Concept: Indigenous environmental activist Berta Caceres’s assassination by ex-military personnel and directives of river damn project “Agua Zarca” in Honduras triggered a peculiar phrase from her Lenca community and followers. In a defying manner, they categorized her assassination as a “sowing”; a sowing to harvest a future, because like a seed, she had multiplied in them to continue her fight. In this context 21,000 students in the past 7 years have been killed and "sacked"(tortured, put in a sacks & thrown on the streets) in Honduras. 

The Sowing is an installation that portrays a killing field of students who have become the fertile ground for a harvest of future. But what kind of future? 

Two elements: the installation and the performatic/participatory component. The first component on the floor, in grid-form alignment like in a harvest field,12 tied sacks with amorphous corporal hinted shapes will lay on the floor. From them, breaking the sack’s enclosure (bed sheet, rug, plastic bag or jute sack) will stem out a single flowering banana plant (reference to the "banana republic"). In the exhibition space, a privileged panorama of these harvest fields will be offered to the spectators, with a glimpse of the first bloom of “The Sowing”

The 2nd element will consist of a makeshift banana fruit selling point placed in the entrance of the exhibit space where people can buy..This will push the question what will the spectators-> participants->consumers take with them?