The artistic work addresses the theme of the mirror and its reflection in the elaboration of the photographic image. It investigates how the notions of identity and the image of the body are influenced by the mirror and how this device allows an awareness of the self, the image of the body and the idea of ​​otherness.

The approach is not limited to the physical phenomenon of reflexivity. Reflection is a metaphor for thinking that comes back to itself with the intention of expanding the limits of knowledge. Reflecting is a discursive attitude towards work and the world.

In the field of image, the investigation adopts photography as a language, analyzing the influence of the mirror on the possibilities of representation of the body image.

Like art, the mirror offers visibility to the invisible; the device is a means / object to exercise a new power of the gaze, the multiplication of points of view and the expansion of the limits of the visible.

The two main conceptual elements that structure artistic practice are photography and the mirror, with the main objective of questioning the approximation between the mirror image and the body image. The reflective surface is investigated as an instrument for the construction of the self, with the development of a dissimilarity procedure.