While identity politics being co-opted into wider nationalist agendas,  'Biographies of objects' exposes the construct of cultural identity, questions the processes of history-making, and explores the new emerging operators that alter the socio-political spaces and hierarchies. 

'Biographies of objects' explores the possible futures of nationality within the transnational discourse through the prism of quantum physics and technology, while addressing pressing universal and existential questions of humanity in crisis. The work focuses on the signifiers of cultural production and their presence in the construction of national and cultural identity. As diaspora is understood as a phenomenon that encourages multi-local attachments, the work aims to relate to the digital space of the on-line transnational communities. 

Being centered around a metaphor of an object of cultural significance, the work deconstructs the formation of cultural identity in multiple cultures. Based on the historical roots of the blue and white printed ceramics from Ancient Egypt, Persia and Mesopotamia through China, Russia, Europe and Britain, the AI narrator takes the viewer on the object’s journey all the way through to the particles and the waves of the known universe, allowing to access the non-human centric viewpoint while questioning urgent socio-political issues.