INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29132, 'LUVzaekRAxUis6LK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 03:43:55', '2020-06-10 03:43:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29133, 'nLrYfxHmPUUxyoaZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 03:44:01', '2020-06-10 03:44:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29134, 'bNJFlIO4abegyg7L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 03:45:02', '2020-06-10 03:45:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29135, 'VKmtwPWJstfRw04h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 03:45:35', '2020-06-10 03:45:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29136, 'F9135A90hiNeHK1e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 03:46:28', '2020-06-10 03:46:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29137, '4jwx6KWIubnrazdn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 03:52:28', '2020-06-10 03:52:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29138, '9kFAnIV9jNlwn6F6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 03:55:09', '2020-06-10 03:55:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29139, 'MXHhNKJRVunESn9w', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:06:08', '2020-06-10 04:06:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29140, 'KiUuereYBFyn30uo', 'DISTOPIA', NULL, 'D I S T O P I A\nB Y J UN A\n\nUna performance dirigida y producida por @JUNAperformer\n\nDISTOPIA, performance con 6 INSTALACIONES diferentes. Es una obra que hace rechazo total a los paradigmas tradicionales para crear, presentándonos un universo, 7 seres y la puesta en escena recordándonos de dónde venimos y las etapas que hacen parte de nuestras vidas. \n\nEs este un universo que viene del TODO después de largos viajes. Mundos integrándose y desintegrándose constantemente. Existe pero no. Un lugar sin lugar donde no existe el tiempo, el espacio ni el movimiento, pero sí. \nEl punto 0, donde pasa todo y nada. \n\nEs la ventana a la magia. ¿Qué es la magia? ¿Creer estar despierto cuando estás dormido? ¿Creer en la realidad cuando estás soñando? ¿El mundo de los vivos, de los muertos? ¿El deseo de adhesión con la divinidad?. \nEs la apertura a nuestros sentidos, a nuestras propias interpretaciones resolviendo orgánicamente cuestionamientos propios del ser y el presente como aliado. La entrada a vivir para soñar Y frente a nosotros, nuestros ojos eternos sin definición, ni género. \n\nDISTOPIA es el universo que nos permite desprendernos de lo que pensamos, creemos y hacemos haciéndonos parte de una propuesta diferente, novedosa y única a través de 6 instalaciones .\n\n1 NACIMIENTO\n2 LAIDEA\n3 EL VUELO\n4 CLIMAX\n5 DIVINIDAD\n6 MUERTE', NULL, NULL, 'Un artista por instalación.\nNACIMIENTO. Instalación poética: Cubo 2.50Anchox2.50Alto y Base 2.20Anchox2.20Largox80Alto. LAIDEA. Instalación: Espacio 5mAnchox10mLargox4m Alto, espejos (dimensiones varian), máximo 92cmsAltox2.40Ancho. EL VUELO. Instalación: Espacio 4mAnchox4mLargox4mAlto, 2 estructuras 1.90Altox1.10Ancho CLIMAX. Instalación: Pirámide 2.50Anchox2.50Alto. DIVINIDAD. Instalación: 2 Bases 1.20mts de Diametro x 40cms Alto. MUERTE. Videoinstalación: Proyección de 2.13Anchox1.33Alto.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ynObs85C60E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4668, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3930, NULL, '2020-06-10 04:14:13', '2020-07-16 19:24:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29141, 'LgTqmUhChLnzTrAp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:30:19', '2020-06-10 04:30:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29142, '0CIZ5gljRbhesP9F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:30:22', '2020-06-10 04:30:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29143, '8lEoD8OMsDnEXf7K', 'Sentir o corpo que habita', NULL, 'Projeto \nQuero apresentar com o meu trabalho a possibilidade de o publico se identificar, questionar ou estranhar as obras ali apresentadas através da autopercepção corporal.\nSugiro ao visitante estarem presentes em seu próprio corpo, sensações e sentimentos, a partir de cinco palavras que norteiam a minha poética (Corpo: Toque-se \\Simbiose: Abrace alguém (devido à Covid -19 pode ser uma mensagem por qualquer rede social) Natureza: observe-se Ancestralidade: Perceba suas relações família \\Autopertencimento: Esteja presente no seu corpo). Proponho que o visitante escolha uma delas e relacione com uma obra observe o que  desperta em seu corpo ,sentimentos ou reflexão. Após finalização da experiência perceba como está seu corpo.\nImportante ter impresso ou de maneira virtual as sugestões de palavras, para o visitante ter uma experiência diferente da habitual .\nPode ser impressa as palavras e colocadas abaixo das obras. Para cada 5 obras 1 palavra das cinco sugeridas acima.\nTodos os trabalhos são em dimensões variantes de 20x20 a 40x60 em tinta acrílica aquarela,nanquim em tela e papel diverso.', NULL, NULL, 'A Proposta do meu trabalho pode ser apresentada em um espaço público ou virtualmente.\nAs obras em espaços públicos devem estar dispostas em alternância de altura para o público movimentar seu corpo durante a apreciação da obra. Perceber em seu corpo as sensações que podem surgir na simples movimentação durante a observação.\nAs obras são médias a pequenas em tela e papel (entre 20x20 e 40x60)o que possibilita a apresentação em diversos contextos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4546, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3821, NULL, '2020-06-10 04:30:36', '2020-07-15 16:56:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29144, '8bNnSAUlVgy0Kz1x', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:32:23', '2020-06-10 04:32:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29145, 'rzLaLxfhdPxG7Err', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:32:39', '2020-06-10 04:32:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29146, 'GxuZhxaxmkzUZoHw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:36:41', '2020-06-10 04:36:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29147, 'VZiCtFD35GzBJn3d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:39:35', '2020-06-10 04:39:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29148, 'SVumEbbDeu3hxkwN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:48:28', '2020-06-10 04:48:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29149, '5owgSqaorKDzynad', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:49:02', '2020-06-10 04:49:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29150, 'tTn8WNBSueb6CyYR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:49:05', '2020-06-10 04:49:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29151, 'GajOVfue60zUzrWg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:51:32', '2020-06-10 04:51:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29152, 'pxvrPAI4oKKMhwRZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:54:21', '2020-06-10 04:54:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29153, '2TJwKi3Wl0KPJmII', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 04:57:48', '2020-06-10 04:57:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29154, 'OFBoQ9AvOP9lNa7L', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:00:19', '2020-06-10 05:00:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29155, '3JwGAqeTjJzKzvcb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:09:15', '2020-06-10 05:09:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29156, '8FADu6uZ4Mz9XrMB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:10:14', '2020-06-10 05:10:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29157, 'IsJeS19ZtV5APv6j', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:12:18', '2020-06-10 05:12:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29158, 'Sky8eZ3Ku7PvFBGz', 'Lo que nos une y nos separa', NULL, 'La ciudad, el espacio común donde habitamos, es una mezcla entre una masa de materiales inertes y un paisaje artificial construido a lo largo del tiempo. Somos nosotros, los seres humanos junto a otras especies, quienes le damos vida y hacemos que en ella puedan ocurrir los mas variados eventos y situaciones cotidianas de la vida.\n\nLo curioso y contradictorio es que la gran mayoría de los habitantes que hacen que la ciudad exista, viven segregados y desplazados hacia la periferia. Es el aparato estatal, con sus políticas de planificación urbana, y la sociedad que lo acepta, los que permiten que él trato en la ciudad, sea brutalmente injusto.\n\nPara dar cuenta de esta situación, se entrevista a trabajadores de diferentes oficios en una obra de construcción de la comuna de Ñuñoa, para saber dónde viven y cuánto tiempo ocupan diariamente en viajar.\n\nTodos ellos trabajan en un lugar común, pero no todos viven sus vidas de la misma manera.\n\nEl trazado de estas diferencias es lo que se instala como problemática central de la obra. El resultado azaroso de esta investigación en particular, no diferirá mucho de cualquier otra se pueda hacer en un centro comercial, hospital, ministerio o cualquier otro lugar.\n\nLa ciudad no es democrática, pero es lo que nos une y nos separa a la vez.', NULL, NULL, 'Pantalla plana de televisión montada sobre fondo pared o panel blanco.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3111, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2678, NULL, '2020-06-10 05:12:32', '2020-08-03 14:40:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29159, 'D4ifJoXxP1bPenq8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:14:49', '2020-06-10 05:14:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29160, 'AB98lJh36UKhWV5h', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:19:09', '2020-06-10 05:19:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29161, 'nOmoC7Hj6H0TFpeR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:21:04', '2020-06-10 05:21:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29162, 'B6gintKQcxSTFCgR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:37:05', '2020-06-10 05:37:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29163, 'BowAChhQrN1jODQh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:40:12', '2020-06-10 05:40:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29164, 'dH6RxtHudNu7iCar', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:41:44', '2020-06-10 05:41:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29165, '0W3Pdanxkffw8TGM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:42:21', '2020-06-10 05:42:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29166, 'YHWjQnh39TUebO6O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:44:38', '2020-06-10 05:44:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29167, 'VNHQaCiTqdRIhbGa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:47:37', '2020-06-10 05:47:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29168, 'cBYmzAnlLUiKMRgT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 05:49:29', '2020-06-10 05:49:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29169, 'bZvyrSokHe3tGHIW', 'Labiríntimo', NULL, 'LABIRÍNTIMO - Trilogia composta pelas intervenções: PALAVRA CASADA; REFLEXÍVEL; PLAY-BECO\nA concepção formal das 3 intervenções propostas apoia-se na figura conceitual do labirinto, enquanto espaço subjetivo que se desdobra e dispositivo que permite que se enxergue as ressonâncias e ligações entre todas as coisas. São premissas: trabalhar no domínio do espaço urbano público e privado; desenvolver um trabalho colaborativo com a comunidade.\nNascidas da observação e convívio com o espaço físico das favelas – sua morfologia, plasticidade, fluxos e modos de vida – interessa-nos a noção de comunidade, a comunhão dos espaços, o entendimento de que parte de mim é parte de ti e de que todos somos um. \nEm PALAVRA CASADA uma palavra se instala na paisagem, dissolvendo-se ou se fazendo legível dependendo do ângulo que se veja. Uma palavra significativa para o contexto da comunidade é projetada e aplicada sobre o conjunto de casas - os fragmentos formam um todo, físico e simbólico.\nEm REFLEXÍVEL as imagens dos espaços e pessoas se fundem e se projetam umas sobre as outras, por meio de um jogo de espelhos. É possível estar aqui e lá ao mesmo tempo. O uno torna-se múltiplo e a vertigem envolve tempo e espaço. \nPLAY-BECO é um monumento-praça-labirinto – uma estrutura/escultura/instalação formada por portas, janelas, chapas de ferro e grades oriundos de casas demolidas por projetos de reurbanização de favelas. PLAY-BACK, PLAYGROUND, PLAY-BECO. Inventário e invenção. Memória e criação.', NULL, NULL, 'O projeto LABIRÍNTIMO foi pensado, inicialmente, para ser desenvolvido junto à comunidade da Vila Pedreira Prado Lopes, em Belo Horizonte, mas pode ser adequado a comunidades com realidades semelhantes. As intervenções PALAVRA CASADA e REFLEXÍVEL aplicam-se sobre conjuntos de casas (vide imagens da maquete do projeto). O monumento-praça-labirinto PLAY-BECO prevê uma área plana de cerca de 6 m X 8,5 m X 2,5 m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6304, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5154, NULL, '2020-06-10 05:55:29', '2020-06-23 01:41:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29170, '28A6KLsawil4hxHM', 'cabeça oca espuma de boneca', NULL, 'Através de diversos dispositivos que animam objetos na ausência de atores, \"cabeça oca espuma de boneca\" explora as inquietantes possibilidades de projeção de um corpo em peças antropomórficas. Figuram corpos, bonecos, manequins e fantasmagorias das mais diversas, explorando estratégias de construção e modificação do corpo e da subjetividade. Em uma espécie de sistema encerrado em si mesmo, essa peça-instalação passa por uma série de mecanismos ao longo de aproximadamente quarenta e três minutos, os corpos assumem diferentes qualidades, sendo esticados e arrastados, tombados e inflados. Os dispositivos que regulam a obra são transparentes e sua precariedade denuncia giros em vão de uma grande máquina que está prestes a fugir do controle. Apesar da centralidade do corpo, seus resquícios são sempre a marca de uma ausência. \"cabeça oca espuma de boneca\" explora um imaginário de familiaridade deslocada que desperta um sentimento de estranhamento frente a esses objetos (in)animados.', NULL, NULL, 'O espaço necessário para a apresentação dessa peça teatral sem atores ou grande instalação no tempo-espaço requer um mínimo de possibilidade de modificação como alguns furos em paredes, teto e chão. É necessário também fonte de energia estável e com grande poder de uso para iluminação e motores. O espaço sendo em São Paulo onde a peça foi criada também facilitaria o transporte, espaços como a Casa do Povo ou o subsolo do Centro Cultural São Paulo parecem boas opções a serem consideradas.', NULL, 'artist', NULL, NULL, NULL, 'https://youtu.be/3xtH_yL4PiE', NULL, NULL, NULL, NULL, NULL, NULL, 3240, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2788, NULL, '2020-06-10 05:56:10', '2020-08-10 18:14:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29171, 'j4vRMS5cw9b3esZt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:03:29', '2020-06-10 06:03:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29172, 'BgPMLZZagKE4JpYj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:06:05', '2020-06-10 06:06:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29173, 'AZ4NcdL6QabwVcW3', 'La casa y el tiempo', NULL, 'Este proyecto indaga en la imagen –mental y artística– como campo de estudio con el fin de reflexionar acerca de cómo se evocan las imágenes mentales producidas desde el recuerdo y su posible analogía con la construcción de imágenes desde el quehacer artístico. Partimos por rememorar nuestra propia experiencia, desde espacios que han sido cercanos, pero que ahora sólo permanecen en el recuerdo. Apelar a la palabra y la escritura –medios esenciales en nuestro proceso de creación– nos han permitido configurar estos universos cuya naturaleza es frágil y mutable. Así, basándonos en conversaciones que se convirtieron en relatos cortos por medio de un audio, desarrollamos esta instalación, compuesta por siete dispositivos: \"La desaparición\", vídeo (adjunto en formulario); \"La inundación\", secuencia de 20 fotografías de la transformación de un retrato que va perdiendo su identidad; \"La noche\", tres imágenes realizadas con transfer sobre acetato, relacionadas con espacios de la casa; \"La piedad\", video ubicado como altar; \"Sobre los jardines delanteros\", proyección de video, sobre un espejo de agua, detalle de un fragmento de tierra habitada por insectos; \"No es sólo la fachada de la casa\", cinco baldosas en tierra que evocan las transformaciones que ha sufrido la casa a lo largo del tiempo; y,  \"La cobija de mi tío\", tejido en croché, proyectado dentro de una caja.', NULL, NULL, 'Para la instalación se requiere un espacio cerrado de aproximadamente 203 cm x 250 cm x 122 cm, oscuro, con tomas eléctricas y posibilidad de iluminación focal para los dispositivos: “La inundación”, “La noche” y “No es sólo la fachada de la casa”. Es necesario que una de las paredes de la exposición sea blanca. \nAdicionalmente se necesitan equipos como video proyectores, un parlante y dos tabletas electrónicas o pantallas pequeñas. \nEn el formulario adjuntamos plano de la instalación.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=6d9_VwTAdjE&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3112, NULL, 515, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3428, NULL, '2020-06-10 06:16:54', '2020-07-03 19:32:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29174, 'WqwnLU0H7bi0xmrS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:17:58', '2020-06-10 06:17:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29175, 'axcyTwjDp1hf6ZaB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:24:59', '2020-06-10 06:24:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29176, 'fNPhecoPAolsY9ob', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:25:57', '2020-06-10 06:25:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29177, 'ITCagbiJbdnViIoK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:26:17', '2020-06-10 06:26:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29178, 'WZKUzkIcgPh3A7ZF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:28:49', '2020-06-10 06:28:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29179, 'xG6XeeR0Cx962QCv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:44:18', '2020-06-10 06:44:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29180, 'jgji2KF4e83kBPrO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:45:09', '2020-06-10 06:45:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29181, 'Xu1nzAX22WuQC5N6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:54:11', '2020-06-10 06:54:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29182, '0RzxgcXztO6k9aXU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:54:37', '2020-06-10 06:54:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29183, 'puprNjeIFHitS2Ro', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 06:54:59', '2020-06-10 06:54:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29184, '8cTf9EPEir8VbTMQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 07:02:28', '2020-06-10 07:02:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29185, 'RrY1HgoDQYwjlIea', 'La Tierra Mas Ajena', NULL, 'Construyo obras cinéticas/sonoras, Objetos e Instalaciones vinculadas a la naturaleza. En ellas propongo construir un \"momento poético\" que intentan perpetuar lo maravilloso, fugaz e inasible de la naturaleza misma Me refiero a un momento en donde su belleza está en su máxima expresión: el vuelo de una mariposa, una pradera mecida por la brisa, el sonido de una tormenta o lo que sea que nos movilice. \nUno de los factores comunes en mis obras es la idea de naturaleza artificializada. Mecanismos, aparatos, maquinarias construidas para acercarse a ella desde lo sensible, sea visual o sonoramente. Al menos de forma parcial, creando espacios y paisajes propios. \nUtilizo mecanismos simples, repetidos y desfasados para construir una idea de complejidad orgánica.\nApelando a lo amplio de la convocatoria, propongo exhibir alguna de las instalaciones creadas anteriormente, en especial: La Tierra Mas Ajena y/o Otros Fenómenos. \nUna, es un campo de pastos que se mueven mecánicamente mediante un sistema de sogas y contrapesos. La otra, está compuesta de objetos que al accionarse mediante manivela, crean un paisaje sonoro que remite a una tormenta.\nDe igual modo, según las posibilidades, estaría encantado y sería una excelente oportunidad de crear una instalación parcial/o totalmente nueva. Cuento con distintos proyectos para producir. A modo de ejemplo, pequeñas máquinas sonoras instaladas, recorridos por pasillos donde observar paisajes a escala a través de diversos lentes y cristales.', NULL, NULL, 'Las medias de las obras sugeridas tienen 18x3mts y 5x6mts respectivamente, aunque pueden variar. Se fijan a plataformas de madera (fenólico) sobre el suelo. Se pueden adaptar los distintos proyectos dependiendo de las características y las dimensiones del espacio disponible. Mi intención es la de participar en la bienal, trabajando en conjunto con los/las organizadores/as, por lo que estimo que tanto el espacio como el proyecto especifico puede adaptarse.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=s5C1Kj9T8d8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4663, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3925, 5, '2020-06-10 07:05:29', '2020-09-01 21:42:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29186, 'bqbAQLma6PqweYw6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 07:05:39', '2020-06-10 07:05:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29187, 'eo1kgBjrdZTwaoTO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 07:11:21', '2020-06-10 07:11:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29188, 'c4A3bkG5O8JYoBGZ', 'Centro Periferia', NULL, 'CENTRO PERIFERIA es un proyecto de artes visuales que aborda la dicotómica relación entre un orden económico integrado por un centro industrial y hegemónico que establece transacciones económicas desiguales con una periferia subordinada. \nEl centro se presenta como un oasis, un lugar de bienestar y abundancia en donde se dan las oportunidades y se desarrolla la vida. Mientras que la periferia es un desierto inhóspito y agreste, un límite geográfico, social y económico, territorios en donde las personas se han adaptado históricamente, pero que solo se les reconoce en reposo, su vida se despliega en otros lugares.\nEl proyecto está compuesto de dos partes, Centro Periferia y Espejismo.\nCENTRO PERIFERIA consistente en tres esculturas que muestran partes de cuerpos humanos desnudos sin rostros y fusionados entre sí, haciendo alusión al estado de enajenación del ser, arrojado en un estado inauténtico dentro de un recinto-estado lleno de códigos y reglas morales que lo elevan, pero lo inmovilizan.\nESPEJISMO es un video instalación compuesto por un conjunto de 24 esculturas que muestran a seres humanos amarrados a un territorio árido y agreste en el que permanecen estáticos y sin rostro, en contraposición del supuesto oasis que las oligarquías chilenas han descrito por décadas. Los habitantes de este terruño están completamente contenidos y aislados, sometidos a imágenes que muestra paraísos terrenales que jamás podrán tocar, como un espejismo.', NULL, NULL, 'El proyecto sucede en 2 espacios expositivos diferentes: \nPara CENTRO PERIFERIA se sugiere un espacio exterior o interior de 5 x 11 metros, con a lo menos 6 puntos de iluminación, este espacio contempla el desplazamiento entre las esculturas.\nPara ESPEJISMO se sugiere un recinto cerrado y oscuro de 6 x 10 metros y una altura de 4 metros o más, con 1 punto de corriente 220v para proyector y sistema de audio.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=34JFu_9ei2c', NULL, NULL, NULL, 'https://www.youtube.com/watch?v=TURc1JasxY4', NULL, NULL, NULL, 3566, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3047, NULL, '2020-06-10 07:13:58', '2020-07-01 20:13:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29189, 'I3Nnv7gViEwczeXc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 07:16:05', '2020-06-10 07:16:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29190, 'vOGfZLKkjGpzirtb', 'Entre Densos', NULL, 'Nesta videoinstalação composta de 03 projeções busco escapar de narrativas lineares me interessando por materialidades que povoam diversos fluxos de densidades e abstrações sem uma relação de soberania.\nO trabalho traça um paralelo entre a pesquisa que desenvolvo desde 2016 chamada “Estudos para minha e pele”, em que inicio uma prática imageativa sobre as camadas invisíveis que compõem nossas relações no espaço. Na pesquisa indico uma materialidade que encontrei, a partir de experimentações alquímicas, para falar do processo de racialização como uma ferramenta de despersonificação e apagamento (coisificação). Insisto na tentativa de exprimir a experiência do corpo racializado, deslocando o próprio corpo (humano) do centro e colocando performances não humanas como mediadoras do pensamento - criação da pele-material.\nAssim, converso com a ideia de universo não-local conceito que Denise Ferreira de Silva utiliza para falar sobre uma realidade complexa que expõe uma existência virtual e atual no todo, criando assim um mundo implicado em que a diferença não gera mais um estranho e sim um corpus infinitum. \nO exercício da ficção como fábrica de contração tempoespaço se constitui como uma ação no imaginário, logo no corpo. Uma dinâmica que não distingue a potência entre partículas virtuais e táteis, aqui entende-se que os mais variados agentes compõem efeitos de mundo, e que esta prática desmancha uma noção colonial.', NULL, NULL, 'Video-instalação composta por três vídeos dispostos em projeções individuais (8m x 4m) em telas suspensas. No espaço construo a obra dentro de um cubo preto. Nas paredes as imagens são baseados em três textos ficcionais (4000 caracteres-média). O primeiro vídeo “\"Ali entre nós um invisível obliterante\", 8´, está disponível in ehcho.org . A partir de imagens do meu acervo particular pretendo produzir mais dois vídeos e exibi-los na galeria (térreo) do Palacete das Artes – Salvador (BA).', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=SI5J2iQsoEU', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1pIT61nczfcJc82PfLv_3I2Dp7lbzIGam?usp=sharing', NULL, NULL, NULL, 4944, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4158, NULL, '2020-06-10 07:18:34', '2020-07-02 17:58:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29191, 'np9btZQAOJWSHyD6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 07:23:57', '2020-06-10 07:23:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29192, 'YadFFwOkcsQQWukZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 07:25:16', '2020-06-10 07:25:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29193, 'vxiPL4rIPyrT9d6y', 'SHASHIN NO MA', NULL, 'In Japanese, 間(MA) is best described as a consciousness of interval/space, not in the sense of an enclosed three-dimensional entity, but rather the awareness of form and non-form deriving from an intensification of senses. \n\n*This is a digitally edited version of materials originally prepared for the performance, \"Cine間(MA)-absence triggered by a third body\".', NULL, NULL, 'Espaço expositivo, como galeria, sala de cinema, ou até salão de beleza. Poderia ser mostrado num monitor na parede, com o filme em loop.', NULL, 'artist', NULL, NULL, 'https://youtu.be/04yk862gzmA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3664, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3131, NULL, '2020-06-10 07:28:56', '2020-07-17 01:36:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29194, 'dutGDhisyyvGRSDc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 07:51:12', '2020-06-10 07:51:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29195, 'seugwwMEghV8BCBN', 'Imaterial(IDADES) afro diaspóricas - Acervo Jomar Lima', NULL, 'TÍTULO DA PROPOSTA 2: Imaterial(IDADES) afro diaspóricas - Acervo Jomar Lima\n\nPROPOSTA: A PROPOSTA SE ALINHA NA NARRATIVA DA HISTÓRIA SOCIAL DOS POVOS AFRO-BRASILEIROS INSCRITOS NO TERRITÓRIO DO RECÔNCAVO BAIANO A PARTIR DAS SOCIALIZAÇÕES DE CULTURAS E SEUS DESDOBRAMENTOS EM HIBRIDISMOS CULTURAIS. O FOCO É A CAPTURA DA IMAGEM PELO VIÉS DA FOTOGRAFIA DOCUMENTAL DO ARTISTA JOMAR LIMA. ÀS FOTOS DESTE ARTISTA SÃO ENTRECRUZADAS PELAS IMAGENS QUE REVELAM RECORTES DAS PAISAGENS CULTURAIS DO TERRITÓRIO DO RECÔNCAVO ATRAVÉS DOS ELEMENTOS DA TRADIÇÃO E RESSEMANTIZAÇÃO DAS CULTURAS\n\nARTISTA: JoMAR Lima - Baiano, de Cachoeira, Jomar Lima e Produtor Cultural, formado em Museologia, Especialista em Políticas Culturais, Mestrando em História. Autor dos livros \"ARS MORIENDI\" e \"O RECONCAVO NO OLHAR\". Atualmente e gerente técnico da Fundação Hansen Bahia com sede nas cidades de São Felix e Cachoeira no Reconcavo da Bahia e produtor cultural da Feira Literária Internacional de Cachoeira (FLICA).', NULL, NULL, 'Museu de La Universid de Tres de Febrero - Argentina\ne\nCentro de Arte Contemporaneo de La Universid de Tres de Febrero - Argentina\n\nDisponível em:http://untref.edu.ar/muntref/es/museo-de-la-inmigracion/', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3697, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3163, NULL, '2020-06-10 07:52:21', '2020-07-02 00:17:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29196, 'GLP7BxcftlCcOc33', 'The body - No tiene límites', NULL, '\"No tiene límites\" es la extensión de la pieza en conjunto que trabajé junto a Taylor Shea y que se presentó en Phoenix, Arizona durante un proceso de dos meses de investigación. \"The body - No tiene límites\", nos recuerda que no hay fronteras, proceso que examina el terreno político del organismo público, especialmente cómo a través de las plataformas de medios contemporáneos, la representación del cuerpo se coopta como mercancía económica y / o amenaza. También provoca una iniciativa hacia redefinir el \"hogar\" de nosotros mismos y des-aprendiendo lo que nos enseñaron las mentes colonizadas.Este desplazamiento ha robado a nuestro innata conexión con el mundo natural mientras se urbaniza y mercantiliza simultáneamente cuerpos. \n Es un collage que desafía las nociones actuales de lo que significa como mujer ocupar espacio en el ámbito público (tanto urbano como natural). Este acto de creación es también un acto de recuperación. su conexión inherente a la tierra. Su cuerpo y entorno directo son el sujeto, vaso y facilitador de la pieza y narrativa.', NULL, NULL, 'Técnica: Collage + instalación\nMedidas: 2 mts x  2 mts\nCaracterísticas de montaje:\nPieza sobre soporte y tela en base cuadrada de 2 mts. x 2mts. \n* A la pieza se le integrarán documentos de proceso de documentación para llegar a Bienal Sur (pasaporte + boleto de avión ) y además, textos e imágenes extraídos de periódicos locales (10 x 10 cms) de la naturaleza y cielo recorrido hasta llegar a la ciudad Bienal Sur.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3590, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3070, NULL, '2020-06-10 07:53:15', '2020-07-01 20:13:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29197, 'UFojD8W9SIxFuOvk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 08:16:32', '2020-06-10 08:16:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29198, 'AYMbFFAcOuY56ZMQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 08:26:32', '2020-06-10 08:26:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29199, 'NlUhCoqjWSyCQSld', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 08:41:41', '2020-06-10 08:41:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29200, 'IsqYXSFBifQv0TIR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 08:55:17', '2020-06-10 08:55:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29201, '15IH3kW4xhcwJxIQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 08:57:42', '2020-06-10 08:57:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29202, 'XQSBrD4ciJCDQeJU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 09:03:55', '2020-06-10 09:03:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29203, 'To0bHxaRmiGJVSK5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 09:23:16', '2020-06-10 09:23:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29204, 'fDSUXvktsJ1O2lxs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 09:23:59', '2020-06-10 09:23:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29205, 'WxzSqcyMgwjakufY', 'Bosque vivo', NULL, 'El bosque tiene una presencia constante en los dibujos de artistas indígenas del Chaco. Cuentan del bosque, la base de la vida de los pueblos indígenas, de sus relaciones con los animales y los árboles. Hacen visible un mundo animado, donde todos los seres están conectados a través de relaciones, comunicación e intercambio. No existe una separación nítida entre «naturaleza» y «cultura», como según el pensamiento «occidental».\nEsta existencia está actualmente amenazado por la deforestación masiva para la producción de ganado y soja. Actualmente el Chaco pierde más de 1.000 hectáreas de bosque por día. La exposición invita a través de la belleza a contemplar, reflexionar y dialogar sobre las relaciones con el medio ambiente y la coexistencia desde una perspectiva indígena, así como sobre prácticas ecológicas destructivas, la desigualdad y conflictos.\nDesde fines de los años 1990, artistas indígenas en el Chaco dibujan con bolígrafo de tinta negra sobre papel. Se caracterizan por motivos figurativos que se reducen a sus líneas gráficas. Su composición rítmica y dinámica evoca vivacidad, que remite a  cantos y danzas indígenas.\nLa exposición mostrará alrededor de 100 dibujos realizados entre 2018 y 2020. Representan la profundización del tema de las relaciones con el bosque, que los artistas han iniciado con la exposición «Reconfiguraciones» (Museo del Barro, Asunción 2018) y con la participación en la exposición «Trees» (Fondation Cartier pour l\'art contemporain, Paris 2019).', 'Artistas: \nJorge Carmen (Paraguay)\nOsvaldo Pitoe (Paraguay)\nEsteban Klassen (Paraguay)\nEfacio Álvarez (Paraguay)\nMarcos Ortiz (Paraguay)\nClemente Juliuz (Paraguay)\nEurides Asque Gómez (†)\nSon autodidactas, cursaron pocos años de educación formal. Viven en los asentamientos nivacle de Cayin ô Clim, Campo Alegre y Yiclôcat en la zona de las colonias Menonitas en condiciones precarias. \nCuradoras:\nUrsula Regehr y Verena Regehr (Suiza); antropólogas residentes en Basel, Suiza y Colonia Neuland, Chaco.\nPagina Web se encuentra en construcción.', NULL, 'La exposición de arte de dibujos y pinturas se realizará en los Centros Culturales de las Colonias Menonitas en Neuland, Filadelfia y Loma Plata, Boquerón, Chaco paraguayo. Los espacios expositivos sugeridos son de aprox. 200 m2. Se localizan en la zona de mayor deforestación, donde viven también los artistas indígenas.\nLa expografía se realizará con paneles. La composición de las obras será según artista. Cada uno representará con su serie un aspecto de la relación con el bosque.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4722, NULL, 645, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Los artistas se alegrarían por un participación en el proceso de montaje y una invitación a la inauguración de la muestra.', 'si', 'Para la exposición de los dibujos (bolígrafo negro sobre papel) se necesitan paredes blancas en un espacio de aprox. 100m2. Los dibujos se encuentran agrupados en cuatro estaciones temáticas (el bosque, los campos, los palmares, la  deforestación y desigualdad). Cada una de las estaciones se compone de una serie de dibujos de dos artistas.\nLas pinturas (acrílico sobre madera) se fijan sobre paneles de color ocre. Estos paneles sirven de contraste y con ellos se puede configurar la arquitectura de la exposición.\nLas máscaras zoomorfas se pueden fijar en la pared o en los paneles (de acuerdo a los requerimientos del espacio). Las esculturas de animales de palo Santo se muestran sobre dos pedestales en el espacio.\nObservaciones: Las medidas de las obras no incluyen los enmarcados.\nEn nuestros proyectos de exposición solemos enmarcar los dibujos con los artistas y hacemos el montaje con el colectivo.', NULL, NULL, NULL, NULL, 'Los dibujos sobre papel deben mostrarse enmarcados.\nLas obras necesitan un clima seco y necesitan ser protegidos de la humedad.\nLas obras son sensibles a la luz; por favor no exponer directamente al sol.\nEl número de obras se puede variar (ampliar o reducir) según la disponibilidad de espacio.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3979, 5, '2020-06-10 09:29:16', '2020-08-31 10:28:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29206, 'UFN1uJ5cXgfTQgau', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 10:09:49', '2020-06-10 10:09:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29207, 'c0ioB1Uov4ARB3r1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 10:19:33', '2020-06-10 10:19:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29208, 'FNAz2OzAOKHK9CUB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 11:17:11', '2020-06-10 11:17:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29209, 'Vwp7R66JOlOejBH4', 'O MANIFESTO', NULL, 'Vídeo instalação \"O MNIFESTO\" \n\" Em setembro de 2017 o Parque indígena do Xingú foi atingido pelo maior incêndio de sua história, eu estava lá, e sentí o calor das chamas\" \nÁ partir daí incorporei o fogo como elemento sacramental em meu trabalho, iniciando um processo de \"destruição\" parcial ou integral da obra, como manifesto inicialmente, e posterior como obra transmutada, ressignificada, cuja as cinzas se projetam em noutra dimensão contemplativa. Necessitei de um processo ritualístco em meu trabalho para que o que vivenciei no Xingú houvesse sentido enquanto narrativa afroindígena. Sua condição primordial enquanto figura presa á um suporte me questionou sobre a suficiência política de sua existência! Ela por si só, levaria uma mensagem satisfatória? Eu, enquanto corpo político, estava satisfeito com o modo como aquela mensagem estava tocando o outro? Obra composta por vídeo com duração de 4:44 minutos e uma urna mortuária inspirada no tronco Kuarup medindo 50cm de altura e 15 de largura por 15 de expessura em formato cilíndrico contendo as cinzas da obra incendiada. A urna é feita de cabaça, penas de arara azul, gavião e pintura de urucum, todos esses materiais são oriundos de duas aldeias no Parque indígena do Xingú: Aldeia Tehunhungú - Kalapalo, e Aldeia Ipawú - Kamaiurá', NULL, NULL, 'Sala em qualquer formato medindo aproximadamente 45m quadrados, som ambiente isolado do externo, pé direito de aproximadamente 3.5m, paredes pintadas de preto ou marron, com tela de projeção a se verificar as medidas posteriormente de acordo com a sala e púpito pra exposição da urna.', NULL, 'artist', NULL, NULL, 'https://youtu.be/qgXOQ5x5r3Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5500, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4568, NULL, '2020-06-10 11:29:40', '2020-08-03 18:20:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29210, 'fqqwx2LJCrowtt3c', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 11:29:54', '2020-06-10 11:29:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29211, 'j7IxgeezCn9dCv13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 11:45:06', '2020-06-10 11:45:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29212, 'XQ7gI8Go76CJeOHh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 11:56:14', '2020-06-10 11:56:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29213, 'ehg1U5fkjMJ7SGbW', 'NET – Art of Dialogue and Dissent', NULL, 'The exhibition presenting the NET project that was one of the most important initiatives of the 1970s avant-garde, bringing together artists from various parts of the world. The idea for NET was formulated in 1971 by Polish artist Jarosław Kozłowski  encouraged artistic collaboration and a free exchange of artistic facts. A network of contacts developed between artists, independent of institutional structures and above political barriers, driven by a wave of art’s conceptualisation, fascination with mail art, and the popularity of subversive attitudes. The idea of free circulation, dialogue, and decentralisation offered an artistic alternative to the political and ideological isolation of Polish culture. \nDespite the geopolitical divisions between East and West, the NET spread through exchange between artists based in Eastern and Western Europe, Asia, North and South America. The anarchistic idea posed a challenge to both Eastern Europe’s political status quo and the West’s art market with its commercial mechanisms. \nThe NET meant total de-hierarchisation, its structure automatically erased the distinction between centre and peripheries. The NET, with its dispersed-action strategy, was subversive to all centres. The NET list shows the importance of  mutual contacts between artists from Eastern Europe and Latin America, living in ideological and political confinement, leftwing on one side, rightwing on the other.\nThe NET list includes more than 400 names.', 'Carlos Amorales (MX), Eric Andersen (DK), Carl Andre (US), Angelo de Aquino (BR), Art & Language (GB), Joseph Beuys (DE), Christian Boltanski (FR), George Brecht (US), Henri Chopin (FR), Giuseppe Chiari (IT), Philip Corner (US), Martin Craig-Martin (GB), Arthur Cravan (US), Hanne Darboven (DE), Guillermo Deisler (CL), Antonio Dias (BR), Jan Dibbets (NL), Ken Friedman (US), Klaus Groh (DE), Diego Gutiérrez (MX), Geoffrey Hendricks (US), Susan Hiller (US),  Douglas Huebler (US), Dick Higgins (US), Susan Hiller (US), Image Bank / General Idea (CA), On Kawara (US), Robin Klassnik (GB), Richard Long (GB), George Maciunas (US), Artur Matuck (BR), Jun Mizukami (JP), Clemente Padin (U), Nam June Paik (KR/US), Ben Patterson (US),  Sándor Pinczehelyi (HU), Carlos Santos (ES), Mieko Shiomi (JP), Henryk Stażewski (PL), Petr Štembera (CZ), Endre Tót (HU), Jiří Valoch (CZ), Ben Vautier (FR), Wolf Vostell (DE), Lawrence Weiner (US), Emmet Williams (US), Krzysztof Wodiczko (PL), Horazio Zabala (AR).', NULL, 'The exhibition includes painting, sculpture, drawing, collage, photography, object, printed matter, assembling and handmade publication, archival material. You need space with walls around 50 meters long to show the selection of the pieces from the NET archive. The kind of  display cases are also needed to show some objects and archival materials.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://we.tl/t-bwXEk26ZIU', NULL, NULL, NULL, 5717, NULL, 816, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'si', 'The Net archive contains much more works than those listed including letters , art books, unique publications. Display cases would be needed to show the selection from this part of archive.', NULL, NULL, NULL, NULL, 'All works are already frame (glass, wooden frame).', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4723, 5, '2020-06-10 12:04:45', '2020-09-03 06:08:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29214, 'KUAVPwmCAaRtJNLg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 12:07:08', '2020-06-10 12:07:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29215, 'zsyS7XF75SsrJ51H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 12:13:12', '2020-06-10 12:13:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29216, 'PIKTgra840cRBtCD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 12:34:23', '2020-06-10 12:34:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29217, 'JATCJDnqsoQEDHkS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 13:07:33', '2020-06-10 13:07:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29218, '8K8MWNdTnQt8UT5a', 'FORGIVE US', NULL, 'FORGIVE US is an ongoing research project that began in 2018 to create intersections into manmade landscapes making space to other agencies. I was born deaf and the process of training the ear trough a hearing aid and lipreading naturally lead me to question my cyborg nature and the enhancing of human sensing. Trough this personal experience I started to experiment with varnish and films which are visible only trough enhanced vision techniques (UV and NIR spectrum) commonly used in machine vision technologies. Staging a post-post-anthropocenic scenario, FORGIVE US was a message to more than human vision capabilities, maybe addressed to someone flying high above us, detecting the ground with eyes that capture colours differently from us… the World as seen from another species, or from a new species like the rising intelligent (life)forms of machines. In its first apparition FORGIVE US was a message left there for the machines, that with their enhanced visions capabilities could read it after us, knowing our alphabets and extending our culture after us… made from us to give ourselves a chance to survive the climate change or to accelerate it to the point of risking to be the first species on Planet Earth able to self-determinate not only our extinction but also forecast and document it.', NULL, NULL, 'I am developing special custom made paints to create differently-visible interventions in public spaces, practicing painting camouflages in the built environment. With UV varnish I am creating non humans-visible shadows that transform the physical presence of urban space. Slogans became ghostly presences of a warning call to de-materialise the roots of capitalocene, we need to train our senses to learn from other species how to reconnect with the only planet we have the opportunity to inhabit.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3905, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3325, NULL, '2020-06-10 14:01:05', '2020-07-14 23:41:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29219, 'AHLtXlR8EmwEM2PR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 14:05:29', '2020-06-10 14:05:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29220, '8ostYX0MxtvcjemV', 'Etat d\'Urgence d\'Instants Poetiques', NULL, 'Etat d\'Urgence d\'Instants Poétiques is a laboratory space for new artistic practices outside the walls and seeks to highlight the role of the garden and artistic creation in the urban space.\nThe exhibition is an invitation to artists to create works of art from the Botanical Gardens of Rabat.\n\'\'And if the urgency was this one, that of seizing the moments that flow like grains of sand in an hourglass in order to listen to worms springing up, creations blossoming, pushing the ideas that germinate in us and slowly ripen!\nAnd what if it is this slowness that the artist wants to give life to his works in gestation? \'\'\nIt is up to the garden to impose its work on the artist, in other words, it is not a question of appropriating the space but of belonging to it. \nkhalil El Ghrib invites us with his intervention to an attempt to isolate to cut out the whole garden, a particular element to bring out in the eye of the visitor the sense of detail. It is a question of simulating the glance so that it is closer to the things which surround it. \nM\'barek Bouhchichi inscribes the word life in Arabic and upside down in a set of mirrors on the floor, an interactive installation makes the word literally construct the image. \nYounes Rahmoun, save an olive tree and plant it in the garden looking for an ideal place to grow\nAmina Aguznay, a string of glass beads made by craftsmen as grooves \nBadr El Hammami, the tree that hides the forest is a work based on the archives of the garden.', 'Khalil El Ghrib Morocco\nM\'barek Bouhchichi Morocco\nAmina Agueznay Morocco : http://aminaagueznay.blogspot.com/\nYounes Rahmoun Morocco : www.younesrahmoun.com \nBadr El Hammami: http://www.documentsdartistes.org/artistes/elhammami/repro.html', NULL, 'The garden of the Pueyrredon museum \nThe scenography questions the visitor to the different possible zays to approach this garden space: The artistic works and the plant species', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=XmWqPdBA5Rk&t=7s', NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/12PSQUsaPf1HiebsMIuaxyv2jAVG1Bd5K', NULL, NULL, NULL, 4827, NULL, 659, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4063, NULL, '2020-06-10 14:30:21', '2020-08-08 02:34:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29221, 'V5CGXM2PcXqw5stE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 14:47:27', '2020-06-10 14:47:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29222, 'phTCqGhuI9ettL2u', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 14:49:00', '2020-06-10 14:49:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29223, 'fS1OW4Vp8WMgm25Y', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 14:49:31', '2020-06-10 14:49:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29224, '25pKCFpN9fzTeLBJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 14:53:23', '2020-06-10 14:53:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29225, 'vUbrm35C1IPjePbS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 15:16:04', '2020-06-10 15:16:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29226, 'kDFlAO5gWMx8goSd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 16:40:13', '2020-06-10 16:40:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29227, 'AHFZdAN0XN7OPZ5C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 16:43:08', '2020-06-10 16:43:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29228, 'X1JoOhIzlbeprZ3y', 'TRASHUMANTES', NULL, 'El proyecto de \"instalación - acción\" titulado TRASHUMANTES hace parte de las reflexiones que he venido haciendo en el pasado reciente sobre la transformación del paisaje y que he titulado Paisajes Bucólicos.\nSe desarrollará en la vereda Granizal, ubicada en el municipio de Bello (Antioquia), el segundo asentamiento de desplazados más grande de Colombia. Consiste en hacer una resignificación del territorio, emplazando un mapa de Granizal en la cancha de fútbol de la vereda, simbolizando el olvido continuado por parte del Estado de una población que llegó a este lugar sin las condiciones mínimas necesarias para habitar allí,  pero que con el trabajo mancomunado y cooperativo de todos los vecinos han podido ir, de a poco, cristalizando el sueño de tener una vivienda propia. Un mapa invisible, un territorio invisible, que se ha ido gestando gracias al trabajo colectivo de todos los miembros de esta comunidad. El mapa será elaborado con tejas de zinc usadas, ya que por su bajo costo se ha convertido en una constante de los techos de las viviendas del lugar. El mapa estará formado por capas simulando las cotas de las montañas y con la altura suficiente para que se asemeje a la ladera donde está emplazado este asentamiento.\nPara la formalización contaré con el apoyo de un grupo de chicas de la comunidad a las que desde hace tres años  acompaño en un proceso de planeación, acompañamiento y formalización de iniciativas de arte social, a partir de un proceso de cartografía social.', NULL, NULL, 'Elegí la cancha para el desarrollo de la acción - instalación TRASHUMANTES por lo que simboliza este espacio para la vereda Granizal. Este espacio, una placa de cemento rodeada vecindad, escenario alrededor del cual se despliegan las dinámicas sociales de esta comunidad, es el punto de encuentro, la única posibilidad de esparcimiento para miles de personas, es el referente por excelencia dentro del territorio. Las dimensiones de este icono veredal son: 40 metros de largo y un ancho de 20 metros.', NULL, 'artist', NULL, NULL, 'http://www.bairomartinez.com/trashumantes', NULL, NULL, NULL, 'http://www.bairomartinez.com/trashumantes', NULL, NULL, NULL, 4572, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3843, NULL, '2020-06-10 16:46:38', '2020-07-30 23:12:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29229, 'VfsqUwA9hyL4rOHw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 16:48:40', '2020-06-10 16:48:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29230, 'Qy2VznYV9beolovC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 16:52:09', '2020-06-10 16:52:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29231, 'FGNXleyvqftgDfaI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 16:59:40', '2020-06-10 16:59:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29232, '2puW6T5dHDqwOa6D', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 16:59:49', '2020-06-10 16:59:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29233, 'naFIZWIqyX374Vp4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 16:59:59', '2020-06-10 16:59:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29234, 'oIlSPNIoz1mbkvjY', 'the djinni diaries – recipes', NULL, 'Djinn are supernatural creatures. While angels are said to be made out of light, the Quran tells that djinn come out of smokeless fire. Invisible for human beings, witches cut out the pupil of a cat, mix it with kajal and surround their eyes completely with it to see these djinn. In Morocco, djinn have a presence throughout stories passed down from generation to generation. They can be a convenient explanation for mental health issues, or an excuse for problems that are difficult to defend in the eyes of a judgmental society, including the reasons a young woman never married. The belief in djinn allows people to have faith that something spiritual, not Allah, can help fulfill their desires. Women can invoke the djinn to gain bit of power so often denied to them in Moroccan society. Through witchcraft they can instrumentalize the djinn. Magic is mostly used for love, to prevent a divorce, to harm someone or in need of help. \nThese photographs show a wide range of believes, hopes and forms of power through I hope to show a richer and more subtle image that is also part of Islam. Unlike the idea of a homogeneous persuasion, at best known for its shiitic and sunni denominations, the project doesn’t omit the contradictions and heresies which are characteristic of any religion. At the same time emphasizing on the aspect of witchcraft, I want to pay particular importance to gender issues: wizardry serves as a means of female empowerment.', NULL, NULL, 'I would like to present a range of photographs that all have the size of 75x50cm. I\'d prefer them to hang on a white wall in a wooden frame next to each other. You can also see how it is mounted on the wall in this online group exhibition that has been put into this form, because of the current global corona issue: https://www.institut-cultures-islam.org/croyances-faire-et-defaire-linvisible/', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'http://www.btihalremli.com/the-djinni-diaries-recipes', NULL, NULL, NULL, 3176, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2730, NULL, '2020-06-10 17:03:53', '2020-08-10 21:30:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29235, 'gu0Z9QbYv4XYV3gZ', 'Nuestro, 2018-en proceso', NULL, 'Nuestro se presenta como un archivo fotográfico que pretende crear una galería de retratos realizados en diferentes ciudades, a través de los cuales representar el bullying de género. El proyecto, que sigue en curso, se basa en un retrato colectivo que busca el enfrentamiento al espacio temido y el empoderamiento de los sujetos que lo habitan.  \nLas imágenes muestran lugares donde lxs modelos han sufrido o temen sufrir una agresión. Se elaboró unas entrevistas que acompañan las fotografías, dándolas un carácter específico que permite conocer con detalle el motivo de la elección. Hasta la fecha se ha contado con la colaboración de diez modelos. \nHablamos de la necesidad de resignificar los espacios y apoderarnos de ellos. Fotografiando allí a lxs modelos les permitimos empoderarse en unos espacios que les ha sido hegemónicamente negados y reflexionamos sobre la mirada en torno a ellos. Sus experiencias personales se convierten en problemas políticos.\nAparecen diferentes identidades disidentes que van en contra de las normas de género. Nuestra pretensión ha sido visibilizar el bullying de género, que afecta a muchísimas personas pero que en ocasiones no se denuncia. Vivimos en una sociedad dominada por unos mecanismos de control tan sutiles, que ahora son incluso los propios sujetos los que actúan de vigilantes de sí mismos. Nos ponemos una serie de prohibiciones, aprendidas a raíz de la educación que hemos recibido.', NULL, NULL, 'El proyecto se adapta a cualquier sala expositiva. La disposición es lineal. Las fotografías van sujetas a la pared por sus cuatro esquinas con chinchetas o puntillas finas color metálico, sin sobresalir más de medio centímetro de la pared. Impresión en papel fotográfico museístico como papel Museum RAG Photo o Hahnemüle. Deberá ser mate y con un gramaje suficiente para no ser dañado al colocarse en la pared. El tamaño de impresión será de 120 cm de largo x 90 cm de ancho en formato horizontal.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.bajorufian.com/nuestro', NULL, NULL, NULL, 3443, NULL, 420, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2950, NULL, '2020-06-10 17:10:22', '2020-08-15 03:24:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29236, 'vh34NdsiSCIHYwSB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:12:08', '2020-06-10 17:12:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29237, 'HwQRhwICbqUOjjD2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:12:09', '2020-06-10 17:12:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29238, 'AJlOmUmRfbRRAkCx', 'Fuego y madera, alquimia ancestral.', NULL, 'Muy actual e indicado resulta confiar en la naturaleza, como oposición a la imagen de la ciudad como representante del consumo, polución, superpoblación, infecciones y muchas desgracias más.\nEs por eso que emigré de Buenos Aires a la montaña en la provincia de Córdoba*.                                                                                                                       He basado mi extensa producción artística de dibujos en la utilización (y producción) intensiva de materiales naturales como CARBONILLA y TINTA CHINA. Debido a las dificultades adquirir estos materiales (lejanía de los lugares de venta y su elevado costo), investigué y desarrollé la fabricación artesanal de los mismos y también la tinta a base de negro de humo.\nFuego y madera en un proceso alquímico, desde tiempos inmemoriales.\nExperimentando con diversos árboles, encontré un sinnúmero de posibles tonos, texturas, durezas, transparencias, todas variables inherentes a la actividad artística en cuestión.\nIncorporé a mi  labor docente la enseñanza de esta técnica, posibilitando a mis alumnos disponer de un material de primera calidad, sin depender de tener que adquirirlo al ser ellos los poseedores del medio de producción.\nLa propuesta es viajar transmitiendo este conocimiento por las diferentes regiones involucradas en la Bienal, configurando un mapa con la identidad de los distintos árboles y maderas, a través de los materiales que con ellos se puedan producir.\n*La Paz, Traslasierra', NULL, NULL, 'La actividad a desarrollar involucra a los residentes, tomando sus diferentes conocimientos y saberes ancestrales para el reconocimiento y tipificación de los árboles y maderas de cada región. Enseñanza de las técnicas de fabricación, a través de medios muy accesibles para todos y por último, producción artística con los participantes y exposición del trabajo realizado en los espacios que se encuentren disponibles.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=BXkK_0Lj00M&list=TLPQMTAwNjIwMjCHX05FDVw78w&index=1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3493, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2989, NULL, '2020-06-10 17:15:14', '2020-07-01 01:38:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29239, 'UfarNxKm1Juewd8H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:20:34', '2020-06-10 17:20:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29240, 'J2iFpY33uVpm57Du', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:23:17', '2020-06-10 17:23:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29241, '4oEge6rQ6DeAiIJY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:34:07', '2020-06-10 17:34:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29242, 'rBJPMAgg0DT1QAPy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:34:22', '2020-06-10 17:34:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29243, '3svUmlSXpkdTKgHf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:37:02', '2020-06-10 17:37:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29244, 'CEPhbSv1SKF36QzR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:40:55', '2020-06-10 17:40:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29245, 'M8YxbMkKaDLOV1BK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 17:47:37', '2020-06-10 17:47:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29246, '5NArEE193FwqvsjF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:05:54', '2020-06-10 18:05:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29247, '6PtszUcWoUkLVeyY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:07:44', '2020-06-10 18:07:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29248, 'o8ShckQzcDsJaEjq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:10:31', '2020-06-10 18:10:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29249, 'x4MYyAusMmwfTZ5F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:11:24', '2020-06-10 18:11:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29250, 'ac0kSJqdBntiTkIX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:18:11', '2020-06-10 18:18:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29251, 'eKQYKxe4b5rjxPui', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:24:32', '2020-06-10 18:24:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29252, 'gWg9QGVlELWSDYwC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:25:21', '2020-06-10 18:25:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29253, 'uBkV3Q5TXzA2La4C', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:28:24', '2020-06-10 18:28:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29254, 'JYkhMTcSnU01hjbv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:28:37', '2020-06-10 18:28:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29255, 'uPlrHZzLjBTKSqoC', 'DENTRO', NULL, 'El proyecto consta de 12 fotografías de gran tamaño 230x150cm c/u.Toma e impresión digital.\nLa idea es trabajar con el concepto de laberinto.\nEL proyecto puede trascenderse si consideramos que se trata menos de percepciones ilusorias que de ilusiones de la percepción.\nAlgunas veces el hombre posee la facultad de creer en espacios eminentemente equívocos de los que se puede decir a la vez que existen y que no los conoce por no haberlos recorrido.\nEste trabajo plantea la idea de un camino intimo , interno dentro de una espacialidad nunca vivenciada como estar dentro de si mismo.', NULL, NULL, 'La ubicación de las piezas será considerada en un diseño que permita al espectador recorrer las obras alrededor de las mismas. \nLas paredes ( paredes de yeso) serán diseñadas para que las obras sean expuestas según una disposición previamente diseñado.\nLa idea es que la sala y o ambiente este pintado de color rojo , el mismo color que forma parte de las obras.\nLa sala deberia se di dimensiones consideradas para poder tener vivencia de recorrido interno.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3189, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2741, NULL, '2020-06-10 18:29:26', '2020-08-14 22:05:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29256, 'rZ4HeLpTepdbg8a9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:32:38', '2020-06-10 18:32:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29257, '6gfljN12D8LdASzv', 'No olvidarme de la cara.', NULL, 'La pandemia esta dejando el rostro fragmentado. En un pedazo de vidrio, que hace las veces de pantalla, lo intimo expuesto al reflejo, el retrato del rostro roto.', NULL, NULL, 'Caja de luz a pared. 15cmx15cm. \nCopia fotográfica analógica, transferida a vidrio.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3244, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2792, NULL, '2020-06-10 18:32:38', '2020-06-26 20:01:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29258, 'Z6YTqLy7Wa7dXyFb', 'Palabra y fondo', NULL, 'Por una parte es no hacer un artificio de “normalidad” sino justamente trabajar desde la condición de cuarentena y espacios cerrados. Hay ciertos referentes. Las películas de Godard, en que en ocasiones Anna Karina miraba a una cámara no subjetiva, con una intención de apelar al espectador e incluso incomodarlo. Pensaba yo que Godard asumía siempre que alguien veía su película, pero ¿qué pasaría con una sala vacía, a quién iría entonces esa mirada? Se me hace que en esa eventualidad todo se desarticula y encuentro en estas circunstancias de encierro y galerías sin visitantes una situación ideal, cual es la certeza de que un espacio invariablemente se encontrará vacío. También pienso en los rostros dibujados con agua sobre piedras calientes de Oscar Muñoz, o en \"Espacios Blancos\" de Paul Auster, abordando palabras como si fuesen reflejos corporales, incontrolables, vitales, pero sin intención discursiva, palabras que no quieren decir nada, pero que aún así se leen.\n\nEntonces intervenir un muro, escribir un texto con la misma pintura del fondo:\n\n“Este muro y otros tres, configurando un espacio vacío en que las puertas se tornan imaginarias y las ventanas ciegas, sostiene un texto igual al fondo, de palabras equivalentes al silencio, dispuestas aquí para ser leídas por nadie”\n\n\nEsa acción de escritura registrarla en video y transmitirla en vivo, además de posteriormente someterla a edición, para luego ser difundida por el sitio web y replicada a través de rrss.', NULL, NULL, 'Galería vacía (Worm Gallery) en contexto de encierro o intervención en espacio propio y difusión de video de registro de acción a través de la web y replicada por rrss', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3144, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2703, NULL, '2020-06-10 18:35:44', '2020-08-05 15:07:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29259, '6teYFyILtLZ1D82t', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:39:47', '2020-06-10 18:39:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29260, 'lAYxp1TeHNkofByB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:39:51', '2020-06-10 18:39:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29261, '13gxT9T5CAwHUF6k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:40:00', '2020-06-10 18:40:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29262, 'xlWqtZx8dpyb5Wlc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:40:01', '2020-06-10 18:40:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29263, 'AnCeDzkwc0XjmSVk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:43:13', '2020-06-10 18:43:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29264, 'qjlXZAu3Bxl1yQ8o', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:43:51', '2020-06-10 18:43:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29265, '68ayKkC5jLfIeRSL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:45:00', '2020-06-10 18:45:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29266, 'HPetAApp32n8abtT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:46:13', '2020-06-10 18:46:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29267, 'HMXFeBx8ryAzPjuP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:47:27', '2020-06-10 18:47:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29268, 'klnpaRNUc5yWfsx6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:47:57', '2020-06-10 18:47:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29269, 'EuPv2RecBbO2CbIZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:51:08', '2020-06-10 18:51:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29270, 'N16ltqPMczKMT8s8', 'I AM BECOMING', NULL, '“I am becoming the soil, a plant, a pigment, a painting, a practice, becoming a thought that spark movement when I type this text, when you read these words, when we breath the same air; just becoming the endless forms of the universe”.\n\nI am becoming is a solo exhibition by Katherine Patiño Miranda. The show includes a collection of paintings, vases, plants, sprouts, video performances, photos and a participatory performance in the form of a communal dinner.\n\nFor the last couple of years, Patiño Miranda’s art has been about honoring living forms. Her works, which she call practices, are time meditations always in the process of becoming dealing with cycles of life and decay and the interdependence relationships between the human and non-human. She transforms food waste and cardboard into natural pigments, paintings, performances, installations and new crops. In her work, the lines between kitchen, garden, and creative space blur on a daily basis becoming an ever-evolving field of investigation. Redefining notions like waste and trash, her current artistic exploration begins by cooking, composting, planting and visiting the forrest. \n\nSeparation or the notion and independent self is the alpha and the omega of our current , health, economic, environmental and racism crisis. How to come then into a new understanding notions like artwork, artist and collector? I see myself as a creator of practices for myself and for others that aim to highlight  this non-binary fluidity.', NULL, NULL, 'I AM BECOMING exhibition needs a space of approximately 10 x 10 meter with walls that are at least 4 meters tall.I will create an installation with the paintings, vases with plants and sprouts, videos and photos. For the performance dinner I will reaccommodate the space for participants.\nIdeally it is a space that has large windows so that the plants can have natural light otherwise LED glow light builds will be provided.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'www.katherinepatinomiranda.com', NULL, NULL, NULL, 6105, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5004, NULL, '2020-06-10 18:52:32', '2020-06-23 22:58:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29271, 'ap6b3ozfHYovl1MA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:54:23', '2020-06-10 18:54:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29272, 'kztxLOh0JiO4nx7v', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 18:58:16', '2020-06-10 18:58:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29273, '8MncjZtJlEA2fXra', 'Me, bewildered turbine and a heart in flames (Eu, turbina desnorteado e um coração em flamas)', NULL, 'Who am I, or rather, who are we with such a self-critical or analytical voice so that it is not possible to assume our dependence on affecting all objects and gears and their engenderments.\nTo make our passage more comfortable and thus balancing and deviating between hard objects and objectives that at first cannot be surpassed... these which force us to bewitch them.\nOur obligation to proclaim meaning to what obstructs us, the objects that tell us nothing but command us (which are engines that exceeded energies. That kill and erode us), that make us give meaning to life precisely in proportion of our ability to make this labyrinth dry and pragmatic and more objective... closer and more affective... and thus make us idealize that the objects that limit us can also apologize...\nDouglas Hebler in 1970 laid something in the historiography of art that seems to be complete:\n“The world is full of objects, more or less interesting, I do not wish to add any more”.\nAlmost testamentary aphorism.\nThe work that will be produced play and lose and win in its still possible desire to compel one object to be more interesting than it is, to harbor another meaning in it and make it sentimental.\nIt seems childish because all or almost all the history of the representation was to make the “things” inert, leave their places in immanence and sit down and ask if we who suffer, suffer less by putting words on their bodies.\nIt’s about chaos and order and gears and machines and life and love... maybe.', NULL, NULL, 'The installation Me, bewildered turbine and a heart in flames will have a total measurement of 1.75 meters high, 1.75 meters wide and 6 meters long, and can be mounted in public spaces such as cultural centers or in private spaces such as galleries and independent art spaces. The ideal exhibition space must be at least 10 x 6 meters in area.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5015, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4206, NULL, '2020-06-10 18:58:58', '2020-07-21 20:52:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29274, 'ehOQvtE0hypFvcKn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:03:06', '2020-06-10 19:03:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29275, 'TP3cnJ1gSUXP5SkL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:04:25', '2020-06-10 19:04:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29276, 'Gc5wtwRppxJtfEJZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:06:35', '2020-06-10 19:06:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29277, 'ww2B2Z0kfU5nNBhX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:11:23', '2020-06-10 19:11:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29278, 'mdTf0SMAqwqMwv3w', 'Perspectivas Aéreas', NULL, 'Es precisamente, en la expresión de estados de ánimo, que este proyecto ahonda: paisajes desolados, con figuras solitarias e inconexas. Todo ello, alude a una visión de lo esencial, bajo la cual, todo queda despojado de cualquier elemento confuso, accesorio o engañoso pero sin caer en lo simple. Las capas que asoman como bocetos en una superposición de líneas y formas veladas, nos hablan de lo profundo, de la ausencia de casualidad y más bien presencia de una causalidad. Los sectores blancos, resultan elocuentes, no se trata de fondos neutros, por el contrario, dan sentido a la figura representada. \nEstas formas de líneas rectas y curvas que, en algunos casos parecen emanar fluidos, resultan plenas de sentidos. Intuimos una presencia humana que pudo haber dado origen a las estructuras, y por lo mismo, se hace patente la ausencia mediante ese vacío que sólo remarca la soledad. Podríamos estar ante vestigios o huellas de algo que se desintegra o, por el contrario, señales de aquello que emerge. Finalmente, signos indiciales que nos invitan a mirar profundo en soledad. \nFrente a un mundo en el que nos toca dar la cara a amenazas invisibles, que no solo atacan los cuerpos, si no todo nuestro sistema cultural y económico, donde se tiene que dejar de lado hasta un rito que practicamos desde el inicio de la humanidad; nos toca reconstituirnos a partir de una reflexión profunda, una mirada en perspectiva.  \nObras:12 óleos sobre lienzo con bastidores.Medidas desde 120x100cm a 60x60cm.', 'Vivian Wolloh\nPeruana\nhttps://www.vivianwolloh.com/', NULL, 'El proyecto se puede adaptar a diversas tipologías, sala de exhibición, Museo, Centro Cultural, etc. Se contempla trabajar en la museografía para crear una experiencia que dé un plus de sentido al discurso del proyecto, es posible que se agregue un panel a manera de collage y algunos otros elementos, por lo que la sala debe poder contener las obras y otros elementos adicionales.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6145, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5036, NULL, '2020-06-10 19:11:34', '2020-07-21 20:52:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29279, 'zH7gCteQNIU79Z7p', 'Restos-Mamooth', NULL, '“Los Exorcistas”, proponen una  empresa itinerante que mediante dispositivos vinculados al arte contemporáneo y la ciencia, utilizan medios analógicos y digitales, para promover la fuerza y el trabajo común dedicadas a la Práctica de la Conjura. Se parte de las huellas performativas de los integrantes, Daniel Pereyra*, Flavia Costa*, Laura Olalde* y Juan Miceli*,  que dejaron durante la  ritualizacion de banquetes transversales con el fin de  “enfrentar al Mamooth”. Los registros de esos encuentros devenidos en restos arqueológicos (videos y audios), permitirán pensar futuros posibles con herramientas conceptuales conjurantes: \n*Desplazamientos y reconfiguraciones / *Transformación de los sistemas /\n*Construcción de redes de sentido/ *Disparadores: \n	Que queda por fuera de la repetición? \n	Hay una estética de la pandemia? \n	Cuál es el canon que se instituye a partir del distanciamiento físico,  el uso de barbijos y la adquisición de prácticas cotidianas determinadas por protocolos?\n	Hay modo de regular los cuerpos sanos  que dejan de circular por espacios reales para navegar en encuentros virtuales, sustitutivos de las prácticas sociales resignadas?\nInstalaremos  un proceso de investigación abierto a lo transdisciplinario, como formato de obra.\n*Daniel Pereyra, artista visual, docente y actor\n*Flavia Costa, Investigadora, editora y traductora \n*Juan Miceli, artista audiovisual y diseñador \n*Laura Olalde, artista visual', NULL, NULL, 'Espacio sugerido no menor a 20m2 que permita el montaje itinerante de la Instalación (in site) y cualquier acción performatica que se realice. Debe poder contener proyectores, pantallas digitales, ordenadores, tablero de trabajo, caja de herramientas y útiles, archivo digital y análogico distancias de tiro, recorrido y circulación en caso de montaje presencial. \n2 Proyectores\n2 Pantallas digitales\n2 Ordenadores\n1 Tablero de trabajo\n1 Caja de herramientas con contenidos de utiles \n1 Impresora', NULL, 'artist', NULL, NULL, 'https://vimeo.com/user12091519', NULL, 'https://soundcloud.com/user-844335256/modarelli-que-quedara-de-ti', NULL, NULL, NULL, NULL, NULL, 3136, NULL, 375, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2700, NULL, '2020-06-10 19:11:43', '2020-08-04 15:26:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29280, 'ugpasFEF6BDinOZJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:12:34', '2020-06-10 19:12:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29281, 'SYAI1RJWyPkXzAIA', 'INTUITU PERSONAE . Instalación sobre la autoconciencia de la identidad', NULL, 'La instalación consta de un sistema o dispositivo el cual  permite al asistente determinar los distintos elementos que conforman su identidad.  Al habitar esta instalación uno permite separarse por un momento de su propio yo, para poder visualizar de manera externa como  su carácter o temperamento están constituidos. Invita a experimentar un proceso de autoconciencia, reconociendo algunos aspectos de nuestra identidad que nos ayudarán a entender la interacción que llevamos en nuestro  entorno cotidiano. \nEl espectador es guiado a través de esta experiencia utilizando una diversidad de soportes tales como la escultura expresionista, el dibujo metafórico simbólico,  mapas y esquemas conceptuales o rizomas, indumentaria, secuencias de movimiento corporal, material audiovisual y el uso de texto.\nLa instalación está dividida en tres secciones, los tres componentes básicos de la psique humana: instinto, sentimiento y pensamiento. En la instalación se indicará un pequeño recorrido por las tres secciones con el propósito de encauzar al asistente hacia una vivencia integral. Según la teoría del eneagrama, estas tres funciones están relacionadas con «centros» sutiles del cuerpo humano, y la personalidad se fija principalmente en uno de esos centros. Cada una de estas tríadas representa una gama de capacidades o funciones esenciales que se han bloqueado o distorsionado... el componente de la psique menos capaz de funcionar libremente.  (Don Richard Riso, 1999) .', NULL, NULL, 'Se sugiere un lugar cerrado en donde toda  la periferia del lugar se encuentre sin iluminar. La obra se estará presentando de manera segmentada en el centro del espacio, de manera que el usuario pueda rodear cada una de las secciones.  La Iluminación debe estar segmentada en tres partes de manera que alumbren principalmente al interior de cada una de las secciones, quedando los espacios entre una sección y otra en una especie de penumbra.  Metros lineales mínimos para la instalación: 8.50 m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5061, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4236, NULL, '2020-06-10 19:13:09', '2020-07-02 23:23:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29282, 'bliaK1J7h5cIVBd4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:15:09', '2020-06-10 19:15:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29283, '1bdu393JxExSW2M3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:15:09', '2020-06-10 19:15:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29284, 'oVGFiXLSqsiokYDZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:18:15', '2020-06-10 19:18:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29285, 'ZoO7Qa1p0VsOSpZD', 'Laboratorio Anfibio del Plata', NULL, 'Laboratorio Anfibio del Plata es propuesto por una grupa de arquitectxs y artistxs que repiensa y proyecta prácticas de transformación de la ciudad. El proyecto materializa un prototipo anfibio, que visibiliza la infraestructura urbana, se desplaza y flota sobre la cuenca, albergando una serie de performances y conversaciones. El Laboratorio es un primer ensayo de cómo será habitar la ciudad de Buenos Aires cuando el río inunde los bajos y la barranca vuelva a ser costa. ¿Viviremos como anfibixs?\n\nEl  prototipo trabaja con un imaginario anfibio, propone una investigación de filtrado y visibilización del agua urbana, en convivencia con la vida humana. El río comienza cuando termina la barranca, un territorio transformado en el tiempo por instituciones y poderes económicos. Los arroyos fueron entubados, invisibilizando toda expresión de urbanidad hídrica, construyendo una ciudad que niega su propio ecosistema. El cemento de Tandilia y Ventania se ha impuesto sobre el barro del Paraguay, eso es la ciudad de Buenos Aires. \n\nEl Laboratorio consiste en un prototipo transportable que alberga actividades y da cuenta de las problemáticas hídricas entre la ciudad cementicia, el Río de la Plata y los arroyos entubados. A su vez, despliega una investigación que elabora un imaginario sobre cómo serán nuestras futuras urbanidades anfibias. Porque si el viento sopla en sudestada, el agua inunda el humedal y suspende la expansión urbana clásica, dando lugar a una vida anfibia.', NULL, NULL, 'Es un proyecto de montaje que no implica impacto en el ecosistema, se construirá con materiales económicos y disponibles en la ciudad. El dispositivo es desmontable. Se conforma de: andamios, caña phyllostachys, tanques plásticos simples de flotación y un circuito de vegetación y regeneración de agua.\n\nSe ubicará sobre el arroyo Maldonado, visibilizando el agua subterránea, desembarcará en el río y viajará hacia Puerto Norte hasta amarrarse al Hotel de Inmigrantes.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/244680879', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4984, NULL, 692, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4188, 5, '2020-06-10 19:18:16', '2020-09-02 22:32:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29286, 'g1Nlm8tVk4VPl1xt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:29:57', '2020-06-10 19:29:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29287, 'qiPZpf67hdC8ulDG', 'Irreversible', NULL, '\"Irreversible\" es una serie de experimentos poéticos en el campo del videoarte, llevados a cabo durante el encierro de la cuarentena del Covid-19 en 2020. Son breves gestos artísticos, que reverberan con reflexiones sobre las nuevas dimensiones del tiempo experimentado en el universo digital. El aislamiento social de millones de personas da nueva importancia a la experiencia virtual, siendo las redes sociales el único espacio posible para experimentar el colectivo. En este contexto, nuestros paradigmas sobre el cuerpo, el tiempo y el espacio son subvertidos provocativamente. La experiencia del aislamiento apunta a la idea de que el mundo no será lo que era antes, y, desde esta incómoda paradoja, los videos proponen la reinvención de las dimensiones temporales, retrocediendo acciones y expandiendo gestos.', NULL, NULL, '\"Irreversible\" presenta nueve videos cortos. Entendiendo que cada uno de estos videos contiene un universo particular, idealmente deberían mostrarse en nueve monitores diferentes, como si cada uno fuera una pintura. En cada monitor, el video se reproduce en “loop\". Los monitores pueden tener un tamaño estándar, entre 15 y 29 pulgadas, y pueden instalarse uno al lado del otro, en una línea a la altura de la mirada del espectador.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=U8ovak747BM&feature=youtu.be', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3333, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2864, NULL, '2020-06-10 19:31:21', '2020-06-30 17:58:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29288, 'xhGCrVGNipTF7Khd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:33:19', '2020-06-10 19:33:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29289, 'ph0d3YJdvjF1MevM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:33:54', '2020-06-10 19:33:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29290, 'Hj13azEDIsDM9bGN', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:37:48', '2020-06-10 19:37:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29291, 'ataFlcLaoVofSVy1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:40:43', '2020-06-10 19:40:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29292, 'PPVM4sRZdnW8Xcwb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:41:29', '2020-06-10 19:41:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29293, 'KGcT2AjdLokQA2TS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:46:19', '2020-06-10 19:46:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29294, 'GeyoZUoiyLngRW55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:46:24', '2020-06-10 19:46:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29295, 'u1NxV7mLqg1HCIbE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:47:31', '2020-06-10 19:47:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29296, 'EzrCck7ZCZ1xNCUy', 'COMUNIDADE CENTRO', NULL, 'Este projeto é uma visão para retratar a realidade das pessoas em estado de rua residentes no Centro da cidade de Fortaleza, Ceará. Neste ponto inicial, a Praça do Ferreira.  Tenho por objetivo retratar as vidas e vivências destas pessoas e expor os variados pontos de vista que se pode ter um mesmo lugar. Inicialmente irei expor as realidades existentes na Praça do Ferreira. Seus moradores, sua arquitetura, seus frequentadores e transeuntes. Como tudo se conecta em um mesmo espaço. \n\nEste projecto heres una visón para retratar la realidad de las personas residentes en las calles del centro de la cildade de Fortaleza, Ceará. En este punto inicial, la Plaza de Ferreira. Tengo por objetivo retratar las vidas y vivencias de estas personas y expor a los variados puntos de vista que si puede tener en un mismo local. Inicialmente voy expor la realidad existente en la Plaza de Ferreira. Sus residentes, su arctetura, a los que la frecuentan y transitan. Como todo si conecta en un mismo espacio.', NULL, NULL, 'Imagens impressas em tamanho A3 com distanciamento de no mínimo 1m entre cada imagem a uma altura 1,5m.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3134, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2698, NULL, '2020-06-10 19:49:44', '2020-08-04 15:13:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29297, 'sqX8653C8kWSNxDc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:52:50', '2020-06-10 19:52:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29298, 'ZtH01qrcPG1AB1Eo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:53:13', '2020-06-10 19:53:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29299, 't6UdJU8A3IfePxVr', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:59:08', '2020-06-10 19:59:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29300, 'cFFCZLYptxZe4TQ6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 19:59:13', '2020-06-10 19:59:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29301, 'fMRUSz4PRrPc6W0l', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:00:10', '2020-06-10 20:00:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29302, 't6JjM5snFrgCt3eu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:02:36', '2020-06-10 20:02:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29303, '90MiQn170le83xue', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:03:36', '2020-06-10 20:03:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29304, '333iYqDbS3RJxxbE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:03:54', '2020-06-10 20:03:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29305, 'QJjojyZQDAPtdCch', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:03:59', '2020-06-10 20:03:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29306, '1580Av1Xh76tNwpt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:05:31', '2020-06-10 20:05:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29307, 'Zt7Zjfv1zRg2zHNK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:06:41', '2020-06-10 20:06:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29308, 'QvZWLfjb18S60Dty', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:06:42', '2020-06-10 20:06:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29309, '3LZ7SeLCobFLcwkQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:11:19', '2020-06-10 20:11:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29310, 'E6SPOOOmhmMhz4Gi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:14:10', '2020-06-10 20:14:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29311, '3ETSDwvUvVC5Chwr', 'Tel Aviv', NULL, 'El concepto Tel Aviv significa “la primavera en un montículo de restos” y fue utilizado como nombre de una ciudad. El mismo describe también a esta muestra que articula tres genocidios distintos en la historia del siglo pasado (los Selknam, el pueblo judío y los desaparecidos), reflexionando en el qué hacer con “lo que queda” representado por la idea del fragmento.\n\nEl curador Noaj Sauer junto a la artista Elisa Pritzker piensan, a partir de “los restos”, la construcción de algo nuevo que permita recordar el pasado y dar presencia a las víctimas. Una instalación site specific para un espacio que es ejemplo en sí mismo de la construcción simbólica sobre un pasado trágico (un lugar donde se cruzan dos genocidios, los desaparecidos sufriendo las técnicas tomadas del nazismo).\n\nLa exhibición fue trabajada a partir de textos bíblicos y de la filosofía de los escritores románticos del siglo XVIII que pensaban al fragmento como un motor de producción. Esta forma romántica de construir atraviesa la obra de Elisa Pritzker que toma fragmentos del modo de vivir y de la estética Selknam, la recolección, los colores y los trazos mínimos con los que se adornaban los chamanes. La artista creará, a partir de rocas encontradas, una serie de objetos que instalará dentro de la sala formando un círculo al cual se podrá ingresar y experimentar considerando también el concepto judío de la piedra como símbolo de respeto hacia el difunto, un resto que mantiene vivo el recuerdo y es señal de visita.', 'Elisa Pritzker, artista Argentina y Norteamericana.\nhttps://www.elisapritzker.com/', NULL, 'Se sugiere como espacio para esta muestra las salas ubicadas en la planta alta de la sección de exhibición del área de artes visuales del Centro Cultural Haroldo Conti. La obra comisionada a Elisa Pritzker ocuparía toda la sala III o la esquina de la sala V que linda con la pared de la sala IV. La obra oscila entre los 3,60m y los 4m de diámetro y es montada en el suelo del espacio. Se utilizaran además dos de las paredes para montar el nombre de la muestra y el texto de sala.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3330, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2861, NULL, '2020-06-10 20:14:54', '2020-08-13 22:20:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29312, 'knFiNsipGF5sy5Ny', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:16:55', '2020-06-10 20:16:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29313, '5HmyM7RUJqqg6bek', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:18:12', '2020-06-10 20:18:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29314, 'HhT84edeeIFGSkfC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:19:01', '2020-06-10 20:19:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29315, 'lBGW1DuZbXQUqvZb', 'Proyecto TANDILIA', NULL, '“Las sierras más antiguas del mundo” cuenta la leyenda. \n\nDesde Olavarría hasta el Cabo Corrientes en la costa de Mar del Plata, Provincia de Buenos Aires, asoman simas, cuestas, grutas, aleros y cavernas de 2.200 millones de años. Se extienden 300 km de bloques de rocas, tubulares en los extremos y redondeadas por la erosión en el centro, comenzando en un arroyo y hundiéndose en el mar. \nLa historia geológica se cruza con lo humano: la naturaleza, el paisaje y el territorio. La Expedición de Magallanes fue la primera en nominar la zona como “Tandil”. Luego, campañas militares y fortines fueron extendiendo las fronteras de Buenos Aires y aniquilando asentamientos indígenas. En 1883  llega el ferrocarril, y desde entonces, las canteras de la zona abastecieron a la provincia. Las rocas de Tandilia fueron trasladadas a las ciudades en forma de cemento, cal, ladrillos y lajas. \n\nTandilia es memoria natural, historia económica y social.\n\nEtapa 1 : Lo que se abarca con la vista \nEn esta etapa del trabajo, me dispongo a un exploración poética del paisaje como estrategia de conocimiento. Recorriendo y relevando algunos puntos elegidos de su geografía. Contemplando texturas, estructuras y materialidades. A partir de fotografías y bocetos en tinta, imagino un paisaje. \n\nLas obras son bidimensionales. Pueden ir enmarcadas o con imanes de neodimio a la pared. Las medidas varían entre 100x150 cm y 50x70 cm, se especifican las medidas y técnicas en cada uno de los archivos adjuntos.', NULL, NULL, 'Se adjuntan propuestas de colgado. No he seleccionado un espacio expositivo, quedo abierta a decisiones curatoriales de la Bienal al respecto. Pensamos en la posiblidad de exponer una selección de las obras que conforman esta serie.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4889, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4113, NULL, '2020-06-10 20:20:03', '2020-07-02 17:56:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29316, 'Ir8fgouGgnAjN89O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:20:06', '2020-06-10 20:20:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29317, 'NpW20Gv3bIb4ftb7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:20:31', '2020-06-10 20:20:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29318, 'wjJfTUjN1k9eGhPi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:20:39', '2020-06-10 20:20:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29319, '9fEUhWbufDPKqQY4', 'The crossing of disaster', NULL, 'The crossing of disaster proposes an exhibition with works by François Andes, curated by Luiz Gustavo Carvalho, featuring drawings, animation, sculptures, costumes, masks, and musical compositions commissioned from acclaimed composers Samir Odeh-Tamimi (Palestine/Israel) and Sérgio Rodrigo (Brazil). \nThe creative process weaves together various beliefs to question the evolution of man\'s relationship to nature, especially to the ecosystems of watercourses and forests, searching in several mythologies for the keys to reinvent our reality or allowing us, at least, to cross it. The main curatorial axis chooses as protagonist a watercourse traversing different territories and cultures. Thus, the artist’s and curator’s research exposes analogies and further syncretism that can be found between representations of female and male deities attached to water and the forest in several cultures around the world. A passage between the realm of life and death, from an ancient world to a new world, the rivers and forests in the exhibition also bear a reflection on the borders between the wilderness and civilized spaces, a privileged territory of Artemis in Greek mythology, Oxum in Yoruba culture and the Mother Goddesses in Vietnam. \nThe project was presented only once in Ho-Chi-Minh City (Vietnam) and has never been presented in South America.', NULL, NULL, 'The curatorial conception of The Crossing of disaster needs a closed exhibition space since paper is the main medium of the exhibition. \nSuggested dimensions: between 150 - 250 m2.\nThe crossing of disaster can be presented in a museum and/or cultural center as well in alternative spaces. \nThe exhibition project features also contemporary music. Therefore it would be necessary to have a music system with two points of diffusion in the exhibition space.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4829, NULL, 660, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4065, NULL, '2020-06-10 20:25:39', '2020-08-14 04:28:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29320, 'juOAKbIZXasRqNqL', 'Jaula', NULL, 'Jaula es un llamado a repensarnos.\nUna instalación que juega con la dicotomía con la cual atravesamos el encierro forzoso, necesario, \nclaustrofóbico y tan beneficioso para nuestro ambiente.\nInstalada idealmente en la Reserva Ecológica de Buenos Aires, imagino mi obra como un espacio de avistaje de aves, \nde comunión con la tierra, un encarcelamiento que nos libere mentalmente.\nEs un llamado a la reflexión sobre nuestra huella humana y productiva sobre la tierra que habitamos, \nsobre nuestro vínculo con otros seres vivos y finalmente sobre nuestro rol activo en esta ecuación.', NULL, NULL, 'En la Reserva ecológica de Vicente Lopez.\nVerde bosque naturaleza.\nEstructura de Hierro Blanco\nDimensiones 7m x 3,5m x 7,5m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4793, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4041, NULL, '2020-06-10 20:26:40', '2020-07-18 02:56:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29321, 'MwKmmtweas4DLO1q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:31:45', '2020-06-10 20:31:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29322, '6VEZUwDuGaAORbtu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:31:46', '2020-06-10 20:31:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29323, 'wPvlFvck3MEHMDAk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:35:51', '2020-06-10 20:35:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29324, 'SZLTHx0XJH7abhYb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:43:19', '2020-06-10 20:43:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29325, 'rPQLKrMJbhCAZ4pO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:44:43', '2020-06-10 20:44:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29326, 'PaCbRTd4QxhjRzVs', 'Rescatarnos', NULL, 'Titulo de la instalación\n\n  “Rescatarnos”\n\n “La casa es el alma del ser humano que la habita y que busca amparo de la intemperie  \nNo se cambia de morada con ligereza, porque no es fácil abandonar el propio mundo. La           habitación no es un objeto, una máquina de residir, es el universo que el hombre se construye imitando la creación ejemplar de los dioses, la cosmogonía. Toda construcción y toda inauguración de una nueva morada equivale en cierto modo a un nuevo comienzo, a una nueva vida. Y todo comienzo repite ese comienzo primordial en que el universo vio la luz por primera vez. “\nEste texto es el disparador para materializar lo que en estos momentos nos acontece ,una situación de  crisis  continua ,  de incertidumbre .Para materializar este sentimiento propongo  una instalación donde la imagen evoca a una Casa  que se  esta hundiendo en la zozobra, pero quizás estemos  en proceso de rescatarnos.\n\n\nReferencia del texto\nLa casa, Diccionario de Símbolos  y Temas de Fernando Gonzales Frias', NULL, NULL, 'Rescatarnos\n Esta instalación requiere de un espacio interior de ser posible \nCasa construida con listones de madera recubiertos en papel blanco en el cual figuran datos inscripciones de referencias Los muebles realizados en papel blanco y tiene dibujado en su superficie la madera ,apliques ,puerta cajones etc. El espejo de agua  es de 10 cm de profundidad\nLas dimensiones de la instalación son de 4.60 X 3.50 x 3.70 mt. de altura\nEspacio exposición 12.00 x 12.00 x 5 .00 mt. de altura', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3419, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2931, 5, '2020-06-10 20:47:42', '2020-08-26 20:36:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29327, 'rBEI52GAD5lO9tyn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:48:47', '2020-06-10 20:48:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29328, 'h7LzJBbXyWM6Mfyk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 20:53:20', '2020-06-10 20:53:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29329, '2ylcRG1qzB76g4DW', 'Conversaciones con el viento. Archivo vivo de futuras memorias', NULL, 'Acción pública que invita a lxs participantes a vivenciar una experiencia de y con el cuerpo singular y colectivo, para entablar lo que llamaremos \"conversaciones con el viento\", mediante la creación de un objeto particular: un barrilete. \nAquí, el artefacto-barrilete será el medio que propiciará una comunicación y una re-sensibilización entre fuerzas humanas y no humanas como el viento, capaz de romper las divisiones entre las sustancias, los cuerpos y los medios dando lugar a la idea de un \"mundo atmosférico\" (Ingold, 2013).\nEl objetivo es estimular una \"escucha encarnada\" (La Belle, 2018) que no es sólo auditiva; sino trans-sensorial y colectiva y posibilita investigar nuestras inter-acciones, inter-subjetividades e inter-afectividades para comprender mejor la relación con las fuerzas propias y las de nuestro entorno.\nLa acción colectiva será guiada por las artistas y se organizará en los siguientes momentos acompañados de lecturas y preguntas.\n1.Apertura y presentación\n2.Movimientos y percepción activa: ejercicios de sensibilización del propio cuerpo en el entorno. \n3.Taller de construcción de barriletes (se proveerán distinto tipo de materiales)\n4.Remontada grupal: conversaciones con el viento\n5.Ritual de instalación colectiva\n6.Cierre y reflexiones\n\nDuración: 4 horas\nParticip.: 20\n__\nEl viento se levanta, Miyazaki, 2013\nBeing Alive, Ingold, 2013\nSocial acoustics, La Belle, 2018\nEn medio de Spinoza, Deleuze, 2003\nZen en el arte del tiro con arco, Herrigel Móstoles, 2008', NULL, NULL, 'Parque de la Memoria. \nNos interesa explorar un entorno que permita suspender la intensidad sonora y la concentración que suponen otros espacios abiertos, ubicados en el corazón de la ciudad. El Parque de la Memoria resulta doblemente inspirador, por su amplitud y por los sentidos que giran en torno a la construcción de narrativas.\n\nEl taller de construcción de barriletes requiere un espacio mínimo de 40 m2. El resto de las acciones se realizarán al aire libre.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/drive/folders/1t7ds7Wfz-iApuqo7uwk69fgegVpo1UDY?usp=sharing', NULL, 'https://drive.google.com/drive/folders/1t7ds7Wfz-iApuqo7uwk69fgegVpo1UDY?usp=sharing', NULL, 'https://drive.google.com/drive/folders/1t7ds7Wfz-iApuqo7uwk69fgegVpo1UDY?usp=sharing', NULL, NULL, NULL, 4049, NULL, 628, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3902, NULL, '2020-06-10 20:53:21', '2020-08-11 22:43:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29330, 'ktKN0joYZHtnFApU', 'DESAPARECIDOS', NULL, '¿Las personas se pierden o alguien se las lleva a otra dimensión? como en un juego donde no solo desaparecemos de forma física, sino que vamos desapareciendo de forma natural en la calle, convirtiéndonos en sombras citadinas que se mueven en un espacio cargado de ironía, burla, doble discurso, imaginería, falsas creencias, confrontación, sobreviviendo a la casualidad, posesión de territorios; la calle no parece de nadie, nadie te da nada gratis, siendo una causalidad… la importancia radica en dejar un testimonio tangible de (co)-existencia en nuestra urbe, la relevancia del intercambio cultural y el trueque de información, en las cosas que no damos importancia, dejamos de observar y solo seguimos como autómatas, figuras de esta jungla de cemento que cada día nos va confrontando, corrosión de emociones, a veces ya ni se recuerdan, testimonios de algo que puedo solo haber pasado en nuestra imaginación, simple imaginería popular o callejera. Nuestro existir cotidiano está provisto de una visión apocalíptica, llevándola al paroxismo irrisorio y burlesco, en una ciudad ficción, jugando al escape pero sin poder escapar, solo es la inmediatez del momento, esconderse en lugares impensados; y los desaparecidos en lima? seguimos en aumento…', NULL, NULL, 'El Cuarto Killkachinero con afiches de personas desaparecidas, al centro nuestro material de cuadernos, collages,  fotofanzines y trípticos. En el lugar se desarrolla una performance, se oye una sirena y aparece una persona agitada que busca donde esconderse, coge una publicación y se sienta a leerla, llegan tres oscuros personajes que buscan por todos lados, mezclándose con la gente y sin encontrar se van del lugar.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4685, NULL, 636, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3943, NULL, '2020-06-10 21:01:48', '2020-08-01 01:03:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29331, 'Be5ELWUvzQeFR3D7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:05:16', '2020-06-10 21:05:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29332, 'PSEAfv5rdAziJktD', 'Oiga, colabóreme para pensar el sentido de 40 años de trabajo, antes que muera por algún virus o por causas geopolíticas en la era del cambio climático', NULL, 'En este proyecto trabajo a partir de mi valoración de la crisis del sentido del arte provocada por el aislamiento del artista, capturado en los patrones conductuales instalados por el sistema arte, y su natural falta de empatía auténtica, con cualquier manifestación fuera del paradigma urbano. Esto es una preocupación que ha estado presente a lo largo de mi carrera, y que hoy es el catalizador que nos convoca a todos, cuando estamos ante la inminente instalación de cambios radicales a lo que entendemos como normalidad, salud, comunidad, ética, vida, educación y/o arte. Esta obra aborda la factibilidad de movilizar empatías superando modelos estereotipados de todo tipo, y que solo son visibles cuando las amenazas ponen en riesgo la supervivencia. \n\nLa obra consiste en realizar un montaje en clave didáctica de recreaciones a escala de una selección de alrededor de veinte obras y procesos hechos a lo largo de cuarenta años, documentados y vinculados a hechos ocurridos en Ecuador en el ámbito social, político y económico.\n\nAsí abordaremos y compartiremos experiencias y propósitos, con el objetivo de convocar y explorar empatías mutuas con el público. Esto se realizará a través de recolección de respuestas a consultas y pedidos de apoyo para pensar e incorporar a mi trabajo, y finalmente la posibilidad de conocer potenciales amigos, coautores, acompañantes; para pensar en futuros involucrados, e incluso socios en lo simbólico y financiero para nuevos proyectos postpandemia.', NULL, NULL, 'Para cumplir su objetivo, esta obra se instalará en distintas locaciones, distribuidos en diferentes sectores de Guayaquil, preferentemente no institucionales, por ejemplo, la casa comunal de la Isla Trinitaria cuenta con un área para el montaje de 40 m2., Estación Libro Abierto, espacio para compartir y debatir literatura, 30 m2. No se requiere recursos de museografía técnica. La obra se instalará adecuándose a las dimensiones del espacio expositivo-participativo.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4893, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4117, NULL, '2020-06-10 21:09:16', '2020-07-20 18:15:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29333, 'YkxINkEWgaBKzdNv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:11:16', '2020-06-10 21:11:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29334, 'bUrsgDSaN9dYcA4o', 'CORAÇÃO', NULL, '\"CORAÇÃO (heart/corazón)\" / 2012 / 4\'40\" // (LEGENDAS ESPANHOL)\nPelícula-poema colaboración, por Marcello Sahea (http://marcelosahea.bandcamp.com/) \n\nDurante dos meses, algunos amigos y personas interesadas fueron invitados a participar enviando breves clips de sus cuerpos filmados por ellos mismos con cualquier tipo de cámaras. Algunas de estas imágenes son parte del trabajo que se verá. Esta película está dedicada a Joana Corona.', NULL, NULL, 'Não há.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/134681905', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3154, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2712, NULL, '2020-06-10 21:12:28', '2020-08-07 13:39:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29335, 'oa5k9vPQTp1FJWgG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:14:07', '2020-06-10 21:14:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29336, 'dMYLuYw3Bx59k3kX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:17:32', '2020-06-10 21:17:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29337, 'OKQ5ZSZfabQaNLyl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:21:35', '2020-06-10 21:21:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29338, 'UtoSjo7XchShxnnV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:25:35', '2020-06-10 21:25:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29339, 'AQZARKkxAaJGJEca', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:26:15', '2020-06-10 21:26:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29340, '4cQCH0hgwA1CU3Td', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:28:43', '2020-06-10 21:28:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29341, 'gZnQy2qy2jFVJvIn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:29:00', '2020-06-10 21:29:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29342, 'GVPqwMNwqkeswuI7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:30:26', '2020-06-10 21:30:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29343, '5WRuFBTCeXW7H9BN', 'Encontrarás o que procuras sob a minha pele (You will find what you are looking for under my skin)', NULL, 'Partindo da série de desenhos “Encontrarás o que procuras sob a minha pele” (imagens de referência em anexo) minha proposta é fazer um (ou mais. Estou aberto à possibilidade de fazer o trabalho em mais lugares) desenho em grande dimensão (ex. 300x500 cm) diretamente na parede. Todo o desenho será criado diretamente na parede, no momento, sem esboços prévios (o projeto aqui apresentado é apenas uma referência do tipo de trabalho que será realizado). Com isso minha intenção é transformar a criação do trabalho em um evento único, que nunca mais poderá ser repetido em outro lugar. Toda a parede será recoberta com os desenhos, com uma infinidade de detalhes a serem explorados pelos espectadores. O material usado será lápis preto de diversas gramaturas. \nEssa será a primeira vez que realizarei esses desenhos em uma parede, até agora já os fiz sobre madeira e papel (mas isso não é problema, tenho experiência em trabalhar com projetos complexos, inclusive em outros países). Para realizar o trabalho chegarei no local 15 dias antes da abertura da exposição, para isso precisarei que o espaço já esteja disponível nesse tempo, pois pretendo começar a trabalhar já no dia seguinte.\nNo fim da exposição a parede deverá ser pintada novamente, recobrindo todo o desenho com tinta, com o trabalho sobrevivendo apenas nos registros fotográficos e na memória das pessoas que por ali passaram.', NULL, NULL, 'Museu, galeria ou centro cultural.\nPara a realização do trabalho é necessário um espaço interno, com uma parede com cerca de 300x500 cm (15 m²), ou menor, pintada com tinta branca, fosca, acrílica ou látex. Também será necessário uma plataforma ou andaime para eu poder trabalhar nas partes mais altas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3195, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2747, NULL, '2020-06-10 21:36:46', '2020-08-08 15:45:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29344, 'JmsjEluBQlwQs3TA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:36:56', '2020-06-10 21:36:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29345, 's3HI2jzkD2eHJNKy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:41:19', '2020-06-10 21:41:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29346, 'WRcSibCwtEAWp76O', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:44:07', '2020-06-10 21:44:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29347, 'Dd9RYl9qbHYjcbkV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:44:30', '2020-06-10 21:44:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29348, 'Lz9eTALrPSpv6Fpc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 21:44:49', '2020-06-10 21:44:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29349, 'KSHWgGeuGENmYKNd', 'EL JUEGO DE LOS DIOSES', NULL, 'Durante este tiempo tan dificil que estamos viviendo, todas las personas del planeta estamos encerrados hace 3 meses y para muchos este periodo ha servido para reflexionar y valorar mucho mas la vida y el planeta.\nTodos tenemos creencias diferentes, cada uno cree en un Dios a su manera, hay diferentes religiones e interpretaciones de Dioses, pero siempre cuando estamos en peligro, o enfermos, cuando estamos preocupados por nuestra familia y las personas que amamos, REZAMOS.\nSiempre en nuestra mente le pedimos a ese ser supremo, sea cual sea su nombre, oramos para que nos vaya bien, para que nuestra familia este bien y finalmente agradecemos tambien a ese Dios por los favores recibidos.\nEn mi trabajo EL JUEGO DE LOS DIOSES quise representar lo que un día pense: En estos dias de dificultades en todo el mundo todos los Dioses deben estar muy ocupados recibiendo tantas peticiones! \nPienso que todas las personas creemos en algo, sea cual sea el nombre del Dios, el pais, el idioma, las creencias, siempre hay algo poderoso que alivia nuestro corazón y nos da fé. \nEn este tiempo los Dioses estan compitiendo para salvar el planeta, siempre con un juez mas poderoso que observa atras.', NULL, NULL, '7 ILUSTRACIONES - \n100 x 70 cms. cada una.\n\nAdaptable a espacio pequeño - 50 x 35 cms.\n\nEspacio total  = 10 x 2 metros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3197, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2749, NULL, '2020-06-10 21:52:44', '2020-06-26 19:59:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29350, 'UTfaK6pIE8k62yeU', 'Derivas del Mar 2006-2020', NULL, 'Derivas del Mar 2006-2020,\nes un proyecto a partir de materiales povera. Aquí el significado de “objeto” se convierte en una forma de reciclaje que reinterpreta una naturaleza perdida, e incluso, la misma organicidad como apropiación de la estética del espacio y el medio ambiente. Este proceso busca observar y analizar la realidad como parte de una construcción de sentido, a partir de un lenguaje tridimensional.\nMe interesa reflexionar sobre temas asociados con la problemática del medio ambiente, el calentamiento global  y como consecuencia el aumento del nivel del Mar.\nEl Mar no solo como lugar sino como concepto entre “Contenido” y “Contenedor”.\nLas Arqueologías Marinas recicladas en este proyecto , corresponden a los escarpes de la cota marina o línea de trayecto :\n\nGolfo de Morrosquillo \nMar Caribe\nColombia\nLatitud: 09° 25’ 00” \nLongitud: 75° 35’ 30” \n1:40 (COT-UTC/GMT-5)\n\nCartagena de indias\nMar Caribe\nColombia \nLongitud: O75°29\'49.13\"\nLatitud: N10°18\'53.06\"\n\n(...) al final de las palabras y las cosas, Foucault reitera esta famosa predicción  con su osada imagen del\nhombre “ borrado como un rostro dibujado en la arena al borde del mar”. \n 1. Hal, Foster, Ana María Guash, El Retorno de lo Real. \nLa Vanguardia a Finales del Siglo.', NULL, NULL, 'Las imágenes de las Arqueologías  Marinas del proyectos Derivas del Mar 2006-2020, podrán ser exhibidas en un espacio interior o exterior que aluda al Mar como metáfora de ¨Museo¨ evidenciando la erosión diferencial debido a cambios litológicos laterales en la plataforma marina y como consecuencia el aumento del nivel del mar. \nclasificadas por el color, la forma, la textura y la escala; en dimensiones variables.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3867, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3290, NULL, '2020-06-10 21:59:24', '2020-07-02 20:36:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29351, 'I3HNSqqBawhy8hhR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:01:19', '2020-06-10 22:01:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29352, 'v2Y2kLcCw2t4kL0W', 'Rayuela Recursiva', NULL, '“Rayuela Recursiva” es una obra de arte generativo constituida por los 155 capítulos de la novela experimental “Rayuela” publicada en 1963 por el escritor Argentino Julio Cortázar. La obra consiste en una pantalla negra circular que muestra un cubo con miles de letras del libro en una animación fluida. Cuando la pantalla es manualmente rotada por un visitante, el cubo da vueltas en la pantalla y las letras se tornan turbulentas; después de algunos segundos, extractos aleatorios de la novela emergen de la turbulencia. Tan pronto como la rotación termina, los extractos desaparecen y las letras se estabilizan de nuevo.', NULL, NULL, 'La obra solo puede ser colgada en un muro de soporte de carga reforzada. El centro de la pantalla debe ser posicionado a 1.5 metros del piso.\n\nLa pieza necesita un amplio espacio alrededor de esta. No debe haber ningún tipo de elementos cerca que puedan enredarse o restrinjan el movimiento de esta mientras la pieza está en rotación.\n\nLa obra no puede estar expuesta a la luz directa del sol.\n\nPantalla: 53.2 x 53.2 x 16.5 cm\nComputador: 21 x 20 x 6.5 cm\nPeso: 21 kg (pantalla) + 3.2 kg (computador)', NULL, 'artist', NULL, NULL, 'https://vimeo.com/392074176', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6195, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5081, NULL, '2020-06-10 22:02:24', '2020-08-15 00:55:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29353, '5KYtBkdfFh4BIa4q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:02:36', '2020-06-10 22:02:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29354, 'Man2YnDa154qQnYM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:07:15', '2020-06-10 22:07:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29355, '9rXMk4bnmX1WtETS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:07:24', '2020-06-10 22:07:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29356, '6QCR9UUJqmwuYnWd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:07:30', '2020-06-10 22:07:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29357, 'hqGFJ1vQMKl0Znhm', 'Conexiones', NULL, 'El proyecto realizado para minimizar las marcas de los trazos del pincel tiene como principio aportar la crudeza y el vacío al trabajo. Los cables enredados representan las conexiones turbulentas y multifacéticas de la vida, mientras que están asociadas con las conexiones clandestinas de luz eléctrica hechas en Brasil, las famosas \"gambiarras\".', NULL, NULL, 'dimensionales: 45x36\npintura acricila y hebras ligeras sobre madera', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3158, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2715, NULL, '2020-06-10 22:08:45', '2020-06-26 19:58:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29358, '217zMFS4bVzTtQug', 'Passaje. Estado de alerta', NULL, 'La Instalación busca generar intercambios con la mente del espectador/participante activo, donde en el pasaje por el espacio pueda, a través del desplazamiento corpóreo, transitar para llegar a las lecturas y encuentros de sentido. La obra es un estímulo para el movimiento. Presenta una idea peligrosa del contexto. En un mundo donde los grandes relatos han caído, la diversificación posmoderna subsiste, a pesar de una clara tendencia a las contraposiciones en cualquier ámbito que juega con el miedo a la crisis.\n\nEn la incertidumbre que domina nuestro territorio sudamericano, el espectador/participante, podrá ingresar al interior de la obra, en ese pequeño pasillo o abertura, teniendo en cuenta que a sus lados hay elementos punzantes peligrosos que provoca un Estado de Alerta, u observar desde afuera ¿son confiables cualquiera de los lados? ¿Dónde está la salida? ¿Acaso la cultura sigue condenada a la repetición de lo mismo? El proyecto propone poner en tensión las nociones de limite/frontera, atravesando el plano, salirse de él en un gesto sutil, pero que no deja de ser potente y violento.\nAdemas la intención de generar un espacio de interjuego en el que las piezas sean potencializadoras; inquietar al espectador con la alternancia, envolviéndolo y provocando un estado de tránsito ligando lenguajes y variabilidad de frecuencias; ingresar a una procesión tanto interna como externa bajo la premisa de que para conocer hay que moverse, y eso implica cambiar una posición por otra', NULL, NULL, 'Es necesario contar con un espacio total de 5 Metros de ancho por 5 Metros de largo y Altura de 3 M. Aprox.\nmateriales: varillas metálicas (hierro) de 12mm. Con longitudes que varían de 50cm a 250cm.\nCantidad de varillas de 200 a 350 aprox.\nEl proyecto está ideado para que las varillas sean instaladas atravesando la pared. Si no llegara a ser posible se propone la variante: realizar una falsa pared de madera o Durlock al que las varillas puedan atravesar, como se ve en el croquis.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5994, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4928, NULL, '2020-06-10 22:09:45', '2020-08-10 21:00:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29359, '88NUmQaXj0wS6QAn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:12:10', '2020-06-10 22:12:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29360, 'in2qPsIAlcBrNFLk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:13:39', '2020-06-10 22:13:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29361, '2tEVlHpL1nKBI25e', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:14:35', '2020-06-10 22:14:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29362, 'colGxzZC914clkR7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:14:56', '2020-06-10 22:14:56', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29363, 'bAT0atJ11Nvt8R4E', 'Peace Begins With Me', NULL, 'This sculpture describes a person in an ongoing process of transforming into a rainbow as a symbol of peace. Peace too is something so subtle that requires synchronization. The rainbow here is coming out of the person as to convey a message of peace that comes from within. The idea behind it is to inspire an inner change. I think that in these challenging times we might have a substantial need for peace. We should acknowledge the fact that inner peace is a matter of choice and it should be our top priority especially now. This is the time to get back in touch with ourselves. No outside goal could ever make us feel complete. I chose to express this concept by creating a person in a kneeling position while his hands are pressed together in front of his heart in a gratitude gesture. I wanted to create a position that will express both humbleness and of turning the attention inwards. I believe gratitude is a key element in achieving peace. Being grateful gives us peace of mind and makes us appreciate the beauty of life so much more. It can be as easy as saying thank you, so simple and yet so genuine. In order to emphasize this view, I created the rainbow not as a whole, but piece by piece, each one reads ‘thank you’. Each one of us is a piece on the path to peace and our inner change will echo around us and create a ripple effect. We might be just a few thank you’s away. \nThank you.', NULL, NULL, 'This sculpture stands on its own. It only needs a podium.\nThe dimensions are:  H: 54cm, W: 31cm, D: 25cm\nIt\'s a rigid sculpture made out of paper mache and metal wire.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'shanizahav.wixsite.com/arts/peace-begins-with-me', NULL, NULL, NULL, 3170, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2726, NULL, '2020-06-10 22:15:25', '2020-06-26 19:58:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29364, 'wbutsw9b8AbwqVIK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:16:15', '2020-06-10 22:16:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29365, 'gHEuYkrlw2faCUvK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:18:59', '2020-06-10 22:18:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29366, 'sPsDOmZZBIGx7Xn9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:20:21', '2020-06-10 22:20:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29367, 'KdiS3gjAstjiekSI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:27:52', '2020-06-10 22:27:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29368, 'gEEOBZePja257Lxy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:28:14', '2020-06-10 22:28:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29369, 'xwT3atOhkOqYuNBM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:30:20', '2020-06-10 22:30:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29370, 'g97IN3yrXKnr623n', 'La Ansiedad Tumbada', NULL, 'La Ansiedad Tumbada propone una analogía entre nosotros y el planeta que habitamos. Parte de que ambos vivimos una situación de crisis que nos lleva a hablar tanto de estrés crónico o distrés en nuestro caso, como de estrés ecológico en el medio. Así, si el individuo sufre de ansiedad, insomnio o depresión, el planeta padece de extinciones en masa, deforestación o deshielo. El proyecto plantea interrogar el estrés desde su remedio, a través de los lugares de descanso y los sonidos e imágenes relajantes. Por eso, la instalación se enmarca en dos objetos, ya lugares, en los que solemos pasar más de 8 horas al día: \nUna pantalla: Nature Sounds\nEsta pieza audiovisual se basa en que para relajarnos empleamos tanto sonidos naturales tomados de ríos, bosques o desiertos; como sonidos artificiales extraídos de ventiladores, secadores o lavadoras. A partir de la apropiación y la remezcla de esta tipología de videos, el film propone un viaje entre máquinas y naturaleza. En el, los sonidos e imágenes del rio o del la lavadora gradualmente dejarán paso a accidentes geográficos más graves así como a maquinarias cada vez más pesadas. Lo que comenzará a consecuencia del estrés humano terminará evidenciando el estrés ecológico.\nUna Cama: \nEsta pieza, que funcionará también a modo de asiento para visionar el video, tomará la cama como marco simbólico. A través de impresión textil y bordado rediseñaremos sus sábanas para cuestionar el descanso como forma productiva.', NULL, NULL, '-	Espacio cerrado (galería, museo …).\n-	Cama de estructura metálica (90x200 cm aproximadamente) situada frente a una televisión led (de 43” o más, dependiendo del presupuesto) colgada en la pared mediante un soporte especifico.\n-	También se baraja la opción de proyectar el vídeo, situando la instalación en una habitación o entorno oscuro con una luz cenital focalizada en la pieza textil de la cama.\n\nNo obstante, estoy abierto a las necesidades del curador y del espacio expositivo elegido.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429389905', 'naturesounds', NULL, NULL, NULL, NULL, NULL, NULL, 5370, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4458, NULL, '2020-06-10 22:31:31', '2020-07-28 17:06:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29371, '74INMGLbIXJw9N2Q', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:33:18', '2020-06-10 22:33:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29372, 'xhV2FSPHTs3N3oDh', 'Líneas geológicas    de la Serie Piedras', NULL, 'Líneas geológicas\nDe la Serie Piedras\n	\nDibujo a lápiz color sobre papel de pulpa teñida. Treinta piezas dispuestas horizontalmente en forma lineal. Medida 315 cm x 18 cm. Obra en proceso.\n\nCaminar y observar el entorno se ha convertido en estos años en el eje central de mis proyectos. Esta obra parte de la observación del dominio material de lo inorgánico que se pone de manifiesto a través de imágenes surgidas de recolecciones durante mis vivencias en territorios que transito asiduamente.\n\nMi obra comienza con la experiencia de caminar, observar y recolectar material de la naturaleza como forma de lectura del paisaje para luego producir imágenes, resultado de este recorrido reflexivo.\n\nEs imposible separar lo natural de lo humano y tal vez es mejor entender lo humano como parte de una naturaleza que trabaja como operador geológico permanente, generando en las rocas líneas que semejan venas, recorridos, caminos, formas que crean la sensación de identidad con lo humano y el entorno.\n\nTrazos que nos sugieren de manera gráfica, en esta época donde el tiempo es un continuo vívido, el camino que cada individuo ha recorrido. Una línea que muestra las curvas e imperfecciones de nuestro transitar por el mundo.\n\nEstas venas en las rocas nos remiten a nuestra trayectoria vital, si bien en la esencia dura de las piedras la vida está extinguida, desde esta metáfora sería posible acercarnos a su carácter perpetuo, una sensibilidad hacia la materia que entrelaza sus estrías con lo humano.', NULL, NULL, 'Para montar la obra Líneas Geológicas es necesario un espacio expositivo cerrado que permita instalar 30 dibujos en papel, alineados, de forma directa sobre pared.\nLa medida total de la propuesta es de 315 cm de base x 18 cm de altura. De ser necesario y de acuerdo al espacio expositivo puede modificarse la medida lineal del proyecto, agregando o quitando secciones.\nSe propone colocarlos con imanes y láminas metálicas adheridas a la pared con cinta, por detrás de las piezas.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4475, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3769, NULL, '2020-06-10 22:33:21', '2020-07-29 20:12:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29373, 'rXN4mJCVH4H9QzVW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:33:36', '2020-06-10 22:33:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29374, 'qNqCPHLGHms6LhVD', 'Coisas que não saem no banho', NULL, 'O presente trabalho vem com o intuito de colocar todas as coisas ditas que não saem no banho, nem em muitos banhos, foram feitas letras moldadas de glicerina com essência de alecrim que particularmente a mim remete a memorias antigas.A transparência e o cheiro que atraem o telespectador e em determinado momento faz com que reflita o poder da palavra em torno a imagem.', NULL, NULL, 'em uma parede de três metros de largura por dois de altura, projetar as imagens selecionadas e colar as palavras e frases que são marcantes para a vida da autora e de outros, as frases serão feitas de glicerina e essência de alecrim.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3166, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2722, NULL, '2020-06-10 22:34:50', '2020-06-26 19:58:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29375, 'JVns4FmdcfaodvwR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:41:12', '2020-06-10 22:41:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29376, 'eJnMM06mLWZQR2R5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:41:18', '2020-06-10 22:41:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29377, 'tIr5U7ojLXJZysFC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:46:27', '2020-06-10 22:46:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29378, 'OLRVXorGO6Di0FDW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:47:15', '2020-06-10 22:47:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29379, 'MKMFEgSN51WezetY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:49:55', '2020-06-10 22:49:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29380, 'vjC7nMstMzhCQJcR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:55:25', '2020-06-10 22:55:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29381, 'hfhhrJFklExmqrrh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:57:50', '2020-06-10 22:57:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29382, '3BKfSj2ALQTY4QGw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 22:57:57', '2020-06-10 22:57:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29383, 'pUOaFCsOynk4Ov5d', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:00:26', '2020-06-10 23:00:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29384, 'sHa06oKLLyOREIC5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:02:12', '2020-06-10 23:02:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29385, '1l6ny9Lv2fJffcBr', 'Modos de sembrar', NULL, 'Somos una comunidad de artistas mujeres en diálogo para la producción desobediente a los usos hegemónicos de las tecnologías electrodigitales. Con una mirada crítica sobre su dominio colonizador, trabajamos para despatriarcalizar sus aplicaciones en el arte. Proponemos una tecnología reflexiva, que funcione como membrana sensible a las heridas y al mismo tiempo empodere gestos territorializados y prácticas de trascendencia. Esta organización surge y se anida en la Maestría de Tecnologías y Estéticas de las Artes Electrónicas de la UNTREF. Nuestra herramienta de pensamiento y acción abraza la geopoética, activando tecnologías subalternas, desencriptadas, situadas y fronterizas, como dispositivos de mediación y sensibilización para construir un despliegue profundo de nuestros imaginarios geográficos, biológicos, matéricos y políticos abrazando la materia terrestre. \nProponemos una muestra colectiva que abordará territorios diversos como son el de lo vivo, el de la materia y el de lo político-poético. Reuniremos la producción de distintas artista en formatos exploratorios:  electrotextil colectivo,  mecatrónica low tech,  video instalación,  ilustración e-textil, lithoTecArt,  performance sonoro lumínica, biomateriales y  telecomunicación situada. Cabe destacar que algunas obras de autorías abiertas la participación público se activarán y completarán durante la muestra', 'Gabriela Lilian Munguía Ortíz\nNacionalidad: Mexicana\nwww.gabrielamunguia.com\n\nMariela Yeregui\nNacionalidad: Argentina\nhttps://yereguimariela.wordpress.com/\n\nClaudia Alejandra Valente\nNacionalidad Argentina\nclaudia.valente.8@gmail.com\n\nAna Laura Cantera\nNacionalidad: Argentina\nwww.analauracantrea.com.ar\n\nLaura Zingariello\nNacionalidad: Argentina\nhttps://laurazing.wixsite.com/artista\n\n\nPaloma Marquez\nNacionalidad: Argentina\nwww.palomamarquez.com.ar\n\n\nGuadalupe Chávez \nNacinalidad mexicana\nhttps://guadalupechavezpardo.wordpress.com\n\n\nMariana Corral\nNacionalidad Argentina\nhttps://marianacorralblog.wordpress.com/\n\nMariana Lombard\nNacionalidad Argentina\nhttps://vimeo.com/marianalombard\n\n\nPaula Guersenzvaig\nNacionalidad: Argentina\nhttps://cargocollective.com/paulaguersenzvaig\n\nLaura Palavecino\nNacionalidad: Argentina\nLaurapalavecino.com\n\nLaura Nieves\nNacionalidad: Argentina\nwww.launieves.com\n\n\nMaría Laura Vázquez \nNacionalidad Argentina\nhttp://cargocollective.com/MariaLauraVazquez', NULL, 'El espacio deberá ser grande ya que seremos 13 artistas con propuestas instalativas a nivel espacial.\nPor una cuestión de coherencia pensamos en La sede MUNTREF de Ecoparque pero no es excluyente . Quedamos abiertes a las sugerencias de los curadores de BIENAL SUR', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=R4vfssMHdXo&feature=youtu.be', NULL, NULL, NULL, 'https://geopoeticassubalternas.wordpress.com/', NULL, NULL, NULL, 3815, NULL, 517, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, '“Confesionario Textil” tiene una dinámica de 3 encuentros y con convocatoria abierta a la comunidad. \r\nLa performance sucederá 2 veces en el marco de la exhibición (inauguración-clausura) a realizarse al aire libre o en interior. \r\nSe solicita apoyo para el prendido y apagado de las obras diario. \r\n\r\nLink\r\nhttps://convocatoria2021.bienalsur.org/upload/application-pdf/2020-09-36/Modos de sembrar_ Proyecto curatorial_ Claudia Valente.pdf\r\n', 'si', 'Bases pueden sustituirse por mobiliario existente/ Colocar cables y conexiones/ Se solicita colgar sobre pared y techo/Iluminación oscurecer y luces puntuales/Protectores y equipos audio colgados del techo', NULL, NULL, NULL, NULL, 'Consolasonido 6canales. 2 cajaspotenciadas 100watts, cablesconexión/Pantalla19.5p / 3 proyectores FullHDtirocorto, 4 soportesparacolgar, 1 controlador multimedial Full HD tipo Brightsign. 3 cables HDMI. Equiposonidoestéreo/. Raspberry Pi 3B ./ 2 parlantes potenciados cable mini plug 24-30 watts.', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3446, 5, '2020-06-10 23:03:24', '2020-08-30 19:04:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29386, 'acvNb8EqX5KtEz4H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:03:26', '2020-06-10 23:03:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29387, '7aZ7zxULhKQ8yEF4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:03:34', '2020-06-10 23:03:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29388, 'oTqr9LAx6cFQ1wSn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:04:23', '2020-06-10 23:04:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29389, 'jbJYoXePgJH9lcLg', 'E os prédios iam ficando cada vez mais altos, e eu não conseguia ver', NULL, '“And the buildings were growing taller and we couldn\'t see what was behind”  is a video installation that derives from recorded dreams of various people during the presidential election of a fascist president in Brazil. The artist placed an open call to visit people and record their dreams – 90% were women. \n\nA sense of instability, fear and uncertainty was common in most narratives, blending political figures and various private universes. Many dreams referred to an idea of future never yet imagined, a dissolution of human values, and apocalyptic settings - destroyed cities, floods, the Earth being evacuated and a profound sense of disorientation.\n\nThese narratives are transformed into a fragmented, nonlinear installation consisting of 2 videos, an audio on a bed with headphones and a stuffed rabbit. In the first video, the artist created in 3D the strongest images that appear in the dreams. The camera moves constantly, like a walk through a speculation of how this dystopian and uncertain world would materialize. \n\nThe second video is a narrative written on a black screen, like subtitles of a nonexistent movie, mixing scenes and sensations from various dreams. In front of the videos, there is a bed with headphones, where the visitor can lie down and listen to the dreams in full length, narrated by the dreamers themselves. Mostly female voices speaking in a very quiet tone. \nWords and images relate without synchronicity, creating other possible narratives.', NULL, NULL, '2 projections on 2 different walls (dimensions of the projections are variable, a corner of 2 walls is perfect, but can adapt to other settings). \n1 bed with headphones \nDark space (preferably) \n\nDuration of the videos: \nVideo 01 - 12:22min \nVideo 02 - 03:27min \nAudio - 48:58min', NULL, 'artist', NULL, NULL, 'https://vimeo.com/429401194/4df3f8c3f0', NULL, 'https://www.dropbox.com/s/rpb1x3xin0fbbvd/E%20os%20pr%C3%A9dios_sonho1.mp3?dl=0', NULL, NULL, NULL, NULL, NULL, 5460, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 4529, 5, '2020-06-10 23:06:16', '2020-09-02 07:14:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29390, 'FQ8eBa9lGPirslid', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:07:04', '2020-06-10 23:07:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29391, 'PvHNjJUS3wRrc5v3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:07:57', '2020-06-10 23:07:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29392, 'XshSWyPnKDplLo1F', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:09:16', '2020-06-10 23:09:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29393, '929gMR2zTxRa8dYx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:09:54', '2020-06-10 23:09:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29394, 'ggzhfwlNEquB0pY7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:13:02', '2020-06-10 23:13:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29395, 'EKhlqpQMYxK9RLP7', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:16:21', '2020-06-10 23:16:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29396, 'q1KxN8wt15St1LJN', 'Lo de siempre, la lucha...', NULL, 'Se recorre desde el piso, se recoge la historia. Otros ya han pasado por aquí. Otros han dado estas batallas y nosotrxs somos continuidad. Eslabones unidos por la construcción de una nueva historia. Por aquí ya pasaron otros cuerpos, muchos.\nSonidos, estruendos, gritos, movimiento, cuerpos, violencia, desorden y caos. Salir a las calles, nos adueñamos de lo jamas podrán quitarnos. Gritos, panfletos, carteles, consignas. El mate, la birra, el choripán, el canto, el abrazo, el llanto y lo de siempre, la insurrección y la lucha. \nTransitar es incómodo, caminar también. El clásico del puño en alto, las manos arriba, el cuerpo se expande como campo de experimentación y de resistencia. La acción de levantarse de todas las superficies. Se avanza, a veces rotos.\nNos apropiamos del espacio porque nuestro mensaje debe llegar.  \nLas paredes también hablan por nosotrxs.\nDesobediencia siempre. \n\n-Conjunto de pinturas realizadas en acrílico sobre lienzo y arpillera. En algunas de ellas se utilizo la costura para reforzar y dar contundencia a las imágenes, movimiento y ritmo.  \n-Una de las obras se trabajo con la técnica de transferencia de imágenes sobre el lienzo.\n-Dos fotografías que son registro de una instalación realizada con dichas pinturas.', NULL, NULL, 'Tamaño de las obras \nPinturas enmarcadas para ser expuestas sobre superficie rígida\n53cm x 74cm\n27cm x 69cm\n74cm x 20cm\n90cm x40cm\n\nFotografias\n30cm x 40cm\n30cm x 40cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4271, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3623, NULL, '2020-06-10 23:18:13', '2020-07-08 00:27:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29397, 't3eDaAd0Xd9tIu6l', 'EL DESESPERADO', NULL, 'Se trata de una intervención artística, realizada bajo el concepto de apropiacionismo, sobre una obra de Gustave Courbet (\"El desesperado\", año 1845). \nLa intención es modificarla con un nuevo criterio, en este caso con tintes irónicos y lúdicos, utilizando referencias de los filtros de la red social Instagram.', NULL, NULL, 'Óleo sobre tela.\nDimensiones 70x58cm (con marco incluido).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3163, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3457, NULL, '2020-06-10 23:20:07', '2020-07-03 21:46:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29398, 'p2loJrqwb3DCGOhs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:23:46', '2020-06-10 23:23:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29399, 'fHqZ2dye58EBGLRf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:28:38', '2020-06-10 23:28:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29400, 'ztjXfQpIncTwvzK8', 'Habitual', NULL, 'Serie de diez esculturas (capullo, follaje, germen, heterocera, oniscidea, oruga, otoño, pececillos, rosal, terrestre)\nAcero al carbono.\n50 cm X 35 cm X 3 cm cada pieza.\n2018. \n\nSiento que es importante rescatar las cosas que pasan desapercibidas, mostrar lo que se oculta en la producción industrial metal-mecánica y usarlo como recurso estético, trabajando desde las superficies, sus texturas y como con el acero aparecen distintas alternativas de creación. \n \nEl exterior de las cosas nos permite entender una forma, por eso encuentro importante tomar como ejemplo cuerpos que aún mantienen su aspecto, contenedores que protegen lo vivo, pero en su momento también lo dejan ir, dándole un valor similar a la idea de fósil, seres de humedad que se convirtieron en roca, que desde su condición inerte evidencian un momento vital en el tiempo. Vincular el vacío es importante, restando rigidez al material y a la vez expandir el formato de la obra. \n\nLo habitual pasa desapercibido por su condición común, tomo como ejemplo cosas que fácilmente encuentro en el suelo y que pertenecen al paisaje, para abstraer formas que tienen origen en lo animal o vegetal. Propongo una serie de pequeñas esculturas enmarcadas en el mismo material en el que están hechas, para montar sobre muro. El marco hace parte de la obra, cumple la función de sostener las pequeñas esculturas y conectarlas entre si desde el formato. las obras están protegidas con pintura electro-estática transparente.', NULL, NULL, 'Las esculturas van sobre muro de fondo blanco a una altura del suelo a su borde inferior de 1.3 m, se colocan en fila horizontal y en su totalidad ocupan un espacio aproximado de 5 m, requieren de luz cenital.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3772, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3216, NULL, '2020-06-10 23:31:43', '2020-07-02 00:56:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29401, 'BxkhO06zDaDoH6bA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:45:48', '2020-06-10 23:45:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29402, 'dcFRX20gy2PvJCwN', 'Abrasar: acción 02', NULL, 'La represión del ser femenino bajo estándares de comportamiento y exposición social, genera cuerpos disgregados, detrás de los cuales se oculta la realidad. Un cuerpo que calla para que se apodere el silencio y se somete para buscar un presunto bienestar, se cansa y se enmascara de piedra, se convierte en animal y deja su lugar de ausencia para imponer su juego.  Un nuevo ser se apodera de su tierra y emerge para quemar sus miedos. \nEste proyecto tiene instancias previas en las que se esboza el concepto planteado desde un punto de vista antecesor a la acción, con una postura intimista y de fragilidad, registrado a través de una serie fotográfica adjunta.  La oscuridad, opresión y fractura presentados, son el punto de inflexión que dió como consecuencia “Abrasar: acción 02”. \nLas diferencias en cuanto a la primera acción realizada, radican en la presentación de la mujer, quién lo hará en esta ocasión con el rostro cubierto por una máscara de zorro elaborada con espinas de caldén.  El animal y la materialidad de la máscara se vinculan con el sentimiento de pertenencia, de fuerza desprendido de la tierra.\nEl estado inicial de la acción es igual que en las posiciones de las fotografías. Estas se transformarán a medida que interactúan con un nuevo elemento en el espacio: el fuego. En este caso el fuego y las cenizas son las encargadas de conformar las marcas del tinte negro en la piel, muestra del residuo de una combustión que ardió, en lugar de marcas de un cuerpo sometido.', NULL, NULL, 'Espacio exterior y natural.. Duración vinculada a la expresión y conexión generados con el nuevo espacio, considerando las condiciones propias del entorno natural. Los emplazamientos en el espacio se verán influenciados por los sentimientos y el vínculo profundo con la nueva personificación. Dimensiones aprox. son 5 mts de largo por 3 mts de ancho. Se colocará una cámara fija delante de la acción. Registro en un plano general para que se aprecie cuerpo, espacio y elementos.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4395, NULL, 576, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3697, NULL, '2020-06-10 23:52:01', '2020-07-08 16:45:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29403, 'gBNW3kmFghIHWBFD', 'Ítacas', NULL, 'Ítacas é um trabalho em vídeo realizado entre 2016 e 20202. Toda a filmagem foi feita na Feira de São Joaquim, em Salvador, na Bahia no ano de 2016. A edição e conclusão do trabalho foi em 2020, no Rio de Janeiro. Ítacas faz uma reflexão sobre o tempo e sobre o por vir. No vídeo são lidos excertos do poema Ítacas, de Konstantin Kaváfis, que reflete sobre o  mito grego  Ulisses, numa condição mais humana.', NULL, NULL, 'Vídeo de 6\'51\", que deve ser projetado.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/428305734', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3381, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2901, NULL, '2020-06-10 23:54:59', '2020-08-14 16:25:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29404, 'j8zs6FFLUbgxqNyZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:55:11', '2020-06-10 23:55:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29405, 'm5YSuhuirGFhepMu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-10 23:59:37', '2020-06-10 23:59:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29406, 'OtOasIyFc6kvM4YO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:00:54', '2020-06-11 00:00:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29407, 'mEknM3q0vX1muwlz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:05:44', '2020-06-11 00:05:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29408, 'xd1gVSrL8h21c8wl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:06:02', '2020-06-11 00:06:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29409, 'yvCDRavCnpMVQT2N', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:07:04', '2020-06-11 00:07:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29410, 'pTP2BuMZeKfD6vFh', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:08:42', '2020-06-11 00:08:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29411, 'fnHUckHoQVmJ8bGd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:09:52', '2020-06-11 00:09:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29412, 'IGyzAkYcdKNA0HYU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:10:43', '2020-06-11 00:10:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29413, 's5VPra6NJzBnkToX', 'Control', NULL, 'Los mecanismos de poder enmarcan nuestra existencia y estructuran nuestros comportamientos. Tal es así que cumplimos normas, explícitas o implícitas, que forman parte de nuestra vida cotidiana, sin tener del todo claro a qué figura de autoridad respondemos. En muchos casos, ella es invisible y actúa sobre las “fibras flojas de nuestro cerebro”, dice Foucault. La disciplina nos interpela mediante el juego de la mirada. El hecho de poder ser siempre vistos es lo que nos mantiene sometidos, así reproducimos por nuestra cuenta las coacciones del poder, espontáneamente. \nLa conducta es encauzada en cada sector de la sociedad: en la escuela, en el trabajo, en la familia, con nuestros vínculos afectivos, con nuestras amistades…\nEl proyecto consta de cinco obras: Una tiridimensional, dos bidimensionales y dos obras de pared, pero que escapan al espacio. La paleta es acotada Blanco, negro, azul, piel, rosa, bordó y rojo se combinan en forma simbólica para representar el cuerpo, el encierro y el dolor. \nEl elemento plástico dominante es la textura. Pedazos de telgopor fundidos en papel, siliconas intervenidas, goma espuma modificada a través del calor, entre otras, crean texturas intensas cargadas de expresividad.\nÉstas actúan sobre distintos soportes visuales entrelazando dimensiones, y a su vez, al arte textil con el collage y con la pintura.', NULL, NULL, 'Es importante que la sala de exposición permita una exploración abierta.\nCon respecto a la disposición de las obras, sería bueno que \"Control\",la obra tridimensional, pueda tener tras de sí una pared  para poder proyectar sus sombras, tal como lo hace en la fotografía que envié. Además es necesario acompañar dicha obra con iluminación frontal para que esto pueda ser posible.\nLas dimensiones del espacio deberían oscilar los 3 metros por 4 metros.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3180, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2735, NULL, '2020-06-11 00:14:17', '2020-06-26 19:59:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29414, 'aYiTBIolgeqaL0DE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:14:55', '2020-06-11 00:14:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29415, 'gh22IkHcIumgw9zm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:18:30', '2020-06-11 00:18:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29416, 'NLzAMSwbN1UptMjQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:20:14', '2020-06-11 00:20:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29417, 'zLeUDc5pZh1kHyiK', 'Geringonça', NULL, 'In portuguese, the term \"geringonça\" describes an apparatus or mechanism of complex and improvised construction. In this performative installation, the agglomeration of layered matter and its subsequent suspension in space soughts to investigate how subjective perception builds the landscape by which it is surrounded. One hundred sawn fragments of naval plywood - some of them with applications in oily pastel - are crossed by a wire, composing a cacophonic volume of about 1 meter. The use of a typical structure in a port city - a crane - for the action of suspending the volume provokes a dialogue with the surroundings, with the topography, constructions and the natural phenomena that surround it. If our look is always based on a spatial game of perspectives and scales, to what extent is he not the agent that produces a landscape based on the references adopted? Our look is a \"geringonça\". The work attests, therefore, both the importance of the manufactured object, its presence in space, as well as the gestures and actions of assembling it, visualizing it and registering it from its experience in the present. This project was carried out for the first time in the port of the city of Almada, Portugal, in January 2020. Using the same principle, it aims to adapt the \"geringonça\" to the phenomenological, geographical and social realities of Latin American port cities, such as Santos or Montevideo, thus generating new perspectives on the idea that space is a product of our look.', NULL, NULL, 'Cranes or other structures present in Latin American port cities, such as Santos, in Brazil, Montevideo, in Uruguay, or Buenos Aires, in Argentina.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/402759977', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1WMF4GGQsOp_F2owJb0uP38PNKSmfplTL?usp=sharing', NULL, NULL, NULL, 4230, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3596, NULL, '2020-06-11 00:27:35', '2020-07-27 20:48:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29418, 'kelyVKWBiOwa72dM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:32:42', '2020-06-11 00:32:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29419, 'BW6ccdGOCCHqBphI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:36:16', '2020-06-11 00:36:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29420, 'bmgrbOP6gsDwx0MT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:38:16', '2020-06-11 00:38:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29421, '3EEWuWUP8YZcOvCy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:38:50', '2020-06-11 00:38:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29422, 'qQVLyEwUSPzsO2yZ', 'Escucha', NULL, 'ESCUCHA\n\nLa vida que se perdió…\nlas que se pierden…\nno queremos que se pierdan más.\n\n\nVida Yovanovich, fotógrafa, siempre trabajó sobre “esto” aunque al principio sin darse cuenta. Lo trabajé como curadora: Alemania, USA,  Brasil…\n\nDesde las muñecas castigadas por las niñas maltratadas hasta este acercamiento a un campo de concentración, pasaron por su lente casas de ancianas, cárceles de mujeres y ultimamente Escucha, la imagen de los restos de unas barracas de Mauthausen, uno de los campos de concentración nazi en Austria de 1938 a 1945.\n\n“Esto” es tomar consciencia del sacrificio y del exterminio del ser humano por sus pares, esencialmente mujeres. En este momento virósico de intensa magnitud que vivimos ahora -parece que el mundo estuviera dentro de una cápsula de ciencia ficción en la cual se tienen que sacrificar las emociones-, a la par que continúa evidenciándose la cruel discriminación racial. En la Foto-Instalación Escucha, la imagen de Mauthausen -los restos de la desvastación así como el horizonte luminoso-, unen en sonido multitud de lenguas de ese exterminio -donde no sólo judíos fueron masacrados-, quienes allí sufrieron se hacen presentes hoy como eco, como memoria, como posible y esperanzado futuro luminoso.\n\n\n\nGraciela Kartofel\nCuradora\nAICA-PEN-IKT-CAA-CRSA\n\nESCUCHA se presentó sólo una vez en el Museo Memoria y Tolerancia de la Ciudad de México.', 'Vida Yovanovich, Mexicana.\nvidayovanovich.com', NULL, 'Escucha es una Foto-Instalación tamaño promedio de imagen 3x6 m., con audio separado en loop para acentuar la continuidad de la situación.\n\nProyector tecnología Laser.\nLa fuente del sonido está en USB, MP3 o semejante y require dos bocinas.\nEl cuarto pintado o revestido de negro, preferiblemente con una distancia visual \nde. 8 a 10 m hacia la imagen; el encuadre de la foto se proyecta sobre un espacio pintado de blanco.\n\nSe acompaña con hoja de sala y un breve CV de la autora.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4204, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3583, NULL, '2020-06-11 00:42:17', '2020-08-14 23:07:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29423, 'UF0dEmWkZvVjOOem', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:43:03', '2020-06-11 00:43:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29424, '6wOTHXLIqxcfJBvU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:43:29', '2020-06-11 00:43:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29425, '4Dc5esuYqOXF8KF9', 'Una realidad incomoda', NULL, 'Esta obra busca representar la migración en Colombia, señalar el desplazamiento violento y forzado en el pais como a nivel mundial.\nLa obra esta compuesta en dos partes:\n\nLa primera, una propuesta de intervención de fachada para la galería la Cometa, 2018 en Bogotá, Colombia.\n\nEs una gran huella con sellos pequeños sobre papel protegida por una capa plástica. Los sellos son códigos QR que al escanearlos conducen a una pagina web. El contenido de esta pagina son narraciones e historias reales de inmigrantes. Las dimensiones de esta obra es de 1,80 cm x 1,20 cm. \n\nLa escalera es un objeto mediador entre obra y espectador. En el momento en que la persona decida subirse a la escalera y leer el código QR con su celular, entenderá porque debe recorrer la escalera, experimentando incomodidad y riesgo, esto busca evocar de una forma leve el riesgo de migrar involuntariamente. \n\nLa segunda obra es una variación técnica de este documento de legalidad.\n\nEsta obra busca comunicar y entender la problemática socio política en la que nos enfrentamos a diario. Intentando tapar con nuestras manos una de las realidades incomodas de la calle, del desplazamiento forzoso, de la inmigración y de todas aquellas realidades que deseamos borrar como huellas de nuestra propia historia, que evitamos, negamos o atacamos. Esas huellas que hemos ido dejando en el recorrido por la tierra, son las mismas que preferimos eliminar cada vez que la marea sube, o cada vez que los problemas aumentan.', NULL, NULL, 'Esta obra en un principio esta pensada para estar instalada en el exterior, en un muro o fachada, pero también puede exhibirse en un espacio cerrado, lo importante es lograr crear el dialogo entre la huella y la escalera.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3175, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2729, NULL, '2020-06-11 00:43:39', '2020-08-08 14:09:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29426, 'oGPTdSo4OMffSmAA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:45:09', '2020-06-11 00:45:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29427, 'dn5LuDog03lAI6bu', 'INDUCCION CONDUCCION', NULL, 'Las personas ingresan al recorrido por un pasillo estrecho,  el camino guiado por cercos, separa a la gente de las obras representadas desde el reemplazo de lo natural por lo artificial  y  de las pantallas que muestran videos recopilados sobre mensajes confusos populares de todo tipo, política, publicidad de alimentos, salud y belleza, personajes nefastos idolatrados, guerras, alunizaje. Todo parece demasiado normal, político y social, presta al debate pero nada fuera de lo común. Al final de este recorrido vemos un pequeño un puente colgante a solo centímetros del piso genera incertidumbre (Será seguro?), tunel color blanco, muy iluminado, casi inmaculado, sensación  de hospital, hay cortinas transparentes pesadas, muy altas y cuando estamos pasando por allí vemos como somos casi rociados por un líquido rojo que impacta a centímetros de nuestros rostros que son protegidos por las cortinas. \n\nAntes de salir hay un lugar donde pones tu cabeza simulando una manga de corral y podes ver que hay una pantalla donde se ve por una cámara de seguridad la gente que viene caminando por el pasillo y hay una posibilidad donde puedes advertir a través de un micrófono al resto de la gente o no. Las personas que se sacrifiquen se sacaran una foto con la cabeza en la guillotina e imprimiendo su mensaje para la prosperidad.\nEl concepto es mostrar como el ser humano es guiado ciegamente a su propio fin con la posibilidad de dejar un mensaje para la humanidad.', NULL, NULL, 'VIDEOINSTALACION El recorrido es un pasillo estrecho,  donde hay un camino guiado por cercos que separan a las personas de las obras y las pantallas . El recorrido es bastante corto, la música es ambiental. Al final de este recorrido vemos un pequeño fragmento del pasillo es un túnel blanco con un puente colgante a solo centímetros del piso ,  simulando manga de corral, hay cortinas transparentes y un lugar donde pones tu cabeza estilo guillotina. esparcidores 10 mts x 3 aprox', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6230, NULL, 918, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5106, NULL, '2020-06-11 00:47:16', '2020-06-23 01:44:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29428, '14dBnHfyAfDPWCaD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:48:44', '2020-06-11 00:48:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29429, 'KmPFGVGcZNYZ9XcQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:51:51', '2020-06-11 00:51:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29430, 'PTKlvw81s5Kl6zai', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:53:08', '2020-06-11 00:53:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29431, 'o7EL4C9tBTnqldiB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:58:09', '2020-06-11 00:58:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29432, 'zps33ANzPMT1EdBO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 00:59:02', '2020-06-11 00:59:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29433, 'OQH8J8u4CDTYzO7G', 'SPAMM LOVE', NULL, 'SPAMM the Super Modern Art Museum is an international platform of Internet artists, a space open to digital creation, a decentralized alternative to the elitism of contemporary art.\n\nFounded in 2011 by the French net-artist Systaime, at the origin of the French Trash Touch (a nod to the French techno vein that brought Daft Punk & co to international attention), SPAMM is the emanation of a net-culture that defends an open access to creation and appropriation by digital artists of their work and exhibition space.\n\nIndependent and resolutely international, SPAMM brings together 500 artists and offers 180 pieces of digital art online. Online, the curation is by Systaime and reflects an exhaustive and eclectic panorama of the most contemporary digital creation. On the occasion of numerous events and exhibitions, Systaime invites and shares the curatorial staff at meetings and associations, with other artists, young curators and adventurous gallery owners. From Venezuela to China, Moscow, Chicago, Venice, Warsaw, Naples and Paris, SPAMM artists have a common mantra: the Internet is/creates culture. They were spotted and joined SPAMM by word of mouth 2.0 as well as by the association of partner places (PROJECT-ion, New York, Nomade Art Space, Hangzhou, China, BabyCastles, New York, DfbrL8r, Chicago, Faltmouth Art Gallery, London, Mapils Gallery, Naples, Italy…) and by independent associate curators. Capillarity, serendipity and exchange are the ferments of SPAMM.', 'A Bill Miller - A4 ismos - Aaron Hayes - Adam Braffman Adam Ferris - Adela Muntean - Adem Elahel -\nAgente Doble - AGT - Alan Schaffer - Alba Rocca - Alex Atipin - Alex Bond - Alex Mendoza Alex\nPeverett - Alfredo Salazar-Caro - Alice Charlotte Ray - Alix Desaubliaux- Allison Lili Guiraud - Anaïs\nVailland - André Santos - Andrea Noce - Andres Manniste - Andrew Benson - Andrey Yazev - Angela\nWashko', NULL, 'Projection or screen', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/pg/SuPer.Art.Modern.Museum/photos/?ref=page_internal', NULL, NULL, NULL, 3177, NULL, 383, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2732, NULL, '2020-06-11 01:00:52', '2020-08-14 16:53:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29434, 'MBbDEiBN7UnNWuGC', 'INTERNET ECOLOGY', NULL, 'In “Internet Ecology”, Systaime offers explosive mashups of Internet Aesthetics, where information, images and comments provide a frame of today’s Digital Pop culture. The artist remixes web images and uses an audiovisual spectacle to display the patterns that are dominating the Internet, its icons, its manifestations and its digital prosperity. We are the \"lucky\" spectators of what he chooses to present us. What happens in the video has not much to do with our own lives, but it is more a kind of close esoteric manifestation of this web culture that is part of today’s pop culture.', NULL, NULL, 'Projection or Screen', NULL, 'artist', NULL, NULL, 'http://systaime.com/ecology/videoss/Happy_Deep_Web/', NULL, NULL, NULL, 'http://systaime.com/ecology/Expo-systaime-Money-Print/', NULL, NULL, NULL, 3177, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2731, NULL, '2020-06-11 01:04:54', '2020-08-08 14:31:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29435, 'Es8Tnzt5u7MvuQE7', 'Mujer Sola', NULL, 'LAS MUJERES NO MERODEAN SOLAS PORQUE ALGUIEN LAS PUEDE MATAR.\nMujer Sola es un retrato de un viaje, reflejo de la vulnerabilidad y el miedo. Un mapa imaginario de un lugar que podría ser cualquier lugar. Es una instalación compuesta por una serie de fotografías y videos intervenidos manualmente y acompañados por textos breves.  Busca materializar algunas de las sensaciones que experimenté en un pueblo desolado, viajando sola. Las imágenes se desintegran, se deshacen entre las manchas oscuras que deforman los paisajes y las expresiones.\nA través de este recorrido me apropio de la extrañeza que (me) genera estar sola en un espacio al que no pertenezco. Del miedo. Cuestiono la mirada de los demás y me imagino muerta, vulnerada, rota entre la basura. \nMi búsqueda consiste en trasladar a las imágenes mi propia vulnerabilidad trabajando con materiales \"marginales\", económicos y de baja calidad como el papel afiche, acetato, vidrios rotos e interviniendo las fotografías manualmente con tinta. \nSe plantea una paleta monocromática en la que predominan el blanco y el negro pleno, generando extrañeza en el registro. Sintetizando la intensión de alejar este retrato de viaje de un lugar particular. \nAsimismo, la propuesta de montaje de la obra remite a todo el proceso de intervención de las imágenes. Las impresiones fueron realizadas en papel obra y vegetal de bajo gramaje; y los videos son proyectados sobre  papel también. \nProyecto ganador de una de las Becas Creación del FNA 2019.', NULL, NULL, 'Las medidas de las piezas son variables, las más grandes miden 0,90m x 1,30m. Se requiere un espacio cuyo perímetro sea de 13m aproximadamente. La iluminación general de la sala debe ser tenue para para no competir con la luz emitida por el proyector, mientras que las fotografías deben ser iluminadas puntualmente.\nLas fotografías mas pequeñas se pegan a la pared con imanes, mientras que las más grandes se sujetan con broches de metal y se cuelgan con tanza del techo.', NULL, 'artist', NULL, NULL, 'https://drive.google.com/file/d/1dnIC-4UQR9uxIUqZ_fp8FvNnKGNSCS55/view', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3181, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2736, NULL, '2020-06-11 01:09:15', '2020-08-08 14:49:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29436, 'uVyS1DwaYXHAgOWn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:09:53', '2020-06-11 01:09:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29437, 'Qn8wtM1xkjgSyNDQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:11:35', '2020-06-11 01:11:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29438, 'n2fekKiBjIiYOoLt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:12:25', '2020-06-11 01:12:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29439, 'iPTx8XaSLv0yTIQ6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:14:55', '2020-06-11 01:14:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29440, 'ypuobr0yvzulp8bX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:16:15', '2020-06-11 01:16:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29441, '4iQcAi8lIEw6CJve', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:18:10', '2020-06-11 01:18:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29442, 'pUJFKGE4PlNARF22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:19:06', '2020-06-11 01:19:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29443, 'Jb6rUunZSknAAhR4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:19:10', '2020-06-11 01:19:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29444, 'xLIhTmz0YbsksdQY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:27:53', '2020-06-11 01:27:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29445, 'kuzGefaBaFKxp38i', 'De puerto en puerto sobre el Río Uruguay', NULL, '\"De puerto en puerto es una obra de carácter performática, procesual y vincular . Tiene como eje mi experiencia en primera persona en una performance de viaje a la deriva navegando el Río Uruguay .Desarrolle una primera etapa en el 2017 por el Uruguay medio y una segunda etapa con la beca del FNA en 2020 por el alto Uruguay. La realizo estableciendo acuerdos espontáneos en las comunidades litoraleñas que me permiten navegar el río en un zigzag simbólico cosiendo sus orillas. Considero las embarcaciones que me llevan como expresión cultural de la relación de las diferentes comunidades con el río, resaltando los lazos comunitarios a partir de la voluntad cooperativa de quienes me trasladan. La experiencia es un derrotero construido en común con aquellos que voy estableciendo un diálogo. La intención es generar una deriva que hilvane el relato que plasma el vínculo entre el ambiente, el río y las voces que los constituyen. La idea es dar apertura a un “foro” sobre el Río Uruguay. A partir de exhibir esta experiencia en una Video instalación itinerante que consta de Gigantografía de la cuenca del Río Uruguay  8mts. de largo instalado desde el piso subiendo la pared. en base a un dibujo que realice en tinta de la cuenca entera del Río ; Video sobre mi recorrido y a través de una captura de navegación en el Google Earth; Video ( a realizar ) que expone registros audiovisual y fotografías de quienes me llevaron y sus relatos. Los videos se proyectan en dos pantallas sincronizadas.', NULL, NULL, 'El espacio expositivo es itinerante ( a gestionar) 1- debe poder alojar una gigantografia de 8mts. de largo, que se inicia en el piso  y sube por la pared por 2mts de ancho y la Instalación de dos pantallas ( tamaños a disposición)  para los dos videos y un espacio de reunión con sillas. \nAl ser solo archivos digitales pueden ser adaptables a las características de cualquier espacio, tanto en tamaño como disposición. E incluso, los archivos pueden funcionar solo como una plataforma virtual.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.banffcentre.ca/if-river-ran-upward  https://youtu.be/VAPrpKvETFs      https://youtu.be/JFymbBxw5mc    https://youtu.be/JFymbBxw5mc      https://youtu.be/KFuGYBPwass   https://www.flickr.com/photos/150985831@N07/albums/72157713746500927      https://www.flickr.com/photos/150985831@N07/albums/72157695047186361', NULL, NULL, NULL, 3207, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2758, NULL, '2020-06-11 01:29:34', '2020-08-14 16:41:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29446, 'pan0Bq8L2iYpj0yl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:30:21', '2020-06-11 01:30:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29447, 'Sj0809Se6Y590xQx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:30:44', '2020-06-11 01:30:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29448, 'naFysAyeQGoubJeW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:33:19', '2020-06-11 01:33:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29449, 'CAq50p5YlhoIMPAO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:33:25', '2020-06-11 01:33:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29450, 'DvOaXApZflw2UnmL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:33:26', '2020-06-11 01:33:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29451, 'fXQHA3nTvUCyxEqS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:37:15', '2020-06-11 01:37:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29452, '3prBBkf5wMdCPuwW', 'Serie Borradores', NULL, 'Serie Borradores es un conjunto de acciones-intervenciones en espacios urbanos que parten del hecho de dibujar-borrando, utilizando el borrador como herramienta de dibujo sobre muros manchados de smog y registradas por medio de la fotografía o video. Por un lado, es una reflexión del dibujo como lenguaje y su relación con la arquitectura y urbanismo como soporte; explorando diversas formas de comunicación visual como la lengua de señas, poesía visual y gráfica popular. Igualmente recurre al gesto espontáneo y efímero del grafiti para activar comentarios críticos con respecto a distintas problemáticas como: Los derechos de la naturaleza, la defensa del medio ambiente, la libertad de expresión y la descolonización en la construcción de imaginarios urbanos. Así mismo busca reflexionar y activar alternativas a la contaminación automotriz a través de propuestas ciudadanas para pensar y accionar otras formas de movilidad urbana y dependencia energética mediante exposiciones, conversatorios y encuentros. \nEn el hecho de dibujar borrando se instala una paradoja pues no es solamente rayar o escribir sobre un muro, es también limpiar el smog impregnado sobre él. En más de una ocasión esto ha generado una contradicción en la interpretación legal con relación a uso del espacio público o patrimonial, en ese sentido la obra no mancha una pared sino pone en evidencia su contaminación al ocupar lo manchado como un espacio generador de sentidos.', NULL, NULL, 'La propuesta es realizar dos intervenciones en el centro de la ciudad de Santiago de Chile,  en los alrededores de Plaza Italia que rememoren frases de las protestas del 2019 como: \"Hasta que la dignidad se vuelva costumbre\", \"Nos robaron hasta el miedo\"; realizadas en dibujo de lengua de señas chilena. Seria necesario un período previo de una semana  para recorrer la zona, ubicar a los muros y establecer un contacto con los responsables de los mismos para  solicitar su colaboración en la obra.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/147445572', NULL, NULL, NULL, 'https://www.joseluismacasparedes.net/portfolio/serie-borradores/', NULL, NULL, NULL, 3305, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2841, NULL, '2020-06-11 01:38:20', '2020-08-13 22:20:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29453, 'rhEYG6OpO4JyOSOB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:39:03', '2020-06-11 01:39:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29454, 'ljVFewY1sZmF6jOf', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:42:31', '2020-06-11 01:42:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29455, 'dVHrfcQGk8rGvVLn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:45:55', '2020-06-11 01:45:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29456, 'vhK8E6vr4klgQApK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:48:10', '2020-06-11 01:48:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29457, 's6jdTMt4ZTtCXigE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:51:14', '2020-06-11 01:51:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29458, 'bPnXVWCPHr3IRgIy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:51:43', '2020-06-11 01:51:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29459, 'KZgfPDL918Jsxr8Y', 'Nau Frágil', NULL, 'Nau Frágil es una instalación y performance de la artista Priscila Rezende, que hace un paralelo entre diferentes momentos históricos, del pasado y del presente, pero que tienen duras similitudes. La artista permanece junto a un bote lleno de rosas de color oscuro, rodeado de rosas blancas espinosas y entre ellas un espacio mínimo que permite a artista solo caminar alrededor del bote.\nEsta isla está rodeada por un alambre que se remonta a lugares de privación de libertad, como campos de concentración, prisiones o fronteras geográficas. Desde esta isla, la artista ofrece al público las rosas del barco y lo invita a reflexionar sobre sus relaciones con vidas y cuerpos que cautivos o en busca de refugio han sucumbido entre océanos, continentes y territorios.\nEste trabajo se ha realizado en dos ocasiones anteriormente, originalmente presentado en el Festival de Malta en Poznan, Polonia; y dentro del programa del Festival Post-Colonial Poly Perspectives, en el teatro Ballhaus Naunynstrasse, Berlín, Alemania.', NULL, NULL, 'La medida total es variable.Entre el bote y la cerca hay una distancia de 2.5 metros.Con una embarcación de aproximadamente 1,5 x 3,0 metros,la dimensión total es de 52 m².Se utilizan 350 rosas rojas sin espinhos y rosas blancas con espinas en una cantidad que varía según el espacio total de la instalación.\nPara la Bienal Sur se propone la realización en uno de los tres espacios:\nPadrão dos Descobrimentos,en Lisboa,Portugal; Puerta de No Retorno,Ouidah,Benin o Praça Mauá,Río de Janeiro,Brasil.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=MDMKjovFfuA&t=4s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5698, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4706, NULL, '2020-06-11 01:55:30', '2020-08-10 21:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29460, '48GJqtCpTLO9YjJq', 'La Gota Performance', NULL, 'La Gota es una performance interdisciplinaria que explora el cuerpo como principal manifiesto de la materia, esta materia es capaz de transformarse, juntarse, separarse, y pasearse por los estados naturales que pueden conformar a un ser emocional, a un ser material. \nSe expone este espacio creativo a partir de la construcción inmediata de la escena en tiempo real, un lienzo en blanco es el principal escenario que abre los pasajes a los paisajes de la fantasía siendo este transformado por personajes oníricos que descubren su composición y desnudan su intimidad, yendo de lo sutil a lo grandilocuente, movidas por la intuición con bases sólidas en la improvisación, estos personajes trazan caminos de una ruta sin mapa, dibujan lugares sin nombre, la danza deja de existir como una manifestación efímera para trascender en pintura, dándole color al movimiento; la poesía, la música y la voz suman a la composición de esta historia donde este cuerpo es capaz de construir su propio universo sensorial que queda plasmado en un cuadro único, resultado de este cuento/encuentro donde cada gota es capaz de transformarse y transformar el espacio viajando y surcando estados naturales, estados  emocionales de este manifiesto de la materia llamada cuerpo.', NULL, NULL, 'Podemos aprovechar los espacios públicos y de tránsito libre cómo parques y plazas, así como también galerías y salas de exposición.\nRequerimos de una superficie plana y sólida de 4 metros por 4 metros para colocar el lienzo en el suelo, el público puede estar alrededor de la obra. \n\nSi la actividad es durante el día utilizamos la luz natural, y si es en la noche requerimos de un equipo de iluminación, además de equipo de sonido y micrófono.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=eVUqMMF7DoE&t=421s', NULL, NULL, NULL, 'https://marianalviarez.wordpress.com/la-gota-ensayo-espacio-abierto/', NULL, NULL, NULL, 6065, NULL, 883, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4974, NULL, '2020-06-11 01:56:41', '2020-06-24 20:04:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29461, 'vT8fhsTiLgIe0Ab5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:59:44', '2020-06-11 01:59:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29462, 'gA8jYYQomAdYoRm6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 01:59:49', '2020-06-11 01:59:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29463, '3czyXWWDVPcnAzwo', 'Vencido', NULL, 'El proyecto surge a partir de un viaje al municipio de Puerto Boyacá ubicado en el Magdalena Medio, una zona que ha sido epicentro del conflicto armado y del paramilitarismo en Colombia, y de la revisión de un documento del CNMH llamado “Memorias de sectores LGBT en el Magdalena Medio”,  que da cuenta de las múltiples formas de violencia ejercidas hacia la comunidad LGBTIQ en ese lugar. \n\nDel viaje resultó una serie fotográfica realizada en una finca de explotación lechera del municipio hecha a partir de película vencida de 35 mm, y de la serie surgió la pregunta por el significado de la palabra. Vencido entonces, es una palabra homónima: algo que expiró, algo agrietado apunto de romperse, perder o ganar una batalla.\n\nEl proyecto que se encuentra actualmente en proceso, explora las dinámicas de poder ejercidas por grupos armados hacia un sector específico de la población, la explotación de la industria ganadera y su relación como actores violentos y represores de diferentes cuerpos en el territorio. La exposición que propongo consta de 3 fotografías hechas a partir de película vencida de 35 mm dispuestas en cajas de luz de 70 cm x 1M, un vídeo proyectado sobre el suelo del espacio, y 100 bovinos de cerámica dispuestos también en el suelo. Habrán 23 cerámicas que harán memoria de algunas de las victimas nombradas en el documento y por lo tanto tendrán un esmaltado  de otro color y un proceso de quema distinto al resto para permitir la formación de grietas en su superficie.', NULL, NULL, 'Requiero un espacio neutro de aproximadamente  6.5 metros de ancho x 6.5 metros de largo x 3 metros de alto, que contenga al menos 5 toma corrientes y si es posible un vídeo proyector.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 6387, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5221, NULL, '2020-06-11 02:07:52', '2020-08-13 02:49:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29464, 'jonK2IrsSDJjvxo8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:15:27', '2020-06-11 02:15:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29465, '6sj4pn2HMG4n9tQF', 'O tempo todo', NULL, 'Esta pieza forma parte junto con otras de la conformación de un grupo de trabajo colaborativo entre dos intérpretes y dos compositoras radicadas en Montevideo, La Plata y Buenos Aires con el interés de abordar la composición musical desde una perspectiva transmedial. \n \nDe esta forma el proyecto consiste en el abordaje colaborativo del proceso compositivo-interpretativo de obras que convergen en el interés común de poner el cuerpo de la intérprete en el centro de la escena, su interrelación con objetos sonoros, lo sonoro como expansión de su cuerpo mediante la acción, la acción escénica desde su perspectiva visual, su vínculo con el espacio y cómo aquel cuerpo inicial se ve transformado en aquellas interacciones que devienen transmediales por su vinculación inherente a múltiples lenguajes artísticos. \n \nEn este marco es que proponemos la obra \"O tempo todo\" para Flautas y dispositivo escénico-visual. El eje central del trabajo es abordar lo sonoro y lo visual desde la multiplicidad del cuerpo ¿Hasta dónde llega un cuerpo? ¿Cómo suena? ¿Cómo se ve un cuerpo? ¿Qué es un cuerpo? ¿Cuántos cuerpos tiene un cuerpo?\n Un cuerpo que muta, se expande y contrae. Decide. Un cuerpo que es cuerpo, músico, performer, objeto. Un cuerpo que se ve, entero, por partes, velado, que crece y se destruye total o parcialmente. Total y parcialmente. Que no se ve, que suena. Un cuerpo que habita un espacio y es al mismo tiempo el espacio.', NULL, NULL, 'Este proyecto tiene, constitutivamente, la particularidad de poder adoptar formatos específicos para cada espacio. Será requisito disponer de la planta, rider técnico y aspectos específicos del lugar disponible para que el proyecto pueda montarse y redefinirse en función del mismo. Preferentemente espacio de 7m x 7m x 7m.\n\nTécnica: 2 proyectores, cámara kinect 360, pantallas traslúcidas (dependerá del espacio la cantidad), sistema de amplificación 4.1 activos,crossover, mixer.', NULL, 'artist', NULL, NULL, 'https://youtu.be/q0nOAPpxUHA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5714, NULL, 815, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4721, NULL, '2020-06-11 02:16:04', '2020-08-08 02:42:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29466, 'IHYEuTnclUvRzLYP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:16:46', '2020-06-11 02:16:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29467, '2dk6iiO00T3U808K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:20:30', '2020-06-11 02:20:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29468, 'x6Lz0owFelM510k3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:21:26', '2020-06-11 02:21:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29469, 'MBhDHwTRxrbplWvB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:23:12', '2020-06-11 02:23:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29470, 'miGgIGlUdIpIJgFZ', 'LIMINAR', NULL, 'Algunos de estos trabajos  corresponden a una muestra grupal que ha sido pospuesta en principio para el año próximo.\nMe he ido situando progresivamente en el universo constructivo. También concreto.  \nHay un común denominador en mi trabajo, que yo comprendo o traduzco como un “trabajar sobre lo dado”.\nEn primer lugar, me valgo casi siempre de algo encontrado como disparador. \nAgrego. Sumo. Intervengo formas en madera configurando el soporte, que cada vez con más frecuencia termina identificado como objeto. \nDiría más precisamente cuadro objeto. Cuadro, porque predomina lo bidimensional. Objeto porque en todos los casos son formatos irregulares.   \nLuego de esta primera instancia, irrumpe el color, y organiza otra vez lo dado. Unifica o discontinúa. Jerarquizando o subordinando texturas y relieves que devienen accidente. \nSe trata de llegar a una interacción necesaria entre los distintos planos de color.', NULL, NULL, 'PLUVIAL - 38 x 58 cm - ensamble y collage\nA PICO - 68 x 73 - ensamble y collage \nAZULERO - 90 x 43 . ensamble y collage \nDESIMÉTRICO - 58 x 42 - ensamble y collage \nPARA MAÑANA CANTAR - 96 x 41 - ensamble y collage\nDE PARADO - 36 x 15 x 77 - ensamble\nENTREVERO EN VERDE - 80 x 40 x 5 - ensamble y collage\nTÁBULA - 78 x 82 - ensamble\nAL FONDO NADA - 80 x 80 - ensamble y collage', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3316, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2849, NULL, '2020-06-11 02:24:15', '2020-06-30 17:57:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29471, 'KQIAXHpFEYR2d9Hd', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:25:34', '2020-06-11 02:25:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29472, 'yXiVe31BaAzvEhUt', '\"MONEDAS\"', NULL, '\"MONEDAS\"\nEs una invitación reflexiva sobre lo que somos y lo que creemos ser, por medio del enfrentamiento de dos elementos tan distantes y al mismo tiempo tan presentes: los alimentos y el dinero que,  irónicamente, están unidos por las necesidades humanas; pero separados por la codicia y el poder. Nuestra América indígena, nos ha legado un sinfín culturas y  gastronómico. Tal es el caso  del casabe, que con más de 30 siglos de existencia constituye nuestras raíces más profundas de la cultura y la supervivencia. Mostrando lo efímeras que son nuestras huellas en el pergamino de la eternidad… Por otra parte, las imágenes de monedas, algunas vigentes y  otras descontinuadas.\n\nUna moneda no solo  representa el capital económico de un país, también representa una hegemonía gubernamental, una gruesa muralla de arbitrios y reglas que se sitúa en una temporalidad, un territorio, una población determinada… Posesionándose en el colectivo imaginario como un símbolo de poder, estabilidad y garantías, contrastada con el frágil y quebradizo casabe, pero siempre presente en la gran mayoría de los pueblos de América desde hace 3000 años.\n Todo aquello que hemos creído ser o, nos han querido hacer creer que somos, muta, cambia, se desdibuja con el paso de los tiempos; pero el casabe al igual que muchos elementos de nuestras culturas originarias, permanece inmutable recordándonos  lo que somos, develándonos nuestra realidad. Realidad –horrible y asombrosa- de la que no podemos huir.', NULL, NULL, 'La obra está conformada por un conjunto de 11(once) hojuelas de harina de mandioca o yuca de forma circular (casabes). Con una dimensión aproximada de 28 cm, presenta el dibujo de monedas en tinta de café y curada en su parte posterior con emulsión acrílica en donde se fija un sujetador en forma de cierra para ser colgado en un elemento vertical o muro.\n\nLa forma recomendada para su exposición es ser colgadas sobre muros en tres filas, ocupando un área aproximada de 150 cm x 120 cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3864, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3287, NULL, '2020-06-11 02:26:13', '2020-09-17 17:43:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1ozy2Qe3MmIw5VWdXn7ykUcVFUOkS3LWt?usp=sharing'),
(29473, 'emzJSzKquRKeltXn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:27:32', '2020-06-11 02:27:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29474, 'LpSsTKoQJL6MATwG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:27:34', '2020-06-11 02:27:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29475, 'ZM8axtzxfjKUNc2H', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:27:53', '2020-06-11 02:27:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29476, 'BvEuuMvSrP3ht9nO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:28:07', '2020-06-11 02:28:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29477, 'EIR5BghNvz2M0yvG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:28:10', '2020-06-11 02:28:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29478, 'Ap9x5X1rgSRowIA0', 'Paisaje protegido.', NULL, 'Hoy la dominación tecnológica de la naturaleza y el ciberespacio representan los modos de relacionarnos con el mundo. El software media entre nosotros y el orden natural y el paisaje emerge entre ambos como fractura, como realidad fracturada devenida onomatopeya visual. Ni natural ni humana, resultante de la interacción de ambos factores sin ser uno ni otro. Condición de ser a la vez, realidad y ficción, significante y significado. \nEstas apreciaciones se enmarcan en los eventos que tuvieron lugar en las obras llevadas a cabo en el Puerto La Plata, donde se efectuaron dragados sobre el canal de acceso para facilitar el ingreso de grandes barcos. El material extraído del fondo del canal se vertió sobre la isla Paulino, isla declarada Paisaje protegido de interés provincial Ley 12756. \nLas imágenes satelitales nos ofrecen la representación visual capturada por un sensor que recoge la información reflejada de la isla. \nSi no hay limites precisos ni margenes, si el paisaje no es ni natural ni humano, si se ubica en los intersticios de ambos como alteridad ¿Como se vería? ¿Como podemos visualizar ese concepto a medio camino entre la forma y lo etéreo?', NULL, NULL, 'Las fotografías van enmarcadas, separadas unas de otras por varios metros, en un espacio con poca iluminación a excepción de las imágenes.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3319, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2852, NULL, '2020-06-11 02:28:24', '2020-06-30 17:57:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29479, 'qDXwgduCIPKszAhe', 'Sewing as a Healing Process', NULL, 'It comes from the connection between my life and old clothes. My stuffed closet becomes a problem. I start to mend these second-hand clothes as a symbol of both inside soul and outside body. I focus on a time-consuming process of hand sewing. It could develop an own spiritual practice to enter into a contemplative dialogue inside. It is like a healing method to release my pressure. After the repetitive work in a period of time, it carried out a sense of ritual. This process also transformed clothes into a key role. Installation of spotlights on them is like recovering injuries to connect their unknown history. The composition of this installation is separately named Circulation, Balance, Come In and Go Out.\"', NULL, NULL, 'It is at the dark space with the four walls.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3225, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2774, NULL, '2020-06-11 02:35:28', '2020-08-10 15:25:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29480, 'tNmCGLitgQsfV0aZ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:35:33', '2020-06-11 02:35:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29481, 'ir3lWRANX5FFMTJC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:36:48', '2020-06-11 02:36:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29482, 'maqEd2UKmeKw2LoK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:37:04', '2020-06-11 02:37:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29483, '7ZRmSb2EJlYZHXf4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:43:08', '2020-06-11 02:43:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29484, 'lFZt2poXi0QNMGP2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 02:59:00', '2020-06-11 02:59:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29485, '1IUpfjLCv1GT7uYY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:02:51', '2020-06-11 03:02:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29486, '76ONJmsbC7uZjd9h', 'Rastro do meu pai (Trace of my father)', NULL, '\"Rastro do meu pai\", 2019. Monotype of my father\'s body with blood on fabric. 230 x 240 cm.\n \nThe work \"Rastro do meu pai\" consists of a monotype produced by my father\'s body printed on a fabric with blood, resembling a shroud. There is an alternation between presence and absence, life and death, expressed in the way the image is produced.\nThere is a performatic dimension in this work, but it is lost and leaves behind only the trace of the gesture. By presenting only the result of the action I seek to affirm the trace as an index of absence. This absence is reaffirmed through the monotype procedure, as the image is formed by the contact of the body with the fabric, but it is only visible when the matrix body is absent, creating a duality relationship between presence and absence. The material used to print the body also contain a duality. The blood recalls death, but it\'s also a material present in childbirth and that is fundamental for life. \nBesides, the gesture of duplicating the body is \"mortifying\", since the practice of creating a duplicate of a body is historically associated with the practice of death masks. The duplicate image shows a duality. Producing the trace of this body preserves it, transmits it to posterity, and at the same time ruins it and makes it disappear.', NULL, NULL, '\"Rastro do meu pai\", 2019. Monotype of my father\'s body with blood on fabric. 2,3 x 2,4 m.\n\nA white wall with a minimum size of 3.5 x 3.5 m is required. The work should be attached to the wall by four nails placed at the fabric angles, and the work must be illuminated with a spotlight.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://machadoalvesclara.wixsite.com/meusite/rastro-do-meu-pai-ii', NULL, NULL, NULL, 5382, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4470, NULL, '2020-06-11 03:08:20', '2020-07-28 17:07:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29487, 'Y9DA2UUTPGzFfPjo', 'Hallazgos', NULL, 'Se trata de un collage que pretende mostrar el \"hallazgo\"  de objetos que siempre hemos \"tenido\" y considerados culturalmente nuestros, pero que en situaciones de crisis a la seguridad y a la libertad, como la que estamos viviendo, han perdido o cobrado un \"valor\" inesperado. Ni los científicos, ni los chamanes habrían podido pronosticar con tanta certeza el rumbo que hoy ha tomado la salud, la economía  el oro, el dinero fia o la criptomoneda. Es una reflexión a creer que la visión de nuestro futuro siempre ha estado en nuestras manos, pero obstinados por la historia, necesitamos que alguien venga y muestre las lineas que tienen nuestras manos.', NULL, NULL, 'TITULO: SALUD, SALUD Y SALUD.\nTECNICA: COLLAGE \nDIMENSIONES 29CMS X 26CMS \n\nLÁMINA DE CARTÓN PIEDRA DE COLOR ROJO CON SOBRES DE TABLETAS O PASTILLAS DE MEDICAMENTO PEGADAS A ESTE CARTÓN. DOS FLORES PALIDAS IMPRESAS EN PAPEL SE\nCRUZAN  EN SUS TALLOS', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3193, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2745, NULL, '2020-06-11 03:08:47', '2020-06-26 19:59:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29488, 'akDM0Xj23ZuDUCZw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:09:20', '2020-06-11 03:09:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29489, 'ercWG0JgFdqtBfjF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:10:27', '2020-06-11 03:10:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29490, '4scV3dbzQYWNf6iE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:12:53', '2020-06-11 03:12:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29491, 'SD6zJRT6NIAGBXmf', 'soledad me alejo. Plan performático', NULL, 'Concebimos este proyecto como un programa-plan performático que se expresa a través de las corporalidades de las personas de Soledad y Alejo. Soledad es bailarina y performer  y Alejo es origamista y performer. \nEsta experimentación psicofísica se encuadrada en el concepto, ética y acción de y desde el ENCUENTRO.  Encuentro como una de las formas de relación que tiene lugar en la relación interpersonal y que comporta a las personas de los que se encuentran y no sólo sus propiedades o sus funciones.Y su desarrollo desde estas pautas,  conduce a: el encuentro como metodología-estrategia y como fin en sí mismo. Donde  la experiencia  última no es en la síntesis, ni en la adecuación, sino en el cara a cara de dos seres humanos.\nComo vector-movimiento-fuerza hacia la acción performática, investigamos hábitos y prácticas cuyo objetivo es llevar atención hacia los numerosos estímulos internos y externos que están presentes en nuestro cuerpo.  Abriendo  la posibilidad de inhibición de las reacciones habituales a favor de la elección, hacia un diálogo abierto, de características únicas e irrepetibles. Que será el resultado de la interacción, de los descubrimientos, deseos, ideas, etc. de los “en escena” y la presencia del público. Buscando una acción que tenga como horizonte las interacciones humanas como espacio simbólico autónomo.\nRecibió un Subsidio de PRODANZA-2018, se presentó  en el 10mo. festival Buenos Aires Danza Contemporánea 2018 y en varios ciclos y espacios.', NULL, NULL, 'La performance trabaja con los recursos existentes en el lugar donde se realiza la presentación. En tanto espacio y luces. \nNecesidad de tiempo: \n-3 hs,  de un día en lo posible diferente al de la presentación: puesta de luces y reconocimiento del espacio. \n-3 hs,  de un día en lo posible diferente al de la presentación: ensayo general. \n-el día de la presentación tener disponible el espacio 3 hs antes de la apertura al público. \nNecesidades técnicas: amplificador con salida a mini-plug.', NULL, 'artist', NULL, NULL, 'https://youtu.be/eiCQvUH5s38', NULL, NULL, NULL, 'https://drive.google.com/file/d/1q6syiJmCfIcv5wwyXjBK-MXprZJTGSV9/view?usp=sharing', NULL, NULL, NULL, 3205, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2756, NULL, '2020-06-11 03:14:20', '2020-06-26 19:59:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29492, 'u833WefjvxeJc5uU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:14:58', '2020-06-11 03:14:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29493, '8AUnFypGftGercCz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:23:23', '2020-06-11 03:23:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29494, '18OpU5I6Skdn5GGG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:25:12', '2020-06-11 03:25:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29495, 'FLwWryqgPoaaZYpn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:26:48', '2020-06-11 03:26:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29496, 'mlW7Z0uFcD2Snvdi', 'A Cántaros', NULL, 'A Cántaros es una pieza sonoro visual de doble formato: performance para percusionista /instalación sonoro visual, compuesta por Sofía Scheps para Juanita Fernández.\nCuatro bombos y cuatro objetos de labor son el elemento central, funcionando simultáneamente como instrumentos acústicos, y como amplificadores de material electroacústico, mediante transductores adosados a sus cuerpos. Los materiales sonoros son una colección de objetos encontrados a partir de búsquedas experimentales: audios preexistentes, sonidos sintéticos, sonidos generados por fenómenos acústicos, sonidos producidos en vivo por la intérprete, se organizan para crear el universo sonoro de la pieza. Así se configura un dispositivo como elemento escultórico, definiendo un espacio que es activado por la performance en vivo, y en el que queda resonando  la proyección de cada performance en formato instalación. Se plantea una escena de labores, de trabajo y trasiego, en la que se entraman objetos sonoros y texturas diversas, bien identificables. El gesto cotidiano y el excepcional conviven en un único universo, resignificando objetos y labores desde una perspectiva sonora.\nLa pieza propone una macroestructura de proceso acumulativo: durante el tiempo de exposición se realizarán cuatro performances que serán registradas visualmente. Al concluir cada performance, el registro pasará a formar parte de la instalación a modo de proyección, superponiendo a cada nueva performance, una nueva versión de la pieza.', NULL, NULL, 'La disposición espacial de los elementos toma como base la geometría de la constelación Cruz del Sur, duplicada y escalada dos veces: una más pequeña en el centro de la sala que concentra el “espacio performático” con los cuatro bombos y sus objetos satélite, y otra más grande en cuyos extremos se ubican los objetos satélite periféricos.\nSe propone un espacio performático central. \nEste será filmado con una cámara cenital, y también se proyectarán sobre los registros de performances anteriores.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/366125843', NULL, 'https://drive.google.com/file/d/1qGhNzQ-Dg9O_7NfG_5Yr8s31IwasTtQa/view?usp=sharing', NULL, 'https://drive.google.com/drive/u/0/folders/1N95eRAb3Ela_5S0NQs6VUf46s4YLkR86', NULL, NULL, NULL, 4062, NULL, 518, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3458, NULL, '2020-06-11 03:30:01', '2020-07-24 19:51:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29497, 'iHFHrfFV4SAihjfv', 'MAETRIZES - FOTOGRAFIA DE CAMILLA SOUZA - CURADORIA DE MENDERSON BULCAO', NULL, 'A fotografia como espaço discursivo pela construção da imagem em Maetriz, pesquisa de Camilla Souza expressa o conceito de Narração, Fabulações e Mitologias como transmutação de sua imersão literária e artística pela fotografia. Suas indagações sobre o cotidiano e sua invenção através das repetições, representações e presentificação e a instituição do prefixo re, reviver, refazer, revelar, reinspirar, ressignificar, ou seja, a busca esquizofrênica pela origem, pela emoção, e a modulação contingente das metáforas intermediadas pelas suas maetrizes engessadas pelo olhar rotineiro, ou seja, o agenciamento de imagens reificadas. São15 fotografias sobre as suas paixões pelo seu lócus enunciativo e de experiência ética e estética no recôncavo, Camilla Souza nos arrasta pelo labirinto do seu povo para nos contar parte das microrrealidades e a temporalidade das Mitologias e das Fábulas, a literatura associada a fotografia é um dos pressupostos de seu percurso interpretativo.', 'A proposta curatorial se enquadra na evidência das matrizes relacionadas às invenções e criações transmutadas na paisagem natural e cultural do território do recôncavo, a composição social e cultura que perpassa a temática das fotografias da artista Camila Souza.  O pressuposto é discursivo e se revela como um álbum esquizofrênico da persistência do passado de uma região colonizada no século XVI, que experienciou uma apoteose de relações desiguais e divergentes, constructo de cenários intermitentes e intermediados pelas contradições humanas e imaginários idiossincráticos.', NULL, 'MUSEU DE ARTE CONTEMPORÁNEO DE LA PROVINCIA DE BUENOS AIRES', NULL, 'curator', NULL, NULL, 'https://drive.google.com/drive/folders/1eWs8eD3LaOSKQDN8fCuWZwA7AKJCW-zb?usp=sharing', 'arquivos do projeto-', NULL, NULL, NULL, NULL, NULL, NULL, 3801, NULL, 478, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3241, NULL, '2020-06-11 03:30:32', '2020-07-02 02:10:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29498, 'DAqcYnN0WEzpsVx9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:31:17', '2020-06-11 03:31:17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29499, 'HSLLzouRT97WBVUy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:32:03', '2020-06-11 03:32:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29500, 'u0tYyQFwjzLpU7HT', 'aresta', NULL, 'O projeto consiste na exposição  de até 30 esculturas ( ajustando a quantidade de obras de acordo com o interesse da organização),  criadas a partir de sobras de perfis de alumínio utilizados em serralheria convencional para produção de portas e janelas da construção civil, e  também aliados a outras matérias primas, como cabo de aço, parafusos e madeira.\nSão obras, em sua maioria de porte pequeno, tendo em média 40 cm x 40 cm x 60 cm de altura, poucas peças fogem dessas dimensões.', NULL, NULL, 'O espaço necessário para a exposição pode variar de acordo com a quantidade de obras expostas, mas acredito que  entre 50 e 70 metros quadrados seja o suficiente, já considerando o espaço de circulação de visitantes. \nO espaço de preferência fechado/coberto, mas nada impede de se expor ao livre, pois são peças de alumínio e possuem boa resistência as intempéries.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3192, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2744, NULL, '2020-06-11 03:32:25', '2020-06-26 19:59:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29501, 'L7lCQMpuZNKndBtx', 'PANORÂMICAS RIO', NULL, 'Apresentamos “ Panorâmicas Rio “, projeto que reúne trabalhos de artistas estabelecidos na cidade do Rio de Janeiro. São 14 artistas que, em diferentes técnicas, expressam um mundo de representações pictóricas sobre uma mesma temática: a pluralidade paisagística da cidade maravilhosa. A tensão entre abordagens lúdicas e tratamentos mais críticos está presente tanto em telas individuais como no diálogo estabelecido pelo conjunto do projeto de exposição. Desse modo, oferecemos o conjunto curatorial para exploração das formas, cores e luzes das paisagens cariocas. Mas, também, observar e refletir sobre a relação entre a Natureza e a Cultura, a Memória e a História de alguns cenários da bela e inspiradora Cidade do Rio de Janeiro. A proposta de exposição compreende 1 (um) trabalho de cada artista com dimensão panorâmica em pequeno formato. Com 14 obras em montagem linear, o próprio conjunto vai mostrar uma outra configuração panorâmica em sua totalidade. Cada obra será acompanhada de um texto livre com vertente conceitual e poética acerca do assunto em questão.', 'Ana Miranda, Brasileira\nAna Taveira, Brasileira\nAnita Fiszon, Brasileira\nArmando Barbosa, Brasileiro\n Claudia Costa, Brasileira\nHelena Pontes,  Brasileira\nLu Guedes, Brasileira\nMarli Paes Leme, Brasileira\nMarré, Brasileira\n Mirtes Fonseca, Brasileira\nSimone Magalhães, Brasileira\nTúlio Passos, Brasileiro\nRegina Moura, Brasileira\n Regina Pellon, Brasileira', NULL, 'Sugiro um espaço de pequenas dimensões, de características simples e um tipo espacial que receba trabalhos em pequenos formatos. A montagem da exposição se adaptará a qualquer tipo de espaço.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4857, NULL, 668, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4090, NULL, '2020-06-11 03:33:27', '2020-07-02 02:12:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29502, '3CnYYHf9RuRqhx4R', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:35:20', '2020-06-11 03:35:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29503, 'u24P6bMKdFnStLfp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:37:25', '2020-06-11 03:37:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29504, 'HCtcjBWvfxmiULQH', 'El cielo al revés', NULL, 'Mi proyecto está constituido por una serie de pinturas al óleo y dibujos en un estilo figurativo.  El título del proyecto es El Cielo al Revés y se refiere a Latino América y a mi país Colombia.  El título es un verso de la canción Vuelvo al Sur de Astor Piazzolla. Una canción que me inspiraba un inmenso sentimiento de nostalgia por Latino América al vivir en China por un año. \n\nEn 2019 la visión del estallido de las protestas en Chile me provoco sueños de protesta social. Esa noche se quemaron buses y el edificios de transporte publico.  Usé una de estas imágenes para crear la pintura \"Latino América\" donde un bus en llamas se consume con unas personas adentro. Esto describe para mi un sentimiento de ser latinoamericano: estar en un bus en llamas que no va a ninguna parte.  \n\nOtra obra de esta serie se trata de una representación del valle del Cocora en Colombia, es un paisaje único dado que tiene las palmeras más altas del mundo, esto lo hace un lugar surreal. Lo represento en la madrugada con una niebla espesa de colores azules y violetas.  Casi indistinguible, se puede observar a una persona en la esquina inferior izquierda. Un hombre que carga un arma, símbolo de la violencia en Colombia. \n\nOtra obra es retrato de una zapatista, una imagen muy interesante por su color. Se trata de una guerrillera indígena mexicana que viste ropas tradicionales y simbólicos. El fondo está hecho con la enredadera de la serpiente verde, una planta sagrada para algunas poblaciones indígenas', NULL, NULL, 'El espacio expositivo debe ser una pared o panel para la disposición de  pinturas al óleo y de dibujos enmarcados de 3 a 5 metros de ancho. Es una colección de pequeños formatos\n\nLatino América, 2019, óleo sobre lienzo, 30x30cm\nHombre  con Carabina, 2019, Óleo sobre Lienzo, 45x30cm\nZapatista, 2019, dibujo en técnica mixta, 42x28cm sin marco', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4707, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3961, NULL, '2020-06-11 03:38:29', '2020-07-17 00:30:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29505, 'ctufJzyVVWbQwPIR', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:40:06', '2020-06-11 03:40:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29506, 'f7aP4yPk8aFxkTLj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:41:53', '2020-06-11 03:41:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29507, 'UH2ZclCf7xIxHPUL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:43:14', '2020-06-11 03:43:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29508, 'nRhII0GeZWiPajTb', 'CONEXÕES', NULL, 'O projeto \"Conexões\" apresenta uma exposição de 10 obras abordando o tema contêiner, que foi ponto de inspiração para a criação de ideias. Justifico também o tema, por morar numa cidade portuária chamada Itajaí, Santa Catarina- Brasil.  Aqui é muito comum a movimentação de contêineres, sendo que os mesmos desempenham a função de armazenar e levar mercadorias, aos quatro cantos do mundo. Neste sentido, a exposição traz o conceito de conexão, trazendo uma linguagem artística contemporânea para as possibilidades de relações que podemos buscar.  Assim o projeto \"Conexões\" apresenta como objetivo, uma proposta de reflexão diversificada sobre como nos conectamos com a vida, com as pessoas, com os lugares e tudo o que nos cerca. \n  A arte contemporânea gera estas possibilidades de visualizar e sentir de maneira criativa estas questões. A partir do instante que formas são geradas por linhas, cores e outros recursos visuais, elas tem o poder de provocar associações de imagens e sentimentos de conexão com aquilo que na obra é visto por cada um.  As obras são abstratas sem perder a ligação com a origem do tema, proporcionando uma unidade visual em todo o conjunto das 10 obras. Também contribui para percepções futuras e divulgar a arte como um campo infinito de possibilidades.', NULL, NULL, 'A técnica usada em algumas obras é acrílica sobre tela e em outras técnica mista.\nO projeto consta com 10 obras, sendo 7 telas de (80cm X 60cm), 1 tela de (56cm X 77cm), 1 tela de (45cmX 1.60cm), 1 tela de (80cm X 1.00m)\nAs obras não possuem molduras, pois estão em sistema de painel, com chassi convencional ( pronto para expor). podem ficar em paredes, cavaletes ou painéis, pois o peso varia de 1,5 kg a 3kg\nIdeal expor em local protegido das intempéries.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4152, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3538, NULL, '2020-06-11 03:43:34', '2020-07-03 22:43:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29509, '8V7OvsWnnygBJPmW', 'Valijas negras de arte', NULL, 'Valijas negras de arte es un proyecto expositivo, educativo y de acción. Parte de una instalación (exposición) pensada para que en un momento, espectadores o participantes convocados, utilicen las piezas y modifiquen el espacio, generando un posible objeto individual o colectivo (acción). \nEs una invitación a pensar activamente sobre lo que es el trabajo del artista, sus formas y significados. La instalación inicial está compuesta por no menos de 50 objetos/valijas realizadas para ser accionadas y transformadas. Cada pieza es realizada en cartón forrado de 30 x 40 cm aprox. contienen en su interior diversos materiales para realizar obras de arte, los mismos están sujetados con papel nylon transparente. Se organizan equidistantemente y cuelgan directamente sobre la pared. \nA la instalación la acompaña mesas, asientos y una clase taller realizada por la artista a modo de performance donde brinda una consigna (según sea el lugar, puede solamente incluirse un texto de sala). El punto de partida es la valija que cada persona puede elegir, siendo todas diferentes y conteniendo mezcla de materiales, en algunos casos poco tradicionales o incongruentes. Según el contexto y espacios disponibles, la cantidad de piezas y tiempo de la exposición será a decidir junto a BIENALSUR. En la consigna se dará prioridad al proceso, al momento de observación de las herramientas y lo que se es dado, buscando nuevos sentidos, recordando historias, bocetando, trabajando.', NULL, NULL, 'Es un proyecto que nace de un interés por la investigación, con una fuerte confianza en el valor de la educación en arte. \nPor lo que se sugiere espacios en donde las exposiciones de arte no llegan habitual o fácilmente.\nSiguiendo su concepto, Valijas negras de arte puede realizarse en uno o más espacios, pudiendo ser estos: patios o aulas de escuelas, salas de museo, centros culturales o espacios comunitarios. Puede adaptarse a diferentes arquitecturas y dimensiones.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3190, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2742, 5, '2020-06-11 03:44:05', '2020-08-27 23:19:33', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29510, 'cJ5e4mRxemNXtakK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:44:10', '2020-06-11 03:44:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29511, 'vFE8xKNYYf7fnYz8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:44:55', '2020-06-11 03:44:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29512, 'D1RbKFD8eRbtruze', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:45:24', '2020-06-11 03:45:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29513, 'XpWDYtY78Gidl2g2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:48:09', '2020-06-11 03:48:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29514, 'ljN6KmsF0XoglZex', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:48:45', '2020-06-11 03:48:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29515, 'HjYxOHw8XhJKjMXq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:50:57', '2020-06-11 03:50:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29516, 'mQcqsOMP61lnNLPb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:52:03', '2020-06-11 03:52:03', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29517, 'PxPlpPz9Rk3a0jVe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:52:19', '2020-06-11 03:52:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29518, 'vPFml3vqZqDFg7sH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:53:52', '2020-06-11 03:53:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29519, 'AOXHVcLRJwJiA6OW', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:53:57', '2020-06-11 03:53:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29520, 'exyUFGXpluN3bKJ8', 'Relaciones perversas', NULL, 'Exposición personal de Daniel Madruga que analiza la circunstancia social a través de una metáfora de proponer paralelos entre nuestros actos y posturas con semejantes padeceres de animales. Se construyen escenas ajenas a la lógica buscando una mutación a nivel semántico. Son 2 piezas en carboncillo sobre cartulina de 100 x 70 cm, 2 de 200 x 150 cm sobre lienzo y una instalación realizada con resina que muestra la figura de un cisne. Obras: Como un Robinson Cruzoe, Nudo en la garganta, Néctar, Reliquia y Abrazo ( instalación).', 'Daniel Madruga, cubano. danielmadrugablog.blogspot.com', NULL, 'Se solicita un espacio con dos salas: una para la instalación y otra para las piezas bidimensionales de 2 paredes de 3 m x 2m y 1 de 1.50 m x 2.0 m.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, 'danielmadrugablog.blogspot.com', NULL, NULL, NULL, 3200, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2752, NULL, '2020-06-11 03:56:20', '2020-08-10 13:49:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29521, 'XI7yY4Wu9hXn84cy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 03:56:46', '2020-06-11 03:56:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29522, 'w8WlfyXHW97JSLk9', 'ÉXODO,TESTIGOS DE UNA HISTORIA', NULL, 'El proyecto que presento, está inspirado en dos paisajes o relatos distintos, que generan un encuentro biográfico a través de un lugar geográfico. Por un lado, el Estrecho de Magallanes que nos relata, desde sus bordes agrestes; una historia donde navegantes de antaño llegaron a morir de hambre al habitarlo. Y por otro, mi propia biografía en la que mis antepasados (como los de muchos chilenos) atraviesan, siglos después, aquellos mismos bordes, haciendo finalmente de esta tierra su patria.\nHabiéndose cumplido los 500 años del descubrimiento del Estrecho de Magallanes, esta muestra adquiere una relevancia especial, pues estos faros que registro, si bien fueron construidos más de 300 años después que entrara la nave de Hernando de Magallanes, emergen como testigos de una historia silenciosa, de conquistas y de fuertes realidades humanas. \nLa obra está realizada a partir de fotografías en B/N y técnica mixta, sobre placas traslúcidas retro iluminadas, las que el observador podrá encender y apagar e ir descubriendo a través de los colores y materialidad que van apareciendo, otras realidades. Así, estas cajas de luz interactivas involucran al espectador, haciéndolo partícipe de la obra y de su transformación. \nCon este imaginario, me he empeñado en rescatar, desde una mirada crítica, aspectos y realidades sociales; no sólo las que me rodean sino también los acontecimientos de nuestro tiempo, que van definiendo realidades humanas que se suceden en nuestra historia.', NULL, NULL, 'Por la temática sería pertinente una universidad o galería.\nA través de estas cajas de luz interactivas, el observador podrá descubrir cómo se van develando otras realidades, a través de la luz que él podrá manejar con un dispositivo (dimmer). \nPara esto se necesita muros de un espacio interior y una toma de corriente cercana. Los dimer tienen la posibilidad de atornillarse a un plinto de madera para manejarlas desde ahí.  Audio para acompañar la muestra con sonido de los vientos del sur.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/363197796', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3335, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2866, NULL, '2020-06-11 04:00:51', '2020-08-13 17:38:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29523, 'CGgQtNATiIAxQ7F2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:02:05', '2020-06-11 04:02:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29524, '4GMAHdfz3eXSyGSn', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:06:57', '2020-06-11 04:06:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29525, 'r2UxftOkQjli7RW1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:08:39', '2020-06-11 04:08:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29526, 'nkbHOBbOCq6APEh6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:10:39', '2020-06-11 04:10:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29527, 'Z1LkdXYrgkAwfH7i', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:10:52', '2020-06-11 04:10:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29528, 'wSAXUISZQbWZ2ghw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:11:01', '2020-06-11 04:11:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29529, 'HBOQoq4KSg9JsaQw', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:16:32', '2020-06-11 04:16:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29530, 'wNhvClEkCdxNqRlt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:19:16', '2020-06-11 04:19:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29531, 'qrAuML2U4DZMpNo3', 'pintura a la calle', NULL, 'Resulta necesario confrontar al ciudadano de a pie con las expresiones artísticas mas diversas, a esos ciudadanos que ven el arte como algo lejano, incluso personas que en muchos casos por timidez o desconocimiento no entran a los museos teatros o foros culturales en general se trata de sacar el arte a las calles, prácticamente lograr que la gente se tropiece con el  y a la vez invitar  a los a que haga parte del proceso creativo.\npintura a la calle consiste en relacionar el ate y la cultura para motivar a jóvenes y niños hacer de sus zonas deterioradas espacios agradables  y concurrentes mediante la recuperación del espacio publico a través del arte dejando algún tipo de mensaje que contribuya al medio ambiente tomando como referentes los objetivos de de desarrollo sostenible  para plasmar obras en relación a la cultura y otros.\nmi propuesta esta en hacer una intervención del espacio publico en este caso hacer un homenaje a las culturas ancestrales y a la naturaleza por lo que  mi intervención artística se inspira en la cultura indígena la obra es una mujer indígena que sostiene en su brazo un mono titi el cual se encuentra en peligro  debido a la reducción de su habita por la tala indiscriminada   la obra en si tiene como mensaje para hacer conciencia y cuidar mas de nuestros recursos', NULL, NULL, 'el espacio para realizar la obra puede ser cualquier superficie en el espacio público o en algún recinto que tenga grandes dimensiones unos 10  m2 o más\npuede ser una superficie en acabados como concreto, láminas de madera , telas, u otros donde se adhiera la pintura en spray y vinilos .Las medidas pueden ser de 3m x 4m , de 5mx7m , de 8mx10m  o según criterio de la organización del evento puedo adaptarme a cualquiera que sean las dimensiones', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4479, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3772, NULL, '2020-06-11 04:21:45', '2020-07-15 15:43:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29532, 'rRzRSgIeXTpOYEjP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:24:09', '2020-06-11 04:24:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29533, 'IkVRER38vjcHCQkv', 'VE', NULL, 'Vestigio hace una reflexión del ritmo del mundo y su contraste cuando se detiene, del valor perdido de las acciones, de la resignificación del ser, estar y existir. Cuando nos abocamos a un mundo en velocidad, perdemos muchas veces la noción de quiénes somos, lo que necesitamos y a lo que aspiramos en un mayor grado. En ese sentido es importante detenerse, respirar, observar, destruir y volver a empezar.\n\nLa pieza es una metáfora de la transformación que podemos vivir a partir de la experiencia actual. En la cual podemos volver a “nacer” a partir del derrumbe de los conceptos o acciones que antes nos caracterizaban, pero que de algún modo han dejado de tener importancia, sentido y rumbo en las condiciones actuales. Es la necesidad de permitirnos caer y volver a ponernos de pie, desde una visión más expandida, más elevada y espiritual.\n\nUno de los vestigios es nuestra capacidad de crear: crear nuevas realidades, nuevas herramientas, nuevos caminos, nuevas formas de arte, nuevas labores, nuevas cualidades…las posibilidades son infinitas, sólo necesitamos fuerza y voluntad. \nAllí donde al alma ha dejado de tener el peso de las memorias que ya no sirven, de las acciones automáticas, de los pre-conceptos, puede percibir un nuevo camino, eterno, infinito.', NULL, NULL, 'Vestigio es una instalación plástica y performatica que incluye  técnicas de circo y danza. La instalación es adaptable a cualquier tipo de espacio escénico o no convencional. \n\nSe requiere un espacio de 6 Mt de ancho por 6 Mt de profundo y una altura mínima de 3 metros.', NULL, 'artist', NULL, NULL, 'https://youtu.be/fWPGPrOnyTQ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3196, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2748, NULL, '2020-06-11 04:25:35', '2020-08-08 15:48:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29534, 'WTcuibBjVQ0mnsGz', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:29:50', '2020-06-11 04:29:50', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29535, 'icQvaViZmTgnpuTj', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:39:41', '2020-06-11 04:39:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29536, 'HZLbx9SWB4WhDGab', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:41:59', '2020-06-11 04:41:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29537, 'kuQZMmqe9tkNq3sb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:48:05', '2020-06-11 04:48:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29538, 'r52PFEN4Oh6gRvOs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:59:20', '2020-06-11 04:59:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29539, '2vDjpZSMkZqYLfzb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 04:59:21', '2020-06-11 04:59:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29540, 'p1hlW6pb8fq8fOXR', 'Palimpsesto', NULL, 'Exposición fotográfica del proyecto Palimpsesto. Durante 2018, siempre el 24 de cada mes, el artista\nfotografió las columnas que soportan el viaducto “Minhocão”. Una importante ruta de tráfico de vehículos y\npersonas ubicada en la región central de la ciudad de Sao Paulo. El artista registró los cambios que se\nproducen en las paredes promovidas por artistas y otros agentes de la ciudad superponiéndose a lo largo\nde este período. De esta colección, se editaron 21 paneles con las 12 imágenes que\ncomponen la trayectoria de un año de algunas columnas.\nEl “Minhocão” tiene 2,8km que cruzan el centro de la ciudad de Sao Paulo. La estructura cuenta con 73 columnas centrales expuestas a la interferencia estética de la población y expresan el ritmo de la ciudad. En la persistencia del tiempo, varias disputas de espacios se muestran en el sitio: artistas, comerciantes, personas en situaciones callejeras se superponen con algunos grafitis y modificarlos según interés. El proyecto comenzó a partir del interés de la artista, que vivía en la región de Campos Elíseos, Sao Paulo /SP, para investigar y unir sus impulsos creativos en un sistema de producción. Grabación intermitente de algo estático en un espacio abierto donde todas las personas pueden interferir. Imágenes construidas en el transcurso del día y que generalmente no son perceptibles, ni sus autores, sino que\nimprimen sus marcas en el espacio público.', NULL, NULL, 'Las fotografías se imprimen en papel fotográfico mate y PS2mm.\nTamaño: 60x70 cm.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=ADgDd2PhkvY', NULL, NULL, NULL, 'https://www.chairodrigues.com/copia-acesso-galeria', NULL, NULL, NULL, 5423, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4503, NULL, '2020-06-11 05:00:53', '2020-07-29 17:10:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29541, 'aZ54nwNtMdmza4VM', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 05:06:23', '2020-06-11 05:06:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29542, 'XMvtpHtkKFsqs4bS', 'Giro', NULL, 'El video Giro fue creado a partir de la performance de danza Espaço de trás y es parte del estudio del movimiento acerca de la vertical, la curva y la desorientación con la caminata hacia atrás, desarrollado en el curso de posgrado en Artes Visuales de la Universidad de Brasilia. La performance se presentó en el 1er Encuentro Internacional de Somática y Danza (2018) y en el MID - Movimiento Internacional de Danza (2019) en Brasilia, Brasil, y también en WAC - Encounter Walking Art en Prespes, Grecia (2019). El video (13:45\'), inédito, explora el tema del espacio-tiempo con las acciones de duplicar y revertir y crea una tercera imagen con la yuxtaposición del verso y del reverso.\n\nLa imagen duplicada y la inversión del gesto revelan impresiones sobre la caminata en nuestra cultura, perturbadas por la subversión del movimiento ininterrumpido y veloz, exaltado en la idea del progreso de la civilización. \nLa acción es ralentada al permanecer antes de irse. En esto se arma otra relacion espacio temporal. Caminar ahora es lanzarse a lo desconocido, a lo que no se ve. Darse la vuelta e improvisar espirales son despliegues en el recorrido hacia el espacio del trás.\n\nEn Giro, el principio y el fin suceden juntos.', NULL, NULL, 'Proyección de video en loop.\nAdaptable al espacio.\nLa propuesta és proyetar en una pared blanca de aproximadamente 4 metros de alto y 6 metros de largo. La idea es que el público vea los bailarines en un tamaño cercano a lo real.', NULL, 'artist', NULL, NULL, 'https://youtu.be/xvl1LE9NGAA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5245, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4364, NULL, '2020-06-11 05:18:18', '2020-07-27 20:48:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29543, '9i2nwVhwBXTYoBTc', 'Antes de llegar a Finlandia', NULL, '¿Viajas para revivir tu pasado? ¿Viajas para encontrar tu futuro?\n\nSalí a construir la ciudad de la memoria, desde la carencia del recuerdo, con los signos que le dan personalidad y al mismo tiempo son marginados y olvidados. A ver si así somos capaces de reconocernos. En esa ciudad que me imagine hay luz y hay sombra, también ausencia. Esa ciudad se parece a vos.\nComo en una caminata de dos mudos, que no pueden hablarse, porque dicen lo mismo pero en un idioma que el otro no entiende. Encuentro la fotografía, como el lenguaje que me permite prescindir de las palabras  y de algún modo encontrarnos.\n\nUn conjunto de 30 fotografías blanco y negro, dan cuerpo a mi ensayo fotográfico, que me permite recrear la visión de un mundo que me interpela. Me pone en diálogo con mi abuela Finlandesa, Anja Anita Olivia Länkelin, y su mundo nórdico, de formas orgánicas y geométricas. \n\nNo pude conocerla, ella murió el 28 de mayo de 1969, antes de que yo naciera, mucho tiempo antes...', NULL, NULL, 'Junto a la curadora del proyecto, Cecilia Medina, sugerimos como posibles espacios expositivos: Galleria Sinne y the finnish museum of photography. Ambos ubicados en la capital de Finlandia, Helsinki. \nEn función del diseño de montaje y estar en la zona céntrica de la ciudad, estos espacios predisponen al público visitante entablar un diálogo cercano con la obra exhibida.\n\nGalleria Sinne tiene 20,6 metros lineales para colgar obra \nThe finnish museum of photography tiene 26,7m lineales para obra', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3345, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2874, NULL, '2020-06-11 05:18:25', '2020-07-22 17:46:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29544, 'cDs935zw65dMzePp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 05:20:36', '2020-06-11 05:20:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29545, 'kQw7Cq5uuGgGSXBV', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 05:27:44', '2020-06-11 05:27:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29546, 'P6pwE9pEni68I5dn', 'Donde se encuentra el movimiento', NULL, 'En la inmensidad de un espacio inerte, estático, sin vida y sin tiempo, entre el pasado y el futuro, la sorpresa y la fascinación aparecen ahí donde todo pareciera estar muerto y unas bacterias microscópicas nos cuentan los inicios de la vida en el planeta.\nDonde se encuentra el movimiento, surge del trabajo interdisciplinario con la bióloga argentina M. E. Farías  y de un viaje a la Puna argentina por sus distintos ecosistemas microbianos. Ahí se encuentran los estromatolitos que, hace 4500 millones de años, fueron los  responsables de preparar al planeta para que pudiesen desarrollarse formas de vida más compleja liberando oxigeno y creando la capa de ozono.\nEl escenario de la Puna aparece como un espacio de tensiones; entre el desierto y los ecosistemas microbianos, entre lo despojado y la memoria, entre el estatismo y el movimiento.\nLa video instalación trabaja sobre el espacio y la construcción de la imagen. En el centro del escenario un óculo invertido, un ojo, una ventana al pasado nos invita a ver los orígenes de la vida. Se proyecta hacía  el centro de una tarima circular con agua y un espejo ubicado en el fondo. Éste refleja la imagen en un panel circular colgado desde el techo. Se  produce así un doble juego con la imagen atravesada por un eje vertical. Abajo la imagen en el agua que se descompone en haces de luz. Arriba, la imagen proyectada en el panel circular que se ve alterada ante cada intervención de los espectadores en el agua.', NULL, NULL, 'La obra se puede adaptar en tamaño a distintos espacios no menor a 4 metros cuadrados. \nAltura mínima de 3,50 metros aproximadamente.\nEl espacio debe estar oscurecido y tener una parrilla de luces o similar en el techo para colgar un proyector y un panel circular de no más de 2kls de peso.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4541, NULL, NULL, 0, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3815, 5, '2020-06-11 05:34:45', '2021-02-19 17:29:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/u/1/folders/11g9_rLU7Jyyo8ZfQr5H6rMBJAzYM7W93'),
(29547, 'JKd1t9jmO9xilKHi', 'Huellas del Aire', NULL, 'La presentación de las fotos en marcos clásicos dorados de gran tamaño alude a un tiempo anterior. La toma fotográfica del cielo, con el aparente realismo de las fotos, remite al instante en que fueron tomadas. En contraste, los espejos muestran el tiempo actual del momento que transcurre en el presente, la verdadera realidad.\nLa obra consta de 24 fotografías de cielos, montadas en fibrofácil, con marcos clásicos dorados realizados en fibra poliéster de 1,20 m x 1,40 m cada uno y 2 espejos enmarcados de 1,20 m x 1 m. \nLa obra fue presentada en el espacio público de Calle Lanín, en Barracas, en el año 2001.', NULL, NULL, 'Instalación ubicada en el espacio urbano.\nLa obra consta de 24 fotografías con marcos clásicos dorados realizados en fibra poliéster de 1,20 m x 1,40 m cada uno y 2 espejos enmarcados de 1,20 m x 1 m\nLos 24 marcos estarán expuestos sobre un muro separados entre sí por 1,20 m de distancia y por delante de ellos a nivel del piso se instalarán los 2 espejos inclinados dirigidos a captar el cielo real con sus cambios\nLugar sugerido: el sur de la Ciudad de Bs. As. También pude ser una obra itinerante', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4253, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3610, NULL, '2020-06-11 05:36:46', '2020-08-17 19:52:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29548, '7Q6B5FG299UZwykK', 'Silence Was Golden', NULL, '* Please visit the project: https://publicdelivery.org/silence-was-golden/\n\nSilence Was Golden is an on-going global performance series. In now more than 100 countries, performers choose a word or a short phrase that expresses something important or meaningful to them and then spell it out of golden letter balloons in relevant locations.\n\nSo far, thousands of people have taken part, creating a global tapestry of self-expression. The project is open and free to participate. \n\nThis site-specific and participatory project allows individuals and communities to express themselves on multiple platforms and to collaborate with others. The ultimate goal is to inspire people of all backgrounds to communicate through art and connect with one another through their unique expressions. The project subtly touches on pressing issues such as freedom of thought, freedom of expression, equal rights and more.\n\nThe entire project is financed by Public Delivery without any outside institutional or corporate sponsorship. This is a deliberate decision: Any external financial support has the potential to take away from the overall message. Silence Was Golden unfolds at a grassroots level and in equal partnership with performers around the world.\n\nWe continue to develop strategic partnerships with other organizations, institutions and partners that are working for similar causes. This promotes synergy among organizational resources, to unify efforts and to amplify impact.', NULL, NULL, 'The project is separated into two steps:\n\n#1 Performances in public space. Each of the site-specific performances emphasizes the unique character, the culture and the aesthetics of the location used and, among other things, the local social, cultural and economic aspects.\n\n#2 The used balloons will be collected and excited in an art space, freely accessible to visitors through an interactive exhibition. Please refer to the attached images. The dimensions are variable.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/156928895', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3198, NULL, 386, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2750, NULL, '2020-06-11 05:38:08', '2020-08-13 20:58:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29549, 'BcfYFtD5ZxvQXddp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 05:38:09', '2020-06-11 05:38:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29550, 'QIHD5tGMLHvLVXU2', 'El cuerpo tiene la memoria del agua.', NULL, 'Me atraviesa la capacidad del agua de dejar registro a su paso, hacer surcos en la tierra, movilizar piedras, abrir y reclamar camino. El agua tiene memoria y el cuerpo-que está hecho de agua- también.  \n\nEsta propuesta contempla una serie de fotografías capturadas por tres dispositivos: smartphone samsung, Nikon d5100 y Lomography minidiana 35mm Cada pieza está compuesta por imágenes de viajes y paisajes urbanos de los últimos dos años; también autorretratos hechos en los últimos 80 días de confinamiento.  \n\nEl distanciamiento social se ha convertido en una oportunidad para reflexionar y entender el cuerpo como dispositivo de activación de la memoria,  recordar donde se ha estado y recorrer de nuevo desde lo simbólico del ser. Soy extranjera, estuve en ríos, mares, en lluvias, lagos, en el vientre de mi madre y lo que no puedo recordar lo reconstruyo como método de supervivencia. Las imágenes en escala de grises representan ese recorrido, acompañado por sonidos que van variando desde goteo, caída, afluente y oleaje, transitando de la levedad a la fuerza en loop.', NULL, NULL, 'Opción 1: Impresiones en formato A3 (50cm x 30cm) enmarcadas y dispuestas en un recorrido, la pared de fondo en gris oscuro. Iluminación indirecta generando cierta penumbra. El sonido será suave y consistente.  \n\nOpción 2: espacio de tránsito constante (las inmediaciones de alguna estación de subte, tren o de la Dirección Nacional de Migraciones) atmósfera creada por imágenes proyectadas de espacio abierto dentro del cerrado -el paisaje y lo íntimo- con el sonido que lo acompañe.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3498, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2994, NULL, '2020-06-11 05:44:48', '2020-07-01 01:38:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29551, 'pArdyjU81PNCwq1m', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 05:45:19', '2020-06-11 05:45:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29552, 'pkmj8Tbhw8JPyf6M', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 05:50:26', '2020-06-11 05:50:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29553, 'i1afSER3pZa2KBsy', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:02:08', '2020-06-11 06:02:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29554, 'Swego8M7XbmfwZ8X', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:02:44', '2020-06-11 06:02:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29555, 'zIgQOkwNzuJXJJHK', 'Decopulagem', NULL, 'DECOPULAGEM es una oda a la artesanía. El proyecto consiste en un libro artesanal con 33 prosas poéticas con tapa y contratapa de cerámica y un solo de danza que se entrelazan a través de las poéticas innovadoras creadas por la artista Aline Bernardi, integrando literatura, danza y música.\n\nDECOPULAGEM es un neologismo creado por la artista para expresar lo que hay entre desglosar, despegar y copular, evocando en todos nosotros el ímpetu que tenemos para caminar por el mundo, manosear/articular/construir cosas, tejer relaciones y coser afectos. La dramaturgia se realiza a partir de la creación de tres títeres: la Peregrina, la Artesana y la Costurera, que entrelazan lugares y personas. La palabra escrita emerge de todo el cuerpo en movimiento o en un \"estado de danza\" como eje de los caminos performáticos. Las diferentes camadas convocan simultáneamente al espectador, al lector y al estudiante a una relación con el tiempo que cuestiona el hiperestímulo tecnológico que marca la sociedad contemporánea.  Las relaciones entre el cuerpo y la palabra, entre el movimiento y la escritura, entre la sensibilidad y el pensamiento son los elementos sustanciales de esta propuesta, ya sea en el libro o en el solo de danza.', NULL, NULL, 'Este solo tiene una dramaturgia adaptable a diferentes espacios escénicos como galerías y/o espacios que ofrecen la posibilidad de itinerancia. El libro puede ser exhibido en el mismo espacio donde se realiza la actuación de la performance solo o en un espacio cercano.\n\nPara la actuación sólo se necesita un espacio de actuación y un banco o silla de madera. Para la exposición de libro performance se necesita una pared y una mesa de entre 1 y 2 metros de largo.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=Fv5SgMBBe54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5969, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4912, NULL, '2020-06-11 06:03:57', '2020-08-10 19:49:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29556, '6LfIXBq050nj2gzp', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:04:30', '2020-06-11 06:04:30', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29557, 'pnUVNTZi0KyVpVxA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:13:00', '2020-06-11 06:13:00', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29558, 'pVlOtQyoxmSefObI', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:20:37', '2020-06-11 06:20:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29559, 'eU4tg3YfZLMkLffX', 'La transitividad de los vínculos. Trenza.', NULL, 'Inspirada en las cocinas minimalistas que son escuelas de tejeduría, en donde experimenté la convivencia con mujeres y hombres hilanderos, oriundos de los Valles Calchaquíes  del noroeste argentino, maestros que, provocados por el silencio crepuscular, animosos, brindan sabiduría a partir del acto en movimiento de la herramienta madre que es el huso, el cual se desliza sobre su eje en total equilibrio logrando alimentar su cuerpo generando una fuerza centripeta, que  revela un espíritu introspectivo, de la mano de quien viene.   \nLa inquietante tarea de desarrollar una poética en donde dialogan el silencio y la acción manual, íntima y gestual, de la práctica de hilar, en la inmensidad del paisaje árido y montañoso de la Quebrada de Las Conchas, lugar en donde se realiza el montaje de un sistema de husos que aguardan ser activados, resguardados en huecos ubicados en el suelo de una construcción antigua de adobe en ruinas. Los hilos harán un recorrido espacial desde el suelo hasta el cabello de un cuerpo real performático, se trata de la bailarina Florencia Cretella, Licenciada en Danza Contemporánea. El recorrido aéreo de los hilos son guiados por vigas desnudas sin cañizo que aun permanecen intactas, los cuales están vinculados, a través de la danza, la acción del movimiento circular y el desplazamiento en el espacio. De la torsión provocada de fibras, nace un extenso trenzado que se desplaza y surge en el territorio de pertenencia. El corte de la misma culmina la escena.', NULL, NULL, 'El formato es video instalación. El material audiovisual se realizará en zona montañosa de la Quebrada de Las Conchas, Salta; territorio de áridos colorados y construcciones antiguas de adobe, con vigas descubiertas que serán soporte y guía de hilos artesanales de fibras naturales hiladas a mano vinculadas entre husos y el cabello de una bailarina .\nSe proyectará sobre superficie regular en pared. Frente a la cual, en una tarima vertical reposa la trenza que fue parte de la performance.', NULL, 'artist', NULL, NULL, NULL, NULL, 'https://www.youtube.com/watch?v=Uz6VtFZmhKs', NULL, 'https://docs.google.com/document/d/1CG1Tr6pBvWZKIzvyBvAweog5LnP9Z5eH7mmLCPbkLBk/edit?usp=sharing', NULL, NULL, NULL, 5844, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4811, NULL, '2020-06-11 06:20:39', '2020-08-10 19:24:06', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29560, 'KptJJzuv2KnKTEPY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:36:54', '2020-06-11 06:36:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29561, 'nL5ucDwhmgTx7284', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:53:52', '2020-06-11 06:53:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29562, 'lQzsRlgl5LZ6DBk1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:54:58', '2020-06-11 06:54:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29563, 'KwmXr3VNLxtoxMuG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:55:58', '2020-06-11 06:55:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29564, '4u5KHorv6SlVir8k', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:57:07', '2020-06-11 06:57:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29565, 'RKN6qi4MOemqztHt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 06:57:40', '2020-06-11 06:57:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29566, '3QhIOw6VVqsmevn6', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:02:42', '2020-06-11 07:02:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29567, 'T7hLBBPoi2ayAORa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:02:54', '2020-06-11 07:02:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29568, 'cPvrcA5EnHLp37hJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:11:12', '2020-06-11 07:11:12', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29569, 'us88wZAqEfCE2SWF', 'Perro ladrando', NULL, 'Discripcion: es una forma de protestar de los perros  ladrar aullentar o bravos\nCuando halgo no esta pasando bien.\nIgual quel ser humano de violencia en protestas o cuando un gobierno no hace bien las cosas', NULL, NULL, 'Título: \nAcrílico/lienzo \n18x24 pulgadas', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3203, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2754, NULL, '2020-06-11 07:22:53', '2020-06-26 19:59:34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29570, 'IaA0jOAtX3CoJqAs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:29:38', '2020-06-11 07:29:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29571, 'zv8JMk8NWmSU9c17', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:31:02', '2020-06-11 07:31:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29572, 'uPUmsm3drtdAILcs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:33:02', '2020-06-11 07:33:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29573, '4fBZ7YqHLNWqfZfH', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:37:55', '2020-06-11 07:37:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29574, 'nL0GgAYhfrgMn5Qb', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:38:07', '2020-06-11 07:38:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29575, 'FgNEYvHqAQsB3vMm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 07:50:32', '2020-06-11 07:50:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29576, 'BiqbFeXoznMChcNu', 'Republica de La Boca', NULL, 'The project started during my artist in residency at cheLA, Buenos Aires. The multi-channeled video installation focuses on the area La Boca, revisiting its short-lived independence history and the left-wing past, reflecting on the poverty, the social movements, and the gentrification. During my stay, I interviewed the Foundation of Alfredo Palacios, the first socialist member of congress across American continent elected in 1904 in La Boca, Porteñitos Cooperativa, a local organization who offers food and assistance to local residents through running a bakery/café next to Caminito, La Boca Resiste y Propone, an anti-gentrification organization formed by local residents, FORA (Federación Obrera Regional Argentina del V Congreso), located in La Boca, a local resident, artists at La Verdi, a local art studio, and art galleries in the area, including MUNAR, Barro and Caffarena 86. Meanwhile, I participated and documented three walking tours in La Boca. Through combining the footages of the interviews and the walking tours, the project intends to incite conversations about our ideal ways of living, and the potential possibility of living together, while examining the dynamic between politic, economic, art and the residents. If the revolution in 1882 succeeded, what is your ideal version of Republic of La Boca?', NULL, NULL, 'The space for showing the work is flexible. As long as the space can host at least 3 channels of video installation.', NULL, 'artist', NULL, NULL, 'https://youtu.be/czdghRkNqmE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3209, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2760, NULL, '2020-06-11 08:03:05', '2020-08-14 16:41:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29577, '9pFxZGMJMsmGcu5W', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 08:07:13', '2020-06-11 08:07:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29578, 'vYGc4zdxxFOYvh82', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 08:20:25', '2020-06-11 08:20:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29579, 'wKfKch3C3xjqDtoS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 08:30:42', '2020-06-11 08:30:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29580, 'Oa0QzWIWrFC2vl34', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 08:33:29', '2020-06-11 08:33:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29581, 'UFArnRJRHZED7SjC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 08:50:35', '2020-06-11 08:50:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29582, 'irG2uSX44wE8w4yR', 'Borrowed Scenery', NULL, 'Hong Kong is one of the truly metropolitan cities in the world, yet it has been in great turmoil in the past year. Artists included in the show were born after the city has been already transformed into a great modern city in the late 20th century. The conflict in the past few months has exposed to the public the myriad contradictions ordinarily hidden within the intricate structure of the city. Facing the social stalemate at the moment and their shared interest in this city, artists create works to dissect their experience of the city, but bypassing existing sociological and political discourse. Through their own observation and research, their work is a microcosm that shows universal values of their city and liberates the civic rights within. The artists use their unique vision to confront social events and in the process explore and examine art as a way of responding to social phenomena; their artistic practices transcend the bleak reality of the present. While striving for a change, their works are not bounded by the social movement itself. he observation of the city  and artistic practice of Hong Kong artists bring the unique cultural language of the city to the fore in response to the present situation. We hope this exhibition can unite cultural perception, artistic interpretation, globalised city and its systemic development through artist practice, to pursue a wider discussion into city development in the 21st century.', 'All of the artists are based in Hong Kong.\n\nAndrew Luk\nwww.andrewluk.com\n\nMark Chung\nwww.chungmark.com\n\nNicole Wong\nwww.ncowong.com\n\nOcean Leung\n\nKong Chun Hei\nwww.kongchunhei.com\n\nHo Sin Tung\nwww.kosintung.com\n\nVvzela Kook\nhttp://vvzela.co/\n\nC&G Artpartment\nhttp://www.candg-artpartment.com/\n\nSarah Lai\nhttps://laicheukwah.com/\n\nLai Long Hin\nhttps://www.instagram.com/lailonhin/', NULL, 'The exhibition title comes from a Chinese traditional garden design technique, where the architect strategically introduced outside scenery into the garden. The relationship between power and exploitation between the coloniser and colonised can be shown between inside the exhibition and outside environment. We would like to have a non-white space around 200m^2 or multiple smaller spaces in a large public space.', NULL, 'curator', NULL, NULL, 'https://drive.google.com/drive/folders/1C0rRmyBFP_lMFSPdD5Yul-l2UNGrof_L?usp=sharing', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1KIJFutuIc17m_0b92ueqh1Fg4fqToeah?usp=sharing', NULL, NULL, NULL, 4478, NULL, 593, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3771, NULL, '2020-06-11 09:23:41', '2020-08-11 22:38:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29583, 'lzFv9Kd5GLk5gIVY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 09:24:14', '2020-06-11 09:24:14', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29584, 'TitnNxbkIj4hsHiu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 10:07:22', '2020-06-11 10:07:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29585, 'f0bofMWOLpDe77XC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 10:09:38', '2020-06-11 10:09:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29586, 'DpeLOKvIH6DjTPn5', 'Mujer en Resistencia', NULL, 'Mujer en Resistencia forma parte de un proyecto alusivo a la lucha de la mujer día a día en la sociedad chilena y a su vez en una sociedad musulmana (la que sugiero a partir del velo que lleva la mujer en la tela y del elemento de iluminación del costado izquierdo).\nEs importante para mí ligar ambas sociedades, en tanto en cuanto, no son tan diferentes como creemos y además de desmitificar el imaginario que occidente ha construido en torno al mundo islámico.\nEste proyecto está enfocado en la reivindicación de los derechos de la mujer y su importancia dentro de la sociedad, cuestión que no es reconocida.\nAsí, las mujeres que no siguen este rol que la sociedad y la familia esperan no están \'completamente realizadas\' como las que si tienen hijos, son esposas, exitosas, profesionales, esbeltas y seductoras. Sin embargo, nada de ello es suficiente para cumplir con el deber ser que se le impone a una mujer.\nEsta obra representa a la mujer como guardiana de las tradiciones y cultura, como luchadora del mantenimiento del núcleo familiar, especialmente de la crianza y educación de los hijos, como protectora del medio ambiente (mujeres indígenas, especialmente) y cómo todo esto no es reconocido ni valorado, si no que es visto como una obligación.\nConsidero que es necesario visibilizar las desigualdades y discriminaciones a las que la mujer está expuesta, con el fin de indicar que la mujer ha sufrido y sufre vulneraciones en todas las culturas y países, aunque en menor o mayor medida.', NULL, NULL, 'Espacio abierto o cerrado. \nÓleo sobre tela en soporte de palo de 2 centímetros de ancho, con dimensiones de 1 metro de ancho X 1 metro con 50 centímetros de alto.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4733, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3989, NULL, '2020-06-11 10:17:19', '2020-07-01 22:17:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29587, 'e8phgKSIEocASBK8', 'I had never seen a sky so blue', NULL, 'I have never seen a sky so blue is a work that departs from the artist’s mum’s memories of her volunteer trip from Sweden to a kibbutz in Israel in 1972. The work oscillating between the mum’s narration about her life as a 17 year old woman in Sweden, her ideas and desires of exploring the socialist utopian life at the kibbutz, her experience from the trip and time as a volunteer. Along this, the artist and her mum discusses the Swedish and global political, social and religious environments that enabled volunteer trips to kibbutz. The mum’s stories and the discussion establish a tension between the mum’s memories and empirical knowledge and studied, historical knowledge of the artist. The tension builds up and breaks down the conversation in which gaps between their generations ideas of history, the political and philosophical climate and identity becomes visible. \n \nThe work is shot in the house and the garden to which the artist’s mum moved into with her family in 1972. The imagery from this site works as an architectural reference to a 1970’s Sweden but also talks about the idea of the nuclear family, togetherness and the garden becomes a placeholder for a longing and a dream of constructing an alternative living outside the normative format of the family.', NULL, NULL, 'Format; 4k or HD, mp4 and ProRess 222(Proxy)\n3 screen installation\n3 separate synced films\n1 source of sound\nSpoken language; Swedish\nSubtitles; English\nLength; 24min\nInstallation: \n–3 synced Brightsign media players. \n\nMinimum size of screens 27inc. max size can be discussed.\nThey can hang from the wall or on stands. \nImportant is that it created a light half-moon.\n\nThe work can both be with or without headphones.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/345318519', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3211, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 2762, 5, '2020-06-11 10:19:26', '2020-08-27 13:39:53', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29588, 'aeE87v3LdfmYyHw3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 10:33:05', '2020-06-11 10:33:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29589, 'ahMLTYgAo8BnkYV9', 'Naturalia: Chronicle of Contemporary Ruins', NULL, 'As a photographer, the ecological consciousness that moves me since my youngest age has, little by little, focused my interest on abandoned places reclaimed by Nature. She is stronger, and whatever happens to Man, She will always be there. \nNaturalia: Chronicle of Contemporary Ruins asks a fundamental question: that of the place of Man on Earth and his relationship with Nature. Far from being pessimistic, and at a time when Man’s domination of Nature has never been so extreme, it aims to wake our consciousness.\nMan builds, Man abandons. Every time for his own peculiar reasons. Nature does not care about those reasons. But one thing is for sure, when Man leaves, She comes back and She takes back everything. \nIn his poem Eternity of Nature, brevity of Man, Alphonse de Lamartine writes “Triumph, immortal Nature! / Whose hand full of days / Lends unlimited strengths / Times that always rise again!” This series also tells the story of the progression of Nature, from the infiltration in abandoned places, through the moment where She grows inside them, until their collapse. Burial comes next along with the disappearance of all traces of Man. \nFrench poet Léo Ferré said “With Time goes, everything goes”. So, when Nature and Time will have taken back what Man abandons, what will be left of our civilization?', NULL, NULL, 'The images are in a chronological order that depicts the return of Nature: She starts reclaiming the outsides of an Italian villa (Picture 1) before infiltrating the insides of a Belgian greenhouse (2). Then, She grows in the atrium of a Polish palace (3) before invading a Montenegrin castle (5). Then, She guzzles the cross of a Belgian monastery (6) or given more time, imprisons a Taiwanese mansion with her strong roots (10).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3212, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2763, NULL, '2020-06-11 11:14:52', '2020-08-14 16:41:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29590, 'K3VzhRiSP53BD1gx', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 11:19:01', '2020-06-11 11:19:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29591, '2yV8GNdQeWPNYLfr', 'Parco degli Alberelli', NULL, 'Este periodo de Quarantena nos obligo’ a mirar en la cara la realidad que nos construimos en nuestra vidas privadas. Todos nosotros empezamos a entender la necesidad de vivir en espacio abiertos, rodeados de naturaleza.\nPor eso el unico futuro posible es regresar a nuestras raíces. Através de el arte puedes nutrir nuestra alma y nuestra madre tierra, facilitando un momento de reunión\nEl proyecto se pone como fin la realización de un Parco Cultural de Arte en el bosque. \n4  esculturas estarán  realizadas con terracotta y madera proveniente de el desecho de el corte de el bosque. Cabeza y bustode terracotta y piernas de madera, simbolizando la transformación que el hombre ha hecho de la tierra y la madera como base representante su raíces, sus historia. \nLa altura de cada pieza sera de 2 metros hasta 3m, con base de madera. La ruta de aproximadamente 4 km sera composto en principios de mis Estatuas y en los anos agregara’ las de mas artistas , aumentando y expandiendo la idea.\nEsto permitera a la gente de este lugar de riapropiarse de un bosque siempre mas olvidado, aun su espectacular belleza vista Mar y de ser volano por todas las activadas social y economica de este Territorio. Las escuelas, los ciudadanos, los turistas y los Artistas( atravesado residencia artísticas) crearan un realidad permanente farol por un Futuro sostenible.\nPresupesto:\n Realizacion de las 4 esculturas( terracotta y madera)\n Limpieza ruta y señalización\n Promocion\nTotal 10000 euro', NULL, NULL, 'BIENNALSUR, TIENES UNA GRAN OPORTUNIDAD!\nEl  Bosque de Nibbiaia , virgen y encontaminado, tiene la desgracia de ser olvidado\n.Es el Espacio sublime por implementar este Proyecto. Con poco mas de 700 ciudadanos este pequeña aldea sufre de un aislamiento social y economico. \nLas realidades como Agriturismo podrán uespedar Artistas por residencia artísticas y implementar con otros senderos Artísticos el proyecto inicial, incluyendo a lo largo de los anos toda la \"Costa degli Etruschi\".', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4831, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4067, NULL, '2020-06-11 11:37:09', '2020-07-19 19:35:29', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29592, '6FbRfXMX3P2hK2c2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 11:46:54', '2020-06-11 11:46:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29593, 'orfNsrRARQhzx4D8', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 11:51:15', '2020-06-11 11:51:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29594, 'klKuEBwe4PJTOY1f', 'Raid, 2019', NULL, 'Durante una estancia en México, el artista se hace algunas preguntas sobre el hecho de ser extranjero en el contexto yucateco. Conocer nuevos lugares, otra cultura, genera una reacción al contexto que a veces es el resultado de una perspectiva ajena. El trabajo performativo quiere explorar el proceso de danza inconsciente generado en la necesidad del cotidiano. En la vida de todos los días se realizan acciones que desde una perspectiva más amplia se pueden definir como teatralidad espontánea. Por lo tanto, se ha iniciado una investigación sobre los movimientos inconscientes que se generan en las acciones a veces obsesivas para atrapar mosquitos: una reflexión sobre la realidad compuesta de estructuras rítmicas que componen la imagen y el sonido.', NULL, NULL, 'Dependiendo del espacio y de la luz, el video se puede mostrar: sea en una pantalla, sea con una proyección, o también simplemente escribiendo el link en una pared con un rotulador negro de punta gruesa. \nEn conjunto al video se pueden exhibir algunas impresiones de las fotos (de 1 a 4) tomadas durante la performance y también los mosquitos (1 hoja) escaneados recogidos durante la caza.', NULL, 'artist', NULL, NULL, 'https://vimeo.com/376544270', 'R-19', NULL, NULL, NULL, NULL, NULL, NULL, 4302, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3650, NULL, '2020-06-11 12:02:53', '2020-07-28 01:09:36', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29595, '9CMwpeZMcRz9xFej', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 12:38:49', '2020-06-11 12:38:49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29596, 'hfXqTdlhcvtrV7Y9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 12:43:32', '2020-06-11 12:43:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29597, 'oNIklazBJxWwBZnC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 12:51:42', '2020-06-11 12:51:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29598, '0kAzFd4Zt9dlxMbH', 'Vanitas', NULL, 'https://www.vanitas-book.com/\n\nVANITAS: DESCRIPTION\n\nVanitas book series is a contemporary interpretation of Vanitas still life Dutch paintings. Vanitas makes literal the allegory of the book as a mental portrait of its author. With the help of the clinical technology of Magnetic Resonance Imaging (MRI), the anatomic representation of the author’s skull and the brain becomes the book content. The latter are ‘imagined’ by software after a complex process that facilitates the ‘readings’ of the brain’s molecular frequencies. Skull and brain are first, computer generated and finally materialized into a sculptural sequence of paper ‘body’. The result is a representation of the ‘architecture’ of a human skull and brain, which emphasizes the ‘ineffable space’ of the mind. The book size follows the skull size of its author.\n\nBook design technology also plays an important role in this series. A book-as-object is, among other things, a singular expression of the technological development of its time. Vanitas book has been made possible, thanks to the medical devices that translated human anatomy into digital data; that is later processed by a combination of visualization software. Lastly, the resulting representation has been printed and bound into a book with the utmost technological as well as manual craft development present in the Netherlands in the printing and binding industries.', 'Danne Ojeda', NULL, 'There are 3 pieces. Each piece is 140 x 200 x 140 mm. They shall be protected from the touch of the viewer.', NULL, 'curator', NULL, NULL, 'https://www.youtube.com/watch?v=ISeq5-TZE_k&feature=youtu.be', NULL, NULL, NULL, 'https://www.vanitas-book.com/', NULL, NULL, NULL, 3216, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2766, NULL, '2020-06-11 13:10:48', '2020-08-10 14:52:51', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29599, 'Q6xqwjHcqU37jy8A', 'Thierry Baudet, or Contradictory Statements', NULL, '\"Thierry Baudet, or Contradictory Statements\" is a mechanic reenactment of two performances with a simpler title \"Contradictory Statement,\" first convened by John Miller in 1977 and later restaged by Michèle Graf and Selina Grüter in 2018. What connects the three works, apart from the title, is the rule set up by John Miller where each performer will make a statement one after another and contradict the person that came before him or her. In this new rendition \"Thierry Baudet,\" the name of a right-wing Dutch politician is added to the title, besides having the Hegelian quote \"Minerva’s owl spreads its wings at dusk\" as the opening sentence. As contradiction is the rule of this setup, the semantic is flipped over and over again till the point where language is erased by itself and leaves Minerva and pirate, the wisdom owl and parrot with no difference.', NULL, NULL, '\"Thierry Baudet, or Contradictory Statements\" is a slide show loop that consists of 43 slides, with one statement on each slide, and lasts about four minutes for one round. It takes a wall space and a projector to function. As it is a mechanic reenactment of two performances, it is wished that the distance between the projector and its projection and the placement of the projector subtly fits into and suggest a human scale.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3348, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2877, NULL, '2020-06-11 13:17:27', '2020-08-14 02:01:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29600, 'BQPRsp1JZnl6FRT8', '\'\'Touching infinity\'\'', NULL, 'People of all ages, regardless their country, religion or culture, had and still have a need for communication and contact. From the very beginning of creation. Ever since the first time that the two species, the male and female, were created and came in contact. I want to present through my paintings this human interaction of two species in lifetime. How it begins, how can be changed and finally how ends over time as a natural procedure. How it can be possessed by happiness, or fights and misery.\nMy paintings characterized by recurrent motifs, such as the use of floral or vegetal designs in a repetition which symbolize indivisibility and infinity. In this way a want to present how male and female are part of this infinity. They are the beginning and the end of creation.\nThese motifs, constitute an infinite shape that extends beyond the visible material world.\nMy artwork often depict repeated examples of abstract shapes, and representations of vegetation. Their complexities allowed for spiritual contemplation and reflected by a sense of divine oneness or unity. \nThere is no prospective design of the figures. The human figures in paintings are stylized, giving rise to a variety of decorative figural designs. These figures have almost a primitive references.\n Today I am taking a step back in time to tradition, in order to observe, examine and understand it and take a time to create something new and innovative which will eventually become my personal art of today.', NULL, NULL, 'The suggested artpiece it\'s an oilpainting on canvas with 1.80 x 1.30m  dimensions.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4810, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4048, NULL, '2020-06-11 13:22:16', '2020-07-02 00:56:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29601, 'EfrYecdWmOWSENpd', 'One and Three Books', NULL, 'One and Three Books es un proyecto curatorial dirigido por Danne Ojeda que analiza la relación entre el libro como concepto y el libro como objeto de comunicación.\nEsta propuesta se inspira en la obra de arte One and Three Chairs de Joseph Kosuth, e investiga la definición del “libro”, al tiempo que explora la forma del libro como objeto a través de su proceso de producción y diseño.\nOne and Three Books es también un proyecto pedagógico en curso dirigido por Danne y desarrollado dentro del curso tutorial de Diseño Editorial ofrecido a estudiantes de último año en la Escuela de Arte, Diseño y Nuevos Medios de Comunicación de la Universidad Tecnológica de Nanyang en Singapur desde 2009.\nCada exposición presenta un tema diferente. Esta vez proponemos centrarnos en la relación que establecen el arte el diseño y las ciencias.', NULL, NULL, 'Mesas de exposición (como si fueren a ser expuestos mapas, por ejemplo, o libros protegidos de la interacción con el publico, en algunos casos).', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://www.facebook.com/events/566547873865652/?acontext=%7B%22event_action_history%22%3A[%7B%22mechanism%22%3A%22search_results%22%2C%22surface%22%3A%22search%22%7D]%7D', NULL, NULL, NULL, 3216, NULL, 389, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2767, NULL, '2020-06-11 13:24:21', '2020-08-10 14:55:40', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29602, 'zQ4kWFbFFOHlH21I', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 13:25:13', '2020-06-11 13:25:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29603, 'a1Cw7IStZCX39rs5', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 13:27:07', '2020-06-11 13:27:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29604, 'cmupSH06NrfMzLDl', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 13:29:27', '2020-06-11 13:29:27', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29605, 'Kr3kTI5I7jBNAA0U', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 13:31:52', '2020-06-11 13:31:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
INSERT INTO `projects` (`id`, `hash`, `title`, `team`, `summary`, `artists_proposal`, `description`, `space`, `estimated_bucket`, `type`, `complementary_info`, `material_link`, `video_link`, `video_link_password`, `audio_link`, `audio_link_password`, `images_link`, `images_link_password`, `material_password`, `web`, `user_id`, `parent_id`, `team_id`, `active`, `preselected`, `work_name`, `the_play_is_produced`, `describe_what`, `to_be_exhibited`, `name_nacionality_curator`, `weight`, `comment_curador`, `autorization_obras`, `general_assembly_needs`, `measures`, `link_curator`, `city_in`, `comments_work`, `general_needs_work`, `once_the_exhibition`, `specify_assembly`, `indicating_the`, `will_the_technical`, `comments_artist`, `the_technical`, `comment_technical`, `artist_acceptance`, `stage`, `origin_id`, `step`, `created_at`, `updated_at`, `deleted_at`, `year_curator`, `technical_curator`, `passwordlink`, `year`, `technique`, `link`, `describe_production_needs`, `artist`, `additional_information`) VALUES
(29606, 'gBH8Wai5ZHNdbA1Q', 'Obstacles', NULL, '(on-going, 2018 - ?)\n\nThe rhythm and tempo of the series - that of interruptions and aleatoric beats - overlays the one of contemporary reality as sheet music. It is a survey of anomalies, that unexpectedly force to alter all choices. Scene is embedded in silence - the recorder, in focus, remains silent. Space is limited, in a narrowed perspective something always seems out of place – distinguished objects, misplaced and confusing, neither machine, nor sculpture. Any attempt to remain coherent in this unhinged, dystopic reality is due to be dismissed. There’s no way to go through and neither a step back now. All I encounter is obstacles. Balance of power is disturbed; latency becomes more obvious. A phantom soars – of all plans being unfulfilled. Air becomes incommensurate and expands, the pressure drops. There will be no order and the final project will never be achieved. \n	Here no object hulks above the others.\n\n(all images: archival inkjet print on Hahnemuhle Photorag 308 gsm, dibond, glass, chest frame (oiled or colored).)\n(sizes are varied from 45x30cm up to 150x100cm, each exhibition is a custom and unique in composition)\n(the series has been so far presented in 2017 in Vienna, Austria and in Warsaw, Poland)', NULL, NULL, 'White cube, post-industrial space or utility space - either works. Interior, urban. Pure, raw walls are equally fine - as it focuses more on the intellectual and emotional aspect of the body of work; as an already set-up space, in daily use, filled with objects - which in turn provides context to be interrupted and intervened in. The final choice (work-focus or environment-focus) depends on the ultimate concept to be consulted with the curators.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3934, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3350, NULL, '2020-06-11 13:57:50', '2020-08-11 22:24:07', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29607, 'Z9Lm4XCixowj9zHF', 'Trumptard_Fake News Dance', NULL, 'The \"Fake News Dance\" project is a live audio visual performance based on Live Visuals. The purpose of the project is to create a changing experimental pop art image (Generative art, real time animation) and it relates to depth information of a silhouette. The content of the project references to the question: \"If we could multiply the trumptards what would happen?\". Or has this not already been done?\n\n\"Trumptard\": When someone\'s stupidity transcends his ignorance.\nWhat will happen if we clone Donald Trump? or maybe it\'s already happening... What if we were trying to distort Trump\'s face, for understanding his thoughts...This project addresses Donald Trump\'s ideology. It takes his face or his speeches as a primary input source and finally, creates an interactive artwork in which POTUS is under criticism.\n\nSoftware: Touch Designer, Ableton Live: Granural synthesis in Ableton\'s Simpler.\nHardware: Depth camera, digital & analogue synthesizers.', NULL, NULL, 'Full HD resolution. 16:9. Projection with over 4000 lumens', NULL, 'artist', NULL, NULL, 'https://vimeo.com/394133666', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3218, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2769, NULL, '2020-06-11 14:02:56', '2020-08-10 15:02:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29608, 'tOKp9J7q0ZmpPOhV', 'Desmontar el reloj del amo', NULL, 'Este proyecto se estructura como una serie de intervenciones en el espacio acompañadas de un programa de performances, talleres y edición de fanzines.\n\nDesmontar el reloj del amo se sitúa en la crisis de un sistema-mundo moderno donde la idea de nación y ciudadanía están en cuestión. Analizando los circuitos coloniales que organizan el planeta, lxs artistas de este proyecto plantean configuraciones del espacio y el tiempo que puedan dar pie a otros mundos posibles.\n\nLas performances del colectivo queer Black Quantum Futurism y de Solange Jacobs cuestionan perspectivas temporales hegemónicas a través del cuerpo. Lxs artistas Azahara Cerezo, Matthew Galloway y Sergio Zevallos realizan intervenciones que muestran las tensiones entre tecnología, territorio y raza. Los vídeoensayos sobre la historia negra del Atlántico de Ayesha Hameed y los proyectos colaborativos de Saray Pérez Castilla profundizan en la memoria de las diásporas y de los cuerpos excluidos, mientras que Duen Sacchi y Silvana Torres analizan cómo la exclusión de los pueblos originarios ha estructurado la nación moderna.\n\nLa estructura descentralizada de Bienalsur y el peso que en su km 0 tiene el Hotel de Inmigrantes, es un punto de partida para pensar los flujos de capital y cuerpos que han dado forma a la globalización capitalista, y para realizar un proyecto que se formaliza cuestionando el formato clásico de la exposición a través de actividades que involucren al público de múltiples formas.', '-Black Quantum Futurism (Rasheedah Phillips+Camae Ayewa), EEUU, www.blackquantumfuturism.com\n\n-Azahara Cerezo, España, www.azaharacerezo.com\n\n-Matthew Galloway, Nueva Zelanda, www.matthew-galloway.co.nz\n\n-S. Ayesha Hameed, Reino Unido, www.gold.ac.uk/visual-cultures/staff/hameed-ayesha\n\n-Solange Jacobs, Perú, www.solangejacobs.com\n\n-Saray Pérez Castilla, España, www.paisajesinvisibles.org\n\n-Duen Sacchi, Argentina, www.duensacchi.myportfolio.com\n\n-Silvana Torres, Argentina, youtu.be/K9FMQyNuZKg\n \n-Sergio Zevallos, Perú, www.sergiozevallos.net', NULL, 'Desmontar el reloj del amo plantea una estructura flexible que responde a la centralidad del Hotel de inmigrantes y a su historia, pero que puede adaptarse a otros lugares. Al ser una suma de intervenciones físicas y performance, talleres y publicación de fanzines, puede realizarse en un espacio expositivo fisicamente reducido que funcione como lugar de encuentro. Podría realizarse en una única sala o de forma expandida uniendo diferentes lugares (exteriores, cafetería, bibliotecas…).', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4009, NULL, NULL, 1, 1, NULL, NULL, NULL, NULL, NULL, NULL, 'Es complejo reducir este proyecto a un listado de obras, su mayor interés está en el proceso en relación con el contexto donde se realice. Espero tener oportunidad de presentar el proyecto de un modo que permita mayor extensión y profundidad en el contenido de las obras, o mediante una entrevista.', 'si', 'Las obras se dividen en tres tipos: intervenciones, fanzines y actividades. Las intervenciones responderán a la arquitectura donde se realice el proyecto, en el caso de Cerezo y Galloway a través de inserciones mediante ondas de radio y vinilo adhesivo, en el caso de Sa [no me admite más carácteres]', NULL, NULL, NULL, NULL, 'Los fanzines buscan dar una extensión de Desmontar…, no solo en el espacio, sino sobre todo en el tiempo. Consisten en traducciones de textos que no han sido publicados en castellano y materiales de procesos reelaborados para ser leídos en un contexto más intimo que el  [no me admite más carácteres]', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2, 3415, 5, '2020-06-11 14:12:05', '2020-09-03 03:47:47', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29609, 'MiY30vljOFVylBiF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 14:15:24', '2020-06-11 14:15:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29610, 'FhbH6YFR96zmh0zv', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 14:18:18', '2020-06-11 14:18:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29611, 'xjAYtQgP1c4PallL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 14:40:02', '2020-06-11 14:40:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29612, 'YlN1JKk4rIDlcxxr', 'Figures', NULL, 'Figures explores endless cause-and-effect relations of  mass production, global mobility, and current geopolitical tensions. Simultaneously, the exhibition discusses issues associated to the creation of art—related to Walter Benjamin’s essay The Work of Art in the Age of Mechanical Reproduction. What happens when the uniqueness of an artwork is replaced by mass replication, and the features that characterise art, such as exclusiveness, are questioned? \n\nReflecting on the photographic camera’s ability to replicate and reproduce views otherwise invisible for the human eye the series Royals depict the postage stamp series used since 1967, which depicts Queen Elizabeth II. The series portrays a relief by British artist Arnold Machin, and it is said to be the most replicated art object in the world. Since the release of the series in June 1967, more than 220 billion copies have been printed. \n\nThrough bodily presence and active participation on the installation the performance 5 kilograms acts as a provocation on questions regarding notions of artistic productivity, labour, production and distribution. While pointing out the problematizes of the ‘art object’ and production, the installation (Un)Finished, consisting of sculptured oil canister, variations emphasises the difference between industrial and artistic production—the final result is always slightly altered, both physically and mentally.', NULL, NULL, 'Suggested Exhibition Space : \'Gallery setting\'\nRequiremrents: Floor space and/or wall space\n\nTitle: (Un)finished , 2019\nMaterials:Plaster, silicone, rubber straps, transport roller, metal rack\nType: Installation\nSize: Approx. 180 x 60 x 80 cm (metal rack) &  extra floor spaces for sculptures*\n\nTitle: Royals, 2019\nMaterial: Archival pigment prints, framed\nSize:122.8 x 151cm\nType: Printed works\n\n*The installation can be presented individually \n\nSee image link for spesific details', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, 'https://drive.google.com/drive/folders/1C2tndW6b-QQ5P7xtd9bNiOgrmZSFpnfP?usp=sharing', NULL, NULL, NULL, 3256, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2803, NULL, '2020-06-11 14:44:53', '2020-08-15 01:08:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29613, 'bxBRfJYkHSR5meM4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 14:47:39', '2020-06-11 14:47:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29614, 'MRJ572ZJPZZRn6FD', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 14:50:01', '2020-06-11 14:50:01', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29615, 'OGjn1MVsC4w5KITF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 14:51:46', '2020-06-11 14:51:46', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29616, 'uXkDDWgH1WzUzjNK', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 14:57:54', '2020-06-11 14:57:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29617, 'RSKR4APgpoHytU49', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:07:57', '2020-06-11 15:07:57', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29618, 'DZ5J34bs7Y8Jcu4E', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:11:16', '2020-06-11 15:11:16', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29619, 'UsHI3dYLs6rKhcj0', 'Surface Drawings', NULL, 'With the quarantine, I started to see old paintings as surfaces that I could use to make recordings of my days. Being confined at home, I started to gather objects I could find in the garden, such as leaves, flowers, pieces of ceramics, old chunks of dried paint, broken pencil tips – they represented what had happened that day. In a similar fashion, I started to write my thoughts, lyrics of songs I was listening to, pieces of conversations I had over the phone, things I wish I could do. \nThese paintings became diaries, a reflection of my inner world. They are extremely delicate, its elements small: to see them the viewer must come closer, must try to piece together the fragmentary nature of the work. The conclusion is not linear, and it’s up to each person to construct their narrative, their surface.\n\nI called them Surface Drawings, playing on its double meaning. In a sense, you can interpret “Surface” as superficial; On the other hand, the title Surface Drawings also arises from its method: they are drawings on a surface, and their value resides in that. \n\nWhat I propose is an exhibition of these works, which are as follow:\n\n\"Surface Drawing I: I Dislike American Humour\" oil and coloured pencil on paper, 65x50 cm\n\"Surface Drawing II: Untitled\", oil, coloured pencil and found objects on canvas, 80x50 cm\n\"Tyngde\", oil, coloured pencil and found objects on twill cotton, 65,5x36 cm\n\"Stillness\", oil, coloured pencil and found objects on twill cotton, 108,5x86,5 cm', NULL, NULL, 'The ideal exhibition space would be a white cube. The four works would be displayed as such:\nThe two Surface Drawings (\'I Dislike American Humour\' and \'Untilted\') would be side by side, minding the following measurements:\nSurface Drawing I: I Dislike American Humour - 65x50 cm\nSurface Drawing II: Untitled - 80 x 50 cm\n\nFacing them would be the other two works, minding the following measurements:\nTyngde - 65,5x36 cm\nStillness - 108,5 x 86,5 cm\n\nMinimum space for the exhibition: 5m x 5m', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3997, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3402, NULL, '2020-06-11 15:21:29', '2020-07-03 19:31:09', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29620, 'u6GeticAhaJqGgmE', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:25:04', '2020-06-11 15:25:04', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29621, 'SwQvV8h0yYLL56YY', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:25:42', '2020-06-11 15:25:42', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29622, 'N9zZioNbzqAmKxKm', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:36:58', '2020-06-11 15:36:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29623, 'M2egoDCv0cEY8yb9', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:41:48', '2020-06-11 15:41:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29624, 'ouovAOxd4RtVMz2Z', 'El quién de las cosas', NULL, 'Lo desconocido. El miedo a lo que es extranjero, extraño a nuestros supuestamente cerrados paisajes y cuerpos. El “quién de las cosas” (Grande Sertão Veredas, de Guimarães Rosa), una entidad escondida e ignorada para preservar la naturaleza en su estado de objeto o bien de artefacto doméstico. \n\nLa amenaza de la mujer que toma las riendas. La medusa como algo escurridizo y venenoso, la avispa rápida y dolorosa. Los monstruos que encarnan el miedo patriarcal a la mujer e ilustran la violencia con que los hombres hacen cumplir los tradicionales roles femeninos. \n\nEl miedo al roce, al tocar, a lo físico, a la contaminación de los cuerpos. Pero a la vez tan necesario. \n\nLa opacidad de lo que aparece debajo de la superficie de repente se ilumina a través de la veloz danza de criaturas anómalas, como si semillas monstruosas estuvieran creciendo debajo del reino de la razón y la conciencia. Una máscara esconde su intención, el miedo se transforma en materia. Las sombras adquieren vida. Los objetos exploran los límites de la plasticidad. \n\nLa exposición navega por diferentes latitudes, entidades y mitologías de tiempos pasados, presentes y futuros con objetos que, aunque parezcan repulsivos en un primer momento, son extrañamente familiares a los sentidos de aquellos que quieran excavar las capas más profundas de la realidad, de lo que todavía necesita ser comprendido, para pensar en encontrar allí sentido a lo que nos rodea.', 'Caroline Achaintre (FR) http://carolineachaintre.com\nChiara Camoni (IT) http://www.chiaracamoni.net\nErika Verzutti (BR) http://verzutti.com/en/works\nJune Crespo (ES) https://junecrespo.com\nSara Ramo (ES) http://travesiacuatro.com/artista/sara-ramo/\nSolange Pessoa (BR) https://mendeswooddm.com/en/exhibition/solange-pessoa\nSonia Gomes (BR) http://www.soniagomes.com.br', NULL, 'The Green Parrot es una plataforma curatorial que cuenta con cinco años de existencia, desde que abrió sus puertas en 2014 como espacio expositivo en el barrio Gótico de Barcelona. En 2016 se convierte en proyecto residente en la Fundación Antoni Tàpies y a partir de otoño de 2020 iniciará una nueva etapa como espacio expositivo y de residencias artísticas. Han trabajado con artistas internacionales como Daniel Steegmann Mangrané, Teresa Solar, Opavivará!, Basim Magdy, Shana Moulton, Ana Vaz.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4767, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4016, NULL, '2020-06-11 15:42:10', '2020-07-18 02:48:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29625, '0NuWyzZOulw8BnhJ', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:42:19', '2020-06-11 15:42:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29626, 'dWuMIzrkRr3vwEOs', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:47:23', '2020-06-11 15:47:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29627, 'VrCHShNbRSrtYTun', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:48:13', '2020-06-11 15:48:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29628, 'iPM7u08LWiIT4USi', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:53:25', '2020-06-11 15:53:25', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29629, 'zxtMGyGVJN421rLc', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:54:54', '2020-06-11 15:54:54', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29630, 'fY3UB9FCiz4nXhJo', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 15:54:58', '2020-06-11 15:54:58', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29631, 'UkEgik2IOopUC5Ed', 'Deyra ديرة', NULL, 'The grandiose of islamic architecture in Egypt on a backdrop of dramatic clouds and bright sky, sets the scene for this story. The story of \"Deyra\" which translates to houses in Egypt, behind these walls lies a very complex life, flamboyant and calm, each has its story.', NULL, NULL, '30cm x 42cm', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3223, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2772, NULL, '2020-06-11 16:03:36', '2020-06-26 20:01:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29632, 'fkMV850EbGO6V4lU', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:07:35', '2020-06-11 16:07:35', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29633, 'Ei9xYvZLohAOOwlf', 'Vesubio', NULL, 'Al habitar un escenario cambiante, asumimos que las variantes del espacio se producen durante un ciclo de tiempo y por la acción de agentes físicos o energéticos que actúan sobre la materia. Estos cambios generalmente nos trascienden e intentamos deducir a través de esas manifestaciones lo que ocurre con este espacio-tiempo que habitamos.\n\nLa escala humana con la que medimos nuestro entorno no siempre estuvo y tampoco estará, pero obliga a proyectarnos desde esos lugares que conocemos hacia otros inhóspitos. Este registro de pinturas y objetos intentan detener el tiempo en un espacio imposible para la humanidad, sostienen la supervivencia de un objeto para definir toda una era, un fenómeno como el nuestro. Las características en la producción cíclica de los objetos con las que está hecha la obra (cemento y trozos reutilizados), se condice con recientes deducciones de la vida en Pompeya antes de la erupción del Vesubio en el año 79, en donde según recientes descubrimientos ya se manejaba el concepto de reciclado o reutilización.\n\nAnte el mundo actual el tiempo parece mostrarse como dentro de un volcán, atractivo y en movimiento, y al cual solo podemos percibir desde un pequeño agujero, dejando oculto en el interior su verdadero y profundo sentido. Parece decirnos al oído que todo, en una constante danza, es arrasado por momentos para volver a empezar de una manera diferente.', NULL, NULL, 'El espacio expositivo sugerido es el Anfiteatro Romano de la Ciudad de Pompeya, Italia. Pudiendo ser modificado por algún otro que remita una relación discursiva con la obra.\nSi bien el proyecto presentado consta de cuatro pinturas sobre tela (2 de 240 x 160 cm, 310 x 150 cm, y 150 x 150 cm) y cerca de 15 objetos de cemento (con medidas de 10 x 10 x 12 cm hasta 20 x 40 x 80 cm) esta cantidad puede modificarse, ampliándose o reduciéndose, de acuerdo a características expositivas que éste tome.', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3425, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2933, NULL, '2020-06-11 16:16:54', '2020-07-01 01:37:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29634, 'pN6pIW7aJ0NA9vNC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:17:15', '2020-06-11 16:17:15', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29635, 'SRdZICo3ZtS5zKBg', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:21:48', '2020-06-11 16:21:48', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29636, 'h2hY7Fx1aKmWAoSq', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:25:10', '2020-06-11 16:25:10', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29637, 'I9i4esjerjKjzsj4', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:28:13', '2020-06-11 16:28:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29638, '33GCwSw468Ppu2zF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:30:18', '2020-06-11 16:30:18', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29639, 'uIAyDtrNIvAvnxnF', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:31:44', '2020-06-11 16:31:44', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29640, 'aAZ946OzwGbzg4ed', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:32:20', '2020-06-11 16:32:20', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29641, 'XpieFb9VFzZURLcX', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:32:21', '2020-06-11 16:32:21', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29642, 'ho6JGvw2FbZrc3Fk', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:35:13', '2020-06-11 16:35:13', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29643, 'r2d7Wo3BJ8HRvfen', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:36:38', '2020-06-11 16:36:38', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29644, 'zmWBjk1jwWzXdEfT', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:37:31', '2020-06-11 16:37:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29645, 'no6Nhh6PeXNWdsep', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:42:41', '2020-06-11 16:42:41', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29646, 'h2mCMQntQRiPXBoL', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:43:02', '2020-06-11 16:43:02', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29647, 'G0xl6E7VXaTS1Pfa', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:48:11', '2020-06-11 16:48:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29648, 'SivQdyDbePwICkn3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:50:19', '2020-06-11 16:50:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29649, 'eroRDNlT9UoKrywe', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:54:39', '2020-06-11 16:54:39', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29650, 'PFIoyBVhrRau4nOG', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:55:55', '2020-06-11 16:55:55', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29651, 'Jyro8MCIhhKA9Psu', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:56:19', '2020-06-11 16:56:19', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29652, '6nA22wBe3ugLddxO', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 16:57:32', '2020-06-11 16:57:32', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29653, 'f4y2ofPjuTxl9zBI', 'DE VER CIDADE, Brasília numa caixa de brincar', NULL, 'DE VER CIDADE, Brasília Numa Caixa de Brincar, obra do Coletivo ENTREVAZIOS, é uma ação artística-educativa que propõe aproximar crianças e adultos, da educação patrimonial e da fruição artística. A obra recria de forma lúdica, um espaço para a composição de narrativas com a cidade, sob o olhar e autoria da criança, a partir das escalas do plano urbanístico de Brasília: monumental, gregária, residencial e bucólica.\n\nA obra com 20 blocos acessíveis ao olhar e toque das crianças, mobiliza o corpo do adulto em direção ao chão, com um posicionamento intencional de baixar o nível da experiência que comumente se localiza na altura do olhar e toque dos adultos. A experiência estética tem fundamento nos estudos decoloniais da infância e tenta romper com as bases epistemológicas eurocêntricas, colonizadoras e em contraposição, abrir diálogos com as reflexões das pessoas subalternas que neste caso se configuram por aquelas que ocupam o nível mais baixo, as crianças.', NULL, NULL, 'A área de referência para o funcionamento ideal da instalação do DE VER CIDADE tem cerca de 100m². A  obra também necessita de um espaço auxiliar para manutenção. Para o espaço manutenção prevemos uma área mínima de 20m² que contemple um acesso próximo à área expositiva, de preferência no mesmo piso. Destacamos a possibilidade de instalarmos a obra em locais de circulação, desde que amparada do sol e da chuva, possibilitanto assim a interatividade e imersão entre os transeuntes.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=iZNTLPUMOSs', NULL, NULL, NULL, 'https://drive.google.com/drive/folders/126nLs0ku6hU8F6SFIx29QBZ2MKRTIweu?usp=sharing', 'ARQUIVOS DA OBRA', NULL, NULL, 5323, NULL, 748, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4420, NULL, '2020-06-11 16:59:04', '2020-07-28 03:39:05', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29654, 'FOdipDXW3Df85UiC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:00:24', '2020-06-11 17:00:24', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29655, 'fkEMWdcgYc15xSz2', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:01:37', '2020-06-11 17:01:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29656, 'EXSBJpMY0qCZFLnB', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:03:23', '2020-06-11 17:03:23', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29657, 'sRB1MvJHzpxKgQeA', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:06:08', '2020-06-11 17:06:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29658, 'zaTlOcqR2XS6V0qe', 'El Grito en el cielo', NULL, 'La presente propuesta pretende visibilizar la Emergencia por Violencia de Género, elevando bien alto el grito de “Ni una Menos”.\nEn distintos espacios a cielo abierto, se remontarán 30 barriletes,  llevando cada uno el nombre de las víctimas. Este número alude a que en nuestro país, estadísticamente, cada 30hs, la violencia de género se cobra una vida.\nPolitizar el cielo,  con la voluntad de tomar posición e incidir en el territorio,  pues el artivismo en la tierra  parece no alcanzar en la emergencia.  \nLa barrileteada aspira a crear un espacio de acción y participación, erigiéndose  como un gesto artístico-político que  convoca a la reflexión y a la toma de conciencia acerca de esta situación.  \nEste proyecto asumirá la forma itinerante y colaborativa, siendo susceptible de replicarse muchas veces, teniendo como protagonista a la comunidad local donde acontezca. Así, se multiplicarán las manos y  miradas haciendo de esta experiencia una  lucha colectiva,  y de la acción del viento una fuerza a favor que potencie este grito en el cielo.\nEl espacio público se constituye en un ámbito fecundo para la reflexión estética, política y social, y es en él donde las imágenes cobran mayor potencia para expresar reivindicaciones y avalar la conquista de derechos.  \nCaracterísticas formales: estructura plana formada por cañas e hilo de algodón; papel barrilete de diversos colores, estampados con sellos tipográficos, que irán conformando los nombres de las víctimas de feminicidios.', NULL, NULL, '“El Grito en el cielo” desborda los espacios de exposición tradicionales. Tomará por escenario distintos paisajes a cielo abierto, significativos a la causa. Por ejemplo, en la ciudad de Mar del Plata, se desplegará en la zona de Los Acantilados, sitio donde fue hallado el cuerpo de Claudia Repetto, victima de Feminicidio en el mes de marzo . \nEn cuanto a su dimensión temporal, será susceptible de replicarse en múltiples oportunidades y lugares, creando aquís y ahoras originales .', NULL, 'artist', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 5339, NULL, 749, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4433, NULL, '2020-06-11 17:06:11', '2020-08-08 02:34:45', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29659, 'YXJtxZQngrumxoGt', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:07:26', '2020-06-11 17:07:26', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29660, 'NE5hx3SCEQbTTWqS', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:17:28', '2020-06-11 17:17:28', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29661, '2SjRId8xHwPz2mnC', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:20:22', '2020-06-11 17:20:22', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29662, 'Sy6W7rMtKniUSle3', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:20:59', '2020-06-11 17:20:59', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29663, '0TBGgukoQUu7cLPK', '« Botánica »', NULL, '“BOTÁNICA” Instalación en porcelana \nAlgunos de mis últimos trabajos resultan de la composición de pequeñas piezas en porcelana de frágil apariencia, similares pero inevitablemente distintas unas de otras en su forma y mensaje. Cada pieza está realizada a mano, de manera artesanal, en espesores muy finos y delicados, lo cual las vuelve  únicas e irrepetibles. Cada una con su propia identidad y con un trabajo previo de búsqueda de texturas, colores, esmaltes y técnica. \nLa base es una composición de piezas realizadas en  porcelana líquida, finas líneas  que se entrelazan en dos espesores diferentes. Para la primera fase de cocción a 980 grados, algunas piezas fueron tratadas con óxido de cobre. Para la segunda fase a 1220 grados en algunas piezas se aplicó esmalte  incoloro o  esmalte con diferentes porcentajes de óxido de cobre. Sobre esta base hay aplicación de detalles realizados en porcelana pasta con diferentes esmaltes  a 1220 grados.\n\nEsta obra fue elegida como parte de la Biennale des Métiers D’Art « De Mains De Maîtres” Luxemburgo, Noviembre 2018', 'Gabriela Fiorenza\nargentina - italiana\nwww.gabrielafiorenza.com', NULL, '“Botánica”\n\nDimensiones: aprox. 100 x 80 cm \n\nMaterial: porcelana\n\nLa instalación se arma como un puzzle, sobre un soporte p.ej. pared. En principio se colocan sobre el soporte pequeños clavos en puntos predeterminados, para ir colocando las piezas.', NULL, 'curator', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3379, NULL, NULL, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 2899, NULL, '2020-06-11 17:21:51', '2020-07-01 01:36:31', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29664, 'zsA06FEHYE70ChK8', 'Intangible assets', NULL, 'This project aims to discuss the relation between body and space. It debates on how bodies are socially, physically and emotionally affected by space. It also discusses how the space is capable of being transfigured by its appropriation by bodies in movement. The exact moment of in-between body and space is what promotes a change in one\'s perception, providing the transformation of the existing relationship between these elements. This perception shift may be intangible but possesses the vicissitudes of physical presence. Once it happens in a clear state of consciousness, it can create a strong affectional bond that may change the way one relates with the space.\nThe investigation started from the contestation of neoliberal logic, which promotes a \"spectacularization of images” and an economical takeover of bodies and spaces, as well as undermining their subjectivities. Merleau-Ponty\'s concept of “chiasm” was an important point for this project. This philosophical concept was transposed into a performance by naming this moment of perception as “in-between”, which is when what is perceived is no longer external, but has not yet been completely absorbed as knowledge.\nThrough this, the work intends to return to the body its sensitive perception and its identification with space. Each body is unique and that is why the perceptions and productions of space are different. Thus the body can no longer be just a spectator. Space becomes part of the body. And the body becomes a work.', NULL, NULL, 'Suggested space of 50m² approximately, with 3m of ceiling height. Imagery works will be hung on walls. Translucent fabrics will be hung from the ceiling along the gallery. The video will be screened on these fabrics in a separated area. This design started from a sensorial use of space. Thus, it aims at the encounter of an intrinsic organicity of semiosis with the gallery. By putting reddish weavings between the exhibited work, space is incorporated, becoming a sign: a habitable red body.', NULL, 'artist', NULL, NULL, 'https://www.youtube.com/watch?v=CDBZWbJ-PDY&t=192s', NULL, NULL, NULL, NULL, NULL, NULL, NULL, 4441, NULL, 585, 0, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 3741, NULL, '2020-06-11 17:21:54', '2020-07-14 23:43:08', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29665, 'OcbGPMtTOBHDeQE1', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:22:52', '2020-06-11 17:22:52', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29666, 'L9MuuSAQCPVQUO2K', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:26:37', '2020-06-11 17:26:37', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29667, 'fbXTmNdeG4eWvCkP', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:27:43', '2020-06-11 17:27:43', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL),
(29668, 'Xg9b1AcJ3geiN2ye', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, 1, 0, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, '2020-06-11 17:28:11', '2020-06-11 17:28:11', NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL, NULL);
