We present an artistic experiment in border crossing at a time of extraordinary border control, through a series of relational artworks created with artists from all continents, by installing a shipping container- artspace which acts as a space for connection and circulation, after times of upheaval and separation.
 
A contemporary version of the Dadaist Exquisite Corpse will take three forms 1) A collaboratively executed series of artistic world-maps, synthesised by Máximo Corvalán- Pincheira 2) An analogue circulation of postal artworks. 3) Simultaneously, in Auckland, a circulatory system of bodies shares a choreographic performance of embodied actions, tasks and phrases that crossed the globe via scores and provocations.

The objects & movements that make up this exhibition digitally and materially crossed the world between March and December 2020, inevitably shedding bacteria and infecting, inspiring, entangling, and inciting co-presence,  as the pandemic made reality and fiction, terror and hope feel indistinguishable.  We probe relations between geopolitics and the domestic distribution of power, singular and collective bodies and poetic/ performative/artistic actions. In activating international collaborations during global lock-down we refuse(d) to have cultural, political, collaborative or creative stasis or separation imposed on us. Including Ivan Navarro(Ch), Nipan Oranniwesna(TH), Linda Knight (AUS), Oscar Farfan(Mex),  Ganug Sedbazar(MO),Rainer Junghanns(GER).