I hope this proposal opens a conversation about showing my recent production, some of which was part of my first solo exhibition “Canseira”, at Centro Helio Oiticica, Rio de Janeiro, 2019, in other locations in South America. For this, one or more works proposed here can be selected and combined to be exhibited in a solo presentation in a location to be defined, or incorporated into another curatorial context. If prompted to help in the definition of the venue, I can activate partners, as the collections and institutions that host some of the works proposed such as Frac Pays de La Loire, Kunsthal Gent, Mac Niterói, Luca School of Arts, and others. 

In the first phase I proposed five works that start from my own position to address the feeling of being tired, stuck, and immobile. With installations, videos, and sculptures, I use gravity, movement, and dance, to create other bodies and ways of moving and resting. In addition to these five works, I’ve added a last work here that can give name to the proposal. In “Baile das Obsoletas” (The dance of the obsoletes) the parts of a smartphone dance in a fragile structure that activates the space. In the bottom, hangs an iron ore stone taken from the ground where my family lives in Minas Gerais. Putting in motion something that seems immobile and impenetrable, like the smartphone, is a motive repeated in the other works in this proposal: "WORKATION", "Ribanceira", "Móbiles Cansados", "Aproximações", and "Trabalho Involuntário".