Video Installation Till the End of the Thread consist of the vertical projection with no sound and the horizontal projection of the experimental film. This installation is a kind of epitaph for the former Yarn and Thread Factory Dalmatinka and its workers. This factory was one of the most successful textile companies in Yugoslavia and since its founding in 1951 to the beginning of the 90's it was the basis of economic life in the town of Sinj, Croatia. In the textile industry that majority of workers are women which is why the job loss in this industry reflected directly in negative trends like retraditionalization of women. In the vertical projection, former textile worker Ana Radović reconstructs down to details the bodily movements in the work process on the machine where she used to work, but in the empty space in silence. The action transmits a sense of loss of a generation whose enthusiasm for imagining the future was completely erased in the transition from socialism to capitalism. A worker, on whom the entire political concept of socialism was based, has become utterly marginalised and irrelevant within the new order of liberal democracy. The film is a portrait of the factory in its terminal state, recorded in 2017 during the end of the bankruptcy proceedings and in 2018, when the factory was sold. The movements of cotton and thread in the ruins of the famous factory and empty halls are interwoven with scenes from the archive film from the golden days of Dalmatinka.