{"uid":"ya3SGyRey41mohab","type":"curator","tags":[],"group":"no","group_name":null,"project_title":"Re-Enchantment","summary":"Our old world, which was then the \"new\" one, seems to have been definitively shattered with the latest events. But is it possible to think simultaneously of a tragedy and a blessing? With its collapse, the \"new\" world has swallowed up its exhausted, amoral and perverse foundations, after having condemned our whole society to fatigue, in the best of cases, certainly (B.-C. Han 2010). Guilty as forgetful, the new world is like a resistant weed which unceasingly rises from its own centuries-old ashes. The \"new\" world seems to have become autarchic. The only weapons to slow it down are participatory and artistic actions. Indeed, \"What lies between destructions and survivals? The acts of resistance. An everyday struggle to oppose injustice, or, at least, so that justice may be done. Pasolini names light as the vital element of such resistance acts: a poetic element because \"poetry is in life\", a political element because life itself expands, breathes, changes -even dies- politically\" (Didi-Huberman 2009). If even the \"new\" world represents the realization of a dream, we need to fall asleep and get out of it in terms of a \"return\": to the manual, to relationships, to nature (Larouche 2007). That is, we need to go back to the \"old\" world - if we want to proceed to the future. Here then the origins of a global \"pandemic\" correspond to the disenchantment of the world (Weber 1920) which we are therefore called to re-enchant.","space":"Buenos Aires streets would be the best venue to exhibit or better to share these images, meant to stimulate people imagination and relations. Works will be printed in billboards and fixed on the streets walls.\nThis project could be then realized even and specially in covid times to facilitate public fruition with no fear of contagion.\nEach billboard could be joint with the Bienalsur logo. All info about both the project and the works would be found in its website.","artists_proposal":"Selected artists are only Italian. This choice is not motivated by an absurd nationalistic purpose, rather for a context specific reason, that is the aim to partially solve the usual spread promotion of the abroad (with consequent ignorance of Italian artists) among Italian curators and institutions.\nArtists: \nEmanuele Becheri: museonovecento.it\/en\/mostre\/campo-aperto-emanuele-becheri-sculture-e-disegni\/\nChiara Bettazzi: chiarabettazzi.org\nMarco Maria Zanin: marcomariazanin.com\nNicola Samor\u00ec: nicolasamori.com\nCarlo Benvenuto: galleriamazzoli.com\/en\/artists\/benvenuto.html\nGiovanni Ozzola: giovanniozzola.com","members":[],"lang":"en","status":"ok","video_link_password":null,"video_link":null,"audio_link_password":null,"audio_link":null,"images_link_password":null,"images_link":null,"cellphone":null,"description":null,"estimated_budget":null,"complementary_info":null,"names":"Veronica","surname":"Caciolli","email":"veronica.caciolli@gmail.com","dni_type":"PASAPORTE","dni":"yb1766748","address":"Costa dei Magnoli 5, 50125","city":"Florence","nacionality":"Italian","country_id":"113","birthdate":"1977-04-30T22:00:00.000Z","birthdate_2":"1977-04-30T22:00:00.000Z","telephone":"00393386397284","web":"www.arebours.it","fileCount":6}