Edif Estancia Norte Los Chorros\",\"city\":\"Caracas\",\"nacionality\":\"Venezolana\",\"country_id\":\"240\",\"birthdate\":\"1980-09-23T04:00:00.000Z\",\"birthdate_2\":\"1980-09-23T04:00:00.000Z\",\"telephone\":\"+584242465515\",\"web\":\"@yadira_perezg\",\"fileCount\":21}', '2020-05-04 18:35:07', '2020-05-04 18:35:07'),
(1596, 'Cssrm4j7MXk6JyNG', '{\"uid\":\"Cssrm4j7MXk6JyNG\",\"type\":\"artist\",\"tags\":[\"object\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Equilibrios y serenidades\",\"summary\":\"Se compone de una serie de trabajos realizados con diferentes materiales textiles, tinturas, cartones, etc., soportados en paneles de cart\\u00f3n nido de abeja. Podr\\u00eda calificarlos de cuadros, pero n lo son en cuanto muchos de ellos tienen volumen. Las composiciones son rigurosamente geom\\u00e9tricas, dir\\u00eda que espont\\u00e1neamente basadas en la proporci\\u00f3n \\u00e1urea. Las medidas son siempre de 0,50 cm de base por 0,75 de altura y la profundidad var\\u00eda seg\\u00fan la composici\\u00f3n, pero no excede nunca los 10 cm. La l\\u00ednea recta es predominante en la composici\\u00f3n del plano de base, ortogonales u oblicuas, y las curvas \\u00fanicamente incorporadas en el volumen. La Materia textil predominante es el lino antiguo, natural, o te\\u00f1ido como parte del proceso, telas estampadas industriales; el papel y cart\\u00f3n es material de sujeci\\u00f3n y base y no se muestra en ning\\u00fan caso.Todos los materiales empleados son reciclados. El prop\\u00f3sito es generar en el espectador las emociones de serenidad, estabilidad, equilibrio, emociones a mi juicio, conseguidas por el uso de la composici\\u00f3n, las texturas y los colores en consonancia.\",\"space\":\"El soporte son paneles verticales, paredes preferiblemente blancas, una continua o varias sin continuidad. El espacio ideal m\\u00ednimo (en el caso de ser una pared contin\\u00faa, ser\\u00eda de unos 10 metros lineales, para colocar con una separaci\\u00f3n m\\u00ednima de unos 0,25 cm entre cuadros. ( En el caso de exponer 10 trabajos).\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Norberto Luis\",\"surname\":\"Romero\",\"email\":\"kontakt@norbertoluisromero.de\",\"dni_type\":\"DNI\",\"dni\":\"5397185\",\"address\":\"Asternweg, 6\",\"city\":\"K\\u00f6ln\",\"nacionality\":\"argentina\\/espa\\u00f1ola\",\"country_id\":\"61\",\"birthdate\":\"1949-07-27T22:00:00.000Z\",\"birthdate_2\":\"1949-07-27T22:00:00.000Z\",\"telephone\":\"0176 53944505\",\"web\":\"www.norbertoluisromero.de\",\"fileCount\":10}', '2020-05-04 18:48:41', '2020-05-04 18:48:41');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1597, 'n1jAcJ9aH4JZ91T5', '{\"uid\":\"n1jAcJ9aH4JZ91T5\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"M.A.S. Vida de papel\",\"summary\":\"Este proyecto tiene la intenci\\u00f3n de mostrar los escritos de M.A.S., una persona totalmente desconocida que muri\\u00f3 en 2015. Sus escritos fueron guardados en viejas maletas, reuniendo una incre\\u00edble cantidad de notas hechas con materiales inusuales: paquetes de t\\u00e9 de hinojo, folletos de peluquer\\u00eda, anuncios de cursos sobre Ingl\\u00e9s,  folletos \\\"Compro oro\\\", servilletas y todo tipo de  papel que se reutiliz\\u00f3 para manejar una necesidad de escritura. El proyecto produce algunos reordenamientos de estos registros en series tem\\u00e1ticas, por ejemplo, un panel dedicado a experiencias cotidianas, otro a fen\\u00f3menos clim\\u00e1ticos, etc. La exposici\\u00f3n re\\u00fane videos e instalaciones, collages, ensamblajes y objetos ensamblados con estas numerosas anotaciones. Al igual que M.A.S., que recogi\\u00f3 los escombros desechados en las calles, todas las piezas de la exposici\\u00f3n fueron producidas con materiales recolectados en las calles o en las playas, como ventanas y puertas, envases de madera, restos de barcos, todos desechados como objetos in\\u00fatiles. Los collages, que evocan palimpsests, son muy relevantes en este trabajo, ya que repiten el gesto realizado por M.A.S., que ya grab\\u00f3 sus narraciones y notas en trozos de papel, reuniendo una inmensa colecci\\u00f3n de peque\\u00f1os fragmentos de memoria que nunca forman una unidad. Aqu\\u00ed, quiero hacer que el espectador sea el posible destinatario de estos escritos.\",\"space\":\"El espacio necesario para la exposici\\u00f3n ser\\u00eda, preferiblemente, una galer\\u00eda, de modo que se pudieran organizar los diversos paneles e instalaciones. En la exposici\\u00f3n que realic\\u00e9 en Bel\\u00e9m (Par\\u00e1 \\/ Brasil), la galer\\u00eda ten\\u00eda un espacio expositivo de 184,26 m\\u00b2, pero la exposici\\u00f3n puede realizarse en un espacio m\\u00e1s peque\\u00f1o, presentando un n\\u00famero reducido de piezas. No es posible realizar la exposici\\u00f3n al aire libre, ya que las obras est\\u00e1n hechas de materiales perecederos.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=Bg8r8OeY7z0\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":10,\"names\":\"Izabela\",\"surname\":\"Guimar\\u00e3es Guerra Leal\",\"email\":\"izabelaleal@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"081207599\",\"address\":\"Av Serzedelo Correa 944 ap 1602\",\"city\":\"Bel\\u00e9m\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1969-11-13T03:00:00.000Z\",\"birthdate_2\":\"1969-11-13T03:00:00.000Z\",\"telephone\":\"91987078460\",\"web\":\"https:\\/\\/sibilafilmes.wixsite.com\\/sibilafilmes\"}', '2020-05-04 19:10:43', '2020-05-04 19:10:43'),
(1598, 'sM6pG5ZMPQijnDDB', '{\"uid\":\"sM6pG5ZMPQijnDDB\",\"type\":\"artist\",\"tags\":[\"graphic\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"CONEXI\\u00d3N VITAL\",\"summary\":\"Conexi\\u00f3n Vital son cuatro obras digitales donde cada una est\\u00e1 llena de color y formas ovaladas que en contacto producen una sensaci\\u00f3n de energ\\u00eda y fuerza que nos calma, nos llena, nos nutre y nos anima a conectarnos con nuestro origen.\\n\\nPara crear Conexi\\u00f3n Vital, trabaje en Photoshop, utilice formas m\\u00e1s bien ovaladas y redondas, colores primarios que luego fui transformando y mezclando. Impresas en papel libre de \\u00e1cidos.\\n\\nEl tama\\u00f1o de las obras es de: 50 x 70 cm\\n\\nAbstracta\",\"space\":\"Tama\\u00f1o de la obra impresa aprox. 50 x 70 cm. cada una, sin marco. Impresa en papel libre de \\u00e1cidos. Uso de soporte convencional.\\n(Si el proyecto quedara seleccionado en ese momento se enmarcar\\u00edan las obras)\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"CAROLA\",\"surname\":\"RIVERA\",\"email\":\"CAROLARIVER@GMAIL.COM\",\"dni_type\":\"CI\",\"dni\":\"12.019.757-6\",\"address\":\"CAMINO LA FUENTE 25. CONDOMINIO LA FUENTE, PIEDRA ROJA. CHICUREO. COLINA\",\"city\":\"SANTIAGO\",\"nacionality\":\"CHILENA\",\"country_id\":\"44\",\"birthdate\":\"1973-04-16T04:00:00.000Z\",\"birthdate_2\":\"1973-04-16T04:00:00.000Z\",\"telephone\":\"+56 9 89003111\",\"web\":\"@kollonkahome\",\"fileCount\":5}', '2020-05-04 19:14:09', '2020-05-04 19:14:09'),
(1599, '3UH5sqzxyG3jLhtY', '{\"uid\":\"3UH5sqzxyG3jLhtY\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"IMPOSSIBLE ACTIONS\",\"summary\":\"IMPOSSIBLE ACTIONS is a physical performance for a minimum of 11 people recruited from an open call, trained in a workshop format and invited to create and perform together their own versions of the solo. \\n\\tEach of them goes through a series of 6 mental and physical tasks - extreme slowness, exploration of different body parts as objects, finding a peculiar way of movement, a series impossible actions, erasure of identity, a dance with the tongue - that aim to test and re-imagine the limits of the human body. The seventh and last task allows the performers to abandon the concept, leave the solo work and find the ending of the piece together in improvisation. \\n\\tThe piece aims to decolonize the bodies of the performers, free them from the meanings imposed on them and allow them to experience themselves differently. The tasks require concentration, stamina, neutrality without self-expression and treat the body as pure physical machine.\\n\\tThe initial 3-day workshop is for maximum of 45 people of which usually 11-15 continue the practice for another 2-3 days. The rehearsal process culminates in an open-end public performance of the piece in a gallery\\/museum setting.\",\"space\":\"10x10 metres, wooden floor or dance floor mat\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/137120912\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Yasen Ivaylov\",\"surname\":\"Vasilev\",\"email\":\"vassilev.yassen@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"8806056680\",\"address\":\"58 Tzar Ivan Asen II\",\"city\":\"Sofia\",\"nacionality\":\"Bulgarian\",\"country_id\":\"23\",\"birthdate\":\"1988-05-05T21:00:00.000Z\",\"birthdate_2\":\"1988-05-05T21:00:00.000Z\",\"telephone\":\"+359887412393\",\"web\":\"instagram: @yasenvasilev\"}', '2020-05-04 19:19:53', '2020-05-04 19:19:53'),
(1600, 'R3z0MZzmD2WiGm3h', '{\"uid\":\"R3z0MZzmD2WiGm3h\",\"type\":\"artist\",\"tags\":[\"photography\",\"others\",\"action\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Inventario Iconoclasta de la Insurrecci\\u00f3n Chilena\",\"summary\":\"http:\\/\\/inventarioiconoclastadelainsurreccionchilena.com\\/\\nEl \\u200b\\u200bInventario Iconoclasta de la Insurrecci\\u00f3n Chilena es un proyecto, una plataforma, un laboratorio de ejercicios y un archivo din\\u00e1mico\\u200b\\u200b de im\\u00e1genes de monumentos intervenidos, derribados y levantados, entre octubre de 2019 a la fecha, en el territorio comprendido por el Estado de Chile. El procedimiento implica el rastreo de las im\\u00e1genes en RRSS a trav\\u00e9s de motores de b\\u00fasqueda y un proceso de unificaci\\u00f3n simple (b&n). Los motores de b\\u00fasqueda son la herramienta, y el archivado un gesto de desplazamiento \\u201csustractivo\\u201d a un universo indeterminado y masivo de im\\u00e1genes en un contexto donde la producci\\u00f3n y circulaci\\u00f3n, la representaci\\u00f3n, la virtualidad y la vida han desdibujado l\\u00edmites que nos obligan a pensarlos interrelacionadamente bajo nuevos modos.\\n\\nEl \\u200bInventario\\u200b no conserva datos de autor\\u00eda y propone reflexionar sobre la propiedad y la circulaci\\u00f3n de las im\\u00e1genes como un bien com\\u00fan y colectivo. El \\u200bInventario \\u200bes din\\u00e1mico y sigue inventariando todos los d\\u00edas. El Inventario\\u200b\\u200b puede ser utilizado por todes. El \\u200bInventario \\u200bdefiende el derecho a inventariar, es decir, a resguardar nuestra memoria.\\n\\nEl proyecto, distanciado de una idea de autor\\u00eda individual, comprende diversos formatos y acciones donde compartir estas im\\u00e1genes en un acto de socializaci\\u00f3n colectivo. Futuras piezas y activaciones del proyecto involucran: laboratorios virtuales de reflexi\\u00f3n y acci\\u00f3n, piezas editoriales y mapeos colectivos, entre otros.\",\"space\":\"El proyecto, dadas sus caracter\\u00edsticas comprende un espacio expositivo virtual (accesible en sala por ej., a trav\\u00e9s de un monitor o s\\u00edmil), como tambi\\u00e9n un espacio disponible en sala, donde piezas a exhibir establezcan una instalaci\\u00f3n junto al monitor. Otra deriva posible del proyecto comprende la intervenci\\u00f3n en espacio p\\u00fablico (a trav\\u00e9s de series tipo afiche, unificados por grupos que den cuenta de ejes propios del Inventario como por ej: feminisimos, poscolonialismo, discursos de naci\\u00f3n, etc)\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"http:\\/\\/inventarioiconoclastadelainsurreccionchilena.com\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":6,\"names\":\"Celeste\",\"surname\":\"Rojas Mugica\",\"email\":\"celeste.rojas.mugica@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"18839501\",\"address\":\"Colombres 329, 4A\",\"city\":\"CABA\",\"nacionality\":\"Chilena \\/ Argentina\",\"country_id\":\"9\",\"birthdate\":\"1987-02-26T03:00:00.000Z\",\"birthdate_2\":\"1987-02-26T03:00:00.000Z\",\"telephone\":\"1136350082\",\"web\":\"www.celestrip.com\"}', '2020-05-04 19:29:23', '2020-05-04 19:29:23'),
(1601, 'OcuXIvMJ820FZryh', '{\"uid\":\"OcuXIvMJ820FZryh\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Uma Casa Portuguesa\",\"summary\":\"Uma Casa Portuguesa es un proceso fotogr\\u00e1fico, narrativo, personal, \\u00edntimo que resulta p\\u00fablico. Me dedico, durante una semana, a fotografiar a mi abuela de forma espont\\u00e1nea e instintiva, una persona de especial cari\\u00f1o, en su vida diaria: en la ma\\u00f1ana, durante el almuerzo, en nuestros paseos, en la noche y en el momento de despedirme. Se capturan detalles, que a menudo escapan de miradas menos atentas: objetos, lo inmediato, lo fortuito y lo instant\\u00e1neo. Se utiliza una c\\u00e1mara Polaroid 600 porque siente la necesidad imperiosa de volver a las herramientas anal\\u00f3gicas que permiten reflexionar sobre el valor del medio fotogr\\u00e1fico, as\\u00ed como la obsolescencia del material y la relaci\\u00f3n f\\u00edsica con las fotograf\\u00edas.\\n\\nEste proyecto surge de la acci\\u00f3n de investigar y observar en detalle el comportamiento de mi abuela, as\\u00ed como el entorno en el que opera. Se analizaron archivos personales, mapas y relaciones familiares. Esta investigaci\\u00f3n permiti\\u00f3 una concentraci\\u00f3n en la dimensi\\u00f3n po\\u00e9tica de lo real como agente de activaci\\u00f3n de la memoria y el descubrimiento. Es una narrativa fotogr\\u00e1fica biogr\\u00e1fica, pero tambi\\u00e9n una narrativa autobiogr\\u00e1fica ya que la investigaci\\u00f3n se centra en aspectos familiares que fueron reveladores. Utilic\\u00e9 mi cuerpo y me dej\\u00e9 llevar por el flujo de la experiencia, lo que permiti\\u00f3 reflexionar sobre cuestiones como la percepci\\u00f3n del tiempo, la memoria, el hogar, la historia y los lazos familiares.\",\"space\":\"Se idealiza una sala amplia (aproximadamente 60m2); Las fotograf\\u00edas son expuestas enmarcadas (60x120cm) y su disposici\\u00f3n depende de la tipolog\\u00eda de la sala.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/cargocollective.com\\/sofiabravoneves\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":46,\"names\":\"Sofia\",\"surname\":\"Bravo Neves\",\"email\":\"sofiabravoneves@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"14681953\",\"address\":\"Rua Jos\\u00e9 Rodrigues Migu\\u00e9is, n\\u00ba46, 3\\u00badireito\",\"city\":\"P\\u00f3voa de Varzim\",\"nacionality\":\"Portuguesa\",\"country_id\":\"185\",\"birthdate\":\"1994-03-08T00:00:00.000Z\",\"birthdate_2\":\"1994-03-08T00:00:00.000Z\",\"telephone\":\"+351915462033\",\"web\":\"https:\\/\\/cargocollective.com\\/sofiabravoneves\"}', '2020-05-04 19:52:10', '2020-05-04 19:52:10'),
(1602, 'CdXPzM3F9XoswoRC', '{\"uid\":\"CdXPzM3F9XoswoRC\",\"type\":\"artist\",\"tags\":[\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Tejido de Agua\",\"summary\":\"Tejido de agua es una video instalaci\\u00f3n. El video registra la acci\\u00f3n de acercarse al agua, retratando la necesidad de guardar e intercambiar el agua en dos lugares distintos del territorio que llamamos Chile. A su vez, la instalaci\\u00f3n cuenta con diversos recipientes con muestras de esta multiplicidad de aguas desde sus fuentes directas, en un esfuerzo por que el espectador se conecte con ellas.\\n\\nEn un ejercicio personal de deconstrucci\\u00f3n anticolonial me top\\u00e9 con un conocimiento que relata que el agua tiene memoria y que se va regulando seg\\u00fan la informaci\\u00f3n que va adquiriendo del ambiente. Para ello he realizado recolecciones e intercambios de agua, en la necesidad de realizar una b\\u00fasqueda y un recorrido que me lleva a la naturaleza, de cordillera a mar, del norte al sur, almacenando y llevando agua de un lugar a otro. El objetivo ha sido que el agua de cada territorio le entregue la informaci\\u00f3n de c\\u00f3mo est\\u00e1: si est\\u00e1 contaminada, si est\\u00e1 sana, cuales son los organismos y los esp\\u00edritus que habitan cada lugar. Por otro lado, en el gesto de guardar las muestras del agua se intenta poner en valor la preservaci\\u00f3n de la misma, recurso vital de la cual estamos sujetos y en una eterna b\\u00fasqueda.\",\"space\":\"La instalaci\\u00f3n se puede ser dispuesta en un espacio de exhibici\\u00f3n y puede ser adaptada a diversos contextos o formatos.\\nEl televisor puede ser de unas 32 pulgadas, la repisa de 70 x 20 cms y los contenedores de 10 cms de alto por 10 de ancho y alto.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=YbR9HCULlaM\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":3,\"names\":\"javiera paz\",\"surname\":\"mu\\u00f1oz repetto\",\"email\":\"javiera.munoz.repetto@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"16607632-3\",\"address\":\"emilia tellez 4022\",\"city\":\"Santiago de Chile\",\"nacionality\":\"Chilena\",\"country_id\":\"44\",\"birthdate\":\"1988-02-28T03:00:00.000Z\",\"birthdate_2\":\"1988-02-28T03:00:00.000Z\",\"telephone\":\"+56955186354\",\"web\":\"@javierarepetto, http:\\/\\/javimunozzz.wixsite.com\\/javierarepetto\\/\"}', '2020-05-04 20:03:23', '2020-05-04 20:03:23'),
(1603, 'lCF3S5mhv4LPzyZg', '{\"uid\":\"lCF3S5mhv4LPzyZg\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Silencio\",\"summary\":\"Silencio, una performance relacional concebida por la artista Samya Enes busca reflexionar sobre el silencio de las mujeres causado por actos de machismo. Para ello, el trabajo se centra en dos perspectivas: el cuerpo maltratado y el lenguaje del agresor. \\n\\u00bfQu\\u00e9 es este cuerpo femenino que presentamos? \\u00bfCu\\u00e1ntas marcas, tensiones, acortamientos, contracciones lleva para defenderse del machismo cotidiano? \\n\\u00bfPuede la repetici\\u00f3n generar dislocaciones en la escucha y en el contenido del discurso?\\n \\u00bfHablar y escuchar el machismo que opera en un cuerpo femenino puede generar reflexi\\u00f3n? \\u00bfCu\\u00e1ntos estar\\u00e1n de acuerdo con lo que se dice? \\n \\u00bfCu\\u00e1ntos se sentir\\u00e1n inc\\u00f3modos? \\nEl establecimiento de un di\\u00e1logo entre la violencia interna y externa se presenta como una forma necesaria de desplazar las formas de utilizar el cuerpo y la palabra, as\\u00ed como una posibilidad de ampliar las cuestiones presentadas anteriormente en el intercambio con nuevos p\\u00fablicos\\/componentes. \\n\\nSinopsis:\\nSilencio es una performance creada por la artista Samya Enes como una posibilidad de reflexi\\u00f3n en un \\\"acto\\\" de machismo cotidiano experimentado por el cuerpo femenino y practicado por todos.  Un juego en el que el verbo agresor es el disparador del cuerpo maltratado. En la acumulaci\\u00f3n de violencia, \\u00bfse perciben tensiones, acortamientos, defensas y resistencias?\",\"space\":\"La obra se adapta en cualquier espacio. S\\u00f3lo es necesario que el p\\u00fablico pueda permanecer en el espacio esc\\u00e9nico con el artista. Sin embargo, si pensamos en los espacios virtuales, el trabajo puede realizarse a trav\\u00e9s de plataformas de videoconferencia.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=frGCIuAg074&t=2s\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":3,\"names\":\"Samya\",\"surname\":\"Enes\",\"email\":\"samyaenes@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"FS450511\",\"address\":\"Rua Leandro Dupret, 1156\",\"city\":\"S\\u00e3o Paulo\",\"nacionality\":\"brasile\\u00f1a\",\"country_id\":\"34\",\"birthdate\":\"1983-12-28T03:00:00.000Z\",\"birthdate_2\":\"1983-12-28T03:00:00.000Z\",\"telephone\":\"05111984668951\",\"web\":null}', '2020-05-04 20:34:52', '2020-05-04 20:34:52'),
(1604, 'scRGVHEkR9Y4xney', '{\"uid\":\"scRGVHEkR9Y4xney\",\"type\":\"artist\",\"tags\":[\"others\",\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"PAINEL ARTE DE ADESIVAR\",\"summary\":\"Projeto consiste de cria\\u00e7\\u00e3o de um painel  que ser\\u00e1 realizado com  a t\\u00e9cnica de colagem de adesivos (Arte de Adesivar) em paredes ou outdoor, com tema  para evocar mudan\\u00e7as sociais no planeta, dando maior visibilidade para  diversidade cultural, com objetivo de esclarecer, educar e afetar as mudan\\u00e7as em todo o mundo.\\nQualquer espa\\u00e7o onde as pessoas tenham acesso para ver a produ\\u00e7\\u00e3o do trabalho. \\nPosso realizar de duas formas: \\n1a. Criando com anteced\\u00eancia o painel numa superf\\u00edcie m\\u00f3vel e depois ser levada para montagem em algum suporte fixo definido pelo local que venha se interessar.\\n2a. Criar diretamente numa superf\\u00edcie, tipo parede, com o publico participando junto com minha orienta\\u00e7\\u00e3o. \\nO material usado em sua maior parte ser\\u00e1 de adesivos reciclados.\",\"space\":\"Qualquer espa\\u00e7o onde possa ser colocado o painel que ter\\u00e1 um tamanho aproximadamente de 10m2. Usando adesivo branco como base, que depois de realizado pode ser colocado em qualquer local interno ou externo. \\nO trabalho \\u00e9 realizado manualmente, depois de layout completo sera colocado uma pel\\u00edcula transparente protetora.\\nOBS: as imagens e video s\\u00e3o demonstrativos de trabalhos ja realizados para empresas em algumas cidade do BRASIL\\nEstarei a total disposi\\u00e7\\u00e3o para adaptar o painel para local desejo\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":9,\"names\":\"JUSSARA\",\"surname\":\"SANTOS\",\"email\":\"jussara@calicotrio.com.br\",\"dni_type\":\"PASAPORTE\",\"dni\":\"F4420179\",\"address\":\"Rua Patativa 8028 Pitimbu\",\"city\":\"Natal\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1961-12-28T03:00:00.000Z\",\"birthdate_2\":\"1961-12-28T03:00:00.000Z\",\"telephone\":\"55 84 99912-1082\",\"web\":\"calicotrio.com.br\"}', '2020-05-04 20:45:14', '2020-05-04 20:45:14'),
(1605, 'GuENO3dwBNifXVIj', '{\"uid\":\"GuENO3dwBNifXVIj\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Antilope\",\"summary\":\"To run, to escape, to survive is the challenge the ANTELOPE, of this animal that strays from the herd seeks to find meaning for its human condition. The question of its uprightness, its counter- laterality, its reflexes and motor patterns that humanize it, are the same as those of nature that destroy itself.\\nAntelope Brings together a series of experiments with sensors, movement and noise. The methodologies experienced support the thesis that ontogenesis recapitulates phylogenesis, that is, that human motor development is based on the evolutionary stages of aquatic species. and other animals. The opposing thumb, the vertical orientation of the head organized from the vestibular apparatus, the different planes and the reasoning cortex as a fundamental catastrophe of our humanistic differentiation are evoked in the work with the use of the word, the repetition of the basic patterns of movement and of the inversion of the body in space in the vertical plane.\",\"space\":\"Gallery room or a shad any very specific need is required. Dimensions: 10 m X 10m\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":\"mazdita\",\"video_link\":\"https:\\/\\/vimeo.com\\/302708123\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Flavia\",\"surname\":\"Pinheiro\",\"email\":\"flaviabpinheiro@hotmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"GB106564\",\"address\":\"Rua Conde de iraja 545\",\"city\":\"Recife\",\"nacionality\":\"Brazilian\",\"country_id\":\"34\",\"birthdate\":\"1980-10-18T03:00:00.000Z\",\"birthdate_2\":\"1980-10-18T03:00:00.000Z\",\"telephone\":\"81997976700\",\"web\":null,\"fileCount\":2}', '2020-05-04 20:46:33', '2020-05-04 20:46:33'),
(1606, 'GuENO3dwBNifXVIj', '{\"uid\":\"GuENO3dwBNifXVIj\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Antilope\",\"summary\":\"To run, to escape, to survive is the challenge the ANTELOPE, of this animal that strays from the herd seeks to find meaning for its human condition. The question of its uprightness, its counter- laterality, its reflexes and motor patterns that humanize it, are the same as those of nature that destroy itself.\\nAntelope Brings together a series of experiments with sensors, movement and noise. The methodologies experienced support the thesis that ontogenesis recapitulates phylogenesis, that is, that human motor development is based on the evolutionary stages of aquatic species. and other animals. The opposing thumb, the vertical orientation of the head organized from the vestibular apparatus, the different planes and the reasoning cortex as a fundamental catastrophe of our humanistic differentiation are evoked in the work with the use of the word, the repetition of the basic patterns of movement and of the inversion of the body in space in the vertical plane.\",\"space\":\"Gallery room or a shad any very specific need is required. Dimensions: 10 m X 10m\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":\"mazdita\",\"video_link\":\"https:\\/\\/vimeo.com\\/302708123\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Flavia\",\"surname\":\"Pinheiro\",\"email\":\"flaviabpinheiro@hotmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"GB106564\",\"address\":\"Rua Conde de iraja 545\",\"city\":\"Recife\",\"nacionality\":\"Brazilian\",\"country_id\":\"34\",\"birthdate\":\"1980-10-18T03:00:00.000Z\",\"birthdate_2\":\"1980-10-18T03:00:00.000Z\",\"telephone\":\"81997976700\",\"web\":null,\"fileCount\":2}', '2020-05-04 20:46:33', '2020-05-04 20:46:33'),
(1607, 'ojy1vw2t1oZb7AEj', '{\"uid\":\"ojy1vw2t1oZb7AEj\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Among you\",\"summary\":\"This project reflects the choices around personal identity for Moroccan youth. Through a selection of portraits, I document young people who take their destinies into their own hands.\\n\\nThese individuals have the courage to choose their own realities, often pushing the limits of society further. Whether through their creative activities, their appearance, or their sexuality, they convey the image of a young Morocco - alert, changing, claiming the right to be different and celebrating diversity.\\n\\nThese young people, whose minds embody the resistance of a palm tree - a tree adapted to the harshest Moroccan climatic conditions - defy the conservative and traditional norms of Moroccan society on a daily basis. They cultivate their private oasis despite the obstacles they encounter in a country that they feel is not progressing at the same pace as they are, and they are inspiring others along the way.\",\"space\":\"I think ideally the photographs could be shown in a gallery or a museum printed on fine art museum quality paper either 60x80 cm, 90x120 cm or 100x140 cm and framed. The dimensions depend on the exhibition design, the venues an the space available. I have also made for the opening of the Moroccan National Museum of Photography an installation where each diptych has been printed on 120x160 cm and was shown in an outdoor installation. I\'m quite open to discuss different ways of showing the work.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.kilito.com\\/among-you\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"M\'hammed\",\"surname\":\"Kilito\",\"email\":\"info@kilito.com\",\"dni_type\":\"DNI\",\"dni\":\"A337202\",\"address\":\"Les Terrasses Dar Essalam, Beni Meskine Street, Building B3, Appt1\",\"city\":\"Rabat\",\"nacionality\":\"Moroccan\",\"country_id\":\"140\",\"birthdate\":\"1981-02-08T00:00:00.000Z\",\"birthdate_2\":\"1981-02-08T00:00:00.000Z\",\"telephone\":\"+212673743574\",\"web\":\"https:\\/\\/www.kilito.com\\/\",\"fileCount\":8}', '2020-05-04 20:56:20', '2020-05-04 20:56:20'),
(1608, '8YnN39H2VgK7HdWr', '{\"uid\":\"8YnN39H2VgK7HdWr\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"TRAMA F\",\"summary\":\"La relaci\\u00f3n  que hay entre cosas, formas, luces y espacios aleatorios es interesante y maravillosa. \\nBasta con caminar en una gran ciudad y tener el esp\\u00edritu abierto a este tipo de inquietudes y posibilidades.\\nEn un espacio urbano, (en este caso todas las im\\u00e1genes fueron tomadas en Buenos Aires.)\\nA trav\\u00e9s de la s\\u00edntesis de estas tomas, fui encontrando una fuerza y un desarrollo muy pl\\u00e1stico.\\nElementos y objetos urbanos que se vuelven otra cosa. La pintura y la escultura est\\u00e1n presentes en estas fotograf\\u00edas. La revelaci\\u00f3n de peque\\u00f1os espacios urbanos, la presencia y su maleabilidad.\\nDe igual manera, se trata de im\\u00e1genes simples y cotidianas. Aunque cada imagen tiene una fuerza y un peso por ellas mismas, me parece que el grupo las dinamiza y las enriquece. Confirma una estructura y refuerza el concepto de las mismas.\\n\\nIdentifico por medio de la fotograf\\u00eda, algunos aspectos propios del urbanismo y los convierto en un lenguaje personal. En unas condiciones \\u00fanicas del momento y del espacio.\\n\\n*Por trama urbana se puede entender como la organizaci\\u00f3n de elementos espaciales y nodales que se entrelazan entre s\\u00ed y que en su conjunto con el espacio intersticial, vac\\u00edo o construido, conforman la estructura de la ciudad.\\nHARAMOTO NISHIKIMOTO, Edwin.\",\"space\":\"Fotograf\\u00edas impresas en papel de algod\\u00f3n, impresi\\u00f3n inkjet.\\nDiferentes tama\\u00f1os: unas van en 60 x 40 cm y otras 45 x 30 cm. \\nCon marcos en madera cruda y vidrios.\\nParedes blancas y la distribuci\\u00f3n de las 10 fotograf\\u00edas en estas paredes.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":\"cucholo12\",\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":10,\"names\":\"GONZALO\",\"surname\":\"BENAVIDES\",\"email\":\"gchalin@yahoo.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"AT264137\",\"address\":\"Ecuador 1441 piso 6B, Buenos Aires\",\"city\":\"Buenos Aires\",\"nacionality\":\"Colombiano\",\"country_id\":\"9\",\"birthdate\":\"1964-11-20T05:00:00.000Z\",\"birthdate_2\":\"1964-11-20T05:00:00.000Z\",\"telephone\":\"+57 300 5717807\",\"web\":\"Facebook, Gonzalo Benavides Mart\\u00edn\"}', '2020-05-04 20:59:47', '2020-05-04 20:59:47'),
(1609, 'nA0oDs42TIygu1a4', '{\"uid\":\"nA0oDs42TIygu1a4\",\"type\":\"artist\",\"tags\":[\"performance\",\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Static\",\"summary\":\"Static is an interactive performance developed through images and sounds interaction\\/ manipulation on a photoluminescent and modular sculpture created with recycled plastic.\\nThe construction of an audiovisual dialog arises from visible and audible statics derived from the explosion that gave origin to the Universe. One small percentage of the whit noise comes from the Big Bang, as result the static constains information that help us to understand and analyze stars born, planet and comets. The performance begins with sounds and frequencies from space recorded by NASA, that helps to analyze planets and, as consequence, our position as Humans in the Universe. Static represents a process of transformation, recreation and exploration. It\\u2019s the begining and the ending of the creating act.\",\"space\":\"Auditorium, Theater, dark room for concerts and performance. Its necessary to have video projector and good speakers for the performance.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/microondas\\/static\",\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/soundcloud.com\\/rodrigogomesartist\\/static-october-2019-audio-performance\",\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":16,\"names\":\"Rodrigo\",\"surname\":\"Gomes\",\"email\":\"rodrigo.amgomes@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"14016154 2 ZX7\",\"address\":\"Cal\\u00e7ada Santana 195\",\"city\":\"Lisbon\",\"nacionality\":\"Portuguese\",\"country_id\":\"185\",\"birthdate\":\"1991-03-28T00:00:00.000Z\",\"birthdate_2\":\"1991-03-28T00:00:00.000Z\",\"telephone\":\"+351965110525\",\"web\":\"rodrigogomes.xyz\"}', '2020-05-04 21:28:26', '2020-05-04 21:28:26'),
(1610, 'luaLSTjJtTIrmn5L', '{\"uid\":\"luaLSTjJtTIrmn5L\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"PAROLIBERISMO\",\"summary\":\"Iniciada a finales de 2018 en colaboraci\\u00f3n con la artista tradicional del tejido Elvia Paucar (Jun\\u00edn, 1968) y, a la fecha, con ocho tejidos en gran formato realizados en lana de oveja, la serie PAROLIBERISMO se caracteriza por la fusi\\u00f3n visual de dos cuerpos dis\\u00edmiles: uno, la base compositiva recoge dise\\u00f1os realizados por artistas del centro y este de Europa de la d\\u00e9cada de los 20 del siglo XX (El Lissitzky, W\\u0142adys\\u0142aw Strzemi\\u0144ski, Jan Tschichold, Karel Teige) y, dos, las frases ah\\u00ed presentes son una selecci\\u00f3n a partir de los testimonios de casi una cuarentena de venezolanos que, debido a la grave situaci\\u00f3n pol\\u00edtica, social y econ\\u00f3mica por la que atraviesa su pa\\u00eds, se vieron obligados a marcharse de Venezuela y se instalaron en la ciudad de Lima. \\n\\nSin embargo, al momento de escribir estas l\\u00edneas y debido al estado de alarma en que nos encontramos en casi todos los pa\\u00edses de la regi\\u00f3n producto de la crisis provocada por el COVID-19, percibo que algunas frases inscritas en los tejidos que demandaban un futuro mejor para Venezuela \\u2013 \\u201cQue mi patria vuelva a ser un pa\\u00eds de oportunidades\\u201d, \\u201cPoder disfrutar las bondades que me dio la tierra donde nac\\u00ed\\u201d o \\u201cAnhelo recuperar la noci\\u00f3n de futuro\\u201d- trascienden la agonizante situaci\\u00f3n del pa\\u00eds llanero y son extrapolables, como reclamo, a todos los pa\\u00edses que atraviesan una grave crisis humanitaria como consecuencia de la pandemia y que lamentablemente padecer\\u00e1n un aumento de la pobreza debido a una recesi\\u00f3n econ\\u00f3mica sin precedentes.\",\"space\":\"El espacio ideal para la exhibici\\u00f3n de los tejidos \\u2013que tienen unos tama\\u00f1os que var\\u00edan entre los 200 y 210 cm. de alto por 155 a 160 de ancho- es una sala de galer\\u00eda o centro cultural de unos 15-18 m2 con paredes de 3 a 5 metros de ancho. Por lo tanto, se requiere de un espacio de exhibici\\u00f3n mediano. \\n\\nCada tejido se cuelga gracias a un list\\u00f3n de madera que atraviesa la parte superior del textil. Cada extremo del list\\u00f3n se fija a un \\u00e1ngulo de aluminio o madera que est\\u00e1 atornillado a la pared.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"http:\\/\\/miguelaguirre.com\\/es\\/tejidos\\/paroliberismo\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":5,\"names\":\"MIGUEL\",\"surname\":\"AGUIRRE\",\"email\":\"maguirre13b@yahoo.es\",\"dni_type\":\"DNI\",\"dni\":\"10059410\",\"address\":\"Calle R\\u00edo de Janeiro 256, dpto. 203, Miraflores\",\"city\":\"Lima\",\"nacionality\":\"Peruana\",\"country_id\":\"178\",\"birthdate\":\"1973-08-01T05:00:00.000Z\",\"birthdate_2\":\"1973-08-01T05:00:00.000Z\",\"telephone\":\"+51 982 737 799\",\"web\":\"www.miguelaguirre.com\"}', '2020-05-04 21:45:44', '2020-05-04 21:45:44'),
(1611, '31PjX6R58lQ8s3wM', '{\"uid\":\"31PjX6R58lQ8s3wM\",\"type\":\"artist\",\"tags\":[\"sculpture\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"PAPEL DE G\\u00caNERO\",\"summary\":\"\\u201cPAPEL DE G\\u00caNERO\\u201d\\n2020\\nPapel higi\\u00eanico e tinta de caneta esferogr\\u00e1fica azul\\nM\\u00e1quina de escrever\\n22cm x 37cm x 33cm\\n\\n\\u201cPapel de g\\u00eanero\\u201d foi concebida a partir de provoca\\u00e7\\u00f5es te\\u00f3ricas da Teoria Queer, que sugerem o corpo transexual como aquele que transcende conven\\u00e7\\u00f5es sociais de pap\\u00e9is de g\\u00eanero. A m\\u00e1quina de escrever eletr\\u00f4nica que n\\u00e3o escreve mais e carrega apenas as letras X e Y no teclado faz alus\\u00e3o ao sistema de determina\\u00e7\\u00e3o do sexo biol\\u00f3gico humano. A subvers\\u00e3o dessas fronteiras \\u00e9 apresentada por meio do rolo de papel higi\\u00eanico que a m\\u00e1quina carrega, onde o artista escreveu \\u00e0 m\\u00e3o a palavra \\u201ctranscender\\u201d em todas as folhas. Cada observador da obra pode manusear a m\\u00e1quina pra retirar uma folha de papel higi\\u00eanico e tom\\u00e1-la para si.\",\"space\":\"SUPORTE:\\nM\\u00f3dulo de 100cm x 45cm x 45cm \\n\\nPINTURA:\\nParedes pretas\\n\\nILUMINA\\u00c7\\u00c3O: \\nFocada difusa\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":3,\"names\":\"Bruna\",\"surname\":\"da Silva Ferreira\",\"email\":\"brunasilvaferreira1998@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"2648671-7\",\"address\":\"Rua Presidente Lu\\u00eds de Albuquerque, (Cohab C Rei). 26.\",\"city\":\"V\\u00e1rzea Grande\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1998-11-20T02:00:00.000Z\",\"birthdate_2\":\"1998-11-20T02:00:00.000Z\",\"telephone\":\"+55 021 65 99326-6404\",\"web\":\"@solpoetao\"}', '2020-05-04 21:47:05', '2020-05-04 21:47:05'),
(1612, 'jXruWZwoMMqP5l1b', '{\"uid\":\"jXruWZwoMMqP5l1b\",\"type\":\"artist\",\"tags\":[\"graphic\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"C\\u00e1balas\",\"summary\":\"C\\u00e1balas es un proyecto muy \\u00edntimo de la artista lunademayo (Est\\u00edbaliz G\\u00f3mez) en el que la artista realiza un ejercicio de autoconocimiento personal, en el que su vida se convierte en su religi\\u00f3n.\\n\\nA lo largo de sus a\\u00f1os ha ido reuniendo escritos propios y encontrados que van formando parte del \\\"texto sagrado\\\" de esta religi\\u00f3n, su vida. \\n\\nEn el juda\\u00edsmo los estudiosos y fieles acuden a la Torah, su libro sagrado, a fin de encontrar respuestas, incluso algunos recurren a las c\\u00e1balas para hallar la verdad.  En este caso, la artista hace uso de las c\\u00e1balas aprendidas para encontrar la relaci\\u00f3n entre ella, como ser finito, y el Universo.\\n\\nEn momentos importantes vuelve a esas revelaciones recopiladas, las lee, las estudia y aplica las c\\u00e1balas obteniendo resultados sorprendentes.\\n\\nEn este caso, se presenta una colecci\\u00f3n de 5 \\\"electrocardiogramas\\\", representaci\\u00f3n gr\\u00e1fica del latir del coraz\\u00f3n de la artista.\",\"space\":\"C\\u00e1balas se compone en la actualidad de 5 cuadros de diferentes tama\\u00f1os:\\n1. Carne dom\\u00e9stica - Poema del artista Enrique Oramas - 25x25cm \\n2. Ones - Poema de lunademayo - 35x25cm\\n3. Viaje al Mediterr\\u00e1neo - Poema de lunademayo - 70x25cm\\n4. Fortuna la m\\u00eda - Escrito de lunademayo - 80x25cm\\n5. Un violador en el camino - Texto de la performance protesta feminista nacida en Chile - 80x25cm\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":2,\"names\":\"Est\\u00edbaliz\",\"surname\":\"G\\u00f3mez\",\"email\":\"lluna.demayo@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"47152498Z\",\"address\":\"Corpus Christi n\\u00ba 5, 2\\u00ba B\",\"city\":\"Valladolid\",\"nacionality\":\"Espa\\u00f1ola\",\"country_id\":\"71\",\"birthdate\":\"1979-05-06T22:00:00.000Z\",\"birthdate_2\":\"1979-05-06T22:00:00.000Z\",\"telephone\":\"666478839\",\"web\":\"https:\\/\\/lunademayo.com\\/  @llunademayo\"}', '2020-05-04 22:00:43', '2020-05-04 22:00:43'),
(1613, 'fbLWqy1Yn0hkSgCW', '{\"uid\":\"fbLWqy1Yn0hkSgCW\",\"type\":\"artist\",\"tags\":[\"videoinstallation\",\"video\",\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Postales intermitentes\",\"summary\":\"V\\u00eddeo instalaci\\u00f3n que trae a la memoria el ambiente sonoro de antiguas Postales. \\nEl proyecto se centra especialmente en relatar la historia documentada por una imagen o postal a trav\\u00e9s de su lectura sonora colectiva. La vida capturada, el protagonismo del sonido ambiente del lugar. \\n\\nRecrear la atm\\u00f3sfera envolvente con elementos de la \\u00e9poca\\u2026, es el objetivo de postales intermitentes.\",\"space\":\"Espacio expositivo de aproximadamente 6 x 6 mts. La obra en si es adapta al espacio existente.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/juancarlosguzmann.wixsite.com\\/juancarlosguzmann\\/work?wix-vod-video-id=cbfd6a0d54ad4bf8a6f1159ea5e936de&wix-vod-comp-id=comp-jct90szb\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":0,\"names\":\"juan carlos\",\"surname\":\"guzm\\u00e1n navarro\",\"email\":\"juancarlosguzmann@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"SC4292669\",\"address\":\"Calle Francisco Prats Ramirez Nro. 10 Residencial Don Javier I Los Restauradores, Santo Domingo. R.D.\",\"city\":\"Santo Domingo\",\"nacionality\":\"Dominicana\",\"country_id\":\"65\",\"birthdate\":\"1981-10-23T12:00:00.000Z\",\"birthdate_2\":\"1981-10-23T12:00:00.000Z\",\"telephone\":\"8099960288\",\"web\":\"https:\\/\\/www.instagram.com\\/juancarlosguzmann\\/\"}', '2020-05-04 22:29:34', '2020-05-04 22:29:34'),
(1614, '2TluFk3XCv639P5F', '{\"uid\":\"2TluFk3XCv639P5F\",\"type\":\"artist\",\"tags\":[\"social-action\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"No hay deseo que no haga m\\u00edo\",\"summary\":\"\\u00bfQu\\u00e9 siente una mujer que no puede tener hijxs biol\\u00f3gicxs levantando una lucha sobre tareas de maternidad? \\u00bfQu\\u00e9 piensa una mujer blanca sosteniendo una demanda de una mujer que sufre violencia racista? \\u00bfQu\\u00e9 le pasa a una mujer sana cuando lleva el deseo de un cuerpo enfermo?\\nLa obra llev\\u00f3 a la Marche Mondiale des Femmes en Bruselas los deseos y demandas de mujeres que no pudieron o no quisieron asistir a la manifestaci\\u00f3n, se\\u00f1alando la pr\\u00e1ctica feminista de levantar las luchas de otras.\\nMe interesa cuando los cuerpos se re\\u00fanen porque ponen en juego significantes pol\\u00edticos, m\\u00e1s all\\u00e1 de lo que est\\u00e9n diciendo. El deseo toma forma p\\u00fablica. De todas formas, no todxs pueden marchar. No todos los cuerpos pueden aparecer.\\nEn ese lugar de tensi\\u00f3n intento imaginar: \\u00bfc\\u00f3mo plegar las reglas neoliberales prevalecientes en algunos feminismos? \\u00bfC\\u00f3mo ensayar diferentes formas de organizarnos? \\u00bfPodemos usar el arte como una herramienta para ejercitar mejores formas de estar juntxs?\\nUna de las cosas que me ense\\u00f1\\u00f3 el feminismo es a levantar luchas que no son necesariamente las m\\u00edas. No es f\\u00e1cil manifestarte por algo que no te afecta directamente o que te sensibiliza de una manera especial. En este proyecto, el arte nos permiti\\u00f3 enmarcar un ejercicio contra el individualismo, ensayarlo para despu\\u00e9s poder practicarlo cuando el arte no est\\u00e9 ah\\u00ed como excusa para narrarnos. Este, que no es mi deseo, es tambi\\u00e9n mi deseo. \\n\\nProyecto de arte y procesos sociales.\\nHectolitre, B\\u00e9lgica, Febrero-Marzo, 2020.\",\"space\":\"El proyecto se exhibe como registro de la acci\\u00f3n con im\\u00e1genes y un texto de investigaci\\u00f3n del proceso. \\nLa propuesta es realizarlo nuevamente en el contexto de Buenos Aires el 8 de marzo de 2021. En ese caso, se presentar\\u00e1n los carteles junto a un archivo visual y textual conectando ambas ciudades.\\nLos carteles son de dimensiones aproximadas de 50x70 con soporte de madera. Las im\\u00e1genes se presentan impresas. El texto se ubica en la pared y al mismo tiempo en un formato para llevar.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/belencharpentier.com\\/No-hay-deseo-que-no-haga-mio-There-is-no-desire-I-do-not-make-my-own\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Bel\\u00e9n\",\"surname\":\"Charpentier\",\"email\":\"belencharpentier@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"35124194\",\"address\":\"IBERA 4197\",\"city\":\"CABA\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1990-02-14T02:00:00.000Z\",\"birthdate_2\":\"1990-02-14T02:00:00.000Z\",\"telephone\":\"1159783589\",\"web\":\"https:\\/\\/belencharpentier.com\\/\",\"fileCount\":20}', '2020-05-04 23:15:08', '2020-05-04 23:15:08'),
(1615, 'SRAokpiCQf0OheH9', '{\"uid\":\"SRAokpiCQf0OheH9\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Contrastes da Terra e seus territ\\u00f3rios\",\"summary\":\"JUSTIFICATIVA:\\n\\n A arte \\u00e9 necess\\u00e1ria \\u00e0 vida. Terra e \\u00e1gua s\\u00e3o materiais que nos levam a vislumbrar as possiblidades de retomar nossos referenciais na hist\\u00f3ria da arte. Pintar com terra e com \\u00e1gua remete a um reencontro sin\\u00e9rgico do artista com suas capacidades sensoriais, emotivas e criativas.\\n\\nA proposta \\u00e9 desenvolver uma oficina e apresentar uma mostra das artes nela constru\\u00edda.\\n1\\u00aa etapa: Conceitua\\u00e7\\u00e3o hist\\u00f3rica sobre a arte com terra.\\n2\\u00aa etapa: Pesquisa, Explora\\u00e7\\u00e3o e Sele\\u00e7\\u00e3o dos tipos de sedimentos poss\\u00edveis para pintura.\\n3\\u00aa etapa: Sele\\u00e7\\u00e3o das cores de terra e Prepara\\u00e7\\u00e3o dos pigmentos\\n4\\u00aa etapa: aplicabilidade pr\\u00e1tica.\\n5\\u00aa etapa: Mostra art\\u00edstica.\\n\\nA pintura com terra e \\u00e1gua nos remete \\u00e0 arte milenar produzida por nossos ancestrais.\\n\\u00c9 como ter, por meio da arte, a possibilidade de trazer para o s\\u00e9culo XXI, atividades exercidas no interior das grutas pr\\u00e9-hist\\u00f3ricas e retomar as formas primitivas do fazer art\\u00edstico para a atualidade, combinada ao uso das tecnologias. Do processo de explora\\u00e7\\u00e3o e manipula\\u00e7\\u00e3o da terra at\\u00e9 o momento da pintura, nos permitimos adentrar outros territ\\u00f3rios ou desterritorializ\\u00e1-los. \\n\\nParticipantes: Jovens e adultos a partir de 16 a 25 anos.\\n\\nA terra e a \\u00e1gua est\\u00e3o presentes na vida das pessoas e s\\u00e3o recursos alcan\\u00e7\\u00e1veis por qualquer classe social. O impacto de se criar arte com estes elementos, s\\u00e3o marcados pelo baixo custo com materiais, processo de secagem r\\u00e1pida e as muitas possibilidades criativas podendo se transformar em fonte de renda.\",\"space\":\"Sala de exposi\\u00e7\\u00e3o e Oficina de trabalho no mesmo ambiente: \\n\\nSala com no m\\u00ednimo 25 metros quadrados equipada com pia para lavar objetos de uso.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Maria de Lourdes Meireles Ishisaki\",\"surname\":\"Mad\\u00ea Meireles\",\"email\":\"mlmishisaki@yahoo.com.br\",\"dni_type\":\"CI\",\"dni\":\"171492079\",\"address\":\"Rua: Ana Silvia, 130 Jardim Nova Cachoeira\",\"city\":\"Cachoeira Paulista - SP\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1964-01-28T02:00:00.000Z\",\"birthdate_2\":\"1964-01-28T02:00:00.000Z\",\"telephone\":\"55-12-996138001\",\"web\":null,\"fileCount\":17}', '2020-05-04 23:19:14', '2020-05-04 23:19:14');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1616, 'g1dTEo4mmzTY752O', '{\"uid\":\"g1dTEo4mmzTY752O\",\"type\":\"artist\",\"tags\":[\"video\",\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Mi adatto (I adapt)\",\"summary\":\"Mi adatto (2019) \\n(I adapt)\\n \\nHabitat: Other space, external, with specific features and conditions.. \\n \\nMicrohabitat: preferential habitat, where internal and external characteristics and conditions (physical, physiological and aesthetic) determine my being and inhabiting a habitat, which becomes a synonym for  the body.  \\n \\nI adapt. I adhere to the external world.  I, like a microhabitat, a body-limit, try to adhere to specific surfaces (portions) of specific habitats.  Uncomfortable habitats, to which, in my daily life, I try with frustration to adapt my microhabitat (I adapt). I adapt to form (with my own physicalness\\/form) of a significant body which restores, in my memory, the entire habitat in which it is inserted.  \\n \\nI have undergone 21 attempts for each habitat (21: the ideal number of repetitions in order to create a habit and eliminate the opposite one).  Once the 21 attempts are over, I write on the surface (I leave behind in the habitat) the duration of this body-to-body encounter (which testifies to the adaptation attempt).\",\"space\":\"Typology: Video performance\\n\\nCharacteristics : installation of the video by means of a videoprojection or video transmitted by screen\\n\\nDimensions: 10\' 51\\\"\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=x0__pG_CQEc\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":0,\"names\":\"Chiara\",\"surname\":\"Ventura\",\"email\":\"vchiara54@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"AV7865747\",\"address\":\"Via Giovanni della Casa 26\",\"city\":\"Verona\",\"nacionality\":\"Italian\",\"country_id\":\"113\",\"birthdate\":\"1997-06-18T22:00:00.000Z\",\"birthdate_2\":\"1997-06-18T22:00:00.000Z\",\"telephone\":\"3493617299\",\"web\":\"https:\\/\\/www.instagram.com\\/_chiaraventura__\\/\"}', '2020-05-04 23:37:47', '2020-05-04 23:37:47'),
(1617, 'zsLSW9KKKKVWZEq1', '{\"uid\":\"zsLSW9KKKKVWZEq1\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Bio-L\\u00f3gicas del Porvenir\",\"summary\":\"Conjunto de obras pict\\u00f3ricas en esmalte sint\\u00e9tico.\\n\\nEn estas representaciones abstractas, las emulsiones de color se desplazan con vigor presentando una met\\u00e1fora de la forma en la que circula la materia. Se trata dar visibilidad al desaf\\u00edo humano de una evoluci\\u00f3n positiva sobre los ciclos de tomar, procesar y reintegrar.\\n\\nEl mundo natural que se adivina en las im\\u00e1genes, son una construcci\\u00f3n articulada entre lo que el sentido de la vista ha captado y la suposici\\u00f3n que hace el pensamiento por pura necesidad de certezas. Pero as\\u00ed como la mancha no es flor, el recurso de la tierra, aunque generoso, no es perpetuo. Todo aquello valioso que hoy endulza la vista, ma\\u00f1ana podr\\u00eda resaltar por su ausencia.\\n\\nLa urgencia de la pr\\u00e1ctica de h\\u00e1bitos individuales saludables dirigidos al impacto profundo en lo colectivo, coincide con la necesidad de definir la concepci\\u00f3n \\u00e9tica del medio ambiente a trav\\u00e9s del cambio cultural. Esta variaci\\u00f3n implica anteponer el pensamiento biol\\u00f3gico por sobre el econ\\u00f3mico. Impulsar sistemas de contabilidad del patrimonio natural es concebirlo como  elemento de crecimiento.\\n\\nLa conclusi\\u00f3n desde la imagen hacia la reflexi\\u00f3n, es que los escenarios que el ojo adivina en los trabajos presentados, pueden hablar de belleza o de desolaci\\u00f3n. La tarea radica en poder empezar a diferenciar los actos consientes de los automatismos y las l\\u00f3gicas mercantiles de las bio l\\u00f3gicas del porvenir.\",\"space\":\"Se precisan espacios de pared para montaje tradicional de obras de pintura en bastidor. El metraje puede variar de 10 a 15 mts lineales. Es posible adaptarse a m\\u00e1s o menos metros seg\\u00fan: la cantidad de trabajos, el tipo de disposici\\u00f3n de los mismos, etc.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Silvia Mar\\u00eda\",\"surname\":\"Grandela\",\"email\":\"silviagrandelaart@hotmail.com\",\"dni_type\":\"DNI\",\"dni\":\"20506502\",\"address\":\"Colectora 12 de Octubre KM 43 S\\/N\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1968-09-16T03:00:00.000Z\",\"birthdate_2\":\"1968-09-16T03:00:00.000Z\",\"telephone\":\"1544053602\",\"web\":\"https:\\/\\/www.silviagrandela.com\\/\",\"fileCount\":10}', '2020-05-04 23:38:47', '2020-05-04 23:38:47'),
(1618, '8iX6LNUaEp6aCnxW', '{\"uid\":\"8iX6LNUaEp6aCnxW\",\"type\":\"artist\",\"tags\":[\"performance\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"ESCUTA (HEAR)\",\"summary\":\"\\\"HEAR is a performance that has musical composition and art sonore research as its starting point. Departing from silence, it is offered a sensitive experience wich questions the possibilities of an empty, dark and silent space, through\\nmovement, manipulation and acoustic experimentation.\\\"\\n\\n\\nFilipe Moreira Is a performer and producer. Graduated in Choreography by Falmouth University (United Kingdom) and in Theater by ACE - School of Arts (Portugal). He also studied lyrical singing and costume design.\\nAs a performer he worked with several choreographers, directors and national and international companies such as: Trisha Brown Dance Company; Willi Dorner; Emmalena Fredriksson; Madalena Victorino; Aldara Bizarro; Sofia\\nDias & Vitor Roriz; and others.\\nIn 2013 he won the the Calouste Gulbenkian Foundation Scholarship for a street theater research in S\\u00e3o Paulo (Brazil) and in 2017 won the Porosus Foundation Scholarship (France) to join the Caravane program of the Centre National de la Danse de Paris.\\nHe started to creat his own performances in 2009. His work is a fusion of body movement and with an \\u201cacoustic\\u201d experimentation that explores new paths, contexts and physical states, creating artistic objects of a hybrid nature and a multifaceted universe.\",\"space\":\"- The performance has explicit nudity\\n- This project was created and developed in collaboration with the Porto\\u2019s deaf community\\n- Length of the performance: 40 Min.\\n\\nSTAGE\\n- Blackbox (intimate performance)\\n\\nAUDIENCE \\n- Around the performance area \\n- From 16 years old onwards\\n\\nLIGHTS\\n-  4 Foco Portable Projetores LED 10W (The lights are trasnported and manipulated by the performer)\\n\\nSOUND\\n- The performance have no sound\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/www.youtube.com\\/watch?v=BuSoJ6qZaUI&t=420s\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":3,\"names\":\"Filipe\",\"surname\":\"Moreira\",\"email\":\"filipemoreira.geral@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"P556702\",\"address\":\"Rua da Alegria, 968 - 1\\u00ba Andar\",\"city\":\"Porto\",\"nacionality\":\"Portuguese\",\"country_id\":\"185\",\"birthdate\":\"1990-11-28T00:00:00.000Z\",\"birthdate_2\":\"1990-11-28T00:00:00.000Z\",\"telephone\":\"+351 916759170\",\"web\":\"https:\\/\\/cargocollective.com\\/filipemoreiraofficial\"}', '2020-05-04 23:46:20', '2020-05-04 23:46:20'),
(1619, 'iDrqJT5DaZ9dpDs6', '{\"uid\":\"iDrqJT5DaZ9dpDs6\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"BAMBAS\",\"summary\":\"Neste ensaio fotogr\\u00e1fico, quero mostrar de forma direta as situa\\u00e7\\u00f5es de alguns pretos que vivem em nosso pa\\u00eds. O olhar da crian\\u00e7a simples, mas de personalidade forte; o semblante da mulher negra cansada de uma vida de luta; os jovens cheios de garra mostrando suas posses, suas conquistas - que para muitos n\\u00e3o \\u00e9 nada! Mas quem nasceu marcado em uma terra de desigualdade sabe o que passou para ter o seu respeito!\\nAs fotos foram feitas de forma direta, sempre estive muito inserido em todas as cenas, pois sou um deles! Retrato as marcas da vida, a posi\\u00e7\\u00e3o firme apesar do cansa\\u00e7o de seus protagonistas - a briga para conquistar o m\\u00ednimo cansa, mas ainda temos for\\u00e7a. As m\\u00e1scaras que \\u00e0s vezes tentam esconder algumas cicatrizes internas.\\nAqui no Brasil somos milh\\u00f5es que lidam com a realidade chamada preconceito. Por\\u00e9m, seguimos com a for\\u00e7a e a sapi\\u00eancia que s\\u00f3 cabem a quem sabe de cor e salteado qu\\u00e3o dura pode ser a vida. Dizem que quem \\u00e9 rei n\\u00e3o perde a majestade. O mesmo vale para nossas crian\\u00e7as e mulheres, verdadeiras rainhas pretas. Apesar de toda a dor, seguimos na corda bamba da vida sem perder o sorriso, afinal somos da corte das ruas de terra, vielas e corti\\u00e7os. Somos bambas.\",\"space\":\"Informa\\u00e7\\u00f5es t\\u00e9cnicas de impress\\u00e3o e materiais utilizados: Impress\\u00e3o em papel fotogr\\u00e1fico (algod\\u00e3o) e moldura\\nDimens\\u00f5es precisas das obras (largura X altura): 60x45\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":20,\"names\":\"hudson rodrigues\",\"surname\":\"Rodrigues\",\"email\":\"hudsonrodrigues@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"271199787\",\"address\":\"Avenida Lins de Vasconcelos 2737 apartamento 3 - Vila Mariana\",\"city\":\"S\\u00e3o Paulo\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1981-02-13T03:00:00.000Z\",\"birthdate_2\":\"1981-02-13T03:00:00.000Z\",\"telephone\":\"55 11 959890324\",\"web\":\"https:\\/\\/www.instagram.com\\/hudrodrigues_\\/\"}', '2020-05-04 23:50:03', '2020-05-04 23:50:03'),
(1620, 'iDrqJT5DaZ9dpDs6', '{\"uid\":\"iDrqJT5DaZ9dpDs6\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"BAMBAS\",\"summary\":\"Neste ensaio fotogr\\u00e1fico, quero mostrar de forma direta as situa\\u00e7\\u00f5es de alguns pretos que vivem em nosso pa\\u00eds. O olhar da crian\\u00e7a simples, mas de personalidade forte; o semblante da mulher negra cansada de uma vida de luta; os jovens cheios de garra mostrando suas posses, suas conquistas - que para muitos n\\u00e3o \\u00e9 nada! Mas quem nasceu marcado em uma terra de desigualdade sabe o que passou para ter o seu respeito!\\nAs fotos foram feitas de forma direta, sempre estive muito inserido em todas as cenas, pois sou um deles! Retrato as marcas da vida, a posi\\u00e7\\u00e3o firme apesar do cansa\\u00e7o de seus protagonistas - a briga para conquistar o m\\u00ednimo cansa, mas ainda temos for\\u00e7a. As m\\u00e1scaras que \\u00e0s vezes tentam esconder algumas cicatrizes internas.\\nAqui no Brasil somos milh\\u00f5es que lidam com a realidade chamada preconceito. Por\\u00e9m, seguimos com a for\\u00e7a e a sapi\\u00eancia que s\\u00f3 cabem a quem sabe de cor e salteado qu\\u00e3o dura pode ser a vida. Dizem que quem \\u00e9 rei n\\u00e3o perde a majestade. O mesmo vale para nossas crian\\u00e7as e mulheres, verdadeiras rainhas pretas. Apesar de toda a dor, seguimos na corda bamba da vida sem perder o sorriso, afinal somos da corte das ruas de terra, vielas e corti\\u00e7os. Somos bambas.\",\"space\":\"Informa\\u00e7\\u00f5es t\\u00e9cnicas de impress\\u00e3o e materiais utilizados: Impress\\u00e3o em papel fotogr\\u00e1fico (algod\\u00e3o) e moldura\\nDimens\\u00f5es precisas das obras (largura X altura): 60x45\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":20,\"names\":\"hudson rodrigues\",\"surname\":\"Rodrigues\",\"email\":\"hudsonrodrigues@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"271199787\",\"address\":\"Avenida Lins de Vasconcelos 2737 apartamento 3 - Vila Mariana\",\"city\":\"S\\u00e3o Paulo\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1981-02-13T03:00:00.000Z\",\"birthdate_2\":\"1981-02-13T03:00:00.000Z\",\"telephone\":\"55 11 959890324\",\"web\":\"https:\\/\\/www.instagram.com\\/hudrodrigues_\\/\"}', '2020-05-04 23:50:03', '2020-05-04 23:50:03'),
(1621, 'fswvEdwfXZxJ7USP', '{\"uid\":\"fswvEdwfXZxJ7USP\",\"type\":\"artist\",\"tags\":[\"graphic\",\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Personas\",\"summary\":\"Producci\\u00f3n de ilustraciones y relatos sobre violencia de g\\u00e9nero\",\"space\":\"Sal\\u00f3n, dimensiones en total 1,5 mts aproximadamente, sobre pared\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":8,\"names\":\"Gabriela Alejandra\",\"surname\":\"Ferrari\",\"email\":\"gabrielaa.ferrari@yahoo.com.ar\",\"dni_type\":\"DNI\",\"dni\":\"30575528\",\"address\":\"Arist\\u00f3bulo del Valle y 32\",\"city\":\"Veronica\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1983-10-15T03:00:00.000Z\",\"birthdate_2\":\"1983-10-15T03:00:00.000Z\",\"telephone\":\"2215734510\",\"web\":\"@pormasarte\"}', '2020-05-05 00:28:23', '2020-05-05 00:28:23'),
(1622, 'NCXejBePnn6dfrqg', '{\"uid\":\"NCXejBePnn6dfrqg\",\"type\":\"artist\",\"tags\":[\"instalation\",\"videoinstallation\",\"public-space\",\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Patrimonio\",\"summary\":\"Un viaje exploratorio por el presente del patrimonio cultural de Am\\u00e9rica Latina.\",\"space\":\"Salas de cine, museos y espacios alternativos de proyecci\\u00f3n.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":\"Corteza\",\"video_link\":\"https:\\/\\/filmfreeway.com\\/PatrimonioFilm\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Mariano A\",\"surname\":\"Sosa\",\"email\":\"msosafilms@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"24917361\",\"address\":\"Mendoza, Argentina (5500)\",\"city\":\"Mendoza\",\"nacionality\":\"Argentina\",\"country_id\":\"44\",\"birthdate\":\"1975-10-17T23:00:00.000Z\",\"birthdate_2\":\"1975-10-17T23:00:00.000Z\",\"telephone\":\"+34621012331\",\"web\":\"N\\/A\",\"fileCount\":3}', '2020-05-05 00:32:17', '2020-05-05 00:32:17'),
(1623, 'xQHTI2UmhEQ2NGgo', '{\"uid\":\"xQHTI2UmhEQ2NGgo\",\"type\":\"artist\",\"tags\":[\"video\",\"videoinstallation\",\"public-space\"],\"group\":\"yes\",\"group_name\":\"Ciclos de Cine Cercano\",\"project_title\":\"Ellos\",\"summary\":\"Ellos es un proyecto audiovisual que recorre el viaje emocional de un j\\u00f3ven a cargo de cuidar por s\\u00ed solo a su madre enferma en un ambiente de encierro y reclusi\\u00f3n.\\nNuestra intenci\\u00f3n con este proyecto es promover una reflexi\\u00f3n y di\\u00e1logo sobre las emociones humanas bajo el confinamiento y las circunstancias adversas.\\nTrabajamos desde hace a\\u00f1os promoviendo al cine como veh\\u00edculo de formaci\\u00f3n y desarrollo social hemos realizado proyectos en pa\\u00edses como Argentina, Chile, Colombia, Espa\\u00f1a y el Reino Unido.\\nEste proyecto en particular ha sido seleccionado y competido por galardones internacionales en eventos y festivales de pa\\u00edses como Argentina, Chile y M\\u00e9xico.\\nValorar\\u00edamos inmensamente la posibilidad de compartir el proyecto en un entorno tan acorde como el de BIENALSUR por la importancia y relevancia actual de la tem\\u00e1tica de nuestro film y su relaci\\u00f3n directa con los objetivos y contexto en los que se desarrolla su actividad.\",\"space\":\"Salas de cine, museos, espacios culturales, universidades, salas y sedes alternativas de proyecci\\u00f3n.\",\"artists_proposal\":null,\"members\":[{\"names\":\"Mariano Andr\\u00e9s\",\"surname\":\"Sosa Martini\",\"email\":\"cicloscinecercano@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"24917361\",\"address\":\"Luj\\u00e1n de Cuyo\",\"city\":\"Mendoza\",\"nacionality\":\"Argentina\",\"country_id\":\"71\",\"birthdate\":\"1975-10-17T23:00:00.000Z\",\"birthdate_2\":\"1975-10-17T23:00:00.000Z\",\"telephone\":\"+34621012331\",\"web\":null},{\"names\":\"Mart\\u00edn\",\"surname\":\"Maillos\",\"email\":\"martindfmaillos@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"24681611\",\"address\":\"Godoy Cruz\",\"city\":\"Mendoza\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1975-11-04T23:00:00.000Z\",\"birthdate_2\":\"1975-11-04T23:00:00.000Z\",\"telephone\":\"+54 9 261 374-1101\",\"web\":null}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":\"Valparaiso\",\"video_link\":\"https:\\/\\/filmfreeway.com\\/1333495\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":1,\"names\":\"Christine\",\"surname\":\"Bouquin\",\"email\":\"kikibouquin@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"18DK20168\",\"address\":\"Segovia\",\"city\":\"Segovia\",\"nacionality\":\"Francia\",\"country_id\":\"71\",\"birthdate\":\"1975-03-06T23:00:00.000Z\",\"birthdate_2\":\"1975-03-06T23:00:00.000Z\",\"telephone\":\"+34621012320\",\"web\":null}', '2020-05-05 00:53:49', '2020-05-05 00:53:49'),
(1624, 'tIiSCIROEQ0VW3ZU', '{\"uid\":\"tIiSCIROEQ0VW3ZU\",\"type\":\"artist\",\"tags\":[\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"La llegada inconclusa\",\"summary\":\"La llegada inconclusa es un videoarte de 39\'28\' minutos donde la voz de venezolanos en la di\\u00e1spora, evocan el viaje a Venezuela que el viajero ingl\\u00e9s James Mudie Spence realiz\\u00f3 en febrero de 1871 y que registr\\u00f3 en su diario The land of Bolivar: Or War, peace, and adventure in the Republic of Venezuela. El relato fragmentado fue entregado a investigadores, artistas visuales, fot\\u00f3grafos y escritores, quienes desde diferentes partes del mundo grabaron la lectura del texto asignado en notas de voz. La cantidad de lectores corresponde al n\\u00famero de p\\u00e1rrafos del primer cap\\u00edtulo, un total de 43 audios recibidos a trav\\u00e9s de WhatsApp, Facebook, Instagram y correo electr\\u00f3nico.\\n\\nLa idea del viaje ha estado muy presente en la historia reciente de Venezuela, siendo la emigraci\\u00f3n venezolana la m\\u00e1s grande de la regi\\u00f3n en el \\u00faltimo siglo. En La llegada inconclusa se aborda esta problem\\u00e1tica a trav\\u00e9s de la lectura del testimonio de este viajero, creando conexiones entre un momento hist\\u00f3rico donde el pa\\u00eds sal\\u00eda de la guerra civil y parec\\u00eda abrirse hacia el futuro, frente a los dif\\u00edciles momentos que transitamos actualmente. Adem\\u00e1s de crear nuevas lecturas sobre el desplazamiento de venezolanos y la situaci\\u00f3n pol\\u00edtica en Venezuela, me interesa tambi\\u00e9n agruparlos en espacio y gestionar, simb\\u00f3licamente, su retorno al pa\\u00eds.\\n\\nPara BIENALSUR mostrar\\u00e9 una segunda versi\\u00f3n con correcciones de audio y texto, eliminando la primera parte donde describo el proyecto para comenzar con las narraciones.\",\"space\":\"Para la proyecci\\u00f3n es necesario un cuarto oscuro, un video beam con puerto USB y un equipo de sonido. Tambi\\u00e9n un banco o varios puffs para tener donde sentarse. Me interesa crear una ambientaci\\u00f3n donde la gente se detenga y experimente el viaje.\\n\\nEste video fue mostrado por primera vez en Caracas, en La Hacienda La Trinidad-Parque Cultural, en una exposici\\u00f3n sobre los 250 a\\u00f1os del nacimiento de Alexander von Humboldt y su influencia en Am\\u00e9rica. All\\u00ed recibi\\u00f3 el Premio Goethe Institute 2019.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/360432208\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Manuel Eduardo\",\"surname\":\"Gonz\\u00e1lez\",\"email\":\"manuartes.m@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"126832019\",\"address\":\"Av. Presidente Medina, Edificio Stabia, Apartamento 16. Las Acacias, Caracas.\",\"city\":\"Caracas\",\"nacionality\":\"Venezolana\",\"country_id\":\"240\",\"birthdate\":\"1988-11-15T04:00:00.000Z\",\"birthdate_2\":\"1988-11-15T04:00:00.000Z\",\"telephone\":\"+584120907556\",\"web\":\"https:\\/\\/manueleduardogonzalez.blogspot.com \\/ @megonzalz\",\"fileCount\":11}', '2020-05-05 03:07:22', '2020-05-05 03:07:22'),
(1625, 'ZblRh1nkiMmxW2V5', '{\"uid\":\"ZblRh1nkiMmxW2V5\",\"type\":\"artist\",\"tags\":[\"painting\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"FAUSTO\",\"summary\":\"FAUSTO parte del concepto del mestizaje que hist\\u00f3ricamente no se ha alejado de las artes, esto se ve reflejado en la elaboraci\\u00f3n que hubo de retablos coloniales donde las deidades locales se camuflaron entre ritos cat\\u00f3licos, o en la realizaci\\u00f3n de pinturas a partir de grabados tra\\u00eddos en carpetas, as\\u00ed como el hallazgo de textos tales como los tratados de pintura de Leonardo da Vinci o Cenino Cellini ejecutados por manos indias.\\n\\nPlante\\u00f3 una obra donde se genera una relaci\\u00f3n visual entre el Fausto de Goethe y la cultura ind\\u00edgena local. Una puesta en escena donde se evidencian las fuertes tradiciones ancestrales permeadas por las migraciones europeas, tema recurrente a lo largo del libro, y que en mi b\\u00fasqueda personal a trav\\u00e9s de las culturas aut\\u00f3ctonas mesoamericanas, en especial las de la cuenca del amazonas, a las cuales me he venido aproximando he encontrado.\\n\\nFAUSTO apuesta a este sincretismo cultural que de alguna manera me define.\\nCuestiona la incidencia de las migraciones alemanas en nuestra cultura, su legado, como desde mi subjetividad las asimilo, y como movimientos de la arquitectura y el dise\\u00f1o alem\\u00e1n de gran importancia hist\\u00f3rica entre ellos la Bauhaus, inconscientemente se ven involucrados en mi trabajo formal como una est\\u00e9tica predom\\u00ednate.\\n\\nFausto estar\\u00e1 compuesto por 32 pinturas hechas con resina esgrafiada y pulida de apariencia minimalista, calculada, industrial y fr\\u00eda, que contendr\\u00e1 el sonido de manera visual.\",\"space\":\"Propongo el Goethe-Institut de la cuidad de Lima como el lugar mas acorde para albergar este proyecto. \\nSiendo Fausto, la obra m\\u00e1s famosa de Goethe, y teniendo en cuenta el papel que cumple el Goethe-Institut, desde hace m\\u00e1s de sesenta a\\u00f1os en Latinoam\\u00e9rica como interlocutor en la cultura, que mas all\\u00e1 de ejecutar una pol\\u00edtica exterior se reconoce como promotor cultural; se convierte este espacio en el escenario perfecto para enaltecer y reforzar el sentido de este proyecto.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Juan Carlos\",\"surname\":\"Delgado\",\"email\":\"consultor1@artsaat.com\",\"dni_type\":\"Otro\",\"dni\":\"cc 79589981\",\"address\":\"calle 79A  # 8-44 Apto 203\",\"city\":\"Bogot\\u00e1\",\"nacionality\":\"Colombiana\",\"country_id\":\"51\",\"birthdate\":\"1973-10-12T05:00:00.000Z\",\"birthdate_2\":\"1973-10-12T05:00:00.000Z\",\"telephone\":\"+57 315 8285180\",\"web\":null,\"fileCount\":12}', '2020-05-05 04:38:41', '2020-05-05 04:38:41'),
(1626, 'BUHAE1sBUkHetGRz', '{\"uid\":\"BUHAE1sBUkHetGRz\",\"type\":\"artist\",\"tags\":[\"sculpture\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Transforma\\u00e7\\u00e3o e Forma\",\"summary\":\"Meu trabalho \\u00e9 resultado da observa\\u00e7\\u00e3o de formas e estruturas da Natureza, representadas de forma subjetiva e muitas vezes parcial, sofrendo altera\\u00e7\\u00f5es segundo o meu olhar interior.  A cor entra apenas como acabamento est\\u00e9tico. Utilizo a modelagem e a transforma\\u00e7\\u00e3o do papel atrav\\u00e9s de t\\u00e9cnicas muito pessoais, associado a uma cola vegetal desenvolvida e adaptada por mim, resultando em obras\\/objetos r\\u00edgidos e resistentes tal como a madeira que deu origem ao papel. A escolha desse material tem ra\\u00edzes na minha hist\\u00f3ria de vida em que me utilizava do que tinha \\u00e0 m\\u00e3o pra fazer minha arte e geralmente materiais descartados ou encontrados na Natureza. O papel me oferecia maior versatilidade. Tenho muita liga\\u00e7\\u00e3o com a materialidade, com a transforma\\u00e7\\u00e3o da mat\\u00e9ria, assumindo uma nova  funcionalidade   em obras com forma, volume, resist\\u00eancia e  diferente est\\u00e9tica. As dimens\\u00f5es das obras est\\u00e3o em cada foto enviada.\",\"space\":\"Meus trabalhos devem ser expostos pendurados em parede de qualquer material resistente para fixar o gancho ou parafuso de sustenta\\u00e7\\u00e3o e suportar o peso da obra( + - 10 kg)  e em cor contrastante com meus trabalhos, preferencialmente branca. Uma largura de 2,5 m e altura de 3 m j\\u00e1 s\\u00e3o suficientes pra expor uma obra.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":\"https:\\/\\/drive.google.com\\/folderview?id=1-N2nsrVQYutntsM8utBojLWByj2iYhJ3\",\"images_link\":\"https:\\/\\/drive.google.com\\/folderview?id=1-N2nsrVQYutntsM8utBojLWByj2iYhJ3\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":10,\"names\":\"Andr\\u00e9\",\"surname\":\"Souto\",\"email\":\"andresouto497@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"07751576-5\",\"address\":\"Rua Alberto Pasqualini,221, Pechincha, Jacarepagu\\u00e1\",\"city\":\"Rio de Janeiro\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1968-01-16T02:00:00.000Z\",\"birthdate_2\":\"1968-01-16T02:00:00.000Z\",\"telephone\":\"0055(21)96412-2118\",\"web\":\"https:\\/\\/instagram.com\\/andresoutoarte?igshid=xlhlrmhxebxp\"}', '2020-05-05 04:43:55', '2020-05-05 04:43:55'),
(1627, 'lliYRbYUsSa2IvXJ', '{\"uid\":\"lliYRbYUsSa2IvXJ\",\"type\":\"artist\",\"tags\":[\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Las Metamorfosis\",\"summary\":\"El proyecto consiste en releer los mitos cl\\u00e1sicos y las formas en las que fueron representados a lo largo de la historia del arte, en particular interesan tres ejes: el rol de las mujeres, el ejercicio del poder y el deseo. Calisto, Medusa, Venus, Zeus, son algunos de los personajes mediante los cuales problematizar situaciones desde una mirada actual que nos permitan releer estas historias. \\nPara el desarrollo de las im\\u00e1genes parto de obras cl\\u00e1sicas y fotograf\\u00edas, las cuales modifico y al final incorporo un texto.\\nEste proyecto se desarrolla en dos carriles: el espacio publico, edificios que sobresalen del paisaje urbano, y las redes sociales. La presentaci\\u00f3n de las obras se realiza mediante las redes sociales y utilizando el recurso del montaje sobre capturas del street view de google. El desarrollo en las redes no responde solo a una cuesti\\u00f3n de difusi\\u00f3n sino a entender al espacio virtual, en especial en un contexto atravesado por el confinamiento por la pandemia de covid-19, funcionan como extensi\\u00f3n de lo real y como espacio de encuentro.\\nEl proyecto contempla la intervenci\\u00f3n en el espacio real de los edificios, proyectando en algunos casos y pintando en otros y transmitiendo en vivo la acci\\u00f3n.\\nFinalmente lo que busco es que el acercamiento a los mitos cl\\u00e1sicos nos sirvan para ver con otro ojos nuestra \\u00e9poca y que pensemos si los lujos, excesos y caprichos de los dioses son solo literatura o la caracter\\u00edstica de aquellos que est\\u00e1n en el ejercicio del poder.\",\"space\":\"Este proyecto es desarrollable en cualquier ciudad que disponga de edificaciones. Es recomendable la presentaci\\u00f3n de los textos junto a las im\\u00e1genes. Para la presentaci\\u00f3n en espacios cerrados se propone que la presentaci\\u00f3n sea mediante proyecci\\u00f3n de la imagen sobre la pared directo con el texto cerca acompa\\u00f1ando.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.instagram.com\\/damianbarbarito\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":6,\"names\":\"Damian Ariel\",\"surname\":\"Barbarito\",\"email\":\"barbarito.damian@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"33149231\",\"address\":\"belelli 125\",\"city\":\"Lomas de Zamora\",\"nacionality\":\"Argentino\",\"country_id\":\"9\",\"birthdate\":\"1987-05-20T03:00:00.000Z\",\"birthdate_2\":\"1987-05-20T03:00:00.000Z\",\"telephone\":\"1121874882\",\"web\":\"https:\\/\\/www.facebook.com\\/muralismo.itinerante\"}', '2020-05-05 09:19:16', '2020-05-05 09:19:16'),
(1628, 'iKey5rbb5K6sfU92', '{\"uid\":\"iKey5rbb5K6sfU92\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"INTRO-Egg Xp\\u00e9rience\",\"summary\":\"INTRO-Egg Xp\\u00e9rience \\n\\nThe after in the future\\nThis project takes the form of an initiatory journey, it offers the public a framework favouring a state of meditation, of perception of one\'s substantial identity and therefore of introspection. \\nAn intimate, confined and uterine space, where I propose to assist the public in questioning its inner self. The public invests a space of reflection and its posture \\\"to be thinking and meditating the world\\\"; Cogito, ergo sum. Thanks to this device, which plunges the audience into the heart of itself, changes in perception are modified, new issues in various fields open up to them.\\nThis work questions the mind\\/body relationship, the \'cocoon\' aspect, like a spinning approach in phase with our own reality, plunging into the heart of his impressions, feeling his perception, confronting his fragility. In this closed atmosphere, imperceptible from the outside, everything is thought out in such a way as to allow us to abandon ourselves. A virtual reality helmet diffuses intra uterine images, they will plunge \'the explorer\' into total immersion by influencing his brain with a new database and promote the state of regressive exploration \'a turnkey experience\' of a programmed rebirth. INTRO-Egg Xperience opens up new perspectives for reflection on the diversity of our life experiences. At the end of the visit, the visitor writes down his impressions, a database is born, a trace of his passage.\",\"space\":\"Artist: \\\"A\\u00efda\\\" Patricia Schweitzer\\nNew project carried out for the Open Call BIENALESUR 2021\\nTitle of the work : INTRO-Egg Xp\\u00e9rience \\nInstallation, 2020\\nwood, polyurethane foam, linen fabric, Virtual Reality Headset\\n2,5 m high by 2.5 m wide and 3 m deep (variable dimensions) \\nWeight: 80KG (variable)\\nActual value of the work: 10000 euros\\nThe installation will be carried out on site, it can be installed in situ, the choice of materials can be adapted accordingly\\nThanks to the selection committee\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Patricia A\\u00efda\",\"surname\":\"Schweitzer\",\"email\":\"courantdhair@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"15AR99400\",\"address\":\"39 rue Gioacchino Rossini\",\"city\":\"Luxembourg\",\"nacionality\":\"French\",\"country_id\":\"136\",\"birthdate\":\"1968-11-09T23:00:00.000Z\",\"birthdate_2\":\"1968-11-09T23:00:00.000Z\",\"telephone\":\"00352621794462\",\"web\":\"www.aidaschweitzer.com\",\"fileCount\":4}', '2020-05-05 11:14:42', '2020-05-05 11:14:42'),
(1629, 'E30lZdoCHHwwV7Rt', '{\"uid\":\"E30lZdoCHHwwV7Rt\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Los Distractor\",\"summary\":\"The present project focuses on two main themes: the myth of romantic love and how it is interpreted and received unconsciously in our reality, and the use of art as a mechanism for changing our beliefs and therefore our reality through the methodologies of art therapy and psychomagic. The myth of romantic love is taken as a problem and the creation of art is taken as a mechanism for solving the problem. \\n\\nThis artistic project is presented as a visual essay on the concept of romantic love by depicting portraits of the men she once fell in love with throughout her lifetime. It is a 12-piece collection of textile wall hangers which translate the artists past relationships into symbols which carry a certain energy in order to start a communication stream between the conscious and the unconscious in order to change the current conception of couple love on individual, social and cultural levels. \\\"Los Distractor\\\" (\\u201cLos\\u201d is the Spanish word for \\\"The\\\" and \\\"Distractor\\\" is the English word for \\\"distractor\\\") is the name given by the artist to this group of  men stating that they all have one thing in common and that is that they all served as distractions; all of these love stories were full of fantasy, expectation and idealization, keeping the individuals involved away from possible real love. \\n\\n(In Process)\\n\\nMATERIALS: Cotton canvas, cotton thread, acrylic paint.\\nTECHNIQUES: Hand painted Illustrations and embroidery on fabric.\\nSIZE: Different sizes (From 180x180cm to 80x80cm).\",\"space\":\"The exhibiting place should be an indoor facility, if possible, with natural light. Because all the pieces have a natural color textile \\u201cframe\\u201d, the background walls should be painted in colors for them to stand out. This will generate great visual impacts as well as help show all the pieces as a unity. Because each of the pieces has a lot of visual information, it is suggested that each piece is displayed on one wall or baring a reasonable distance from each other.  (Sample pictures below)\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Ines\",\"surname\":\"Agresta\",\"email\":\"inesagresta@hotmail.com\",\"dni_type\":\"CI\",\"dni\":\"4778764-1\",\"address\":\"1004, block C, Jiaotong University Main Campus, Beixiaguan street, Haidian District\",\"city\":\"Beijing\",\"nacionality\":\"Uruguaya\",\"country_id\":\"45\",\"birthdate\":\"1988-12-07T23:00:00.000Z\",\"birthdate_2\":\"1988-12-07T23:00:00.000Z\",\"telephone\":\"(+86) 15010287213\",\"web\":\"www.instagram.com\\/ineagresta\\/\",\"fileCount\":33}', '2020-05-05 12:22:20', '2020-05-05 12:22:20'),
(1630, 'E7iiVp76fsJxam3N', '{\"uid\":\"E7iiVp76fsJxam3N\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"\\\"PERCEPTOS\\\"\",\"summary\":\"El proyecto se denomina \\\"PERCEPTOS\\\" , conceptualmente basado en Gille Deleuze, quien aborda la diferencia entre percepci\\u00f3n y perceptos\\nTal instalaci\\u00f3n  esta conformada por cinco cortinas de ba\\u00f1o transparentes intervenidas con pintura asf\\u00e1ltica. son 5  im\\u00e1genes, una en cada cortina, son cuerpos  que se hacen presentes de alg\\u00fan modo bajo esa capa materia chorreante de la pintura  asf\\u00e1ltica\\nSon cuerpos que se revelan , en el cual el observador como sujeto hist\\u00f3rico conceptual puede darle el sentido que su imaginario y percepto fabrique.\\nTanto la vida como estas im\\u00e1genes  de alguna manera problematizan e interpelan al tiempo presente,que las percepciones y las afecciones resuenan y nos hablan en un cuerpo  nos habla en las palabras que \\\"nosotros encarnamos\\\"\",\"space\":\"son cinco cortinas de 0,90 de base x 2,00 de alto\\nse disponen colgadas en un espacio de 5,00 mts lineales \\ncada una es una cortina de hule transparente \\nse cuelgan desde el techo con una varilla de ca\\u00f1o de 5,00 mts\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":1,\"names\":\"Ester Alejandra\",\"surname\":\"Crescenzo\",\"email\":\"Aleinvestigaciones@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"23614347\",\"address\":\"Goya 162\",\"city\":\"Ciudad de Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1973-11-28T03:00:00.000Z\",\"birthdate_2\":\"1973-11-28T03:00:00.000Z\",\"telephone\":\"1166621604\",\"web\":\"instagram alejandracrescenzo\"}', '2020-05-05 14:19:55', '2020-05-05 14:19:55'),
(1631, 'LryAEErdfgQ4tVWp', '{\"uid\":\"LryAEErdfgQ4tVWp\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"\\u0394romos\",\"summary\":\"The concept for the installation arose during discussions with the residents of the neighbouring B\' of Thessaloniki, a neglected district of the town, and in the context of the collective performative work Truly Yours. More specifically, the work \\u0394romos was an act of restoring the unfulfilled expectations of the residents regarding the opening of a road - and with it, an exit to the port, by depicting a virtual road as lighting installation.\",\"space\":\"A narrow space of 19mx25m long. Thin tree branches should be spread around the space and be mostly placed underneath the light installation. Led cable connecting the two ends of the space in a going upward direction from the front side to the back forming a triangle. White or blue led cable is used for the outlines of the road and a led tape of moving light like drops is used for the middle line of the road.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/OhfLgy-yQAc\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"FOTEINI\",\"surname\":\"DIVANOGLOU\",\"email\":\"divanoglouf@yahoo.gr\",\"dni_type\":\"DNI\",\"dni\":\"AK871347\",\"address\":\"53 NIKIS STR ILIOUPOLIS\",\"city\":\"THESSALONIKI\",\"nacionality\":\"GREEK\",\"country_id\":\"91\",\"birthdate\":\"1980-10-29T22:00:00.000Z\",\"birthdate_2\":\"1980-10-29T22:00:00.000Z\",\"telephone\":\"+30 6951632693\",\"web\":null}', '2020-05-05 14:37:47', '2020-05-05 14:37:47'),
(1632, 'uy1kNkiVMzk79qwa', '{\"uid\":\"uy1kNkiVMzk79qwa\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Luzes do mundo\",\"summary\":\"Esse formulario ta estranho. a lista de paises esta em branco, ent\\u00e3o cliquei qualquer um e tipo de projeto tb. \\nEnt\\u00e3o sou do Brasil e seria um projeto de pintura. Exposi\\u00e7\\u00e3o de quadros em pintura acrilica.\",\"space\":\"Uma sala escura com foco de luz no quadros.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Fe\",\"surname\":\"Motta\",\"email\":\"feguitarraleao@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"239100670\",\"address\":\"Rua Bas\\u00edlio da Cunha, 210\",\"city\":\"S\\u00e3o Paulo\",\"nacionality\":\"Brasileira\",\"country_id\":\"12\",\"birthdate\":\"1974-12-29T03:00:00.000Z\",\"birthdate_2\":\"1974-12-29T03:00:00.000Z\",\"telephone\":\"55 11 945597000\",\"web\":null,\"fileCount\":4}', '2020-05-05 17:53:51', '2020-05-05 17:53:51'),
(1633, 'RZSXnhUO3D5TTFAq', '{\"uid\":\"RZSXnhUO3D5TTFAq\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"yes\",\"group_name\":\"Ayame-Diaz\",\"project_title\":\"El tiempo, ese otro laberinto, fotograf\\u00edas anal\\u00f3gicas\",\"summary\":\"Decidimos desde  2018 una conversaci\\u00f3n visual y emocional  con recursos de otro tiempo. Nuestras fotos funcionan en grupo,  se leen en conjunto, en una serie. Esto tiene que ver con salidas sin plan espec\\u00edfico acompa\\u00f1ado de nuestras c\\u00e1maras, esa vieja c\\u00e1mara que hasta su propio peso hace que sea no una herramienta, sino una compa\\u00f1era. ser\\u00e1n en ese conjunto un registro de otro viaje, es sin dudas un plan. La inminencia de una revelaci\\u00f3n que no se produce, es quiz\\u00e1, el hecho est\\u00e9tico. Abordamos una b\\u00fasqueda yendo de lo general a lo particular y en su proceso se abre a lo experimental. Empleando  rollos de cine, rollos vencidos, superponiendo im\\u00e1genes con la idea constructiva de una nueva imagen, en una pelea (perdida desde el comienzo) de contraponerse a la tecnolog\\u00eda. Ambos coincidimos  de tomar el riesgo por lo anal\\u00f3gico en el v\\u00e9rtigo y el romanticismo y en la necesidad imperativa y a la vez casi ingenua de olvidar lo aprendido.\\nContar nuestro camino que nos uni\\u00f3 en La Rioja, nuestro espacio con una mirada del interior de Argentina entre dos amigos que crecieron rodeados de cerros y silencios.\",\"space\":\"14 (doce)  fotograf\\u00edas anal\\u00f3gicas impresas de tama\\u00f1o 42 x 33 cm (en estas medidas est\\u00e1n incluida el marco de maderas) . Las misma pueden ser montadas en una pared que permita encajar un soporte fuerte para colgar las fotograf\\u00edas con una iluminaci\\u00f3n de que permite visualizarla sin incidir con molestia en la misma. Las 14 fotograf\\u00edas funcionan con un dialogo entre si , que est\\u00e1n sugeridos en el dorso de cada fotograf\\u00eda.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":10,\"names\":\"Diego\",\"surname\":\"Diaz\",\"email\":\"diegoframe77@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"26290577\",\"address\":\"Hipolito Irigoyen 250\",\"city\":\"La Rioja\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1977-11-24T03:00:00.000Z\",\"birthdate_2\":\"1977-11-24T03:00:00.000Z\",\"telephone\":\"3804259000\",\"web\":\"https:\\/\\/lavidainframe.tumblr.com\\/\"}', '2020-05-05 20:27:05', '2020-05-05 20:27:05'),
(1634, 'qKtz0LrIEDeCUBJE', '{\"uid\":\"qKtz0LrIEDeCUBJE\",\"type\":\"artist\",\"tags\":[\"object\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Spirit: Motivational Object\",\"summary\":\"The objective of this project is to find a way to process information in more personal experience, considering the era of the Internet and the Internet of Things (IoT) and the connection between the digital and real-world through motivational messages. It is focused on an object that will motivate people with their daily tasks, re-framing their state of mind on a shareable self-intrinsic motivation by related people and new relationships. The project relies on the relationship between objects and cued memories \\u2014 this can be an elucidating trade-off for encountering and re-evaluating personal disposition towards an environment, objects, and their related memories. Since this evaluative process happens in the mind, the project aims to develop a method showing it in a device. The project consists of an object that aims to improve adherence by giving reminders and helping people or patients to keep track of their mental state and most important daily motivations, by exchanging messages between a restrictive group of people. The disproportional information of IoT in comparison with what it was needed in the real world and having an app that could have a richer emotional state and life satisfaction to people. Overall the objective of this object is to develop a good emotional investment in social media having a source of deeper connection if used. Social media have a crucial role in the way to connect people far and close to share goals, visions, and influences.\",\"space\":\"Hi. I was envisioning in a square black table with a low soft white light towards the object. The object has light itself but it needs some shadow like the poster\\/image I uploaded. Because it is a graphic object. The object has 5.5inches of height, 10 inches of length, and 2.7 inches of width. And for last a power plug underneath the table for I can enlighten the object.\\n\\nThank You\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":4,\"names\":\"Alexandra\",\"surname\":\"Freitas\",\"email\":\"alexandrafr3itas@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"14229467\",\"address\":\"Caminho do Gale\\u00e3o n\\u00ba8, 9020-085\",\"city\":\"Funchal\",\"nacionality\":\"Portuguese\",\"country_id\":\"185\",\"birthdate\":\"1995-05-21T22:00:00.000Z\",\"birthdate_2\":\"1995-05-21T22:00:00.000Z\",\"telephone\":\"967760605\",\"web\":\"https:\\/\\/yellow-room.firebaseapp.com\\/\"}', '2020-05-05 20:29:03', '2020-05-05 20:29:03');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1635, 'qKtz0LrIEDeCUBJE', '{\"uid\":\"qKtz0LrIEDeCUBJE\",\"type\":\"artist\",\"tags\":[\"object\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Spirit: Motivational Object\",\"summary\":\"The objective of this project is to find a way to process information in more personal experience, considering the era of the Internet and the Internet of Things (IoT) and the connection between the digital and real-world through motivational messages. It is focused on an object that will motivate people with their daily tasks, re-framing their state of mind on a shareable self-intrinsic motivation by related people and new relationships. The project relies on the relationship between objects and cued memories \\u2014 this can be an elucidating trade-off for encountering and re-evaluating personal disposition towards an environment, objects, and their related memories. Since this evaluative process happens in the mind, the project aims to develop a method showing it in a device. The project consists of an object that aims to improve adherence by giving reminders and helping people or patients to keep track of their mental state and most important daily motivations, by exchanging messages between a restrictive group of people. The disproportional information of IoT in comparison with what it was needed in the real world and having an app that could have a richer emotional state and life satisfaction to people. Overall the objective of this object is to develop a good emotional investment in social media having a source of deeper connection if used. Social media have a crucial role in the way to connect people far and close to share goals, visions, and influences.\",\"space\":\"Hi. I was envisioning in a square black table with a low soft white light towards the object. The object has light itself but it needs some shadow like the poster\\/image I uploaded. Because it is a graphic object. The object has 5.5inches of height, 10 inches of length, and 2.7 inches of width. And for last a power plug underneath the table for I can enlighten the object.\\n\\nThank You\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":4,\"names\":\"Alexandra\",\"surname\":\"Freitas\",\"email\":\"alexandrafr3itas@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"14229467\",\"address\":\"Caminho do Gale\\u00e3o n\\u00ba8, 9020-085\",\"city\":\"Funchal\",\"nacionality\":\"Portuguese\",\"country_id\":\"185\",\"birthdate\":\"1995-05-21T22:00:00.000Z\",\"birthdate_2\":\"1995-05-21T22:00:00.000Z\",\"telephone\":\"967760605\",\"web\":\"https:\\/\\/yellow-room.firebaseapp.com\\/\"}', '2020-05-05 20:29:03', '2020-05-05 20:29:03'),
(1636, 'fnnyKb5tn4SS8VXh', '{\"uid\":\"fnnyKb5tn4SS8VXh\",\"type\":\"artist\",\"tags\":[\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Defeaning Utopia\",\"summary\":\"Formed of an arrangement of shots and sounds, and citing different cinematographic, musical and poetic works, this visual and sound work looks at the presence and influence that birds have had in the past, and continue to have for many civilizations of all time, all over the world. Located in urban space, the emphasis is on their acoustic presence, and on the silence that follows the disappearance of different species. This work tackles environmental issues while questioning the classical claim of the supremacy of the human species over animals.\",\"space\":\"The video is thought to be screened in a separated space, with speakers\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":\"DU\",\"video_link\":\"https:\\/\\/vimeo.com\\/309719421\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":2,\"names\":\"Daphne\",\"surname\":\"Keramidas\",\"email\":\"info@daphnekeramidas.com\",\"dni_type\":\"DNI\",\"dni\":\"AZ 234081\",\"address\":\"Evgeniou Karavia 68, 11144\",\"city\":\"Athina\",\"nacionality\":\"Greek\",\"country_id\":\"91\",\"birthdate\":\"1977-05-18T22:00:00.000Z\",\"birthdate_2\":\"1977-05-18T22:00:00.000Z\",\"telephone\":\"+302102280065\",\"web\":\"www.daphnekeramidas.com\"}', '2020-05-05 21:09:52', '2020-05-05 21:09:52'),
(1637, 'PqseunZPrFihSRP6', '{\"uid\":\"PqseunZPrFihSRP6\",\"type\":\"artist\",\"tags\":[\"instalation\",\"graphic\",\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Sobre las Ruinas\",\"summary\":\"La intervenci\\u00f3n consiste en la introducci\\u00f3n de dibujos en gran formato como narraciones gr\\u00e1ficas que desde una visi\\u00f3n emotiva frente a la potencialidad de la naturaleza funcionar\\u00edan como ilustraciones de organismos naturales vegetales en crecida constante sobre los lugares en ruinas en los que el paso del tiempo, el abandono y lo humano dejan como permanente esta realidad, este sentimiento frente a lo que ha sido. Decido mostrar una naturaleza avanzando sobre estas locaciones tomando al abandono como una experiencia propia del tiempo contempor\\u00e1neo. La posibilidad de re-significar, de dar vida. Lo que se desdibujaba en el olvido, tiene un brote, una emergencia que difiere siempre de si misma, de los elementos que lo componen.\\nLas motivaciones que me llevan a realizar esta obra tienen que ver con el se\\u00f1alamiento, con volver evidente lo que ha sido. Elijo los lugares destruidos para intentar mostrar el paso del tiempo para generar en el espectador una visi\\u00f3n sensible, emotiva y nost\\u00e1lgica. La intenci\\u00f3n de representar e incorporar desde lo fant\\u00e1stico una naturaleza que resurge y transforma la ruina es porque quiero hacer visible la permanencia - a trav\\u00e9s de una voluntad creadora, existir en el futuro - y la belleza primordial de la naturaleza adem\\u00e1s de su fuerza transformadora. Quiero oponer lo est\\u00e1tico como es este monumento del pasado a la \\u201ccrecida constante\\u201d como movimiento, transformaci\\u00f3n, la vida vegetal explorando las formas de los recuerdos.\",\"space\":\"Los lugares elegidos para la realizaci\\u00f3n de esta intervenci\\u00f3n se basan en la elecci\\u00f3n de espacios que hayan sido v\\u00edctimas del paso del tiempo, el abandono, la destrucci\\u00f3n. Pueden ser fachadas de edificios como interiores. Se van a instalar gigantograf\\u00edas de dibujos sobre el espacio; la adaptaci\\u00f3n va a depender del lugar elegido. \\nCreo que los lugares apropiados serian las fabricas abandonadas del sur de la provincia de Buenos Aires, como Avellaneda o el sur de la Ciudad de Buenos Aires.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/aq_cs9gKlUI\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":7,\"names\":\"Gabriela\",\"surname\":\"Demichelis\",\"email\":\"gabychaucha@hotmail.com\",\"dni_type\":\"DNI\",\"dni\":\"31376342\",\"address\":\"AV. JUAN BAUTISTA ALBERDI 23\",\"city\":\"Capital Federal\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1985-01-30T03:00:00.000Z\",\"birthdate_2\":\"1985-01-30T03:00:00.000Z\",\"telephone\":\"01161805872\",\"web\":\"https:\\/\\/gabrielademichelis.tumblr.com\\/\"}', '2020-05-05 21:48:42', '2020-05-05 21:48:42'),
(1638, 'QO8Uf0PE3i2FkU4w', '{\"uid\":\"QO8Uf0PE3i2FkU4w\",\"type\":\"artist\",\"tags\":[\"painting\",\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Layers - Decoded Lives\",\"summary\":\"Layers is a project about the process of personal maturity. About the perception of how experiences over a lifetime act as layers, conceiving in each cycle a new version of ourselves.\\nLayers is what we cannot forget, suppress, because it has already solidified. But it is also the new, which defines us. The energy that overlaps as a layer, which we are no longer.\\n\\nIMPORTANT: Layers canvas is under production faced its a Ouctober Y19 project.\",\"space\":\"Layers is based on 18 canvas and a audiovisual presentation and fits to small expositions areas in art spaces, museums, public transportation hall areas (train and metro stations).\\nIts can be fitted in an area of 80 m2 or larger.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.instagram.com\\/thejackthings_\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":0,\"names\":\"Jackson\",\"surname\":\"Carvalho\",\"email\":\"thejackthings@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"FO274902\",\"address\":\"Rua Nicola Rollo, 26 - Ap 74B\",\"city\":\"Sao Paulo\",\"nacionality\":\"Brazilian\",\"country_id\":\"34\",\"birthdate\":\"1969-07-30T03:00:00.000Z\",\"birthdate_2\":\"1969-07-30T03:00:00.000Z\",\"telephone\":\"+55 11 99780 1430\",\"web\":\"thejackthings_ (instagram)\"}', '2020-05-05 22:57:47', '2020-05-05 22:57:47'),
(1639, 'sg7CpwNFcrRBkzSM', '{\"uid\":\"sg7CpwNFcrRBkzSM\",\"type\":\"artist\",\"tags\":[\"action\",\"public-space\"],\"group\":\"yes\",\"group_name\":\"DEFREN\\u00c9TICAS\",\"project_title\":\"LETRA CAPITAL\",\"summary\":\"Un recorrido urbano que propone un cambio en la forma de mirada de los espacios transitados cotidianamente y conecta con la producci\\u00f3n. Esta obra es una invitaci\\u00f3n a descubrir el emocionante mundo de las letras urbanas lleno de inspiraci\\u00f3n, mitos y leyendas.\\n\\nA partir de un exhaustivo relevamiento de letrograf\\u00edas en las calles generamos recorridos por la ciudad de inter\\u00e9s patrimonial, urbano e hist\\u00f3rico. Redescubrimos huellas presentes en hitos, libros impresos, locales cl\\u00e1sicos, galer\\u00edas, se\\u00f1al\\u00e9tica y mobiliario urbano.\\n\\nEl objetivo es poner \\u00e9nfasis en esas marcas que son acervo de historia, de oficios del pasado, su cruce con materiales, t\\u00e9cnicas y modelos sociales, y que construyen nuevos discursos y est\\u00e1n presentes en el entramado social. En cada recorrido la memoria y la curiosidad entran en juego. Este proyecto permite profundizar y revalorizar parte de nuestra historia ya que exploramos las letras en el espacio y su conexi\\u00f3n con la identidad de la ciudad, su mitolog\\u00eda y sus barrios.\\n\\nSi bien lo arquitect\\u00f3nico tiene una presencia muy importante, en este tour nos centramos en las huellas gr\\u00e1ficas y su relaci\\u00f3n con lo urbano. Tambi\\u00e9n incluimos contenidos de la historia del libro, de la tipograf\\u00eda y de la reproducci\\u00f3n gr\\u00e1fica.\",\"space\":\"Presentamos para este evento el recorrido que conecta el Barrio de San Nicol\\u00e1s con San Telmo. Partimos desde la Librer\\u00eda del Colegio, recorremos 14 puntos, arribando en el final a la imprenta Papel Principal.\\n\\nRe-descubrir las letras urbanas, conectando con su historia particular y su relaci\\u00f3n con nuestra ciudad. La mirada propia de cada uno de los participantes revela nuevos tesoros y conexiones. Concluimos el tour generando una pieza grupal en letterpress, explorando este  apasionante oficio.\",\"artists_proposal\":null,\"members\":[{\"names\":\"MARIELA ROSA\",\"surname\":\"MONSALVE\",\"email\":\"marmonsalve@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"30887645\",\"address\":\"Gasc\\u00f3n 809\",\"city\":\"CABA\",\"nacionality\":\"ARGENTINA\",\"country_id\":\"9\",\"birthdate\":\"1984-04-04T03:00:00.000Z\",\"birthdate_2\":\"1984-04-04T03:00:00.000Z\",\"telephone\":\"+54 9 11 57549242\",\"web\":\"www.instagram.com\\/defreneticas\"}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"LUC\\u00cdA\",\"surname\":\"SOTO\",\"email\":\"sotolucia@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"29592963\",\"address\":\"VIRREY OLAGUER Y FELIU 3444 1ro A\",\"city\":\"CABA\",\"nacionality\":\"ARGENTINA\",\"country_id\":\"9\",\"birthdate\":\"1982-06-30T03:00:00.000Z\",\"birthdate_2\":\"1982-06-30T03:00:00.000Z\",\"telephone\":\"+54 9 11 58484052\",\"web\":\"WWW.DEFRENETICAS.COM\",\"fileCount\":8}', '2020-05-05 23:32:33', '2020-05-05 23:32:33'),
(1640, 'L1vqPXbU2bJ8FlLe', '{\"uid\":\"L1vqPXbU2bJ8FlLe\",\"type\":\"artist\",\"tags\":[\"photography\",\"video\",\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Sobrevida [About Life]\",\"summary\":\"\\\"Sobrevida\\\" is a series that relates the possibilities of resisting nature, both in the places where ecosystems are supposed to be \\\"preserved\\\", and in the small cracks of cities where - despite the cement - they insist on small miracles.\\nThis work seeks to relate situations where nature shows itself as strangeness, resistance, resilience, domestication and power. We are facing serial environmental crimes in Brazil. Public policies that refer us to the dictatorship period have been revisited. Amid world pacts for the preservation of the environment, much is discussed, but little is done to curb global warming. How long will we insist on an antagonistic look at our green areas? How long will lives be worth nothing? This is a question about the growing objectification of nature in the midst of a scenario of hyperactivity, environmental destruction, water scarcity and disrespect for human rights.The work began in 2017 in the Amazon, at the Adolpho Ducke Reserve of INPA (National Institute for Amazonian Research) during the artistic residence LABVERDE, in Anavilhanas National Park and in the city of Presidente Figueiredo, in Amazonas; in 2018 in the cities of Belo Horizonte, S\\u00e3o Paulo, Rio de Janeiro (Brazil) and Fort Lauderdale (USA) and in 2019 new works were done in the Atacama Desert (Chile), Chapada dos Veadeiros National Park (Goi\\u00e1s) and Brumadinho (Minas Gerais). Older archival images were incorporated into the series, such as those made in 2007 in Siem Riep, Cambodia.\",\"space\":\"The proposal can be adapted to the avaiable space and equipaments. I always use the exhibition space and it\'s surroundings as part of the installation. As an example, I send images of the 2 exhibitions where the series were presented: in 2018 at Mercedes Viegas Gallery in Rio de Janeiro, and in 2019 at Murilo Castro Gallery in Belo Horizonte, both Brazilian capitals. With more space I can work with videoinstallation (as seen at the second exhibition), with less space I can work with monitors.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/372776980\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/patriciagouvea.blogspot.com\\/2019\\/10\\/sobrevida-montagem-na-galeria-murilo.html\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":10,\"names\":\"Patricia\",\"surname\":\"Gouv\\u00eaa\",\"email\":\"info@patriciagouvea.com\",\"dni_type\":\"Other\",\"dni\":\"01800960794\",\"address\":\"Rua C\\u00e2ndido Gaffr\\u00e9e, 18\\/504 Urca, 15\",\"city\":\"Rio de Janeiro\",\"nacionality\":\"Brazilian\",\"country_id\":\"34\",\"birthdate\":\"1973-11-22T03:00:00.000Z\",\"birthdate_2\":\"1973-11-22T03:00:00.000Z\",\"telephone\":\"+5521988021942\",\"web\":\"www.patriciagouvea.com\"}', '2020-05-06 02:29:51', '2020-05-06 02:29:51'),
(1641, 'fHeGiFxbT66ZSIM2', '{\"uid\":\"fHeGiFxbT66ZSIM2\",\"type\":\"artist\",\"tags\":[\"public-space\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"CO YVY OR\\u00c9 RETAMA\",\"summary\":\"El proyecto CO YVY OR\\u00c9 ETAMA [Esta Tierra Es Nuestra en el idioma tup\\u00ed] es in\\u00e9dito. Una instalaci\\u00f3n art\\u00edstica totalmente producida por manos ind\\u00edgenas, con 14 postes de cer\\u00e1mica con gr\\u00e1ficos ind\\u00edgenas tallados, unidos entre s\\u00ed por cadenas tambi\\u00e9n producidas en cer\\u00e1mica. La instalaci\\u00f3n debe rodear el Monumento Gl\\u00f3ria Inmortal a los Fundadores de S\\u00e3o Paulo, ubicado en el P\\u00e1tio do Col\\u00e9gio, en el centro de S\\u00e3o Paulo. Las piezas de cer\\u00e1mica se producir\\u00e1n con porciones de tierra de la regi\\u00f3n de la entrada de la ciudad de S\\u00e3o Paulo, con 6 pueblos ind\\u00edgenas, y ha sido un territorio de disputa entre los ind\\u00edgenas y las empresas constructoras. El lugar de exhibici\\u00f3n para este trabajo es el mismo lugar donde los portugueses fundaron la ciudad de S\\u00e3o Paulo. Este lugar en la \\u00e9poca colonial estuvo habitado por varios pueblos ind\\u00edgenas, que se formaron muertos o tomados como esclavos, y de donde tambi\\u00e9n 5 senderos ind\\u00edgenas, uno de los cuales conect\\u00f3 S\\u00e3o Paulo con los Incas en Cuzco [Per\\u00fa]. El proyecto tambi\\u00e9n planea producir 5 banderas grandes, que se instalar\\u00e1n en la fachada de 4 museos de arte en S\\u00e3o Paulo con la pregunta \\\"... \\u00bfY d\\u00f3nde est\\u00e1n los indios?\\\" como quien contin\\u00faa la pregunta formulada por el Coletivo 3 de Fevereiro sobre la presencia de negros en los circuitos art\\u00edsticos y en todos los nichos de la sociedad brasile\\u00f1a. Aqu\\u00ed, la palabra \\\"negro\\\" se reemplaza por \\\"ind\\u00edgena\\\", y propone la misma pregunta sobre la presencia casi inexistente de ind\\u00edgenas en espacios culturales.\",\"space\":\"Instalaci\\u00f3n art\\u00edstica y la bandera: P\\u00e1tio do Col\\u00e9gio - Museu Anchieta | S\\u00e3o Paulo - SP - Brazil\\n\\n5 Banderas: \\n-P\\u00e1tio do Col\\u00e9gio - Museu Anchieta | S\\u00e3o Paulo; \\n-MASP [Museu de Arte de S\\u00e3o Paulo]; \\n-MAM SP [Museu de Arte Moderna de S\\u00e3o Paulo]; \\n-Pinacoteca de S\\u00e3o Paulo\\n-Centro Cultural S\\u00e3o Paulo\\n\\nPressupuesto total [producci\\u00f3n de la obra, montaje y desmontaje]: U$3,000 [dolares americanos] - U$1 = R$5,00 [real brasileiro]\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Andrey\",\"surname\":\"Rodrigo de Moura Prestes\",\"email\":\"zignnatto@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"FR076157\",\"address\":\"Rua Dona Oriela Garcia, 42, Vila Garcia\",\"city\":\"Jundia\\u00ed\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1981-02-18T03:00:00.000Z\",\"birthdate_2\":\"1981-02-18T03:00:00.000Z\",\"telephone\":\"+55 11 952437101\",\"web\":\"www.zignnatto.com\",\"fileCount\":6}', '2020-05-06 02:34:56', '2020-05-06 02:34:56'),
(1642, 'IojOi8ziqe6JMywQ', '{\"uid\":\"IojOi8ziqe6JMywQ\",\"type\":\"artist\",\"tags\":[\"graphic\",\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Os sete pecados capitais\",\"summary\":\"Ilustrei e criei v\\u00eddeos em desenhos sobre os sete pecados capitais a gula, avareza, lux\\u00faria, pregui\\u00e7a, vaidade, inveja e ira! O objetivo \\u00e9 mostrar e lembrar como estamos afastados das leis de Deus!\",\"space\":\"420mm\\/270mm\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":\"https:\\/\\/youtu.be\\/5mMxpmL1TGY\",\"video_link\":\"https:\\/\\/youtu.be\\/K3O_4tUHo7o\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":4,\"names\":\"F\\u00e1bio Bocchi\",\"surname\":\"Bocchi\",\"email\":\"bocchifabio@hotmail.com\",\"dni_type\":\"DNI\",\"dni\":\"34587011843\",\"address\":\"Ssp\",\"city\":\"Votuporanga\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1985-10-12T03:00:00.000Z\",\"birthdate_2\":\"1985-10-12T03:00:00.000Z\",\"telephone\":\"+55(17)996681175\",\"web\":\"https:\\/\\/youtu.be\\/K3O_4tUHo7o\"}', '2020-05-06 03:28:39', '2020-05-06 03:28:39'),
(1643, 'BuBVUDP82DrEa4pO', '{\"uid\":\"BuBVUDP82DrEa4pO\",\"type\":\"artist\",\"tags\":[\"videoinstallation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"REACTIVO\",\"summary\":\"Una propuesta de animaci\\u00f3n en tiempo real en la que las obras adquieren movimiento y profundidad a trav\\u00e9s de la luz. Un espacio siempre cambiante que se transforma en los ojos del espectador.\",\"space\":\"El espacio intervenido es un cuadrante de 7 por 5 metros, donde realice tranfert en papel adesivo y proyecte cinco obras, la propuesta tambien usa leds y musica de ambiente.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/ivk2KPAo2-k\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":10,\"names\":\"ANDRES\",\"surname\":\"PANQUEVA\",\"email\":\"andres.panqueva@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"79862286\",\"address\":\"CRA 58 # 54-20 APT 702\",\"city\":\"BOGOTA\",\"nacionality\":\"COLOMBIANO\",\"country_id\":\"51\",\"birthdate\":\"1979-06-01T05:00:00.000Z\",\"birthdate_2\":\"1979-06-01T05:00:00.000Z\",\"telephone\":\"3112091053\",\"web\":\"@CIBERPANKE\"}', '2020-05-06 03:51:30', '2020-05-06 03:51:30'),
(1644, 'aBFGtUMMAxB7qJey', '{\"uid\":\"aBFGtUMMAxB7qJey\",\"type\":\"artist\",\"tags\":[\"painting\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"HIDDEN REALITIES\",\"summary\":\"Multidisciplinary artist (painter, photographer and writer), a graduate of the National School of Fine Arts in Abidjan, Jacobleu has always been an artist campaigning for noble values: peace, freedom, social cohesion and the promotion of its cultural heritage. For more than twenty years, he has regularly participated in international exhibitions and professional meetings in America, Europe and Africa.\\nJacobleu is of Dan tradition, people originating from the mountainous West of the Ivory Coast. This region is known for its organization around the mask. Indeed Jacobleu draws his inspiration from this traditional institution that is the Dan mask. He reinterprets this \\\"raw material\\\" through an artistic approach of contemporary expression. It should be noted that there is, in his artistic proposals, a lot of research combining photography, drawing, painting, pastel, etc.\\nAfter tackling themes linked to \\u201cMigration\\u201d and \\u201cPeace\\u201d in recent years, his recent productions are shaping life in society through a dialectic of the \\u201cman-mask\\u201d relationship. He thinks that man, after all, is also a mask for his fellow man. Because he shows what he would like society to see. Here, \\\"man is not a wolf for man\\\", but rather \\\"a mask\\\" for his neighbor. In short, we all live in \\\"hidden realities\\\". So my exhibition project will include paintings.\",\"space\":\"The exhibition requires the setting up of an unusual environment where there is a sacred house and a covering with traditional Dan fabrics, at the bottom of the canvases.\\nArea requirement: 10 meters long, 3 meters high and 3 meters deep.\\nDevice: an electrical outlet, a soft sound transmitter. Wood or a structure to build the semi-circular masonry. Canvas hanging and lighting system.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":4,\"names\":\"JACOB\",\"surname\":\"BLEU\",\"email\":\"jacobleu@yahoo.fr\",\"dni_type\":\"PASAPORTE\",\"dni\":\"CIV 18AR19720\",\"address\":\"25 BP 2324\",\"city\":\"ABIDJAN\",\"nacionality\":\"IVORIAN\",\"country_id\":\"46\",\"birthdate\":\"1972-03-11T23:00:00.000Z\",\"birthdate_2\":\"1972-03-11T23:00:00.000Z\",\"telephone\":\"+22547837000\",\"web\":\"www.jacobleu.com\"}', '2020-05-06 04:31:09', '2020-05-06 04:31:09'),
(1645, '2yLn9mm86AiTqduD', '{\"uid\":\"2yLn9mm86AiTqduD\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Abismo\",\"summary\":\"A in\\u00e9rcia ser\\u00e1 nosso \\u00faltimo passo para o precip\\u00edcio.\\nA Obra Abismo consiste em um conjunto escult\\u00f3rico \\\"vivo\\\" onde ao longo da exposi\\u00e7\\u00e3o as figuras se atiram ao ch\\u00e3o aleatoriamente at\\u00e9 que reste apenas alguns \\\"sobreviventes\\\". A obra fala sobre os limites do humano em suportar uma exist\\u00eancia materialista ao extremo, flertando com a perda do sentido da vida. A obra \\\"Abismo\\\" busca a reflex\\u00e3o sobre a depress\\u00e3o e o suic\\u00eddio que hoje mais do que nunca neste momento de pandemia deve ser colocada na pauta do dia na busca de minimizar este problema social mundial. \\n\\u00c9 a busca do artista pela melhor maneira de dizer ao mundo: precisamos resgatar nossas humanidades, o quanto antes, antes que seja cada um por si em definitivo, nossas perspectivas est\\u00e3o se fechando cada vez mais pr\\u00f3ximas no horizonte.\\nA obra se constitui de 50 esculturas de figuras humanas id\\u00eanticas produzidas em gesso pedra a partir de um molde de silicone. Estas figuras se posicionam de p\\u00e9 sobre 50 rampas de acr\\u00edlico fixadas na parede. A inclina\\u00e7\\u00e3o das pe\\u00e7as faz com que, ao longo da mostra, estas figuras caiam de maneira espont\\u00e2nea e aleat\\u00f3ria, permanecendo no ch\\u00e3o quebradas como se fossem \\\"suicidas mortos\\\".\",\"space\":\"O espa\\u00e7o expositivo sugerido \\u00e9 uma parede lisa de, no m\\u00ednimo, 700 cm de largura, que possa ser fixado parafusos. A altura da parede pode ser padr\\u00e3o. Ser\\u00e3o  100 parafusos no total para sustentar 50 rampas de acr\\u00edlico. As esculturas em gesso pedra s\\u00e3o fixadas com fita \\\"VHB\\\"na sola dos p\\u00e9s das figuras. O piso a frente da obra deve ter um espa\\u00e7o demarcado de aproximadamente1,5m para que os \\\"corpos\\\" possam ficar durante toda a mostra.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":3,\"names\":\"Rodrigo\",\"surname\":\"Jos\\u00e9 da Costa Mesquita Pedrosa\",\"email\":\"rodrigojpedrosa@gmail.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"FY620064\",\"address\":\"Rua Presidente Pedreira 99\\/1602, Ing\\u00e1\",\"city\":\"Niter\\u00f3i\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1969-05-11T03:00:00.000Z\",\"birthdate_2\":\"1969-05-11T03:00:00.000Z\",\"telephone\":\"5521996966596\",\"web\":\"rpedrosa.com.br\"}', '2020-05-06 05:11:34', '2020-05-06 05:11:34'),
(1646, 'RYr8paybQ2jurFhF', '{\"uid\":\"RYr8paybQ2jurFhF\",\"type\":\"artist\",\"tags\":[\"painting\",\"instalation\"],\"group\":\"no\",\"group_name\":\"Mariano Alvarez\",\"project_title\":\"Energ\\u00eda+21\",\"summary\":\"Petr\\u00f3leo, electricidad , gas, carb\\u00f3n,piedra,lava,  minerales, agua y sol. Todos estos elementos generadores de energ\\u00eda se alojan en la Patagonia Argentina, que como  una gran usina, un cuerpo vivo ,una gran matriz  transmuta las energ\\u00edas de las naturaleza para dar vida.\\nLa energ\\u00eda es la l\\u00ednea y el viaje que supone esta propuesta la abordar\\u00e1 en diferentes planos, puntos de partida, tr\\u00e1nsito y final, A trav\\u00e9s de dibujos, pinturas e instalaciones, con herramientas sonoras y lum\\u00ednicas: El plano, el territorio, el genoma.\\n1- Plano- Montaje de gigantograf\\u00edas de im\\u00e1genes de drones de paisajes patag\\u00f3nicos que incluir\\u00e1n represas, plantas de extracci\\u00f3n,parques industriales y e\\u00f3licos  intervenidas con dibujos y pinturas(sala 1)\\n2-Territorio- La l\\u00ednea en el paisaje: indagando en la materialidad de la naturaleza a partir de los que se generan esas energ\\u00edas (sala 2). Intervenci\\u00f3n de la sala con materiales y puesta que simbolizaran el agua, la monta\\u00f1a, montaje lum\\u00ednico para el sol, ventiladores para viento.\\n3-Genoma- La l\\u00ednea a nivel celular: \\u00bfLa energ\\u00eda de nuestro territorio delinea nuestro ADN?\\u00bf Hasta que  punto nuestro ser es   producto del territorio que habitamos? delineando las tramas que pueden ser vistas a trav\\u00e9s de supermicroscopios, ,la energ\\u00eda primordial de las c\\u00e9lulas y la conciencia (sala 3).Sala oscura iluminada por una lampara central con calados que gira por calor desde la que se proyectar\\u00e1n los dibujos del artista sobre las paredes en continuo movimiento, sonido percusivo.\",\"space\":\"La propuesta  ha sido planteada para ocupar 3 espacios o salas de exposici\\u00f3n simult\\u00e1neas, interiores, con acceso a energ\\u00eda el\\u00e9ctrica que a la vez pueden separarse, concret\\u00e1ndose la realizaci\\u00f3n de cada una por separado. Una de las salas debe permitir la posibilidad de ser oscurecida. La dimensi\\u00f3n de cada espacio no es un requerimiento , ya que la propuesta  puede adaptarse a cualquier espacio.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/zonketrafe.wixsite.com\\/marianoalvarez\\/paintings\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Mariano\",\"surname\":\"Alvarez\",\"email\":\"zonketrafe@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"21765065\",\"address\":\"Mosconi 3470\",\"city\":\"Buenos Aires\",\"nacionality\":\"argentino\",\"country_id\":\"9\",\"birthdate\":\"1970-09-29T03:00:00.000Z\",\"birthdate_2\":\"1970-09-29T03:00:00.000Z\",\"telephone\":\"1159744412\",\"web\":\"https:\\/\\/zonketrafe.wixsite.com\\/marianoalvarez\",\"fileCount\":10}', '2020-05-06 05:45:24', '2020-05-06 05:45:24'),
(1647, 'WYH9v6s26kHMROtN', '{\"uid\":\"WYH9v6s26kHMROtN\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"yes\",\"group_name\":\"V\\u00e9rtebra\",\"project_title\":\"La Frontera\",\"summary\":\"Projeto nascido da materializa\\u00e7\\u00e3o conceitual do espet\\u00e1culo \\u201cLa Frontera\\u201d (2019) e estimulado a partir da mostra \\u201cFront_eiras - Ponto Transit\\u00f3rio de Cria\\u00e7\\u00e3o\\u201d (2019). A Fronteira como um terceiro lugar a partir da materializa\\u00e7\\u00e3o comum e corrente do pr\\u00f3prio conceito: um muro. Linear, concreta, por\\u00e9m flex\\u00edvel. Cria-se e destr\\u00f3i-se o conceito desse entre lugar a partir de sua formata\\u00e7\\u00e3o f\\u00edsica: Uma estrutura linear de fronteiras que separam, com apenas um buraco para os olhos, se transformar\\u00e1, diariamente, em uma estrutura de fronteiras que unem, for\\u00e7ando o espectador \\u00e0 encruzilhadas que v\\u00e3o conduzi-lo diretamente ao desafio da alteridade (o outro n\\u00e3o estar\\u00e1 mais t\\u00e3o distante, conceitual e fisicamente). Neste segundo momento, uma brecha, maior do que o buraco para os olhos, \\u00e9 aberta para que a travessia possa ser realizada: \\u201cAfinal, a ponte que separa duas comunidades \\u00e9 a mesma que viabiliza a travessia. E para realmente se comunicar com o outro, o mesmo precisa de entrar na fronteira.\\u201d\",\"space\":\"Espa\\u00e7o p\\u00fablico, de prefer\\u00eancia pra\\u00e7as p\\u00fablicas. Ideal que a instala\\u00e7\\u00e3o seja colocada mais ao centro da pra\\u00e7a e em um local de bastante movimento, para causar inc\\u00f4modo, al\\u00e9m da inerente estranheza e curiosidade. Pode ser instalada tamb\\u00e9m em um espa\\u00e7o fechado que comporte uma estrutura de cerca de 6 metros de comprimento e que seja um espa\\u00e7o de identidade comum para os habitantes locais, para que justamente o exerc\\u00edcio da alteridade possa ser realizado com o outro a sua maneira.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Pedro\",\"surname\":\"M\\u00e1ximo\",\"email\":\"projetosvertebra@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"214154437\",\"address\":\"Rua Progresso, 67\",\"city\":\"Rio de Janeiro\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1993-12-04T03:00:00.000Z\",\"birthdate_2\":\"1993-12-04T03:00:00.000Z\",\"telephone\":\"21997944128\",\"web\":null}', '2020-05-06 06:43:00', '2020-05-06 06:43:00'),
(1648, '20EDn4LA3CmichGT', '{\"uid\":\"20EDn4LA3CmichGT\",\"type\":\"artist\",\"tags\":[\"painting\",\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Corpxs marginalizadxs\",\"summary\":\"Corpxs marginalizadxs\\n\\nSeria uma exposi\\u00e7\\u00e3o de lambes em ramanho real,  que ficariam nos espa\\u00e7os de maior circula\\u00e7\\u00e3o do evento. Corpxs marginalizadxs, sao corpxs esses que n\\u00e3o vemos nas m\\u00eddias, nas artes, na protagoniza\\u00e7\\u00e3o de sua exist\\u00eancia.\\nEsses corpxs, s\\u00e3o encaputchadis (capuz), cobrindo seus rostos, deixando de fora s\\u00f3 os olhos, que demontram varius sentimentos nesse olhar principalmente o da raiva. \\nO que esses corpxs tem?! S\\u00e3o gordis, tem cicatrizes (retirada da mama, cesariana, ap\\u00eandice, e outris), s\\u00e3o pretis, velhis, s\\u00e3o de povis origin\\u00e1rixs. Corpis invis\\u00edveis, que a sociedade colonizada e colonizadora, fazem quest\\u00e3o de apagar. \\nTrabalho com esses corpis h\\u00e1 5 anos, protagonizandx o invis\\u00edvel, esquecidi, marginal. Visibilizando nas ruas, atrav\\u00e9s do graffiti\\/ pixo, espalhandis pelo Brasil. \\nP.s: A persona da encaputchadis foi em protesto e revolta diante do desrespeiti que xs povxs origin\\u00e1rixs do Brasil vem sofrendo.\",\"space\":\"Pensei nos ambientes de maior circula\\u00e7\\u00e3o, pela visibilidade e pela quest\\u00e3o de se espalhar, se misturar com todxs. Como ser\\u00e3o varixs corpxs encaputchadis em tamanho real, a \\ninten\\u00e7\\u00e3o \\u00e9 a mistura e circula\\u00e7\\u00e3o!\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"@consueloveacoroca (instagram)\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Consuelo  (artistico e social)\",\"surname\":\"Larissa  Braz\",\"email\":\"larissacbcruz@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"09379829469\",\"address\":\"Av da praia, redinha nova\",\"city\":\"Natal\\/RN - BRA\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1994-02-20T03:00:00.000Z\",\"birthdate_2\":\"1994-02-20T03:00:00.000Z\",\"telephone\":\"55 84 998526619\",\"web\":\"@consueloveacoroca\",\"fileCount\":12}', '2020-05-06 07:08:50', '2020-05-06 07:08:50'),
(1649, 'BzHKvQiTQ80Vex8c', '{\"uid\":\"BzHKvQiTQ80Vex8c\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"MUJERES DICIENTES\",\"summary\":\"El montaje de la instalaci\\u00f3n de Gabriela Pedrotti, \\\"Mujeres Dicientes\\\", construye un relato de investigaci\\u00f3n y denuncia donde pone en tensi\\u00f3n el universo femenino a trav\\u00e9s de figuras de su estirpe familiar. El posicionamiento social de sometimiento femenino en el tiempo y sus mandatos es resignificado por la figura de su abuela libanesa, y el de la mujer occidental por la propia artista.\\nHay una apropiaci\\u00f3n de diferentes lenguajes art\\u00edsticos, como video-instalaci\\u00f3n, escultura, performance y poes\\u00eda al exponer un imaginario que metaforiza la emigraci\\u00f3n de culturas. La muestra propone una ret\\u00f3rica donde interpela al p\\u00fablico a transitar la sensorialidad; hay dispositivos de montaje que activan los sentidos.\\nEl recorrido finaliza con la presencia de Pedrotti leyendo sus poemas; un manifiesto donde expone su reconocimiento a la pugna velada y silenciosa de la mujer de oriente por legitimarse. Esta mirada velada se materializa cuando el espectador ingresa a la sala, se descalza y coloca un velo sobre su rostro; la consigna de puesta es ver a trav\\u00e9s de esa otredad cultural cuya lucha traza una elipsis que cruza el oc\\u00e9ano y concluye dialogando con la mujer de occidente. \\nCuradur\\u00eda: Carlos Di Pasquo y Rom\\u00e1n Puente.\",\"space\":\"Se necesita un primer espacio de ingreso con una profundidad de 2,30 m; posteriormente dos de 2, 70 m, uno m\\u00e1s de 2 m, y por \\u00faltimo dos zonas de exposici\\u00f3n, una de 5 m, y otra de 9 m. Por lo tanto, el montaje de instalaci\\u00f3n necesita una dimensi\\u00f3n de emplazamiento de 6, 50 m, como m\\u00ednimo de ancho, por 24 m de largo. Debe haber una distancia a techo de no menos de 5 m, con alambres tensados de pared a pared para crear las divisiones de zonas. Se requiere adem\\u00e1s de un dispositivo de proyecci\\u00f3n.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":8,\"names\":\"Maria Gabriela\",\"surname\":\"Pedrotti\",\"email\":\"magapedrotti@yahoo.com.ar\",\"dni_type\":\"DNI\",\"dni\":\"18223426\",\"address\":\"San martin 923\",\"city\":\"Quilmes - Provincia de Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1967-01-21T03:00:00.000Z\",\"birthdate_2\":\"1967-01-21T03:00:00.000Z\",\"telephone\":\"01144939412\",\"web\":null}', '2020-05-06 07:13:53', '2020-05-06 07:13:53'),
(1650, 'UePRTvivXCNrw7O6', '{\"uid\":\"UePRTvivXCNrw7O6\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Afrof\\u00e9minas\",\"summary\":\"Las mujeres Afrodescendientes hacen parte del legado hist\\u00f3rico del pa\\u00eds,representan parte de la diversidad \\u00e9tnica y cultural colombianas y con ellas sus tradiciones como una forma de afirmaci\\u00f3n de identidad,valoraci\\u00f3n de la diferencia y convivencia pac\\u00edfica.Entre sus tradiciones est\\u00e1 la conservaci\\u00f3n de las trenzas que fueron retomadas con furor para revindicar su identidad con este estilo de peinado y el popular afro,como un elemento conector de las mujeres independientemente de su etnia y condici\\u00f3n social,es un proceso de hermandad,construyendo y entretejiendo el pensamiento.Cuando una mujer hace trenzas est\\u00e1 en un proceso de diferenciaci\\u00f3n positiva,reafirmando su autoestima y auto concepto,su cosmogon\\u00eda y su cosmovisi\\u00f3n,su herencia africana y su pertenencia al litoral pac\\u00edcico.Mientras se trenza,ellas tejen historias en un ejercicio colectivo,se crea un espacio de resistencia e integraci\\u00f3n de distintas esferas de la vida,se cuida el aspecto personal,recordando a las abuelas y madres que se sentaban en el suelo mientras tej\\u00edan el cabello macho.\",\"space\":\"Cada foto debe tener un tama\\u00f1o aproximado de 25x18cm.Colocadas de a tres por l\\u00ednea,siendo nueve fotos en total,en 3 l\\u00edneas.una debajo de la otra.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":1,\"names\":\"Sandra Cristina\",\"surname\":\"Escudero Gravino\",\"email\":\"sancristi5@hotmail.com\",\"dni_type\":\"CI\",\"dni\":\"63.327.502\",\"address\":\"Av 87#24-09.Apto 801.Torre 1.C.R.Dimanti.Barrio Diamante 2\",\"city\":\"Bucaramanga\",\"nacionality\":\"Colombiana\",\"country_id\":\"51\",\"birthdate\":\"1966-05-06T05:00:00.000Z\",\"birthdate_2\":\"1966-05-06T05:00:00.000Z\",\"telephone\":\"3209800135\",\"web\":\"@sancristi5\"}', '2020-05-06 08:26:20', '2020-05-06 08:26:20'),
(1651, '0KwNCkw2AxnAnhBw', '{\"uid\":\"0KwNCkw2AxnAnhBw\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"El monstruo marginal y otras realidades\",\"summary\":\"Se trata de un proyecto pict\\u00f3rico de unas 25 o 30 obras, entre \\u00f3leos y acuarelas que tratan sobre el ser humano marginal que vemos en todas partes pero que al mismo tiempo ignoramos.\\n\\n\\n\\nMar\\u00eda Balibrea vence su pudor presentando a sus seres marginales y a \\\"sus otras realidades\\\". Entidades de linajes distintos que en su obra conviven en un mismo mundo, delirante y carnavalesco, donde la raz\\u00f3n se tuerce, y en el que se visten de jolgorio para mostrar su tristeza. En la pintura de Mar\\u00eda como en la realidad, las met\\u00e1foras son reversibles: tan pronto el ser se convierte en hombre como, imprevisiblemente, se hace bicho. Dice Octavio Paz que \\u201cla met\\u00e1fora, lejos de abolir las diferencias: esto es aquello, las preserva en el interior mismo de la identidad: esto est\\u00e1 en aquello\\u201d, y ese juego se resuelve pl\\u00e1sticamente en una obra valiente y resuelta con oficio que retrata con ternura maternal entes de propiedades yuxtapuestas, donde los monstruos manifiestan sus poderes convirtiendo en reversible la inmutabilidad de los atributos humanos.\\nCarlos Plasencia\\nProfesor de la UPV. Valencia, Espa\\u00f1a\",\"space\":\"Cualquier espacio con paredes es suficiente para este proyecto. Las dimensiones pueden variar, dado que el n\\u00famero de obras a exponer se adapta al espacio disponible. En cualquier caso, tal como se refleja en el v\\u00eddeo de la Galer\\u00eda Zentrifugue de Nuremberg, Alemania, es preferible una sala con techos altos y espaciada ya que muchas de las obras miden 2 metros y esto permite tomar distancias con las mismas.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":19,\"names\":\"Mar\\u00eda\",\"surname\":\"Balibrea Melero\",\"email\":\"mariabalibream@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"48320465H\",\"address\":\"Plaza Pintor Lorenzo Aguirre 1\",\"city\":\"Alicante\",\"nacionality\":\"Espa\\u00f1a\",\"country_id\":\"71\",\"birthdate\":\"1977-04-14T22:00:00.000Z\",\"birthdate_2\":\"1977-04-14T22:00:00.000Z\",\"telephone\":\"626471860\",\"web\":\"www.mariabalibrea.es\\/facebook\\/mariabalibreamelero\"}', '2020-05-06 12:02:49', '2020-05-06 12:02:49'),
(1652, 'mSHBhb58Kux3okOA', '{\"uid\":\"mSHBhb58Kux3okOA\",\"type\":\"curator\",\"tags\":[],\"group\":\"yes\",\"group_name\":null,\"project_title\":\"Jos\\u00e9 Rosinhas Art Gallery Wall\",\"summary\":\"Hoje em dia, deparamo-nos com uma sociedade repleta de solicita\\u00e7\\u00f5es quer sejam culturais ou comerciais. O Homem Contempor\\u00e2neo est\\u00e1 muito mais informado que outrora e deseja ser intelectualmente desafiado por projectos arrojados e inovadores.\\n\\nA Arte como resultado da cultura e das modifica\\u00e7\\u00f5es di\\u00e1rias do Mundo deve levar ao p\\u00fablico em geral as suas manifesta\\u00e7\\u00f5es art\\u00edsticas a todos os lugares, assim como a todos os espa\\u00e7os de conv\\u00edvio, de passagem ou de lazer.\\n\\nDesde Fevereiro de 2012, Jos\\u00e9 Rosinhas Art Gallery Wall \\u00e9 um projecto galer\\u00edstico\\/art\\u00edstico de ocupa\\u00e7\\u00e3o de uma parede de um espa\\u00e7o p\\u00fablico ou privado, onde um artista portugu\\u00eas, ou estrangeiro, consagrado ou ainda jovem artista \\u00e9 convidado a expor a sua obra, o seu trabalho de pesquisa, o seu pensamento cr\\u00edtico sobre as problem\\u00e1ticas contempor\\u00e2neas culturais e\\/ou art\\u00edsticas.\\n\\nO factor de diferencia\\u00e7\\u00e3o deste projecto que tem vindo a desenvolver-se e a questionar-se da sua pertin\\u00eancia no contexto art\\u00edstico portugu\\u00eas, \\u00e9 a pretens\\u00e3o de desmistificar o espa\\u00e7o expositivo\\/galer\\u00edstico. Levar a arte contempor\\u00e2nea a espa\\u00e7os n\\u00e3o convencionais \\u00e9 um dos objectivos primordiais desta iniciativa art\\u00edstica.\\n\\nOs trabalhos apresentados t\\u00eam abrangido diversas linguagens pl\\u00e1sticas como por exemplo: desenho, escultura, fotografia, ilustra\\u00e7\\u00e3o, instala\\u00e7\\u00e3o, livros de artista e a pintura,\\n\\nAssim para esta bienal convidei o Pintor Paulo Moreira para expor a sua obra recente.\",\"space\":\"\\u00c9 necess\\u00e1rio uma parede de 10 metros de comprimento com ilumina\\u00e7\\u00e3o.\",\"artists_proposal\":\"\\u201cSame as it ever was\\u201d poder\\u00e1 ser apresentado enquanto statement pessoal do artista, tanto na sua forma afirmativa como interrogativa. Sendo por certo que na realidade nada mudou, somos todos Humanos.\",\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Jos\\u00e9\",\"surname\":\"Rosinhas\",\"email\":\"jose_rosinhas@yahoo.com\",\"dni_type\":\"DNI\",\"dni\":\"9800850\",\"address\":\"Rua Augusto Gil, 2 - 1\\u00ba A\",\"city\":\"Porto\",\"nacionality\":\"Portuguesa\",\"country_id\":\"185\",\"birthdate\":\"1972-11-29T23:00:00.000Z\",\"birthdate_2\":\"1972-11-29T23:00:00.000Z\",\"telephone\":\"00351919005919\",\"web\":null}', '2020-05-06 19:18:59', '2020-05-06 19:18:59');
INSERT INTO `archives` (`id`, `hash`, `data`, `created_at`, `updated_at`) VALUES
(1653, 'EeQfc4zCSuwmuaJw', '{\"uid\":\"EeQfc4zCSuwmuaJw\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"TINKUNAKUY\",\"summary\":\"Tinkunakuy es un verbo quechua y designa la acci\\u00f3n que permite un encuentro, un punto de convergencia, una reuni\\u00f3n.\\nEl siguiente proyecto es el resultado del encuentro entre el tiempo, la vibraci\\u00f3n, el renacimiento, las t\\u00e9cnicas ancestrales y el arte contempor\\u00e1neo. Su creaci\\u00f3n orbita en torno al canto del coyuyo que si bien habita globalmente, su sonoridad ocupa un lugar destacado en la cultura norte\\u00f1a. Su canto atraviesa el tiempo y nos permite descubrir que es el mismo que escuchaban nuestros ancestros en las noches calurosas del verano santiague\\u00f1o.\\nTinkunakuy es un verbo quechua y designa la acci\\u00f3n que permite un encuentro, un punto de convergencia, una reuni\\u00f3n.\\nEl siguiente proyecto es el resultado del encuentro entre el tiempo, la vibraci\\u00f3n, el renacimiento, las t\\u00e9cnicas ancestrales y el arte contempor\\u00e1neo. Su creaci\\u00f3n orbita en torno al canto del coyuyo (cicadas) que si bien habita globalmente, su sonoridad ocupa un lugar destacado en la cultura norte\\u00f1a. \\nHago visible el sonido de los coyuyos a trav\\u00e9s de placas de cim\\u00e1tica, capaces de visibilizar los efectos que provocan las ondas sonoras sobre una superficie. \\nCon estos patrones elaboro una serie de dibujos, continuados por un grupo de teleras del monte santiague\\u00f1o en una serie de obras textiles. Realizadas a trav\\u00e9s de las t\\u00e9cnicas del bordado y telar tradicional, cada una de estas obras es ofrecida a la tierra como un s\\u00edmbolo de renacimiento.\",\"space\":\"Este proyecto originalmente ha sido presentado en el Centro Cultural del Bicentenario de Santiago del Estero, Argentina, y fue  beneficiado con Ayudas a la creaci\\u00f3n de la comunidad de Madrid en 2019.\\nActualmente cuento con todo el proyecto fisicamente en la ciudad de Madrid.\\nEl espacio donde fue presentado cuenta con 35m de fondo x 13 metros de ancho, y con techo de una altura de 10m ,  siendo viable presentarlo en un espacio mas reducido. Ser\\u00eda apropiado contar acceso a un espacio Institucional\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/376956859\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/natureismyreligi8n.tumblr.com\\/TINKUNAKUYPROCESS\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Laura Maria\",\"surname\":\"Mema\",\"email\":\"laumema@gmail.com\",\"dni_type\":\"Otro\",\"dni\":\"Y0385697R\",\"address\":\"Calle del Las Huertas 21. 4to piso\",\"city\":\"Madrid\",\"nacionality\":\"Argentina\",\"country_id\":\"71\",\"birthdate\":\"1978-12-15T23:00:00.000Z\",\"birthdate_2\":\"1978-12-15T23:00:00.000Z\",\"telephone\":\"655847253\",\"web\":\"www.lauramema.com\",\"fileCount\":10}', '2020-05-06 19:56:45', '2020-05-06 19:56:45'),
(1654, 'Psw8cCUQlCVl66jP', '{\"uid\":\"Psw8cCUQlCVl66jP\",\"type\":\"artist\",\"tags\":[\"photography\",\"performance\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"fotonovela de quarentena\",\"summary\":\"O projeto foi desenvolvido durante a quarentena de isolamento devido ao Covid19. Trata-se de foto performance realizada no quintal de uma casa, no qual a artista se encontrava em total isolamento social. Neste momento, a produ\\u00e7\\u00e3o criativa \\u00e9 desenvolvida no decorrer da rotina solit\\u00e1ria A partir questionamentos,  inevitavelmente surgem polariza\\u00e7\\u00f5es de sensa\\u00e7\\u00f5es caracteres e personagens de si mesma.\",\"space\":\"Sugiro um parede de galeria\\/museu. A instala\\u00e7\\u00e3o conta com 12 fotografias de 20x30cm cada e um fone para um \\u00e1udio. Segue croqui em jpg abaixo, e 9 fotos da s\\u00e9rie devido a capacidade de espa\\u00e7o no formul\\u00e1rio.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":\"https:\\/\\/drive.google.com\\/file\\/d\\/1VvN7UiegBQA77I0fcXAfJThFiUejSzZv\\/view?usp=sharing\",\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"karina Felipe\",\"surname\":\"Amaral\",\"email\":\"kafelipe1000@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"m8784825\",\"address\":\"av pinheiros, 958 Condom\\u00ednio Retiro das Pedras, cep 35460000\",\"city\":\"brumadinho\",\"nacionality\":\"brasileira\",\"country_id\":\"34\",\"birthdate\":\"1979-12-02T03:00:00.000Z\",\"birthdate_2\":\"1979-12-02T03:00:00.000Z\",\"telephone\":\"31986661099\",\"web\":\"https:\\/\\/instagram.com\\/karina_felipe\",\"fileCount\":10}', '2020-05-06 20:02:30', '2020-05-06 20:02:30'),
(1655, 'zcMCkia5TJWiPsWM', '{\"uid\":\"zcMCkia5TJWiPsWM\",\"type\":\"artist\",\"tags\":[\"photography\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Barlovento\",\"summary\":\"En mi b\\u00fasqueda fotogr\\u00e1fica enfocada en destacar peque\\u00f1as texturas compuestas de patrones, tramas y fluidos dentro de una superficie natural, intento capturar para este proyecto, el instante vulnerable, ef\\u00edmero y fugaz del comportamiento de las aguas y el viento en la costa de nuestro pa\\u00eds, la cu\\u00e1l responde Reflejando dibujos de un baile que se boRRa y se Renueva constantemente gracias a los efectos clim\\u00e1ticos que ordenan las arenas a trav\\u00e9s de su peso.\\n  \\n Poniendo \\u00e9nfasis en el entendimiento del color descubro que el blanco se debe al factor surgencia, favoreciendo la generaci\\u00f3n de vida marina, que al morir y con el paso del tiempo y el roce de las olas, sus restos se transforman en granos de arena calc\\u00e1rea. Gracias a esta y otros tipos de arena (volc\\u00e1nica), se generan impresiones en el terreno, dibujos \\u00fanicos en su segundo de existencia.\\n\\n 20 millones de a\\u00f1os en cambios geogr\\u00e1ficos, junto con la llegada del ser humano y su contaminaci\\u00f3n han afectado en la surgencia del pa\\u00eds. Dos playas que se han mantenido en alta surgencia fueron elegidas para este proyecto;\\u201cel apolillao\\u201d y \\u201ctotoRalillo\\u201d.\",\"space\":\"Miden 120 x 80 cm, de profundidad de 3 cm. La materialidad de las fotograf\\u00edas digitales es de papel canson o lambda,  con un laminado de protecci\\u00f3n a da\\u00f1os y rayos UV, montado sobre una placa de trup\\u00e1n de 5 mm enmarcado en aluminio negro de 5 mm de grosor en el frente. \\n\\nSon 7 im\\u00e1genes, 3 series; NEBKAS (d\\u00edpticos horizontales) ; CIRCUMPOLARES (d\\u00edptico horizontales) ; SURGENCIAS (triptico verticales).  Es decir se necesitan 3 espacios\\/muros con un m\\u00ednimo de alto de 230 cm y un ancho de 350 cm.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":8,\"names\":\"lucia\",\"surname\":\"balbontin\",\"email\":\"luciajuanafoto@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"17697153-3\",\"address\":\"los cactus 1898\",\"city\":\"santiago\",\"nacionality\":\"chile\",\"country_id\":\"44\",\"birthdate\":\"1990-09-21T03:00:00.000Z\",\"birthdate_2\":\"1990-09-21T03:00:00.000Z\",\"telephone\":\"+56992826521\",\"web\":\"www.luciajuana.com\"}', '2020-05-06 20:26:48', '2020-05-06 20:26:48'),
(1656, 'xnL2UPJa8GHTUSfC', '{\"uid\":\"xnL2UPJa8GHTUSfC\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"ENCRUZILHADA\",\"summary\":\"Encruzilhada- lugar radial de centramento e descentramento, interse\\u00e7\\u00f5es e desvios.\\nCada objeto\\/quadro dependurado no espa\\u00e7o desta encruzilhada, cont\\u00e9m um relic\\u00e1rio afetivo de objetos memoriais que foram recuperados pela artista em feiras, brech\\u00f3s e antiqu\\u00e1rios a partir das hist\\u00f3rias contadas sobre as cadeias matrilineares de 50 mulheres. Desses objetos pode-se entrever n\\u00e3o s\\u00f3 os aspectos de suas heran\\u00e7as culturais como tamb\\u00e9m algo particular da ideia da pr\\u00e1tica dom\\u00e9stica ligada a linhagem familiar, criativa e feminina.\\nAs telas das molduras recicladas d\\u00e3o lugar agora \\u00e0s gases cir\\u00fargicas - material que AnaVit\\u00f3ria j\\u00e1 manipula em suas instala\\u00e7\\u00f5es desde 2010 a partir da sua Instala\\u00e7\\u00e3o perform\\u00e1tica - Afinal, o que h\\u00e1 por tr\\u00e1s da coisa corporal? \\nEsses objetos carregam em si, hist\\u00f3rias, energias e marcas de suas exist\\u00eancias no mundo, assim est\\u00e3o \\\"coisificados\\\" e os desafetos que carregam podem ser curados a partir do ritual que a artista prop\\u00f5e ao revesti-los com as bandas curativas.\\nAs fotografias de rostos an\\u00f4nimos que marcam um instante de eternidade daquelas que se colocaram frente a uma c\\u00e2mera com a promessa de sobreviverem ao tempo e seu apagamento, nos d\\u00e3o a chance agora de recuper\\u00e1-las e lhes restituir uma outra exist\\u00eancia, singular e \\u00edntima, mas n\\u00e3o menos coletiva. Estes rostos, hist\\u00f3rias, objetos an\\u00f4nimos e corpos desaparecidos prop\\u00f5em-nos recuperar o desamparo ancestral das cadeias matrilineares em conson\\u00e2ncia ao pensamento da arte como um disparador da exist\\u00eancia.\",\"space\":\"Sala ou Espa\\u00e7o expositivo de v\\u00e3o livre, p\\u00e9 direito de no m\\u00ednimo 4m. Extens\\u00e3o m\\u00ednima de 5X5m. Ser\\u00e3o dependuradas 50 pe\\u00e7as escult\\u00f3rias de molduras de madeira antigas com telas em gases cir\\u00fagicas que como mobiles rodam em movimentos desiguais mostrando de um lado uma foto com rosto de mulher e no outro lado objetos antigos que recontam suas hist\\u00f3rias afetivas. \\nAs pe\\u00e7as s\\u00e3o suspensas por fios de nylon de forma irregular em estrutura de cabo de a\\u00e7o que se cruzam formando uma encruzilhada (X).\",\"artists_proposal\":null,\"members\":[],\"lang\":\"en\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/370912750\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":11,\"names\":\"ANAVIT\\u00d3RIA\",\"surname\":\"FREIRE\",\"email\":\"freireanavitoria@gmail.com.br\",\"dni_type\":\"CI\",\"dni\":\"03678975-55\",\"address\":\"Rua Arauc\\u00e1ria, 150- apt 201 - Jardim Bot\\u00e2nico\",\"city\":\"Rio de Janeiro\",\"nacionality\":\"Brasileira\",\"country_id\":\"34\",\"birthdate\":\"1969-11-04T23:00:00.000Z\",\"birthdate_2\":\"1969-11-04T23:00:00.000Z\",\"telephone\":\"+ 55 21 999683585\",\"web\":\"www.anavitoria.com.br\"}', '2020-05-06 20:58:37', '2020-05-06 20:58:37'),
(1657, 'eL0kuwtRIXKAf00G', '{\"uid\":\"eL0kuwtRIXKAf00G\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Algas de excesos\",\"summary\":\"El pl\\u00e1stico fue considerado como el material que ven\\u00eda a revolucionar una era. Represent\\u00f3 una salvaci\\u00f3n para algunas especies y colabor\\u00f3 con la equidad social, la ciencia y la salud. Pero la fiebre de lo descartable no tard\\u00f3 en conquistar a todos y el aumento de producci\\u00f3n de pl\\u00e1stico contribuy\\u00f3 con la saturaci\\u00f3n del sistema.\\nAlgas de excesos es una instalaci\\u00f3n sensorial que pone de manifiesto c\\u00f3mo llegamos a convertir un indicio de evoluci\\u00f3n en una amenaza para el planeta.\\nEsta propuesta orientada a todas las edades, es una marea creativa para expandir conciencia, desarrollar los sentidos y agilizar la mente respecto de los excesos de nuestro consumo. Experimentar y reflexionar sobre materialidades poco habituales y las posibilidades que ofrecen para un proceso creativo. Tomar esos desechos y transformarlos en un montaje tangible, para representar el impacto que producen ciertos residuos en el fondo marino. Provocar una sensaci\\u00f3n que durar\\u00e1 lo justo para que el visitante pueda pasar por el cuerpo los resultados de esa comodidad de la que somos tanto v\\u00edctimas como victimarios. \\nUna instalaci\\u00f3n art\\u00edstica, compuesta por cientos de desechos pl\\u00e1sticos recolectados en lugares comunes, en la que el espectador deviene parte de la misma en el preciso instante que ingresa a este inquietante viaje submarino. Podr\\u00e1 explorar este entretejido de texturas y colores, contemplar, escuchar, tocar, oler y empezar a percibir la segunda vida de las cosas.\",\"space\":\"Instalaci\\u00f3n sensorial construida sobre un marco estructural de 8mts largo x 3mts ancho x 3mts altura con paredes de botellas pl\\u00e1sticas, techo y columnas, en el cual se crea un ambiente m\\u00e1s vol\\u00e1til con desechos de distintas formas y materialidades, trabajados con t\\u00e9cnicas de modelado manual y calor, sobre soportes de redes met\\u00e1licas y bastidores. Apoyado con t\\u00e9cnicas de iluminaci\\u00f3n, efectos de movimiento y dise\\u00f1o sonoro utilizando sonidos reales tambi\\u00e9n reutilizados, como el mar y otros elementos\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/vimeo.com\\/user114818868\\/review\\/415618653\\/7ccb093637\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":1,\"names\":\"Valeria Virginia\",\"surname\":\"Morganti\",\"email\":\"valmorganti@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"24690922\",\"address\":\"Jufr\\u00e9 24   7mo 31\",\"city\":\"Caba\",\"nacionality\":\"argentina\",\"country_id\":\"9\",\"birthdate\":\"1975-05-17T03:00:00.000Z\",\"birthdate_2\":\"1975-05-17T03:00:00.000Z\",\"telephone\":\"1166745083\",\"web\":\"@val_v_val\"}', '2020-05-06 22:25:17', '2020-05-06 22:25:17'),
(1658, 'CwIHbN8YUhmxMGjL', '{\"uid\":\"CwIHbN8YUhmxMGjL\",\"type\":\"artist\",\"tags\":[\"painting\",\"others\"],\"group\":\"yes\",\"group_name\":\"Existencia Otra\",\"project_title\":\"Existencia Otra\",\"summary\":\"Concepto de la propuesta:\\n \\nSe trata de un proyecto de exposici\\u00f3n que presenta las obras de un colectivo conformado por cuatro artistas mujeres, que a trav\\u00e9s de la representaci\\u00f3n pl\\u00e1stica de la imagen femenina, se propone visibilizar el mundo de la mujer poniendo en valor la expresi\\u00f3n de su propia voz. \\n\\nTeniendo en cuenta que en el transcurso de la historia del arte las mujeres han sido retratadas mayormente por hombres, esta voz viene a poner en relevancia la urgencia de aportar una mirada femenina sobre lo femenino, enriqueciendo as\\u00ed el imaginario socio cultural.\\n\\nHaciendo el ejercicio de mirarse, comprenderse y registrarse, las artistas construyen, deconstruyen y vuelven a construir el universo de lo femenino, para expresar la posibilidad de una Existencia Otra que incluya y estime la perspectiva de este universo sensible y singular.\\n\\nEstas obras, que son relatos visuales de las experiencias de estas mujeres contadas por ellas mismas, constituyen una forma de transferir un registro plural de lo contempor\\u00e1neo que estimule la conformaci\\u00f3n de un futuro humanamente plenificante y armoniosamente heterog\\u00e9neo.\",\"space\":\"Dadas las caracter\\u00edsticas de los trabajos de las artistas, que var\\u00eda entre dibujos, pinturas y grabados de diversos formatos, el espacio puede ser de dimensiones libres o adaptarse al espacio que se le asigne para la selecci\\u00f3n de tipo, medida y cantidad de obras. El montaje es de tipo tradicional para trabajo de pared con marco o en bastidor.\",\"artists_proposal\":null,\"members\":[{\"names\":\"MARINA\",\"surname\":\"FRASCARA\",\"email\":\"marinafrascara@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"13.276.198\",\"address\":\"Av. San Pedrito 645\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1959-05-07T03:00:00.000Z\",\"birthdate_2\":\"1959-05-07T03:00:00.000Z\",\"telephone\":\"116644-6980\",\"web\":\"http:\\/\\/marinafrascara-pinturas.blogspot.com\\/\"},{\"names\":\"Florencia\",\"surname\":\"Salas\",\"email\":\"florsalas@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"14.452.657\",\"address\":\"Camargo 694 - 4\\u00b0B\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1961-08-01T03:00:00.000Z\",\"birthdate_2\":\"1961-08-01T03:00:00.000Z\",\"telephone\":\"florsalas@gmail.com\",\"web\":\"http:\\/\\/florenciasalas.blogspot.com\\/\"},{\"names\":\"Eva\",\"surname\":\"DENKBERG\",\"email\":\"evadenka@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"9.236.1897\",\"address\":\"San Nicol\\u00e1s  27\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1958-02-01T02:00:00.000Z\",\"birthdate_2\":\"1958-02-01T02:00:00.000Z\",\"telephone\":\"114176-7895\",\"web\":\"https:\\/\\/www.facebook.com\\/denkaeva\\/\"},{\"names\":\"Cecilia Paola\",\"surname\":\"Guglietti\",\"email\":\"paolagulietti.arte@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"21466156\",\"address\":\"Felipe Vallese 1673 7mo B\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1970-01-01T02:00:00.000Z\",\"birthdate_2\":\"1970-01-01T02:00:00.000Z\",\"telephone\":\"1167890607\",\"web\":\"http:\\/\\/paogugliettiarte.blogspot.com\\/\"}],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":6,\"names\":\"Cecilia Paola\",\"surname\":\"Guglietti\",\"email\":\"paolaguglietti.arte@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"21466156\",\"address\":\"Felipe Vallese 1673 7mo B\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1970-01-01T02:00:00.000Z\",\"birthdate_2\":\"1970-01-01T02:00:00.000Z\",\"telephone\":\"1567890607\",\"web\":\"http:\\/\\/paogugliettiarte.blogspot.com\\/\"}', '2020-05-07 00:16:21', '2020-05-07 00:16:21'),
(1659, 'DgsA8XhlLw8UDPiX', '{\"uid\":\"DgsA8XhlLw8UDPiX\",\"type\":\"artist\",\"tags\":[\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Tyrannus Melancholicus\",\"summary\":\"PROJECT TYRANNUS MELANCHOLICUS\\n\\nWe live in a world threatened by a collapsing social, ambiental and economic system.\\u2028Each life system changes throughout its evolutionary history through the exercise of its ingenious potential to adapt to the environment, living beings carry a deep survival instinct.\\u2028Tyrannus Melancholicus is a bird specie that uses industrial materials in the construction of its nests, as a result of this adaptability to humans, it has the status of little concern about extinction.\\n\\n\\u201cThe constant movement makes the project remain indeterminate. The unfinished is imposed, the order is incomplete and changeable. It is a potential move towards completeness or something like the uncertainty of the future and the suggestion of innumerable possibilities for prolongation. The unfinished incites exploration, discovery.\\u201d - JACQUES, P. B. The Aesthetics of Ginga: Slum architecture through the work of H\\u00e9lio Oiticica.\\n\\nThe use of wire, plastic and other industrial materials is not for lack of branches; the same as the basic cause of urban slums is not poverty but wealth. T. melancholicus and communities are bricoleurs, existence of inventors in opposing spaces.\\u2028\\u2028The project\'s proposal is to carry out the process of building the Tyrannus Melancholicus nesting on a human scale, bringing to the work the fragments of poverty and urban wealth.\\u2028An architectural experiment about what could happen if our social system just be more inspired and related to other living beings.\",\"space\":\"All the materials will be collected and transported to the site specific to build a giant nest with industrial and organic materials available in a 10km radius.\\nIf it\'s an indoor space, it will be necessary a high ceiling over 6m, area space at least of 40 square m and walls available to drill.\\nIf it\'s an outdoor space will be necessary a soil ground able to dig foundations for the structure.\\nThe installation will have the capacity to fit in a \\\"contemplative distance\\\" at least 4 people inside.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"pt\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Marjorie\",\"surname\":\"Yamaguti\",\"email\":\"yamagutimarjorie@gmail.com\",\"dni_type\":\"Other\",\"dni\":\"FS692146\",\"address\":\"Av Munhoz da Rocha 1527 ap 303\",\"city\":\"apucarana\",\"nacionality\":\"Brazilian\",\"country_id\":\"34\",\"birthdate\":\"1990-04-10T03:00:00.000Z\",\"birthdate_2\":\"1990-04-10T03:00:00.000Z\",\"telephone\":\"+5511966349330\",\"web\":\"@marjorieyamaguti\"}', '2020-05-07 00:23:59', '2020-05-07 00:23:59'),
(1660, '9oGWXHjKDY908gjU', '{\"uid\":\"9oGWXHjKDY908gjU\",\"type\":\"artist\",\"tags\":[\"sculpture\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"La danza de las Ninfas\",\"summary\":\"Obra compuesta por 10 esculturas de bronce a la cera perdida. \\nCada pieza es la captura de un instante, de un movimiento m\\u00e1s global, en donde sus protagonistas que buscan ser parte del espacio y proyectarse en \\u00e9l.\\n\\nSe presentan dos estilos de acabado, las piezas de peque\\u00f1o formato est\\u00e1n expresadas de manera m\\u00e1s gestual, recordando la impronta impresionista de Degas y surrealista de Giacometti ya que se modelaron directamente en la cera. El grupo escult\\u00f3rico \\u201cDanza fauvista\\u201d, nace de la inspiraci\\u00f3n en la pintura \\u201cDanza\\u201d de Matisse, qui\\u00e9n con el movimiento privilegiaba espontaneidad y vitalidad.\\nLas 3 piezas de mediano formato son m\\u00e1s geom\\u00e9tricas y se manifiestan en movimiento, espacio y libertad, buscando una s\\u00edntesis en la conjugaci\\u00f3n del volumen, la sensualidad y los \\u00e1ngulos proyectados, recordando a Moore y el arte abstracto. \\n\\nLa Danza de las Ninfas se present\\u00f3 anteriormente en dos espacios culturales en Casa Aut\\u00f3noma de la Universidad Aut\\u00f3noma de Chile en 2017 y el el Museo Hist\\u00f3rico Presidente Gabriel Goz\\u00e1lez Videla de La Serena en 2018.\",\"space\":\"Se requiere de un espacio cerrado y con iluminaci\\u00f3n propia de al menos de 7m X 7m puesto que la obra se compone de forma en que cada escultura es independiente pero dialoga con las otras y al centro en forma circular se encuentra una obra compuesta por tres piezas independientes. Todas las esculturas tienen sus propias bases y plintos de hierro pintado por lo que solo se necesita ubicarlas adecuadamente. El peso total es de alrededor de 500 kilos.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":5,\"names\":\"Tatiana\",\"surname\":\"M\\u00e1rtin\",\"email\":\"tatimartin333@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"9.400,625-2\",\"address\":\"Las Orqu\\u00eddeas 713\",\"city\":\"Coquimbo\",\"nacionality\":\"chilena\",\"country_id\":\"44\",\"birthdate\":\"1968-03-08T04:00:00.000Z\",\"birthdate_2\":\"1968-03-08T04:00:00.000Z\",\"telephone\":\"+56990610827\",\"web\":\"facebook\"}', '2020-05-07 01:22:44', '2020-05-07 01:22:44'),
(1661, 'M4YuZmP69xGa7nql', '{\"uid\":\"M4YuZmP69xGa7nql\",\"type\":\"artist\",\"tags\":[\"photography\",\"graphic\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Samayuio, Esp\\u00edritu Del R\\u00edo de Quito. 1: Ullaguangayacu\",\"summary\":\"\\u201cSamay\\u201d: esp\\u00edritu \\/ \\u201cMayu\\u201d: r\\u00edo \\/ \\u201cUIO\\u201d: contractura de Quito, es un proyecto foto\\/gr\\u00e1fico que recupera visualmente los caminos naturales del agua de Quito. En esta, la primera de cinco etapas, se muestra el camino de agua que nace en el p\\u00e1ramo del volc\\u00e1n Pichincha, baja por la vertiente Jatuna hasta desembocar en el R\\u00edo Mach\\u00e1ngara en el sector de El Sena; un camino intervenido por el desarrollo urbano de la ciudad al punto de la invisibilizaci\\u00f3n.\\n\\nEn este recorrido, el floripondio (Wantuk) \\u2013 planta de poder, protectora de los espacios \\u2013, es portal a otras percepciones. Nos permite ver la muerte del agua, la cual se transforma en esp\\u00edritu y retoma su espacio original subiendo por la quebrada. As\\u00ed el agua asciende hacia su origen, llega al Taita Rucu (Padre Viejo) y trasciende a la fuente de los esp\\u00edritus desde donde volver\\u00e1 a caer para seguir revitalizando a la ciudad.\\n\\nEste trabajo pretende no solamente traer al presente el camino natural de agua sino tambi\\u00e9n espera generar di\\u00e1logo y crear conciencia sobre c\\u00f3mo nuestro estilo de vida confluye con la naturaleza influyendo directamente en la conservaci\\u00f3n de los recursos naturales.\\n\\nLas im\\u00e1genes est\\u00e1n impresas sobre papel de algod\\u00f3n, intervenidas con acuarela pintada a mano para iluminar el agua.\\n\\nEn la parte expositiva se plantea el uso de imanes para soportar las piezas. Se plantea un juego l\\u00fadico para los asistentes que consiste en que cada uno vaya formando oraciones visuales con las piezas.\",\"space\":\"N\\u00famero de piezas: 20\\nMaterial: Papel fotogr\\u00e1fico Enhanced Matte sobre soporte de im\\u00e1n y laminados\\nSuperficie de metal para colocar las piezas.\\nVinil de corte para texto de introducci\\u00f3n. Tama\\u00f1o global: 70cm x 120cm\\n\\nTama\\u00f1os de las piezas: \\n12 horizontales: 60cm x 45cm\\n5 verticales: 45cm x 60cm\\n1 panor\\u00e1mica: 2mt x 77cm\\n1 panorama: 86cm x 45cm\\n1 mapa: 80 x 105cm\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/saokma.com\\/wp-content\\/uploads\\/2020\\/04\\/2020-samayuio-maguilar-10u.pdf\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Monica Cecilia\",\"surname\":\"Aguilar Villamar\\u00edn\",\"email\":\"hola@saokma.com\",\"dni_type\":\"PASAPORTE\",\"dni\":\"1717831935\",\"address\":\"OE2C, N74-51 y Av. Jos\\u00e9 Andrade. Ponceano Alto.\",\"city\":\"Quito\",\"nacionality\":\"Ecuatoriana\",\"country_id\":\"67\",\"birthdate\":\"1983-03-02T05:00:00.000Z\",\"birthdate_2\":\"1983-03-02T05:00:00.000Z\",\"telephone\":\"+593998931303\",\"web\":\"www.saokma.com\",\"fileCount\":10}', '2020-05-07 01:28:42', '2020-05-07 01:28:42'),
(1662, 'wqPOSAppkxaSzawu', '{\"uid\":\"wqPOSAppkxaSzawu\",\"type\":\"artist\",\"tags\":[\"video\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Horror vacui VII\",\"summary\":\"\\\"How will it be from now on? What will remain of it all? For some questions, silence is the best answer.\\\"\\n\\nHorror vacui VII is a videopoem that reflects on the changes and consequences of the COVID19 pandemic on contemporary society. Made on early quarantine using only free footage from stock images sites, it\'s based on the last part of a poem Horror vacui, both (poema and video) created by Baga Defente.\",\"space\":\"1) Projection on screen, wall or monitor with audio headphones\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":\"https:\\/\\/youtu.be\\/9atWdPHRsNw\",\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":3,\"names\":\"Baga\",\"surname\":\"Defente\",\"email\":\"baga@nada.art.br\",\"dni_type\":\"Other\",\"dni\":\"32113280841\",\"address\":\"Rua Dr. Jos\\u00e9 Barbosa de Barros, 792\",\"city\":\"Botucatu\",\"nacionality\":\"Brasileiro\",\"country_id\":\"34\",\"birthdate\":\"1984-01-04T03:00:00.000Z\",\"birthdate_2\":\"1984-01-04T03:00:00.000Z\",\"telephone\":\"+55 (11) 976 758 175\",\"web\":\"@bagadefente\"}', '2020-05-07 01:47:14', '2020-05-07 01:47:14'),
(1663, 'AjYYZsT5XtU2SMrA', '{\"uid\":\"AjYYZsT5XtU2SMrA\",\"type\":\"artist\",\"tags\":[\"painting\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"La memoria de los trapos\",\"summary\":\"Entre 10 y 15 retratos de gran tama\\u00f1o de mujeres sobrevivientes de la \\u00faltima dictadura militar argentina basado en fotos actuales pero vestidas con la ropa que llevaban al momento del secuestro.\\nEn Argentina hubo 30.000 personas desaparecidas por el Estado durante la dictadura militar (1976-1983). Seg\\u00fan el Informe Nacional sobre Desaparici\\u00f3n de Personas, 33%  fueron mujeres, y el 10% de ellas estaban embarazadas. Casi ninguna alcanzaba los 30 a\\u00f1os de edad.\\nLa gran mayor\\u00eda fue sometida a todo tipo de vej\\u00e1menes. Durante la \\u00faltima dictadura militar la mayor\\u00eda de las mujeres secuestradas sufrieron formas de violencia espec\\u00edficas por su condici\\u00f3n de mujeres. El castigo de la dictadura hacia las mujeres era no s\\u00f3lo por \\u201csubversivas\\u201d, sino tambi\\u00e9n por ir en contra de lo que la sociedad patriarcal esperaba de ellas por ser mujeres.\\nComo una bisagra entre la inocencia y el infierno qued\\u00f3 grabado en la memoria de cada una el momento del secuestro.\\nLa ropa que llevaban, congelada para siempre en ese instante,  se volvi\\u00f3 escudo, se volvi\\u00f3 capa, armadura, compa\\u00f1era, s\\u00edmbolo.\\nEsta serie de cuadros intenta rendirles homenaje.  A las mujeres de hoy, que vestidas como las chicas de ayer,  exorcizan una vez m\\u00e1s los demonios y el horror.\",\"space\":\"Espacio expositivo interior, acondicionado para exposiciones con los requerimientos m\\u00ednimos de luz etc. Ser\\u00eda recomendable un espacio que guarde v\\u00ednculos con temas de Derechos Humanos y que permita alg\\u00fan tipo de evento relacionado como una conferencia, presentaci\\u00f3n teatral simple(monologo) o lectura.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":2,\"names\":\"Cynthia\",\"surname\":\"Eisenberg\",\"email\":\"cynthiaeisenberg@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"21729257\",\"address\":\"Bahia Blanca 3435\",\"city\":\"Ciudad de Buenos Aires\",\"nacionality\":\"argentina\",\"country_id\":\"9\",\"birthdate\":\"1970-09-21T03:00:00.000Z\",\"birthdate_2\":\"1970-09-21T03:00:00.000Z\",\"telephone\":\"1159744412\",\"web\":\"https:\\/\\/www.instagram.com\\/cynthiaeisenberg\\/\"}', '2020-05-07 03:44:35', '2020-05-07 03:44:35'),
(1664, 'OxdJUdEld40KM50D', '{\"uid\":\"OxdJUdEld40KM50D\",\"type\":\"artist\",\"tags\":[\"painting\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"\\u00bfA qu\\u00e9 le temer\\u00e1 la ausencia?\",\"summary\":\"La instalaci\\u00f3n que surge a partir de mi obra fotogr\\u00e1fica La ausencia futura, (2017). La b\\u00fasqueda conceptual trasladada a las obras, habla de los sucesos de la vida durante la vejez: la fragmentaci\\u00f3n de la memoria, las huellas de un cuerpo que se ausent\\u00f3 a s\\u00ed mismo, la descomposici\\u00f3n de lo que queda. A trav\\u00e9s del retrato de mi abuela, me acerco a sus espacios cotidianos, \\u00edntimos y sus rutinas. \\nLa instalaci\\u00f3n consta de  4  fases. Toda la instalaci\\u00f3n est\\u00e1 acompa\\u00f1ada de m\\u00fasica instrumental minimalista.  La fase 1, G\\u00e9nesis, a modo de antesala, est\\u00e1 constitu\\u00edda por una caja de fotograf\\u00edas e instalaci\\u00f3n lum\\u00ednica, (Caja de Luz, 2017), un retrato fotogr\\u00e1fico (Nosotras, 2017) y un libro artesanal de collages (Libro, 2017). Contigua a \\u00e9sta, la Fase 2 \\u00bfA que le temer\\u00e1 la ausencia?, exhibe la serie de obras que lleva el mismo nombre de toda la propuesta. Son pinturas de formato medio\\/grande realizadas en \\u00f3leo, acr\\u00edlico y grafito. En el medio de la sala, la Fase 3 Por favor acu\\u00e9stese, es una recreaci\\u00f3n de una habitaci\\u00f3n en la vejez: una cama de una plaza, una mesa de luz y un velador. Sobre la mesita se encuentra el t\\u00edtulo de la obra dentro de un peque\\u00f1o portarretrato negro. En el interior de la mesa un segundo portarretrato  con la imagen de un rostro. La Fase 4 es una instancia performativa en la que, antes de ingresar, se llena la sala de humo blanco. Las obras desaparecen en la distancia, habr\\u00e1 que acercarse (y alejarse, y acercarse) para poder observarlas\",\"space\":\"La instalaci\\u00f3n requiere de una sala blanca de 5 x 6 metros aproximadamente. Debe contar con un espacio separado, pero contiguo, de 2 x 1.50 m aproximadamente, para la Fase 1 (G\\u00e9nesis). Se solicita el alquiler de una m\\u00e1quina de humo bajo, por lo tanto, la sala debe tener buen acceso a toma corriente para poder instalarla (la dimensi\\u00f3n aproximada es de 60 x 30 x 60). Toda la instalaci\\u00f3n est\\u00e1 acompa\\u00f1ada de m\\u00fasica instrumental minimalista, se necesita, entonces, un equipo de sonido envolvente.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":18,\"names\":\"Clara\",\"surname\":\"Mogni\",\"email\":\"claramogni@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"40538656\",\"address\":\"Arribe\\u00f1os 2890\",\"city\":\"Buenos Aires\",\"nacionality\":\"Argentina\",\"country_id\":\"9\",\"birthdate\":\"1997-07-11T03:00:00.000Z\",\"birthdate_2\":\"1997-07-11T03:00:00.000Z\",\"telephone\":\"1539395610\",\"web\":null}', '2020-05-07 04:13:01', '2020-05-07 04:13:01'),
(1665, '8D047CmJZC8yv3ys', '{\"uid\":\"8D047CmJZC8yv3ys\",\"type\":\"artist\",\"tags\":[\"object\",\"instalation\",\"public-space\",\"photography\",\"sculpture\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"FRAGILIDAD FICCIONAL\",\"summary\":\"Descripci\\u00f3n conceptual:\\n\\nFragilidad Ficcional parte de una b\\u00fasqueda por la idea de lo real, es una exposici\\u00f3n que va sesgada a la imaginaci\\u00f3n, un tangible y a la vez intangible, es la delgada l\\u00ednea donde se presenta de forma cr\\u00edtica lo que realmente llega a ser cre\\u00eddo, una met\\u00e1fora, solo una ilusi\\u00f3n, la muestra se lleva a cabo de forma ficticia en el bulevar del rio de la ciudad de Santiago de Cali, que tambi\\u00e9n puede ser la sala de exposiciones de alg\\u00fan reconocido museo o porque no las famosas plazas de las cunas del arte, y para reforzar la ofuscaci\\u00f3n realizo un levantamiento fotogr\\u00e1fico de la escena para as\\u00ed generar una interpretaci\\u00f3n a gusto personal por parte de cada uno de los espectadores. \\nPara aquellos que por dificultad de movilidad no puedan asistir a la exposici\\u00f3n, podr\\u00e1n tener una idea visual en el siguiente link. \\nhttps:\\/\\/www.instagram.com\\/p\\/B_lZGvID38e\\/ \\n\\nCaracteristicas formales:\\n\\nFragilidad ficcional es una obra que se genera empleando dos t\\u00e9cnicas (el ensamble y el fotomontaje) dando as\\u00ed cabida a la uni\\u00f3n de dos categor\\u00edas que forman contraste como lo son la escultura y el arte digital; el proyecto igualmente permite el uso de herramientas como codigos QR que contienen el link, este, al ser leido con el el telefono movil, dirige al espectador a un espacio virtual donde observar\\u00e1 dichos fotomontajes realizados con los objetos escultoricos.\\nLa obra escultorica es elaborada en madera y la medida total de esta es de 25 x 10 x 10 cm la cual se divide en 4 cubos.\",\"space\":\"Para la pieza escult\\u00f3rica se sugiere una sala de exposiciones, en esta, habr\\u00e1 una base al piso de 5 x 30 x 30 cm, que pueda ser recorrida al rededor.\\nPor otra parte, se pondr\\u00e1n cuatro etiquetas QR de 17,5cm3 al rededor de base, las cuales le permitiran al espectador con su telefono movil ingresar al portal virtual donde encontrara las imagenes foto-montaje; cabe resaltar que para que este procedimiento sea efectivo se requiere de una conexi\\u00f3n wifi abierta al p\\u00fablico para la presentaci\\u00f3n.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"https:\\/\\/www.instagram.com\\/p\\/B_lZGvID38e\\/\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":14,\"names\":\"Carlos Eduardo\",\"surname\":\"Cortes Mu\\u00f1oz\",\"email\":\"carloseduardocortesmunoz@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"1144212651\",\"address\":\"cra.37#42-37\",\"city\":\"Santiago de Cali\",\"nacionality\":\"Colombiano\",\"country_id\":\"51\",\"birthdate\":\"1999-10-18T05:00:00.000Z\",\"birthdate_2\":\"1999-10-18T05:00:00.000Z\",\"telephone\":\"3174623238\",\"web\":\"https:\\/\\/www.instagram.com\\/eduart.18\\/\"}', '2020-05-07 04:30:13', '2020-05-07 04:30:13'),
(1666, 'qvXsZLgfkb82XPCY', '{\"uid\":\"qvXsZLgfkb82XPCY\",\"type\":\"artist\",\"tags\":[\"photography\",\"public-space\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"LOS PROMESANTES, SALUDO A LA MAMITA DEL CERRO\",\"summary\":\"Una fotograf\\u00eda, por su propia naturaleza, siempre refiere a lo que no se ve. \\u00bfQu\\u00e9 pasa cu\\u00e1ndo se establece un dispositivo en donde espectador y personas retratadas persiguen un objeto de deseo que no se muestra? En este ejercicio, en donde todos miran y algunos se sienten observados, en donde los objetos se descontextualizan de uso personal y ritual; se indaga en las complejidades del proceso de construcci\\u00f3n de una mirada critica del deseo, proponiendo una historia individual y colectiva. \\nA partir de este dispositivo nos acercamos desde un uso formal de la imagen en el universo espiritual y ritual presente en los promesantes que concurren a la peregrinaci\\u00f3n de la Virgen de Punta Corral. Todos los a\\u00f1os en v\\u00edsperas de las Pascuas Cat\\u00f3licas miles de personas de los pueblos lindantes y otras provincias se movilizan hasta el santuario de la Virgen en Punta Corral (Jujuy) para buscar a su protectora y bajarla en procesi\\u00f3n el Domingo de Ramos hasta el pueblo de Tumbaya. Para llegar al santuario de la Virgen hay que adentrarse en los cerros de la Quebrada de Humahuaca llegando a superar los 3500 metros de altura. Es un evento donde la participacio\\u0301n en comunidad es importante, pero la soledad y la introspeccio\\u0301n se hacen presentes y forman el cara\\u0301cter del peregrino. \\nCatorce fotograf\\u00edas montadas de 40x60 forman parte del recorrido narrativo. Cada una montada individualmente formando una semi esfera.\",\"space\":\"Las fotograf\\u00edas funcionan como una gran sin\\u00e9cdoque de la peregrinaci\\u00f3n que convoca a miles de personas de la zona de la Quebrada de Humahuaca. Atendiendo a eso es que el espacio en donde mejor encajar\\u00edan es en el entorno natural. Frente a la Iglesia de Tumbaya se encuentra la plaza central que puede ser intervenida, quedando las fotograf\\u00edas frente a los cerros que se ascienden para llegar al santuario y funcionando a su vez como significantes del lugar a donde bajan en peregrinaci\\u00f3n a la Virgen.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"NICOL\\u00c1S ANDR\\u00c9S\",\"surname\":\"PITTALUGA\",\"email\":\"n_pittaluga@hotmail.com\",\"dni_type\":\"DNI\",\"dni\":\"30632682\",\"address\":\"JUAN AGUSTIN GARCIA 3650, 4\",\"city\":\"CABA\",\"nacionality\":\"ARGENTINA\",\"country_id\":\"9\",\"birthdate\":\"1984-02-29T03:00:00.000Z\",\"birthdate_2\":\"1984-02-29T03:00:00.000Z\",\"telephone\":\"1168266433\",\"web\":\"https:\\/\\/www.instagram.com\\/pittaluga.nicolas \\/ INSTAGRAM\",\"fileCount\":9}', '2020-05-07 06:49:53', '2020-05-07 06:49:53'),
(1667, '0s3wBWobH2M2Wu75', '{\"uid\":\"0s3wBWobH2M2Wu75\",\"type\":\"artist\",\"tags\":[\"others\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Feminismo Popular\",\"summary\":\"Estas obras surgen desde la urgencia de formarnos colectivamente para comprender lo que atraviesa todas las dimensiones de nuestras vidas. Surge del dolor que implica cada femicidio, de la necesidad visceral de organizarnos frente a los abusos en la infancia, las violencias basadas en el g\\u00e9nero y la orientaci\\u00f3n sexual. \\n Surge de un largo recorrido, de un proceso de construcci\\u00f3n de conocimientos de que hay otro mundo posible. Surge de la b\\u00fasqueda de ampliar los m\\u00e1rgenes del deseo, del placer, de la diversidad afectiva y corporal, del encuentro y la invenci\\u00f3n de nuevas formas de hacer pol\\u00edtica, de tejer redes, de sostenernos y estar cada vez m\\u00e1s cerca para construir un mundo libre de violencias.\\nEs mucho el camino que ha recorrido el feminismo para llegar a esta instancia en la que estamos dispuestas a cambiarlo todo, a discutir cada una de las dimensiones de nuestra vida y las condiciones de desigualdad y opresi\\u00f3n que nos atraviesan a todas de manera diferente pero parecida. \\nEn los \\u00faltimos a\\u00f1os nos encontramos en la calle codo a codo con todas las trabajadoras de nuestro pa\\u00eds y junto con las compa\\u00f1eras de m\\u00e1s de 50 pa\\u00edses del mundo.  Est\\u00e1 claro de qu\\u00e9 lado estamos. \\nTambi\\u00e9n est\\u00e1n cada vez m\\u00e1s claras las demandas y tambi\\u00e9n esta muy claro que desde la pedagog\\u00eda de la ternura es donde queremos construir una sociedad {as justa e igualitaria.\",\"space\":\"Son calados en papel que se pueden ver de un lado y del otro. las dimensiones m\\u00e1ximas son de aprox. 1.20 metro x 1.25 ambos. Y tienen otros papeles tambi\\u00e9n calados superpuestos.\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":\"www.bibianaquagliotti.com.ar\",\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"fileCount\":0,\"names\":\"Bibiana\",\"surname\":\"Quagliotti\",\"email\":\"bibiquagliotti@gmail.com\",\"dni_type\":\"DNI\",\"dni\":\"24375467\",\"address\":\"Alejandro Magari\\u00f1os Cervantes 3061 dpto A\",\"city\":\"caba\",\"nacionality\":\"argentina\",\"country_id\":\"9\",\"birthdate\":\"1975-04-06T03:00:00.000Z\",\"birthdate_2\":\"1975-04-06T03:00:00.000Z\",\"telephone\":\"+54 1165706785\",\"web\":\"www.bibianaquagliotti.com.ar\"}', '2020-05-07 07:07:34', '2020-05-07 07:07:34'),
(1668, 'OLoC8apaXVDSME5j', '{\"uid\":\"OLoC8apaXVDSME5j\",\"type\":\"artist\",\"tags\":[\"others\",\"instalation\"],\"group\":\"no\",\"group_name\":null,\"project_title\":\"Flameante\",\"summary\":\"La instalaci\\u00f3n consiste en una serie de carteles realizados con cart\\u00f3n kraft y f\\u00f3sforos. Cada cartel es una palabra. \\u00c9stas se pueden repetir a lo largo de la sala cuantas veces se considere necesario (seg\\u00fan el criterio del curador). \\n\\nUn cartel que dice \\u201cartista\\u201d. Al lado, otro igual, \\u201ccuradora\\u201d, otro \\u201dcomisaria\\u201d, y un \\u00faltimo \\u201ccurator\\u201d.\\u00a0Carteles hechos con materiales desechables, accesibles y precarios.\\n\\nEstas palabras son los apodos con los cuales me identifico dada mi trayectoria y experiencia laboral. Apodos flamantes, poderosos, lujuriosos que incluso causan admiraci\\u00f3n en algunos.\\u00a0Apodos que esconden una realidad incierta, ef\\u00edmera y precaria. \\n\\nEsas palabras tan atrayentes a primera vista, revelan una vez encendidos los f\\u00f3sforos un estado precoz, fugaz e incierto de lo que es \\u2013para m\\u00ed\\u2013 ser artista, curadora (curator o comisaria). Por solo un instante esplendor, brillo y calor, seguidos por el declive, el agote y la ceniza, sin uso y sin destino. Desechables.\\n\\nLa obra denuncia el estado de incertidumbre y la precariedad con la que convivo como artista o curadora. Una realidad incierta dado un sistema art\\u00edstico poco apoyado, estimulado, y financiado. \\n\\nSe prev\\u00e9 colgar los carteles a lo largo de toda la sala expositiva, inclusive corredores o \\u201cno lugares\\u201d, amplificando la cualidad desbordante de esa condici\\u00f3n precaria a la cu\\u00e1l me refiero.\",\"space\":\"Los carteles estar\\u00e1n colgados con cinta doble faz (sujeto a cambio si esto no es posible) a una altura por encima de la l\\u00ednea del ojo, simulando un cartel publicitario.\\n\\nComo medida de seguridad se prev\\u00e9 colocar extintores de fuego junto a cada cartel a una distancia pr\\u00f3xima. Se han realizado pruebas de encendido de los f\\u00f3sforos y se consta que la llama de los \\u00e9stos no supera los 20 cm de altura y pueden ser r\\u00e1pidamente apagados sin mayores peligros.\\n\\nMedidas carteles: 100 - 140 cm x 24 cm\",\"artists_proposal\":null,\"members\":[],\"lang\":\"es\",\"status\":\"ok\",\"video_link_password\":null,\"video_link\":null,\"audio_link_password\":null,\"audio_link\":null,\"images_link_password\":null,\"images_link\":null,\"cellphone\":null,\"description\":null,\"estimated_budget\":null,\"complementary_info\":null,\"names\":\"Catalina\",\"surname\":\"Bunge\",\"email\":\"cbunges@gmail.com\",\"dni_type\":\"CI\",\"dni\":\"47528819\",\"address\":\"Aguirre 3, piso 1 C\",\"city\":\"Madrid\",\"nacionality\":\"Argentina\",\"country_id\":\"71\",\"birthdate\":\"1985-03-14T23:00:00.000Z\",\"birthdate_2\":\"1985-03-14T23:00:00.000Z\",\"telephone\":\"679717900\",\"web\":null,\"fileCount\":4}', '2020-05-07 12:14:05', '2020-05-07 12:14:05');
