{"uid":"2LnXqPVes1OBA6r2","type":"curator","tags":[],"group":"no","group_name":null,"project_title":"The Divine Anomaly","summary":"\u2018The Divine Anomaly\u2019 aims to inquire into emerging aesthetic formation based on computer algorithms, machine learning and artificial intelligence (AI) \u2013 both promised a long time ago as a remedy of our shortfalls \u2013, and more specifically the aesthetics of their falls, of what is considered as an error. As a helpless accident, the algorithms\u2019 error could only bring forward its essence, but also could reveal itself as an extra-ordinary, thus an anomaly which has its own potential of emergence and of creation.\nTo be such an anomaly, the algorithms\u2019 error should reveal itself as a detail, strongly insistent within the \u2018great unity\u2019, becoming therefore a factor of its disorder and disequilibrium. Both Egor Kraft\u2019s \u2018Content Aware Studies Series\u2019 and Quayola\u2019s \u2018Unfinished Sculptures\u2019 revisit artefacts based on the Hellenic ideal of divine beauty that excludes body hair, veins, fine lines; however, by algorithmizing already existing classical sculptures, an accidental transfiguration appears that both artists take as a creation instrument for the appearance of new aesthetic qualities.\nOn the other hand, Gr\u00e9gory Chatonsky\u2019s artworks \u2018Deep Body\u2019 and \u2018Organism\u2019 use computer algorithms in order to create new models of organisms and of the human body.\n\u2018The Divine Anomaly\u2019 address new conditions that emerge from the entanglement of the physical \u2013 cultural art heritage for some, the human body and living organisms for others \u2013 and the virtual \u2013 3D scanning, AI, etc.","space":"The ideal exhibition venue would be at a museum that has collection of sculptures of the Roman and Hellenic ages, or even Baroque or Neoclassicism, in order to bring face to face contemporary sculptures and ancient artefacts that the former revisits by the use of emerging digital technologies such as AI.\nIf this exhibition could be hold in Toulouse, France, the ideal exhibition venue would be the Mus\u00e9e des Augustins de Toulouse or the Mus\u00e9e Saint-Raymond which both conserve such a collection.","artists_proposal":"\u2022 Egor Kraft \/ Russia-Germany \/ http:\/\/egorkraft.com\/\n\u2022 Gr\u00e9gory Chatonsky \/ France \/ http:\/\/chatonsky.net\/\n\u2022 Quayola \/ Italy-United Kingdom \/ https:\/\/quayola.com\/\n\u2022 I would like to invite students in digital arts to create one artwork for this exhibition","members":[],"lang":"en","status":"ok","video_link_password":null,"video_link":null,"audio_link_password":null,"audio_link":null,"images_link_password":null,"images_link":null,"cellphone":null,"description":null,"estimated_budget":null,"complementary_info":null,"names":"Antoniy","surname":"Valchev","email":"anthoniy@antval.com","dni_type":"PASAPORTE","dni":"385402197","address":"54 port Saint Sauveur, BP 39","city":"Toulouse","nacionality":"Bulgarian","country_id":"77","birthdate":"1992-07-26T22:00:00.000Z","birthdate_2":"1992-07-26T22:00:00.000Z","telephone":"0033685930415","web":"www.antval.com"}