To paint is to preserve a fragment of time before it becomes the past, is to re-live and liberate the sensation from within. A painting usually emerges from my closest personal relationships, my memory of them and moments spent together. Sometimes I change my mind halfway through and a painting which begins being about someone [or something], evolves to be about someone [something] else, outside of my control. The work will go through a process of construction and destruction as I try to carve out from it what it wants to say, through how my body behaves as I paint it. The photographs of balloons and raw meat are further attempts to encapsulate life as it escapes the contained space, all the while referencing the body and its pulsating desires.

The objective of the exhibition project is to initiate a dialogue with the public, between the contemporary body, its desires and exorcisms (subjects which arise in the experience of the process of making the work).

The project includes 3 paintings (oil on loose canvas, ± 80 x 60 cm each) and 3 photographs ( ± 70 x 60cm each). The paintings are to be hung loose, without the wooden structure, by clips attached to its upper corners, and those attached to wires, hanging from the ceiling. The photographs are to be hung loose as well, with clips attached to their upper corners, and those attached to wires, hanging from the ceiling (like clothes on a drying wire)