Alluding to a ludic house of cards, the composition presents, through its pyramidal geometry, a set that symbolically deals with the political-economic games among the 21 largest world powers. Unstable and of multiple housecards, the complex has, in each unit of its interiors, the emblematic representation in paintings of money banknotes of these cultures that fall into two pieces to provide shelter for their own images.
The dynamics of powers happen from top to bottom: as the height advances, more selective become. At the top, a solitary banknotehouse in position, authoritarian in his power, depends on the others to survive at its peak. Thus, the most peripheral, structurally, have to support the whole.
On the reverse side of each unit, regular figures inspired by cobogós, typical in Brazilian architecture, are designated in the pieces to establish the relational interactions between the units' borders, figuring aims and targets.
Alien to the reasons, the manifested powers are subordinate to the tenuous socioeconomic relations, portrayed in a permanent process, being this process based on report by the Triennal Central Bank Survey, 2019.
The cultures presented in spite of demonstrating collaborative relationships are distinguished by orders and hierarchies that conform legitimations of powers exercised to each other; proposing, therefore, reflections to a socially fragile structure, to the point of collapse.