It is an interactive in situ installation that the visitors are invited to appropriate so the public can create their own happening and decide the limits of the installation (depend the space, they can also invade the ground with the removable parts of the installation). The aim is to stimulate reflection on our conscious/unconscious participation in the construction and/or destruction of walls. The reflection also concerns the moment when their construction exceeds us, when it becomes out of reach, inaccessible to our direct action; then requiring a form of physical and inner ascension in order to cross these walls. In a world specifically marke by question of borders, but even more so by the development of wall constructions between peoples and countries, it is urgent to reflect on our relationship to this. The paper, origami construction/boxes fixed with patafix on the wall, as the main medium refers to the ballot, as often the construction of walls is the result of our voting or abstaining in the democratic process.
At the end of the exhibition, I will recover all the components of the installation in their current state in order to create an intervariactiv artwork on canvas with them. Indeed, these elements represent a form of archaeological artifacts that present traces and memories of interactions. The first form of this concept was created in one room of the Gutenberg Museum in Fribourg, Switzerland, and was on display from September 24th 2019 to January 12th 2020.